Woolley & Wallis by Jamm Design Ltd

WOO L LE Y & WA L LI S SA L I S B U R Y SA L E R O O M S

Furniture, Works of Art & Clocks

Wednesday 4th October 2017

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Specialist Departments Please dial +44 (0)1722 followed by the number listed below

20TH CENTURY DESIGN Michael Jeffery Zoe Smith

424505 329477

VALUATIONS FOR INSURANCE & PROBATE Paul Viney ASFAV Clive Stewart-Lockhart FRICS FRSA

424509 424598

ARMS & ARMOUR, MEDALS & COINS AND MILITARIA Ned Cowell Gemma Bush

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MARKETING Lyndsey Harvey Tamzin Corbett

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ASIAN ART John Axford MRICS ASFAV Jeremy Morgan Alex Aguilar Doméracki Freya Yuan-Richards Marta Olszewska

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ACCOUNTS Janice Clift (Office Manager)

424500

ENGLISH & EUROPEAN CERAMICS & GLASS Clare Durham

424507

GENERAL OFFICE Sharon Ringwood Pauline Jones Nicola Young Hollie Grubb

424500

SALEROOM MANAGER David Jordan

FURNITURE, WORKS OF ART & CLOCKS Mark Yuan-Richards Jim Gale Suzy Becsy

411854 339161 411854

JEWELLERY Marielle Whiting FGA Jonathan Edwards FGAA (Consultant) Charlotte Glyde

424595 424504 424586

PAINTINGS Victor Fauvelle Jo Butler

424503 424592

SILVER Rupert Slingsby Lucy Chalmers

424501 424594

TRIBAL ART & ANTIQUITIES Will Hobbs Gemma Bush

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424500

BOARD OF DIRECTORS Paul Viney ASFAV Chairman John Axford MRICS ASFAV Deputy Chairman Clive Stewart-Lockhart Managing Director COMPANY SECRETARY Natalie Milsted FCCA ASSOCIATE DIRECTORS Janice Clift Clare Durham Will Hobbs Michael Jeffery Mark Yuan-Richards Rupert Slingsby Marielle Whiting FGA

SOCIETY OF FINE ART AUCTIONEERS AND VALUERS

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 • www.woolleyandwallis.co.uk

FRICS FRSA

424599

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FURNITURE, WORKS OF ART & CLOCKS Wednesday 4th October 2017 at 10.00am VIEWING TIMES Saturday 30th September Monday 2nd October Tuesday 3rd October Wednesday 4th October

10.00am – 1.00pm 10.00am – 4.30pm 10.00am – 4.30pm 8.30am – 9.45am

ENQUIRIES

Mark Yuan-Richards 01722 411854 myr@woolleyandwallis.co.uk

Jim Gale 01722 339161 jg@woolleyandwallis.co.uk

Suzy Becsy 01722 411854 sb@woolleyandwallis.co.uk COLLECTION OF LOTS All items will be in transit on the 5th & 6th October. Collection will be available from Monday 9th October from our Old Sarum Warehouse, 2 Danebury Court, Old Sarum Park, Salisbury, SP4 6EB. Please call 01722 411854 prior to collection to ensure the items are ready for pick up. All accounts to be settled prior to collection. BUYER’S PREMIUM Each lot is subject to a Buyer’s Premium of 26.4% inc. VAT TELEPHONE BIDDING Please note that requests for telephone bids cannot be accepted after 5pm on Tuesday 3rd October. LIVE BIDDING

ILLUSTRATIONS Front cover: Lot 97 detail Back cover: Lot 14 Catalogue £10.00 (£15.00 by post)

www.the-saleroom.com Please register by 5pm on Tuesday 3rd October. Please note there is a 3% +VAT surcharge for using this service.

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OAK, COUNTRY & IBERIAN FURNITURE & WORKS OF ART

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

1. An Italian Tuscan walnut refectory table in Renaissance style, the boarded rectangular top on carved cartouche trestle ends, decorated with scrolling leaves and rondels and on paw feet, united by a shaped stretcher, the table is collapsible, possibly used for travelling, 17th century elements and later, 80.5cm high, 230.2cm long, 93.6cm wide. £2,000-3,000 Provenance: Purchased by the current vendor’s grandfather in Italy in the 1930s.

2. A harlequin set of eight Italian walnut Renaissance style dining chairs, with fret carved panel backs and fore-rails, with differing incised decoration on stretchered supports, with later squab cushions, probably 17th century Tuscany. (8) £800-1,200 Provenance: Purchased by the current vendor’s grandfather in Italy in the 1930s.

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3. An oak refectory table, with a panelled and banded rectangular top, on turned column supports, united by an ‘H’ stretcher, 17th century and later, 74.4cm high, 214cm long, 71cm deep. £500-800 Provenance: Woolley and Wallis, Furniture and Works of Art, Property from The North Canonry, The Close, Salisbury, 13th September 2005, lot 1. 4. A Queen Anne walnut and oak gateleg table, the oval drop-leaf top on ring turned baluster legs, united by peripheral stretchers and on stylised carved Braganza feet, 71.7cm high, 99 x 112.4cm (open). £200-300 4

5. A 17th century six plank coffer, the lid with later hinges, revealing a vacant interior and with cut-out ends, 59.5cm high, 124.6cm wide, 49cm deep. £250-350

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

6. An early 17th century and later oak refectory table, the quintuple boarded top above a frieze, carved with lunettes and a thumbnail moulding, the scroll carved brackets on fluted and leaf carved cup and cover supports, united by peripheral stretchers, 77.7cm high, 261.3cm long, 98cm deep. £2,000-3,000 Provenance: By repute from the collection of John Paul Getty. 7. A rare Cromwellian cedar gateleg dining table, the oval dropleaf top above solid ends and on scroll sleigh type feet, with a brass inventory label ‘D 493’, 79.7cm high, 97.3 x 110.5cm (open). £800-1,200 A comparative example in oak and cedar survives at Ham House and is illustrated in Thornton and Tomlin, The Furnishing and Decoration of Ham House, The Furniture History Society, 1980, fig.52 and Adam Bowett,. English Furniture 1660-1714, p.107, plates 4:1,2. The Ham House table was one of fourteen recorded in the 1677 inventories. Woolley and Wallis, Furniture and Works of Art, 9th September 2008, lot 42 for a closely related example. 7

8. A 17th century six plank coffer, the hinged lid with incised banding, revealing a lidded till, the fronts with thumbnail mouldings and on cut-out ends, 46.9cm high, 96cm wide, 33.1cm deep. £200-300

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9. An early 19th century treen burr maple turned pot and cover, 13cm high, 11.3cm diameter. £100-150

10. Seven Victorian treen snuff shoes, with marquetry, tack and bone inlay, 12cm long (max). (7) £600-800

11. A Victorian lignum vitae beehive string box, with a bone cutter and on brass ball feet, 12cm high. £80-120

12. A 19th century treen sailor’s nutmeg grater, in the form of a whale, the base with a steel grater, 5.7 long. £100-150

13. An early 19th century treen chip carved snuff box in the form of a book, the sliding cover decorated with flowers and a heart, the base carved with the sun, the underside of the lid engraved with the letter ‘W’, 7.6cm wide. £100-150

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

14. A large William and Mary lignum vitae wassail bowl, the raised lip above a ring turned body, applied with a brass plaque engraved with a coat of arms, the date ‘1694’ and inscribed ‘Bibi Potum et non Defundo’ and ‘Thomas White’, on a ring turned foot, 38.7cm high, 35.5cm diameter. £4,000-6,000 Wassail bowls of this size are comparatively rare, Owen Evan-Thomas in his book Domestic Utensils of Wood p.19 pl.6 features ‘Two of the largest know Wassail bowls’ both measuring 13 1/2in high and diameter, so slightly smaller than this lot, with capacities of 4-4 1/2 gallons. It is also very unusual for them to be dated albeit this one the date is on an applied plaque. Edward Pinto suggests that the later bowls have a diameter greater to depth and this corresponds to the date on this bowl. The Latin inscription could be translated as ‘Drink and do not spill’ and the coat of arms possibly correspond to the White family of Weymouth whose shield was charged with three crosslets diagonally and featured a crest of a curlew standing on a mount of grass.

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15. A rare George II brass salver, with a moulded shell and pie-crust edge, with maker’s mark ‘T W’, on cabriole legs and pad feet, 22.5cm diameter. £600-800 16. A Regency bronze quart ale measure, inscribed ‘NORTHLEACH GLOUCESTERSHIRE 1819’ and ‘Ale Quart’, 14cm high, 11.7cm diameter. £600-800 17. A rare 18th century German gilt bronze chamberlain’s key, the pierced bow with a crown surmount with an orb finial above a monogram and flanked by lions above a cartouche centred with a coat of £300-500 arms, 18.5cm long. See Henry Rene D’Allemagne, Deocorative Antique Ironwork, p.90 for an almost identical example.

The holder was an archbishop and Elector from “Kur-Trier”. Trier is a city in Germany. For literature see DUWE Georg: Erzkammerer, und ihre Schuussel. Osnabruck 1990.

With thanks to The Hon William Wallace for cataloguing this lot. 18. A matched graduated set of brass standard weights of bell shape, some stamped ‘PARNALL & SONS BRISTOL’, 7lbs 1/4 oz, 17.8cm high. (10) £200-300 19. A 17th century German Nuremberg brass alms dish, with a punched outer band and a central whorl and a rondel outer border, 50cm diameter. £100-150

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

20. A Charles II brass trumpet candlestick, with fluted bands to the upper stem, above a drip-tray and a plain spreading foot, 14.2cm high. £800-1,200

21. A mid-17th century Dutch brass Heemskerk candlestick, with a pierced nozzle, a turned and knopped stem and a dished drip-tray, on a domed foot, 22.1cm high. £80-120 22. Eloy Koldeweij, ‘The English Candlestick, 500 years in the development of base-metal candlesticks, 1425-1925’, published by £80-120 Christie’s books. 23. Six 18th century brass candlesticks, with knopped and baluster stems, 17.8cm high (max). (6) £100-200

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24. A George II oak settle, with a quintuple fielded panel back, with a modern crewel work style squab cushion, above a wavy edge apron, 99.7cm high, 181.5cm wide, 58cm deep. £200-400 25. A late 17th century oak side table, the boarded top above a frieze drawer, the sides and corners with split baton and rondel mouldings, on block and bobbin legs united by peripheral stretchers, 72.3cm high, 85cm £300-500 wide, 55cm deep.

26. An ash and fruitwood Windsor lowback armchair, with a hooped stick back, on stretcherd supports, the seat rail stamped ‘B’, early 20th century. £40-60 26 27. A Charles II chestnut or walnut boarded writing box, with a hinged lid above a vacant interior, the front with geometric mouldings and with a fall front revealing five drawers and two secret drawers (the central drawer missing), 36cm high, 45.8cm wide, 31.3cm deep. £300-500 See Victor Chinnery, Oak Furniture The British Tradition, p. 377, pls.3: 428a and b, for a similar example. 28. A Charles II joined oak stool, the seat with a moulded edge, above a foliate carved frieze and on ring turned legs, united by peripheral stretchers, 50cm high, 45.7cm wide, 27cm deep. £100-150

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

29. A George III engraved horn beaker, with a silver rim, the body finely decorated with a view of Powderham Castle, titled ‘A VIEW OF POWDERHAM CASTLE IN THE COUNTY OF DEVONSHIRE’, with a draped plaque inscribed ‘JOHN & MARY ANN PAGE, LUDHAM, NORFOLK JUNE. 7, 1788.’, 12.3cm high. £400-600 The engraved view of Powderham Castle was possibly taken from Samuel and Nathaniel Buck’s engraving of ‘The East View of PowderhamCastle in the County of Devon’, c. 1734.

30. A late George III horn sailor’s scrimshaw beaker, with a silver rim, the body engraved with rope border panels of a lighthouse and a ship flanking an anchor and an oval panel of a boat, with initials ‘H. N. A. FECIT’ in a shield and dated ‘1807’, 12cm high. £200-300

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31. A small horn sailor’s scrimshaw beaker, with a silver mounted rim and foot, the body worked with fish and the initials ‘W H’, late 18th / early 19th century, 9.2 cm high. £80-120

31 32. An early 19th century engraved horn beaker, with a white metal mounted rim, the body worked with a fox hunt, with buildings, a windmill and initials ‘J + S’, 11.8cm high. £100-150

32 33. An early 19th century engraved horn beaker, with a silver mounted rim and foot, worked with a naive hunting scene with houses, a windmill, horse and riders, hunting dogs and a hare, 12cm high. £100-150

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

34 34. An engraved horn beaker, with a silver mounted rim and foot, worked with a church and angels, with a lady tending to her baby and with another lady kneeling and praying, with angels crowning her with a laurel wreath, late 18th / early 19th century, 12.9cm high. £80-120 35. A Victorian engraved horn beaker, with a silver mounted rim and foot and worked with hunting scenes: a fox head, a hunting horn, stirrups, horse and riders jumping a fence and £80-120 hounds attacking a fox, (base lacking), 10.1cm high. 36. A George III leather fire bucket, with copper rivets and a strap handle, an 18th century leather black jack, with a scroll handle (broken), the front faintly stitched ‘ARRANTE’, plus a white-metal mounted mug, with a shield shaped cartouche with a crest, the rim inscribed, £100-150 29cm high (max). (3) Provenance: The black jack Christie’s, South Kensington, Interiors Sale, 8th July 2014, lot 198.

35 36

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37. A 14th century style North European boxwood group of the Virgin and Child, Mary draped in robes and wearing a silver-gilt crown, the Christ child holding a book, on a Gothic style octagonal silver-gilt plinth base, 31.7cm high, together with a 19th century Swiss limewood carving of a knight, 17cm high. (2) £800-1,200

37 38. A Flemish relief carved oak panel, depicting Christ’s entry into Jerusalem, riding a donkey amongst onlookers, with a palm tree and with buildings in the distance, probably early 16th century, 21 x 14.7cm, later mounted in a modern easel backed oak frame. £300-500 39. Two early 17th century Malines carved alabaster relief panels, each with gilt highlights, depicting the Crucifixion and the Entombment of Christ, one in a foliate decorated gilt and ebonised frame, the other in a moulded oak frame, the panels: 12.4 x 10cm and £1,000-1,500 12 x 9.5cm. (2) 38

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40. A 15th century Nottingham alabaster and polychrome decorated fragment depicting the Coronation of the Virgin, with gilt highlights, with the Virgin Mary with her hands raised, flanked by God the Father holding an orb and the Son holding a cross, 27 x 28.6cm. ÂŁ2,000-3,000 Nottingham alabaster was mainly quarried in Tutbury and Chellaston near Nottingham. During the 14th -16th century altarpieces and devotional images were incredibly popular at home and abroad, with high demand for carvings from the merchant classes and religious institutions. Many hundreds of English alabasters were exported to the continent with some discovered at Santiago de Compostela in Spain and as far north as Iceland. For a similar panel see the Victoria & Albertâ&#x20AC;&#x2122;s collection of Nottingham Alabasters museum number: A. 157-1946, which was formerly in Toulouse, France.

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41. A pair of gilt and ebonised wood wall brackets, each carved with a pair of naked cherubs, holding a bunch of fruit, late 17th / early 18th century elements and later, 21.7cm high, 27.4cm wide, 22.5cm deep. (2) £300-500

42. Three carved oak terms, one of an exotic lady playing a mandolin with a fruit surmount, the other two carved with a man and a woman, with flowers and fruits, £200-300 late 16th / early 17th century, 61.3cm high (max). (3) 43. A Romanesque style carved stone model of a recumbent lion, 13cm high, 17.7cm long. £200-300 44. A 17th century walnut and iron mounted box, with strap mounts, the hinged lid with a swing handle, revealing an embossed paper lined interior, with divisions and four drawers, the front also hinged, possibly a jewellery box or a travelling £200-300 priest’s or apothecary’s box, 17.5cm high, 18.2cm wide, 17cm deep.

