Duke's Auction 13th & 14th June 2013 at 10.30am by John Holmes

Dukeâ&#x20AC;&#x2122;s Thursday, 13th and Friday, 14th June. Silver, Jewellery and Furniture

Silver, Jewellery and Furniture

Thursday, 13th and Friday, 14th June

2013

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Duke’s AUCTIONEERS SINCE 1823

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Dukeâ&#x20AC;&#x2122;s AUCTIONEERS SINCE 1823

area representatives Wiltshire & Cranborne Chase Sir Michael Salt, Bt (01258) 860259 The Isle of Wight Anthony Blest (01983) 760460 Devon Chris Bolton F.R.I.C.S. (01297) 32351 Cornwall Charles Cox (01840) 261085

Bristol & North Somerset Michael Liversidge (01305) 265080

Hampshire Robert Nevin (0208) 7615060

Duke’s AUCTIONEERS SINCE 1823

B U Y E R S I N F O R M AT I O N Commission bids: If you are unable to attend the auction in person we will be pleased to execute commission (absentee) bids on your behalf. Lots will be purchased as cheaply as allowed by other bids and reserves Commissions must be received at least 24 hours before the auction. Illustrations: If you would like a more detailed image of an illustrated lot, or an image of an item which is not illustrated, we will be delighted to send them by email. Requests must be received 24 hours before the auction. Telephone bidding: If you wish to bid on a major lot over the telephone we will do all we can to assist you, but lines should be booked at least 48 hours before the auction. Estimates: Estimates are prepared well in advance of the auction and are subject to revision. Our specialists are always pleased to discuss individual lots with intending purchasers. Condition reports: An indication of condition is not generally printed in the catalogue, but prospective buyers are welcome to request a condition report up to 48 hours before the auction. Please bear in mind that whilst we endeavour to provide an accurate representation the ultimate responsibility is with the buyer and we strongly recommend you personally view any lots on which you intend to bid. Credit Cards: There is a 3% surcharge on credit charge transactions. Payment may be made by credit card or debit card over the telephone up to a maximum of £200 only. Deposits: The Auctioneer may require a deposit of 5% of the hammer price immediately. If the buyer is unable to meet this requirement to the Auctioneer’s satisfaction they reserve the right to cancel the sale immediately. Buyer’s Premium:

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Artist’s Resale Right: 5From mid February 2006 living artists are entitled by law to receive a resale royalty each time their work is resold by or to an art market professional. From 1st January 2012 the Right has been extended to include sales of works by artists who have died within the last 70 years (following the existing term of copyright). Royalties will be payable to the families and beneficiaries of these artists. An art work must be resold for more than 1,000 Euros to qualify for the right. The rates payable are calculated as a percentage of the hammer price and are set out in a sliding scale from 4% to 0.25%. The charge is exclusive of VAT. The auctioneers reserve the right to pass all of the cost to the person buying the qualifying art work. Collection: Our offices are open Monday to Friday, 9am - 1pm and 2pm - 5.30pm. We are pleased to recommend reputable carriers and can advise on air-freight and other forms of despatch. Items of furniture not collected within 5 working days will be transported to storage at the buyers expense. Online Bidding Online bidding is available for this sale at www.the-saleroom.com. All you need is a computer or laptop and an internet connection. You will be able to bid in real time; a live audio feed means you can hear the Auctioneer at exactly the same time as the other bidders. You will see the lots on your computer screen as they appear in the auction room and the Auctioneer is aware of your bids the moment you make them. Please refer to our terms and conditions of sale for charges. 3

Duke’s AUCTIONEERS SINCE 1823

VIEWING TIMES Saturday, 8th June, 9.30am - 12noon Monday, 10th June, 9.30 - 5pm Tuesday, 11th June, 9.30am- 7pm Wednesday, 12th June, 9.30am -5pm and on the morning of the auction days

Catalogues £20.00 (by post)

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CERAMICS AUCTION: AUGUST 1st

Duke’s

A Moorcroft ‘Claremont’ pattern pot pourri jar, 7½” high Estimate: £800-£1,500

AUCTIONEERS SINCE 1823

JEWELLERY AUCTION: DECEMBER 5th

A pair of Art Deco, certified natural jadeite and diamond dress clips Estimate: £4,000-6,000

To find out more about the potential of your jewellery at auction, please contact: Amy Brenan mrics 01305 265080 email: amy.brenan@dukes-auctions.com Why Not Attend Our Next Jewellery, Silver And Watch Valuation Morning? Friday 21st June 9.30am – 12.30pm No appointment is necessary The Fine Art Salerooms, Weymouth Avenue, Dorchester

Duke’s AUCTIONEERS SINCE 1823

Thursday, 13th June 2013 10.30am The Guy Davey Collection of Menu Card Holders part III The Guy Davey Collection of Souvenir Spoons part III Silver Plate and Related Items Silver and Related Items Flatware Portrait Miniatures and Objets d’Art Coins Pocket Watches and Wristwatches

Friday, 14th June 2013 10.30am Jewellery Works of Art Clocks and Scientific Instruments Furniture

View images of all lots and bid live online

THURSDAY 13 t h JUNE: 10.30A M

SILVER

Lot 175 detail 9

THE GUY DAVEY COLLECTION OF MENU CARD HOLDERS – PART III

1 A SET OF FOUR MENU CARD HOLDERS with disc bases and hoop backs, depicting a rose, a leek, a clover and a thistle, by WH & Co. Ltd, Birmingham 1916, 2¼" high

7 A PAIR OF EDWARDIAN MENU CARD HOLDERS modelled as exotic birds, with hoop backs, by Grey & Co., Birmingham 1904, 3¼"long x 1¾" high

£100-200

8 A PAIR OF LATE VICTORIAN MENU CARD HOLDERS modelled as thistles, with green hardstone inclusions and triangular easel backs, by WHL, Birmingham 1899, 3" high, and two further examples, one by William Robb of Ballater, with Edinburgh hallmarks for 1924, (4)

2 A SET OF FOUR LATE VICTORIAN MENU CARD HOLDERS modelled as crowns surmounted by boars heads, by Samuel Jacob, London 1896, 1¼" high

£100-200

3 HUNTING INTEREST: A PAIR OF MENU CARD HOLDERS cast in the form of stags heads with red glass eyes, on circular stands, by Asprey & Co. London 1925, 2" high, and a similar pair by Aidie & Lovekin, and a single example with red glass eyes, by Chrisford & Norris, on a wooden base (5). See illustration

£80-160

£100-200

11 A HARLEQUIN SET OF FOUR MENU CARD HOLDERS of oval form, with silhouette style decoration, depicting stags on a rocky outcrop, birds of prey and racing horses, with wirework backs and stands, by JSB, London 1911/1913, 2" high

£100-200

6 A SET OF FOUR MENU CARD HOLDERS modelled as crouching hares, with circular disc backs and bases, by Sampson Mordan & Co., Chester 1910, 1.2" (c.4.8oz). See illustration

£100-200

10 A COLLECTION OF MENU CARD HOLDERS by Sampson Mordan & Co. Comprising a pair surmounted by strutting cockerels, London 1924/1926, a hatching chick and a fish (4)

5 A SET OF FIVE MENU CARD HOLDERS of cut-out form, modelled as differing animals and birds, on oval bases with registration numbers, by C & CN, Birmingham 1912, 1¼" high, (c.2oz)

£100-200

9 A PAIR OF EDWARDIAN MENU CARD HOLDERS modelled as dogs, on circular bases, by Sampson Mordan & Co., Chester 1905, with registration marks, 1¼" high

4 A PAIR OF EDWARDIAN MENU CARD HOLDERS modelled as recumbent rabbits, with red glass eyes, on ovalshaped slot bases, by WH, London 1908, ½" high.

£100-200

£200-400

12 A SET OF FOUR VICTORIAN MENU CARD HOLDERS of oval pierced form, depicting cherubs sat amongst foliage, by Samuel Jacob, London 1894, 1¾" high, and a pair of menu card holders by William Comyns depicting angels (c.4.1oz) (6)

£200-400

£100-200

Lots 3 and 6

Lot 6

13 A HARLEQUIN SET OF THREE MENU CARD HOLDERS modelled as King Alfred raising a sword, by Frederick James Ross, London 1937/1922, 3" high

19 AN EDWARDIAN MENU CARD HOLDER modelled as a parrot on a perch with a rectangular surround, by Grey & Co., Birmingham 1903, and a similar example depicting two ducks, 1¾" high (2)

£100-200

14 GOLF INTEREST: A VICTORIAN CAST MENU CARD HOLDER modelled as a golfer taking a putt, possibly by C & C, London 1896, the underside bearing a retailers mark, and two other golf related menu card holders (3)

20 A HARLEQUIN SET OF THREE MENU CARD HOLDERS of cut-out form modelled as farmyard animals, all by Sampson Mordan & Co., Chester, 1911/1912, 2½" high, also each signed Benjamin Rabier (3)

£100-200

15 A SET OF SIX VICTORIAN PARCEL GILT MENU CARD HOLDERS modelled as ferns centred with gilt butterflies, with naturalistic branch stands, possibly by Mappin Brothers, London 1896 (one by a different maker), 4¼" long, (c.5.1oz). See illustration

£100-200

22 A PAIR OF EDWARDIAN MENU CARD HOLDERS with wire-work backs and circular Jasperware Wedgwood inserts depicting classical figures, on domed circular bases, by JD over WD, Chester 1907, 1¾" high, and two menu card holders on hardstone bases with wirework tops (4)

£100-200

17 A PAIR OF CAST MENU CARD HOLDERS modelled as soldiers holding rifles, on stepped domed bases, possibly by EB & S Ltd, London 1932, 3¾" high

£100-200

23 A CAST VICTORIAN MENU CARD HOLDER modelled as a dog's head, with chain attachment, by Samuel Jacob, London 1900, 1¾" high, and a pair of cast menu card holders modelled as dogs with red glass eyes, by WH (3)

£100-200

18 A HARLEQUIN SET OF FIVE EDWARDIAN MENU CARD HOLDERS depicting farmyard, birds and animals, on wirework stands, by Grey & Co., Birmingham 1903/1904/1905/1906, 2" high (5). See illustration

Benjamin Rabier (1864-1939) was a French illustrator, comic book artist and animator. His work inspired artists such as Herge.

16 A PAIR OF EDWARDIAN PARCEL GILT MENU CARD HOLDERS modelled as standing owls with purple eyes, on domed slot bases, by Crisford & Norris, Birmingham 1909, 1¾" high, and a pair of menu card holders modelled in the form of birds amongst branches (4)

21 A PAIR OF MENU CARD HOLDERS modelled as ducks on oval filled slot bases, by Sampson Mordan & Co., London 1922/1926, 0½", and a similar Edwardian example by Chrisford & Norris with red glass eyes (3)

£200-400

£100-200

24 A SET OF FOUR VICTORIAN MENU CARD HOLDERS modelled as sailing galleons, with wire-work backs, by JD, London 1897, also bearing a retailers mark, 2" high (c.2.6oz)

£200-400

£100-200

Lots 15 and 18 Lot 15

30 A PAIR OF LATE VICTORIAN MENU CARD HOLDERS of demi-lune form, each end modelled as a building, by Deakin & Francis, Birmingham 1899, and a similar pair, 2" (4)

25 A HARLEQUIN SET OF FOUR VICTORIAN AND LATER MENU CARD HOLDERS of pierced form, depicting a fox hunt, by SC & SC & Co., London 1897/1906/7, 3" long

£100-200

31 A PAIR OF VICTORIAN MENU CARD HOLDERS modelled as willow pattern dining plates, flanked by a knife and fork, on wire-work backs, by Saunders and Shepherd, Chester 1899, 2" high, and a pair of menu card holders with circular mother of pearl inserts depicting a horse-drawn coach, London 1913, (4)

26 A SET OF THREE CAST MENU CARD HOLDERS modelled in the form of Punch, Judy & Toby the dog, with circular bases and hoop backs, by WH & Co. Ltd London 1910/1911, 1¾" high (c.3.5oz). See illustration

£200-400

32 A SET OF SIX GILT METAL MENU CARD HOLDERS modelled as Scottish warriors, on circular bases, apparently unmarked, 1½" high

27 MILITARY INTEREST: A SET OF FOUR MENU CARD HOLDERS, each modelled as different types of servicemen through the ages, each with a different engraved date, on stepped circular filled bases, by the Goldsmiths & Silversmiths Co. London 1946/1947, 4" high. See illustration

£50-100

33 A SET OF THREE VICTORIAN MENU CARD HOLDERS modelled as eagles with star-burst motifs, by JR/SJ, London 1891, 1¼" high, and a pair of menu card holders in the form of sailing boats (5)

£200-400

28 GOLF INTEREST: A CAST MENU CARD HOLDER modelled as a hare holding a golf club, seated on top of a golf ball, by Crisford and Norris, Birmingham 1951, bearing a registration mark, the whole on an ebonised plinth with a vacant presentation plaque, 4½" high. See illustration

£100-200

34 A SET OF FOUR EDWARDIAN MENU CARD HOLDERS of pierced form surmounted by angels heads amongst foliate scrolls, on wire-work backs, by SC, London 1901/1902, 2¼" high, (c.3.2oz)

£100-200 29 POLITICAL INTEREST: A SET OF THREE EDWARDIAN MENU CARD HOLDERS/PEPPER POTS of tapering circular form, with pull-off perforated upper sections surmounted by portrait busts of Joseph Chamberlain, by Saunders and Shepherd, Chester 1903, 2" high, (c.3.9oz). See illustration

£100-200

35 A SET OF FOUR EDWARDIAN MENU CARD HOLDERS modelled as shield-shaped crests, on shield-shaped bases, by William Comyns, London 1906/1905, 1" high, (c.3.2oz)

£100-200

36 HUNTING INTEREST: A PAIR OF MENU CARD HOLDERS depicting a hound chasing a fox, by H.HP, London 1922, 1½" high, and two menu card holders modelled in the form of hunting crops and horseshoes (4)

£100-200

Lots 26, 27, 28 & 29

42 HUNTING INTEREST: AN EDWARDIAN SILVER AND ENAMEL MENU CARD HOLDER of circular form with sprung disc back, with enamelled decoration of a fox in woodland, by Sampson Mordan & Co., Chester 1906, 1" high. See illustration

37 HUNTING INTEREST: A SET OF FOUR EDWARDIAN SILVER AND ENAMEL GAME BIRD MENU CARD HOLDERS of circular form with sprung disc backs, each decorated in polychrome enamels with a different game bird, by Sampson Mordan & Co., Chester 1906/1907, 1¼" high. See illustration

£300-600

43 HUNTING INTEREST: A SMALL COLLECTION OF EDWARDIAN SILVER AND ENAMEL MENU CARD HOLDERS, all by Sampson Mordan & Co., depicting different game birds, mixed dates, 1.2" high (4).

38 HUNTING INTEREST: A SET OF FOUR EDWARDIAN SILVER AND ENAMEL GAME BIRD MENU CARD HOLDERS of circular form with sprung disc backs, each decorated in polychrome enamels with a different game bird, by Sampson Mordan & Co., Chester 1904-1907, 1½" high

£300-600

£100-200

45 FISHING INTEREST: A MENU CARD HOLDER of circular form inset with a porcelain plaque enamelled with a fishing fly, on a filled circular base, by WS, Birmingham 1919, 1¾" high

40 A PAIR OF EDWARDIAN SILVER AND ENAMEL MENU CARD HOLDERS of circular form with sprung disc backs, each enamelled with a picture of a snipe amongst rushes, by Sampson Mordan & Co., Chester 1904, 1¼" high. See illustration

£200-400

44 A SMALL COLLECTION OF SILVER ENAMEL AND HARDSTONE MENU CARD HOLDERS comprising a cloverleaf, by S. Mordan & Co., Chester 1909, a horseshoe, a thistle with a triangular back and a hardstone example (4)

39 A PAIR OF EDWARDIAN SILVER AND ENAMEL MENU CARD HOLDERS of circular form with sprung disc backs, enamelled with scenes of snipes by water, by Sampson Mordan & Co., Chester 1905. See illustration

£100-200

£50-100

46 ASPREY & CO: A SILVER MOUNTED MENU CARD HOLDER, the oval ceramic insert enamelled with a scene of two cats, the reverse reading "Tabby Gin Red Gin" "R.Ward Banks 1916", with a wire-work back and raised oval base, London 1915, also bearing additional Asprey retailers mark, 3" high

£100-200

41 AN EDWARDIAN SILVER AND ENAMEL MENU CARD HOLDER of circular form, with a sprung hinged back, the disc enamelled with a scene of a bird in flight, by Sampson Mordan & Co., Chester 1909, 1¼" high, and two other bird decorated enamelled menu card holders, by Sampson Mordan & Co. (3). See illustration

£50-100

47 A SMALL COLLECTION OF MENU CARD HOLDERS, one decorated with a mother of pearl flowerhead, Birmingham 1909, and two further examples decorated with enamelled flags (3), of mixed makers and dates

£200-400

£100-200

Lots 37, 39, 40, 41, and 42

48 NAUTICAL INTEREST: A MENU CARD HOLDER modelled as an anchor on an octagonal base, by S.B. & S. Ltd, 1934, a similar example on a circular base and a ropework example, mixed makers and dates (3)

54 A SET OF FOUR MENU CARD HOLDERS of plain disc form with hoop backs, on filled circular bases, by J.D./W.D.Chester 1912, 1¾" high

£50-100

55 SCOTTISH INTEREST: A SET OF SIX MENU CARD HOLDERS modelled as bagpipe players and Scottish dancers, with hoop backs, by Hamilton & Inches, Edinburgh 1912 - 1918, 2" high, (c.3.2oz)

49 A PAIR OF CAST SILVER GILT MENU CARD HOLDERS modelled as game birds with red glass eyes perched on top of green hardstone mounted column stands, with circular stepped bases, by WH, London 1910, 1¾" high. See illustration

£200-400

51 A SET OF FOUR HARDSTONE AND SILVER GILT MOUNTED MENU CARD HOLDERS modelled as laughing Buddhas, on silver gilt stands and on pink hardstone bases, (one lacking), by C & C, bearing import marks for London 1927/1929, 2" high

£100-200

58 A HARLEQUIN SET OF FOUR MENU CARD HOLDERS of hoop form, decorated with applied rampant lions, two by Walker & Hall, two by another maker, Birmingham 1899, 1" high

£100-200

52 A SET OF THREE VICTORIAN MENU CARD HOLDERS modelled as dogs and a sheep in front of gates, by L.E. Birmingham 1878 (lacking duty head), 1" high (c.2.9oz)

£100-200

59 A SET OF FOUR VICTORIAN AND LATER MENU CARD HOLDERS modelled as horseshoes, by Saunders & Shepherd, Chester 1900/1905, (4)

£100-200

53 A PAIR OF EDWARDIAN MENU CARD HOLDERS modelled as a courting couple, on flat circular bases, makers mark rubbed, Birmingham 1905, 2¾" and a similar pair (4)

£100-200

57 A SET OF FOUR MENU CARD HOLDERS of circular cut-out form decorated with different animals, on shaped circular bases, by A.W. Birmingham 1931, 1" high, (c.2.4oz)

£200-400

56 A SET OF FOUR LATE VICTORIAN MENU CARD HOLDERS of pierced rectangular form decorated with cherubs amongst foliage, by Samuel Jacob, London 1900, 2" high (c.4.1oz)

50 A COLLECTION OF EDWARDIAN AND LATER CAST BIRD AND ANIMAL MENU CARD HOLDERS on stepped column bases, one in the form of a poodle, by WH, London 1908, 1¼" high (4). See illustration

£100-200

60 A SET OF FOUR EDWARDIAN MENU CARD HOLDERS, pierced in the form of luckenbooth brooches, by GM, Sheffield 1909, 1¼" high (4)

£100-200

Lots 49, 50

66 HUNTING INTEREST: A HARLEQUIN SET OF SIX MENU CARD HOLDERS of circular form with pierced/cut-out decoration of a huntsman and different animals and birds, on circular bases, five by S & C Ltd, one by E.S.B., Birmingham 1912/1924, 1¾" high

61 A PAIR OF EDWARDIAN MENU CARD HOLDERS modelled as hearts, by Sampson Mordan & Co., Chester 1909, 1" high, and a pair of menu card holders surmounted by rampant lions, the bases engraved "The Kings Own", London 1913 (4)

£100-200

67 A PAIR OF SILVER GILT MENU CARD HOLDERS of small circular form, with white enamel borders centred with cut-out shapes of a dog and a cat, by WH, London 1911/1913, 1" high, and a set of six gilt metal menu holders with pierced decoration (6)

62 A SET OF FOUR SCOTTISH MENU CARD HOLDERS modelled as leafy branches centred with an applied crest, by Hamilton & Inches, Edinburgh 1892, 2" high

£100-200

63 ROYAL AIR FORCE INTEREST: A SET OF THREE MENU CARD HOLDERS of rectangular form, each engraved with the crest for the "Transport Command Royal Air Force", with a motto beneath, on square bases, makers mark rubbed, London 1949, 1½" high

£80-160

68 A PAIR OF VICTORIAN MENU CARD HOLDERS modelled as lyres, on ball feet and wire-work stands, by Saunders & Shepherd, Chester 1897, and a similar smaller example on a circular base (3)

£80-160

64 GIBRALTAR/POLICE INTEREST: A SET OF THREE PRESENTATION MENU CARD HOLDERS of shaped oval form, each modelled as the Rock of Gibraltar, two engraved with a presentation inscription "Presented by H.M. Dockyard Police Gibraltar 1931" and one reading "With Compliments From J. Lucas Imossi & Sons, Coaling Contractors, Gibraltar Xmas 1925", all by Charles Boyton & Sons, Sheffield 1925/1929, filled, 7" long. See illustration

£80-160

69 A SET OF FOUR SILVER GILT AND GLASS MENU CARD HOLDERS modelled as Buddhas, on stepped gilt bases, marked "Sterling" and "C & C", 1½" high (4)

£80-160

70 A SET OF FOUR EDWARDIAN MENU CARD HOLDERS modelled as shields and initialled, on octagonal bases, by WH & Co. Ltd, Birmingham 1907, 1" high

£200-400

65 MOTORING INTEREST: A PAIR OF EDWARDIAN MENU CARD HOLDERS modelled as open-top vintage cars, by SB & S Ltd, Birmingham 1907, and a similar circular example by S. Mordan & Co. (3)

£200-400

£80-160

71 AN EDWARDIAN MENU CARD HOLDER modelled as a galloping racehorse, by SS, London 1902, 1½" high and another similar (2)

£80-160

72 A PAIR OF MENU CARD HOLDERS OF CIRCULAR FORM with silhouette style decoration of a horse and rider, on wire-work bases, by JSB, London 1912, 2" high (2)

£80-160

Lot 64

79 A PAIR OF CONTINENTAL MENU CARD HOLDERS depicting figures in an arcadian scene, by Berthold Muller, with English import marks for 1908, 4" high, together with a similar pair of menu holders (4)

73 A PAIR OF EDWARDIAN MENU CARD HOLDERS, the pierced stands applied with a rectangular shaped panels embossed with cherubs amongst scrolls, on hoop backs, by William Comyns, London 1903, 1¾" high, and a pair of pierced menu card holders by William Comyns, (4)

£100-200

80 A PAIR OF EDWARDIAN MENU CARD HOLDERS modelled as robed religious figures holding flowers, 1¼" high, and a pair of pierced Victorian menu card holders by Samuel Jacob (4)

74 A PAIR OF CONTINENTAL WHITE METAL MENU CARD HOLDERS modelled as a pair of standing swans, with outstretched wings, the reverse bearing pseudo marks, on wire-work stands, 3" high

£100-200

£80-160

£100-200

84 ROWING INTEREST: A SET OF FOUR WIRE-WORK MENU CARD HOLDERS fitted with revolving rowing medals for the "Eton Upper Eights of 1878-1880", by SG, London 1931, 1¾" high

£200-400

78 OXFORD UNIVERSITY INTEREST: A QUANTITY OF SILVER AND ENAMEL MENU CARD HOLDERS relating to different Oxford Colleges, each bearing a crest, on octagonal bases, all retailed by Rowell of Oxford, ,mixed makers and dates, 1½" high (7)

£80-160

83 A PAIR OF LATE VICTORIAN MENU CARD HOLDERS finely engraved in the form of prancing griffins, on wooden bases, by OT & BD, London 1900, 2½" high, one unmarked, and a matched pair of disc-back menu holders applied with crowned lions (4)

77 A COLLECTION OF MENU CARD HOLDERS modelled as different animals, comprising a pig, by S. Mordan & Co., London 1924, and a number of others on oval slot bases, also a pair of white metal game birds on pink hardstone bases, unmarked, mixed makers and dates (9). See illustration

£100-200

82 A SET OF FOUR EDWARDIAN MENU CARD HOLDERS of pierced form, decorated with masks, on strut backs, by Nathan & Hayes, Chester 1901, 1½" high (4)

76 A PAIR OF LATE VICTORIAN MENU CARD HOLDERS modelled as labradors, one sitting and one begging, by Samuel Jacob, London 1900, 1¼", and an Edwardian example modelled as the head of a pug dog (3)

£80-160

81 A SET OF FOUR MENU CARD HOLDERS modelled as wishbones, with circular wire-work backs, by Grey & Co. Birmingham 1904/1908, 1¾" high

75 A PAIR OF VICTORIAN MENU CARD HOLDERS, pierced "menu" flanked by bunches of fruit, by H & A, Birmingham 1896, 1½" high, and a similar pierced pair (4)

£80-160

£100-200

Lot 77

85 A SET OF THREE MENU CARD HOLDERS of cut-out form modelled as foxes, Birmingham 1913, and three other cut-out style menu card holders, 1", of mixed makers and dates (6)

91 A PAIR OF MENU CARD HOLDERS modelled as horseshoes, on filled circular bases, makers mark rubbed, Birmingham 1917, 1½" high, and a similar example (3)

£100-200

86 A PAIR OF VICTORIAN MENU CARD HOLDERS modelled in the form of classical figures playing instruments, with posy vase attachments, by Samuel Jacob, London 1892, 3" high, and a larger menu holder/posy vase, 5" high (3)

92 A COLLECTION OF LARGE FIGURAL MENU CARD HOLDERS relating to political and historical figures, including a German example modelled in the form of Napoleon Bonaparte, the reverse stamped 800, and one depicting Henry VIII, of mixed makers and dates, 5" high. (4) See illustration

£80-160

87 A SET OF FOUR MENU CARD HOLDERS with shield-shaped backs, modelled in the form of a clover, a rose, a thistle and a daffodil, on octagonal bases, by WH & Co. Ltd, Birmingham 1920, 1" high

£80-160

£100-200

94 A SET OF EIGHT VICTORIAN AND LATER MENU CARD HOLDERS modelled as urns of flowers, by George Knight, Birmingham 1891 and later, 1" high

£80-160

89 A MIXED LOT OF MENU CARD HOLDERS comprising a continental example of rectangular form with an enamelled parrot perched on one corner, marked "935" and a circular example with a white and red enamelled flag to the centre, and a white metal example modelled as a tennis player (3)

£200-400

93 A MIXED LOT OF MENU CARD HOLDERS modelled in the form of animals and fish, including one in the form of a running fox, by Grey & Co. Birmingham 1933 (6)

88 A PAIR OF EDWARDIAN MENU CARD HOLDERS of shaped rectangular form with pierced floral decoration, on ball feet, by SB, Birmingham 1902, 2" high, and two pierced pairs (6)

£80-160

£200-300

95 A PAIR OF EDWARDIAN MENU CARD HOLDERS of pierced form, by P & E, Birmingham 1901, and three pairs of pierced menu card holders of mixed makers and dates (8)

£80-160

£100-200

96 AN EDWARDIAN MENU CARD HOLDER in the form of a naval crown flanked by sea creatures and centred with an anchor, by Nathan & Hayes, Chester 1909, 2½" high, and three other similar examples of mixed makers and dates (4)

90 A PAIR OF VICTORIAN MENU CARD HOLDERS modelled as peacocks, on circular beaded bases, by Mappin & Webb, Sheffield 1896, 3" high (c.4oz) £80-160

£100-200

Lot 92

103 A PAIR OF MENU CARD HOLDERS modelled in the form of a running dog and a running cat, by Sampson Mordan & Co., London 1925, 1¼" high, a running fox in front of a fence and another (4)

97 A PAIR OF EDWARDIAN MENU CARD HOLDERS modelled in the form of horses and jockeys, on circular bases, by WH, London 1905, 0¾" high, and a silhouette style menu card holder with a presentation inscription reading "Stirrup Cups First Race, March 1914", London 1912, 2½" high (2)

104 A MENU CARD HOLDER of a seated bear in cut-out form, on a tapering circular base, possibly by JE, bearing a registration mark, London 1922, 3½" high

£80-160

98 A SET OF SIX EDWARDIAN MENU CARD HOLDERS of circular form, with pierced centres depicting different birds and animals, on circular bases, by E.S.B. Sheffield 1905, 1¼" high. See illustration

99 A PAIR OF MENU CARD HOLDERS in the form of naval crowns, on octagonal bases, Birmingham 1933, 1" high, and a second similar pair with "D"-shaped stands (4)

£80-160

108 A MENU CARD HOLDER of rectangular form surmounted by a cast model of a game bird and bearing a presentation inscription, by WSW, London 1926, 2½" high, and two other menu holders, in the form of a horse and a cockerel (3)

£100-200

102 A PAIR OF PRESENTATION MENU CARD HOLDERS with wire-work frames, mounted with medals for the 1932/1933 "Hunters Improvement and National presented by the Light Horse Breeding Society", by SC, London 1932/1933, 2½" high

£80-160

107 A LATE VICTORIAN MENU CARD HOLDER modelled in the form of Britannia sat on the back of a recumbent lion, on a rectangular filled base, by CE, London 1896, and a similar example (2)

101 A SET OF SEVEN LATE VICTORIAN MENU CARD HOLDERS modelled in the form of sailing galleons, seven by SC, London 1897, one Birmingham 1904, 1½" high

