LACP Winter/Spring 2015 Educational Catalog

Page 1

Winter/Spring 2015

Formerly The Julia Dean Photo Workshops

Training You to Photograph Teaching You to See


Š Stephen Schafer

welcome to the

Los Angeles Center of Photography a 501(c)3 non-profit organization dedicated to supporting photographers and the photographic arts.

E xplore y o u r p h o to c r e a t i v i t y

with us 1515 Wilcox Avenue

Los Angeles, CA 90028

info@lacphoto.org

Parking is easy and plentiful

Become a Member

Join Our Newsletter

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Table of Contents

register early & receive great discounts

Early Bird Sale!

Letter from Julia Dean, Executive Director............................................................. 2 LACP Mission Statement................................................................................................ 2 LACP Board of Directors, Officers & Advisors ........................................................ 2 LACP Charter Members and Donors.......................................................................... 3 Become a Member of LACP.......................................................................................... 4 Donate to LACP.................................................................................................................. 5 Certificate Programs........................................................................................................ 6 One-Year Professional Program................................................................................... 7 Youth Program for Teens ...........................................................................................8-9 Workshop Calendar................................................................................................ 10-11 Programs and Services at LACP............................................................................... 12 Registration, Policies & Information........................................................................ 28 Sponsors...........................................................................................(Inside Back Cover) Educational Partners.....................................................................(Inside Back Cover)

A Holiday Gift From Us to You Save 20% on Tuition Now through December 16, 2014 Save 10% on Tuition December 17-January 6, 2015

Workshops Travel Workshops........................................................................................................... 13 Special Guests ........................................................................................................ 14-15 Photography Fundamentals....................................................................................... 16 Graphic Design & Multimedia.................................................................................... 17 Business of Photography............................................................................................ 17 Lighting & Portraiture............................................................................................18-19 Fine Art, Creativity & Alternative Processes................................................ 20-22 Photoshop & Lightroom............................................................................................... 23 Street Shooting............................................................................................................... 24 Documentary & Social Consciousness.................................................................. 25 The Los Angeles River Photo Adventure .............................................................. 25 Puerto Rico, 2016.......................................................................................................... 25 Specialized Photography...................................................................................... 26-27

register now!

323.464.0909 www.juliadean.com/category/workshops s p e ci a l t h a n k s t o o u r

work-study staff Aaron Jettleson Adrienne Jordon Aly Iwamoto Amy Bojanowski Angel Drinkwine Angelina Attwell Barbara Pal Basak Prince Beata Bernina Ben Bacon Berangere Altier Bonnie Blake Carmen Orange Carolina Korman Cassandra Plavoukos Chuck Hashbarger Cindy Crane Cristina Maxwell Dagney Kerr Dan Medel David Goldenberg

Travel Workshops Japan, Death Valley, SoCal Deserts, London, Hawaii........................................ 13

© Mandy Pacheco

Become a LACP Member www.juliadean.com/lacp/member-lacp Join Our Newsletter www.juliadean.com/registration/newsletter Follow Us on Facebook www.facebook.com/losangelescenterofphotography Follow Us on Twitter www.twitter.com/lacenterofphoto Follow Us on Instagram www.instagram.com/la_centerofphoto Follow Us on Pinterest www.pinterest.com/lacenterofphoto Follow Us on Tumblr www.lacenterofphoto.tumblr.com

From left: Kasia Czerski, Manager of Programs and Events Brandon Gannon, Director of Operations and Education Julia Dean, Executive Director

on most winter/spring 2015 workshops

General Information

Debbie Orfino Diane Nguyen Gary Quart Gina Cholick Gina Roston Izumi Tanaka Jack Castaneda Jane Szabo Jennifer Ruggiero Jun Tang Katharine Lotze Kathrin Chase KC Slagle Kristin Rabbits Larry Hernandez Lauren Willner Lee Corkett Lennox Foster Lisa Bevis Mandy Pacheco Maryalena Garcia Maureen Bond

Maureen Wilde Michael Beller Michele LoBosco Nancy Bruno Nicole Greenberg Nikki Washburn Noe’ Padilla Patty Lemke Penny Perri Sabine Pearlman Sabrina Valdez Safi Shabaik Saman Assefi Samantha Le Sheri Determan Stacey Kelly Stacey Scott Susan Jones Vaneh Petrossian Vicky Allen

1515 Wilcox Ave. • Los Angeles, CA 90028 P: 323.464.0909 • F: 323.464.0906 Email: info@lacphoto.org Website: www.juliadean.com Front cover photograph: “Motherland Calls Clearing Storm” © Michael Kirchoff Catalog design: Swell Design, Inc. w w w.juliadean.com

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Mission Statement Staff Julia Dean, Executive Director Brandon Gannon, Director of Operations and Education Kasia Czerski, Manager of Programs and Events

The Los Angeles Center of Photography is dedicated to supporting photographers and the photographic arts. LACP provides high-caliber classes, local and travel workshops, exhibitions, screenings, lectures, and community outreach efforts, including grants, need-based scholarships, and focused programming for youth and low-income families.

BOARD OF DIRECTORS Sandy Climan, President, Entertainment Media Ventures Julia Dean, Founder JDPW/LACP Ken Deemer, Private Investor, Philanthropist, Social Entrepreneur Michael Miller, Philanthropist, Angel Investor Aline Smithson, Fine Art Photographer, Founder/Editor, Lenscratch Todd Stern, Entertainment Attorney and Partner, Weintraub Tobin David Wexler, Owner, Hollywood Vaults Inc. OFFICERS President, Michael Miller Vice President, Julia Dean Secretary, Sherrie Berger Treasurer, Brandon Gannon BOARD OF ADVISORS Sam Abell Phil Borges Michael Robinson Chavez Ann Elliott Cutting Barbara Davidson Peter Fetterman Gil Garcetti Kurt Gerber Greg Gorman Mark Edward Harris Larry Hirshowitz R. Mac Holbert Douglas Kirkland Bobbi Lane Rick Loomis Gerd Ludwig Stephen McLaren Hank O’Neal Ibarionex Perello Fredric Roberts Marissa Roth Joel Sartore Allen Schaben Art Streiber Lee Varis Become a Member

Join Our Newsletter

Letter from the Executive Director Dear Friends, Over the last 15 years, we have produced 29 catalogs. The kind of catalog that you could hold and look through and flip the pages. But now with the savvy on-line world, we have made a big decision. We will not be producing a paper catalog any longer, but rather this on-line catalog. You can flip through it too, as the pages turn. One year has passed since we transitioned into the Los Angeles Center of Photography, with one milestone after another. We moved to a new specially-designed location. We had a grand opening and first members’ exhibition. We held a silent auction fund raiser with 167 prints. We hosted many guest speakers, offered 150 classes and a few contests, and worked on developing new plans to benefit our members and photo community. An exciting new development is LACP’s collaboration with several Boys & Girls Clubs. We’re sending LACP instructors to the Clubs to teach kids camera basics and how to document their own lives. There will be an annual exhibit at LACP to show off this work. We have new opportunities for members, including an on-line gallery on LACP’s website, where we will post one person’s portfolio per month. In addition, we have plans to post members’ news online once our new website is in place (which will be soon), as well as produce a “Members’ Quarterly” publication. The more money we raise, the more we can do! We have big plans. We hope you will be part of them. You can start by becoming a LACP member so we can keep you abreast of our ever-expanding array of opportunities. Thank you for reading, and thanks for your support of the Los Angeles Center of Photography.

Sincerely,

Julia Dean, Executive Director

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LACP charter members Sam Abell A. Jay Adler Lorenzo Aguilar Steve Albanese Tracy Albert Tom Alleman Nina Ansary Debe Arlook Karine Armen Saman Assefi Benedict Bacon Tami Bahat Akash Bajaj, M.D. Adolfo Banos David Barnard Donald Barnat Cindy Bendat Ian Benham Sherrie Berger Susan Berger Phil Beron Lisa Bevis John Birchak Bonnie Blake Maureen Bond Phil Borges Jim Brammer Maura Brennan Bob Bright Bill & Shelli Broder Emiliano Brooks-Luna Janet Bruington Steven Bushong Kathy Cahill Ellen Cantor Gabriel Carbajal Cirina Catania Rafiel Chait Jodi Champagne Harry B. Chandler Juana Chen Yue Chiong Gina Cholick Richard Chow Anne R. Claflin Gerhard Clausing Neala Coan Carl E. Coan Diane Cockerill Michael Colby Ladini Conder

Lee Corkett Marguerite Courtney Michaele Cozzi Cindy Crane Magela Crosignani Marian Crostic Kevin Cushing Kasia Czerski Julie Daniels Daniel C. Daugherty Barbara Davidson Julia Dean Nick Dean Ken Deemer Sheri Determan Lorraine Devon Wilke Eliana Deza Remington Douglass Jim Dugan Geena Duran Roland Dybuncio Anna Elledge Ann Elliot Cutting David Ellis Billy Sherman Espejel Nora Feddal Dene Feldman Peter Fetterman Sally Ann Field Tracy Fleischman Joe Flynn Bill Foley Lisa Folino Lennox Foster Kara Frans Rohina Gandhi Brandon Gannon Brian Gannon Deneen Gannon Dennis & Barbara Gannon Gil Garcetti Dana Gardner Suzanne Garner Elsa Gary Kurt Gerber Elena Gerli Noelle Gilbert Thomas Gnad Lawana Godwin

