Darian CountsPresents Presents Darian Counts
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LIVE 1 Photo by Marc Nader
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detroit live NOVEMBER 2014
6. CANDLEBOX COMES TO DETROIT 8. KORN 10. DAUGHTRY 11. THOUSAND FOOT KRUTCH 13. THE PRETTY RECKLESS 14. GALACTIC COWBOY ORCHESTRA 15. MOVIE REVIEW “ANNABELLE” 16. MOTOR CITY FILM SCENE 17. UNDEAD APOCALYPSE DETROIT 19. MOTLEY CRUE 20. OK GO 21. ZANYE / RADDI AUDIO 24. KNOTFEST 26. FASHION 29. BZ AND THE RIFFKIDS 31. MEDICAL MARIJUANA AND GUNS 32. CHOICE CUTS
CANDLEBOX
KORN
DAUGHTRY
GALACTIC COWBOY ORCHESTRA
Contributors:
Julia Sikora, Eric Harabadian, Jeff Marzolf, GT, Anne Schultz, Aluna Michaels, Darian Counts, Amanda Mooney, Dan Munoz, Chris Balow, Mark Petty Graphic Design: Granger Graphics Additional Photos: Marc Nader, Schris Schwegler, Joe Orlando
THE PRETTY RECKLESS
MOTLEY CRUE
Anne Schultz, Jen Drewyor-Beck Cover Photo: Marc Nader Publisher: Detroit Live Media LLC Promotion: Amanda Blanchard Managing Editor: Darian Counts Editor: Anne Schultz Photo Editor: Marc Nader
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KNOTFEST
BZ AND THE RIFFKIDS
ZANYE
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SEE KEVIN MARTIN AND ADAM KURY FROM CANDLEBOX IN AN EXCLUSIVE ACOUSTIC PERFORMANCE ON FRIDAY NOV. 14TH AT ALL AROUND BAR IN TAYLOR, MI.
One of the most dynamic and influential band to emerge from the early 90s Seattle scene was the band Candlebox. Songs like Far behind and You became instant anthems for a generation of post 80s fans of rock and roll. While the band was initially pegged as a “grunge” band it soon became clear that Candlebox was a straight up “rock” band. Why specify Rock as opposed to Grunge? Grunge was a fad. It was a way to differentiate between the spandex and aqua net of the late 80s and the stripped down new style of the 90s. It was welcome change for a generation who felt (rightfully so) that rock had become a caricature of itself. Bands like Nirvana, Pearl Jam, Alice in Chains and Candlebox helped to drive the last nail in the coffin of the poser rock style of the 80s. But as valuable and needed as that was it was, “grunge” was still just another musical fad. Initially Candlebox was criticized for not being “grunge” enough. The criticism that was meant to be an insult was really an acknowledgment that the band wasn’t about fads or styles. It was about great music and spectacular performance. Today the music of Candlebox is as relevant and refreshing as the day it first emerged from the local FM rock stations. Songs like, Far Behind, You, Arrow, Blossom are as fresh and significant today as they were 20 years ago. While some the bands follow up 6 LIVE
acoustic tour in select cities. The upcoming acoustic performances are a welcome change of pace and offer By Darian Counts fans an opportunity to get to know this albums Lucy and Happy Pills never received phenomenal front man on a more personal the attention and radio play as their debut level. One of the first regions of the country album, they contained powerful and melodic to secure one of these coveted acoustic masterpieces. By the end of the 1990s and performances is Detroit. Martin says “Detroit early 2000’s the band had all but dropped has always been a region that Candlebox off the radar of many album rock stations. has had a special affinity for. It was WRIF Due to ongoing contractual issues with that was instrumental in helping Candlebox their former record label Candlebox fans go from a Seattle based band to a national experienced a 10 year Candlebox drought. band. WRIF was one of the first stations that But despite this temporary absence from began to play songs like ‘Far behind” and the public eye fans never lost hope that the “You”, after that, stations all over the country band would re-emerge. In 2008 fans were began to follow suit. In addition Detroit rewarded for their patience with what is Rock and Roll fans have always supported arguably the band’s best album “Into the Candlebox by making some of our Detroit Sun.” The album seemed to release the pent shows unbelievable. That’s a big reason up musical passion and energy of a decade why we’re so excited to do one of our first long absence. While this album emerged acoustic shows here.” The tour unofficially into a very different musical landscape than kicks off on Nov. 14th with an intimate that of its mid 90s predecessors the impact performance at the All Around in Taylor. and emotional gravitas of songs like Stand, The All Around’s limited capacity allows for Breath, Miss You and How does it Feel were a performance of a much more personal every bit as moving as anything the band nature. “I really want to give fans something had previously. different. This show will consist of Candlebox songs, story telling and crowd interaction The last several years have seen The Bands in a way that our larger shows just doesn’t popularity continue to grow due to constant allow. In addition, the acoustic format makes touring and the release of their 2012 album it possible for Candlebox bassist Adam Kury Love and Other Musings. In addition Lead and I to interact with friends and fans to give singer Kevin Martin has engaged on an them an insight to the origin of some of their DETROITLIVEMAGAZINE.COM
favorite Candlebox songs in a way that will feel much more like an evening with “friends” that just a concert.” What’s Next? Currently Kevin and Candlebox bassist Adam Kury have paired with Morgan Rose of Sevendust, and Lenny Crosier of The Infinite Staircase on a new project called Le Projet. This self funded project has created an indiegogo campaign to connect directly with fans and avoid some of the restrictive aspects of over controlling record labels. The bands hope to begin recording in December on 2014 and with some support from a loyal fan base hopes to be touring in 2015. Join Kevin and Adam on Nov. 14th at the All Around Bar in Taylor, MI for a rare acoustic performance. Tickets for this intimate acoustic show are limited and are being scooped up by die hard Candlebox fans yet are still available at the time of this printing. Tickets can be purchased via detroitlivemagazine.com or by scanning the QR code in the advertisement below this article
Le Projet
You can support the Le Projet Indiegogo campaign by scanning the QR code to the right or log onto: www.indiegogo.com/projects/le-projet-albumtour