£100-200

106 A PAIR OF SILVER GILT MOUNTED CERAMIC MENU CARD HOLDERS in the form of birds, by CB & Sons, London 1921, 1¼" high

£80-160

100 A PAIR OF INDIAN COLONIAL MENU CARD HOLDERS of shaped rectangular form engraved with swags and flowers, on strap backs, the reverse marked "silver", by Hamilton & Co., 1½" high, and two similar menu card holders with Celtic decoration and modelled in the form of Irish harps, Birmingham 1904, (4)

£50-100

105 A PAIR OF EDWARDIAN CAST MENU CARD HOLDERS in the form of cherubs sitting on top of pigs, on wire-work stands, by W & C/J & C, Birmingham 1903, 1½" high, and a cast menu card holder of "Judy" holding a baby Punch, London 1910 (3)

£200-400

£100-200

£80-160

Lot 98

115 C: A COLLECTION OF SOUVENIR SPOONS with enamel decoration, including Carlisle, Chichester and Chester, mixed makers and dates, some marked Sterling, (c.11.9oz) (28)

109 A LARGE COLLECTION OF MENU CARD HOLDERS including an Edwardian example modelled as an artist's palette, and fourteen other examples, of mixed makers and dates (a lot) See illustration

£100-200

116 C: A COLLECTION OF SOUVENIR SPOONS including a silver gilt example relating to Canterbury with a chased scene of the Cathedral in the bowl, Birmingham 1903, of mixed makers and dates, (c.8.2oz) (20)

110 AN EDWARDIAN MENU CARD HOLDER, the centre engraved with a scene of a sailing dinghy, Sheffield 1909, and a large collection of menu holders, of mixed makers and dates (14) See illustration

£100-200

*The following lots have been arranged, where possible, in alphabetical order

£50-100

£100-200 119 F: A COLLECTION OF SOUVENIR SPOONS with enamelled decoration, including Folkestone, Falmouth and Felixstowe, of mixed makers and dates, (c.6.9oz) (16)

112 B: A COLLECTION OF SOUVENIR SPOONS with enamel decoration, relating to Barnstaple, Bournemouth and Buxton, amongst others, of mixed makers and dates, (c.9.6oz) (20)

120 G: A COLLECTION OF SOUVENIR SPOONS, some with enamelled decoration, including Guildford, Gloucester and Great Malvern, of mixed makers and dates, (c.6.3oz) (16) £50-100

£50-100

114 C: A COLLECTION OF SOUVENIR SPOONS including one for Coventry, the bowl enamelled with a scene of Lady Godiva, Birmingham 1907, of mixed makers and dates, (c.8.1oz) (19)

£50-100

£100-200

113 B: A COLLECTION OF SOUVENIR SPOONS with enamelled decoration, including Bude and Bridport, mixed makers and dates (c.8.8oz) (20)

£80-160

118 E: A COLLECTION OF SOUVENIR SPOONS with enamel decoration, including one with a scene of East Dereham Church enamelled to the bowl, marked Sterling, one plated example (c.6.5oz) (15)

111 B: A COLLECTION OF SOUVENIR SPOONS with enamel crests, including one with an enamelled scene of Bristol Suspension Bridge in the bowl, Birmingham 1901, of mixed makers and dates (c.8.8oz) (20)

£50-100

117 D: A COLLECTION OF SOUVENIR SPOONS including one with an enamelled scene of Dover Castle in the bowl, Birmingham 1910, of mixed makers and dates, (c.10.8oz) (24)

THE GUY DAVEY COLLECTION OF SOUVENIR SPOONS – PART III

£100-200

£50-100 28

Lots 109 and 110

121 G: A COLLECTION OF SOUVENIR SPOONS with enamel crests including Gloucester, Great Yarmouth and Guernsey, mixed makers and dates, (c.7.2oz) (15)

127 M: A COLLECTION OF SOUVENIR SPOONS with enamel decoration, including Morecombe, Matlock, Minehead and Manchester, of mixed makers and dates, (c.12oz) (28)

£50-100

122 H: A COLLECTION OF SOUVENIR SPOONS including a Continental example with a scene of Hunstanton enamelled to the bowl, of mixed makers and dates, (c.11.3oz) (24). See illustration

128 N: A COLLECTION OF SOUVENIR SPOONS, some with enamel decoration, relating to Newbury, Newcastle, Norwich and Newquay, mixed makers and dates, one plated example, (c.13.4oz) (30)

£100-200

123 I: A COLLECTION OF SOUVENIR SPOONS, some with enamel decoration, with examples relating to the Isle of Wight, Ipswich and Ilfracombe, of mixed makers and dates, including one plated example, (c.8.8oz) (22)

129 O: A COLLECTION OF SOUVENIR SPOONS with a number relating to Oxford and the University, some with enamel decoration, of mixed makers and dates (c.6.8oz) (14)

£50-100

£100-200

124A K: A COLLECTION OF SOUVENIR SPOONS with enamelled terminals, with several examples for Keswick, Kidderminster and Kendal, mixed makers and dates (c.4.9oz) (11)

131 R: A COLLECTION OF SOUVENIR SPOONS, some with enamel crests, including Ruthin, Ryde, Reading and Rochester, mixed makers and dates, (c.6oz) (13)

£50-100

£80-160

133 S: A COLLECTION OF SOUVENIR SPOONS, some with enamel terminals, including one with an enamel portrait of William Shakespeare to the terminal, by George Unite, Birmingham 1898, also examples for Scarborough, Southampton and Salisbury, of mixed makers and dates, (c.9.5oz) (22)

126 L: A COLLECTION OF SOUVENIR SPOONS including one with Tower Bridge enamelled to the bowl, also a quantity of other London related examples, of mixed makers and dates, (c.12.5oz) (29)

£50-100

132 S: A COLLECTION OF SOUVENIR SPOONS including some parcel gilt and some with enamel terminals, mixed makers and dates, (c.8.6oz) (21)

125 L: A COLLECTION OF SOUVENIR SPOONS with enamel crests, including examples relating to Liverpool, Lincoln and Leicester, mixed makers and dates, (c.9.4oz) (20)

£50-100

130 P: A COLLECTION OF SOUVENIR SPOONS, some with enamelled decoration, including one by Liberty & Co. marked Cymric, also some marine examples, of mixed makers and dates, (c.12.3oz) (26).

124 JERSEY INTEREST: A COLLECTION OF SOUVENIR SPOONS with enamel crests and hardstone terminals, relating to Jersey, of mixed makers and dates, (c.3.8oz) (11)

£100-200

£80-160

134 T: A COLLECTION OF SOUVENIR SPOONS, some with enamel terminals, including examples for Thetford, Totnes, Tunbridge Wells and Tenby, mixed makers and dates, (c.7.8oz) (15)

141 A COLLECTION OF SOUVENIR SPOONS predominantly relating to Canada, one with a stem cast in the form of a Red Indian, mainly marked Sterling, including two plated examples, (c.17.1oz) (38)

£50-100

135 T: A COLLECTION OF SOUVENIR SPOONS including a Continental parcel gilt example with a scene of Torquay enamelled to the bowl, also examples for Taunton and Tewkesbury, mixed makers and dates, (c.7oz) (16)

142 A COLLECTION OF SOUVENIR SPOONS including several with gilt bowls, and some with enamelled terminals, marked Sterling, one plated example, (c.10oz) (25). £80-160

£50-100

143 A COLLECTION OF AMERICAN SOUVENIR SPOONS with some parcel gilt examples, one depicting a scene of the convention hall in Kansas City to the bowl, marked Sterling, (c.15.6oz) (25)

136 W: A COLLECTION OF SOUVENIR SPOONS including Wakefield, Weymouth, Worcester, Wells and others, mixed makers and dates, (c.12.8oz) (32)

£100-200

137 W: A COLLECTION OF SOUVENIR SPOONS including one silver gilt example relating to Whitby Abbey, by Levi & Salaman, Birmingham 1902, and Windsor, Winchester, Wellington and others, mixed makers and dates, (c.9.1oz) (21)

£80-160

£50-100

146 A COLLECTION OF PREDOMINANTLY FRENCH SOUVENIR SPOONS with some metalware examples (22)

£100-200

£50-100

147-149 Spare lots

140 A COLLECTION OF AMERICAN SOUVENIR SPOONS including a silver gilt example with a yellow enamelled flower to the terminal, marked Sterling, (c.12.1oz) (20)

£100-200

145 A COLLECTION OF MAINLY CONTINENTAL SILVER AND METALWARE SOUVENIR SPOONS including a gilt spoon with micro-mosaic style stem, mixed makers and dates (a lot)

139 A COLLECTION OF AMERICAN SOUVENIR SPOONS relating to different towns and cities, including one with a scene of Brooklyn Bridge in the bowl, predominantly marked Sterling, (c.14.8oz) (22)

£100-200

144 A COLLECTION OF SOUVENIR SPOONS relating to Canada, including one silver gilt spoon for Montreal, with an enamelled crest, marked Sterling, (c.11.4oz) (25)

138 Y: A COLLECTION OF SOUVENIR SPOONS mainly relating to York and York Minster, some with enamelled terminals, mixed makers and dates, (c.5.6oz) (13)

£150-250

£100-200 31

SILVER PLATE AND RELATED ITEMS 150 AN EDWARDIAN PEDESTAL MIRROR with an electroplated stand and ivory tusk mounts, pierced top section and wooden stand with pull-out drawer, 22" high. See illustration

153 A VICTORIAN ELECTROPLATED SALVER of shaped circular form with a raised scroll border, the body chased with flowers and scrolls, on scroll feet, 19" dia.

£200-400

154 AN ELECTROPLATED "WAGON" DOUBLE COASTER with gadrooned borders, wooden bases and foliate-capped pulling handle, by Mappin & Webb, 17" long x 4" high. To be sold with its' original receipt. See illustration

151 A VICTORIAN ELECTROPLATE MOUNTED BOWL, the wooden body on three hoof feet, the border with Victorian date diamond, 10½" dia. x 7½" high

£100-200

152 AN ELECTROPLATED HOT WATER POT with swing hinged lid, tusk handle and textured body, by Hukin & Heath, 8½" high

£50-100

£100-200

155 ASPREY & CO: AN ELECTROPLATED NOVELTY COCKTAIL SHAKER modelled in the form of a dumb-bell, with screw-off detachable cover, initialled "S.D-E", the other end marked "Asprey, London" with a patent number, 10" high

£100-200

£200-400

156-165 Spare lots

Lot 154

Lot 150

SILVER AND RELATED ITEMS 166 A CAFÉ AU LAIT SET of circular tapering form with urn finials and wood handles, by GH, Sheffield 1916, 6" high (3)

172 A VICTORIAN SUGAR BASKET of circular tapering form with beaded borders and a wriggle-work frieze, by Thomas & Edward Bradbury, London 1868, 6" high (c.7oz)

£200-300

167 A PAIR OF EDWARDIAN TAZZAE of circular form with plain loop handles, on pedestal bases, by HM, Birmingham 1909, 3¾" high, (c.7oz)

173 A HOT WATER POT of circular tapering form with scroll handle and flame finial, by Nathan & Hayes, Chester 1910, 7½" high (c.11oz)

£80-160

168 A FOUR PIECE TEA/COFFEE SET of octagonal form with egg and dart borders and loop handles, by Roberts and Belk, Sheffield 1912, the teapot 6½" high, (c.45oz)

£500-800

£80-160

£400-600 176 A VICTORIAN MUG of circular tapering form with reeded decoration, angular handle and gilt interior, crested, by RH, London 1859, 4¾" high, (c.11oz)

£800-1200

171 AN EDWARDIAN TEA CADDY of oval form with part fluted decoration, lions mask and ring handles, possibly by JD/WD, Sheffield 1901, 5" high, (c.5oz)

£200-300

175 A COW CREAMER of conventional form with a hinged "fly" cover, by Garrard & Co. Ltd, London 1963, also bearing a Garrards retailers mark, 4" high, (c.4oz). See illustration

170 A CANADIAN FIVE PIECE TEA/ COFFEE SERVICE of tapering circular form, scroll handles, each piece engraved with foliate scrolls and vacant cartouches, marked Birks and stamped "Sterling", circa 1900, the coffee pot 10" high, (c.77oz). See illustration

£100-200

174 A GEORGE III HOT WATER POT of baluster form with later wicker work covered handle and later scroll decoration, with gadrooned border and cast spout, on a tucked-in circular foot, by Thomas Whiphim and Charles Wright, London 1763, 10" high, (c.18oz)

169 A PEDESTAL DISH of oval form with a pierced body, makers mark rubbed, London 1925, retailed by Birks, 5" high, and a pair of small baskets with pierced borders and ribbon and reed handles (3) (c.6oz)

£80-160

£100-200

177 AN EDWARDIAN HOT WATER POT of baluster form with fluted decoration and scroll handle, on a tucked-in oval foot, makers mark rubbed, Birmingham 1905, 7¾" high, (c.13oz)

£80-160

£100-200

Lot 170

178 A PAIR OF EDWARDIAN BON BON DISHES of oval form, with scroll and shell borders and pierced bodies, by HM, Birmingham 1907, 7" long, (c.3oz)

184 A THREE PIECE TEA SET of oval form with angular handles, with engraved ribbon and festoon decoration, on compressed ball feet, by James Deacon & Sons, Sheffield 1921, the teapot 6" high, (c.43.5oz)

£80-160

179 A PAIR OF CAST FOUR LIGHT CANDELABRA of octagonal form, with detachable sconces and central sections, on stepped octagonal bases, by Elkington & Co., London 1913, 11½" high.

185 A VICTORIAN ROSE BOWL of tapering circular form, with an undulating scroll and flowerhead border, reeded girdle and part fluted decoration, on a stepped base, the wooden plinth bearing a silver plaque with a presentation inscription, by Edward Hutton, London 1891, 12¾" high (on plinth) x 12" dia. (c.63oz). See illustration

£500-1,000

180 A PAIR OF LATE VICTORIAN CANDLESTICKS with circular sconces, octagonal knopped stems and octagonal stepped bases, presentation engraved, makers mark rubbed, London 1896, filled, 7" high

£100-200

£150-250

£200-400

188 A VICTORIAN HOT WATER POT of baluster form with wicker-work handle and part fluted decoration, crested, on a tucked-in circular foot, by Aldwinckle & Slater, London 1884, 8" high, (c.10oz)

£100-200

183 A PAIR OF EDWARDIAN SILVER MOUNTED DECANTERS with tubular necks and bulbous glass bodies, with pull-out cut-glass stoppers, by Walker & Hall, Sheffield 1901, 12" high

£80-160

187 A PAIR OF LATE VICTORIAN CANDLESTICKS with shell borders and knopped stems, on shaped square bases, filled and wired for electricity, by William Hutton & Sons, London 1899, 12" high

182 A VICTORIAN CANDLESTICK with shell and scroll decoration, on a shaped square base, filled, by TB/NC, Sheffield 1839, 9½" high, and a pair of electroplated candlesticks in a similar style (3)

£700-900

186 A PAIR OF WINE COASTERS of circular form with slat pierced borders and wooden bottoms, London Assay, 5" dia. (2)

181 A COLLECTION OF CHRISTENING MUGS including an octagonal Victorian example, with a chased body, by EE, London 1844, and two other examples (c.11.5oz)

£400-600

£80-160

189 A VICTORIAN COFFEE POT of shaped rectangular form, angular handle and reeded frieze, on ball feet, by WBJ, London 1887, 9" high, (c.18.5oz)

£150-250

Lot 185

197 AN EDWARDIAN INK STAND of shaped rectangular form, fitted with two cut-glass bottles, on leaf-capped scroll feet, engraved with a presentation inscription, by the Goldsmiths & Silversmiths Co., also bearing a retailers mark, London 1902, 12" long (handle to handle)

190 A MATCHED GEORGE III FOUR PIECE TEA SET comprising teapot, teapot stand, sugar bowl and cream jug, all of oval form, with bright-cut borders and angular handles, crested, all London 1804, the cream and sugar by I.B., the teapot by IR, the stand by WB, the teapot 7" high, (c.31oz). See illustration

£400-800

198 A VICTORIAN CHRISTENING MUG of shaped circular form with a leaf-capped scroll handle and applied flower and scroll border, monogrammed and dated, by EE, London 1843, 4¼" high, (c.6oz)

191 A VICTORIAN CREAM JUG of baluster form, with leaf-capped scroll handle, gilt interior and hoof feet, possibly by C.C.P., London 1886, 4¼" high, (c.4oz)

199 A PAIR OF CANDLESTICKS of shaped square form with pull-off sconces and foliate scroll borders, filled, by E.J/G, London 1928, 5½" high

£200-300

£50-100

194 A GEORGE III TEAPOT of shaped oval form, with ivory scroll handle and finials, monogrammed, possibly by James Darquits, London 1794, 6½" high, (c.16oz)

£200-400

£100-200

202 A PAIR OF GEORGE III SMALL SALVERS of circular form with egg and dart borders, each engraved with a crest surmounted by an owl and the motto "Be Fast" engraved below, the whole on claw feet flanked by wings, by Benjamin Smith II and Benjamin Smith III, London 1817, 9" dia. (c.35oz). See illustration

£200-400

196 CHARLES BOYTON: AN ART DECO TRAY of circular form with stylised stepped rectangular carrying handles and rectangular feet, with a hammered finish, the centre bearing a presentation inscription "Presented to N.J.G. Haggberg by A. Gestehner Ltd. Record 1939", the reverse bearing Boyton's facsimile signature, London 1938, 15" long (handle to handle), (c.39oz). See illustration

£300-500

201 AN EDWARDIAN SWING HANDLED BASKET of shaped rectangular form with a pierced border and pierced swing handle, on claw feet, crested, by CH, Birmingham, circa 1910, 7" high (handle extended), (c.13oz)

195 A PAIR OF CHOCOLATE POTS of baluster form with turned wooden handles and egg and dart borders, on leaf-capped scroll feet, by Edward Hutton, London 1890, 7½" high (c.22oz)

£100-200

200 A VICTORIAN SILVER MOUNTED CLARET JUG of circular tapering form, with a beaded scroll handle, the mount embossed with Bacchus masks, and the hinged lid surmounted with a rampant lion thumbpiece, star-cut base, makers mark rubbed, possibly IF, London 1854, 11" high. See illustration

193 A GEORGE III PROVINCIAL CREAM JUG of tapering oval form with a reeded loop handle, brightcut border and initialled cartouche, possibly by John Robertson I, Newcastle, date letter rubbed, circa 1790, 4½" high, (c.3oz)

£80-160

£50-100

192 AN EDWARDIAN SALVER of shaped circular form with a wavy border, the whole on three pierced pad feet, by John Round, Sheffield 1908, 10" dia. (c.24oz)

£200-400

£400-600 38

£400-800

Lot 190

Lot 196

Lot 200

Lot 202

203 A GEORGE III SALVER of shaped circular form, with a raised gadrooned edge and an embossed flower and leaf border, the centre engraved with a later monogram, the whole on three claw and ball feet, by Richard Rugg, London 1767, 11¾" dia. (c.27.5oz)

209 A PAIR OF VICTORIAN SILVER MOUNTED JUGS of tapering circular form with angular handles and sunken flat hinged covers, the mounts engraved with flowerheads and wriggle-work, with etched glass bodies, on circular feet, by Edward John and William Barnard, London 1872, 12½" high. See illustration

£300-600

204 A VICTORIAN PEDESTAL DISH of shaped circular form with a pierced body, also decorated with embossed foliate scrolls, on a tucked-in circular foot, by James Dixon & Sons, Sheffield 1897, 10" dia. (c.10oz)

210 A WHITE METAL FILIGREE MENORAH, of fan form, decorated with flowerhead motifs, the whole on splayed feet, 9½" high

£100-200

205 A PAIR OF EDWARDIAN VASES of trumpet form with wavy borders, on circular filled bases, by Walker & Hall, Sheffield 1909/1910, 10¾" high

£100-200

£100-200 214 A GERMAN SWEET MEAT DISH of oval form, on a splayed foot, the body embossed with wreaths containing classical busts and rams heads, by Berthold Muller, circa 1900, 3" high, and a continental white metal porringer of lobed form with wire-work handles, stamped I or JR twice and engraved "Roger Richard Green", on a tucked-in circular foot, 7½" wide handle to handle (2)

208A A PAIR OF VICTORIAN CANDLESTICKS of corinthian form, with garland and swag decoration, on gadrooned square bases, filled, by Thomas Bradbury, London 1897, 7" high.

£100-200

213 A FRENCH SUGAR BOWL AND COVER of bellied circular form, loop handles and pull-off cover with knop finial, with gilt interior, by Emile Hugo, Paris, circa 1860, also bearing a French Standard mark, 5½" high (c.9oz)

£150-250

208 A PAIR OF EDWARDIAN CANDLESTICKS of squat circular form, with gadrooned borders, filled bases, by IS/G, Birmingham 1902, 4¾" high

£100-200

212 AN ITALIAN DISH of rectangular form with reeded borders, on a tucked-in reeded foot, stamped "Petochi, Rome", and also "925" and "Sterling", 9½" wide, (c.13oz)

£500-700

207 A SCOTTISH WAITER of plain circular form with egg & dart border, possibly later ball feet, by PC & S, Edinburgh 1809, 9" dia. (c.17.5oz)

£200-400

211 AN ORIENTAL WHITE METAL JUNK of conventional form, with figures and canons on deck, on a wooden stand, unmarked, probably early 20th century, 12" high, and a gilt metal filigree model of a junk, with red enamel flags to the sails, on a shaped rectangular filigree base, unmarked, 7" high (2)

206 A PAIR OF DISHES of circular form with egg and dart borders, vine leaf and berry decoration, the whole on down-curving ball and claw feet, by Holland, Aldwinckle & Slater, London 1912, 6¼" dia. (c.19oz)

£500-1,000

£600-£800

£150-250

Lot 209

218 A VICTORIAN SWING HANDLED SUGAR BASKET of circular form, the open-work body decorated with branches and foliage raised on bracket feet, with blue glass liner, marks cut through on the rim of the bowl, the handle marked with makers mark for Charles Thomas Fox and George Fox, together with a Victorian Kings pattern sifting spoon by George Adams, London 1840, 7" high (with handle extended) (c.8oz)

Lot 221

£250-350

219 AN ORIENTAL WHITE METAL TRAVELLING TEAPOT of cylindrical form, with wicker work swing handle, the top half of the body chased with geometric motifs and flowerheads, lacking lower section, the base bearing a single mark of a bird in an oval punch, 7½" high (with handle extended)

£100-200

220 A DANISH PITCHER of tapering circular form, with a beaded angular handle, with a hammered finish, on a circular foot, monogrammed, Assay Masters mark of C.F. HEISE, 1912, 10" high, (c.18oz). See illustration

215 A SAUCEBOAT of shaped oval form with a leaf-capped scroll handle, by Heath & Middleton, Birmingham assay, 7" long, (c.7oz), and a continental white metal sauceboat with a gadrooned border (2)

221 A CONTINENTAL WHITE METAL DRESSING TABLE/SHAVING MIRROR of circular upright form, with a ribbon and reed border, on a ribbed column stand and circular dish base, the base bearing the mark AM in a square punch with a flower in between, circa 1900, 13½" high. See illustration

£150-250

216 AN EDWARDIAN SILVER GILT EPERGNE BASKET of oval form with an egg and dart border, loop pierced body, the centre bearing a crest, by FH Ltd, London 1905, 11½" long, (c.18oz)

£200-400

222 A NORWEGIAN PLANTER of circular form, with stylised floral friezes, on four leafshaped feet, by J. Tostrup, also marked "830 Sterling" and bearing Swedish import marks, circa 1910, 6" high, (c.16oz)

£200-300

217 ASPREY & CO LTD: A BASKET of shaped oval form with an undulating rim and pierced body, on a tucked-in oval foot, London 1913, 11" long, (c.20oz)

£200-300

£250-350

£150-250

Lot 220

223 A TROPHY CUP of circular tapering form with leaf-capped scroll handles and moulded girdle, presentation inscribed, on a spreading circular foot and associated plinth, by Goldsmiths & Silversmiths Co. Ltd, London 1921, 9" high (on plinth), (c.12oz)

229 A SWEDISH TEAPOT of lobed melon form with scroll handle and flower finial, the whole on scroll and pad feet, by G. Dahlgren, possibly Stockholm, mid-19th century, 6¾" high (c.26oz). See illustration

£100-200

230 A COLLECTION OF CIGAR/ CIGARETTE BOXES comprising a rectangular example with a presentation inscription, by Walker & Hall, Sheffield 1937, and two further examples (3)

224 A TWO HANDLED TROPHY CUP AND COVER of circular tapering form, with reeded handles and pulloff cover with knop finial, presentation inscribed, on a spreading circular foot, by Goldsmiths & Silversmiths Co., London 1921, on an ebonised plinth, 8½" high, (c.9oz)

£80-160

£700-900

226 A VICTORIAN THREE PIECE TEA SET of oval form with angular handles and part fluted decoration, by Walter and John Barnard, London 1882, the teapot 6" high, (c.23oz)

£300-500

232 AN IRISH CREAM JUG of oval form, with angular handle, foliate frieze and prickdot engraved borders, makers mark rubbed, Dublin 1808, 3¾" high (c.4oz)

£250-350

227 A VICTORIAN THREE PIECE CHRISTENING SET comprising cream jug, sugar bowl and sifter, with gilt interiors and coin inset bases, by S.I. Ltd, Birmingham 1894, in a fitted case

£100-200

231 A COLLECTION OF DANISH SAUCEPANS of circular form with part-fluted decoration and wooden turned handles, the largest presentation inscribed and with marks for Assay Master of C.F. HEISE, (1904-1932), 1923, 7½" dia. and three other examples, of mixed makers and dates, one stamped Sterling. See illustration

225 AN EDWARDIAN FOUR PIECE TEA/ COFFEE SET of oval form with part-fluted decoration, by Mappin & Webb, Sheffield 1901/1902, the coffee pot 10", (c.59oz)

£200-400

£150-250

233 A GEORGE III BOWL of tapering circular form with a beaded border, on a tucked-in beaded foot, the body later embossed with floral swags and cartouches, possibly by Edward Fernell, London 1785, 5¾" dia. (c.11oz)

£100-200

228 A "SIAM" SILVER PRESENTATION CIGAR BOX of rectangular form, the lid embossed with figures of deities, the interior bearing a presentation plaque and wood-lined, the underside of the base stamped "Sterling" and "Siam", 7" long

£200-400

234 A TWO HANDLED BOWL of lobed form with scroll caryatid handles, on a tuckedin circular foot, one side bearing "Let In", Georgian hallmarks, 14½" wide (handle to handle) (c.35oz)

£80-160

£300-500

Lot 229

Lot 231

235 A COFFEE POT of oval form with wooden scroll handle and finial, on a reeded foot, by GS/RS, London 1963, 10" high, (c.23oz)

238 A VICTORIAN CHRISTENING MUG of faceted circular form, with a leaf-capped scroll handle, gilt interior and cast bottom section, by Edward, John and William Barnard, London 1841, 4" high, (c.8oz)

£200-400

236 AN ART DECO FOUR PIECE TEA SET of octagonal form with angular handles, on oval feet, initialled, by W.N. Ltd Birmingham 1934 and later, the teapot 6¼" high (c.47oz)

239 A GEORGE III BUTTER DISH of shell form with shell thumbpiece, the underside crested, on three feet modelled as sea creatures, possibly by Rebecca Emes and Edward Barnard, London 1811, 4" wide (c.3oz)

£400-600

237 A GEORGE IV CHRISTENING MUG of campana form with twisted serpent handle, ivy leaf frieze and part fluted lower section, monogrammed, by Rebecca Emes & Edward Barnard, London 1823, 4" high, (c.7oz)

£100-200

£150-250

£100-200

246 A VICTORIAN SALVER of shaped circular form with a cast border of flowers and scrolls, chased centre, bearing a presentation inscription, with cast pierced feet, by Edward, John & William Barnard, London 1850, 12" dia. (c.25oz)

240 AN EDWARDIAN VASE of campana form with an egg and dart border, cast scroll handles applied with snakes, the body decorated in high relief with chariot scenes, after the antique, with a part fluted lower section and leaf chased foot, wash gilded interior, by Hunt & Roskell Ltd, London 1901, the side of the foot engraved 'Hunt & Roskell, late Storr & Mortimer 2180', 10" high, (c.32.5oz). See illustration.