Pauline Gola Andrii Gomilko Michael E. Gordon Greg Gorman Melinda Graner Richard Greene Lisa Guerriero Roxanne Guez Jacob Halajian Maureen Haldeman Eric Hamburg Carolyn Hampton Mark Edward Harris Joe Harvard Helen Hasenfeld Hali Helfgott Larry Hernandez Larry Hirshowitz Judy Hoffman Ellen Hogue R. Mac Holbert Bootsy Holler Lauren Holt Michele Hubbs Michael Hyatt Mark Indig Audrey Israel Gary Jesse Ann Johansson Madhu John Jamie Johnson Gail Just Joni Kabana Robert Kalmbach Priscilla Kanady Arlene Karno Ronnie Kaufman Avedon Robbie Kaye Ty Keennon Anand Khokha Valerie Kim Michael Kirchoff Douglas Kirkland Sandra Klein Emily Knecht Kathryn Knudson Kristianne Koch Riddle Carolina Korman Chuck Koton Hannah Kozak Louis Kravitz

Caroline Labiner Brian Lahiere Susan B. Landau Bobbi Lane Robert Larson Eric Lassiter J.K. Lavin Gary Leadmon France Leclerc Stella Lee Joan Leesland Patty Lemke LensMaster Inc. Edith Levenson Caren Levin Jan Levine Shlomit Levy Bard Margaret T. Lewis Lawrence Lewis Caryl Lightfoot Matthew Lomba Rick Loomis Jasmine Lord Katharine Lotze Johnny Lu Gerd Ludwig Diana Lundin Jane Madelon Anthony Shari Marcacci Leba Marquez Erica Martin Linda Mason Mary Ann Mattiello Lisa McCord Laurie McCormick Stephen McLaren Daniel Medel Esben Melbye Armen Meymarian Michael Miller Larisa Moskalenko Katharine Moxham Brian Mundy Hal Myers Leslie Neale Marsha Niles Scott Norris Rick Nyhan Greg Nystrom Rachel O’Brien

Kristen O’Connor Hank O’Neal Kizzy O’Neal Debra Oh Debbie Orfino Octavia Osby Kathleen Ostridge Tony Owen Michelle Owen Barbara Pal Angelo Palazzo Gerald M. Panter Jane Paradise Sylvia Patton Ibarionex Perello Kristen Perman Jacqueline Peters Cynthia Peterson Vaneh Petrossian John Phillips Photo 24 Inc. Eric Politzer Lori Pond Sandy Post Richard Procello Michael Pruner Gary Quart Nataly Rader Marco Sotelo Regil Jessica Reinhardt Fredric Roberts Michael Robertson Michael Robinson Chavez Marissa Roth Michel Roy Barbara Ruffini Rick Russell Tania Saffari Patricia Sandler Vera Santamaria Joel Sartore Scott Sasseen Allen Schaben Peter Schlesinger Bob Schmolze Soumaya S. Schnur Jane Schulman Norman Schwartz Stacey Scott Tim Scott

Valerie Serna Safi Alia Shabaik Rina Shapira Kelly Sheehan-Funk Jerry Shevick Al Shore Diane Silverman Catherine W. Singer Dana Smillie Cassandra Smith Aline Smithson Daniel Sofer Verner Soler Sebastian Spader Taylor Spruth Donna K. Stellini Spencer Stephens Todd Stern Ashly Stohl George Stoneman Art Streiber Debbi K. Swanson Patrick Susan Swihart John Symonds Syracuse University Jane Szabo Izumi Tanaka Sal Taylor Kydd Patricia Toler Bob Tully Frank A. Turner Brian Van de Wetering Ariel Vardi Lee Varis Susan Vasconcelos Mary & Jerry Vaughan Apollo Victoria Marta Villanueva Stephen Weissberger Blair Wells David Wexler Felice Willat Lauren Willner Christine Woertink Jacyln Wojick Cheryl Wolfe Mark Woods Jonas Yip Guy Zabell Slav Zatoka Salpy Zetlian Slavyana Zinovyeva

Sandy Post Robert Sherman Rocky Nook, Inc. Akash Bajaj, M.D. R.S. Nylan Noe Padilla Adrienne & Charles Stern

George Stoneman Martin Herrera Iris Schneider Brandy Trigueros George & Mary Lynn Tuck Mary & Jerry Vaughn Ken Bentley David Wexler

LACP DONORS Founding Sponsors

Patron

Michael & Hayley Miller Nina Ansary Pamela Seymon

Roth Family Foundation Sylvia Patton Susan & Jim Clifton

Benefactor

Supporters

Canon, USA California Community Foundation

Universal Art Gallery Ken Deemer Bill & Shelli Broder

Penny Fogel Dennis & Barbara Gannon Cynthia Leuty Jones Gary Kemper Louis Kravitz Kristen O’Connor Bud & Anne Pagel

C. Robert Kidder Elizabeth Gregory David Ellis ASMP Los Angeles Michaele Cozzi Steven Rood Kathleen McKeen Geena Duran 3

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Support the Los Angeles Center of Photography Become a Member! Select one of the four photographic processes levels below: (1) Wet Plate Collodion – $95/year (2) Cyanotype – $500/year (3) Silver Gelatin – $1,000/year (4) Palladium – $2,500/year

How to

Wet Plate Collodion level = $95/year For $95/year receive all these benefits: Annual Members Exhibition Book Signings Chance for Cover Photo on Catalog Curated Exhibition Discounted Entry Fees for Contests Discounts with our Business Sponsors Free Events (lectures, slideshows) Half Price Rentals at LACP (studio and digital lab) Involvement in Open House Portfolio Night and Book Show Off Movie Nights National & International Exhibition Post Members News in LACP’s Facebook Page, Newsletter and/or Website Subscription to LACP’s E-newsletter Save $1,000 on Gallery Rental

Become Involved and Support

Cyanotype level = $500/year For $500/year receive all these benefits: All of the above (3) Free Raffle Tickets at Spring Open House Discount off Print Purchases Save $2,000 on Gallery Rental

You may become a supporting LACP member in one of three ways: 1 Phone Please call 323-464-0909

Silver Gelatin level = $1,000/year For $1,000/year receive all these benefits:

2 CHECK Please mail a check payable to: Los Angeles Center of Photography 1515 Wilcox Avenue Los Angeles, CA 90028

All of the above 10% Discount on Classes and Workshops (2) Complimentary Tickets to Annual Fund Raiser Invitations to Private Events with Visiting Artists Palladium level = $2,500/year For $2,500/year receive all these benefits:

3 ONLINE Visit us online at www.juliadean.com/lacp/ member-lacp

Become a Member

Join Our Newsletter

All of the above Sponsorship of an Upcoming Exhibition

Follow Us


Support the Los Angeles Center of Photography DONATE! The Los Angeles Center of Photography is a 501(c)3 tax-exempt charitable organization. This means that your donation is tax-deductible.

>

You may verify LACP’s status by visiting the IRS website www.apps.irs.gov/app/eos and using EIN # 46-3133016.

> With our new status, we have very big plans for the future, including: an after-school program for low-income families, scholarships for classes, grants for emerging and contemporary photographers, curated exhibits, expanded event programming, a traditional darkroom, and more.

How to Become Involved and Support

> Your support is what keeps LACP growing. We encourage you to make a tax-deductible donation, for any amount, today. No donation is too small!

Your Donation Will Help Support After-school programs for low-income families in collaboration with the Boys & Girls Club (Our first goal is buying ten cameras.) Scholarships for workshops and classes Grants for emerging and contemporary photographers Exhibits for emerging and contemporary photographers Community programs and events (high-profile guest speakers, portfolio nights, movie nights with producers and directors, book signings and more) Traditional wet darkroom Infrastructure and equipment

You may DONATE TO LACP in one of three ways: 1 Phone Please call 323-464-0909 2 CHECK Please mail a check payable to: Los Angeles Center of Photography 1515 Wilcox Avenue Los Angeles, CA 90028 3 ONLINE Visit us online at www.juliadean.com/lacp/ donate-to-lacp


Certificate Programs

Enroll in a Certificate Program! Developed solely and independently by the Los Angeles Center of Photography, the Certificate Programs in Photography offer students a focused and comprehensive course of study. Students can choose from four different programs:

General Course of Study Commercial Fine Art & Documentary Self-Designed No application necessary and students can enroll at any time during the year.

For more information, please visit www.juliadean.com/programs-services/certificate-programs or call 323-464-0909.

