Ewbanks Decorative Arts, Contemporary Art & Modern British & Irish Paintings by Andrew Ewbank

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Decorative Arts, Contemporary Art, Modern British & Irish Paintings Thursday 26th April 2018

ewbankauctions.co.uk

Decorative Arts, Contemporary Art, Modern British & Irish Paintings Thursday 26th April 2018

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ewbank’s auction sale dates 2018 Viewing days/times vary, please contact the auctioneer for details

Chris Ewbank, FRICS ASFAV Senior partner

Andrew Ewbank, BA, ASFAV Partner

John Snape, BA, ASFAV Partner

Alastair McCrea, MA Partner

chris@ewbankauctions.co.uk

andrewe@ewbankauctions.co.uk

john@ewbankauctions.co.uk

alastair@ewbankauctions.co.uk

May Wednesday 9th Thursday 10th Thursday 10th Wednesday 30th Thursday 31st Thursday 31st June Friday 1st Wednesday 20th Thursday 21st Friday 22nd

Andrew Delve, MA, ASFAV Partner

Tim Duggan, ASFAV Partner

Andrea Machen, Cert GA Decorative Arts Specialist

Victoria Drummond MA Saleroom Manager/Valuer

andy@ewbankauctions.co.uk

tim@ewbankauctions.co.uk

andrea@ewbankauctions.co.uk

victoria@ewbankauctions.co.uk

July Wednesday 11th Thursday 12th Thursday 12th Thursday 26th Thursday 26th Sunday 29th

Antique & Collectors’ Garden Furniture & Statuary Fine Wines & Spirits Antique & Collectors’ Toys & Models Entertainment & Memorabilia

Vintage Posters Jewellery, Watches & Coins Silver, Antiques & Fine Art Antique Furniture & Clocks

Antique & Collectors’ Asian Art Vintage Fashion, Textiles & Sewing Decorative Arts Contemporary Art & Modern British Paintings Art on a Postcard at The Other Art Fair (Bristol Auction)

August Wednesday 1st Antique & Collectors’ Wednesday 22nd Antique & Collectors’ Thursday 23rd Militaria, Photography, Books, Stamps & Collectables

74 81

Front Cover: Lot 1109 Inside Front Cover: Lot numbers above Inside Back Cover: Lot 1147 Back Cover: Lot 1167

October Thursday 4th Thursday 4th Friday 5th Friday 12th Thursday 25th Thursday 25th

Toys & Models Entertainment & Memorabilia Vintage Posters TLC Deck of Cards, Charity Art Auction Decorative Arts Contemporary Art & Modern British Paintings

November Wednesday 7th Thursday 8th Thursday 8th Thursday 15th

Antique & Collectors Asian Art Vintage Fashion, Textiles & Sewing Propmasters: The 30th Anniversary Auction Wednesday 28th Jewellery, Watches & Coins Thursday 29th Silver, Antiques & Fine Art Friday 30th Antique Furniture & Clocks December Thursday 13th Thursday 13th Friday 14th Wednesday 19th Wednesday 19th

Toys & Models Entertainment & Memorabilia Vintage Posters Antique & Collectors’ Fine Wines & Spirits

Viewing times vary but are always at least on the day before the sale, contact the auctioneer for details 01483 223 101. All viewing days / times are published online at ewbankauctions.co.uk All sales are fully illustrated online whenever possible. Catalogues with illustrations are published on our website approximately two weeks before sales. Images for Antique & Collectors’ sales are uploaded onto our site the Friday before the auction. Sales are on Wednesdays, Thursdays and Fridays, usual start times are 10am however this can vary so please check before the auction. Dates are published on our website and are subject to change or additions without notice

September Wednesday 12th Jewellery, Watches & Coins Thursday 13th Silver, Antiques & Fine Art Friday 14th Antique Furniture & Clocks

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Decorative Arts, Contemporary Art, Modern British & Irish Paintings

Surrey & Hampshire’s Premier Auctioneers & Valuers

Decorative Arts, Contemporary Art, Modern British & Irish Paintings Decorative Arts, 10am: Arts and Crafts, Art Nouveau, Art Deco, Modern Design Contemporary Art, 2pm: Contemporary Prints, Original Artworks, Contemporary Sculpture, Wildlife Paintings and Prints

SALE: Thursday 26th April at 10am & 2pm VIEWING: Monday 23rd April: 9am - 5pm Tuesday 24th April: 9am - 7pm Wednesday 25th April: 9am - 5pm Morning of sale For the fully illustrated catalogue, to leave commission bids, and to register for Ewbank’s Live Internet Bidding please visit our website www.ewbankauctions.co.uk The Burnt Common Auction Rooms London Road, Send, Surrey GU23 7LN

Tel +44 (0)1483 223101 E-mail: antiques@ewbankauctions.co.uk Buyers premium, at 27% inclusive of VAT, is payable on every lot in this sale. There is no additional online buyers premium payable on our website (www.ewbankauctions.co.uk) or at www.theauctionroom.com. If bidding online via another third party commercial bidding platform additional charges will apply, see the terms and conditions on the specific website for details. Artist Resale Right is payable on selected lots where marked in the catalogue. Ewbank’s are no longer able to accept cheques as payment for items purchased at auction. MEMBERS OF THE SOCIETY OF FINE ART AUCTIONEERS AND VALUERS FOUNDER MEMBERS OF THE ASSOCIATION OF ACCREDITED AUCTIONEERS

http://twitter.com/EwbankAuctions

www.facebook.com/Ewbanks1

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INFORMATION FOR BUYERS AT AUCTIONS

ORDER OF SALE Thursday 26th April 2018 at 10am Decorative Arts Lot Arts & Crafts Art Nouveau Art Deco Modern Design

1 44 73 148

Thursday 26th April 2018 at 2pm Contemporary Art Contemporary Prints Original Artworks Contemporary Sculpture Single Owner Collection of Wildlife Paintings & Prints

Lot 1000 1044 1180 1184

Artists Resale Right: Buyers of lots executed by qualifying artists are subject to ARR payments which will be added to the purchaser's invoice. Where possible such lots are marked in the catalogue with a §. The charge will be applied only where the hammer price exceeds 1,000 Euros and will be a maximum of 4%, for full details visit www.dacs.co.uk or phone +44 (0) 0845 410 3410

EWBANKS LLP 2

1. Introduction. The following notes are intended to assist bidders and buyers, particularly those that are inexperienced or new to our salerooms. All of our auctions are governed by our Conditions of Business incorporating the Terms of Consignment (primarily applicable to sellers), the Terms of Sale (primarily applicable to bidders and buyers) and any notices that are displayed in our salerooms or announced by the auctioneer at the auction. Our Conditions of Business are available for inspection at our salerooms and the Terms of Sale are printed in the back of our auction catalogues and on our web-site. Our staff will be happy to help you if there is anything in our Conditions of Business that you do not fully understand. Please make sure that you read our Terms of Sale set out in this catalogue or on our website carefully before bidding in the auction. If your bid is successful, you will be obliged to comply with our Terms of Sale. 2. Agency. As auctioneers we usually act on behalf of the seller whose identity, for reasons of confidentiality, is not normally disclosed. If you buy at auction your contract for the goods is with the seller, not with us as auctioneer. 3. Estimates. Estimates are designed to help you gauge what sort of sum might be involved for the purchase of a particular lot. Estimates may change and should not be thought of as the sale price. The lower estimate may represent the reserve price (the minimum price for which a lot may be sold) and will not be below the reserve price. Estimates do not include the buyer’s premium or VAT (where chargeable). Estimates are prepared some time before the auction and may be altered by a saleroom notice or announcement by the auctioneer before the auction of the lot. They are not definitive. 4. Buyer’s Premium. The Terms of Sale oblige you to pay a buyer’s premium at 27% inclusive of VAT on the hammer price of each lot purchased. If buying online there maybe an additional online live bidding fee payable as a percentage of the hammer price, see the terms and conditions you sign up to when bidding on the third party commercial bidding platform. 5. VAT. Items in our catalogue may be marked in the following ways: a. (†) indicates that VAT is payable by the buyer on the hammer price as well as being an element in the buyer’s premium. VAT will be chargeable at the standard rate (presently 20%). This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. b. (**) indicates that the lot has been imported from outside the European Union. [These lots are liable to a reduced rate of VAT (5%) on the hammer price and buyer’s premium)]. c. Lots which do not have either of the above symbols have no VAT payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme. The VAT included within the premium is not recoverable as input tax. 6. Inspection of goods by the buyer. As we act on behalf of the seller, we are dependent on information provided by the seller about their goods. We may inspect lots and will act reasonably in taking a general view about them. However, we are normally unable to carry out detailed examinations of lots to check their condition in the way a buyer would do. You will have ample opportunity to inspect the goods. You must inspect and investigate lots that you might wish to bid for. Please note carefully the exclusion of liability for the condition of lots set out in the Terms of Sale at clause 12.4. 7. Electrical goods. These are sold as “antiques” only. If you buy electrical goods for use you must ask a qualified electrician to check them for compliance with safety regulations before you use them. 8. Export of goods. If you intend to export goods you must find out: a. whether an export licence is needed; and b. if there is a prohibition on importing goods of that character e.g. because the goods contain prohibited materials such as ivory. 9. Bidding. Bidders will be required to register with us before the auction starts. We reserve the right to impose a deadline prior to the auction by which you must register or by which we must receive a commission bid. If you wish to bid on high value lots this deadline may be several days before the auction in order to allow us sufficient time to carry out the necessary checks. Lots will be invoiced to the name and address on the registration form. You will need to provide us with proof of your identity in a form acceptable to us and such other information as we may require. Please enquire in advance about our arrangements for telephone or online bidding. Please note that we may refuse to register you if you do not provide us with all the information and documentation that we ask for or at our discretion. Phone bidders must be prepared to guarantee a starting bid of at least £500 if they wish to bid by telephone. REMEMBER THAT YOU CAN BID LIVE ON EWBANKS LIVE ON THE SAME BASIS AS IF YOU ARE IN THE ROOM AND SAVE UP TO 6% OVER ANY OTHER BIDDING PLATFORM FOR THIS SALE 10. Commission bidding. You may leave commission bids (absentee bids) with us indicating the maximum amount to be bid against a lot (excluding the buyers’ premium and/or any applicable VAT). We will execute commission bids as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids we may prefer the first bid received (where this can be reasonably ascertained). Please enquire in advance about our arrangements for the leaving of commission bids by telephone or email or via our website or online bidding platform. 11. Methods of Payment. Ewbank’s accept secure online payments for all items by credit or debit card. Payment in person can be made by card with chip and pin, or by cash (with a limit of £5,000), bank transfers are also accepted (buyer is responsible for any international bank transfer fees). Ewbank’s are no longer able to accept cheques as payment for items purchased at auction. Please discuss with our office in advance of the sale if you plan to use other methods of payment. There is no additional charge charge for payment by debit or credit card (either made securely online or in person via a chip and pin machine). 12. Collection and storage. Please note what the Terms of Sale say about collection and storage. It is important that you pay for and collect goods promptly and within 7 days of the end of a sale. Any delay may involve you having to pay storage charges which are currently set at £5 plus VAT per lot per day. Buyers are responsible for their own shipping charges, additionally Ewbank’s cannot pack your items prior to collection. 13. Ewbank’s is the trading name of Ewbank’s LLP a limited liability partnership. Registered in England. Registered number OC413431. Registered office: Burnt Common Auction Rooms, London Road, Send, Woking, Surrey GU23 7LN.

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Artists Index A Abrahams, I. Albrecht, H. B Bailey, J. Banning, P. Baron, J. Baruffaldi, P. Bennett, J. Bishop, E. Blake, F.D. Blake, P. Bond, J. Bowles, I. Boycott Brown, H. Bratby, J.R. Brazdys, A. Brenders, C. Broom, M.L. Brown, D. Bukauskas, R. C Caliste, C. Carlo, M. Carlton, L. Clarke, P. Coates, T.J. Constant, H. Conway, G. Coombes, P. Cornish, C. Coutu, J. D Dale, P. DalĂ, S. Davey, R. Dean, P. Downs,C. Duke, G.J. E Eidrigevicius, S. Evans, L. F Fedden, M. Flanagan, B. Fortune, L. Freeman, J.T. Frink, E. Frost, T. Fry, J. G Gauldie, G. Ghilchick, D. Gilroy, J.T.Y. Glasby, A. Grant-Clarke, T. Graubart, E. Griffin, C.

H Hanceri, D.J. Harmsworth, M. Hartigan, C. Henry, P. Herzfeld, A. Hitchens, R. Hitchins, J. Hodges, G. Holt, A. Howard, K. Hughes, P. I Ingres, A. J Jackson, R. (JAK) Jaomb-Hood, G.P. K Kalkhof, P. Kasiulis, V. Keith, E. Kempshall, H.K. Kmieliauskas, A. L Ladell, E. Lambert, T. Langdon, D. Lassnig, M. Lennox, J.D. Levin, E.N. Lowrie, J. M Mahmood, S. Masamitsu, T. Mela, P. Mellsonn, M. Meredith, C. Merriott, J. Michell, K. Mills, J. N Nolan, S.R. O O'Farrell, B. Oliner, S. Onobrakpeya, B. Organ, B. Organ, R. Oyler, S. P Patrizio, M. Pearce, C. Petley-Jones, L. Petrulis, A. Prevost, A. Proctor, P.

R Raimondo, A. Remeika, V. Rhodes, C. Richard, C.M. Robinson, B. Rouse, A. Rowbotham, M. Rowe, M. S Salisbury, F.O. Sapp, P. Schaffer, R. Schatz, H. Schlesimger, P.M. Schoonraad, T. Selley, L. Shepherd, D. Smith, B. Smith, D. Smith, J. Snow, J.H.T. Strath, E. Stolberger, S. Stothard, T. Sully, F.E. T Tarkay, I Tennent, J. Thorani, T. Tilson, J. Toms, P. V Valentine Daines, S. W Walford Wardle, P.B. Warhol, A. Welfare, M. Wesson, E. Winter, W.T. Wood, L. Wood, M. Wykes, N. Y Yates, F.

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Thursday 26th April, 10am Decorative Arts Arts & Crafts Art Nouveau Art Deco Modern Design

Lot 97

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ARTS & CRAFTS This section of sale will not start before 10am

1 1 Doulton Hannah Barlow vase with sgraffito decoration of horses and long horn cattle, incised signature of H Barlow, and further marks, 31.5cm high ÂŁ400-600 See Illustration

Buyers premium, at 27% inclusive of VAT, is payable on every lot in this sale. On certain bidding platforms there will be additional charges which should be noted at time of registration. For late collection, and storage charges see page 2. There are no charges on debit or credit card payments.

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2 Spindler 20th C parquetry picture, the reverse with label for the Rowley gallery, signed, 48 x 38cm, frame 56 x 47cm £60-100

7 Early 20th C oak hall robe in the manner of Liberty & Co, inset with leaded glass, copper pull handles, 195 x 107cm x 52cm £100-150

3 3 A pair of 19th century Doulton Lambeth faience vases in yellow ground with floral decoration, 43cm, and a gourd form vase, 18cm, incised underneath with stamp and signature for Emily J Edwards, (3) £100-150 See Illustration 4 Villeroy & Boch, a tile depicting cherubs and a fish stamped VB to reverse, 18cm x 31cm £50-80 8 8 German oak single door cabinet with pitched top and turrets, arched windows with stained glass, early 20th Century, 248 x 108cm x 49cm £300-500 See Illustration 9 Early 20th century inlaid wooden sewing box, the cover with floral and geometric design and inscribed ‘Madeira 1923’, with compartmentalised interior, 32cm wide £80-120 10 Blue and White Cantagali hanging roundel of a winged Cherub impressed Cantagali Firenze 28cm diameter £40-60

5 5 Robert Mouseman Thompson, an English oak tea trolley with carved mouse on one corner, square section supports with ball casters, height 74cm £300-400 See Illustration 6 Cotswold School walnut kneehole desk, attributed to Peter Waals, six drawers, with octagonal carved handles, dove tailed joints and cedar sides. on eight square section legs, 72cm x 131cm £300-500

11 Macintyre an early 20th C match holder with insignia and motto for University College London £30-50 12 A gilt brass frame, incised and decorated with enamelled flowers, the top with stylised monogram, silk velvet lining, 37cm x 27cm £50-80 13 Doulton stoneware vase, with leaf and flower design on beige ground, 30.5cm high, together with a Doulton Cyprus pattern bowl, 25.5cm diam. £80-120

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20 Moorcroft Pomegranate squat tapering vase, impressed and green painted marks, on base,13cm high £80-120 21 An Arts & Crafts oak compactum wardrobe, by Shapland & Petter of Barnstaple, with central mirror door flanked by two cupboards, inset tiles, with tube-lined decoration depicting peacocks, over a series of short and long drawers, drawers locks stamped £1000-1500

14 14 Moorcroft tobacco jar, pomegranate design together and associated wooden base, 13cm high £200-300 See Illustration 15 Liberty & Co, Tudric pewter bowl with planished finish and scroll rim, 25.5cm, a pair of unmarked spoons, the reverse with heart design, and an Art pottery vase with Iris decoration, unmarked, 17cm £40-60

22 22 Gillows of Lancaster Gothic revival walnut side table, on gothic arch supports, with tenon joint cross stretcher, stamped Gillows and numbered L 275, size 75 x 122 x 65cm £300-500 See Illustration

16 Parquetry continental scene of town houses along a river and a bridge, 43cm x 50cm £50-80 17 Terracotta plaque, The arrival of the wise men, signed with T G. monogram, in walnut frame 25cm x 25cm £60-80 18 A brass table lamp with hammered finish 36cm

£30-50

23 23 Gothic Revival oak table, the top with chip carved edge, on shaped uprights, pierced stretcher with ivy leaves, two drawers, 72 x 138cm x 75cm £400-600 See Illustration 24 Set of six oak chairs in Cotswold school manner, the lattice backs with chamfered edges, turned legs and drop in seats £100-200

19 19 Moorcroft pottery, a Pomegranate shallow bowl on small reeded foot, stamped, and marked in blue on base 25cm diam. £100-150 See Illustration

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25 25 Gothic Revival oak armchair carved with arch, quatrefoil and trefoil motifs, upholstered leather seat £100-200 See Illustration

28 Late 19th C Oak bookcase cabinet, with brass strap hinges, 155 x 155cm x 30cm £200-300 See Illustration

29 29 Liberty & Co Tudric, pewter candlesticks, designed by Archibald Knox, conical form on three supports the circular base decorated with entwined tendrils, stamped Tudric and numbered 0221, height 14cm £180-220 See Illustration

30 Two oak carved panels one depicting fish within a pierced, surround, similar with basket of fruit, converted to be used as gates. £100-150

26 Arts and crafts oak stick stand, the inset copper panel with design of stylised plants 109cm x 57cm £100-150 See Illustration 27 An oak plank top coffer with pen work star and flower decoration, 55 x 104cm x 50cm £100-150

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38 Arts & Crafts mahogany wall mirror, the frame heavily carved with Acanthus leaves, frame size 50cm x 80cm £60-80

39 31 31 Arts and Crafts fire screen domed front with palm leaf pattern, copper studs, wrought iron base with trivet back, 59cm high £60-100 See Illustration 32 An Arts and crafts style pendant, in silver and gold with central bird and branches against a green enamel plaque, set with green chalcedony cabochon, moonstone and pearls, hand crafted and signed TC or JC, later 20th C, in a custom made box, with initials MC £100-150

39 A Pilkington’s Royal Lancastrian vase, decorated in a blue/green lustre drip glaze, date mark for 1908 (VIII), 26cm high, together with a large rimmed Royal Lancastrian bowl in powder blue glaze, 35cm diameter £100-150 See Illustration 40 Doulton stoneware, a large harvest ware loving cup with dog handles, similar with strap handles, mug with silver rim and a jug with Art Nouveau print and ‘Drink Faire Dont Swaire’ largest 16cm (4) £100-150 41 Oak wall shelf with fretwork sides and cupboard inset with tiles from Shakespeare’s Midsummer Nights Dream, Bottom and Peabody, probably by Wedgwood £50-80

33 33 Four early 20th C ‘Moorish’ style chairs, intricate parquetry with various woods mother of pearl and bone, ‘ Moorish’ style furniture was retailed by Liberty & Co, origin probably Syria £200-400 See Illustration 34 Early 20th Century Stoneware plant pot marked Oakland to base in a lilac foliate design on beige ground, and a stoneware jug in a brown glaze carved with the design of a fish and flowers (2 ) £50-80 35 Aesthetic movement, an ebonised upholstered bench and a set of four chairs £80-120 36 A Collection of fourteen Art pottery vases and bowls to include a pair of Lovatts Langley stoneware cases an Axminster pottery jug and others by Brannam and Ault, various sizes (14) £60-80 37 A Collection of fifteen reference books on The Aesthetic Movement, Arts and Crafts and Art Nouveau (15)

£80-100

42 42 Robert Thompson ‘Mouseman’ oak joint stool, in chamfered legs with plain cross stretchers, woven strap leather seat, 36 x 36cm x 27cm £200-400 See Illustration 43 Set of ten oak dining chairs including two carvers Arts and Crafts influence design with upholstered top rail and seat, shaped central splat, square section shaped legs £200-400

