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September 2018
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55+ Active Adult Apartment Homes
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You have the freedom to choose the lifestyle you want and enjoy all that Overture Kierland has to offer! • Live every day to the fullest with fun classes, seminars, fitness opportunities, social hours, cooking classes and more! • Carefree, maintenance-free living • Stylish 1- and 2-bedroom apartment homes ready for move-in this fall!
• Resort-style amenities and services • Located in the heart of Kierland shopping and lifestyle center – a highly sought after destination featuring upscale shopping, dining and entertainment
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7170 E. Tierra Buena Ln., Scottsdale, AZ 85254
OvertureKierland.com i m a g e s ais r i zan o n aequal . c o m housing Se pte m b eopportunity. r 2 018 Amenities and services vary by location. See a Greystar representative for details. 2 Overture
A family-friendly, beautiful location in the heart of town, Scottsdale Seville is the perfect destination to Shop, Dine & Relax! ScottsdaleSeville.com
7001 North Scottsdale Road / Scottsdale AZ 85253
SHOP
Azadi Fine Rugs Betteridge Jewelers DaVinci Luxe Destiny’s Bride Duxiana Sole Sports Running Zone Wild Birds Unlimited
betteridgejewelers.com Fifth generation jeweler from Greenwich, CT, specializing in custom design, stunning GIA diamonds, fine estate jewelry and watches. Open Tuesday-Friday 10-5 and Saturday 10-4 Closed Sunday & Monday
(480) 948-0777
Complimentary jewelry cleaning and inspection
21 CAKES www.21cakes.com Creatively designed cupcakes and custom cakes. Open Tues-Thurs 10-6, and Friday-Saturday 10-7 Closed Sunday and Monday
(480) 699-6220
DINE
21 Cakes Jamba Juice Ruth’s Chris Steak House Starbucks Coffee Sushi Sen Terrior Wine Pub Wildflower Bread Company
RELAX
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SERVICES
Cycle Bar Cabinets by C&F HYPOXI OrangeTheory Fitness Beal Bank Encore Cleaners September 2018
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ALL CREATURES Writer Amanda Christmann
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THROUGH A DIFFERENT LIGHT
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DUALITY IN ART Writer Amanda Christmann
Writer Amanda Christmann
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COMMUNITY EVENTS Writer Amanda Christmann
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SCOTTSDALE BECKONS THE SELFIE SET Writer Shannon Severson
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HEIRLOOM TOMATO & OLIVE TARTE Writer Kyndra Kelly
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PUBLISHER Shelly Spence
MANAGING EDITOR Amanda Christmann
GRAPHIC DESIGNER Meaghan Mitchell
CONTRIBUTING WRITERS Joseph Airdo Lynette Carrington Amanda Christmann Sue Kern-Fleischer Kyndra Kelly Shoshana Leon Shannon Severson Fadi Sitto
PHOTOGRAPHERS Scott Baxter Bryan Black Kyndra Kelly Loralei Lazurek
ADVERTISING SALES Loren Sheck 480-309-6410 loren@imagesaz.com
Images Arizona P.O. Box 1416 Carefree, AZ. 85377 623-341-8221 imagesarizona.com Submission of news for community section should be in to shelly@imagesaz.com by the 5th of the month prior to publication. Images Arizona is published by ImagesAZ Inc.
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September is here! It’s the beginning of my favorite time of year, when the evenings are cooler, the desert is greener and neighbors come out of their houses for strolls and outdoor fun! There’s plenty to see and do, and this month’s Images Arizona magazine is a great preview for some of the most unique people and places to experience. From fabulous food to amazing art, this is the place to be. You may notice some new bylines this month! We’re happy to welcome new writers Fadi Sitto, Joseph Airdo, Lynette Carrington and Shoshana Leon. They’re part of our growing family of writers and photographers, and we’re excited to see what new perspectives they bring to the stories! All in all, it’s a wonderful time to be part of Arizona, and part of Images Arizona! Without fail, the diversity and passion in our beautiful, dynamic community never ceases to amaze me. I know you, too, will enjoy the stories and images that surround us.
Copyright © 2018 by ImagesAZ, Inc. All rights reserved. Reproduction, in whole or part, without permission is prohibited. The publisher is not responsible for the return of unsolicited material.
Local First A R I Z O NA
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Cheers! Shelly Spence Publisher, Images Arizona magazine shelly@imagesaz.com 623-341-8221
September 2018
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Ganesh
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Writer Amanda Christmann Photography Courtesy of Goldenstein Gallery
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If ever there was a woman comfortable in her skin, it’s Patricia Griffin. Wearing paint-spattered overalls, owl-rimmed glasses and a smile that shines with inner radiance, she took time to talk about life and art from inside her studio. Here, she shares her mountain home with a horse, a sheep, a pig and three dogs. She makes maple syrup and volunteers for local conservation efforts. Her daughter, now 19, is off to college, and Griffin finds peace in her solitude.
Griffin has carved a niche for herself by portraying bison, horses, elephants, bears and dozens of other animals she’s met in oil paint on oversized linen canvas. Her signature calling card is that, in nearly every painting, the animals are observing the observer.
There is no pretense in her voice or in her work; what you see is what you get—in the most delightful of ways— with Patricia Griffin. That simplicity and authenticity is something that shows in her art and resonates with people all over the globe.
Her use of shape, form, bold color, structure and space, as well as the depth conveyed by her dimensional use of layers and texture is much more than sound technique. Every portrait is the result of hours of quiet observation. She’s spent days in solitude in national parks, Native American reservations and faraway lands in India and beyond. She’s not after a standard “animal in its natural surroundings” image; on every expedition, she hopes to capture the connection between an animal and its human on-looker.
Her ability to connect with life around her translates into art that hundreds of collectors and over a dozen museums want. Her style is unique, and the message behind it is genuine.
A painting on prominent display at Sedona’s Goldenstein Gallery comes to mind as she explains her process. “Carl,” a curious burro vibrantly portrayed on tall, narrow canvas, is engaging, yet so simple that he can’t help but evoke smiles.
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The one thing I can share with the viewer is the connection between the animal kingdom. It hits my soul. 10
–Patricia Griffin
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“My mission is to capture the exchange of recognition between the animal and the viewer. I give the paintings human names so that the viewers identifies with the spirit of the animal and respects them as individuals.
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“When animals are gathered in a herd, it’s easy to see them as less than what they are. Toss one up on a canvas and call it ‘Carl,’ and the subject becomes an individual.”
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Recognizing the uniqueness of each animal is critical in learning to care about it. “Animals have emotions and are capable of so much more than what has been traditionally recognized. Not only do they care for each other, but they have the ability to connect with us if we open ourselves up to learning to speak their language.” A graduate of Moore College of Art and Design, Griffin has been a professional artist for nearly three decades. Though she is known for her animal paintings, that has not always been the case.
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A decade ago, Griffin was happy painting the beautiful landscapes of her home and her travels. In 2007, while working on a plein air piece, she looked up to see a pronghorn antelope watching her from just a few feet away. Before she knew it, she was in the middle of a herd. It was a transformative moment. “On the way home, I thought, ‘I’m supposed to be painting wildlife!’ When I began painting animals, people reacted in a way they never had with landscapes.”
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More often than not, they react with happiness, and with a sense that the animals are part of their lives.