Each student enrolling in a certificate program will receive

25% off tuition


One-Year Professional Program Immerse Yourself in an Intense One-Year Program of Study Designed for the student passionate about learning photography, the One-Year Professional Program offers an ideal environment for students looking to prepare for college or graduate study, change career paths, network with fellow photographers, learn from working professionals, or simply refine their photographic skill set. Application is required for acceptance. Students can choose to begin their studies in either January, 2015 or July, 2015.

(

(

[Enrolling in the One-Year Professional Program] is the best decision I’ve made for myself in a very long

time. I have watched my skill level expand exponentially and my output of imagery improve [tremendously]. LACP staff and teachers are more than supportive community; they have become my social friends and what

I think of as family. I have reshaped my life and I’m readying myself to go out on my own and build a clientele.

Clockwise from top left: © Franny Lacuzzi, © Agnes Wong, © Guy Zabell, © Franny Lacuzzi © John Birchak, © Sabine Pearlman, © Lorance Photography, Background image: © Maura Brennan

– Juliet Deissroth, 2013 Graduate

For more information, please visit www.juliadean.com/programs-services/one-year-professional-program or call 323-464-0909.


Youth Program The Los Angeles Center of Photography is especially proud to offer classes in photography specifically designed to educate and enrich the lives of Los Angeles’ city youth.

Designed for students in Middle School & High School (ages 12-18).

Encourage your teen to become involved

Clockwise from top: © Julia Dean, © Maureen Bond, © Jasmine Lord, © Julia Dean, © Julia Dean, © Julia Dean, © Maureen Bond, © Jasmine Lord


All Year Round! After-School Classes Summer Classes

. . ...............................................................

. . ............................................

All Year

June 22-July 31

with the arts and the wonderful world of photography!

For more information please visit www.juliadean.com/programs-services/ youth-program or call 323-464-0909.


jANUARY

1/13-2/10: Fashion Photography on Location with Jennifer Emery (Six sessions).................................................. 27 1/14-2/18: Creative Portraiture with Ken Merfeld (Six sessions)................................................................................... 21 1/23-25: Turning Ideas into Pictures with Cig Harvey (Weekend intensive)........................................................... 14 1/26-7/6: Street Shooting 1 with Julia Dean (Six months)............................................................................................ 24 1/27-2/19: Basic Digital Photography for Teens–Part 1 (ages 12-18) with Maia Anderson.............................. 8-9 1/27-29: Getting to Know Your Mac with Tanya Robinson (Two sessions)................................................... 16 & 23 1/28-8/26: The Personal Project with Aline Smithson (Eight months)......................................................................... 20 1/29-3/12: Conceptual Photography with Ann Elliott Cutting (Six sessions).............................................................. 26

1/31: How to Use a Digital Camera: SLR with Amanda Keller-Konya (One day)............................................. 16

Winter/ Spring 2015 Workshop Calendar

FEBRUARY

2/2-7/13: 2/4-3/4: 2/7: 2/9-13:

Street Shooting 2 with Julia Dean (Six months)............................................................................................ 24 The Photographer’s Eye with Thomas Alleman (Six sessions).................................................................. 20 Lighting 101: Light Anything, Anytime, Anywhere with Stephen Schafer (One day).......................... 18 Introduction to Location Lighting with Jock McDonald (One week)........................................................ 19 2/9-3/2: Introduction to Adobe Lightroom with Michael Pliskin (Six sessions)..................................................... 23 2/9-6/22: Street Shooting 3 with Julia Dean (Five months).......................................................................................... 24

2/17-3/5: 2/17-3/31: 2/21:

In the Footsteps of Walker Evans: The Documentary Project with Marissa Roth (Seven sessions).................................................................................................................. 25 Discovering the Artist Within with Rose Eichenbaum (Six sessions)....................................................... 21 Environmental Portraiture with Mark Edward Harris (One day.................................................................. 19 2/23-3/18: The Special Project for Teens (ages 12-18) with Andrea Passarella.................................................... 8-9 2/23-3/30: Basic Photography with Peter Bennett (Six sessions)................................................................................. 16 2/27-3/1: Coming to Focus with Matt Black (Weekend intensive).............................................................................. 14

MARCH

3/4-4/8: 3/7: 3/10-31: 3/12-15: 3/14: 3/17-26: 3/27-29:

The Self-Portrait with Ken Merfeld (Six sessions)......................................................................................... 21 The Artistry of the Female Nude with Renée Jacobs (One day)............................................................... 27 The Steps to Success: Establishing Your Career as Photographer with Sherrie Berger (Four sessions).................................................................................................................. 17 Death Valley National Park with Michael E. Gordon (Four days)............................................................... 13 Introduction to Large Format Photography with Stephen Schafer (One day)....................................... 22 Introduction to Photoshop 1 with Ed Freeman (Four sessions)................................................................ 23 The New Painters: Finding Your Vision in Fashion with Sheila Metzner (Weekend intensive)......... 14

APRIL

4/7-23: 4/8-5/13: 4/9-12: 4/11-13:

Introduction to Photoshop 2 with Ed Freeman (Six sessions)................................................................... 23 After the Basics: Intermediate Photography with Peter Bennett (Six sessions)................................... 16 Hidden Eccentricities: Southern California Desert Adventures with Astor Morgan (Four days)........... 13 Chasing the Light: Discovering Great Portrait Locations with Jock McDonald (Two sessions)....... 19

10 Become a Member Become a Member

Join Our Newsletter Join Our Newsletter

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W I N T E R / S P R I N G 2 0 1 5 W o r k s h o p C a l en d a r

1/13-2/23: The Next Step 2 with Aline Smithson (Four sessions)................................................................................. 20


4/13-5/4: The Complete Actor’s Headshot Workshop with Brad Buckman (Six sessions).................................. 26

4/13-5/6: Basic Digital Photography for Teens–Part 1 (ages 12-18) with Eric O’Connell................................ 8-9

4/14-5/26: Basic Photography with Rebecca Truszkowski (Six sessions)................................................................... 16

4/17-19: Real People Portraits: Start to Finish with Bobbi Lane & Lee Varis (Weekend intensive)................. 14

4/23-6/4: Introduction to Studio Lighting with Kawai Matthews (Six sessions)...................................................... 18

4/25: The Los Angeles River Photo Adventure with Peter Bennett (One day)................................................. 25

4/25: One Day of Street Shooting with Julia Dean (One day)............................................................................... 24

4/28-30: Getting to Know Your Mac with Tanya Robinson (Two sessions)................................................... 16 & 23

MAY

5/1-3: Light, Shadow, Night and Twilight with David H. Wells (Weekend intensive)........................................ 15

5/2-3: The Wet Plate Collodion Workshop with Allan Barnes (Two days)........................................................... 22

5/4-20: Introduction to Adobe InDesign with Michael Pliskin (Six sessions)........................................................ 17

5/6-6/10: The Art of Photography: Your Creative Approach with Ken Merfeld (Six sessions)............................. 21

5/9-11: Location Lighting: A Two-Day Workshop with Dean Zulich (Two sessions)........................................... 19

5/11-15: Basic Photography with Peter Bennett (One week)...................................................................................... 16

5/12-28: Audio Slideshows: An Introduction to Visual Storytelling with Albert Lee (Six sessions)................... 17

5/12-6/4: Basic Digital Photography for Teens– Part 2 (ages 12-18) with Lee Corkett..................................... 8-9

Winter/

5/12-6/23: The Next Step 1 with Aline Smithson (Six sessions).................................................................................... 20

Spring 2015

5/15-18: Street Shooting in London with David Gibson (Four days)......................................................................... 13

Workshop

5/16-17: Cityscape as Fine Art with Jason Langer (Two days)................................................................................... 26

Calendar

5/18-22: After the Basics: Intermediate Photography with Kawai Matthews (One week).................................. 16

5/30: How to Use a Digital Camera: SLR with Amanda Keller-Konya (One day)............................................. 16

5/31: Crash Flash 1: On-Camera Flash with Julia Dean (One day).................................................................... 18

JUNE

6/3-24: The Art and Business of Wedding Photography with Linda Lews (Six sessions)................................ 26

6/7: Crash Flash 2: Off-Camera Flash with Julia Dean (One day).................................................................... 18

6/9-30: The Business of Photography: Everything You Need to Know with Leigh Andersen (Four sessions)................................................................................................................ 17

6/11-14: Hawaiian Island of Oahu with Jim Sanderson (Four days)......................................................................... 13

6/12-14: The Black and White Master Print with George DeWolfe (Weekend intensive)................................... 15

6/20: Boudoir with Jennifer Emery (One day)............................................................................................................ 27

6/27-28: Stop, Drop and Shoot: The Magazine Assignment with Kevin Scanlon (Two days)............................ 27

JULY

7/24-26: Flash in LA! On-Location and In-Studio with Joe McNally (Weekend intensive).......................... 15

Summer Photography Program for Teens (ages 12-18) – June and July............................................ 8-9

6 11 w w w.juliadean.com

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The Los Angeles Center of Photography a 501(c)3 non-profit organization dedicated to supporting photographers and the photographic arts. Offering • Residencies

• Student & Gallery Rentals

• Memberships

• Member Exhibits

• Classes & Workshops

• Curated Exhibits

• Certificate Programs

• Teen Programs

• One-Year Professional Program

• Scholarships

• A fter-School Programs

• Grants for Photographers

for Low-Income Kids

• Contents

© Stephen Schafer

A World of Opportunity. Join Our Photographic Community Today!