247 A TEAPOT of rectangular form with a wooden scroll handle and finial, the whole on down-curving feet, by IL, Sheffield 1938, and a matching hot water pot, the teapot 5½" high, (c.35oz)

£600-1,000

241 A DANISH EWER of tapering circular form with scroll handle, the body engraved with nymphs amongst foliage, presentation engraved, on a tucked-in circular foot, makers mark of CH and Assay Master's mark of S. Groth, late 19th century, 11" high (c.11oz)

£250-450

248 A SUGAR CASTOR of faceted form, with a pull-off pierced cover, knop finial and reeded borders, makers mark rubbed, Birmingham 1939, 7½" high, (c.4oz)

£100-200

£50-100

242 A FOUR PIECE TEA/COFFEE SET of oval form with gadrooned borders and angular handles, the teapot by Nathan & Hayes, Chester 1915, the other pieces Birmingham Assay, same date, the teapot 6¾" high, (c.52oz)

£300-500

249 A PHOTOGRAPH FRAME of upright easel form, with a ribbon border, by WJ, Birmingham 1911, 6½" high, and a smaller circular frame (2)

£600-800

£50-100 243 A TEA CADDY of tapering rectangular form with bone finial, on ball feet, by Nathan & Hayes, Chester 1913, 4¾" high, (c.4oz), and a jewellery box and a sauceboat, of mixed makers and dates (3)

250 A GEORGE III CREAM JUG of tapering oval form with scroll handle, with engraved swag and festoon decoration, gilt interior, by AF, London 1813, 5" high, (c.3oz)

£100-200

244 A GEORGE III THREE PIECE TEA SET AND STAND of shaped rectangular form with angular handles and reeded decoration, monogrammed, with gilded interiors, on ball feet, by Alice & George Burrows, London 1804/1807, the teapot 7" high, (c.34oz)

251 A PAIR OF FRENCH DISHES of shaped circular form with raised borders and lobed centres, monogrammed, the bases bearing the mark of Odiot, and marks for (1894-1906 period), also bearing a standard mark, 6½" dia. (c.14oz)

£300-500

£200-400

252 A PAIR OF FIVE BAR TOAST RACKS with loop carrying handles, by Viners, Sheffield 1939, 3¾" high, (c.2.5oz)

245 A VICTORIAN SALVER of shaped circular form with scroll and shell borders, chased centre, engraved with a presentation inscription, by Martin Hall & Co., Sheffield 1875, 12" dia. (c.27oz)

£80-160

£350-450

£50-100

Lot 240

Lot 256

Lot 257

253 A FIVE BAR TOAST RACK of rectangular form, with loop carrying handle and ball feet, Birmingham 1914, 5" high, (c.4oz)

256 A GEORGE IV TEAPOT of circular tapering form with a leaf-capped scroll handle and chased stiff leaf decoration, flower head finial, on scroll and hoof feet, engraved with a crest and motto "Will God I Shall", the underside bearing a scratch weight, by John Cope Folkard, London 1821, 7" high, (c.34oz), and a George III cream jug (2). See illustration

£50-100

254 A CUT-GLASS SCENT BOTTLE with pull-off embossed cover, of shaped circular form, by CN, Birmingham 1890, a toast rack and a jam jar with plated mounts (3)

£50-100

257 A PAIR OF FRENCH STANDS of circular form with applied pierced wreaths, on lions claw feet capped with rams head masks, by Emile Hugo, Paris, mid-19th century, each 3½" high, (c.26oz). See illustration

255 AN 18TH CENTURY WAITER of shaped circular form with raised shell and scroll border, on extended hoof feet, marks partially rubbed, possibly for Edinburgh, circa 1785, 7½" dia. (c.8oz)

£500-800

£300-500

£100-200 258 A CONTINENTAL FIVE PIECE TEA SET comprising tea pot, cream jug, sugar bowl, tea strainer and tray, of oval form with gadrooned borders, some pieces with gilt interiors, each piece marked "CB 915", with additional five pointed star mark, the tray 23" wide handle to handle, (c.95oz). See illustration 48

£800-1,200

Lot 258

259 A TAZZA of oval form with ribbon and reed border and pierced flower and swag decoration, on a shaped oval foot, by the Goldsmiths and Silversmiths Co. London 1910, 4" high, (c.10.5oz)

265 A LIDDED TANKARD in the 17th century manner, of tapering circular form with fluted thumbpiece and scroll handle, engraved with a diamond-shaped coat of arms containing an eagle, and scrolls to either side, apparently unmarked, 4¼" high

£100-200

260 AN ITALIAN MUG of circular form, the pierced handle with leaf terminals, on a segmented leaf base, with gilt interior, by Caldoroni Gioielli, also stamped "De Veccehi 925", 20th century, (c.4oz)

266 A CONTINENTAL SILVER GILT SWING HANDLED BASKET of oval form, the swing handle with mask attachments, with a slat pierced body and beaded border, on an oval pierced foot, the foot marked with makers mark of HF, date letter possibly U, possibly Portuguese, 19th century, 8" high, (c.10oz)

£50-100

261 A VICTORIAN SALT modelled in the form of a basket with wickerwork body and naturalistic handles, on a pierced oval foot, by Edward H. Stockwell, London 1872, 3½" long (handle to handle), (c.2.5oz)

£80-160

£200-400

268 A GEORGE III SUGAR BASKET of circular tapering form, with rope-work swing handle, the body pierced with geometric motifs, and embossed with swags and paterae in the neo-classical manner, on a beaded pierced foot, later blue glass liner, monogrammed, possibly by Burrage Davenport, London 1774, 7¾" high, (c.6oz), and a matching smaller example by the same maker, London 1776, 5¾" high, (c.4oz), later blue glass liner (2) See illustration

£50-100

263 A GEORGE III PEPPER of baluster form with high pierced pull-off cover, flame finial and moulded girdle, on a circular foot, possibly by John Delmester, London 1760, 6" high, a later embossed example and a 20th century example, mixed makers and dates (c.11oz) (3)

264 A GEORGE III INK STAND of rectangular form with an egg and dart border and loop handle, with two cut-glass mounted jars, crested and initialled, on bracket feet, London 1791, no makers mark, 3" high, and an 18th century cream jug (AF) (2)

£150-250

267 A DUTCH BRANDY BOWL of oval form with openwork mask handles, the body embossed with foliate scrolls and crown motifs, on a tucked-in oval foot, the base bearing pseudo marks, the body bearing the dolphin standard mark for (1859/1893), 9" long (from handle to handle), (c.6oz)

262 A CREAM JUG of circular tapering form with a scroll handle, by Adie Brothers, Birmingham 1927, and a matching sugar bowl, the cream jug 3¾" high, (c.3oz)

£200-400

£300-600

269 A MODERNIST CONTINENTAL DISH of tapering oval form, with a stylised cylindrical handle, on a tucked-in oval foot, the base marked 925, also a linear signature mark and a standard mark, 14" long, (c.21oz). See illustration

£100-200

£300-600

Lot 268

Lot 269

Lot 269 51

270 A JAMES II BEAKER of circular tapering form, decorated with wide bands of flowerheads and leaves, in a prick dot enclosed frieze, scratch engraved IL/MC and 1723, on a reeded foot, London 1688, bearing a makers mark of a goose in a dotted circle (1678-93), 3¼" high, (c.2.9oz). See illustration

270A A JAMES II BEAKER of circular tapering form, decorated with wide bands of flowerheads and leaves, in a prick-dot enclosed frieze, scratch engraved 1708 and B/IM, on a reeded foot, London 1688, bearing a makers mark of a goose in a dotted circle (1678-93), 3½" high (c.2.6oz). See illustration

For a similar makers mark see Jacksons "Silver and Gold Marks of England, Scotland and Ireland", edited by Ian Pickford, page 135.

F or a similar makers mark see Jacksons "Silver and Gold Marks of England, Scotland and Ireland", edited by Ian Pickford, page 135.

For more information on this makers mark see "The Gilbert Collection of Gold & Silver" by Timothy B. Schroeder, published by the Los Angeles County Museum of Art, page 33 "I am grateful to the Wardens of the Worshipful Company of Goldsmiths, London, for making available the information that Gerald Taylor attributes the makers mark to John Duck, one of the more active makers of the 1680's".

F or more information on this makers mark see "The Gilbert Collection of Gold and Silver" by Timothy B. Schroeder, published by the Los Angeles County Museum of Art, page 33. "I am grateful to the wardens of the Worshipful Company of Goldsmiths London, for making available the information that Gerald Taylor attributes the makers mark to John Duck, one of the more active makers of the 1680's".

£500-1,000

271 A MATCHED PAIR OF VICTORIAN SILVER GILT EWERS of baluster form, with leaf-capped scroll handles, spring hinged lids with wire-work finials, the bodies embossed with foliate scrolls and applied figures and animals, with vacant cartouches, on embossed circular feet, one by JS, Dublin 1869, the other by Martin Hall & Co., Sheffield 1897, also the base bearing a retailers mark of Waterhouse of Dublin and a serial number, each 15" high, (c.45oz each). See illustration

ÂŁ6,000-8,000

273-279 Spare lots

272 GEORG JENSEN: A THREE PIECE TEA SET of baluster form, with reeded decoration, dark wooden handles and finials, on tucked-in circular feet, hammered finish, 1915/1919, also marked Denmark Sterling and bearing import marks, the teapot 9¾" high (c.35oz). See illustration

£500-1,000

SMALL SILVER AND OBJETS DU VERTU 280 LIBERTY & CO: A PAIR OF VASES of trumpet form, with engraved scrollwork friezes, on spreading circular bases, filled, with a hammered finish, Birmingham 1923, 5¼" high

286 A VICTORIAN TRAVELLING COMMUNION EWER of pear form with a scroll handle and pull-off cover, by JB, London 1882, 4¾" high, and a Continental engine-turned beaker, marked "900" to the base (2)

£150-250

281 A COLLECTION OF VESTA CASES, some with foliate engraved decoration, of mixed makers and dates (7)

287 A PAIR OF KNIFE RESTS with mother of pearl wing sides, in a fitted case by James Dixon & Sons, Sheffield 1910, and a cased pair of napkin rings (2)

£100-200

£50-100

282 A VICTORIAN SOVEREIGN HOLDER of circular form with a chased body and suspension ring, Birmingham 1886, another sovereign holder and a vinaigrette (3)

288 A VICTORIAN TABLE CIGAR BOX of rectangular form with an embossed body, London 1888, and an engine-turned example (2)

£100-200

283 AN EDWARDIAN COMBINED SOVEREIGN AND VESTA CASE of rectangular form, with suspension ring, by the Goldsmiths & Silversmiths Co., London 1902, a similar example and a double sovereign case, of mixed makers and dates (3)

£100-200

290 A SET OF SIX EDWARDIAN BUTTONS embossed with a classical figure, Birmingham 1901, cased, and an Edwardian vesta case with enamelled decoration, Birmingham 1909 (2)

£100-200

£80-160

291 A GEORGE III CREAM JUG of oval form with a reeded scroll handle, the body with engraved decoration and monogram, by WH, London 1800, 5" high, and a pair of sugar nips (2)

285 AN ART DECO HIP FLASK of rectangular form with engine-turned decoration and bayonet fitting cap, Chester 1934, and a Victorian combined vesta, knife and pencil (2)

£100-200

289 A PAIR OF VICTORIAN CANDLESTICKS of oval form, the sconces with reeded borders, on filled oval bases, makers mark rubbed, London 1895, 7½" high

284 A CONTINENTAL ART DECO CIGARETTE CASE of rectangular form with a ribbed body and cabochon thumbpiece, bearing import marks for 1919, and two small boxes, of mixed makers and dates (3)

£50-100

£80-160 54

£80-160

Lot 272

Lot 294

292 "THE HUNDRED GREATEST CARS SILVER MINIATURE COLLECTION" by John Pinches Ltd, in a fitted case, each marked 925

296 AN EDWARDIAN CRUET FRAME of oval form with central carrying handle, on bracket feet, on wooden base, with three accompanying cut-glass bottles, 8¾" high

£100-200

293 A COLLECTION OF AMERICAN DOLLAR COINS of various dates and makers, some with certificates, in two fitted cases (a quantity)

297 A VICTORIAN PURSE with embossed body and velvet-lined interior, Birmingham 1896, and a Continental tea strainer, two trinket boxes, a quaiche and other items (a lot)

£800-1,200

£100-200

294 "THE GENIUS OF LEONARDO DI VINCI": A collection of 50 silver medals contained in a fitted collectors cabinet, limited edition, hallmarked London 1977. See illustration

£80-160

298 A COLLECTION OF CONTINENTAL MINIATURES, the majority with English import marks, including a seal, a salon chair, a seal with cut-glass terminals, a Chinese miniature model and two others (7)

£1,000-2,000

295 A MODERN CHESS SET in silver and silver gilt, with a textured finish, by Henry Summers, London 1975, with an accompanying wooden chessboard/case. See illustration

£100-200

299 A COLLECTION OF SILVER AND PLATED NAPKIN RINGS of mixed makers and dates, and a small cigarette case (9)

£600-800

£50-100

Lot 295

300 A PAIR OF CONTINENTAL SALTS of circular form with embossed bodies and blue enamel interiors, and a quantity of other condiments, and a scent funnel (6)

307 A CONTINENTAL NOVELTY SCENT BOTTLE modelled in the form of a standing stork, the hinged head opening to reveal a cork stopper, the base bearing import marks for Sheffield 1900, 6" high. See illustration

£50-100

301 A MIXED LOT comprising a quantity of pepper pots, a miniature bun-top pepper, two boxes and a smelling salts bottle, of mixed makers and dates (a quantity)

308 A WILLIAM IV VINAIGRETTE of rectangular form with engine-turned decoration, foliate thumbpiece and pierced scroll grille, by Nathaniel Mills, Birmingham 1830, 1¾", and a second vinaigrette (2). See illustration

£80-160

302 A CONTINENTAL ART DECO CIGARETTE CASE of rectangular form, with stylised geometric decoration, cabochon thumbpiece and gilt interior, marked 935 to the interior, 4" long

£100-200

£100-200 310 A GEORGE III NUTMEG GRATER of oval form, the cover with engraved diaper work decoration, with prick dot engraved sides, by Thomas Phipps & Edward Robinson, London 1800, 2" long. See illustration

£80-160

304 A CONTINENTAL TRINKET BOX of oval form with embossed decoration, import mark for 1898, 3¾" dia., and a Swedish trinket box of oval form (2)

£50-100

£100-200

306 A CONTINENTAL CORKSCREW/ SEAL, the terminal modelled in the form of a cow and shepherd, with a canted shaft and screw-off top section, import marks for Sheffield 1901, 4" long. See illustration

£200-300

311 A LATE 17TH CENTURY PATCH BOX of flowerhead form, the pull-off cover with linear engraved decoration, makers mark only of T or LW, 1" dia., a filigree pomander with pull-off cover and chain clasp and attachment, monogrammed, 1½" dia., and a filigree work patchbox (3). See illustration

305 A GEORGE III VINAIGRETTE of shaped rectangular form with wriggle-work decoration, pierced gilt grille and interior, by Samuel Pemberton, Birmingham 1812, a lancet case by the same maker, with bright-cut decoration, and a stamp case, Birmingham 1900 (3) See illustration

£100-200

309 A VICTORIAN VINAIGRETTE of shaped rectangular form, the cover engraved with a scene of St. Paul's Cathedral, with chased foliate base and pierced gilt grille and interior, by Nathaniel Mills, monogrammed, circa 1845, 1½" long. See illustration

303 A VICTORIAN SCENT BOTTLE of hexagonal form, monogrammed, by S. Mordan & Co., London 1884, 2½" long, a scent bottle with an embossed body and an amber glass scent bottle/vinaigrette, with a floral cover (3)

£100-200

£200-300

Lots 305 - 311

312 A PAIR OF VICTORIAN SALTS of shaped triangular form on ball feet, by C.F. Sheffield 1876, 3½" wide, (c.3.2oz)

318 A VICTORIAN WINE LABEL of stamped-out form, with leaf and berry decoration, incised "Hollands", by George Unite, Birmingham 1846, another silver label for "Brandy" and a plated example for "Geneva" (3)

£50-100

313 AN EDWARDIAN POT POURRI BOX of oval form with a part pierced cover and gilt interior, by William Comyns, London 1904, and a Dutch circular box (2)

319 A RUSSIAN TABLE BELL of conventional form with a scroll handle, St. Petersburg, 1841, lacking clapper, and a parasol handle and a miniature kettle (3)

£50-100

£80-160

314 A PAIR OF MODERN FRENCH WINE TASTERS of conventional form with plain thumb pieces and loop handles, each marked "Sterling France", 3½" dia. (c.4.6oz)

320 AN EASTERN NIELLO WARE CIGARETTE CASE, the cover decorated with an architectural scene and gilt interior, a Dutch buckle and other items (5)

£50-100

315 A GERMAN MODEL OF A SEDAN CHAIR containing a timepiece, and two mustard pots, one English, the other French, and a metalware plaque (4)

321 A QUANTITY OF CHINESE FIGURES AND TOYS, a rolled gold bracelet and other items (a lot)

£80-160

316 AN EJECTOR QUILL PEN by Sampson Mordan & Co., of tapering cylindrical form, a cigar holder/ashtray, a continental bowl and a silver gilt Georgian toddy ladle bowl with added handles (4)

£50-100

322 A RUSSIAN CUP AND COVER of circular tapering form, decorated in polychrome enamels, the pull-off cover surmounted by a double eagle finial, gilt interior, assay masters mark of HA, and kokoshnik mark for 1896-1908, 6¾" high, (c.8.8oz). See illustration

£50-100

317 AN EDWARDIAN SILVER MOUNTED BAROMETER of shaped square form, on a wooden back and strut, white enamel dial, 5½" high

£100-200

£50-100

£1,500-2,000

Lot 322

323 A RUSSIAN SILVER AND NIELLO SNUFF BOX of rectangular form, the cover decorated with a scene of a warrior on a horse, gilt interior, with prick dot engraved initials, marked MK/1892, 3½" long. See illustration

329 A GEORGIAN FOLDING FRUIT FORK with a mother of pearl case and a quantity of mother of pearl mounted fruit knives etc. (a lot)

£200-300

330 AN 18TH CENTURY TOOTHPICK BOX of navette form, with engraved mother of pearl body and white metal mounts, unmarked, 3½" long

324 A GEORGE III SNUFF BOX of rectangular form, with engine-turned decoration and a vacant rectangular cartouche, gilt interior, by John Shaw, Birmingham 1795, 3" long. See illustration

£80-160

327 A GEORGE IV NIPPLE SHIELD of circular form pierced with holes, makers mark partially obscured, London 1824, 2¼" dia. See illustration

£50-100

334 A SET OF SIX ART NOUVEAU BUTTONS, each depicting a female portrait profile, by Saunders and Shepherd, Birmingham 1901, in a fitted case and a pair of King's Pattern sugar tongs by William Chawner

£80-160

£80-120

328 A LATE VICTORIAN VISITING CARD CASE of rectangular form, the body chased with foliage, crested, in a fitted case, by HW Ltd, Chester 1900, and a small silver mounted purse (2)

£50-100

333 A FIVE PIECE CRUET SET of circular form with pierced borders, by Levi & Salaman, Birmingham 1916, in a fitted case

£50-100

332 AN EDWARDIAN SILVER MOUNTED INKWELL of circular form, with scroll pierced decoration, by William Comyns, London 1901, 3½" dia.

£80-160

326 A VICTORIAN VINAIGRETTE of shaped oval form, with an engraved scroll border and diaper work centre, engraved with a crest, scrollwork base, pierced gilt grille, by FM, Birmingham 1845, 2" long. See illustration

£80-160

331 A SET OF SIX SILVER MOUNTED DRINKS COASTERS with pierced borders and star-cut bases, by Birks, and marked Sterling, 3" dia.

£80-160

325 AN ART DECO SILVER AND ENAMEL CIGARETTE CASE of rectangular form, the cover decorated with blue guilloche enamel, by WN Ltd, Birmingham1937, 3" wide. See illustration

£50-100

£150-250

Lots 323 - 327

335 A CONTINENTAL CRUCIFIX with strapwork decoration, bearing London import marks for 1902, 6" long

341 A PAIR OF VICTORIAN WINE LABELS of vine leaf form, one pierced "Madeira", the other pierced "Port", by Joseph Willmore, Birmingham 1838, and a small collection of wine labels, of mixed makers and dates (7). See illustration

£100-200

336 A MODERN PILL BOX in the form of a dog’s head, with hinged lid, London assay, 1" long

342 A PAIR OF EDWARDIAN FIVE BAR TOAST RACKS on ball feet, Sheffield 1907, and a further pair of toast racks, 3" high (c.7oz)

£50-100

337 A COLLECTION OF PILL BOXES including some with tortoiseshell and pique work decoration, some with Wedgwood Jasperware covers and a Regimental match case, of mixed makers and dates (10)

£80-160 343 AN EDWARDIAN EGG CUP by Wakely & Wheeler, London 1909, in a fitted case (lacking spoon), a cigarette case and a quantity of metalware ashtrays (a lot)

£100-200

338 A GEORGE III WINE LABEL of shaped rectangular form, cast in the form of shells, leaves and vines, pierced "Claret", by Emes & Barnard, London 1819, 2½" long. See illustration

£50-100

339

A COLLECTION OF WINE LABELS comprising a Georgian example of rectangular form with pierced top section, pierced "Gin", by SM, a Chester made example and one other silver wine label, also five plated examples (a lot). See illustration

£50-100

344 A CONTINENTAL SPILL VASE of trumpet form, on a loaded base, marked 830X, together with a quantity of continental white metal wares, comprising condiments and dishes (a quantity)

£100-200

345 A MIXED LOT comprising a pair of napkin rings, London assay, in a fitted case, a toast rack, a capstan inkwell, a cream jug and other items (a lot)

£80-160

340 A PAIR OF ENAMEL ON COPPER BATTERSEA STYLE WINE LABELS of escutcheon form, each decorated in polychrome enamels, depicting a Chinese man in a field, , one for "Whisky, the other "Brandy", 2" wide, late 18th/early 19th century. See illustration

£100-200

346 A QUANTITY OF VICTORIAN AND LATER SILVER TOPPED GLASS TOILET JARS of mixed makers and dates (6)

£100-200

£50-100

Lots 338-341

347 AN ART DECO HIP FLASK of canted rectangular form with engine-turned decoration and bayonet fitting cap, by HM, Birmingham 1929, a card case and an ashtray (3)

353 A CAPSTAN INKWELL with tortoiseshell and pique-work hinged cover, London 1913, a miniature chamberstick, Chester assay, two cigarette cases, a napkin clip and a quantity of pencils etc. (a lot)

£80-160

348 A COLLECTION OF CIGARETTE CASES of mixed makers and dates, some with engine-turned decoration (c.11oz) (3)

354 A LATE VICTORIAN MATCHING CREAM JUG AND SUGAR BOWL of oval form with part fluted decoration, London 1897, a Victorian sugar bowl by Charles Stuart Harris, and a metalware sugar bowl (c.9.4oz) (4)

£100-200

349 A BONE HANDLED CRUMB SCOOP of oval form, by Mappin & Webb, Sheffield 1927, two toast racks and a small quantity of teaspoons and sugar tongs (a lot)

£100-200

£60-80

356 A LATE VICTORIAN PORRINGER AND SAUCER of tapering circular form with loop handles and part-fluted scroll decoration, London 1898, 4½" dia. (c.6.4oz)

£50-100

351 A LATE VICTORIAN TRINKET BOX of heart form, the cover embossed with angels, Birmingham 1897, a similar matchbox cover by William Comyns, London 1896, also an embossed trinket box and a heart-shaped dish (4)

£50-100

357 A PAIR OF SAUCE BOATS and matching ladles, of oval form with egg and dart borders, on hoof feet, by Adie Brothers, Birmingham 1917, 5½" long, (c.6.8oz)

£80-160

352 A PAIR OF GEORGE III SALTS of cauldron form, on extended hoof feet, the bases scratch initialled, London 1762, a later salt and other items (a lot)

£100-200

355 A SILVER MOUNTED BUTTER DISH of circular form with a slat pierced body, Birmingham 1929, glass liner, a mother of pearl of handled bread fork and other items (4)

350 A MIXED LOT comprising three various napkin rings, two embossed salts and a small quantity of spoons, mixed makers and dates (a lot)

£100-200

£80-160

358 A MUSTARD POT of oval form with angular handle, Chester 1910, a salt, two salt spoons and a pair of peppers, of mixed makers and dates (a lot)

£100-200

359 AN EDWARDIAN SAUCE BOAT of tapering oval form with a leaf-capped flying scroll handle, on hoof feet, by Mappin & Webb, London 1906, 7" long, and another sauce boat (c.10oz) (2)

364 A VICTORIAN PRESENTATION TROWEL, of triangular form with screw-off carved ivory handle, with chased floral decoration and engraved with a presentation inscription relating to The Wesleyan Church in Streatham, London 1881, length, 13"

£80-160

360 AN EDWARDIAN SILVER MOUNTED EGG TIMER with ribbon and reed borders and glass interior, Chester 1903, 3¾" high, and a late Victorian porringer (2)

365 A VICTORIAN PRESENTATION TROWEL of shaped oval form, with a turned ivory handle, the presentation inscription relating to the Wesleyan Chapel in Hungerford, makers mark, D & S, Sheffield, 1863, length 13"

£50-100

361 A QUANTITY OF BIRKS STERLING SILVER WARE comprising a plate with a pierced border and a quantity of condiments (a lot)

£50-100

367 A CREAM JUG of oval form, with a scroll handle on ball feet, London 1911, height, 3½", weight (c.5.5ozs)

£200-400

363 AN ART NOUVEAU DRESSING TABLE MIRROR of shaped rectangular upright form, the borders with stylised decoration of herons amongst reeds and waterlilies, by WA, Birmingham 1905, wooden back, 12" high

£80-160

366 A PRESENTATION KEY, in a fitted case, relating to the Wesleyan Church in Exeter, together with a second presentation key, (2), mixed makers and dates

£100-200

362 A MIXED LOT OF SILVER ITEMS comprising a two handled porringer, Chester 1915, a part fluted bowl, two butter shells, a smaller circular dish, a sauce boat, a cased cruet set and a quantity of small pedestal bowls, of mixed makers and dates (a lot)

£80-160

£50-100

368 A SILVER MOUNTED TORTOISESHELL AND PIQUE WORK DRESSING TABLE SET, London Assay (5)

£300-500

£100-£200

369 Spare lot

FLATWARE 370 A SET OF SIX GEORGE IV QUEENS PATTERN DESSERT FORKS, crested, by William Chawner, London 1825, (c.11oz), 6¾" long

376 A QUANTITY OF DANISH CUTLERY comprising six table forks, five dessert spoons, a serving spoon, six teaspoons, six demi-tasse coffee spoons and a caddy spoon, by Cohr, circa 1950, (c.24oz)

£100-200

371 A SET OF FIVE GEORGE IV QUEENS PATTERN DESSERT SPOONS, crested, by William Chawner, London 1825, 7" long, (c.9oz)

377 A QUANTITY OF DANISH SILVER HANDLED SERVING PIECES including knives and salad servers, of differing patterns (14)

£80-160

372 A COLLECTION OF CONDIMENT SPOONS, a sifter ladle and three Scandinavian spoons, mixed makers and dates, (c.6oz weighable silver) (a lot)

£50-100

£80-160

£900-1,200

380 A PART MATCHED CANTEEN OF GEORGE III AND LATER HOURGLASS PATTERN CUTLERY, initialled, comprising twelve table forks, six tablespoons, five dessert forks, six dessert spoons and four sauce ladles, London assay, some pieces by William Bateman, mixed dates, (c.88oz). See illustration

£80-160

375 A HARLEQUIN SET OF SIX VICTORIAN AND LATER FIDDLE AND THREAD PATTERN TABLESPOONS, five London 1839, one later, by different makers, 9" long (c.16oz)

£200-400

379 A PART CANTEEN OF VICTORIAN KINGS PATTERN CUTLERY comprising nine tablespoons, six table forks, five dessert spoons, five table forks, six dessert forks, six teaspoons and a small quantity of condiment and mustard spoons, some pieces crested, by Benjamin Smith, London 1839 (the condiment spoons by William Eaton), (c.94oz).

374 A QUANTITY OF GEORGE III LONDON MADE OLD ENGLISH PATTERN DESSERT SPOONS of mixed makers and dates and an Old English pattern sauce ladle (c.7.5oz weighable silver) (a lot)

£100-200

378 A QUANTITY OF DANISH CUTLERY including two large serving spoons, an ornamental spoon and other items, of mixed makers and dates, (c.22oz)

373 A GEORGE IV CADDY SPOON of Old English pattern, crested, makers mark rubbed, Birmingham 1825 and three other caddy spoons including one Newcastle (4)

£200-300

£800-1,200

381 A QUANTITY OF WHITE METAL CONTINENTAL CUTLERY of fiddle and thread style, some pieces marked "800", some marked "12", comprising twelve tablespoons, twelve table forks, ten dessert forks and seven dessert spoons, crested, (this crest is believed to be of the Still family) (a lot)

£150-250

£500-1,000

Lot 380

382 A QUANTITY OF FIDDLE AND THREAD PATTERN TABLESPOONS, crested, comprising: three London 1824, three London 1834, four London 1826, one London 1838 and one London 1855, 8" long (c.32oz)

388 AN EXTENSIVE CANTEEN OF CONTINENTAL WHITE METAL CUTLERY with a floral pattern to the terminals, marked 800, in two fitted cases, (a quantity)

£350-450

383 A LARGE QUANTITY OF GEORGE III AND LATER LONDON MADE TABLE FORKS of Old English pattern, some crested, mixed makers and dates, (c.62oz) (a quantity)

389 A SET OF TEN VICTORIAN PISTOLHANDLED KNIVES with scroll terminals and steel blades, eleven pistolhandled dessert knives, matching, and a pair of carvers, London 1890. See illustration

£400-800

384 A MATCHED VICTORIAN FIDDLE PATTERN CANTEEN for six place settings, monogrammed, comprising six tablespoons, six table forks, six dessert spoons, six dessert forks and six teaspoons, the majority by RS, London 1892/1893, the teaspoons London 1874, by HH, (c.52oz)

£500-1,000

£150-300

£80-160

392 A QUANTITY OF VICTORIAN OLD ENGLISH THREAD AND SHELL PATTERN CUTLERY comprising four tablespoons, three table forks and a pair of sauce ladles, crested, by ISH, London 1860, (c.26oz)

£300-500

387 A QUANTITY OF SCOTTISH TABLESPOONS with Celtic points, crested, including a set of seven Edinburgh made examples, 1790, the remainder Edinburgh 1820, by WR, 8½" long, (c.38oz)

£350-450

391 A WILLIAM IV MARROW SCOOP of double ended form, initialled, by TW, London 1833, together with a Georgian example with stretched marks, 8¼" long (2)

386 A SET OF TWELVE SCOTTISH TABLE FORKS with Celtic points, crested, by WR, Edinburgh 1791, 8" long, (c.26oz)

£200-400

390 A HARLEQUIN SET OF TWELVE VICTORIAN GRECIAN PATTERN DESSERT SPOONS, crested, by JSH, London 1884-1886, a matching set of six dessert forks, London 1885, (c.35oz)

385 A SET OF TEN SCOTTISH CELTIC POINT PATTERN DESSERT SPOONS, crested, by WR, Edinburgh 1820 and two earlier examples, 7" long, (c.12oz)

£500-1,000

£200-400

393 A GEORGE III SOUP LADLE of Old English pattern, crested, by SH, London 1814, 12½" long, and an Edwardian example by the Goldsmiths & Silversmiths Co., London 1901, (2)

£400-800

£100-200

Lot 389

394 A VICTORIAN SOUP LADLE of Grecian pattern, crested, by Joseph & Horace Savory, London 1886, 13" long (c.11.5oz)

401 A RUSSIAN PARCEL GILT SPOON with shield-shaped terminal, chased decoration and gilt bowl, kokoshnik mark for 1908-1917, 6½" long, a spoon with a feather terminal and niello decoration, and seven other various spoons (a lot)

£100-200

395 A PAIR OF GEORGE III BASTING SPOONS of fiddle pattern, monogrammed, by RR, London 1813, 11" long

402 A GEORGE II SILVER GILT SPOON of Hanoverian pattern, initialled, by RP, London 1735, 8" long, and a Victorian fiddle, thread and shell pattern marrow scoop by George Adams (2).

