SEE LIFE / THE CUTTING ROOM
Do their mothers know? ABBA enters the Rock and Roll Hall of Fame, writes a surprised Glenn Gamboa No one was more surprised about ABBA being inducted into the Rock and Roll Hall of Fame than the band’s co-founder Benny Andersson. “We’re a pop band from the North Pole,” Andersson says, calling from his studio in Stockholm. “There’s no such thing as a (continental European) band in the Rock Hall, so it is flattering. It feels good, but it’s very unexpected.” After all, ABBA – Andersson, Bjorn Ulvaeus, Anni-Frid Lyngstad and Agnetha Faltskog – is best known for pop hits such as “Dancing Queen” and “Knowing Me, Knowing You” and disco anthems such as “Lay All Your Love on Me,” as well as the Broadway smash “Mamma Mia!” and the movie of the same name. Andersson’s latest album, “Story of the Heart” (Decca), gorgeously runs the gamut of classical-inspired instrumentals, American Songbook-styled ballads and even a tinge of country. Big rock guitars and heavy drumbeats? Not so much. “Every year, there’s someone that attracts 96 INVESTIGATEMAGAZINE.COM April 2010
attention from people who aren’t happy about the choice,” says Terry Stewart, the Rock and Roll Hall of Fame and Museum’s president and chief executive. “One of the problems this year is you have the extremes of ABBA getting inducted and KISS doesn’t. I’ve answered 5,000 to 10,000 e-mails and letters. This issue is a high point this year.” Of course, what could be more rock ‘n’ roll than a little bit of controversy? What gets lost in all the Internet hubbub about this year’s incredibly diverse induction class – which includes punk pioneers the Stooges, reggae ambassador Jimmy Cliff, British Invasion stars the Hollies and British art rockers Genesis – is that ABBA is exactly the kind of artist the Rock Hall needs. “ABBA, for some people, skews the class in a direction that’s really weird, but what it does is get into the question of ‘What is rock and roll?’” Stewart says. “Everybody defines it personally, and nobody’s wrong. But few people really look at it with the same fully encompassing view that we do. ABBA
doesn’t come out of the Gershwin songbook, they come out of the Elvis Presley songbook, the Little Richard songbook. But it’s translated through people who don’t speak English as a first language, so it’s no surprise that it has a little different feel. It’s all in there, it’s just a little different.” For David Weier, vice president of programming and talent for Fuse, which broadcast this year’s induction, it shouldn’t even be a question. “I don’t know why they wouldn’t be inducted,” Weier says. “These are artists that have a significant body of work. ... Rock is such a thin term these days. We should be looking at music in general – great music. They may not be known to our audience, but we are there to make the connections. We bring the best of the old and new together.” Actually, it’s those connections that should cement ABBA’s place in the Rock Hall. Obviously, the band has a massive following. It has sold more than 375 million albums worldwide, ranking ABBA among the world’s biggest sellers, behind only the Beatles, Elvis Presley and Michael Jackson. “We tried a little in the beginning (to be a rock band) because we sort of enjoyed that side of music,” Andersson says. “But it never worked really because we were just a genuine pop band.” Sometimes, the rock influences shone through, such as the bit of rock guitar in “Does Your Mother Know.” But ABBA’s influence is more evident in today’s rock and pop stars. “ABBA influenced Erasure, Pet Shop Boys and Culture Club,” Weier points out. “And they influenced Lady Gaga and Adam Lambert. No ABBA, there may be no Lady Gaga.” Perhaps more important to today’s music is the way ABBA influenced other Swedes to enter pop music. These days, Stockholm – thanks to producers and songwriters Max Martin, Dr. Luke, Rami, Shellback and others – is a music industry hub that has built hits for everyone from Britney Spears and the Backstreet Boys to Kelly Clarkson, Pink, Katy Perry and Ke$ha. “We may have inspired them by showing that it is possible to come from Sweden and be known throughout the world,” Andersson says. “There’s a lot of good recording producers here, making lots of good recordings.” That includes Andersson, who continues to write in his studio every day, working on new music for the Benny Andersson Band, as well as bringing the musical “Kristina,” which was performed at Carnegie Hall last year, to Royal Albert Hall in London.