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

45. A George II / early George III carved limewood Royal Coat of Arms, with traces of polychrome decoration, sculpted with the lion and the unicorn, with scrolling leaves, mounted on a pine panel, 70.5 x 79cm. £800-1,200

46. Twelve 18th century pewter apostle spoons, each with a rat-tail bowl and a dognose end, each bowl engraved with a bust of an apostle with his name, the handles with wrigglework decoration and inscribed ‘S: W FINE ZINN’, German or Bohemian, 18.5cm long, in a later painted tin box. (13) £200-300

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47. An early George III brick fragment, with initials ‘BT. EE’ and dated ‘1763’, in a later teak frame, 19.8 x 34.9cm. £100-200

48. A French provincial chestnut candle box, the sliding cover carved with an urn of flowers, late 18th / early 19th century, 44.5cm high, 20cm wide, 9.8cm deep. £150-200 49. A late 19th century Norwegian bentwood and polychrome decorated box and cover, painted with flowers and with an inscription ‘Minde fra Norge’, 25cm wide, together with a turned horn snuff box and an 18th century crotal bell, with initials ‘R W’ for £100-200 possibly Robert Wells of Aldbourne. (3) 50. Four miniature treen tools, including: a saw and a chisel, together with a miniature brass smoothing iron with a treen handle, 19th century, 11cm long (max). (5) £80-120 51. A 19th century tôle box, painted with flowers and leaves, the domed lid with a handle, probably American, 18.5cm high, 19.6cm wide. £100-150 49

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53 52. A Victorian folk art carved beechwood figure of a rabbit catcher, the base inscribed ‘RABBITTS, FRSH RABBITT’ with initals ‘H.A.D’, 27.7cm high, 23.2cm wide. £150-200 53. A patinated metal weather vane, with a witch riding her broomstick, 76cm high, 63.1cm wide. £200-300 54. A 19th century American carved wood peg or bedpost doll fragment, stamped £100-150 ‘J. ROSE CAMDEN MAINE’, mounted on a later Perspex stand, 33cm high 55. A late Victorian folk art carved and painted wood model of a rearing horse, with glass eyes, 43.5cm high, 43cm long. £400-600 56. A 19th century folk art primitive painted pine rocking horse, of seesaw type, possibly American, 65.8cm high, 111cm wide, 33cm deep. £300-400

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57. A Flemish ebony and kingwood cabinet, inlaid with ivory stringing, with geometric panelled decoration, the hinged top revealing a vacant compartment, above a pair of doors with a ripple moulding, enclosing an arrangement of nine drawers, three with veneered linings, all fitted with later brass ring handles, originally with side carrying handles, late 17th / early 18th century, on an associated and later ebonised stand with winged paw feet, £1,500-2,000 94.8cm high, 103cm wide, 47.7cm deep. Provenance: The Old Rectory, Little Langford, Wiltshire. Sold by order of Trustees of the Estate of the late Miss S.F. Rooke. Sold in these rooms 8th July 2014, lot 11. 58. A French walnut money lender’s table, the boarded and stretchered top with two slot apertures (one now filled), above a frieze drawer and on stretchered ring turned supports, late 17th / early 18th century, 73.9cm high, 90cm wide, 62.7cm deep. £300-500 59. Two continental carved walnut panels, each with a central male mask, flanked by male and female term figures, French or Italian, 17th century and later, 16.3 x 27.5cm (max). (2) £100-150 58

60. A set of three Italian giltwood altar table lamps, each with a leaf carved baluster stem on a cartouche decorated triform base, later converted for electricity, together with a bronze example, 18th / 19th century, 60.3cm high (excluding fittings). (4) £200-300

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

61 61. An 18th century Spanish walnut and marquetry contador, inlaid with fruitwood and mother of pearl with scrolling leaves, flowers and birds, with a central drawer with an arched front and a removable cross panel, with six further drawers, on flattened bun feet, 41.5cm high, 71cm wide, 33cm deep. £800-1,200 62. A pair of 18th century Italian giltwood altar table lamps, each with a knopped stem and on a scroll decorated triform base, later converted for electricity, 60.5cm high (excluding fittings). (2) £200-300 63. An 18th century Spanish walnut vargueno, the panelled fall carved with a basket of flowers and scrolls and husks, with a fretwork escutcheon, the interior with an arrangement of drawers, pigeonholes and a pair of cupboards, the centre with an arched compartment with a secret drawer, 63.8cm high, 92.2cm wide, 34cm deep. £400-600 64. An 18th century Spanish hardwood and brass mounted brazier, with a lift-out brass tray with swing handles, the frame later inlaid with copper coins, decorated with brass flowerheads and crosses, 11cm high, 33cm diameter. £80-120

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65. A Spanish tin glazed pottery tile altar frontal, decorated with panels of crosses and flowers, 17th / 18th century, later mounted in a moulded rectangular frame, 71 x 133.9cm. £1,000-1,500 66

66. An 18th century Portuguese tin glazed pottery tile panel, painted with scrolling leaves and flowers, later mounted in a wood frame, 61.5cm square £400-600 67. A Mexican needlework sampler, worked with coloured silks on a linen ground, with panels of flowers and geometric designs, inscribed with messages of love, late 18th / early 19th century, 35 x 35.5cm, in a later glazed wood frame. £100-150 68. An 18th century painted pine box, decorated with flowers, with iron hinges and locking clasp, possibly Mexican, 16.7cm high, 32.4cm wide, 17.6cm deep. £200-300 69. Two 19th century Mexican raw hide leather petaca trunks, with fret cut decoration of flowers, lunettes and birds and animals, with side carrying handles, £300-500 39cm high, 66cm wide, 45.5cm deep (max). (2)

68 69

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70. An 18th century Indo-Portuguese carved and painted wood panel, decorated with a pair of angel masks and fruit, possibly guava, Goa, 15 x 100.8cm. £100-150

71. An 18th century Portuguese colonial walnut and leather side chair, with a carved leaf and scroll surmount, above a brass studded leather back, embossed with a central urn of leaves and flowers and with native South American figures, above a seat decorated with birds and leaves, the frieze carved with a shell and on leaf carved cabriole front legs and claw and ball feet. £400-600 71 72. A late 17th century and later IndoPortuguese or Middle Eastern mother of pearl and bone inlaid crucifix, inlaid with flowerheads, leaves, sun motifs and geometric rondels, with a later Corpus Christi and metal fronds and glass crucifix, the base with an arched door and inscribed ‘PRO CAPELLA S. PETRIDACA GENUAE PACE 1695 F. DEO DATUS’, 65cm high, 30.9cm wide. £300-500

See Margarita Mercedes Estella Marcos, Ivories: From the Far Eastern Provinces of Spain and Portugal, pp.198-199, for a similar crucifix and a discussion of where possibly they were produced.

73. An 18th century Portuguese carved giltwood and polychrome decorated rondel, the centre with a bust of Christ in a cloud border, 63.2cm high, 57cm wide. £1,500-2,000

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A PRIVATE COLLECTION OF IVORIES The principal part of the collection was gathered in the late 19th/early 20th century by R.H.Lee, Esq., of Yarner, Bovey Tracey, Devon, a gentleman yachtsman and traveller. Lee commissioned one of the Big Five yachts, Terpsichore which became Lulworth following his death in 1921 and her subsequent sale. The collection has been in his family ever since.

R. H. Lee right foreground.

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Each lot is subject to a Buyerâ&#x20AC;&#x2122;s Premium of 26.4% inclusive of VAT @ 20%

74. An 18th century Indo-Portuguese carved ivory group of the Virgin and Child, with gilt decoration and traces of polychromy, standing on a turned plinth, Goa, 24.2cm high. ÂŁ800-1,200 Provenance: From a distinguished naval family.

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75. An 18th century Indo-Portuguese carved ivory group of Saint Christopher and the Christ Child, with traces of original polychrome and gilt decoration, on an oval plinth decorated with flowers, Goa, 19.4cm high. £400-600 Provenance: From a distinguished naval family.

76. A 19th century carved ivory figure of the Virgin in Gothic style, wearing a crowned headdress and with flowing robes, French or German, 30cm high. £400-600 Provenance: From a distinguished naval family.

77. A German carved ivory group of the Virgin and Child in Gothic style, with traces of green and gilt decoration, on an ebonised stepped socle, 18th / 19th century, 21.1cm high. £300-500 Provenance: From a distinguished naval family. 77

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78. A 19th century carved ivory figure of Saint Joseph, carrying lilies and a carpentry square, 13.8cm high. £150-250 Provenance: From a distinguished naval family.

79. A carved ivory figure of the Virgin Mary, standing on a naturalistic base and on a parcel gilt ebonised rectangular plinth, German or French, probably late 18th / early 19th century, 20.2cm high. £300-500 Provenance: From a distinguished naval family.

80. A 19th century carved ivory bust of a Roman emperor, possibly Vespasian or Titus, on a turned ebonised socle, 12.9cm high. £200-300 Provenance: From a distinguished naval family.

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81. Two 19th century carved ivory portrait busts of Plato and Aristotle, each on a turned socle, 10cm high (max). (2) £300-400 Provenance: From a distinguished naval family.

82. A pair of 19th century French Dieppe carved ivory figures of huntsmen, one with a falcon, his trusty hound and a dead game bird, the other with a brace of fish and nets, each on a serpentine socle, 26.8cm high (max). (2) £400-600 Provenance: From a distinguished naval family.

83. A pair of late 19th century French Dieppe carved ivory figures, of a gentleman with a dress sword and a lady carrying a posy of flowers and a fan, both in 18th century costume, each on an ebonised socle, one with a retailer’s paper label inscribed ‘Wm OPPENHEIM, DRESDEN CHINA DEPOT, 43 Farringdon St. E.C.’, 16.4cm high. (2) £150-200 Provenance: From a distinguished naval family.

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84. Four Dieppe carved ivory allegorical models of the seasons, comprising: winter as an old bearded man, leaning on a tree stump beside a fire, two figures of spring, each as a classical maiden in a revealing dress and each holding a basket of flowers, and summer as a similar maiden, holding sheaves of wheat, each on an ebonised and ivory waisted base, late 18th century, 27cm high (max). (4) £1,500-2,000 Provenance: From a distinguished naval family.

85. Two similar 19th century Austrian hippopotamus tooth powder horns, one carved with a stag hunt, the verso with scrolling acanthus leaves and with a coat of arms surmounted by a helm and a coronet, with a dog’s head terminal and with stopper, the other also with a stag hunt, the verso with a titled portrait bust of Franz I, above a crown and a cartouche with three fleur-de-lis, with a boar’s head terminal, 18.2cm long £400-600 (max). (2) Provenance: From a distinguished naval family.

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86. A 19th century Dieppe carved ivory figure of a dancing Bacchante, with a grapevine headdress, the scantily clad figure wearing a lion’s pelt and with billowing drapery and playing the castanets, 22cm high. £500-800 Provenance: From a distinguished naval family.

87. A pair of 19th century French Dieppe carved ivory dancing girls, one playing the tambourine with articulated zils, the other with castanets and with a flower entwined baton, each with a revealing flowing dress, on a slightly differing oval lappet carved base, 31.4cm high (max). (2) £800-1,200 Provenance: From a distinguished naval family.

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88. A large carved ivory figure of James Quin as Sir John Falstaff, the corpulent knight holding a sword and a shield, with a paper sticking out of a pocket in his doublet, inscribed ‘Sack, Capon, Bread’, standing in front of a tree stump on a leaf carved oval base, late 18th / early 19th century, 50.1cm high. £1,000-2,000 Provenance: From a distinguished naval family. The famous comic character Sir John Falstaff featured in four of Shakespeare’s plays, Henry IV part I and part II, Henry V and the Merry Wives of Windsor. The cowardly, corpulent, vain and drunk knight, was played by James Quin (1693-1766) in the middle of the 18th century and porcelain figures were famously produced by the Derby factory c.1760-70. Their model was based on a mezzotint by James McArdell after Francis Hayman.

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89. Four late 19th century German carved ivory figures of street sellers and musicians, each wearing a hat, one with a basket of bottles, two holding hurdy-gurdies, the other with papers, 16cm high (max). (4) ÂŁ400-600 Provenance: From a distinguished naval family.

90. Four French Dieppe carved ivory figures of beggars in the manner of Pierre-Adrien Graillon, comprising: a pair of a man and his wife with their baby in a cradle, together with a pair of old men, each on a turned ebony socle, 16.3cm high (max). (4) ÂŁ500-800 Provenance: From a distinguished naval family.

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91. A pair of late 19th century German carved ivory groups of elegant couples in the manner of Otto Richter, each in 18th century costume and on a silver Rococo style base, with silvermarks for possibly Richard Garten, Dresden, with a crescent moon and crown national mark, 22.2cm high (max). (2) £400-600 Provenance: From a distinguished naval family.

92. A late 19th century German carved ivory dancing group in the manner of Otto Richter, the gentleman and lady elegantly dressed, on a turned serpentine socle, 18.5cm high. £150-250 Provenance: From a distinguished naval family.

93. A 19th century carved ivory cherubic angel figure, possibly a cane handle, mounted on a turned ebony socle, 20.1cm high. £150-200 Provenance: From a distinguished naval family.

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94. A late 19th century German carved ivory cup and cover, with a standing warrior finial, with his trusty hound, above massacred enemies, the body relief carved with a Greek classical battle scene, with the Amazon tribe of women warriors, on a figural stem with further defeated enemies on a circular base, the inside carved with a coat of arms, 34.5cm high. ÂŁ800-1,200 Provenance: From a distinguished naval family.

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95. A large late 19th century German ivory and silver-gilt mounted tankard, the hinged lid carved with the warrior king Gustavus Adolphus of Sweden on his horse, Streiff, the silver decorated with war trophies and a female and male mask, the body deeply carved in relief, depicting the death of King Gustavus Adolphus at the battle of Lützen, with a scroll figural handle and with a conforming base, with German silvermarks ‘800 crescent moon and castle’ and with an indistinct maker’s mark, 50.7cm high. £6,000-8,000 Provenance: From a distinguished naval family. King Gustavus Adolphus of Sweden (1594-1632) is regarded as the founder of Sweden as a great power, leading his country to military supremacy during the Thirty Years’ War. He is regarded as one of the most famous military commanders of all time combining innovative use of weapons, excellent training and backed by an efficient government. His greatest victory was at the Battle of Breitenfield in 1631 however he was killed a year later at the Battle of Lützen which was one of the most important of the Thirty Years’ War.

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96. A large late 19th century German ivory carved cup and cover, with a victorious warrior and lion finial, the body of the cup carved with a battle scene with crusaders on horseback, the base with a soldier chaining a prisoner and with war trophies, above a leaf carved and bead moulded plinth, 47.6cm high. ÂŁ3,000-5,000 Provenance: From a distinguished naval family.

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97. A fine and large late 19th century German carved ivory lidded tankard, probably Erbach, the finial carved with a warrior on horseback about to throw his spear, above a leaf carved moulding, the body finely relief carved with a continuous classical battle scene, possibly the battle £5,000-8,000 of Issus with Alexander the Great on horseback, the scroll handle carved with a bound captive and a lion’s mask, 37.8cm high. Provenance: From a distinguished naval family. Count Franz I of Erbach-Erbach established a guild for ivory carvers in 1783 in the town of Erbach im Odenwald having discovered ivory carving during his visit to Vienna in 1769. Erbach became the ‘Ivory Town’, and by the end of the 19th century their fame as skilled ivory carvers was established as the ‘Rose of Erbach’ won an award at the 1873 World Fair in Vienna.

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98. Three Japanese carved ivory okimono, one of a samurai with two boys, the others of fishermen with sons and cormorants, Meiji 18681912, 12.1cm high (max). (3) £200-300 Provenance: From a distinguished naval family

99. A Japanese carved ivory macabre okimono, of a standing skeleton holding a fan, supported by two monkeys and with a basket of fruit, the base originally with an inset signature plaque, Meiji 18681912, 11.9cm high. £150-200 Provenance: From a distinguished naval family.

100. A Japanese carved ivory okimono, of a samurai attacking an eagle, Meiji 1868-1912, 12.3cm high. £150-200 Provenance: From a distinguished naval family.

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101 front and back

101. A pair of Japanese ivory tusk vases, carved in relief with country folk, carrying pails of water from a well and with bunches of firewood, in a cloudy, rocky and pine tree landscape, both with signatures and brass liners, Meiji 1868-1912, 28.9cm high. (2) ÂŁ800-1,200 Provenance: From a distinguished naval family.

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102. A 19th century African Loango ivory tusk, carved with a procession of figures and animals in various pursuits, with a man in a palm tree, a pair of copulating dogs, figures drinking and with a naked female finial, 41.1cm long. £150-200 Provenance: From a distinguished naval family.

103. A 19th century Chinese Canton ivory tazza, the petal top finely pierced and relief carved with eight panels of figures, buildings and trees, on a puzzle ball stem and circular foot, 11.3cm high, 18cm wide. £80-120 103

Provenance: From a distinguished naval family.

104. A 19th century Chinese Canton ivory card case, relief carved with figures, buildings, trees and boats, 11cm high. £200-300 Provenance: From a distinguished naval family.

105. A small Victorian stained ivory box, the hinged lid decorated with a fisherman, with a divided interior, containing ivory crosses and three ball finials, 5.1cm wide. £40-60 Provenance: From a distinguished naval family 106. An Indian carved ivory group, of four servants carrying a planquin, late 19th / early 20th century, 14.4cm wide £100-200 Provenance: From a distinguished naval family.

102

104

105

106

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107. After Étienne Maurice Falconet (1716-1791). A 19th century French carved ivory figure of Venus au bain, standing next to a tree stump and on a naturalistic base, signed with initials, ‘h.c.’, 32cm high, on an ebonised plinth base. £500-800

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108. A late 18th century ivory snuff box, the hinged lid with a chinoiserie scene with figures and trees, in a scroll and leaf border, with white metal mounts, 6 x 8.7cm. £80-120

108

109. A magnifying glass with a white metal frame, the ivory handle carved with wheat ears, late 19th century, 29cm long. £80-120

109

110. A 19th century carved whale bone sailor’s love token seal, in the form of an arm and a hand, engraved with a heart, the end with initials ‘W P’, together with a turned ivory seal, the matrix with a coat of arms and a death of Nelson card needle book, painted with Nelson’s funeral carriage (losses), 11cm (max). (3) £100-150

110

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111

112

111. A 19th century ivory ornamentally turned urn and cover, with ribbed and fluted decoration, with a slender stem and square base, probably German, 19.5cm high. £600-800

112. A 19th century ivory ornamentally turned urn and cover, with fluted and bead decoration, with a tapering body on a slender stem and circular foot and ebony base, probably German, 19.9cm high. £600-800

113. A 19th century ivory and ebony ornamentally turned urn, of campana shape, with a fluted body on a conforming socle, probably German, 14.7cm high. £400-600

113

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ORIENTAL FURNITURE & WORKS OF ART

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114. An Indian carved ivory figure of a snake charmer, holding a cobra, together with a huqqa pipe and other accoutrements, on an ebonised turned base, late 19th / early 20th century, 22.2cm high. £150-200

115. A 19th century Chinese Canton ivory card case, carved in relief with figures, buildings, trees and boats, together with a Chinese Canton ivory needle case and contents, 16cm (max). (2) £200-300 114 115

116. A Japanese carved marine ivory okimono, depicting a fisherman with his son holding a basket of fish, standing on a naturalistic base, Meiji 1868-1912, 25.8cm high. £200-300

116

117. A 19th century Persian turned ivory and polychrome decorated baton, 39.4cm long. £100-150

118. Two Japanese carved marine ivory okimono, one depicting father and son holding a double gourd water carrier, the other of a sage standing on a grotesque figure, Meiji 1868-1912, 19.2cm high (max). (2) £200-300 118

117

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119. A Chinese padouk twin pedestal desk, the panelled top above four frieze drawers and a drawer to each open pedestal, with a lattice work stretcher, probably late 19th / early 20th century, 82.4cm high, 138.7cm wide, 68.6cm deep. £500-700

120. A 19th century Anglo-Chinese rosewood open armchair, with a pierced vase shaped splat above a later plush seat, on carved cabriole front legs and paw feet, with block and turned stretchers. £150-200

121. A Chinese padouk dressing box, with brass mounts, the hinged lid revealing a mirror, above four drawers, with side carrying handles, late 19th / early 20th century, 19.9cm high, 24.6cm wide, £100-150 32cm deep.