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Fernando
Alfonzo
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Carl “I am always grateful for the opportunity to view my subjects from their natural surroundings," Griffin explains. "Each piece pulls the viewer in to a shared secret between themselves and the animal. "My intent is to captivate the viewer in a joyful moment of presence,” she says. Those moments resonate with her collectors. Her work has brought international recognition, and has been exhibited in 13 museums and by collectors from Dallas to Dubai. She has exhibited in 16 solo exhibitions, and over 160 group exhibitions and counting. Ten percent of her proceeds are donated to conservation efforts. At Goldenstein Gallery in Sedona, where work from some of the area’s most prominent artists is on display, Griffin has earned her spot among the most collectable painters. From the rich blues of nighttime found in “Alfonzo,” a gentle-looking buffalo she found on the Blackfeet reservation; the smiling face of “Magda,” a sheep who, upon close inspection, is a fantastic study in color and light; “Innocent,” a fawn whose spots and sweet expression show its youth; or one of more than 20 other works on display, people love what she creates. “I feel like I’m a conduit,” Griffin says. “It’s not about me. It’s about letting the animal's energy come through me." goldensteinart.com
September 2018
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COMMUNITY
2018 SEPTEMBER
Writer Amanda Christmann
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THE ART OF GABRIELLA AGUILO AND KATHARINE GOULD s
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Enjoy an opening artists’ reception for abstract encaustic artist Gabriella Aguilo and provocative pastel artist Katharine Gould. Works on display through Sept. 30. Free. Lanning, a Bryant Nagel Gallery, 431 SR 179, A1-2, at Hozho, Sedona. 5–8 p.m. 928-282-6865; lanninggallery.com
Aug. 16–Sept. 29 BEAU JEST
Sept. 1–3
Don Bluth Front Row Theatre
FAIRE ON THE SQUARE
presents this fun comedy theater
Feel fall in the pines of Prescott at
partnering with Arizona Broadway
production of a woman who
the 33rd Annual Faire on the Square
Theater to keep you on the edge
invents a boyfriend to please her
in Courthouse Plaza. Artwork, crafts
of your seat with Sweeney Todd.
parents. $25–$27. 8670 E. Shea
and food of more than 100 vendors.
See website for schedule. $44–$73.
Blvd., Scottsdale. Tickets and
Free. 120 S. Cortez St., Prescott. Sat.
222 E. Monroe St., Phoenix.
schedule online. 480-314-0841;
and Sun., 9 a.m.–5 p.m., 9 a.m.–3
herbergertheater.org
donbluthfrontrowtheatre.com
p.m. Mon. 928-445-2000; visit-prescott.com
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Sept. 4–16
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SWEENEY TODD Herberger Theater Center is
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1ST FRIDAYS IN SEDONA 1st Fridays in the Galleries is an excellent way to browse some of the best art available in Arizona in the gorgeous shadow of the red rocks. Light refreshments and music available. Free. See website for featured receptions and special exhibits. 5–8 p.m. sedonagalleryassociation.com
Sept. 7
PHXFRIDAYS ARTWALK Explore the city by using ArtLink’s map feature or calendar listings to tour art galleries, cultural venues, and more. Free. See website for details. 6–10 p.m. artlinkphx.org
Sept. 7
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LARRY YAZZIE: FROM THE STONE
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Wine and appetizers are always best with
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fine art, and there’s no better way to enjoy all three than at an opening artist reception for Larry Yazzie at Sedona’s Turquoise Tortoise Gallery. Meet this esteemed, award-winning Navajo sculptor. Free. Turquoise Tortoise, a Bryant Nagel Gallery, 431 SR 179, A3, at Hozho, Sedona. 5–8 p.m. 928-282-2262; turquoisetortoisegallery.com
Sept. 8
ARTLINK STUDIO TOUR Step into ArtLink’s final Artist Studio Tour of the year! This one features Coe House, Howland Studio and Studios at The Artery. $15. Start location TBD. 10 a.m.–noon.
Still Have Questions? Call (480) 478-3384 for Additional Information
artlinkphx.org
September 2018
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Sept. 9
6TH ANNUAL WINE IN THE WOODS The Arboretum at Flagstaff showcases AZ wineries and local eateries among the glorious gardens at The Arboretum. $35–$45. 4001 S. Woody Mountain Rd., Flagstaff. 1–5 p.m. thearb.org
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46TH ANNUAL FIESTA DE TLAQUEPAQUE
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Sept. 13
ARIZONA STORYTELLERS: SEARCHING
Sept. 14–16
PICKIN’ IN THE PINES From bluegrass music to acoustic
Join a celebration of Mexican
Whether it’s money, love, meaning
originals, this three-day festival
Independence Day in Sedona’s
or car keys, we’re all searching for
brings a barn dance, band
Tlaquepaque. Fabulous food,
something. Join The Arizona Republic
competition and family-oriented
music, dance, mariachis and
and azcentral.com for a night of
workshops to the cool pines of
entertainment for young and old.
stories about life’s inevitable pursuit.
Flagstaff. Camping available until
Free. Free trolley service from
Tickets sell out quickly. $5–$12.
sold out. See website for schedule,
Sedona Municipal parking lot
Desert Botanical Garden, 1201 N.
ticket and parking pass availability.
at 260 Schnebly Rd., Sedona.
Galvin Pkwy., Phoenix. 6–9 p.m.
Fort Tuthill County Park, 2446
Tlaquepaque, 336 SR 179, Sedona.
tickets.azcentral.com
Fort Tuthill Loop, Flagstaff.
11 a.m.–5 p.m. 928-282-4838; tlaq.com
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pickininthepines.org
RESIDENTIAL
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PHOENIX SYMPHONY OPENING NIGHT Tito Muñoz’s will kick off his fifth season as The Phoenix Symphony’s director by playing Beethoven’s Symphony No. 9 alongside the symphony. $25–$108. Phoenix Symphony Hall, 75 N. 2nd St., Phoenix. Fri. and Sat. 7:30 p.m.; 2 p.m. Sun. phoenixsymphony.org
Sept. 14–16
JUNK IN THE TRUNK VINTAGE MARKET Shop over 120,000 sq. ft. of fun from 150+ vintage curators and handmade art from across the country. Enjoy live music, local food trucks, cool swag and a unique shopping experience. $8–$65; children under 12 free. See website for hours, ticket discounts and more. Charity partners are Maggie’s Place and Mission One. 16601 N. Pima Rd.,
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Sept. 15
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FURRY FRIENDS FINE ART FESTIVAL Bring your furry friends to Shemer Art Center and enjoy coffee and lunch as you visit numerous artist booths featuring a variety of animal-themed works of art. Animal art activities for kids, live music, a raffle, food and fun! $5 per person; $10 per family; furry friends free. 5005 E. Camelback Rd., Phoenix. 8 a.m.–2 p.m. 602-262-4727; schemerartcenter.org
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Sept. 22
BRAZILIAN DAY FESTIVAL Celebrate Brazil’s Independence Day with more than 90 musicians, dancers and performers from across Brazil, Mexico and the United States! $5–$15. Scottsdale Center for the Performing Arts and Scottsdale Civic Center Mall, 7380 E. 2nd St., Scottsdale. 2–9 p.m. scottsdalearts.org
Sept. 15
Sept. 20
Sept. 21
Cutler-Plotkin Jewish Heritage Center
Martin Ray Vineyards & Winery
The Australian Bee Gees pay tribute
presents 2018 Red Rocks Music
pairs with Hyatt Regency Scottsdale
to the Bee Gees with hits like,
Festival: In My Father’s Footstep: A
Resort & Spa for special evenings,
"Staying Alive," "You Should Be
Daughter’s Search for Answers with
beginning with an appetizer and
Dancing," "How Deep Is Your Love,"
Sandra Shapiro on piano. Works
wine reception, followed by an
"Jive Talkin'" and more. $25–$40.
by Lyadov, Chopin, Rachmaninoff
epicurean experience of perfectly
Celebrity Theatre, 440 N. 32nd
& Schubert. $28. 122 E. Culver St.,
paired wines and a memorable four-
St., Phoenix. 8 p.m. 602-267-1600;
Phoenix. 7:30 pm. 602-402-4551;
course dinner. $95–$105 per person.
