MARCH, 2024 - 518 PROFILES MAGAZINE

PUBLISHER / FOUNDER

Stephanie Sittnick

COPY EDITOR

Elisabeth Allen

WEBMASTER

Tony Graveheart

ADVERTISING SALES

Stephanie Sittnick - Director of Sales ( 860) 227-8199 advertising@518mag.com

CONTRIBUTORS

Carol St.Sauveur Ferris, Karen Richman, Rona Mann Chandler Stevens, Lawrence White, Kirsten Ferguson, Alan B. Richer, Crystal Cobert Giddens, Nellie Ackerman-Vellano, Kristina Watrobski Chef Armand Vanderstigchel

COVER

Deb Hall - “A Right to Quiet ” 10 x 10

After a bitterly cold winter, March offers a glimpse of warmer days ahead. Spring is almost here.  It is a month full of new beginnings. As the third month of the year, Mother Nature begins to show off her colors with the first signs of bloom and also the start of Daylight Saving Time.

Each month, we have the opportunity to publish a new issue filled with creative & talented artisans. We invite these inspiring individuals to share their story about their lives and work as well as what's inspiring them right now. It is truly an honor to have each of them grace our pages.

As always, our goal at 518 PROFILES, is always to focus on the good, the beautiful and the positive by publishing stories with heart and soul. We strive each month to deliver authentic and unique content about creative people and interesting destinations. Enjoy!

Stephanie Sittnick Founder / Publisher

George Van Hook, Painter His Focus is on Painting, Not Art pg. 6

“In 35 Years I’ve Seen Everything and Framed Just About Everything!”

J. Gernon: Picture Framing & Fine Art pg. 16

This Lady’s Got Glass and So Much More: Cheryl & Julian Gutmaker pg. 26

Respecting the Earth, Remembering the Songs: Ndakinna Education Center pg. 34

George Van Hook, Painter His Focus is on Painting, Not Art

by Carol St.Sauveur Ferris

George Van Hook does not worry or think about creating ART. He is simply a painter who paints what he sees in response to the world around him. And he has been doing so nearly every day of his life for the last 50 years.

Born in Abington, Pennsylvania, a suburb outside of Philadelphia to two chemical engineers, Van Hook was the fourth of six children. They were a successful bunch who grew up to be lawyers, doctors, scientists, ceramicists, and painters. He was fourth in the pecking order, and as

anyone with older siblings will tell you, when they get to school it’s the siblings preceding you who lay the groundwork for your experience. This can be a blessing or a curse.

Luckily he was blessed with siblings who were well-behaved and excel lent students so teachers kept a watchful eye on the newest Van Hook and provided guidance along the way. His sister, Amy, who was the third oldest and two years ahead of him, was incredibly creative and talented. The two of them would draw and paint together from the time

they were very young, and according to Van Hook, she was a source of support and encouragement as he progressed through school.

By seventh grade, an art teacher was very impressed with his drawings and suggested he visit area museums to draw and paint copies of The Masters. The experience introduced him to a very different world through the eyes of painters from centuries ago, encouraged him to explore their different techniques, and laid a solid foundation for the young artist to build upon.

In addition to their place in Abington, Van Hook’s parents also owned a farm in Bucks County which is home to Pennsylvania Impressionism, a movement that was part of the larger American

Impressionism movement of the early 20th century. The bucolic countryside was also known for The Brandywine Tradition which encouraged artists to capture moments and bring them to life rather than be restricted by historically formal art instruction. He embraced it all.

By the time he enrolled in college, Van Hook already had quite the impressive resume, having visited Europe several times and immersing himself in filmmaking and painting during his high school years. He chose to attend Oberlin College in Ohio while his high school sweetheart and future wife Suzie, chose Middlebury College in Vermont. But it wasn’t long before the somewhat disil lusioned couple bought a pickup and built a camper on the back, then drove cross-country for six months,

George Van Hook at his studio in California… @1974

taking in the sights of the United States along the way. They eventually landed in northern California and at his brother’s suggestion, Van Hook enrolled at Humboldt State University.

They spent a total of twelve years in The Golden State where he continued to hone his skills, graduating with a BA in Fine Art from Humboldt, entering and winning juried shows, exhibiting and selling his work in area galleries, and deservedly earning his painting chops. According to Van Hook, he was in his off-campus studio painting 60 to 80 hours a week during his college years and beyond. It was a work ethic and commitment he made to his craft that still stands today.

“I saw painting as a rational response to the world as it was unfolding in the late sixties, early seventies. Not as an escape, but more as a response to it. I don’t even think of myself as an artist. I really don’t care about art. I care about painting.”

He also made his way back to Europe with Suzie so she could pursue her doctorate in Lichenology (a branch of mycology, the study of fungi), at the

University of Paris. While she studied, Van Hook spent his time at the Louvre just about every day, once again copying The Masters. When she left to complete her degree in the United States he decided to stay in Paris. During this time, he rented a studio that once belonged to Ernest Meissonier, a 19thcentury French painter and illustrator of military scenes. He also met the grandson of Claude Monet through an individual at the Louvre; and because of his friendship with Monet’s grandson, Van Hook had the privilege to visit Giverny before it became a tourist destination. One can only imagine how in credible it was for him to be so closely connected to the

“Autumn Valley” 24”x 30”

“October Hillside” 30”x 36”

“At the Bridge” 30”x 24”

renowned founder of Impressionism, the style of painting Van Hook loved so much and was working very hard to perfect every day.

“That was a far more educational experience than anything college offered.”

Indeed.

Eventually, Van Hook settled down in Cambridge, New York after years spent in Maine where he and Suzie raised their three daughters. They used to travel a great deal, which provided him with much of the subject matter for his

paintings but not as much anymore. However, he is quite content painting the endless beautiful landscapes and seascapes of the Northeast, coastal Maine, and Cambridge.

Today, Van Hook spends the majority of his time doing figurative paintings, still lifes, seascapes, and landscapes en plein air. Their color palettes are vibrant, yet nuanced, and their tex tures from brushwork add depth and gravitas to each composition.

The subjects of his figurative work are often his three daughters and wife and are usually portrayed in a pensive mood while seated in a lovely garden or room with a book or musical instrument in hand. These are gentle compositions that capture both their femininity and grace.

Van Hook’s still lifes, especially his sunflower series, feature flowers and a collection of everyday items including teapots, fruit, photos, and even the occasional unexpected. The unexpected, such as miniature vintage cars, are a fun addition and a charming foil in an otherwise traditional composition.

His seascapes and landscapes en plein air always capture a moment in real-time. After carefully selecting a location and determining the exact composition he intends to paint, Van Hook gets to work. There is no preliminary drawing

or sketching whatsoever. He just goes about painting what he sees and feels. It’s an emotional experience, to be sure, which draws upon all of his senses. Feeling the warmth of the sun. Smelling a freshly mowed field. Hearing the seagulls flying above. Tasting the salt air. And seeing the trees sway. These are just some of the sensations that Van Hook instinctively and successfully translates into shapes, color, and texture on the canvas.

“Dreams of Summer” (portrait of Isabelle Van Hook) 36”x 30”

“Schooner in Camden Harbor” 16”x 12”

“In the Studio” 30”x 24”

“I always paint from life. I don’t paint from pho tographs at all.”