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By Eric Harabadian “Prepare for Hell!” No, that’s not the apocalyptic warnings of a hopped up televangelist, but rather the title of the current co-headlining tour by nu-metal behemoths Slipknot and Korn. The “Prepare for Hell” tour is coming to the Palace of Auburn Hills on Saturday November 29th, 2014 at 7pm, with special guests Flint, Michigan’s very own King 810. Slipknot is celebrating the release of their first studio album of all new material in six years; with a dedication to their late bassist Paul Gray called The Gray Chapter. The masked and theatrical modern metal leaders will be infiltrating the hearts and minds of rabid fans with their unique brand of musical mayhem once again. When it comes to “nu-metal” there is no denying that one of the primary bands for which that term was coined has to be multi-platinum rockers Korn. The pride of Bakersfield, California; Jonathan Davis ( lead vocals), James “Munky” Shaffer ( guitars), Brian “Head” Welch ( guitars & vocals), Reginald “Fieldy” Arvizu ( bass) and David Silveria (drums) took the music world by storm when they hit the scene with their aggressive and over the top approach in the early ‘90s. It was a sound that drew from metal, to be sure, but also had significant elements of funk, hip-hop and noise present in its wake. They were discovered in 1993 by Epic Records A&R rep Paul Pontius playing a gig in Huntington Beach, California. The group released a demo called Neidermayer’s Mind that same year and tested consumer waters in a limited released format. It was essentially panned by critics but it gained a modicum of fans and afforded enough traction to get the band on a gig with Biohazard and House of Pain. From there they got an advance from their record label to mount a tour that eventually led to their supporting Ozzy Osbourne and the Deftones in 1995. On the strength of their debut they released the follow up Life is Peachy in 1996 that garnered multi-level chart success. Korn is one of the early bands to embrace and take advantage of social media and the power of the internet. They produced a weekly online program called “Korn TV” in the late ‘90s to document the making of their album Follow the Leader. Fans could call in and ask the band questions and, in
Photo Marc Nader
doing so, revolutionized the online medium by winning a ton of new followers. It also helped that they broke through to the mainstream with hits like “Got the Life” and “Freak on a Leash.” The following album Issues created another marketing coup for Korn. Their increased involvement with MTV found them partnered in a contest to find a fan artist to design the album cover. Grammys and multiple awards and opportunities have continued right up to their latest release in 2014 called The Paradigm Shift. Amazingly, over a 20 year period, the band has perpetuated an artistic momentum that has kept them in the game. In that time they’ve had personnel changes,
with the loss of Silveria and the addition of drummer Ray Luzier, the departure and return of guitarist Brian “Head” Welch and his and many in the band’s spiritual awakenings and embracing of a more sober lifestyle. “Prepare for Hell,” indeed! However, perhaps the message may be delivered with a bit of soulful spirit and salvation as well. ###
DAUGHTRY By Chris Balow
In 2006, Chris Daughtry was an auto mechanic working hard to support his family. Then Chris auditioned for “American Idol” and everything changed. Watching the audition on YouTube now almost seems surreal, as he has vaulted to a rock star amongst his fan base but remains as humble as ever. That is not to say that he was not humble back then; however, to have the success that he has had over the last eight years only comes from being humble. He didn’t win his season of the popular television singing competition, but he managed to rack up two platinum albums, a gold album, and fans that are willing to pay to see him every night in concert. He is currently the third best selling artist to come from Idol, but it is his raw talent that has kept him in the business that frequently tosses talent for popularity. Even some of the best musicians from Slash to Carlos Santana have collaborated with him on his music. Chris possesses a true genuineness to his craft, which is one of the ways it makes him so authentic. When opening for Goo Goo Dolls this summer at DTE, Daughtry kept his set theatrics to a bare minimum. There are no flashy explosions, face paint, or extravagant LCD screens just a singer and his band focused on the musicianship. He connects with his fans through his music (and the occasional handshakes with the front row) while tailoring his lyrics to relatable struggles for many. One of the clearest examples occurs on the song “Breakdown” which has been showcased in both electric and acoustic fashion. After checking out the “Live From California 2009” acoustic version of this track on YouTube, don’t be surprised if you find yourself on Ticketmaster purchasing a ticket to witness the show in person. Recently, Daughtry performed songs for the exclusive Rdio Sessions which showcases songs from last year’s risk-taking album Baptized (including the title track, “Long Live Rock & Roll” and “Waiting for Superman”) alongside “Home,” a single from the multi-platinum selling self-titled debut album that topped Billboard’s Adult Top 40 and Hot Adult Contemporary Tracks charts in 2007.
Photo Marc Nader
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Check out Daughtry performing hits from all his albums including his most recent “Baptized” live at Motor City Hotel Casino on November 20th. Don’t be the person who has Facebook regret the day after when you see your newsfeed blowing up at what a fantastic show it was!
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Photo Anne Schultz
THOUSAND FOOT KRUTCH
By Anne Schultz
Thousand Foot Krutch is one of those bands where you don’t realize just how many songs of theirs you already know and are familiar with. It’s been over two years since the release of their first independent album, The End Is Where We Begin which featured hits “Light Up the Sky,” “War of Change,” “Let the Sparks Fly,” and the title track. Trevor McNevan (vocals, guitar, songwriter), Joel Bruyere (bass), and Steve Augustine ( drums) collaborate once again with singer/songwriter and producer Aaron Sprinkle for the band’s seventh studio album, Oxygen: Inhale. “The original plan was to make two records and release them on the same day. Inhale/Exhale was going to be that one was more mellow and the other more aggressive. But we decided not to and split the records to avoid overshadowing,” said McNevan. While the artwork and some tracks are completed, there is no set date on when the other album is going to be released. When asked if they felt their product at end was more authentic or genuine being independent versus being on a label, McNevan said, “All of the records have been honest and came from the same place. We definitely had creative control with EMI; we were with them for a decade. It has it pluses and minuses. It’s not for every band but we are definitely where we feel we need to be this season.” The first single from the album, “Born This Way”, was released back in July. Stylistically this track is different from the rest on the album. It has a classic rock edge with a hint bluesy riffs. McNevan’s diverse vocal range really gives the songs a lot of room to breathe. One minute he is belting out melodies up high to dropping into a rock ‘n’ roll rasp the next. The album features a good balance of their adrenaline rock to lighter tracks such as “Oxygen,” Glow,” and “In My Room.” Regardless which, McNevan believes that the lyrics of a song is just as important as how the songs sounds. Advanced technology today provides endless options when it comes to producing an album. With that in mind, Thousand Foot Krutch chose to create something more “organic and raw” and avoided over-production “ so that what you hear are just the instruments and the voice.” Cont. on pg. 13
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FLORIDA GEORGIA LINE
ROLLINS
THEATRE BIZARRE PEARL JAM
FIVE FINGER DEATH PUNCH
JUDAS PRIEST
DETROIT LIVE MAGAZINE DETROIT’S LIVE MUSIC LEADER MADE IN DETROIT
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THE PRETTY RECKLESS
THOUSAND FOOT KRUTCH CONT.
