Working - Whitefish Bay High School

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Whitefish Bay High School Virtually PResents

A Musical From the book by STUDS TERKEL Adapted by STEPHEN SCHWARTZ and NINA FASO With additional contributions by Gordon Greenberg

Songs by CRAIG CARNELIA MICKI GRANT LIN-MANUEL MIRANDA MARY RODGERS SUSAN BIRKENHEAD STEPHEN SCHWARTZ JAMES TAYLOR

Streaming April 16-25 2021 Special thanks to our spotlight sponsor

WFBHSTHEATER .COM

Working

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Milwaukee

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Whitefish Bay High School


Whitefish Bay High School Presents

A Musical 2012 REVISED EDITION PRODUCER & DIRECTOR Amber Kind­Keppel SCENIC DESIGN Kenn Miller Chris Armstrong TECHNICAL DIRECTOR Kenn Miller

Gabriela Peterson

COSTUME DESIGN

Christy Siebers

LIGHTING DESIGN John R. Dolphin PROPS DESIGN Ceri Hartnett MAKEUP & HAIR DESIGN Lisa Gregg SOUND DESIGN Bob Radke

Scott Longden

MUSIC DIRECTOR Brent Johnston CHOREOGRAPHER Tina Wozniak ASSISTANT PRODUCER Scott Longden COMMUNICATION COORDINATOR Brenda Schoen TICKETING Deb Stollenwerk FUNDRAISING Lisa Dresselhuys Andrea Kenealey

STREAMING The Traveling Lemurs Scott Longden

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WORKING A Musical From the book by STUDS TERKEL Adapted by STEPHEN SCHWARTZ and NINA FASO With additional contributions by Gordon Greenberg

Songs by CRAIG CARNELIA MICKI GRANT LIN-MANUEL MIRANDA MARY RODGERS and SUSAN BIRKENHEAD STEPHEN SCHWARTZ JAMES TAYLOR Orchestrations by Alex Lacamoire WORKING-2012 REVISED VERSION Is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI. www.mtishows.com Any video and/or audio recording of this production is strictly prohibited. STREAMING IS PRESENTED BY SPECIAL ARRANGEMENT WITH MUSIC THEATRE INTERNATIONAL (MTI) NEW YORK, NY. 4

Whitefish Bay High School


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SYNOPSIS Based on Studs Terkel’s best-selling book of interviews with American workers, Working paints a vivid portrait of the people our world so often takes for granted: the schoolteacher, the phone operator, the waitress, the millworker, the mason and the housewife, just to name a few. This new 2012 version of Working is a musical exploration of people from all walks of life. While most of the professions have been updated, the strength of the show is in the core truths that transcend specific professions. We see how people’s relationships to their work ultimately reveal key aspects of their humanity, regardless of the trappings of the job itself. The raw adaptation, still set in contemporary America, only enhances the realistic, timeless, and relatable nature of the subject matter.

SONG CREDITS “All the Livelong Day” - Music and Lyrics by Stephen Schwartz (with acknowledgements to Walt Whitman) “Delivery” - Music and Lyrics by Lin-Manuel Miranda “Nobody Tells Me How” - Lyrics by Susan Birkenhead, Music by Mary Rodgers “Brother Trucker” - Music and Lyrics by James Taylor “Just a Housewife” - Music and Lyrics by Craig Carnelia “Millwork” - Music and Lyrics by James Taylor “If I Could’ve Been” - Music and Lyrics by Micki Grant “The Mason” - Music and Lyrics by Craig Carnelia “It’s An Art” - Music and Lyrics by Stephen Schwartz “Joe” - Music and Lyrics by Craig Carnelia “A Very Good Day” - Music and Lyrics by Lin-Manuel Miranda “Cleanin’ Women” - Music and Lyrics by Micki Grant “Fathers and Sons” - Music and Lyrics by Stephen Schwartz “Something to Point To” - Music and Lyrics by Craig Carnelia