Van Hook uses Gamblin, Williamsburg, and Michael Harding paints for all of his work. He starts with the primaries: ultramarine blue, cobalt blue, alizarin red, cadmium red, lemon yellow, and cadmium yellow. He may add cadmium orange, a secondary color, and sometimes viridian green. He then custommixes all colors for the particular piece he is working on to create the perfect palette.

painted to their heart’s content and without inhibitions, so their skills just evolved naturally.

Regardless of the composition, when Van Hook is nearing completion of a painting, he will often insert it into a frame because a frame can change the painting’s dynamics. He wants to see what it will look like and what the edges “are doing.” He’ll then adjust and refine the edges until com pletely satisfied.

Though Van Hook primarily paints with oils, when traveling he likes to take his watercolors with him. He shares that when he first started paint ing as a child, he and his sister Amy painted with watercolors. He’s very glad they did because the medium is considered to be a bit more challenging but as kids, they didn’t see it that way. They just

“ Do I prefer oils or watercolors? You know, I always say that if I would get to go to heaven and I could grab one thing, I would grab my watercolors because they’re so much fun. You know, it’s just like bam, bam, bam! Watercolor re quires that wonderful leaping into the unknown, just trusting that it will be there.”

But until heaven’s gates let him in, Van Hook will continue to create beautiful, thoughtful oil paintings for years to come because that is what galleries have come to expect. In fact, his work has been exhibited throughout the United States, Europe, and Japan and is currently hanging in numerous galleries along the east coast from Maine to Florida. His paintings have also been featured in En Plein Aire Magazine and in American Artist Magazine.

In addition, Van Hook has and continues to participate in En Plein Air competitions around the country, winning many awards including Best of Show and Artist’s Choice. He was also a live instructor at the Plein Air National Convention in California, has recorded an instructional video called How to Paint Impressionism Outdoors produced by Liliedahl Productions and Plein Air Magazine, and has served as a juror and judge for the Connecticut Plein Air Society.

Today, with dozens of canvases hanging in his studio at varying degrees of completion, Van Hook shows no signs of stopping any time soon. You’ll find him moving about with multiple brushes in hand, working every day for hours on end, doing what he has loved to do all his life.

Paint.

George Van Hook’s work will be featured March 2 - April 7 at THE LAFFER GALLERY, 96 Broad St, Schuylerville, NY 12871.

To learn more and view his work online, visit www.georgevanhookfineartist.com.

“Change of Seasons” 24”x 30”

“Autumn River” 24”x 30”

“In 35 Years I’ve Seen Everything and Framed Just

About

Everything!”

J. Gernon: Picture Framing & Fine Art

by Rona Mann

“We all seem to be most happy when we are doing something that is creative, whether it is baking a cake, building a fence, or painting a watercolor. It really doesn’t matter, but there is no doubt that creating something brings us real joy.”

...Charles M. Schulz, Creator of Peanuts Comic Strip

Jon Gernon doesn’t frame pictures, he preserves moments.

Jon Gernon doesn’t frame diplomas, old letters, or newspaper articles, he conserves history.

Jon Gernon doesn’t frame art. He frames feelings, weddings, babies, families, heirlooms, precious documents, pieces of history, water-

shed moments in people’s lives - times unique to one person, one family, or one period in history that can never be captured again.

Jon Gernon of J. Gernon Picture Framing & Fine Art might be characterized by some as an artist or a craftsman, but in reality, he is a con server, a preserver, and a showcaser be cause he has spent virtually his whole life learning every nuance of framing, of gilding, of restoring, and preserving what is old, pre cious, and one-of-a-kind. Along the way, he’s also had fun with limited edition posters such as the heavy metal band encased forever in an “out-there” frame that permanently matches the group, the music, and the feeling of that once-in-a-lifetime performance.

Gernon’s story actually began with the man quoted above, Charles Schulz, for when Jon was a young boy growing up in the Capital District, he enjoyed copying the artwork he saw when reading his favorite Sunday comics, among them Schulz’s Peanuts, The Family Circus, and Prince Valiant never having any thought that art was in his future much less would become his lifelong career.

“I fell into artwork,” Gernon says. I got interested when I was in high school and found that art came easy for me. So I took every art class I could: graphic design, mechanical drawing, painting, fashion design, and got all top grades.”

Upon graduation, Gernon enrolled at what was then Sage Junior College of Albany where he majored for a short time in graphic design be fore switching to painting. “But I didn’t like being told what to do, what to paint. I just wanted to get out there and get a job. So after a semester at The College of St. Rose, Gernon left college in the rear view mirror and found his first job at a local toy company where he sketched instruction sheets for the models produced by now-extinct Screamin’ Enterprises, a company that had the licenses for horror char acters and created high-end models. Quite a departure from drawing Charlie Brown and Snoopy.

When he left, Jon once again was in search of “a job and a paycheck” and found himself at Clement Frame and Art in Troy, well known for nearly 60 years as “the” frame shop in the area.

“I didn’t know anything about framing, so I thought I’d just be there a short time.” Then Gernon laughs, “I fell into that too, and I stayed at Clement’s for

more than 25 years.” He then pauses and says with serious appreciation, “I got a solid foundation from Tom Clement. I learned everything there was to learn about framing and re-gilding old frames (the art of painting a thin coating of gold leaf on a frame to help restore it to its original condition).

The next stop on Gernon’s growing road to success was five years spent at Arlene’s Artist Materials in Albany where he positively trans formed the shop with new ideas and col laborated with another framers.

In 2016, Gernon and his family moved for a short time to Virginia and quickly was granted the privilege of doing work for the Virginia Museum of Fine Art in Richmond re-gilding old frames and mirrors as well as providing work for the Governor’s Mansion. That is added to an impressive list of select New York clients including the Rens selaer County Historical Society, NYS Governor’s Mansion and Office, Albany Museum of History and Art, NYS Police, NYS Legislature and Senate, and the Hyde Collection among countless others.

When Jon heard that the Clement brothers were going to retire after so many years established as the premier framing presence in the Capital District, Gernon decided to return home; and in late 2023, he opened what he proudly calls a “high-end boutique frame shop” in Troy.

“The initial response has been overwhelming,” Gernon said, “because people really had not had any place to go when Clement’s closed. I know this area, I know the people from all my years at Clement’s, I am familiar with the area artists, and I love having a small, intimate 1300 square-foot location where we have also added a gallery space.”

The gallery space at J.Gernon Picture Framing & Fine Art has Jon’s clientele as excited as he is committed to staging monthly shows in the space throughout the year. The gallery openings will always coincide with Troy Night Out on the last Friday. Upcoming March 1st and scheduled to run the entire month of March is the work of Scott Asbury.

Jon Gernon offers a multitude of framing services based on his 35-plus years in the field as a high-end custom framer. His talent and e xpertise range from the traditional and ornate to contemporary and modern, and his vast clientele includes custom work for individuals, artists, designers, collectors, and pho tographers as well as corporate and insti tutional clients. “I also like to play with ideas, and see what I can create.”

Gernon’s attention to detail is best represented by a showcase of customers’ memories, keep-

sakes, and lives. His work allows the past as well as those things that rep resent life’s special moments to have them preserved, permanently frozen in time, perpetuated forever. Jon believes that memories should not be locked away in the attic or the basement. Personal meaning and memory must be preserved and showcased for the generations that follow.