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122. A 19th century Chinese Canton vase, the body painted in coloured enamels with a continuous mountain scene with trees, figures and pagodas (damages), 64cm high, together with a Chinese millefleur dish with an iron red Qianlong seal mark (repaired), 40.5cm diameter. (2) £200-300

122

123

123. A near pair of Chinese porcelain famille verte rectangular vases, the tops and bases pierced, painted with figures and bats, with diaper borders, 19.7cm high. (2) £50-100 124. A Chinese porcelain altar candlestick, painted in coloured enamels, with a pair of dragons chasing a pearl, and with a scroll, a vase, a stand, an incense burner and other objects, late 19th / early 20th century, 25.3cm high. £50-100

124

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125

125. A pair of Chinese biscuit porcelain famille verte models of Buddhist lion dogs, the female with her puppy, the male with a pierced ball, late 19th century, 31.4cm high. (2) £150-200 126. A Chinese painted soapstone model of a pagoda, on a lacquer base, 126cm high, 34.5cm wide. £50-100 127. A large Chinese pottery model of a recumbent water buffalo, together with a seated model of a lioness on a green glazed naturalistic base, together with a similar £100-200 garden seat, 57cm long (max). (3)

126

127

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128. Six Chinese pottery figures in Tang and Han dynasty style, five with a lead glaze, comprising; a man with a basket and a dog, a standing woman, a horse, a pair of kneeling ladies, one playing the qin, the other singing, together with a lady dancing, 41.7cm (max). (6) £200-300

129. A Tang dynasty style Chinese pottery group of a horse and rider, the lady playing a paixiao, with traces of polychrome decoration, 48.2cm high, 42cm long. £100-200

130. A Chinese porcelain celadon glazed bottle vase, with scrolling lotus leaf decoration, with a six character Kangxi seal mark, 30.1cm high. £150-250

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131

131. A 19th century Chinese camphorwood and red leather trunk, with brass mounts and painted with bands of flowers and leaves, with side carrying handles, 46.4cm high, 103.5cm wide, 51.7cm deep. £400-600

132

132. A French gilt metal and porcelain mounted table lamp, with an 18th century Chinese Shi Wanware figure of Tudi, decorated with flowers and with a red painted metal and vellum lantern, 35.7cm high, 26cm wide. £300-400 133. A Chinese hardstone tree jardinière, with a gilt brass and cloisonné mounted base, late 19th / early 20th century, 40.3cm high, 40cm wide. £100-150

133

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134. A Chinese Tang dynasty style bronze mirror, cast in relief with dragons and Chinese characters, on a carved scrolling cloud hardwood stand, 35.4cm high, 22cm wide. £200-300 135. A Chinese bronze bell in Zhou dynasty style, the eliptical section cast with characters and rows of spikes and bosses, 36.5cm high, 20.5cm wide, 11.3cm deep. £200-300

134

135

136. Six Chinese bronze mirrors, all with relief cast decoration, 15cm diameter (max). (6) £150-250

136

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137. Eleven Chinese rice paper and gouache paintings, the majority depicting street performers, including: a fire juggler, a snake eater, a sword thrower and a magician, late 19th / early 20th century, 11 x 7.5cm, in a glazed box. (12) £80-120

138. A Chinese export mother of pearl and silver mounted octagonal counter or needle case, engraved with panels of flowers and foliage, the hinged lid (broken) engraved with initials ‘H P’, late 18th / early 19th century, 12.5cm high, together with assorted contents including: bodkins, button hooks and ten Chinese mother of pearl counters. (A lot) £100-150

139. A 19th century Chinese export aubergine lacquer tea chest, of sarcophagus form, decorated in gilt with panels of figures in various pursuits, the interior with twin lidded pewter canisters, on carved giltwood dragon feet, 14.4cm high, 22cm wide, 16.5cm deep. £100-150

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140. A Chinese cinnabar lacquer circular box and cover, finely carved in relief, with a scene of three maidens crossing a lake, on a diaper ground, late Qing dynasty, 18cm diameter, on a hardwood stand, together with a cinnabar lacquer rectangular box and cover. (2) £300-500 Provenance: Sotheby’s, Chinese Pottery and Porcelain and Works of Art, 8th July 1970, lot 89.

141. A 19th century Chinese bamboo cylindrical brushpot, deeply carved with figures, buildings and pine trees, 22.5cm high. £100-150

142. A Chinese soapstone brushpot, carved with rockwork, pine trees and the three immortals, 21.7cm high, 16cm wide. £100-150

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143. After Kitagawa Utamaro (Japanese 1753-1806). Six ukiyo-i coloured woodblock prints depicting geishas, including: one blowing a whistle, one with a tea bowl, and one applying make-up looking in the mirror, with various signatures and inscriptions, 32.2 x 22cm, each mounted on silk and in a later glazed wood frame. (6) ÂŁ100-150

144. Two 19th century oriental bronze incense burners and covers, the lid of each with a Buddhist lion dog finial, on tripod supports, one signed, 11.8cm high. (2) ÂŁ100-200

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145. An Indian hardwood dowry chest or damchiya, with iron and brass mounts and traces of original polychromy, the front corners carved with horse’s head finials, above a panelled front decorated with scrolling leaves and flowers, with a hinged door and a secret sliding panel, enclosing two shelves, the back with an inscription, Gujarat, probably 18th century, 90.4cm high, 148cm wide, 74.3cm deep. £800-1,200 Provenance: By family repute Dhoraji Palace, Rajkot, Gujarat.

146. An Anglo-Indian hardwood occasional table, inlaid with ivory, bone and ebony, the octagonal detachable top decorated with a central star and with scrolling leaves and flowers, on a folding base with pierced panels, late 19th / early 20th century, 51.3cm high, 54.7cm wide. £300-500

147. An Anglo-Indian hardwood and ivory inlaid occasional table, with an octagonal top inlaid with leaves, above a conforming base with mihrab arches, late 19th / early 20th century, 40cm high, 44.2cm wide. £150-250

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148 149

148. An Indian carved hardwood folding magazine rack, with a twin elephant surmount flanked by finials, with a hinged rest and decorated with scrolling leaves, flowers and a figure of Buddha, first half of 20th century, 65.5cm high, 24cm wide. £200-300 149. A large Indian brass occasional table, the top decorated with scrolling leaves and flowers and with a central scalloped well, on a folding carved hardwood base, late 19th / early 20th century, 53.8cm high, 97cm wide. £400-600 150. Two 19th century Bidriware bottle vases, each decorated with leaves and flowers, 20cm high (max). (2) £100-150

150

151. A late 19th century Bidriware white metal and enamel lidded urn, with copper bands decorated with scrolling leaves, flowers and urns of flowers, on a red and green ground, 22.7cm high. £100-150 152. A pair of Indian horn beakers, with incised decoration, the handle in the form of a serpent, 15.3cm high. (2) £80-120

151

152

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153. A 19th century Thai ceiling boss, of ebonised wood, with a coloured and plain glass tesserae ground, decorated with gilt scrolling leaves and flowers and with paste jewels, 119 x 137cm. £800-1,200

154

154. Two Islamic brass floor standing mosque lamps, with pierced decoration, one with script, 19th century, 169.9cm and 145.5cm high. (2) £200-300

155. A late 19th century Indian balsa wood model of a temple, under a glass dome, with an ebonised wood base, the temple: 28cm high, 35cm wide. £100-150

155

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156. An Indian iron and silver betel nut cutter, inlaid with stars, scrolls and hatching, with stylised peacock spurs, the inside of one handle with an inscription, probably 18th century, 15.5cm long. £200-300 156

157. An 18th century Indo-Dutch teak and brass mounted chest on stand, the hinged lid with a central foliate decorated plaque and twin bird spandrels, with a vacant interior, the sides with carrying handles (one off but present), the base with two drawers, 93.2cm high, 90.1cm wide, 55.1cm deep. £400-600

157

158. An 18th century Indo-Persian iron gilt damascened casket, all over decorated with scrolling leaves and flowers, the hinged lid revealing a vacant interior, 9cm high, 18.3cm wide, 12.3cm deep. £150-250

158

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FURNITURE, WORKS OF ART & CLOCKS

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159 159. An early 18th century ebonised and mother of pearl inlaid table cabinet in Namban style, with gilt decoration, decorated with panels of urns of flowers, the interior with an arrangement of nine paper lined drawers, with side carrying handles, 32.8cm high, 45.3cm wide, 26cm deep. £600-800

160. Two similar 17th century style walnut highback open armchairs, each with a padded back and seat, with scroll arms and turned and block stretchered supports. (2) £200-400

160

161. A walnut and burr maple veneered chest, cross and feather banded with two short and three long drawers, the lower drawer with a concave parquetry sunburst panel, on bun feet, early 18th century elements, 94.4cm high, 97.2cm wide, 51.8cm deep. £300-500 161

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162. A small walnut settee, covered with gros point needlework with flowers and foliage, with scroll arms and on carved cabriole legs and pad feet, early 18th century elements and later, 91.8cm high, 112.5cm wide, 59cm deep. . £500-800 Provenance: From the collection formed by the late The Hon Mrs Daisy Fellowes, Donnington Grove, Berkshire.

163. An olivewood oyster veneered chest, the crossbanded top above three long drawers, on turned bun feet, early 18th century and later, 76.3cm high, 93.4cm wide, 60.5cm deep. £300-500

164. A Queen Anne olivewood oyster veneered chest, inlaid with holly banding, the top with a moulded edge, with circular designs, above two short and three long drawers, on later bracket feet, 95.5cm high, 101.7cm wide, 55.4cm deep. £800-1,200

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165. A set of six George II red walnut dining chairs, each with a dipped top rail above a solid vase shaped splat, above a drop-in later leather seat, with a shaped frieze, on scroll carved cabriole legs and pad feet. (6) £1,000-1,500

166. A pair of George I walnut side chairs, each with a solid vase shaped splat, above a needlework drop-in seat, on scroll carved cabriole front legs and pointed pad feet. (2) £400-600

167. A George I walnut side chair, with a dipped scroll carved top rail, above a vase shaped solid splat, the later covered drop-in seat on shell capped cabriole legs and pad feet. £200-300

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168. A George I walnut chest on stand, inlaid with stringing, with two short and three long graduated drawers, the base with a wavy edge apron, and fitted with two further drawers, on square section cabriole legs, the back with an ivorine inventory label, inscribed ‘J.G.L.105’, 141.2cm high, 99.7cm wide, 53.4cm deep. £1,000-1,500

169. A small 18th century and later secretaire on chest, with cross and feather banding, the moulded cornice above a hinged fall, enclosing pigeon holes and a bank of ebony and ivory seaweed marquetry drawers, with a later leather writing surface, above four long graduated drawers, on bracket feet, 124.5cm high, 76.3cm wide, 35.2cm deep. £2,000-3,000

168

169

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170. A George II walnut bureau on stand, cross and feather banded, the hinged fall revealing an interior fitted with pigeon holes and drawers and with a sliding well cover and a later leather writing surface, the stand with a drawer and on cabriole legs and pad feet, 93.3cm high, 70cm wide, 48.5cm deep. £800-1,200

170

171. A walnut and burr walnut kneehole desk, cross and feather banded, the top with re-entrant front corners above an arrangement of eight drawers around a central cupboard, 78.7cm high, 89.4cm wide, 49.8cm deep. £600-800

171

172. A George II red walnut stool, the later silk covered drop-in seat above a shaped frieze, on hocked cabriole legs and pad feet, 45.5cm high, 52cm wide, 41.5cm deep. £600-800

172

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173. A pair of George I giltwood side chairs in the manner of James Moore, each with a serpentine padded back and seat with later upholstery, on leaf carved and moulded square section cabriole legs and stylised hoof feet. (2) £4,000-6,000 Provenance: By family repute Luton Hoo, Bedfordshire. See Ralph Edwards, The Dictionary of English Furniture (Revised Edition), volume one, pp.260-261 pls. 105 and 109, for two chairs with similar legs, one at Houghton Hall the other made for Sir William Humphreys, Lord Mayor of London (1714-1715).

174. A George II mahogany tea table, the hinged top on a single gate support, above a frieze drawer, on turned club legs and pad feet, 71.7cm high, 75.4cm wide, 30cm deep. £300-400

175. A small George II mahogany bachelor’s chest, the top with a caddy moulded edge, with a panelled brushing slide, above four long graduated drawers, on bracket feet (with a replaced back), 78cm high, 78cm wide, 46.7cm deep. £200-300

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176. A George II mahogany drop-leaf dining table, the oval top on turned club legs and pad feet, 72.5cm high, 139 x 142.5cm (open). £200-300

176

177. A pair of early George III mahogany side chairs, each with a pierced vase shaped splat, above a drop-in seat and stretchered supports. (2) £100-150

177

178. A mid-18th century oak drop-leaf table, the oval top on moulded cabriole legs and hoof feet, possibly Irish, 73.4cm high, 97.5cm wide, 107.7cm deep (open). £100-150

178

179. An early George III mahogany tripod table, with a circular tilt-top, on a turned gun barrel stem and cabriole legs, 70.9cm high, 76cm diameter. £100-150

179

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180. A rare George II mahogany harlequin bachelor’s chest, the hinged fold-over top with a baize lined surface and a rising secretaire compartment, fitted with pigeon holes and five drawers, one with divisions for pen and ink, on a sprung mechanism operated by brass pull knobs, the front with three false fronts drawers, the top right hinged to support the top, with two long drawers, on moulded ogee bracket feet with sunken brass castors, 73.7cm high, 71cm wide, 35.5cm deep. £1,000-1,500

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181. A mahogany linen press, with a pair of fielded panelled doors enclosing three slides, the base with two short and one long drawers, mid-18th century, but adapted, 162.5cm high, 129.3cm wide, 64.2cm deep. £300-500

182

182. A George III mahogany tray-top bedside commode, the wavy edge gallery pierced with three handgrips, above a pair of cupboard doors, the converted base with two drawers, 75.8cm high, 44cm wide, 39.7cm deep. £200-300 181

183. A George III mahogany wing armchair, later upholstered with damask fabric, on moulded and chamfered supports, united by stretchers. £300-500 184. A George III mahogany tripod table, the circular tilt-top on a turned stem and cabriole legs, 72.7cm high, 71cm diameter. £150-250

183

184

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185. A George III mahogany linen press, with a detachable cornice above a secret frieze drawer with a Greek key moulding, above a pair of plum pudding panelled doors with reeded outline mouldings, revealing a later hanging rail and one slide, above a fret carved moulding and two short and two long drawers, with bracket feet carved with crossed rosettes, 188.8cm high, 142.5cm wide, 63cm deep. £500-800

186

186. A George III mahogany tray-top bedside commode, the gallery pierced with handgrips, above a cupboard, the base converted into a drawer, 83cm high, 53.2cm wide, 46.5cm deep. £300-500 187. A George III mahogany Gainsborough armchair, with a serpentine back, covered in damask fabric, with stop fluted arm supports and conforming front legs, on brass castors. £1,000-1,500

185

188. A mid-18th century mahogany tripod table, the circular top on a spiral ribbed stem, the cabriole legs carved with stylised lambrequin and on hairy paw feet, 68.2cm high, 76.5cm diameter. £100-150

187 188

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189. A George III mahogany breakfront bookcase, with three astragal glazed doors enclosing adjustable later glass shelves and a watered silk lining, the back with a servant’s peep hole, the base with three central drawers flanked by cupboards, each enclosing shelves, 238.4cm high, 198.8cm wide, 52cm deep. £500-800 This bookcase belonged to the Very Reverend RM Bonnor-Maurice (1809-1883), Dean of St. Asaph, North Wales. It comes from a property known as ‘Bodynfoel’, near Llanfechain, west of Oswestry. It has, in the back of the right section, a small window which matches a similar window in the passage to the butler’s pantry at ‘Bodynfoel’. The window gave a view over the top of the books allowing the servants to observe the condition of the then owner, an irascible drunk, before going into the study.

190. A mahogany tripod table, the octagonal top with a wavy edged pierced gallery, above a turned stem and lappet carved cabriole legs and pointed pad feet, 18th century but top and base possibly associated, 69.5cm high, 50cm wide. £300-400

191. A George III mahogany tray-top bedside commode, the wavy edged gallery pierced with handgrips, above a cupboard door and a pull-out base lacking its interior, 73.2cm high, 53cm wide, 47.8cm deep. £150-250

192. A mahogany tripod occasional wine table or urn stand, the circular dished top above a baluster turned stem, 18th century but top and base associated, 47.3cm high, 35cm wide. £300-500

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193. A George III mahogany bookcase on chest in the manner of Thomas Chippendale, the detachable pediment with a Greek key moulding, with a blind fret carved frieze, above a pair of astragal glazed doors, enclosing three adjustable shelves, the base with three graduated doors on ogee and scroll carved bracket feet, 240.5cm £800-1,200 high, 120cm wide, 53.2cm deep.

194. A pair of George III mahogany open armchairs, inlaid with fan paterae, each with an oval padded back and serpentine seat covered in watered silk, with a fluted frame with scroll carved and moulded arm supports, on stiff leaf and guilloche carved and fluted tapering legs. (2) £300-500

193

195. A George III mahogany stool, the stuffed-over seat covered with silk damask, on leaf carved square chamfered legs, with scroll brackets and a conforming stretcher, previously on castors, 43.3cm high, 54cm wide, 39.7cm deep. £600-800 196. A late George III mahogany Pembroke table, inlaid with ebonised stringing, the serpentine edged crossbanded top above a frieze drawer, square tapering legs and block feet, 70cm high, 61.4cm wide (closed), 71.7cm deep. £200-300

196

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197. A George III mahogany dining table, comprising: a pair of ‘D’ ends and a drop-leaf central section with one additional leaf, on chamfered £500-800 square tapering legs, 72.1cm high, 273cm long, 137.5cm wide.