celebritytheatre.com
redrocksmusicfestival.com
RSVP required. 7500 E. Doubletree
IN MY FATHER’S FOOTSTEP
WINEMAKER DINNER
Ranch Rd., Scottsdale. 6:30 p.m. 480-444-1234 ext. 8640; scottsdale.regency.hyatt.com
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SATURDAY NIGHT FEVER
Sept. 21
PHOENIX THIRD FRIDAY ARTWALK ArtLink provides a map feature and calendar listings for gallery tours, exhibition openings, cultural venues, and more for this third Friday monthly event. See website for details. 6–9 p.m. artlinkphx.org
Sept. 21–23
SINATRA AND FRIENDS Steve Lippia and the Phoenix Symphony whisk you back in time to the Sands Hotel Copa Room with favorites including “Come Fly With Me,” “Luck be a Lady,” “Mr. Bojangles” and a dozen more favorites. See website for ticket pricing. Phoenix Symphony Hall, 75 N. 2nd St., Phoenix. 602-495-1999; phoenixsymphony.org
Sept. 21-30
ARIZONA RESTAURANT WEEK Get outside your own neighborhood and try something new! Dozens of participating restaurants will offer specials and prix fixe menus. See website for a list of great choices near you! arizonarestaurantweek.com
Sept. 22, 23
BETA DANCE FESTIVAL Phoenix Center for the Arts presents the 5th Annual Beta Dance Festival to celebrate the diverse, multi-faceted Valley dance community. $10–$15. Third Street Theater, 1202 N. 3rd St., Phoenix. 7 p.m. Sat.; 2 p.m. Sun. 602-254-3100; phoenixcenterforthearts.org
September 2018
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Sept. 29
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SLIDE ROCK FALL FESTIVAL
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Celebrate fall at Sedona’s Slide Rock State Park. Apple cider press, plein air art, blacksmithing, Arizona Flywheelers display of tractors and old engines, kiddie tractor pull, quilt displays, Jay's Bird Barn Falconer, build a scarecrow and more. $10 per vehicle. 6871 N. Hwy. 89A, Sedona. 9 a.m.–3:30 p.m. 928282-3034; azstateparks.com
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10TH ANNUAL SEDONA WINE FEST
Wine Room! Join a two-hour
Arizona wineries, tasty food, music
Night Sky acrylic painting class
Come see or compete in this
and vendors galore while enjoying
that includes all supplies and
competitive poetry duel! The Haiku
the breathtaking panoramic views
easy tutorial. Register online.
Death Match is a prominent feature
of the majestic red rocks. Located
$45. 15323 N. Scottsdale Rd.,
at the annual National Poetry
at Posse Ground Park in the heart
#150, Scottsdale. 2–4 p.m. 480-
Slam. Free. Megaphone PHX,
of Sedona. $35 online; $40 at the
951-4344; vinoandcanvas.com;
4700 N. Central Ave., Phoenix.
gate. $50 for both days online; $60
sorsowineroom.com
lawngnomepublishing.com
s
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p.m. 525 Posse Ground Rd., Sedona. sedonawinefest.com
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VINO AND CANVAS
Sept. 27
Enjoy fabulous wines from 20
m
for both days at the gate. 11 a.m.–5
20
Sept. 23
PHOENIX POETRY SLAM’S HAIKU DEATHMATCH
u
Things are getting crafty at Sorso
Sept. 28
RABBIT HOLE The Theatre Artists’ Studio presents this Pulitzer Prize-winning play guaranteed to touch your heart. See website for schedule. $15–$25. 4848 E. Cactus Rd., Scottsdale. 602-765-0120; thestudiophx.org
Sept. 27, 28
6TH ANNUAL TASTE AMERICA WEEKEND Culinary stars, dining events, culinary events, cooking demonstrations, artisanal vendor tastings, and fun for the whole family a la James Beard. See website for ticket pricing and schedule. Mountain Shadows, 5445 E. Lincoln Dr., Paradise Valley. jamesbeard.org/tasteamerica
Sept. 29, 30
ANTIQUES ROADSHOW AT THE TEA ROOM If you’ve ever wondered how much that old framed Napoleon portrait is worth, now is your chance to find out! Experienced antiques appraisers will value up to two items during the Tea Room Antiques Roadshow. Items must be able to be carried by hand, i.e. collectibles, art, jewelry. Enjoy tea and scones too! $75 per person. English Rose Tea Room, 201 Easy St., Carefree. 3–5 p.m. 480-488-4812; carefreetea.com
Sept. 30
STRIKE OUT CANCER Ovarian cancer is 10 times more deadly than breast cancer, yet there is no screening available. Join Teal It Up for the fight at Bowlero and help strike out ovarian cancer. $100 per player; sponsorships available. Register online. 7000 E. Mayo Blvd., Scottsdale. 1:30 p.m. 480-229-7347; tealitup.org
September 2018
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Oct. 6
SCOTTSDALE WHISKEY FESTIVAL Come to Old Town to taste from over 30 whiskeys, scotches and bourbons—and that’s only half the fun at this great festival! Use Lyft and receive $20 credit. See website for details. $50–$60. Wasted Grain, 7295 E. Stetson Dr., Scottsdale.3–6 p.m.; VIP 2–3 p.m. scottsdalewhiskeyfestival.com
Oct. 7
SONORAN DESERT CHORALE: ENCORE!
Oct. 5–7
PRESCOTT ARTISTS TOUR
Reserve tickets now for North Valley Symphony Orchestra’s 2018-19
The audience has voted, and the
Experience 80 Prescott-area artists
season! The popular concerts will
Sonoran Desert Chorale will
in 51 private studios, plus an
kick off with “Fall Fright Night”
present audience favorites from
additional 27 artists at three art
Oct. 20 at North Canyon High
the past 24 seasons. It’s a concert
centers. This self-guided event gives
School Auditorium, followed by
you won’t soon forget! Advanced
you an opportunity to meet artists,
“Winter Wonderland” Dec. 15;
tickets $15–$18. La Casa de Cristo
observe their creative processes and
“Spring is in the Air” in March
Lutheran Church, 6300 Bell Ave.,
purchase unique works of art. Free.
(TBD); and “Summer Salute” in
Scottsdale. 3 p.m. 480-305-4538;
See website for maps and locations
May (TBD); $5 each concert or $15
sonorandesertchorale.org
and begin at any! 10 a.m.–4 p.m.
for a season pass. 623-980-4628;
Pre-tour reception held Oct. 3.
northvalleysymphony.org
prescottstudiotour.com
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NVSO ANNOUNCES NEW SEASON
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AN EXCITING NEW SEASON AT CAVE CREEK MUSEUM Mark your calendar! The Cave Creek Museum will launch its 2018-19 season Oct. 1 with two exceptional exhibits: The Herb Cohen Exhibit and the Sharon Moon Brening Exhibit. Adults $7; seniors $5; Students 12 and over, $5; Children Under 12 free. 6140 E. Skyline Dr., Cave Creek. See website for hours. 480-488-2764; cavecreekmuseum.org
LIVE & LOCAL FRIDAYS
REGISTER NOW TO GOLF FOR VETS
REPETITION EXHIBIT
Scottsdale Center for the Performing
It’s almost time for the Fifth Annual
Through Sept. 30, Herberger Theater
Arts’ Live & Local Fridays concert
Support Education and Employment
Center presents a special exhibit
series opens this month, showcasing
for Veterans (S.E.E.4VETS) Charity
curated by Lacey Shelton that
eight Arizona groups spanning
Golf Tournament to be held Nov.
features 23 artists’ interpretations
rockabilly-honky tonk, indie-folk,
16 at Wigwam Resort. Sponsorship
of repetitive patterns. It’s doubly
African rhythms, blues, hip-hop,
opportunities begin at $100/tee box
exciting! Free. 222 E. Monroe St.,
folk-rock, jazz, indie-rock and pop
sign, and cost to play is $100/player.
