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MISSY HIGGINS

Celebrates 20 Years of ‘The Sound of White’ and unveils new music on The Second Act Tour

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EDITORIAL NOTE

Well, well, well, look who’s gracing our cover this month! None other than the one and only Missy Higgins, taking us on a trip down memory lane with her iconic debut album, The Sound Of White . Can you believe it’s been two decades since she first stole our hearts with her groundbreaking effort?

Æ But Australia’s music sweetheart isn’t just here to reminisce; she is also hitting the road with the heavily sold-out The Second Act Tour, treating us to the full album experience along with a sneak peek at music from her forthcoming album.

And that’s just the beginning! In this issue, we’re chatting with some of the biggest names in the biz, including Ville Valo, Ball Park Music, and The Smith Street Band. Plus, we’re shining a spotlight on some homegrown talent that’s making waves in the music scene.

Feeling hungry for more? We’ve got you covered with the latest foodie news and reviews. And of course, we’ve rounded up the hottest gigs and events happening around town so you can plan your social calendar like a pro.

ACKNOWLEDGEMENT OF TRADITIONAL OWNERS

Our magazine is published on the lands of the Wadawurrung People of the Kulin Nation, and we wish to acknowledge them as Traditional Owners. We pay our respects to their elders, past, present and emerging.

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COVER

Our March cover is Missy Higgins.

Photo by Tajette O’Halloran

“This

“IDLES

BENDIGO HAS BEEN NAMED AUSTRALIA’S TOP TOWN

Praised for its gold rush legacy, its cultural experiences and its vibrant food and beverage scene, Bendigo has been named Wotif’s 2024 Town of the Year. The online booking site ranked the town number one based on the platform’s data on accommodation affordability, quality and traveller feedback.

Ç HOMEGROWN FESTIVAL BRINGS SLOWLY SLOWLY, KISSCHASY, THE GETAWAY PLAN TO BALLARAT

On Saturday, 23 March, Ballarat will host the new Homegrown Festival at Kryal Castle, featuring headliners Slowly Slowly and Kisschasy. Joining them on stage will be a lineup of sensational acts including The Getaway Plan (performing Other Voices, Other Rooms in full), Press Club, Lashes, and Catholic Guilt.

WANDERER FESTIVAL MOVES TO BIENNIAL EVENT

In a strategic move aimed at ensuring the sustainability and longevity of Wanderer Festival, organisers have announced a shift to a biennial schedule. The festival will return to the coast from 3-5 October 2025. Founder and industry powerhouse Simon Daly explained that the decision was driven by the need for more time to plan and execute the event effectively.

Ç ANGIE MCMAHON ANNOUNCES HER BIGGEST AUS TOUR YET

Critically acclaimed Naarm/Melbourne singer-songwriter Angie McMahon will be hitting the road for her most extensive headline tour across Australia and New Zealand, treating fans to intimate theatre shows in support of her captivating second album, Light, Dark, Light Again. She’ll play three shows at Forum Melbourne on 28, 29 and 31 May and at Ulumbarra Theatre in Bendigo on 1 June.

Ç FOLK DUO THE DREGGS ARE HEADING TO TORQUAY

Australian indie-folk sensations The Dreggs will hit Torquay later this year as they launch their debut album, Caught in a Reverie. The Sunshine Coast duo, comprised of Paddy Macrae and Zane Harris, will be gracing the stage at Torquay Hotel on Wednesday, 1 May, as part of a small run of limited capacity album launch shows.

Ç A HUGE INTERACTIVE NBA EXHIBITION IS COMING TO MELBOURNE

The NBA Exhibition isn’t just a run-ofthe-mill showcase; it’s a fully interactive journey designed to captivate fans of all ages. Spanning across 20 thematic sections, visitors will be treated to a plethora of customised activations, including virtual and augmented reality experiences, opportunities for photos with the prestigious Larry O’Brien Championship Trophy, and more. It arrives at Docklands on 3 April.

THE MOJO CORNER

JOIN CHRIS ISAAK FOR A DAY ON THE GREEN

Ultra-raw, raucous and wildly uninhibited, The Mojo Corner have sliced and diced stages around the country for the better part of a decade now. Now they’re gearing up for their biggest show yet, supporting Chris Isaak at Mt Duneed Estate on 6 April. Other artists on the bill include Boy & Bear, Vika & Linda Bull and Ella Hooper.

BALLARAT HERITAGE FESTIVAL RETURNS IN MAY

Ballarat Heritage Festival returns for ten days in May (17-26). The annual festival celebrates Ballarat’s rich cultural history, from night-time heritage walks to interactive exhibits; hands-on workshops, a tweed ride and a vintage car show. Experience the city’s diverse cultural landscape through live performances, traditional crafts and delicious local cuisine and produce.

Ç PEARL JAM ARE TOURING AUSTRALIA IN NOVEMBER

After a decade-long hiatus, Pearl Jam will grace the stages of New Zealand and Australia in November in support of Pearl Jam’s new album Dark Matter on 19 April. With special guest appearances by iconic band PIXIES, Melbourne shows will take to Marvel Stadium on 16 & 18 November.

MULTI-AWARD WINNING COMEDIAN MARIA BAMFORD IS COMING TO AUSTRALIA IN JULY

Bamford’s unique comedy style and sharp observations on family dynamics and human eccentricities has won her praise from peers and audiences the world over. Combining sharp humour with empathy, Bamford’s comedy is unafraid to lean into the personal, as she weaves stories about her life and her own mental health journey in with wickedly funny comedy. See her on 13 July at Palais Theatre, Melbourne.

THE ROCK OFF MND FUNDRAISING GALA DINNER RETURNS FOR 2024

The Rock Off MND Fundraising Gala Dinner is back again and is set for the evening of Saturday 11 May at GMHBA Stadium. The event will once again be a night filled with great food and drinks, entertainment and prizes galore.

ADALITA BRINGS HER INLAND’ ALBUM TOUR TO GEELONG

Adalita embarks on her final run of official shows to celebrate the release of her stunning new album, INLAND. Catch Adalita and her full piece band on 6 April at the Barwon Club, Geelong where Adalita will be playing many songs from the album, plus some old favourites. Joining Adalita will be special guests Amaya Laucirica and Daisy Kilbourne.

LIT: THE FREE 14-DAY AFTERDARK WONDERLAND RETURNS IN MARCH

Now in its third year, LIT is set to transform Wyndham Park into a wonderland of art and illumination, captivating visitors of all ages from 8-24 March. From 8 pm to 11 pm each evening, attendees can wander through the park’s pathways, encountering a breathtaking array of installations designed to inspire wonder and delight.

Ç FROLIC THROUGH THE FIELD AT THIS SUNFLOWER FESTIVAL NEAR BALLARAT

A Sunflower Festival heads to Pick Your Own Sunflowers farm near Ballarat on 11 March from 10am to 8pm. Wander through Victoria’s largest sunflower field, pick your own blooms, and capture Insta-worthy photos amidst a sea of golden blooms. Enjoy live music, Clydesdale rides, face painting, food trucks, and market stalls. Tickets are $15 and include entry to the sunflower field.

Ç THE WOODEN BOAT FESTIVAL OF GEELONG RETURNS FOR THE MARCH LONG WEEKEND

Celebrate Australia’s maritime heritage with free entry to this biennial event at the Royal Geelong Yacht Club, featuring majestic tall ships and the largest exhibition of wooden boats. Enjoy hands-on activities like the ‘Rough and Ready’ boat-building competition and family-friendly entertainment onshore. Indulge in local fare and live music while immersing yourself in the timeless beauty of wooden boats.

BRANT BJORK TRIO IS HEADING TO GEELONG

The legendary Brant Bjork Trio is celebrating 20 years of Brant’s solo career, bringing their signature desert rock vibes to Geelong. Join Brant, Mario Lalli, and Ryan Gut at Barwon Club Hotel on 28 March for an unforgettable evening of electrifying grooves. Plus, catch Australia’s own desert rock troubadours, Full Tone Generator.

TROPICAL FU*K STORM ADDS CASTLEMAINE SHOW TO CELLPHONE HONEYMOON TOUR

Tropical Fu*k Storm is gearing up for a wild East Coast adventure on their Cellphone Honeymoon Tour , and they’ve just sweetened the deal with the addition of a show at the Theatre Royal in Castlemaine on 13 April, joined by Cool Sounds and Mod Con. Expect all killer, no filler, and a ticket price that won’t make you choose between basic necessities.

Ç ROCKWIZ’S REALLY REALLY GOOD FRIDAY RETURNS TO HAMER HALL

Julia and Brian return for the Good Friday special at Hamer Hall, joined by an abundance of surprise special guests, musical and comedic, to kick start your Easter weekend. Taking place on 29 March, the juggernaut is in its eighth collaboration with Arts Centre Melbourne. But don’t get too comfortable in your seat – audience members could end up on stage, making for an unpredictable and exhilarating evening.

QHUB: NEW SAFE SPACE OPENS TO EMPOWER LGBTIQA+ YOUTH IN GEELONG AND SURF COAST

A new sanctuary has opened, aimed at providing vital support and fostering connections LGBTIQA+ individuals and their families. Co-created in collaboration with local youths, QHub Geelong strives to enhance inclusivity and bolster mental well-being for LGBTIQA+ individuals up to the age of 25 across regional Victoria.

Ç ARTIST APPLICATIONS NOW OPEN FOR 2024 QUEENSCLIFF MUSIC FESTIVAL

To apply to the prestigious Queenscliff Music Festival, back for its 26th edition, you just need to ensure you have an online presence with streaming audio, whether on a website, social media page, or YouTube. Pro tip: A standout video showcasing your performance can catch the festival’s attention. Applications close on 31 March at 11:59 pm.

Ç MORGAN EVANS ANNOUNCES REGIONAL AUSTRALIAN TOUR IN APRIL

Known for “blending Nashville’s southern charm with an unmistakably down-to-earth Aussie spirit”, country sensation Morgan Evans is set to make a triumphant return to his homeland this April, bringing the final leg of the tour to regional Australian cities. See him at Geelong’s Costa Hall on Saturday, 6 April, and Bendigo’s Ulumbarra Theatre on Sunday, 7 April.

Ç SHANNEN JAMES ANNOUNCES EAST COAST TOUR

Melbourne’s very own pop-folk sensation Shannen James has dropped her highly anticipated debut album, Patchwork , and news of a whirlwind east coast tour this April. Be serenaded by the enchanting sounds of Patchwork at Melbourne’s The Bergy Seltzer on 19 April.

TAKE THAT ANNOUNCE 2024 AUSTRALIAN TOUR WITH SPECIAL GUEST SOPHIE ELLIS-BEXTOR

British pop legends Take That return with their first live shows in the region since 2017, and they are set to bring their magnetic energy to seven dates across both countries for headline shows and special A Day on the Green dates. See them at Rod Laver Arena in Melbourne on 6 November.

TWO DAY LITERARY FEAST CLUNES BOOKTOWN FESTIVAL RETURNS

From 23-24 March, Clunes will transform into a paradise for book lovers, featuring author panels delving into topics ranging from the ethics of crime writing to the significance of booze in Australian culture, alongside discussions on journalism’s role in democracy and crafting stories for young audiences. And for the first time ever, entry to the festival site will be free.

NAZEEM HUSSAIN IS BRINGING HIS NEW SHOW ‘TOTALLY NORMAL’ TO GEELONG

Get ready to roll on the floor with laughter as Nazeem Hussain, the maestro of Australian comedy, returns after a two-year hiatus with his brand-new show, Totally Normal. Get a dose of Nazeem’s signature wit and witness his comedic genius live and up-close at Geelong Arts Centre on 18 October.

Ç PIERCE BROTHERS ANNOUNCE MASSIVE REGIONAL TOUR

With a decade of experience and a reputation for delivering unforgettable live performances, Pierce Brothers have announced an extensive Australian tour, spanning eight consecutive months. The duo will visit local spots Castlemaine, Ballarat, Frankston, Melbourne and Torquay in April and May.

DAYLESFORD

NAMED ONE OF THE TOP 10 MOST WELCOMING CITIES IN THE WORLD

With mineral springs and the botanic countryside, Daylesford; regional Victoria’s go-to destination for rest and relaxation, has been named as one of the top ten most welcoming towns in the world. Booking.com named the town in its 12th annual Traveller Review Awards list based over 309 million reviews.

Ç TENACIOUS D ANNOUNCE THEIR FIRST AUSTRALIAN TOUR IN 10 YEARS

The rock gods have spoken, and Tenacious D is gracing the lands down under with their presence once again. After a string of soldout shows across Europe, the UK, and the USA, Jack Black and Kyle Gass are set to embark on their Spicy Meatball Tour, hitting Australia and New Zealand in July. Catch them at Rod Laver Arena on 20 July.

Ç FLOODLIGHTS ANNOUNCE EAST COAST TOUR FOR MARCH AND APRIL

With a string of accolades under their belt, Floodlights have captured the hearts of fans and critics alike. From being hailed as “Album of the Week” on Triple R to featuring as a “Packet Album” on FBi Radio, their meteoric rise has been nothing short of extraordinary. Bidding adieu to their acclaimed album Painting of My Time, they’ll perform at The Night Cat 18 & 19 April.

THE ANDY GOLLEDGE BAND ANNOUNCE INTIMATE ANGLESEA SHOW

The band will be touring their new album, titled Young, Dumb & Wild, due out 19 April, which promises to be a profound exploration of life’s transitions, capturing the essence of change, the allure of ageing, the ecstasy of new love, and the thrill of unfamiliar territories. Locally the band will head to Anglesea for a special Sound Doctor show on 15 June.

