The Collection by Fontsmith

The Collection â&#x20AC;&#x201D;

Smith n. Worker in metal; (fig.) one who creates (songsmith, fontsmith) There isn’t much metal around in type design these days, but beyond that, the definition stands. Industry, creativity… Well, we’ve certainly been busy. As for creativity, we’d like to think the following pages speak for themselves. We hope you like the results. — FS Albert Pro — FS Albert Pro Narrow — FS Albert — FS Conrad — FS Dillon — FS Jack — FS Joey — FS Rufus — FS Sally — FS Sammy — FS Alvar — FS Clerkenwell — FS Ingrid — FS Kitty — FS Lola — FS Me — FS Pele — FS Rome — FS Sinclair — FS Sophie

FS Albert Pro ExraBold

18pt

Complete with small caps, extended ligatures, and a full Greek and Cyrillic character set, Albert Pro supports more than 60 languages.

FS Albert Pro Regular

Glyph Set

14pt

abcdefghijklmnopqrstuvwxyzàáâãäāăåǻąæǽćçĉčċďđèéê ěëēĕėęĝğġģĥħıìíî ĩ ïīĭįĳĵķĸĺłľļŀńňñņŉòóôõöōŏőøǿœŕřŗśŝšşșßſťţŧùú ûũüūŭůűųẁẃŵẅỳýŷÿźžżŋðþfffiffifjffjflffl Capitals ABCDEFGHIJKLM NOPQRSTUVWXYZÀÁÂÃÄĀĂÅǺĄÆǼĆÇĈČĊĎĐÈÉÊĚËĒĔĖĘĜĞ ĠĢĤĦIÌÍÎĨÏĪĬĮĲĴĶĹŁĽĻĿŃŇÑŅÒÓÔÕÖŌŎŐØǾŒŔŘŖŚŜŠŞȘŤŢŦ ÙÚÛŨÜŪŬŮŰŲẀẂŴẄỲÝŶŸŹŽŻŊÐÞ Small Caps ABCDEFGHIJKLMN OPQRSTUVWXYZÀÁÂÃÄĀĂÅǺĄÆǼĆÇĈČĊĎĐÈÉÊĚËĒĔĖĘĜĞĠĢĤĦIÌÍÎĨÏĪ ĬĮĲĴĶĹŁĽĻĿŃŇÑŅNÒÓÔÕÖŌŎŐØǾŒŔŘŖŚŜŠŞȘŤŢŦÙÚÛŨÜŪŬŮŰŲẀẂ ŴẄỲÝŶŸŹŽŻŊÐÞ Cyrillic Lowercase аббвг�де�жзийклмноп�рст�уфхцч шщъыьэюяѐёђѓєѕіїјљњћќѝўџѣѳѵґ Cyrillic Caps АББВГДЕЖЗИЙКЛ МНОПРСТУФХЦЧШЩЪЫЬЭЮЯЀЁЂЃЄЅІЇЈЉЊЋЌЍЎЏѢѲѴҐ Cyrillic Small Caps АББВГДЕЖЗИЙКЛМНОПРСТУФХЦЧШЩЪЫЬЭЮЯЀЁЂЃЄЅІЇ ЈЉЊЋЌЍЎЏѢѲѴҐ Greek Lowercase αββγδεζηθθικλμνξξοπρςστυφφχψωϊ ϋόύώάέήίΰ Greek Caps ΑΒΓΔΕΖΗΘΙΚΛΜΝΞΟΠΡΣΤΥΦΧΨΩΪΫΌΎΏΆΈ ΉΊΥ Greek Small Caps ΑΒΓΔΕΖΗΘΙΚΛΜΝΞΟΠΡΣΤΥΦΧΨΩΪΫΌΎΏΆΈΉΊΥ Figures, currency & related; Tabular Lining 0123456789££€$¥¢ƒ‰% Tabular Old Style 01234 56789££€$¥¢ƒ‰% Proportional Lining 00123456789££€$¥¢ƒ‰% Proportional Old Style 0123456789££€$¥¢ƒ‰%+−±×÷=≠≈~^<>≤≥¬◊|¦∞∂∫ √∆Ω∏∑µπ№℮ℓ°ªº Superiors and fractions abcdefghijklmnopqrstuvwxyz(0123456789,.-+=) (0123456789,.-+=)(0123456789,.-+=)(0123456789,.-+=)¼½¾⅓⅔⅕ ⅖⅗⅘ ⅙⅚⅛⅜ ⅝⅞ Punctuation and marks @@© ® � ™ ! ¡¡! ¡?¿¿?¿ &&()()()[ ][ ][]{} {}{ }//\\*† ‡§¶•• _ --–– — — ’ ” ‘ ’ “ ”‚ „ ‹ ›‹ ›« » « » . , :; … · · Accents `´¨ˆ˜¯˘˙˚¸˝˛ˇ `´¨ˆ˜¯˘˙˚¸˝˛ˇ`´¨ˆ˜¯˘˙˚¸˝˛ˇ Lowercase

