DIGITAL MAGAZINE FOR CREATIVE ARTISTS
InPrint Magazine Summer - 2014
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INSPIRING ARTISTS AROUND THE WORLD
Summer - 2014 www.inprint.mag.com
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Our Message
Art creates culture. Culture shapes values. Values determine the future. The fascination of art has to do with time. Visual art is the quickest of all serious cultural forms to make its full nature clear to the beholder. It's worth dwelling on the rapidity of art. It is conventional, in the moralizing rhetoric of the critic, to say Rembrandt repays a lot more time than most works of art - you can look at his pictures for a lifetime and still find new depth in them. But what if this is not the most important thing about great art? What if it's the instant effect that matters? So it's not always true that great art takes a long time to appreciate and instantaneous art is shallow. In fact, some of the most revered paintings can be appreciated much more quickly than video art - which has, as I've already conceded, brought narrative time into the gallery. Why is time-based art so popular? Does it seem more important because it takes up time? Personally, I agree with Leonardo da Vinci. The most magical thing in art is the instant and complete image.
Our Creatives Editor-in-chief Elo Marc elo@elodesigns.com Programer Tonny D Tonnywdsd@inprint-mag.com Graphic Designers Elo Marc elo@elodesigns.com Alan Calardo AlanC.inprint-mag.com Layout Elo Marc elo@elodesigns.com Contributors/writers Astrid Kricos Astrid@Astridkricos.com Rick Byrne rick_byrne@hotmail.com Contributor/advisor Mathew Stone mspdesigns@gmail.com
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About InPrint Magazine InPrint Magazine is published bi-monthly. InPrint Magazine is a professional magazine for the arts industry - design, illustration, fashion, literature to show contemporary visual arts to a wide variety of audience. Subscriptions and distribution is free to qualified individuals. Single copies may be obtained from publisher for $1.99. All the works published in InPrint Magazine are property of the respective authors. InPint Magazine LLC, some rights reserved Po box 83324 San Diego, California, 92138 USA
InPrint | Spring 2014
Copyright Š2012 InPrint Magazine, Inc. Some rights reserved. No parts of this periodical may be reproduced without written permission of InPrint Magazine. Neither the publishers nor the advertisers will be held responsible for any errors found in the magazine. The publishers accept no liability for the accuracy of statements made by the advertisers. If you have any questions contact InPrint Magazine at (619)630-5735 San Diego, California.
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MESSAGE FROM
THE EDITOR Imagination Is More Inportant Than Knowledge
The transformation of a team happens in the hands of great imaginative leaders, not in indulgent knowledge seekers. While some form of education is generally a prerequisite for progress, we need to understand the balance between knowledge and imagination. Today’s leader should understand both past and present experiences of his/her team, and use that knowledge to cultivate creative progress and imaginative learning. As Einstein suggests, it is our imagination that will propel us to great strides in moving our teams and businesses forward. So how do you imagine yourselves as a different team? By setting BHAGs (Big Hairy Audacious Goals) to stimulate progress and guide your team through the process of creating a Vision and Mission statement. This creative procedure can help encourage your team to think of themselves and opportunities in new ways. When we can focus people on what they can become, we see small changes in the otherwise mundane. Having a Mission and Vision statement clarifies a team’s purpose and allows them to confidently contribute to the creative process. Basically, it puts all workers on the same page and allows them to work in synergy. A mission is simply asking yourself, “what do I need to do everyday to be successful?” While a vision statement is more aligned with, “if we do what we need to everyday, we will have succeeded.” It is important to reference your business’s mission in moments of confusion – the ideal mission statement will refresh you of your business’s goals and put you back on the right track. Give your teams the creative power to solve business challenges by providing clear and concise Mission and Vision statements and letting their imagination handle the rest. “LOVE ART AND LOVE INPRINT MAGAZINE AS MUCH AS WE DO”
Elo Marc
(founder & editor-in-chief of InPrint Magazine)
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readers insights
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I love reading InPrint Magazine. Their artists and layout are always refreshing and cutting edge. It has given me a much wider perspective on things. Whenever I read InPrint, I always have a notepad next to me- to write down all the ideas that just pop up from the artists interviews! Cindy Chang | “ Illustrator and Designer”
Magazines are 99% ads these days, and 1% poor content. This is not the case so much of InPrint Magazine. There are ads, there’s more art, some content, which overall is pretty informative, and not too commercial. Interesting insights.. W. W. Mudgett | UK
I am addicted to this magazine. Fresh, smart, intriguing, I read it cover to cover. Laura Lucero | marketing agent Interesting and useful arts magazine with some reading content. Good bedtime on tablet reading. Have found some excellent artists and interviews by reading this magazine. I just wish I could see more graphic design works for inspiration Erick M. Khan | Russia
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Astrid Kricos began her career as an apprentice in Lyon, France. After receiving training in French cuisine at Michel’s and JB’s, she worked at local restaurants where she added gourmet seafood and refined Continental cuisine to his repertoire. In 2009, Astrid received an award for outstanding chefs in France. In 2011 she was honored with an invitation to cook the New Year’s Eve Dinner for members of the James Beard Foundation in New York.