Ç GRAMMY WINNER SZA IS BRINGING HER S.O.S. TOUR TO MELBOURNE

Fresh from joining Lady Gaga as the only artist that has won two times in the Best Pop Duo/Group Performance category at the GRAMMYs, SZA is heading our way in April. Marking her return to Australia for the first time in nearly five years, SZA will kick off her tour at Auckland’s Spark Arena before heading to Brisbane, Sydney and Melbourne.

MELBOURNE TRIO TELENOVA ANNOUNCE HEADLINE TOUR

From sold-out tours to major festival appearances, Telenova’s star continues to rise, cementing their status as one of Australia’s most exciting musical acts. The Melbourne-based trio will head out on their highly anticipated Australian and Greek tour dates in May to celebrate their latest single ‘Teardrop’. The Teardrop Tour kicks off on Saturday, 4 May at Howler in Melbourne.

JIMMY BARNES ANNOUNCES HELL OF A TIME NATIONAL TOUR

Rock legend Jimmy Barnes is set to make a triumphant return to the stage, announcing a series of tour dates after his recovery from open heart surgery late last year. Following Bluesfest and Red Hot Summer Tour, Barnes will offer fans a more intimate experience with stripped-back performances and storytelling sessions. He’ll head to Frankston Arts Centre on 17 June and West Gippsland Arts Centre on 18 June.

Ç MARCIA HINES ANNOUNCES MASSIVE 50TH ANNIVERSARY CONCERT TOUR

Following the success of her album Still Shining – The 50th Anniversary Ultimate Collection, released in June 2023, and The Gospel According to Marcia in November of the same year, Marcia is gearing up to share her timeless hits with audiences nationwide. See the beloved Australian icon in Melbourne, Ballarat, Bendigo, Warrnambool, and Geelong in October and November.

Ç PORT FAIRY FOLK FESTIVAL REVEALS STAR-STUDDED LINEUP FOR THE ARCHIE ROACH STAGE

The Archie Roach Stage, inaugurated in 2022, stands as a testament to the enduring legacy of Uncle Archie Roach AC, the Eastern Maar Elder, and national treasure who left for the Dreamtime in July 2022. The lineup includes Alice Skye, Arrkula Yinbayarra (featuring Dr Shellie Morris AO), Charlie Needs Braces, Christine Anu, The Deans of Soul, Jalgany, Jem Cassar-Daley, Joe Geia Band, JUNGAJI, Mau Power, The Merindas, and many more.

Ç DOM DOLLA ANNOUNCES HIS BIGGEST AUSTRALIAN TOUR YET

After smashing records with two sold-out gigs at Melbourne’s Sidney Myer Music Bowl and co-headlining Spilt Milk alongside Post Malone, Dom’s star continues to soar with his largest-ever headline shows down under. He’ll head to Flemington in Melbourne on 13 & 14 December.

Ç BOY & BEAR ANNOUNCE HARLEQUIN DREAM 10TH ANNIVERSARY AUSTRALIAN TOUR

Boy & Bear are celebrating 10 Years of Harlequin Dream with a spectacular tour this year. Harlequin Dream, released a decade ago, not only dominated the ARIA charts in Australia but also achieved platinum status, winning the hearts of fans worldwide. Celebrate with them at Melbourne’s iconic The Forum on 24 May.

GEELONG’S BACK TO BACK THEATRE WINS PRESTIGIOUS 2024 GOLDEN LION AWARD

The Venice Biennale has bestowed Australia’s Back to Back Theatre with the esteemed 2024 Golden Lion Award for Lifetime Achievement in Theatre. This prestigious accolade marks a significant milestone for the pioneering theatre company, renowned for its groundbreaking approach to performance and its dedication to challenging societal norms.

Ç SETH SENTRY ANNOUNCES ‘THE WAITER MINUTE’ 15TH ANNIVERSARY TOUR

Bring on Aussie hip-hop as Seth Sentry embarks on his much-awaited The Waiter Minute tour this April and May, marking 15 years since the release of his debut EP that catapulted him to stardom with its breakout single, ‘The Waitress Song’. Geelong’s own Lambys will play host to Seth Sentry on 17 May.

Ç AUSTRALIA’S CHERISHED VOCAL DUO VIKA & LINDA ARE TOURING THE NATION

Vika & Linda, Australia’s cherished vocal duo, are gearing up to captivate audiences in a brand-new format. In a departure from their usual style, the enchanting sisters will take the stage accompanied solely by the resounding notes of a grand piano. The tour heads to Warrnambool in April, Ballarat in May, and Geelong, Frankston and Bendigo in June.

Ç THE GEELONG INTERNATIONAL ELVIS FESTIVAL RETURNS

Get ready to shake, rattle, and roll because from November 7-11, the Geelong International Elvis Festival is back with a lineup of electrifying performances that will have you all shook up! Straight from the legendary halls of Graceland, the festival brings you the crème de la crème of Elvis performers, with six completely different concerts over four jam-packed nights at the Sphinx Hotel in North Geelong.

MIDDLE KIDS ANNOUNCE

2024 NATIONAL ALBUM TOUR

Kicking off in Melbourne, Sydney’s emotive indie trio Middle Kids will be touring their third studio album, Faith Crisis Pt 1, showcasing the band’s signature blend of propulsive rhythms and heartfelt lyrics. Catch them at Melbourne’s Forum on 10 May and Theatre Royal, Castlemaine on 11 May.

Ç THE MELBOURNE INTERNATIONAL FLOWER AND GARDEN SHOW RETURNS

Get ready to immerse yourself in a world of horticultural wonders, as the show promises five days of breathtaking floral exhibitions, enlightening talks by industry experts, delicious food, family-friendly workshops, and entertainment for all ages. It returns to Carlton Gardens and the Royal Exhibition Building from 20-24 March.

KATIE MELUA ANNOUNCES FIRST AUSTRALIAN TOUR IN 19 YEARS

Katie is one of Britain’s most successful musical artists, having sold more than 11 million albums and received over 56 platinum awards. The enchanting Katie Melua is set to grace the stages of Sydney and Melbourne this April, courtesy of Bluesfest Tours. The last time Katie performed Down Under was 19 years ago.

MISSY HIGGINS

Credit: Adrienne Overall

Celebrates 20 Years of ' The Sound of White ’ and unveils new music on The Second Act Tour

WORDS BY TALIA RINALDO

Æ Missy Higgins, the cherished Australian songwriter, musician, and singer, stole our hearts and made an indelible mark on the music landscape with her debut album, The Sound Of White Released in 2004, this album wasn't just an introduction; it was a revelation of her talent, her passion, and her unapologetic authenticity, firmly establishing itself as one of the most influential debuts in Australian music history.

With profoundly introspective tracks like ‘Scar’, ‘Ten Days’, and ‘The Special Two’, Higgins crafted bona fide classics that resonated deeply with listeners, soaring to the top of the ARIA Charts. Through her poignant lyrics and soulful melodies, each composition offered a glimpse into Higgins' world, inviting listeners to experience the highs and lows of life alongside her.

However, this debut album wasn't solely a commercial success; it was a critical triumph. Garnering six ARIA Awards and selling over a million copies, The Sound Of White achieved quintuple platinum status, cementing Higgins' status as a musical powerhouse.

The album's influence extended far beyond its accolades too, inspiring a new generation of Australian artists. From Amy Shark to Angie McMahon, many have looked to Missy Higgins as a guiding light, following in her footsteps and finding their own voices along the way.

Now, two decades on from the album’s inception, Missy Higgins remains a stalwart figure in the Australian music scene. With an astonishing 26 ARIA Award nominations to her name and a reputation as one of the country's most captivating live performers, she has announced ‘an anniversary tour with a difference’ to celebrate 20 years since her groundbreaking debut.

The Second Act Tour will see Higgins touring theatres nationally in a special show, performing The Sound Of White in its entirety for the first time ever. This unique two-part show will also see Higgins previewing tunes from a brand new album - due later this year - which has been described as “a kind of sequel” to her landmark debut. This marks her first theatre tour since 2018, soon after playing stadiums across Australia as Ed Sheeran’s special guest. Higgins will revisit many of the venues where The Sound Of White initially mesmerised audiences in 2004.

Demonstrating once again why she's an indomitable force in the Australian music scene, the tour has seen every show sell out, prompting Higgins to graciously add a handful of encore dates for those who missed out, solidifying her commitment to her devoted fanbase.

“I had no idea that this tour would have the reaction that it did in people,” she reflects, “I had no idea that this album, in particular, has meant so much to a lot of people and stayed with them over the years. And that's been really beautiful and just so heartwarming and encouraging because I feel like a lot of these fans have stayed with me for a long time.”

With additional performances in Melbourne, Sydney, and Brisbane, along with forthcoming shows in Adelaide and Darwin, the tour will see Higgins grace nearly 40 venues across the nation between March and July.

As she prepares to commemorate the 20th anniversary, Higgins reflects on the evolution of her connection to her music from her debut. “I think these songs have had many lives for me,” she muses. “In the beginning, I was super connected to them emotionally because what I had written about was still so fresh. And then throughout my 20s, I fell out of love with some of the songs because I associated them with a bit of distress that I was feeling; about how much my life had changed and how little I was getting to see my family and friends.

“I re-fell back in love with music in my later 20s and had a resurgence of appreciation for all those songs because I felt like they had been the catalyst for me; connecting with so many fans and they still had such strong emotions connected to the songs.” With time and perspective, Higgins has come to value the significance of her music in her life and the lives of her fans. “Now I see those songs as being a part of the puzzle, and the first few pieces of the puzzle for me,” she reflects.

“I'm super grateful for where I am now, and I love singing all those songs because I really love hearing the songs come back from the audience. They have their own stories embedded inside those lyrics. And it's just wonderful to feel that coming back at me.”

Coinciding with the 20th anniversary of her debut album and the forthcoming The Second Act Tour, Higgins embarks on a journey of introspection and renewal with her latest single, ‘You Should Run.’

‘You Should Run’ serves as the poignant prelude to a forthcoming album slated for release later in 2024. In this raw and vulnerable ballad, Higgins lays bare her emotions, drawing from personal experiences of love, loss, and the tumultuous journey of self-discovery following her divorce.

“It's a pretty vulnerable, very honest and emotionally raw thing to put out there for my first single for the album,” she admits. “But I guess it probably is a good song to represent the album and the journey of what's been like the last couple of years. “The whole album is going to be quite exposing emotionally so it felt like the right way to set it up.”

Indeed, vulnerability and honesty permeate every note of Higgins' music, as she delves deep into the recesses of her soul to uncover universal truths. With her upcoming album recorded entirely at home, she has embraced a minimalist approach, allowing the rawness of her emotions to shine through. “It all sounds pretty minimal and stripped back,” she explains.

“I wanted to do it that way because it all feels very personal to me in the same way as my first album that I wrote mostly in my bedroom when I was a teenager. These songs feel super confessional and I felt like I needed to do it in a really intimate space, mostly by myself, because I just needed to outpour a lot of emotions.”

The solitary nature of the recording process has not only honed Higgins' technical skills but has also provided an opportunity for self-discovery. “I've learned a lot about engineering and producing, and playing some instruments that I did not think I'd ever play like the drums and banjo,” she reveals. “I've had to let go of a lot of my perfectionism, and pay more attention to capturing the essence of the emotion and the moment, and just embrace the fact that this is going to be a special kind of record - one that sounds like I recorded it at home by myself.”

“And I think that's okay,” she asserts, highlighting her preference for albums where “the songs speak for themselves and all the instrumentation and the recording process are there to accompany and be in service to the lyrics, rather than the other way around.”

While The Second Act Tour will see Higgins perform The Sound Of White in its entirety, the show will also showcase some of her latest compositions, alongside a selection of fan favourites from earlier in her career, all presented in stripped-back, acoustic renditions. “It's funny, these two things are happening simultaneously,” she muses. “It's the 20th anniversary of my first album, so I'm doing this amazing, big theatre tour in celebration of that. And at the same time, I'm releasing a new single and I'm gearing up to release a new album.

“But I think there's something quite perfect about the two happening at the same time because there are similarities between the headspace that I was in back then, and the headspace that I'm in now,” she reflects. “There's a certain sense of un-self-consciousness I have with all these new songs and I have gone back to really using songwriting as a form of confessional therapy, and I'm not so worried about anybody hearing them or listening to them.

“There was a real need for me to express myself. And I think in the beginning with The Sound Of White, those songs are almost quite similar in that I was very unaware of anyone hearing them. I was not self-conscious back then; I didn't have a clue that anyone would ever buy my album.”

Whether you're a long-time devotee or a newcomer to her melodic world, one thing's for sure: as Missy Higgins serenades us through her Second Act, her legacy will continue to resonate, proving that true artistry knows no bounds.

MISSY HIGGINS’ ENCORE SHOWS

Credit: Tajette O'Halloran

MISTER CO.

The powerhouse duo orchestrating love and music in Melbourne’s music scene

WORDS BY TALIA RINALDO

Æ Weaving tales of love, passion, and musicality, the last few years have seen the meteoric rise of eclectic husband duo Mister Co. Asserting their presence as a powerhouse deserving of our undivided attention, the duo - comprised of Connor and Oscar Absolum - stand at the forefront of Melbourne’s music scene, captivating audiences with their infectious rhythms and heartfelt lyrics.