A frame should serve as a compliment to what is inside the frame, an extension to the historical document, the artwork, photograph, letter, or object, and only someone like Jon Gernon with years of learning everything there is to learn and a careful eye can be entrusted with this task. “I feel as though I’ve framed everything,” Gernon says, then quickly adds, “but I’m still learning.”

He repeatedly hearkens back to Tom Clement who “taught me so much,” but years of documents, objects, art in every medium, and a wide demographic of customers have colored in the lines of his rich life and work ex perience. It has made him constantly reach for pe rfection and find it, and it is the reason why people in Troy and throughout the Capital District once again have “the” place to go for conserving, preserving, and showcasing the moments of their lives.

Best of all, there is someone at the doorway of the shop who understands, who takes the time, who gets personally as well as professionally involved in every project, large or small, and loves

forging

March 16 - April 13, 2024

Artist’s Reception Saturday, March 16th 4:00 - 6:00 PM

1 Lower Amherst Street Lake George, NY 12845 518-668-2616 www.lakegeorgearts.org

John McGiff

Painting as Vision

This Lady’s Got Glass and So Much More: Cheryl & Julian Gutmaker

by Carol St.Sauveur Ferris photos by Stephanie Sittnick

It’s not often you have the privilege to meet two people who met in their youth, have been together more than 50 years as husband and wife, and work together as artists and business owners as well. They are like two halves to a whole, and after chatting with Julian and Cheryl Gutmaker, it’s hard not to envy what they share and have built over the years. Their easy camaraderie, their sense of humor, their respect and admiration for each other, and their joy at being able to work together creating fine art glass is a rare combination and one that has served them well.

Cheryl was born and raised in Norwich, New York. She was an only child who showed interest in arts and crafts throughout her youth but was primarily focused on music and sports. Although neither parent was creative, they encouraged her to pursue her interests and provided the budding musician with both piano and flute lessons. Following high school, Cheryl attended SUNY Potsdam where she earned a BS and an MS in Music Education. She went on to be a music teacher in West Hampton Beach, New York.

Julian was born in Brooklyn and raised on Long Island in Wantagh, New York. One of two brothers growing up, Julian loved learning about all things science and participating in track and cross country. When asked if he had any interest in the arts or was there someone who nurtured his creativity Julian joked, “None! Not until I met my wife!”

After high school, Julian attended SUNY Potsdam as well where he earned a BA in Science with a focus on biology and chemistry. For the next four

years, he was a science teacher at Brentwood High School in New York but soon realized a teaching career wasn’t for him so why not become an optometrist? He left and attended Pennsylvania College of Optometry earning a BS in Science, Doctor of Optometry, and has been in practice ever since.

Besides their degrees, the Gutmaker’s lifelong union also began at SUNY Potsdam, and it was definitely love at first sight. Cheryl exclaims, “We

met in college. By the end of the first month, it was a done deal. We knew we were going to marry.” And with the ink still wet on their diplomas, they did.

Their love story and strong union have sustained them through life’s challenges but one challenge in particular was life-changing as well, bringing them closer together if that was possible and opening a door to a new and exciting chapter.

In 2004, Cheryl was diagnosed with stage-three cancer. After the diagnosis, she went to Sloan Kettering Memorial Hospital and received a new treatment and miraculously, after chemo, radiation, and surgery, she beat the cancer. As you might imagine, while

the treatments saved her life they left her exhausted and discouraged, so it became a time to reflect and reevaluate. According to Cheryl, “You never look back. You make up your mind that you are go ing to live, and you’re going to do what you love.”

Discovering what she loved happened one day during her recovery when she and Julian visited the Corning Museum of Glass with friends in Corning, New York. Minutes after walking through the door Julian signed her up for a “make-your-own-glass class” that was about to start, and a great learning opportunity for Cheryl who had been making jewelry prior

to her cancer diagnosis. With few students in the class, she had the teacher’s un divided attention, and by the end, Cheryl was smitten with making glass beads.

It’s safe to say that with each new bead, the healing of her heart and body hap pened. And for Julian, the joy of seeing his wife smile, get stronger, and have hope again, prompted him to buy her the tools of the glass beadmaking trade and assist her whenever she needed help. When they speak of that time, it’s almost in unison.

“I was still in a lot of pain and not doing so well. I needed to have him around.”

“She needed help, that’s all. I bought her a torch, kiln, some glass rods, and set her up downstairs in the basement. She took her course, started making beads, and it was wonderful.”

It wasn’t long before this healing hobby got out of con trol and became a bona fide business. Naming the new enterprise was a task both Ju lian and their daughter Debbie eagerly undertook with a mix of seriousness and humor. Thirty-seven fun names later they all decided The Lady’s Got Glass! was it.

Soon the glass entrepreneur took her beads to market but quickly dis covered that despite how beautiful they were, it was very difficult to be fairly compensated for all the time, energy, and expense that went into making them. After much thought and research, Cheryl decided to create more practical items that people could collect, use for entertaining, or give as special gifts, and that’s when life happily got super busy for both of them and hasn’t slowed down since!

Today Cheryl spends endless wonderful days designing and creating glass. It is her passion and second career. She has honed her skills and now does flamework, blown, fused, and cast glass. Having the glass studio right in their former two-car garage is an easy commute for both of them. Filled with multiple kilns, torches, work tables, and supplies, the studio is set up for everything but

blown glass work. For that, they rent hot shop time at the Corning Museum of Glass studio.

The fused glass process can be physically challenging depending on what you are doing. When Julian is not working four days a week as an optometrist, he is in their studio helping out with the heavy lifting and some designing as well. His glassmaking expertise stems from time spent working with Cheryl but also from time invested in stained glass classes. He admits to being more linear and scientific in his approach while she is more intuitive and organic. Com bined, their individual methods have melded into a process that allows them to produce a variety of pieces to meet the demands of their growing list of collectors and fans. And again, with no commute, Cheryl can devote as much time as she wants to her glass art and take breaks as needed.

The fused glass is then removed and inspected, placed on top of a clay mold in the shape of the intended final piece, and returned to the kiln. It is slowly heated to 1230 degrees, then reduced to 930 degrees where it sits for an hour before being lowered slowly to room temperature again. Once removed, it is left to cool and harden. This entire process, called slumping, takes an other 12-13 hours but the end result is a stunning pasta bowl, cheese board, or serving dish among other things.

Typically, Cheryl will decide on what piece she plans to make, then design it, but there are times when she has a design in mind that just needs the right piece to showcase it. Either way, color is the single most powerful compo nent of her designs so a large part of her time is spent working out the palette.“The best part is creating a new piece. Playing with the colors and playing with the shapes and thinking about how I want to present it.”

Once the creative decisions are made, the design is laid out on a glass sheet and precisely cut, usually by Julian, since Cheryl does not have the reach he does. Next, the edges of the cut pieces are polished, carefully arranged according to the design, and prepared for fusing. Then the entire piece is placed in the kiln and slowly heated to 1525 degrees at which point the temperature is slowly reduced to return it back to room temperature. The entire fusing process takes 13 hours total.

These days, Cheryl is also doing beautiful glass paintings which involve applying many layers of glass pieces, colorful glass powders, bits of broken glass, and glass stringers which are thread-like pieces of glass used to create deli cate details. It is a painstaking process and one that requires a clear vision of the final piece but also a willingness to work with what might happen unexpectedly along the way. Her glass paintings have been well-received and she plans to continue doing more of them.

