LIGHTING TECHNIQUES FILL FLASH
for beautiful photos
Photoflex has solved one of the most difficult situations photographers are confronted with. How to add light to your model/subject or product without affecting the background. In this issue of SSI there are many examples of well lit models with saturated backgrounds. Models shot in the shade, that are well lit, and many images that were shot in bright sunlight because of time constraints (the worst lighting conditions). All filled in by Photoflex Triton Flash Systems.
Difficult lighting situations are made simple by the Triton Flash. First, determine the maximum shutter speed your camera will allow you to use for Flash. Use this as a starting point for your exposure. Next, use the camera meter to get the “correct” f-stop exposure for your background. To flash fill in the model, you can dial in your desired exposure, by varying the output of the Triton flash with the variable power control on the back of the unit. Simple, quick and predictable results.
Assignment: How to add light to a model without affecting the background?
ADVANCED
Be sure to vary your shutter speed. You can always slow the shutter speed down to achieve a wide variety of background effects. There are many TTL systems that produce very good “correct exposures” for your images. But, correct exposures for whom? The camera manufacture determines what is correct, not your creative vision. Using the method described, you can determine what a correct exposure is for your work. Experiment with dark backgrounds and light subjects, or, use the flash to fill in shadows so the sun does not overpower your model. Move the flash to the side to create dramatic side or back lighting.
You take charge and you determine what is correct. The results will become predictable for you and may let you create your signature look. Experiment with gels and light modifiers such as soft-boxes, or bouncing the light off a building or tree. Play, play, play! Controlling the output of a flash in the past was to move the flash, to and away from, the subject/model to get the correct exposure. Now, Photoflex has changed this method. All that is necessary is finding a convenient location (with in the range of the flash maximum output), and simply adjusting the output using the varying power control. Hint: you will have more flash out-put options if you can position the flash just outside of camera view (unless your teaching a lesson for Photoflex). The light will also be softer, and if needed, you will have more directional control. The Triton system also has the best battery system on the market. I have used it in many different environments, from the hot and dry desert, to the wet Jungles of Peru; Hundreds to thousands of quality flash exposures. Suggestion: Try not to use your flash devise on high or maximum power unless you need maximum power. The battery will last longer during the day, produce less heat, and the recycle time will be much quicker. For more details about using fill flash or any other Photoflex products, go to www.Photoflex.com and check out their Lighting School. BILLY PEGRAM - PHOTOGRAPHER
BILLY PEGRAM
billy@redcometstudios.com 702.371.5796 www.swimsuitillustrated.com | 147