Born out of a shared passion for music and a desire to chase their dreams together, Connor and Oscar’s journey is as captivating as their sound. Both hailing from Melbourne, they first crossed paths during their high school days, bonding over their love for music and performing arts.

“We actually met during our high school production of ‘Hairspray’. From high school, we studied audio production in university and continued performing in shows, bands and events across Melbourne,” reflects Connor Absolum. However, like many artists, their path was not without its challenges. After experiencing a period of burnout, the duo took a hiatus from music, stepping away from the spotlight to rediscover their passion and purpose.

“We stopped music all together for four years,” Connor explains, “after we got married, we relit our passion for music and created Mister Co.”

Fast forward to today, and Mister Co. is on the brink of something extraordinary, offering a genre-blended experience that combines Oscar’s influences from big bands and musical theatre with Connor’s passion for anthem rock, soul, and pop.

With a string of successful releases under their belt, including the romantic ‘Tonight’, the flirty ‘Make You Feel Alright’, the electro-disco jam ‘Better Lives’ and the alt-rock number ‘Don’t Talk About It’, the duo has garnered well over 200,000 combined streams and earned acclaim from community radio stations like Joy FM. They recently took out first place at the Festival of Sails’ Emerging Artists stage and their music has even caught the attention of international audiences, with listeners tuning in from across the globe.

But it’s not just their impressive accolades that set Mister Co. apart; it’s their authenticity and raw talent that truly shine through in every note they play. Whether it’s Connor’s soulful vocals or Oscar’s intricate musicianship, there’s an undeniable chemistry between them that elevates their music to new heights.

Already this year the duo have released two singles with RnB-pop track ‘Down Low’, featuring a collaboration with Melbourne-based artist Katherine, and ‘On This Journey’, the title track of their upcoming, highly-anticipated debut album.

With a captivating blend of pop, ballad, and folk elements, the single ‘On This Journey’ transports listeners on a sonic voyage, guided by the ethereal vocals of Ambraya. Her contribution adds a theatrical dimension to the song, evoking the grandeur of a Broadway stage production while retaining the intimacy of a heartfelt ballad.

“The title track ‘On This Journey’ is the final piece of the puzzle, a song that purely reflects the last 10 years together which is the concept of the album,” Connor explains. “Our favourite lyrics from the song are ‘warm like whiskey, with a glass of wine. Aged so fine’.”

It’s the perfect prelude to what listeners can expect from the debut album, On This Journey Vol 1, which is due for release on 4 May.

The album, recorded entirely in their home studio, promises to be a true reflection of their artistry, blending soulful vocals, modern-pop sensibilities, and heartfelt storytelling into a cohesive musical narrative. It will feature their previously released singles in a collection of songs that narrate their path from high school to the stage, culminating in their union as husbands.

“Whenever we had an idea, we would go straight in the studio and start developing it into a vibe and then into a song,” he shares. “The album is a 50/50 collaboration between us both, we threw the rule book out and wrote what felt right and really told our story, which resulted in a genre-fluid album!” And what better way to celebrate their journey than with a debut headline show and album launch at The Night Cat on May 10th?

Backed by a 13-piece band, Mister Co. will take the stage to perform tracks from their album, alongside select covers that have influenced their musical journey.

“This show is going to be epic. The show will reimagine all 10 tracks from the album with a few covers of songs that have heavily influenced us. We are giving this show everything we have and will be an example of what we are capable of, and what a place to perform at, the iconic The Night Cat.”

For Connor and Oscar, the stage is where they truly come alive, where their music takes on a life of its own and their passion shines brightest. It’s a chance to connect with their audience, to share their stories, and to inspire others to chase their dreams, no matter the odds.

So, as they continue to carve out their place in Melbourne’s vibrant music scene, one thing is clear: Mister Co. is a duo on the rise, destined for greatness. With their talent, passion, and unwavering dedication, there’s no telling how far they’ll go. And for music lovers everywhere, that’s something worth celebrating.

MISTER CO.

ON THIS JOURNEY ALBUM LAUNCH & DEBUT HEADLINE SHOW

WHERE: THE NIGHT CAT

WHEN: FRI 10 MAY 6:30PM

AIREYS INLET MUSIC FESTIVAL 2024

Shines a spotlight on local artists and coastal charm

WORDS BY TALIA RINALDO

Æ Nestled along Victoria’s breathtaking coastline, the Aireys Inlet Music Festival returns in 2024 with a renewed focus on celebrating regional talent and the vibrant cultural landscape of the Great Ocean Road region.

Set against the backdrop of sunkissed shores and lush hinterlands, this year’s festival promises a musical journey like no other, showcasing the rich tapestry of sounds woven by local artists and emerging talents.

At the helm of Aireys Inlet Music Festival, now in its 18th year, are Artistic Director Patrick Donovan and programmer Ed Prendergast, whose passion for music and community has guided the festival’s evolution over the years.

The transition from an open mic event to a ticketed festival has been instrumental in shaping the festival’s identity in recent years. Donovan explains, “The Open Mic format was a sensational way for undiscovered artists to find an audience. Since the lockdowns, we recognise the disastrous impact that had on artists’ income, so we decided to narrow the field, provide meticulous curation, and focus on more established artists.”

This shift has not only ensured fair compensation for performers but has also elevated the festival experience for attendees, who can now enjoy a carefully curated lineup of top-tier talent.

Indeed, this commitment to incredible talent is evident in the festival’s lineup, which reads like a love letter to the vibrant musical community thriving along the Great Ocean Road. From the soulful ballads of Henry Wagons to the infectious energy of ska favourites The Resignators, the Aireys Inlet Music Festival represents more than just a weekend of entertainment; it’s a celebration of the unique spirit and creativity that permeates regional Australia.

In curating the festival lineup, Donovan and Prendergast strive to strike a balance between showcasing local talent and bringing in established acts. “The festival has always had a very wide and diverse range of artists. This had been deliberate from day one to enhance the appeal.

“We like to mix it up and give the audience a combination of familiarity and interesting new surprises.”

From local favourites like Owsley, Beans, and Honk to acclaimed artists such as Matt Walker, Kylie Audlist, and Ashley Davies, the lineup promises something for everyone. “Sunset is becoming a legendary slot at the festival,” they explain. “After Immy Owusu last year, Sand Pebbles play their shimmering psych surf rock on Friday and Matt [Walker] and Ash [Davies] have the slot on Saturday. This is a dream come true for the festival and we expect it to be spoken about for years to come.”

While championing the diverse array of musicians that call the region home remains key, this year the festival will host its first international act, with the Cambodian Space Project bringing their unique funky pop from Cambodia via Womad to the town on Sunday afternoon.

“We got very lucky with the Cambodian Space Project… They will bring plenty of vibrancy and colour, as will Tek Tek ensemble. We have a modest budget, but will do our best to drag in touring artists when the opportunity arises.”

So what sets the Aireys Inlet Music Festival apart from other regional festivals, according to Donovan? “It’s a boutique event that celebrates its local community - with a thousand friends from nearby towns, Geelong, and the big smoke.”

With stages scattered across town, attendees are treated to a unique musical experience that showcases the region’s diverse venues and vibrant cultural scene. “Music is all over the town in some unique venues,” Donovan enthuses. “It’s run for free by the community for the communitya labour of love.”

Looking ahead, Donovan and Prendergast see the festival as a vital contributor to Victoria’s live music ecosystem. “Boutique festivals are incubators for emerging bands and opportunities for people to enjoy music in an intimate comfortable setting, while uniting the community and boosting spend in the town,” he notes.

“This festival is obviously great for local music lovers, however it also brings in a large number of visitors from around the state. These visitors quickly see how amazing the beaches and forests are, and also see the quality of the dining and entertainment offerings. For a small town, Airey’s punches well above its weight for diners and revellers.”

Despite challenges such as rising costs and unpredictable weather, they remain optimistic about the festival’s future, citing its dedicated community support and commitment to showcasing the best of regional talent.

“We want it to become a festival where bands really want to play so we can keep evolving. We aim to keep up the volunteer aspect of the festival in order to keep costs down, ticket prices down, and the artists fully rewarded for their performances.”

With each passing year, the Aireys Inlet Music Festival continues to shine as a beacon of creativity, community, and coastal charm – a testament to the enduring creative spirit of regional Australia.

As for what Donovan hopes festival-goers take away from their experience at the event: “A bloody good time, and a thirst and curiosity for interesting new music and uncovering their favourite new band. And dreams to return to the town.”

AIREYS INLET MUSIC FESTIVAL

WHEN: 15–17 MAR

From Kids In A Band to Having Kids: 15 YEARS OF THE SMITH STREET BAND

WORDS BY TAMMY WALTERS

Æ 2009 was an interesting year for popular music. On one side Lonely Island had teenagers singing about jizzing in their pants, David Guetta had us calling everyone sexy bitches and Black Eyed Peas were nonsensical with ‘Boom Boom Pow’. On the other side, Arctic Monkeys has us swooning with ‘Cornerstone’ and The Yeah Yeah Yeah’s made heads roll thanks to their third studio album It’s Blitz!

On Thursday, 26 November 2009, waiting at the back of house at Melbourne’s favourite live music venue The Tote was an 18-year-old Wil Wagner. He was ready to unleash his music onto an eager crowd, his first gig as the frontman of the now famed The Smith Street Band, with a vision to turn the stage that he was about to step foot on into the stage at The Corner Hotel, a feat achieved in 2012 with two back to back shows, and as any young band would have it, to get free beer.

After six studio albums and national and international tours across North America, China, the UK and Europe, including a show at The Greek Theatre in Los Angeles, the tides of the thirties have taken a toll on Wagner.

“We’ve replaced the free beers with free coconut water and free Gatorade. Lemsip is on the rider where it used to be,” the now 33-year-old laughs.

“I used to do tours where it was 30 shows in a row and I would somehow survive the whole thing but it’s now like three shows in a row, I’m fucked! I’m exhausted.”

The exhaustion may also stem from some new additions into Wagner’s life. 2023 saw Wagner reaching major personal milestones of becoming a husband to his sweetheart, Tess, and a dad to his daughter, Maisie, a month apart.

“No honeymoon for us or anything, it was straight onto the next thing. I think the next day we had a session with our birthing specialist. One special night and back into baby prep,” Wagner explains.

“Getting married was the most incredible amazing day and when Tess walked down the aisle I thought “I’ve never loved anyone more than I love Tess in this moment” and then inevitably being there for the birth I was like “oh what, whatever”. Seeing someone you love go through all of that and to have this baby is mindblowing. It’s a completely world-changing event.

“It’s so funny after leaving the hospital, I was like “Why is everyone going around like everything is normal? Why are people at work and stuff? Doesn’t everybody know we’ve just had a baby? Why is the whole world not stopping to recognise this moment”. It’s everything!”

The life changing moment has brought a new perspective to Wagner’s life and career. A man who had formerly been all consumed by music making, writing and performing is now seeing the world with the lens of a proud dad.

“It was the great joy of my life until my kid was born and now it’s the other great joy of my life,” he says.

“The perspective change that I have had where it’s like getting up on stage and performing used to be my everything and it’s still obviously very important to me and it’s a big part of who I am, but it’s like “oh nothing is about me anymore at all”, which I’m actually kind of grateful for as a self-obsessed writer to have… Everything is about her and her life and her happiness. It’s a really transformative period of time.”

The biggest joy however is merging the two together with Tess and Maisie set to join Wagner and co on the road on their extensive 18-show, 15 Year Anniversary Tour, including the Torquay Hotel show.

“Maisy has come to a couple of sound checks already. She has these little baby earmuffs which are super cute,” he gushes.

“I love having kids around on tour. A lot of people in the band are parents now as well so it feels like there are always kids around and all of our friends are now at that age where they all have kids now so yeah, soundchecks and backstage has changed a lot from how it used to be.”

With the new generation of The Smith Street Band groupies in tow, the band may be changing direction on their new releases with Wagner very much in writing mode for album number seven.

“I’ve been writing a tonne in the lead up to Maisie being born. Since Maisie has been born, I’ve been making up a lot of kid songs to sing to her so I think I’m going to have to put out an adults album and kids album for the next release,” he laughs.

THE SMITH STREET BAND

THEATRE ROYAL, CASTLEMAINE THU 18 APR

TORQUAY HOTEL, TORQUAY SAT 20 APR

Credit: Ian Laidlaw

MAGDALIA: MELBOURNE’S RISING STAR

WORDS BY TALIA RINALDO

In Melbourne’s ever-impressive music scene, Magdalia shines bright as a 24-year-old musical alchemist, captivating audiences with her soulstirring vocals, enchanting lyrics and captivating blend of indie folk-pop.

Æ Inspired by the likes of Lorde, Taylor Swift, and Florence and the Machine, Magdalia – the creative alter ego of Brodie O’Halloran – casts a modern-day spell with her music. Her songs weave introspective reflections, heartfelt storytelling, and dreamy melodies into a spellbinding tapestry that keeps listeners spellbound.

Originally from Melbourne’s south-eastern suburbs, Magdalia’s musical journey began at the tender age of eight, fuelled by a passion for singing instilled by her family.

“I started singing when I was eight years old,” she recalls, “my mum wanted to learn to sing when she was younger and didn’t get the chance so she made sure I had the opportunity to get lessons.”

“I discovered pretty quickly that I felt like I could be my true self when I was performing. I had never been able to express my emotions so freely before and it was life-changing to have something where I could do that.”