No doubt the Gutmakers have found a recipe for success both as a couple and as artists. They are a loving force who have endured a lifethreatening time only to come out stronger, more devoted, and in tune with each other. Whether a look, a joke at the other’s expense, or a gentle touch, you can see the special bond that is at their very core.

When asked where they see themselves in the next year or five, they said they hope to still be

making beautiful things and then quipped, “Do you think we can find a nursing home with a kiln someday?”

Who knows? But we sure hope so!

To view and learn more about their fine art glass visit www.theladysgotglass.com

GALLERYS AND SHOPS THAT HOLD PIECES OF WORK

3 Pears Gallery

41 Church Street, Dorset, VT

Cooper Crountry Crafts

2 Doubleday Court, Cooperstown, NY

Elissa Halloran Designs 229 Lark Street, Albany, NY

H’Art Studio and Gallery

276 Main Street, North Creek, NY

Heartwood Gift Barn 8072 NY-12, Sherburne, NY

Heaven & Earth Crystals, Gifts & More

1505 Rt.9 Suite 2, Halfmoon, NY

Micropolis Gallery

30 North Main Street, Gloversville, NY 1

The Blooming Artist Gallery 675 Grooms Road, Clifton Park, NY

Respecting the Earth, Remembering the Songs: Ndakinna Education Center

by Lawrence White

“We need to walk to know sacred places, those around us, and those within. We need to walk to remember the songs.”

....Joseph Bruchac

The American Native Wôbanaki word “ndakinna” translates to “the place where I live” and is used by Western Abenaki peoples such as the Missiquoi, Cowass, and Sokoki to refer to their homeland. A related word is “gdakinna,” meaning “the place where we live.”

Ndakinna Education Center Founder and Executive Director Joseph Bruchac is a highly regarded author, historian, and poet. He tells me, “The word Ndakinna to me means this earth, this place we all live, and share.”

Joseph continues, “My grandfather used to take me fishing on Bucket Pond. I grew up just three miles from here. It has always been a special place to my family, and it is our honor to share this land and to teach about the nature within it today. The main house also serves as home base for The Greenfield Review which has published over 150 multicultural books and anthologies of contemporary poetry and fiction.”

It must be noted that Joseph is the founder of the Dawn Land Singers which has performed American Indian music at festivals and in concerts throughout the United States, Canada, and Europe.

The Ndakinna Education Center (501((C)(3) sits on nearly 80 acres of ecologically diverse land with sev eral historic structures in Greenfield. I ask Joseph’s son, award-winning author, traditional storyteller, out-

door educator, and Director of the Ndakinna Education Center, James Bruchac about the various opportunities that are available to young people. With enthusiasm he relates, “We have many wilderness-based programs that emphasize observation skills, interactive learning activ ities, critical thinking, cooperative problem solving, and team-

Director of the Ndakinna Education Center, James Bruchac

Director Joseph Bruchac

Sixty plus students from Oliver Winch Middle School in South Glens Falls. The first of four days of wilderness survival

Three of our Nadawaha campers holding up freshly plaster casted bear tracks

Story Night

Martial Arts camp

Exhibit room

Explore Spruce Mountain

building. Even though much of the programming is designed for kids, it can be right for all ages. The Center is home to many educational ex hibits including Native tools, baskets, rattles, drums, shelters, and clothing as well as a full-scale birch bark canoe and several wigwams.”

“We are active year-round not only at the Education Center but also at the adjacent Marion F. Bowman Bruchac Memorial Nature Preserve. The beautiful trails that wind through the woods are used for nature and bird observation walks, animal behavioral education, and simply for enjoyment.”

James directs the youth-focused programs that are facilitated by the Ndakinna Education Center. The youth-focused camps are broken into age groups, 6-7, 8-16. Participants in these camps learn a variety of wilderness skills such as wild animal knowledge and basic skills like shelter building. Native storytelling is a major component as well as Na tive and nature-based arts and crafts projects. The young people learn several Native games that promote cooperation, team building, awareness, patience, and confidence.

James offers these bullet points to illustrate the scope of the Ndakinna camp experience.

• Wilderness & Survival Skills: fire making, shelter building, animal tracking, snowshoeing, awareness

• Adirondack & Native American Culture: storytelling, dance, crafts, games, traditions, exhibit spaces

• Ecology & Nature Studies: plant & bird identification, healing, sustainability, nature trail walks on their 80-acre preserve

• Fitness & Martial Arts: Kyokushin Karate, Brazilian Jiu-Jitsu, Judo, Kickboxing, Mixed Martial Arts, kids classes

• Personal & Team Development: low ropes challenge course, conflict resolution, team building, leadership training, corporate retreats

Associate director, Eric Jenks was first introduced to Ndakinna in 1998 while attending one of the nature camping experiences. He describes it as being, “Great! A real bonding experience with the other campers where we got to immerse in the outdoor environment.” Eric continues, “Ndakinna was always a wonderful place to go as a child. It is the home away from home that shaped my interest in the outdoors, prompting me to get a degree in Environmental Studies from Skidmore College. It also got me involved in photography to doc ument nature and what we were doing here. It’s great knowing that you’re passing those stories and knowledge on to another Haudenosaunee Singers and Dancers in action

generation. It’s a place that has touched a lot of people over the years.”

A young blogger named Jouli M. writes of her experience at Ndakinna this way, “Never had any of us learned so much about Native American history and culture in such an or ganic way. This trip began with a small group of people willing to take time and give back to a community; it ended with us walk ing away with a new appreciation and cultural sensitivity towards the Native American people.”

Joseph tells me, “I recall a few years ago that a busload of urban kids came here with a lot of attitude and arrogance. After their time here and after the lessons we teach, when they got back on the bus the driver hardly recognized them,” he says with a knowing smile.

The center also offers lessons in martial arts and annual Native Amer ican festivals and gatherings. Joseph’s other son, Jesse, is an au thor, musician, and expert in the Abenaki language. He has been studying and teaching the language most of his adult life, including monthly online classes and what he calls immersion weekends.

Ndakinna Board Chair, Simon Ouderkirk tells me, “My children who are nine and seven years old attend the wilderness and outdoor edu cation camps. My daughter had her 6th birthday party there which was just lovely.”

“Ndakinna is tied in with the Bruchac family and their legacy of sto rytelling and making meaning of this planet earth that is our home. Preserving the land by sharing it as a learning center is a good lesson in itself. There are just so many talented and knowledgeable people that are part of it including visiting experts in many fields of ecology, nature, and native culture.”

At this point in our conversation, Simon cor rects me when I say that the Ndakinna ex perience reconnects people with nature. “Would you say that you have a connection with your stomach or your feet? Or would you say that they are part of you? So it is with our natural world. We are not apart from it. We are one with the natural world and must shape our lives and our society with that knowledge and motive in our hearts.”

Simon reflects, “I grew up in a very rural part of New York State and now we are raising our kids in Saratoga Springs. In many ways, I cherish Ndakinna and feel grateful to be a part of its ongoing success. For my kids and their classmates and the young people of their generation, Ndakinna represents the opportunity to experience that rural, natural richness of the great upstate wilderness right here in Greenfield. That is an opportunity that not many communities have.”