TAKE ST. ANDREW’S///TO HELL! By Julia Sikora
The Pretty Reckless hit up Saint Andrew’s Hall in late October as part of their current tour, named for their sophomore album, Going to Hell. The Pretty Reckless is guitarist Ben Phillips, bassist Mark Damon, and drummer Jamie Perkins led by former actress Taylor Momsen, who is likely to go down as the frontwoman of her generation. With an intense vocal range and power, she could easily go toe-to-toe with any other rocker, male or female. From the high, lofty vocals of “Absolution” to the harsh screams of “Sweet Things,” Momsen never ceases to amaze. But it isn’t just the vocals. Having listened to The Pretty Reckless religiously in the weeks leading up to this show, I’ve developed a growing appreciation for the sharp, powerful bass and Photo Marc Nader drum rhythms and the quick, driving guitar riffs that characterize the band’s music. It is this combination of vocals and skillful instrumentation that assures me this band is going places. Taking to a stage filled with blue light and fog, The Pretty Reckless led off the night with “Follow Me Down,” the sultry yet shrill opening track off Going to Hell. Momsen quickly transitioned into “Since You’re Gone,” an earlier track from the band’s 2010 album Light Me Up. Having started off a bit stiff, Momsen quickly found her rhythm, dancing and thrashing through the twelve-song set. Other early tracks that made the night’s set list included “Cold Blooded” as well as the band’s first two singles “Make Me Wanna Die” and “Miss Nothing.” The rest of the set was comprised of heavy, up-tempo tracks from Going to Hell, such as the darkly seductive “Sweet Things,” “Absolution,” and “Why’d You Bring a Shotgun to the Party?” This summer’s radio favorite “Heaven Knows,” also made the cut, featuring call-and-response style singing between Momsen and the crowd in place of the track’s usual gang vocals. The night wound down to the album’s title track, “Going to Hell,” and an encore of their latest single “Fucked Up World.” At the breakdown, Momsen, Phillips, and Damon exited, leaving Perkins to a phenomenal drum solo accompanied by more spotlights and strobes than I’ve ever seen on a stage that small. Returning for a final chorus, The Pretty Reckless closed out the night and left us wanting more. Photo Marc Nader With so much talent and power, it is hard to remember that The Pretty Reckless are only just starting out. As they progress, I hope to see them rely more on themselves as musicians and less as performers. In my opinion, they could easily lose the excessive lighting effects and overt sexuality and still give their audience a show worth remembering. I would also love to see them include softer, lesser-known tracks, such as “House on a Hill” and “Just Tonight,” in their live sets. Luckily, their journey is just beginning, and I plan to keep an eye on where it takes them – especially if it brings them back to Detroit. DETROITLIVEMAGAZINE.COM
That same technology is vital to any band today in terms of distribution, marketing, and social media, and communication in general. While it makes things cost effective and convenient, the accessibility of these things have changed the process of things. It can be as simple as a camera and YouTube now. “We view social media as a tool. It’s great. But at the same time, I think all of this technology makes it more challenging to influence people to actually buy your music. People need to be more creative. And because of that, it seems like now there are more artists that are coming out just being who they are and that’s really nice to see,” said McNevan. Thousand Foot Krutch delivered a high energy performance in late October at the Machine Shop that included favorite songs from the past along with a handful from the current album. The band will wrap up their U.S. tour in early November and head over to Russia at the end of the month. For more information on the band, visit their website at: www.thousandfootkrutch.com
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GALACTIC COWBOY ORCHESTRA The Galactic Cowboy Orchestra fuses together seemingly disparate musical styles that truly work in the hands of this amazing Minnesota quartet. Jazz, rock, bluegrass, classical, blues and all points beyond indicate immediately this will not be your typical sonic listening experience. The members of GCO call it “Jazz-Grass/Art-Rock” and that seems to be the best description going. Elisa “Lisi” Wright (violin/vocals), Dan Neale (guitar/vocals), John Wright (bass/vocals) and Billy Thommes (drums) are seasoned road warriors that keep an active touring schedule reaching everywhere from Illinois and Ohio to Virginia, The Carolinas and into New York State. The band started around 2008 when bassist John Wright wanted to return to some of his progressive roots. “It had been about ten years since I had been involved in any kind of fusion or progressive kind of band,” says Wright. “I had been writing some stuff in my head. I reached out to Danny Neale and our original drummer Mark O’Day and we started rehearsing to see how it would go. And then a couple months later Lisi joined the band and that completed the picture.” In addition to live dates the GCO has an interesting back catalog; including Songs We Didn’t Write Volumes 1&2, Lookin’ for a Little Strange, All Out of Peaches and their latest release Zombie Mouth. Their early volume discs are comprised entirely of favorite cover songs band members would play in previous country and blues outfits. With Lookin’ for a Little Strange they began exploring their more adventurous, improvisational and original side.
The personnel of GCO have an impressive list of credits that dot their respective resumes. Dan Neale is one of the top and most beloved guitarists in the Minneapolis/St. Paul area. He has performed on Garrison Keillor’s “A Prairie Home Companion” and has also collaborated on shows with noted sidemen like keyboardist Chuck Leavell (The Rolling Stones), bassist Hutch Hutchinson (Bonnie Raitt) and drummer Kenny Aronoff (John Mellencamp). Elisa “Lisi” Wright books the band through her New Folk Booking agency. She has an extensive pedigree in classical performance and plays with many Twin Cities area folk and country bands. John Wright is not only the founder of GCO but Lisi’s husband as well. He has a storied background as bassist supporting a variety of Twin Cities’ artists. He is also an accomplished engineer/producer whose Villa Recording Studios in Savage, Minnesota has been home to GCO’s projects as well as over 75 other band’s recordings. Finally, drummer Billy Thommes completes the ensemble, with a background that includes an eight year stint with bluesman Johnny Lang and collaborations with Soul Asylum, Peter Himmelman and The Honeydogs.
The versatile and sonically flexible ensemble—that will be performing with the Austin, Minnesota Symphony Orchestra in February 2015—is poised to play “anywhere and everywhere” as John Wright puts it. He also cites, somewhat humorously, tips for putting on a great show. “We will tailor our sets for certain audiences a little bit, but not much,” says Wright. “We still do what we do but maybe not as loud. And you might shift a few things around. That’s part of pleasing your audience and challenging them at the same time, as opposed to scaring them and making them frantically run for the door. But as GCO’s live shows have been varied; much as I love ‘Free Bird’ we’re not playing that!” from sharing the stage with Uriah Heep at Riverbend Festival in Chattanooga, TN and The Galactic Cowboy Orchestra will backing Cajun Fiddle legend Doug Kershaw to begin work on a new album in November a recent headlining spot at ProgDay festival of this year. For more information go this past Labor Day weekend in Chapel Hill, NC. to www.galacticcowboyorchestra.com . John Wright offers some real world perspective on the subject of live performance and touring. “The biggest challenge is financial,” the talented Photos Marc Nader
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By Eric Harabadian bassist says. “In the old days, if you were lucky, you had a record label and they financed your tour. Nowadays you have to do everything yourself. Gas is expensive. You have to have a really good business sense to make it work. You constantly monitor things just like any business. You open up a restaurant you have to figure out what you’re selling that week, how much it’s gonna cost, how much you’re charging for it and how much you can pay your employees. We’re not young kids. We’ve all been doing this a long time. We’ve got mortgages, car payments and things, but were still figuring a way to make it all work.”