As she refined her skills over the years, her voice blossomed into a formidable instrument, drawing her towards the art of songwriting, using music as a means of expressing her innermost thoughts and feelings. Now a singing teacher at Creative Souls Studio, Magdalia’s music defies easy classification, blending elements from indie, alternative pop, and even musical theatre, creating a sound uniquely her own.

“Anything that has big vocals and poetic lyrics is right up my alley. I always try to write lyrics that connect with the audience and I find that these genres are great at doing that,” she says. “As a teacher I get introduced to all sorts of music and I think this plays a part in how I write too, even if I don’t really know it.” Magdalia has already released several impressive originals, from the raw vulnerability of ‘Great Expectations’ to the haunting beauty of ‘Fault Lines’ and her latest single, ‘Hold It Up’, featuring Mayzie Chew, showcasing her evolving musical prowess.

Packed with evocative melodies and thought-provoking lyrics, much of Magdalia’s music draws from her own experiences, serving as a form of catharsis during difficult times. ‘The House On Stanley’, for instance, was penned after the loss of her aunt, offering a means of processing grief. Similarly, ‘Great Expectations’ was written following her autism diagnosis in 2021, helping her come to terms with her identity.

“I was very confused and overwhelmed with all this new information and not sure of where my place was in the world, so writing that song helped me come to terms with it and it’s now one of my favourites to perform.”

Exploring themes of love, loss, and the human experience with authenticity and depth, Magdalia hopes to offer solace and understanding to listeners, acknowledging the universal struggles and experiences we all share.

“I love that I can truly express myself. As an autistic woman sometimes I find self-expression difficult so having an outlet for that is so important,”

“My songs tend to deal with lots of universal experiences and feelings so I think on that level they are easy to connect with. If my songs can spark some sort of emotion in someone,” she says, “then I’m happy. That’s the way I’ve always approached music and performance.”

But it’s on stage where Magdalia truly shines, her emotive vocals and captivating presence leaving audiences spellbound. Like her inspiration, Florence Welch, Magdalia’s performances are simple yet mesmerising, as she pours her heart and soul into every song.

“I love that I can truly express myself. As an autistic woman sometimes I find self-expression difficult so having an outlet for that is so important,” she says. “When I perform live and when I make music I feel like I’m able to connect with people on a level I don’t usually get so it’s really special for me.” With accolades like being the runner-up at the Festival of Sails emerging artist stage and performing at the Grand Final of the Listen Up Songwriting Prize in Sydney, Magdalia’s star is on the rise. Despite her success, she remains grounded in her passion for creating music that resonates with others.

Preparing for her first headline show in March and plans for an EP in the works, Magdalia shows no signs of slowing down. Her music promises to leave a lasting impression on all who hear it, offering a blend of introspection, emotion, and ethereal beauty.

For fans of Lorde’s introspective lyricism, Taylor Swift’s emotive storytelling, and Florence and the Machine’s dreamy melodies, Magdalia is a rising star to watch.

BALL PARK MUSIC

Festivals, Creativity, and Here Comes

The Sun

WORDS BY TALIA RINALDO

Æ Embracing the sun, surf and sensation sounds, Here Comes The Sun festival returns in 2024, extending its reach beyond Western Australia’s shores to grace Victoria’s coastline alongside its flagship event in Margaret River.

Set to take place on Saturday 30 March at Torquay Common, this festival guarantees an unmissable celebration of music, sunshine, and coastal vibes.

Among the stellar lineup of Australian artists set to grace the stage, one name shines particularly bright – Ball Park Music. Renowned for their infectious indie rock/ pop anthems and electrifying live performances, Ball Park Music requires no introduction to seasoned festival-goers.

Hailing from Brisbane, Ball Park Music’s journey through the Australian music scene has been nothing short of extraordinary. With chart-topping hits and a reputation for captivating live shows, the band has become a household name.

Ball Park Music frontman Sam Cromack shared insights into their festival approach, stating, “Festival sets are a bit shorter than headline shows, so we usually just try to pack them with as much goodness as possible.” He added, “The way we play together is always evolving too. We’ve been enjoying some free and improvised moments in the show. It helps us stay engaged and reminds the crowd that we are indeed just five people hanging off each moment.”

Fresh from performances at Party in the Paddock festival in Tasmania and Taronga Zoo, their upcoming Torquay gig promises to be a dynamic showcase of their signature sound and stage presence, leaving audiences spellbound.

“We always try to adapt our show to the environment we’re in. Just the other week we performed at Taronga Zoo in Sydney and moments before going onstage my bandmates suggested I play a solo version of a new song because we thought it would suit the mood. It’s like a living thing, it’s always flexible and changing.”

From their breakout success with tracks like ‘It’s Nice to Be Alive’ to their self-titled, triple ARIA-nominated album Ball Park Music , the band has consistently delivered music that resonates with audiences across the country.

Producing hit singles ‘Sunscreen’, a track that marked the band’s 15th Hottest 100 entry in January, and the sentimental ‘Stars In My Eyes’, their contemplative seventh studio album Weirder & Weirder, which debuted at #2 on the ARIA Charts, further solidified their position as one of Australia’s most successful acts.

Cromack shared insights into the album’s creative process, saying, “For me, when I think about making Weirder & Weirder, the defining thing was actually the lack of direction. We made it during Covid and it just felt like the whole world was caving in so it was like ‘Ah who cares, what should we do today?’.

“There was no overall vision or idea for the album, we kinda just went to the studio and worked cos there was nothing else to do. We experimented a lot and just tried new things. It was a fun album to make.”

This candid approach to creativity shines through in the album’s distinctive sound, which seamlessly blends experimentation with the band’s signature style. With tracks that range from introspective ballads to high-energy anthems, Weirder & Weirder is a testament to Ball Park Music’s ability to push the boundaries of their sound while staying true to their roots.

Joining Ball Park Music on the festival lineup are some of Australia’s most exciting musical talents, each bringing their own unique flair to the stage. From the psychedelic surf-rock vibes of Ocean Alley to the emotive storytelling of Ruby Fields, and the laid-back melodies of Jack Botts, the festival promises a diverse musical experience for all tastes.

Cromack expressed excitement about catching up with old friends at the festival, saying, “It’ll be nice to see the Ruby Fields gang again. We’ve toured with them in the

past. They’re rascals but they’re good eggs. Always look forward to seeing them.” With such a stellar lineup, Here Comes The Sun festival is shaping up to be one big party, showcasing the best of Australian music against the backdrop of sun-soaked shores and rolling waves.

“The festival scene in Australia is pretty spectacular. In our fifteen years playing, it feels like we’ve seen just about all of them and it is indeed sad to see so many struggling. I can’t speak exactly to why some are failing or succeeding at the moment, but I can definitely attest to their value.

“Festivals are a beautiful environment for artists and punters alike. There’s a real sense of ritual to it, it’s an idea as old as the hills... people getting together in the night to eat, drink, be merry and celebrate with music. It’s something special and we’ve got to cherish it.”

But Here Comes The Sun festival isn’t just about the music – it’s a celebration of the laid-back coastal lifestyle that defines both Torquay and Margaret River. Coinciding with two of Australia’s most prestigious surfing competitions, the World Surf League Margaret River Pro and the Bells Pro in Torquay, the question arises: will Ball Park Music be hitting the waves alongside the surf pros? With a grin, Cromack shares, “We like a swim but you won’t see us on any boards.”

While their musical prowess is undeniable, it seems the band will leave the gnarly waves to the pros and instead focus on delivering an unforgettable performance at Here Comes The Sun festival.

HERE COMES THE SUN

WHEN: TORQUAY COMMON, TORQUAY, VIC

WHEN: SAT 30 MAR

FROM THE HEART: SAINT VICTOIRE IS ONE TO WATCH

WORDS BY TALIA RINALDO

Æ In a world craving authentic voices and genuine storytelling, Melbourne-based singer-songwriter Saint Victoire (pronounced saint vic-twar) emerges as a compelling artist on the ascent, her heartfelt storytelling and raw, energetic melodies setting her apart. Recently securing the runner-up placement at the Emerging Artist Stage at Festival of Sails, Saint Victoire leaves a lasting mark with her unique fusion of Americana, folk, country, and alt-poprock influences.

Hailing from Melbourne’s outer-east, Saint Victoire, born Heidi, has been nurturing her talent since childhood. Her love for music blossomed at the tender age of four, sparked by a humble cassette tape of country classics cherished by her mother. Imbued in the timeless tunes of Kenny Rogers, Dolly Parton, Tammy Wynette, and Patsy Cline, she sought solace in the melodies resonating through the carport.

“I think that’s when my passion really must have started,” she muses. “I used to make recordings of myself imitating these singers on the old cassette players where you could stick a tape in and hit record. Then as I got older, my big brother really got into drumming, and he would set up this tiny microphone on our parents’ record player and make me sing along while he drummed to Limp Bizkit, Linkin Park and Blink-182.” With a diverse musical background and a wealth of experiences, Saint Victoire’s evolution into a professional musician was inevitable; an integral aspect of her identity intricately woven into her essence.

“I don’t think there was ever a moment where I consciously thought I would pursue music as a career, music has just always been so much a part of me,” she reflects. “Being on stage in front of an audience is when I feel most grounded, at home and myself. I can’t even explain how much I love it, it’s the best.” With a voice reminiscent of Maggie Rogers’ poetically moving narratives and Stevie Nicks’ ethereal allure, Saint Victoire commands attention with her sound, leaving listeners craving more of her captivating melodies. “I think at the moment, I’m loving songs with a lot of energy and lift, especially with powerhouse vocals,” she explains, hinting at the driving force behind her dynamic sound.

Drawing inspiration from legendary artists such as Leonard Cohen, Bob Dylan, Johnny Cash, Ben Howard, and Lana Del Rey, among others, Saint Victoire’s lyrical prowess knows no bounds.

“Lana Del Rey changed the entire landscape of modern music,” she explains, “I’m currently really inspired musically by bands like The War on Drugs, the Killers (more recent catalogue), Gang of Youths, Sam Fender, Bruce Springsteen, Angie McMahon and Led Zeppelin. I watch a lot of live performance videos and when I see these guys killing it, I’m just like ‘Let me up there, I gotta do that’.”

Saint Victoire’s songwriting process is deeply personal, often sparked by fleeting moments of inspiration. “I usually will have an idea in a dream... I’ll wake myself up if I think it’s good and quickly write down everything I can remember of it,” she reveals. “For me, songwriting is a job of listening, so I need as few distractions as possible so I can hear clearly. I usually keep the blinds closed and I listen and visualise performing the song.”

Crafted with care and sincerity, her songs aim to resonate with listeners on a profound level, offering solace and a sense of belonging. “I care deeply for people and the human condition and I hope that it translates through my music. If someone can come away from a show feeling like their heart is lighter than when they came in, then I’ll feel like my job is done.”

Laying a magnetic foundation with her stripped-back 2021 EP A Thing I’d Hate To Change, her strikingly honest and aching debut single ‘Foreigner’ and her recent magically powerful live recording ‘The Mill’, Saint Victoire highlights the synergy she shares with her bandmates as a career highlight.

“We have so much fun wherever we are. They are such a blessing to me,” she expresses gratefully. “I often hear women speaking about their bad experiences being female in the music industry, and so being surrounded by these guys who support me so much, never patronise me, get excited about whatever vision I share with them and help me realise it, is amazing. They are gold, and so incredibly talented.”

Looking ahead, Saint Victoire is excited about upcoming projects, including releasing her single ‘Basically, I’m just sad’ and a series of live recordings. It’s performing live though that truly ignites her passion and fuels her creative fire.

“I could just be addicted to the dopamine of performing, but I have seen artists live before where it’s as if they have that ‘something else’ which can’t be quantified or explained,” she muses.

Driven by the electrifying energy of live performances, Saint Victoire pours her heart and soul into each moment on stage, aiming to create a transcendent experience for her audience.

With her unwavering dedication and unmistakable talent, she is undoubtedly an artist to watch, poised to leave an indelible mark on the industry.

Æ Prepare for a two-day whirlwind of rock ‘n’ roll euphoria as Do The Pop festival storms back into the picturesque shores of Port Campbell this April.

Nestled along the Great Ocean Road in Southern Victoria, this boutique Australian independent music festival is not only a celebration of rock ‘n’ roll culture but also a vital platform for championing local talent and supporting the grassroots music scene.

Crafted by the masterminds behind Melbourne’s own Grindhouse, Do The Pop pays homage to Radio Birdman’s iconic 1978 single, embodying the rebellious spirit of Australian rock ‘n’ roll. Set against the backdrop of the Port Campbell Hotel, this year’s festival spans two days, featuring over 30 bands across two stages, ensuring an unrelenting barrage of sonic brilliance for all rock aficionados.

At its core, Do The Pop stands as a beacon for local bands, providing them with a stage to shine and a voice to be heard amidst the crowded festival landscape. From emerging acts to seasoned veterans, the festival embraces the rich tapestry of talent thriving within Melbourne’s vibrant music scene and beyond.

Leading the charge are Melbourne punk rock legends, The Meanies, whose legacy in the underground scene spans decades, leaving an indelible mark with albums like “Come ‘n’ See” and “Televolution.” Joining them is the enigmatic Bob Log III, whose one-man-band performances, clad in a full-body human cannonball suit, promise a spectacle like no other.

Freshly added to the lineup is Orb, spearheading the festival with their heavy rock influences, alongside other notable acts such as Dr Colossus, Grindhouse, and The Maggie Pills, each bringing their distinctive flair to the stage.