198. A mid-18th century mahogany tripod table, the circular tilt-top revolving on a birdcage, on a baluster turned stem and pad feet, 72cm high, 85cm diameter. £200-300

199. A mahogany open armchair, with a serpentine top rail above a pierced vase shaped splat, with shepherd’s crook arms, above a drop-in seat and cabriole legs and pad feet, mid-18th century and later, possibly Irish. £100-150

200. A George III mahogany Pembroke table, the drop-leaf top with a serpentine moulded edge, above a long frieze drawer, with Chinese Chippendale style blind fret carved legs and brass roller castors, 69cm high, 88 x 97.3cm. £100-150

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201. A George III satinwood demi-lune card table, inlaid with stringing, the fold-over top with kingwood crossbanding, revealing a baize lined playing surface, on twin gate supports, 76.5cm high, 96.6cm wide, 45.7cm deep. £400-600

201

202

203. A George III mahogany Pembroke table, the drop-leaf crossbanded top with a serpentine moulded edge, above a frieze drawer, on square tapering legs and brass caps and castors, 73cm high, 76 x 85.3cm (open). £400-600

202. A George III mahogany Gainsborough armchair, the padded back, seat and armrests upholstered with damask silk, on square legs united by stretchers and brass castors. £300-400

204. A late George III satinwood and marquetry Pembroke table, the oval drop-leaf top with kingwood and purpleheart crossbanding, and with an ebonised edge, with a central panel inlaid with flowers, above a bowfront frieze drawer, on square tapering legs and brass castors, 69.8cm high, 101.3 x 80cm (open). £500-800

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A photograph of the bed in-situ at Donnington Grove c.1958.

205. A George III giltwood four poster bed, the front posts carved with cluster columns and petal capitals, on panelled square section bases and wooden castors, with Chinese blue and ivory silk tasselled hangings decorated with flowers and foliage (the original canopy now lacking), 238.5cm high, 160cm wide, 193cm long. £1,000-2,000 Provenance: From the collection formed by the late The Hon Mrs Daisy Fellowes, Donnington Grove, Berkshire, ex. The Blue Bedroom. An article written in 1958 suggested that the Chinese silk hangings on the bed matched textiles already at Donnington Grove pointing to the fact that the bed was originally intended for the Grove. The author also discovered sketches for a bed by John Chute (the architect who designed Donnington Grove and also the Palladian staircase at his home The Vyne, Hampshire). The sketches were very similar to the above lot ‘with wreathed posts, Chinesey-Gothick cusping and a domed canopy. It was presumably intended for the Vyne, and Chutes accounts show that he employed the celebrated firm of Vile and Cobb for making some furniture. This bed is not unworthy of them too.’.

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206. A George III mahogany chest on chest, the moulded cornice with blind fret and Greek key mouldings, above two short and three long drawers, flanked by blind fret angles, the base with three long drawers, all fitted with brass Rococo handles and leaf and flower backplates, 174cm high, 112cm wide, 56cm deep. £500-800

207. A late George III mahogany and satinwood bureau bookcase, with a pair of astragal glazed doors of elliptical design, enclosing three adjustable shelves, the interior with marquetry decoration and with pigeon holes, drawers and secret compartments with a baize lined surface, above two short and three long drawers, the underside of one stamped ‘4593’, 233.8cm high, 124cm wide, 58.8cm deep. £500-800

208. A late George III mahogany demi-lune side table, inlaid with ebonised stringing, with a frieze drawer and two false fronts, 78.3cm high, 145cm wide, 63.2cm deep. £200-300

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209. A George III mahogany chest on chest, with a dentil cornice and a fluted frieze, with applied rondels above two short and three long drawers, the base with three further long drawers, all flanked by fluted quarter pilasters, ‘North Country’, 176.6cm high, 119.3cm wide, 56.5cm deep. £300-500

210. A George III mahogany bureau bookcase, with a detachable cornice, above a pair of astragal glazed doors, enclosing three adjustable shelves, the interior with a later leather writing surface, with pigeon holes and drawers flanking a central cupboard, with a pair of secret pilaster compartments above four long graduated drawers, with beaded brass handles and escutcheons, 221.2cm high, 112.8cm wide, 47.3cm deep. £300-500

211. A George III Lancashire mahogany mule chest, with a wavy edge raised back, above a hinged top revealing a vacant interior, the front with five false drawers and four real drawers, with fluted quarter pilasters, 106.7cm high, 172.7cm wide, 58.3cm deep. £400-600

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212. A 19th century mahogany butler’s tray, the gallery pierced with handgrips, 70.2cm wide, 50cm deep. £100-150

212

213. A George III mahogany serving pedestal cupboard, the twin hinged flap-top inset with three leatherette panels, above a frieze drawer previously divided and a panelled cupboard door with two shelves, one metal and pierced with holes, on sunken wooden castors, 90.3cm high, 40.7cm wide, 40.3cm deep. £200-300

214. A George III mahogany butler’s tray, with a wavy edge gallery pierced with four handgrips and brass corner mounts, fixed on a tripod base, the underside with an ivorine inventory plaque inscribed £300-500 ‘551’, 61cm high, 56.4cm wide, 46cm deep.

213

215. An early George III ‘plum pudding’ mahogany rectangular tray, with a moulded gallery and a pair of stylised shell lift handles, 50 x 78.3cm. £150-200

215 214

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216. A George III cut glass taperstick, with scale decoration, the petal drip-tray above a twin knopped stem and a domed lobed foot, 14.5cm high. £100-200

217. A George III cut glass taperstick, with scale decoration, the petal drip-pan above a twin knopped stem and on a domed lobed foot, 14.3cm high. £100-200

218. A set of four cut glass tapersticks in George III style, with scale decoration and with a knopped stem above a domed and petal foot, early 20th century, 13.8cm high. (4) £100-200

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219. A matched pair of George III Irish cut glass candelabra, each with a flowerhead finial, above a pyramidal stem, with twin lights and foliate drip-pans, hung with cut glass drops united by serpentine scroll holders, on faceted baluster stems and square chamfered plinths, 64.3cm high, 38cm wide. (2) £1,000-1,500

220. Two pairs of George III cut glass candlesticks, one with a detachable drip pan, each with a baluster stem (losses and damages), 21.7cm high. (4) £80-120

221. A collection of cut glassware, including: a pair of baskets, a pair of bowls and covers, a pair of urns and covers, a pair of stands, probably Irish, early 19th century and later, 20.7cm high (max). (14) £200-300

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222. A late George III mahogany bowfront standing corner cupboard, in two sections, inlaid with stringing and with rosewood banding, the frieze with marquetry fan paterae, above a pair of panelled doors enclosing a painted interior with three shelves and two drawers, above a conforming base with one shelf, with bone escutcheons, 220.2cm high, 104.5cm wide, 65.5cm deep. £400-600

223. A mahogany Pembroke table, the drop-leaf top above a frieze drawer, on chamfered legs united by an undertier, 18th century elements, 72.3cm high, 70.7 x 91cm (open). £300-500

222

224. A pair of George III and later shield back open armchairs, each carved with foliage, husks and paterae, with a needlework seat dated 1955 and 56, on front moulded square tapering legs. (2) £100-200 Provenance: Property from a deceased estate. 225. An 18th century mahogany and brass mounted serpentine commode, fitted with two short and one long drawers, on cast brass hoof feet, 83.2cm high, 126cm wide, 58.7cm deep. £800-1,200

225

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226. A George III oak longcase clock, the eight day movement striking on a bell, with a brass dial and cast cherub mask spandrels, the silvered chapter ring with Roman and Arabic numerals and inscribed 'Tho. Bramston Oundle', with subsidiary seconds dial and date aperture, the hood with a swan neck pediment and brass eagle finials, 215.2cm high. £400-600

227. A George III oak longcase clock, the eight day movement striking on a bell, the brass dial with cast eagle and urn spandrels, with a silvered chapter ring with Roman and Arabic numerals, with engraved scrolls and inscribed 'Stripling Lichfield', with subsidiary seconds dial and a date aperture, the case decorated with parquetry inlay and with fluted quarter pilasters, 210.5cm high. £400-600

228. A George III mahogany stick barometer by James Long, with a broken arch swan neck pediment, with an urn finial above a silvered dial inscribed 'J A S Long Royal Exchange LONDON', with an adjustable vernier scale, the banded trunk with a silvered thermometer scale, the base with a turned well cover, 101.5cm high. £500-700

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229. A George II walnut bracket clock by William Fleetwood, the eight day twin fusee movement striking on a bell, with a verge escapement, the backplate finely engraved with scrolls, flowers and the bust of a lady, the arched dial with a silvered chapter ring with Roman and Arabic numerals, signed 'WILLM FLEETWOOD LONDON', with Strike/ Not Strike dial and calendar and pendulum apertures, the case with a brass handle and a bell top, with fret carved decoration, together with a modern bracket, 49.2cm high. (2) £2,000-3,000

230. A Regency mahogany and brass inlaid bracket clock by Tupman, the eight day twin barrel movement striking the hours on a gong, the circular dial with Roman numerals and signed ‘TUPMAN, Chars. Street, Grosvenor Sq’, the arched case inlaid with scrolling leaves, husks and flowers, on ball feet, 42.5cm high, 28.5cm wide, £500-700 together with a contemporary bracket. (2) George Tupman & Co. (1790-1875) were active at 6 Charles Street, Grosvenor Square 1806-1830.

229

230

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231. A late 19th century French four glass mantel clock, the eight day twin barrel movement striking the hours and half-hours on a bell, the backplate stamped ‘2190’, with a mercury pendulum, the circular white enamel dial with Roman numerals, with bevelled panels and a gilt brass moulded case, 21.9cm high, 13cm wide. £200-300

231

232. A French gilt brass repeating carriage clock, the eight day movement striking on a gong, the backplate stamped ‘4243’, the circular dial with Arabic numerals, within an architectural case with Corinthian columns, late 19th / early 20th century, 17cm high. £150-250

233. An early 20th century gilt brass and ivory dressing table clock, with an eight day movement, the dial painted with an Alpine lake and mountain scene, with blued steel hands, the chapter ring with Roman numerals, the case with an easel back, 10.3cm square. £150-200 232

233

234. A French brass and tortoiseshell boulle marquetry clock bracket, 22cm high, 34.8cm wide. £150-250

234

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235. A late 19th century French gilt and patinated brass chinoiserie mantel clock garniture by Achille Brocot, the eight day movement striking on a bell, the backplate stamped ‘A STAR B’ and numbered ‘654314’, with a silvered circular dial with Roman numerals, the pagoda shaped case decorated with gilt, silvered and coppered figures with buildings, birds and trees, together with a pair of matching urns, 39.4cm high (max). (3) £300-500

236. A late 19th century French brass repeating carriage clock, the eight day movement with a lever escapement and striking on a gong, the backplate stamped ‘PATENT SURETY POLLER’ and ‘G. L.’, with a silvered dial with Roman numerals, in a chinoiserie pagoda case with bamboo columns, the dial surround decorated with mixed metals depicting a landscape scene with a Chinese figure and a house with flowers and leaves, the side panels in gilt bronze with figures hunting, the other with three figures kiting, 17.6cm high (handle down). £500-800 236

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237. A late 19th century Swiss musical box, the 33cm brass cylinder playing twelve airs, with a printed tune sheet, in a rosewood, kingwood and ebonised case, inlaid with marquetry instruments and flowers, 66cm wide, together with a mahogany and brass mounted box. (2) £300-500

238. A mid-19th century Swiss pressed horn musical box, the hinged lid with a basket of flowers, with a 6cm pinned cylinder playing two airs, the paper tune sheet inscribed in pen ‘Dieu sauve le roi, Le rule Britannia’, 9.5cm wide. £150-200

239. A bronze and brass orrery, with six ivory planets revolving around the sun, on a snake base, possibly 18th century, 20.5cm high. £150-200

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240. An early 19th century brass Culpeper-type monocular microscope by Blunt, with a brass tube (lacking eyepiece), above a circular stage, inscribed ‘Blunt LONDON’, with scroll supports and a mahogany base, and with a drawer fitted with various accessories, including six bone slides, in a mahogany pyramidal case, 41.5cm high. £200-300

240 241. A brass cased 'Advanced Starboy' astronomical telescope by Broadhurst Clarkson & Co., the 3in lense with a two draw eyepiece, stamped 'ADVANCED STARBOY, BROADHURST CLARKSON & CO., 63 FARRINGDON RD LONDON E.C.', 127cm long, in a stained wood box and with a mahogany and brass mounted folding tripod stand. (2) £300-500

241

242. A 19th century brass and leather 1 ¾ in four draw telescope by Dollond, the shaft inscribed ‘Dollond London’, ‘H. P. Davies Esqre 52nd Lt Infy’, in a leather case, together with a single draw telescope, a microscope by Baker, ‘244, HIGH HOLBORN LONDON’ in a mahogany case, a small botanist’s microscope in a mahogany case, a pair of scales in an oak box, and a military clinometer by Short & Mason, London, in a leather case. (6) £100-200 242

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CONTINENTAL FURNITURE & WORKS OF ART

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243. An early 18th century Italian walnut and marquetry bureau bookcase, inlaid with stringing and with panels of fruitwood foliate strapwork, the sides with crosses, with a pair of arched later mirrored doors, enclosing a plane wood interior of pigeonholes and shelves, above a hinged fall, revealing a later baize writing surface and eight drawers, with a sliding well cover and two secret drawers, above two short and two long graduated drawers on flattened bun feet, possibly Genova, 202.8cm high, 112.3cm wide, 56.2cm deep. £1,500-2,500 Provenance: Count Redmond Toler Clayton-Browne Clayton (18631937) of the Villa La Punta, Cervara, Santa Margherita, Liguria, Italy. Bequeathed to his nephew, Sir Henry Russell Hornby, Bt, (1888-1971), 2nd Baronet of Brookhouse, of Barraclough, Clitheroe, Lancashire and thence by descent.

243

244. A late 18th century continental fruitwood and marquetry bureau, with ebonised carved decoration, inlaid with figures in various pursuits with ivory details, with a shallow drawer above a fitted interior, and three long drawers, on carved paw feet, south German or Italian 109cm high, 123.4cm wide, 59.5cm deep. £1,000-1,500

244

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245. An Italian Venetian carved wood polychrome decorated blackamoor torchère, parcel gilt and silvered, the figure standing on a gondola and holding a torch and a paddle, on a turned plinth base, late 19th / early 20th century, 188cm high (excluding fitting), 38.8cm wide. £300-500 246. An Italian painted and carved giltwood standard lamp, the spiral fluted stem decorated with leaves and fruit, late 19th / early 20th century, 153.6cm high (excluding fitting). £100-150 247. An Italian walnut serpentine commodino, the gallery pierced with handgrips above a cupboard door on carved cabriole legs and hoof feet, possibly Bologna, late 18th / early 19th century, 85.5cm high, 54.5cm wide, 40cm deep. £300-500 248. A Venetian style gilt and polychrome decorated torchère, in the form of a blackamoor, holding a bunch of grapes and a tazza, on carved tripod supports, first half of 20th century, 100.6cm high, 45.8cm wide. £200-300

246

245

247

248

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250

249

249. An 18th century Dutch bowfront painted hanging corner cupboard, the shaped pediment decorated with flowers and with turned wood finials, above a single door painted with a classical court scene with figures, the interior with three shelves, 112.2cm high, 57.5cm wide, 40.4cm deep. £400-600 250. A late 18th century Dutch walnut and marquetry bomb commode, inlaid with urns of flowers, birds and leaves, the serpentine top above four long graduated drawers and bun feet, 82.3cm high, 98.5cm wide, 57cm deep. £600-800 251. An 18th century Dutch bowfront painted hanging corner cupboard, decorated with Solomon and the Queen of Sheba, the interior with three shelves, 92.5cm high, 60cm wide, 40cm deep. £300-400

251

252. An 18th century Dutch breakfront fruitwood and mahogany commode, inlaid with feather stringing and flowerheads, with three long drawers, on tapering legs, 87.3cm high, 120.4cm wide, 53.5cm deep. £300-500 252

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253. A French rosewood bijouterie table in Louis XV style, with gilt brass mounts, the hinged lid with a bevelled glass panel, revealing a plush lined interior, late 19th / early 20th century, 73.6cm high, 81.2cm wide, 52cm deep. £300-500

253

254. A French guéridon in Louis XV style, with a rouge marble top and brass mounts, late 19th century, 74.3cm high, 47.3cm wide. £100-150 Provenance: Property from a deceased estate in Richmond, London. 254

255. A French satinwood and marquetry dressing table in Louis XVI style, with brass mounts, the hinged crossbanded top inlaid with flowers, swags and leaves, the interior with an oval mirror and a pair of compartments flanking a drawer, on stop fluted legs, 75cm high, 69.8cm wide, 42.6cm deep. £400-600

255

256. A Directoire mahogany side table, with a pierced brass gallery and a frieze drawer flanked by a pair of concave panels, on fluted legs and toupie feet, 80.2cm high, 81cm wide, 30.6cm deep. £200-300

256

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257. A giltwood settee in Louis XV style, with a moulded frame carved with flowers, leaves and scrolls, covered in damask silk and on cabriole legs, possibly English, late 18th century, 93.3cm high, 144.5cm wide, 71cm deep. £800-1,200

258. A Louis XV style fruitwood and burr ash poudreuse, decorated with parquetry trellis panels and with ormolu mounts, the triple hinged serpentine moulded edge top revealing a central mirror and two lidded compartments, with three frieze drawers, 74.5cm high, 85cm wide, 46.5cm deep. £600-800

258

259. A Louis XVI satinwood and ormolu mounted jardinière, the lift-out top with a leaf moulding and a lead liner, on faux fluted legs and sabot feet, 76cm high, 60.7cm wide, 37cm deep. £400-600 Provenance: From the collection formed by the late The Hon Mrs Daisy Fellowes, Donnington Grove, Berkshire.

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261

260. A pair of Renaissance revival gilt and patinated bronze ewers, each with a winged female figure handle, the body decorated with griffins, classical figures, serpents, flaming urns and male masks, 47.4cm high. (2) £300-500 261. A pair of late 19th century French gilt and patinated bronze twin-light candlesticks, in the Chinese manner, with champlevé enamelled decoration, 28.6cm high, 19cm wide. (2) £100-150 262. A pair of 19th century gilt bronze seven-light candelabra, each with fluted scroll arms and decorated with Greek key bands, the triform base on winged lion’s paw feet, 65.3cm high, 27.2cm wide. (2) £500-800 263. A pair of 19th century gilt bronze figural candlesticks, each with a scantily clad cherub supporting an urn and standing on a naturalistic base, the fluted plinth above a verde antico marble base, 25cm high. (2) £200-300 262

264. A French gilt brass surtout de table, with a beaded border and a mirrored base, formerly used as a wall mirror, 19th century, 57.7 x 46cm. £100-200

264

263

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265. A pair of Napoleon III ormolu and tôle painte jardinières, each decorated with garlands of flowers and with ribbon tied torches and quivers of arrows, with lift-out metal liners, 17.7cm high, 17cm wide, 13.6cm deep. (2) £800-1,200

266. A pair of French ormolu and turquoise porcelain mounted tazze in Louis XVI style, each in the form of an athenienne with a monochrome glazed bowl, with ram’s head monopodia supports hung with chains, on an engine turned circular base, late 19th century, 23.7cm high, 22.7cm wide. (2) £300-400 Provenance: From the collection formed by the late The Hon Mrs Daisy Fellowes, Donnington Grove, Berkshire.

