k a z u m a s u z u k i p o r t f o l i o
0 1 .
R e s u m e
0 2 .
U n s u n g
0 3 .
D r a m a t i c
0 4 .
V e n d i n g
0 5 .
T o k i
0 6 .
I n f i n i t y
0 7 .
D r i f t
H e r o
s p a c e
m a c h i n e s
k a k e r u
o f
k e n t c h i k u
T r a s h
O n e s e l f
E x p e r i e n c e 2013September-
Ericsson
2014September
Storytelling and Collaborative Research
Sweden and Japan
- Made Internet of Things user story
2013April-
Keio Media Design
2014September
System Assistant - 3D printer, lasercutter assistant
2014June-August Tokyo
Restrain Restaurant Designer
H o n o r s / A w a r d -The Japan Institute of Architects Kanto Kosinetu Kanagawa Area Club Diploma design contest 2013 Jury Masahiro Harada award -TOKAI university bachelor designing award -Japan Joint diploma design exposition 2013 Top8
- Designed business card for new restaurant
-Exhibit in KMD forum 2014
2014February-May
TED x Tokyo
Hikarie Hall
Space Designer
-Exhibit in ICC of Shibuya Spiral 2014
Shibuya, Tokyo
- Volunteered to curate and design conference space-entrance and reception area
2014January-February
Interactive Creation Camp
Spiral Building
User Experience Designer
C r e a t i v e
Shibuya , Tokyo
- Created interactive signs motion and touch
Architectural Design
Hand Drafting
Exhibition Design
Model Making
Product Planning
Branding
Story Telling
Illustration
UX Design
Package Design
User Interface Design
Print Design
Wire framing and user experience design 2013 August Shinagawa , Tokyo
k a z u m a
SONY Planner Intern - Assisted with research and design
s u z u k i
- Developed 3D scanner
s k i l l s
within the design solutions team
E d u c a t i o n
T e c h n i c a l
s k i l l s
Global Innovation Design
Vector works
Illustrator
Innovation Design Engineering
Cinema4D
Photoshop
Royal Collage of Art/
Maya
After Effect
Imperial College London
Solid works
Premiere
Industrial Design
Rhinoceros
Final cut
Pratt institute
Microsoft office
Arduino
2013 April -
MA in Media Design
Keynote
Processing
2016 March
Story making in Internet of things
PC and Mac platforms
MAX/MSP-MAX6
2014 Sept - Dec
2015 Jan - May
Keio Media Design 2009 April -
Bachelor of Architecture
2013 March
Department of Architecture and Building Engineering Tokai University
C o n t a c t (+81)9040977394 kazuma@kmd.keio.ac.jp kazuwasin.211@gmail.com
U n s u n g H e r o Identified problems Street performers often do not have any control of their stage/performance space on the streets. No general means for fans of certain street performers to locate them. No current effective solution for government management of street performers. Brief This concept proposes using stone tiles that can emit mist and light to create the street ‘stage’ for street performers. This could also allow for better scheduling and management of these performers.
Prototyping
Performers can choose desired place and time using event homepage.
the day before
want to do street perfoemore
get place in adminstration HP
need direction or not
Free
Fee
Temperate Play one's own work
show designs contents
Choose meaning of direction stop motion and meaning of direction start motion
The appointed day Do performance
Use motion for communication with audience
Main computer in bank. Ultrasonic humidifier and LED light for direction control.
Result Administration: Allows for better and more effective management of street performances. Street performer: Allows for better control of stage area using steam and light. Enhances and allows for performance even after dark. Audience: Event homepage allows audience to know in advance where and when different performers would be at. Show designer: Potential new market for stage and equipment design.
The silhouette animation changes based on how people express their
D r a m a t i c s p a c e
feelings through actions. Using the silhouette, people can create their own story. With the everyday actions we have already grown accustomed to, we can achieve a new experience. We can communicate with a character who was born out of action in space. Your motion begins to produce a story. You become a character.