But beyond the marquee names, Do The Pop serves as a launchpad for local homegrown talent to showcase their artistry and carve their own path in the music industry. From the blistering garage rock of Street Sweeper to the psychedelic grooves of The Neptune Power Federation, each act offers a unique sonic journey, united under the banner of rock ‘n’ roll.

DO THE POP

Rock’n’roll music festival returns to Port Campbell with massive lineup, championing local talent

This carefully curated selection of bands not only showcases the diverse talent pool thriving in Melbourne’s vibrant music scene but also extends its embrace to other Australian locales, including Geelong, Sydney, Brisbane, and beyond.

Port Campbell’s own Troubled Minds, Apollo Bay’s The Refuge, and Warrnambool’s The Monaros and Convict Class will also take to the stage, adding an extra layer of local flavour to the festival lineup.

While offering music lovers an incredible lineup of talent, Do The Pop actively champions these local bands by providing them with exposure, networking opportunities, and a platform to connect with fans and fellow musicians alike. It’s not just about the music; it’s about fostering a supportive community that nurtures creativity and celebrates the vibrant tapestry of Australian rock ‘n’ roll.

As the festival takes over the Port Campbell Hotel on April 20 and 21, attendees can immerse themselves in the pulsating energy of live music while basking in the scenic beauty of the Great Ocean Road.

Exclusive to those aged 18 and above, the festival offers various ticket options, including single-day passes, twoday passes, and camping packages at the Port Campbell Rec Reserve, ensuring a hassle-free experience for all attendees.

Whether you’re a seasoned enthusiast or a casual listener, Do The Pop promises an unforgettable weekend of pure, unadulterated rock ‘n’ roll bliss.

DO THE POP LINEUP 2024

Orb • The Meanies • Bob Log III (USA) • Dr Colossus

Dr Sure’s Unusual Practice • Willie J and the Books • Budd

The Unknowns • Billiam and the Split Bills • Grindhouse

The Maggie Pills • Stepmother • The Neptune Power Federation

My Left Boot • The Miffs • Rockafella • Hot Machine

Street Sweeper • The Monaros • Convict Class • Troubled Minds

Sargent Baker • Melt • The Refuge • Dole Manchild • Sick Fizz

The Dive Bombs • Inked Factor • Arabella & The Heist • Blyss

DO THE POP WHERE: PORT CAMPBELL HOTEL WHEN: 20–21 APR

VILLE VALO

WORDS BY TAMMY WALTERS

Since 1991, Finnish frontman Ville Valo has been the vaunted gothic priest of a generation of metalheads with a soft centre.

Æ He expanded the music ecology under the HIM band banner with a subgenre he appropriately coined love metal - the title of their illustrious fourth album - and symbolised their sonic revolution with an arcuate-topped pentagram, adoringly branded the Heartagram.

26 years of being the gothic poster boy for the most commercially successful Finnish bands of all time came at a cost to the highly sought-after rock god. As quickly as the accolades came, so did the bitter trials of fast fame; the attention, the hypersexualisation and scrutiny from the media, the substance abuse, and, of course, visits from the mental health demons.

“It was very intense…It seems I woke up from the slumber, that zombified state of being in a gothic boy band for Love Metal,” Valo explains.

“I was definitely out of my depth. It felt very uncomfortable at times and not only for that [sexualisation]. It just felt like we were taken from the middle of nowhere into the big wide world and there’s a lot of firsts and a lot of things we didn’t know when, what and how to deal with… It was a good mess. Somebody has to go through it. So it’s good for mankind; small steps for me, but massive steps for mankind.”

The final nail in the band’s career coffin came on 5 March 2017. Black eyeliner bled from the eyes of fans around the world at the death of HIM, burying with them eight multi-award-winning studio albums. Whilst fans longed for a HIM resurrection, Valo took a detour to Finnish schlager group, Agents, but it wouldn’t be long before the darkness would lace his heart again.

With the twin alliteration of his name condensed to a sharp VV, Valo’s reincarnation is marked by an echoing titular double, Neon Noir. Spawning from the toe-dip three-track EP titled Gothica Fennica, Neon Noir continues Valo’s descent into the melancholic maelstrom. “This is a continuation of the same thing more or less and that is because that is the only way I know how to communicate, musically speaking. I was trying to change my stripes, but I couldn’t. I always found myself in a similar spot musically because, at the end of the day, aurally you’re trying to please yourself and it seems that those same things still tend to please me,” he admits.

Bleeding his entire self into the Emmy Award Best Rock Album of 2024, writing and undertaking all instrumentation in solitude, Neon Noir is more than an exterior glow. It has reignited Valo’s internal flame.

“I felt that I needed to challenge myself and be a tad egotistical once again and let it be known that it’s all about me, me, me,” he laughs.

“I think it’s been endearing for such an old dog like myself to find new avenues of being creative and the newness of it all. I think it’s a good idea for everybody to become a solo artist at least once in their lifetime.”

Whilst a pandemic size pit and pendulum (a Poe reference that finally spilled from Valo’s pen on ‘Heartful of Ghosts’), plagued this project, career collaborators, companions and life constants Mikko “Mige” Paananen, and album co-producer, Tim Palmer, helped pull Valo to the neon lights.

“Maybe a tad too much I got lost in the woods at times, but that’s what you have to do. You have to be a bit kooky and get even a bit crazier in the process of making music and making an album. It has to be all-encompassing. It has to take over. It is like a demonic possession of sorts, an album making is,” he jokes, twitching a pearly-white smile.

“Mige, the bass player of HIM, came to my studio during the pandemic and gave me the thumbs up, thumbs down regarding the work I was doing while also checking whether I’m in a good place, mentally speaking…and Tim was able to understand what I was going for and also give me the sort of kick in the butt when I was losing my hope.”

The harsh cold and a 3 pm night sky drowning the city of Helsinki - a stark contrast to the sun-soaked setting greeting him this month on his Australian tour - yet again cocooned Valo in a melancholic stupor of hope-lost, both lyrically etched on the gravestone of Neon Noir and tangled in its entwined 80’s gloom/pop web.

That misery still seeping into his songwriting seems to have escaped Valo somewhat in disposition. His naked eyes, cleansed of his signature smudged black eyeliner, scintillate with pride as he discusses his rebirth. Years of concern for his condition and wellbeing have dissipated.

This sober, focused, reincarnated version of Ville Valo embodies another double alliteration; happy and healthy.

“[Neon Noir] has given myself a reason to be, to exist, as music always does…I’m happy to have found out that there are new things to learn about music and new things to get inspired by.”

“I think it’s a good idea for everybody to become a solo artist at least once in their lifetime.”

VILLE VALO

WHERE: NORTHCOTE THEATRE

WHEN: SAT 15 MAR

PISTOL PETE’SCelebrating 10 years!

Bringing the tastes and sounds of the South to Geelong since 2014.

LUXURIOUS HOTEL DRINKING, WITHOUT THE HOTEL

OPEN:

Friday–Sunday, 5pm–1am

Reservations recommended

ADDRESS:

2/71 Little Malop St, Geelong

SOCIAL:

@non_disclosure_bar

BOOKINGS AND MENU:

ARTS GUIDE

Exhibitions to see this month

WORDS BY CHESTER OGILVIE

PARIS: IMPRESSIONS OF LIFE 1880–1925

Established in 1880, the Musée Carnavalet in Paris occupies two neighbouring mansions and is dedicated to the history of the city. Here, more than 170 artworks and artisan objects are on loan from the museum for this stroll in the life of one of the world’s most magical cities. From the banks of the Seine to the bohemian Montmartre, this exhibition examines a period of time which helped shape the City of Light.

BENDIGO ART GALLERY 16 MAR–14 JUL

40 AND FABULOUS!

Does life begin at forty? The Embroiders Guild Victoria Ballarat Branch has turned the big 4-0 and they’re out to show they’re still feeling fine and looking good. This biennial exhibition features contemporary textile artworks and traditional embroidery created by members over the past two years. From creative to contemporary, handmade pieces and machine created, counted and freeform, you’ll be amazed at what a needle and thread can do.

ST PATRICK’S HALL, BALLARAT 9–11 MAR

PRESCIENCE

An acclaimed master printer, Dianne Fogwell has been exhibiting since the early eighties. Prescience is a 56 hand-printed panel installation that gives the viewer a panoramic view of the Australian landscape. Take a walk through the bush and soak in its own journey – from humanity’s role in its destruction, through to the regeneration that follows natural disasters. Connect with the natural world. This exhibition will be accompanied by a musical composition from Rueben Lewis.

GEELONG GALLERY 23 MAR–28 JUL

APOLLO BAY ART SHOW

The Apollo Bay Art Show first opened its doors in 1976 when a group of locals decided to hold an art show as a fundraiser for the local History Society. Today, it welcomes everyone from the first-time exhibitor to seasoned pros in all 2D and 3D mediums. Last year, more than 1500 people turned out, snapping up some 40% of works to put in their home.

APOLLO BAY COMMUNITY HALL 29 MAR–6 APR

JXSH MVIR: FOREVER I LIVE

Born and raised in Ballarat, Gunditjmara, Yorta Yorta and Barkindji man Josh Muir shone as brightly as his kaleidoscopic works. The late artist, who sadly passed away in 2022, became known for his largescale brightly coloured works influenced by street style. He also designed the Richmond Football Club’s 2017 Indigenous jumper. JXSH MVIR: Forever I Live is the first major solo retrospective of his work.

KOORIE HERITAGE TRUST (BIRRARUNG BUILDING), FEDERATION SQUARE 9 MAR–14 JUL

COLOUR ENCLAVE

Like music, art can have a way of calming the inner tides and lifting spirits. Directing colour and form, the abstract artwork of Andrew Gunnell, Melinda Harper, Lucinda Tanner, Katherine Hattam and Wayne Viney form an exhibition of unique spaces. According to the gallery, Gunnell grasps spatial recognition, Harper deciphers zones into shapes, Tanner contributes the organic, Hattam presents her domestic environment and Viney showcases his classic open spaces.

QUEENSCLIFF GALLERY 7 MAR–1 APR

ARTS OPEN

What lies in the spaces that create artwork? What inspires the pieces we hang on our walls? Arts Open is an opportunity for art lovers to step inside the lives of artists. More than sixty studios, galleries and workshops will open up to an experience of behind-the-scenes looks and artist discussions, while artwork can be purchased directly from the artist. Castlemaine, Maldon, Newstead, Taradale and surrounding districts will take part. VARIOUS LOCATIONS

9–11 & 16–17 MAR

QUEER COUNTRY ART EXHIBITION

The first Bendigo Pride Festival took place in 2019, a two-week event that featured music, art, comedy and social events. As part of this celebration, the Queer Country Art Exhibition, which itself will celebrate its sweet 16th this year, offers a platform for queer artists in the Bendigo and rural/regional Victoria area to express themselves and showcase their creativity while educating the broader community about LGBTQIA+ arts and culture.

DUDLEY HOUSE, BENDIGO 14–24 MAR

ART LATE

Immersive Encounters Await at the Art Gallery of Ballarat

WORDS BY TALIA RINALDO

Æ Prepare to immerse yourself in a world of art and music after hours with Art Late, the Art Gallery of Ballarat’s innovative new series of late-night encounters set against the backdrop of Nan Goldin’s captivating exhibition, The Ballad of Sexual Dependency

From 2 March to 2 June, the series will deliver an evening of sensory delights, where contemporary indie bands and evocative photography collide to create an unforgettable experience.

Louise Tegart, the Gallery Director describes Art Late as an invitation for visitors to explore the Gallery in a new light, emphasising the element of curiosity and discovery. “Art Late is about curiosity and discovery,” she says, “With our schedule of exhibitions for 2024, we wanted to enhance the visitor experience with a series of late-night encounters, highlighting the Gallery in a new light.”

“We encourage visitors to wander the gallery after work and take part in an artmaking activity, or enjoy a band, our inspired menu and curated bar and be a part of something special.”

Kicking off the series are two compelling Australian indie bands, Gut Health and The Belair Lip Bombs. On 16 March, delve into the hypnotic sounds of Gut Health, a sixpiece ensemble hailing from the Naarm/ Melbourne underground scene. Their sonically daring, visually adventurous performance promises to transport you into a world of post-punk edge and raw energy.

Following suit on 13 April, The Belair Lip Bombs take the stage with their masterful melodies that weave stories of longing and self-discovery. Fresh from their successful stint at SXSW in the US, this indie band promises an enthralling performance that intertwines evocative narratives with indie arrangements, leaving you spellbound.

The choice of Gut Health and The Belair Lip Bombs as the featured bands was inspired by the essence of New York and the themes portrayed in Nan Goldin’s exhibition. Tegart explains, “We curated an ART LATE line-up for March and April with the Nan Goldin exhibition and New York as the inspiration behind selecting the bands and style of music.

“Gut Health is a major supporter of the LGBTQI+ community and culture development and we are honoured to have them as part of our inaugural Art Late series. Their music resonates with the in-depth documentary-style photographs of New York underground in the 1970s and ‘80s taken by Nan Goldin and on display right now.” Central to the Art Late series is Nan Goldin’s groundbreaking exhibition, The Ballad of Sexual Dependency. Making its Victorian debut in Ballarat as part of PHOTO 2024, this highly anticipated showcase delves into Goldin’s exploration of subcultures, moments of intimacy, and the impact of societal issues like HIV/AIDS and opioid epidemics. Goldin’s deeply personal and candid portraiture acts as a visual autobiography, inviting viewers into her world of love, empathy, and the struggles of human relationships.