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ART NOUVEAU 44 A Royal Doulton glazed stonewear jug, with three panels depicting golfers, bordered by stylised flowers, 23cm high £150-250 45 A pair of Royal Doulton vases and covers, decorated with landscape scenes, with swag and mask detail to rim and scrolling handles, 47cm high (2) £200-300

49 49 Early 20th C, three-fold screen, the centre panel painted with a lady holding bouquet of flowers 135cm x 42cm, flanked with panels decorated with red berries and foliage, 120cm x 32cm £80-120 See Illustration

46 46 Ferdinand Grohs for Goldscheider, (attributed) blond terracotta The water carrier, patinated blond terracotta figure of a young female water carrier, signed Grohs and numbered £300-500 See Illustration 47 After Auguste Moreau, bronze figure of a semi clad maiden seated and holding flowers, signed in the bronze, Moreau Math, 65cm £200-400 48 An Art Nouveau Royal Doulton vase Louisa Wakely and Annie Partridge, C 1900, of tapering form decorated with stylised leaves and flowers on a blue ground, 25cm high £30-50

50 50 Doulton Lambeth, vase with hand painted decoration in Secessionist style, pattern of stylised blue flowers with rigid stems and leaf frieze, painted marks to base, marked with monogram for Margaret Armstrong, active 1877-1899 and EC, 25.5cm £100-150 See Illustration 51 Doulton, a pair of ovoid stoneware vases, impressed with leaf pattern, impressed Doulton marks and incised EW, 22cm £70-100 52 Doulton Lambeth, a pair of hexagonal form vases with Art Nouveau style decoration, tube-lined design of bell shaped flowers and heart form leaves, impressed marks, 20.5cm, and a vase with inverted heart decoration, 14cm £60-80

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53 53 Doulton a rare figure modelled by Mark V Marshall, 1843-1913, a lady with full skirt, holding flowers, her skirt hand painted with blue flowers, incised MVM and numbered 982, with impressed Doulton stamp, 20 x 18 cm £300-500 See Illustration

57 57 Legras French cameo glass vase, with design of laurel leaves and berries, signed in the cameo, 15.5cm high £70-100 See Illustration

54 Doulton an early Leslie Harradine stoneware figure of a Dutch lady, in blue and white dress, C1914, impressed mark and incised monogram, 10.4cm £50-80

55 55 Continental porcelain wall clock, with Art Nouveau decoration of mermaids water lilies and a frog, in oak case. 68cm High 42cm Wide £200-300 See Illustration

58 Early 20th C, eight bentwood dining chairs including two with arms, impressed peacock seats, labels for Josias Eissler of Vienna £200-300 See Illustration

56 Doulton Lambeth ‘Carrara’ twin-handled bulbous vase with floriform rim, decorated with flowers, 24.5cm high £40-60

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62 Early 20th century Secessionist style mahogany jardinière stand inlaid with garlands of flowers, 114 x 40cm x 25cm £80-120 63 Early 20th C mahogany music cabinet with inlaid Art Nouveau style decoration of stylised flowers £100-150

59 59 Charles Horner enamel pendant another enamel with split pearl and a Art Nouveau style pendant marked alva £200-300 See Illustration 60 Silver fronted Art Nouveau style clock, depicting a mother and child, by J Aitkin & Son Birmingham 1906, a Sankey brass jug and a bronze finish vase with cherry frieze £100-150

64 64 WMF photograph frame, with relief decoration of a maiden reaching for flowers, C 1910, stamped marks, 25cm x 16cm, a foliate pewter bowl decorated with poppies 23cm x 20cm and an inkstand with brass tray Provenance: Sold on behalf of Woking & Sam Beare Hospices. £200-300 See Illustration 65 Royal Dux figure of a young woman waving a white handkerchief, raised pink triangle factory mark, 51cm high £120-180

66 61 61 J. Dorval, bronze figure of a nude maiden holding a crescent moon, on octagonal onyx and gilt metal mounted base, 19cm high excluding base £250-350 See Illustration

66 A Large pair of Royal Dux Art Nouveau vases, twin handled form, modelled in relief with berried foliage, glazed in matt ochre highlighted in gilt, impressed marks, raised pink triangle factory mark. 47cm high £250-350 See Illustration

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67 67 A pair of Royal Dux Art Nouveau figural vases, depicting semi clad maidens, flowers and foliage, decorated in ivory matt glaze, impressed marks, raised pink triangle factory mark, 43cm high ÂŁ400-600 See Illustration

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68 68 Art Nouveau Austrian Amphora pottery vase, circa 1910, tapering form with four angled handles and a pierced neck, decorated with seagulls on a mint green ground highlighted in gilt impressed marks, model 3882, 29cm high £100-150 See Illustration 69 Urania, pewter centrepiece, with Art Nouveau style decoration of trees, circa 1905, possibly designed by Friedrich Alder, with twin handles, pierced and moulded with trees, and with a heavy glass liner, factory stamp to base £100-150 70 A German Secessionist pewter liqueur set, made by Bingit Zinn, comprising, a decanter, six drinking vessels and a tray, impressed factory marks, decanter 20cm High £60-80

71 71 Doulton Lambeth stoneware water filter with applied foliate decoration, impressed and incised marks, 41cm £100-150 See Illustration 72 Friedrich Goldscheider, an Austrian painted terracotta figure of a young negro boy seated on a bamboo chair 50cm £150-250

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ART DECO

73 73 Lalique bowl in Ondine Ouvert, (watersprite) design No 380, clear and opalescent glass, designed C 1921 wheel etched R Lalique France, 20.5cm, diameter £300-500 See Illustration

76 Lalique Perruches bowl the opalescent glass with a freeze of parakeets against a background of flowering branches, 23.5cm, R Lalique etched mark on base £1000-1500 See Illustration

74 74 Lalique Bulbes pattern plate, opalescent glass with bulbs emanating from a central flower, acid etched mark, R Lalique, 27.5cm £150-250 See Illustration

77 77 R Lalique large ‘Cyprins’ box, the opalescent glass lid with relief decoration of fish on a plain Lalique glass base, designed 1921, base diameter 26cm, moulded R Lalique mark £700-1000 See Illustration

75 75 Lalique coquilles shallow dish with design of scallop shells, moulded R Lalique mark, 26.5cm £150-200 See Illustration

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78 78 Lalique, Epis design clear glass circular plate, with a band of barley ears, blue staining, central moulded R Lalique mark, and etched France, C1930, 19cm £100-150 See Illustration 79 Lalique Coquilles pattern opalescent glass plate, engraved R Lalique mark to centre and numbered 3013, diameter, 16.5cm £120-160

81 81 Lalique Gui No 1 pattern, clear glass bowl decorated mistletoe stained green, engraved R Lalique France, and No 3224, 20.5cm £200-300 See Illustration 82 Susie Cooper for Gray’s Pottery ‘Moon and Mountains’ pattern 7960 Paris jug circa late 1920s, a similar Cubist pattern 8071 jug, another Gray’s Pottery jug and a coffee can, saucer, and side plate set. £150-200

80 80 Lalique Poissons, opalescent glass shallow bowl, design of fish with central field of bubbles, 29cm £300-500 See Illustration

83 An Aynsley Art Deco tea service, petal form with handles moulded as butterflies, hand painted in enamels, (registered design number 785789) including twelve cups and saucers, milk jug, sugar bowl and plates (40) £300-500 See Illustration 84 An Art Deco drinks cabinet with walnut veneer, and top that opens out to create a maple and glass bar, internal shelves and bottle holders £70-100

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85 85 A Dunhill Aquarium table lighter, the lucite panels reverse carved and painted with fish and aquatic foliage, 8cm x 10cm

£800-1200 See Illustration

86 Susie Cooper for Crownworks Burslem, an Art Deco hand painted jug, early 1930s. 17cm high

£40-60

87 An Art Deco ceramic crackle glaze figure of a reclining nude, based inscribed KAW and dated 1937, 14.5cm x 21cm

£50-80

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88 Art Deco patinated spelter figural lamp, dancing girl with flame form glass shade, on metal base, 65cm £200-300 See Illustration

93 A 1920’s novelty spelter table lighter in the form of a pilot holding a propeller, 28cm high on base £60-100 See Illustration

89 Gilt-metal figure of a putto carrying an open basket, on green onyx base, unsigned, 15cm high £40-60 90 Art Deco part dinner service by H&K Tunstall comprising a twinhandled tureen with cover, six dinner plates, a supper plate and a side plate. Black printed factory marks to bases. £40-60 91 Three Moorcroft hibiscus pattern vases, with blue flowers on a cream ground, each with green painted signature and paper label, ‘Potters to the late Queen Mary’, largest 16.5cm and two of 8.7cm £100-150 92 Sketchbook containing watercolour portraits and humerous ink sketches, monogramed CJP and dated early 1920s and 30s. £80-120

94 George Lepape (French, 1887-1971), ‘Lassitude, Déshabillé, de Beer’, framed print from Gazette du Bon Ton, 1922. £70-100 95 Fieldings Crown Devon lustrine wash set with mermaid and fish pattern comprising basin jug, covered dish and soap dish liner and cover £100-150 96 Moorcroft Clematis pattern jardinière, decorated with pink flowers on a blue ground, signature to base and Moorcroft made in England, 13cm, and a circular mirror with barbola decoration £70-100

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97 97 Wedgwood fairyland lustre bowl, by Daisy Makeig Jones, the exterior with woodland bridge pattern, the interior with unusual pattern of ghouls and black imps, base numbered 24968, 18cm diameter ÂŁ800-1200 See Illustration 98 A pair of Wilton ware lustre vases with design of a fantasy landscape with bridge, 25cm high, (2)

ÂŁ100-150

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106 Two Wedgwood lustre dragon bowls, an octagonal bowl with scaly dragon on a blue green ground, 12.3cm diameter, and another similar with dragon exterior and phoenix decorated interior, 12cm diameter £100-150

107

99 A large Wilton ware lustre vase, depicting a lady in a bird form boat and Eastern landscape with domed top buildings, similar ginger jar with landscape and bridge, tallest 24cm £100-150 See Illustration

107 A Wedgwood lustre bowl with large scale dragon decoration, the interior with a large dragon and freeze with Oriental scenes, 28cm diameter £200-300 See Illustration

100 Two Wedgwood lustre bowls, both with dragons on a mottled green ground, 14 and 13cm diameter £120-160

108 A Wedgwood dragon lustre bowl, the centre with flaming pearls, a deep red butterfly lustre bowl by Wedgwood, and a Fieldings Crown Devon lustre vase with an exotic bird £100-150

101 Wedgwood lustre vase with butterflies, 13cm and Fieldings Crown Devon vase with bird of paradise and flowers, 15cm £80-120

102 102 Two Wedgwood lustre bowls of octagonal form, decorated with dragons and phoenix, 17.5 and 16cm diameter £150-250 See Illustration 103 Three footed Wedgwood lustre bowls, a large bowl with decoration of butterfly in gilt and blue on a cream ground, the interior speckled orange with vignettes of Oriental scenes, 20cm diameter, similar small bowl and another with Oriental cat in interior £100-150 104 An unusual Wedgwood octagonal form lustre bowl decorated with carp swimming against a blue ground, the interior similarly decorated with carp and sea plants, 23cm diameter £150-250 105 Three items of Wedgwood lustre, each decorated with butterflies, a mottled bronze colour vase on circular foot, 13cm smaller cream ground vase and matching bowl £120-160

109 109 Art Deco silver gilt Dunhill ‘Unique’ cigarette lighter, inset with a 15-jewel Swiss watch-movement, 4.5cm high, London import 1926 £200-300 See Illustration 110 Barbola gesso work floral wall mirror, 1930’s diameter 43cm £30-50 111 Clarice Cliff Biarritz Secrets pattern tureen and stand and a quantity of Crown Ducal Sunburst pattern china £80-120

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112 Carlton Ware twin-handled dish, decorated with hummingbirds on a blue ground with gilt detailing, printed stamp, 33cm wide across handles £60-80 113 A pair of Moorcroft anemone pattern vases, ovoid form with flaring neck, pink to purple flowers on a blue ground, blue signature and Moorcroft made in England to base, 15cm £150-250 114 A pair of large Doulton stoneware vases with floral decoration on a gilt ground, 31cm £50-80

123 Early 20th century carved ivory plaque of a young girl, signed with a monogram TE, 3cm x 3cm PLEASE NOTE: THIS ITEM CONTAINS OR IS MADE OF IVORY. Buyers must be aware that regulations of several countries, including USA, prohibit the import of ivory, or any goods containing ivory. Ewbank’s advise prospective purchasers who intend to ship this lot to another country that they must familiarise themselves with the relevant import/export regulations prior to bidding. They are responsible for their shipping arrangements and the onus is therefore on them to organise their own shipping. £60-80

115 Table lamp in Art Deco style modelled as a nude supporting a globe, plaster with bronze finish 55cm excluding shade, late 20th C production £50-80 116 Moorcroft spring flowers teapot, inscribed and painted signature and Potter to the Queen stamped at base, 16cm, and a fruit and leaf pot £100-150 117 Moorcroft pansy bowl, pale pink to mauve flowers on a blue ground, impressed signature and Potter to The Queen, 20.5cm and a similar bowl, (lacking lid) 9cm high £150-250 118 Moorcroft Leaf and Berry pattern flambe dish, impressed and green painted marks, 19.5cm diameter £40-60

124 124 Moorcroft vase Moonlit blue pattern, design of trees in landscape, green signature, impressed, Made in England, Circa 1920, 18cm £200-300 See Illustration 119 119 Swedish late Biedermeier style golden birch sofa, 185 x 86cm x 74cm £300-500 See Illustration 120 Late Biedermeier king sized Bed, in birch with dark stained inlay and finials £100-200 121 A pair of Art Deco chrome figural candlesticks, 21cm high, and a spelter figure of a nude, 16cm high (3) £50-100 122 Art Deco plaster figure of a semi naked reclining woman with bow. 67cm wide, 30cm high £50-80

125 125 Art Deco lustre vase by Maling, decorated in the daisy pattern on an orange ground, 22cm high, a pair of lustre vases in ovoid form decorated with galleons, 21cm high, and a Royal Doulton lustre vase decorated with pomegranates and flowers on a blue ground (4) £80-120 See Illustration

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126 Susie Cooper Crownworks Burslem Art Deco coffee pot, and a collection of 1930s jugs and coffee pots including drip glaze by Shorter and Sons (6) £50-80

137 A Boch Freres La Louviere Keramis vase designed by Charles Catteau, painted with fruit, in colours on a crackled white ground, 19cm high, together with a Longwy wall plaque with painted design of bird and blossom, 38cm diameter. £100-150 138 Edvard Hald for Orrefors, a clear glass vase with opaque black foot, engraved marks,17.5cm high, another Edvard Hald for Orrefors, clear glass bowl with opaque black foot, engraved marks, 29.5cm dia, Simon Gate for Orrefors, a green glass bowl, further items by Orrefors and others (14) £150-250 139 An Art Deco glass and wrought iron mounted centrepiece, with barley twist handles and all over foliate embellishments, enclosing a moulded amber glass bowl, 44cm wide. £80-120

127

140 A group of Danish, Just Andersen bronze and pewter items, to include a patinated bronze tazza, a circular plate moulded with panels of circles, a pair of candlesticks, a boat form salt cellar and nine other items, factory impressed marks, (14). £60-80

127 Carlton ware pen stand with chinoiserie decoration, and Bakelite pen holder labelled Parker on reverse, 1930’s, 17 x 9.5cm £50-80 See Illustration 128 Carlton ware an Art Deco lustre dish, with enamel decorated tree and silhouette painting of rabbits, 26cm x 16cm £40-60 129 Suzie Cooper part breakfast service, Kestrel shape, decorated with banding and spots, tea and coffee pots, milk jug, preserve pot, egg cup, two small bowls, cup and saucer and three plates, 1930’s £50-70 130 Art Deco pottery to include an Austrian Amphora ‘Campina’ Stoneware vase, a Clarice Cliff honey pot, a Gouda ashtray and three others (6) £60-80 131 A collection of fifteen reference books mainly on Art Deco, (15). £80-100 132 A Crown Devon ‘Cretian’ pattern vase, tube lined and decorated in blues and greens, together with a similar matching pair of vases, all 23cm high, (3). £60-80 133 A pair of Decoro pottery hexagonal panelled vases, 22cm high, a matching bowl, 18cm dia, and two smaller vases decorated in the ‘Golden Pheasant’ pattern, 14cm high, (5). £60-80 134 Two Wedgwood ‘Moonstone’ glazed pottery bowls designed by Keith Murray, printed facsimile signature/factory marks and impressed ‘Wedgwood’, Made in England, 26cm diameter. £100-150 135 A group of Art Deco items, to include a pair of wall masks, a Wade Grace figurine, a terracotta gnome and two others, (6). £40-60

141 141 Art Deco carved alabaster figure of a young girl holding an umbrella, on an octagonal grey marble plinth, 33cm high £100-150 See Illustration

136 A Royal Doulton ovoid vase decorated with poppies on a solid blue ground, printed marks, 16cm high, and another similar enamelled orange and white blossom on a turquoise ground, 13cm high, (2). £60-80

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142

145

142 A French Art Deco onyx and marble sunburst clock & garniture, the stepped rectangular case with circular engine turned dial and Arabic numerals, the 8-day movement striking on a bell, surmounted by a kneeling figure of a young woman, the clock, 34cm wide (3). £100-150 See Illustration

145 Clarice Cliff a lotus design biscuit barrel with reeded handle, 15cm and a matching bowl, 21.5cm diameter, both with Fantasque stamps £120-160 See Illustration

146

143 143 Clarice Cliff large Isis shape ribbed vase painted in garland pattern, stamped to base Fantasque by Clarice Cliff, marks for Wilkinson and retailer Phillips and Lawley Regents street, 25.5cm £200-300 See Illustration

146 Clarice Cliff Fantasque jug, abstract leaf and berry design, marks for Clarice Cliff and Newport pottery, 16.2cm £100-150 See Illustration 147 Moorcroft Powder Blue, set of six coffee cups and saucers, cups 5.5cm high £40-60

144 Clarice Cliff ceramics, a crocus pattern vase and plate, and a Rhodante pattern bowl and jug, various marks, tallest 15.5cm £120-160

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MODERN DESIGN 148 An amber pendant necklace, with inverted heart and abstract forms, and a triangular section bracelet £60-80

154 154 Aldo Londi for Bitossi Rimini, 20th century, a group of turquoise glazed items to include a lamp, vase, two bowls and a candlestick holder, together with a Portuguese Secla pottery glazed cat, lamp 23cm high, (7) £100-150 See Illustration

149 149 Deborah Prosser for Penhalvean Pottery, Redruth, Cornwall, ‘No:34’, glazed earthenware garden seat, barrel form, decorated with scrolls, leaves and suns on a brown ground, incised underneath with signature for 1988-2004, 45cm, high £60-80 See Illustration 150 Studio glass mushroom table lamp the mottled ground with trailed decoration, signed indistinctly on the base, 40cm high overall £60-100 151 Riihimaen Lasi Oy Aimo Okkolin amethyst vase with bubble inclusions to base, signed, 23cm, another Scandinavian glass vase, green with bubbles, 14cm, a clear vase etched with a marlin, and two glass dishes (5) £50-80 152 Two Murano glass sculptures, each a flattened sphere of coloured glass, 34cm and 27cm high, (2) £60-100

155 155 Amphora Pottery, large glazed owl, Czecho-Slovakia, blue stamp interior base, 53.5cm high £200-300 See Illustration

153 153 French moulded and frosted glass dish, 43cm

£300-500 See Illustration

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158 Eric Ravilious for Wedgwood, a 1953 Coronation mug issued from an earlier design after the artists death, design featuring a lion, unicorn and fireworks, 10.2cm, and a 1986 commemorative mug by Richard Guyatt £150-250 159 Mid century gold pendant with oval cabochon onyx stone, stamped 750 for 18ct gold, 8.5cm x 4cm £150-250 160 Yelland Studio pottery jug with slip decoration and strap handle and a brown glazed vase, marks to base on both, vase 24cm high,(2) £40-60 161 Set of contemporary white leather cantilevered design tub chairs and a polished steel table with glass top £100-150 162 Mid century sunburst wall clock by Metamec, dial 21cm diam., widest point 61cm diam. £40-60 156 156 Ardmore pottery plate, Natal Native Troops Searching The Field After Ulundi, painted by Andrew, made by Elias, together with certificate of Authenticity, 41cm dia £80-120 See Illustration 157 A large Isle of Wight glass, ovoid form vase with patterned iridescent finish, 23cm

£40-60

163 Italian art glass dish in blue and purple, 35cm diameter, and a purple glass handkerchief bowl with bubble inclusions, 9cm high. £40-60 164 Orrefors decorative glass bowl, marked to base, 12.5cm high, a Claus Josef Riedel cut crystal vase, 10.5cm high and another glass bowl, 31cm diameter. £40-60 165 Lalique glass vase with frosted rose decoration, tapered form, etched signature on base Lalique France, 24cm high £50-80

The Leading Independent Regional Land & Property Auctioneers Covering Southern England OUR NEXT 5-DAY AUCTIONS 30 April-4 May (catalogue online or by post) 11-15 June (entries invited)

Public auctions offer a unique way of buying and selling If you own a property or parcel of land which may be suitable for a sale by public auction please call us for a no obligation auction appraisal.