FS Albert Pro Thin

72pt

µια οµορφιά FS Albert Pro ExtraBold

FS Albert Pro Bold Italic

FS Albert Pro Bold

FS Albert Pro Italic

FS Albert Pro Regular

FS Albert Pro Light Italic

FS Albert Pro Light

FS Albert Pro Thin Italic

FS Albert Pro Thin

ExtraBold

30pt

Bold Italic

30pt

Bold

30pt

Italic

30pt

Regular

30pt

Light Italic

30pt

Light

30pt

Thin Italic

30pt

Thin

30pt

FS Albert Pro ExraBold

18pt

Complete with small caps, extended ligatures, and a full Greek and Cyrillic character set, Albert Pro supports more than 60 languages.

FS Albert Pro Regular

Glyph Set

14pt

abcdefghijklmnopqrstuvwxyzàáâãäāăåǻąæǽćçĉčċďđèéê ěëēĕėęĝğġģĥħıìíî ĩ ïīĭįĳĵķĸĺłľļŀńňñņŉòóôõöōŏőøǿœŕřŗśŝšşșßſťţŧùú ûũüūŭůűųẁẃŵẅỳýŷÿźžżŋðþfffiffifjffjflffl Capitals ABCDEFGHIJKLM NOPQRSTUVWXYZÀÁÂÃÄĀĂÅǺĄÆǼĆÇĈČĊĎĐÈÉÊĚËĒĔĖĘĜĞ ĠĢĤĦIÌÍÎĨÏĪĬĮĲĴĶĹŁĽĻĿŃŇÑŅÒÓÔÕÖŌŎŐØǾŒŔŘŖŚŜŠŞȘŤŢŦ ÙÚÛŨÜŪŬŮŰŲẀẂŴẄỲÝŶŸŹŽŻŊÐÞ Small Caps ABCDEFGHIJKLMN OPQRSTUVWXYZÀÁÂÃÄĀĂÅǺĄÆǼĆÇĈČĊĎĐÈÉÊĚËĒĔĖĘĜĞĠĢĤĦIÌÍÎĨÏĪ ĬĮĲĴĶĹŁĽĻĿŃŇÑŅNÒÓÔÕÖŌŎŐØǾŒŔŘŖŚŜŠŞȘŤŢŦÙÚÛŨÜŪŬŮŰŲẀẂ ŴẄỲÝŶŸŹŽŻŊÐÞ Cyrillic Lowercase аббвг�де�жзийклмноп�рст�уфхцч шщъыьэюяѐёђѓєѕіїјљњћќѝўџѣѳѵґ Cyrillic Caps АББВГДЕЖЗИЙКЛ МНОПРСТУФХЦЧШЩЪЫЬЭЮЯЀЁЂЃЄЅІЇЈЉЊЋЌЍЎЏѢѲѴҐ Cyrillic Small Caps АББВГДЕЖЗИЙКЛМНОПРСТУФХЦЧШЩЪЫЬЭЮЯЀЁЂЃЄЅІЇ ЈЉЊЋЌЍЎЏѢѲѴҐ Greek Lowercase αββγδεζηθθικλμνξξοπρςστυφφχψωϊ ϋόύώάέήίΰ Greek Caps ΑΒΓΔΕΖΗΘΙΚΛΜΝΞΟΠΡΣΤΥΦΧΨΩΪΫΌΎΏΆΈ ΉΊΥ Greek Small Caps ΑΒΓΔΕΖΗΘΙΚΛΜΝΞΟΠΡΣΤΥΦΧΨΩΪΫΌΎΏΆΈΉΊΥ Figures, currency & related; Tabular Lining 0123456789££€$¥¢ƒ‰% Tabular Old Style 01234 56789££€$¥¢ƒ‰% Proportional Lining 00123456789££€$¥¢ƒ‰% Proportional Old Style 0123456789££€$¥¢ƒ‰%+−±×÷=≠≈~^<>≤≥¬◊|¦∞∂∫ √∆Ω∏∑µπ№℮ℓ°ªº Superiors and fractions abcdefghijklmnopqrstuvwxyz(0123456789,.-+=) (0123456789,.-+=)(0123456789,.-+=)(0123456789,.-+=)¼½¾⅓⅔ ⅕ ⅖ ⅗ ⅘ ⅙ ⅚ ⅛ ⅜ ⅝ ⅞ Punctuation and marks @@© ® � ™ ! ¡¡!¡?¿¿?¿&&()()()[][][]{}{} { }//\\*†‡§¶• • _ --–– — — ’ ” ‘ ’ “ ”‚ „ ‹ ›‹ ›«»«» .,: ; … ·· Accents `´¨ˆ˜¯ ˘˙˚¸˝˛ˇ`´¨ˆ˜¯˘˙˚¸˝˛ˇ`´¨ˆ˜¯˘˙˚¸˝˛ˇ Lowercase