£100-200

396 A GEORGE IV BASTING SPOON of fiddle pattern, crested, by WE, London 1820, 11½" long

£80-160

£200-400

£100-200

406 A SET OF SIX NORWEGIAN SILVER GILT AND ENAMEL COFFEE SPOONS by J. Tostrop, marked Sterling, in a fitted case, together with an Irish toddy ladle with twisted baleen handle (2)

400 A GERMAN DECORATIVE SERVING SPOON, the finial modelled in the form of a galleon, with a cast stem and a plain bowl, by Berthold Muller, with London import marks for 1902, 12" long.

£50-100

405 A PAIR OF GEORGE III BERRY TABLESPOONS later embossed with berries and vines, gilt bowls, London 1803, 8½" long and a collection of flatware comprising condiment spoons and other items, mixed makers and dates (a lot) (c.13.5oz)

399 TIFFANY & CO: A SERVING SPOON, the handle ornately decorated with grapes and leaves, with a kidney-shaped gilt bowl, marked Tiffany & Co. and Sterling, 9" long.

£100-200

404 A MIXED LOT OF DECORATIVE SPOONS including two Dutch spoons and two spoons with jadeite style stems, with kiwi finials (a lot)

£100-200

398 A SET OF FOUR GEORGE III TABLESPOONS of Old English pattern, initialled, by Samuel Godbehere, Edward Wigan and James Bolt, London 1803, 8½" long, and a set of six silver handled tea knives (a lot)

£100-200

403 A GEORGE III PROVINCIAL MEAT SKEWER of tapering form, crested, by George Walker, Chester 1797, 10" long.

397 THREE SWEDISH TODDY LADLES with turned wooden handles and oval-shaped bowls, two with pouring lips, 19th century, (3)

£100-200

£80-160

£50-100

407 A VICTORIAN MARROW SCOOP of double-ended form, by George Adams, London 1852, a pair of serving spoons with scallop-shell bowls, a Queens pattern toddy ladle and a small pair of sugar tongs (a lot)

£80-160

408 A SET OF FIVE WILLIAM IV FIDDLE PATTERN TEASPOONS, London 1830 and a quantity of small cutlery (a lot) (c.7oz)

415 A MATCHED SET OF TWELVE GEORGE III AND LATER OLD ENGLISH AND THREAD PATTERN DESSERT EATERS, some by Eley, Fern & Chawner, of mixed dates, circa 1815, in a fitted case

£50-100

409 A SMALL COLLECTION OF SPOONS comprising a Victorian fiddle, thread and shell pattern caddy spoon, a Kings pattern sugar spoon, a number of apostle terminal teaspoons and various coffee spoons (a lot)

416 A SET OF TWELVE EDWARDIAN BONE HANDLED FISH EATERS, monogrammed, by the Goldsmiths & Silversmiths Co., London 1908, in a fitted case with key

£100-200

410 A SMALL COLLECTION OF CONTINENTAL FLATWARE comprising a decorative spoon with apostle style terminal, a pair of scissor-action sugar nips, a three prong fork with bud terminal and a pair of English Georgian bright-cut sugar tongs (4)

£100-200

£50-100

413 A CONTINENTAL CAKE SERVER with a twist pierced stem and figural terminal, the slice embossed with cherubs in an arcadian landscape, circa 1920, 9" long

£80-160

420 A SET OF SIX SILVER GILT AND ENAMEL COFFEE SPOONS with bean-end terminals, by Walker and Hall, Chester 1939, in a fitted case

£50-100

414 A PART SET OF GEORGE III MOTHER OF PEARL MOUNTED DESSERT EATERS comprising eighteen knives and twelve forks, by IO, London 1806, in a fitted case

£100-200

419 A SET OF SIX ARTS AND CRAFTS TEASPOONS with pierced terminals and a hammered finish, by FH, London 1927, together with a set of twelve silver bladed bone handled tea knives, also cased (a lot)

£100-200

418 A CASED SET OF SWEDISH SILVER GILT SPOONS engraved in the antique manner, by C.G. Hallberg, a quantity of smaller silver Swedish spoons (a lot)

412 A PAIR OF IRISH SUGAR NIPS of scissor form, by W & S, Dublin 1894, 4½" long

£200-400

417 A CASED SET OF COMMEMORATIVE SPOONS for the Investiture, by BS, Birmingham 1981

411 A MIXED LOT OF CUTLERY comprising a quantity of bone handled dessert eaters, some crested, mainly Sheffield assay and a quantity of pistol-handled knives and forks (a lot)

£150-250

£50-100

421-499 Spare lots

£300-500

PORTR AIT MINIATURES AND OBJETS D'ART

Lot 514 75

500 DUTCH SCHOOL, probably late 17th/early 18th century A set of five portrait miniatures comprising: a young lady, her hair in ringlets with pearl necklace and lace embroidered gown, oval, 3"; a nun wearing a habit, oval, 3"; a pair of a gentleman with long wig and lace jabot and his companion, oval, 2", and a young boy with a wide plain collar, tondo, 2¼" all mounted in one frame.

506 ENGLISH SCHOOL, 19th century, A miniature portrait of Helen Bogle, born 12th February 1804, daughter of George Bogle of Glasgow, rectangular, inscribed to the reverse, in gilt anthemion frame, 4" x 3¼"

507 ANTOINETTE LOUISE DEMARCY (1788-1859) A portrait miniature of a lady, bust length wearing an elaborate lace and blue silk headdress, signed and dated 1831, oval, 4"

£300-500

501 ENGLISH SCHOOL, 19th century, A portrait miniature of a young man, half length, wearing a white stock and a grey coat, oval on ivory with a hair plaited back, 3"

£300-600 508 ENGLISH SCHOOL, Portrait miniature of a young boy, head only, oval within a gilt surround, indistinctly inscribed to the reverse, cased, 1½"

£400-600

502 ENGLISH SCHOOL, 19th century A pair of portrait miniatures of Mr and Mrs White, painted in profile on a light blue ground, oval in gilt mounts within ebonised frames, inscribed to the reverse, 2½"

£100-200

510 ENGLISH SCHOOL, 19th century A portrait miniature of a lady, bust length, wearing coloured décolleté with emerald necklace, her hair in ringlets, rectangular, in case, 3½"

£300-600

504 ENGLISH SCHOOL, 19th century A portrait miniature of a lady wearing a white dress with coiled hair, on paper, rectangular, 3½"

£200-400

509 ENGLISH SCHOOL, 19th century, Portrait miniature of a young lady, bust length, wearing a décolleté gown and emerald necklace, her hair in ringlets, rectangular with a pearl clasp, oval, 3" in an associated case

£150-300

503 ENGLISH SCHOOL, early 19th century A portrait miniature of a gentleman, head and shoulders, wearing a white stock and black/brown jacket on copper, oval, indistinctly inscribed to the reverse 'B...W hitehead', 3"

£300-600

£150-300

511 J BOURGOIN, 19th century A portrait miniature of a young girl, half length, wearing a white dress with blue ribbon set with a flower, signed, oval, 3"

£200-400

505 ALFRED EDWARD CHALON, RA (1780-1860): A portrait miniature of a seated gentleman, inscribed to the reverse and dated London 1824, on paper, 4¼" x 3¼"

£150-300

512 AN INDIAN MINIATURE PORTRAIT of The Hyder Khan, oval, 1½"

£200-400

£80-120

513 SOPHIE LIENARD (Paris) A portrait of Michael Jones, Esq, copied from the original painted by William D Kennedy, London 1840, Paris July 1840, monogrammed, signed and inscribed verso on porcelain panel, 4Âź" x 4". See illustration

ÂŁ1,500-2,000

514 THE FRY FAMILY PORTRAIT SILHOUETTE COLLECTION including: Joseph Fry, Priscilla Hannah Fry, Elizabeth Fry, Thomas Fry, Joseph Storrs Fry and others (19), oval in ebonised rectangular frames See illustration on page 75

520 A 19TH CENTURY ROSEWOOD GRAND PIANO FORTE NECESSAIRE, the hinged cover inlaid with piano keys with a mirror to the interior, opening to a tray fitted with mother-of-pearl and silver accessories, 8"

The Fry family was prominent in England, especially Bristol in the Society of Friends and in the confectionery business from the late 18th century to the early 20th century. Joseph Fry founded the famous chocolate company. The family were involved in social and philanthropic causes, Elizabeth Fry being the prison reformer.

521 A CONTINENTAL WHITE METAL AND GILT PECTORAL CRUCIFIX, with domed glazed panels, triform terminals inscribed 'INR' and dated AD 1697 to the reverse, 19". See illustration

£500-1,000

£100-200

£250-350 523 A VICTORIAN EBONISED WALKING CANE with an ivory skull automaton terminal, the mouth, tongue and eyes moving on a button, with silver mount, Birmingham 1892, 37"

516 AN ART DECO BLOND TORTOISESHELL DRESSING TABLE SET with gilt monogrammed backs, comprising brushes, hand mirror, miniature circular boxes and covers (8)

£1,000-2,000

522 A BRASS RELIQUARY CRUCIFIX, probably18th century, the hinged cover opening to a figure of our Lord, 5"

515 JOHN SIMPSON STOKE 'The Child and Flowers', portrait miniature, oval on porcelain, signed and dated, Feb 1840 with a paper label, also inscribed 'Miss Murray after Lawrence', 3¼"

£150-250

£150-300

517 AN AMUSING CONTINENTAL SOAPWOOD BOTTLE STOPPER in the form of a nodding donkey, 5" and three others (4)

524 A TORTOISESHELL CIGARETTE CASE with gold mounts and small diamond-set circlet, 3½", and a Continental blond tortoiseshell notelet case, set with a Dutch style oval repousse panel, with a gilt pencil, 4" (2)

£50-100

518 A MINIATURE CONTINENTAL TORTOISESHELL AND MOTHER OF PEARL MANDOLIN, 5", three other musical instruments and a bone butter knife (5)

525 19TH CENTURY BURRWOOD CIRCULAR SNUFF BOX AND COVER, set with a domed glass panel, 3½" and an ivory etui with monogrammed hinged cover opening to interior with fitted instruments, 4½" (2)

£100-200

519 A CONTINENTAL GILT FILIGREE OVAL HAND MIRROR, the reverse set with a butterfly, 11", and a silver engineturned powder compact, Birmingham (2)

£80-160

£100-200

£150-250

Lot 521

526 A SCRIMSHAW WHALE'S TOOTH, 19th century, incised and coloured with a shipwreck to one side and a scene of Moses discovered among the bullrushes, 6". See illustration

533 A CONTINENTAL MINIATURE PERFUME BOTTLE HOLDER of oval form, the cream ground with a gilt dot decoration, surmounted by a blue enamel panel opening to an interior fitted perfume bottle and stopper, 2"

£300-600

527 A LAPIS LAZULI CARVED SEAL with naturalistically modelled body and red glazed eyes (def.), 6"

534 A BOXWOOD SNUFF BOX in the form of two frogs, with a monogrammed brass mounted hinged base, 3", a Continental Scrimshaw type oval box and cover and a French circular box and cover with a view of Notre Dame (3)

£250-500

528 AFTER THE ANTIQUE: A CARVED IVORY FIGURE OF A FEMALE NUDE with dolphin to base on ebonised socle, 4½"

£400-600

£200-400

532 A SOUTH STAFFORDSHIRE ENAMEL PATCH BOX AND COVER, 18th century, the pale blue base with moulded concave sides, the hinged cover decorated with a vignette and inscribed 'For my love', 1½"

£100-200

537 AN EARLY 20TH CENTURY SILVER CIGARETTE CASE, monogrammed PAJ, set with a pear-shaped diamond, Chester, 3¾"

531 A FRENCH EBONISED AND GILT MUSIC BOX CASKET set with floral decorated oval and circular panels, 7"

£50-100

536 A MINIATURE BLOND TORTOISESHELL STAMP BOX AND COVER in the form of a domed casket on turned ivory feet, 2½", an oval ivory cased magnifying glass, a similar mother-ofpearl example and three other pieces (6)

£80-150

530 A TORTOISESHELL AND SILVER MOUNTED RECTANGULAR BOX AND COVER of 17th century design (apparently unmarked), 7"

£80-150

535 AN IVORY THERMOMETER in the form of an architectural monument with a terminal in the form of a cross, 8"

£100-200

529 A EUROPEAN CARVED IVORY SKULL, possibly 19th century, 1½"

£80-150

£300-500

Lot 526

538 ANTIQUITIES: A SMALL RECTANGULAR MARBLE PANEL, set within a silver mount, inscribed 'From the Centurions House, 7th Cohort of Vigiles Rome, AD225, 3"

545 A 9CT GOLD AND ENAMEL "PAST MAYORESS" MEDAL, inscribed to the reverse and dated 1932-33

£200-400

£100-200

539 A PAIR OF CARVED JADE CICADA, 1½"

546 A 9CT GOLD AND ENAMEL "PAST MAYOR" MEDAL, inscribed and dated to the reverse 1932-33

£80-150

540 A GOLD COLOURED METAL PROPELLING BRIDGE PENCIL, with engine-turned decoration (tests as gold)

547 FABERGE: AN ART DECO STYLE RUSSIAN SILVER CIGARETTE CASE, set with a red enamel and silver coin, stamped '88' and Faberge marks, 3". See illustration

£100-200

Provenance: Private collection, Dorset

541 AN IVORY AND BRASS MOUNTED FOLDING RULE by Geo Adlam, Birmingham.

£300-500

Provenance: Private collection, Dorset

543 A REGENCY GILT AND CORNELIAN INTAGLIO FOB SEAL, and four other gold and gilt hardstone-set seals (5)

£2,000-4,000

549 FABERGE: A GEM-SET SILVER GILT, GOLD AND ENAMEL BELT BUCKLE, marked Faberge, work master Henrik Wigstrom, St Petersburg 1908-1917, with scratched inventory number 23144, rectangular form with champlevé blue enamel and silver gilt ground applied with laurel scrolls adorned with rose diamond ribbons and rosettes within seed pearl borders, with double pin gold catch, marked on base, in leather box, the cover stamped 'K Faberge, Moscow, St Petersburg', 3" long. See illustration

£50-100

544 A GILT AND CORNELIAN SET INTAGLIO SEAL, two other seals and a gold coloured metal link bracelet (4)

£800-1,200

548 FABERGE: A NEPHRITE ENAMEL AND GOLD MINIATURE EAGLE ORNAMENT, the bird with ruby coloured eyes on a white enamel column and faceted nephrite base with enamel banding, with Faberge marks, 2". See illustration

£50-100

542 A GEORGE III "BRISTOL" BLUE GLASS SCENT FLASK with gilt diaper decoration and gold mount, 2¼", and another similar smaller example (2)

£250-500

£200-400

Provenance: Private collection, Dorset

£3,000-5,000

Lots 547, 548 and 549

549A A RUSSIAN LACQUER PAPIERMACHÉ BOX by Vasily Osipovich Vishnyakov, the hinged cover decorated with figures seated around a table watching a gentleman play the lute, with marks to the red lacquer interior, late 19th century, 7.5" wide. See illustration

553 A 9CT GOLD BRIDGE PENCIL, 2¾" and four other silver and silver mounted pencils (5)

554 A MONT BLANC MEISTERSTUCK BALL POINT PEN with black resin and rolled gold body, GP1049915, 6"

£400-600

550 A CONTINENTAL SILVER MODEL OF A HARE, stamped '800', 1½" and a model of a salmon (2)

£50-100

555 A CONWAY STEWART FOUNTAIN PEN with red marble effect body and gold mounts, another with dark blue ground and a small collection of other fountain pens and propelling pencils (8)

£80-150

551 A FRENCH NEEDLE CASE of tapering cylindrical form, with floral engraved gold mounts, 4"

£40-70

£50-100

£200-400

552 A 19TH CENTURY AMBER CHEROOT HOLDER with gold mount, 3", and five similar (6)

£50-100

Lot 549A

556 AN OVAL BRONZE RELIEF OF THE MADONNA OF THE ROSARY with St. Dominic preaching, the border with figural panels interspersed with stylised flowerheads, probably Venetian, late 16th century, 11½" x 8¼"

The iconography of the Madonna of the Rosary, although subject to minor variations, was well established by the 16th century. The upper part of the present plaquette shows the Virgin and Child distributing rosaries, assisted by child angels. Below, St. Dominic is represented preaching to a congregation, which includes the Pope, the Emperor and various other notables. Around the rim, punctuated by stylised roses, are ten of the fifteen mysteries of the rosary.

£600-£1,200

557 A PAIR OF LIMOGES ENAMEL PLATES monogrammed "PR" for Pierre Reymond, the crest in polychrome and gilt with scenes from the Old Testament, titled "Aaron" and "Pharaom", the borders with winged serpents interspersed with the heads of winged putti, each with a bejewelled coiffure, the reverse of each with a profile portrait within strapwork borders incorporating fruit, foliage and further winged putti, one inscribed in gilt "PR" on the obverse and both inscribed "PR" twice on the reverse in an oval panel, probably circa 1570, 7¾" dia. (2)

£4,000-£6,000

558-599 Spare lots

COINS

Lot 663 detail 87

600 A GEORGE V GOLD SOVEREIGN dated 1912

610 AN AMERICAN $10 GOLD COIN dated 1884

£200-300

601 AN EDWARD VII GOLD HALF SOVEREIGN dated 1909

£200-300

611 A GEORGE IV GOLD SOVEREIGN dated 1830

£100-200

£350-450

612 A VICTORIAN GOLD HALF SOVEREIGN dated 1872

602 A SOUTH AFRICAN GOLD ONE POND dated 1894

603 A TEN PYRASH GOLD COIN dated 1900

613 A VICTORIAN GOLD SOVEREIGN dated 1887

£100-200

604 A GEORGE III GOLD SPADE GUINEA dated 1798

£250-350

£300-400

£250-350

£220-320

£180-220

618 A VICTORIAN GOLD HALF SOVEREIGN dated 1887

£350-450

609 A GEORGE III GOLD THIRD GUINEA dated 1797, one other dated 1810, a quarter guinea dated 1718 and one other Turkish gold coin (4)

£80-160

617 A GEORGE IV GOLD HALF SOVEREIGN dated 1824

608 A GEORGE III GOLD SOVEREIGN dated 1820

£350-450

616 A NAPOLEON 20 FRANC GOLD COIN dated AN12

607 A GEORGE III GOLD SPADE GUINEA dated 1787

£200-400

615 A GEORGE I GOLD SOVEREIGN dated 1722

606 A GEORGE III GOLD SPADE GUINEA dated 1798

£200-400

614 A VICTORIAN GOLD SOVEREIGN dated 1854

605 A GEORGE III GOLD SOVEREIGN dated 1817

£120-220

£130-150

619 A VICTORIAN GOLD HALF SOVEREIGN dated 1887 £130-150

£300-500 88

620 A GEORGE III GOLD HALF GUINEA dated 1777

631 A WILLIAM IV GOLD SOVEREIGN dated 1832

£150-250

621 A VICTORIAN GOLD SOVEREIGN dated 1864

632 A GEORGE IV GOLD SOVEREIGN dated 1821

£200-400

622 A GEORGE IV GOLD SOVEREIGN dated 1821

£350-450

£120-220

625 A VICTORIAN GOLD SOVEREIGN dated 1887 £200-300

626 AN AMERICAN $5 GOLD COIN dated 1894

£200-400

£300-500

£200-400 640 A GEORGE V GOLD SOVEREIGN dated 1912

630 A WILLIAM IV GOLD SOVEREIGN dated 1833

£150-250

639 A UNITED STATES OF AMERICA $10 GOLD COIN dated 1881

629 A VICTORIAN GOLD SOVEREIGN dated 1862

£200-300

638 A SOUTH AFRICAN GOLD ONE POND dated 1898

£200-400

628 A VICTORIAN GOLD SOVEREIGN dated 1880

£400-600

637 AN AUSTRALIAN VICTORIAN GOLD SOVEREIGN dated 1867, and one British half sovereign dated 1892 (2)

£200-400

627 A VICTORIAN GOLD SOVEREIGN dated 1842

£250-350

636 A GEORGE III GOLD GUINEA dated 1788, and one other dated 1791 (2)

£200-400

635 A GEORGE III GOLD SPADE GUINEA dated 1793

£200-400

634 A GEORGE III GOLD GUINEA dated 1791

624 A GOLD HALF SOVEREIGN dated 1885

£240-340

633 A VICTORIAN GOLD SOVEREIGN dated 1872

623 A VICTORIAN GOLD HALF SOVEREIGN dated 1872

£350-450

£180-220

641 A VICTORIAN GOLD SOVEREIGN dated 1894

650 A GEORGE V GOLD SOVEREIGN dated 1918

£180-220

642 AN ELIZABETH II GOLD SOVEREIGN dated 1959, a Victorian gold half sovereign dated 1897 and a George III gold third guinea dated 1804 (3)

651 A GEORGE V GOLD SOVEREIGN dated 1912 £180-220

£300-400

652 AN EDWARDIAN VII GOLD HALF SOVEREIGN dated 1909, and one other George V dated 1914 (2)

643 A QUEEN VICTORIA DIAMOND JUBILEE COMMEMORATIVE GOLD MEDAL dated 1837

£150-300

658 ROYAL MINT: A GOLD PROOF HALF SOVEREIGN dated 1982, in a presentation case with outer card cover

£180-220

649 A GEORGE III GOLD HALF SOVEREIGN dated 1817 and one other Victorian gold half sovereign dated 1883 (2)

£180-220

657 ROYAL MINT: A GOLD PROOF SOVEREIGN dated 1982, in a presentation case, with outer card cover

£180-220

648 A VICTORIAN GOLD SOVEREIGN dated 1883

£180-220

656 A VICTORIAN GOLD SOVEREIGN dated 1899

£180-220

647 AN EDWARD VII GOLD HALF SOVEREIGN dated 1906, and another half sovereign dated 1915 (2)

£180-220

655 AN EDWARD VII GOLD SOVEREIGN dated 1908

£150-250

646 A VICTORIAN GOLD SOVEREIGN dated 1891

£180-220

654 A VICTORIAN GOLD SOVEREIGN dated 1887

£300-400

645 AN EDWARD VII GOLD SOVEREIGN dated 1907

£180-220

653 A GEORGE V GOLD SOVEREIGN dated 1927

£300-500

644 A GEORGE III GOLD GUINEA with shield to the reverse, dated 1774

£180-220

£100-200

659 AN AMERICAN $20 GOLD COIN dated 1910. See illustration

£180-220

£500-1000

Lot 659

Lot 660

Lot 661

Lot 662

Lot 663

Lot 664

660 A KING FUAD GOLD COIN dated 1977. See illustration

663 AN AUSTRIAN ONE HUNDRED CORONA RE-STRIKE GOLD COIN dated 1915, mounted as a brooch. See illustration

£250-450

661 A VICTORIAN GOLD £5 COIN dated 1887. See illustration

664 A PROMESA MATRIMONIAL GOLD MEDAL mounted as a pendant. See illustration

£800-1,200

662 A VICTORIAN GOLD £2 COIN dated 1887. See illustration

£1,000-2,000

£400-600 91

£500-1,000

665 WILLIAM AND MARY (1689-1694): A GOLD FIVE GUINEA PIECE dated 1693, with conjoined laureate busts, GVLIELMVS.ET.MARIA. DEI.GRATIA, with elephant and castle beneath, (c.42grams), 37mm dia. See illustration

Provenance: Deceased Estate, Dorset.

ÂŁ8,000-15,000

666 A FIVE FRANC SILVER COIN dated 1813 and two other silver coins (3)

673 A WHITE £5 NOTE dated April 28th 1952, numbered X65 087797, and signed "P.S. Beale"

£80-160

667 TWO GEORGE IV SILVER CROWNS dated 1822, and a collection of coins £50-100

674 A WILLIAM AND MARY IRISH HALF PENNY, dated 1694 and a collection of coins and tokens (a lot)

668 ROYAL MINT: HER MAJESTY QUEEN ELIZABETH, THE QUEEN MOTHER 80TH BIRTHDAY CROWNS (7), dated 1980, in a fitted presentation case with outer card cover, and a Falkland Island's Liberation Crown dated 1982, also in a presentation case and outer card cover

676 A GEORGE V GOLD SOVEREIGN, dated 1911

677 A GEORGE V GOLD SOVEREIGN, dated 1911 £180-250

£50-100

678 A GEORGE V GOLD SOVEREIGN, dated 1911

£180-250

679 A GEORGE V GOLD SOVEREIGN, dated 1911

£100-200

672 A CHARLES I SILVER CROWN, mint mark rose "Truru", dated 1642. See illustration

£180-250

£30-60

671 A GEORGE IV SILVER CROWN dated 1821, and eight others dated 1844, 1845, 1890, 1891, 1892, 1893, 1893 and 1898 (9)

£180-250

£100-200

670 A MAUNDY SET OF FOUR COINS dated 1910 and one other Maundy four pence coin dated 1680 (5)

£50-100

675 A GEORGE V GOLD SOVEREIGN, dated 1911

669 A COLLECTION OF SIX LATE ROMAN BRONZE COINS

£50-100

£180-250

679A A LARGE COLLECTION OF BRITISH COLONIAL AND OTHER STAMPS, including Arms, Crest and Stamps of all Nations and two Stanley Gibbons stamp catalogues, dated 1941 and 1952

£600-1,200

£200-400

Lot 672

POCKET WATCHES AND WRIST WATCHES

Lot 748 detail 97

686 A LADIES 18K YELLOW GOLD FOB WATCH, the gilt dial with Roman numerals and foliate engraved centre, in a foliate engraved case, attached to an unmarked yellow gold pin, with two watch keys and one other similar 18k fob watch (2)

680 EMANUEL OF PORTSEA: A GENTLEMANS 18CT YELLOW GOLD HALF HUNTING CASED POCKET WATCH, the white dial with Roman numerals, subsidiary seconds dial, inscribed "Emanuel 5 The Hard Portsea", the movement also inscribed and numbered "17211", the outer watch cover with blue Roman numerals, in a fitted leatherette presentation case

687 A LADIES 18K YELLOW GOLD HALF HUNTING CASED FOB WATCH, the white dial with Roman numerals and subsidiary seconds dial, the engraved case front cover also with Roman numerals, attached to a plain 9ct yellow gold bar brooch

£400-700

681 LONGUEVUE: AN 18K YELLOW GOLD SLIM HUNTING CASED POCKET WATCH, the silvered dial with circular gilt Arabic numerals, gilt seconds dial, inscribed "Longuevue", the movement cover inscribed "Medaille D'or Bordeaux 1895 Diplome D'honneur, Paris 1896, Longuevue", the case engraved with swags and foliage, in a wooden presentation case

£400-600

£150-250 689 A GENTLEMANS 9CT YELLOW GOLD HUNTING CASED POCKET WATCH, the white dial with Arabic numerals and subsidiary seconds dial

£200-400

683 T.R. RUSSELL: A GENTLEMANS 18CT YELLOW GOLD OPEN FACED POCKET WATCH, the white dial with subsidiary seconds dial, inscribed "T.R. Russell, 18 Church Street, Liverpool", the movement cover also inscribed, in a leatherette presentation case

£300-600

£250-500

691 BIRCH & GAYDON: A GENTLEMAN'S 18CT YELLOW GOLD HUNTING CASE POCKET WATCH, the white dial with Roman numerals, subsidiary seconds dial, inscribed "Birch & Gaydon, Fenchurch St. London 1954", the movement cover also inscribe. See illustration

£300-400

685 A LADIES 18K YELLOW GOLD FOB WATCH, the gilt dial with Roman numerals and foliate engraved centre, in a foliate engraved case, and one other 9ct yellow gold fob watch (2)

£200-400

690 A LADIES 18K YELLOW GOLD HALF HUNTING CASED FOB WATCH, the white dial with Roman numerals, the front cover guilloche enamel chapter ring also with Roman numerals, the case back monogrammed

684 A GENTLEMANS 9CT YELLOW GOLD HALF HUNTING CASED POCKET WATCH, the white dial with Arabic numerals, subsidiary seconds dial, inscribed "ROIDOR", the outer cover also with Roman numerals, in a leather protective pouch

£300-600

688 A GENTLEMANS 9CT YELLOW GOLD OPEN FACED POCKET WATCH, the white dial with Roman numerals and subsidiary seconds dial

682 A GENTLEMANS 9CT YELLOW GOLD OPEN FACED POCKET WATCH, the white dial with Arabic numerals, subsidiary seconds dial and sunken centre

£150-250

£150-250 98

£500-1,000

Lot 694

Lot 692

Lot 693

Lot 693 Lot 691

694 M. JENKINS, LONDON: AN 18TH CENTURY PAIR CASED POCKET WATCH, the white dial with Roman numerals and outer Arabic seconds numerals, the chain fusee movement inscribed "M. Jenkins 847", in a tortoiseshell pair case with gilt stud decoration. See illustration

692 A GENTLEMAN'S 18CT YELLOW GOLD HALF HUNTING CASED POCKET WATCH, the white dial with Roman numerals and subsidiary seconds dial, the outer cover also with Roman numerals, attached to an 18ct white and yellow gold fob chain. See illustration

£300-600

693 A GENTLEMANS 14K YELLOW GOLD OPEN FACED POCKET WATCH, the engraved gilt dial with Roman numerals, subsidiary seconds dial, attached to a short 9ct yellow gold fob chain, and another 9ct yellow gold fob chain with attached unmarked yellow metal swivel locket (2). See illustration

£200-400

695 A GENTLEMANS YELLOW METAL DENNISON HUNTING CASED POCKET WATCH, the white dial with Roman numerals, subsidiary seconds dial, inscribed "Thos. Russell & Sons, Liverpool", and a 9ct yellow gold fob chain, with attached Masonic ball and swivel seal (2)

£200-400

£250-500

696 A GENTLEMANS SILVER HALF HUNTING CASED POCKET WATCH, the white dial with Arabic numerals and subsidiary seconds dial, the front cover with Roman numerals and three open faced pocket watches (4)

700 A GENTLEMANS SILVER OPEN FACED POCKET WATCH, the white dial with Roman numerals, subsidiary seconds dial, inscribed "Tilly & Son, Dorchester" with a short white metal chain and one other metal fob chain (3)