Call us or visit our website cliveemson.co.uk Email auctions@cliveemson.co.uk Tel: 0345 8500333 30

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166 166 Gabriele de Vecchi, 21st century silver centrepiece, ‘Calligramma’ with an Arabesque pattern, 23.5oz, 730g, 42cm wide

£2500-3500 See Illustration

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167 167 Robin Day design for Hille, sofa, converts to double bed, teak ends and metal supports, Length : 206 x 70cm x 87cm £300-500 See Illustration

175 175 Georgio collection, a contemporary circular table with sectional cut oak top on single drum column support, with metal banding, 180cm diameter £500-800 See Illustration 176 Pair of contemporary console tables, with central brozed metal panel, two convex circular mirrors and each with a pair of lamps, 170cm wide £800-1200

168 168 Willy Rizzo coffee table, burr walnut and brushed aluminium, 1970’s £300-500 See Illustration

177 Contemporary marble topped console table, bow front on brushed steel base, 150cm x 40cm with matching mirror £400-600

169 Pair of American copper candlesticks by Gorham on bronze square step base supports. 26cm high £50-100 170 Poole pottery ‘Volcano’ charger, ginger jar and four small landscape pottery plates

£50-80

171 Troika dish, in a bronze glaze, on round foot, marked to base, 23.5cm square £60-100 172 ‘Giorgio Collection’ Italian made office suite, comprising a shaped desk, 200cm width, a two door cabinet, 117cm, two tall cabinets with integral shelves, and three lamps £1200-1800 173 Thomas Alhaus for Bacher a ‘Nabucco’ glass and chrome extending dining table £400-600 174 Pair of contemporary chrome lamp bases with spheres on square column supports and square base with shades, 60cm high £80-120

178 178 Thomas Althaus design for Bacher, four cantilevered ‘Seta’ dining chairs, in brown leather and chrome £200-300 See Illustration 179 Glass duck, Scandinavian by Nuutajatvi Nostjo, designed and signed Oiva Toikka, etched marks to base, 7cm long. And a Murano signed glass circular paperweight, signed to base, 13.5cm diameter (2) £100-150

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180 180 ‘Garden Chair’ - chair sculpture designed by Peter Opsvik (Norwegian), 1985, wooden frame with removable branches and fabric-covered cushions, 180cm. high, the base 103cm diam. Peter Opsvik is a Norwegian designer who makes furniture intended to solve ‘real-life’ problems and ideas. The Garden Chair (recently re-released as the Globe Chair) was designed to challenge the stereotypical modes of sitting and improve posture. £600-1000 See Illustration

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186 Troika cube vase with raised and incised design in blue and ochre, 8cm x 9cm x 9cm £40-60

187 181 181 Large studio pottery stoneware bowl with with umbra brown and white decoration, impressed insignia, 43cm £50-80 See Illustration

187 Hans Hanson vintage silver open bangle, sculptural form with black enamel ovals mid 20th C £80-120 See Illustration 188 Four mid century bentwood chairs, two with arms, beech with rush seats £50-80

182 182 Troika moon vase designed by Eleanor Winning circa 1974 and signed EW to base, blue ground, 20cm diameter £100-150 See Illustration 183 Two hardwood twist design side tables, 40cm high

£40-60

184 Robin Day for Hille swivel bar stools with brown polypropylene seats, and a mid 20th C wicker chair. £70-100 185 Troika cube form vase with mainly blue and orange decoration on a cream ground, signed EW for Eleanor Winning, 15cm x 15cm £100-150

189 189 Moorcroft large ovoid vase decorated with Carp, against a green ground, Artists signature and date cipher for 1993 to base, 31cm, boxed £150-200 See Illustration

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190 Moorcroft squat vase decorated with carp, against a green ground, artists mark and date cipher for 1991, 21cm x 24cm £120-160

200 Charles Eames, a Vitra triple table base, with associated section oval top in burr maple, length 320cm £200-300

191 Whitefriars Glacier 1970s collection of glass to include Ships decanter and stopper, whiskey decanter, bowl, 6 whiskey glasses, boxed 6 sherry glasses, boxed 2 wine glasses £100-150

201 Stuart Devlin, a pair of gold earrings, textured gold globular forms suspended on a bar, box by Boodle and Dunthorpe, with receipt dated 1981 £100-150

192 Swedish silver Cleopatra style necklace, the suspended sections plain and bark textured, mid 20th C, length 42cm £40-60 193 Lazlo Hoenig, Austro Hungarian, 1905-1971, a mid 20th C rosewood veneered desk with concave shaped front, six drawers with drop handles, glass top, 76 (h) x 153 (w) x 71cm (d). £100-150 194 Bronze figure of a water nymph, green patinated finish with gilt highlights, on marble plinth 63cm long £100-150

202 202 Michelin Man ‘Bibendum’ plastic figure, issued for display on commercial vehicles circa 1980, 46cm high £100-150 See Illustration 195 195 Georg Jensen torque neck ring, bearing London silver import mark 1987, Georg Jensen marks and item no. marks M10 & 10A marks £150-250 See Illustration 196 1970’s silver pendant, centrally set with rectangular cut green synthetic spinel, hallmarked London 1973, makers mark CE, with silver chain, measuring 60cm in length £40-60 197 Medina green and blue glass vase 15cm high unsigned and a E Keanas Swedish green and blue glass cylindrical vase L 1453/17, 28cm high a Poole pottery delphis dish and a Briglin pottery vase £60-80 198 An unusual metal cheval mirror with cut out leaf forms, 212 x 95cm x 70cm £200-300 199 Set of four chairs Bauhaus style chairs in chrome and white leather, 1960-1970’s production £100-150

203 Group of mid century jewellery, a pottery plaque bracelet hand painted with stylised insects, and a collection of 1960’s/ 70’s copper and enamel rings pendants and earrings £60-100 204 David Leach (1911-2005), Bovey Tracey, small stoneware bowl, stamped underneath, 12.5cm diameter, together with another unsigned bowl and two vases, (4) £70-100 205 Duncan Ross (b.1943), studio pottery terra sigillata bowl, DR incised underneath, 13.5cm high £80-120 206 Siddig El’nigoumi (1931-1996) earthenware burnished vase, incised to base ‘Nigoumi 1982’, 18cm high £80-120 207 Gold ring with hardstone plaque overlaid with a gold bird and nest, 9ct gold, stamped FM, London 1974 £100-150 208 Mary Rich shallow footed bowl, St Ives 1980, 14.5cm, Donald and Jacqueline Mills, two bowls, 12.5cm and 13.5cm Timothy Brougham, hexagonal lidded jar 21.5cm, and a stoneware vase decorated with butterflies, signed W.11.5cm dia. £50-80

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209 Moorcroft plate, with honeysuckle decoration, markings to base painted WM and ME and impressed CLL and themm date cipher for 2000, 26.5cm diameter £50-80

218 A collection of mid 20th C glass vases and bowls, including a smoked glass bowl by Per Lutken for Holmegaard, engraved mark, (14). £70-100

210 Kitty Kahane for Rosenthal, ‘Love Story’ design tea set for four £50-80

219 A tall cased blue glass ‘Battuto’ vase, in the manner of Carlo Scarpa, 64cm high. £60-80

211 Studio pottery stoneware bowl with geometric design in teal, cream and gold, impressed Mint to base, and a Scheurich West German vase in white lava glaze with abstract pattern and yellow glaze interior (2 in lot) £50-80

220 An oversize Anglepoise floor lamp, size 210cm high, shade 30.5cm dia £250-350

212 Anita Harris pottery ‘Trial’ Dragon vase, in blue glaze with green dragon and gilt highlights, and another Anita Harris Dragon vase decorated with hot coals featuring a large dragon twisting around the vase, printed AHS England and signed to base. Both 18cm tall. (2 ) £50-80 213 Mid century Studio pottery, possibly Andre Quiron, decorated with primitive cave drawings, illegible impressed marks to base, 17.5cm, a studio pottery vase, 19cm, and a pottery vase marked MT to base, both with similar cave painting decoration. (3) £60-80 214 A group of colourful mid 20th C ceramics, including a part Rorstand Pomona pattern service, a tri form dish, cruet and others £40-60 215 Set of three Mid Century Heal-a-craft, Goebel kitchen jars with bold design of kitchen equipment and fruit, largest 15cm £30-50

221 221 Silver fringe necklace made up of amethyst, citrine and smoky quartz irregular forms in handmade settings, length 51cm £300-500 See Illustration 222 Moorcroft anemone pattern lamp base with deep red flowers on a blue ground, impressed marks, total height 43cm and a Moorcroft jardinière with diamond form flowers on a blue ground incised Moorcroft and bell year sipher £120-160 216 216 Piero Fornasetti, Italian 1913-1988 - “Al Merito”, circa 1960, two display plates. Each printed in colours with medals, no.4 and no.5, printed factory marks, 26cms diameter, (2). £80-120 See Illustration 217 A collection of thirteen mid 20th C coloured glass vases and bowls, including a small Alvar Aalto Iittala dish, impressed mark, (13). £70-100

223 Moorcroft pottery, hibiscus pattern, ginger jar vase and dish, all with tube lined decoration of orange flowers on a green ground, tallest 21cm £100-150 224 Set of eight chairs, cantilevered design in chromium plate with black leather buttoned seats, 1960-1970’s £150-250 225 Hvidt & Molgaard-Nielsen for France & son a ‘Minerva’ corner table in teak with caned under tier £80-120

END OF MORNING SALE

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Thursday 26th April, 2pm Contemporary Art Contemporary Prints Original Artworks Contemporary Sculpture Single Owner Collection of Wildlife Paintings & Prints

Lot 1013

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CONTEMPORARY PRINTS This section of sale will not start before 2pm

1000

1000 § Ivor Abrahams RA (British, 1935-2015). ‘Open Gate’, 3D mixed media, artist proof. Titled, signed and dated 72’. Framed and glazed. Size in frame: 85cm x 151cm. £500-800 See Illustration

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1001 1001 § Patrick Proctor RA (British 1936-2003), ‘Departure’ etching originally from from ‘Invitation to a Voyage’, 1969, signed in pencil and marked artist’s proof lower margin. Image Size: 41cm x 75cm. Framed. £150-250 See Illustration

1002 1002 § Maria Lassnig (Austrian, 1919-2014). Limited edition screenprint in colour, signed M Lassnig and numbered 78/100 in pencil. Unframed. 50x70cm. £150-250 See Illustration

1003 1003 Carol Rhodes (British, b.1959). ‘Airport, Airport Hotel’, limited edition print, titled signed and numbered 10/50, framed and glazed. Image Size: 37cm x 44cm. Frame Size: 60.5 x 80.5cm. £100-100 See Illustration

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1004

1004 § Joe Tilson RA (British, b.1928). ‘Earth Earth Earth’, 1985, limited edition etching, acquatint and carborundum on wove paper, signed and numbered 10/14 in pencil to lower margin. Framed and glazed. Image Size: 87cm x 95cm. Frame Size: 106cm x 115cm. £800-1200 See Illustration

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1005 1005 § Barry Flanagan RA (British / Welsh, 1941-2009). ‘Leaping Hare’, limited edition print, signed with initials, dated 1991, 37/100. Framed and glazed. Image Size: 33cm x 50cm. Frame Size: 47cm x 63cm. £600-800 See Illustration 1006 Ellen Graubart. ‘Casing The Joint’, limited edition print, signed titled and numbered 19/50 in pencil to lower margin. Image Size: 30cm x 30cm. Framed and glazed. Frame Size: 55cm x 52cm. £30-50 1007 Elizabeth Strath. Abstract mixed media. Signed and dated ’98. Framed and glazed. Paper Size: 37cm x 37cm. Frame Size: 47.5 x 47.5cms £30-50 1008 Shelia Oliner (b.1934). ‘Woman With Bird’. Limited edition print, signed titled, and numbered 1/10 in pencil to margin. Framed and glazed. Image Size: 31cm x 40cm. Frame Size: 50.5 x 60.5cm. £50-80 1009 Michael Carlo (b.1945). ‘Along The Lane’, limited edition print, signed titled and dated 91 in pencil to margin. Framed and glazed. Image Size: 46cm x 32cm. Frame Size: 67.5cm x 52cm. £30-50 1010 Contemporary print portrait of a man, size in frame: 80 x 63.5cm. And a Galerie Roussard poster, framed and glazed 80 x 53.5cm (2) £40-60 1011 Howard Schatz (American, b. 1940). ‘Sonya’. Bromide print of a seated nude woman by a window. Signed and dated 1982. Inscribed verso ‘Artemide Shop Window, Shaftsbury Ave, London, W1 1982’. Image Size: 40 x 32cm. Framed and glazed. £300-400

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1012 1012 § Salvador Dali (Spanish, 1904-1989). ‘The Crazy Horse Saloon’, colour lithograph, c1965, artist’s proof of the second state. Signed by the artist lower right, inscribed as ‘Epreuve d’artiste, executed in New York in 1965’ in another hand. Also with inscription by Peter Moore in French in black ink dated 1970, lower centre (see provenance). Paper Size: 76cm x 57cm. Provenance: Gifted to the vendor’s late husband by Madame Yvonne Vernay, the wife of Monsieur Robert Vernay who was the Director General of the Meurice Group of hotels in Paris during the 1960s and 1970s, also a lifelong friend of the vendor’s husband. Madame Vernay was given the picture by Dali’s agent Peter Moore, as the inscription indicates, in recognition of the hospitality given to Dali on frequent visits to The Meurice Hotel, Paris, where he was given a luxury suite together with an extra bathroom for his two pet ocelots that accompanied him and his entourage wherever he went. In September 1974, soon after his wife had died, and as was her bequest, Robert Vernay gave the picture to the vendor’s husband. Vernay joined them on their drive back to their home in Spain. As they were passing through Figueras Salvador Dali had invited them to visit him in Cadaques. On the same afternoon was the grand opening of Dali’s Museum in Figueras to be attended by all the local dignitaries and the press. They were duly invited to go with him and followed in convoy from Cadaques to Figueras. There was much deliberation over how to get Dali’s vintage Cadillac into position in the courtyard of the Museum, the only possible solution, suggested by the vendor’s husband, was to lower the car with a crane through the roof. So a crane was immediately called for and after much commotion the car was lowered into its final position to great applause from everyone involved. Much gratitude was shown to the vendor’s husband for ‘being so clever’ to suggest this manoeuvre. Included with the lot is a copy of a photograph taken of the car being lowered into position on the crane. Additionally the lot is sold with a note confirming provenance written by the vendor as well as a note expressing the ‘opinion’ of a Sothebys specialist that the signature is genuinely in Dali’s hand. £2000-3000 See Illustration

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1013 1013 Andy Warhol (American, 1928-1987). ‘Campbell’s Shopping Bag’, screenprint in colours on a shopping bag, 1966, from the edition of unknown size, published for a Warhol exhibition at and by the Institute of Contemporary Art, Boston, Massachusset. Overall size 63cm x 43cm. Framed and glazed. Frame Size: 77cm x 61cm. £1800-2200 See Illustration

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1014 1014 § Ivor Abrahams (British, 1935-2015). Limited edition print, signed, dated 73’ and numbered 72 of 100. Framed and glazed. Image Size: 20cm x 59cm. Frame Size: 34cm x 72cm. £250-350 See Illustration 1015 Abstract limited edition print, titled ‘b’, signed indistinctly and numbered 31/300. Framed. 55cm x 73cm.

£40-60

1016 1016 § Patrick Hughes (British, b.1939). ‘Leaning on a Landscape’, screenprint in colours, from edition of 150. Signed, titled, and numbered 37/150 in pencil to lower margin. Image Size: 45.5 x 61.5cm. Framed and glazed. Frame Size: 72 x 87cm x 3cm. £150-250 See Illustration

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1017

1017 § Sidney Robert Nolan (Australian, 1917-1992). ‘First Class Marksman’, from the Ned Kelly series. Limited edition screenprint in colours, signed and numbered 37 / 75 in pencil to lower margin. 48cm x 64cm. Framed. Frame Size: 59 x 74.5cm. £400-600 See Illustration

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1018

1018 § Sidney Robert Nolan (Australian, 1917-1992). ‘Mansfield’, from the Ned Kelly series. Limited edition screenprint in colours, signed and numbered 31 / 75 in pencil to lower margin. 48cm x 64cm. Framed. Frame Size: 59 x 74.5cm. £400-600 See Illustration

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1019 1019 § Sir Sidney Robert Nolan (Australian, 1917-1992). ‘Kelly and Policeman’, from the Ned Kelly series. Limited edition screenprint in colours, signed and numbered 34 / 75 in pencil to lower margin. 48cm x 64cm. Framed. Frame Size: 59 x 74.5cm. £400-600 See Illustration

1020 Madeleine Melsonn, Surrealist expressionist style abstract print using geometric and biomorphic forms. Pencil annotation in French labelling as artists proof and titled ‘Les Diatomees’. £40-60 1021 An engraved metal printing plate of a standing man, 51cm x 37cm, a blank plate 51cm x 45cms. eight dry point etchings of a dance. 18cm x 23cm four of a still life 23cm x 27cm and four of another still life 22cm 31cm, ( sizes given are image sizes page sizes vary) £50-100 1022 Bryan Organ, b. 1935, abstract landscape, signed and dated 1971, 23/35, dedication in top margin reading ‘For Jenny with my love April 1973 Bryan Organ’, 52cm x 51cm £60-100 1023 1023 Edwin Ladell 1914-1970, ‘Kings Parade Cambridge’, signed print, artist’s proof, Heffer Gallery label verso, 36cm x 48cm £100-200 See Illustration

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1024 Stasys Eidrigevicius (Lithuanian, b. 1949). Print, signed and dated 1973 in pencil to margin, mounted. 15cm x 10cm. £50-80 1025 John Harold Thomas Snow ASA, CSGA, RCA (Canadian, 19112004). ‘Ralpo’, limited edition print, signed, titled and numbered 20/50 in pencil to lower margin. Framed. 61cm x 46cm. Frame Size: 77cm x 67cm. £40-60 1026 Limited edition print depicting an Eastern European scene, numbered 37/200. Titled and signed indistinctly to the lower margin, framed and glazed. Image: 49cm x 49cm. £30-50 1027 Antanas Kmieliauskas (Lithuanian, b.1932). Five prints, four signed by the artist. Various dates and sizes. All framed and glazed. The largest 28cm x 37cm. £50-80 1028 1985 Venezia il Carnevale exhibition poster, 61cm x 46cm

£30-50

1038 1038 Bryan Organ (British, b. 1935). Two British Jockeys, Jimmy Lindley and Willie Carson. Both signed, dated 1974 and numbered 82/150. Each 46cm x 38cm. Mounted in a single frame and glazed (1). Provenance: from a private UK collection. £50-80 See Illustration

1029 John Tennent (1926) “ Pheasants and Harts Tongue”, limited edition print, signed and numbered 11/75 in pencil, 34cm x 48cm and another “Tawney Owls” 22/85. 24cm x 48cm £50-100 1030 Limited edition print of two boys with horses 10/25 signed in pencil indistinct 43cm x 40cm £50-100 1031 Elizabeth Keith (1887-1956) Chinese Children, Etching; ink and colour on paper, (1936) signed in pencil, 27cm x 15cm £100-200 1032 Elizabeth Keith (1887-1956) A Moro Umbrella, Jolo, Sulu, Philippines, Malacca and Singapore Series, Woodblock print in colours, Initial seal and date 1924, signed in pencil, 24cm x 17cm £200-300 1033 John T Freeman, making waves 1991, Folio of poems and original etchings, size of envelope 26cm x 24cm £20-40 1034 20th century lithograph of flowers and Cornfield, indistinctly signed 89cm x 121cm £20-40 1035 After Henri Matisse geometric print, 60cm square, pair of limited edition prints, 48cm x 47cm £50-100 1036 Isaac Tarkay (Israeli, 1935-2012). Pair: Modesty I (101/300), and Modesty II (180/300). Serigraphs, signed and numbered in pencil, 41cm x 32cm £250-350 1037 Hubert Kim Kempshall (1934), “Thames at Chelsea” etching, signed and numbered 10/10, 59, in pencil, 46cm x 52cm £40-60

1039 1039 Ken Howard, signed limited edition print, ‘1st Batallion The Royal Scots (The Royal Regiment) Northern Ireland 1970-76’, signed in pencil, 165/200, 43.5cm x 53.5cm £50-80 See Illustration 1040 Charlie Downs, Artist’s Proof print ‘Chinese Pot and Cup’ signed in pencil 17cm x 23cm £30-50 1041 § Justine Smith (British). ‘Icons’. The complete set of 4 hand gilded screenprints: ‘$’, ‘£’, ‘€’, ‘¥’ currency symbols. Presented in the original embossed portfolio box. Each print 71.5 x 71.5cm. Each signed and numbered 62/80 on reverse by the artist in pencil. £400-600 1042 § Sir Terry Frost RA (British, 1915-2003). ‘Blue, Red, Black Vertical Rhythm’. Limited edition screenprint with original collaged elements, c2002. Paper size 53cm x 55cm. A printers proof, signed by the artist and numbered P/P. Framed. £700-1000 1043 § Sir Terry Frost RA (British, 1915-2003).‘Spirals’. Limited edition screenprint with original collage elements. Paper size 55cm x 68cm. Signed by the artist and numbered 52/125. Framed. £700-1000

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ORIGINAL ARTWORKS

1044 1044 David Ghilchick (Romanian / British, 1892-1974), ‘Wimbledon Village’, street scene, signed, oil on canvas, 50cm x 75cm

£250-350 See Illustration

1045 1045 § Sherree Valentine Daines (British, b. 1956), lady reclining, pastel, signed, 30.5cm x 48cm.