I n t e r a c t i o n H e r e
y o u
c a n
d e l i c i o u s
r e s t a u r a n t t h e
t a b l e
m a k e f o r
w i l l
p a t r o n s
b e
y o u r
v i s i t e d w h o
b y w i l l
r e c o m m e n d a t i o n s o r d e r .
y o u
m e a l ,
y o u
a g a i n
b y
f i n i s h w i l l
s o m e
w h a t
y o u y o u
y o u r
b e
a n i m a l s
h a v e
W h e n
o t h e r
a n i m a l s
y o u r
W h e n
w i t h
b e g i n n i n g ,
v a r i o u s
y o u r
d i n i n g
e x p e r i e n c e
A t
s h a r e
v i s i t e d t h a t
c o n n e c t i o n
t o
a t e . p u s h
y o u r
p l a t e a w a y ,
t h e
s c r a m b l e
a n i m a l s t o w a r d s
s u r r o u n d i n g m a k e o t h e r
t a b l e s
w i l l o t h e r t o
r e c o m m e n d a t i o n s d i n e r s .
t o
N o r m a l
o p e r a t i o n
P r o j e c t e r
A n i m a t i o n
o u t p u t
g e n e r a t i o n
A R
A R
m a r k e r
m a r k e r
d e t e c t i o n
A n i m a t i o n
P r o j e c t
g e n e r a t i o n
o u t p u t
＝
j i t t e r
＝
L i b r a r y
＝
j i t t e r
I n t e r a c t i o n
T h e
i m a g e s
a c r y l i c
s o f t w a r e /
a r e
t a b l e
p r o j e c t e d
t o p
c o v e r e d
f r o m
a
b y
p i e c e
a
p r o j e c t o r o f
l o c a t e d
t h i n
w o o d
u n d e r
t h e
s h e e t .
m a x m s p A
i m a g e
h a r d w a r e / A n i m a t i o n
o u t p u t
T a b l e t o p : a c r y l i c T a b l e
w e b c a m
u n i t
: R I C O H
p l a t e + W o o d
l e g : L E R B E R G
P J
W X 4 1 4 1 + A 1 5 8 0 F
A R
i s
l o c a t e d
t h r o u g h
m a r k i n g s
t h e
i n
t h e
w e b c a m ,
p r i n t e d
o n
t h e
h a n g i n g t h e
l a m p .
s y s t e m
i s
B y a b l e
e v a l u a t i n g t o
d e t e c t
p l a t e .
v e n e e r * T h e
p r o j e c t o r
* T h e
p i e c e
b o a r d .
o f
i s
p l a c e d
t h i n
w o o d
u n d e r n e a t h
s h e e t
i s
t h e
f r o n t
a t t a c h e d
t o
d e s k .
t h e
a c r y l i c
t h e t h e
T h i s
i s
p r o t o t y p e
t e s t
u s i n g
o t h e r
a n i m a t i o n
V e n d i n g m a c h i n e s o f O n e s e l f
The vending machine of oneself takes 3D data of the user which the user can then download and share via SMS text. Not only can this serve practical functions such as ID photographs, but can also extend to entertainment uses such as photo booths in clubs or restaurants.
U s e r
e x p e r i e n c e
0 2 .
I n t e r a c t i o n
0 3 .
3 D
0 5 .
S e l e c t i o n
0 6 .
C o n f i r m a t i o n
d a t a
c o l l e c t i o n
o f
3 D
d a t a
0 1 .
D i s c o v e r y
0 4 .
D i s p l a y s
0 7 .