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SCENES Part One: America Getting to Work All the Livelong Day ................................................................................................. Entire Company An Ironworker Corporate America Fast Food & Hedge Funds Delivery .................................................................................................... Delivery Worker Ensemble Teaching Near Retirement Nobody Tells Me How ......................................................................... An Almost Retired Teacher A Flight Attendant The Imagination of a Trucker Brother Trucker ...................................................................................................... Trucker Ensemble A Phone Operator & Receptionist Housewives & Delivery Men Just a Housewife .................................................................. Housewife Ensemble and UPS Man A Socialite & A Prostitute Factory Life Millwork .................................................................................................................. Millwork Ensemble A Community Organizer Missed Opportunities If I Could’ve Been ....................................................................................................... Entire Company 15 Minute Intermission Part Two: Fulfillment The Mason ............................................................................................... the Stone Mason & Singer Regret & a Lack Thereof It’s an Art .................................................................................................... the Restaurant Ensemble Retirement Joe ............................................................................................................................................................Joe A Fireman The Cost of Care A Very Good Day ............................................................................................a Nanny & a Caretaker A New Future Cleaning Women ................................................................................ Cleaning Women Ensemble Two Young Men Love, Loss, & Hope Fathers and Sons .................................................................................. Father and Sons Ensemble A Legacy Something to Point To ............................................................................................. Entire Company

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D I R E C TO R ’ S N O T E I remember the first time I saw a production of WORKING. As someone who grew up in a household that valued each person regardless of what they did or the power they held, I deeply appreciated a show that explored and honored so many careers that are often overlooked and taken for granted. Then, almost a decade later, Covid-19 hit. As the pandemic progressed and so many people and professions were impacted, WORKING came again and again to my mind. When the time came to pick a musical for this most unusual year, WORKING felt perfect. What musical could better honor the importance of valuing all people and professions, especially those that we so often ignore? Learning people’s stories, honoring their experiences, and developing empathy for those different than ourselves is at the center of our approach to WORKING. Watching our students embrace the many different people, perspectives, and professions that hold up America has been deeply moving--especially during this challenging time. Lastly, if you have ever felt invisible, unappreciated, or taken for granted because of what you do or who you are-- know that we see you. We value you. We honor what you do and who you are. How does a theater program keep theater alive during a Global Pandemic? This question was at the forefront of my mind since March of 2020. Fortunately, the answer is through the planning, passion, and persistence of a devoted group of adults, students, and families. At this time, I would like to take a moment to recognize the incredible students who have contributed to this production. First, I humbly thank the crew for the time, effort, passion, and talent they’ve given to this production. Without their efforts, we would all be sitting in the dark, our actors naked with no props to use or set pieces present to create the world of our show. They are so often the unsung heroes within a production. THANK YOU! Next, I would like to thank the pit for the many hours spent making this music. We have an incredibly talented and driven group of musicians this production--BRAVO! Finally, I want to thank the actors for the commitment they provided night after night in crafting these honest, raw, and complex characters and bringing their stories to life; more importantly, I want to thank them for the kindness, empathy, and humor they demonstrated throughout this process. WELL DONE! A special note to seniors from cast and crew: I cannot express how much I will miss all of you when you graduate because of the incredible talent you’ve selflessly given to our theater family throughout your time here. Your hard work, dedication, and love of the theater inspire us all. People oftentimes use the phrase “it takes a village.” This was once again true with our production of WORKING: A Musical. I would like to extend my sincere appreciation to my artistic partners for their incredible contributions to this production. So much of what you see tonight was created from scratch—to honor the vision and honesty this production demands. We could never have put on this show without the amazing adult leadership that shared so much of their time, talent and passion with us all… I feel humbled and honored to work with each of you. I also want to thank the parents who have given so much of their time to support the success of this show. As a parent of a 6 ½ year old and 2-year-old, I am in awe of each of you who stand as inspiring models of what selfless love, creativity, and hard work can produce. Finally, I would like to thank my husband, my sons, and my family for their love and support throughout this musical process and each theatrical endeavor I embrace mind, body, and soul! Now, it is time to lean forward, engage, and prepare to be moved by WORKING: 2012 Revised Edition

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Whitefish Bay High School


The Cornog Family Foundation Proud supporter of the Whitefish Bay High School Theater Program and its commitment to making an impact on its students and community through the performing arts.

