Super8Filmaker - Volume Five Number Six

Page 17

fado-ins, fado-outs, lap dissolvos, rovorso, multiplo oxposuros, macro filming, zoom... Singlohandod.

You expect a professional -calibre '8' from variable shutter (with viewfinder indicator), variable Nikon to provide filming capabilities beyond the speeds to 54 fps, reverse filming up to 100 frames, ordinary. In the Nikon R8 and RiO, you'll find they X-synch for single frames, sound capability and, of exceed yourexpecfafions course, thru-the-Iens metering with selectable, auto­ All the most often used controls are grouped mafic over- and underexposure. The optics are in a on a single panel. right at your fingertips. You only class by themselves. The RB has a 7.S-60mm (8-fo-1) need one finger to operate the single control that f1.8 Nikkor Macro Zoom Lens; the RiO, a 7-70mm produces those effects - the camera does the rest, (10-to-1) f1.4. Both feature Nikon Integrated Coating automatically. Quoting Super-8 Filmaker magazine: (IC). Their resolution, contrast and color rendition "The Nikon R10 is not just another camera with a 10:1 are exemplary, and both offer powered 2-speed zoom,...dissolve mechanism, macro focus, and all zoom as well as manual action. Note the word thaLlt's a cameraman's camera in a field domi· Macro in the lens designatio n. Simply slide the noted by engineers' cameras.... the controls you'd zoom ring forward, and you can focus on objects most likely want to operate in unison-(2-speed) close enough to touch the front element! power zoom and dissolve, or power zoom and outo­ Here. then, are two cameras from Nikon whose mafic fade control - can be oper­ unmatched performance and ated simultaneously by fingers of capabilities h<?ve engen?ered a the same hand..." ~ ~8 new concept In film making. ProAll this applies to the Nikon ,. fessional · 8. Total, ~~mmunication R8 as well as the R10. Both offer a through low-cost 8 film.

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