Phoenix. 10 a.m.–5 p.m. daily.
every Friday evening. Advanced tickets
Register online. see4vets.org
herbergertheater.org
$12–$19. 7380 E. 2nd St., Scottsdale. 8 p.m. 480-499-8587; scottsdalearts.org
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GOLDENSTEIN GALLERY
Adele Seronde
David DeVary
Patricia Griffin
Lynette Jennings
Sherab Khandro
James Muir
Voted Best Gallery in Sedona 11 Years Running
150 State Route 179, Sedona ◊ 928.204.1765 ◊ GoldensteinArt.com
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LMTN Images Sept 2018
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Writer Joseph J. Airdo // Photography Courtesy of Sonoran Desert Chorale
For 24 years, the Sonoran Desert Chorale has delighted audiences in the Valley, singing an eclectic selection of music that transcends our differences and accentuates our commonality. The group begins its anniversary season in October with the first of four concert series that founding director Jeff Harris calls “a celebration of 25 years of music.” “[Audiences] will hear an extremely high-quality choral ensemble of people in the Valley—from all over the Valley— with music that will span a wide variety,” said Harris, noting that the concerts will include music that ranges from classical and American contemporary to theater and opera. “It's a very high-quality amateur ensemble with a lot of musical integrity.”
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The Sonoran Desert Chorale performs four concert series every year. The group performs each concert twice: once at First United Methodist Church, 15 E. First Ave. in Mesa, and once at La Casa De Cristo Lutheran Church, 6300 E. Bell Rd. in Scottsdale. The Sonoran Desert Chorale has appeared alongside several of the Valley’s other artistic organizations such as the Phoenix Children’s Chorus, Southwest Brass and the Mesa Caledonian Pipe Band. It has also paired with a number of professional performers like Kurt Bestor, Michael Bublé and Michael Crawford, since Harris founded the group in 1994.
There's a lot of divine intervention that occurs. That's the beauty of this ensemble. “I grew up in the Midwest in a town by the name of Fort Dodge, Iowa,” Harris explained. “I went to a community college there and, as a freshman, I was asked to join the school’s choral society. I think that was the spark. As the years went by, I started to think it would be fun to put together an organization that would be similar to the choral society that I experienced in the Midwest.” Harris began discussing his idea with friends, who helped him acquire non-profit status. He then met with the superintendent of Mesa Public Schools, where he worked at the time as a teacher, and introduced his dream of creating a community ensemble of singers. His energy and enthusiasm solidified a one-year pilot program at Westwood High School.
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“We had auditions in the Westwood High School auditorium and put 44 people in that first choir,” said Harris, adding that the group has grown in size since its 1994 inaugural concert. “This year we have added six or maybe seven people, and we're singing with a group of about 62.” Auditions for the Sonoran Desert Chorale take place each May, with prospective members performing a song of their own choosing before moving on to more advanced assessments of their musicianship. Members then attend weekly two-hour rehearsals, leading up to each of the season’s four concerts. “The first five rehearsals out of eight that we do are all technical,” Harris explained. “We're trying to get the blueprint of the music and teach [our singers] things along the way. The last three are refinement and trying to really have it be musical.” The Sonoran Desert Chorale’s singers come from all different walks of life. The group includes music educators from many of the Valley’s schools, as well as homemakers who are simply seeking an outlet for their talent and creative expression. This year’s roster also features a veterinarian, a college professor and an engineer who is a consultant with NASA.
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“We consume a lot of music,” Harris said. “I think that's what makes the ensemble attractive. We have many people who come from Northern Arizona University’s choral program, we have former performance majors from Brigham Young University, and we have other people that come in with a lot of choral experience from the Midwest. I think they come to be challenged and to be nurtured through the choral music art.” The Sonoran Desert Chorale’s 25th anniversary season roster also features six charter members from the group’s inaugural year. However, Harris is always on the lookout for fresh talent—especially singers between 20 and 30 years old—to ensure the group does not “age out.” “That has offered us incredible youth,” the director explained. “They come in with great backgrounds and musical maturity, yet with young voices that are flexible. That's the key. The Sonoran Desert Chorale fills a niche that is quite unique because the people who sing with us are very talented musicians, and yet they're volunteers.” The Sonoran Desert Chorale’s first concert series of the season takes place Oct. 6 in Mesa and Oct. 7 in Scottsdale, and is dubbed “Audience Choice—Encore!” The group surveyed its audience base via e-mail to program the concert with fan
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favorites from the more than 1,100 songs it has performed over the past 24 years. Attendees can expect to hear a potpourri of music, opening with a 400-year-old piece from Italian composer Claudio Monteverdi, and closing with American composer Leonard Bernstein’s “Make Our Garden Grow.” Other song selections will include Pete Seeger’s “Turn, Turn, Turn,” Annie Lennox’s “A Thousand Beautiful Things,” and John Lennon’s “Yesterday,” as well as “Jai Ho,” the crowd-pleasing theme from the 2008 Academy Award-winning film “Slumdog Millionaire.” The Sonoran Desert Chorale’s annual holiday concert series, “Sing We Now of Christmas,” will take place Dec. 8 in Mesa and Dec. 9 in Scottsdale, and feature festive favorites like British composer Cecilia McDowall’s “Christus Natus Est,” as well as selections from contemporary composers such as Randol Bass and Eric Whitacre. Harris assured that the annual audience sing-along is also on the agenda. The group’s third concert series, “A Sacred Mosaic,” will take place March 2 in Mesa and March 3 in Scottsdale. It will consist of the kind of music that Sonoran Desert Chorale has taken on its six European tours, which have included performances at St. Mark’s Basilica in Venice, Salzburg
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Cathedral in Austria, St. Vitus Cathedral in Prague and St. Peter's Basilica in the Vatican. The Sonoran Desert Chorale’s fourth and final concert series of its 25th anniversary season will take place May 4 in Mesa and May 5 in Scottsdale. Dubbed “Sing On,” Harris said it will celebrate themes of love and friendship. “So much of choral music speaks to relationships,” said Harris, noting audiences can expect to hear Czech composer Antonín Leopold Dvorák’s “Song to the Moon” and Dolly Parton's “Light of the Clear Blue Morning.” “Much of the music will highlight those kinds of things and also how music affects the soul. Choral music is special because not only do you have wonderful melodies but wonderful texts to go with those melodies.” Harris takes great pride in selecting the music for Sonoran Desert Chorale’s concerts, especially since he has been able to devote a lot more time and energy doing so following his 2010 retirement from Mesa’s Westwood High School, where he served as director of choral activities and chairman of the performing arts. “That's the most important thing I do as the director, choosing the literature that I’m going to put in front of our singers and our audiences,” said Harris, adding that it is also one of the most difficult aspects of his job.
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“You have to program things that will draw people. It's a challenge to keep the integrity of the ensemble going and not just play to the audience. There's a balancing act that has to take place.” However, with 24 years under his belt, Harris has certainly succeeded by programming a wide spectrum of music, with each concert offering a different palette for his singers and their audiences. The director said his time at the helm of the Sonoran Desert Chorale has given him a richness of experience that he would otherwise have been unable to achieve.
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“The nuances that we experience are a collaborative effort that is brought about by in-the-moment, in-performance sparks that fly,” Harris described. “There's a lot of divine intervention that occurs. That's the beauty of this ensemble. They have given back to me such a feeling of accomplishment and variety of expression. It has really meant a lot to me as a director and it has kept the creative juices flowing.” sonorandesertchorale.org
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Writer Amanda Christmann Photography by William Fields
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Each month, Images Arizona shares a unique photo essay of our incredible Arizona lands and the people who make it special. This month, we’re excited to present something a little different. We’ve all witnessed the beauty of the desert, from its subtle seasons to its powerful storms, but Missouri-based photographer and author William Fields has captured its wonder in a whole new light. Through the use of infrared photography, Fields shares an almost other-wordly view of our own Arizona back yard. We’re thrilled to share his work in our pages.