The Kenealey Family Working

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Directors, Cast, and Crew Way to WORK it! The Kenealey Family

Congrats to all for WORKING to put on an amazing show! Nicholas, we're so proud of you - keep BUILDING to a great future! ~ The Halls

Congrats on a great show , Cast and Crew, especially to the seniors for an awesome senior show! <3 The Dresselhuys

Congrats Viv! Dance, sing and WORK it! You’re our shining starbeautiful & bright. Love, Mom & Kevin 10

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Congratulations Molly (and the cast, crew, and directors!) We are so proud of you and all of your hard work and dedication. All our love, Mom & J, Oliver, Maggie, Piper & Posey

We love you so much, Amelia! Watching you onstage brings a huge smile to our faces. -The Ste-Burke-Moll family

CONGRATS TO THE WHOLE CAST ON THEIR HARD WORK! -THE ANDRACA FAMILY

Break a leg, Billy Greene! From the Greene Family


CAST LIST (in

or der of appe ar ance)

An Ironworker......................................................................................................................... Oscar Gregg* A Hedge Fund Manager.................................................................................................Oliver Niehaus* A Project Manager.........................................................................................................Bryn Dresselhuys Cubicle Workers...............................................................Bridget Beatty, Nico Otero, Billy Greene * A Fast Food Worker....................................................................................................... Winfield Mitchell A Teacher.......................................................................................................................... Amelia Stephens* A Flight Attendant.................................................................................................... Mariella Boudreau* A Trucker................................................................................................................................... Oscar Gregg* A Phone Operator...................................................................................................................Hope Joyce* A Receptionist............................................................................................................ Ingrid Stollenwerk* A Housewife.................................................................................................... Gabriella Sauceda-Koziol* A UPS Man..........................................................................................................................Jackson Poppert A Prostitute...........................................................................................................................Molly Franzen* A Fundraiser....................................................................................................................... Andie Andraca* A Millworker....................................................................................................................Danielle Presberg A Community Organizer........................................................................... Gabriella Sauceda-Koziol* The Mason Song Singer............................................................................................William Kenealey* A Stone Mason.........................................................................................................................Nicholas Hall A Publicist.................................................................................................................................. Billy Greene* A Waitress...................................................................................................................... Miranda Cecsarini* Laid Off Workers......................................................................................Alison Kallay*, Vivian Lazovik A Retired Man...........................................................................................................................Taigh Moran Firemen.....................................................................................................Oscar Gregg*, Oliver Niehaus* A Caregiver......................................................................................................................William Kenealey* A Nanny..................................................................................................................................... Miranda Lile* A Cleaning Woman..............................................................................................................Makayla Davis A Salesman........................................................................................................................................ Ari Ayala A Young Man.............................................................................................................................Taigh Moran * = member of the International Thespian Society PIT ORCHESTR A Keyboard...........................................................................................................................................JJ Anshus Guitars...........................................................................................................................................Joe Gorman Bass...........................................................................................................................................Tom Dodlinger Percussion........................................................................................................................... Jim Van Deusen

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ENSEMBLE Andie Andraca* Bridget Beatty Mariella Boudreau* Miranda Cecsarini* Ella Coplan Makayla Davis Bryn Dresselhuys Molly Franzen* Charlotte Gehred Hope Joyce* Alison Kallay* Gabby Sauceda- Koziol*