Joseph sums up the Ndakinna experience perfectly. “When you come and sit on the earth and are close to the fire you will feel those ancient connections rise within you. This is true even if you have been locked in the urban environment and walking on concrete for decades. When your feet are on the soil and you breathe in the sweet air, something wonderful starts to happen. You feel lifted as the essence of nature be gins the healing process. That is what we are teaching here at Ndakinna and through our outreach programs in the community.”

Then with his characteristic ear-to-ear smile, Joseph concludes, “It is in our spirit to do so.”

Contact information:www.ndakinnacenter.org (518) 583-9958 23 Middle Grove Rd., Greenfield Center, NY 12833

Off creek exploration

Some of our Asban (6-8) campers with a freshly casted raccoon track.

Happy Birthday to You, ‘50s Style!

Now Go Find A Donkey and Pin On His Tail!

By Karen Richman

What was more exciting in the 1950s and ‘60s than being invited to a birthday party, or better yet, having a birthday party of your own?

The excitement always began with the invi tation itself. There was no email, no computers, no digital anything. Invitations were usually store-bought and then filled in by hand with the day, date, time, address, and whose birthday it was. There was also a place for an RSVP with a telephone number, and back then everyone made sure to RSVP because no one wanted to be left out of all the fun. Besides, it was also the right thing to do.

Sometimes the invitations were handmade - designed, cut, and colored by the birthday boy or girl with help from their Mom and often handed out at school. But my school

had a very strict rule: you could not hand out invitations in class unless everyone was going to be invited. That was only fair and kept any sort of bullying or cruelty well in the rear view mirror.

As soon as I got an invitation I would run home and beg my mother to check the calendar to make sure the day was free so I could be part of the festivities. Being an only child I craved the friendship that being in cluded in a party brought with it, so it was very important to me to go to as many parties as I could.

Of course, the more birthday parties, the more birthday gifts. That could prove expensive for my parents, but they always managed to come up with something the celebrant would enjoy. Back then, I don’t think the birthday boy or girl even took the time to

examine the treasure. It was grab the gift, tear open the paper, take a fast look, and “next!” Today parents will spend upwards of $5.99 to buy a bag and then stuff it with special tissue festooned with a Happy Birth day theme or whatever action figure is currently popular. Back in the ‘50’s many parents saved the colored comics pages – those that were colloquially known as the “funnies” – from the Sunday newspaper and used that as unique and fun wrapping paper. It was perfect.

So were the decorations. Always the same, but nevertheless adding a festive aura to the knotty-pined walls of the “finished” basement or den with different colored twisted crepe paper from which were hung col orful balloons tied with simple pieces of string. All the guests were recipients of pointy, paper hats to wear while the birthday child usually had a special one. Sometimes there was a theme usually gleaned from a popular TV program, so there might be pictures of My Friend Flicka, Fury, or the Mr. Ed show if they were fans of the TV shows about horses. Or there could be Bozo the Clown images, Huckleberry Hound, or Mighty Mouse paper plates, Quick Draw McGraw paper cups, or a poster of Felix the Cat.

Party games were always the same, but provided simple, silly fun, and fierce childish competition. Pin the Tail on the Donkey, Musical Chairs, hula hoop and limbo contests, scavenger hunts; and as the kids got older and puberty peeked at them around the corner, even the clandestine Spin the Bottle.

The most cherished things are not associated with money, they are mem ories and moments. When I think back to those days and those simple birthday parties they were indeed special because they helped to both frame and color our childhood because everything we had in our lives then was really all we needed. We had handmade invitations that someone took the time to write and deliver so I could realize my presence was requested and I couldn’t wait to RSVP because it made me feel special. The presents we brought were carefully chosen, didn’t cost a fortune, and provided added fun by wrapping them with either Blondie or Nancy or Mutt and Jeff. The food really didn’t matter because it was almost always ice cream in Dixie Cups and a special cake that the celebrant’s Mom made and decorated. No fancy pastry shops with beanto-bar chocolate frosting and sculpted fondant. We didn’t care what we ate, we were there to all be together for the fun, the silly games, and if the party givers chose to do so, for the prizes and take-home goodie bags.

Yes, everything we had was really all we needed and that was to just be children giggling, being silly, spinning blindfolded friends around and watching them try to add a tail to a picture of a don key, dripping melted ice cream down the front of our shirts or onto the prized poodle skirt, and the biggest care in the world was finding a chair to sit in before the music stopped.

WORLD SLEEP DAY

By Crystal Cobert Giddens LE, HCC

This March 15th (a Friday) we get to come home, have a cozy/feel good dinner and slip into our most comfortable pajamas to celebrate World Sleep Day! This day is dedicated to promoting healthy sleep habits, and raising awareness about the importance of sound, quality sleep for our overall health.

The World Association of Sleep Medicine (WASM) introduced this day in 2008 and has since been making bedtime more peaceful and night- time routines more revered. So, put on your coziest PJ's, turn off your phone, iPad and other devices and join me honoring one of life's simplest and most satisfying pleasures - sleep.

When did sleep become a “thing”? Well…once we had electricity, could travel anywhere, started buying things like televisions and computers… we became distracted and obsessed. Sleep has taken a back seat to the rest of our healthy lives since we found other things to do besides SLEEP.

When did we start caring about quality sleep or what happens when we dream? I’m sure that ancient Egyptians knew more about sleep than they documented, but we started paying attention in the mid 1800s.

1850s - SLEEP STUDY ORIGINS

Somnology, the scientific study of sleep, began gaining recognition in the mid-19th century with experiments focusing on human sleep habits.

1950s - DISCOVERY OF REM SLEEP

Rapid Eye Movement (REM) sleep, one of the four stages of sleep cycles, was discovered and linked with dreaming, signaling a milestone in sleep research.

1970s - RECOGNITION OF SLEEP DISORDERS

Several sleep disorders such as sleep apnea and insomnia were ac knowledged, revealing the complexity and importance of quality sleep to health.

2008 - START OF WORLD SLEEP DAY

The first World Sleep Day was introduced by WASM, aiming to raise awareness about sleep health and sleep disorders.

Did you know that we, as humans sped about 1/3 of our lives sleeping?

An average person spends approximately 26 years sleeping in their lifetime, which means around a third of our lives are dedicated to this essential activity.

Blue light does a number on our sleep cycles and patterns. The blue light emitted by screens on cell phones, computers, tablets, and televisions restrains the production of melatonin, the hormone that controls your sleep/wake cycle or circadian rhythm.

Your circadian rhythm is a 24-hour internal clock in the brain that reg ulates physical, mental and behavioral changes. It’s part of the body’s internal clock and is primarily regulated by light or darkness and are controlled by a small area in the middle of the brain. They can affect sleep, body temperature, hormones, appetite and other body functions.

Abnormal circadian rhythms may be linked to obesity, diabetes, de pression, bipolar disorder, seasonal affective disorder and sleep dis orders.

Sleep disorders and chronic lack of sleep can significantly increase the risk of health conditions such as heart disease, kidney disease, high blood pressure, diabetes, stroke and more.

Sometimes, our circadian rhythm becomes misaligned with our sleep schedule and environment. Knowing more about your sleep - wake cycle and common disruptions to your circadian rhythm can help you get the quality sleep you need.

Have you ever woken up exhausted, knowing you needed to be alert and active within an hour? Then when it’s time for bed, you’re wired and can’t even begin to close your eyes? Me too.