WHAT IS INFRARED PHOTOGRAPHY?
The Four Directions
Infrared photography is literally a sneak peek into the invisible world. The human eye can detect a spectrum of light that falls between 400nm and 700nm. Infrared photography captures light from about 700nm to 1,200nm, giving us a glimpse of what our surroundings look like beyond human limits. September 2018
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When I saw the moon over that landscape, memories of Ansel Adams’ Moonrise, Hernandez, New Mexico flooded my mind and I felt overpowered by the scene before me. This is one of those moments I have trouble recalling without becoming misty. William Fields Photographer and Author Moonrise South Rim
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WHY INFRARED PHOTOGRAPHY? “Infrared light is invisible to the human eye. When we have the equipment to expose its effects, we see the world in a different way. Plants become bright and almost look as if they are covered in snow. The sky gets much darker and clouds seem to pop out of the picture. Color is gone in the wavelengths that I shoot and the images take on sepia tones that are reminiscent of early photography by such historic figures as Edward Curtis. “There is a mystical quality to infrared that, in my mind and heart, is the way this place called Arizona should be seen.”
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White Pocket Corral From the Floor of Tseyi
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WHAT’S A MISSOURIAN DOING IN ARIZONA? “You might ask what a Missourian knows about Arizona and the adjacent four corners states,” Fields says with a smile. “Let me just say that Kit Carson was born in Kentucky. Frank Lloyd Wright was from Wisconsin. Brigham Young hailed from Vermont and became governor of the Utah Territory—and don’t forget Lewis and Clark! “The list of those who traveled west in search of their dreams is long and prestigious. It is an integral part of the American dream. I don’t claim any of the prestige, but I can certainly be added to the list of those who journeyed west in pursuit of the magic and allure.”
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My first view of Grand Canyon brought tears to my eyes, and I can cry even now when I think about it. What a magnificent part of the planet! How can there be something so perfect and beautiful that changes and becomes more so, even as we view it? William Fields Photographer and Author
Hozhooji
WHAT IS YOUR ONE PIECE OF ADVICE YOU WOULD GIVE TO BUDDING PHOTOGRAPHERS? “Every image is not precious. When we get a new camera or a new lens, we think every picture is a masterpiece. They aren’t. We have to learn to be our own toughest critics and know that our high opinion of a given picture today might be much lower tomorrow. Some of that is the immediate enchantment, but more importantly, as we grow in our skills, our criteria become higher. “Ansel Adams said, ‘Twelve significant photographs in any one year is a good crop.’ If that’s true, we need to discard a large number pictures in the process.”
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About William Fields A native of Berlin, Connecticut, naval service and careers in the aerospace and automotive industries led Fields to live in 10 states before hanging his shingle in the historic German wine town of Hermann, Missouri. “I got my first camera when I was 8. It was a Kodak box camera with a plastic lens. I ran newspaper routes and did farm work to get the money to process the black and white film. It brought equal parts delight and frustration. “I struggled with the difference between what I saw in the world and what showed up in my pictures.” When the U.S. Navy provided him with his first 35mm camera, everything changed. What he captured on film began to match his vision. “In the 80s I made a trip to Nepal, shooting with a couple of beat up old Minoltas. When I shared my photos with friends and co-workers, people began asking if they could buy my pictures. That was a turning point in shifting my energies from painting, drawing, and printmaking to photography.” He even caught the eye of Steven Spielberg, who used his photography to decorate set walls in the production “Seaquest.” “Whenever the captain, portrayed by Roy Scheider was shown in his quarters, the photos on the walls that were supposed to be his were actually mine. Boy, was my mom excited!” Fields says. Today, Fields’ Arizona work and more can be found in his book, “The Four Directions: A Southwestern Journey.” The book features stunning infrared imagery of the lands we have all grown to love. williamfieldsartphoto.com September 2018
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WHAT INSPIRES YOU?
Where Two Rivers Crossed White House
“The world! I’m inspired by and excited by just about everyone and everything I come into contact with. I have a hard time having a conversation with someone without thinking about how the light plays on their face. I compose pictures of the landscape as I drive my car, often ruing the fact that I don’t have time to stop and shoot because an appointment of some kind awaits. “I see still life in each and every flower, dish, bottle and glass. I will often stand on my chair at the table so I can photograph my meal. I try not to do that in restaurants, especially if my wife is with me,” Fields laughs. “Probably the most important inspiration I can mention is the color of my wife Louise’s eyes. They range from shades of green to brilliant blue with gray variations throughout. Her eyes were one of the first things about her that caused me to fall in love with her. “Now, that’s inspiration.”
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Barber Striped Hills Dineh Ponies
WHAT IS YOUR MOST MEMORABLE ARIZONA EXPERIENCE? “The first time I saw the Grand Canyon, it was March and there were snow squalls moving across it constantly. I’d be at an overlook and see clouds rushing toward me. Suddenly I was in a whiteout, and the canyon disappeared. I jumped in my car and head for the next overlook. “The sun dappled the canyon walls, and the snow striated the tiers of red rock sprinkled with greenery. There were rainbows everywhere. Before long another squall took me from all that earthly beauty to a spiritual place, immersed again in total whiteness.”
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Writer Shannon Severson Photography Courtesy of Andaz Scottsdale Resort & Spa
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Picture yourself cruising the streets of Scottsdale in a 1962 black convertible Cadillac straight out of “Mad Men”—the sun shining, wind in your hair, heads turning to see who could be driving past in such a slick ride. It’s definitely a moment to capture and share with friends. The moment can be yours when you reserve the Instagram-inspired tour with “Nora,” the Andaz Scottsdale Resort & Spa’s house car named for the surrounding Sonoran Desert in a Facebook contest. The resort is one of many spots capitalizing on the public’s insatiable appetite for all things picturesque. “We originally purchased the car from the Barrett-Jackson as a VIP courtesy car,” Andaz Scottsdale marketing manager Natalie Murphy said. “We noticed that guests were using the car as a prop on Instagram. We decided to make it a moving prop because there are so many beautiful places around town that people love to photograph.” There’s no doubt that our Valley is one of the most photogenic spots in the country. With the popularity of photo-sharing apps like Instagram, Snapchat and VSCO, local businesses, resorts, and public arts campaigns, such as Experience Scottsdale’s 2018 “Summer Art Walls” mural project, seek to attract photographers, ’grammers and bloggers searching for a spot to pose. And there’s no reason to pose alone. Whether you’re a tourist or a local, a photographic adventure is a fun way to create a visual (and shareable) record of get-togethers with friends, date nights, birthdays and anniversaries. Around Scottsdale, some favorites include Ed Mell’s “Jack Knife” sculpture in Old Town, Hotel Valley Ho’s “It’s Always Sunny in Scottsdale” poolside mural, the rainbow-hued walls of The Saguaro Scottsdale, Hotel Adeline’s cheeky neon “WTF” — it stands for “Where’s The Fun?” — lobby sign, or take a jaunt up Camelback Mountain for stunning city and mountain views. There are plenty of spots beyond the borders of Scottsdale to get your ‘gram on. Grab your iPhone or fancy camera and head to Roosevelt Row in downtown Phoenix, named one of the top 25 Most Instagrammed Art Spaces for some of the most colorful street art around.
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the art of organization
Fluttering blackbirds take flight in Brian Boner’s 2016 mural on the MonOrchid building, or you can grow a colorful set of wings in front of artist Lauren Lee’s augmented reality mural, “Take Flight.” Send the world a “Wish You Were Here” message from the Calle 16 Mural project’s postcardstyle “Phoenix” mural behind Barrio Cafe. The possibilities–and styles—are practically limitless. Of course, after you’ve shutter-bugged your way through town, it’s time to wind down with a drink! The Andaz tour includes a “Libation Exploration” class behind the bar with one of the resort’s Weft & Warp Art Bar + Kitchen mixologists or a culinary class with one of the chefs in the glass-enclosed kitchen. Wherever you go, it’ll be more fun if it’s a showstopper on your social media feed. Diego Pops in Scottsdale is oft-photographed with its wellknown Brussels sprouts nachos and snow cone margaritas served beneath a pink neon “Tacos” sign, or show off a classic ice cream sundae at pink-allover Sugar Bowl.