£50-100

£40-80

697 A GENTLEMAN'S SILVER OPEN FACED POCKET WATCH, the white dial with Arabic numerals and subsidiary seconds dial, inscribed "H. Samuel Fleurier" and five other pocket watches (6)

701 A GENTLEMANS SILVER PAIR CASED POCKET WATCH with fusee movement, two other open faced pocket watches, one silver and one white metal, and a silver fob chain with attached coins and watch keys (4)

£50-100

698 A GENTLEMANS SILVER OPEN FACED POCKET WATCH, the white dial with Roman numerals, subsidiary seconds dial, inscribed "J.W. Benson, London" and one other pocket watch (2)

£150-250

702 A GENTLEMANS 18CT YELLOW GOLD OPEN FACED POCKET WATCH, the white dial with Roman numerals and subsidiary seconds dial, the movement cover inscribed "GH Roe Market Hill, Cambridge 45280"

£60-120

£200-400 699 A GENTLEMANS SILVER OPEN FACED POCKET WATCH, the white dial with Roman numerals, subsidiary seconds dial, inscribed "Kay Jones" and "Worcester", and two other pocket watches (3)

703-709 Spare Lots

£50-100

100

715 A LADIES 9CT YELLOW GOLD WRISTWATCH, the round dial with Arabic numerals, attached to a 9ct yellow gold articulated bracelet with folding clasp

710 A LADIES 9CT YELLOW GOLD WRISTWATCH, the round dial with Roman numerals, subsidiary seconds dial, attached to a 9ct yellow gold round link bracelet with folding clasp, in a leatherette presentation case

£100-200

£80-160 716 A LADIES YELLOW GOLD WRISTWATCH, the round engine-turned dial with Roman numerals, attached to a 9ct yellow gold link adjustable bracelet

711 ROTARY: A LADIES MODERN 9CT YELLOW GOLD WRISTWATCH, the round dial with gilt baton numerals, inscribed "Rotary Quartz", attached to a 9ct yellow gold mesh bracelet with folding clasp, in a Rotary leatherette presentation box

£150-300

717 A LADIES 9CT YELLOW GOLD WRISTWATCH, the round dial with baton and Arabic numerals, inscribed "Tudor Royal", attached to a 9ct yellow gold bracelet with folding clasp, the clasp inscribed "Rolex"

712 A LADIES 9CT YELLOW GOLD WRISTWATCH, the round dial with baton numerals, inscribed "Tudor Royal", attached to a 9ct yellow gold snake-link bracelet, with folding clasp, marked "Rolex" and one other wristwatch with a leather strap (2)

£100-200

719 A LADIES VICTORIAN 9CT YELLOW GOLD WRISTWATCH, the round dial with blue Arabic numerals and subsidiary seconds dial, attached to a 9ct yellow gold bracelet with folding clasp and two other similar gold watches (3)

£200-400

714 BAUM & MERCIER: A LADIES 9CT YELLOW GOLD WRISTWATCH, the round dial with raised baton numerals, inscribed "Baum & Mercier, Genève", attached to a 9ct yellow gold link bracelet with folding clasp

£100-200

718 ROTARY: A LADIES YELLOW GOLD WRISTWATCH, the round dial with Arabic numerals, inscribed "Rotary" attached to an articulated 9ct yellow gold bracelet with folding clasp

£150-300

713 A LADIES 18K YELLOW GOLD WRISTWATCH, the round dial with Arabic and dot numerals, inscribed "Octo", with yellow gold stepped and ringed shoulders, attached to a 9ct gold mesh bracelet with folding clasp

£200-400

£100-200

101

£150-300

720 BUECHE-GIROD: A LADIES 18CT YELLOW GOLD WRISTWATCH, the oval tiger's-eye dial inscribed "Bueche-Girod" with a textured bark yellow gold bezel attached to graduating circular gold links with a ring-clip fastener. See illustration

726 A LADIES WHITE METAL AND DIAMOND COCKTAIL WATCH, the oval dial with Arabic numerals, surrounded by a border of pave-set diamonds, attached to a white metal double snake bracelet with folding clasp, in a suedette presentation case

£1,000-2,000

721 BUECHE-GIROD: A LADIES 9CT YELLOW GOLD WRISTWATCH, the square gilt dial with gilt baton numerals, attached to an articulated bark set bracelet with folding clasp and safety chain. See illustration

727 ROLEX: A LADIES 18CT YELLOW GOLD AND DIAMOND COCKTAIL WATCH, the round dial with gilt baton numerals, inscribed "Rolex", the dial surrounded by a diamond bezel attached to a twisted triple row of graduated diamonds, overlaid on a folded yellow gold bracelet, with enclosed clasp, in original Rolex presentation case with paperwork. See illustration

£300-600

722 ROLEX: A LADIES 18CT YELLOW GOLD WRISTWATCH, the round dial with raised baton numerals and Rolex crown at 12 o clock, attached to an articulated 18ct yellow gold bracelet with folding clasp, stamped "Rolex" with safety chain. See illustration

£2,200-2,800 728 PATEK PHILLIPE: A LADIES 18K WHITE GOLD AND DIAMOND WRISTWATCH, the blue dial with raised baton numerals, inscribed "Patek Phillipe" attached to an 18ct white gold bracelet with folding clasp, the clasp also inscribed. See illustration

£700-1400

723 A LADIES 9CT YELLOW GOLD WRISTWATCH, the round dial with Arabic and baton numerals, seconds dial and inscribed "Tudor Royal", attached to a 9ct yellow gold bracelet with folding clasp marked "Rolex"

£4,000-6,000

729 ROLEX: A LADIES YELLOW GOLD COCKTAIL WATCH, the round dial with raised baton numerals and crown at 12 'o clock, inscribed 'Rolex Precision' , in a raised engraved case, circa 1950's

£100-200

724 A LADIES 18K GOLD COCKTAIL WATCH, the oval dial with Arabic numerals, inscribed "Vulcain", surrounded by pave-set old-cut diamonds, attached to a black ribbon strap and a ladies marcasite fob watch attached to a marquisite brooch (2)

£200-400

£150-250

730 A GENTLEMAN'S YELLOW METAL WRISTWATCH, the round dial with Arabic numerals and subsidiary seconds dial, inscribed "Rotary Super Sports", attached to a leather strap and one other lady's wristwatch (2)

£100-200

725 AN ART DECO WHITE METAL AND DIAMOND COCKTAIL WATCH, the rectangular dial with Arabic numerals surrounded by a pave-set diamond bezel, with diamond shoulders attached to an unmarked white metal mesh bracelet

£100-200

731 A GENTLEMAN'S WHITE METAL WRISTWATCH, the cream dial with gilt baton numerals, sweep seconds hand, inscribed "Rolex Oyster Speed King" attached to an articulated white metal bracelet with folding clasp

£400-600

102

£200-400

Lot 721

Lot 727 Lot 720

Lot 722

Lot 728

732 OMEGA: A GENTLEMAN'S 9CT YELLOW GOLD WRIST WATCH, the round dial with Arabic and gilt baton numerals, subsidiary seconds dial, inscribed "Omega" to include the original Omega clasp

735 JEAN PERRETT: A GENTLEMAN'S STAINLESS STEEL WRISTWATCH, the black dial with raised baton numerals, inscribed "Jean Perrett, Genève" attached to a black leather strap

£100-200

736 A GENTLEMAN'S YELLOW METAL WRISTWATCH, the square dial with Arabic numerals, attached to a brown leather strap and two other gentleman's wristwatches (3)

733 OMEGA: A GENTLEMAN'S STEEL AND GOLD FILLED WRISTWATCH, the round dial with gilt baton numerals, sweep seconds hand and date aperture, inscribed "Omega Automatic Seamaster Calendar" attached to an Omega black leather strap

£50-100

737 TAG HEUER: A GENTLEMAN'S QUARTZ CHRONOGRAPH WRISTWATCH, the round black dial with Arabic and baton numerals, three subsidiary dials, date aperture,, sweep seconds hand, inscribed "Professional Tag Heuer, 200 metres Formula 1" with outer seconds bezel, attached to a polished steel articulated bracelet with folding clasp, with original presentation case and instructions

£400-600

734 LONGINES: A GENTLEMAN'S 9CT YELLOW GOLD WRISTWATCH, the round cream dial with raised and Arabic numerals, subsidiary seconds dial and inscribed "Longines", the movement also inscribed and numbered "12841749" attached to a black leather strap

£80-160

£150-250

103

£250-450

743 JAEGER LE COULTRE: A GENTLEMAN'S 18CT YELLOW GOLD WRISTWATCH, the round dial with raised baton numerals and sweep second hand, inscribed "Jaeger le Coultre" attached to a black leather strap. See illustration

738 TAG HEUER: A GENTLEMAN'S STAINLESS STEEL QUARTZ WRISTWATCH, the round dial with raised baton numerals, sweep seconds hand and date aperture, inscribed "Tag Heuer, Professional 200 meters" attached to a stainless steel bracelet with folding clasp, model reference: WF1220, with papers and spare links

£250-450

744 A LADIES 9CT YELLOW GOLD WRISTWATCH, the round dial with Arabic numerals, the movement inscribed 'Rolex, 15 Jewels'

739 ETERNA PININFARINA: A GENTLEMAN'S STAINLESS STEEL AUTOMATIC WRISTWATCH, the blue dial with raised dot numerals, sweep seconds hand and date aperture, inscribed "Eterna" with outer seconds bezel, the reverse inscribed "No. 038A" , attached to an articulated stainless steel bracelet with folding clasp in a leatherette presentation case

£600-800

£200-300

747 ROLEX: A GENTLEMAN'S STAINLESS STEEL WRISTWATCH, the round dial with raised baton numerals and Rolex crown at 12 o' clock, sweep seconds hand, inscribed 'Rolex Oyster Royal' attached to a black modern leather strap £500-800 748 ROLEX PRINCE: A GENTLEMAN'S WHITE METAL 'Railway Watch' the rectangular dial with a marked square dial with Arabic numerals, inscribed 'Rolex Prince Chronometer', above a subsidiary seconds dial enclosed in a white metal case no. '10353, model 1862'. See illustration on title page

£2,000-4,000

742 VACHERON & CONSTANTIN: A GENTLEMAN'S 18CT YELLOW GOLD MECHANICAL WRISTWATCH, the round dial with Arabic and dot numerals, with subsidiary seconds dial, the scrolled lugs attached to a black leather strap, "circa 1950, case no. 286216, movement no. 442614, cal 458". See illustration

£600-1,200

746 'ROLEX' TUDOR: A GENTLEMAN'S 9CT GOLD WRISTWATCH, the round dial with Arabic numerals and subsidiary seconds dial, inscribed 'Tudor' attached to a yellow metal adjustable bracelet

741 IWC: A GENTLEMAN'S DER SLEIGER CHRONOGRAPH STEEL WRISTWATCH, the round black dial with Arabic numerals, outer seconds numerals, with three subsidiary dials and date aperture, inscribed "IWC Schaffhausen", the side with two adjustment crowns and winding crown, the case back inscribed "IWC der Flieger Chronograph 2966547" attached to a polished steel IWC articulated bracelet with folding clasp. See illustration

£150-250

745 ROLEX: A GENTLEMAN'S WHITE METAL 'CUSHION' WRISTWATCH, the cream dial with Arabic numerals and subsidiary seconds dial, the case back no. '85186, 2081' attached to a modern brown leather strap

740 OMEGA: A GENTLEMAN'S STAINLESS STEEL CHRONOMETER WRISTWATCH, the round dial with raised baton numerals, sweep seconds hand and date aperture, inscribed "Omega Constellation Chronometer Automatic" attached to an Omega stainless steel articulated bracelet with folding clasp, with an International Warranty Card dated 2004. See illustration

£400-800

£3,000-5,000

749 ROLEX: A GENTLEMANS ROLEX WRISTWATCH, the round dial with Arabic numerals and subsidiary seconds dial, inscribed "Rolex Oyster", the case back inscribed "Rolex Brevet 112724 3121", attached to a white metal expanding bracelet

£2,000-4,000

104

£150-300

Lots 740, 742 and 743

105

Lot 750

Lot 753

Lot 752

CARRIAGE CLOCKS 753 A SWISS TORTOISESHELL AND SILVER DRESSING TABLE CLOCK, the round white dial with Roman numerals, inscribed "A Barrett & Sons, 63 64, Piccadilly", the case front with silver mounts to each corner, silver bun feet and silver swing handle, 3½" high. See illustration

750 HY MARC: A FRENCH STAINED GREEN TORTOISESHELL AND BRASS STRIKING CARRIAGE CLOCK, the white enamel dial with Roman numerals, inscribed "Hy Marc, Paris", the movement striking on a bell in a stained green tortoiseshell case overlaid with brass, swing handle, 7" high . See illustration

£300-500

754 A SWISS WHITE METAL DRESSING TABLE CLOCK, the engine-turned dial with Arabic numerals, attached to a shaped engine-turned flat case with easel back, 3½" high and one other easel-backed dressing table clock (2)

751 A FRENCH SILVER CASED CARRIAGE CLOCK, the white enamel dial with Roman numerals in a plain silver case with swing handles, 5½" high

£100-200

£150-300

755 A MINIATURE SILVER CASED DRESSING TABLE CLOCK, the white enamel dial with Roman numerals, with a small French movement, in a plain silver case, hallmarked for London 1898, 3¼" high

752 A FRENCH IVORY DRESSING TABLE CLOCK, the round white dial with Roman numerals in a plain ivory case, with a silver diamond shaped mount above the dial, with enclosed letter "J", bun feet and silver swing handle, 3¾" high. See illustration

£200-400

£100-£200

£400-600

756-799 Spare lots.

106

END OF FIRST DAY’S SALE

FRIDAY 14 t h JUNE: 10.30A M

Je wellery

Lot 902 detail 107

800 A GRADUATED ROW OF OVAL AMBER BEADS, knotted, the largest 34mm wide, the smallest 12mm wide, 42" (106.6cm) long, (c. 105g all in)

806 A DOUBLE ROW CULTURED PEARL NECKLACE of graduated form, the largest pearl 7mm wide, the smallest 3mm wide, the 9ct yellow gold rectangular clasp set as a cluster with seed pearls and garnets, 17" (43.2cm) long

£200-400

801 AN AKOYA CULTURED PEARL NECKLACE, each round cultured pearl circa 6mm wide, knotted, 36" (91.5cm) long and a pair of ear studs set in 9ct yellow gold ensuite (2)

807 A CHINESE HEIDAO NUT BEAD NECKLACE, each bead carved to depict figures and foliage and interspersed with dyed blue wooden beads on brown twist cord, 34" long (56.4cm)

£300-600

802 A GRADUATED SPHERICAL SHELL BEAD NECKLACE with pink overtones, knotted, the largest bead 15mm wide, the smallest 5mm wide, 36" (91.5cm) long, and a serpent cuff bracelet ensuite (2)

803 SEVEN LOOSE GEMSTONE PACKETS including ruby, emerald, sapphire, garnet and opal, and a further mixed collection of faceted stone beads, gemstones and engraved intaglios (a lot)

£50-100 810 A PAIR OF GEORGE III SILVER SHOE BUCKLES, each with bead and stud edging, hallmarked for London, maker possibly Richard Evans, with steel clips, and a similar pair (2) See illustration on page 111

£100-200

805 A CORAL BEAD NECKLACE interspersed with nine sections of larger cultured pearl and coral beads, the largest coral bead 7mm wide, the smallest 3mm wide, 16" (40.6cm) long

£150-300

811 A 1960'S WHITE METAL "HANDKERCHIEF" NECKLACE, formed from three mesh bead panels, 16" (40.6cm) long

£80-160

805A A N AMBER BEAD NECKLACE, with large rectangular and smaller bead spacers, 20" (50.8cm) long, (c. 101g all in)

£250-500

809 A PAIR OF EASTERN WHITE METAL ANKLETS of fancy gate-link form with suspended bell decoration, and a conforming pair of drops, possibly for earrings (a lot)

£250-500

804 A PURPLE OVAL HARDSTONE INTAGLIO carved with a male figure and dog, possibly 18th century or earlier, an oval agate portrait cameo and a quantity of artefacts including Egyptian style turquoise ceramic relics (a lot)

£100-200

808 PALOMA PICASSO FOR TIFFANY AND CO: A MULTI-STRAND PINK, PEACH AND CREAM CULTURED PEARL CHOKER NECKLACE, the silver adjoining rings inscribed, 16½" (42cm) long, in a Tiffany & Co. box

£100-200

£150-300

£100-200 812 A FRENCH ART DECO ORANGE PASTE-SET COLLAR NECKLACE AND BRACELET ENSUITE, the concealed clasps with French marks, and a collection of other Art Deco and later costume jewellery, including a Blackamoor vanity mirror compact (a lot)

£100-200

108

£50-100

819 A 19TH CENTURY CONTINENTAL BLACK ENAMEL AND PEARL COLLAR NECKLACE formed from rectangular and square links and set with yellow gold and seed pearls suspending a detachable conforming cross pendant, 15" (38cm) long, in a fitted case

813 A 19TH CENTURY SCOTTISH SAMPLE AGATE CUFF BRACELET set in silver, a Belle Époque clear paste pendant and chain and other costume jewellery (a lot)

£50-100

814 GUGLIELMO CINI: A SILVER BROOCH modelled in the form of a hibiscus flower, the reverse with applied rectangular makers stamp and brooch fitment, 5.8cm wide.

820 A PAIR OF MOTHER OF PEARL AND ENAMELLED CUFFLINKS in the form of buttons the mother of pearl centres enclosed by emerald green enamelling and backed in unmarked yellow gold, with a similar stick pin, in a fitted case (a lot)

£50-100

815 A GEORGE III CLEAR PASTE BROOCH of oval form, rub-over set with various calibre-cut clear pastes within gold chased borders, the enclosed white metal back with brooch fitment, 4.4cm long. See illustration on page 111

£150-300 821 A 19TH CENTURY GENTLEMANS DRESS RING set to the centre with an oval cabochon garnet, with scroll engraved shoulders in unmarked yellow metal, and a similar seal ring set with a bloodstone, each in the original boxes (2)

£50-100

816 A PAIR OF 19TH CENTURY SILVER FILIGREE CHANDELIER EARRINGS modelled as a crown with fleur de lis plumage with further filigree bell-shaped drops and fish hook attachments, in the original fitted case, 7.2cm long. See illustration on page 111

£150-300

817 A VICTORIAN UNMARKED YELLOW METAL BANGLE set with a cluster of seed pearls and a central old-cut diamond forming a flowerhead design, the concealed clasp with safety chain, and a pair of Victorian jet and clear paste drop earrings and pendant ensuite (a lot)

823 AN ART NOUVEAU PENDANT of open scroll form set overall with seed pearls and two pear-shaped opals, in 9ct yellow gold, 4.7cm long, in a Harrods case £80-160

£80-160

824 A 19TH CENTURY MICRO MOSAIC PENDANT depicting an arrangement of flowers against a black ground, within a yellow metal rope-twist frame, bearing crosskeys hallmark, with a later silver gilt ribbon-tied brooch, 2.8cm dia. (micro mosaic only)

818 AN 18CT WHITE GOLD MOTHER OF PEARL AND SEED PEARL CUFFLINK AND DRESS STUD SET, each of octagonal form and backed in 9ct yellow gold, in a fitted Hamilton and Inches case, and a quantity of other gold backed dress studs and cufflinks, two set with diamonds (a lot)

£150-300

822 A 19TH CENTURY CROSS PENDANT set overall with pearls interspersed with pink toned rubies, within an unmarked yellow metal setting with pendant loop, 4.2cm long

£100-200

£200-400

£80-160

Images of all jewellery lots can be viewed online at www.dukes-auctions.com 109

825 A PAIR OF GREEN "HARDSTONE" DROP EARRINGS set in unmarked yellow gold, with fish-hook attachments, a 15ct yellow gold pearl-set bar brooch and a quantity of other costume jewellery (a lot)

832 A 19TH CENTURY REVERSE CRYSTAL INTAGLIO BROOCH depicting a monogram, the yellow metal borders set with oval lapis lazuli cabochon, 3cm long, in the original fitted case for Martin & Co. Cheltenham, Goldsmiths to the Queen, and a pair of drop earrings ensuite (2)

£80-160

826 AN OVAL SHELL CAMEO PENDANT depicting a side portrait profile of a classical woman, within an unmarked yellow gold pendant frame, 5.6cm long, a shell cameo brooch pendant depicting The Three Graces, 4.7cm long, and a collection of other jewellery including a 15ct yellow gold and platinum enamelled pheasant stick pin (a lot)

833 A 9CT YELLOW GOLD BAR BROOCH set to the centre with an enamelled pheasant, within a circular frame and a 15ct yellow gold bar brooch modelled as a crop with a foxes head, in a fitted case (2)

£100-200

828 A 15CT YELLOW GOLD BROOCH PENDANT modelled in the form of a flowerhead and pave-set overall with graduated seed pearls, a cabochon turquoise to the centre, 3.3cm long and a similar brooch pendant (2)

£80-160

£150-300

837 LALOUNIS: A PAIR OF 18CT YELLOW GOLD 1980'S DROP EARRINGS of triangular form, with moulded geometric patterning and leather texturising, the reverse of each with elliptical stamped makers marks, 7.5cm long (c.6 grams all in)

£80-160

831 AN EDWARDIAN SAPPHIRE AND DIAMOND BAR BROOCH set with seed pearls to form a trefoil scroll design, a diamond-set three stone ring, a diamond solitaire ring and costume jewellery brooches (a lot)

£150-300

836 A 19TH CENTURY PERPETUAL DAY/ DATE CALENDAR PENDANT of gilt disc form, one side engraved with the days of the week, the other night/day with rising and setting of the sun, enclosing a steel engraved spinning disc, and colletset with turquoise and amethyst, 2.2cm dia. See illustration on page 131

830 A VICTORIAN OVAL BANDED AGATE BROOCH set within a scroll and engraved crown unmarked yellow metal frame, 6.3cm long

£100-200

835 A VICTORIAN YELLOW METAL CHUNKY BELCHER-LINK CHAIN with granulated decoration, the barrel clasp set with blue glass beads, possibly Pinchbeck, 9" (45.7cm) long

829 A 9CT YELLOW GOLD SPIDER BAR BROOCH, the body set with an oval citrine and circular-cut peridot, 0.3cm long (spider only), a foiled yellow stone and seed pearl cluster bar brooch and a pink stone bar brooch (3)

£100-200

834 AN EDWARDIAN GEM-SET GARLAND NECKLACE collet and claw-set overall with peridot, white sapphire and pink stones, probably Topaz, each conjoined by pearlset chains to form a garland web design, on an unmarked yellow gold trace chain, 18" long (45.7cm) See illustration on page 115

827 A PAIR OF VICTORIAN GILT METAL DROP EARRINGS modelled as grapes set with oval foiled back amethysts, two shell classical portrait cameos and a collection of other jewellery (a lot)

£500-1,000

£80-160 110

£700-1,400

Lot 909 (part)

Lot 815

Lot 810

Lot 907

Lot 816 111

838 A VICTORIAN 15CT YELLOW GOLD EXPANDING BRACELET, each scroll "S"-link entwined and set with seed pearls to the top section, the interior with stamps for 15ct, (c.15.5grams all in)

844 A 15CT YELLOW GOLD ELONGATED CURB LINK BRACELET and two further gold bracelets, one with a 9ct yellow gold windmill charm, (c.40.1grams all in) (3)

£150-300

845 A 19TH CENTURY STYLE CONTINENTAL 14CT YELLOW GOLD NECKLACE formed from fancy granulated links and open flowerhead links, the centre with a central pearl-set flowerhead cartouche shaped link, the concealed clasp stamped with safety catches, 17¼" long (44cm) (c.25.1grams all in),

839 A 9CT YELLOW GOLD CURB LINK BRACELET set with four hardstone charms, a seal, an 1899 half sovereign charm and others, each link of the bracelet and the carabiner clasp hallmarked, (c.40.6grams all in)

£250-500

840 CARTIER: A PAIR OF 18CT YELLOW GOLD CUFFLINKS of engine-turned disc form, each collet-set to the centre with a round cabochon emerald, the reverse of each with eagles head hallmark and inscribed "Cartier", in the original fitted case, (c.13grams all in) See illustration on page 131

£1,800-2,200

£150-300

842 A 9CT YELLOW GOLD FANCY CURB LINK BRACELET, the heart padlock clasp with hallmarks and safety chain, (c.16.1grams), a 9ct yellow gold fancy rope-twist bracelet with 2 charms and a gilt metal granulated bracelet (3)

£250-500

848 VAN CLEEF AND ARPELS: A PAIR OF GOLD, ONYX AND DIAMOND CUFFLINKS of octagonal form, the backs with eagles head stamp, the conjoining sections stamped "VCA 91002" (2)

£100-200

843 A BANDED AGATE BALL PENDANT mounted on a 9ct yellow gold curb link chain, 27" long (68.6cm), (c.12.8grams) (chain only)

£200-400

847 A PAIR OF YELLOW METAL OVAL CUFFLINKS with engraved initials and monogram, the hinged stem stamped 14k, a pair of 18ct yellow gold engraved dress studs and a quantity of other gold and yellow metal dress studs, (c.34.9grams all in) (a lot)

£1,200-1,800

846 A 9CT YELLOW GOLD OPEN GATELINK FOB CHAIN, the carabiner clasp stamped 9ct, a yellow and white gold fancy link chain, and a 9ct yellow gold and bloodstone seal, (c.27.5grams all in) (3)

841 AN AUSTRIAN GOLD SHILLING dated 1915, mounted in yellow gold as a pendant, on a 14ct yellow gold chain, 22" long (c.55.8cm) , (c.8.3grams all in)

£300-600

£100-200

112

£800-1,200

849 A 9CT ROSE GOLD GATELINK BRACELET, the heart padlock clasp stamped 9ct, with safety chain, and a child’s 9ct rose gold bracelet, (c.20grams all in) (2)

855 A 1682 CHARLES II GOLD GUINEA, mounted in 9ct yellow gold as a pendant, on a 9ct yellow gold belcher link chain, 21", (53.3 cms) long (c.17.1gms all in)

£150-300

850 A 9CT YELLOW GOLD CURB LINK CHARM BRACELET, each link hallmarked, the heart padlock clasp hallmarked with safety chain, displaying twenty five 9ct yellow and rose gold and other charms including a Spade Guinea, (c.81.1gms all in)

856 A 9CT YELLOW GOLD GATE LINK BRACELET, the heart padlock clasp stamped 9ct with safety chain and another similar example (c.17.5 gms all in) (2)

£500-1,000

£450-850

858 A CLAW-SET SAPPHIRE CROSS PENDANT, mounted on an unmarked yellow metal fancy link chain, 31", (78.6cms) long, (c.15.2gms)

£500-1,000 852 A 9CT ROSE GOLD FANCY ALBERT CHAIN, each link hallmarked, suspending a "T"-bar and bloodstone compass fob, 15" (c.40.6cm) long (c.51.1grams all in)

£100-200

859 A 1929 SOVEREIGN mounted in hallmarked 9ct yellow gold as a medallion ring and a further sapphire and diamond dress ring (c. 14.4g) (2)

£350-650 853 A 9CT YELLOW GOLD BELCHER LINK GUARD CHAIN with carabiner clasp and suspending a gilt metal seal with engraved hardstone matrix, 20" , (76.2cms) long (c.31gms all in)

£300-600

860 A PAIR OF 18CT YELLOW GOLD CUFFLINKS, each modelled in the form of a mouse head with ruby cabochon eyes, the reverse stamped '18', (c.20.4gms all in) See illustration on page 131

£200-400

854 AN 1881 YOUNG HEAD SOVEREIGN, mounted in 9ct yellow gold as a pendant, on an indistinctly marked yellow metal curb chain, 20", (50.7 cms) long, (c.16.6gms all in)

£100-200

857 A CONTINENTAL 14CT YELLOW GOLD GRADUATED FRINGE STYLE NECKLACE, the concealed clasp stamped '585' with safety catch, 17" (43.2cms) long , (c.41gms all in)

851 A 9CT YELLOW GOLD BELCHER LINK CHARM BRACELET, the heart-shaped padlock clasp hallmarked with safety chain, suspending twenty four 9ct yellow gold and other charms, including a 1912 half sovereign (c. 60.3 gms all in)

£300-600

£1,000-2,000

£150-300

Images of all jewellery lots can be viewed online at www.dukes-auctions.com 113

861 A 9CT YELLOW GOLD GATE LINK BRACELET, four links hallmarked, the heart padlock clasp hallmarked with safety chain, (c.12.2gms)

868 AN 18CT YELLOW GOLD GENTLEMAN'S COURT FIT WEDDING BAND, hallmarked, (c.19.1gms)

£100-200

862 AN 18CT YELLOW GOLD UN-ENGRAVED SIGNET RING and two further 9ct gold un-engraved examples, all hallmarked, (c.20.8gms all in) (3)

869 A 22CT YELLOW GOLD COURT FIT WEDDING BAND, an 18ct yellow gold wedding band inset with three diamonds (two lacking) and two further gold rings (c. 14.2gms all in) (4)

£200-400

863 A 9CT YELLOW GOLD FANCY LINK NECKLACE, the concealed clasp with safety catch and hallmarked, 15", (45.7cms) long, a yellow metal bangle stamped '22ct', a diamond and pink stone dress ring and two pairs of yellow metal earrings, (c.37.9 gms all in) (a lot)

£200-400

£100-200

£250-500

866 AN UN-MARKED YELLOW GOLD FINE BELCHER LINK GUARD CHAIN, with carabiner clasp, 42", (106.6cms) long, (c.13.3gms all in)

£150-300

876 A LATE 19TH CENTURY TURQUOISE NECKLACE, formed from graduated claw-set turquoise cabochon in un-marked yellow gold, the concealed clasp with safety chain, 16", (40.6cms) long

£100-200

£400-600

867 A 9CT ROSE GOLD BLANK CARTOUCHE FOB, hallmarked, two further examples and a 9ct yellow gold brooch frame, (24.2gms all in) (4)

£150-300

875 AN AMETHYST, PERIDOT AND MOTHER OF PEARL BROOCH, modelled in the form of a flowerhead with four pearcut amethysts and four pear-cut smaller peridots, with a central mother-of-pearl disc, in unmarked yellow metal, the reverse with brooch fitment and safety chain, 2.8cms dia