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ANNABELLE
MOVIE REVIEW “ANNABELLE” By Amanda Mooney
Fans of The Conjuring (2013) will recall the twisted visage of a demonically inhabited doll named Annabelle gracing the first frame. Annabelle isn’t a prequel to The Conjuring, rather an emphasis on a very brief aspect of that film. After surviving a near-fatal attack by a crazed duo of satanic cultists, a young couple and their newborn baby are plagued by the malevolent spirit of one of the cultists, named Annabelle, who commits suicide to evade capture and subsequently corrupts a doll owned by the couple. Annabelle requires a soul to present to her dark master, and she isn’t leaving without one, or a without a fight for that matter. Annabelle relies mostly on jump scares, but they’re subtle in their execution. This doesn’t completely eliminate the predictability factor that unfortunately causes a lot of horror movies to lose their luster 20 minutes into the fright zone, but it does dull it just enough to where you know something’s going to happen, you just don’t know when. For example, there’s one scene in which the manifestation of Annabelle’s former human self charges at the protagonist Mia (Annabelle Wallis) before slamming the door shut. Before Annabelle charges, you really don’t notice her standing there until she starts running. These subtle set ups create a nice tension and a horrid uncertainty that commands your attention and keeps you watching every corner of the frame, activating the fight or flight response, the very core of fear. And fear is what you came to experience, right? The best way to scare the crap out of me with a horror film is to threaten the life of a child. Especially the super cute baby Annabelle dangles in front of you and teases you with her mortality. There’s one scene in which Mia hears a strange noise from another room in the house and, like any good horror movie protagonist, goes off to investigate leaving her defenseless baby unattended even while fully aware of the danger she’s in. Mia walks into the room, the door slams and traps her inside, and right on schedule Annabelle begins throwing books off of the shelf landing in dangerously close proximity to the baby, threatening to crush her tiny baby skull. Oh my God. Take all of them, just don’t kill the baby. Or the dog, don’t ever kill the dog either. At the risk of being cliché, Annabelle will keep you on the edge of your seat. DETROITLIVEMAGAZINE.COM
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FILM
MOTOR CITY
S C E N E
Charles Cergenski
Charles Cirgenski is a Michigan Emmy award-winning producer, director and screenwriter. Two of his sixteen feature screenplays have won major awards, including the prestigious Malcolm Vincent first place script award for Hoover (AKA Stardust) and a Christopher Columbus Society Discovery screen writing award. When Charles isnt on set he can be found providing guidince for aspiring actors and film professionals at his Royal oak Training facility THE ACTORS LOFT
Scott Galeski
Jennifer Champagne
Jennifer Champagne is an award winning filmmaker and publicist. She studied English and Journalism with a concentration in Technical Writing at the private Madonna University in Livonia, Michigan. Since starting Max Ink Cafe, Champagne has produced the effects on notable projects such as Only Hope (1998), Funky & Groovy, _”Freaky Links” (2000)_, Black Scorpion (2001) series (Episodes 12 to 23), Shakedown (2002) and American Zoetrope’s Jeepers Creepers (2001).
M. D. White
David Hooper
Dave Hooper’s first foray into film came as he searched for an outlet to discuss the findings of his own personal investigation surrounding the events of 9/11. That film, ‘The Anatomy of a Great Deception’ opened in Detroit in September 2014 and has recieved critical acclaim from film professionals throughout the U.S. as well as members of the 911 awareness community.
Brion Dodson
Brion is the owner of CapScott A Galeski is a veteran M.D. White is a writer and ditive8 Productions. He has police detective out of Downrector, known for his producreceived high acclaim for his river Detroit Michigan. This tion of the psychological horror 2014 film the Route as well highly decorated Officer has film Horrorcore Hotel (2014) as as his contributions to Ring worn many hats during his well as the short film “Behind of Fire Entertainment projcareer in Law Enforcement to the Scenes of the Horrorcore ects Whiskey Tango (2012) include: SWAT, Crisis NegotiaHotel. tor, Violent Crimes Task Force, Arson Task Force He is currently promoting an indiegogo cam- and The Bone Yard (2012). Other Credits include Hallowed End (2010) and Cupid’s Corral and Investigations of Crimes Against Children. paign to raise funding for production of (2012). Galeski also served (5) years in the underbelly The Horrorcore Hotel of Detroit as an undercover narcotics operative. you can donate here: What sets Galeski apart is his ability to draw www.indiegogo.com/projects/horrorcore-hotel upon his experiences and bring to life a world M.D. White’s other credits include that most people don’t know exists. On the Ground (2013) and All Along (2011).
John Anton
Johns extensive film bio spans 2 decades and over 36 acting projects. He is known for his work on They Must Eat (2006), Evil Offspring (2009) and Blood Games (2003). In addition his Directorial debut Guns Drugs and Dirty Money (2011) received critical acclaim and featured Eric Roberts. Guns Drugs and Dirty Money can be found at Amazon.com
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D A E D UN TROIT E D e s p y l a c apo Makeup by Donna Terwilliger
Jen Drewyor Beck
Amber Lynn Pruitt
Andrew Dawe Collins
COMING SUMMER 2015 This year we’ve seen a major expansion of Detroit Live Magazine. One of the areas we’re excited to move into is the film industry. In particular the Detroit Film industry. Sure we all know that Batman and Transformers were filmed here, which is great for Michigan and we look forward to more blockbuster type films coming out of Michigan. Yet we believe 2015 is the year of the local filmmaker. To help that happen Detroit Live Magazine founder Darian Counts has teamed up with local filmmaker like Scott Galeski to create UNDEAD: APOCALYPSE DETROIT. Scheduled for a summer 2015 Debut this film takes place in a time line and universe familiar to Walking Dead Fans. Our main characters embark on typical zombie killing adventures with all the family friendly skull crushing and intestines lathering you’d come to expect. Yet as in the real world, Detroiters have a different take on things. Due to decades of governmental corruption and neglect residents of the Motor City are mildly unfazed by the undead apocalypse... some consider it an improvement. As things progress the work ethic and ingenuity of Detroiters kicks in and the Motor City actually fares quite well in the post apocalyptic world. Yet the ability to adapt and overcome isn’t reserved for just surviving Detroiters. It seems that the sprit that built and rebuilt the motor city lives on…even in the undead. Filming begins in early 2015. Music and scoring will be done exclusively by Detroit bands. For info and to see the first Undead themed promo commercial for the film go to
www.facebook.com/undeaddetroit
Photos by Noel Edwards Galeski
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By Eric Harabadian
Motley Crue is serious when they say this is their final tour. In fact, so much so that each member of the original glam metal quartet signed a “cessation from touring agreement after 2015.” Vocalist/front man Vince Neil, bassist Nikki Sixx, guitarist Mick Mars and drummer Tommy Lee have been cranking out loud and proud rock ‘n’ roll since the early ‘80s. After 30-plus years they have all been quoted as saying they want to go out on top and, save induction into the Rock & Roll Hall of Fame or receipt of the Grammys Lifetime Achievement Award, have vowed to never play together on stage as Motley Crue again.
top. I look at my favorite boxers and wonder why they didn’t stop two fights earlier. We’re taking our championship belt and going home.”