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If you’re downtown, Angel’s Trumpet Ale House lures you in with their commissioned untitled mural by renowned street artists Malo Cota and Thomas “Breeze” Marcus, then rewards you with brightly crafted cocktails and inventive fare served on TV dinner-style trays, just for fun.
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So, get on the Google machine and map out your next rad post. It’s a great way to explore parts of town you might have missed if you weren’t so keen on snapping the ultimate selfie. andazscottsdale.com
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Writer Shoshana Leon Photography Courtesy of Debby Wolvos or Submitted
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For many chefs and culinary professionals, the most coveted and meaningful recognition in the industry is the James Beard Award. The James Beard Foundation represents excellence in the culinary industry through its awards, advocacy training, educational initiatives and scholarship programs. In late September, the James Beard Foundation will come to Phoenix as part of its 10-city annual Taste America tour. “2018 marks the sixth consecutive year of Taste America, which shines a spotlight on the rich diversity of America’s food culture and the culinary professionals that are working to make the world more delicious, sustainable and equitable,” said Alison Tozzi Liu, spokesperson for the James Beard Foundation. It is a testament to the Valley’s thriving culinary scene and to our many local talented chefs that Phoenix has been selected to participate in Taste America for the past six years, one of only five cities with that distinction. “Like all the cities on the Taste America tour, Phoenix has a rich food scene that represents a portion of the multi-faceted culinary culture in America,” said Tozzi Liu. In each city, a visiting all-star chef pairs with a local celebrity chef to create a dinner menu for the Taste America benefit dinner held September 28 at Mountain Shadows. Maneet Chauhan, known for her love of spice, her philanthropic efforts and appearances on Food Network, will team with local all-star chef Charleen Badman of FnB, who has been nominated for several James Beard awards, and Charles Wiley, executive chef at Mountain Shadows. Chef Wiley has had the honor of cooking at the historic
James Beard House in New York City several times. “Through his passion, books, teachings and love of food, James Beard inspired a generation of home and professional cooks during the culinary movement of the 1970s, which is when I began my career,” Wiley said. “When the foundation opened in 1986 to preserve his legacy, chefs from all over the country were invited to cook and teach in his house to spotlight the diversity of America’s food culture. I was first invited to cook at the house in 1992. It was one of the high points of my career to present our version of Southwestern cuisine from Arizona.” The Taste America benefit dinner includes cocktail and dessert receptions with dishes created by local chefs Scott Holmes from Little Miss BBQ; Chrysa Robertson from Rancho Pinot; Doug Robson from Otro Café and Gallo Blanco; Cassie Shortino from Tratto; and Samantha Sanz from Talavera at the Four Seasons Resort Scottsdale at Troon North. Dessert tastings will be created by Sarah Chisholm from Tempe Public Market Café; Martin Nakatsu from the Hyatt Regency Scottsdale Resort and Spa at Gainey Ranch; and Helen Yung from Sweet Republic. “For any chef, being invited to participate in this event is a tribute to your community and to your dedication to the craft,” said Nakatsu. Talavera’s Sanz participated in Taste America Phoenix when she worked with Chef Gio Osso at Virtu Honest Craft in 2013. She is excited to represent herself at this year’s event. September 2018
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Samantha Sanz
Chrysa Robertson
Sarah Chisholm
Doug Robson
Charles Wiley
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Martin Nakatsu
“The James Beard Foundation has brought such a strong impact to our community by uniting the culinary culture and showcasing the diversity of cuisine,” Sanz said. “It has also made an impact on sustainability and reducing food waste, and has provided many culinary scholarships.” Otro Café and Gallo Blanco’s Robson is equally enthusiastic. “It is my first time participating and I’m very excited, as James Beard represents one of the highest honors in the culinary field and exemplifies the importance of giving back to the culinary community,” he said. As philanthropy and education are integral elements of the James Beard Foundation, a portion of the dinner’s proceeds will go to the Taste America Scholarship Fund. In each city where Taste America is held, 10 students will receive $2,500 each to further their culinary education. Taste America is also joining forces with Feeding America to reduce food waste and donate leftover food from weekend events to those in need.
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“The James Beard Foundation is a vital part of communicating what is going on in our country and uses the universal language of food as a platform,” said Tempe Public Market Café’s Chisholm. “This event is an opportunity to connect with your peers, revive inspiration and express your shared love for food and hospitality.” “It’s inspiring to get together with my friends in the culinary world, old and new, and cook together,” added Robertson from Rancho Pinot. In addition to the benefit dinner, Taste America Phoenix includes a welcome reception at Dominick’s Steakhouse at Scottsdale Quarter September 27, and cooking demonstrations with Maneet Chauhan and Charleen Badman at Sur La Table at Scottsdale Fashion Square September 29. jamesbeard.org
Savor! James Beard Foundation Taste America Phoenix Benefit Dinner Friday, September 28 7:00 p.m. Mountain Shadows 5445 E. Lincoln Dr., Paradise Valley $275 per person/$500 per person for VIP with early access to reception jamesbeard.org September 2018
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Writer Fadi Sitto Photography Courtesy of Alwun House
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“Would you like a Coca Cola and a muffin?” Kim Moody of the Alwun House asks as we walk through a nostalgic front hallway toward a distinguished, sun-drenched door leading to the back yard. With the swoop of his hand, it opens to a rare downtown courtyard oasis that I wasn’t prepared for. It seemed to proclaim a serendipity existence: a Sonoran masterpiece in the center of Phoenix. Welcome to Alwun House, the first art house in Phoenix. In 1971, the downtown arts scene sprang its first roots in the Valley of the Sun. The civic vibe of this house is undeniable; it’s a true Phoenix experience. This volunteer-based, one-of-a-kind non-profit art organization exists to make the already-thriving downtown art community even better. The opportunities Alwun House creates for local classical artists, as well as visual and performance artists, is what makes it special. As the quintessential Phoenix art gathering place, Alwun House seems to be always one step ahead with its exhibits, events and ideas. The reds. The yellows. You just can’t miss it. Whether you pull up on your lime bike, your electric car—or maybe your feet are your only carriage—you will surely notice “that house” at the end of the street. Alwun House is located in the Garfield Historic District, on the northeast corner of 12th Street and Roosevelt in downtown Phoenix. “We’re truly one of a kind. No one wants to do three or four things, a gallery, a performance space, a social event space, all in one,” he explains with a teacher’s conviction and soft pride. Did I mention Kim was a teacher back in the day? This art house is the literal and figurative homestead for numerous local, national and international artists of all
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genres. From talented local hipster bands to an all-women poetry performance, to burlesque and circus shows that are sold out months in advance, Alwun House’s often risqué, always provocative art is all-inclusive, all of the time. If you listen carefully, you can hear the art house walls whisper unapologetically: This is your house. You, the painter, the sculptor, the ukulele soloist jammin’ on the side stage in the courtyard. You, when you step onto Alwun grounds, are a Phoenician. This colorful urban landmark humbly occupies the entire corner of Roosevelt and 12th. A generational home forever post-carded by the backdrop of the, dare I say, underappreciated Phoenix cityscape. Built in 1912, this architecturally compelling house was purchased by a German immigrant named John Sedler. To this day, some people refer to Alwun House as the “Old Sedler House.” The Sedlers lived there until 1948. Soon after, a gentleman by the name of Earl Brown and his family bought the house and called it home—for a while. Then, it happened: the year that positively changed the history of the arts in Phoenix. It was 1971 when Kim Moody and Alwun House founders purchased the proud, but somewhat neglected corner property. They closed their collective eyes and took their leap of faith. It was the beginning of a groundbreaking, mindful restoration of what we see today. On February 9, 2005, the City of Phoenix placed Alwun House on the list of registered historic properties for individual significance. Downtown Phoenix was about to have a rebirth. “Art can transform communities. We’re not talking about a picture; we’re saying the creative process of art is used also in the creative building of a community,” Kim explains. The courtyard habitat in this uniquely urban backyard radiates a bygone harmony. Walking on the dirt, gravel and grass here, I can’t help but feel like I stumbled into an Eden. The grounds are lush with fountains, a koi pond and black fig trees that drape shadily over the Moody’s head, as if protecting him from the afternoon August sun. There is a comfort here. Maybe it was the eternal spring, unbottled fragrance of all the native flowers and roses. Maybe it was those three bees (I counted three) hovering over the pond. September 2018
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Experience
The Greed Show by Tom Stephenson September 7–26 Tuesday–Friday, Noon–6 p.m.