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Creative Thinking Questions Wiesław Grzegorczyk – a Polish visual artist and graphic designer, specializing in poster, corporate identity, heraldry, book design. An Associate Professor at the University of Rzeszów. Born in 1965. Studied at the Medical Academy and the Academy of Fine Art, both in Krakow. Nearly 100 published posters, dozens of logos, coat-of-arms, book and periodical designs, animated credits. 24 individual graphic design exhibitions in Poland and abroad.
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DESIGN PHOTOGRAPHY FOOD FASHION ILLUSTRATION LITERATURE PEOPLE
For the greatest inspiration of Art and Artists, the priority is to "lose oneself." Ultimately, an artist is motivated to realize that Higher Self, the completely inspired Self every artist know in their moments of pure expression.. the making of love that motivates pure inspiration. This is when what IS is! These are our spires of inspiration. True words of motivation are like best religious inspirational sayings. This almost incomprehensible motivation embodies the I AM of Moses, the burning bosom, the undressing of flesh to reveal a naked soul, as if touching and tasting dewdrops of spilt blood. Emotional scars upon souls often scream within chalices of pain; nonetheless, tongues can reach hitherto heights, waxing wicks of flight seeking to soar as the light embodies the words of motivation herself.
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CONTENTS
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Ali Aali — PHOTOGRAPHER —
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Simon vouet — INPRINT HOSTORY —
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miguel alonso — ILLUSTRATOR —
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zeren badar — PHOTOGRAPHER —
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Gianluca gambino — ILLUSTRATOR —
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dario moschetta — ILLUSTRATOR —
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from scratch with love — RECIPE AROUND THE WORLD —
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Wiesiaw Grzegorczyk — ILLUSTRATOR —
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Ali Aali
Photographer zigpha.com/home flickr.com/photos/zigpha
conveys one or more concept, and it is the photographer’s duty to engage viewers mind to his work for understanding those concepts. Desire to picture these hidden aspects is the mutual point between the photographers, but their ways and their chosen methods is what makes them different. Sometimes it happens that viewers’ perception is far away from what I wanted to say at the first glance; therefore I decided to consider a title and a quotation under most of my photos in order to make the viewers able to approach to my mentality and understand what I wanted to say. For example, in two of my favorite photos, the title and quotation helped a lot for conveying my attitude. In the first one, you can see crews in the right and other birds It seems like the images you flying in the sky. I resemble this to create have a hidden message the dominance of evil forces (crew) behind them. What are you and escape of the former owners trying to convey? That’s true. In my photos, I have (birds). Therefore I consider “Surtried to picture hidden angels of render to the Decadence” as the my subject’s outward like so many title of this photo. In the other photo, other photographers. Sometimes melting snows in spring left beautithe simple appearance of a subject ful curves which are the symbol of Hello. When did you get started photographing? What did you do before? I have started photography 11 years ago, when I was 20. Of course I had some experiences in working with camera before that, but my serious plan for starting photography was at that time because I was busy with studying at high school and didn’t have sufficient time for photography before that. Because of my field of study at high school that engaged with mathematics and physics, I became interested in lights and lenses. After high school, I started working in advertising programming which was the reason of empowering my creativity alongside with my logic.
InPrint | Spring 2014
life and twists and turns of its road. We can see so many characteristics of life in this picture; beginning, transition, and the end. “Life” was the only world which can properly do the justice to this photo as a title. Here, I also put a quotation from my favorite poet, Robert Frost, which was a huge help for describing my attitude. When you create a piece how do you decide what scenes and details to shoot? In picturing a specific scene or an event, my force of emphasis was on showing the differences which exist in single and specific elements and are not considered in a way they should be. Examples of this kind are among my street photography and my ritual ceremony photography. I tried to capture single faces, especially faces of children, in the photos from Tehran Bazaar and Ashoura. Faces which are happy, sad, thinking, and etc. I search the real world in these faces which are spectators of their surrounding occurrences with their own specific views.