When you think about it the band really has nothing left to prove. They’ve amassed a successful track record of hits like “Smokin’ in the Boys Room,” “ Kick Start My Heart,” “Home Sweet Home,” “Girls, Girls, Girls,” “Dr. Feelgood,” etc. They also have written an auto-biographical “tell all” book entitled The Dirt: Confessions of the World’s Most Notorious Rock Band which wound up on the New York Times Best Sellers List. Add to that the countless festivals, tours, reality show spinoffs, movie soundtrack songs and all the mythic excess tagged on to that, and you’ve got a band that has weathered several rock ‘n’ roll storms and lifetimes. On Saturday November 8th @ 7pm Motley Crue, with very special guest Alice Cooper, will grace the stage of Detroit’s Joe Louis Arena for what promises to be a most momentous occasion. “All Bad Things Must End” according to the members of Motley Crue and they plan to make it a memorable party for all in attendance. Celebrating the band with a sendoff in this manner also has some side benefits, according to some online sources. The tour will also serve to promote an upcoming country music album paying tribute to the Crue entitled Nashville Outlaws as well as putting the spotlight on a feature film in production based on their book The Dirt. As quoted in USA Today bassist Nikki Sixx says “Agreeing to disband was easy. It’s dignified and gang-oriented. We’re a band of brothers. A lot of people are going ‘What about all the money? Don’t you have another ten years in you?’ Well, maybe. But we’re peaking now. Let’s check out at the DETROITLIVEMAGAZINE.COM
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Photo by Jen Drewyore-Beck
OK GO by Mark Petty
OK GO, touring in support of their latest LP, “Hungry Ghosts,” stopped in at The Magic Stick on October 12. The chilly, drizzly Sunday night did not deter their fans; the small venue was full and the revelers were treated to an energetic and enthusiastic performance. This writer was curious as to why they did not play the Majestic Theater itself. Perhaps next time.
“Skyscrapers.”
The show opened as the new album does with “Upside Out,” purely danceable and purely enjoyable. Other newly released standouts were “The Writing’s on the Wall,” “Obsession” and the uproarious ode to revery, “Turn Up the Radio.” The band reached into their repertoire and performed such crowdpleasers as the obligatory sing-along, “When the Morning Comes,” “Needing/ Getting” and the elegant and sophisticated
To say the band, via frontman Damian Kulash, had the crowd in the palm of its hand would be an understatement. They interacted and interplayed with them the whole night, encouraging participation, each feeding into the other. Kulash had a bit of a “Q & A” running gag, stopping the show every few songs and taking questions from the audience, making it somewhat as if you were standing at the bar next to him. Great fun. At one point, he took out his phone, recorded the crowd stomping, clapping and such, and used the sounds to create a song on stage. The Go-Pro camera attached to their microphones also made for great visuals on the video screens. There’s something about confetti... It just makes you celebrate. The band used it often and the crowd loved every piece, using it for snowball fights, making confetti angels and even using it to augment their apparel. This was nothing less than a party with great music. The band’s innovative, trend-setting videos, often shot in one take, are well known and well received by both audiences and even corporate sponsors. But don’t let that fool you. This is not a gimmicky, slick, manufactured sound. This is a solid rock and roll band with expert musicians. Kulash and his mates are consummate songwriters and performers, truly tapping into what it is they do - create music that is at once emotional, uplifting and danceable. Do yourself a favor and be sure to catch them next time they come to town. OKGO’s latest recording, “Hungry Ghosts,” is available now. Get it where you find your favorite music. 20 LIVE
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LOCAL BUSINESS PROFILE
R A D D I AU D I O
By GT
ZanYe’ (pronounced zon-yay) is a soulful singin’ woman crooner who sings with a sultry tone and sustained quality notes that create a soothing experience for the listener. Born and raised in Detroit, where she said she learned hoop skills along with listening to a lot of Miles Davis, Billie Holiday, Sarah Vaughn, Nat Cole, Al Jarreau, and more. ZanYe’ gives thanks to her Grandmother & father for her musical awareness and tastes, as well as the Minor Brothers Studios in Livonia here in Detroit for her understanding of how to apply her musical knowledge. Her vibe reminds me of Phyllis Hyman, Jean Carne, Maysa, Barbara Weathers of Atlantic Starr and Lalah Hathaway. Her music is versatile enough to keep musicians like myself hyped as you will definitely realize upon hearing her latest project CONVERSATIONS under Sound Thought Recordings, recorded, mixed & produced by Inohs Sivad along with producer, Deus Christian. “Ten tight tunes with some great musicians and vocalists that can definitely make your playlist for a variety of happy occasions,” is how I’d describe it. Like many gifted artist, ZanYe’ came up in some tough scenarios and had to endure some even tougher experiences. She feels the honor and pride of “carrying on the torch” from her Grandmother & Dad, however it doesn’t stop when the music does. She is a citizen that has taken her bumps & bruises and transformed them into ways to prevent others from living through the same ordeals. “I Believe Entertainment” is a foundation that she’s working with that will assist artists from 9-50yrs of age with their dreams of being professional entertainers by way of artist development, live performances, demo development, rehearsing concepts for choreography and the highest level of performance. She’s also in her fourth year of throwing a Toy Drive with donations going to assist domestic violence victims and their children. This year’s show will be December 19th at The Carr Center and she’ll be performing a benefit concert with a full band, so look out for it and bring some toys. She’s also passionate about sharing her time with Sisters Acquiring Financial Empowerment (S.A.F.E.), which is an organization founded, by Kalyn Risker, to help women that have escaped domestic violence situations with introducing them to being independent, becoming financially stable and contributing members of our society. Handbags of Hope is another wonderful organization that she works with that also deals with domestic violence. In this organization, women donate handbags, and Handbags of Hope fill them with cosmetics, hygiene products and more to assist women in their professional appearance. So, if you have an organization that gives to the needy, you may want to consider getting to know ZanYe’ because she brings quite a bit to the table.
Mark Radisovich Founder Raddi Audio
For the last 2o years musician Mark Radisovich has been performing onstage throughout Michigan. In original and cover bands, country or rock Mark or “Raddi” as his friends call him has developed an expertise for sound, lighting and stage performance. Yet is has been over the last few years that his company “Raddi Audio” has risen to the forefront of the Michigan sound and lighting industry.
In 2012 Mark launched Raddi Audio. With just a relatively small P/A system and a few lights he began to run sound for bands, clubs, festivals and events. Says Raddi, “The great thing about running sound and lighting is the feedback is immediate, you know right away if you’re getting it right, you can see it in the faces of the crowd. And musicians are always quick to let you know what they thought of the show you gave them” and while crowd and band feedback is helpful Mark is quick to point out “but a true expert doesn’t need that feedback he’s knows through experience what a band will need almost before they do, and that’s what we pride ourselves on at Raddi Audio”. Experience is something that can’t be bought; Marks time on the stage has provided the foundation for his expertise. But its not marks experience alone that makes Raddi Audio the most coveted sound and lighting company in Midwest; Its training. Raddi Audio’s sound and lighting technicians are some of the best in the country. Passion for the business, willingness to learn, dedication and professionalism combined with top shelf equipment and corporate support set Raddi Audio apart from other sound and lighting companies. Says Raddi “Top shelf training, equipment and employees cannot be overstated, This year well be sending representatives to LDI (Live Design International) in Las Vegas to get training and exposure in the latest sound and audio technological breakthroughs. We’ve also invested hundreds of thousands of dollars in cutting edge equipment so that when you deal with us you’re getting the best of the best” While experience and dedication can’t be bought, high end lighting and sound equipment can. And Raddi Audio has spared no expense to provide its clients with the very best latest technology available. From lighting to sound to lasers and staging, Raddi Audio has amassed an inventory that could easily provide sound from the largest festival, political rally to the most intimate of clubs. Their 10,000 square foot warehouse is packed floor to ceiling with enough amps, staging and enough lighting to make a Trans Siberian Orchestra performance look like a local karaoke show. If you are planning a major or minor show in 2015 we suggest you contact Raddi Audio as soon as possible regarding booking and availability.