£150-300

871 TIFFANY & CO: AN 18CT YELLOW GOLD GENTLEMAN'S WEDDING BAND, (c.7.7gms) in the original fitted pouch and box

865 AN 18CT YELLOW GOLD WEDDING BAND inset with platinum and a yellow metal wishbone ring stamped 14k, (c.19.6gms all in) (2)

£250-500

870 A 22CT YELLOW GOLD WEDDING BAND and two others, (c.8.7gms all in) (3)

864 A 19TH CENTURY FOILED TOPAZ AND SEED PEARL CLUSTER RING, set in unmarked rose gold with reeded open shoulders, and three gold rings (c.11.6gms all in) (4)

£350-650

877 A BELLE EPOQUE PERIDOT, DIAMOND AND PEARL PENDANT of open wreath design, collet set to the centre with a round-cut peridot and pear-cut peridot drop, surrounded by a diamond and pearl-set border, the pendant hanger collet-set with a round-cut peridot, all in silver and gold with a later detachable brooch fitment, 5.5cms long (pendant only). See illustration opposite

£200-400

114

£400-800

Lot 889 Lot 896

Lot 882

Lot 834

Lot 877

115

884 AN UN-MARKED YELLOW GOLD HINGED BANGLE, the top section rub-over set with a rectangular panel of pearls, surrounded by a beaded border, with safety chain (c.19.4gms all in)

878 AN OPAL AND DIAMOND BAR BROOCH, the unmarked yellow gold knife-edge bar claw-set to the centre with an oval opal cabochon and further claw-set with six graduated old cushion-cut diamonds, 3.8cms long

£100-200

£250-500

885 A 19TH CENTURY OVAL SHELL CAMEO, depicting a woman seated under a tree playing a lute with an Italian building in the background and mounted in a gilt metal scrolling brooch frame, 7.2cms long

879 A VICTORIAN SCARAB BEETLE BROOCH AND EARRING SUITE, the brooch modelled in the form of a flowerhead, formed from five claw-set scarab beetles, with a claw-set ruby to the centre, in unmarked yellow metal and a pair of single scarab beetle earrings ensuite, the brooch, 3.8cms long (2)

£300-600

886 A 19TH CENTURY MOONSTONE AND DIAMOND BROOCH, the central moonstone heart-shaped cabochon surrounded by a rose-cut diamond border and diamondset star surmount in an unmarked white metal knife-edge bar brooch, 4.8cms long

880 A THREE STONE BAR BROOCH, the three collet-set orange stones, possibly Scapolite, set on an unmarked yellow gold knife-edge bar brooch, with safety catch, 8.2cms long

£100-200

881 AN EDWARDIAN OPAL, DIAMOND AND DEMANTOID GARNET BROOCH PENDANT of openwork form, set with five opal cabochon trefoils in a central diamond-set flowerhead design, interspersed with five claw-set demantoid garnets in un-marked yellow gold, the reverse with hinged pendant hanger and safety chain, 3.5cms dia See illustration opposite

£200-400

£2,000-4,000

888 A CARVED GREEN JADE PENDANT, modelled in the form of a double gourd with leaves and suspended from a rose quartz rams head pendant hanger, on a silver trace-link chain, 4.4cms long (pendant only)

£150-300

889 AN EDWARDIAN GEM-SET BEE BROOCH, the body set with two oval cut pink topaz, the wings pave-set with graduated seed pearls and four demantoid garnets, in 15ct yellow gold, the reverse with brooch fitment, in a fitted case, 3.7cms dia. See illustration on page 115

£2,000-4,000

883 AN INDIAN YELLOW GOLD BRACELET, formed from nine fine gilt metal strands, interspersed with pearls, the lozenge- shaped clasp with filigree and granulated decoration and set with small naive-cut sapphires, rubies and emeralds

£100-200

887 A 19TH CENTURY CARVED CORAL BROOCH PENDANT, in the form of a cherub holding a lyre with a flute about his neck, the reverse with un-marked yellow gold brooch frame and suspended from a carved scroll coil surmount, probably Italian, 5.8cms long

882 A DIAMOND SNAIL BROOCH, the body of the snail milligrain-set overall with graduated round old-cut diamonds, in silver mounted with a real shell, the yellow gold underside unmarked with brooch fitment, 3cm long, in the original fitted case See illustration on page 115

£80-160

£150-300

116

£250-500

890 A 19TH CENTURY LAVA CAMEO BRACELET, formed from seven lava cameo depicting various Roman portraits, in unmarked yellow metal, each cameo 2.4cms long, in the original Robertson's box

896 AN EDWARDIAN AMETHYST RIVIERE NECKLACE, set with thirteen round-cut graduated amethysts, clawset on an un-marked yellow gold trace link chain, 18" (45.7cms long), in original fitted case, for Sidney Rambridge, Salisbury See illustration on page 115

£150-300

891 A 9CT YELLOW GOLD HINGED BANGLE, the top section of openwork flowerhead form claw-set with three round-cut graduated amethysts and set overall with graduated seed pearls, the concealed clasp with safety catch and chain

897 A PAIR OF ITALIAN CORAL EARRINGS, the coral carved in the form of a recumbent mouse and surrounded by a yellow metal entwined wire border with fish hook fitments, 1.4cms long

£150-300

892 AN EDWARDIAN OPAL AND RUBY BAR BROOCH of openwork design, modelled as four flowerheads in un-marked yellow gold, 3.6cms dia

£100-200

£1,400-1,800

£800-1,600

Lot 881

£70-140

895 AN EDWARDIAN AMETHYST DROP PENDANT, the circular round-cut amethyst suspending a knifeedge pearl-set drop with a further pear-shaped amethyst claw-set drop in 9ct yellow gold on 9ct yellow gold trace link chain with barrel clasp, 18½", (47 cms) long in the original fitted case for Sidney Rambridge, Salisbury

£50-100

899 A GOLD BRACELET, the un-marked yellow gold double snake link bracelet with engraved end loops, united by a 19th century gilt metal heart-shaped clasp set with a foiled pink oval topaz, plaited hairwork to the reverse, 2cm wide (clasp only), in a fitted case

894 A 19TH CENTURY SHELL CAMEO depicting a side portrait of a Maenad in a 15ct yellow gold bead and loop bordered brooch frame with safety chain, 3.8cms long

£800-1,600

898 A 19TH CENTURY SHELL CAMEO, possibly depicting Psyche, carved in deep relief, the winged woman holding a branch with a dove in a circular gilt metal rope-twist brooch frame with safety chain, 4.1cms dia., in original fitted case

893 A ROMANESQUE MICRO-MOSAIC PENDANT, the centre depicting a dove with an olive branch, surrounded by a trefoil cluster border and floral micromosaic drops in gilt metal, bearing lions head mark to pendant hanger, on an un-marked yellow gold rope-twist chain, 8.4cms long (pendant only)

£400-800

£100-200

117

904 A PAIR OF FLEMISH ENAMEL AND GEMSTONE EAR PENDANTS, each modelled in the form of a tulip suspending a bird with a pear-shaped drop, enamelled overall with puce, black and yellow against a white ground and collet-set overall with native-cut emeralds and rubies, the verso with conforming enamelled decoration, with yellow metal fish hook attachments, 5.6cms long, in a tooled red leather box for S J Phillips Ltd, basically late 17th century See illustration opposite

900 A FRENCH 18CT YELLOW GOLD MICRO-MOSAIC CUFF BRACELET, formed from seven rectangular micro-mosaic plaques depicting a bouquet of flowers, each within a gold bead trefoil and flower framework, bearing ramshead hallmark on the frame and concealed clasp tongue, further maker's mark "PL" (?) in a lozenge, 3cms long (each micro-mosaic panel), circa 1819-1830 See illustration opposite

£1,000-2,000

901 A 19TH CENTURY MEMORIAL BROOCH, formed from a pair of shaped carbuncle garnets, surrounded by rose-cut diamond borders and further black enamel borders to form a stylised heart design entwined by a claw-set pear-cut emerald, in un-marked yellow gold, with a pearl, ruby, diamond and emerald coronet surmount, later added and probably French late 18th century, 3.6cms long. See illustration opposite

Provenance: Private Collection, London

£2,500-4,500

Provenance: Private Collection, Dorset

905 A VICTORIAN HEART-SHAPED PENDANT, pave-set overall with seed pearls and a turquoise and diamond cluster forming a flowerhead design, the unmarked yellow gold reverse with circular locket aperture, 1.7cms long, suspended on a yellow gold trace link chain, interspersed with pearls, 15", 38.1cms long

£1,000-2,000

902 A 19TH CENTURY ITALIAN SHELL CAMEO depicting Diana the Huntress, with quiver and dog by moonlight, oval, 6.8cms long, within an ebony and gilt metal oval frame

906 SPARE LOT

907 A SILVER GENTLEMANS SEAL RING, inset to the top within a brass bezel, with a blue glass circular intaglio moulded with a dog's head, possibly 18th century See illustration on page 111

£400-800

903 AN EARLY 20TH CENTURY JADEITE AND GOLD DRAGON HINGED BANGLE, the stone of mottled tone, terminating in two gold dragon heads finely engraved with scales and inset ruby cabochon eyes and conjoined by a central textured ball representing a pearl, the concealed clasp with safety catch, (c.107.7g all in) See illustration opposite

Provenance: Private collection East Dorset. Gifted to the vendor's sister in the late 1960's in America and thence by descent

£3,000-5,000

£700-1,400

£200-400

908 A 19TH CENTURY GREEN HARDSTONE AND SEED PEARL BRACELET, each green hardstone bead, possibly aventurine or jadeite interspersed with wire-work bone-shaped links set with seed pearls and suspending a green hardstone ball with a central gilt wire-work granulated band, all in unmarked yellow gold, probably 15ct, probably Russian, in the original fitted case for Hall & Co., Manchester.

118

Hall and Co were Manchesters leading high-end jeweller. It is possible this piece was signed on the original ring that has now been replaced.

See illustration opposite

£500-1,000

Lot 901 Lot 908

Lot 900

Lot 903

Lot 904

119

917 A VICTORIAN PEARL AND DIAMOND FIVE-STONE RING rub-over set with two cushion old-cut diamonds, each circa 0.2cts and flanked by three graduated pearls of grey tone with rose-cut diamond pointers, on an unmarked yellow gold shank with scroll setting

909 A VICTORIAN SILVER LOCKET AND COLLAR, the collar formed from a star-shaped mesh with ball border, 19" (43.2cm) long, the locket of oval form with applied wire-work decoration and engraved star decoration, with a bead border and domed centre engraved with a leaf, Birmingham (c.64grams), a satinised glass pyrite and paste brooch and bracelet set, and other brooches including a stick pin in a Garrard's case (a lot) See illustration on page 111

£150-300 918 A PEARL AND DIAMOND RING, the unmarked white metal shank with twisted rose-cut diamond rub-over shoulders and set with two round pearls, each 5mm wide.

£200-400

912 A MILITARY RING, the central motif for the Order of the Garter set with rosecut diamonds and enamelling, on a full rose-cut diamond shank, in unmarked white metal

919 A BLACK OPAL CLUSTER RING set to the centre with an oval opal cabochon and surrounded by a rub-over border of graduated round opal cabochons, on an unmarked rose gold reeded shank with open shoulders

£500-1,000

913 A REGENCY RING collet-set to the centre with an emerald-cut emerald and surrounded by a cluster border of round--cut rubies, the unmarked reeded yellow gold shank with open leaf and scroll chased shoulders

£100-200

£600-800

£700-1,400

922 AN AQUAMARINE AND DIAMOND CLUSTER RING, the central circular aquamarine in a rub-over claw setting surrounded by a millegrain-set border of round brilliantcut diamonds forming a flowerhead design, the 18ct yellow gold shank with raised stylised shoulders, each rubover set with two graduated round brilliant-cut diamonds

916 A VICTORIAN PEARL HALF ETERNITY RING rub-over set with five graduated round white pearls with rose-cut diamond pointers, on an 18ct yellow gold shank with scroll setting, a Victorian plaited hair-work ring and three further dress ring (5)

£500-1,000

921 AN AQUAMARINE AND DIAMOND RING, the central cushion-cut aquamarine collet-set and surrounded by a cluster border of round brilliant-cut and princess-cut diamonds forming an Art Deco design, the 18ct white gold shank with open shoulders

915 A 19TH CENTURY RENAISSANCE REVIVAL RING, the square gold raised centre set with a four facet amethyst point, the unmarked yellow gold shank with bifurcated leaf shoulders

£100-200

920 AN AQUAMARINE AND DIAMOND CLUSTER RING rub-over set to the centre with an oval-cut aquamarine and surrounded by a rub-over cluster border of round brilliant-cut diamonds, totalling circa 0.3cts, on an 18ct yellow gold shank

£80-160

914 A REGENCY GENTLEMANS SEAL RING, the top inset with an oval red hardstone intaglio depicting a coat of arms, the yellow gold shank with floral chased shoulders, eagles head hallmark and further makers mark of the letter R with a bow.

£200-400

£100-200

£450-850

923 A ZIRCON COCKTAIL RING, the central blue oval zircon 18mm x 15mm, claw-set on an unmarked white metal shank with open shoulders 120

£150-300

931 A THREE STONE SAPPHIRE AND DIAMOND RING, the central oval sapphire on a 14ct yellow gold shank, with a round-cut diamond to each shoulder, each circa 0.1cts

924 A BLUE ZIRCON AND DIAMOND COCKTAIL RING claw-set to the centre with a round-cut zircon, 9mm dia. and surrounded by a cluster border of graduated round brilliant-cut diamonds totalling circa 1.75cts, in a raised coronet claw setting to an unmarked white metal shank with open stylised shoulders See illustration on page 123

932 A CORUNDUM AND DIAMOND CLUSTER RING, the central oval-cut green-blue corundum in a four claw setting and surrounded by a cluster border of round brilliant-cut diamonds totalling circa 0.3cts, on an 18ct yellow gold shank with raised solid shoulders

£800-1,600

925 A TANZANITE AND DIAMOND COCKTAIL RING, the central oval-cut dark violet tanzanite in a cupped moon 14ct yellow gold setting, the 14ct white gold shank with split pave-set diamond shoulders

£500-1,000

£400-800

927 A SAPPHIRE AND DIAMOND RING claw-set to the centre with round-cut sapphire and flanked to either side by an old-cut diamond, each circa 0.33cts, on an 18ct yellow gold shank

£400-800

£800-1,600

929 A SAPPHIRE AND DIAMOND CLUSTER RING, the central round-cut sapphire claw-set and surrounded by a cluster border of old-cut diamonds totalling circa 0.4cts, on a yellow gold shank with an old-cut diamond inset to each shoulder

£300-600

£1,000-2,000

The stone in this ring has a certificate from the Gem and Pearl Laboratory, 3rd March 2013, no. 07310, confirming that there is no evidence of heat treatment in this Burmese natural sapphire. See illustration on page 123

£1,400-1,800

935 A RUBY AND DIAMOND DRESS RING, the central cushion-shaped claw-set ruby surrounded by a border of ten old-cut diamonds totalling circa 1cts, forming an octagonal design and set in unmarked white metal with modified baguette-cut diamonds to each shoulder See illustration on page 123

930 A SAPPHIRE AND DIAMOND CLUSTER RING, the central oval Australian sapphire claw-set above a round-cut brilliant diamond border, totalling circa 1cts, in an 18ct white gold coronet claw setting, the shoulders each set with a baguette-cut diamond intersecting the main cluster.

£200-400

934 A BURMESE SAPPHIRE AND DIAMOND CLUSTER RING, the central Burmese natural sapphire circa 1.36cts, clawset and surrounded by a cluster border of round-cut diamonds, on an unmarked yellow metal shank with white metal tipped shoulders

928 A SAPPHIRE AND DIAMOND FIVE STONE RING, the three graduated oval-cut sapphires flanked by two round old-cut diamonds, each circa 0.33cts, in a rub-over scrolling claw setting, to an 18ct yellow gold shank

£150-300

933 A SAPPHIRE AND DIAMOND CLUSTER COCKTAIL RING, the central oval-cut Australian sapphire claw-set and surrounded by a cluster border of round brilliant-cut diamonds totalling circa 1cts, on an 18ct yellow gold shank with split fleur de lis shoulders

926 AN 18CT YELLOW GOLD BAND rub-over set with two rows of ten round-cut sapphires with a central round-cut diamond row, the shank stamped "750"

£1,500-3,000

£1,000-2,000

Images of all jewellery lots can be viewed online at www.dukes-auctions.com 121

942 A VERNEUIL SYNTHETIC SPINEL AND DIAMOND RING, the central stone of pale blue/green tone, cushion-cut in a four corner claw setting and flanked on either side by a round old-cut diamond, on an unmarked yellow gold shank with open geometric setting

936 A RUBY AND DIAMOND CLUSTER RING, the central oval-cut ruby in a rub-over setting and surrounded by a rose-cut diamond border, in a closed back setting to an unmarked yellow metal shank with open reeded shoulders

£300-600

943 A BELLE EPOQUE STYLE EMERALD AND DIAMOND RING, the central oval-cut emerald collet-set and surrounded by a halo border of graduated round-cut diamonds and set in unmarked white metal, to an unmarked white metal shank

937 A RUBY AND DIAMOND THREE STONE RING, the central oval-cut ruby of pale pink tone in a four claw setting and flanked on either side by a round brilliant-cut diamond, each circa 0.33cts, on an 18ct yellow gold shank

£1,300-1,600

£1,000-2,000

939 AN ART DECO STYLE EMERALD AND DIAMOND RING, the central emerald-cut stone in a four corner claw setting, to an 18ct white gold shank with round brilliantcut diamond inset shoulders terminating in a double baguette-cut diamond row

£1,000-2,000

Provenance: Private collection, London.

£400-800

951 A THREE STONE DIAMOND RING, the three graduated round-cut diamonds claw-set in platinum and totalling circa 0.9cts, on an 18ct yellow gold shank

£500-1,000

£250-500

952 A THREE STONE DIAMOND RING, the central old-cushion cut stone claw-set and flanked on either side by a further round old-cut diamond, all totalling circa 1cts, on an 18ct yellow gold shank with scrolling shoulders

941 AN EMERALD AND DIAMOND COCKTAIL RING, the central oval-cut emerald claw-set and surrounded by a cluster border of round-cut diamonds totalling circa 1cts, on an 18ct yellow gold shank with diamond-set shoulders

£1,500-3,000

950 A 19TH CENTURY DIAMOND SOLITAIRE RING, the central old cushion-cut diamonds circa 0.85cts, in a raised open claw setting, on a yellow gold shank with engraved Etruscan style shoulders, the inside stamped '18', and with the remains of engraved initials

940 AN EDWARDIAN EMERALD AND DIAMOND RING, the central emerald-cut stone in a collet setting and surrounded by a rub-over border of graduated rose-cut and old-cut diamonds forming a stylised plaque design, on an unmarked white metal reeded shank with collet-set rose-cut diamond shoulders, with indistinct continental marks to the outer edge, possibly French See illustration opposite

£450-850

944 AN EMERALD AND DIAMOND THREE STONE RING, the oval-cut central emerald 9mm x 7mm, claw-set and flanked on either side by a round brilliant-cut diamond, each circa 0.5cts, on an 18ct white gold shank with open shoulders

938 AN ART DECO STYLE RUBY THREE STONE RING, the three princess-cut rubies flanked by two baguette-cut diamonds, in a white metal rub-over setting to an 18ct yellow gold shank with bifurcated open shoulders

£80-160

£1,300-1,600

122

£800-1,600

Lot 935

Lot 940

Lot 924

Lot 974 Lot 934

123

953 A CONTEMPORARY 18CT YELLOW GOLD BAND rub-over set with a round brilliant-cut diamond, circa 0.1cts, the shank hallmarked

959 A DIAMOND FULL ETERNITY RING rub-over set with fifteen round-cut diamonds totalling circa 1.5cts, on unmarked white gold

£100-200

960 A TWO STONE DIAMOND RING, the platinum twisted shank with rub-over set diamond shoulders supporting two claw-set round-cut diamonds, each circa 0.33cts

954 A DIAMOND SOLITAIRE RING, the central round-cut stone, claw-set, circa 0.56cts, the 18ct yellow gold shank with white gold engraved open shoulders

£1,000-2,000

£600-1,200

961 A FIVE STONE DIAMOND RING, the five graduated round-cut diamonds totalling c. 0.34cts in a rub-over platinum claw setting, to an 18ct yellow gold shank

955 BULGARI: A MULTIPLE DIAMOND HALO RING with hinged top section, from the current Bulgari Astrale collection, in 18ct white gold, the shank stamped "Bulgari"

£1,600-1,800

£250-500

957 A THREE STONE DIAMOND RING, the three graduated round-cut diamonds totalling circa 1.5cts, in an 18ct white gold claw setting to an 18ct yellow gold shank

£100-200

963 spare lot 964 A THREE QUARTER DIAMOND ETERNITY BAND set with nineteen round-cut diamonds, in unmarked chased white metal, and a chased platinum wedding band, (c.2.6grams) (2)

£1,500-3,000

958 AN OLD-CUT DIAMOND SOLITAIRE RING, the central old-cut diamond circa 0.5cts, in a platinum claw setting to a platinum shank with baguette-cut diamonds and diamond point to the open shoulders

£200-400

962 A DIAMOND HALF ETERNITY RING, the 14ct yellow gold band channel-set with two rows of graduated princess-cut diamonds, the shank stamped 14k

956 A DIAMOND SOLITAIRE RING, the central round-cut diamond circa 0.3cts, claw-set to an 18ct yellow gold shank with open shoulders

£400-800

£100-200

£150-300

124

Lot 984

Lot 950

Lot 967

Lot 985

Lot 989

125

965 A VICTORIAN FIVE STONE DIAMOND RING, the five graduated old cushion-cut stones in an open claw setting to an 18ct yellow gold shank, in the original case, and a 22ct yellow gold wedding band, (c.4.8grams) (2)

971 AN ART DECO STYLE DIAMOND RING collet-set with two round-cut diamonds, each circa 0.3cts, forming a vertical line, in unmarked 18ct white gold with two rows of graduated rub-over set round-cut diamonds forming the shoulders

£200-400

966 AN ART DECO STYLE FIVE STONE DIAMOND RING, the five graduated round-cut diamonds, totalling circa 0.55cts, in a rub-over square setting, to an 18ct white gold shank

972 A DIAMOND SOLITAIRE RING, the central round brilliant-cut diamond circa 0.78cts, in a four claw setting, to an 18ct white shank, partially channel-set with princess-cut sapphires

£500-1,000

967 A CONTINENTAL DIAMOND AND GUILLOCHE ENAMEL COCKTAIL RING set to the centre with a graduated round-cut diamond cluster forming a flowerhead design, totalling c. 0.5cts, claw-set and raised on an opalescent guilloche enamel twisted shank, bearing Continental makers mark See illustration on page 125

£800-1,600

This ring was purchased from Tiffany & Co. approximately five years ago. When the ring was re-sized by Hinds Jewellers the marks were lost.

£150-300

974 A TIFFANY DIAMOND AND SAPPHIRE RING, the central round brilliant-cut Tiffany diamond circa 1.04cts, in a four claw 18ct white gold setting and flanked on either side by a pear-shaped sapphire, on an 18ct white gold shank See illustration on page 123

£100-200

969 A THREE STONE DIAMOND RING, the three round-cut diamonds totalling circa 0.9cts, clawset in 18ct white gold to an 18ct yellow gold shank

The diamond stone in this ring was originally purchased from Tiffany & Co. New York, October 14th 1996. In its' original form it was set in platinum as a solitaire ring. A Tiffany & Co. diamond certificate ref. D23233, states the stone to be 1.04cts, colour grade H, clarity grade VS1. There is a subsequent GIA Certificate, no. 8740957 confirming this grading. The original Tiffany & Co. shank and these certificates will be offered for sale with the ring.

£1,400-1,800

£250-450 970 A DIAMOND SOLITAIRE RING, the central round-cut diamond circa 0.48cts, claw-set in platinum to an 18ct yellow gold shank with platinum illusion-engraved open shoulders

£200-400 975 A FULL DIAMOND ETERNITY RING collet-set overall with 21 round brilliant-cut diamonds, totalling circa 1.8cts, in unmarked white metal

970A A SAPPHIRE AND DIAMOND GYPSY RING, rub-over set with a round-cut sapphire and two roundcut diamonds, on an 18ct yellow gold shank.

£1,500-3,000

973 TIFFANY & CO: A DIAMOND SOLITAIRE RING, the central round brilliant-cut diamond circa 0.2cts, in a coronet claw setting to a platinum shank, in the original box

968 A FULL DIAMOND ETERNITY RING rub-over set with thirty one round-cut diamonds, in a chased 18ct white gold setting, stamped 18ct and numbered V1392

£900-1,800

£100-200

126

£1,000-2,000

976 A 1940'S DIAMOND-SET COCKTAIL RING in the form of a stylised ribbon tie, rub-over set overall with graduated round-cut diamonds, the platinum shank with open shoulders

983 A FULL DIAMOND ETERNITY RING with approx 24 round brilliant-cut diamonds, in unmarked white metal £550-850

Provenance: Purchased by the Argentinean playboy, Augstin Torrent, for his illegitimate daughter. Torrent's mistress was the vendor's great grandmother.

984 A THREE STONE DIAMOND RING, the central round old-cut stone circa 1cts and flanked on either side by a smaller round old-cut diamond, each circa 0.6cts, in a scrolling claw setting to an 18ct yellow gold shank See illustration on page 125

£800-1,600

977 AN ART DECO STYLE DIAMOND AND EMERALD RING collet-set in a row to the centre with three graduated round old-cut diamonds totalling circa 0.7cts, and surrounded by a halo border of calibre-set emeralds, on an unmarked white metal shank with diamond-set open shoulders

£1,500-3,000 985 AN ART DECO STYLE DIAMOND RING, the central round-cut stone circa 0.87cts, in a four claw setting and surrounded by four fans of graduated baguette-cut diamonds, on an unmarked white metal shank, numbered 6322 See illustration on page 125

£1,800-2,200

978 A THREE STONE DIAMOND RING, the three graduated round old-cut diamonds totalling circa 1.62cts, claw-set to an 18ct yellow gold shank

£800-1,600

986 A DIAMOND SOLITAIRE RING, the central round brilliant-cut diamond circa 0.79cts, in a four claw setting, the 18ct white gold shank with split shoulders, each rub-over set with diamonds, and a conforming 18ct white gold half eternity wedding band, total diamond weight circa 0.13cts (2)

979 A DIAMOND HALF ETERNITY BAND, the unmarked white metal shank channel-set with 13 baguette-cut diamonds totalling circa 1.6cts

£2,400-2,800

980 A THREE STONE DIAMOND RING, the three graduated round-cut diamonds totalling circa 1.09cts, claw-set in platinum to an 18ct yellow gold shank with open shoulders

A valuation certificate for insurance purposes dated April 2006 states the central stone of the solitaire to be colour E clarity SI2

£1,500-3,000

987 A FULL DIAMOND ETERNITY RING set overall with approx. 25 round old-cut diamonds in a chased unmarked white metal setting

£1,200-1,500

981 A DIAMOND CLUSTER RING claw-set to the centre with a round brilliant-cut diamond circa 0.5cts, and surrounded by a graduated rub-over cluster border of round brilliant-cut diamonds forming a flowerhead design, on an 18ct white gold shank

£750-950

988 A DIAMOND CLUSTER RING set overall with graduated round brilliant-cut diamonds in a rub-over setting to form a flowerhead design, totalling circa 1.9cts, on an 18ct white gold shank with open stylised shoulders

£1,500-3,000

982 A FULL DIAMOND ETERNITY RING rub-over claw-set with circa 25 round-cut diamonds totalling circa 1.25cts, in unmarked white metal

£4,500-6,500

£1,500-3,000

Images of all jewellery lots can be viewed online at www.dukes-auctions.com

£300-500

127

989 A DIAMOND SOLITAIRE RING, the central round brilliant-cut stone circa 0.94cts and flanked on either side by a baguette-cut diamond, each circa 0.2cts, on an unmarked yellow gold shank with open framework See illustration on page 125

1005 A DIAMOND BAR BROOCH, the 18ct yellow gold knife edge bar collet-set with three round old-cut diamonds, totalling c. 1.1cts, the central diamond surrounded by a halo of further smaller round old-cut diamonds, with safety chain, 4.8cm long

£2,000-4,000

1006 A DIAMOND PENDANT of open pear-drop from set overall with graduated round brilliant-cut diamonds, totalling circa 0.5cts, set in unmarked yellow gold, 1.8cm long

990 A THREE ROW DIAMOND ETERNITY RING, the central row channel-set with eight princess-cut diamonds and flanked on either side by a row of graduated channel-set round brilliant-cut diamonds, totalling circa 1.92cts, and set in 18ct white gold

1007 A YELLOW AND COLOURLESS DIAMOND PENDANT claw-set to the centre with a round brilliant-cut yellow diamond, circa 0.33cts, surrounded by a double halo border of round brilliant-cut yellow diamonds and round brilliant-cut colourless diamonds, the total yellow diamond weight 0.64cts, the total colourless diamond weight 0.29cts, suspended on unmarked white gold trace-link chain, 16" (43.2cm) long

£1,400-1,800

1001 A PAIR OF DIAMOND AND ALMANDINE GARNET EAR STUDS, the central round-cut almandine garnet claw-set and surrounded by a detachable cluster border of round brilliant-cut diamonds, each earring totalling c0.3cts, enabling the earrings to be worn as plain garnet studs, or as diamond and garnet clusters, all set in 18ct yellow gold

1008 A VERNEUIL SYNTHETIC SPINEL AND DIAMOND PENDANT, the central trapeze-shaped synthetic spinel in a collet setting, with a claw-set round-cut diamond to the bottom, circa 0.15cts, on a 9ct yellow gold fine trace-link chain, the pendant 2.6cm long, the chain 16" (40.6cm) long

£250-500

£50-100

£400-800 1009 A PAIR OF ROSE-CUT DIAMOND EAR STUDS, the central rose-cut diamond (table and girdle only) claw-set with four claw-set diamond pointers forming a cross, in unmarked white metal with screw stud fitments