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267 268

267. A pair of French tôle peinte cachepots, decorated with flowers, birds and butterflies, 30.2cm high, 18.3cm wide. (2) £150-250 268. A late 19th century French kingwood and ormolu mounted serpentine table jardinière, with thuya panels and a lift-out brass liner, with a pair of handles, 17.5cm high, 37cm wide, 23cm deep. £100-150 269. A late 19th century continental pottery figure of an oriental musician, the base with a raised banner mark inscribed ‘Wittmann & Roth London’ and numbered ‘145’, 44.2cm high. £150-200 270. A pair of giltwood wall brackets, each carved with leaves, 31.1cm high, 31.4cm wide, 15.6cm deep. (2) £100-150 271. A Russian tôle peinte tray, with gilt brass handles and painted with flowers and foliage, late 19th century, 45.3 x 68.8cm. £100-150

269

270

271

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272. A pair of 19th century French porcelain and ormolu mounted urns in Sèvres style, each with an acanthus and anthemion decorated top, with scroll handles and satyr masks terminals, the ovoid fond ecaille (faux tortoiseshell) bodies above a laurel wreath mounted square plinth base, 48.6cm high. (2) £800-1,200

273. A 19th century French griotte uni marble and ormolu mounted urn table lamp in Louis XVI style, with scrolling leaf handles and with a laurel leaf plinth, stamped ‘44022’ to the base, 44.8cm high, 24cm wide. £300-500

274. A late 19th century gilt metal and porcelain mounted Sèvres style box, in the form of a drum, the lid inset with a painted plaque with putti and doves, with a silk lined interior, the body engraved with scrolling flowers and foliage, 12.5cm high, 12.8cm diameter. £200-300 Provenance: From the collection formed by the late The Hon Mrs Daisy Fellowes, Donnington Grove, Berkshire.

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275. A large pair of giltwood twin light wall appliques in Regency style, each with a ribbon tied tasseled backplate, carved with a crouching eagle on a rocky perch, late 19th century, 114cm high, 42.5cm wide. (2) £600-800

276 275

276. A pair of late 19th century French ormolu wall lights in Louis XVI style, with a flaming urn and ribbon tied fluted backplate, with leaf decorated scroll arms and three sconces, the backs stamped ‘G D 126’, 50.4cm high, 30.5cm wide. (2) £200-300

277. A pair of gilt and patinated brass three-light wall appliques in Empire style, early 20th century, 32.2cm high, 27.7cm wide. (2) £200-300

278

278. A pair of Victorian silver plated lustre table lamps, later converted with cut glass drops and lustres, with a vase turned stem and a circular base, 32.5cm high (excluding fitting). (2) £150-200

277

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279. An early 19th century karelian birch urn, the cover with a stylised cone finial with a gadrooned base, with loop side handles, on a quill carved circular base, possibly Russian, 20.3cm high. £400-600

279 280 280. A pair of Italian Venetian wall mirrors, each with a rectangular plate etched with country scenes, one with a drummer with two ladies and their dogs, the other with two huntsmen, one seated smoking, the other drinking with his hound, the panels possibly late 18th century, later mounted, 49.2 x 37.1cm. (2) £200-300

281. A Louis XV provincial carved giltwood wall mirror, with a rectangular plate surrounded by marginal plates, the re-gilt frame decorated with leaves and scrolls and with a ‘C’ scroll and basket of flowers surmount, 79.8 x 44.8cm. £200-300

282. A late 19th century Italian Florentine giltwood wall mirror, the later rectangular plate with a leaf and shell carved frame, 59.5 x 51.6cm. £100-150

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283 283. A set of eight French walnut dining chairs in Louis XV style, each with a leaf carved top rail above a cane back and seat, on leaf carved cabriole legs united by an ‘X’ stretcher, second half 20th century, with squab cushions. (8) £300-500 284. A French mahogany vitrine in Louis XV style, with gilt brass mounts, the marble top above a bowfront glazed door enclosing two plush lined shelves, late 19th / early 20th £400-600 century, 139.5cm high, 68cm wide, 33.8cm deep. 285. A continental giltwood bed, the frame all over carved with flowers, the headboard with a needlework panel of a basket of flowers and further flowers and foliage, on cabriole legs and later castors, 155cm high, 145cm wide, 206cm long. £300-500 284 286. A Louis XV style giltwood and gesso settee, the frame decorated with flowers, scrolls, leaves and a shell, on brass castors, late 19th century, 94cm high, 146cm wide, £200-300 81.2cm deep.

100

285

286

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287. A French stained beechwood ‘Japonais’ display cabinet in the manner of Gabriel Viardot, inlaid with mother of pearl, the pagoda top above a glazed door enclosing a plush lined interior, above an open base of pierced carved decoration, 142.3cm high, 56.6cm wide, 44.5cm deep. £1,500-2,000

288. Gabriel Viardot (French 1830-1906). A near pair of French stained beechwood ‘Japonais’ jardinière stands, each with a pink marble inset top above a pierced frieze with oriental symbols, on scroll legs and claw and ball feet, both stamped ‘G. Viardot’, 101cm high, 32.5cm square. (2) £800-1,200

287

289. A French satinwood nursing chair in Louis XV style, with a carved leaf surmount and a moulded frame, covered in floral needlework, on carved cabriole legs and brass castors. £150-250 Provenance: From the collection formed by the late The Hon Mrs Daisy Fellowes, Donnington Grove, Berkshire. 290. A French beechwood bergère in Louis XV style, the moulded frame with a padded back and armrests, with stop fluted and stiff leaf carved arm supports and fluted tapering legs. £300-500 Provenance: From the collection formed by the late The Hon Mrs Daisy Fellowes, Donnington Grove, Berkshire.

290

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291. A late 18th century French silk fan, the ivory sticks with gilt and silvered decoration, the fan applied with sequins, with swags, flowers and leaves and with three gouache painted panels, depicting a family in a woodland setting marvelling at a clock, and a man and a woman playing instruments, 50.5cm wide, in a later glazed rectangular display case. £250-350

291

292

292. A 19th century Italian fan, with carved and polychrome decorated ivory guards and sticks, the fan painted with a family and a bird in a landscape, together with a similar fan printed and painted with country figures beside a lake with sheep and a dog, a horn fan with swags of flowers and a similar tortoiseshell example, together with a Maximillien fan box, 44.3cm wide (max). (5) £200-300

293

293. A 17th century Flemish verdure tapestry fragment, with a heron beside a lake and a wooded landscape, 153.3 x 177.5cm. £200-300

294. A Flemish tapestry fragment, depicting a cockfight, 17th / 18th century, 95.3 x 116.1cm. £150-200

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294

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295. A 19th century French Aubusson mythological tapestry, depicting Diana the huntress in a lake landscape, with trees and a farmer figure with two cows, within a floral border, 198.8 x 234cm. £1,000-1,500

296. A French Aubusson tapestry panel, depicting a pair of huntsmen with their dogs and game birds in a wooded landscape, in a gilt carved frame, with a floral reef and a carved lovebird surmount, 105.8 x 76cm. £200-300

297. A chinoiserie tapestry in 18th century style, decorated with figures, trees, a parrot, a swan, all in a watery landscape, 250 x 203.3. £300-400

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298

299

298. A large Persian style carpet, with an ivory ground and red borders, decorated with scrolling leaves and flowers, modern, 541 x 397cm. £400-600 299. A Malayer carpet, north west Persia, modern, 433 x 300cm. £200-300 300. An Isfahan silk and wool rug, with souf ends, central Persia, 20th century, 289 x 204cm. £200-300 301. A Shirvan rug, with triple medallions, south east Caucasus, late £150-200 19th / early 20th century, 246 x 109.5cm. 302. A Shiraz rug, Fars province, south west Persia, mid-20th century, 290 x 183cm. £100-200

300

301

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FIREPLACE FURNITURE

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303. A modern white metal and brass club fender, with button upholstered green suede leather seats, 53.3cm high, 217.5cm wide, 36.5cm deep. £300-400

304. A George III style brass and cast iron fire-grate, with an arched back above a rail front and a pierced frieze, with turned urn finials, early 20th century, 71.7cm high, 66.2cm wide, 36cm deep. £400-600

305. A Victorian cast iron and brass fire-grate, with a scroll and shell decorated back and a serpentine railed front, with flaming finials, 67cm high, 48.3cm wide, 26.7cm deep. £200-300 Provenance: Moreton House, South Grove, Highgate, London.

306. A 19th century steel serpentine fender, 12.9cm high, 140.8cm wide, 43.5cm deep.

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£100-200

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307. A modern brass club fender, with studded green leather seats, 64cm high, 172cm wide, 46cm deep.

308. A cast iron fire-grate, comprising: a pair of andirons with dished tops, above a part fluted stem and scroll supports, together with railed basket, 61.5cm high, 116.5cm wide, 62cm deep. £200-300

£300-500

309. A George III style cast iron and brass fire-grate, with a serpentine rail front, pierced frieze and turned urn finials, 66.5cm high, 51.3cm wide, 35cm deep. £300-500

310. A cast iron fire-grate, with a railed front, flanked by ribbon tied husk panels and torch front supports, 45cm high, 81cm wide, 29.5cm deep. £80-120

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312 311

311. A pair of polished steel fire tool rests, with a lappet baluster stem on a lobed weighted base, 39.5cm high, 18.6cm diameter. (2) £150-200 312. A George III steel footman, the top pierced with fan spandrels, trees and hearts, with brass side carrying handles, 30.8cm high, 46.8cm wide, 41cm deep, together with a brass and iron example. (2) £200-300 313. A pair of George II style brass andirons, each with an urn top above a shell capped leg and a claw and paw foot, with an iron support, 39.3cm high, 28.4cm deep. (2) £80-120 314. Two Victorian brass and wire work nursery fenders, 76.5cm high, 73cm wide, 32cm deep, and 69.6cm high, 91.5cm wide, 27cm deep. (2) £100-150 315. A near pair of Dutch copper logbins, each with a swing brass handle and £150-250 a riveted body, 19th century, 34.2cm high, 38cm wide (max). (2)

313

315

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316. A pair of Louis XV style gilt and patinated bronze chenets, each modelled with a cherub, with scrolling leaves and flowers, 19th century, 54.5cm high, 39cm wide (2). £500-800 317. A large pair of George III iron fire tools, each with a turned brass handle, comprising: a poker and a shovel, 92.9cm long (max). (2) £200-300 318. A pair of Italian bronze andirons in Renaissance style, the stems decorated with female and beast masks, on a triform base and a wrought iron scroll stand, 19th century, 88.9cm high, 36.2cm wide, 25.5cm deep. (2) £400-600 319. A set of three early Victorian polished steel fire tools, with mushroom finials and knopped stems, 77cm long (max). (3) £150-200

317

319

318

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321 320 320. A 19th century mahogany and brass bound navette shape peat bucket, with a later brass liner and a swing handle, 36cm high, 37.4cm wide. £200-300 321. A 19th century mahogany and brass bound navette shape peat bucket, with a brass liner and a swing handle, 31cm high, 33.6cm wide. £200-300 322. A cast brass doorstop in the form of a pineapple, with a weighted lead base, 34.8cm high. £80-120 323. Two Victorian cast iron doorstops, one by Coalbrookdale, the other by Kenrick, both stamped, 38cm high (max). (2) £100-150 324. Hunting interest. A brass and cast iron fox’s head doorstop, the handle in the form of a riding crop, the base stamped ‘Peerage England 19478’, late 19th / early 20th century, 45.7cm high. £100-150

322

324

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325. A lead planter, with a moulded rim, above a body decorated with a repeated scene of cherubs hunting a stag, 26cm high, 105cm wide, 38.5cm deep. £300-400

325

326. A Victorian brass and cast iron stickstand, with four divisions, a turned stem and four paw feet, 64.9cm high, 41.3cm wide, 40.5cm deep. £300-400

326

327

327. A late Victorian bronze wall towel rail, the backplate in the form of a maiden wearing a bonnet, 29.5cm high, 47.6cm wide. £150-250

328. A large wicker log basket, with rope handles, on castors, 74.5cm high, 96cm wide, 82.6cm deep. £300-400 328

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329. A Regency mahogany sideboard, inlaid with boxwood stringing, with a central frieze drawer flanked by a concave drawer and a deep bottle drawer and a cupboard, on square tapering legs and applied ankles, 97.8cm high, 166.1cm wide, 65.8cm deep. £250-350 Provenance: Ballington Manor, Wylye, Wiltshire.

330. A George IV mahogany four-tier whatnot, with turned supports, the base with a drawer on brass caps and castors, 134.9cm high, 55.5cm wide, 42.2cm deep. £400-600

330

331. A Regency mahogany breakfast table, the oval tilt-top with crossbanding and ebonised stringing, on a ring turned stem and scroll moulded splay legs, brass caps and castors, 71.3cm high, 142 x 110.7cm. £200-300

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331

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332. A small Regency mahogany bowfront sideboard, inlaid with stringing, the crossbanded top above three drawers, the left hand with a lead lined cellaret compartment, with a tambour shutter and on brass spade feet, 89cm high, 122cm wide, 56.8cm deep. £200-300

333. A Regency mahogany washstand, with a three-quarter gallery, the top with three apertures, the sides with brass hinged towel rails, with reeded supports and with a drawer, 97.1cm high, 47.7cm wide, 39cm deep. £200-300

333

334. A George IV mahogany circular breakfast table, the crossbanded tilt-top above a turned stem, on reeded legs and brass caps and castors, 73cm high, 131.5cm diameter. £300-500 334

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335. A 19th century mahogany kneehole desk, the detachable top inset with tan leather, the front with an arrangement of seven drawers, with panelled sides, the back with a bank of six graduated drawers, fitted with Chubbs new patent brass locks, 77.2cm high, 136.3cm wide, 120cm deep. £500-700

336. A late George III mahogany side cabinet, inlaid with ebonised stringing, the waterfall bookcase top with two shelves above a pair of panelled doors, on ebonised panelled legs and ball feet, 126.3cm high, 60.5cm wide, 41.8cm deep. £100-200 337. A George III mahogany work table, inlaid with boxwood stringing, the top with canted corners, above a divided frieze drawer and a pull-out bag, the right side with a hinged inkwell compartment, fitted with a glass sander and an inkwell, on leather roller castors, 79.5cm high, 51.5cm wide, 37.7cm deep. £300-500 338. A Regency mahogany bowfront sideboard, with three drawers and a cupboard, inlaid with ebonised stringing, on ring turned tapering legs, 91.4cm high, 152.2cm wide, 58cm deep. £200-300 336 336

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339. A Regency mahogany drum table, the circular revolving top inset with later gilt tooled tan leather, above four ash lined frieze drawers with ebonised edging, on a ring turned stem, splay legs and brass caps and castors, 75.5cm high, 106.4cm diameter. £500-800

339

340. A William IV mahogany writing table in the manner of Gillows, the top inset with three panels of gilt tooled brown leather, with a central hinged slope on a ratchet and with a detachable rest, flanked by a pair of sliding covers revealing a compartment to the left, the right with pen and ink divisions, above a cedar lined drawer, on lappet carved baluster supports, scroll feet and sunken brass castors, 76.5cm high, 91cm wide, 45.6cm deep. £600-800

340

341. A late Regency rosewood and brass marquetry sofa table, with a crossbanded drop-leaf top, inlaid with stylised flowers and leaves, with a pair of frieze drawers, on a stepped stem, with nulled mouldings and on scroll feet and castors, 73.5cm high, 65.7 x 145.5cm. £500-700

341

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342. A George IV mahogany sofa table, the drop-leaf top with a moulded edge, above a pair of frieze drawers, with false fronts to the reverse, on moulded supports, united by a turned stretcher and brass castors, 69.5cm high, 68.7 x 158.5cm (open). £400-600

342

343. A Regency mahogany side table, inlaid with ebonised stringing, fitted with a frieze drawer, on solid trestle ends and splay legs, on brass caps and castors, 72.4cm high, 91.7cm wide, 58.2cm deep. £400-600 343

344. A late George III mahogany and marquetry side table, inlaid with boxwood stringing, the top with a reeded edge and inlaid with ribbon tied leaves, flowers and ribbons, above three drawers, on curved front legs and brass caps and castors, 71cm high, 67.5cm wide, 51.4cm deep. £200-300

344

345. A Regency rosewood supper table, the satinwood banded drop-leaf top inlaid with stringing and with canted corners, above frieze drawers to either end, on twin turned supports, splay legs and lion’s paw sabot and castors, 72.4cm high, 91.2 x 104cm. £300-500

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345

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346. A George III kingwood sofa table by George Simson, with burr yew banding, the crossbanded drop-flap top above a pair of frieze mahogany lined drawers, each with a printed paper trade label inscribed ‘GEORGE SIMSON, UPHOLDER, CABINET MAKER AND UNDERTAKER, No. 19, South side of S. Pauls Church Yard, LONDON’, with a high stretcher and on solid ends, splay legs and brass caps and castors, 71.3cm high, 150.6cm wide (open), 70.7cm deep. £8,000-12,000 George Simson is listed in Geoffrey Beard and Christopher Gilbert’s Dictionary of English Furniture Makers, 1660-1840. He established his business at 19 St. Paul’ Churchyard in 1787 and continued to trade until 1839. In 1793 he subscribed to Sheraton’s Drawing Book and in 1803 was included in the list of master cabinet makers in the Cabinet Dictionary. Little is known of Simson’s clients although payments were made to him by the 2nd Viscount Palmerston possibly in connection with Broadlands, Romsey, Hampshire. See also Christopher Gilbert, Pictorial Dictionary of Marked London Furniture 1700-1840, for examples of his work and a discussion of his labels. The labels on this lot date from before 1800.

