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May 1 - May 14, 2013
Buhmann on Art Spring gallery offerings addrress military, celebrity, domestic concerns BY STEPHANIE BUHMANN
EXHIBITION SPACE
Organized by Greg Allen, this exhibition features multiple images and objects from the Palomar Observatory Sky Survey and Project Echo. Both were prominent projects from the early days of the Space Race. Including one object and two seemingly unrelated series of photographs, the show reveals the sudden transition in mankind’s perception of outer space. As the launch of Sputnik heightened the Cold War’s contentious dynamic, the U.S.’s aggressive and highly visual response transformed space into a site of military, political and cultural activity. Through May 8, at apexart (291 Church St., btw. Walker & White Sts.). Hours: Tues.Sat., 11am-6pm. Call 212-431-5270 or visit apexart.org.
collaboration with a city utility locator. Demarcating various lines of flow throughout the gallery space, the work reflects the Brooklyn-based artist’s thesis that, “We are abstractions swimming through a concrete haze; constantly excavating, constantly sifting.” Through May 12, at KANSAS (59 Franklin St., btw. Lafayette & Broadway). Hours: Tues.-Sat., 11am-6pm. Call 646559-1423 or visit kansasgallery.com.
ELIZABETH PEYTON
DAVID J. MERRITT
Image courtesy of artist and Gasser Grunert Gallery Image courtesy of the artist and apexart
Beacon satellites on display in the US Pavilion at Expo67, Montreal. See “Exhibition Space.”
From “Engines of War,” Benjamin Lowy’s “Iraq | Perspectives I” (taken from 20032008; Digital C-Print; 20 x 24 in., edition of 10 + 2 AP).
Since the mid-1990s, when Peyton reached critical acclaim, she has been one of the most influential figurative painters of our time. Her subjects range from close friends and boyfriends to European monarchy and celebrities. Many of her stylized portraits of rock stars such as David Bowie and Kurt Cobain have become well-known and frequently publicized images in the media landscape. Small-scale, these works are usually executed in oil paint, applied with washy glazes, watercolor, pencilz and etching. This show features new works by the artist, who splits her time between Long Island and Berlin. Through May 13, at Gavin Brown’s enterprise (620 Greenwich St., at Morton St.). Hours: Tues.-Sat., 10am-6pm. Call 212-6275258 or visit gavinbrown.biz.
ENGINES OF WAR Image courtesy of KANSAS, New York
David J. Merritt’s “Instrument” (2013, single-channel video generated by a custom software algorithm, sound of artist breathing digitally and floor monitor speaker; an eight-hour timed sequence that auto-plays).
For his first solo exhibition with the gallery, Merritt presents new work from his “Templates for a Machine Made From Earth” series. In addition to the featured gypsum cement tablets and objects made of wax, aluminum and magnesium, Merritt also works with sound and video. One of his site-specific projects involved
In this exhibition, curators Charles Dee Mitchell and Cynthia Mulcahy explore how the United States of America conducts war in the 21st century. Though images of drones and other material military equipment make up much of the content, Mitchell and Mulcahy’s show stresses that it is still the men and women serving in the armed forces who remain the primary, highly trained yet fragile weapons of the United States military. Contributing artists to the exhibition employ a wide range of approaches. Through May 4, at Klemens Gasser & Tanja Grunert, Inc. (524 W. 19th St., btw. 10th & 11th Aves.). Hours: Tues.-Sat., 10am-6pm. Call 646-944-6197 or visit gassergrunert.net.
Image courtesy Robert Mann Gallery, New York
Margaret Watkins’ “Pan Lids” (1919).
MARGARET WATKINS: DOMESTIC SYMPHONY
In the 1920s, Margaret Watkins (18841969) was an instructor at the Clarence H. White School of Photography — the most prominent American pedagogical institution for pictorialism at the time. Her photographs are characterized by the nuanced interplay of light and shade. Inspired by Cubism, their overall aesthetic is distinctly modernist, while their subject matter is usually rooted
in the domestic environment. Born in Canada, Watkins’ professional success in New York in the 1920s was cut short when she moved to Scotland in 1929 to care for elderly relatives. Stranded by circumstance and then the arrival of war, she never returned to North America. Through May 11 at Robert Mann Gallery (525 W. 26th St., btw. 10th & 11th Aves.). Hours: Tues.-Fri., 10am6pm and Sat., 11am-6pm. Call 212-9897600 or visit robertmann.com.