Vivian Lazovik Miranda Lile* Evie Patrick Danielle Presberg Elle Rymer Lauren Slawinski Amelia Stephens* Ingrid Stollenwerk* Ari Ayala Billy Greene* Oscar Gregg* Nicholas Hall

William Kenealey* Winfield Mitchell Taigh Moran Oliver Niehaus* Nico Otero Jackson Poppert

* = member of the International Thespian Society

CONSTRUCTION CREW Ash Ahrenhoerster*, Cynthia Cao, Nathan Drzadinski*, Lily Fay*, Mia Gleason*, Gwen Gleason*, Jayson Goldbaum*, Mary Oates, Katie Plum*, Fiona Wallace*, Colette Stoye*, Emma Koehler, Anavi Prakash*, Jasper Schoen, Lu Van Dyke, Dylan Wilson, Madeline Bunke, Riese Doyle, Sarah Dyer, John Egan, Hannah Griggs, Sophie Hatton, Finn Holdredge, Bill Lewis, Logan Schmidt, Madeline Solati, Abigail Truett, & Grace Wu * = member of the International Thespian Society P R O D U C T I O N S TA F F Stage Manager ...................................................................................................................... Mia Gleason* Assistant Director ............................................................................................. Madeline LaFrombois* Lighting ..................................................................................................................................Fiona Wallace* Lighting Assistant ..............................................................................................................Emma Koehler Follow Spots.................................................................................... Ash Ahrenhoerster*, Cynthia Cao, Jasper Schoen, and Logan Schmidt Sound ................................................................................................................................................... Lily Fay* Sound Assistants...................................................................... Anavi Prakash* and Madeline Solati Backstage ........................................................................... Jayson Goldbaum*, Nathan Drzadinski*, Gwen Gleason*, Mary Oates Katie Plum* and Colette Stoye* Artist Spotlight .......................................................................... Gwen Gleason* and Colette Stoye* Lighting Set up ..................................Fiona Wallace*, Jayson Goldbaum*, Nathan Drzadinski*, Emma Koehler, Logan Schmidt and Jasper Schoen Costume Crew ............................................................................................................... Sophia Thomure* * = member of the International Thespian Society

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SPECIAL THANKS The Faculty, Staff, and Administration of Whitefish Bay High School The Whitefish Bay School Board Whitefish Bay Buildings and Grounds The families of all the students in the cast, crew, & pit Whitefish Bay Parent Volunteers & Theater Friends The Whitefish Bay Civic Foundation Gordy and Jenni Goldbaum Randee Drew & Jeff Worzella The North Shore Fire Department (in particular: Fire Chief Robert Whitaker, Assistant Fire Chief Andrew Harris, Administrative Coordinator Kerry Wenzel, and Battalion Chief Peter Busalacchi) Pat McCarhty and the Whitefish Bay Department of Public Works Alex Scheurell and JT Backes The Jerry Awards & Karra Beach Nicolette Bealhen BUSINESS SPONSORSHIPS Spotlight Sponsor Essam Elsafy – Shorewest Realtors $1000 Producer’s Circle The Cornog Family Foundation The Kenealey Family $500 Playwright’s Circle Chris Armstrong on behalf of the Whitefish Bay High School Theater Friends Kari & Bill Foot & Family Gramoll & Associates, Inc. The Markel Corporation Karen & Dan Potter Shoreview Pediatrics $250 Actor’s Circle MOXIE Food + Drink as well as Trouble & Sons Pizzeria Paul M. Sandvick, D.D.S.& Associates

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FA M I LY S P O N S O R S H I P S DONORS: $20-$50