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Can you explain your art inspiration? As I have already said, differences and conflicts are inspiring to me. It’s evident that everyone tries to create an artwork based on his own ideas and attitudes, beside customized art. Inspiration needs an initial motivator to help the artist start his way. While watching the insolvency of a human being can cause a writer to write a greatest novel of his lifetime, such a thing can happen to an artist. Apart from my surrounding pictures, listening to a music piece, and reading a provoking poem can be initial motivators for me. Such encounters can force me to picture theme as a photo.
Are you a self-taught or did you go to school for it? Do you see value in both? I am self-taught photographer. I think both of these ways have their own advantages. Alongside experimental photography, understanding and mastering rules play important roles in the success of a photographer.
Did you always want to be an artist when you grew up? I think so. Being an artist enables a person to express his thoughts and ideas easier than an ordinary person. I don’t know whether this is an advantage or a disadvantage because sometimes it causes the appearance of so called artists who Do you have a favorite artist don’t have anything to say. I am you look up to? not a critic; therefore I will not talk In previous generation, I really like about this anymore because what I Ansel Adams and his great nature said was my own idea. photos. In portraits, I adore Irving Penn and his great method in using Which program do you use to natural light. In new generation, I edit your images? follow up Joe McNally photos. I can mention many programs, but I do most of my works with Photo-
shop which is truly functional for what I need. In Photoshop I prefer to use my own favorite plug-ins among which I can name Nik’s software that was a great help for me. In some cases I use other programs such as Photomatix for processing HDR photos and Dynamic Auto Painter from Media Chance which is my favorite program when I need to perform a painting simulation. What book do you remember from when you were young? When I was a teenager, war photo graphy was interesting for me, but I cannot remember a specific book to mention but Robert Capa and surveying his works in various books is unforgettable for me. In literature, I really like Goethe especially “the Sorrows of Young Werther”. If you could photograph someone from the past, who would he/she be? And why? There is no doubt that he was George Orwell. Taking his portrait is one of my dreams. Orwell and Heinrich Boll ¬are the most influential Spring 2014 | InPrint
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InPrint
Simon Vouet
Born in 1590, the French painter Simon Vouet was influential for helping to propel the Italian Baroque style of painting into France. Among his illustrious patrons were the French King Louis XIII and Cardinal Richelieu. Today his best known works hang in the most prestigious art museums and galleries around the world.
Vouet received much of his training from his father who was also a painter. He was born in Paris and his brother, Aubin, also grew up to become a painter. With his early training, Vouet developed quickly into a fine portrait painter and was allowed to travel abroad to England and from thence to Venice and Rome where he was influenced by the art he studied. Vouet was particularly influenced by artists like Caravaggio and Paulo Veronese. He was additionally influenced the Italian Mannerism style. Vouet’s stay in Italy, from 1613 to 1627, profoundly influenced his continued development as an artist. During this period in Italy the Baroque style began to emerge and Vouet became one its early devotees and later helped to advance the style through his native France. While in Italy Vouet was supported by a pension from the King of France. Additionally, he earned income through important Italian patrons such as Paolo Giordano Orsini, Cassiano dal Pozzo, and the Barberini family. He also traveled to other important cities of the Italian Peninsula like Bologna, Naples, and Genoa where he painted for the Doria princes.
InPrint | Spring 2014
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Due to his great success in Rome, Vouet was elected the President of the Accademia di San Luca in 1624. Two years later he wed Virginia da Vezzo who had worked as a model for some of his religious works. After receiving a request to return to France in 1627, Vouet left Rome where he had garnered great prestige and fame. Upon his return Vouet was named the premier peintre du Roi. Vouet painted many works for the French king—several for the Palais du Louvre. Vouet also accepted private commissions where his art had a great impact on other French painters. Among the artists he influenced most are Pierre Mignard, Charles le Brun, and Abraham Willaerts.
ry Allegorical Portrait of Anna of Austria as Minerva. Top left Portrait of Virginia da Vezzo Description Virginia da Vezzo, died 1638 she was Vouet’s wife. Bottom left Simon Vouet, Self-portrait of c.1626-1627, top right. Toilette of Venus, 1625-27, botton right
Vouet died in 1649. Some of his most important works include a work of his daughter called Portrait of Angelique Vouet (1635-1638), Allegory of La Richesse (1630-1635), Hesselin Virgin and Child (date unknown), Sleeping Venus (1639-1640), Presentation of Jesus at the Temple (1641), Apollo and the Muses (1640), and Crucifixion (1622). During his career in France Vouet was also responsible for the decoration of illustrious residences like the Chateau de Malmaison.