1515 Wilcox Avenue

Los Angeles, CA 90028

info@lacphoto.org

Parking is easy and plentiful Become a Member

Join Our Newsletter

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323-464-0909


T r a v e l Workshops SoCal Desert Adventures © Astor Morgan, courtesy of the Noah Purifoy Foundation

Japan © Mark Edward Harris

Hawaii

© Marie Turner

Walk Japan with Mark Edward Harris February 6-15, 2015 Death Valley National Park with Michael E. Gordon March 12-15, 2015 Hidden Eccentricities: Southern CA Desert Adventures with Astor Morgan April 9-12, 2015 Street Shooting in London with David Gibson May 15-18, 2015

Death Valley © Michael E. Gordon

London © David Gibson

Hawaiin Island of Oahu with Jim Sanderson June 11-14, 2015

Travel Discover Photograph For more information call 323-464-0909 or visit www.juliadean.com/ category/workshops/travel


Coming to Focus with Matt Black

© Matt Black

© Cig Harvey

Turning Ideas into Pictures with Cig Harvey

Effective photographs are instantaneous and intuitive, but building a body of work requires thought and preparation. In this workshop we will focus on concrete strategies towards developing your ideas, deepening themes, and establishing an ongoing visual dialogue with your subject. A combination of shooting, critique and discussion, this workshop will elevate your perceptive skills as a photographer, building a framework for future growth.

Weekend intensive (three sessions) Friday, January 23, 7- 9 pm + Saturday and Sunday, January 24-25, 10 am - 6 pm Instructor: Cig Harvey (www.cigharvey.com) Enrollment limit: 18 students Skill/Experience level: Open to all levels Tuition: $875

Weekend intensive (three sessions) Friday, February 27, 7- 9 pm + Saturday and Sunday, February 28-March 1, 10 am - 6 pm Instructor: Matt Black (www.mattblack.com) Enrollment limit: 18 students Skill/Experience level: Open to all levels Tuition: $775

Real People Portraits: Start to Finish with Bobbi Lane & Lee Varis

The New Painters: Finding Your Vision in Fashion with Sheila Metzner

© Bobbi Lane

© Sheila Metzner

SPECIAL GUESTS

In this fun and creative workshop, students will learn how to enhance their current portfolio or begin a new project by discovering fresh ways of creating unique and singular work. Emphasis will be on new and future images and how to create the regular structure in each of our lives to produce work. Goals and deadlines will be set. Open to all levels of photographers seeking to expand their image-making skills.

This workshop, taught jointly by Bobbi Lane and Lee Varis, will teach students how to master the art of creating flattering and effective portraits of real people. Participants will learn the essential techniques for photographing people in the real word without fancy wardrobe, expensive hair and makeup, or extreme and difficult retouching. Bobbi will teach how to use corrective posing and lighting techniques to overcome challenging subjects, and Lee will teach how to refine and finish the image into a marketable photograph.

The Fashion and Style issue of the New York Times, September 17th, 2014 quotes Peter Lindbergh as he prepared for an exhibition at Gagosian Gallery in Paris, “Fashion photographers are the new painters,” and goes to say “Today, fashion photography is art’s rising star.” But how do you become an iconoclast and remain true to yourself? Join Sheila Metzner in a weekend workshop designed to reveal your individual approach to shooting fashion. Weekend intensive (three sessions) Saturday, March 27, 10 am-6 pm + Saturday and Sunday, March 28-29, 10 am-6 pm Instructor: Sheila Metzner (www.sheilametzner.com) Enrollment limit: 15 students Skill/Experience level: Students should have a working knowledge of their camera and the ability to shoot in manual mode. Tuition: $975 + Newsletter $100 model and equipment Follow fee Us Join Our Become a Member

14

Weekend intensive (three sessions) Friday, April 17, 7- 9 pm + Saturday and Sunday, April 18-19, 10 am-6 pm Enrollment limit: 14 students Skill/Experience level: Students should have a working knowledge of their camera and the ability to shoot in manual mode. Tuition: $$875 + $150 model, equipment and location permit fee


The Black and White Master Print with George DeWolfe

© David H. Wells

© George DeWolfe

Light, Shadow, Night and Twilight with David H. Wells

Light, shadow, night and twilight are the building blocks of photography, a term that literally means, “to write with light.” These are the tools award-winning photographer David H. Wells uses to make photo-essays exploring the light and atmosphere of places such as train stations, religious shrines and city centers. In this fun and explorative workshop, David will teach students the most effective way of incorporating light, shadow, night and twilight in their image-making to produce unique characteristics and extraordinary results.

A masterpiece is the result of an artist’s individual authentic genius. That authenticity creates presence–the key element of an authentic masterpiece–and the final result of light working on the forms of an object or scene. The Black and White Master Print revives the idea of masterpiece. In this workshop students will use the tools and workflow in Lightroom and Photoshop that mines the intricacies of presence, the fundamental characteristic of a masterpiece.

Flash in LA! On-Location and In-Studio with Joe McNally

Sam Abell Thomas Allen

Special Deborah Fleming Caffrey

© Joe McNally

Guests for Greg Miller Andrea Modica

Summer/Fall

Join Joe McNally for a complete weekend of flash photography! Participants will be involved with camera and flash techniques that are both basic and advanced, the use of color and light to tell a story, the overall management of light on location and notions of how to choose a quality of light that is appropriate to the subject. By end of the weekend, participants will feel much more comfortable and versatile in their use of flash, both on-location and in-studio. Weekend intensive (three sessions) Friday, July 24, 7- 9 pm + Saturday and Sunday, July 25-26, 10 am- 6 pm Instructor: Joe McNally (www.joemcnally.com) Enrollment limit: 18 students Skill/Experience level: Students should have a working knowledge of their camera and the ability to shoot in manual mode. Tuition: $1,075 + $175 model, equipment and location permit fee

Sylvia Plachy And more!

2015! 15

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SPECIAL GUESTS

Weekend intensive (three sessions) Friday, June 12, 7- 9 pm + Saturday and Sunday, June 13-14, 10 am- 6 pm Instructor: George DeWolfe (www.georgedewolfe.com) Enrollment limit: 14 students Skill/Experience level: Prior experience in working with Lightroom and Photoshop is helpful but not required. Tuition: $875 + $50 paper and ink fee

Weekend intensive (three sessions) Friday, May 1, 7- 9 pm + Saturday and Sunday, May 2-3, 10 am - 6 pm Instructor: David H. Wells (www.davidhwells.com) Enrollment limit: 18 students Skill/Experience level: Students should have a working knowledge of their camera and the ability to shoot in manual mode. Tuition: $775


After the Basics: Intermediate Photography

© Peter Bennett

In this beginning workshop, students will learn all the controls and functions on their digital SLR’s (Single Lens Reflex), basic camera operation (including f-stop, shutter speed and ISO), fundamental concepts of photography and how to control the photograph’s final look. Discussions include composition and light, how to get the background in or out of focus, how to stop or blur motion, why to use one ISO over another, how to use the camera’s light meter to provide the best exposure, and more.

In this sequential class to Basic Photography, students will receive reinforcement on the concepts from the previous class and push toward the next level of photographic expression. Emphasis will be on image capture while practicing sound technical fundamentals. Using the camera to interpret the world around them, students will work toward mastering camera settings, metering techniques, and white balance selection for proper image capture. Six sessions Wednesdays, April 8-May 13, 7- 10 pm with Peter Bennett (www.greenstockphotos.com) One week Monday-Friday, May 18-22, 1- 4:30 pm with Kawai Matthews (www.kawaimatthews.com) Enrollment limit: 15 students Skill/Experience level: Prerequisite: Basic Photography, or equivalent experience and instructor approval. Tuition: $445

Six sessions (offered twice) Mondays, February 23-March 30, 7-10 pm with Peter Bennett (www.greenstockphotos.com) Tuesdays, April 14-May 26 (no mtg. 5/5), 7-10 pm with Rebecca Truszkowski (www.rebeccatruszkowski.com) One week Monday-Friday, May 11-15, 1-4:30 pm with Peter Bennett (www.greenstockphotos.com)

How to Use a Digital Camera: SLR with Amanda Keller-Konya

PLUS One section at our new “west-side” learning annex: dnj Gallery Bergamot Station 2525 Michigan Ave. Santa Monica, CA 904040 Dates TBD Enrollment limit: 15 students Skill/Experience level: Beginning Tuition: $445 This course goes beyond the basics of camera operation. It teaches how to use basic skills to compose vivid imagery. Handouts are clear and concise and assignments allow immediate application of the concepts taught. By the end of the [class], students are creating artistic images. – Tina Nieves

© Amanda Keller-Konya

p h o t o g r ap h y f u n d a m e n tals

© Rebecca Truszkowski

Basic Photography

I am leaving with the skills and understanding I hoped I’d get. I am inspired and have new confidence with photography. Great class! – Parker Bent

This one-day course will teach students the controls and functions of their digital SLR (Single Lens Reflex) cameras. Students will learn camera menu options such as image quality & size, focus & exposure modes, and color space & white balance settings. Fundamental technical information including aperture, shutter speed, ISO and exposure will also be discussed.