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348

347. A Regency mahogany reading table, inlaid with ebonised stringing, the rectangular adjustable tilt-top with canted corners and a removable rest, 68cm high, 45.7cm wide, 37.3cm deep. £300-400

347

348. A late Regency rosewood Canterbury, with four dipped divisions, a carrying handle and a base with a drawer, on brass castors, 50.4cm high, 50.2cm wide, 36.5cm deep. £300-500 349. An unusual Regency mahogany jardinière stand, with a dished top, the base decorated with turned rondels, and on brass caps and castors, 29.3cm high, 41cm wide. £150-250 350. A Regency mahogany work table, the drop-leaf top with a reeded edge, above a deep drawer with a false front to either end, on ring turned tapering legs with brass caps and castors, 70.8cm high, 55.6 x 84.2cm (open). £100-150 351. A late George III mahogany cellaret, inlaid with stringing, the domed lid with a marquetry conch shell and kingwood banding, the interior previously with divisions, with brass side carrying handles and castors, 63.4cm high, 56.5cm wide, 42.5cm deep. £400-600

349

350

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352. A George IV mahogany dressing table attributed to Gillows, the reeded edged three-quarter gallery above a conforming concave centred top, above an arrangement of four mahogany and cedar lined drawers, the left hand side a deep drawer with a false front, on ribbed tapering legs and brass caps and castors, 81.8cm high, 121.2cm wide, 64cm deep. £600-1,000 353. A George IV mahogany dressing table mirror attributed to Gillows, the rectangular plate with moulded scroll supports, on a platform base with a nulled edge, 78.3cm high, 60.6cm wide, 25.5cm deep. £200-300

353 354. A George IV mahogany cheval mirror in the manner of Gillows, with a rectangular plate and a reeded frame, with ribbed mushroom finials, above leaf carved and reeded stretchers and brass lion’s paw feet and castors, 172.1cm high, 78cm wide, 64cm deep. £300-500

354

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355. A Regency Scottish mahogany serpentine chest, with four long graduated drawers flanked by reeded columns, on turned and ribbed mushroom feet, 110.3cm high,122.2cm wide, 56.5cm deep. £300-500

355

356. A Regency mahogany tea table, the fold-over top with a reeded edge, on ring turned tapering legs, 75cm high, 87.4cm wide, 45cm deep. £200-300

356

357. A Regency mahogany side cabinet, inlaid with stringing, the satinwood crossbanded top above a concave front, with a pair of grille and pleated silk panel doors, enclosing two shelves, flanked by faux fluted ebonised columns and ribbed quarter pilasters, 92.4cm high, 109.3cm wide, 32.4cm deep. £500-700

357

358. A William IV mahogany card table, the swivel fold-over top above a plain frieze centred with a tablet, on a lappet carved stem, scroll feet and brass castors, 72.8cm high, 91.5cm wide, 45.3cm deep. £200-300

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358

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359. A William IV mahogany wardrobe in the manner of Gillows, the detachable moulded cornice above a pair of panelled doors, enclosing hanging rails and hooks, the base with a deep drawer with a false front, with turned rosewood knob handles, the drawer runs on metal rollers, on turned bun feet, 236.3cm high, 131.8cm wide, 66.5cm deep. £300-500

360

360. A William IV mahogany side table in the manner of Gillows, with a pair of frieze drawers on ribbed tapering legs and brass caps and castors, 73.7cm high, 91.7cm wide, 51.5cm deep. £400-600 Provenance: Purchased from Peter Jones Antique Furniture Department 1st February 2008 for £1950.

361. A Regency rosewood centre table attributed to Gillows, with gilt brass mounts, the top with bookmatched veneers with reentrant corners, on turned spindle ends, scroll legs and brass bun feet, 68.2cm high, 84cm wide, 55.3cm deep. £600-800

359

The present lot is comparable to drawings made in the Gillow’s Estimate Sketch Archive c.1818-1819, in particularly the tables supplied to Reverend J. Blackburn in 1818.

361

362. A Regency mahogany side cabinet, the banded top above a frieze drawer, above a pair of panelled doors enclosing a shelf, flanked by a pair of stiff leaf carved and spiral ribbed columns, 78.7cm high, 79.4cm wide, 43.2cm deep. £400-600 362

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363. A Victorian sailor’s woolwork picture, depicting a fully dressed three masted steam-auxiliary ship, 28 x 35cm, within a gilt slip and a glazed burr oak frame. £300-500

364 363

364. A 19th century camphorwood and leather trunk, with brass studs, the lid with an oval panel, with the initial ‘D’, the interior with a printed paper trade label for ‘Lansdell & Co’, ‘Port Manteau, Trunk & Travelling Ecoupage, MANUFACTURERS, 261, FULHAM ROAD, BROMPTON, LONDON…’, with brass side carrying handles, 35.8cm high, 78.6cm wide, 42.5cm deep. £100-200

365. A Victorian Nailsea glass frigger in the form of a three masted ship, with three other boats and a lighthouse, all under a glass dome and on an ebonised base, 54.5cm high, 56.3cm wide. £100-150

365

366. A Victorian camphorwood maritime trunk, the hinged lid painted with ‘THOMAS WOODCOCK SOUTHAMPTON’ and with a brass plaque inscribed ‘No. 2 T. WOODCOCK, 21 West Street, Southsea, Nr. Portsmouth, England’, with a vacant interior, with side carrying handles, 47.3cm high, 76.2cm wide, 45.2cm deep. £300-500 Thomas Woodcock was a steward for the Orient Line of Clipper Packets that ran from England to Adelaide.

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367. A Regency mahogany naval chest, in three parts, the top with a reeded edge above four long graduated drawers, fitted with bronze lion’s head handles, the sides with brass carrying handles, 90cm high, 94.5cm wide, 49.8cm deep. £500-800

367

368. A late 18th century teak campaign trunk, with brass banding, the hinged lid centred with a brass plaque, engraved with a crest of an arm holding a scimitar, above a monogram ‘CMR No. 2’ and with a brass number ‘9’, the interior with a lift-out tray originally with divisions, above a previously divided interior, with iron side carrying handles, 53.5cm high, 91.3cm wide, 45.5cm deep. £400-600

368

369. An early 19th century Anglo-Chinese teak campaign chest, in two halves, with four long drawers, with reeded mouldings and sunken brass handles, with iron bands and side carrying handles, the top incised with initials ‘H. A.’, 89.3cm high, 75cm wide, 38.5cm deep. £400-600

369

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370. A Charles II ‘boxer’ band needlework sampler, worked with rows of flowers, figures, letters and columns, 83.5 x 13.5cm, in a later glazed double sided gilt frame. £800-1,200

371. A George III oval embroidered silkwork picture, depicting Ceres holding a cornucopia, 22.5 x 16.3cm, in a verre églomisé moulded giltwood frame. £50-100

372. A George III needlework darning sampler, worked with a basket of flowers, the corners with crosses, 20.7 x 20.7cm, in a later glazed ebonised frame. £150-250

373. An early Victorian needlework sampler, worked with an outer band of flowers, with a pair of woodpeckers, butterflies, sheep, flowers and a verse, signed with initials ‘E. D.’ and a date ‘46’, 37.7 x 30.5cm, in a glazed bird’s eye maple frame. £200-300

371

374. A George III needlework sampler by Abigail Robson, worked with a band of flowers, numbers alphabets, a verse, flowers, animals and birds, signed and dated ‘Sept...1795’, 41.1 x 32.8cm, in a later glazed and moulded wood frame. £80-120

375. A needlework sampler by Abigail Goodwin, worked with an outer band of scrolling flowers and leaves, with crowned lions, hearts and the ten commandments, dated ‘1725’, 45.7 x 29.3cm, in a glazed bird’s eye maple frame. £400-600 372

370

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373

374

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376. A pair of George III mahogany knife boxes, each inlaid with stringing and kingwood banding, the sloping lid inlaid with a marquetry patera and with a serpentine front, the matrices lacking, 36.5cm high, 22.2cm wide, 27.3cm deep. (2) £200-300

376

377

377. A late Regency tortoiseshell tea caddy, of sarcophagus shape, inlaid with pewter and ivory stringing, the lid with a gold metal plaque, with initials ‘G. P.’, interior with twin lidded compartments, the sides with lion’s masks, ring handles, on paw feet, 18cm high, 25cm wide, 17.7cm deep. £500-700

378. A George III mahogany knife box, inlaid with barber’s pole stringing, the sloping lid with a marquetry patera, the interior with a parquetry star and a matrix fitted with ivory handled steel knives and forks, 32.5cm high, 23cm wide, 18cm deep. £200-300

378

379

379. An early George III mahogany and brass mounted tea caddy, the hinged lid with a swing handle, revealing a vacant interior on paw feet, 14.5cm high 23.3cm wide, 14cm deep. £200-300 380. A George III mahogany knife box, inlaid with stringing, the sloping lid revealing a matrix, the underside of the lid inlaid with a parquetry star and with a serpentine front, 43cm high, 23.3cm wide, 43.5cm deep. £150-200

380

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381

381. A Regency rosewood and brass mounted breakfast table, the circular tilt-top inlaid with a band of flowerheads, on a turned stem and a lappet mounted base, with lion’s paw sabot and castors, 71.5cm high, 123.3cm diameter. £400-600

382

382. A George IV rosewood firescreen in the manner of Gillows, with an adjustable glazed panel, with a brass foliage handle and a hinged rest, on scroll supports united by a baton turned stretcher, 105.8cm high, 47.2cm wide, 37.4cm deep. £100-150 383. A William IV rosewood Davenport, the sliding top with a gilt tooled leather lined hinged slope, the interior with two drawers, the right side with a pen and ink drawer, with a leather lined slide and four further drawers, on castors, 87.5cm high, 53.4cm wide, 52.4cm deep. £250-350 Provenance: Ballington Manor, Wylye, Wiltshire. 384. A George IV mahogany sofa table, inlaid with stringing, the drop-leaf top above a pair of frieze drawers with faux-fronts to the reverse, on lyre ends and reeded legs united by a low stretcher, with brass caps and castors, 74.9cm high, 147.8cm wide, 66.5cm deep (open). £300-400 Provenance: From the collection formed by the late The Hon Mrs Daisy Fellowes, Donnington Grove, Berkshire.

383

384

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385. A 19th century oak and ebonized console table, the black marble top above a plain frieze and carved scroll and leaf tapering legs terminating in paw feet, 91.4cm high, 136cm wide, 68.4cm deep. £800-1,200

386. A pair of Regency simulated rosewood and parcel gilt open armchairs, each with a caned seat and a silk squab cushion. (2) £300-400 387. A Regency satinwood and mahogany card table, inlaid with stringing, the fold-over top with partridge-wood banding, revealing a baize lined playing surface and on twin gate supports, 73.3cm high, 91cm wide, 44.8cm deep. £300-500 388. A Regency style mahogany and parcel-gilt open armchair, with a watered silk seat, on ribbed tapering front legs. £150-250 Provenance: From a deceased estate in Richmond, London.

386

387 388

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389

390

389. An early 19th century mahogany bowfront chest, the crossbanded top above two short and two long drawers, 87.8cm high, 90cm wide, 47.8cm deep. £200-300

390. A mahogany breakfast table, the crossbanded tilt-top with a moulded edge, on a ring turned stem and hipped downswept legs and brass caps and castors, early 19th century but top and base probably associated, 73cm high, 158.3 x 118.4cm. £200-300 391. A pair of late Regency upholstered footstools, covered in maroon plush fabric, on gilt brass hairy paw feet, 19.7cm high, 33.5cm square. (2) £200-300 392. A George III mahogany demi-lune card table, the crossbanded fold-over top on a single gate support, on fan paterae headed square tapering legs with applied ebonised ankles, 74.3cm high, 91.5cm wide, 46.2cm deep. £200-300 Provenance: Ballington Manor, Wylye, Wiltshire.

391

393. A collection of nine Regency dining chairs, comprising: a set of six simulated rosewood chairs, each with a cane back and seat, a pair of ebonised chairs, each with a rope-twist top rail and a brass splat back and a simulated rosewood example inlaid with brass marquetry. (9) £200-300 Provenance: Moreton House, South Grove, Highgate, London.

392

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394. A George III painted satinwood Pembroke table, probably later decorated, the oval drop-leaf top with kingwood banding and painted with a central group of Venus and two cherubs with doves, with floral borders and angel masks, above a frieze drawer, the base with urns, leaves and flowers on brass caps and leather roller castors, the underside stamped with workman’s initials ‘IC’, 71.3cm high, 94.4 x 79.5cm (open). £600-1,000 The initials ‘IC’ might relate to Isaac Greenwood who was a cabinet maker for Gillows and made a variety of furniture. In Aug. 1780 he made ‘satten wood’ Pembroke tables. See Susan E. Stuart, Gillows of Lancaster and London 1730-1840, volume two, pp.240-242 for a full discussion.

394

395. A 19th century painted satinwood card table in Sheraton style, inlaid with stringing, the breakfront top crossbanded in rosewood and goncalo alves and decorated with harvesting cherubs, scrolling leaves and flowers, with a baize lined playing surface, the base with marquetry inlaid with patterae, the tapering legs decorated with husks, the underside inscribed in pencil ‘PaxHill’, 76.8cm high, £600-1,000 91.5cm wide, 45.5cm deep.

395

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396. A George II mahogany and giltwood fret-frame wall mirror, the later arched plate within a carved slip, with flower and leaf garlands and a ho-ho bird and scroll applied surmount, 110.9 x 62.2cm. £300-500

397

396

397. A Regency mahogany dressing table mirror, with ring turned supports and a bowfront base with three drawers, 52.5cm high, 55.7cm wide, 22.4cm deep, together with another mahogany bowfront dressing table mirror. (2) £100-150

398

398. A pair of Edwardian mahogany swing frame dressing table mirrors in George III style, each with an oval plate and decorated with turned rondels, 50.7cm high, 37.1cm wide, 17.9cm deep. (2) £150-200

399

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399. A George II mahogany wall mirror, with a bevelled arch plate within a carved gilt slip and a moulded outer frame, 68.9 x 42cm. £80-120

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400. A Regency giltwood convex wall mirror, the circular plate within an ebonised slip and a ball decorated frame, with an eagle and ball surmount, the leaf base with a pair of brass sconces, 105 x 63.8cm. £500-800

400

401 401. A Regency giltwood pier mirror, with a later rectangular plate, the frieze decorated with ribbon tied swags and flowers, flanked by fluted pilasters, 85.8 x 48.5cm. £100-150 402. A Regency giltwood pier mirror, with a later rectangular plate with a reverse glass painted frieze with a harbour scene, with a windmill, boats and figures, 63.7 x 39.7cm. £100-150 403. A William IV giltwood and ebonised landscape overmantel mirror, with three rectangular plates, with reeded slips, within a baton £300-500 decorated frame, 67.5 x 173.5cm. 402

403

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404

405

404. A Victorian giltwood and gesso overmantel mirror, with ebonised decoration, with three rectangular plates within reeded slips, flanked by leaf carved batons, the frieze decorated with a shell and anthemion motifs and with balls, 92 x 137cm. £300-500 405. A William IV giltwood pier mirror, with a rectangular plate within a reeded ebonised slip and a lappet carved baton frame, 78 x 54cm. £100-150 Provenance: Ballington Manor, Wylye, Wiltshire. 406. A Regency giltwood pier mirror, with a later bevelled rectangular plate, with a frieze decorated with a shepherd and shepherdess with their flock, flanked by pharaoh caryatids, 102.3 x 59cm. £100-150 407. A Victorian giltwood and gesso landscape overmantel mirror, with three bevelled plates within ebonised reeded slips, the frieze decorated with Cybele in her chariot, being drawn by lions, £100-200 and with a ball decorated cornice, 88.4 x 132.4cm.

406

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408

408. A late Victorian giltwood overmantel mirror in Adam style, with three bevelled plates within a ribbon and ribbed frame, decorated with husk swags and with scrolling leaves, 82 x 114cm. £200-300 409. A Regency giltwood pier mirror, with a rectangular plate and a verre églomisé frieze, decorated with a pair of cherubs carrying fruit, with a husk and leaf wrapped frame, 106.7 x 54.5cm. £200-300

409

410. A Victorian giltwood overmantel mirror in Rococo style by J & W Vokins, the shaped plate within a moulded frame and rocaille leaf scroll and flower carved surmount, the back with a stencil mark inscribed ‘J & W VOKINS, Carvers & Gilders, To the Royal Family 14 & 16 GREAT PORTLAND, ST. W., LATE 5, JOHN ST., OXFORD ST. & 3 GREAT CASTLE STREET’, 123 x 127cm. £600-800

410

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411. A Victorian Derbyshire pietra dura desk thermometer, of arch shape, the ivory scale signed ‘J. DAKIN MATLOCK BATH’, 15.8cm high. £150-250

412. A Victorian papier-mâché tray attributed to Jennens & Bettridge, of serpentine outline, the centre painted with an Italianate view of a young goatherd, indistinctly titled ‘Jeunne garcon.....Roma’, with gilt urn, bird and scroll borders, 51.4 x 64.7cm. £100-150

413. A carved wood novelty tobacco jar, in the form of a dog in a barrel, late 19th / early 20th century, 22cm high. £40-60

414. A Victorian papier-mâché sewing table cabinet, the hinged lid painted with a waterfront palace, revealing a silk lined interior with divisions for cotton reels, and a lift-out tray originally fitted for utensils, above a pair of cupboard doors painted with a Constantinople crypt scene with merchants, the side continuing the view, the interior with six short and two long drawers painted with birds, butterflies and trees, on bun feet, 38.2cm high, 38.5cm wide, 19.7cm deep. £400-600

415. A 19th century mahogany wall bracket, with a wavy edge gallery, above a blind fret carved frieze, with scrolling leaf and flower carved bracket supports, 35.3cm high, 31.3cm wide, 20.5cm deep. £80-120

416. A George III elm tray, the wavy edge gallery pierced with two handgrips and inlaid with fruitwood and ebonised backgammon style lozenges, 32.2 x 50.1cm. £80-120

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417

418

417. A Victorian tortoiseshell cigar / cheroot case, inlaid with a white metal cartouche and with a silk lined interior, together with a Victorian tortoiseshell and mother of pearl inlaid card case, 14.1cm long (max). (2) £100-150

418. An early 19th century French Palais Royal mother of pearl needle case in the form of a recumbent dog, 10cm long, together with two mother of pearl handled penknives. (3) £100-150

419. A French automaton toy of a rabbit in a cabbage attributed to Roullet and Decamps, the wind-up spring movement playing one air and driving the rabbit with glass eyes to rise from the centre of the cabbage, moving its ears and opening its mouth and retreating, late 19th century, 18cm high. £600-800 419

420. Two Victorian cornucopia glass vases, each with a brass gauntlet terminal and on marble and alabaster bases, 19.8cm high (max). (2) £150-200

421. A pair of Victorian tortoiseshell and ivory bezique markers and cribbage boards, each with a drawer containing a pencil and marker pegs, fitted in a green leather case, each board 20.3 x 7.7cm. £200-300

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422. Matthäus Merian (Swiss 1593-1650). An engraved panorama of London, before the great fire of 1666, titled and with the Royal Coat of Arms and City Arms, from Theatrum Europaem, unframed, 22.2 x 69.5cm. £500-1,000

423. Wenceslaus Hollar (Czech 1607-1677). An engraved panorama of ‘Graenwich’, viewing the Tudor and Stuart palace complex looking slightly west of north from the top of Greenwich Park, titled and with a cartouche with a Latin verse with an English translation and signed ‘W. Hollar fecit’, ‘London Printed and Sould by Peter Stent at the Crowne in Giltspur Street betwixt new Gate and pie corner’, state IV c. 1642, 15.2 x 83.7cm, in a later mounted and glazed oak frame. £200-300

424. Twelve various portrait engravings from Mentmore, the majority of kings, emperors and generals, including: Leopold II Holy Roman Emperor and King of Hungary on horseback, Johann von Werth, Giovanni Conte di Sporck, Philip I of Austrian and Spain and Ferdinand II, 16th century and later, 41.8 x 34cm (max) all framed and glazed, some by Vokins, London. (12) £100-200 Provenance: Sotheby Parke Bernet & Co., Mentmore, May 1977.