£800-1200 See Illustration

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1051 Keith Michell (Australian 1926-2015) ‘Chichester Festival Theatre, May 1962’. Watercolour with pen and ink, signed and dated. Inscription verso signed ‘Wendy Toye’ - an actress and producer who worked at CFT in the early 70’s, depicts the theatre in the final stages of construction, Keith Michell appeared in the first season of productions at the new theatre which opened in July 1962. He returned as Artistic Director from 1974-78. Framed and glazed. 35cm x 49cm £200-300

1046 1046 § Hugh Boycott Brown, (British 1909-1990), inscribed faintly verso ‘West Bay, Bridport, Dorset’, signed with initials ‘HBB’, oil on board, 24.5cm x 39.5cm. £200-300 See Illustration

1047 1047 Thota Thorani (Indian, b.1949). Pair of studies of Rajasthan Woman. Watercolour, graphite. Signed and dated. Thorani is an Indian artist and film art producer / director. Each framed and glazed. Each 35cm x 27cm. Frame sizes: 53 x 43.5cm £150-180 See Illustration 1048 Gail Gauldie (New Zealand 20th Century) ‘Journey of the Soul’ 1995. Handmade Limited edition lithograph, 4 of 10. Signed and dated lower right. £40-60 1049 20th Century abstract, signed with initials ‘RD’. ‘Island 4’, oil on board, signed and dated ’65. Label verso with title and number 37. 61cm x 122cm £100-200 1050 Robert Organ (b.1933) ‘Wozzeck assists with military research’ signed with initials dated 86. Also titled and signed verso, Robert Organ Nov 86’. Related to an avant-garde Austrian opera ‘Wozzeck’ the story of an inarticulate taunted solider suffering from metal illness. Driven to earn more money he submits to a doctor’s experiments and is driven to madness. Framed and glazed, 26cm x 28cm. £150-200

1052 1052 § Patrick Hughes (British, b.1939) Untitled. Watercolour depicting a clock with time nearing midnight on a deep blue sky. Signed and dated 85’, with an emailed confirmation from the artist that this is a work by his hand. Mounted. 19 x 14.5cm £400-600 See Illustration 1053 Sally Oyler ‘Emerald Toucanets eating Erythrina Flowers’. Watercolour. Framed and Glazed. Artist’s label verso £80-120 1054 20th century mixed media two cockerels surrounded by flowers, unsigned, diameter 67cm unsigned probably Koguty Lowickie who designed the one of the British Airways Tales, diameter 67cm £50-100 1055 Lac Fortune, an oil on canvas depicting a landscape, signed verso 24 x 34.5cm; and an unsigned abstract watercolour, 30 x 22.5cm (2) £20-30 1056 Jan Mills. ‘Shimmers’, abstract acrylic on canvas, signed verso. 112cm x 85cm. £40-60 1057 M. Rowe. ‘Sentosa Golf Course’, oil on board, framed. Image Size: 29cm x 40cm. Frame Size: 40cm x 51cm. £20-40

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1058 1058 § John Hitchins (British, b.1940). ‘Nocturne’, 1985, oil on canvas, signed lower left, signed and titled verso with inscription ‘The Old School. Byworth. Retworth. Sussex’, also with Montpelier Studio label verso. Framed and glazed. Image Size: 43cm x 77cm. Frame Size: 57cm x 91cm. £600-1000 See Illustration

1059 T. Masamitsu (Japanese). Watercolour depicting a man fishing. Framed and glazed. Image Size: 45cm x 30cm. Frame Size: 65.5cm x 48cm. £150-250

1061

1060 1060 Jack Merriott RI, RWS (British, 1901-1968). Harbour scene, mixed media, framed and glazed. Image Size: 46cm x 63cm. Frame Size: 56 x 71.5cm. Jack Merriott was an English author, artist, and poster designer famous for his artworks produced for British Railways and the General Post Office. £100-200 See Illustration

1061 § Clare Hartigan (Irish). ‘Do You Remember’, oil on canvas. 122cm x 183cm. Provenance: with original receipt from Duke Street Galleries, Dublin. £200-300 See Illustration 1062 Clare Hartigan (Irish). Four original oils on canvas. ‘Irish Eyes’, signed, 60cm x 50cm. ‘Welcome Home’, signed, 40cm x 40cm. ‘Friendship’, signed, 40cm x 40cm. ‘Spinning’, signed, 40cm x 40cm. All with Duke Street Gallery, Dublin labels verso (4) £80-120 1063 Portrait of a girl in a bolero, oil on canvas, signed indistinctly and dated 62. 60cm x 45cm £50-100

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1069

1064 1064 Canute Caliste (1914-2005), acrylic on board titled ‘Racing .... in Carriacou 2000’ £100-200 See Illustration

1069 Margaret Harmsworth (1928) Studio collection, 8 oils on canvas (unframed) the largest 60cm x 73cm Provenance: by family descent. £100-200 See Illustration 1070 Marion L. Broom (1878-1962), watercolour, still life of flowers, signed bottom right, framed. 87cm x 65cm £60-80 1071 Nigel Wykes watercolour study of lillies, signed and dated 1965. 46cm x 63cm £60-80

1065 1065 Canute Caliste (1914-2005), acrylic on board titled ‘Racing Yeach in Carriacou 2000’ £100-200 See Illustration 1066 20th century seascape with Two boats, Nimo Prango, mixed media on canvas, dated 1970, 100cm x 67cm £50-100 1067 20th century abstract monogrammed GP, Titled Verso conservatory doors, 122cm x 137cm £80-120 1068 James Fry 1911-1985, Coastal landscape, St Aldhelm’s Head, oil on board, monogrammed, label verso, 30cm x 39cm James Fry was a Dorset based artist from Corfe Castle £80-120

1072 1072 Bruce Onobrakpeya (Nigerian, b. 1932), ‘Edjo Aton (Desert Spirits)” metal and foil relief, signed, titled and dated 1988, framed, 68cm x 14cm £250-350 See Illustration

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1073 1073 § Susan Conway, ‘Rice Fields, Thailand’, mixed media, 57cm x 76cm. £200-300 See Illustration

1074 1074 § Sherree Valentine Daines (British, b. 1956) Mother and daughter sitting out side a cottage door, circular oil on board, signed. 19.5cm dia. £500-800 See Illustration

1075 1075 § Sherree Valentine Daines (British, b.1956) children in a landscape, oil on board, signed and dated 1981, 27cm x 38cm.

£800-1000 See Illustration

1076 Romualdas Bukauskas (Lithuanian / Canadian, b.1929). Abstract oil on canvas, signed and dated ’65, framed. 102cm x 122cm.

£50-80

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1077 Romualdas Bukauskas (Lithuanian / Canadian, b.1929). Abstract oil on canvas, signed and dated ’64, framed. 96.5cm x 122cm. £50-80 1078 Romualdas Bukauskas (Lithuanian / Canadian, b.1929). Abstract oil on canvas, signed and dated ’65, framed. 81.5cm x 108cm. £50-80 1079 Romualdas Bukauskas (Lithuanian / Canadian, b.1929). Abstract oil on canvas, signed and dated ’65, framed. 65 x 89.5cm. £50-80 1080 Romualdas Bukauskas (Lithuanian / Canadian, b.1929). Abstract oil on canvas, signed and dated ’64, framed. 81 x 101.5cm. £50-80 1081 Romualdas Bukauskas (Lithuanian / Canadian, b.1929). Abstract oil on canvas, signed and dated ’64, framed. 102cm x 122cm. £50-80

1084 1084 § Vytautas Kasiulis (Lithuanian, 1918-1995). Pastel on paper, 1976. With stamp for Galerie Royale, Paris and hand written label verso. Framed and glazed. 50cm x 64cm. £1000-1500 See Illustration

1082 1082 Dennis John Hanceri (British, b.1928). ‘London Roof Tops’, watercolour, signed and dated 1974, framed and glazed. 19cm x 33cm. £60-80 See Illustration 1083 Dennis John Hanceri (British, b.1928). Watercolour depicting houses, signed and dated ’82. Framed and glazed. 22cm x 29cm. £60-80

1085 1085 § Peter Kalkhof (German, 1999-2014). ‘ Space and Colour, Space Centre’, 1974-75. Acrylic on canvas. 100cm x 97cm. £200-300 See Illustration 1086 Dennis John Hanceri (British, b.1928). Watercolour depicting a fishing boat in the harbour, signed and dated ’68. Mounted. 38cm x 30cm. £60-80 1087 Dennis John Hanceri (British, b.1928). ‘Mevagissey Harbour, Cornwall’, signed and dated ’68. Framed and glazed. 41cm x 48cm. Frame Size: 73cm x 78cm. £80-120

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1088 1088 Â§ Stasys Eidrigevicius (Lithuanian, b. 1949). Surrealist portrait of two figures. Oil on canvas. Signed Stasys and dated 1981 lower right. Framed. 73cm x 53cm. ÂŁ500-800 See Illustration

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1089

1091

1089 § Stasys Eidrigevicius (Lithuanian, b. 1949). Surrealist portrait of a clown. Pastel on paper. Signed Stasys and dated 1986 lower right. Framed and glazed. 60 x 41.5cm. £500-800 See Illustration

1091 § Stasys Eidrigevicius (Lithuanian, b. 1949). Surrealist portrait of a man holding a spoon. Oil on canvas. Signed Stasys and dated 1981 lower right. Framed. 55cm x 46cm. £500-800 See Illustration

1090 1090 § Stasys Eidrigevicius (Lithuanian, b. 1949). Surrealist portrait of a man flossing. Oil on canvas. Signed Stasys and dated 1981 lower right. Framed. 55cm x 46cm. £500-800 See Illustration

1092 1092 § Stasys Eidrigevicius (Lithuanian, b. 1949). Surrealist bird. Oil on board. Signed Stasys and dated 1981 lower right. Framed. 41cm x 33cm. £400-600 See Illustration

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1096 20th Century, oil on canvas signed indistinctly Bearle? And dated 51’. Framed. 37cm x 45cm. £30-50 1097 20th Century beach scene, signed indistinctly, oil on canvas, framed. 46cm x 77cm. £30-50 1098 Algirdas Petrulis (Lithuanian, 1915-2010). Landscape with houses, oil on canvas, signed and dated 58’. Framed. 54cm x 65cm. £100-200 1099 Walford. ‘Harrold Bridge, Bedfordshire, River Ouse’. Oil on board. Framed. 61cm x 91cm £30-50 1100 Vytas Remeika (Lithuanian/Canadian, 20th Century). Abstract oil on canvas, signed and dated 66’. 68cm x 113cm £100-200 1101 Vytas Remeika (Lithuanian/Canadian, 20th Century). Abstract oil on board, signed and dated 65’. 53cm x 121cm £100-200 1093 1093 § Stasys Eidrigevicius (Lithuanian, b. 1949). Surrealist drawing. Pen and ink on paper. Signed Stasys and dated 1981 lower right. Framed and glazed. 29 x 21.5cm. £250-350 See Illustration

1102 Vytas Remeika (Lithuanian/Canadian, 20th Century). Abstract oil on board, signed and dated 65’ (unframed). 123cm x 61cm £100-200

1103 1103 Vytas Remeika (Lithuanian/Canadian, 20th Century). Abstract oil on board, signed and dated 65’. 60cm x 126cm. £100-200 See Illustration 1104 Vytas Remeika (Lithuanian/Canadian, 20th Century). Abstract oil on board, unsigned. 25cm x 53cm £30-50 1105 Vytas Remeika (Lithuanian/Canadian, 20th Century). Abstract oil on board, signed and dated 64’. 21cm x 53cm. £30-50

1094 1094 § Stasys Eidrigevicius (Lithuanian, b. 1949). Surrealist drawing. Pencil on paper. Signed Stasys and dated 1981 lower right. Framed and glazed. 24cm x 16cm. £250-350 See Illustration 1095 L Katinov? Contemporary flowers, oil on board, signed indistinctly, framed. 70cm x 52cm. £30-50

1106 Vytas Remeika (Lithuanian/Canadian, 20th Century). Abstract oil on board, signed. 49cm x 24cm. £30-50 1107 20th century street scene, Cairo. With monogrammed signature HBB. Framed and glazed. 37cm x 26cm. £30-50 1108 Julian Bond (British), ‘Jack’s Garden’, acrylic on canvas, framed, 111cm x 122cm £80-120

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1109 1109 § Paul Henry R.H.A (Irish, 1876-1958). A View on Achill Sound, 1943-5, signed ‘Paul Henry’ lower right, oil on canvas, 51cm x 61cm.

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Detail of lot 1109 Provenance: Private UK Collection. Dr. S.B. Kennedy, March 2018. “This picture is probably called A View of Achill Sound. Or at least that’s what it appears to represent. Henry painted several boats of this nature, often on Achill Sound, which was his nearest point to Achill Island. From there to Keel, which was his base of Achill, was about seven or eight miles. When he first went to Achill in 1911, it was the people of the Island who first caught his attention, but from around 1915 he turned to landscape painting. This picture of Achill Sound was painted around 1943-5. Although Henry left Achill for Dublin in 1919, he often made sketches and drawings from his notebooks, as this picture demonstrates.” We are grateful to Dr Kennedy for his assistance in cataloguing this lot which has been recorded as number 1335 in his ongoing cataloguing of Paul Henry’s oeuvre. £20000-40000 See Illustration Buyers premium, at 27% inclusive of VAT, is payable on every lot in this sale. On certain bidding platforms there will be additional charges which should be noted at time of registration. For late collection, and storage charges see page 2. There are no charges on debit or credit card payments.

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1110 W.H.P, Fairy with frogs and ivy, circular gouache signed with initials and date 1903 16cm Dia. £30-50

1111 1111 Thomas John Coates R.W.S. (British, b.1941) coastal landscape, signed oil on canvas, monogrammed signature ‘TJC’, 33cm x 43cm £200-300 See Illustration 1112 Bart O’Farrell (The Wizard on the Lizard). (British, 1941-2017). Five watercolours, Cornish landscapes, the largest 31cm x 45cm (5). £50-80 1113 Bart O’Farrell (The Wizard on the Lizard). (British, 1941-2017). Six watercolour Cornish landscapes, the largest 29cm x 46cm (6) £50-80 1114 Bart O’Farrell (The Wizard on the Lizard). (British, 1941-2017). Five Cornish watercolour landscapes, the largest 34cm x 58cm (5). £50-80

1121 1121 Jack Coutu b.1924, Head, Purbeck Marble 1950. 18cm on oak plinth. £100-150 See Illustration 1122 Raymond John (Jack) Coutu, b.1924, carved wood warthog, 1948, 30cm signed and dated under the base £80-120 1123 Three copper plaques incorporating clock parts, the largest 61cm x 40cm £40-60

1115 Bart O’Farrell (The Wizard on the Lizard). (British, 1941-2017). ‘Daffodil Pickers’, signed pastel, dated 1988, 41cm x 58cm £50-80 1116 Bart O’Farrell (The Wizard on the Lizard). (British, 1941-2017). Cornish River scene, pastel, 40cm x 57cm. £50-80 1117 André Ingres (1938) Venice, oil on canvas, signed 20cm x 21cm and snow scene, 25cm x 21 (2) £50-100 1118 Hervé Constant, “ Tablettes des Ancestres”, “Caverne”, “Chaos”, oil on paper signed and titled on the back boards 28cm x 20cm, (3) £100-150 1119 Abstract portrait, mother and child, mixed media on board. signed indistinctly, 67cm x 46cm £100-150 1120 Abstract, Multiple Heads, mixed media on board. signed indistinctly, 46cm x 68cm £100-150

1124 1124 Antoine Prevost (Canadian, 1930-2015). ‘Interval Land’, watercolour, signed and dated 1984, 38cm x 51cm Galerie Dresdnere lable verso £300-500 See Illustration

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1125 1125 John D. Lennox (Australian, 1941-1996). ‘The Servitors’, signed oil on canvas, 122cm x 183cm. £1000-2000 See Illustration 1126 Frank E. Sully (1898-1992) abstract, oil on board. signed 50cm x 56cm £50-150 1127 Frank E. Sully (1898-1992) abstract, oil on board. signed 50cm x 76cm £50-150 1128 20th century, ‘Bull’, mixed media on canvas, indistinctly signed and dated ’73, 81cm x 162cm £100-200 1129 P M Schlesimger mixed media of nude in a door way signed in pencil dated 84, 54cm x 77cm £80-120

1131 1131 Peter Clarke (South African, 1929-2014), pair ‘March’ and ‘July’, signed, oils on boards, dated ’76, verso signed titled and dated in black pen each 30cm x 22cm. Provenance: From the estate of a local lady, who inherited these works from her Aunt, a head mistress at Buxton Derbyshire. Believed to have been purchased by her from a local gallery. £1000-1500 See Illustration 1132 John Lowrie, Mountain Pass, and Dog Bank, mixed media on paper, 14x 14cm signed with initials and dated 03 £100-150 1133 Oil on canvas depicting a semi clad lady partly dressed in white slip dress, unsigned 90cm x 61cm £100-200 1134 Randall Davey (1887-1964) depicting a Parisian Scene, oil on board 60cm x 51cm £100-150 1135 Charlotte Cornish (British, b.1967). Attendant 1, Montoype series, acrylic on paper, with additional handpainted mark, signed lower right, 85cm x 120cm £250-350

1130 1130 Frank Owen Salisbury (British, 1874-1962), still life of lfowers signed and dated 11. 8.47 oil on canvas 74cm x 62cm £300-500 See Illustration Buyers premium, at 27% inclusive of VAT, is payable on every lot in this sale. On certain bidding platforms there will be additional charges which should be noted at time of registration. For late collection, and storage charges see page 2. There are no charges on debit or credit card payments.

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1136 1136 § Mary Fedden OBE RA LG (British, 1915-2012), ‘Fruit’, 2007, oil on canvas, signed and dated 07’ lower left. 50cm x 50cm. Provenance: Purchased from The Mall Galleries Exhibition. With Mall Galleries exhibition label verso with title, address details, dated 2007. £5000-8000 See Illustration

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1139

1137 1137 Paul Banning RI, RSMA, (Trinidadian/British, b.1934), ‘Cadaques’, signed, signed again verso, titled and dated 2011 verso, oil on board, framed. Picture Size: 19cm x 24cm. Frame Size: 34cm x 39cm. This picture was painted en plein air as is typical of the artist. Provenance: consigned directly by the artist. £150-250 See Illustration

1138 1138 Paul Banning RI, RSMA, (Trinidadian/British, b.1934), Richmond Bridge, signed, oil on board, framed. Picture Size: 14cm x 29cm. Frame Size: 26.5cm x 41.5cm. This picture was painted en plein air as is typical of the artist. Provenance: consigned directly by the artist. £150-250 See Illustration

1139 Paul Banning RI, RSMA, (Trinidadian/British, b.1934), ‘Construction work from Rotherhithe’, signed, dated 2017 on label verso, oil on board, framed. Picture Size: 14cm x 29cm. Frame Size: 26.5cm x 42cm. This picture was painted en plein air as is typical of the artist. Provenance: consigned directly by the artist. £150-250 See Illustration

1140 1140 Paul Banning RI, RSMA, (Trinidadian/British, b.1934), ‘Morning Coffee Hornfleur’, signed, watercolour, framed and glazed. Picture Size: 26cm x 29.5cm. Frame Size: 48cm x 51cm. This picture was painted en plein air as is typical of the artist. Provenance: consigned directly by the artist. £200-300 See Illustration

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1141 1141 Paul Banning RI, RSMA, (Trinidadian/British, b.1934), ‘The Fish Stall Campo S. Margherita Venice’, signed, watercolour, framed and glazed. Picture Size: 27cm x 28cm. Frame Size: 48.5cm x 48.5cm. This picture was painted en plein air as is typical of the artist. Provenance: consigned directly by the artist. £200-300 See Illustration

1143 1142 1142 Paul Banning RI, RSMA, (Trinidadian/British, b.1934), ‘Low Water Tower Bridge & The Shard’, signed, dated 2015 on label verso, watercolour, framed and glazed. Picture Size: 48cm x 32cm. Frame Size: 73cm x 56cm. This picture was painted en plein air as is typical of the artist. Provenance: consigned directly by the artist. £200-300 See Illustration

1143 Paul Banning RI, RSMA, (Trinidadian/British, b.1934), ‘Campo Giovanni Paolo Venice’, signed, watercolour, framed and glazed. Picture Size: 33cm x 31.5cm. Frame Size: 61cm x 58.5cm. This picture was painted en plein air as is typical of the artist. Provenance: consigned directly by the artist. £200-300 See Illustration 1144 Bianca Smith, The three Graces, 2012, oil and acrylic on board, Triptych framed as three individual pieces, signed with initials 108cm x 68cm £100-200

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1145 1145 § Fred Yates (British, 1922-2008). ‘The Kiss’, oil on canvas. Signed lower left. 80cm x 80cm. Provenance: from a private UK collection, previously purchased from the Fred Yates auction at Artcurial in 2014, lot 251.

