MARCH 13, 2014, THE VILLAGER

Page 18

Buhmann on Art IMAGE COURTESY OF THE ARTIST AND LESLEY HELLER WORKSPACE

IMAGE COURTESY OF THE ARTIST AND LESLEY HELLER WORKSPACE

Katherine Newbegin: “Room 11 (Phnom Penh, Cambodia)” (2009, Digital C-Print, 30 x 40 inches). Part of “Vacant,” at Lesley Heller Workspace, March 16-April 20. See p. 17.

Katherine Newbegin: “Hotel Turist (Chisinua, Moldova)” (C-Print, 2007, 40 x 50 inches). Part of “Vacant,” at Lesley Heller Workspace. See p. 17.

them. It is this glimpse of realities past that provides these pictures with a distinct eerie quality. March 16-April 20, at Lesley Heller Workspace (54 Orchard St., btw. Hester & Grand Sts.). Hours: Wed.-Sat., 11am-6pm, Sun. 12-6pm. Reception: March 16, 6-8pm. Call 212-410-6120 or visit lesleyheller.com.

REBECCA MORGAN: NO CHURCH IN THE WILD

Morgan originally hails from a small Pennsylvania farm town, and her paintings and cartoon-drawings depict the culture clash she encountered after moving to New York. Her characters often reflect the stereotypes of crude and uncultured rural redneck Appalachia. Devoid of romance, her paintings reflect both a constant critique and defense of rural living. Through March 29, at Asya Geisberg (537B W. 23rd St., btw. 10th & 11th Aves.). Hours: Tues.-Sat., 11am-6pm. Call 212-675-7525 or visit asyageisberggallery.com.

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March 13, 2014

© LESLIE WAYNE. COURTESY OF THE ARTIST AND JACK SHAINMAN GALLERY, NEW YORK

PHOTOGRAPHY BY ASYA GEISBERG GALLERY, IMAGE COURTESY OF THE ARTIST & GALLERY.

BUHMANN, continued from p. 17

“Green Face Jug” (2014, Glazed Earthenware, 9.5" x 6" x 5.5"). See "Rebecca Morgan."

Leslie Wayne: “Paint/Rag #32,” (2013, oil on panel, 15 x 9 1/2 x 6 inches). On view at Jack Shainman Gallery, through March 22.

CORRECTION In the Feb. 27 edition of The Villager, photos of Leslie Wayne’s work appeared, with incorrect descriptive text. We regret the error.

evokes the experience of geology and natural phenomena. Her relationship to landscape is rooted in memory, especially in the light, colors and geography of the West. Based in midtown Manhattan, Wayne approaches her subject as an opportunity to depict visual manifestations of physical forces: compression, subduction and morphogenesis. These are not pictures of nature in the traditional sense, but lyrical contemplations of movement and instability. Through March 22, at Jack Shainman (524 W. 24th St, btw. 10th & 11th Aves.). Hours: Tues.-Sat., 10am-6pm. Call 212-6451701 or visit jackshainman.com.

LESLIE WAYNE

Wayne manipulates the medium of painting by approaching oil paint as a sculptural material. She often scrapes, folds, cuts and builds up her surfaces, creating works that take on three-dimensional textures. The tactile quality of her work

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