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Illustrator
Miguel Alonso InPrint | Spring 2014
From Equador, Miguel Alonso says he doesn’t know how to draw, and he doesn’t care much but everything he does is beautiful, colorful with a very unique style . He considers himself honest person, a clown by heart, someone who is happy to share with the world the imaginary portraits he illustrates. — “I want to explore new techniques, theories and work
methodologies; “I’m always looking for new final results. I believe in the power of my ideas and I always get amazed by the final product, I have been lucky to connect to great human beings and I have a great capacity to work with and for others. I want to create new channels of connections that will get us new results when it comes to art”.
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N Photographer N Zeren Badar is a self-taught photographer who lives currently in NYC. He is originally from Turkey. He is obsessed with art. He visits art galleries and museums regularly. He has been published in so many online magazines. He has been working on his latest photography project last since eight months which is called “Accident Series�. He explores a peculiar combination of photography, painting and collage to create stunning images. In this photography project, he puts together odd combinations to create a 3D feel with found objects, food and cheap old paintings to generate new type of still life. He is hugely influenced by Dada and Neo-dada for this particular project. InPrint | Spring 2014
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| February 2013
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COVER ARTIST
Gianluca Gambino InPrint | Spring 2014
INTERVIEW
My style has developed and evolved in these three years, in a continuous mood of dissatisfaction, seeking the ideal result. Gianluca Gambino - Illustrator | Italy
more about the artist
facebook.com/truruparimpampum theartoftenia.deviantart.com Tell me about your childhood, where did you grow up? I was born in Sicily, exactly in Catania, a baroque city par excellence, full of different resources and nestled between the sea and the highest volcano in Europe (Etna). As a child I had to suffer my shyness, I was an introvert little boy with a low selfesteem and a strong fear of being judged by the others. As a result I struggled to integrate in any area that was not closely related to the familiar one. So up to 9 years old I didn’t have a really happy childhood, I didn’t confide to anyone, friendships were superficial and most of my time was only devoted to drawing, so as to create those “drawings” that, with the innocence of a child, could picture, without limits a sort of hologram where you can dive to find yourself in a new dimension, where you can escape from reality, develop imagination, creativity and retrieve a sort of dream state. How did you first get into illustration? Are you self taught
growing sea of Illustration. What are some visual influences that make their way into your work? Actually, I am influenced by a huge multitude of sources and I try to be open to everything, but currently I think I gravitate more towards certain issues, such as the dark side of the British culture in its more fruitful time (the Victorian Age). I am attracted by the secrets of the black heart of this land, that is the center of radiation of esoteric culture and especially of its occult and magic branches in all their aspects, which portray and make it fascinating even today this mysterious country. Second the world of puppets and marionettes, where the inanimate object - projection of human mortality - comes to life thanks to the hands of the puppeteer, becoming one body with him. The theme of the mask in the traditional (theatrical) and social key, above all the dualism between appearance and reality, the difference between what the things are and how they look, the will of appear Your work has a refreshing and be able to convey just what it is look to it that stands out well in a
or you went to school for it? I am an absolute self-taught. After following some training courses for advertising graphics, I became interested in illustration (3 years ago), since then I rediscovered and resumed that passion for drawing and painting which I had left at the age of 9 years. I felt again the effects of a new “dream-life”, a kind of state which is more and more intense until I reach the deepest layers of my subconscious, seeking a total reconstruction of the human personality, and so I discovered that every man who has a dream should know that there is no horizon so far away that he cannot transcend or overcome. Therefore, armed with a lot of willpower and determination, I started working hard in order to achieve a level of mastery of the technique and a sensitivity, such as to enable me to penetrate into the depths of my imagination, and make them factually visible to the world.
