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Figure List Figure 1. Cover - Interior bush of Lake Papaitonga {Waiwiri} Scenic Reserve June 2011. Photograph by author. Figure 2. Map VI penned by Leslie Adkin from ‘Horowhenua: Its Maori place-names & their topographic & historical background’. (1948) Wellington: Department of Internal Affairs. Figure 3. Sections of the entire lowland plain from coast to the Tararua Ranges. Image by author. Figure 4. Canopy of Waiwiri Bush, June 2011. Photograph by author. Figure 5. Wheki fern canopy, Waiwiri, June 2011. Photograph by author. Figure 6. Abstraction of the conceptual ‘layers’ of landscape. Image by author. Figure 7. Map of North Island - showing respective locations of both sites. Image by author. Figure 8. Beach area, sand dune contours. Waiwiri. Image by author. Figure 9. Fenced farm land with stabilised dune hills in the background, Horowhenua region, 2011. Photograph by author. Figure 10. Cows watch State Highway One, Horowhenua region, 2011. Photograph by author. Figure 11. Aerial photo of the Marlborough region displaying the textured grid common in rural settings. Photo supplied by Cory Manson Figure 12. Richard Anderson surveys Lake Waiwiri from the farm land on the lakes northwestern edge (Part One of Composition - viewing the land in the post-colonial era). Photograph by author. Figure 13. Cory Manson surveys the Wellington landscape from the highest accessible point of Te Papa Tongawera (Part Two of Composition - viewing the land in the post-colonial era). Photograph by author. Figure 14. ‘Papaitonga Lake Road’ - typical street sign near Lake Waiwiri - an example of naming to claim. June 2011. Photograph by author. Figure 15. The proximity of nature and culture. The coastal edge of Waikanae Beach. June 2011. Photograph by author. Figure 16 Otaki sand dune farmland with sand dune contours.. Image by author. Figure 17. Purchase bag (side B) from ‘The Map Shop’ based in Thorndon, Wellington. A reliability diagram for the original map can be seen, visually warning of discrepancies within the mapping process. Figure 18. Twenty metre contour information for Lake Waiwiri site (lake pictured in centre with general transect space outlined.) Original 1:100000 @ A4. Image by author Figure 19. One metre contour information is generated through personal knowledge of contouring land, and by using the transect to the south (outlined) which had been surveyed to 1m contour heights as a reference. Information of dunes becomes much more comprehensive and dense at this level. (lake pictured in centre with general transect space outlined.) Original 1:100000 @ A4. Image by author Figure 20. When coloured, information becomes layered even more densely, giving a sense of the height to each dune where there is a large transition through colours. The transect to the south (outlined) was again used as a reference for identifying which contours would respond to which height+colour. (lake pictured in centre with general transect space outlined.) Original 1:100000 @ A4. Image by author Figure 21. Map VII penned by Leslie Adkin from ‘Horowhenua: Its Maori place-names & their topographic & historical background’. (1948) Wellington: Department of Internal Affairs. Figure 22. Diagram illustrating the layered meanings behind simple concepts within the language of Te Reo. Image by author. Figure 23. Abstraction detailing orientation of vertical versus orientation of the horizontal. Image by author. Figure 24. Abstraction of cyclic Māori associations to time , overlaid with the linear Pākehā structure of time. Image by author. Figure 25. 100% Pure New Zealand advertisement From http://envirohistorynz.wordpress.com/2010/03/24/the-eternal-dilemma-development-vs-preservation/100-pure-nz/ (Accessed December 12th 2011) Figure 26. Initial visual cues /swatches into perceived landscapes. The natural versus the cultural. Image by author. Figure 27. Swamp land, sand dune contours.Waiwiri. Image by author. Figure 28. The three native landscapes of New Zealand. Explored as spaces of negotiation and discovery. The Beach, The Bush and The Swamp. Beach acts as the crux where dualities meet - feeding into the crucial landscapes of the Bush and the Swamp. Image by author. Figure 29. The Beach. The ‘entry’ into the transect of the lowland forest found at Lake Waiwiri. Image by author. Figure 30. Sitting and watching at Golden Bay beach, 2009. Photo supplied by Zara Mann Figure 31. Gazing over Wainui Bay, Golden Bay, 2008. Photographed by author. Figure 32. ‘Inhabiting the beach and dunes’. From Chaplin, G., & Mitchell, D. (1984). ‘The Elegant Shed: New Zealand Architecture since 1945’. Auckland: Oxford University Press. 18