www.raddiaudio.com
Go to ZanyeMusic.com, get the new CONVERSATIONS CD. Flaboom! Always remember… Flaboom has universal potential, due to its versatile applications in life’s exciting moments. I truly encourage you to try Flaboom out for yourself. When you do “give it a spin”, hit me up on my twitter account @FlaboomGT and let me know about it. www.GTtcp.com DETROITLIVEMAGAZINE.COM
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KIP MOORE - FILLMORE DEC
Dan Ursem
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Anne Schultz@ Knotfest returned this year to San Bernardino, California on October 24-26 at the San Manuel Amphitheater, the largest outdoor music venue in the United States, after taking a two year sabbatical. The weekend was packed with an intense and exciting lineup that included Five Finger Death Punch, Devil Driver, Carcass, Atreyu, Anthrax, Black Label Society, Killswitch Engage, In This Moment, Butcher Babies and several others that got the crowd going and ready for Slipknot, who closed both nights out. Aside from five stages of hardcore metal being shoved in your head, there were plenty more the festival had to offer. A fighting Thunderdome area, junk car drum
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@ KNOTFEST
circle, zipline, flaming carnival games, tattoo parlor, rides, and a museum put together by the members of Slipknot themselves. Items on display included artifacts such as masks, suits, art, previously used equipment and other memorabilia. As if this weren’t enough to satisfy the needs and wants of metalheads, there’s always the simple fact of being surrounded by other fellow metalheads that really make experiencing something like this unforgettable. With so much security on site for this event, one would think that there was an anticipation for things to get a little too crazy and out of control, but for it being a metal festival, the people, the vibe was pretty laid back and relaxed when the music wasn’t going. Many positive messages were being casted out to
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Photographer: Michael Weintrob
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heard his voice over some beats, he began to feel he had the chops to become a legit performer. Performing live is what B.Z and the rest of his band mates do best. Everyone in the room breaks a sweat when the band performs some of its most popular songs like “Dance Girl Dance”, “Sippin’ On That Whiskey” and “Doin’ Right Now,” The band infuses the energy it gets from being part of the skateboard subculture. Like the Beach Boys did with songs about surf and sun, the group is hoping that audiences will identify with the positivity that reflect the skateboard life. “We want to be the soundtrack to the skateboard subculture,” said Ball. A new record is slated for January 2015. The band plans on including 13 tracks on the record, which will feature the recently recorded, “Bump” and “Losin’ My Mind.” When asked, will the new record will sound much like the previous two? “They’ll be one or two dance songs on the new release, but for the most part it’s completely different.”
BZ & the Riff Kids By Jeff Marzolf It’s rare for a band to successfully fuse together two separate musical genres to create a new, unique one. But that’s exactly what Detroit’s own B.Z. and The Riff Kids have done. The group is at the forefront of Hip-Rock music. Many artists only dabble in combining the two musical genres, Hip-Hop and Rock n’ Roll. That’s because it’s artistically challenging to combine the core elements of the two distinct genres without coming off as cheesy or trying too hard. B.Z. and The Riff Kids will not be accused of either one. The band continues its ambitious goal of creating its own unique brand of music—one that can only best be described as Hip-Rock n’ Roll.
In addition to the new record, B.Z. and The Riff Kids are have been chosen to represent Detroit as part of a pop-culture show that will feature the up and coming acts from Detroit, L.A.. N.Y. and Austin, TX. Promoter and host Michael L., explained why he chose B.Z. and The Riff Kids to represent Detroit. “I believe in them and their music. By featuring the band on the show I’m sure that others will catch on,” he said. Visit bzandtheriffkids.com for all things B.Z. and The Riff Kids related. Also, you can see the band perform live as part of Detroit Live’s Bandemonium Show (Need Date)
Of course the band is asked all of the time, “So exactly what is Hip-Rock n’ Roll?” The band’s guitarist and M.C. Bryan White answers the question during a recent segment of the band’s weekly video blog, “The Riff Files.” White, a.k.a., “Billy Bob Dub” in segment, explains somewhat tonguein-cheek, “It’s a super cool unique sub-genre. I’m talkin’ seamlessly integrating the old and the new. I’m talkin’ Wiz Khalifa meets Chuck Berry y’all.” He goes on to say that, “Hip-Rock combines super style and riffage with some new hippity hoppity beats with laid-back super cool rhyme schemes.” A definition, however, is not sufficient to completely understand the music of course. One has to listen to it. That’s why audiences will immediately understand what Hip-Rock n’ Roll sounds like after listening to just a few of the band’s tracks off its first release, “Skat8board Life” and its follow-up four song EP, “Detroit Funk.” Guitarist White teams up with Drummer Jon Ball to create an intense backing sound on its recordings, continually building to a crescendo that is capped off by the punch of B.Z.’s powerful lyrics and his vocal exchange with Hype Man, Deonte. The band officially formed January 1, 2012. The current members are, Front Man and Lyricist, B.Z. (Black Zach), Bryan White - Guitar and Vocals, Jon Ball - Drummer and Deonte Waller - Hype-Man/M.C. The main goal of the group since its inception has been to produce music that is fresh and innovative. The band is determined to continually reinvent itself, always making a effort to go where it has not gone before. “We try not to do it, the way we do it,” said B.Z. For B.Z. it all started when He took second place in a national poetry contest and his work was published. He felt that if he could write poetry, then why not lyrics and rhymes? “Winning the contest gave me the confidence that I needed to take the next step as a young artist,” he said. It took awhile, however, before he felt comfortable performing his rhymes. “At first I didn’t like what I heard,” he admits. But once he DETROITLIVEMAGAZINE.COM
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KNOTFEST
the crowds that rallied fans together and unite them, as though they were all part of some metalhood of honor. It didn’t matter if you were a guy, a girl, or a freak in between....there was a place for everyone at Knotfest. Even standing at back by the front of the house, you could feel the energy going back and forth from the crowd to the stage. What artists were throwing down, the crowd was there to pick it up and throw back harder. On day one, daytime performances from King 810, Butcher Babies, In This Moment, Carcass and Testament were tight. The performance by In This Moment stuck out because typically costume changes, choreographed dancers and a theatrical performance is seen far less than the standard rockers thrashing on stage. Courtney love meets Lady Gaga is the quickest way to describe what we saw on stage. Even if it didn’t make sense, it was still entertaining to watch. Main stage action from Black Label Society and Anthrax was amazing as ever. High energy, guitar shredding, face melting stuff going on. Unfortunately, when it came to Danzig, the performance fell a little short vocally and would have been more tolerable had he just stopped screaming. But it didn’t matter much because what people were waiting for was Slipknot. The last time I saw the band perform was with Slayer at the Deltaplex in Grand Rapids ten years ago. They were just as, if not more awesome than I remember. Despite the six year gap since their last studio release, .5: The Gray Chapter,’ has debuted at No. 1 on the Billboard 200, selling 131,000 copies. Slipknot is currently on their headlining tour with Korn and King 810 and will be coming to Detroit on November 29th at Joe Louis Arena.