The Ballad of Sexual Dependency began life as a slide show and was published as a now-iconic book in 1986 that established Goldin as a major contemporary artist. Goldin refers to The Ballad as her ‘public diary’, stating that her photographs ‘come out of relationships, not observation’.

Curated by Anne O’Hehir of the National Gallery of Australia, this exhibition offers a poignant tribute to the losses experienced by Goldin and her community while serving as a powerful tool for social activism. Goldin’s work transcends mere observation; it emanates from relationships and serves as a testament to the enduring human spirit amidst adversity.

When asked about the significance of Nan Goldin’s exhibition, Tegart highlights its ability to resonate deeply with audiences. “Audiences will be moved by Nan’s work,” she states, “The compelling nature of Nan’s work is that she pulls no punches - she captures the good and bad sides of love and friendship as well as the devastating effects of addiction and loss of loved ones. Her work pulls you into a time and place and the relationships she held and lost.”

In addition to the captivating exhibitions and live music performances, Art Late offers a culinary journey with supper, sweets, and drinks to complement the evening’s festivities. Priced at $50 for the show, exhibition, and supper, with drinks available at bar prices, it’s an all-encompassing experience that will no doubt leave you inspired.

“Visitors to Ballarat and locals to the region will be nurtured in Art Late, the nocturnal series of curated art, music, food and beverage designed for the curious and art fans looking to shake up their Gallery visits with a whole entertainment program,” she adds. “Nan Goldin: The Ballad of Sexual Dependency opens up a conversation about time, environment and culture and we’ve compiled a series of events for the arts engaged to experience art, culture and music all under the one roof.”

So, whether you’re a local looking to explore Ballarat’s vibrant night-time scene or an out-of-town visitor seeking a unique cultural experience, Art Late is a must-see celebration of art, music, and community. Step into the nocturnal world of creativity and let the magic unfold at the Art Gallery of Ballarat.

ART LATE

WHERE: ART GALLERY OF BALLARAT

WHEN: 2 MAR–2 JUN 2024

Nan Goldin, Cookie at Tin Pan Alley, New York City, 1983

Nan Goldin, Cookie and Vittorio’s wedding, New York City, 1986

Nan Goldin, Cookie and Vittorio’s wedding, New York City, 1986

ROYEL OTIS

PRATTS & PAIN

Æ It feels like a Royel Otis’ full-length album has been a long time coming. In actuality, it hasn’t – the guitar pop duo have just made such a huge impact in their short tenure that their debut has been incredibly long awaited by many.

And it’s for good reason. Their first three EP’s have almost redefined the sound of the Australian indie rock scene, adding layers of sensitivity to a genre that for years had ultimately been carved by Ocean Alley and Sticky Fingers’ easy-going, ‘everything’s chill’ approach.

Sure, they still maintain a laid-back approach, and their record does lean into guitar-driven melodies and chilled summery choruses, but unlike Ocean Alley, Royel Otis are certainly not ‘all about confidence, baby.’

Their debut LP, Pratts & Pain, is a pensive and reclusive melancholic daydream that offers up a whole lot of tender reflection on personal experiences, love, loss, and their perspective on the world.

As explored in ‘Sonic Blue’, which ties in electronic percussion and rhythmic darkwave post-punk elements, Royel Otis were the kids who were written off as weirdos by the jocks, but the cause of envy amongst the artsy crowd. As a result, their outlook, both sonically and lyrically, is wise beyond its years.

A slacker anthem that melds equal parts punk edge and sensitivity, ‘Fried Rice’ explores the inability to leave in the face of love, and the damaging effects staying can have on oneself, while standout ‘Sofa King’ explores feelings of worthlessness in the face of love. ‘Molly’ sees the group toy with static-y psych-rock dissonance, meandering tambourines, and eerie melodies while unpacking drug experimentation and how it’s a short-term fix to mental health issues.

However, storytelling is only one facet of the group’s charm. Pratts & Pain’s most endearing quality comes from its effortless ability to reroute its sound without ever needing to show it off. By toying with minor subtleties, key changes and minute changeups, the group alter their sound so thoughtfully that more often than not, you don’t even notice how different the song is from its predecessor until it’s over.

They just get it. They don’t need to do anything flashy, they just keep tightly to what will benefit the song. So much so that it seems like there’s not a moment on the whole album where lead singer Otis Pavlovic utilises more than 40% of his vocal capabilities, instead keeping to what works in the best interests of the song to consequentially deliver his vocals with an effortlessly cool nonchalant demeanour.

Royel Otis became leaders of the loners for a reason, and Pratts & Pain only further showcases why the group’s easy-listening, yet discerning tunes have quickly resonated with so many.

LABEL: OURNESS

RELEASE: OUT NOW

CLEWS

Love Prank

Æ If you’re familiar with Sydney-based indie-rockers CLEWS, you’d most likely be expecting their newest EP to offer up more of the distorted boygenius-infused rock stylings that the group have cut their teeth on. Instead, Love Prank sees Lily and Grace Richardson offer up a complete change of pace, both figuratively and literally.

On Love Prank , the upstarts strip back the layers of fuzzy distortion to deliver a heartfelt and reflective release that completely refines their sound. As recently stated by the duo, “We’ve always positioned CLEWS as a rock band. But what the fuck is the point of writing vulnerable songs if we forever hide them behind distortion?”

The results are timeless. Not only does the stripped-back nature allow for the sisters’ songwriting to take centre stage, but it fully showcases the power, depth and uniqueness of each sister’s vocals.

‘If Only If’ blends timeless guitar arrangements alongside unison vocal harmonies to channel early Fleetwood Mac and The Roaches folk balladry. ‘Can’t Be Real’ toys with subtleties to gradually build immersive and atmospheric soundscapes, while ‘Step Up 2 Me’ delivers slow power-rock balladry alongside 90s Alanis Morissette edge.

Love Prank could honestly be called ‘No Clews’ because it is the furthest thing from what you’d be expecting based on the group’s previous sound, but yet, it’s a welcomed change that further highlights the Richardson sisters as unique, insightful and acute songwriters.

LABEL: INDEPENDENT

RELEASE: OUT NOW

KIWAT KENNELL

Project Kiwat

Æ Having only released a handful of singles to date, Eastern Torres Strait Islander Kiwat Kennell has hit the ground running in 2024 with the release of his debut EP, Project Kiwat

Across four tracks, the Melbournebased artist delves into personal tales of love lost and the journey of rebuilding one’s identity from the ashes. According to Kiwat, the EP stands as “a testament to the strength that can be found within one’s own narrative.”

So as you can imagine, Kiwat doesn’t hold back. Although, you’d be forgiven if you glossed over the lyrics and just vibed to the glimmery, neo-pop melodies.

This is where Kennell’s allure lies. ‘Waste’, which may be too clean-cut for rap purists but has huge potential to dominate the commercial radio waves, masks internal compelling lyrics behind catchy hooks and vibrant pop choruses. ‘Distance’ balances enigmatic indie rock guitar melodies with layers of distorted vocals, mumbled vocal cadences and early 2000’s Ne-Yo sparkle. Meanwhile, ‘Breaks My Heart’ ties in EDMdriven beats, echoing the style typically associated with tracks featuring Calvin Harris.

Although some may encounter slightly well-worn lyricism, it’s a very workable blueprint that will undoubtedly help the aspiring rapper begin forming a solid fanbase.

LITTLE SIMZ

Drop 7

Æ Little Simz has long been a force to be reckoned with in the modern-day rap scene, with her use of left-of-centre beats, world-music influence, and unparalleled lyrical ability unmatched by any of her contemporaries. And across her eight releases to date, she has maintained an exceptional standard of quality.

However, her surprise EP, Drop 7 falls short of expectations. To be fair, Drop 7 does come across as a B-sides release, with Simz trying her hand at different styles and genres that wouldn’t normally make it onto a studio release.

Rather than expanding her musical horizons for artistic merit, Drop 7 tends to lean towards TikTok trends and borrow from recent internet sensations. Tracks like ‘Fever’ and ‘SOS’ adopt Rosalià-inspired Latin grooves and overemphasised accentuation that dramatically deviates from Simz’s heavy English drawl. ‘Torch’ experiments with the strobing beats akin to JPEG Mafia, while ‘Far Away’ channels the fastpaced yet subtly spoken cadence that PinkPantheress has become known for, resulting in an unnatural departure for an artist known for her grounded authenticity.

However, amidst these shortcomings, there are glimpses of promise. The see-sawing nature of ‘Mood Swings’ adds a unique effect, as do the swirling layers of synths on ‘Fever’ and the jungle-like beats of ‘SOS’. But to quote the EP’s sixth track–‘I ain’t feeling it.’

MAMMAL

The Penny Drop

Æ When reviewing an album, I’ll normally listen to it multiple times to make sure I haven’t missed anything. With Mammal’s newest release, The Penny Drop , I struggled to engage beyond the second listen.

Now, I don’t want to criticise too harshly; there are a few impressive moments. The use of tech-heavy djent riffs, unique changes of time signatures, and funk-metal elements, all have a charm that will undoubtedly resonate with fans of Static-X or Mr Bungle.

‘Keanu Reeves’ has some standout breakdowns; ‘Hit Me’ sees Ezekiel Ox utilise impressive catch and release tactics to bounce between high-pitched 80’s metal vocals and angsty punk screams, and ‘Bottom End’ adds a nice contrast to the group’s sound through its inclusion of Fresh Violet’s guest vocals.

However, the album lacks cohesion within its sound, which is somewhat expected given the amalgamation of genres like djent, funk, nu-metal, and classic rock. This mishmash occasionally results in a jarring listening experience.

Furthermore, Ox’s lyrics, for the most part, come across like that weird uncle at a 17th birthday who thinks their perception of the world is elevated above the rest of the normies.

While The Penny Drop will certainly appease longtime fans of the group, it may struggle to break through to new audiences.

LABEL: FOREVER LIVING ORIGINALS

LABEL: INDEPENDENT

LABEL: BAD APPLES MUSIC

RELEASE: OUT NOW

RELEASE: OUT NOW

RELEASE: 6 MAR

I DO! BECOME A CELEBRANT WITH THE GORDON

They love, love at The Gordon, and they especially love helping people become Celebrants for life’s biggest moments.

Æ The Certificate IV in Celebrancy can open doors to a new career, help start that side hustle you’ve been wanting to do, or see you become a part of family’s or friends’ most important life events. The course includes ceremonies of Life, Love and Loss, to provide students with a diverse qualification, enabling them to become Marriage, Funeral and Life Celebrants.

The course has been designed to make studying easy. A mix of weekend on-campus workshops, online workshops and self-paced learning activities, makes the Certificate IV in Celebrancy more accessible and convenient for students.

Celebrancy can be an extremely rewarding profession, regularly sharing intimate and personal moments with clients and their family and friends. The Gordon assists students to navigate the intricacies of various ceremonies through in-class simulations, which are guided by experienced educators. The hands-on approach ensures students graduate with confidence in their new found abilities and have solid understanding of everything from legal requirements to audio visual set-ups.

Current student Zac Tangey is already feeling the benefits of the course. He made the decision to become a Celebrant after a couple he knows asked him to officiate their wedding.

“I’m a Pub Trivia host by trade, and I have a lot of experience in public speaking. A couple I know were recently engaged and they’ve asked me to be their marriage Celebrant. The course at The Gordon has been extremely convenient, and it has been easy to manage my studies around my 9 to 5 day job.” Zac believes the course is more than learning to deliver ceremonies, it goes deeper, and helps students dive into the nuts and bolts of Celebrancy.

“The course is designed for us to be job ready when we finish. I’ve learnt about the legalities of Celebrancy, script writing, choosing the right music, AV equipment and more. I’ve also found the face-to-face study days help contextualise the online components we’ve been studying at home.” If you’re thinking of upskilling, changing careers, or starting that long talked about side-hustle, the Certificate IV in Celebrancy is for you. The Gordon are holding an online information night on Thursday 7 March.

New and experimental works meet traditional theatre at GEELONG ARTS CENTRE

Æ In the realm of artistic expression, there exists a profound power to transport audiences beyond the confines of the ordinary, igniting the imagination and stirring the soul.

Geelong Arts Centre’s SEASON 2024 and REWIRE programs centralise access to globally renowned visionary directors, performers, and creators that are pushing the boundaries of traditional forms, crafting experiences that transcend your average night at the theatre.

Explore new perspectives in a show coming up soon:

HUMANS 2.0 23–24 APR

Experience the transcendent fusion of acrobatics, sound, and light in Humans 2.0, brought to life by the visionary Yaron Lifschitz and the credible Circa Ensemble. In this symphony of movement, ten bodies converge in a breathtaking display of agility and grace, delving into the depths of human existence.

As towers rise and fall and bodies intertwine in a sinuous trance, Humans 2.0 challenges the notion of balance and embraces the inevitability of change. Through the pulsing rhythm of Ori Lichtik’s music and the dramatic illumination by Paul Jackson, the stage becomes a canvas for exploration, pushing physical limits to their very edge.

WAYFINDER

25–26 OCT

Directed by the dynamic duo of Amber Haines and Kyle Page, Dancenorth Australia collaborates with the three-time Grammynominated Australian band Hiatus Kaiyote and sound artist Byron J. Scullin to deliver Wayfinder; an immersive physical theatre piece merging dance, music, and visual art.