This class expanded my limited knowledge of photography and gave me the tools I was looking for to go out and take great photos. – Hilary Misiano

One day (offered twice) Saturday, January 31, 10 am - 5 pm OR Saturday, May 30, 10 am - 5 pm Instructor: Amanda Keller-Konya (www.amandakellerkonya.com) Enrollment limit: 15 students Skill/Experience level: Beginning Tuition: $215

This class went beyond what I was expecting, I seriously look at my surroundings in a whole new light. – Gohar Abramyan

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It is really easy to make your own flyers, brochures, business cards, marketing postcards and photo books using Adobe InDesign. This hands-on workshop will show you the basics in creating compelling designs that you can print yourself or send to a professional printer. Specifically designed for photographers with little to no experience working with InDesign, students will learn everything from page layout to typography.

By using a variety of multimedia applications, today’s photographer is now capable of presenting their imagery in a more powerful and engaging format. Using video and sound to augment the presentation of still photography has taken visual storytelling to dynamic new levels. This new six-session multimedia workshop introduces students to the crucial elements of visual storytelling and instructs them on how to bring their stories to life by combining sound with still photography.

Six sessions Mondays and Wednesdays, May 4-20, 7- 10 pm Instructor: Michael Pliskin (www.pliskindesigns.com) Enrollment limit: 12 students Skill/Experience level: Students should be comfortable working with the Macintosh OS X operating system. Tuition: $445

Six sessions Tuesdays and Thursdays, May 12-28, 7-10 pm Instructor: Albert Lee Enrollment limit: 12 students Skill/Experience level: No experience in multimedia is necessary. Students should have a working knowledge of their camera and the ability to shoot in manual mode. Tuition: $445

Steps to Success: Establishing Your Career as a Photographer with Sherrie Berger

The Business of Photography: Everything You Need to Know with Leigh Andersen

© Michael Kirchoff, LACP Member

This class, designed for photographers seeking to advance their careers, provides the insights, tools and resources necessary to achieve a higher level of career success. Topics covered include self-promotion, marketing, website effectiveness, exhibitions, the stock industry, editorial advertising assignments, and much more. Four sessions Tuesdays, March 10-31, 7-10 pm Instructor: Sherrie Berger (www.sherrieberger.com) Enrollment limit: 15 students Skill/Experience level: Intermediate to advanced Tuition: $295

This class is designed to help photographers understand the business and marketing end of the photo industry, an area often overlooked. The main pillars of the commercial photo industry— Editorial (portraiture and celebrity portraiture), Syndication, Music (album packaging and publicity), Commercial Advertising, Entertainment Advertising and Fashion Advertising— will be explored. Instruction will also cover how to break into and move forward in each market.

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Four sessions Tuesdays, June 9-30, 7-10 pm Instructor: Leigh Andersen Enrollment limit: 15 students Skill/Experience level: Open to all levels Tuition: $295

B U S I N E S S OF P HO T O G R A P HY

© Laurie McCormick, LACP Member

© Albert Lee

Audio Slideshows: An Introduction to Visual Storytelling with Albert Lee G R A P H I C D E S I G N & M U LT I M E D I A

Introduction to Adobe InDesign with Michael Pliskin


Crash Flash 1: On-Camera Flash with Julia Dean

In this workshop, students will learn how to use a flash unit in various lighting situations. After technical discussion on the buttons and dials on the flash, the day is divided between lectures and demonstrations on different ways to use a flash. Though the focus is mostly using flash on-camera, students will also learn how to improve the quality of light by using the flash off-camera. Students seeking to advance their portable flash skills are encouraged to take Crash Flash 2: Off-Camera Flash.

This class is for students who have taken Crash Flash 1: On Camera Flash and want to learn how to light more beautifully by getting the flash off camera. Students will learn how to use a single flash or multiple flashes off-camera to achieve a beautiful “quality” of light. We will use light stands, umbrellas, and gels (in the studio and on location) in both TTL mode and in manual mode with wireless technology. There will be a four-hour shoot in the afternoon with models to put all the techniques into play.

One day Sunday, May 31, 10 am-6 pm Instructor: Julia Dean (www.juliadeanphotography.virb.com) Enrollment limit: 15 students Skill/Experience level: Students should have a working knowledge of their camera and the ability to shoot in manual mode. Tuition: $275

One day Sunday, June 7, 10 am-6 pm Instructor: Julia Dean (www.juliadeanphotography.virb.com) Enrollment limit: 15 students Skill/Experience level: Prerequisite: Student MUST take Crash Flash 1: On-Camera Flash, no exceptions. Tuition: $145 + $50 model fee

Lighting 101: Light Anything, Anytime, Anywhere with Stephen Schafer

© Stephen Schafer

Introduction to Studio Lighting with Kawai Matthews

© Kawai Matthews

L I G H T I N G & P OR T R A I T U R E

© Patricia Bauer, recent “Crash Flash” student

© Russell Hernandez, recent “Crash Flash” student

Crash Flash 2: Off-Camera Flash with Julia Dean

Every camera manual tells you how to use a camera but none show you how to use light – the single most important element in photography. Applicable to beginning and intermediate photographers alike, whether you’re thinking of taking your flash off the hot shoe or want to buy your first lighting kit, this class will help you understand strobe equipment and master lighting inside and outside the studio, allowing you to pre-visualize light and empowering you to light anything, anytime, anywhere.

In this workshop, students will gain a solid foundation of studio lighting and a practical knowledge of light. Working hands-on with studio equipment, participants will learn how to select the proper light source for their subjects whether shooting portraits, still life or product. Students will leave the workshop with a confident understanding of studio lighting and how to control it. Six sessions Thursdays, April 23-June 4 (no mtg. 4/30), 7- 10 pm Instructor: Kawai Matthews (www.kawaimatthews.com) Enrollment limit: 15 students Skill/Experience level: Students should have a working knowledge of their camera and the ability to shoot in manual mode. Tuition: $445 + $75 model and equipment fee Become a Member

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One day Saturday, February 7, 10 am-6 pm Instructor: Stephen Schafer (www.habsphoto.com) Enrollment limit: 15 students Skill/Experience level: Open to all levels Tuition: $275 + $25 equipment fee


Introduction to Location Lighting with Jock McDonald

© Dean Zulich

© Jock McDonald

Location Lighting: A Two-Day Workshop with Dean Zulich

Environmental Portraiture with Mark Edward Harris

Chasing the Light with Jock McDonald

© Mark Edward Harris

© Jock McDonald

Two sessions Saturday, May 9, 10 am-6 pm + Monday, May 11, 7-9 pm Instructor: Dean Zulich (www.deanzulich.com) Enrollment limit: 15 students Skill/Experience level: Students should have a working knowledge of their camera and the ability to shoot in manual mode. Tuition: $315 + $50 model and equipment fee

This class begins with a discussion on the basic physics of light, practical knowledge that directly applies to photography and will be put to use throughout the workshop. The course moves on to examining and working with subtleties of natural light and then the integration of artificial light. Students will experiment with various light sources and modifiers such as bounces, diffusion material, umbrellas, soft boxes and grids in order to discover how equipment choice can affect the mood of an image. Basic as well as more complex lighting setups will be demonstrated and discussed. One week Monday-Friday, February 9-13, 1-4:30 pm Instructor: Jock McDonald (www.jockmcdonald.com) Enrollment limit: 15 students Skill/Experience level: Students should have a working knowledge of their camera and the ability to shoot in manual mode. Tuition: $445 + $125 model, equipment and location permit fee

In this workshop, students will discover ways to find and utilize beautiful ambient light as a powerful photographic tool. Participants will be amazed at how they can achieve great results simply by finding incredible backdrops, such as Disney Concert Hall. Emphasis will be placed on using available and natural light and simple reflectors, with no use of artificial light and heavy strobe equipment.

Photographing people in their natural environment can produce images that evoke a true sense of their character. But to properly capture and convey this information, the photographer must have both the technical skills and the flexibility to work in ever-changing environments. This practical, one-day workshop on environmental portraiture will give participants the necessary confidence and foundation for fresh approaches to photographing people in their natural surroundings. One day Saturday, February 21, 10 am-6 pm Instructor: Mark Edward Harris (www.markedwardharris.com) Enrollment limit: 15 students Skill/Experience level: Students should have a working knowledge of their camera and the ability to shoot in manual mode. Tuition: $275

L I G H T I N G & P OR T R A I T U R E

Join photographer Dean Zulich in this one-day workshop as he teaches students how to effectively light portraits on location using natural and artificial light. The class begins by discussing the basics of light control, then moves on to balancing studio strobes and with harsh mid-day light. Working with models, students will utilize a variety of light modifiers including soft boxes, umbrellas, and grids in order to achieve great results. The goal is to provide students with the necessary skills to successfully light portraits on location no matter how challenging the situation.