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plants and less guns, the defendant was convicted of the drug and gun charge. The bottom line, as Dan suggests in his article is “Don’t exercise both rights simultaneously.” To further complicate the issue, The ATF issued the following “statement” in September of 2011: “Therefore, any person who uses or is addicted to marijuana, regardless of whether his or her state has passed legislation authorizing marijuana use for medicinal purposes , is an unlawful user of or is addicted to a controlled substance, and is prohibited by federal law from possessing firearms.
MEDICAL MARIJUANA AND GUNS With firearm deer season starting November 15th in Michigan, tt’s appropriate to discuss guns and medical marijuana. Although I am not an avid hunter, I’m curious how (like many in Michiganders) my second amendment, constitutional rights can be affected by the medical marijuana patient and caregiver certifications. When the people of the State passed the Medical Marijuana Act in 2008 by a 63% yes vote, absent was specific language in the act for firearms. The “GUIDE TO UNDERSTANDING THE MICHIGAN MEDICAL MARIJUANA ACT” BY MICHIGAN COMPASSION, suggests “if you bring or keep firearms in your facility, they should be stored unloaded away from the cannabis, all the times.” Unfortunately, this is a only suggestion and not a specific law; and based on personal interviews on this subject, case details generally dictate if these situations end in convictions or not. Most importantly, the opinions of this article are by in no means intended to be taken as legal advice and anyone considering possessing ganja and guns at the same time should consult with an attorney first.
Following this statement by the ATF, letters were sent to Medical Marijuana license holders, telling them to give up their firearms or face prosecution. This is what sparked the debate of having the right to bear arms and the ability for medical marijuana patients to choose their own form of medicine. However, according to Tom Levin, Attorney at Law for the Cannabis Council in Detroit, MI, “recent Oregon Supreme Court Cases have ruled in favor of patients in these kinds of cases.” Despite these rulings, and statements by ATF, this issue is unsettled and consistent policy is still absent. Given this uncertainty, and degrees of varying opinion changing from city to city and county to county, medical marijuana patients and caregivers need to be mindful of the potential negative consequences that could result from exercising both second amendment right to bear arms, and State sanctioned medical marijuana rights at the same time. My advice is do not keep guns where your medical marijuana is. Hunters pack only the amount of medication needed for the trip and leave the rest at home. Follow the same rules for firearm use and alcohol, and you should be okay.
In my quest for more knowledge I was fortunate to interview Petoskey, MI Attorney, Dan Hartman, the author of: Guns and Marijuana- A Complex Interaction of Rights Denali Healthcare is an integrated healthcare network dedicated to the relief of chronic pain, control of the overuse of narcotic medications, and alternative medicine. As Mr. Hartman’s article and his interview indicate, the issue of the right to bear arms and the right to use medical marijuana is a complex one. It’s an issue that often varies from county to county, and city to city in Michigan. Convictions and dismissals based on the views and opinions of prosecutors, judges and law enforcement in a given area are common. The complexity of these two rights is furthered by the grey area that exists between state and federal marijuana laws. According to Mr. Hartman, until that gets sorted out, “medical marijuana patients can rest on their rights or avoid confrontation.” He went on to explain how, circumstances and details of certain gun and marijuana cases, dramatically impact how they play out in court. For example, in a case where a patient / caregiver had 72 licensed plants and several hunting rifles in the home locked up with ammunition stored separately, was dismissed. In contrast in different county, another case where the patient / caregiver had less DETROITLIVEMAGAZINE.COM
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Eric Harabadians
Choice Cuts Howard Glazer, Looking in the Mirror ( Lazy Brothers Records/City Hall Records dist. LB13002): Award-winning guitar slinger Howard Glazer is back with a follow up to last year’s critically acclaimed debut for City Hall Records entitled Stepchild of the Blues. That one garnered the prolific Detroit area guitarist significant notice as a real contender on the world class blues stage. With this current release the silver haired maestro has upped his game on all levels; musicianship, performance, production and songwriting. Perhaps the most unique and interesting thing about Glazer’s approach to the blues is how he seamlessly blends tradition with contemporary sounds. This most assuredly comes from his diverse background—dating back some 30 years—in all aspects of rock, jazz, ethnic and electronic material. Glazer lays it all on the table here and the results make for a thrilling and adventurous listening experience. Highlights include the smooth and slickly executed Albert King meets Wes Montgomery-like “Midnight Postman.” “Take Me Baby” features wonderful backing vocals and heavy guitars over a basic I-IV-V groove. “Wandering Trails” is Glazer and company at their most melodic; channeling a Youngbloods meets Allman Brothers vibe. “Misunderstood the Devil” is Glazer’s re-imagining of Robert Johnson’s mythic musical deal with the devil tale and “Emergency” is a psychedelic shout out and news report on the state of the Motor City. Kudos also go to Dave Feeny of Ferndale’s The Tempermill for a mastering job that really kicks!
as Squeeze, The Beatles and even Kraftwerk. The title track and “This is for the Girl” grab you with brilliant hooks and rich production. “Beautiful” contains a classic vocal over a bed of grooving synthesizers. “What’s Going On in Your Head” has some cool experimental elements tucked within superb harmonies and creative arrangements. The final track “Agent Wilde and the Speedway Dancers” sounds like an outtake from a latter day Duran Duran or Julian Cope record, as filtered through vintage T Rex. This might be worth going back and checking out Braide’s previous two releases.
