Super8Filmaker - Volume Five Number Six

Page 62

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up to 16mm and then tran~ferred to videotape fort he program. The result s were so good that Richie Pearson, editor for the show, re­ marked, . 'You sure yOIl didn' t shoot th is in lnmm?" As a filmmaker, Regge is . of course, excited to have his footage shown on network TV, hut he also has a deeper sense of st\tisfact ion, "The experience has developed for me a good contact for future projects. hut more import<tn tly. , contributed to educ<tting many A mericans to the sign ificance of FEST AC. ,. Regge Life has good reason to feel satisfied. -Bma A nril'rso/1

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Film tro\lbadour John Marsh (helldphones) with Ed Sandtner on IOf9tion for the filming of Two l)og<.

"Film troubadour" is thenew role John Marsh h<ls cast for hi mself. now that he' s got his first Super-8 feature film under his belt. Marsh found Super-8 to he the true "people's medium," Clnd he's set out on a house to house tour showing his film as an example of what can be done hy a group offilm ent husiasts short on experience and cash, "J ust about anyone can produce sophisticated films for modest means," says Marsh. Marsh's background is in theatre. A part-time instructor in film and theatre at Napa Community Col­ lege in northern California, he is also a member of that city's $un­ seed Repertory Collective. "I have always heen deeply commit­ ted to promoting mass access to the media waves and have been frustrated by the fact that my live theatre simply does not reach many people." Marsh had heen dabbling in Super-8, in conjunction with his classes . But he recalls, "It took

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