Two sessions Saturday, April 11, 10 am-6 pm + Monday, April 13, 7-9 pm Instructor: Jock McDonald (www.jockmcdonald.com) Enrollment limit: 15 students Skill/Experience level: Students should have a working knowledge of their camera and the ability to shoot in manual mode. Tuition: $315 + $50 model and location permit fee

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© Aline Smithson

© Aline Smithson

Next Step 2 with Aline Smithson

This class instructs the emerging photographer on how to present work to the fine art and documentary markets. Participants will learn how to build and write a resume, how to construct a bio, and how to title and write personal statements about their work. Students will enter photography competitions, submit to publications and prepare work for exhibition. Six sessions Tuesdays, May 12-June 23 (no mtg. 6/2), 7-10 pm Instructor: Aline Smithson (www.alinesmithson.com) Enrollment limit: 12 students Skill/Experience level: Prerequisite: Students must be either working on or have completed a body of work in the fine art genre. Instructor approval may be required for acceptance. Tuition: $565

Designed for students who have completed The Next Step 1 in or prior to 2014, this four-session class continues to instruct the emerging photographer on how to present work to the fine art and documentary markets. Submissions to competitions and portfolio reviews will be encouraged. The class will culminate in a group exhibit at the Julia Dean Gallery. Four sessions Tuesdays, January 13; January 27; February 10 + Monday, Fberuary 23, 7-10 pm Instructor: Aline Smithson (www.alinesmithson.com) Enrollment limit: 15 students Skill/Experience level: Prerequisite: The Next Step 1 or instructor approval Tuition: $295 + $15 security fee (for exhibit)

The Photographer’s Eye with Thomas Alleman

© Thomas Alleman

The Personal Project with Aline Smithson

© Aline Smithson

f i n e a r t , c r eati v it y & alte r n ati v e p r o cesses

Next Step 1 with Aline Smithson

This eight-month class is the Los Angeles Center of Photography “master” class. It is designed for serious photographers who are interested in creating a significant personal project. Students will work toward creating a strong, cohesive body of work that will culminate in LACP’s biggest exhibition of the year, an exhibit that will showcase in both galleries for a month-long run.

In this unique and insightful workshop, students will become aware of the challenges posed by cameras and lenses, such as the way lenses see depth and space; the way cameras understand time and motion; and the way two-dimensional prints and screens impose edges and corners on what the camera sees. Through lectures, discussions, exercises and assignments, students will explore the specifics of “camera vision” and examine hundreds of pictures in order to better understand the frame itself and compositional strategies used by other photographers.

Nine months (eight sessions) Wednesdays, January 28; February 25; March 25; April 29; May 27; June 24; July 29; August 26, 7-10 pm Instructor: Aline Smithson (www.alinesmithson.com) Enrollment limit: 12 students Skill/Experience level: Advanced. Instructor approval required. Tuition: $745 + $145 exhibit fee

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Six sessions Wednesdays, February 4-March 4, 7-10 pm + Saturday, February 21, time TBD Instructor: Thomas Alleman (www.allemanphoto.com) Enrollment limit: 15 students Skill/Experience level: Open to all levels Tuition: $445


Discovering the Artist Within with Rose Eichenbaum

© Ken Merfeld

This workshop will begin to explore the world of portraiture, the basics of natural and artificial lighting, and the psychology of dealing with people. Visual interpretation of subject matter will be stressed as a creative approach to portraiture. Further emphasis will be on body language, interesting backgrounds and shooting environments, and paying attention to visual design, overall composition, and eye movement within the frame.

This course is a powerhouse of knowledge and insight to further develop one’s photo eye, inherent style and affective use of composition, lighting, perspective and exposure to produce more compelling and meaningful photographs. Students will emerge with a better understanding of photography as an expressive medium and the ability to shoot with greater confidence, skill and intention. Six sessions Tuesdays, February 17-March 31 (no mtg. 3/3), 7-10pm Instructor: Rose Eichenbaum (www.roseeichenbaum.com) Enrollment limit: 15 students Skill/Experience level: Open to all levels Tuition: $445

Six sessions Wednesdays, January 14-February 18, 7-10 pm Instructor: Ken Merfeld (www.merfeldphotography.com) Enrollment limit: 15 students Skill/Experience level: Open to all levels Tuition: $445

The Self-Portrait with Ken Merfeld

© Ken Merfeld

© Ken Merfeld

The Art of Photography: Your Creative Approach with Ken Merfeld

This class is designed to help students expand their approach to photography, to question the “how” and “why” of their technique, and to challenge and understand their creative process. Beginning with the structure, design, and content of student portfolios, instructor Ken Merfeld will challenge participants’ communication and technical skills, the composition and design of their photographs, and personal work ethic.

Explore the tradition and transition of the self-portrait. This class will challenge you to go beyond the surface, incorporate your mind, have an idea, and communicate with a meaningful image. The self-portrait can be a powerful representation or a mindless reproduction. Learn the difference as Ken Merfeld questions your technique, how you think, and what you are really communicating.

Six sessions Wednesdays, May 6-June 10, 7-10pm Instructor: Ken Merfeld (www.merfeldphotography.com) Enrollment limit: 15 students Skill/Experience level: Open to all levels Tuition: $445

Six sessions Wednesdays, March 4-April 8, 7-10 pm Instructor: Ken Merfeld (www.merfeldphotography.com) Enrollment limit: 15 students Skill/Experience level: Open to all levels Tuition: $445

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f i n e a r t , c r eati v it y & alte r n ati v e p r o cesses

© Rose Eichenbaum

Creative Portraiture with Ken Merfeld


Once the staple of the fine art and commercial photographer, the view camera has been bypassed by faster cameras and instant processes. In this two-day workshop we will slow down the image-making rhythm and explore the creative control that can be achieved using large format cameras. This class is designed for those who have never used a view camera, those who want to reacquaint themselves or those who wish to master the camera for wet plate processes. One day Saturday, March 14, 10 am- 6 pm Instructor: Stephen Schafer (www.habsphoto.com) Enrollment limit: 15 students Skill/Experience level: Open to all levels Tuition: $275

The Wet Plate Collodion Workshop with Allan Barnes

Traditional Darkroom Printing! Learn the Art of

© Allan Barnes

f i n e a r t , c r eati v it y & alte r n ati v e p r o cesses

© Stephen Schafer

Introduction to Large Format Photography with Stephen Schafer

© Stephen Schafer

In this hands-on workshop, participants will use period cameras to explore the craftsmanship of pre-film technology using the three sub-fields of WPC (Glass Positive, Tintype, Glass Negative). After a brief historical discussion of the process, students will be trained in the coating, exposure, development and preservation of the photographic plate.

One-on-one or group weekend workshops with Stephen Schafer For information email info@lacphoto.org or call 323-464-0909 Become a Member

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Two days Saturday and Sunday, May 2-3, 10 am-4 pm Instructor: Allan Barnes (www.allanbarnes.tumblr.com) Enrollment limit: 10 students Skill/Experience level: Open to all levels Tuition: $345 + $25 chemistry and media fee + additional darkroom facility fee TBD


Introduction to Adobe Photoshop 2 with Ed Freeman

Introduction to Adobe Photoshop 1 is a core fundamental workshop for photographers. The course teaches the most basic features of Adobe Photoshop, helps students understand the process behind simple photo correction, and prepares them for the continuation class, Introduction to Adobe Photoshop 2. Topics include: software interface and tools overview; cropping, resizing and saving; Adobe Camera Raw; Photoshop adjustments.

This course builds on the basic foundation created in Introduction to Adobe Photoshop 1. With core knowledge of the software, students will build a wider skill set for image creativity and correction. Students will be introduced to some of the software’s more advanced tools, including: Photoshop selections & masks, Photoshop layers, selective adjustments and basic retouching.

© Ed Freeman

Introduction to Adobe Photoshop 1 with Ed Freeman

Getting to Know Your Mac with Tanya Robinson

This workshop focuses on the most essential features of Adobe Lightroom with the needs of the photographer in mind. Students will learn how to import, sort, organize and enhance digital images quickly and efficiently. Further topics will include ways to retouch portraits and other images without using Photoshop, how to create a photo book, prepare slideshows and web galleries, and more.

This essential class is the introductory class for anybody looking to take extensive coursework in the school’s digital lab. It’s also perfect for students learning to use a Mac for the very first time, transitioning from PC to Mac, or even experienced users looking to have a refresher. Emphasis will be placed on navigating the Mac OS X operating system, specifically proper techniques for filing and saving.