Cleodora Presents: Cabaret Noir Friday, September 21 8:30–10:30 p.m. $20 advance; $25 at the door
Banned Books Reading Banned Books Reading Thursday, September 27 7 p.m. $5 advance; $10 at the door
Ladies On Fire X
Friday, September 28 8 p.m. $9 advance, $15 at the door
Alwun House
Tuesday–Friday, Noon–6 p.m. 1204 E. Roosevelt St., Phoenix 602-253-7887 alwunhouse.org
The feeling one gets is that of life. Everything is alive in this backyard. The house and anything within striking distance of it breathes with an ease. I lost track of time, and I didn’t care where my phone was. Alwun House is making a real difference, working hand-inhand with the neighborhood association. Board members and volunteers are hands-on when it comes to the economic and cultural prosperity of the downtown area. The Alwun House Foundation has transformed the downtown community through the arts on a grassroots level, helping the Garfield historic neighborhood gain grants and thrive. The people involved here at Alwun House are firmly “all in” when it comes to the city. As beautiful as it is, it hasn’t always been this way. Not so long ago, the surrounding city blocks were infested with drugs and crime, and no one seemed to care. It was one of those areas you just didn’t go to at night. “Downtown was basically empty at night, as recently as the eighties,” Kim said. “Yes, that recently!” With the help of the City of Phoenix, private donors and a labor of love, the downtown arts district took shape. The Alwun House Foundation was at the forefront in the revitalization and safety
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effort. With help from the locals, it was only a matter of time before these once-forgotten neighborhoods realized their vibrant worth. Future plans? “Boom! Bingo!” Kim says, as he perked up in his chair. His voice became crisper as he begins talking about Alwun House Green Art Park—quite possibly the crowning jewel project. The City of Phoenix has finally approved Planned Unit Development (PUD) for the construction of a sustainably designed open space located in the empty lot behind the historic Alwun House. The vision is to provide a lushly landscaped urban, green area for visitors, artists and musicians in the Garfield neighborhood. Think festivals, workshops, food trucks and more. The park will also provide space for a community garden and much-needed additional parking for Alwun House events. I get the feeling that this old but vibrant house in Central Phoenix will never physically or symbolically deteriorate or age ungracefully. It's just way too busy letting artists share the random acts of artiness that move them. People may not remember buildings or places or streets, but they will remember the stories behind them. The Alwun House story seems destined to be an iconic part of the Phoenix DNA remembered. alwunhouse.org
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Writer Amanda Christmann Photography Courtesy of Creative Gateways
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The concept of yin and yang is a theory of opposites. Everything has a darkness (yin) and a light (yang), and one cannot exist without the other. For night, there is day; for cold there is heat; for birth there is death; and for masculine there is feminine. When the sun rises upon a mountain, light illuminates one side while the other remains in darkness. As the sun moves across its arc, the line between dark and light sides becomes blurred, and they begin to look alike. This, too, is yin and yang: two parts of the same whole. Michael and Sumati Colpitts fit together in much the same way. Both accomplished artists in clay and other mediums, like the mountain and the sun, years of learning from each other’s strengths and weaknesses, both creatively and personally, has blurred the line between their opposites. The fact that the universe brought these two souls together is a story in itself. Michael grew up in Boston, raised by his hardworking Lithuanian grandfather—a man to whom he owes much of his work ethic and compassionate nature. Far from Boston, Sumati was born in Taiwan. When her father left for the United States looking for a better life, the family soon followed, landing in Evanston, Illinois. Always interested in tactile artistic creation, Sumati enrolled in Chicago Art Institute and Kansas City Art Institute, where she explored different media looking for the right form of expression. Throughout their lives, both Michael and Sumati were encouraged to develop their creativity. They also learned that the process is the lesson, and found the beauty in practicing each new technique they learned until they achieved the look and feel they wanted.
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Perhaps it was chance, or maybe it was something much bigger that allowed their paths to cross in an ashram in India in 1989. Both were assigned to work in a ceramics studio, creating and selling art for tourists. They forged a friendship as colleagues at the time, not knowing that their story was not over. Twelve years later, through a series of serendipitous events, life took them by surprise when their paths again crossed in Sedona. Sumati was shy, while Michael was outgoing. Michael loved the intricacy of sculpting, while Sumati had worked on a potter’s wheel and done hand-built pieces. Sumati was nurturing and gentle, while Michael was bold. Despite their differences, they matched on an energetic level. Both were willing to grow in skill and in their soul journeys, and together, they found, they could accomplish so much more than they could separately. Seven years and a lot of clay later, they were married. Today, Michael Colpitts describes himself as a ceramic sculptor, painter and meditator. His inspiration has come from around the world, especially Africa and Southeast Asia. His work often invites the viewer to look within. Among his most collected pieces is a series of striking veiled masks. Each is its own study in texture and form, but even more impactful is the spiritual element. He creates them with hollowed eyes, leaving their faces and their meaning open to interpretation. When he fires each veiled mask in the couple’s 7-ton brick kiln, a monument in itself that Michael built by hand, flames dance across each one in unpredictable ways. The results are stunning: fire breathes life into each piece as shadows and depth emerge in the folds of the clay. The results are remarkable. Sumati is a sculptor, a massage therapist and a gourmet cook. The wisdom of her hands has always been her strength. She has become known for her portrayals of animals, which, in stark contrast to Michael’s veiled masks, are characterized by their inquisitive and cheerful eyes. Each seems to have a grin on its face, and one can’t help but notice the resemblance to their creator’s elfin welcoming smile. Michael first encouraged Sumati to try sculpture. Though her first pieces left much to be desired, she continued to practice. After years of hard work, her clay sculptures are not only collectible, they’re downright joyful. “I try to capture the essence of the animal or the figure, and give them an expression that makes you feel good when you look at them,” says Sumati. And she does.