DONORS: $51-$100

The family of Madeline Bunke

The family of Bridget Beatty

The family of Makayla Davis

The family of Mariella Boudreau

The family of Nathan Drzadinski

The family of Ella Coplan

The family of Charlotte Gehred

The family of Anavi Prakash

The family of Jayson Goldbaum The family of Hannah Griggs

DONORS: $101-$150

The family of Sophie Hatton

The family of Oscar Gregg

The family of Finn Holdredge

The family of Taigh Moran

The family of Hope Joyce

The family of Lauren Slawinski

The family of Ali Kallay

The family of Sophia Thomure

The family of Emma Koehler The family of Madeline LaFrombois

DONORS: $151 +

The family of William Lewis

The family of Andie Andraca

The family of Miranda Lile

The family of Bryn Dresselhuys

The family of Winfield Mitchell

The family of Molly Franzen

The family of Mary Oates

The family of Billy Greene

The family of Nico Otero

The family of Nicholas Hall

The family of Kathryn Plum

The family of William Kenealey

The family of Jackson Poppert

The family of Vivian Lazovik

The family of Danielle Presberg

The family of Amelia Stephens

The family of Logan Schmidt The family of Jasper Schoen The family of Abigail Truett

Theater Friends

Theater Friends is a parent organization dedicated to supporting the WFBHS Drama Club and Theater Directors. Our purpose is to provide resources and support to the entire Theater Program, enabling students to chase their passions. To find out how you can be involved, email Deb Stollenwerk at WFBHSTheaterFriends@gmail.com. 14

Whitefish Bay High School


SENIOR STUDENT BIOGR APHIES Ash Ahrenhoerster (Follow Spot) is simply delighted to be working on Working! After dancing between cast and crew for the past three years, they have at last conceded to their love for set construction and backstage work as previously demonstrated during Chicago and Beauty and the Beast. They cannot thank Mr. Miller, Mrs. Armstrong, and Ms. Peterson enough for the guidance and wisdom they have shared in the past few years. Bridget Beatty (a Cubicle Worker) is incredibly grateful to be a part of Working: The Musical. She was heavily involved in Whitefish Bay Middle School Theater productions, deciding to take a break during much of high school. This senior year, Bridget is incredibly grateful for Ms. Kind-Keppel and her parents for continuously pushing her to get back to doing something she absolutely adores. She would like to thank everyone involved for being so amazingly welcoming and teaching her so much! Cynthia Cao (Follow Spot) is very animated to be a part of this production of Working. She previously participated as a member of the Pit

Orchestra in Legally Blonde. She would like to thank Mr. Miller for all his guidance and work in the theater program, as well as every member of crew. She would also like to thank Ms. Kind-Keppel and members of the cast for their time and effort. Lily Fay (Sound Board Operator) is overjoyed to be working on this production of Working: A Musical. Over the past four years she has worked on crew for every show including Legally Blonde, The Diary of Anne Frank and Chicago. She would like to thank Mr. Miller, Mrs. Armstrong, Ms. Kind-Keppel, and Mr. Radke for making her stage crew experience unforgettable! She welcomes you to the show! Gwen Gleason (Run Crew) is keen as cheese and mustard to be working Working. Over the years, Gwen has been a part of the crew for Chicago, Beauty and the Beast, and several plays. She would like to thank Ms. Kind-Keppel, Mr. Miller, Ms. Peterson, and Mrs. Armstrong for creating an amazing theater program. Lastly, she would also like to thank you for coming to watch this show!

Kari & Bill Foote & Family Working

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SENIOR STUDENT BIOGR APHIES Mia Gleason (Stage Manager) is happier than an opossum in a turned over garbage can to be working on Working. Her past credits include Legally Blonde, Chicago, and Beauty and the Beast. She would like to thank Ms. Kind-Keppel, Mr. Miller and every member of the cast and crew for their tireless efforts to make this production possible. Jayson Goldbaum (Run Crew) is thrilled to be part of the crew of this final show in his Senior year at Whitefish Bay. He’s been a proud member of the stage crew in every show since he was a lowly freshman, and has made so many wonderful friends along the way! An extra special “Thanks” goes out to Mr. Miller, Mrs. Armstrong, Ms. Kind-Keppel, and Ms. Peterson for being such amazing supporters and for teaching him so many valuable life lessons. Oscar Gregg (an Ironworker, a Truck Driver, and a Fireman) is thrilled and honored to be featured in this production of Working. His Whitefish Bay High School show credits include Beauty and the Beast (Maurice) and Chicago (Fred Casely), among others. He has also been featured in various shows at Divine Savior Holy Angels High School, such as Newsies (Jack Kelly) and Beauty and the Beast (Lumiere). He would like to sincerely thank Ms. Kind-Keppel, Mr. Johnston, Ms. Wozniak, and Mr. Miller for being so generous with their time, efforts, and impeccable leadership. He would also like to thank the boundless theater family here at WFBHS who open his mind and his heart each day. 16