Six-sessions Mondays and Wednesdays, February 9-March 2 (no mtg. 2/16), 7-10 pm Instructor: Michael Pliskin (www.pliskindesigns.com) Enrollment limit: 12 students Skill/Experience level: Students should be comfortable working with the Macintosh OS X operating system. Tuition: $445

Two sessions (offered twice) Tuesday and Thursday, January 27 and 29, 7-9 pm OR Tuesday and Thursday, April 28 and 30, 7-9 pm Instructor: Tanya Robinson Enrollment limit: 12 students Skill/Experience level: Beginning Tuition: $55

© Tanya Robinson

Introduction to Adobe Lightroom with Michael Pliskin

P HO T O S HO P & L I G H T ROOM

Six-sessions Tuesdays and Thursdays, April 7-23, 7-10 pm Instructor: Ed Freeman (www.edfreeman.com) Enrollment limit: 12 students Skill/Experience level: Prerequisite: Introduction to Photoshop 1, or equivalent experience and instructor approval. Tuition: $445

Four sessions Tuesdays and Thursdays, March 17-26, 7-10 pm Instructor: Ed Freeman (www.edfreeman.com) Enrollment limit: 12 students Skill/Experience level: Students should be comfortable working with the Macintosh OS X operating system. Tuition: $295

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Street Shooting 2 with Julia Dean

In this six-month class, students will learn how to shoot candidly on the street, not only from practical experience, but also from studying historic and contemporary street photographers. The class will meet once a month on Monday evenings, for lecture and critique, and once a month on Saturdays for a shooting session. Topics include: how to see light, the laws and ethics of shooting on the street, how to shoot candidly, how to approach people, and more.

Newly redesigned, Street Shooting 2 is meant for serious shooters who want to continue shooting together and looking at each others’ work. Not only will we continue to shoot on the streets, but we also be shooting specific events such as the Chinese New Year and the Gay Pride Parade. In this class, you will not only improve your street photography through continual practice, but you will also learn how to tell a story— with a beginning, middle and end—while shooting these events.

Six months (11 sessions) January 26 – July 6 Mondays, 7-10 pm and Saturdays (see website for complete breakdown of dates and times) Enrollment limit: 15 students Skill/Experience level: Students should have a working knowledge of their camera and the ability to shoot in manual mode. Tuition: $635

Six months (13 sessions) February 2-July 13 Mondays, 7-10 pm and Saturdays (see website for complete breakdown of dates and times) Enrollment limit: 15 students Skill/Experience level: Prerequisite: Students MUST take Street Shooting 1, no exceptions. Tuition: $535

Street Shooting 3 with Julia Dean

One Day of Street Shooting with Julia Dean

© Julia Dean

© Julia Dean

S T R E E T S HOO T I N G

© Julia Dean

© Julia Dean

Street Shooting 1 with Julia Dean

Street Shooting 3 picks up where Street Shooting 2 left off, continuing the camaraderie of shooting together on the street, sharing our work, and getting feedback from each other. The course has been created specifically for those who have taken both Street Shooting 1 and Street Shooting 2. The class includes four shooting sessions over five months and two classroom sessions at the beginning and end. Five months (six sessions) February 9-June 22 Mondays, 7-10 pm and Saturdays (see website for complete breakdown of dates and times) Enrollment limit: 15 students Skill/Experience level: Prerequisite: Students MUST take Street Shooting 1 and Street Shooting 2, no exceptions. Tuition: $295 Become a Member

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This one-day class is an introduction to street shooting. Participants will meet for a two-hour lecture on the history of street shooting, the law and ethics of shooting on the street, how to shoot candidly, how to capture the decisive moment, how to approach people, how to be brave and more. We will then carpool to the Metro on Hollywood Boulevard, where we will take the subway downtown to photograph at Union Station, Olvera St., and Chinatown.

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One day Saturday, April 25, 10 am-6 pm Instructor: Julia Dean (www.juliadeanphotography.virb.com) Enrollment limit: 15 students Skill/Experience level: Students should have a working knowledge of their camera and the ability to shoot in manual mode. Tuition: $275


In the Footsteps of Walker Evans: The Documentary Project with Marissa Roth

T r a v e l © Marissa Roth

Puerto Rico Workshops Coming Soon in 2016

Join Julia Dean and friends for travel adventures in beautiful Puerto Rico

Seven sessions Tuesdays and Thursdays, February 17-March 5, 7-10pm + Saturday, February 21, time TBD Instructor: Marissa Roth (www.marissaroth.com) Enrollment limit: 15 students Skill/Experience level: Students should have a working knowledge of their camera and the ability to shoot in manual mode. Tuition: $525

© Peter Bennett

The Los Angeles River Photo Adventure with Peter Bennett

The Los Angeles River runs over 50 miles through the heart of a metro area populated by 10 million people. Yet in a city where water is such a precious commodity, hardly any of its inhabitants know the river’s history, where it begins or ends, or its current function. Join photographer Peter Bennett as he takes you along an incredible, picturesque 10-hour river adventure, designed specifically for photographers. One day Saturday, April 25, 8:30 am- 6:30 pm Instructor: Peter Bennett (www.greenstockphotos.com) Enrollment limit: 18 students Skill/Experience level: Students are expected to be familiar with their camera gear and with basic photographic techniques. Tuition: $250 + $145 bus, docent, location permit and lunch fee *Tuition includes: Hands-on instruction and guidance, a docent, access to all locations, bus transportation throughout the day, lunch and snacks.

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For details email info@lacphoto.org w w w.juliadean.com 323.464.0909 or call 323-464-0909

DO C U M E N T A RY & S O C I A L C ON S C I O U S N E S S

In this workshop, students will learn how to begin a documentary project, the importance of choosing a subject, the challenges of committing oneself to a long-term project and the importance of editing. Students will begin their projects with weekly critiques that will address issues pertaining to the development and execution of an on-going documentary project.


Conceptual Photography with Ann Elliot Cutting

© Jason Langer

© Ann Elliot Cutting

Cityscape as Fine Art with Jason Langer

This conceptual photography course teaches students to develop their ideas and pre-think before shooting. Concepts will be discussed, critiqued and communicated amongst the class, with weekly assignments designed to inspire clever visualization. The goal is to provide students a new workflow that cultivates concept and planning creative work, laying the foundation to create a series of conceptual images. Six sessions Thursdays, January 29-March 12 (no mtg. 2/26), 7-10 pm Instructor: Ann Elliott Cutting (www.cutting.com) Enrollment limit: 15 students Skill/Experience level: Open to all levels Tuition: $445

Two days Saturday and Sunday, May 16-17, 10 am-6 pm Instructor: Jason Langer (www.jasonlanger.com) Enrollment limit: 15 students Skill/Experience level: Open to all levels Tuition: $415

The Complete Actor’s Headshot Workshop with Brad Buckman

The Art and Business of Wedding Photography with Linda Lewis

© Linda Lewis

© Brad Buckman

S P E C I A L I Z E D P HO T O G R A P HY

Since the invention of photography the city has served as a rich photographic subject. In this workshop we will look at historical images of cities and discuss the approaches and merits of photographing in the city. We will explore the creation of images that bring to mind, social, spiritual, political, surreal and decorative issues, to name a few. Students will have ample opportunity for increasing concentration and awareness, and learning to react decisively to the unexpected as it occurs.

In this comprehensive six-session workshop, students will discover how to direct and pull the best from their actor client, how to develop a personal style and their own image workflow, and how to manage and market their photography business. The course will include two shooting sessions (one in a working Hollywood studio) where participants will take real headshots of working Hollywood actors. Six sessions Mondays, April 13-May 4, 7-10 pm + Saturdays, April 25-May 2, 1-4 pm Instructor: Brad Buckman (www.buckmanheadshots.com) Enrollment limit: 15 students Skill/Experience level: Students should have a working knowledge of their camera and the ability to shoot in manual mode. Tuition: $445 + $75 model and equipment fee Become a Member

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This six-session workshop is designed to help those already confident with their photography skills, but need the next step in becoming a successful wedding photographer. Both the art and business of wedding photography will be covered thoroughly. Weekly assignments will be provided with the goal of helping each participant take the first step toward starting a wedding photography business.

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Six sessions Wednesdays, June 3-24, 7-10 pm + Saturday, June 13, 5-8 pm (Disney Concert Hall) + Saturday, June 20, 4-7 pm (Santa Monica Pier) Instructor: Linda Lewis (www.lindalewisphotography.com) Enrollment limit: 15 students Skill/Experience level: Students should have a working knowledge of their camera and the ability to shoot in manual mode. Tuition: $445 + $75 model and location permit fee


Fashion Photography on Location with Jennifer Emery

© Jennifer Emery

© Jennifer Emery

Boudoir with Jennifer Emery

This workshop will offer students a hands-on approach on shooting fashion models on location. Over six sessions, participants will learn elements of location fashion photography including: how to design & produce a professional level shoot; how to work with models; how to deal with different lighting situations; how to prepare images for viewing for the client, and more. The class will end by creating a miniportfolio book based on the location fashion images. Six sessions Tuesdays, January 13-February 10 (no mtg. 2/3), 7-10 pm + Saturdays, January 24-31, 1-4 pm Instructor: Jennifer Emery (www.pbjcandids.com) Enrollment limit: 15 students Skill/Experience level: Students should have a working knowledge of their camera and the ability to shoot in manual mode. Tuition: $445 + $125 model, equipment and location permit fee

One day Saturday, June 20, 10 am-6 pm Instructor: Jennifer Emery (www.pbjcandids.com) Enrollment limit: 12 students Skill/Experience level: Students should have a working knowledge of their camera and the ability to shoot in manual mode. Tuition: $275 + $200 model, equipment and location permit fee

The Artistry of the Female Nude with Renée Jacobs

© Kevin Scanlon

© Renée Jacobs

Stop, Drop and Shoot: The Magazine Assignment with Kevin Scanlon

In this two-day workshop, Kevin Scanlon, a freelance portrait photographer, will cover many aspects of what it takes to be a successful magazine shooter, and what comes with the territory. Scanlon will take you from beginning to end, covering topics such as how to compile a list of photo editors, the basics of marketing to magazines, the right questions to ask when an assignment is issued, executing a photo shoot, basics in post-production with digital capture, and image delivery.