FS Albert Pro Thin

72pt

µια οµορφιά FS Albert Pro ExtraBold

FS Albert Pro Bold Italic

FS Albert Pro Bold

FS Albert Pro Italic

FS Albert Pro Regular

FS Albert Pro Light Italic

FS Albert Pro Light

FS Albert Pro Thin Italic

FS Albert Pro Thin

ExtraBold

30pt

Bold Italic

30pt

Bold

30pt

Italic

30pt

Regular

30pt

Light Italic

30pt

Light

30pt

Thin Italic

30pt

Thin

30pt

деaшево

FS Albert Pro Narrow Regular

96pt

FS Albert Pro Narrow Light

96pt

Results not typical *

$5·99

FS Albert Pro Narrow ExtraBold

96pt

FS Albert Pro Narrow Bold

12pt

Fluent in more than sixty different languages — more than comfortable in the most demanding of environments and equally at ease with the every day. *Small print never looked so good

FS Albert Pro Narrow ExtraBold

FS Albert Pro Narrow Bold Italic изъят. Экс-граф? Плюш

ExtraBold

Бьём чуждый цен хвощ! Эй, жлоб! Где туз? Прячь юных съёмщиц в шкаф. Южно-эфиопский грач увёл мышь за хобот на съезд ящериц. Аэрофотосъёмка ландшафта FS Albert Pro Narrow Bold земли богачей и процветающих уже выявила крестьян. Подъём с затонувшего эсминца легко бьющейся древнегреческой амфоры сопряжён с техническими трудностями. Завершён ежегодный FS Albert Pro Narrow Italic съезд эрудированных школьников, мечтающих глубоко проникнуть в тайны физических явлений и химических реакций. Лингвисты в ужасе: фиг выговоришь этюд: «подъём челябинский, запах FS Albert Pro Narrow Regular щец». Съел бы ёж лимонный пьезокварц, где электрическая юла яшму с туфом похищает. Эх, жирафы честно в цель шагают, да щук объять за память ёлкой… Эти ящерицы чешут вперед FS Albert Pro Lightно Italic заNarrow ключом, багаж в сейфах, поди подъедь… Расчешись! Объявляю: туфли у камина, где этот хищный ёж цаплю задел. Официально заявляю читающим: даёшь подъем операции Ы! Хуже с FS Albert Pro Narrow Light ёлкойбог экспериментирует. Бегом марш! У месторождения кварцующихся фей без слёз хочется электрическую пыль. Здесь фабула объять не может всех эмоций — шепелявый скороход в Narrow юбке тащит горячий мёд. Художник-эксперт с FS Albert Pro Thin Italic компьютером всего лишь яйца в объёмный низкий ящик чохом фасовал. Юный директор целиком сжевал весь объём продукции фундука (товара дефицитного FS Albert Pro Narrow Thin и деликатесного), идя энергично через хрустящий камыш. Обдав его удушающей пылью, множество ярких фаэтонов исчезло из цирка. Безмозглый широковещательный цифровой передатчик сужающихся экспонент. но и мягкий, словно ь юноша из Бухары ищет

30pt

30pt Крым о русском языке. В Автономной Республике Конституция АРК указывает, что русский язык «как язык большинства населения и приемлемый для межнационального общения используется 30ptа также во всех сферах общественной жизни», гарантирует русскому, крымскотатарскому и «языкам других национальностей» развитие и поддержку. Тем не менее «государственным 30pt только языком» Конституция АРК именует украинский. Согласно решениям местных советов 2006—2007 гг., русский язык получил тот или иной законный статус в Луганской, Донецкой и 30ptХарьков Запорожской областях, городах Луганск, Одесса, Севастополь и Ялта

Bold Italic Bold

Italic

Regular

Южно-эфиопский грач увёл мышь за хобот на 30pt съезд ящериц. Аэрофотосъёмка ландшафта уже выявила земли богачей и процветающих крестьян. Подъём с затонувшего эсминца легко бьющейся древнегреческой амфоры сопряжён с техническими трудностями. Завершён30pt ежегодный съезд эрудированных школьников, мечтающих глубоко проникнуть в тайны физических явлений и химических реакций. Лингвисты в ужасе: фиг выговоришь этюд: «подъём челябинский, 30pt запах щец». Съел бы ёж лимонный пьезокварц, где электрическая юла яшму с туфом похищает. Эх жирафы честно в цель шагают, да щук объять за память ёлкой… Эти ящерицы чешут 30pt вперед за ключом, но багаж в сейфах, поди подъедь… Расчешись! Объявляю: туфли у камина, где этот хищный ёж цаплю задел. Официально заявляю читающим: даёшь подъем операции Ы! Хуже с ёлкойбог экспериментирует. Бегом марш! У

Light Italic Light

Thin Italic Thin

деaшево

FS Albert Pro Narrow Regular

96pt

FS Albert Pro Narrow Light

96pt

Results not typical *

$5·99

FS Albert Pro Narrow ExtraBold

96pt

FS Albert Pro Narrow Bold

12pt

Fluent in more than sixty different languages â&#x20AC;&#x201D; more than comfortable in the most demanding of environments and equally at ease with the every day. *Small print never looked so good