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William Kenealey (the Mason Singer & Caretaker) is overjoyed and beyond grateful to be able to participate in Working: The Musical. He has previously “worked” on Legally Blonde, Chicago, All My Sons, and Beauty and the Beast at WFBHS. He would like to thank Mr. Johnston for encouraging him to continue singing and Ms. Wozniak for inspiring his love of dancing. He would also like to thank Ms. Kind-Keppel for being such an inspiring and influential director and for her immense devotion to the theater, especially through this year’s challenges. Finally, he is thankful for his amazing castmates who have made theater an unforgettable experience. Gabby Koziol (a Housewife and a Community Organizer) is extremely thrilled to be a part of Working. You may have seen her in previous productions such as Chicago (June), Beauty and the Beast (the Wardrobe), and Skylight Music Theatre’s 2018 production of Hairspray (Shelly). She would like to thank Ms. Kind-Keppel and Mr. Johnston for their endless support and guidance over the past four years, and giving her the opportunity to express and find herself through the arts. She would also like to thank Ms. Wozniak, Mr. Miller, and any other adults that made this production possible. Finally, a big thank you to her parents and friends(and cast mates!) for their continuous love and confidence in her to pursue her theater dreams in college. Vivian Lazovik (laid off worker) is absolutely thrilled to be a part of this year’s production of Working. Over the years at the high school, Vivian has been part of the crew or cast for all of the musical productions. She


SENIOR STUDENT BIOGR APHIES would like to thank Mr. Miller, Mr. Johnston, Ms. Wozniak, and Ms. Kind-Keppel for not only being the best leaders and teachers but for making these the best four years she could have ever asked for. Last but certainly not least she would like to thank the crew for all their hard work and the cast for their outstanding work for this production and for being part of this amazing journey in such a strange year. Miranda Lile (a Nanny) is so grateful to be performing in Working this year. Past performances in Whitefish Bay High School productions include, Legally Blonde, Chicago, and Beauty and the Beast. She would like to thank not only the wonderful community of her peers in the theater department, but also Ms. Kind-Keppel, Mr. Johnston, Ms. Wozniak, and all the passionate adults who worked hard this year to make the production possible! She is so thankful for the opportunity to perform in her senior year musical!

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The Diary of Anne Frank, and You Can’t Take it With You! He hopes the message of this show, arguably more relevant now than ever, resonates with you as much as it did for him, being that every person, no matter how minuscule they may seem or how trivial their job seems, are an essential part of our society and are truly what makes America the country that it is. Especially as a Senior, he wants to thank Mr. Johnston for his four years of enjoyment in the choir program as well as Music Director for the Musicals, Mr. Miller and all of Stage Crew for their incredible work to make realistic sets and make us look good on stage, all the members of the Drama Family that have made each and every production memorable, and finally Mrs. Kind-Keppel for her unwavering dedication, support, and love for all her students and for helping us make art that is meaningful and transformative. So sit back in your trucker seat, relax, and enjoy the show!