The history of art is replete with depictions of the female nude, but the perspective of the female is often disregarded. This is a unique opportunity to learn the art of the female nude from one of the most published female photographers of the genre. While this workshop will cover many technical aspects of what makes a lasting nude image, the emphasis will be on working with models and the concept of the powerful nude to create images that truly reflect the strength and artistry of the female body.

Two days Saturday, June 27, 9 am-6 pm + Sunday, June 28, 12-6 pm Instructor: Kevin Scanlon (www.kevinscanlon.com) Enrollment limit: 15 students Skill/Experience level: Students should have a working knowledge of their camera and the ability to shoot in manual mode. Tuition: $415 + $75 model, equipment and location permit fee

One day Saturday, March 7, 10 am-6 pm Instructor: Renée Jacobs (www.reneejacobs.com) Enrollment limit: 12 students Skill/Experience level: Students should have a working knowledge of their camera and the ability to shoot in manual mode. Tuition: $275 + $200 nude model, equipment and location permit fee

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S P E C I A L I Z E D P HO T O G R A P HY

In Webster’s dictionary, “Boudoir” is defined as a woman’s dressing room, bedroom, or private sitting room. But in photography the term has become very fashionable, a creation of sensual imagery of women of all ages, shapes, and sizes. In this workshop, photographer Jennifer Emery will guide participants on a journey into the art of photographing beautiful and stylistic boudoir. Students will learn the important skills of photographing boudoir as well as posing and working with women to make them look their best.


CANCELLATIONS On occasion a workshop may cancel due to low enrollment or unforeseen instructor conflicts. If such a case occurs, all students will be refunded in full. The Los Angeles Center of Photography does not take responsibility for non-refundable airline tickets, hotel expenses, or any other costs that may be attributable toward enrolling in a workshop.

HOW TO ENROLL Enroll Online: www.juliadean.com. All major credit cards are accepted. Enroll by Phone: Please call 323-464-0909. All major credit cards are accepted. Enroll In Person: Los Angeles Center of Photography, 1515 Wilcox Ave., Hollywood, CA 90028. Administrative hours are Mon-Fri, 10am-6pm, PST. Office is closed on all major holidays.

SPECIAL GUEST REFUND POLICY A $75 administrative fee will be charged on all refund requests arriving 31 days or greater before the workshop start date. If the request arrives 15-30 days prior to the workshop start date, 75 percent of the applicable workshop fee will be retained. No refunds are provided for requests arriving 0-14 days prior to the workshop start date. All refund requests must be submitted in writing via email to info@lacphoto.org.

PROCESSING FEE FOR ALL PHONE, FAX, MAIL OR IN-PERSON ENROLLMENTS A $15 fee will be charged per class for students electing to enroll phone or in-person. No fees will be charged for students enrolling online. PAYMENT Payment is due in full at the time of enrollment.

If a student wishes to receive credit for a Special Guest workshop, he or she must do so greater than one month prior to the workshop start date. Within one month of the workshop start date, the option of receiving credit does not apply and students must adhere to the Special Guest Refund Policy.

R E G I S T R A T I ON , P O L I C I E S & I NFORM A T I ON

Note: Travel Workshops carry different payment policies. Please refer “Travel Workshop Deposit, Payment and Refund Policy” section. RECEIPT OF PAYMENT For all online enrollments a receipt of payment will be generated and sent automatically to the student’s email account. For all phone, fax, mail or in-person enrollments, a receipt of payment will be generated and sent to the student’s email account within one week of receiving payment. About one week prior to the workshop start date, each student will receive a separate email providing information concerning parking, directions and what to bring.

travel workshop DEPOSIT, PAYMENT AND REFUND POLICY The deposit, payment and refund policies for travel workshops to domestic and international locations will vary. Please visit the specific travel workshop web page found at www.juliadean.com/category/workshops/travel or contact the Los Angeles Center of Photography at 323-464-0909 or email info@lacphoto.org. DIRECTIONS, PARKING AND HOTEL INFORMATION Please visit www.juliadean.com or call 323-464-0909 for information.

REFUND POLICY A $25 administrative fee will be charged on all refund requests*. The request must arrive greater than one week prior to the workshop start date. No refunds will be provided for requests arriving one week or less prior to the workshop start date. All refund requests must be submitted in writing via email to info@lacphoto.org.

STUDIO AND GALLERY RENTAL The Los Angeles Center of Photography’s space may be rented for studio shoots and/or art gallery exhibitions. The space measures a total of 2200 sq ft with a ceiling height of approximately 16ft. Beautiful track lighting is mounted along the facility’s three separate spaces. Six surface walls painted flat white allow for up to 50 images to be displayed (not stacked). The space is equipped with air conditioning, Wi-Fi, sound and digital projection capability, if required. A wired hanging system allows for seamless and easy installation of art works. Cement floors covered with a protective sealant contribute to the space’s industrial flavor. Please visit www.juliadean.com or call 323-464-0909 for information.

*Note: Special Guests and Travel Workshops carry different refund policies. Please refer to “Special Guest Refund Policy” and “Travel Workshop Deposit, Payment and Refund Policy” sections. Upon receipt of a refund request, students will be provided the option of receiving course credit toward the purchase of another workshop. If a student elects to receive credit, a voucher for the amount of the applicable workshop fee will be sent to the student’s email address or credited online at the discretion of the Los Angeles Center of Photography. Students receiving credit as vouchers must keep a copy on file for future reference. To redeem credits issued as vouchers, please contact the Los Angeles Center of Photography at info@lacphoto.org or call 323-464-0909. To redeem credits issued online please enroll via www.juliadean.com and the credit will be automatically applied. All credits must be used within two years from the date of issue. No administrative fee will be charged for students electing to receive credit.

PRIVATE LESSONS Private photography lessons are available upon request. To request a private lesson or to obtain further information, please call 323-464-0909 or email info@lacphoto.org.

CREDITS Credit vouchers or online credits may not be redeemed for refunds or cash back. Further, credit vouchers or online credits may not be applied toward travel workshops. A student’s decision to receive credit in lieu of a refund is final and may not be changed at a future date. TRANSFERS Students may elect to transfer applicable course fees towards the purchase of another workshop, limit of one transfer per class. All transfer requests must adhere to the refund policy noted above and/or in conjunction with Special Guest and Travel Workshop refund policies. 28 Become a Member

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Thank You, Sponsors! Participating Sponsors These businesses offer student discounts to workshop participants with a valid workshop ID card. A&I Photographic & Digital Services Burbank www.aandi.com ADC Digital West Hollywood www.adcdigital.com

Special thanks to our educational partners who understand and support the mission of the Los Angeles Center of Photography.

Hooper Camera Chatsworth Thousand Oaks Woodland Hills www.hoopercamera.com Mel Pierce Camera Hollywood www.melpiercecamera.com

Arcana: Books on the Arts Culver City www.arcanabooks.com

PRS Photographic Rental West Los Angeles

Bel Air Camera Westwood www.belaircamera.com

Schulman Photo Lab Hollywood www.schulmanphotolab.com

Boulevard Photo Santa Monica www.boulevardphoto.com

Silvio’s Photoworks Torrance www.silvios.com

The Darkroom Woodland Hills www.darkroomlab.com

Steve’s Camera Culver City www.stevecamera.com

Freestyle Photographic Supplies Hollywood www.freestylephoto.biz

SYNC Photo Rental Hollywood www.syncphotorental.com

Fromex Santa Monica

Universal Art Gallery Venice www.framegallery.com

History for Hire North Hollywood www.historyforhire.com

Valley Photo North Hollywood www.valleyphotoservice.com

Hollywood Vaults Hollywood www.hollywoodvaults.com

Educational Partners

SYNCphotorental.com


Los Angeles Center of Photography (formerly The Julia Dean Photo Workshops) 1515 Wilcox Ave. Los Angeles, CA 90028

Arts District, Downtown Los Angeles, 2014

© Julia Dean

323.464.0909 phone

323.464.0906 fax

Become a Member

info@lacphoto.org

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