LIGHT is the most powerful factor in aligning your circadian rhythm. Exposure to bright light during the daytime can help improve your sleep cycle. Your circadian clock is especially sensitive to sunlight during the first hour after waking up, so open your curtains or blinds or make time to step outside (without your sunglasses) in the morning.

DARKNESS in the evening and at bedtime can also help re-set your circadian clock. Avoid bright lights in the evening and keep your sleeping environment as dark as possible. Research suggests that having a dim light in the bedroom at night can affect circadian rhythms and cause subtle changes in the structure of sleep.

The blue light that glows from our devices and should be avoided before bedtime. Cells in your eyes respond to light and are particularly sensitive to blue light. Using these devices before bedtime can signal your brain to be active instead of sleepy. This is especially true for chil dren and teens. Consider having a no device rule in your home where all devices need to be powered down a minimum of 2 hours before bedtime.

What can you do to achieve a healthy sleep cycle?

~ Set a sleep goal. Schedule the recommended 7 to 9 hours of sleep. Try getting to bed early and waking up naturally without an alarm. Starting this habit on World Sleep Day might encourage you to continue it going forward.

~ Maintain a consistent sleep and wake cycle. Try to go to bed and wake up the same time every day, even on weekends. This will help you get to sleep faster, wake up refreshed and experience a better quality of sleep.

~ Create a sleep sanctuary. Spend the day decluttering and arranging your bedroom to make it a perfect place for relaxation. Use cozy blankets, calming fragrances, and ambient lighting to create your ideal sleep environment.

~ Treat yourself to a new sleep accessory. Buy a new set of silky paja mas, a plush pillow, or a sleep mask to help you get into the spirit. A comfortable environment can greatly enhance the quality of sleep, so a new accessory might just do the trick!

~ Practice a bedtime ritual. An established bedtime routine helps signal to your body that it's time to wind down and go to sleep. This could be anything from reading a book, to taking a warm bath, drinking a cup of herbal tea or practicing mindfulness and meditation.

World Sleep Day helps remind us to appreciate one of life’s simple and most necessary pleasures…sleep. Now let’s get some beauty sleep!

FACES of Saratoga, 55 Beekman Street, Saratoga Springs, NY facesofsaratoga.com.

www.instagram.com/faces.of.saratoga/

CULINARY DESTINATIONS:

The Adirondacks: Lake Placid - Part 1

By Chef Armand Vanderstigchel

My love affair with Saratoga Springs and the Adirondacks originated in the late nineties, when acquaintances working at the Saratoga Racetrack invited me to visit the area during track season. Impressed by beau tiful downtown Saratoga Springs and ul timately traveling north to explore the Adirondacks, I decided as a chef, to inscribe

my enthusiasm via a travel cookbook about the region. A year later I found myself at the Inn at Saratoga hotel, hosting a cookbook release party with local media-the Adirondack Cookbook had arrived. The following years I would be traveling throughout the region marketing my book to museums, gift shops, farm stands and major bookstores. It became my second home and inspiration to create another book for a major publisher. My newest publication “Adirondack Cuisine” became a nationally released color photo ok featuring farm-to-table recipes from myself, local chefs, re sorts, and culinary artisans alike the tle Meadow Goat Cheese Farm.

A television series “Adirondack Cuisine” based on the book, produced by Emmy win ning PBS television producer Derek Muiden was negotiated. Soon I was traveling the Adirondacks as a co-host, filming the show and cooking in the Plattsburgh Sesame Place

studio before a live audience upon premiering the show in which the book was a featured membership-drive bonus.

During those travels, I always cherished Lake Placid-a truly charming Alpine style village, nestled amongst mountains and home to the spectacular Mirror Lake touching the shores of the idyllic Main Street of this “Capital of Winter Sports.”

Home to two Winter Olympics games in 1932 and 1980—which included the histrionic U.S. hockey victory over the Soviet Union, known as “The Miracle on Ice”—this Alpine village re mains a magnet for world-class athletes today, utilizing Olympic facilities including Whiteface Mountain and the Olympic Jumping Complex. Since 1999 Lake Placid also has been a site for the annual Ironman Lake Placid Triathlon.

A mere 2-hour drive from Saratoga Springs, Lake Placid is a perfect destination for 518 lo cals, seeking a European Alpine milieu without boarding a plane. The existence of two Olympic games put this town on the map and

the birth of resorts, hotels and restaurants followed suit, to accommodate the crowds at the time. The Alpine undertone exists in the beautiful architecture of white stucco buildings downtown with carefully crafted balustrades with geometric heart shaped patterns and flower boxes reminiscence of Switzerland.

Upon the news of my weather-app pre dicting snow in Lake Placid, I quickly booked lodging at the Lakeside Hamptons Inn in Lake Placid. This recent addition to the lodging choices has an Adirondack themed design of rustic furniture. Next door is the “Lake Placid Pub & Brewery,” a pioneer in the micro-brew revolution in New York State anno 1996, the local pride of Lake Placid, known for their most popular beer, the Ubu Ale and awarded as the "Best Brewery in the Hudson Valley.”

Upon arrival at lunchtime, we ordered their famous Schulty burger with Sharp Cheddar, Bacon, Angus Beef layered on a homemade Brioche roll. A flight of Beers is a great cohort for any Beer lover embarking on a new brew discovery. The flight here features UBU Ale, their famous English-style Strong Ale, a deep red color, dark fruit and roasted malt flavors, a slightly bitter finish. I was very impressed with the flavor complexities. The Bark Eater American-style Amber Ale is one of their first brews ever, brewed with a crystal Malts variety and a slightly sweet malt flavor-delicious. I also enjoyed the Moose Island-a light golden Ale-clean and crisp.

Complimenting the flight, we ordered the “Cheese & Cheers”- a board of Brie,

sharp Cheddar, spicy Andouille Sausage, Grapes, and Flatbread. An interesting dessert to finish with is the “Black Forest Trifle"-White Chocolate Mousse layered with Chocolate Cake and Black Cherry Coulis. Upon finalizing lunch, 518 profiles received a personal tour of the brew ery facility fermentation and packaging rooms hosted by Brewer TJ and manager Frank.

Fo r dinner we visited the BBQ re staurant “S moke Signals.” This extremely pop ular destination has built its reputation on perfectly smoked entrees, a cozy restaurant with B&W photographs of classic rock bands and a beautiful lake view. We ordered the Baby Back Ribs, Spice Rubbed Smoked Wings and a seasonal Salad featuring roasted Squash, Candied Wal nuts and Smoked Chicken. A great warm-up C ocktail is

the “Hot Cider Toddy” with fresh lemon and a shot of Bourbon. The smoked fare here does not disappoint-it is fresh, juicy, and per fectly seasoned.

The following morning it is time for coffee and breakfast pastries at the famous “Bluesberry Bakery” on Main street. In ex istence since 1997, the bakery was pur chased 5 years ago by Latavia born owner Edite Bimonte. The small cozy scratch bakery operates on a highqu ality culinary level featuring beautiful uncom promising Pastries, Danish, Crois sants, Tortes and Strudel. While sip ping on a frothy Latte and enjoying their famous moist Blueberry Scone, one can witness the bakery-process in action. With Scones for the road, I pledge to come back here soon for more treats on route to our next destination Saranac Lake.