Kari & Bill Foote & Family

Oliver Niehaus (a Hedge Fund Manager) couldn’t be more excited to be part of the cast of Working! You may have seen him in previous WFB productions such as Beauty and the Beast, Chicago, Legally Blonde,

Mary Oates (Grip) is hyped to be working on this production of Working. Having also worked on build crew and run crew for All My Sons, Almost, Maine and Beauty and the Beast, she’s excited to be back at it again. She would like to thank Mr. Miller, Mrs. Armstrong, Ms. Peterson, and everyone who has helped along the way!

Karen & Dan Potter Working

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SENIOR STUDENT BIOGR APHIES Katie Plum (Run Crew) is positively jazzed to work on Working this year, and will show her enthusiasm through many bad backstage dance moves that hopefully the audience cannot see. Katie has also been a part of run crew for Beauty and the Beast and Almost Maine. She would like to thank Mr. Miller, Ms. Peterson, and Ms. Armstrong for their hard work in leading set construction and teaching her and her fellow crew mates. Ingrid Stollenwerk (a Receptionist) Even after facing many strenuous obstaclessuch as her incredible choreographer making her dance more than three steps, and four cast members not getting hyped with her by screaming Disney songs on the way to Saturday morning rehearsals- Ingrid is happier than a lady stomping on grapes to get to perform in Working. She feels so fortunate to have the opportunity to do her pre-show pushups backstage one last time before her high school experience comes to a close. Ingrid would like to thank every single person who made this show possible, whether they’re an audience member or the president of the theater parents group (thanks mom!). She believes that every ounce of support given to us is what keeps this theater program alive. Fiona Wallace (Lighting Board Operator) is jubilantly excited to be doing her favorite work on Working this year! Her past credits include Legally Blonde, Chicago, and Beauty and the Beast. She would like to thank Mr. Miller and Mrs. Armstrong for their incredible patience, and for their dedication to teaching us (and fixing our mistakes). She would also like to 18

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thank her fellow crew-mates for schlepping through the ups and downs to make Working work so well! Music Theatre International (MTI) is one of the world’s leading theatrical licensing agencies, granting theatres from around the world the rights to perform the greatest selection of musicals from Broadway and beyond. Founded in 1952 by composer Frank Loesser, and orchestrator Don Walker, MTI is a driving force in advancing musical theatre as a vibrant and engaging art form. MTI works directly with the composers, lyricists and book writers of these musicals to provide official scripts, musical materials and dynamic theatrical resources to over 70,000 professional, community and school theatres in the US and in over 60 countries worldwide. MTI is particularly dedicated to educational theatre, and has created special collections to meet the needs of various types of performers and audiences. MTI’s Broadway Junior™ shows are 30- and 60-minute


SENIOR STUDENT BIOGR APHIES

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musicals for performance by elementary and middle school-aged performers, while MTI’s School Editions are musicals annotated for performance by high school students. Stephen Schwartz wrote the music and lyrics for the current Broadway hit WICKED, and has also contributed music and/or lyrics to GODSPELL, PIPPIN, THE MAGIC SHOW, THE BAKER’S WIFE, WORKING (which he also adapted and directed), RAGS, and CHILDREN OF EDEN. He collaborated with Leonard Bernstein on the English texts for Bernstein’s MASS and wrote the title song for the play and movie BUTTERFLIES ARE FREE. For children, he has written songs for two musicals, CAPTAIN LOUIE and MY SON PINOCCHIO. He has also worked in film, collaborating with Alan Menken on the songs for Disney’s ENCHANTED as well as the animated features POCAHONTAS and THE HUNCHBACK OF NOTRE DAME, and writing the songs for the DreamWorks animated feature THE PRINCE OF EGYPT. His first opera, SEANCE ON A WET AFTERNOON, was produced at Opera Santa Barbara and New York City Opera. A book about his career, “Defying Gravity,” has been released by Applause Books. Mr. Schwartz has been inducted into the Theatre Hall of Fame and the Songwriters Hall of Fame, and has been given a star on the Hollywood Walk of Fame . Awards include three Academy Awards, four Grammy Awards, and a tiny handful of tennis trophies. Nina Faso made her directorial debut with Peter Ustinov’s, THE UNKNOWN SOLDIER AND HIS WIFE. Following a stint with the improvisational comedy group: The Committee, she became one of the creators of GODSPELL and directed most major productions of the show in America and Europe. She then took THE ROCKY HORROR SHOW from Los Angeles to Broadway. She co-adapted and co-directed the musical, WORKING based on Studs Terkel’s book, for the Goodman Theater in Chicago and for Broadway. She co-wrote the teleplay for WORKING for the PBS series AMERICAN PLAYHOUSE. She is the author and director