£2000-3000 See Illustration

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1146 1146 § Fred Yates (British, 1922-2008). ‘Beach Entertainment’, oil on board, signed lower right, 35.5 x 24.5cm. Framed. Titled, signed ‘Fred Yates Penzance (a possible entry for Nov 1st)’ verso, also with auction label. Provenance: from a private UK collection. £1000-1500 See Illustration

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1147 1147 Â§ Fred Yates (British, 1922-2008). Still life, oil on board, signed lower right. 14.5cm x 19cm. Framed. Provenance: from a private UK collection. ÂŁ600-1000 See Illustration

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1148 1148 Prue Sapp (British, 1928-2013). Musicians, oil on board, signed and dated lower right, 19.5cm x 25cm. Framed. Provenance: from a private UK collection.

£150-250 See Illustration

1149

1150

1149 C.M. Richard. ‘Cis, Ann & Daisy’, mixed media on board. Titled, signed and dated ’09 with inscription verso. 23.5 x 23.5cm. Framed. Provenance: from a private UK collection. £100-150 See Illustration

1150 § Mark Rowbotham (British, b.1959). Nude. Pastel, signed MAR and dated 90 lower right. 43cm x 30cm. Framed and glazed. Provenance: from a private UK collection. £400-600 See Illustration

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1151 1151 20th century, Russian School, Venetian canal scene, signed indistinctly, inscribed verso, oil on canvas, 39cm x 49cm £150-200 See Illustration

1153 1153 20th century, English School, clown and other circus performers, black wax crayon, unsigned, 25cm x 20cm £50-80 See Illustration

1154

1152

1154 Patrizio Mela, 20th century, pair of Mediterranean harbour scenes, signed, oils on canvases, inscribed verso, 24cm x 18cm £100-150 See Illustration

1152 Edward Bishop, (British 1902-1997), ‘Garden Daisies in a white mug’, signed with initials, oil on board, Phoenix Gallery Ltd., label verso £100-150 See Illustration

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1157

1155

1157 Charles Griffin, (British, b.1946), ‘“Before we let you in, would you mind searching Diana Ross for us”‘, cartoon, signed, pen, ink and wash, 30.5cm x 39cm £80-120 See Illustration

1155 John Thomas Young Gilroy, English, 20th century, ‘Crufts’, cartoon, pen and wash, signed and titled, 32.5cm x 25cm £80-120 See Illustration

1158 1158 JAK, Raymond Jackson, (British 1927-1997), ‘“It doesn’t bother me dear - I’m Danish!”‘, cartoon, signed, pen, ink and wash heightened with white, 47.5cm x 57.5cm £80-120 See Illustration

1156 1156 David Langdon, (British,1914-2011), ‘“And, sir, for heaven’s sake scowl occasionally”‘, cartoon depicting Ted Heath, pen and ink heightened with white, signed, 22.5cm x 17.5cm £50-80 See Illustration

1159 1159 Rosa Schaffer, b.1901-?, ‘Variations’, signed with initials, oil on board, four works in one frame, partial label verso, overall size 30.5cm x 125cm £200-300 See Illustration

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1160 1160 Llewelleyn Petley-Jones, (British, 1908-1986), ‘September Landscape’, figure on a country lane, signed with initials and dated ’77, inscribed verso, 17cm x 25cm, frame with Petley-Jones stamp £150-250 See Illustration

1162 1162 F. Donald Blake, (British, 1908-1997), a view of sailing boats from above, signed, watercolour, 47cm x 34cm £150-250 See Illustration

1161 1161 G. J. Duke, 20th century, ‘Ocean Liner Stratheden’, signed, oil on board, 35cm x 45.5cm £200-300 See Illustration

1163 1163 J. Baron, 20th century, Venetian canal scene, signed, oil on board, 59.5cm x 44cm £100-150 See Illustration

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1164

1165

1164 Peter Brian Wardle, 20th century, nude study in shades of grey and green, unsigned, oil on board, inscribed verso ‘Ex-collection of the artist’s family original oil painting by Peter Brian Wardle (10 exhibits in National Portrait Gallery)’, 45.5cm x 29.5cm £80-120 See Illustration

1165 George Percy Jacomb-Hood, (British, 1857-1929), head and shoulder length portrait of a red-haired young lady, signed and dated 1921, 38.5cm x 27.5cm £200-300 See Illustration

1166 1166 E. N. Levin, figures fishing from a boat on a river, oil on board, named verso, 22cm x 32.5cm

£100-150 See Illustration

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1167 1167 § John Randall Bratby RA (British, 1928-1992) ‘Window to Hardy Road’, signed oil on board. With The Zwemmer Gallery London Gallery label verso, 122cm x 82cm. Provenance: Consigned from a local deceased estate, previously purchased from the Zwemmer Gallery. £2500-3500 See Illustration Buyers premium, at 27% inclusive of VAT, is payable on every lot in this sale. On certain bidding platforms there will be additional charges which should be noted at time of registration. For late collection, and storage charges see page 2. There are no charges on debit or credit card payments.

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1168 1168 20th century study of Europa and the bull on a red background, signature indistinct, Posmono?, mixed media on board, 55cm x 86cm £400-600 See Illustration 1169 John Bailey still life of flowers signed oil on board, 33cm x44cm

£50-100

1170 20th century landscape unsigned oil on canvas, 50cm x 70cm

£50-100

1171 Eisnen? still life flowers oil on canvas signature indistinct, 49cm x 39cm

£50-100

1172 Aldo Raimondi, La prima Neve’ etching on silver engraved signature, 211/999 25 grams of silver 13cm x 17cm £60-100

1173 1173 § Edward Wesson (British, 1910-1983), watermill, signed watercolour, 44cm 64cm.

£300-500 See Illustration

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1174 1174 § Dame Elisabeth Frink RA (British, 1930-1993). ‘Rolling over Horse’, watercolour and pencil on paper, signed and dated 78’ lower left. Stamped verso. Framed and glazed. Paper Size: 80cm x 55cm. Frame Size: 73.5cm x 93.5cm. Provenance: from a private UK collection. Previously purchased from a London Auction House in 1995. £10000-15000 See Illustration

1175 1175 § Dame Elisabeth Frink RA (British, 1930-1993). ‘Cormorant’. Watercolour and pencil on paper, signed and dated 71’ lower right. Stamped verso. Framed and glazed. Paper Size: 43cm x 57cm. Frame Size: 64cm x 74.5cm. Provenance: from a private UK collection. Previously purchased from a London Auction House in 1995. £6000-8000 See Illustration

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1177

1176 John Bailey still life of flowers, signed oil on board, 40cm x 45cm £80-120 1177 Ron Hitchens (British, b.1926), Two works. An abstract of various terracotta tiles, signed verso, 42cm x 32cm; and a fibre glass mould, monogrammed RH, 31cm x 31cm. (2) £200-300 See Illustration 1178 Peter Blake. ‘An Alphabet’, hardback book, signed by Peter Blake. Published by Paul Stolper Gallery & Coriander Studio, 2007. 30.7cm x 23cm £50-80 1179 Peter Blake. ‘An Alphabet’, hardback book, signed by Peter Blake. Published by Paul Stolper Gallery & Coriander Studio, 2007. 30.7cm x 23cm £50-80

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CONTEMPORARY SCULPTURE

1180 1180 § Tristan Schoonraad (British) Limited Edition plaster cast “Boy Soldier Red Grenade”, signed, dated 2010, 6/10, 140cm x 70cm Provenance: Purchased Esmond Robinson 2010, Sold with copy of receipt. £3000-5000 See Illustration Buyers premium, at 27% inclusive of VAT, is payable on every lot in this sale. On certain bidding platforms there will be additional charges which should be noted at time of registration. For late collection, and storage charges see page 2. There are no charges on debit or credit card payments.

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1181

1181 Â§ Antanas Brazdys (Lithuanian, b.1939). Sculpture in the form of an abstract dragonfly, stainless steel. 108 x 137cm x 125cm. ÂŁ2000-3000 See Illustration

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1182 § Antanas Brazdys (Lithuanian, b.1939). Abstract sculpture, stainless steel. 187cm x 40cm. £2000-3000 See Illustration

1183 1183 Anatole Herzfeld b1931, German relief carved pine figure of a man with arms stretched overhead, 87cm x 51cm £200-300 See Illustration

1182 Buyers premium, at 27% inclusive of VAT, is payable on every lot in this sale. On certain bidding platforms there will be additional charges which should be noted at time of registration. For late collection, and storage charges see page 2. There are no charges on debit or credit card payments.

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SINGLE OWNER COLLECTION OF WILDLIFE PAINTINGS & PRINTS 1184 ‘Off Limits Bob Cat’ by Carl Brenders limited edition print, 108 of 180 with Certificate. 64cm x 89cm. Along with two other prints of Tigers 66cm x 93cm and 60cm x 90cm £40-60 1185 ‘Zero Tolerance’ by Daniel Smith limited edition print, 645 of 650. 77cm x 61cm £40-60 1186 Lyndsey Selley limited edition print of a Tiger Cub, 10/395. 60cm x 43cm £30-50 1187 Andrew Rouse limited edition print of a Tiger, 15/250. 40cm x 60cm and another 75cm x 49cm £30-50 1188 Gary Hodges ‘Sabu’ limited edition print 499/1250. 63 x 30

£30-50

1189 Gary Hodges ‘Snow Leopard’ limited edition print, 176/850. 22cm x 91cm £30-50

1196 1196 Lyndsey Selley ‘Craacal’ limited edition watercolour, signed, dated 08. Gallery letter attached verso. 32cm x 25cm £80-120 See Illustration

1190 Lyndsey Selley limited edition print of a Leopard, 6/100. 40cm x 54cm. Leonard Pearman ‘Bengal Tiger’ print. 56cm x 86cm £30-50 1191 David Shepherd ‘Arabian Oryx’ limited edition print, 1056/1500. 53cm x 80cm £30-50 1192 Clive Meredith limited edition print of a Tiger, signed in pencil, 50/95. 55cm x 90cm £30-50 1193 M Wood ‘Afternoon Shadows’ limited edition print, signed in pencil 413/650. 56cm x 83cm £30-50 1194 Gary Hodges ‘Soulmates’ limited edition print, 46/100, signed in pen verso. 32cm x 135cm £30-50 1195 J Bennett study of a Grey Cat, oil on board, signed. 45cm x 33cm £30-50

1197 1197 Lyndsey Selley study of an Otter, watercolour, signed. 52cm x 27cm £80-120 See Illustration

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1198 Lyndsey Selley three limited edition prints: a Leopard 39 x 33, another Leopard 17/100, 21 x 34 and three giraffes 53cm x 26cm (3) £30-50 1199 Lyndsey Selley four limited edition prints: a Lion 7/395, 37cm x 36cm, a Leopard 50/395 21cm x 36cm, a Leopard cub 12/395 39cm x 22cm and another Leopard 96/395 34cm x 53cm. £30-50 1200 Terence Lambert ‘Lanner Falcons’ limited edition print 52/500, signed in pencil. 67cm x 50cm and ‘Kingfisher’ 9/850, 36cm x 26cm £30-50 1201 Lyndsey Selley study of an Otter, Gouache, 22cm x 40cm

£80-120

1202 Barbara Robinson ‘Valley’ artist proof, singed in pencil, dated 87’ 71cm x 53cm, ‘The Profits Cat’, 3/20, signed in pencil, dated 88’ 70cm x 47cm £30-50 1203 Three limited edition prints: Lyndsey Selley ‘Giraffes’ 19/250. 27cm x 46cm. Matthew Hillier of a Tiger 229/650, 50cm x 40cm and a Lemur 10/650 70cm x 10cm £30-50 1204 Gary Hodges ‘Sabu’ limited edition print 476/1250, signed in pencil, 63cm x 29cm £30-50 1205 Gary Hodges ‘Tree Frog’ limited edition print 280/850, signed in pencil, 40cm x 14cm £30-50 1206 Hayley Albrecht charcoal study of a Fowl, unsigned, paperwork verso, 19cm x 27cm, and study of Three Field Mice, charcoal, gallery label verso, 19cm x 25cm £30-50 1207 T Grant Clarke, watercolour study of an Orchid, signed 23cm x 36cm Tracey Sheppard pencil study of a Plant, 50cm x 32cm John Hadfield study of Flowers, watercolour, signed 36cm x 52cm £30-50 1208 Alison Holt embroidery of three trees, signed, label verso, 15cm x 22cm £80-120 1209 Patricia Dale, four watercolour studies: Fritillaria Meleagris, 33cm x 16cm Creeping Jenny, 21cm x 8cm Pimpernells, 8cm x 17cm Dunurich Shinglebank, 28cm x 19cm. All signed and all with labels verso £30-50 1210 Gill Coombes study of Chestnut, watercolour, signed, 16cm x 20cm Study of Onion and Garlic, signed, 30cm x 20cm £30-50 1211 Pauline Dean study of an Orchid, signed watercolour, 8cm x 29cm Sally Pinhey study of Sea Pink, signed watercolour 30cm x 20cm Ian Bowles study of Birds Feathers, signed watercolour, 10cm x 33cm £30-50

1212 Ian Bowles (1947 British) study of four Warbler’s on a Branch, signed watercolour, 50cm x 30cm £30-50 1213 Ian Bowles (British 1947) Study of Wrens signed watercolour and charcoal, 30cm x 35cm £30-50 1214 Ian Bowles (British 1947) study of Tufted Titmouses watercolour and charcoal, signed, 35cm x 30cm £30-50 1215 Ian Bowles (British 1947) study of Long Tailed Tit, signed, watercolour, 30cm x 10cm Blue Tit signed watercolour, 13cm x 12cm Great tit, signed, watercolour, 13cm x 12cm Swallow, signed, watercolour, 13cm x 13cm £30-50 1216 Ian Bowles (British 1947) Five studies of wrens - 23 x 11 - the other four 13cm x 13cm all signed watercolours and charcoals £30-50 1217 D A Turnbull watercolour study of a Kingfisher, signed, 32cm x 26cm M E Elridge study of Kingfishers and there feathers, signed watercolour, 34cm x 26cm £30-50 1218 Lyndsey Selley pencil study ‘Caracal’ signed and dated 04’ 17cm x 8cm £30-50 1219 Lyndsey Selley four prints: Cheetah 3/395 26cm x 25cm A Lion 6/395 25cm x 25cm Snow Leopard 21/500 19cm x 20cm Tiger Cub 11/12 Artist Proof 25cm x 27cm £30-50 1220 Ian Bowles (British 1947) Study of Goldfinch signed, watercolour and charcoal 23cm x 30cm Study of three Finches, 20 x 20 and a Study of Feathers 10cm x 34cm Study of two Starlings 18cm x 12cm £30-50 1221 Derek Brown, landscape, signed oil on canvas, 34cm x 75cm £30-50 1222 Shazia Mahmood ‘Looking from Inverie’ oil on canvas, signed titled and dated 2001 69cm x 49cm £30-50 1223 Maureen Welfare study of a Sand dune, watercolour signed, 20cm x 26cm Yvonne Wemyss Landscape 23cm x 30cm £30-50 1224 Louisa Wood abstract textile, 73cm x 10cm Maureen Collier collage with leaves signed on mount 12cm x 12cm Francis Shearing study of a Sunflower, watercolour, 25cm x 16cm £30-50 1225 Paul Toms study of a Sailing Boat, watercolour signed, 28cm x 35cm Katherine Bunting Carrington, Landscape, mixed media, signed, 38cm x 46cm £30-50

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1226 W T Winter Landscape watercolour signed, 29cm x 20cm another with Boats, 30cm x 46cm £30-50 1227 Collection of wildlife photographs (33) two framed all mounted £30-50 1228 Alison Holt embroidery of Silver Birches, signed, label verso, 18cm x 10cm and a Seascape, signed, label verso, 10cm x 11cm £30-50 1229 Linda Carlton Walk By The Sea, embroidery, 38cm x 36cm

£30-50

1230 Thomas Stothard (1755-1834) study of a lion 12cm x 20cm in tortoiseshell frame £50-100 1231 Hayley Albrecht study of a Seahorse, charcoal, signed 15cm x 9cm Mary Shepherd study of a Field mouse, signed 10cm x 12cm Linda Cooper study of two Cats, watercolour, signed, 12cm x 13cm M E Aldridge study of Field Mice, watercolour, signed 22cm x 26cm £30-50 1232 Sue Stolberger ‘Leaping Impala’ print 15/500, 47cm x 54cm Emily Lamb ‘Bee Eaters’ print 23/80 45cm x 32cm Mandy Shepherd Tiger print 23/80 20cm x 21cm £50-80 1233 Japanese print of a Tiger, 28 x 44 and five other prints (6)

£30-50

1234 Collection of Wildlife prints (14)

£30-50

1237 Gary Hodges ‘Elegance’ limited edition print 51/86 signed in pencil 64cm x 38cm ‘The Great Kudu’ limited edition print 464/850 signed in pencil 48cm x 37cm ‘Joy’ limited edition print 1034/1250 signed in pencil, 33cm x 57cm £30-50 1238 Gary Hodges four limited edition prints: ‘Young Cayman’ 18cm x 27cm ‘Stealth’ 959/1250 38cm x 31cm ‘Ring Tail Lemurs’ 564/850 30cm x 29cm ‘Fennec Fox’ 287/850 18cm x 24cm All signed in pencil £30-50 1239 Gary Hodges ‘Grace’ (2) 23/850 limited edition print signed in pencil 37cm x 35cm ‘Power’ 23/850 limited edition print signed in pencil 37cm x 35cm £30-50 1240 Gary Hodges ‘Family’ 532/1250 limited edition print, signed in pencil 44cm x 94cm £30-50 1241 Gary Hodges ‘Angel Eyes’ limited edition print, signed in pencil 47/850 33cm x 96cm £30-50 1242 Leon Evans limited edition print of a Mountain Lion 37/600 signed in pencil, 85cm x 30cm, print of Three Dogs 26/76 33 x 39 along with four other prints £30-50

1235 Gary Hodges ‘Serenity’ limited edition print 951/1750 49cm x 66cm ‘Swimming Polar Bear’ 804/850 signed in pencil 48cm x 49cm £30-50

1243 1243 Alan Glasby (1945 - 2008) limited edition bronze sculpture of a Kingfisher 4/75 23cm High £30-50 See Illustration 1244 Two Laminate sculptures of big wild-cats in running 67cm and 57cm wide £30-50 1236 1236 Gary Hodges ‘heat and Dust’ limited edition print 742/850 signed in pencil, 54cm x 46cm ‘Little Foxes’ 92/1100 limited edition print 39cm x 58cm £30-50 See Illustration

1245 Carol Pearce limited edition bronze resin sculpture of a man on square base 23/30,19cm high £50-100 1246 Carol Pearce limited edition Bronze resin sculpture of an Embracing Couple 3/60, 23cm High and a Seated figure, 8cm

END OF SALE 86

£30-50

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Light Transport

Collections

Single Items

Deliveries

Small Moves

Licenced for Final House Clearances Fine Art Movers Talk to Trevor on Tel/Fax: 01932 868392 Mob: 07958 991841 or 07739 135669 www.tlctransport.org

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Ewbanks 26th April 2018 pages.qxp_Layout 1 17/04/2018 06:41 Page 89

TERMS OF SALE EXPLANATION OF PICTURE CATALOGUING TERMS Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of representation of fact. The Auctioneers reserve the right, in forming their opinion, to consult and rely upon any expert or authority considered by them to be reliable. The forename(s) and surname of the artist: In our opinion a work by the artist. The initials of the forename(s) and the surname of the artist: In our opinion a work of the period of the artist which may be wholly, or in part his work. The surname only of the artist: In our opinion a work of the school or by one of the followers of the artist or in his style and of uncertain date. ‘English School’, ‘Italian School’ etc: In our opinion a work executed at a later date that the style may suggest. ‘Signed’: Has a signature which in our opinion is a recognised signature. ‘Dated’: Is so dated and in our opinion was executed at that date. The term ‘bears’ a signature and/or date and/or an inscription: Means that in our opinion the artist’s name and/or date and/or inscription have been added by another hand. Measurements: Height precedes width. AUTOGRAPHS Autographs – We check all autographs when they are valued and believe to the best of our knowledge they are authentic. Many autographs come from private sellers and are sold without any history or COA. We urge buyers to satisfy themselves BEFORE bidding. If you strongly feel an item has been mis-described please contact us within one calendar month after the auction. If you are an overseas buyer it is your prerogative to arrange shipping in good time to avoid the one month cut off period. If a concern is raised before the end of the timescale we will place the item on hold for another calendar month. During this time a letter of rejection must be obtained from PSA/DNA and NO ONE else. Details can be found here http:/www.psacard.com/Services/AutographAuthentication If a letter of rejection is provided by PSA/DNA we will offer a full refund, not inclusive of shipping or authentication. This is why we urge buyers to satisfy themselves BEFORE bidding. TERMS OF SALE Both the sale of goods at our auctions and your relationship with us are governed by the Terms of Consignment (primarily applicable to sellers) the Terms of Sale (primarily applicable to bidders and buyers) and any notices displayed in the saleroom or announced by us at the auction (collectively, the “Conditions of Business”). The Terms of Consignment and Terms of Sale are available at our saleroom on request. Please read these Terms of Sale carefully. Please note that if you register to bid and/or bid at auction this signifies that you agree to and will comply with these Terms of Sale. Please note that these Terms of Sale relate to auctions held at our premises only. 1 Definitions and interpretation 1.1 To make these Terms of Sale easier to read, we have given the following words a specific meaning: “Auctioneer” means Ewbank’s, a partnership registered in England and Wales whose registered office is located at Burnt Common Auction Rooms, London Road, Send, Woking, Surrey GU23 7LN or its authorised auctioneer, as appropriate; “Bidder” means a person participating in bidding at the auction; “Buyer” means the person who makes the highest bid for a Lot accepted by the Auctioneer; “Deliberate Forgery” means: (a) an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source; (b) which is described in the catalogue as being the work of a particular creator without qualification; and (c) which at the date of the auction had a value materially less than it would have had if it had been as described; “Hammer Price” means the level of the highest bid for a Lot accepted by the Auctioneer by the fall of the hammer; “Lot(s)” means the goods that we offer for sale at our auctions; “Premium” means the premium that we will charge you on your purchase of a Lot to be calculated as set out in Clause 4; “Reserve” means the minimum hammer price at which a Lot may be sold; “Sale Proceeds” means the net amount due to the Seller; “Seller” means the persons who consign Lots for sale at our auctions; “Terms of Consignment” means the terms on which we agree to offer Lots for sale in our auctions as agent on behalf of Sellers; “Terms of Sale” means these terms of sale, as amended or updated from time to time; “Total Amount Due” means the Hammer Price for a Lot, the Premium, any applicable artist’s resale right royalty, any VAT due and any additional charges payable by a defaulting buyer under these Terms of Sale; “Trader” means a Seller who is acting for purposes relating to that Seller’s trade, business, craft or profession, whether acting personally or through another person acting in the trader’s name or on the trader’s behalf; “VAT” means Value Added Tax or any equivalent sales tax; and “Website” means our website available at www.ewbankauctions.co.uk . In these Terms of Sale the words ‘you’, ‘yours’, etc. refer to you as the Buyer. The words “we”, “us”, etc. refer to the Auctioneer. Any reference to a ‘Clause’ is to a clause of these Terms of Sale unless stated otherwise. 2 Information that we are required to give to Consumers 2.1 A description of the main characteristics of each Lot as contained in the auction catalogue.