See the stage come alive with the vibrant artwork of Japanese-Australian visual artist Hiromi Tango, whose joyful creations infuse both the set design and costumes with heart-expanding energy. Illuminated by the masterful lighting design of Niklas Pajanti, Wayfinder celebrates connection on a deeper level— a recognition of the central axis of the universe that binds us all together.

ARTERIAL

29–30 NOV

In Arterial, Na Djinang Circus presents a moving exploration of First Nations culture and connection to Country. Directed by an award-winning team and featuring a powerful collaboration with sound artist Danni Esposito, this production is a testament to the enduring strength of Indigenous peoples and their profound connection to the land.

Through breathtaking acrobatics and a stirring score, the production tells a story of resilience and resistance, of the enduring spirit of First Nations peoples in the face of colonization and oppression.

For more information about The Gordon, or other courses they offer, visit thegordon.edu.au

Lock in your next SEASON 2024 or REWIRE experience.

STAGE GUIDE

Performances to see this month

WORDS BY CHESTER OGILVIE

THE MUSIC MAN

CentreStage invites you to meet Harold Hill, a conman who convinces the townsfolk of Midwestern’s River City to be the local boys’ band organiser and leader. The trouble is, he has no musical ability. He does, however, have a heart, one stolen by Marian the Librarian. The Music Man became a hit on Broadway, winning five Tony Awards and the first Grammy for Best Musical Theater Album. Numbers include ‘Seventy-Six Trombones’ and ‘Ya Got Trouble’.

THE PLAYHOUSE, GEELONG 8–23 MAR

WAYFINDER

By the stars, the waves, and the sun, we find our way. Described as an exhilarating explosion of heart, a journey that speaks to our sensorial nature, Wayfinder is the new production from Dancenorth Australia, regarded as one of the country’s leading performing arts companies. Here, they have teamed up with three-time Grammy nominated Australian band Hiatus Kaiyote, sound artist Byron J. Scullin and visual artist Hiromi Tango to create a fusion of dance, music and visual art.

ULUMBARRA THEATRE, BENDIGO 8–9 MAR

FLYING FRUIT FLY CIRCUS: TEMPO

Flying Fruit Fly Circus is Australia’s national youth circus, with a history that stretches back to 1979 when the local Murray River Performing Group initiated a school holiday program. Tempo is their new show. What happens when it’s a big night out but the orchestra doesn’t turn up? Plenty of magic, slapstick, juggling, balancing, acrobatics and aerials – all around a grand piano, that’s what.

LIGHTHOUSE THEATRE, WARRNAMBOOL 19–20 MAR

ULUMBARRA THEATRE, BENDIGO 27–28 MAR

MULTICULTURAL COMEDY GALA

If Sesame Street has taught us anything, and surely that is a great many things, it’s that we’re different but we’re the same. And so it is that Nazeem Hussain, Mike Goldstein, Gavin Sempel and Robyn Reynolds come together for the Multicultural Comedy Gala, a place where Australia’s cultural diversity is celebrated by poking fun at everything that makes us different – and the same.

FOUNDERS THEATRE (FEDERATION UNIVERSITY), BALLARAT 14 MAR

CASTLEMAINE IDYLL

For more than a decade, annual talent contest Castlemaine Idyll has been on a mission to uncover local talent as the local fundraiser for creative space and arts venue lot19. Fun is the priority here, with live singers and a first-class band on hand to support all those with hidden talents. The event has been extended in 2024 and includes Kids Karaoke, while 94.9 MainFM return for a live broadcast. Judges include Clare Bowditch and Casey Bennetto.

LOT19, CASTLEMAINE 23 MAR

JAZZ MEN

Choreographed by the renowned Robert Sturrock, Jazz Men is an electrifying cabaret dance sensation. Featuring a world-class cast of 11 male dancers including Benito Veneziano, Leigh Sleightholme, and Dean Schulz, alongside female dancer Mandy Savickas and MC/vocalist Bek Chapman, the show combines traditional cabaret with modern sounds and styles. From 1940s classics to Rock, Jazz, Latin, and Dancefloor Hits, Jazz Men promises highly energetic and captivating entertainment that will leave you spellbound.

THE STORY HOUSE, GEELONG 16 MAR

PARIS AFTER DARK

Award Winning Entertainer Milko FoucaultLarche has joined forces with Parisian born Leading Lady Corinne Andrew to create this new stage Cabaret celebrating the essence of French popular music. Piaf, Aznavour, Bécaud, Dalida, Yves Montand, Charles Trenet, Enrico Macias, Joséphine Baker to name a few with a stop over into the world of Music Theatre, French Operetta and Opera and some French adaptations of Italian and Spanish songs.

THE POTATO SHED, DRYSDALE 15 MAR

ANH DO: THE HAPPIEST REFUGEE

In 1980, on an eight-metre fishing boat with 47 other Vietnamese refugees, Anh Do arrived in Australia. While studying a Business Law degree, he decided to take up stand-up comedy instead. The hours were better, after all. There has also been acting, appearances on various television shows and his work as host of Anh Do’s Brush with Fame. Not to mention his hugely popular book The Happiest Refugee: A Memoir. His is quite the story.

HER MAJESTY’S THEATRE, BALLARAT 21 MAR

17BY4 CAFÉ

“Where Every Bite Tells a Story”

Æ Last October, sisters Shagoofa and Reza Chatrath proudly welcomed patrons into their latest venture, 17by4 Café. Situated in the vibrant heart of Geelong’s CBD, within the historic Courthouse building, the café is a haven for those seeking delightful breakfast, lunch, and high-tea experiences, available seven days a week.

Located in the enchanting arts precinct, the establishment boasts both indoor and outdoor seating, providing a warm welcome to all, including beloved furry friends. At 17by4 Café, they believe pets are family, which is why every four-legged guest receives a complimentary puppuccino and treats.

The name ‘17by4’ holds deep significance for the sisters, paying homage to their cherished childhood memories of a joint family home at Block 17, House Number 4 in New Delhi. Here, they aim to recreate that same warmth and nostalgia, inviting you to gather with loved ones over sumptuous three-tier high tea, or explore a meticulously curated à la carte menu, crafted by Head Chef Dalveer, who incidentally happens to be Shagoofa’s husband.

Their indulgent three-tier high tea has quickly become a favourite among patrons, ideal for celebrating special occasions such as birthdays and anniversaries. And fear not, the special kids’ high teas ensure that the younger ones under 12 can also partake in the experience.

From tantalising French pastries to savoury toasted focaccias and rotating $15 weekly lunch specials tailored for the local office crowd, the à la carte menu offers a diverse range of delights. Be sure not to miss the weekend best sellers, including the refreshing Grapefruit Gala Cocktail, indulgent Banoffee Pancakes, and decadent Lobster Benedict.

As a fully licensed venue, 17by4 Café provides the perfect setting for any special occasion, whether it’s an intimate gathering or a grand celebration. And if you’re looking to host an event off-site, their takeaway catering service is on hand to elevate your corporate events, birthday parties, and more. Delight your guests with expertly prepared offerings that are sure to impress.

REBECCHI’S

Æ Welcome to Rebecchi's, the latest addition to Boom Gallery’s vibrant café space. Formerly operating as ‘Neighbour’ five years ago, the owners have returned to the space with Rebecchi’s, bringing their expertise and a fresh perspective to the table.

But here’s the twist, Rebecchi’s isn’t just your ordinary café—it also doubles as a record store. Owner Sam launched ‘Bad Neighbour Records’ three years ago during lockdowns and his studies. What began as an online venture and occasional pop-up shop evolved into a residency at one of the gallery’s newer locations, before eventually relocating to this new space. Sam decided to merge the record store with the café, giving birth to Rebecchi’s.

Inspired by the vibrant spirit of New York City’s bodegas nestled in its various neighbourhoods, Rebecchi’s offers a menu that echoes the New York culinary ethos. From sandwiches to salads and expertly brewed coffee, the team has curated an experience that pays homage to the bustling energy of the Big Apple.

As they settle into their new space, Rebecchi’s is expanding its offerings to include breakfast options and a robust filter coffee programme alongside retail coffee sales. Yet, their primary focus remains on fostering genuine connections with their customers, embodying the ethos of community and hospitality. It’s all about filling each other’s cups, physically and metaphorically.

Among their popular offerings is the “Italian Sub,” featuring a medley of rotating cold cut meats sourced from Melbourne’s Bill’s Farm, Provolone Cheese, Pickled Peppers, and Rocket, all drizzled with a delectable Italian deli-style vinaigrette, served in a long white roll (hoagie style). Owner Sam recommends the classic Caesar Salad, a dish he believes deserves a revival with its blend of Cos Leaves, Croutons, Bacon, Anchovy and Parmesan dressing, topped with a slow-cooked egg.

Rebecchi’s proudly serves Ona coffee from Canberra and has recently introduced guest roasters, starting with locals Constant Coffee, with plans to expand their selection further.

Beyond the café experience, Rebecchi’s also offers a selection of records through Bad Neighbour Records. Plans are underway to launch a subscription service/membership, and customers are encouraged to request specific items, with the team more than happy to source them.

Come and experience the fusion of great food, excellent coffee, and eclectic music at Rebecchi's—a true hub for the Newtown community.

WHERE:

WHERE: 40 GHERINGHAP STREET, GEELONG

OPEN: SEVEN DAYS

11 RUTLAND STREET, NEWTOWN

OPEN: MON–SAT 8AM–3PM

MT PLEASANT RD BAR & TAPROOM

Æ Nestled in Belmont, the Mt Pleasant Rd Brewers proudly stand as independent craft beer artisans. This family-owned venture is a labour of love, with the brewing operation spearheaded by two brothers-in-law, supported by their dedicated family members who juggle their involvement alongside their day jobs, all committed to nurturing this boutique business.

Their journey commenced with a vision to craft exceptional beers using locally sourced ingredients while championing fellow local enterprises. Since their commercial debut in 2022, they’ve curated a portfolio of seven distinct brews, now being sold across Geelong and the region.

The accolades speak volumes, with their beers earning recognition at the prestigious 2023 Australian International Beer Awards. Among their triumphs, the Belmont Common clinched a gold medal, while the Tropical Eclipse Pale Ale and Dark Side of High Street Coffee Stout, a collaborative effort with Constant Coffee of Newtown, secured bronze. Notably, the inspiration for the acclaimed Belmont Common stemmed from the vibrant Red Earth Hops flourishing in a nearby Highton garden.

Located at the heart of residential Belmont, the Mt Pleasant Taproom + Bar is a haven for seasoned craft brew aficionados and those seeking a casual local haunt. With its laid-back atmosphere, this venue offers indoor and outdoor spaces, including sidewalk seating and a recently unveiled beer garden. The hospitable staff ensure everyone feels at home, particularly if you bring along your furry companion!

Ten taps are pouring locally crafted brews, including Mt Pleasant Rd’s signature range alongside exclusive experimental brews. The beverage menu also showcases an array of locally crafted wines and spirits, featuring highlights such as Corio Whisky, Flow State Gin, and offerings from smaller regional winemakers like Alt Rd (Winchelsea) and Rowsley Fault (Geelong).

For sustenance, guests can indulge in delights from the Eat a Little menu, offering conservas, dips, and specialty bread, or opt for dinner from visiting food vans. On Friday and Saturday afternoons, Tillage Pizza becomes a regular fixture at the Taproom, with rotating food vans gracing the scene on Sundays.

CAKE CULT

Æ Put your hands together for Cake Cult, Geelong’s ultimate destination for dessert aficionados. Situated at 101 Little Malop Street, this venue is a celebration of all things cake. From Thursday to Sunday, between 6 pm and 11 pm, indulge in a unique dessert experience that promises to leave your taste buds craving for more.

Recognising Geelong’s need for a dedicated cake and coffee night spot, the owners of Cake Cult responded to the demand with enthusiasm. Their vision was to create a cosy yet chic space where friends could gather late into the evening for homemade cake and conversation.

Securing the location, formerly known as the old Kustom Culture studio, the venue underwent a remarkable transformation. As George Costanza said “if it was socially acceptable, I would drape myself in velvet” and they most definitely took that on board. Embracing an eclectic yet luxurious ambiance, Cake Cult boasts velvet couches, cushions, and chairs, complemented by vintage paintings reimagined with a touch of Simpsons characters and a nod to indulgence with a “Forget nudes, send cake” neon sign.

Among the homemade menu highlights are the tantalising Biscoff Cheesecake, the sinful Devils Trifle, and the irresistible Mars Bar Cheesecake. However, these are just a glimpse of the many delectable options awaiting you. Using locally sourced ingredients from Geelong and its surrounds, Cake Cult ensures each dessert is crafted with care. Pair your cake with a choice of hot or cold beverages, including the newly launched Nutella hot chocolate, a must-try for any dessert enthusiast.

Dedicated to inclusivity, Cake Cult bakes fresh on-site and offers dairy-free, vegan, and gluten-free options, ensuring that everyone can indulge in the joy of cake. Stay updated with their evolving menu by following their social media channels, as new delights are frequently added.

With a variety of seating arrangements, Cake Cult caters to both large groups and intimate gatherings. Whether you’re seeking a lively atmosphere for a celebration or a quiet corner for a tête-à-tête, Cake Cult promises an unforgettable experience for every cake lover.