C o l l e c t i o n
モニタースタンドの大きさ o p t i o n s
o f
d a t a
P r o g r e s s
R a n g e s k e t c h
o f
t h e
s e n s o r
1F
F r a m e w o r k
s k e t c h e s
S e n s o r
→
↓
モニタースタンドの大きさ
センサーの領域
1F
PROXIMITY 0.8m - 2.5m USUAL 1.2m - 3.5m
c o v e r
1F
モニタースタンドの大きさ
センサーの領域
近接モード 0.8m - 2.5m 通常モード 1.2m - 3.5m
→
5150
近接モード 0.8m - 2.5m
5150
水平画角57.5°
電源
0.8m 1.2m
電源
椅子 テーブル
電源 受付
1.5m
1.5m
3.5m
最低動線
2F
電源ケーブル
7200
電源
電源
←
5200
セクション3
←
椅子
←
CH = 4450
電源ケーブル
4350
1800
↓
8150
受付 3.5m
セクション1
セクション2
3000
椅子 テーブル 1.5m
↓
8000
3.5m
1800
0.8m 1.2m
電源
3000
horizontal angle 57.5°
水平画角57.5°
↓
0.8m 1.2m
通常モード 1.2m - 3.5m
8000
I d e a
W i r e
f r a m e
Count（５second）
Idling
①
②
③
①
②
③
①
②
Choose 3D data of 4 tast
①
③
②
ラベル１
ipad
Picture
ipad
Picture
ipad
①
②
Thank you（５scond）
③
①
②
③
①
②
ラベル２
ラベル３
Video
③
Getting 3d model
③
ありがとうございました
５
Show 3d data（２秒 socond）
ラベル 4
Picture
ipad
Picture
ipad
Picture
ipad
←
ipad
静止画
ロゴデザイン
User recognize oneself when who
Count down start from 5 second.
User can choose 4 tast.
It show data which user chose.
come to front of this machine
Machine explain about how to take
Machine explain about how to choose
Machine explain about how to get
3D data using picture
4 tasteu using picture.
3D data using picture.
It take 3D data also It show to user
No reaction
Smart phone
It show“thank you very much”
User Gett link from QR code (1 分）
Getting QR code
1
2
User get 3D data
start
start
Decide
3 No reaction
No reaction
It show QR code 1min also It go to next page
User choose 1 to 4 button
User choose QRcode or sending
also user push decide button
mail to oneself
User get link from mail
scale : 1/100 ありがとうございました
User push start bottun
(展示用モニター＋モニタースタンド配置図 )
sending mail
4
User share to face bool or twitter.
2014.02.20 スパイラル会場プラン
getting QR code
start
sending email
It show“thank you very much”
2F
電源ケーブル
電源
最低動線
電源
5200
セクション3
電源
←
椅子
←
←
CH = 4450
電源ケーブル
4350
T h e 3 D
m o t i v e d a t a
o u t p u t
b e h i n d
t h i s
i n p u t
d e v i c e
d e v i c e s
s u c h
a s a s
d e s i g n
i s
t o
i n t r o d u c e
o p p o s e d
t o
c o m m o n
3 D
p r i n t e r s .
a
8150
←
7200
電源ケーブル
5200
2F
セク
T o k i k a k e r u k e n t c h i k u
The aging of architecture over time often results in a lost of information. Most people tend to associate aging of architecture with negatives aspects such as collapse, decay, etc. In this design, I wanted to create a positive conscious of the aging of architecture. This can be done through adding value to the architecture, the site and the community around it. The chosen site is the Yokosuka Factory in Uraga, Yokosuka-shi, Kanagawa-ken, which is an industrial building not currently in use.
A f t e r
A f t e r
B e f o r e
A f t e r
B e f o r e
B e f o r e
W h y
i s
b u t
n o t
T h i s
t h e t h e
a
a g e i n g
o f
s i t e
f o r
F a c t o r y ,
i n
U r a g a ,
d e c l i n e
o f
t h e
t o
c o n s c i o u s
s i t e t h e
I
w e a r
n e w
o f
t h e
a
d e s i r e d
a n d o f
t h e
t o
t o
t h e
a r c h i t e c t u r e
a
m o r e a n d t o
c i t y
v a l u e i n
o f
t o
o f
t o
v i s i t
p a r k
c h a n g e w i t h
s i t e
t h e b u i l d i n g o n e
o f
T h i s
Y o k o s u k a
e n a b l e
a g e i n g
t h e
w i t h i n
h i s t o r y .
r e c o n n e c t
s o c i e t y .
c i t y .