1003 A PAIR OF BELLE EPOQUE STYLE DIAMOND-SET EARRINGS of reticulated pear-drop form, collet-set with a round diamond, each circa 0.2cts to each drop and further millegrain-set with graduated round-cut diamonds, in unmarked white metal to a yellow and white metal fishhook attachment

£1,800-2,200

1002 AN EDWARDIAN DIAMOND BAR BROOCH rub-over collet-set overall with 25 graduated rose-cut and old-cut diamonds, totalling circa 1cts, in unmarked yellow metal, 1.3cm long, in the original fitted case

£150-300

£500-1,000

1010 A DIAMOND AND SAPPHIRE LONG BAR BROOCH, channel and claw-set with alternating panels of princesscut sapphires and seven round-cut diamonds, in an unmarked rub-over yellow gold setting, 13cm long

£1,200-1,800

1004 A DIAMOND PLAQUE BROOCH set overall with graduated round old-cut, princess-cut and cushion-cut diamonds, c. 2.5cts, overall forming a millegrain open geometric design, set in unmarked white metal, 1.2cm long See illustration opposite £500-1,000

£600-1,200

128

Provenance: Private collection, Dorset

Lot 1014 Lot 1030

Lot 1004

Lot 1015

Lot 1010

Lot 1033

Lot 1027

129

1017 A VICTORIAN DIAMOND CRESCENT BROOCH set overall with graduated round old-cut diamonds, the largest circa 0.5cts, in a millegrain white and yellow unmarked metal setting, with brooch fitment, in a fitted case

1011 A PAIR OF AQUAMARINE AND DIAMOND DROP EARRINGS, the reticulated white gold knife edge train collet-set with three round-cut diamonds and terminating in a marquise-cut aquamarine with a half graduated diamond border, with fish hook attachments, 3.1cm long

£800-1,600

1018 A YELLOW AND WHITE GOLD DIAMOND ENCRUSTED COLLAR NECKLACE of open link form, rub-over set overall with graduated old-cut diamonds, the concealed clasp with indistinct mark and safety catch, circa 16", (50.6cm) long

1012 A 14CT YELLOW GOLD HINGED BANGLE, the top section rub-over set with a marquise-cut sapphire and eight graduated round brilliant-cut diamonds forming a stylised wishbone design, the concealed clasp with safety catch and a necklace ensuite, 16" (43.2cm) long (2)

1019 A PEARL AND DIAMOND BAR BROOCH, the central pearl of green tone and raised around a rosecut diamond border forming a flowerhead design, on an unmarked yellow gold safety pin brooch, 3.8cm long

£700-1,400

£1,500-3,000

£1,200-1,800

£500-1,000

1022 A DIAMOND LINE BRACELET, each of the 58 round brilliant-cut diamonds totalling c.2.6cts, in a four claw 18ct white gold setting, the concealed clasp with safety catch

£800-1,600

£600-1,200

This pendant would make a matching suite with lot 1024

1016 A MOONSTONE FRINGE NECKLACE collet-set overall with round cabochon moonstone with oval cabochon moonstone and pink stone, probably tourmaline, drops, on an unmarked yellow metal fancy trace-link chain, 16" (43.2cm) long

1021 A 14CT YELLOW GOLD FLATTENED CURB LINK NECKLACE collet-set with five round brilliant-cut diamonds to the centre, each circa 0.2cts, and flanked on either side by a panel of pave-set diamonds, the clasp hallmarked, 14" (35.5cm) long and a bracelet ensuite (2)

1015 AN ART DECO DIAMOND PLAQUE BROOCH of open geometric form, collet-set to the centre with a round old-cut diamond circa 0.2cts and surrounded by stylised borders of further round old-cut diamonds, total diamond weight overall in excess of c. 2cts, set in unmarked white metal with a brooch fitment to the reverse, 4.5cm long See illustration on page 129

£100-200

1020 A DIAMOND DAISY DROP PENDANT, the two millegrain-set diamond flowerheads conjoined by graduated diamond bar, on an unmarked white metal trace chain, 18" (45.7cm long)

1014 A DIAMOND AND SAPPHIRE PLAQUE BAR BROOCH of open rectangular form collet-set with graduated round old-cut diamonds, totalling circa 0.8cts and graduated oval-cut sapphires forming three stylised flowers, in unmarked chased white metal with bar brooch fitment, 5cm long See illustration on page 129

£2,000-4,000

£200-400

1013 A PAIR OF DIAMOND DROP GARLAND EARRINGS collet-set overall with diamonds forming an open pear-drop shape and suspended in the centre with a flowerhead diamond design, set in 18ct white gold, with stud fitments

£800-1,600

130

£3,000-3,600

Lot 1029

Lot 1028

Lot 1036

Lot 1037

Lot 840

Lot 836

131

Lot 860

1023 AN EDWARDIAN DIAMOND PLAQUE BROOCH of open rectangular form and set with graduated round and cushion old-cut diamonds, forming a stylised design set in white metal, the brooch bar with continental marks, 3.7cm long

£400-800

1024 A PAIR OF DIAMOND DAISY DROP EARRINGS, each collet-set with a round old-cut diamond, circa 0.15cts and suspending a diamond encrusted cluster flowerhead and leaf drop, in unmarked white metal with fishhook fitments, 4cm long

£1,600-1,800

1025 A DIAMOND BROOCH of floral ribbon-tied bouquet form, claw-set with 14 graduated round brilliant-cut diamonds forming flowerheads and further rub-over set with graduated round brilliant-cut diamonds forming the foliage, all in unmarked white metal, the reverse with makers stamp HC Ltd, 5.4cm long

£400-800

1026 A DIAMOND AND CULTURED PEARL PENDANT, the flattened white cultured pearl 11mm dia. and suspended from a collet-set diamond train, the 18ct white gold trace-link chain interspersed with circular diamond-set discs, 16" (43.2cm) long

£1,000-2,000

1027 A DIAMOND AND SAPPHIRE BROOCH PENDANT claw-set to the centre with an oval cushion old-cut diamond of tinted yellow colour, circa 1cts and set in unmarked white metal, the open scroll-work frame scattered overall with rose-cut diamonds and claw-set round-cut sapphires, with detachable sapphire and diamond-set pendant hanger, the reverse with hinged pendant loop and brooch bar, in a fitted case, for White & Killby, 3.8cm long. See illustration on page 129

£1,500-3,000

1028 A PAIR OF OPAL AND DIAMOND DROP EARRINGS of fancy kite-shape form, millegrain-set overall with graduated round brilliant-cut diamonds and square cabochon opals, each kite-shape suspending an oval opal cabochon of orange/green iridescence, in unmarked white metal, 6.2cm long See illustration on page 129

£1,800-2,200

1029 AN ART NOUVEAU BLACK OPAL DROP PENDANT, the octagonal black opal claw-set and surrounded by an open-work rose-cut diamond rub-over border suspending a diamond-set knife edge and further black opal oval drop with rose-cut diamond leaf surmount, in unmarked white metal to an unmarked white metal trace-link chain, 20" (50.8cm) long See illustration on page 131

£1,500-3,000

1030 A VICTORIAN DIAMOND BROOCH modelled in the form of a flower, the flowerhead set to the centre with a round old-cut diamond, circa 0.25cts, and further millegrain-set overall with graduated round old-cut diamonds, total diamond weight overall c. 2.34cts, on unmarked white and yellow metal, with detachable safety chain, 4.2cm long See illustration on page 129

£1,000-2,000

1031 AN OPAL AND DIAMOND BAR BROOCH, the unmarked white metal knife edge bar claw-set to the centre with an oval cabochon opal and flanked on either side by a claw-set trefoil of round old-cut diamonds, each diamond circa 0.1cts, 5.7cm long, in a fitted case

£250-500

1032 A PAIR OF DIAMOND STUD EARRINGS, each round brilliant-cut diamond circa 0.25cts, in a four claw 18ct yellow gold stud fitting

£600-1,200

1033 A LATE VICTORIAN ROSE GOLD HINGED BANGLE, the top section rub-over set with 13 graduated oval and cushion-cut sapphires interspersed with old-cut diamond pointers, in a closed scrolling setting, the lower section of open knife-edge form, the concealed clasp with safety chain suspending a yellow gold St. Christopher, in the original fitted case for Levermore & Co. See illustration on page 129

£1,000-2,000

1034 A SAPPHIRE AND DIAMOND DROP PENDANT, the pear-shaped sapphire in a three claw 18ct white gold setting suspended from a vertical row of three round brilliant-cut diamonds, on an 18ct white gold trace-link chain, 19", 58.3cm, and a pair of drop earrings ensuite (2) 132

£200-400

1038 ASPREY & CO. LTD: A PAIR OF SAPPHIRE AND DIAMOND DROP EARRINGS, each modelled as a claw-set round-cut sapphire cluster forming a grape with a marquise-cut diamond train, totalling circa 1.2cts and suspending a pear-drop shaped sapphire, in unmarked white metal, the clip backs inscribed "Asprey" and numbered "RE5024127", 3.6cm long, in a fitted Asprey case. See illustration

1035 A DIAMOND BROOCH of open circular form millegrain-set overall with graduated rose-cut diamonds forming a stylised floral leaf design, in unmarked yellow gold with brooch fitment and hinged pendant hanger, 3.7cm dia.

£200-400

1036 CARTIER, LONDON: A DIAMOND RAF BROOCH, the wings, monogram and crown rub-over set with graduated round-cut diamonds, with red and green enamelling, and set in unmarked white and yellow metal, the reverse inscribed "Cartier, London" and numbered 2544, with safety chain, 5.9cm wide. See illustration on page 131

1039 IN THE STYLE OF ASPREY & CO. LTD: A SAPPHIRE AND DIAMOND CLUSTER RING claw-set at different levels to the centre with fourteen round-cut sapphires and surrounded by a cluster border of round brilliant and marquise-cut diamonds, totalling in excess of circa 2cts, on an 18ct unmarked white gold shank, with open shoulders See illustration

£1,000-2,000

1037 FABERGE: A DIAMOND STICK PIN modelled in the form of a double eagles head with crown surmount, millegrain-set overall with graduated round-cut diamonds and set with a round-cut ruby within a shield to the centre, the yellow gold reverse with half struck KF mark and makers mark AH, possibly for August Wilhelm Holmström (1829-1903) or his son Albert (1876-1925), 3.8cm dia. mounted on a goldstick pin marked for Henrick Wigström with further Faberge and Russian marks, in a later fitted Faberge box.

£3,000-6,000

£1,500-3,000

1040 A PAIR OF EDWARDIAN MABE PEARL AND DIAMOND DROP EARRINGS, the reticulated train collet-set with four graduated round old-cut diamonds totalling circa 0.72cts each, and terminating in a round mabe pearl, in unmarked yellow and white metal with fish-hook safety catch attachments 2.5cm long, in the original fitted case for Goldsmith Alliance Ltd See illustration

August Wilhelm Holmström (1829-1903) was a Finnish workmaster for Faberge and was appointed Chief Jeweller in 1857. As Head Jeweller he not only produced magnificent pieces of jewellery but also produced elements of objets of vertu including diamond encrusted mounts for cigarette cases and boxes of which this may originally have been. The curved shape of the design supports this theory. After August’s death, his son continued to use the same makers mark. It has been converted into a stick pin at a later date, but possibly using an older stick pin. The device of the double eagle used in this stick pin is Imperial suggesting it may have been produced for the Russian Imperial Royal family as a gift for someone. Wearing the symbol as a pin would have been a strong patriotic gesture, particularly if the stone-set part was produced by Albert Holmström and worn during the period of Revolution. See illustration on page 131

£1,000-2,000

£5,000-10,000

Lot 1040 133

1041 AN ART DECO EMERALD AND DIAMOND BROOCH modelled in the form of a circular domed peacock spray, rub-over set overall with graduated round old-cut and rose-cut diamonds, and calibre-cut emeralds, with a further emerald pear-shaped drop, the reverse with locket compartment and brooch fitment, 4.3cm long, in the original Harvey and Gore box. See illustration

Lot 1041

Provenance: Private collection, London.

£1,200-1,800

1042 A VICTORIAN DIAMOND BAR BROOCH set to the centre with an open scroll motif rub-over set overall with graduated old-cut diamonds, mounted on a claw-set diamond bar, total diamond weight in excess of circa 1cts, the silver mount stamped 500, gold backed with hinged pendant loop and brooch fitment which can be unscrewed, 6.7cm long See illustration

Provenance: The Naylor family of Liverpool at Leighton Hall, Welshpool, Powys. Thence by descent

John Naylor (1813-1889), the vendors Great Grandfather, was an enthusiastic collector who made many purchases at the Great Exhibition in 1851.

£500-1,000

Lot 1042

1043 A VICTORIAN DIAMOND AND SPECIMEN PEARL BROOCH of shamrock form, each open-work leaf millegrain-set overall with graduated round old-cut diamonds and set to the centre with a white pearl, 8mm x 6mm, a baroque grey pearl, 9mm x 6mm (at largest points) and a pink conch pearl, 7mm x 6mm with a claw-set rose-cut diamond to the centre, in unmarked white metal, 4.8cm dia., in the original Shapland fitted case See illustration Provenance: Private collection, Dorset. Possibly purchased by the vendors Father for her Mother directly from Shaplands in the 1940's.

Lot 1043

£1,000-2,000

134

1044 A PAIR OF BELLE EPOQUE PEARL AND DIAMOND DROP EARRINGS, collet-set with a round old-cut diamond, each circa 0.4cts and suspending an untested white pearl, each 10mm long x 8mm wide, with a diamond-set leaf mount, with later 9ct white gold screw-back fitments and ear support, 2.7cm long, in the original Shapland fitted case See illustration

Provenance: Private Collection, Dorset. Possibly purchased by the vendor's Father for her Mother directly from Shaplands in the 1940's.

£1,500-3,000

Lot 1044

1045 A VICTORIAN DIAMOND CROSS PENDANT, the central cross formed from twelve old cushion-cut diamonds totalling circa 4.8cts and surrounded by a further border of rose-cut diamonds, each point of the cross terminating in a heart motif and further round old-cut diamond terminal, each circa 0.15cts, with a diamond-set leaf-shaped detachable pendant hanger, set in unmarked silver and gold, 8.6cm long, in the original fitted case See illustration

Lot 1045

Provenance: The Naylor family of Liverpool at Leighton Hall, Welshpool, Powys. Thence by descent

John Naylor (1813-1889), the vendors Great Grandfather, was an enthusiastic collector and made many purchases from the Great Exhibition in 1851.

£4,000-6,000

1046 A PAIR OF NATURAL PEARL AND DIAMOND CLUSTER EAR STUDS set to the centre with a round natural salt water pearl, one c.2.2cts, the other c.2.24cts, and surrounded by a cluster rub-over border of round old-cut diamonds forming a flower-head design, in unmarked yellow and white gold with screw-back stud fitments.

A pearl report from The Gem and Pearl Laboratory dated 29th June 2012, no. 05915, confirming the pearls as natural saltwater. See illustration

£4,000-6,000 Lot 1046 135

1047 A VICTORIAN NATURAL PEARL AND DIAMOND FRINGE TIARA/ NECKLACE, each of the 45 square-links set with graduated round and cushion old-cut diamonds and suspending alternate drops of 21 graduated natural saltwater pearls and graduated diamond trefoil drops forming a fringe design, the back section of the necklace of knife-edge form and claw-set with 19 round old-cut diamonds, total diamond overall weight circa 6cts, the largest pearl 7mm wide x 8-9mm long, the smallest pearl 3.7mm wide x 5mm long, on unmarked yellow and white metal, 14Â˝" (36.8cm) long, possibly French or Belgian, circa 1880.

A pearl report from The Gem and Pearl Laboratory dated 16th March 2013, no. 07384, confirm all the pearls to be oval and drop-shaped and of natural saltwater origin.

Provenance: Private Collection, Dorset

ÂŁ10,000-15,000

136

1048 A GOLD SEAL RING, the octagonal seal deeply engraved with an ammonite and stag's head combined forming a snail design, the twist chamfered shoulders with floral engraving, probably circa 1470, (c.12.7gms)

Provenance: According to the vendor, this ring was found by a forebear in the late 19th century near the Norman chapel at St. Aldhelms' Head, on the Isle of Purbeck, Dorset. The Isle of Purbeck was a favourite hunting ground of the Medieval kings centred on the castle at Corfe. The fact that the ammonite and stags head are combined to form a snail on the ring is significant: the Purbecks were the home of several important families and the stags head was frequently employed in the crest of the Clavell family. Depictions of snails feature in many medieval manuscripts and traditionally represent deliberation and steadfastness. This iconography, combined with the quality of the ring, suggests that the ring was made for a high status inhabitant of the Isle of Purbeck.

We are grateful to Laurence Keen F.S.A., County Archaeologist from 1975-1999, for his assistance in cataloguing this lot.

ÂŁ3,000-5,000 1049-1199 Spare lots

137

1049 A SAPPHIRE AND DIAMOND GARLAND NECKLACE AND EAR STUD SUITE, the necklace claw-set with 7 graduated oval cut sapphires, each surrounded by a cluster border of round brilliant-cut diamonds, all interlinked with curved links claw-set with round brilliant-cut diamonds, with a concealed clasp, in unmarked yellow and white gold, total diamond weight in excess of 16cts, 16in. (40.7cm) long, and a pair of cluster earstuds en suite, total diamond weight c. 2cts. (2). ÂŁ10,000-15,000

138

WORK S OF ART

Lot 1221 detail 139

1200 A REGENCY ROSEWOOD AND BRASS-BOUND 'CAMPAIGN' WRITING SLOPE, the rectangular top with a central tablet engraved 'Herbert Mayo Marriott' the interior fitted with a sloping writing surface and twin lidded ink compartments above a flush fitting side drawer, 18" wide

1206 'THE NEW GAME OF HUMAN LIFE', published by John Wallis, 16 Navigate Street and E. for East Newbery, The Corner of St Pauls Churchyard, mounted on linen, 19" x 27" (framed)

£300-600

1207 A VICTORIAN WALNUT AND MARQUETRY CASED DISC MUSICAL BOX by William Lea, 50 & 57 Church Street, Liverpool, the case with a square rising lid with a central panel of foliate marquetry within a carved and moulded border, on a conforming base, 23" wide. See illustration

1201 A VICTORIAN MAHOGANY MINIATURE CHEST OF DRAWERS, the rectangular top above three long satinwood strung drawers with knob handles and key escutcheons, on bracket feet, 14½" wide

£100-200

1202 A MAHOGANY COIN OR MEDAL COLLECTOR'S CABINET, the rectangular top with a recessed brass handle, the fall-front enclosing six trays with turned ebonised handles with variously sized compartments for 204 coins, 15" wide

£200-400

£300-500

£600-800

1210 A COLLECTION OF FOURTEEN ASSORTED BOTTLES OF WINE, including three bottles of Beaujolais, Domaine Berrod, 1996, Moulin a Vent and various others (14)

£400-600

1205 A 19TH CENTURY BLACK FOREST STYLE MINIATURE CABINET, with two doors mounted with floral bouquets enclosing three internal short drawers, and above a similar base drawer, surmounted by two birds amongst foliage on a naturalistic base, 10" wide

£200-400

1209 A VICTORIAN ROSEWOOD AND MARQUETRY CYLINDER MUSICAL BOX, playing eight airs with five 'bells in sight', the rectangular lid with a central floral bouquet, the sides with rosewood effect graining, 22" wide

1204 A GEORGE III SCROLLED PAPER TEA CADDY of navette form, the lid and sides inset with scrolling foliate and gilt paper scrolls, the front with a glazed oval depiction of an urn within a temple, 7" wide

£800-1,500

1208 A COLLECTION OF MUSICAL DISCS including Schutz-Marke 'Polyphon' discs and others, the majority 15½" wide and a single volume 'Encyclopaedia of Automatic Musical Instruments', published 1973 (a lot)

1203 A GEORGE III BLOND TORTOISESHELL TEA CADDY with ivory stringing of rectangular form with canted corners, with a refitted interior, 8¼" wide

£200-400

£150-300

1211 AN ART DECO CHROME CAR MASCOT, in the form of a stylised winged figure, on a circular stepped wooden plinth with labels, 'F.M.A.S.' Club Trophy, 5½" high

£150-250

140

£80-150

Lot 1207 141

1212 RATHBONE: AN ARTS AND CRAFTS COPPER VASE of splayed trumpet form, with all over textured body, with a brass roundel to the base stamped 'Rathbone, 103A', 6¼" high

1217 A NEEDLEWORK SAMPLER, worked with names, dates and psalm 84 with trees and animals to either side and a panel, 'Joanna Parr's work, finished 20th April in the 10th year of her age, 1769', 12" x 11½"

£100-200

1213 A FRENCH PEWTER KITCHEN BUCKET of straight-sided form with a raised rim and twin carrying handles, bearing a royal coat-of-arms with three fleur-de-lis beneath a crown, probably 19th century,14½" high

1218 A NEEDLEWORK SAMPLER worked with a motto 'Pleasures of Religion....' by Ann Alldritt, aged 7 worked at C. Bromwich, December 16th 1825, 13" x 12½" £50-100

£400-600

1219 TWO VICTORIAN LEAD GARDEN ORNAMENTS, two of the four seasons, each on a square stepped base, 28" high (2)

1214 A BRASS GALLON MEASURE with projecting side handles, stamped '1. Gall', 19th century, 11" wide

£200-400

£80-150

£200-400

1216A A FOSSILISED ICHTHODECTISORM: THE "BONY FISH" A freshwater carnivorous fish, 7½" x 10"

Provenance: T his fossil was discovered on Portland in the "Purbeck Tier" in the 1950's.

£200-£400

£800-1,500

1221A AFTER EDME DUMONT (17221775) "The Milo of Croton" A cast bronze, late 19th century, 30" high. See illustration

1216 A LATE 19TH CENTURY ITALIAN COMPOSITION MODEL OF THE CHILD JESUS, naturalistically painted, 19"

£200-400

1221 AFTER THE ANTIQUE: A GILT AND SILVERED BRONZE STATUE of a Roman woman adjusting her toga, the toga in gold with her flesh silvered, on a square base, signed 'Gautier Editeur', 22" high. See illustration

1215A A PAIR OF RUSSIAN STYLE PLATED FLASKS with rounded lids and tapering necks above circular bodies with embossed floral decoration on shaped hexagonal bases, 18¼" high, with stamped marks to the base

£300-600

1220 A GRADUATED SET OF EIGHT LIMESTONE GARDEN SPHERES, each with textured surfaces, the largest 8" wide, the smallest, 5½" (8)

1215 A VICTORIAN BRONZE LIDDED URN surmounted by a heron with wings outstretched, on a slender column and square section marble mounted plinth, 15½" high

£50-100

142

Provenance: Private collection, Dorset.

T hought to have been in the family since the early 20th century.

£2,000-£4,000

Lot 1221A

143

1222 AFTER THE ANTIQUE: A 19TH CENTURY CAST BRONZE SCULPTURE of Hercules leaning against a tree trunk holding apples in his left hand, with a lion skin draped across his shoulder and a club in his right hand, on a naturalistic base, the bronze 22½" high, on a stained wooden base. See illustration

144

£1,000-2,000

1223 AIME-JULES DALOU (1838-1902): A CAST BRONZE FEMALE TORSO, presumably representing Aphrodite, on a naturalistic base with cast signature 'Dalou' and foundry mark 'Cire Perdue.....', 30" high. See illustration

ÂŁ1,000-2,000

145

1224 AN EARLY 19TH CENTURY FLINTLOCK PISTOL, with long polished barrel and cross-hatched walnut grip, with brass mount and two Arabic style motifs highlighted in gilt, possibly Dutch, 17"

1230 A SINGLE BARREL 12 BORE SHOTGUN by A. Chamberlain of Salisbury, circa 1890, 47"

£400-600

1231 A SCOTTISH DIRK SET, the leather scabbard with embossed quatrefoil decoration and plated mounts, containing a long bladed knife with carved knot work handle, with engraved mounts and two similar short knives, all mounted with cut and foiled citrines, 8½", with a similar sock knife and belt

1225 AN EARLY 19TH CENTURY FLINTLOCK PISTOL with a decorated brown barrel with various proof marks, on a walnut mount with elaborate pierced and cast mounts, possibly Spanish, 15½"

£400-600

1226 A JAPANESE KUNISDA, possibly 16th/17th century, with a cast Tsuba and gilt decorated handle mount, in a lacquered scabbard, 40" long on a later wooden stand.

Provenance: Apparently purchased from Wallis & Wallis,

1233 A GEORGE VI NAVAL OFFICER'S DRESS SWORD, the blade by Wilkinson Sword Co Ltd, the handgrip with shagreen mount and braided cord, with scabbard and travelling cover, the sword engraved R.W.S. Brander, 38"

£100-200

£500-800 1234 A SWORD AND SCABBARD, possibly Turkish, with a shaped handle with shamshir hilt and white metal mounts and gilt crossbar, with mounted leather scabbard, the blade with Arabic inscription, 38" £150-250

£800-1,200

1229 A PERCUSSION-CAP FIRING SHOT GUN by R. Fenton of London with Damascus barrel and mechanism stamped 'Fenton', with a walnut stock, 45½"

£100-200

£800-1,200

1228 A 19TH CENTURY COACHING BLUNDERBUSS, the brass barrel engraved 'London, Wilso & Co, Exeter Mail Coach,' the flintlock mechanism stamped 'Barber', 30"

£300-600

1232 A GEORGE V INFANTRY OFFICER'S 1897 PATTERN SWORD with broad pierced hand guard with pierced crown and cipher, the blade stamped 'Sword Cutlers to the War Office,' with service scabbard, 40"

1227 A LONG BARRELLED MUZZLE LOADING PERCUSSION-CAP FOWLING GUN, with a Damascus barrel, signed 'Carl Bros., Huddersfield', the mechanism stamped 'W. Wyatt', 63½" long

£200-400

£250-450

146

1235 A GEORGE III NAVAL OFFICER'S SWORD, originally the property of Captain Sir Peter Parker, Bart. 1785-1814, the sword with an ivory mounted handle and engraved cross member with curved blade, the scabbard with gilt metal mounts, engraved to one side 'The Gift of Sir Peter Parker, Bart., Captain of HMS Menelaus to H.A. Finucane, AD 1814,' to W.R. Parker 1849, 37", and further engraved with the details of subsequent owners. See illustration

Captain, Sir Peter Parker (1785-1814) had a short but distinguished naval career serving aboard HMS Victory in 1803, off Toulon, he was in command of HMS Weazel by 1805 and promoted to Captain by Collingwood the day after the Battle of Trafalgar, at which point he was posted to command HMS Melponne and later HMS Menelaus, where he distinguished himself in many small actions. Parker became MP for Wrexford in 1810, returning to sea in the same year, joining the American squadron and the Vice Admiral, Sir Alexander Cochrane. On the 30th August 1814, whilst still in command of Menelaus and having been sent up the Chesapeake by Cochrane to create a diversion above Baltimore, he was killed leading a raiding part ashore.

Provenance: A gift from Sir Peter Parker to H.A. Finucane

The gift of H.A. Finucane to W.R. Parker

Captain V.E.C. Parker 1876

Captain V.E.H. Parker, 1914

and thence by descent to the vendor.

ÂŁ1,500-3,000

147

1236 A JAPANESE WAKIZASHI with shagreen handle with ribbon-tied cover and lacquered scabbard with small side knife and pierced Tsuba, 22½", on a wooden stand

1239B A HAND COLOURED MAP OF RUSSIA with title "Russiae Mosco Viae Et Tarta ... Edita Londini Anno 1562", the map with decorative vignettes and borders, 15" x 21½"

£400-600

1237 A BRITISH SOUTH AFRICA CO, MEDAL, Rhodesia, 1896, engraved to the border, 'Lieutenant W.A. Tucker. Umtali Burghers

Provenance: T he family of the recipient and thence by descent

£250-450

1239C A HAND COLOURED MAP OF THE ARABIAN PENINSULA, with an elaborate title "Turcici Imperii Descriptio", the frieze decorated with ships and other creatures, 15½" x 21"

£80-150 1238 TAXIDERMY: A LEOPARD SKIN RUG with full head and mouth open, 91" long. See illustration £300-600

£100-200

1240A A RENAISSANCE STYLE FLEMISH CARVED IVORY LIDDED BOX of oval section, the lid surmounted by a figure of a child, on leaf and lobe-card surround, the body decorated with figures processing with horses, cherubs and other creatures, on three scrolling mask feet, 22" high. See illustration

£300-600

1239A AN EARLY 18TH CENTURY HAND COLOURED MAP "Le Merveilles de Pozzoli ou Pouzzol", the map with decoratively highlighted buildings and details, with description to the left, 10" x 15"

£150-£250

1240 A SMALL KELIM TYPE CARPET, with a central brick red rectangular panel, worked with green and multi-coloured floral central medallion and spandrels, in grey and black shaded floral pattern, outer borders and guards,140" x 110"

1239 TAXIDERMY: A LARGE ZEBRA SKIN RUG, with pronounced mane, on a felt backing, 136". See illustration

£200-£400

1239D A.B. ORTELIO "Nova & Accurata Tusciae Antiquae", with hand coloured borders and details, 15½" x 21½"

1237A TWO SETS OF MINIATURES comprising a set of four with Military Cross, the other group of four with a Royal Humane Society Medal (2)

£200-£400

£500 - £1,000

1240B A 19TH CENTURY EUROPEAN CARVED IVORY FIGURE of a small boy grasping a snake with one hand, his foot resting on a skull, on an oval base, 5" high

£100-£200

148

£150-£250

Lot 1240A

149

THE HERBERT WALLACE COLLECTION OF EUROPEAN IVORIES

1241 A 'DIEPPE' IVORY FIGURE of a street entertainer wearing tatty clothes and playing the pipes, standing on a turned ebonised plinth, 19th century, 10½" high. See illustration

150

£1,000-2,000

1242 A 'DIEPPE' IVORY FIGURE of a man with a crop and the companion of a boy holding a scythe and examining a small reptile on his extended finger, on turned and carved ebonised bases, 12Â˝" high (2). See illustration

ÂŁ2,000-4,000 151

1243 A 'DIEPPE' IVORY PORTRAIT FIGURE of Van Dyke standing by a plinth, engraved to the reverse, 'D. Antonius Van Dyck. Eques', and the companion, Peter Paul Rubens, 8½" high (2).