Captain Beefheart & The Magic Band, Live From Paris 1977 (Gonzo Multimedia GZO 105CD): Don Van Vliet (aka Captain Beefheart) was at a crucial point in his career around the time this album was recorded. He had parted company with his original band and was putting together an ensemble of younger players that would lead him through the final early ‘80s twilight of his musical tenure. He would go on to leave the music business and, arguably, had more commercial success as a painter and sculptor. So that makes this previously unreleased 2 CD set from Le Nouvel Hippodrome in Paris, France all that much more significant. It’s not that the audio fidelity is all that remarkable. In fact, it’s kind of murky at times. But that eclectic/weirdo Dadaist vibe that was always the Captain’s stock and trade shines through. And Magic Band members Eric Drew Feldman, Denny Walley, Jeff Moris Tepper and Robert Williams were a tight unit; able to swing to and fro in order to freely flow with the music’s demanding time signature shifts and odd breaks and nuances. Even though this was recorded nearly 40 years ago Captain Beefheart and company still sound like aliens from another solar system. For the faithful and those who dare. Chris Braide, Fifty Dollar Planets and Twenty Cent Stars (Cherry Red Records BP-CD 003): So you might be asking yourself “who the heck is Chris Braide?” Well, for the longest time, he was one of those behind-the-scenes guys; a writer and producer to stars like Britney Spears, Beyonce and Christina Aguilera for starters. But when you dig into this third solo release by Braide as a performer you might be asking yourself “why has this guy not been on my musical radar all along?” As Braide himself attests he channels his inner Marc Bolan for a quirky mix of clever word play and intelligently crafted rock. This is power pop for the modern era, with elements of some of Europe’s best such 32 LIVE
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Marbin, The Third Set (Moonjune Records MJR 065): This Chicago-based improvisational instrumental group is the brainchild of guitarist Dani Rabin and Danny Markovitch. Along with bassist Jae Gentile and drummer Justyn Lawrence, this unit plows through an album’s worth of select live dates that comprise a Midwestern US tour they did in spring 2013. This is their third release for the Moonjune Records label and finds this genre-defying band at the peak of its powers. Imagine if early King Crimson partnered with Soft Machine and took their cue from fusionera Miles Davis and members of Henry Rollins’ “Liar” era backup band and you might have a window into what they do. Tracks like “Special Olympics” and “The Depot” rock out with an intensity that registers on the heavier side of jazz-rock. “Redline” finds the band mining more of a bebop feel while “Culture” has an ethnic and Middle Eastern touch to it. There are many peaks and valleys, both dynamically and spiritually, at play in what they do. And that’s what makes them interesting. It is certainly improvised jazz-based music but always features strong themes, clear tonal centers and engaging interplay; both for the musicians as well as the audience. The “jazz police” might criticize this band’s actions for their somewhat heavy handed approach. But, having said that, when it comes to pushing the musical envelope, they shred it to bits!
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HOROSCOPE
NOVEMBER
Scorpio (Oct. 23 – Nov. 21) — Happy birthday Scorpio! Neptune moves direct, offering clarity in relationships. You’re able to heal old karma in current partnerships. Journal about past disappointments to forgive and release events — and to identify and resolve negative emotional patterns. This means healing what’s happened in the partnership, as well as the previous “junk” you and the other brought into it. Meditation gives great guidance for the future to make you even happier.
BY ALUNA MICHAELS, M.A.
Taurus (April 20 – May 20) — It’s time to break ties with people and activities that drain you. If you can’t away from some (like family or workmates), be clear with them about not tolerating certain behaviors or conversations. Let them know you can encourage them, but need to see them take steps to change their lives. Your time and energy is precious, so avoid whiners and use extra energy to set and meet goals. New people will come in who are mature and respectful. And you’ll be happier!
Sagittarius (Nov. 22 – Dec. 21) —Venus moves into your sign, opening doors for love in a new relationship or a current one. It’s important to meditate to release old issues from past hurts, including childhood stuff. (Neptune is working on once in a lifetime healing in that area!) Dreams Gemini (May 21 – June 20) — You could can also gives insights as to what keeps you from be getting your dream job! Even if you’ve been bliss. Examine family money concept that limit struggling for months looking for something prosperity, so you can receive abundance! better, it can manifest now — or circumstances at your current work will improve. You can also start Capricorn (Dec. 22 – Jan. 19) — Neptune a relationship with a spiritually minded person moves forward bursting your intuition open, so who is upbeat and fun. If partnered, meditate to keep up with meditations. Even five minutes of release old patterns and begin to see your loved deep breathing makes your spiritual antennae one in a new way, as if on a first date. You’ll be sharp all day! You can make new friends who amazed at the changes! have a deep sense about life and who walk their talk. Dare to share your spiritual thoughts and Cancer (June 21 – July 22) — Your goals with loved ones to infuse more authenticity spiritual life is being renewed. Meditation and and passion into your connection. dreams can reveal obstacles that hold you back form bliss and bonding. You’ll be able to remove Aquarius (Jan. 20 – Feb. 18) — Neptune those blocks with ease! You’ll feel more love moves direct and clears up financial issues! (It’s from others — and more been retrograde since June!) Meditate to release self-love too! Be kind fears that have sprung up during this time. Also to someone at work look forward to improved self-esteem, and a who needs your positive greater spiritual connection, which has probably energy. You’re expanding been “wonky” lately. You can meet powerful your consciousness and people who’ll move your career ahead — don’t people sense something be too proud to accept their help and guidance! special about you. As you Let friends dote on you, and be the receiver rather share your light you’ll be than the giver this month. filled with additional joy. Pisces (Feb. 19 – March 20) – Neptune is your ruling planet and it moves forward this month. You’ve been introspective, and have maybe felt uninspired and blah for awhile. But now your spiritual life will feel lively, and what you’ve been visualizing can manifest! This could be new career possibilities, healing in relationships, connecting with more people on a spiritual path, or experiencing unconditional love for yourself. Celebrate, since you’ve worked hard on inner dimensions to have these results. You deserve these blessings!
Leo (July 23 – Aug. 22) — Neptune moves forward, giving you flashes of insight about financial issues. You’ll be aware of subconscious patterns that withhold prosperity. You’ll know how to close out debts — either that you owe or are owed to you. You’ll also find your capacity for intimacy Aries (March 21 – April 19) — Even increasing. Study Tantra though you’re active and energized, you also have or other sacred sexuality the ability to be an “internal warrior” of your techniques to empower subconscious. November is a powerful time to your energy field further meditate to defeat old patterns that hold you back and to bless your partner from greater success. Dreams hold clues. A new with this tantalizing relationship with a spiritual person ignites you to power! Also clean your go within and balance inner victories with outer house to make sure you ones. P.S. When irritated with others, your soul is have a non-cluttered showing you quality is within yourself! meditation area.
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Virgo (Aug. 23 – Sept. 22) — You’ll experience deep healing in relationships. New avenues of trust and closeness open. Part of your healing, however, can be drawing clear boundaries. Your co-dependent qualities will be easier to recognize and correct. Ending a bond can be a relief, and a healing of sorts. The Universe wants you to have the most energy possible for the people who can appreciate and absorb it. Leave “empty wells” behind and move toward emotionally generous and spiritually mature people. Libra (Sept. 23 – Oct. 22) — Your body believes every word you say (internally or aloud!)— so be kind when you look in the mirror. Focusing on your body’s strengths gives added power. Meditating on the divine energy in every cell makes weak ones heal and shine! Use affirmations about your talents. Breakthroughs at work are coming and so be ready for exciting challenges! Praise yourself constantly so you can leap forward into a new mindset physically, emotionally and spiritually! Aluna Michaels is a second-generation astrologer and Soul Evolutionist practitioner. She also holds a Masters in Spiritual Counseling and has been teaching and consulting for more than three decades. Her book “Spiritual Gifts of the 12 Astrological Signs” is now on Amazon in Kindle version. Ms. Michaels is available for appointments in person, by Skype or by phone. Call (248) 583-1663 or visit www.alunamichaels. com
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