p o s i t i v e
a n d
t h e
a r c h i t e c t u r e
a s s o c i a t e d
h o p e s U r a g a
i s
u n u s e d
p o s i t i v e
m u s e u m
a i m
a n d
t h e
p e o p l e
a
i s
f o l l o w i n g
a n d
m o r e
a g e i n g
b u i l d i n g
d e s i g n
d i s c o v e r
T h e
t e a r
t o
r u n - d o w n
m o r e
a s p e c t s
a n d
F a c t o r y
t r y
p r o j e c t
K a n a g a w a
c r e a t e
f a c t o r y .
r e l a t e d
t o
c o n s c i o u s
t h i s
a
d e s i g n e d
n e g a t i v e
m e
i n d u s t r y
e n c o u r a g e -
w i n e
a r c h i t e c t u r e ?
p o s i t i v e
f a c t o r y
a n d
o f
o r
a r c h i t e c t u r e .
c h o s e n
o r d e r
j e a n s
p r o m p t e d
m o r e
Y o k o s u k a
I n
o f
a g e i n g
q u e s t i o n
c r e a t e
T h e
a g e i n g
p e o p l e
t o
0 1 _ E x t e r i o r T h e o f
f i r s t
o f
t h e
0 2 _ I n t e r i o r t h e
n e w l y a g i n g
B u i l d i n g /
i m p r e s s i o n
o u t s i d e
T h e
o f
t h a t
v i e w e r s
I n d u s t i a l w i l l
g e t
f r o m
r e m a i n s t h e
a g i n g
b u i l d i n g .
o f
B u i l d i n g
r e n o v a t e d
i n t e r i o r
o f
t h e
b u i l d i n g
c a n
c o n t r a s t
e x t e r i o r .
0 1
0 3 _ D w e l l i n g S p a c e s ( w h e r e t h e i n t e r i o r a n d S p a c e s o l d
w i t h i n
a n d
n e w
t h e
b u i l d i n g
0 2
e x t e r i o r
w h e r e
t h e
V a l u e
T h i s
b e t w e e n
o l d
a n d
n e w
a p p r e c i a t i o n
f o r
t h e
a g i n g
c o n t r a s t s
j u x t a p o s i t i o n
0 3
n e x t
p a g e
o f
o c c u r .
0 4 _ A d d e d
p e o p l e ’
m e e t )
0 3
c a n o f
h o p e f u l l y
i n c r e a s e
a r c h i t e c t u r e
N
EV
EV
do
w
n
GLÂą0
0 2
do
w
n
do
w
n
-3000
do
w
n
-6400
do
w
n
-7800
-11100
Main( guest) Neighborhood
0 3
I n f i n i t y T r a s h
The inspiration behind this art installation are two observations that I found during my stay in London - 1. There are a lot of trash on the streets of London. 2. Sometimes, it is dangerous to walk on the streets at night because they are often dimly lit. This piece of art aims to tackle these problems in a cheeky way - using trash as part of the light installation while providing extra illumination for the streets.
T h i s s o
i s
p e o p l e
n e a r . t o
s t o o l A s
c r e a t e
d e s i g n e d
w o u l d i t
i s
t h e
l i t
n o t u p
t o
b e
b e
a b l e
w i t h i n ,
i l l u s i o n
o f
a t o a n
r e v e r s e d
p y r a m i d
r e c o g n i z e i n f i n i t y
i t
u n t i l
m i r r o r
' e n d l e s s / i n f i n i t y
w i t h
t h e y
s y s t e m
t r a s h ' .
a n
a n g l e
a r e i s
u s e d
D r i f t
This product is inspired by driftwood and the fact that men normally do not like carrying a bag when they go out. This product aims to tackle this problem by creating a scarf that can also double function as a bag. Another advantage of this arrangement is the added security as the positioning of items in the bag (worn as a scarf) makes stealing almost impossible. The bag is able to change appearance depending on the amount of items inside. This is due to a change in shape but also a shift in angle which allows for more inner fabric (which is of a different colour) to be shown. This change takes inspiration from driftwood.