of the children’s television special, THE FABLE COMPANY, and the co-producer and co-director of a short film called SING FOR YOUR LIFE. Among her other directing credits are the musicals JUST ONCE and IS IT JUST ME, OR IS IT HOT IN HERE? which enjoyed long runs in New York and Los Angeles, respectively. Gordon Greenberg revised and directed Working for The Old Globe, Broadway in Chicago, Asolo Rep, and 59 E 59. He directed the acclaimed West End revival of Guys and Dolls, which starred Rebel Wilson and received six Olivier Award nominations (Savoy Theatre, Chichester Festival Theatre) and directed/co-wrote the Broadway stage adaptation of Irving Berlin’s Holiday Inn (Roundabout /Universal, PBS “Great Performances.”) Recent/current work includes the The Heart of Rock and Roll (Old Globe), Barnum (Menier Chocolate Factory, London), Terms of Endearment starring Alfred Molina, Calista Flockhart and Constance Wu (Geffen), The Secret of My Success (also co-writer, Universal Stage Productions), Piaf:Dietrich (Mirvish, Toronto), writing the new book for Meet Me in St. Louis (St. Louis Muny), co-writing/ directing Mystic Pizza with Melissa Etheridge and Sas Goldberg for MGM, co-writing Port Au Prince (New Group), co-writing/ directing Ebenezer Scrooge’s Big (Your Town Here) Christmas Show (Old Globe, Bucks County,) and The Curious Case of the Curse of Count Dracula (Chicago Shakes, Maltz) and co-writing original movie musicals for Disney Channel and Nickelodeon. Other credits: Jacques Brel…(Drama Desk, Drama League, Outer Critics nominations), Disney’s Tangled; and regional work at Williamstown, Paper Mill, Huntington, Signature, Dallas Theatre Center, NY Stage & Film, Philadelphia Theatre Company, St. Louis MUNY, Goodspeed, Capital Rep. Education: Stanford, NYU, RADA. Member, SDC, WGA, & The Dramatists Guild.

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OUR MISSION

The Cornog

Inspiring Passion: Whitefish Bay Theater

Whitefish Bay is passionately committed to the power educational theater has to change lives. At Whitefish Bay, students have the opportunity to engage in high quality theater training in both acting and technical theater. Moreover, their experience will also provide important skills that will help them find success in life: discipline, commitment, responsibility, passion, organization, time management, grit, etc.

Family Foundation

In order to provide the richest training experiences possible, our program is committed to producing productions of the highest quality. Regardless of whether a student engages in a play or a musical, as an actor or a technical artist, Whitefish Bay works to provide rich experiences that will challenge our students, inspire our students, and ignite and fuel passion within our students.

Proud supporter of the Whitefish Bay High School Theater Program As we commit to and work towards these goals, Whitefish Bay Theater strongly supports and values each part of the production team. As members of Whitefish Bay’s theater and its commitment to making an family, we are all dependent on each other. The best programs are the ones where each person is valued and their contributions are celebrated. This is key for every person on its actors students involved in ourimpact theater program. Remember, and stage crewand members are equal partners in the production of a show and one cannot excel without the dedication and input of the other.community In our program, we value each person, each contribution, through the and we work to build each other up as individuals, as students, and as theatrical artists. performing arts.

The Kenealey Family


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