WHERE: 110 MT PLEASANT ROAD, BELMONT

OPEN: FRI 4–10PM SAT 2–10PM SUN 2–8PM

WHERE: 101 LITTLE MALOP STREET, GEELONG

OPEN: THU–SUN 6–11PM

GIG GUIDE MARCH 2024

WED 6 MAR

LUKA BLOOM

STAR HOTEL

YACKANDANDAH, YACKANDANDAH

7:30 PM $66.30

VIDEO NASTY DURRT

THE BARWON CLUB HOTEL, GEELONG

7PM $13.30

THU 7 MAR

SONS OF THE EAST VOLTA, BALLARAT

7PM $40.05

SWEETHEARTS

BARWON CLUB

HOTEL, GEELONG

7PM $18.40

Chillout Festival

VARIOUS VENUES, DAYLESFORD + HEPBURN SPRINGS

7–11 MAR VARIED

FRI 8 MAR

WEDNESDAY PARSNIP

THEATRE ROYAL, CASTLEMAINE

8PM $61.75

THE WAIFS

UP ALL NIGHT 20TH

ANNIVERSARY TOUR

COSTA HALL DEAKIN UNIVERSITY, GEELONG

7.30PM $79–$91

THE AUSTRALIAN

EAGLES: LIFE IN THE FAST LANE

FT: The Linda Ronstadt Story

GEELONG ARTS

CENTRE, GEELONG

8PM $75

DJ SWELLA

BIRD ROCK CAFE, JAN JUC

7PM FREE

SAT 9 MAR

JACK BOTTS

JORDY MAXWELL, KOOK JOEY & ISHAN

THE DECK, BENDIGO

7PM $51

Golden Plains

Festival

FT: The Streets, Yussef Dayes, King Stingray, Regurgitator

MEREDITH

SUPERNATURAL

AMPHITHEATRE, MEREDITH

9,10,11 MAR $488

FELICITY CRIPPS

THEATRE ROYAL, CASTLEMAINE

4PM FREE

CHILLENIT

INDIGO MERKABA

TORQUAY HOTEL, TORQUAY

8:30PM $54.90

Pistol Pete’s Celebrates 10 Years

FT: Willie J’s The 6v6’S

PISTOL PETE’S FOOD AND BLUES, GEELONG

9:30PM $15.00

ROD COOTE

BIRD ROCK CAFE, JAN JUC

8PM FREE

For more gigs go to forte.com.au/gigguide

SUN 10 MAR

MINAMI DEUTSCH

LEAH SENIOR

LORNE THEATRE, LORNE

5PM $51

BENTHAM’S HEAD SUSPENDED ANIMATION

SETTS BAR, MILDURA

7PM $20

SONS OF THE EAST

+ SPECIAL GUESTS

TORQUAY HOTEL, TORQUAY

8:30PM $40.80

THE OWLS

THE BRIDGE HOTEL, CASTLEMAINE

3PM FREE

JESS PARKER

THEATRE ROYAL, CASTLEMAINE

4PM FREE

Pistol Pete’s

Celebrates 10 Years

FT: Maskell Love Band

PISTOL PETE’S FOOD AND BLUES, GEELONG

3PM TIP JAR DONATION

MON 11 MAR

LUKA BLOOM

KATHERINE PRIDDY

QUEENSCLIFF TOWN HALL, QUEENSCLIFF

6PM SOLD OUT

THU 14 MAR

CHEAP TRICK AND THE ANGELS

COSTA HALL DEAKIN UNIVERSITY, GEELONG

8PM $109.90–$169.90

Pistol Pete’s

Celebrates 10 Years

FT: Dillon James

PISTOL PETE’S FOOD AND BLUES, GEELONG 8PM TBC

FRI 15 MAR

HARRY MANX

PALAIS HEPBURN, HEPBURN

6:30PM $52.50–$145

THE SLINGERS

+ SPECIAL GUESTS

THE EASTERN, BALLARAT 7PM $23.50

JESSICA MAUBOY

EZRA

COSTA HALL DEAKIN UNIVERSITY, GEELONG

7:30PM $79.90–$119.90

ROSE TATTOO

VOLTA, BALLARAT 7PM $45

KERRYN FIELDS BELLE MINERS

ODESSA AT LEAVER’S HOTEL, CRESWICK 7PM $27.78

SIR ARCHER

PRETTY MOI, BERKELEY

BARWON CLUB HOTEL, GEELONG 8PM $23.50

CAMBODIAN SPACE PROJECT

THE TOMMY’S, MAQUINA PELIGROSA

THEATRE ROYAL, CASTLEMAINE

8PM $51.55

Pistol

Pete’s Celebrates 10 Years

FT: Wayne Jury & Eddy Boyle

PISTOL PETE’S FOOD AND BLUES, GEELONG

9:30PM $15

THE GIANTS

GOLDEN VINE HOTEL, BENDIGO

9PM $10

SAT 16 MAR

Red Hot

Summer Tour

FT: Suzi Quatro, Cheap Trick, Jon Stevens, The Angles, Baby Animals, The Screaming Jets, Chocolate Starfish

VICTORIA PARK, BALLARAT

12:30PM $149.90

Meatstock

FT: Chayce Beckham, James Johnstone, The Wolfe Brothers, Amy Sheppard And More

BENDIGO

SHOWGROUNDS, BENDIGO

16+17 MAR $74.50

NEIL MURRAY

KAVISHA MAZZELLA

THEATRE ROYAL, CASTLEMAINE

7PM $56.65

HUSSY HICKS

KELLY BROUHAHA

PALAIS HEPBURN, HEPBURN SPRINGS

7PM $21.60

WASTED YEARS

OCD SINGLE

LAUNCH PARTY

DOWNTOWN, SHEPPARTON

8PM $11.90

Pistol Pete’s Celebrates 10 Years

FT: Stevies Boyd’s Rum Reverie With Alex Burn

PISTOL PETE’S FOOD AND BLUES, GEELONG

9:30PM $25

ALICE REMAINS

+ SPECIAL GUESTS

VOLTA, BALLARAT

8PM $34.95

LAUREL AND THE PAINKILLERS

WINDSAVERS, BRET MOSLEY, KELLY AUTY

THE BLUES TRAIN, QUEENSCLIFF

6:30PM $160

BOB LOG III

THE BRIDGE HOTEL, CASTLEMAINE

9PM $22.95

ROSE TATTOO GOLDEN VINE HOTEL, BENDIGO

9PM $45

SUN 17 MAR

GUTTERMOUTH WOLFPACK, SACRAMENTO SWEATERS

BARWON CLUB HOTEL, GEELONG

5PM $49.90

LYDIA LUNCH AND JOSEPH KECKLER

THEATRE ROYAL, CASTLEMAINE

3:30PM $45.90

Summersalt

FT: Matt Corby, Ziggy Alberts, Mia Wray, Thelma Plum, James Bay, Kita Alexander

VICTORIA PARK, NEWINGTON

12PM $100.85–$203.72

JESSICA MAUBOY

ULUMBARRA

THEATRE, BENDIGO

7:30PM $79.90–$119.90

THU 21 MAR

Banned From New South Wales

FT: Fortay, Nter, Rops1 And That Kid Kearve

BARWON CLUB

HOTEL, GEELONG

7PM $71.40–$127.50

Knotfest

FT: Pantera, Disturbed, Lamb Of God, Halestorm, The Hu And More

FLEMINGTON RACECOURSE, FLEMINGTON

11AM $239.90

ONE NIGHT CHOIR WITH MIA DYSON

35 RYRIE STREET, GEELONG

7:30PM $22.00

FRI 22 MAR

NICHOLAS ELLERBY RED LIQUORICE

PALAIS HEPBURN, HEPBURN SPRINGS

6PM $21.60

MIA DYSON

THEATRE ROYAL, CASTLEMAINE

8PM $45.90

Pistol Pete’s Celebrates 10 Years

FT: Aisha Khan & Louis King

PISTOL PETE’S FOOD AND BLUES, GEELONG

9:30PM $30

BARRACOUTA DAYFEVER, HOT LEMONS VOLTA, BALLARAT

7:30PM $23.75

War Bear ‘East Coast: Wrecked ‘Em’ Tour

FT: Deadweight 80, Bury Me, Vault Hill, Glow

THE EASTERN, BALLARAT 7PM $17.35

OLD MERVS

TORQUAY HOTEL, TORQUAY 8:30PM SOLD OUT

Best Of Broadway

FT: Marina Prior, Michael Cormick And Jemma Rix

COSTA HALL DEAKIN UNIVERSITY, GEELONG

7:30PM $75

PORTAL GUN

BIRD ROCK CAFE, JAN JUC

8:30PM FREE

SAT 23 MAR

Jerkfest 9

FT: The Uranium Club, R.m.f.c., Wireheads, Straightjacket Nation, Silicone Prairie + More

BARWON CLUB HOTEL, GEELONG

11:45AM $81.60

ECHOES OF PINK FLOYD

SIGNS OF LIFE TOUR

GEELONG ARTS CENTRE, GEELONG 8PM $79

TAYLOR SWIFT TRIBUTE

GEELONG WOOL EXCHANGE

7PM $34.70

Pistol Pete’s Celebrates 10 Years

FT: Cross Bones Boogie

PISTOL PETE’S FOOD AND BLUES, GEELONG 9:30PM $15

ROSE TATTOO

GOLDEN VINE HOTEL, BENDIGO

9PM $45

GREEN PHASE

THE GEORGE, BALLARAT

7PM $44.90

FELICITY

URQUHART & JOSH CUNNINGHAM

PALAIS-HEPBURN, HEPBURN SPRINGS

7PM $42.20

JACK BOTTS

JORDY MAXWELL, JACOB FITZGERALD & ISHAN

DOWNTOWN, SHEPPARTON

7PM $51

PINK TRIBUTE

SPHINX HOTEL, GEELONG

8:30PM $21.85

ANTHEA JEWELS BAND

PHIL COYNE + THE WAYWARD ACES, JAY HOWIE, THE MCNAMARR PROJECT

THE BLUES TRAIN, QUEENSCLIFF

6:30PM $160

SUN 24 MAR

SELVE + SPECIAL GUESTS

BARWON CLUB HOTEL, GEELONG

5PM $23.50

Pistol Pete’s Celebrates 10 Years

FT: Dan Dinnen

PISTOL PETE’S FOOD AND BLUES, GEELONG

3PM TIP JAR DONATION

Lara Food And Wine Festival

FT: Reed Street, The Leajets, Lar Big Band

PIRRA HOMESTEAD, LARA 10AM $10

THU 28 MAR

BRANT BJORK TRIO FULL TONE GENERATOR

BARWON CLUB HOTEL, GEELONG

7PM $61.20

WHERE WATER MEETS

OLD STONE HALL, BEECHWORTH

7PM $10–$45

FRI 29 MAR

DJ SWELLA

BIRD ROCK CAFE, JAN JUC

7PM FREE

SAT 30 MAR

Here Comes The Sun

FT: Ocean Alley, Ball Park Music, Ruby Fields, Jack Botts, South Summit, Clews

TORQUAY COMMON, TORQUAY

12PM $129.90

EASTER SATURDAY: REWIND 80’S MIXTAPE

PALAIS-HEPBURN, HEPBURN SPRINGS

7PM $35

MADE IN USA

SPRINGSTEEN, MELLENCAMP/ PETTY TRIBUTE

RAFFERTY’S TAVERN, WARRNAMBOOL

9PM $27.78

Pistol Pete’s Celebrates 10 Years

FT: Shannon Bourne Bad

PISTOL PETE’S FOOD AND BLUES, GEELONG

9.30PM $15

BAKED GOODS

BIRD ROCK CAFE, JAN JUC

8.45PM FREE

SUN 31 MAR

DAVID VAN ELST

GREAT OCEAN ROAD

BREWHOUSE, APOLLO BAY

12PM FREE

CHICKENSALT

THE BROKEN

RICH, BIRDDOG

THE SETTS, MILDURA

8PM $23.47

THU 4 APR

AN EVENING WITH VIKA AND LINDA LIGHTHOUSE THEATRE, WARRNAMBOOL

8PM $75

FRI 5 APR

HAMAPPLE X ONE SQUARE MILE

THE HALF PINTS, WESTALL 66 AND THE LOUDS

BARWON CLUB HOTEL, GEELONG

7PM $23.50

ADALITA

AMAYA LAUCIRICA AND DAISY KILBOURNE

THEATRE ROYAL, CASTLEMAINE

8PM $45.90

JOHN TARATSAS

PALAIS HEPBURN, HEPBURN

6:30PM $15

DJ SWELLA

BIRD ROCK CAFE, JAN JUC

7PM FREE

SAT 6 APR

A Day On The Green – Chris Issak

FT: Boy & Bear, Vika And Linda Bull, Ella Hooper

MOUNT DUNEED ESTATE, MOUNT DUNEED

2PM $149.90–$199.90

MORGAN EVANS

COSTA HALL DEAKIN UNIVERSITY, GEELONG

8PM $89.90

ED KUEPPER

PALAIS HEPBURN, HEPBURN

7PM $60–$65

ADALITA

AMAYA LAUCIRICA AND DAISY KILBOURNE

BARWON CLUB HOTEL, GEELONG

7PM $44.90

MAPLE GLIDER

THE BRIDGE HOTEL, CASTLEMAINE

9PM $29.10

BATTLESNAKE

+ SPECIAL GUESTS

VOLTA, BALLARAT

8PM $28.85

PLASTIC CHEESES

BIRD ROCK CAFE, JAN JUC

7PM FREE