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425. French School 19th Century River landscape with rustics in a boat and on a bridge Sepia washes over pencil, circular 22cm diameter in a gilt frame Provenance: Purchased from Kate Ganz, London.

£150-250

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426. An 18th century carved treen Shakespeare bust medallion, probably mulberry wood, with a silver mount, 8.7cm diameter, accompanied by a handwritten card inscribed ‘Bust of Shakespere. Carved from the mulberry tree growing in the poet’s garden at Stratford-on-Avon, & found in the ruins of Lincoln’s Inn Theatre, (burnt 1752), when excavating to make the new Square. Supposed to be the identical medal worn by David Garrick when acting Shakespere’s plays. See memoires of D. Garrick by Thomas Davies. Pages 209, 210, 220.’, with the signature on the reverse ‘Miss Sheppard Burlington House’. £2,000-3,000 During the 18th century there was an informal tourist industry in Stratford with people visiting Shakespeare’s tomb and the mulberry tree he supposedly planted at New Place. However the then owner Rev. Francis Gastrell became annoyed by the growing number of visitors and sometime in the 1750s felled the tree and later demolished New Place. Objects carved from the mulberry tree first started to appear around 1760/1770 after Gastrell sold the wood to local carvers and turners for example: Thomas Sharp and George Cooper, eager to make souvenirs. At this period of 'bardolatry' drinking vessels, tea caddies, tobacco stoppers, goblets and small boxes or caskets, and similar objects carved from the wood were highly prized.

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427. A 19th century continental ebony and ivory chess set, with turned and carved decoration, probably French, the king: 11.1cm high, the pawn: 5.2cm high, in a mahogany box. (33) ÂŁ300-400

428

428. A mahogany travelling chess set, the folding case with carved bone pieces, natural and stained red, with a rosewood and sycamore board, late 19th / early 20th century, 20.6cm wide. ÂŁ40-60 429. A Victorian coromandel games compendium, the interior with two lift-out trays, fitted with boxwood and ebony draft pieces, a cribbage board, bone dominoes, playing cards, counters, a shaker, painted metal horse and riders, a small gavel, dice, the twin hinged front with a boxwood and ebony chess set and with leather game boards inset into the underside of the lid, 18.1cm high, 33.8cm wide, 22.5cm deep. ÂŁ300-400

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430

430. Four pairs of leather riding boots, all with wooden trees, three with retailer’s labels, for ‘Tom Hill’, ‘Bartley & Sons’ and ‘Maxwell’. (8) £400-600 431. A late Victorian oak and horn hat stand, with eleven pewter tipped hooks, the base originally with a liner and on castors, 203cm high, 65cm wide, 32cm deep. £400-600 432. A late Victorian mahogany boot jack, with turned and block supports, stamped ‘E. ROSE BIRMM’, 84cm high. £200-300 433. A 19th century mahogany whip and boot stand, with a brass handle, 94.7cm high, 55.8cm wide, 29.3cm deep. £100-150

431

433 432

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434

435

434. A late Victorian Scottish pitch pine saddlehorse, for three saddles, fitted with a drawer either end, the base with a cupboard, 125.9cm high, 175.6cm long, 68cm wide. £1,500-2,000

435. An antler horn whipstand, previously wall mounted, late 19th century, 64.9cm high, 54.5cm wide. £150-250

436. A 19th century mahogany whip and boot stand, with two tiers, 98cm high, 64.5cm wide, 30.6cm deep. £200-300

437. A George V oak boot jack, dated ‘SEP 27TH 1927’, with turned and block supports and a platform base, 88cm high, 53.7cm wide, 53.3cm deep. £600-800 436

437

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438. A horse measuring walking cane, with an antler handle and a white metal ferrule, revealing a boxwood measure with a brass arm and a glass spirit level, within a malacca shaft, late 19th / early 20th century, 101cm long. £200-300

438

439

440

439. A Victorian silver mounted rhinoceros horn side saddle whip, the handle in the form of a horse’s hoof and decorated with scrolling foliage, hallmarked London 1866, with a reduced rhinoceros horn stem, 35.7cm long. £100-150

440. A Victorian rhinoceros horn riding crop by Swaine & Co., the handle engraved with initials ‘G. T. D. x’, and with a silver button inscribed ‘SWAINE & CO. LONDON’, with a leather popper, 80cm long. £500-700

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441. A 19th century German carved and turned rhinoceros horn goblet, the faceted bowl on a spreading foot and a conforming plinth, 19cm high, 930.9g. ÂŁ800-1,200

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442. A croquet set by Ayres, comprising: five ash handled mallets, hooks, clips, marker posts and balls, in a stained pine box inscribed ‘F. H. AYRES IMPROVED CLUB’. £300-400

443. A table billiard set by Gamage, in a pine box, 12.3cm high, 48.5cm wide, 24.3cm deep. £40-60

444

445

444. A George V Oxford University rowing oar, inscribed 'St. Peter's Hall Torpid 1930' with the names of the eight rowers and cox and also 'BUMPED, St. John's II, Keble II, Worcester II, Oriel II, Exeter II Ch: Ch: II', 366cm long, together with a silver plated trophy cup for Swanage Sea Rowing Club Regatta for July 29th 1870. (2) £250-300 445. A George V Pembroke College, Oxford, rowing oar, the painted blade inscribed listing the 1922 summer eights’ crew, 366cm long. £100-150

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446. A large polished petrified wood specimen, north America, of cross-section, 41.3cm wide, 2.6cm deep. £300-500 Provenance: A private collection since 1973.

446

447. Three polished petrified wood specimens, north America, of cross-section, one with a paper label inscribed ‘Nevada’, 25.5cm wide, 2cm deep (max). (3) £300-500 Provenance: A private collection since 1973.

447

448. Three polished petrified wood specimens, north America, of cross-section, one with a paper label inscribed ‘Dalbergia’, 27.4cm wide, 2.8cm deep (max). (3) £300-500 Provenance: A private collection since 1973.

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449. Two polished petrified wood specimens, north America, of cross-section, each with a label, one inscribed ‘Buckeye’ the other ‘Snake River Pittsburg’, 28.3cm wide, 3.7cm deep (max). (2) £300-500 Provenance: A private collection since 1973.

449

450. Three small polished petrified wood specimens, north America, of cross-section, one with a paper label inscribed ‘Elm’, 14.5cm wide, 1.4cm deep (max). (3) £150-250 Provenance: A private collection since 1973. 450

451. Two polished petrified wood specimens, north America, of cross-section each with a dished centre, together with a polished agate specimen and two hardstone bowls, 20.5cm wide, 4cm deep (max). (5) £200-300 Provenance: A private collection since 1973.

451

452. A collection of mineral fossils and hardstone specimens, including: blue john, Moroccan cuttlefish fossil egg, agate, corals, stromatopora concentrica, branching heather in madrepose and other specimens, some with labels for ‘A. J. R. SOLATER DEALER IN MINERALS, FOSSILS, BRITISH & FOREIGN SHELLS, 43, NORTHUMBERLAND PL. TEIGNMOUTH’, 22cm (max). (26) £100-150

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SCULPTURE

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454

453. A pair of continental cast bronze candlesticks, each with a leaf and scroll decorated urn nozzle, the stems with cherubs personifying the four seasons, on circular bases, French or Italian, late 18th / early 19th century, 22cm high. £300-400 454. A pair of carved and painted wood Neo-Classical rondels, each decorated with war trophies within a wreath border and with a double headed eagle, 76cm £400-600 diameter. (2) 453

455. After the antique. A 19th century Grand Tour bronze of a satyr with a wine skin, on a marble base, 22.8cm high. £100-150 456. A late 19th century Italian micromosaic paperweight, of serpentine outline and inlaid with an oval panel, depicting the Roman forum with a temple of Vespasian and Titus in the foreground, 11.1 x 15.6cm. (2) £300-500

455

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457. After the antique. A 19th century Italian carved marble figure of the Callipygian Venus, or of the ‘Beautiful Buttocks’, on an oval base, 80cm high, 28.3cm wide, together with a marble plinth in four sections. (2) £2,000-3,000 Provenance: The Gissing Stannard family and by descent.

457

458. A carved marble bust of a classical lady, possibly Diana, her hair in tresses and wearing a tunic, late 17th / early 18th century, on a turned socle, 82cm high, 55.5cm wide. £1,000-1,500

458

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459

460 459. After Christian Daniel Rauch (German 1777-1857). A bronzed patinated cast iron figure of Johann Wolfgang von Goethe, the poet standing on a plinth decorated with tragic and comic masks, flanking a personification of the River Ilm in Weimar, the left side with Iphigenia, the right side with Reineke, the fox, with musical instruments and the back with a scene of Faust and Mephistopheles, titled and dated ‘1828’, second half 19th century, 17.8cm high. £150-200 460. A 19th century French gilt and patinated bronze figure of a cavalier, the underside of one foot stamped ‘C P’, on an associated plinth, 29cm high. £300-400 461. After Naoum Aronson (Russian 1872-1943). A bronze bust of a man, inscribed 'N Aronson', with a foundry pastille for 'Montagotelli £400-600 Frères Paris', mounted on a later plinth, 65cm high. 462. A set of six plaster relief plaques, depicting Bacchanalian scenes, 11 x 15.5cm, each mounted in a plush and giltwood frame. (6) £200-300 463. Two pairs of bronze gatepost finials, each in the form of a rampant lion crest, issuing from a crown above an open hand, probably 19th century, 46.3 x 26.1cm, mounted on later panels. (2) £500-700

461

462

150

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464. Henri Alfred Marie Jacquemart (French 1824-1896). A 19th century bronze group of a hound dog studying a tortoise, signed ‘A. Jacquemart’, 15.3cm high, 18cm wide. £500-800

464

465. Pierre-Jules Mêne (French 1810-1879). A 19th century bronze of two whippets at play with a ball, the oval base signed ‘P. J. Mêne’, 15.5cm £400-600 high, 21cm wide. The plaster model was exhibited in the Salon in 1848 and it was No. 93 in Mêne’s catalogue, the whippets are called Gigi and Gisella.

465

466. After Alfred Barye (French 1839-1882). A bronze model of a whippet and a fly, titled ‘FOY’, the draped base signed ‘A. BARYE F’, 27cm high, 30.8cm wide. £400-600

466

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467 467. After Pierre-Jules Mêne (French 1810-1879). A bronze group of an Arabian mare and a stallion ‘L’accolade’, the oval naturalistic base signed ‘P. J. Mêne’, mounted on a wooden plinth, 21.7cm high, 34.3cm wide. £200-300 468. A bronze model of a bull, standing on a naturalistic oval base, with inscription ‘P. E. T. COLLECTOR P. EDITION’, 14.9cm high, 24cm long. £100-200 469. A bronze group of a playful dog and a cat, on a rectangular base, stamped ‘Pubd 1890’, late 19th / early 20th century, 11.7cm high, 24.4cm wide. £200-300

468

470. After Pierre-Jules Mêne (French 1810-1879). A bronze group of a setter and a pointer hunting a partridge, signed ‘P. J. Mêne’, 19.3cm high, 40.1cm wide. £100-200

469

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470

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

471

471. An Austrian cold painted bronze model of a golden eagle in the manner of Bergman, with wings outstretched, perched on a rock, early 20th century, 14cm high, 15.5cm wide. £200-300

472. A bronze model of a pheasant, mounted on a turned and fluted mahogany stand, 102.2cm high. £300-500

472

473

473. An Austrian cold painted bronze model of an owl in the manner of Bergman, mounted on a marble plinth, late 19th / early 20th century, 14.8cm high. £400-600

474. A novelty Austrian cold painted bronze of a bird playing the mandolin, the tail indistinctly stamped, early to mid-20th century, 5.7cm high. £150-200 474

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475. An Austrian cold painted bronze model of a rough collie, late 19th / early 20th century, 13.6cm long. £200-300

475

476

476. An Austrian cold painted bronze model of a cat, the tail stamped ‘GESCHÜTZT’, late 19th / early 20th century, 9.4cm long. £300-400

477. A Victorian gilt bronze pen wipe, in the form of a wild boar (lacking bristles), previously mounted, 12.5cm long. £80-120

477

478. A patinated bronze model of an elephant, late 19th / early 20th century, 12.5cm high, 18.5cm long. £400-600

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478

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479. An Austrian cold painted bronze model of an American paper boy by Bergman, stamped with a ‘B in a vase’, ‘GESCHÜTZT’ and numbered ‘219’, early to mid-20th century, 11cm high. £300-400

479

480. An Austrian bronze orientalist group of a man in a tub by Bergman, stamped with ‘B in a vase’, ‘GESCHÜTZT’ and numbered ‘5801’, early to mid-20th century, 9.8cm high. £300-400

480

481. A pair of Austrian cold painted bronze figures of gypsy musicians by Bergman, both reclining, the man holding a violin, the woman with a tambourine, both stamped with a ‘B in a vase’, the woman also stamped ‘GESCHÜTZT’ and numbered ‘9639’, late 19th / early 20th century, 9.5cm long (max). (2) £300-400

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482

482. A set of eight mahogany dining chairs in ‘Chippendale’ style, the pierced splat back carved with florets, swags and tassels, above a serpentine front seat and on moulded stretchered legs, late 19th century, comprising: a pair of armchairs and six side chairs. (8) £500-800

483. A nest of three mahogany occasional tables, each with a beaded top and turned supports, late 19th / early 20th century, 74cm high, 50cm wide, 34.7cm deep (max). (3) £100-200

483

484. A japanned hanging corner cabinet, with gilt decoration, with three shelves above a cupboard, first half 20th century, 94.3cm high, 38.2cm wide, 26.5cm deep. £150-200

485. A Victorian walnut coaching table, the hinged top with twin locking supports, on scroll legs, united by turned stretchers, 71cm high, 92.3cm wide, 45.4cm deep. £200-300

485 484

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486

486. A set of eight mahogany dining chairs in Chippendale style, each with a carved and pierced splat back above a stuffed-over damask upholstered seat, on carved cabriole legs and claw and ball feet, late 19th / early 20th century, comprising: a pair of open armchairs and six side chairs. (8) £400-600

487

487. A mahogany tripod table in George II style, the tilt-top with a pie-crust moulded edge, above a fluted and carved stem, early 20th century, 55.7cm high, 42cm diameter. £100-150

488. A walnut standing corner display cabinet in Queen Anne style, with an astragal glazed door, enclosing four shelves, late 19th century, 189.8cm high, 89cm wide, 54.4cm deep. £300-500

489. An Edwardian revolving mahogany bookcase, inlaid with stringing and satinwood banding, on ceramic castors, 86.6cm high, 49.7cm wide, 49cm deep. £100-150

488 489

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490. A walnut wing armchair in Queen Anne style, later upholstered with plush fabric, with scroll arms, on moulded cabriole front legs and pad feet. £300-400

491. A walnut easy armchair in Queen Anne style, with a serpentine padded back, above scroll arms, on moulded cabriole front legs united by a leaf and scroll carved stretcher, early 20th century. £100-200

492. A William IV carved rosewood nursing chair, the frame decorated with leaves and flowers, on brass castors. £200-300

493. A 19th century simulated rosewood window seat, with parcel gilt decoration of leaves and flowers, with a damask upholstered seat, on stretchered ‘X’ frame supports and ball feet, 59.4cm high, 98.7cm wide, 37cm deep. £150-200

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494. A set of eight mahogany dining chairs in Chippendale style, each with a pierced splat back above a drop-in seat, on chamfered legs, united by an ‘H’ stretcher, stamped ‘V3256’, late 19th century, comprising: a pair of open armchairs and six side chairs. (8) £500-800 Provenance: Rookley Manor, Hampshire.