Spring 2014 | InPrint
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DARIO MOSCHETTA
ARTIST// PAINTER Dario Moschetta is an artist from Castelfranco Veneto, a small town near Treviso, Italy. His job is to make paintings in acrylic, He has been experimenting with various techniques developed by himself. One of them involves applying several layers of paper and tearing them in a controlled manner, so as to obtain an irregular surface, like in posters of movies that you can see in the street. Those are the big city skyline in general. H also does portraits and nudes in large sizes. Dario uses canvas roll so He feels free to work “- I need a big white surface, and when the work is finished I choose the right size. I like acrylics because it gives me execution speed, and can be corrected at any time. As well as brushes of medium size, I also use spatulas, knives, sandpaper, rags, spray water, and step on the surface. Everything is instinctive, without a precise logic, when something goes well, I do not touch it anymore.�
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10 Places to Visit before you Die 1. Zhangye Danxia landform in Gansu, China 2. The Great Blue Hole in Belize 3. Tulip fields in the Netherlands 4. Mount Roraima in Venezuela, Brazil, and Guyana 5. Sea of Stars on Vaadhoo Island in the Maldives 6. Whitehaven Beach at Whitsunday Island in Australia 7. Tunnel of Love in Klevan, Ukraine 8. Bamboo groves of Arashiyama in Kyoto, Japan 9. Glowworm Caves in Waitomo, New Zealand 10. Cenotes of Yucatรกn Peninsula in Mexico
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Alarm Clock Dark Wood by DFP Designs Richie Rich was that perfect kid who had everything. Go-carts, a giant four-poster bed, a butler named Herbert and lights that turned on with a flap of his clammy, rich-kid hands. Man, did we envy him! Luckily, our time has finally wound around. Kikkerland has made a dream come true: now even we’re able to applaud in the air and get results. Clap your hands and a red LED light appears in the middle of this little wood wonder to let you know the time. And when you’re all finished clapping, give us a high five!
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nPrint Magazine
from scratch
With love by Astrid Kricos
Spinach Fatayer Ingredients:
Dough: 2 cups all-purpose flour 2 tablespoon extra-virgin olive oil ž cup warm water (or more, depends on the dough) 2 teaspoon instant yeast 2 tablespoon granulated sugar 2 tablespoon powdered milk Pinch of salt 1 tablespoon milk (optional, to brush the pies before baking)
History
Filling:
1 kg spinach 1 large onion (cut into cubes) 1 tablespoon sumac 1 teaspoon salt 1 tablespoon extra-virgin olive oil Juice of 1 lemon makes: 15-20 pie
Preparation and cooking time:
Preparation: 25 minutes Baking: 15-20 minutes Total: 40-45 minutes
Fatayer (Arabic:) is an Arab meat pie pastry that can alternatively be stuffed with spinach (sabanekh), or cheese (jibnah) such as Feta or A’kawi. It is part of Arab cuisine and is eaten in Kuwait, Turkey, Iraq, Syria, Palestine, Egypt, Lebanon, Jordan, and other countries in the region.
THINK 10 QUESTIONS CREATIVE 34
KING more about the artist linkedin.com/in/wieslawgrzegorczyk .facebook.com/wg.artdesign
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Wiesław Grzegorczyk – a Polish visual artist and graphic designer, specializing in poster, corporate identity, heraldry, book design. An Associate Professor at the University of Rzeszów. Born in 1965. Studied at the Medical Academy and the Academy of Fine Art, both in Krakow. Nearly 100 published posters, dozens of logos, coat-of-arms, book and periodical designs, animated credits. 24 individual graphic design exhibitions in Poland and abroad. Participated in over 200 group exhibitions in 40 countries, including the most important poster biennials and triennials like Chicago, Hong Kong, Katowice, Lahti, Mexico City, Mons, Ogaki, Rzeszów, Seongnam City, Sofia, Taipei, Toyama, Trnava, Warsaw (Wilanów). Posters in collections of numerous museums and galleries. 26 awards and prizes in the graphic design and animated film competitions, i.a.: 4th Prize in the 6th European Political Poster Triennial in Mons (1995), Special Award in the International Film Festival ÉTUDE’96, Award in the National Advertising Publications Contest IDEA’98, Taiwan International Poster Design Award 2005 (Jury Special Award from Shigeo Fukuda), Best of Nation Prize in the WOLDA’09 Professional competition (Milan). Member of the Association of Polish Artists and Designers (ZPAP) and the Association of Applied Graphic Designers (STGU).
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