FS Albert Pro Narrow ExtraBold

FS Albert Pro Narrow Bold Italic

FS Albert Pro Narrow Bold

FS Albert Pro Narrow Italic

FS Albert Pro Narrow Regular

FS Albert Pro Narrow Light Italic

FS Albert Pro Narrow Light

FS Albert Pro Narrow Thin Italic

FS Albert Pro Narrow Thin

ExtraBold

30pt

Bold Italic

30pt

Bold

30pt

Italic

30pt

Regular

30pt

Light Italic

30pt

Light

30pt

Thin Italic

30pt

Thin

30pt

FS Albert Bold Italic

Warm, sensitive & robust, but flexible.

90pt

FS Albert Light

18pt

With a wide range of weights, Albert is a charismatic and truly versatile face, ideal for use everywhere from text to display.

FS Albert ExtraBold

FS Albert Bold Italic

FS Albert Bold

FS Albert Italic

FS Albert Regular

FS Albert Light Italic

FS Albert Light

FS Albert Thin Italic

FS Albert Thin

ExtraBold

30pt

Bold Italic

30pt

Bold

30pt

Italic

30pt

Regular

30pt

Light Italic

30pt

Light

30pt

Thin Italic

30pt

Thin

30pt

FS Albert Bold Italic

Warm, sensitive & robust, but flexible.

90pt

FS Albert Light

18pt

With a wide range of weights, Albert is a charismatic and truly versatile face, ideal for use everywhere from text to display.

FS Albert ExtraBold

FS Albert Bold Italic

FS Albert Bold

FS Albert Italic

FS Albert Regular

FS Albert Light Italic

FS Albert Light

FS Albert Thin Italic

FS Albert Thin

ExtraBold

30pt

Bold Italic

30pt

Bold

30pt

Italic

30pt

Regular

30pt

Light Italic

30pt

Light

30pt

Thin Italic

30pt

Thin

30pt

Co cept

FS Conrad Regular

250pt

ontual FS Conrad Headline

FS Conrad Regular

Headline Regular

30pt

Co cept

FS Conrad Regular

250pt

ontual FS Conrad Headline

FS Conrad Regular

Headline Regular

30pt

FS Dillon Regular

60pt

Mies & Walter & László und Herbert

Weimar 1919 FS Dillon Bold

FS Dillon Regular

120pt

FS Dillon Italic

30pt

Inspired by the philosophy and work of the Bauhaus and their pursuit of simple, practical forms. FS Dillon Bold Italic

18pt

From Bauhaus to your house.

FS Dillon Bold Italic

FS Dillon Bold

FS Dillon Medium Italic

FS Dillon Medium

FS Dillon Italic

FS Dillon Regular

Bold Italic

30pt

Bold

30pt

Medium Italic

30pt

Medium

30pt

Italic

30pt

Regular

30pt

FS Dillon Regular

60pt

Mies & Walter & László und Herbert

Weimar 1919 FS Dillon Bold

FS Dillon Regular

120pt

FS Dillon Italic

30pt

Inspired by the philosophy and work of the Bauhaus and their pursuit of simple, practical forms. FS Dillon Bold Italic

18pt

From Bauhaus to your house.

FS Dillon Bold Italic

FS Dillon Bold

FS Dillon Medium Italic

FS Dillon Medium

FS Dillon Italic

FS Dillon Regular

Bold Italic

30pt

Bold

30pt

Medium Italic

30pt

Medium

30pt

Italic

30pt

Regular

30pt

Honest & to the point. FS Jack Poster

FS Jack Regular

A confident original classic with chiselled good looks. — Clear — Enthusiastic — Resolute

100pt

20pt

FS Jack Regular

Clever, not smart. Poster

FS Jack Poster

40pt

30pt

Bold Italic Made in England Bold H.J. Heinz Co. Ltd., Medium Italic Hayes, Middx ub4 8al Medium

FS Jack Bold Italic

FS Jack Bold

FS Jack Medium Italic

30pt

FS Jack Medium

30pt

Italic Best before end see can endRegular

FS Jack Italic

30pt

FS Jack Regular

30pt

FS Jack Light Italic

FS Jack Light

â&#x201E;Ž 415g

Light Italic

30pt

Light

30pt

Honest & to the point. FS Jack Poster

FS Jack Regular

A confident original classic with chiselled good looks. — Clear — Enthusiastic — Resolute

100pt

20pt

FS Jack Regular

Clever, not smart. Poster

FS Jack Poster

Bold Italic

FS Jack Bold Italic

Bold

FS Jack Bold

FS Jack Medium Italic

40pt

30pt

Medium Italic

30pt

FS Jack Medium

Medium

30pt

FS Jack Italic

Italic

30pt

FS Jack Regular

Regular

30pt

FS Jack Light Italic

Light Italic

30pt

FS Jack Light

Light

30pt

geome

FS Joey Regular

150pt

FS Joey Regular

24pt

Finely tuned for use both on screen and in print. Consistency and strength in its geometric construction make Joey crisp and distinctive, while being remarkably relaxed in feel.