152

An attribution to Jean Claude Francois Joseph Rosset (1706-1780) has been suggested.

£6,000-10,000

1244 A 'DIEPPE' IVORY FIGURE of William Shakespeare, the figure leaning against a column surmounted by three books and a manuscript, 19th century, 9" high.

ÂŁ1,500-2,500

153

1245 A 'DIEPPE' IVORY VASE of baroque design, carved with Bacchanalian scenes, sirens and mythological scenes, with ram's-mask side handles, 19th century, 18Â˝" high. See illustration

154

ÂŁ3,000-6,000

1246 A 'DIEPPE' IVORY VASE of baroque design, carved with Bacchanalian scenes, sirens and mythological scenes, with ram's-mask side handles, 19th century, 19Â˝" high. See illustration

ÂŁ3,000-6,000

1247-1249 Spare lots

155

CLOCKS AND SCIENTIFIC INSTRUMENTS 1250 JAEGER-LE-COULTRE: A BRASS ATMOS CLOCK in gilt metal and glass case, with a plaque engraved no. 1011, in leather-lined carrying case, the clock 10" high

1255 AN ORMOLU MOUNTED EBONISED LYRE CLOCK, with a silvered dial, signed 'Robert Paris' with an eightday two-train movement, striking on a bell, with an elaborate pendulum mounted above the dial, the case with all over gilt mounts, 19th century, 23" high

£800-1,600

1251 A BRASS SUN DIAL, the circular plate engraved with a central panel with smiling face and engraved "Tempus Labile, 1709", with pierced gnomon, 8" wide

1256 A LATE 17TH CENTURY MONTH GOING LONGCASE CLOCK by Henry Arthur of London, with a brass dial with silvered chapter-ring and subsidiary seconds dial and date aperture, with twin ringed winding holes, the five day month going movement, striking on a bell, in a later walnut veneered case, 81" high See illustration

£50-100 1252 AN OAK THIRTY HOUR LONGCASE CLOCK, the white enamel dial signed G.G. Walford, Banbury, with floral painted decoration and similar spandrels, with a thirty hour movement striking on a bell, the hood with scrolling cornice and central eagle and ball finial, 82" high

£400-800

Provenance: Private Collection, East Dorset

£2,500-3,500

1254 A BRASS CASED SHIP'S BAROMETER, with a silvered dial, signed F F B L H..... Lisbon, on a gimbal mount, 38"

1257 A GEORGE III LONGCASE CLOCK, with a brass dial with silvered chapter ring and tablet engraved 'Jno. Burges, Gosport', with subsidiary seconds dial and arch with date dial between dolphin spandrels, with a two-train movement striking on a bell, the archtopped hood with fretwork panel and three ball finials, the door flanked by brass stop-fluted columns, the trunk with a tall arched top door, 93" high. See illustration

£200-400

1253 A GEORGE III OAK LONGCASE CLOCK, the brass dial with central date aperture and engraved 'James Todd, Bradford', with an eight day movement, striking on a bell, the hood with scrolling cornice and all over later carved decoration, 86" high

£500-800

£1,500-3,000

1258 A GEORGE III MAHOGANY LONGCASE CLOCK, the brass dial signed 'John Fearnley, Trowbridge', with subsidiary date aperture and seconds dial within rococo style engraved decoration, the chapter ring surrounded by pierced spandrels and beneath an arch with a rocking ship 'Royal George' ornament, with an eight-day twotrain five pillar movement striking on a bell with an arch topped hood and tall trunk door, 83" high

£150-250

156

£500-1,000

Lot 1256 and 1257

157

1260 A 17TH CENTURY BRASS LANTERN CLOCK, with a central foliate engraved dial, signed 'Benj. Willoughby, Bristoll', with a single hand and broad chapter ring, the case with turned uprights and vaseshaped finials, the upper section with pierced and engraved mounts, the central mount engraved 'S S, 1698', the movement with crown wheel escapement and raised suspended bell, 13½" high.

1259 A 17TH CENTURY BRASS LANTERN CLOCK, with engraved front panel, with subsidiary alarm dial and single pierced hand, the case with turned uprights and vase finials, with pierced spandrels, with crown wheel escapement and short bob pendulum, surmounted by a bell beneath a further vase-shaped finial, the clock 14½" high.

Provenance: Edgar Percy Allen (1910-1975), and thence by descent.

£2,000-4,000

Provenance: Edgar Percy Allen (1910-1975), and thence by descent.

£4,000-6,000

1261-1269 Spare lots

158

FURNITURE

Lot 1305 detail 159

1276 A PAIR OF CHINESE HARDWOOD AND MARBLE OCCASIONAL TABLES, the circular tops with central marble panels above pierced foliate friezes on pierced and carved legs, 11" wide (2)

1270 A NEST OF THREE LOUIS XV STYLE OCCASIONAL TABLES, each with rectangular tops with gilt mounted serpentine borders with geometrically laid kingwood veneers, on cabriole legs with further conforming gilt metal mounts, the largest table, 20" wide

£600-800

1277 A VICTORIAN GILT PLASTER AND MIRROR-BACKED WALL SHELF, the three bow fronted shelves beneath a scrolling ribbon-tied suspension, with decorative uprights and all over carved scrolling detailing, 34"

1271 A GEORGE II LADDERBACK DINING CHAIR, with four shaped rails above an overstuffed seat on cabriole legs with pad feet, 38" high and another similar George II walnut chair with turned stretchers (2)

£80-160

£150-250

1273 A MID 19TH CENTURY FRENCH WALNUT MARQUETRY AND ORMOLU MOUNTED CENTRE TABLE, the broad kidney-shaped top with a band of foliate marquetry within a burr walnut ground, above a frieze with foliate gilt metal mounts and two flush fitting short drawers, on twin hexagonal and scrolling uprights with conforming stretcher and all over gilt metal mounts, 40" wide

£80-150

1280 A REGENCY FOLD TOP MAHOGANY CARD TABLE, the crossbanded top with canted corners on a central turned column and platform base with four scrolling downswept legs with brass animal paw cap castors, 36" wide

£200-400

£100-200

£300-500

1281 A PAIR OF 19TH CENTURY FRENCH BOULE-WORK CABINETS, with rectangular tops with canted corners above single panelled doors with elaborate brass and tortoiseshell effect inlay with coloured foliate sections of stained ivory and other materials, with all over gilt metal mounts, on open plinth bases, each 36" wide (2). See illustration

1275 A GEORGE III DROP FLAP OCCASIONAL TABLE, the triangular top with three rounded drop flaps, on a turned tapering column and three heavy pad feet, 34" wide (extended)

£300-500

1279 A CHARLES II OAK CHILD'S CHAIR, with a scrolling top rail above a panelled back and straight arms with solid seat on short turned legs, 27" high

1274 A GEORGE III WALNUT GAMES TABLE, the square tip-top with moulded border and inset chess board, on a vase-turned column and three downswept legs with pad feet, 20½" wide

£100-200

1278 A DUTCH WALNUT AND MARQUETRY BIJOUTERIE CABINET, of square shaped form with a variegated marble top above downswept marquetry panels and glazed sides above a bombe base with conforming marquetry, with gilt metal mounted feet, 42½" high

1272 A GEORGE I WALNUT DRESSING TABLE MIRROR with a rectangular plate within a carved gilt filet, on a base fitted with three small and a single shaped long drawer, on bracket feet, 18" wide

£100-200

£200-400

160

£1,000-2,000

Lot 1281

161

1288 A QUEEN ANNE CUSHIONFRAMED MIRROR, apparently retaining the original bevelled plate within a moulded surround, 25" x 20½"

1282 A VICTORIAN EBONISED AND SATINWOOD INLAID CREDENZA, the shaped top above a decorated frieze and a central panelled door, with satinwood and burr timber inlay, the door between twin quarter round glazed doors enclosing a shelved interior, on short turned feet, 60" wide

£300-600 1289 A REGENCY MAHOGANY SIDEBOARD, the top with rounded ends and moulded border, with a raised back panel with scrolling brackets, all above two flush fitting frieze drawers, on turned and reeded legs, 84" wide

£400-800

1283 A GEORGE III STYLE MAHOGANY FOLD TOP CARD TABLE, the shaped top above a single frieze drawer on four cabriole legs with leaf and scroll carved knees and ball and claw feet, 30" wide

£500-800

1290 A VICTORIAN ROSEWOOD POLE SCREEN, with a central wool work panel, depicting figures alighting from a boat, on a spiral-turned support with three downswept legs and castors, 72" high

1284 A PAIR OF LOUIS XVI STYLE UPHOLSTERED ARMCHAIRS, with dished backs with upholstered back and arm panels, within a moulded and foliate carved frame, with an overstuffed seat on a serpentine seat rail with short cabriole legs, 34" high

£400-800

1286 A REGENCY MAHOGANY TWIN PEDESTAL SIDEBOARD, with a raised back with scrolling border above a rectangular top with three flush fitting drawers with moulded fronts, on twin pedestals with panelled doors, on plinth bases, 78" wide

Provenance: P urchased from Huntington Antiques of Stow-on-the-Wold in the early 1980's. £500-800

Private Collection

1292 A GEORGE III OAK DRESSER, the raised back with three shelves with shaped cup hooks, the base with two short drawers above scrolling brackets and an open 'pot board' base, 50" wide, 18th century and later

£100-200

£500-1,000

1293 A GEORGE II WALNUT CONSOLE TABLE, with a later pale variegated marble top the base with a swept frieze and apron on slender cabriole legs and pad feet, 41½" wide. 18th century and later. See illustration

1287 A GEORGE II WALNUT HANGING CORNER CUPBOARD, with twin bow fronted drawers with broad crossbanding and stringing, with twin key escutcheons, the doors enclosing a part shelved interior, 27" wide

£150-250

1291 A 17TH CENTURY CARVED WALNUT HIGH-BACKED CHAIR, the top rail with carved cherubs amongst scrolling foliage above a caned oval panel, between spiral turned and carved uprights, the seat similarly caned, and with a conforming front stretcher on scrolling cabriole legs with spiral turned stretchers, 44" high

£200-400

1285 A LOUIS XVI STYLE BOW FRONT DISPLAY CABINET, the upper section with a shaped shelf with three-quarter pierced gallery and drapery effect mounts, above a bevel-edged mirror and rouge marble top, the lower section with twin bow front doors with all over gilt metal mounts, 58" high

£200-400

£300-600

162

£2,000-3,000

Lot 1293

163

1300 A QUEEN ANNE BURR ELM AND WALNUT VENEERED CHEST OF DRAWERS, the rectangular top with a moulded border and broad crossbanding above two short and three long graduated drawers with brass handles and key escutcheons, with half round drawer dividers, on bracket feet, 39" wide, 18th century and later

1294 A SET OF FOUR QUEEN ANNE HIGH-BACKED DINING CHAIRS, with tall moulded backs with scrolling top rails and cane panels, above overstuffed seats on turned legs and stretchers with moulded feet, 45" high (4)

£150-250

1295 A CHARLES II OAK WAINSCOT CHAIR, with a panelled back with arched top rail above downswept arms on turned uprights, with solid seat, 43" high

1301 A SET OF EIGHT GEORGE III MAHOGANY DINING CHAIRS, with serpentine top rails above pierced vase shaped splats, above drop-in seats on moulded seat rails and square section legs, comprising six standard and two armchairs (8)

£200-400

1296 AN 18TH CENTURY CONTINENTAL OAK CHEST OF DRAWERS, the rectangular top with moulded border and slight bow front, above four long graduated drawers with brass drop handles and key escutcheons, on bracket feet, 32" wide

£250-450

1297 A DUTCH WALNUT AND MARQUETRY WALL MIRROR, with a rectangular plate within a broad frame with scrolling foliate decoration, within chequered stringing, 23½" x 27¼" £150-250

Provenance: B y family repute, this wine cooler originated in Dublin

£400-600

1304 A GEORGE III MAHOGANY DINING TABLE with twin "D"-shaped ends and two removable leaves, all with reeded borders, on square tapering legs, 86" (fully extended)

£400-800

1299 A REGENCY ROSEWOOD JARDINIÈRE STAND in the manner of Gillows of Lancaster, the circular top with a bobbin-turned gallery on a central leaf-carved column on four carved legs with animal paw feet with recessed castors, 16" wide

£800-1,500

1303 AN EARLY 19TH CENTURY IRISH MAHOGANY SARCOPHAGUS FORM WINE COOLER, with a raised top with a central rectangular panel, the rising top enclosing a lead-lined interior, the corners and front with applied carved decoration, on short turned feet, 39" wide

1298 A WILLIAM AND MARY WALNUT FALL-FRONT SECRETAIRE, with a rectangular moulded top above a flush fitting frieze drawer and a rectangular fall, enclosing a fitted interior with a central cupboard door enclosing three small drawers, surrounded by an arrangement of further small and short drawers, all with gilt metal drop handles, the lower section with two short and two long graduated drawers, 58½" high x 37½" wide

£800-1,500

1302 A GEORGE III STYLE EXTENDING MAHOGANY DINING TABLE, with twin "D"-ends, a central gateleg section and two removable leaves, all with foliate and ribbontied borders, on tapering fluted legs, 137" wide (fully extended)

£500-800

£300-500

164

£200-400

1305 A GEORGE III CHINOISERIE TRIPOD TABLE, the dished top with a leaf-carved and gilt border and central chinoiserie lacquered scene of figures with buildings to either side and a boat to the distance, the top on a revolving bird-cage movement, and a central stop-fluted and leaf-carved column with three downswept cabriole legs with leaf-carved knees and animal carved feet, 32" wide, 18th century and later. See illustration

Provenance: Private Collection, Wiltshire

B y repute, formerly in the collection at Claremont House, Esher ÂŁ1,500-2,000

165

1313 A MATCHED SET OF SIX WILLIAM AND MARY HIGH-BACKED CHAIRS with caned backs and seats each with arched top rails, turned uprights and turned legs and stretchers with varying scrolling carved decoration, comprising four standard and two armchairs (6) 52½" high and smaller

1306 A GEORGE III STYLE MAHOGANY 'GAINSBOROUGH' TYPE ARMCHAIR, with a rectangular raised back and upholstered arm rests, above downswept supports and an overstuffed seat, on square section legs with 'H'-section stretcher, 38" high

£200-400

1314 A SINGLE WILLIAM AND MARY HIGH-BACKED SIDE CHAIR, with a tall caned arch topped back above a similar seat, on scrolling legs with elaborate carved and pierced stretcher, on later castors, 47" high

1307 A GEORGE II STYLE GILT FRAMED MIRROR, the rectangular bevel-edged plate with rounded corners within a scrolling and leaf-carved surround, 44"

£200-400

1308 A REGENCY MAHOGANY WINE COOLER, the rectangular top with a raised central rectangular panel, with a fitted interior and tapering sides, on animal paw feet, 30" wide

£40-80

1315 JOHNSTONE & JEANES: A VICTORIAN BURR WALNUT AND GILT CARD TABLE, the rectangular fold top enclosing a baize and leatherlined interior, on carved turned and gilt uprights with similar stretcher and downswept feet with leaf-carved terminals and recessed castors, stamped to the interior 'Johnstone & Jeanes, 67 New bond Street, London 16177', 38" wide

£300-600

1309 A VICTORIAN STYLE ARCHITECTURAL BIRD CAGE with a central raised Cupola flanked by arched roof sections, the front with window effect panels and an arched front door, 28" wide

£600-800

£500-1,000

1316 A 'TABERNACLE' RENAISSANCE STYLE GILT WALL MIRROR, with a rectangular plate within a carved and moulded frame with all-over Renaissance Revival motifs, 35" x 27"

£200-400

1310 A PAIR OF REGENCY GILT METAL MOUNTED METAL POLE SCREENS, each with a gilt framed print of a pastoral scene, on a triform base with gilt metal mounts and gilt animal paw feet, 52" high (2)

£100-200

1311 A GEORGE III NORTH COUNTRY DRAWER FRONTED DRESSER BASE, the rectangular top with a rising surface with moulded border above two columns of a dummy drawer and three short graduated drawers, between square fronted reeded columns, on ogee bracket feet, 69" wide

1317 A LATE VICTORIAN FRENCH BOULE-WORK DISPLAY CABINET, the upper section with twin glazed doors in boule-work surrounds, flanked by quarter round glazed panels, enclosing a shelved interior, the lower section with twin panelled boule-work doors and ebonised panels, all against an ebonised ground with ormolu mounts throughout, 86" high x 70" wide. See illustration

£300-500

1312 A REGENCY STYLE BIRD CAGE AND STAND, the straight fronted cage within a cream painted surround with blue and red painted decoration, on a base with a single frieze drawer with painted knob handles, on tapering legs, with all over conforming painted decoration, 32" wide

1318 A REGENCY MAHOGANY OPEN ARMCHAIR FRAME in the manner of Gillows, with a reeded frame with downswept arms on baluster turned supports and conforming reeded legs, the frame pierced for canework, 24" wide

£200-400

166

£2,000-4,000

£100-200

Lot 1317

167

1320 A REGENCY MAHOGANY LINEN PRESS, the upper section with twin panelled doors with rosewood crossbanding, between flat fronted spiral and reeded columns with leaf-carved capitals, the doors enclosing an interior fitted with two slides with ebony stringing, the lower section with four long graduated drawers with turned knob handles, between conforming flat fronted columns, on a scrolling and carved base with exuberant carved animal paw feet, the cornice reduced in width, 92½" high, 58" wide, with an incised inscription to the underside of the base 'Mai 28 1836'

1319 A REGENCY MAHOGANY TWIN PILLAR DINING TABLE, the rectangular top with rounded ends and two removable leaves, on twin turned columns, each with three downswept legs and brass cap castors, basically 19th century, 89" wide

£500-1,000

1319A A GEORGE III OAK AND MAHOGANY CROSSBANDED CHEST OF DRAWERS, the rectangular top with a moulded border above two short and three long graduated drawers with oval drop handles, on bracket feet, 42" wide

£800-1,500

1321 A LOUIS XVI REPRODUCTION MAHOGANY AND ORMOLU MOUNTED DESK, the rectangular top with inset tooled leather writing surface and a moulded ormolu border, the base fitted with a central long drawer between two columns of three short drawers with elaborate swag handles, hung from lion mask mounts, between elaborately mounted uprights, the reverse with dummy drawers and similar mounts, 72" wide. See illustration

£250-450

£800-1,500

Lot 1321

168

1322 A CHINESE HARDWOOD ROUNDCORNER CABINET, the panelled doors decorate with calligraphy above a plain frieze, Qing, 47" high x 32½" wide See illustration

Lot 1322

£200-£400

1323 A CHINESE ELM TAPER CABINET, the plain panelled doors flanked by tapering sides with exposed tenant joints, Qing, 54½" high x 36½" wide See illustration

Lot 1323

£400 - £800

169

1324 A CHINESE ELM CORNER-LEG WINE TABLE, the panelled top above square tapering legs, Qing, 31" high x 41" wide See illustration

Lot 1324

£200-£400 1325 A CHINESE ELM WINE TABLE, the panelled top above shaped spandrels and stretchers on all sides, with fluted legs, Qing, 34" high x 41" wide See illustration

£200-£400

1326 A CHINESE ELM WINE TABLE, the panelled top above simple spandrels and end stretchers, Qing, 33" high x 44½" wide See illustration £200-£400 1327 A CHINESE HARDWOOD CORNERLEG OCCASIONAL TABLE with a carved frieze and lower shelf, Qing, 31½" high x 16" wide

£150-£300

1328 A CHINESE ELM CABINET, of rectangular form with pierced wavy doors, Qing, 33½" x 21½" £150-£300 Lot 1325

1329 A PAIR OF CHINESE ELM YOKEBACK ARMCHAIRS with panelled seats and outswept arms above carved panelled friezes, Qing, 24" wide x 46" high (2)

Lot 1326 170

£200-£400

1330 A SMALL TIBETAN PAINTED CABINET, the four-panel front decorated with stylised characters on an ochre ground, 19th century, 30" high x 24" wide See illustration £200-£400

Lot 1330

1331 A TIBETAN PAINTED TRUNK, the front decorated with a tiger, late 19th/early 20th century, 14" high x 25" wide See illustration

£150-£300

Lot 1331

1332 A CHINESE ELM ALTAR COFFER, the panelled top above a red painted front with two drawers, flanked by carved dragon scroll spandrels, Qing, 32¼" high x 57" wide See illustration £400-£800

Lot 1332 171

1333 1951 ROLLS ROYCE SILVER DAWN, short boot model, 4.25 litre manual, standard steel body, blue upholstery, chassis number SDD134, body number 4379, number plate KBH 585.

Provenance and History: In the same ownership for the last forty two years, the car is featured in James Taylor's "Original Rolls Royce and Bentley, 1946-65"

This Rolls Royce has a fascinating history, she was imported to Kenya and landed from the Dunotter Castle. In Nairobi she was used during two royal visits and by Emperor Haile Selassie (on a raised purple and gold cushion) at Kenya Independence in 1963. The recent owner regularly used the Rolls Royce for meetings with President Jomo Kenyatta, where she would be passed through the gates of State House without check or inference. In 1974 she was flown back to the UK in a Beverley, with a consignment of flowers and thereafter used by the family.

ÂŁ25,000-40,000

END OF AUCTION

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Duke’s AUCTIONEERS SINCE 1823

Glossary of Cataloguing Terms The auctioneers are always pleased to discuss individual lots with prospective purchasers prior to the auction and will provide condition reports on request. If you require clarification of any terms employed in the catalogue please do not hesitate to seek advice. The auctioneers are also pleased to discuss lots which may have been altered, repaired, or restored. The term basically used in conjunction with a date (ie. basically 18th century) indicates that, in our opinion, the item may have undergone restoration, repair, or alteration. It also indicates that only an element of the piece may date from the period stated in the description. The absence of the term basically does not imply that an item is without restoration, repair, or alteration. The use of inverted comas around a word or phrase (ie. “pearl”) indicates that the piece, or object, may not be what it is purporting to be. (ie. a simulated pearl). If you are in doubt our specialists are available prior to the auction to offer guidance and advice. With Chinese ceramics and works of art, if the catalogue states that the object in question bears a mark, but it does not state “and of the period” it indicates that we believe the lot in question may not date from the period suggested by the mark. Clearly, references to the colour of jade are subjective and again buyers are advised to inspect personally any items on which they intend to bid to ensure the colour meets with their expectation.

Descriptions of property in this catalogue do not always indicate condition, repair or damage. Buyers are earnestly advised to inspect personally any lot they intend to purchase. Weights and measurements are approximate and should be verified by intending purchasers

Paintings, Drawings and Prints

The use of onverted comas around the name of an artist, or date, in connetion with a signature, or inscription (ie. signed “Nicholas Chevalier”) indicates that the signature, or inscription, may have been added by another hand.

Artist’s Resale Right From mid February 2006 living artists are entitled by law to receive a resale royalty each time their work is resold by or to an art market professional. From 1st January 2012 the Right has been extended to include sales of works by artists who have died within the last 70 years (following the existing term of copyright). Royalties will be payable to the families and beneficiaries of these artists. An art work must be resold for more than 1,000 Euros to qualify for the right. The rates payable are calculated as a percentage of the hammer price and are set out in a sliding scale from 4% to 0.25%. The charge is exclusive of VAT. The auctioneers reserve the right to pass all of the cost to the person buying the qualifying art work

JEWELLERY The contents of any gemmological certificates accompanying lots in this sale are not guaranteed by Duke’s Auctioneers and we cannot be held responsible for any disagreement over the contents of the certificates after the sale, or for a retrospective change in opinion by the certificate issuer. All weights and measurements provided are approximate only. Prospective purchasers should assume that all coloured stones sold by Duke’s Auctioneers have been treated unless otherwise stated to the contrary in the catalogue description. Stones are commonly treated to enhance their colour and clarity. Sapphires and rubies are commonly heat treated and emeralds commonly oiled. Jade/jadeite is often bleached, polymer/resin filled or dyed. Please contact Duke’s for more clarification on treatment in individual lots. Items containing rubies or jade/jadeite of Burmese origin are not permitted for import by the USA.

Duke’s AUCTIONEERS SINCE 1823

CONDITIONS OF SALE Duke’s carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

(2) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions

1 DEFINITIONS In these Conditions: (a) “auctioneer” means the firm of Duke’s or its authorised auctioneer, as appropriate; (b) “deliberate forgery” means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) “hammer price” means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) “terms of consignment” means the stipulated terms and rates of commission on which Duke’s accepts instructions from sellers or their agents; (e) “total amount due” means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) “sale proceeds” means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising; (g) “You”, “Your”, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2 BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Once made, no bid may be withdrawn. (e) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

12 AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

3 INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion. 4

THE PURCHASE PRICE The buyer shall pay the hammer price together with a premium thereon of 19.5% plus VAT on the premium at the rate imposed by law.

VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant Lots. *VAT payable at 5.00% on the hammer price and 20% on the buyers premium.

6 PAYMENT (1) Immediately a Lot is sold you will: (a) give to us, if requested, proof of identity, and (b) pay to us the total amount due in cash or in such other way as is agreed by us. (2) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied. (3) The Auctioneer may require a deposit of 5% of the hammer price immediately. If the buyer is unable to meet this requirement to the Auctioneer’s satisfaction they reserve the right to cancel the sale immediately. 7 TITLE AND COLLECTION OF PURCHASES (1) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (2) You shall at your own risk and expense take away any lots that you have purchased and paid for not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment after which you shall be responsible for any removal, storage and insurance charges. (3) No purchase can be claimed or removed until it has been paid for. 8 REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (1) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (a) to proceed against you for damages for breach of contract; (b) to rescind the sale of that Lot and/or any other Lots sold by us to you; (c) to resell the Lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (d) to remove, store and insure the Lot at your expense and, in the case of storage, either at our premises or elsewhere; (e) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (f) to retain that or any other Lot sold to you until you pay the total amount due; (g) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (h) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of) any of your property in our possession for any purpose until the debt due is satisfied.

THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

10 COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular Lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made. 11 WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

13 TERMS OF SALE The seller acknowledges that Lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the Lot. 14 DESCRIPTIONS AND CONDITION (1) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 “information to buyers”. (2) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation. 15 FORGERIES Notwithstanding the preceding Condition, any Lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the Lot is a deliberate forgery we shall refund the money paid by you for the Lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale. 16 GENERAL We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. (1) any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (2). Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them. (3) Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting. (4) Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing at the commencement of the catalogue. (5) Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect. (6) English law applies to the interpretation of these Conditions. 16 DEBIT AND CREDIT CARDS Due to problems with fraudulent debit and credit card transactions payments over the telephone cannot be made for invoices totalling more than £200 unless the Buyers are known to Duke’s. Payment can be made in person using a chip and pin number, bank transfer, cash up to £9,000, or cheque (allow six working days for clearance).

Duke’s AUCTIONEERS SINCE 1823

CONDITIONS OF SALE (continued) CHEQUES The Auctioneers regret that they are unable to accept cheques in payment for purchases, except where arrangements have been made beforehand, well in advance of sale day. Intending purchasers are asked to instruct their bank to contact the Auctioneer’s bank (Natwest, 49 South Street, Dorchester) as early as possible, to confirm clearance in writing up to a stated maximum amount to ensure that a cheque will be accepted on sale day. In the absence of such information, a Banker’s Draft, a Building Society cheque or cash will be required to allow removal of goods on sale day. Purchasers may not otherwise remove goods until their cheques are cleared by the Auctioneers’ bank. Live Bidding Duke’s Auctioneers offer an online bidding service via the-saleroom.com for bidders who cannot attend the sale. In completing the bidder registration on www.the-saleroom.com and providing your credit card details (unless alternative arrangements are agreed with Duke’s Auctioneers) you: 1. authorise Duke’s Auctioneers, if they so wish, to charge the credit card given in part or full payment, including all fees, for items successfully purchased in the auction via the-saleroom.com, and 2. confirm that you are authorised to provide these credit card details to Duke’s Auctioneers through www.the-saleroom.com and agree that Duke’s Auctioneers are entitled to ship the goods to the card holder name and card holder address provided in fulfilment of the sale. P lease note that any lots purchased via the-saleroom.com live auction service will be subject to an additional 3% commission charge + VAT at the rate imposed on the hammer price. Clicking the bid button is a commitment to buy. THIRD PARTY LIABILITY Any person or his personal property at Melplash Court, Dorset, or on the auctioneers premises, before, during, or after the auction, shall be deemed to be there at their own risk and will have no claim against the auctioneers in respect of any injury sustained, or accident which may occur. IMPORTANT NOTICE TO BUYERS OF FURNITURE All items are held at the risk of the Buyer. If they are not removed within 5 working days of the sale the Auctioneers will instruct a carrier to remove them to storage. The Buyer will be responsible for paying the aforementioned carrier all charges incurred and for making arrangements in advance for the removal of items from their store after payment of their charges on production of our reciept for the items.

Duke’s AUCTIONEERS SINCE 1823

Bidding Form I hereby instruct Duke’s to bid the following amounts on the lots stated, without any legal obligation on their part. I agree that these bids are subject to buyers premium and VAT as applicable, and to the conditions of sale printed in the auction catalogue. Name . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Tel ...................................................

Address .............................................

Mobile . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

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Signed . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Lot No:-

£’s

Grove Auctions Telephone: (01305) 257544 Facsimile: (01305) 259953

Lot No:-

£’s

Lot No:-

£’s

The Fine Art Salerooms Telephone: (01305) 265080 Facsimile: (01305) 260101

Duke’s AUCTIONEERS SINCE 1823

Tel ...................................................

Address .............................................

Mobile . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

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Signed . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Lot No:-

£’s

Grove Auctions Telephone: (01305) 257544 Facsimile: (01305) 259953

Lot No:-

£’s

Lot No:-

£’s

The Fine Art Salerooms Telephone: (01305) 265080 Facsimile: (01305) 260101

Dukeâ&#x20AC;&#x2122;s Thursday, 13th and Friday, 14th June. Silver, Jewellery and Furniture

Silver, Jewellery and Furniture

Thursday, 13th and Friday, 14th June

2013

PRINTED IN DORCHESTER BY EPIC QUALITY PRINT