2.2 Our name, address and contact details as set out herein, in our auction catalogues and/or on our Website. 2.3 The price of the Goods and arrangements for payment as described in Clauses 4, 5, 7 and 8. 2.4 The arrangements for collection of the Goods as set out in Clauses 8 and 9. 2.5 Your right to return a Lot and receive a refund if the Lot is a Deliberate Forgery as set out in Clause 13. 2.6 We and Trader Sellers have a legal duty to supply any Lots to you in accordance with these Terms of Sale. 2.7 If you have any complaints, please send them to us directly at the address set out on our Website. 3 Bidding procedures and the Buyer 3.1 You must register your details with us before bidding and provide us with any requested proof of identity and billing information, in a form acceptable to us. You must also satisfy any security arrangements we have in place before entering the auction room to view or bid. 3.2 We strongly recommend that you attend the auction in person. You are responsible for your decision to bid for a particular Lot. If you bid on a Lot, including by telephone and online bidding, or by placing a commission bid, we assume that you have carefully inspected the Lot and satisfied yourself regarding its condition. 3.3 If you instruct us in writing, we may execute commission bids on your behalf. Neither we nor our employees or agents will be responsible for any failure to execute your commission bid, unless our failure to do so is unreasonable. Where two or more commission bids at the same level are recorded we have the right to prefer the first bid made (where this can be reasonably ascertained). 3.4 The Bidder placing the highest bid for a Lot accepted by the Auctioneer will be the Buyer at the Hammer Price. Any dispute about a bid will be settled at our discretion. We may reoffer the Lot during the auction or may settle the dispute in another way. We will act reasonably when deciding how to settle the dispute. 3.5 Bidders will be deemed to act as principals, even if the Bidder is acting as an agent for a third party. 3.6 We may bid on Lots on behalf of the Seller up to one bid below the Reserve. 3.7 We may refuse to accept any bid if it is reasonable for us to do so. 3.8 Bidding increments will be at our sole discretion (but will be in line with standard auction practice). 4 The purchase price As Buyer, you will pay: a. the Hammer Price; b. a premium of 22.5% plus VAT of the Hammer Price; c. any artist’s resale right royalty payable on the sale of the Lot; and d. any VAT due. 5 VAT 5.1 You shall be liable for the payment of any VAT applicable on the Hammer Price and premium due for a Lot. Please see the symbols used in the auction catalogue for that Lot and the “Information for Buyers” in our auction catalogue for further information. 5.2 We will charge VAT at the current rate at the date of the auction. 6 The contract between you and the Seller 6.1 The contract for the purchase of the Lot between you and the Seller will be formed when the hammer falls accepting the highest bid for the Lot at the auction. 6.2 You may directly enforce any terms in the Terms of Consignment against a Seller to the extent that you suffer damages and/or loss as a result of the Seller’s breach of the Terms of Consignment. 6.3 If you breach these Terms of Sale, you may be responsible for damages and/or losses suffered by a Seller or us. If we are contacted by a Seller who wishes to bring a claim against you, we may in our discretion provide the Seller with information or assistance in relation to that claim. 6.4 We normally act as an agent only and will not have any responsibility for default by you or the Seller (unless we are the Seller of the Lot). 7 Payment 7.1 Immediately following your successful bid on a Lot you will: 7.1.1 give to us, if not already provided to our satisfaction, proof of identity in a form acceptable to us (and any other information that we require in order to comply with our anti-money laundering obligations); and 7.1.2 pay to us the Total Amount Due in cash (for which there is an upper limit of 15,000 euros equivalent) or in any other way that we agree to accept payment. 7.2 If you owe us any money, we may use any payment made by you to repay these debts. 8 Title and collection of purchases 8.1 Once you have paid us in full the Total Amount Due for any Lot, ownership of that Lot will transfer to you. You may not claim or collect a Lot until you have paid for it. 8.2 You will (at your own expense) collect any Lots that you have purchased and paid for either: 8.2.1 not later than five business days following the day of the auction; or 8.2.2 not later than five business days following the date that we have received payment of the Total Amount Due in cleared funds, if later. 8.3 If you do not collect the Lot within this time period, you will be responsible for any reasonable removal, storage and insurance charges in relation to that Lot. 8.4 Risk of loss or damage to the Lot will pass to you when you (or your agents) take physical possession of the Lot.

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8.5 If you do not collect the Lot that you have paid for within ninety days after the auction, we may sell the Lot. We will pay the proceeds of any such sale to you, but will deduct any storage charges or other sums that we have incurred in the storage and sale of the Lot. We reserve the right to charge you a selling commission at our standard rates on any such resale of the Lot. 9 Remedies for non-payment or failure to collect purchases 9.1 Please do not bid on a Lot if you do not intend to buy it. If your bid is successful, these Terms of Sale will apply to you. This means that you will have to carry out your obligations set out in these Terms of Sale. If you do not comply with these Terms of Sale we may (acting on behalf of the Seller and ourselves) pursue one or more of the following measures: 9.1.1 take action against you for damages for breach of contract; 9.1.2 reverse the sale of the Lot to you and/or any other Lots sold by us to you; 9.1.3 resell the Lot by auction or private treaty (in which case you will have to pay any difference between the price you should have paid for the Lot and the price we sell it for as well as the charges outlined in Clause 8.5). Please note that if we sell the Lot for a higher amount than your winning bid, the extra money will belong to the Seller; 9.1.4 remove, store and insure the Lot at your expense; 9.1.5 if you do not pay us within five business days of your successful bid, we may charge interest at a rate not exceeding 1.5% per month on the total amount due; 9.1.6 keep that Lot or any other Lot sold to you until you pay the Total Amount Due; 9.1.7 reject or ignore bids from you or your agent at future auctions or impose conditions before we accept bids from you; and/or 9.1.8 if we sell any Lots for you, use the money made on these Lots to repay any amount you owe us. 9.2 We will act reasonably when exercising our rights under Clause 9.1. We will contact you before exercising these rights and try to work with you to correct any noncompliance by you with these Terms of Sale. 10 Health and safety Although we take reasonable precautions regarding health and safety, you are on our premises at your own risk. Please note the lay-out of the premises and security arrangements. Neither we nor our employees or agents are responsible for the safety of you or your property when you visit our premises, unless you suffer any injury to your person or damage to your property as a result of our, our employees’ or our agents’ negligence. 11 Warranties 11.1 The Seller warrants to us and to you that: 11.1.1 the Seller is the true owner of the Lot for sale or is authorised by the true owner to offer and sell the lot at auction; 11.1.2 the Seller is able to transfer good and marketable title to the Lot to you free from any third party rights or claims; and 11.1.3 as far as the Seller is aware, the main characteristics of the Lot set out in the auction catalogue (as amended by any notice displayed in the saleroom or announced by the Auctioneer at the auction) are correct. 11.2 If, after you have placed a successful bid and paid for a Lot, any of the warranties above are found not to be true, please notify us in writing. Neither we nor the Seller will be liable to pay you any sums over and above the Total Amount Due and we will not be responsible for any inaccuracies in the information provided by the Seller except as set out below. 11.3 Please note that many of the Lots that you may bid on at our auction are secondhand. 11.4 If a Lot is not second-hand and you purchase the Lot as a Consumer from a Seller that is a Trader, a number of additional terms may be implied by law in addition to the Seller’s warranties set out at Clause 11.1 (in particular under the Consumer Rights Act 2015). These Terms of Sale do not seek to exclude your rights under law as they relate to the sale of these Lots. 11.5 Save as expressly set out above, all other warranties, conditions or other terms which might have effect between the Seller and you, or us and you, or be implied or incorporated by statue, common law or otherwise are excluded. 12 Descriptions and condition 12.1 Our descriptions of the Lot will be based on: (i) information provided to us by the Seller of the Lot (for which we are not liable); and (ii) our opinion (although it is likely that we will not be able to carry out a detailed inspection of each Lot). 12.2 We will give you a number of opportunities to view and inspect the Lots before the auction. You (and any independent consultants acting on your behalf) must satisfy yourself about the accuracy of any description of a Lot. We shall not be responsible for any failure by you or your consultants to properly inspect a Lot. 12.3 Representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion will be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. 12.4 Please note that Lots (in particular second-hand Lots) are unlikely to be in perfect condition. Lots are sold “as is” (i.e. as you see them at the time of the auction). Neither we nor the Seller accept any liability for the condition of second-hand Lots or for any condition issues affecting a Lot if such issues are included in the description of a Lot in the auction catalogue (or in any saleroom notice) and/ or which the inspection of a Lot by the Buyer ought to have revealed. 13 Deliberate Forgeries 13.1 You may return any Lot which is found to be a Deliberate Forgery to us within one month of the auction provided that you return the Lot to us in the same condition as when it was released to you, accompanied by a written statement identifying the Lot from the relevant catalogue description and a written statement of defects. 13.2 If we are reasonably satisfied that the Lot is a Deliberate Forgery we will refund the money paid by you for the Lot (including any Premium and applicable VAT) provided that if:

13.2.1 the catalogue description reflected the accepted view of experts as at the date of the auction; or 13.2.2 you personally are not able to transfer good and marketable title in the Lot to us, you will have no right to a refund under this Clause 13.2. 13.3 If you have sold the Lot to another person, we will only be liable to refund the price that you paid for the Lot. We will not be responsible for repaying any additional money you may have made from selling the Lot. 13.4 Your right to return a Lot that is a Deliberate Forgery does not affect your legal rights and is in addition to any other right or remedy provided by law or by these Terms of Sale. 14 Our liability to you 14.1 We will not be liable for any loss of opportunity or disappointment suffered as a result of participating in our auction. 14.2 In addition to the above, neither we nor the Seller shall be responsible to you and you shall not be responsible to the Seller or us for any other loss or damage that any of us suffer that is not a foreseeable result of any of us not complying with the Conditions of Business. Loss or damage is foreseeable if it is obvious that it will happen or if at the time of the sale of the Lot, we, you and the Seller knew it might happen. 14.3 Subject to Clause 14.4, if we are found to be liable to you for any reason (including, amongst others, if we are found to be negligent, in breach of contract or to have made a misrepresentation), our liability will be limited to the total purchase price paid by you to us for any Lot. 14.4 Notwithstanding the above, nothing in these Terms of Sale shall limit our liability (or that of our employees or agents) for: 14.4.1 death or personal injury resulting from negligence (as defined in the Unfair Contract Terms Act 1977); 14.4.2 fraudulent misrepresentation; or 14.4.3 any liability which cannot be excluded by law. 15 Notices 15.1 All notices between you and us regarding these Terms of Sale must be in writing and signed by or on behalf of the party giving it. 15.2 Any notice referred in Clause 15.1 may be given: 15.2.1 by delivering it by hand; 15.2.2 by first class pre-paid post or Recorded Delivery; or 15.2.3 by email, provided that a copy is also sent by pre-paid post or Recorded Delivery. 15.3 Notices must be sent: 15.3.1 by hand or registered post: a. to us, at our address set out in these Terms of Sale or at our registered office address appearing on our Website; and b. to you, at the last postal address that you have given to us as your contact address in writing; or 15.3.2 by email: a. to us, by sending the notice to both the following email addresses: antiques@ewbankauctions.co.uk and chris@ewbankauctions.co.uk b. to you, by sending the notice to any email address that you have given to us as your contact email address in writing. 15.4 Notices will be deemed to have been received: 15.4.1 if delivered by hand, on the day of delivery; 15.4.2 if sent by first class pre-paid post or Recorded Delivery, two business days after posting, exclusive of the day of posting; or 15.4.3 if sent by email, at the time of transmission unless sent after 17.00 in the place of receipt in which case they will be deemed to have been received on the next business day in the place of receipt (provided that a copy has also been sent by pre-paid post or Recorded Delivery as set out in Clause 15.2.3). 15.5 Any notice or communication given under these Terms of Sale will not be validly given if sent by fax, email, any form of messaging via social media or text message. 16 Data Protection We will hold and process any personal data in relation to you in accordance with our current privacy policy, a copy of which is available on our website 17 General 17.1 We may, acting reasonably, refuse admission to our premises or attendance at our auctions by any person. 17.2 We act as an agent for our Sellers. The rights we have to claim against you for breach of these Terms of Sale may be used by either us, our employees or agents, or the Seller, its employees or agents, as appropriate. Other than as set out in this Clause, these Terms of Sale are between you and us and no other person will have any rights to enforce any of these Terms of Sale. 17.3 We may use special terms in the catalogue descriptions of particular Lots. You must read these terms carefully along with any glossary provided in our auction catalogues. 17.4 Each of the clauses of these Terms of Sale operates separately. If any court or relevant authority decides that any of them are unlawful, the remaining clauses will remain in full force and effect. 17.5 We may change these Terms of Sale from time to time, without notice to you. Please read these Terms of Sale carefully, as they may be different from the last time you read them. 17.6 Except as otherwise stated in these Terms of Sale, each of our rights and remedies are: (a) are in addition to and not exclusive of any other rights or remedies under these Terms of Sale or general law; and (b) may be waived only in writing and specifically. Delay in exercising or non-exercise of any right under these Terms of Sale is not a waiver of that or any other right. Partial exercise of any right under these Terms of Sale will not preclude any further or other exercise of that right or any other right under these Terms of Sale. Waiver of a breach of any term of these Terms of Sale will not operate as a waiver of breach of any other term or any subsequent breach of that term. 17.7 These Terms of Sale and any dispute or claim arising out of or in connection with them (including any non-contractual claims or disputes) shall be governed by and construed in accordance with the laws of England and the parties irrevocably submit to the exclusive jurisdiction of the English courts.

These conditions of business are based upon recommended terms of sale by SOFAA (http:/www.sofaa.org/)

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CONDITIONS OF BUSINES FOR ONSITE AUCTIONS CONDITIONS OF BUSINESS FOR ONSITE AUCTIONS (November 2015) These conditions of business for auctions held at an auctioneer’s premises (“Conditions”) consist of: (1) Users’ Introduction (which sets out a guide for users of these Conditions); (2) Information for Buyers (which sets out information for buyers who will be subject to the Terms of Sale); (3) Terms of Consignment (which are the contractual terms that sellers at auctions are subject to); and (4) Terms of Sale (which are the contractual terms that bidders and buyers at auctions are subject to). Items (2), (3) and (4) are used together as a package. (1) USERS’ INTRODUCTION 1.1 Modern consumer protection law, whether from the UK or the EU is having a steadily increasing impact on the sale of goods by auction. In particular, the Consumer Rights Act 2015 (the “Act”) and the Consumer Contracts (Information, Cancellation and Additional Charges) Regulations 2013 (the “Regulations”) apply to auction sales held at the auctioneer’s premises. Copies of the Act and the Regulations are available for inspection on request. 1.2 The Act stipulates that contractual terms that apply to consumers must be prominent and transparent (i.e. legible and expressed in plain and intelligible language). In addition, the Act sets out an indicative, non-exhaustive, list of terms which may be regarded as unfair and therefore not binding on a consumer. As a result (and in order to prevent these Conditions becoming unwieldy and unbalanced), these Conditions ask the auctioneer on occasion to accept more risk and responsibility in relation to its business buyers and sellers than it usually would (and indeed than it may legally have to) in order to bring these Conditions in line with the Act. 1.3 The Regulations state that certain information about the seller/auctioneer, the contract and the consumer’s rights must be provided to a consumer prior to concluding any contract for the consignment or sale of goods. However the extent of information to be provided depends on whether the contract itself is deemed to be a distance, off-premises or onpremises contract. These Conditions have been prepared on the assumption that all contracts with sellers and buyers are on-premises contracts (meaning contracts negotiated and concluded at the auctioneer’s premises). The information that the auctioneer is required to provide to consumer sellers and buyers is set out at the start of the Terms of Consignment and Terms of Sale respectively. 1.4 These Conditions have been prepared based on the following assumptions: a. the contracts concluded with the seller for the consignment of the goods and with the buyer for the purchase of the goods are on-premises contracts; b. the auctioneer will take possession of the goods from the seller prior to the auction; c. the auctioneer will prepare the description of the goods appearing in the auction catalogue based on the information provided by the seller and the auctioneer’s own inspection of the goods; d. the buyer will have the opportunity to inspect the goods prior to the auction and will have the opportunity to attend the auction in person; e. the auctioneer will take payment of the goods from the buyer, deduct any commission/ premium, agreed expenses and VAT and pay the remainder to the seller; and f. the auctioneer will keep the goods until they are either collected by the seller (if unsold at the auction) or collected by the buyer following the auctioneer’s receipt of the purchase price from the buyer. 1.5 The auctioneer has two points of interaction with consumers: a. when the auctioneer provides services to the seller; and b. when the auctioneer comes into contact with buyers. (Although not primarily contracting with the auctioneer, who is an agent for the seller, buyers normally contract on standard terms imposed by the auctioneer as agent. Some of these conditions create a direct contract between the buyer and the auctioneer). 1.6 These Conditions are designed to reflect the law and provide reasonable protection for the seller, the auctioneer and the buyer. The authors had in mind general sales of fine art and these Conditions do not deal with specialist sales such as plant and machinery, or agricultural produce. In these areas, statute law tends to lay down extra duties which must be dealt with by specific conditions not appearing here. 1.7 These Model Conditions primarily consist of the “Terms of Consignment” and the “Terms of Sale”. The transactions between seller and auctioneer, and seller and buyer are completely distinct contracts. We have therefore placed considerable importance on using the expression “Terms of Consignment” for sellers and other consignors who consign property for sale at onsite auctions, and “Terms of Sale” for transactions which take place by auction. The term “Conditions of Business” includes both the Terms of Consignment and the Terms of Sale as well any notices displayed in the saleroom and any announcements made by the auctioneer at the auction. 1.8 Individual clauses have been drafted in the light of statutory requirements and case law. 1.9 Buyers and sellers are bound by the auctioneer’s Conditions of Business (2) INFORMATION FOR BUYERS AT AUCTIONS 1. Introduction. The following notes are intended to assist bidders and buyers, particularly those that are inexperienced or new to our salerooms. All of our auctions are governed by our Conditions of Business incorporating the Terms of Consignment (primarily applicable to sellers), the Terms of Sale (primarily applicable to bidders and buyers) and any notices that are