Analogue Digitalism

FS Joey Bold & Italic

72pt

etricity

0 S 50 TEXT EE FR — 0 30 TES NU MI — ITED TA LIM DA UN -FI & WI — 0 S 50 TEXT EE FR — 0 30 TES NU MI — ITED TA LIM DA UN -FI & WI — 0 S 50 TEXT EE FR — 0 30 UTES N MI — ITED A IM AT NL & D

500 FREE TEXTS — FREE500 300 TEX MINUTES — TS — 300 D M E IT IM I L NUT UN ES A T A D — WI-FI & Letterforms packed with surprising LIMI and turns. — WUNtwists I FI & TED 500 DATA S T X E T — E FRE —FR 500 300 EE TEXT S MINUTES— — 300 M INITUETD ES UNLIM— A T A D WUI-NFLI I&M WI-F —ITED I & D0 —50TEAXTATS F5R0E0E FREE TEX —0 TS0 — 3 300 MINUTES MIN — UTE SUNLIMITED — UNL ATA W IMIT WI-FI & D FS Joey Bold Italic

16pt

FS Joey further weights

coming soon

30pt

FS Joey Bold Italic

Bold Italic

30pt

FS Joey Bold

Bold

30pt

Italic

30pt

Regular

30pt

FS Joey Italic

FS Joey Regular

geome

FS Joey Regular

150pt

FS Joey Regular

24pt

Finely tuned for use both on screen and in print. Consistency and strength in its geometric construction make Joey crisp and distinctive, while being remarkably relaxed in feel.

Analogue Digitalism

FS Joey Bold & Italic

72pt

etricity FS Joey Bold Italic

16pt

Letterforms packed with surprising twists and turns.

FS Joey further weights

coming soon

30pt

FS Joey Bold Italic

Bold Italic

30pt

FS Joey Bold

Bold

30pt

Italic

30pt

Regular

30pt

FS Joey Italic

FS Joey Regular

typ

FS Rufus Bold Italic

200pt

FS Rufus Light Italic

48pt

FS Rufus Light

12pt

Clean & Serene

ch ck cky ct cts ft fft fts fty fr

ffr fru ffru fry ffry fu ffu fy ffy gg

gi git gitt ggi ggit gn gm gr gru gu

ggu gy ggy it itt itti its itts kv kw

ky ru rv rvy rw ry sh sk sky st

str stru stry stu sty sts sp ts tts ti

tti tit titt tr tru try tu tv tw ty

tty typ vy wf wff wh wt wtt wts www

FS Rufus Regular

Wide, cheeky forms with curious ink-traps and plenty of discretionary ligaturesâ&#x20AC;Ś

FS Rufus Bold Italic

FS Rufus Bold

Bold Italic Bold

24pt

30pt

FS Rufus Italic

Italic

30pt

FS Rufus Regular

Regular

30pt

FS Rufus Light Italic

Light Italic

30pt

FS Rufus Light

Light

30pt

typ

FS Rufus Bold Italic

200pt

FS Rufus Light Italic

48pt

FS Rufus Light

12pt

Clean & Serene

ch ck cky ct cts ft fft fts fty fr

ffr fru ffru fry ffry fu ffu fy ffy gg

gi git gitt ggi ggit gn gm gr gru gu

ggu gy ggy it itt itti its itts kv kw

ky ru rv rvy rw ry sh sk sky st

str stru stry stu sty sts sp ts tts ti

tti tit titt tr tru try tu tv tw ty

tty typ vy wf wff wh wt wtt wts www

FS Rufus Regular

Wide, cheeky forms with curious ink-traps and plenty of discretionary ligaturesâ&#x20AC;Ś

FS Rufus Bold Italic

FS Rufus Bold

Bold Italic Bold

24pt

30pt

FS Rufus Italic

Italic

30pt

FS Rufus Regular

Regular

30pt

FS Rufus Light Italic

Light Italic

30pt

FS Rufus Light

Light

30pt

FS Sally Italic

48pt

An elegant, graceful & carefree type. FS Sally Bold

FS Sally Regular

Carefree but very considerate, Sally is a little outré, but with an innocent and arty appeal. The more you look, the more you discover. Alluring, lovely and quite exquisite. A modern English beauty. Sally is an asymmetric serif design for extended text printing. She’s fluent in over forty different European languages.