495. A modern mahogany circular concentric extending dining table attributed to Arthur Brett, the moulded edge top with six additional leaves, the open base on turned columns and downswept supports to brass lion’s paw sabots and castors, the leaves are housed in a baize lined cabinet, 74.3cm high, 153cm diameter, 214.5cm diameter (extended). (2) £500-1,000

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496. An Edwardian mahogany and marquetry display cabinet, with satinwood banding and inlaid with ribbon tied husk swags and a Vitruvian scroll, with a pair of astragal glazed doors enclosing three shelves, 170.9cm high, 124.5cm wide, 37.2cm deep £300-500

497. An oak shoe cabinet, with a brass hanging rail and four racks, early 20th century, 104cm high, 94.4cm wide, 34.8cm deep. £100-150

498. A Victorian thuya and ebonised occasional table, with brass beading, with two tiers on column supports and brass castors, 76.7cm high, 76.4cm wide, 48.5cm deep. £200-300

500. An Edwardian mahogany music cabinet retailed by Harrods, with satinwood banding and inlaid with stringing, with a frieze drawer above six further drawers, each with a patent hinged front, one with an ivorine plaque inscribed ‘PATENT No. 18,504.’, the back with a brass trade label inscribed ‘HARRODS LTD., HOUSE FURNISHERS, LONDON, S.W.’, 103cm high, 53.9cm wide, 39.2cm deep. £100-150

160

499. A pair of mahogany bedside cupboards, each with a raised back above an arch panelled door, one enclosing two slides, the other with a shelf, Victorian but adapted, 85cm high, 47.1cm wide, 49.8cm deep. (2) £200-300

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

501. An early Victorian ebonised cabinet on stand, with nulled, flower, leaf, scroll and paterae mouldings, with a pair of glazed doors, enclosing a paper lined interior, the brass hinges stamped ‘HORNE PATENT’, above two drawers with gilt brass drop handles, the stand with a fret carved frieze with birds and beasts flanking a central angel mask, applied with brass Latimer crosses on spiral twist legs and a shaped undertier, with two paper labels inscribed in ink ‘ABERDUNANT 1871’, 160.7cm high, 91.2cm wide, 56.5cm deep. £600-1,000 The design of this cabinet is based directly on the series of cabinets commissioned by William Beckford to furnish the St. Michael’s Gallery at Fonthill Abbey. The Latimer cross illustrates William Beckford’s descent from William, Lord Latimer of Corby (d.1302). It was one of his most favourite heraldic emblems and he employed it in his decorative schemes at Fonthill.

502. An early Victorian oak lazy Susan, the revolving top with a scroll carved edge interspersed with plumes of feathers and sheaves of wheat, the centre with a bird crest and initials ‘GNB’, 11cm high, 61cm diameter. £200-300

501

502

503. A Victorian carved oak and pine hall seat in the manner of Richard Bridgens, with a quadruple fretwork panelled back with fluted scroll arms, with blind fret carved panels, above a conforming base, with a lattice panel carved with rosettes, with traces of painted highlights, 91cm high, 164.5cm wide, 51.5cm deep. £200-300

503

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504

504. A near pair of Victorian mahogany easy armchairs, each carved with lion’s head arm terminals, on lobed tapering front legs and brass castors. (2) £400-600 505. A pair of north European carved satinwood wall brackets, each with a leaf frieze, above a swan and lion’s paw monopodia, 18.4cm high, 21.7cm wide. (2) £300-400 505

506. A modern ebonised occasional table by Thomas Messel, with parcel gilt decoration, 68cm high, 66cm wide, 47cm deep. £100-150 Provenance: From a deceased estate in Richmond, London. 507. A late Victorian mahogany and pine wall bracket, carved with an eagle, a snake and a pair of fish, the back inscribed ‘Made By William Lyons Pastarey, October 1891’, 73.5cm high, 53cm wide. £100-150

506

508. A Victorian walnut and ebonised display cabinet, with gilt brass mounts and thuya banding, the interior with a mirrored back and three plush lined shelves, 107.1cm high, 77cm wide, 31.7cm deep. £200-300 509. A brown leather suitcase by Maxwell, with brass locks and stamped with initials ‘J. R. H. H.’ and ‘MAXWELL. 8. DOVER ST. LONDON. W.’, early 20th century, 20.3cm high, 76.5cm wide, 20.3cm deep. £80-120

507

508 509

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510

510. A 19th century French boulle marquetry centre table, with ormolu mounts, the serpentine top with cut brass inlay on a tortoiseshell ground, with strapwork, leaves, scrolls and winged cherubs, above a frieze drawer and on cabriole legs with female bust masks, 77cm high, 147.8cm wide, 88.5cm deep. £1,000-1,500

511

511. A Victorian boulle marquetry desk set, with cut brass strapwork, inlaid on a tortoiseshell ground, comprising: a writing slope, interior fitted with divisions for letters, pens, a pair of inkwells and with a plush lined writing surface, a rectangular box, a smaller box with a sloping front, a blotter pad and an inkstand with a cut glass well. (5) £400-600

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512. Four 19th century Anglo-American walnut side chairs, each with a scroll decorated back above a native American Micmac porcupine quill seat, with geometric decoration, on moulded cabriole legs. (4) ÂŁ800-1,200

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513

513. A late Victorian satinwood and amaranth bureau plat in Louis XVI style, with gilt bronze mounts, decorated with trellis parquetry, the top inset with a gilt tooled green leather writing surface, with Bacchic mask clasps to the corners of the top, above a pair of frieze drawers, on square tapering legs and brass caps stamped ‘J. C. PATENT’ and ceramic castors, £800-1,200 75.8cm high, 120.9cm wide, 69.8cm deep. 514. A Sheraton revival painted satinwood bonheur du jour, decorated with flowers, leaves, books and writing utensils, with a pair of cupboard doors, each enclosing three bird’s eye maple veneered drawers, above a hinged leather lined writing surface and a drawer, late 19th century, 117cm high, 96.8cm wide, 48.7cm deep. £400-600 515. A pair of satin veneered console tables in George III style, inaid with ebonised stringing, each with a breakfront top, on tapering legs, probably late 19th / early 20th century, 82 cm high, 74.4cm wide, 34.2cm deep. (2) £400-600

514

515

END OF SALE

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FURNITURE, WORKS OF ART & CLOCKS Wednesday 10th January 2018 Entries are now being accepted for this sale.

A rare William & Mary walnut month-going longcase clock by William Clements, 202.5cm high. Estimate: Â£30,000 - 50,000

ENQUIRIES Mark Yuan-Richards | Tel: +44 (0)1722 411854 myr@woolleyandwallis.co.uk

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DESIGN

Tuesday 17th October 2017

A Robert Mouseman Thompson oak X stool. Estimate: Â£400 - 600 From a private collection of 30 lots of Robert Mouseman Thompson furniture.

ENQUIRIES Michael Jeffery Tel: +44 (0)1722 424505 mj@woolleyandwallis.co.uk

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ENGLISH & EUROPEAN CERAMICS & GLASS Wednesday 18th October 2017

A French terracotta model of a running satyr, circa 1770, after Claude Michel known as Clodion (1738-1814), 27cm. Estimate: Â£600 - 800

ENQUIRIES Clare Durham | Tel: +44 (0)1722 424507 | cd@woolleyandwallis.co.uk

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TRIBAL ART & ANTIQUITIES

Wednesday 21st February 2018 Entries are now being accepted for this sale

An Aboriginal narrow shield, South East Australia. Wood with pigment, 19th century, 82cm long. Estimate: Â£4,000 - 6,000

ENQUIRIES Will Hobbs | Tel: +44 (0)1722 339752 | wh@woolleyandwallis.co.uk

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Auction Information OPENING HOURS Monday to Friday 9am – 5.30pm and 10am to 1pm on Saturdays. VIEWING All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues. BIDDING IN THE ROOM To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale. We now provide permanent paddle numbers which can be used for any future sale, once registered. REGISTERING WITH US All first time buyers need to register with us. Once registration is complete you will be provided with a permanent paddle number which can be used in all future sales. To register, you will need to provide two forms of identification: 1. a passport or photographic driving licence 2. a utility bill or document showing your name and address You can register in person or by contacting the office on 01722 424500 or emailing enquiries@woolleyandwallis.co.uk You will be asked to show your documents, or fax or email copies. PLEASE NOTE: Registering with the-saleroom.com or through our website does not automatically register you with us. COMMISSION BIDDING If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids.

LIVE ONLINE BIDDING Live online bidding is now available for most of our auctions via the-saleroom.com, enabling you to take part in the bidding from anywhere in the world, live as it happens. To bid online you need to register at www.the-saleroom.com, subject to approval. There is a 3% + VAT charge for this service. In completing the bidder registration on www.the-saleroom.com and providing your credit card details and unless alternative arrangements are agreed with Woolley and Wallis Salisbury Salerooms Ltd, you: 1. authorise Woolley and Wallis Salisbury Salerooms Ltd, if they so wish, to charge the credit card given in part or full payment, including all fees, for items successfully purchased in the auction via thesaleroom.com, and 2. confirm that you are authorised to provide these credit card details to Woolley and Wallis Salisbury Salerooms Ltd through www.the-saleroom.com and agree that Woolley and Wallis Salisbury Salerooms Ltd are entitled to permit the shipping of the goods to the card holder name and card holder address provided in fulfilment of the sale. CONDITION REPORTS The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate. The colours printed in the catalogue are not necessarily true. SALE RESULTS These will be posted on our website shortly after the sale. PACKING AND SHIPPING Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area. Alban Shipping

01582 493 099 info@albanshipping.co.uk www.albanshipping.co.uk

Mailboxes

01264 360 333 info@mbeandover.co.uk www.mbe.co.uk/andover

Pack & Send

0845 465 0564 sales@packsend.co.uk www.packsend.co.uk

TELEPHONE BIDDING It is usually possible to bid on the telephone by prior arrangement with the office. BUYER’S PREMIUM Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT on the first £500,000 of the hammer price and 14.4% inclusive of VAT thereafter.

Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.

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PAYMENT AND CLEARANCE Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released.

CITES REGULATIONS Please note that lots marked may be subject to CITES Regulations when exported.

The following methods of payment may be made:

ARTIST’S RESALE RIGHT / DROIT DE SUITE Lots marked with a ‡ symbol are potentially subject to a levy.

Bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of 10,000. We are no longer able to accept card payments of over £1,000 where the card-holder is not present. Wire transfers should be sent to: Lloyds Bank plc, Blue Boar Row, Salisbury SP1 1DB. Account no. 00957707 Sort code 30-97-41 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 Credit cards: Visa or Mastercard for which there is a 2% surcharge + VAT

The CITES Regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites/

Debit cards: Delta, Switch, Connect

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency.

Where practical, payment can be made and purchases collected during the auction.

Please enquire for the accepted exchange rate on the day of the sale.

Please note that furniture and clock lots will normally remain in our salerooms for three working days following each sale, after which they will be removed to our store and arrangements for collection must be made in advance with the office.

Royalties for Droit de Suite are as follows:

Storage charges will be levied on all lots in the furniture and works of art and clock sales not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid. LOT SYMBOLS VAT Lots marked with an dagger (†) are subject to VAT on the hammer price. Lots marked with an omega (††) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price.

4% Up to 50,000 3% 50,000.01 - 200,000 1% 200,000.01 - 350,000 0.5% 350,000.01 - 500,000 0.25% In excess of 500,000 Up to a maximum levy of 10,000 FIREARMS Lots marked Ƒ in the catalogue are subject to the UK firearms/shotgun licencing regime, and may only be viewed and/or purchased by individuals with appropriate licences. Such lots are offered on an auctioneer’s permit, and must be collected prior to the expiry thereof. For further information, please contact Ned Cowell.

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SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS INFORMATION FOR BUYERS 1. Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand. 2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller. 3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive. 4. The purchase price. The buyer shall pay the hammer price together with a premium thereon of 26.4% inclusive of VAT on the first £500,000 and 14.4% thereafter inclusive of VAT at the appropriate rate. 5. VAT. (†) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The double symbol (††) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax. 6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale). 7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first. 8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help. The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment. 9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding. 10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax. 11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash).

12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.

TERMS OF CONSIGNMENT FOR SELLERS 1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers. 2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above. 3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility. 4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre-sale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable. 5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue. 6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7. 7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve. . Reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally. 8. Electrical items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense. 9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request. 10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.

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11. Unsold and withdrawn items. If an item is unsold it may with your consent be re-offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate. 12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued. 13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking. 14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. (b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply. 15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal. 16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque 5 weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

CONDITIONS OF SALE Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein. 1. DEFINITIONS In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved. 3. INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion. 4. THE PURCHASE PRICE The buyer shall pay the hammer price together with a premium thereon of 26.4% inclusive of VAT on the first £500,000 and 14.4% thereafter inclusive of VAT at the appropriate rate. 5. VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with a † or ††. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position). 6. PAYMENT (a) Immediately a lot is sold you will: (i) give to us, if requested, proof of identity, and (ii) pay to us the total amount due in pounds sterling (b) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied. 7. TITLE AND COLLECTION OF PURCHASES (a) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (b) You shall at your own risk and expense COLLECT any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (IF LATER) after which you shall be responsible for any COLLECTION, storage and insurance charges. (c) No purchase MAY be COLLECTED AND WE SHALL NOT RELEASE ANY LOT TO YOU OR YOUR AGENT until it has been paid for. 8. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

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10. COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made. 11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims. 12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers. 13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot. 14. DESCRIPTIONS AND CONDITION (a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’. (b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation. 15. FORGERIES Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below. Glossary Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expect or authority considered by them to be reliable. (a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. (b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainly as to authorship is expressed than in the preceding category. (c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. (d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. (e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. (f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. (g) After Edward Lear: In our opinion a copy of a known work of the artist. (h) The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist. (i) The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand. (j) Dimensions are given height before width. (k) Pictures are framed unless otherwise stated.

BOOK AUCTIONS If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing. This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return.

GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. 17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them. 18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting. 19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue. 20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

ARTIST’S RESALE RIGHT / DROIT DE SUITE

21. English law applies to the interpretation of these Conditions.

Lots marked with a ‡ symbol are potentially subject to the levy.

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of 1,000 and the maximum royalty payable on any single lot is the sterling equivalent of 10,000. Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer. Please enquire for the accepted exchange rate on the day of the sale. Royalties for Droit de Suite are as follows: 4% Up to 50,000 3% 50,000.01 - 200,000 1% 200,000.01 - 350,000 0.5% 350,000.01 - 500,000 0.25% In excess of 500,000 Up to a maximum levy of 10,000

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Valuations PROBATE VALUATIONS We offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required. Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof.

Valuations are a core part of our business and are usually carried out by a senior specialist or directors. Accuracy, speed and above all confidentiality are paramount. INSURANCE VALUATIONS Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs.

We also carry out valuations for Family Division, Capital Gains Tax, and Private Treaty Sales.

For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

Contact Amanda Lawrence 01722 424509 FREE AUCTION VALUATIONS Free verbal valuations of items for sale are available at our Castle Street salerooms. Please telephone the relevant specialist or call our office on 01722 424500.

Woolley & Wallis valuations are accepted by all leading insurance companies.

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WOOLLEY & WALLIS

Woolley & Wallis Salisbury Salerooms 51 – 61 Castle Street SP1 3SU

LONDON, ANDOVER & WINCHESTER

CASTLE RD A345

DIRECTIONS FROM WOOLLEY & WALLIS CASTLE STREET TO OLD SARUM

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A345 Castle Rd

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Follow A345 for 1.7 miles. At Beehive Park & Ride follow the signs for A338 Swindon and Marlborough.

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DIRECTIONS FROM WOOLLEY & WALLIS CASTLE STREET TO SALT LANE PEDESTRIAN ROUTE DRIVING ROUTE TO SALT LANE DRIVING ROUTE TO CASTLE ST.

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Registered in England No. 2998482

Salisbury Salerooms

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WOOLLEY & WALLIS

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Woolley & Wallis Salisbury Salerooms Ltd. 51-61 Castle Street, Salisbury Wiltshire SP1 3SU

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Woolley & Wallis Salisbury Salerooms 51 – 61 Castle Street SP1 3SU

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VAT No: 631 9832 29 TESCO

Design & Production by Jamm Design Ltd. Tel. 020 7424 7830 www.jammdesign.co.uk

Due to the one-way system of Salisbury, please follow the red route when driving from Salt Lane to Castle Street.

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WOO L LE Y & WA L LI S Absentee Bid Form Furniture, Works of Art & Clocks

PLEASE PRINT CLEARLY IN BLOCK LETTERS Lot Number in numerical order

Brief Decription

Price Excluding buyer’s premium & VAT

Wednesday 4th October 2017 Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Sale printed in the Catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed. Billing Name (please print)

Address

Postcode Daytime telephone Email All accounts must be settled within 21 days. There is no surcharge for debit card payments, but for credit cards there will be a 2% (+VAT) surcharge. ID is required for all first time bidders.

Signature

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU • Tel: 01722 424500 Fax: 01722 424508

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www.woolleyandwallis.co.uk

Auction Calendar TRIBAL ART & ANTIQUITIES 20th September 2017 21st February 2018 Will Hobbs +44 (0) 1722 339752 • wh@woolleyandwallis.co.uk FURNITURE, WORKS OF ART & CLOCKS 4th October 2017 10th January 2018 Mark Yuan-Richards +44 (0) 1722 411854 • myr@woolleyandwallis.co.uk 20TH CENTURY DESIGN 17th October 2017 – Design Michael Jeffery +44 (0) 1722 424505 • mj@woolleyandwallis.co.uk ENGLISH & EUROPEAN CERAMICS & GLASS 18th October 2017 – English & European Ceramics & Glass Clare Durham +44 (0) 1722 424507 • cd@woolleyandwallis.co.uk SILVER 24th & 25th October 2017 – Fine Silver & Vertu Rupert Slingsby +44 (0) 1722 424501 • rs@woolleyandwallis.co.uk Lucy Chalmers +44 (0) 1722 424594 • lc@woolleyandwallis.co.uk JEWELLERY 26th October 2017 – Fine Jewellery Marielle Whiting +44 (0) 1722 424595 • mw@woolleyandwallis.co.uk Jonathan Edwards (Consultant) +44 (0) 1722 424504 • je@woolleyandwallis.co.uk ASIAN ART 14th & 15th November 2017 John Axford +44 (0) 1722 424506 • jea@woolleyandwallis.co.uk Jeremy Morgan +44 (0) 7812 601098 • jm@woolleyandwallis.co.uk Alex Aguilar Doméracki +44 (0) 1722 424583 • aad@woolleyandwallis.co.uk ARMS & ARMOUR, MEDALS & COINS AND MILITARIA 23rd November 2017 Ned Cowell +44 (0) 1722 341469 • nc@woolleyandwallis.co.uk PAINTINGS 29th November 2017 – Modern British & 20th Century Art Victor Fauvelle +44 (0) 1722 424503 • vf@woolleyandwallis.co.uk Jo Butler +44 (0) 1722 424592 • jb@woolleyandwallis.co.uk