“I have advertised with 518 Profiles since its inception. I am extremely happy with the lush colorful layouts and positioning of ads. The magazine has my best interest in mind; offering advice to make visual improvements when necessary. Customer service is exquisite. I highly recommend advertising with this magazine.”

Tom Myott, Artist - www.tmyottart.com

“Doing business with 518 profiles has been an absolute pleasure. Stephanie is extremely professional in designing and ex ecuting our print ads exactly as we envi sioned. She makes the process smooth and easy leaving my time free to focus on our employees and guests”

Michael J. Fortin, Owner/Executive Chef MJF Restaurant Group LLC, Cohoes

"We have been very pleased with our advertising program in 518 Profiles magazine. Stephanie has created a unique and fresh advertising venue. We absolutely loved our feature story! The photography and layout, the writing, a nd everything about it. 518 Profiles is a classy, informative, and welcome addition to our Artistic and Cultural surroundings."

Tom Clement

Clement Frame Shop & Art Gallery, Troy

“My customers and I love 518 Profiles, the articles provide information about local artists, unique shops and things to do. The quality of the articles, images and publication values are hard to find anywhere else in the region. I am so pleased to be a part of the 518 Profiles family.”

Gail Snitkoff, Pause Gallery, Troy

“Saratoga’s finest magazine! A magazine you pick up and keep for its quality, feel and content. I have done many ads in newspapers and magazines in my carrier, and we literally have people walking in with 518 Profiles in their hands looking for us. Advertising with the magazine works well because the readers pay attention to the high quality and editorial.”

Saratoga Saddlery & International Boutique, Saratoga Springs

“The cover, alone, of 518 Profiles draws me in, every time. I always wait for a block of time before opening it, so I can settle in and enjoy. The articles are in-depth portraits of a business or of a person and the photos are brilliant. Even the advertisements are quite spec tacular. I had looked forward to placing my own business ad, and finally have done so. Stephanie is easy to work with and I just love the ad that was created.”

Kathy Agneta

M&P Gifts LLC / Merriman and Pfister’s Marketplace, Delmar

“Working with Stephanie and 518 Profiles has been a consistently exceptionally profes sional and positive experience. They are very easy to work with and have an un usual attention to detail that is ap pre ciated! The award-winning publication i s beautiful... an d my cu stomers look forward to picking up the new issue each month. We are proud to be among their advertisers!”

Amanda Magnetta

Bear and Bird Boutique + Gallery, Schenectady

“518 Profile has provided great exposure for our business. Each issue inspires its readers and contributors.”

DB TRENDS, Ballston Spa

'What a beautiful Magazine!! It’s a pleasure to display it in my shop... my customers love it! Stephanie is a delight to work with in all of the facets! I am very proud to be part of this publication which has not only brought me sales but has connected me with very loyal and devoted customers from all over our region!'

Cornina Oberai

Corina Contemporary Jewelry, Ballston Spa

“As a photographer, and the the advertising and marketing director of The Alpine Sport Shop, a family owned business in Saratoga Springs, I appreciate the creative insight and thoughtful stories that 518 Profiles shares about local artists and businesses. The magazine is a quality resource and guide for its readers, on where to find what is interesting and unique in our area.”

Terri-Lynn Pellegri Alpine Sports, Saratoga Springs

“The Magic Moon is a small business that has grown with the community over the last 26 years, and as such, we ap preciate the efforts of 518 Profiles, a publication that consistently turns its spotlight on the lesser-known niche businesses in and around Saratoga Springs. From an ad vertiser's point of view, we're more than pleased with the personal attention we've received from the publisher, as well as the eye-catching presentation of the printed product each month.”

The Magic Moon, Saratoga Springs

“Great Magazine! Stephanie and staff do a great job in presenting the artist they feature each month. Great photos and in depth interviews.”

Gary Zack, Zack Gallery, Saratoga Springs

“Love this magazine, down to earth articles about home town folks and businesses, lots of great photos, well written.”

Bob Wheaton, Soave Faire, Saratoga Springs

Month of March Glens Falls

• NCA Gallery #120, The Shirt Factory, 71 Lawrence St., Glens Falls “Don’t Worry, It’s Only Art” Mar. 2-Apr.20, Reception March 2, 5-7pm featured solo artist: Marti Mariah Coyle in The Betty O’Brien Gallery, Gallery hours: Thurs. - Sat. 125pm info: northcountryarts.org

• NCA's 2nd Fl. Gallery at City Hall, 42 Ridge St, Glens Falls “ Show 1: “Visions Unveiled” paintings by Hannah Williams and Anthony Richichi continues through Mar. 30, 2024. Gallery Hours Mon.-Fri. 8:30-4:30 info: northcountryarts.org

• Queensbury Hotel Mezzanine Gallery: NCA Members art exhibited through March 31 info: northcountryarts.org

Month of March Cohoes

Local award-winning artist Ken Wilson will be hosting palette knife painting workshops at his new stu dio located in Cohoes, NY, every Thursday, from Jan 11th forward. Zooms are 2nd and third Tuesdays each month. You will learn to paint with palette knife (also brushes) to create dy namic paintings with lots of energy and movement. Ken is also available for private in-person, individual instruction. To regis ter, please contact Ken at artbyken.kw@gmail.com, or call 518-419-9290. Ken Wilson Studio, 60 Remsen Street, Cohoes, NY!

March 1- 23 Saratoga Springs

Community Print Night! Monitor: Ally DeRusso. Evening hours for open studio access with the chance to meet other printmakers and discuss ideas! Ink, newsprint, and cleaning supplies pro vided. Bring your own plates/blocks and paper. Open to those who are just beginning their printmaking journey and those who have years of experience! Pre-registration required as there is lim ited space! $5.6 member/$7 nonmember covers material cost(sharable consumables like inks, newsprint, cleaning supplies, etc.) Wednesday, March 13th 5:00-8:00 PM. Saratoga Arts, 320 Broadway, Saratoga Springs, NY. 518.584.4132

March 1 - 16 Troy

The Curse & Practice of NeoPainting: A Retrospective Introduction. Take the lyri cal wit of Warren Zevon, the technical prowess of Andrew Wyeth mixed with the humor of Robert Crumb, throw in the liter ary giants of the beatniks, you'll have a better understanding of the genius of Richard "Scott" Asbury, (1964-2003) Scott's work is the history of art. It's the history of him. From paintings, to sculpture, graphic design, photography, writing and music: nothing was off limits, a true artist 24 hours a day.This exhibition serves as an introduction retrospective to bring Scott's art to a new audience and a first showing of his work since his passing twenty years ago. We have amassed over 35 works for the show, many never exhibited or seen before. J. Gernon Picture Framing & Fine Art, 182 River Street, Troy, NY. 518.487.0350 Tue-Fri: 12-6, Sat 10-2 www.jgernonframing.com

MARCH EVENTS

March 1 - 24 Schenectady

ALL IN: Local Artist Showcase. Once a year, Bear and Bird hosts an all locals welcome show - where any and all who wish to take part are welcome to join us! The range of talent in the Capital Region of New York is exceptional. We urge you to stop into our space on Jay Street in downtown Schenectady to see for yourself! Purchase some art for your personal collection and support local artists! On exhibit through March 24, 2024. Artist reception: Saturday, March 2 from 3-5pm. Bear and Bird Boutique + Gallery, 160 Jay Street M • Schenectady, New York 12305. Call or Text: 518-227-1145