displayed in our salerooms or announced by the auctioneer at the auction. Our Conditions of Business are available for inspection at our salerooms and the Terms of Sale are printed in the back of our auction catalogues and on our web-site. Our staff will be happy to help you if there is anything in our Conditions of Business that you do not fully understand. Please make sure that you read our Terms of Sale set out in this catalogue or on our website carefully before bidding in the auction. If your bid is successful, you will be obliged to comply with our Terms of Sale. 2. Agency. As auctioneers we usually act on behalf of the seller whose identity, for reasons of confidentiality, is not normally disclosed. If you buy at auction your contract for the goods is with the seller, not with us as auctioneer. 3. Estimates. Estimates are designed to help you gauge what sort of sum might be involved for the purchase of a particular lot. Estimates may change and should not be thought of as the sale price. The lower estimate may represent the reserve price (the minimum price for which a lot may be sold) and will not be below the reserve price. Estimates do not include the buyer’s premium or VAT (where chargeable). Estimates are prepared some time before the auction and may be altered by a saleroom notice or announcement by the auctioneer before the auction of the lot. They are not definitive. 4. Buyer’s Premium. The Terms of Sale oblige you to pay a buyer’s premium at 22.5% on the hammer price of each lot purchased. In addition, VAT will be added to this premium (see below). 5. VAT. Items in our catalogue may be marked in the following ways: a. (†) indicates that VAT is payable by the buyer on the hammer price as well as being an element in the buyer’s premium. VAT will be chargeable at the standard rate (presently 20%). This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. b. (**) indicates that the lot has been imported from outside the European Union. [These lots are liable to a reduced rate of VAT (5%) on the hammer price and buyer’s premium]. c. Lots which do not have either of the above symbols have no VAT payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme. The VAT included within the premium is not recoverable as input tax. 6. Inspection of goods by the buyer. As we act on behalf of the seller, we are dependent on information provided by the seller about their goods. We may inspect lots and will act reasonably in taking a general view about them. However, we are normally unable to carry out detailed examinations of lots to check their condition in the way a buyer would do. You will have ample opportunity to inspect the goods. You must inspect and investigate lots that you might wish to bid for. Please note carefully the exclusion of liability for the condition of lots set out in the Terms of Sale at clause 12.4. 7. Electrical goods. These are sold as “antiques” only. If you buy electrical goods for use you must ask a qualified electrician to check them for compliance with safety regulations before you use them. 8. Export of goods. If you intend to export goods you must find out: a. whether an export licence is needed; and b. if there is a prohibition on importing goods of that character e.g. because the goods contain prohibited materials such as ivory. 9. Bidding. Bidders will be required to register with us before the auction starts. We reserve the right to impose a deadline prior to the auction by which you must register or by which we must receive a commission bid. If you wish to bid on high value lots this deadline may be several days before the auction in order to allow us sufficient time to carry out the necessary checks. Lots will be invoiced to the name and address on the registration form. You will need to provide us with proof of your identity in a form acceptable to us and such other information as we may require. Please enquire in advance about our arrangements for telephone or online bidding. Please note that we may refuse to register you if you do not provide us with all the information and documentation that we ask for or at our discretion. Phone bidders must be prepared to guarantee a starting bid of at least £500 if they wish to bid by telephone. 10. Commission bidding. You may leave commission bids (absentee bids) with us indicating the maximum amount to be bid against a lot (excluding the buyers’ premium and/or any applicable VAT). We will execute commission bids as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids we may prefer the first bid received (where this can be reasonably ascertained). Please enquire in advance about our arrangements for the leaving of commission bids by telephone or email or via our website or online bidding platform. 11. Methods of Payment. Ewbank’s accept secure online payments for all items by credit or debit card. Payment in person can be made by card with chip and pin, or by cash (with a limit of £5,000), bank transfers are also accepted (buyer is responsible for any international bank transfer fees). Ewbank’s are no longer able to accept cheques as payment for items purchased at auction. Please discuss with our office in advance of the sale if you plan to use other methods of payment. There is an additional charge of 3% inclusive of VAT on credit card payments with no additional charge on debit card payments (either made securely online or in person via a chip and pin machine). 12. Collection and storage. Please note what the Terms of Sale say about collection and storage. It is important that you pay for and collect goods promptly and within 7 days of the end of a sale. Any delay may involve you having to pay storage charges which are currently set at £5 plus VAT per lot per day.

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EXPLANATION OF PICTURE CATALOGUING TERMS Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of representation of fact. The Auctioneers reserve the right, in forming their opinion, to consult and rely upon any expert or authority considered by them to be reliable. The forename(s) and surname of the artist: In our opinion a work by the artist. The initials of the forename(s) and the surname of the artist: In our opinion a work of the period of the artist which may be wholly, or in part his work. The surname only of the artist: In our opinion a work of the school or by one of the followers of the artist or in his style and of uncertain date. ‘English School’, ‘Italian School’ etc: In our opinion a work executed at a later date that the style may suggest. ‘Signed’: Has a signature which in our opinion is a recognised signature. ‘Dated’: Is so dated and in our opinion was executed at that date. The term ‘bears’ a signature and/or date and/or an inscription: Means that in our opinion the artist’s name and/or date and/or inscription have been added by another hand. Measurements: Height precedes width. AUTOGRAPHS Autographs – We check all autographs when they are valued and believe to the best of our knowledge they are authentic. Many autographs come from private sellers and are sold without any history or COA. We urge buyers to satisfy themselves BEFORE bidding. If you strongly feel an item has been mis-described please contact us within one calendar month after the auction. If you are an overseas buyer it is your prerogative to arrange shipping in good time to avoid the one month cut off period. If a concern is raised before the end of the timescale we will place the item on hold for another calendar month. During this time a letter of rejection must be obtained from PSA/DNA and NO ONE else. Details can be found here http:/www.psacard.com/Services/AutographAuthentication If a letter of rejection is provided by PSA/DNA we will offer a full refund, not inclusive of shipping or authentication. This is why we urge buyers to satisfy themselves BEFORE bidding. (3) TERMS OF CONSIGNMENT Both the sale of goods at our auctions and your relationship with us are governed by the Terms of Consignment (primarily applicable to sellers), the Terms of Sale (primarily applicable to bidders and buyers) and any notices displayed in the saleroom or announced by us at the auction (collectively, the “Conditions of Business”). The Terms of Consignment and Terms of Sale are available at our saleroom on request. Please read these Terms of Consignment carefully. Please note that if you (or another person acting on your behalf) provide goods to us to sell on your behalf at our auction, this signifies that you agree to and will comply with these Terms of Consignment. Please note that these Terms of Consignment relate to auctions held at our premises only. SUMMARY OF COMMISSION AND CHARGES Commission is charged to sellers calculated, per lot, at 15% Entry Fee £10 per lot (sold or unsold) Catalogue Illustration Fee £10 per lot (sold or unsold, discretionary) Loss and damage warranty 1.5%. All the above are subject to VAT at the current rate. Commission and fees are negotiable for important or large collections and consignments. 1 Definitions and interpretation 1.1 To make these Terms of Consignment easier to read, we have given the following words a specific meaning: “Auctioneer” means Ewbank’s, a partnership registered in England and Wales whose registered office is located at Burnt Common Auction Rooms, London Road, Send, Woking, Surrey GU23 7LN or its authorised auctioneer, as appropriate; “Bidder” means a person who places a bid for Goods at our auction; “Buyer” means the person who makes the highest bid for the Goods accepted by the Auctioneer; “Commission” means the commission that we charge you on the sale of the Goods as set out in Clause 5 below; “Consumer” means an individual acting for purposes which are wholly or mainly outside that ndividual’s trade, business, craft or profession; “Consumer Contracts Regulations” means the Consumer Contracts (Information, Cancellation and Additional Charges) Regulations 2013; “Deliberate Forgery” means: (a) an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source; b) which is described in the catalogue as being the work of a particular creator without qualification; and (c) which at the date of the auction had a value materially less than it would have had if it had been as described; “FCA” means the Financial Conduct Authority; “Goods” means the goods that you consign to us for sale at our auction; “Hammer Price” means the level of the highest bid for the Goods accepted by the Auctioneer by the fall of the hammer; “Premium” means the premium charged to the Buyer on the sale of the Goods in accordance with the Terms of Sale; “Price” means the total of the Hammer Price, Premium and any applicable VAT; “Proceeds” means the Price less the Commission, the Premium, any expenses incurred to your account and any applicable VAT; “Reserve” means the minimum price at which the Goods may be sold; “Seller” means the owner of the Goods and any agent who consigns the Goods for sale on the owner’s behalf (if applicable); “Terms of Consignment” means these terms of consignment;

“Terms of Sale” means the terms of sale for bidders or buyers at our auctions; “Trader” means a Seller who is acting for purposes relating to that Seller’s trade, business, craft or profession, whether acting personally or through another person acting in the trader’s name or on the trader’s behalf (such as an agent and/or the Auctioneer); “VAT” means any value added tax or equivalent sales tax; and “Website” means our website available at www.ewbankauctions.co.uk In these Terms of Consignment the words “you”, “yours”, etc. refer to the Seller. The words “we”, “us”, etc. refer to the Auctioneer. If the consignment of Goods to us is made by an agent we assume that you (as owner of the Goods) have authorised the consignment and authorised the agent to contract on your behalf. All obligations that apply to the Seller under these Terms of Consignment shall apply to the owner of the Goods and their agent, jointly and separately. Any reference to a ‘Clause’ is to a clause of these Terms of Consignment unless stated otherwise. 2 Information that we are required to give to Consumers 2.1 A description of the main characteristics of the auction-related services that we are providing to you as set out in these Terms of Consignment or otherwise agreed with you in writing. 2.2 Our name, address and contact details as set out in these Terms of Consignment and/or on our Website. 2.3 The rate at which we will charge you the Commission plus any applicable VAT on the sale of the Goods as set out in Clause 5. 2.4 The fee that we will charge you plus any applicable VAT as set out in Clause 18 if either the Goods are unsold at auction or the Goods are withdrawn by you from the auction after the Goods have been catalogued and/or marketed by us prior to the auction in any way. 2.5 The arrangements for collection of any unsold Goods as set out in Clauses 18 and 20 and terms regarding payment of any Proceeds due to you set out in Clause 17. 2.6 If you have any complaints, please get in contact with us using the contact details set out on our website. 3 Procedure for consigning Goods for sale at auction 3.1 If you consign Goods to us for sale at auction, you will need to provide us with the following information about you, in a form acceptable to us: 3.1.1 Your legal name and proof of identity; 3.1.2 Information about the Goods (as set out in Clause 12); 3.1.3 Your bank account details; 3.1.4 Your address and contact details; 3.1.5 Your VAT registration number (if applicable); and 3.1.6 Your confirmation of whether you are selling the Goods as a Trader or as a Consumer. 3.2 If you do not provide us with, or we are not satisfied with any of the above information, we may refuse to accept consignment of your Goods for sale in our auction. 3.3 You must provide the Goods to us by any stated deadline (at your expense). We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility. 4 The contract between you and the Buyer 4.1 The contract between you and the Buyer will be formed when the hammer falls accepting the highest bid for the Goods at the auction. 4.2 You may directly enforce any terms in the Terms of Sale against a Buyer and/or a Bidder to the extent that you have suffered damages and/or loss as a result of the Buyer and/or the Bidder’s breach of the Terms of Sale. 4.3 If you breach these Terms of Consignment, you may be responsible for damages and/or losses suffered by a Buyer, Bidder and/or by us. If we are contacted by a Buyer and/or a Bidder who wishes to bring a claim against you, we may in our discretion provide the Buyer and/or Bidder with information or assistance in relation to that claim. 4.4 We normally act as an agent only and will not have any responsibility for default by you or the Buyer. 5 Commission 5.1 We will charge you a commission on the sale of the Goods calculated as a percentage of the Hammer Price at the following rate: 15% plus VAT 5.2 In addition we have an Internet and marketing charge of £10 per lot and a further charge of £10 per lot for printed catalogue illustrations (these charges apply to both sold and unsold lots) and all charges are plus VAT. 6 Loss and Damage to Goods 6.1 We are not authorised by the FCA to provide insurance to you. However, subject only to Clauses 6.4 and 6.5, we accept liability for Goods from the time we takepossession of the Goods until the fall of the hammer. 6.2 Our liability for Goods is limited to our lower pre-sale estimate for the lot before the sale, or the Hammer Price if the lot has sold, or to the Reserve if the lot is unsold. 6.3 To justify accepting liability for Goods as set out above, we will charge you 1.5% plus VAT of the Hammer Price plus VAT or, if unsold, 1.5% of our lower estimate for the lot. 6.4 The liability accepted by us in Clause 6.1 does not include any liability for loss or damage to the Goods that is caused by or results from: (i) any inherent vice or defect affecting the Goods; (ii) acts of God, flood, drought, earthquake or other natural disaster; (iii) acts of terrorism, civil commotion, riots or war; or (iv) nuclear, chemical or biological contamination. 6.5 If you (or your agent) instruct us in writing not to assume liability for Goods, the Goods remain entirely at your risk unless and until the Goods pass to the Buyer or are collected by you or on your behalf. In this case Clauses 6.1 - 6.4 will not apply. 7 Photographs You will pay for the cost of any photographs of your Goods produced for the auction catalogue. We reserve the right to photograph all Goods unless you specifically request us not to. The copyright in such photographs will be owned by us, along with the text of the auction catalogue. For charges see clause 5 above.

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8 Minimum bids and our discretion Goods will normally be offered subject to a Reserve agreed between you and us before the auction in accordance with Clause 9. We may sell Goods below the Reserve provided that we account to you for the same sale proceeds as you would have received had the Reserve been the Hammer Price. If you specifically give us a “discretion” we may accept a bid of up to 20% below the formal Reserve. 9 Reserves 9.1 Reserves must be reasonable and may not exceed our lower pre-sale estimate for that lot. We may decline to offer Goods which, in our opinion, would be subject to an unreasonably high reserve (in which case the Goods carry the storage and insurance charges set out in these Terms of Consignment). 9.2 Once we have agreed a Reserve, this cannot be changed except with your and our consent. 9.3 Where a Reserve has been agreed only we may bid on your behalf and only up to one bid below the Reserve (if any) and you may in no circumstances bid personally or ask anyone else to bid on your behalf. 9.4 Pre-sale notifications will be sent via email if provided, or post if not, reserves will not be set by the auctioneer without specific instructions and we must be advised of any request for a reasonable reserve figure by you, in cases were no reserve has been set by you then the item will be sold without reserve. 10 Electrical items 10.1 You must test any electrical items that you wish to consign to us for sale using external contractors. We will not accept any Goods that are not certified as safe by an electrician (unless they are antiques). 10.2 If we notify you that we will not accept uncertified electrical Goods, you must remove such Goods promptly at your expense following such notification. If you do not collect the Goods within five days of our written notice to do so, we may dispose of the Goods at your expense. 11 Unsafe Goods If in our opinion any of your Goods, in particular those which are soft furnishings, infringe safety regulations, we will not offer these Goods for sale. You must remove such Goods at your expense. If you do not collect such Goods within five days of our written notice to do so, we may dispose of the Goods at your expense. 12 Warranties and information about the Goods 12.1 You must provide us with all information that you have relating to the provenance, export/import history, condition, attribution and authenticity of the Goods (and any additional information that may be relevant). 12.2 In addition to any warranties implied by law, you warrant to us and the Buyer that: 12.2.1 any information that you provide in relation to the Goods is complete, correct and up-to-date; 12.2.2 the Goods will match any description of the Goods that you provide to us; 12.2.3 as far as you are aware, the main characteristics of the Goods set out in the auction catalogue (as amended by any notice displayed in the saleroom or announced by us at the auction) are correct. 12.2.4 to the best of your knowledge, the Goods have been lawfully imported and lawfully and permanently exported as required by the laws of any country in which the Goods were located; required declarations upon the export and import of the Goods have been properly made; and any duties and taxes on the export and import of the Goods have been paid; and 12.2.5 you will pay all taxes and duties potentially due on the sale of the Goods. 12.3 You must let us know promptly, and in any event before the auction, if you find out that any of the information you have provided to us relating to the Goods is incorrect or incomplete and/or if the Goods do not match the description that you provided to us or the main characteristics of the Goods set out in the auction catalogue. 12.4 Any information that you provide in relation to the Goods may form part of the contract between both of us and the Buyer and you acknowledge that the Buyer may have a statutory right to reject the Goods if the information provided is incorrect. 12.5 If we have to refund the price of any Goods to the Buyer due to the Goods being a Deliberate Forgery, you must promptly, and in any event within seven days, reimburse to us any Proceeds that we have transferred to you for those Goods following receipt of our written notice requesting you to do so. 13 Transfer of ownership of the Goods You warrant and undertake to us and the Buyer that you are the true owner of the Goods (or are properly authorised by the true owner to sell the Goods on the owner’s behalf) and you currently have and will have the right to sell the Goods to the Buyer with good and marketable title free of any third party rights or claims at the time when ownership of the Goods is to be transferred. 14 Indemnity You will indemnify and keep us fully indemnified against any and all liability, loss, damage, costs (including reasonable legal fees and any VAT in relation to such fees) and expenses which we may incur or suffer as a result of any breach of Clauses 12 or 13 by you or anyone acting on your behalf, including without limitation, if we are required to refund the price of any Goods to the Buyer as a result of your breach of these clauses. 15 Terms of Sale You agree that the Goods will be sold to the Buyer in accordance with our Terms of Sale, a copy of which will be displayed in the saleroom and printed in our auction catalogue. 16 Authority to deduct commission and expenses and retain premium and interest You authorise us to deduct our Commission at the stated rate and all expenses incurred on your account from the Hammer Price, plus any applicable VAT. You consent to our right to charge the Buyer and retain

beneficially the Premium plus any applicable VAT paid by the Buyer in accordance with our Terms of Sale and any interest earned on the sale proceeds until the date of settlement. 17 Settlement 17.1 Provided that the Buyer has paid for the Goods, we will usually pay the net sum due to you within twenty eight days of the last day of the auction by crossed cheque to the seller. 17.2 If the Buyer has not paid for the Goods, we will not submit payment to you. In this case no settlement will be made. We will however discuss with you the rights that we may exercise under Clause 9 of our Terms of Sale in relation to a Buyer’s failure to pay. We will not release the Goods to the Buyer until we have received payment in full of the Price for the Goods. 17.3 You must notify us in writing if your bank account details change. We will not be responsible for any payments made to the incorrect bank account if this is because you have not provided us with the correct bank account details. 17.4 If we make payments to your bank account in error, we may request reimbursement by sending you an invoice. 17.5 We may deduct any sums that you owe to us from the Proceeds. 18 Unsold and withdrawn items 18.1 If the Goods are unsold at auction, you authorise us to negotiate a sale by private treaty not later than the close of business two working business days following the last day of the auction. In this case you will pay to us the same charges as if such Goods had been sold at auction and, so far as appropriate, these Terms of Consignment will apply to any such sale. 18.2 In addition to Clause 18.1, we may, with your consent, re-offer unsold Goods at a future auction (or by private treaty thereafter as set out in Clause 18.1 above) but we may recommend a variation in estimates or Reserve. Where, in our opinion, Goods are unsaleable, we will notify you and you must collect such Goods from the saleroom within seven days of the date of our notice to do so. If you fail to collect such Goods promptly, we may charge you reasonable storage charges at a daily rate of £5 per lot per day. If unsold lots remain with us after a period of one week, without instructions from you, we reserve the right to offer them to a local charity shop or arrange for their disposal at a charge of £10 plus VAT per lot. 18.3 You will pay us a charge of 15% of lower estimate for the lot plus all applicable marketting and / or illustration charges plus VAT on all charges, at a minimum of £10 plus VAT per Lot, on any Goods that are unsold at the auction and fail to sell by private treaty as described in Clause 18.1. 18.4 You will pay us a charge of 15 % of the lower estimate for the lot plus all applicable marketting and / or illustration charges plus VAT on all charges, at a minimum of £10 plus VAT per Lot, on any Goods that are withdrawn from the auction after being catalogued and/or marketed by us prior to the auction in any way. 19 Withdrawal of the Goods by us 19.1 We may (acting reasonably) at our discretion at any time withdraw your Goods from our auction: 19.1.1 for legal, reputational or operational reasons (including if you fail to provide evidence to verify your identity or your title to the Goods to our satisfaction); 19.1.2 if we reasonably believe that you may be, or are about to be, in breach of these Terms of Consignment; or 19.1.3 if we reasonably believe the Goods to be a Deliberate Forgery. 20 Warehousing 20.1 We have no liability for Goods that you deliver to our saleroom without sufficient sale instructions. We reserve the right to charge you a minimum warehousing charge of £5 plus any applicable VAT per Lot per day. 20.2 We will notify you to ask you to remove any of your unsold or withdrawn Goods. Unsold and withdrawn Goods will be subject to the charges set out in Clause 20.1 above if you do not remove them within five days of the date of our notification requesting you to do so. 20.3 If you do not remove your unsold or withdrawn Goods within [thirty days] of the date of our notification we may either: (a) sell such Goods and set off charges from any net proceeds of sale; or (b) at your expense dispose of such Goods. 21 Our liability to you 21.1 We will not be liable to you for any loss of opportunity or disappointment suffered as a result of participating in our auction. 21.2 In addition, neither we nor the Buyer shall be responsible to you and you shall not be responsible to the Buyer or us for any other loss or damage that any of us suffer that is not a foreseeable result of any of us not complying with the Conditions of Business. Loss or damage is foreseeable if it is obvious that it will happen or if at the time of the sale of the Lot, we, you and the Seller knew it might happen. 21.3 Subject to Clause 21.4, if we are found to be liable to you for any reason (including, amongst others, if we are found to be negligent, in breach of contract or to have made a misrepresentation), our liability will be limited to the Proceeds due for the Goods if sold or the Reserve if unsold. 21.4 Notwithstanding the above, nothing in these Terms of Consignment limits the liability of us or our employees or agents for: 21.4.1 death or personal injury resulting from negligence (as defined in the Unfair Contract Terms Act 1977); 21.4.2 fraudulent misrepresentation; or 21.4.3 any liability which cannot be excluded by law. 22 Notices 22.1 All notices between you and us regarding these Terms of Consignment must be in writing and signed by or on behalf of the party giving it. 22.2 Any notice referred in Clause 22.1 may be given: 22.2.1 by delivering it by hand; 22.2.2 by first class pre-paid post or Recorded Delivery; or 22.2.3 by email, provided that a copy is also sent by pre-paid post or Recorded Delivery. 22.3 Notices must be sent: 22.3.1 by hand or registered post: a. to us, at our address set out in these