FS Sally Regular

Glyph Set

11pt

Lowercase abcdefghijklmnopqrstuvwxyzàáâãäāăåǻąæǽćçĉčċďđèéêěëēĕėęĝğġģĥħıìíîĩ

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FS Sally Heavy Italic

FS Sally Heavy

FS Sally Bold Italic

s music

independent

FS Sally Bold

Heavy Italic

30pt

Heavy

30pt

Bold Italic

Bob Dylan

aboriginal music

Bold

30pt contemporary

30pt

Folkways: the label by Adrian Shaughnessy FS Sally SemiBold Italic

FS Sally SemiBold

FS Sally Medium Italic

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30pt The influence of the record label Folkways on recorded incalculable. The label was founded in 1948 in New Yor Asch (1905–1986) with the aim of documenting poetry, natural sounds and all kinds of indigenous music. 30pt Yet p greatest claim to immortality is that under Asch’s dire responsible for recording the artists – many for the fir provided the catalyst for the American folk music expl 30pt and 1960s, the effects of which are still felt today. As he noted in an article he wrote for Sing Out! one of the first independent record companies it was na 30pt want to record folk music and people’s expression of the experiences.’ So when Asch spotted that Lead Belly, Jos Ives had been dumped by major labels because ‘folk mu 30pt the new mass media markets of the post-depression pe opportunity to record these great artists: ‘Woody Guth album for Victor,’ he wrote, ‘decided we were a logical p writing and his Songs to Grow On2 became legion. 30pt Then first without affiliation.’ Without Moe Asch modern po not be what it is today. We only need to look at Bob Dylan to see the im In the 1950s Dylan immersed himself in Folkways reco

SemiBold Italic SemiBold

Medium Italic Medium Italic

Regular

FS Sally Italic

48pt

An elegant, graceful & carefree type. FS Sally Bold

FS Sally Regular

Glyph Set

11pt

Lowercase abcdefghijklmnopqrstuvwxyzàáâãäāăåǻąæǽćçĉčċďđèéêěëēĕėęĝğġģĥħıìíîĩ

FS Sally Heavy Italic

FS Sally Heavy

FS Sally Bold Italic

FS Sally Bold

FS Sally SemiBold Italic

FS Sally SemiBold

FS Sally Medium Italic

FS Sally Medium

FS Sally Italic

FS Sally Regular

Heavy Italic

30pt

Heavy

30pt

Bold Italic

30pt

Bold

30pt

SemiBold Italic

30pt

SemiBold

30pt

Medium Italic

30pt

Medium

30pt

Italic

30pt

Regular

30pt

FS Sammy Regular

30pt

The Hatter was the first to break the silence. “What day of the month is it?” he said, turning to Alice: he had taken his watch out of his pocket, and was looking at it uneasily, shaking it every now and then, and holding it to his ear. Alice considered a little, and then said “The fourth.” “Two days wrong!” sighed the Hatter. “I told you butter wouldn’t suit the works!” he 4×5=12, 4×6=13 & 4×7=14 FS Sammy Regular

30pt

added looking angrily at the March Hare. “It was the BEST butter,” the March Hare meekly replied. “Yes, but some crumbs must have got in as well,” the Hatter grumbled: “you shouldn’t have put it in with the bread-knife.” The March Hare took the watch and looked at it gloomily: then he dipped it into his cup of tea, and looked at it again. FS Sammy Regular

Regular

30pt

FS Sammy Regular

30pt

Regular

30pt

FS Alvar Light

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96pt

20pt

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96pt

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30pt

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30pt

Light

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FS Clerkenwell Light

120pt

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Ceramics in the twenty-first century occupies a broad territory. Underpinning much contemporary practice is a renewed appreciation of and commitment to the material, with its own particular histories, associations, and qualities. This enthusiasm for the stuff itself, and more particularly what has been done with it in the past, has done nothing to limit the exploration of new forms and approaches. Ceramic artists have increasingly demonstrated a desire to cross â&#x20AC;&#x201D; or perhaps more accurately have shown a healthy disregard for â&#x20AC;&#x201D; the boundaries of their discipline. There is tangible enthusiasm for the absorption of ideas from other branches of the visual arts, from science or archaeology or museology. Ceramics today might also be performance art, installation art, public sculpture or an exercise in curating. It might incorporate other materials, or share ground with other progressive craft disciplines. And clay has meanwhile offered a potent material for use by artists whose practice is located in those areas traditionally termed fine art. 03 Signs & Wonders work in progress, Edmund de Waal studio, 2009

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Edmund de Waal has been a leading figure in this expanding30pt field of possibilities, both as an artist and as an observer and critic. During his career, de Waal has moved from domestic potter to installation artist. It is a relocation that might suggest 30pt a giant leap, yet one that has occurred apparently seamlessly, a succession of steps made to look as easy as walking from A to B. The constant that has made this journey possible is the sustained level of intellectual enquiry that has underpinned 30pt his work at every stage. De Waal has, from the outset, articulated the significance of porcelain, its associations, its desirability, its contradictory notions of strength and fragility. So while the composition and framing of the work have evolved, 30pt many underlying themes have remained present. His work has continued to offer a dialogue about the use, preciousness, survival, preservation and display of ceramics.