March 1 - April 18 Queensbury

Bruno LaVerdiere. Rites of Passage chronicles LaVerdiere’s career, beginning with his time as an artist-monk in the 1950s and ’60s, following his career to artist-bohemian, artist-archae ologian and, fi nally, artist-mystic. Featuring dozens of works of art, the exhibition highlights sculpture, drawing and print. The Visual Arts Gallery Dearlove Hall, SUNY Adirondack, 640 Bay Road, Queensbury, NY 12804

March 1 - 15 Albany

March 1 - 29th Glens Falls

SHOW II; Here & There at LARAC Mountain Gallery featuring 10 regionally and nationally known artists. Closing Reception and farewell event for closing of LARAC Mountain Gallery will be March 29th at 5PM. March 1st @ 5PM: Opening reception for SHOW II: Fire Light at Lapham Gallery, featuring Charlene Leary and Margaret Jacobs. Show Dates are March 1st - April 3rd. 21 Bay Street, Glens Falls, NY

Albany Center Gallery (ACG) presents “Bloom”. This exhibit features the works of several regional artists (stay tuned for artists reveal). From February 13 - March 15, 2024 An Artists’ Reception will be held on Friday, February 16, 2024 from 5 - 8 p.m. “Bloom” is free and open to the public; TuesdaySaturday, Noon - 5 p.m. Albany Center Gallery, 488 Broadway #107, Albany, NY

March 5 Glens Falls

Alcohol Ink Workshop presented by Artist Marjorie Ward. The cre ative method of using alcohol ink is a technique that involves dropping the dyes onto special paper and manipulating the colors in various ways. The result is artwork that is brilliant with saturated color and is beautiful to behold. Best of all, it’s easy to do. You will leave with two finished alcohol inks: one tile, and one framed piece. Marjorie Ward leads this fun and satisfying class. $20.00 per session. Limit 12 seats per session. Email or PM me to reserve a seat.

tmyottart@gmail.com

MARCH EVENTS

March 7, 16 & 28 Saratoga Springs

Momentum Series: Missy Raines & Allegheny - Thursday March 7, 7:00 p.m. Grammy-nominated, 10-time IBMA Bass Player of the Year Missy Raines hits the stage at Caffè Lena with her bluegrass band, Allegheny. Tickets: bit.ly/3waWDiJ

Lucy Wainwright Roche - Saturday March 16, 8 p.m. For over a decade, as a solo act, armed with a guitar, a deadpan sense of humor, killer songs, and a voice that makes tough guys cry, Lucy Wainwright Roche has built a solid fol lowing across the US and Europe. She’s the daughter of Loudon Wainwright III and Suzzy Roche. Tickets: bit.ly/499EHTW

Lizzie No with opener Eliza Edens - Thursday March 28, 7 p.m. Lizzie No is at the forefront of a new vanguard of genre-defying artists. Rooted in folk, No searches for freedom, justice & community.

Tickets: https://bit.ly/49sINGF

For full March events schedule, please visit www.caffelena.org Caffe Lena, Saratoga Springs, 47 Phila St, Saratoga Springs, NY 12866

March 8 - 22 Clifton Park

March 8 Glens Falls

The Brit Pack. The most authentic British Invasion experience this side of the Atlantic. Formed in 2011 by British session musicians based in NYC, The Brit Pack take their audience on a journey through a dynamic blend of British classics known and loved by all, including The Beatles, Rolling Stones, Queen, David Bowie, Elton John, The Who, Oasis, Radiohead, The Police, Amy Winehouse and many more. Fri, March 8, 2024 SHOW TIME:8:00 PM The Park Theater, 14 Park Street, Glens Falls, NY 12801 518-792-1150

Experience the artistic fruits of our blooming artists. All of the artwork exhibited was created by students right here in our studios! You’ll find the 2 and 3 dimensional works of these growing artists both young and old alike. We in vite you to celebrate with us on March 22 from 6:307:30pm during our reception; as always, please expect live music and light pro visions.  The Blooming Artist, 675 Grooms Rd, Clifton Park, NY 12065

March 8 Saratoga Springs

The Seven Wonders: A Live Tribute to Fleetwood Mac. This unique group of accomplished musicians are bringing a whole new level of cool to Fleetwood Mac’s timeless and wildly popular music, with a blistering and inspiring world-class live show. For the past few years, the band has been headlining shows on large festival stages in front of thousands, as well as playing to sold-out crowds at beautiful theatres across the northeast. Friday, March 08, 2024. Universal Preservation Hall, 25 Washington Street, Saratoga Springs, NY 12866

March 14 Glens Falls

The Mammals. The Mammals lush 2020 album Nonet featured nine musi cians and was “nothing short of sublime” according to Americana UK, bringing “the defiant spirit needed to heal a damaged world” as reported by No Depression Magazine. In 2022 the band is honored and thrilled to be performing these songs - and even newer ones - for live audiences. Dynamic range is a hallmark of any concert by The Mammals. The quintet ensemble effortlessly spans the horizons of Americana, from soulfully harmonized indie-folk ballads to zealous fiddle and banjo-driven foot stompers. Thu, March 14, 2024 SHOW TIME:8:00 PM  The Park Theater, 14 Park Street, Glens Falls, NY 12801 518-792-1150

March 15 Saratoga Springs

Leahy. Over the course of their notable career, Canadian group Leahy has secured a place as one of the country’s most highly regarded progressive folk-roots bands. Their emergence on the Canadian music scene in the late 1990’s with their chart-topping instrumental single “Call to Dance”, introduced audiences to a new way of accessing a uniquely Canadian music genre. The “Leahy sound” – a combination of strong stride piano, driving rhythm gui tar, unique bass lines and layered with a contemporary drumming style – was the foundation from which wildly talented fiddle led instrumentals and vocals were launched to mainstream music listeners. Leahy would go on to win three Juno awards and receive countless accolades for their dynamic and powerful performances. Friday, March 15, 2024. Universal Preservation Hall, 25 Washington Street, Saratoga Springs, NY 12866

March 16 Glens Falls

In partnership with Park Street Hospitality, The Park Theater Foundation presents St. Patrick's Day Dinner & Show on March 16th, 2024 featuring a special ‘The Park Pres ents’ performance by Celtic duo, Ra kish! Showtime is 6pm. This event includes a delicious Irish-inspired 3-course prix fixe menu curated by Park Street Hospitality's executive chef, Matthew J. Delos. The Park Theater, 14 Park Street, Glens Falls, NY 12801 518-792-1150

March 16 Albany

2024 Albany St. Patrick's Day Parade. Beginning at 2:00 p.m., the parade will step off at Central Avenue and Quail Street. The pa rade will proceed east on Central Avenue to Washington Avenue; then east on Washington Avenue to State Street; east on State Street to approximately opposite James Street. Saturday, Mar 16, 2024 2:00 PM4:00 PM.

March 16 Canajoharie

Meet The Artist Reception. Join us March 16, 2024 from 2 pm – 4 pm for a meet the artist reception to celebrate the spring opening of the Regional Art Galleries of the Arkell Museum. Meet artists Zimou Tan and Mary Beth Vought, enjoy light refreshments, and check out the new exhibitions. For further questions, please email info@arkellmuseum.org or call 518-673-2314 ext 113. Arkell Museum and Canajoharie Library, 2 Erie Blvd Canajoharie, NY