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Terms of Consignment or at our registered office address appearing on our Website; and b. to you, at the last postal address that you have given to us as your contact address in writing. 22.3.2 by email: a. to us, by sending the notice to both the following email addresses: antiques@ewbankaucctions.co.uk and chris@ewbankauctions.co.uk b. to you, by sending the notice to any email address that you have given to us as your contact email address in writing. 22.4 Notices will be deemed to have been received: 22.4.1 if delivered by hand, on the day of delivery; or 22.4.2 if sent by first class pre-paid post or Recorded Delivery, two business days after posting, exclusive of the day of posting; or 22.4.3 if sent by email, at the time of transmission unless sent after 17.00 in the place of receipt in which case they will be deemed to have been received on the next business day in the place of receipt (provided that a copy has also been sent by pre-paid post or Recorded Delivery as set out in Clause 22.2.3. 22.5 Any notice or communication given under these Terms of Consignment will not be validly given if sent by fax, any form of messaging via social media or text message. 23 Data Protection We will hold and process any personal data in relation to you in accordance with our current privacy policy, a copy of which is available on our website. 24 General 24.1 Each of the clauses of these Terms of Consignment operates separately. If any court or relevant authority decides that any of them are unlawful, the remaining clauses will remain in full force and effect. 24.2 We may change these Terms of Consignment from time to time, without notice to you. Please read these Terms of Consignment carefully, as they may be different from the last time you read them. 24.3 Except as otherwise stated in these Terms of Consignment, each of our rights and remedies: (a) are in addition to and not exclusive of any other rights or remedies under these Terms of Consignment or general law; and (b) may be waived only in writing and specifically. Delay in exercising or nonexercise of any right under these Terms of Consignment is not a waiver of that or any other right. Partial exercise of any right under these Terms of Consignment will not preclude any further or other exercise of that right or any other right under these Terms of Consignment. Waiver of a breach of any term of these Terms of Consignment will not operate as a waiver of breach of any other term or any subsequent breach of that term. 24.4 These Terms of Consignment are between you and us. No person other than you, the Buyer or us will have any rights to enforce any of these Terms of Consignment. 24.5 These Terms of Consignment and any dispute or claim arising out of or in connection with them (including any non-contractual claims or disputes) shall be governed by and construed in accordance with the laws of England and the parties irrevocably submit to the exclusive jurisdiction of the English courts. (4) TERMS OF SALE Both the sale of goods at our auctions and your relationship with us are governed by the Terms of Consignment (primarily applicable to sellers) the Terms of Sale (primarily applicable to bidders and buyers) and any notices displayed in the saleroom or announced by us at the auction (collectively, the “Conditions of Business”). The Terms of Consignment and Terms of Sale are available at our saleroom on request. Please read these Terms of Sale carefully. Please note that if you register to bid and/or bid at auction this signifies that you agree to and will comply with these Terms of Sale. Please note that these Terms of Sale relate to auctions held at our premises only. 1 Definitions and interpretation 1.1 To make these Terms of Sale easier to read, we have given the following words a specific meaning: “Auctioneer” means Ewbank’s, a partnership registered in England and Wales whose registered office is located at Burnt Common Auction Rooms, London Road, Send, Woking, Surrey GU23 7LN or its authorised auctioneer, as appropriate; “Bidder” means a person participating in bidding at the auction; “Buyer” means the person who makes the highest bid for a Lot accepted by the Auctioneer; “Deliberate Forgery” means: (a) an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source; (b) which is described in the catalogue as being the work of a particular creator without qualification; and (c) which at the date of the auction had a value materially less than it would have had if it had been as described; “Hammer Price” means the level of the highest bid for a Lot accepted by the Auctioneer by the fall of the hammer; “Lot(s)” means the goods that we offer for sale at our auctions; “Premium” means the premium that we will charge you on your purchase of a Lot to be calculated as set out in Clause 4; “Reserve” means the minimum hammer price at which a Lot may be sold; “Sale Proceeds” means the net amount due to the Seller; “Seller” means the persons who consign Lots for sale at our auctions; “Terms of Consignment” means the terms on which we agree to offer Lots for sale in our auctions as agent on behalf of Sellers; “Terms of Sale” means these terms of sale, as amended or updated from time to time; “Total Amount Due” means the Hammer Price for a Lot, the Premium, any applicable artist’s resale right royalty, any VAT due and any additional charges payable by a defaulting buyer under these Terms of Sale; “Trader” means a Seller who is acting for purposes relating to that Seller’s trade, business, craft or profession, whether acting personally or through another person acting in the trader’s name or on the trader’s behalf; “VAT” means Value Added Tax or any equivalent sales tax; and “Website” means our website available at www.ewbankauctions.co.uk . In these Terms of Sale the words ‘you’, ‘yours’, etc. refer to you as the Buyer.

The words “we”, “us”, etc. refer to the Auctioneer. Any reference to a ‘Clause’ is to a clause of these Terms of Sale unless stated otherwise. 2 Information that we are required to give to Consumers 2.1 A description of the main characteristics of each Lot as contained in the auction catalogue. 2.2 Our name, address and contact details as set out herein, in our auction catalogues and/or on our Website. 2.3 The price of the Goods and arrangements for payment as described in Clauses 4, 5, 7 and 8. 2.4 The arrangements for collection of the Goods as set out in Clauses 8 and 9. 2.5 Your right to return a Lot and receive a refund if the Lot is a Deliberate Forgery as set out in Clause 13. 2.6 We and Trader Sellers have a legal duty to supply any Lots to you in accordance with these Terms of Sale. 2.7 If you have any complaints, please send them to us directly at the address set out on our Website. 3 Bidding procedures and the Buyer 3.1 You must register your details with us before bidding and provide us with any requested proof of identity and billing information, in a form acceptable to us. You must also satisfy any security arrangements we have in place before entering the auction room to view or bid. 3.2 We strongly recommend that you attend the auction in person. You are responsible for your decision to bid for a particular Lot. If you bid on a Lot, including by telephone and online bidding, or by placing a commission bid, we assume that you have carefully inspected the Lot and satisfied yourself regarding its condition. 3.3 If you instruct us in writing, we may execute commission bids on your behalf. Neither we nor our employees or agents will be responsible for any failure to execute your commission bid, unless our failure to do so is unreasonable. Where two or more commission bids at the same level are recorded we have the right to prefer the first bid made (where this can be reasonably ascertained). 3.4 The Bidder placing the highest bid for a Lot accepted by the Auctioneer will be the Buyer at the Hammer Price. Any dispute about a bid will be settled at our discretion. We may reoffer the Lot during the auction or may settle the dispute in another way. We will act reasonably when deciding how to settle the dispute. 3.5 Bidders will be deemed to act as principals, even if the Bidder is acting as an agent for a third party. 3.6 We may bid on Lots on behalf of the Seller up to one bid below the Reserve. 3.7 We may refuse to accept any bid if it is reasonable for us to do so. 3.8 Bidding increments will be at our sole discretion (but will be in line with standard auction practice). 4 The purchase price As Buyer, you will pay: a. the Hammer Price; b. a premium of 22.5% plus VAT of the Hammer Price; c. any artist’s resale right royalty payable on the sale of the Lot; and d. any VAT due. 5 VAT 5.1 You shall be liable for the payment of any VAT applicable on the Hammer Price and premium due for a Lot. Please see the symbols used in the auction catalogue for that Lot and the “Information for Buyers” in our auction catalogue for further information. 5.2 We will charge VAT at the current rate at the date of the auction. 6 The contract between you and the Seller 6.1 The contract for the purchase of the Lot between you and the Seller will be formed when the hammer falls accepting the highest bid for the Lot at the auction. 6.2 You may directly enforce any terms in the Terms of Consignment against a Seller to the extent that you suffer damages and/or loss as a result of the Seller’s breach of the Terms of Consignment. 6.3 If you breach these Terms of Sale, you may be responsible for damages and/or losses suffered by a Seller or us. If we are contacted by a Seller who wishes to bring a claim against you, we may in our discretion provide the Seller with information or assistance in relation to that claim. 6.4 We normally act as an agent only and will not have any responsibility for default by you or the Seller (unless we are the Seller of the Lot). 7 Payment 7.1 Immediately following your successful bid on a Lot you will: 7.1.1 give to us, if not already provided to our satisfaction, proof of identity in a form acceptable to us (and any other information that we require in order to comply with our anti-money laundering obligations); and 7.1.2 pay to us the Total Amount Due in cash (for which there is an upper limit of 15,000 euros equivalent) or in any other way that we agree to accept payment. 7.2 If you owe us any money, we may use any payment made by you to repay these debts. 8 Title and collection of purchases 8.1 Once you have paid us in full the Total Amount Due for any Lot, ownership of that Lot will transfer to you. You may not claim or collect a Lot until you have paid for it. 8.2 You will (at your own expense) collect any Lots that you have purchased and paid for either: 8.2.1 not later than five business days following the day of the auction; or 8.2.2 not later than five business days following the date that we have received payment of the Total Amount Due in cleared funds, if later. 8.3 If you do not collect the Lot within this time period, you will be responsible for any reasonable removal, storage and insurance charges in relation to that Lot. 8.4 Risk of loss or damage to the Lot will pass to you when you (or your agents) take physical possession of the Lot.

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13.2.1 the catalogue description reflected the accepted view of experts as at the date of the auction; or 13.2.2 you personally are not able to transfer good and marketable title in the Lot to us, you will have no right to a refund under this Clause 13.2. 13.3 If you have sold the Lot to another person, we will only be liable to refund the price that you paid for the Lot. We will not be responsible for repaying any additional money you may have made from selling the Lot. 13.4 Your right to return a Lot that is a Deliberate Forgery does not affect your legal rights and is in addition to any other right or remedy provided by law or by these Terms of Sale. 14 Our liability to you 14.1 We will not be liable for any loss of opportunity or disappointment suffered as a result of participating in our auction. 14.2 In addition to the above, neither we nor the Seller shall be responsible to you and you shall not be responsible to the Seller or us for any other loss or damage that any of us suffer that is not a foreseeable result of any of us not complying with the Conditions of Business. Loss or damage is foreseeable if it is obvious that it will happen or if at the time of the sale of the Lot, we, you and the Seller knew it might happen. 14.3 Subject to Clause 14.4, if we are found to be liable to you for any reason (including, amongst others, if we are found to be negligent, in breach of contract or to have made a misrepresentation), our liability will be limited to the total purchase price paid by you to us for any Lot. 14.4 Notwithstanding the above, nothing in these Terms of Sale shall limit our liability (or that of our employees or agents) for: 14.4.1 death or personal injury resulting from negligence (as defined in the Unfair Contract Terms Act 1977); 14.4.2 fraudulent misrepresentation; or 14.4.3 any liability which cannot be excluded by law. 15 Notices 15.1 All notices between you and us regarding these Terms of Sale must be in writing and signed by or on behalf of the party giving it. 15.2 Any notice referred in Clause 15.1 may be given: 15.2.1 by delivering it by hand; 15.2.2 by first class pre-paid post or Recorded Delivery; or 15.2.3 by email, provided that a copy is also sent by pre-paid post or Recorded Delivery. 15.3 Notices must be sent: 15.3.1 by hand or registered post: a. to us, at our address set out in these Terms of Sale or at our registered office address appearing on our Website; and b. to you, at the last postal address that you have given to us as your contact address in writing; or 15.3.2 by email: a. to us, by sending the notice to both the following email addresses: antiques@ewbankauctions.co.uk and chris@ewbankauctions.co.uk b. to you, by sending the notice to any email address that you have given to us as your contact email address in writing. 15.4 Notices will be deemed to have been received: 15.4.1 if delivered by hand, on the day of delivery; 15.4.2 if sent by first class pre-paid post or Recorded Delivery, two business days after posting, exclusive of the day of posting; or 15.4.3 if sent by email, at the time of transmission unless sent after 17.00 in the place of receipt in which case they will be deemed to have been received on the next business day in the place of receipt (provided that a copy has also been sent by pre-paid post or Recorded Delivery as set out in Clause 15.2.3. 15.5 Any notice or communication given under these Terms of Sale will not be validly given if sent by fax, email, any form of messaging via social media or text message. 16 Data Protection We will hold and process any personal data in relation to you in accordance with our current privacy policy, a copy of which is available on our website 17 General 17.1 We may, acting reasonably, refuse admission to our premises or attendance at our auctions by any person. 17.2 We act as an agent for our Sellers. The rights we have to claim against you for breach of these Terms of Sale may be used by either us, our employees or agents, or the Seller, its employees or agents, as appropriate. Other than as set out in this Clause, these Terms of Sale are between you and us and no other person will have any rights to enforce any of these Terms of Sale. 17.3 We may use special terms in the catalogue descriptions of particular Lots. You must read these terms carefully along with any glossary provided in our auction catalogues. 17.4 Each of the clauses of these Terms of Sale operates separately. If any court or relevant authority decides that any of them are unlawful, the remaining clauses will remain in full force and effect. 17.5 We may change these Terms of Sale from time to time, without notice to you. Please read these Terms of Sale carefully, as they may be different from the last time you read them. 17.6 Except as otherwise stated in these Terms of Sale, each of our rights and remedies are: (a) are in addition to and not exclusive of any other rights or remedies under these Terms of Sale or general law; and (b) may be waived only in writing and specifically. Delay in exercising or non-exercise of any right under these Terms of Sale is not a waiver of that or any other right. Partial exercise of any right under these Terms of Sale will not preclude any further or other exercise of that right or any other right under these Terms of Sale. Waiver of a breach of any term of these Terms of Sale will not operate as a waiver of breach of any other term or any subsequent breach of that term. 17.7 These Terms of Sale and any dispute or claim arising out of or in connection with them (including any non-contractual claims or disputes) shall be governed by and construed in accordance with the laws of England and the parties irrevocably submit to the exclusive jurisdiction of the English courts.

These conditions of business are based upon recommended terms of sale by SOFAA (http:/www.sofaa.org/)

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HOW TO FIND US Heading north on the A3 take the Ripley turning to the Burnt Common roundabout and follow the Woodhill signs. Heading South turn off the A3 11⁄2 miles after the M25 junction and proceed through Ripley to the Burnt Common roundabout as above. If you miss the Ripley turning go South, proceed to the Merrow & Burpham slip road and join the A3 Northbound. Ewbank Auctioneers is situated between the A3 and B2215 South of Burnt Common Roundabout.

No exit from A3 here

Burnt Common Roundabout one way

one way

Please note: if using Sat Nav to navigate to us then do not use our postcode as this will direct you to the A3. Please use postcode GU23 7JY, this will take you to the Burnt Common roundabout then follow directions as above.

EWBANK AUCTIONEERS Chris Ewbank founded Ewbank’s in 1990 selling out of the Hog’s Back Hotel and in 1994 we acquired our present salerooms, the Burnt Common Auction Rooms, which are situated just off the A3, under ten minutes away from junction 10 on the M25. It is a very prominent site in an out of town location giving easy access and acres of parking. Woking main line station is 4 miles away with trains to Waterloo (23 minutes). Throughout our time in Guildford, we have had the privilege of advising thousands of clients on the valuation and sale of Antiques and Fine Art and have conducted well in excess of two hundred Antiques and Fine Arts auctions and five hundred monthly Collectors sales. When we started in 1990 we held six auctions a year and we are now expecting to hold more than 50 auctions in the next twelve months. We always seek to maintain the highest standards, adhering to the principles of probity and ethics of the Royal Institution of Chartered Surveyors (Chris is a Chartered Arts and antiques surveyor), and the Society of Fine Art Auctioneers and Valuers, of which we are Members. Most of our new clients come to us on recommendation, from professional advisers or existing clients. As the costs of selling by auction in Central London have rocketed we have benefitted from the general trend in recent years for more important items to be sold outside the capital. Catalogues are produced and circulated to prospective purchasers by post and E-mail and full details, including digital illustration of all lots for sale are included on the internet. We estimate that we now with four regular photographers on our staff take in excess of 50,000 images per annum. Buyers are attracted from all over the world. We have invested heavily in technology in recent years with both new back office systems and website. This gives a far greater global marketing ability. We see this as being the way forward for the future and it will maximise our ability to achieve the best possible prices for our clients. Since our first auction published on the internet that side of our business has risen markedly so that in the last 12 months we have had 4.25 million pages views on our website in the last 12 months up from 2 million two years ago. Recognising the importance of live internet bidding in today’s market we have for the last two years been operating our own live bidding platform Ewbank’s Live and regularly report over 50% of our sales being to on line bidders. In one specialist sale recently over 90% of sales were transacted on line. With others we have now also set up a new search hub and bidding platform www.theauctionroom.com which saves buyers up to 6% as against other commercial platforms. Ewbank’s has grown from humble beginnings holding six sales a year, to the position that we hold today, with our own Salerooms, bidding platform and some fifty specialist sales a year. Turnover in our first year in 1990 was approximately £250,000 and just one of our quarterly sales now easily exceeds that figure. Building refurbishments works have doubled the size of our floor space in recent years to accommodate the sale volumes. We have for some years now been able to claim that we are Surrey and Hampshire’s premier antique fine art and specialist auctioneers. Chris Ewbank has taken a very active part in the leadership of the profession within the UK. He has been a member of the Fine Arts Advisory Panel of the Royal Institution of Chartered Surveyors and Chairman of its Art and Antiques Professional Group. He was also an elected Member of its International Governing Council (the highest decision making body in the Institution) from 2005 to 2013. He joined the Committee of the Society of Fine Art Auctioneers & Valuers in 1994 (he first became a member in 1982), and was Chairman from 2000-2007. He is on the Executive Committee of the British Art Market Federation and was one of the first to join the new City of London Company of Arts Scholars. We look forward to the future technological advances that will continue to enhance the auction experience for our clients and buyers. Chris Ewbank FRICS ASFAV

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ewbank’s auction sale dates 2018 Viewing days/times vary, please contact the auctioneer for details

Chris Ewbank, FRICS ASFAV Senior partner

Andrew Ewbank, BA, ASFAV Partner

John Snape, BA, ASFAV Partner

Alastair McCrea, MA Partner

chris@ewbankauctions.co.uk

andrewe@ewbankauctions.co.uk

john@ewbankauctions.co.uk

alastair@ewbankauctions.co.uk

May Wednesday 9th Thursday 10th Thursday 10th Wednesday 30th Thursday 31st Thursday 31st June Friday 1st Wednesday 20th Thursday 21st Friday 22nd

Andrew Delve, MA, ASFAV Partner

Tim Duggan, ASFAV Partner

Andrea Machen, Cert GA Decorative Arts Specialist

Victoria Drummond MA Saleroom Manager/Valuer

andy@ewbankauctions.co.uk

tim@ewbankauctions.co.uk

andrea@ewbankauctions.co.uk

victoria@ewbankauctions.co.uk

July Wednesday 11th Thursday 12th Thursday 12th Thursday 26th Thursday 26th Sunday 29th

Antique & Collectors’ Garden Furniture & Statuary Fine Wines & Spirits Antique & Collectors’ Toys & Models Entertainment & Memorabilia

Vintage Posters Jewellery, Watches & Coins Silver, Antiques & Fine Art Antique Furniture & Clocks

Antique & Collectors’ Asian Art Vintage Fashion, Textiles & Sewing Decorative Arts Contemporary Art & Modern British Paintings Art on a Postcard at The Other Art Fair (Bristol Auction)

August Wednesday 1st Antique & Collectors’ Wednesday 22nd Antique & Collectors’ Thursday 23rd Militaria, Photography, Books, Stamps & Collectables

74 81

Front Cover: Lot 1109 Inside Front Cover: Lot numbers above Inside Back Cover: Lot 1147 Back Cover: Lot 1167

October Thursday 4th Thursday 4th Friday 5th Friday 12th Thursday 25th Thursday 25th

Toys & Models Entertainment & Memorabilia Vintage Posters TLC Deck of Cards, Charity Art Auction Decorative Arts Contemporary Art & Modern British Paintings

November Wednesday 7th Thursday 8th Thursday 8th Thursday 15th

Toys & Models Entertainment & Memorabilia Vintage Posters Antique & Collectors’ Fine Wines & Spirits

September Wednesday 12th Jewellery, Watches & Coins Thursday 13th Silver, Antiques & Fine Art Friday 14th Antique Furniture & Clocks

Ewbanks 26th April 2018 cover.qxp_Layout 1 16/04/2018 14:57 Page 1

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Decorative Arts, Contemporary Art, Modern British & Irish Paintings Thursday 26th April 2018

ewbankauctions.co.uk

Decorative Arts, Contemporary Art, Modern British & Irish Paintings Thursday 26th April 2018