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120pt

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FS Clerkenwell Italic

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100pt

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48pt

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The exhibition Possibilities & Losses: transitions in clay and this associated 30pt publication represent a partnership between mima and the Crafts Council, born commitment to commissioning, exhibiting and promoting debate about cuttin craft. Positioning itself at a moment of change in present-day ceramic practice & Losses: transitions in clay highlights contemporary thinking and making 30pt in this Clare Twomey, curator of Possibilities & Losses and editor of this publication, is at the forefront of ceramic practice. The three new works by Keith Harrison, Lin and Clare Twomey, commissioned for the exhibition, and displayed with Neil Br 30pt installation from his Salvage Series, represent ceramic installations on a scale pr unseen. The commissions respond directly to mimaâ&#x20AC;&#x2122;s gallery spaces and offer a the experimental large-scale clay work emerging from contemporary, contextu ambitious and material-specific artists. This publication offers an in-depth analysis of an30pt ambitious clay practice, with an insightful and detailed introduction to the work of each f by Glenn Adamson and an essay by Jorunn Veiteberg that contextualises these the trends and themes identifiable on the international contemporary ceramic 30pt We would like to thank Clare Twomey for the considerable t energy she has put into delivering her vision; the artists, Neil Brownsword, Keith and Linda Sormin, for their ambition and commitment to the project, and Glen and Jorunn Veiteburg for their thoughtful essays. Finally thanks to curatorial sta Beighton and Alix Collingwood of mima and Charlotte Dew of the Crafts Counc

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100pt

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48pt

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30pt

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30pt

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30pt

Regular

30pt

Light Italic

30pt

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30pt

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125pt

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125pt

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30pt

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30pt

FS Lola Light Italic (with thanks to Ray Davies — The Kinks)

35pt

FS Lola ExtraBold Italic

18pt

Well we drank champagne and danced all night \ Under electric candlelight \ She picked me up and sat me on her knee \ And said dear boy won’t you come home with me…

A transgender typeface with a distinctly individual combination of masculine & feminine qualities – the best of both worlds. FS Lola Bold

Well, I’m not the world’s most physical guy, \ but when she squeesed me tight she nearly broke my spine \ Oh my Lola \

18pt

FS Lola ExtraBold Italic

FS Lola ExtraBold

FS Lola Bold Italic

FS Lola Bold

FS Lola Medium Italic

FS Lola Medium

FS Lola Italic

FS Lola Regular

FS Lola Light Italic

FS Lola Light

30pt

ExtraBold Italic ExtraBold

30pt

Bold Italic

30pt

Bold

30pt

Medium Italic

30pt

Medium

30pt

Italic

30pt

Regular

30pt

Light Italic

30pt

Light

30pt

FS Lola Light Italic (with thanks to Ray Davies — The Kinks)

35pt

FS Lola ExtraBold Italic

18pt

Well we drank champagne and danced all night \ Under electric candlelight \ She picked me up and sat me on her knee \ And said dear boy won’t you come home with me…

A transgender typeface with a distinctly individual combination of masculine & feminine qualities – the best of both worlds. FS Lola Bold

Well, I’m not the world’s most physical guy, \ but when she squeesed me tight she nearly broke my spine \ Oh my Lola \

18pt

FS Lola ExtraBold Italic

FS Lola ExtraBold

FS Lola Bold Italic

FS Lola Bold

FS Lola Medium Italic

FS Lola Medium

FS Lola Italic

FS Lola Regular

FS Lola Light Italic

FS Lola Light

30pt

ExtraBold Italic ExtraBold

30pt

Bold Italic

30pt

Bold

30pt

Medium Italic

30pt

Medium

30pt

Italic

30pt

Regular

30pt

Light Italic

30pt

Light

30pt

Me You Him Her Them Us

FS Me Bold Italic, Bold, Italic, Regular, Light Italic, Light

72pt

FS Me Regular

14pt

An accessible typeface design that supports a clear, legible understanding of letters and word shapes. Researched and developed in conjunction with Mencap, the UK’s leading charity and voice for those with learning disability. Mencap receive a donation for each font licence that is purchased.

Every Edward Fields product is bespoke. The term ‘bespoke’ came into regular usage in the shops of England’s finest tailors, perhaps even as far back FS Me Heavy Italic as the 17th century. A bespoke suit is completely custom, made to the highest couture standards to one’s specific measurements. Today, bespoke is synonymous with luxury. In the design market, FS Me Heavy the term implies art and craft, an expression of personal style that ranges from the idiosyncratic to the sublime. FS Me Italic Bold Like the English tailor’s workshop, Edward Fields Carpet Makers has a reverence for the handmade, the integrity of a craft passed from master to apprentice, and the conviction that FS Me Bold the most beautiful item becomes more even special when it fits like a glove. Any Edward Fields carpet design, whether based on an edition or simply dreamed up by the client, is custom — FS Me Italic custom in a way that few manufactured products are now. When Edward Fields established his company in 1935, he made a commitment to a bespoke FS Me Regular product and service, and the company honors that promise to this day. An Edward Fields rug is a oneof-a-kind work of art born from the collaboration ofLight client, FS Me Italicartist, and craftsperson. Each one is the