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Finished pieces are first air-dried for one to two weeks, then fired at temperatures up to 1,600 degrees. Finishes like iron oxide or manganese dioxide are sometimes added to create color and sheen, but for other pieces, they let fire do the work. Next, they are skillfully arranged inside the kiln for a second firing, this time at about 2,300 degrees Fahrenheit. The anticipation they both feel to see what emerges is almost palpable. “You never know what’s going to come out,” says Sumati. “It can be the most fantastic thing, or the very worst. You just don’t know until you see them, and it’s so exciting each time!” In the galleries at Sedona’s Creative Gateways, and Kuivato, a Creative Gateways Gallery, their work includes more than clay. “We started off in clay together, but about 15 years ago, Michael said, ‘I need more color in my life.’” As with all of his work, Michael’s painting is an expression of his inner self. Bold and sometimes contrasting colors make their way to the canvas in vivid splashes. “The brightness makes me feel good,” he says. “I’m trying to give people the feeling of being uplifted by color combinations, but also by composition.” It can be a challenge, Michael adds, to give a painting’s “quiet areas” interest. Use of gesso, fabrics, papers, light charcoal, modeling paste, grog, sand, thick oil colors, acrylic washes, gold leaf and transparent oil washes are all part of creating focal points within each piece. These focal points seem to reflect what so many have come to realize about this dynamic couple: taken as a whole, they’re pleasant enough, but given a closer look at their lives, the beauty can be found in the finer details. creativegateways.com kuivatoglassgallery.com September 2018
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Writer Shannon Severson // Photography by Loralei Lazurak
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Life can change in an instant. For families who receive the devastating news that their child has cancer, a mighty struggle begins—and not just against the disease itself. Arizona Cancer Foundation for Children, founded by Chrisie Funari in memory of her daughter, Ava, exists to provide direct social, emotional and financial support for families facing cancer. “When I lost Ava, I didn’t give up hope,” says Funari. “I knew my story wasn’t unique; all cancer families face the same struggles. That’s what inspires me to create hope by providing direct assistance to local families who have children with cancer. Navigating the hospitals, lending an ear, providing financial assistance—I will do whatever it takes to support these families.” Every September, the foundation honors Childhood Cancer Awareness Month with its 30 Days of Giving campaign. Families are referred to the foundation by social workers at local hospitals, including Phoenix Children’s, Banner Health and Cardon Children’s Medical Center. Every day, a new family receives financial and emotional assistance in the form of needed funding and custom backpacks, called "Sunshine Packs," filled with toys and items based on the individual child’s interest. Families can also schedule a visit with one of the foundation’s therapy dogs, like Leo and his handler, K9Companion Director Meg Dufour.
“As a team, we’ve witnessed the unimaginable through this program,” says Dufour. “Parents finally have the chance to watch their children do something other than suffer—that’s the ugly truth. Watching children and their families enjoy time with our therapy dogs truly warms my heart. The second we walk in the door, the dogs immediately put everyone at ease.” The affable chocolate labrador retriever visits families in their homes or at the foundation’s office. Dufour describes Leo as sweet and goofy, with an instinctive intuition to meet the needs of the different children he visits. Angel, an 8-year-old who has been battling acute lymphoblastic leukemia for the past year, was able to visit with Leo for this story. He is undergoing oral chemotherapy and must visit Phoenix Children’s Hospital three times each week, yet he always tries to remain positive. He was a bit shy with Leo at first, but quickly relaxed with him when the dog spent the evening with him, his mother, Guadalupe, and his two older siblings, Kevin and Ana. They all fell in love with Leo. When asked if he enjoyed the visit, Angel exclaimed, “Me encantó!” which translates to “I loved it!” With tears in her eyes, Guadalupe watched her children experiencing pure joy. They also had the chance to go “shopping” in the ACFC toy room, filling bags with items that caught their attention.
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Angel’s battle and two blood cancer scares for Kevin earlier this year have put a huge financial strain on she and her husband. The help from ACFC has allowed them to keep their home. “I can’t find the words to thank you for all this,” Guadalupe said through an interpreter. “The financial assistance that was provided in April truly couldn’t have come at a better time.” “This program has truly blossomed into something we could never imagine,” says Community Outreach Director Monica Graffius, “Children, parents, siblings, caretakers … everyone truly benefits. These special visits have a way of putting everyone in the room at ease and bringing peace into parents’ hearts as they watch their children step away from cancer’s reality to have a moment of fun and a chance to just be a child.” As a non-profit, 501(c)3 organization, ACFC relies on donations and volunteers to help them in their mission. Businesses, schools and individuals can host fundraisers, drives to collect items for Sunshine Packs, adopt a family, host or attend events that benefit the foundation or even write get well cards for children battling cancer. There are so many ways that entire families are able to get involved, and the help goes directly to those battling cancer right here in our own community. azcancerfoundation.org
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Writer and Photographer Kyndra Kelly
Though the heirloom tomatoes make this tarte a work of art, feel free to make this all year long with any fresh tomatoes and any kind of cheese. Makes a terrific appetizer, or a light lunch/dinner!
Heirloom Tomato & Olive Tarte Serves 2-4 Ingredients: 1 sheet frozen puff pastry 1/2 teaspoon minced garlic 1/4 cup olive tapenade (I used Trader Joe’s brand) 1/2 cup ( about 4 - 6 oz.) freshly grated fontina cheese 2–3 whole heirloom tomatoes (plus little ones for garnish) 1 tablespoon chopped basil salt pepper Directions: Preheat oven to 400 degrees. Let puff pastry thaw for 40 minutes. Brush dough with garlic. Spread olive tapenade in the middle of the dough, leaving about 1/2 inch border around the edge. Sprinkle grated fontina all over the puff pastry, and bake for 15 to 20 minutes, or until golden brown. While baking, slice tomatoes about 1/4 inch thick. Once pastry is done, remove from oven, layer tomatoes on top. Sprinkle with basil, salt and pepper. Slice and serve! kyndraclaire.com
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Coconut Red Curry Soup A great way to use up any meats and veggies you have leftover is to turn them into something delicious! This tasty soup can be put together in a matter of 15 minutes! Add a tablespoon of fish sauce for more of an umami flavor. Red curry paste can be adjusted according to your heat tolerance.
Makes 2 servings Ingredients: 1 can full-fat coconut milk (14 oz.) 1 tablespoon jarred red curry paste (I use Thai Kitchen brand) 1 tablespoon coconut aminos 1 tablespoon brown sugar or coconut sugar 1/3 cup chicken broth juice zest of 1 lime 2 tablespoons fresh chopped basil 1 cup cut up veggies of your choice (broccoli, bell peppers, mushrooms, peas, carrots, etc.) 1 cup cooked protein (shrimp, chicken, beef, tofu) rice noodles (or rice) Directions: In a medium saucepan, combine the coconut milk, curry paste, sugar, coconut aminos and broth. Bring to a boil, and simmer for 5 to 10 minutes. Add veggies and meat, simmer for 5 more minutes. Add basil and lime. Stir and serve over rice noodles or rice. Top with peanuts and lime zest. kyndraclaire.com
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VOTED #1 SCOTTSDALE REAL ESTATE TEAM FOR 2018
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SILVERLEAF AT DC RANCH CACTUS CORRIDOR 10851 E WINGSPAN WAY, Scottsdale, AZ 85255 12510 N 104TH ST, Scottsdale, AZ 85260 7 BD | 10 BA | 12,500 SF 6 BD | 7 BA | 7,854 SF
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PINNACLE CANYON AT TROON SHEA CORRIDOR 12880 E MOUNTAIN VIEW RD, Scottsdale, AZ 85259 28359 N 104TH WAY, Scottsdale, AZ 85262 4 BD | 5.5 BA | 5,409 SF 6 BD | 6.5 BA | 7,039 SF
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$1,132,000
ANCALA COUNTRY CLUB ANCALA COUNTRY CLUB 11893 E Charter Oak Circle Scottsdale AZ 85259 12847 N 116th Street Scottsdale AZ 85259 5 BD | 4.5 BA | 5,134 SF 4 BD | 3.5 BA | 4,277 SF
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Andrew Bloom REALTOR®, Senior Partner Andrew@BVOLuxury.com David Van Omen REALTOR®, Senior Partner David@BVOLuxury.com ANDREW BLOOM i m a g eDAVID s a r i zVAN o n aOMEN .com
SINCUIDADOS 8400 E DIXILETA DR 136, Scottsdale, AZ 85266 4 BD | 3.5 BA | 5,976 SF
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ANCALA COUNTRY CLUB 12028 N 119TH ST, Scottsdale, AZ 85259 3 BD | 3.5 BA | 4,480 SF
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PINNACLE PEAK VISTAS 22325 N 97TH ST, Scottsdale, AZ 85255 4 BD | 3.5 BA | 5,000 SF
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