result of a creative journey docum watercolors, renderings, hand-dra hand-dyed fibers, and carpet samp 30pt The client is always at the cente making process: Every decision fro through manufacturing to installa based upon his or her specification 30pt begins with a consultation betwee an artist at the Studio. Some clients come with visual cues — a s a fabric swatch — and let30pt the desig there. Inspiration is also in bountif Edward Fields Studio, an inviting w books and objets in addition to, of 30pt breathtaking array of samples and from the editions, which often pro springboard to a personalized colo pattern, or fiber choice. 30pt Once the design of the rug or ca colors are assigned. Clients find hu poms — monochromatic bundles o of hues — at the Studio, and thousa 30pt colors are possible through the cus process. Working with the artist, a dozens of shades within each color observing how a color’s quality shi 30pt

Heavy Italic Heavy

Bold Italic Bold

Italic

Regular

07 – 08

FS Me Light

Light Italic Light

30pt

Me You Him Her Them Us

FS Me Bold Italic, Bold, Italic, Regular, Light Italic, Light

72pt

FS Me Regular

14pt

An accessible typeface design that supports a clear, legible understanding of letters and word shapes. Researched and developed in conjunction with Mencap, the UKâ&#x20AC;&#x2122;s leading charity and voice for those with learning disability. Mencap receive a donation for each font licence that is purchased.

FS Me Heavy Italic

Heavy Italic

FS Me Heavy

Heavy

30pt

FS Me Bold Italic

Bold Italic

30pt

FS Me Bold

Bold

30pt

Italic

30pt

Regular

30pt

Light Italic

30pt

Light

30pt

FS Me Italic

FS Me Regular

FS Me Light Italic

FS Me Light

30pt

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295pt

Champion! FS Pele One Regular

FS Pele Two Italic

48pt

130pt

1970 FS Pele Two Italic

FS Pele Two Regular

FS Pele One Italic

FS Pele One Regular

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30pt

HĂ&#x2030; RO FS Pele One Regular

295pt

Champion! FS Pele One Regular

FS Pele Two Italic

48pt

130pt

1970 FS Pele Two Italic

FS Pele Two Regular

FS Pele One Italic

FS Pele One Regular

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30pt

FS Rome Regular

72pt

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24pt

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30pt

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72pt

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24pt

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72pt

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145pt

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18pt

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FS Sinclair Bold

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30pt

FS Sinclair Medium Italic

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FS Sinclair Medium

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30pt

FS Sinclair Italic

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30pt

FS Sinclair Regular

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30pt

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30pt

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30pt

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72pt

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145pt

FS Sinclair Regular

18pt

FS Sinclair Bold

Bold Italic Bold

30pt

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30pt

FS Sinclair Italic

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30pt

FS Sinclair Regular

Regular

30pt

FS Sinclair Light Italic

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30pt

FS Sinclair Light

Light

30pt

FS Sophie Light

92pt

Simple, but FS Sophie Bold

36pt

Curvy lines and angled edges with an offbeat elegance. FS Sophie Regular

Glyph Set

14pt

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30pt

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30pt

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30pt

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92pt

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36pt

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See something you like? Welcoming a Fontsmith typeface into your personal font library is easy. Just go to www.fontsmith.com/ fonts. Clicking on a font name will show available weights. If you want to be sure it’s the one for you, click Test Drive and enter your own text sample in any weight you like. You can adjust your sample’s size and print it out for further consideration and comparison. When you’re happy with your choice, go to Buy Font, then proceed to Checkout. Once your payment has been approved, you can download to transform your designs instantly. Fonts can be bought as entire families or in single weights. Bespoke Fonts If you have a picture in your head of how you see your client’s new branding, but can’t find a font that quite matches, then why not ask Fontsmith to design a custom alphabet? We have long experience of creating bespoke typographical tailoring for some of the best-known brands. Friendly? Funny? Reliable? Challenging? Provocative? However you see them — or they see themselves — we can fit the bill. What your client gets when you commission a font Through discussion, research and consultation at every stage of the process, we will create a font that captures the essence of the brand and personality. A font that your client owns, and can use, license and distribute as they wish, a font with the technical capabilities to work on all platforms and in all media. If you’d like to find out more about the possibilities of a bespoke font, please contact us by phone on +44 (0)20 7407 8800 or email info@fontsmith.com

Fontsmith specialise in creating high quality fonts for the creative industry and their clients. Our design and production of bespoke typefaces for use in corporate identity and branding is extensive. We work closely with our clients to help create â&#x20AC;&#x2DC;typographic identityâ&#x20AC;&#x2122;. T +44 (0)20 7407 8800 E info@fontsmith.com W www.fontsmith.com

Design: Spin [www.spin.co.uk]

T +44 (0)20 7407 8800 E info@fontsmith.com W www.fontsmith.com