DEEP magazine issue 17 by DEEP MAGAZINE

MARCH 2014

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EDITOR IN CHIEF: Imkhitha Mkwebula lhilhi.mkwebula@gmail.com CREATIVE DIRECTOR: MASHUDU MODAU @Modau_M FASHION DIRECTOR: Zakhe Chamane FASHION FEATURE EDITORS: GUY HARDY @GuyHardy FASHION ASSISTANT EDITOR: Thando Mazibuko @RhandoMzb PHOTOGRAPHER AND VIDEOGRAPHER: THEMBANI MANGANYI @urbankreativeSA HEAD GRAPHIC DESIGNER: SIMPHIWE TWALA. MP1 @cogent_cliche 4

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PUBLIC RELATIONS MANAGER: Dene Tombeen @NayBeenTom MARKETING COORDINATOR: Katlego Ramela katlegoramela@yahoo.com YOUTUBE Channel Presenter: Baxolisi Mfidi @OfficialBax CONTRIBUTING GRAPGIC DESIGNERS: Karabo Mashele @kaybemashele Bonolo Mphore @beenolo Lindsay Bobbie Dlhudlhu @Lindsvy_ CONTRIBUTING WRITERS: Nkululeko Makhubu Jasveer Morar @Jasveer_Morar Cherish Mankai @Cherish_LaLa2 Special Thanks to Jessica Maringa

14’ CONTRIBUTORS

FOR THE LOVE OF HOUSE

DEEP MAG resident music analyst and YFM DJ with an honest love for the purest form of HOUSE. Check out this months TOP 10 House Tracks and music videos Lusanda Nkohla @LuskyDJ

Dene Tombeen @NayBeenTom

UJFM producer andDEEP MAG’s sweet heart. Check out her App Reviews as she helps you find the best apps to help you party, drink and live right.

Baxolisi Mfidi @OFFICIALBAX

Louisa Nkosi @LouiSA_BeLLe

DEEP MAG Presenter Search winner. Check out Bax on our Youtube channel as he brings the House Experience to life. Listen to his weekend show from 3am- 6am on UJFM: 95.4 DEEP MAG Music analyst and writer. On a life time journey looking for the ultimately perfect deep House track. Check out her expert track review

Check out John’s DJ Gadget review for April as he finds the gadgets any DJ will need to start or DJ careers. this month its all about the expensive stuff.

Trend analyst and style writer Thando runs her own Fashion blog which blows most out of the water check it out at: www. loveslittlepieces. tumblr.com Thando Mazibuko @ThandoMzb

A new addition to the list this: Student, musicblogger, freelance writer and music- collector is a gem. Check out Ororiseng’s blog on : www.huiskoppie. Ororiseng Mulaudzi blogspot.com @ororiseng1

This gentleman describes himself as:living on both sides of the fence, each equally important. He’s utterly confident and creative. he lives by one word: Katlego Ramela DOMINATE

John Mabena @TheMniks

MARCH 2014

APRIL-MAY

CONTENTS

VOCALIST PROFILE

COVER DEEP MAGAZINE 6 STORY

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UNDERGROUND PROFILE

p.20

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FEATURES 10- FEATURE ARTICLE: HOUSE MAKES ME FEEL AT HOME

56- VIDEO CHARTS: YOUR FAVOURITE HOUSE MUSIC VIDEOS 54- DEEP CHART: THE TOP 10 PARTY TRACKS RIGHT NOW! 52- UNDERGROUND DJ: MINO E’CLEVE

p.11

48- SAMES WORKSHOP: BUILDING YOUR BRAND BEYOND THE MUSIC

REVIEWS

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22- MIX REVIEW: MUSICAL PRAYER 20- TRACK REVIEW: SUNLIGHTLOUIE VEGA STARRING AXEL TOSCA 42- ALBUM REVIEW: WHAT YOU NEED TO BUY, AND LISTEN TO NOW! 56- GIG REVIEW: ALL ABOUT OHSHIP!! 29 - GADGET REVIEW: A BEGINNERS GUIDE TO DJ EQUIPMENT

DEEP STYLE 70-STORE REVIIEW: THE PRODUCERS STORE 72- FASHION DIARY: A WINTER/ AUTUM GUIDE 64- FEATURE ARTICLE: STYLE QUEENS OF HOUSE 69- TRENDS GUIDE : A DEEP MAG WINTER SPECIAL

p.76 MARCH 2014

EDITORâ&#x20AC;&#x2122;S LETTER EDITOR IN CHIEF

Imkhitha Mkwebula We go into this issue of Deep with the sudden passing of the Godfather of house, Frankie Knuckles and with solemn and deeply profound words we say to you Sir thank you and may you rest in peace. We paid our first tribute and our many thanks to the legend and pioneer of this great genre in our first issue of Deep where we highlighted him as a legend and with time his works, influence and constant presence in house music has only been highlighted further and without doubt will become even more apparent in future years with future generations. Salute. We meet at a time that is a coming of age for South Africa and perhaps even more interesting is that our democracy coincides with what one can call the liberation and unleashing of house music. It was almost exactly this same time that we started to hear and see the emergence of the genre in clubs such as razzmatazz in JHB and what would become one of the best loved and one 8

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of the first compilation albums to come out of the country, Fresh House Flava, was by the living legend himself DJ Fresh who serves as our cover story. We get insight into the thinking and workings of the man himself and fittingly we are able to pay tribute to a man who as shown what is possible in a country segregated by race still through music and crossing all borders to show we are more similar than not. To further show the impact our take on house is further having on the rest of the world, we feature Belgian artist Lex Newton and get insight into the Belgian house scene which has served as one of the playgrounds for house lovers in Europe. We get into the usual and prepare all the fashion lovers for the chilly season ahead. We give you the news, the reviews and tell you who you should be keeping up with and who you should be listening to. Let's keep house alive and take a journey with Deep.

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MARCH 2014

THIS HOUSE MAKES ME FEEL AT HOME Cherish Mankai @Cherish_LaLa2

“if we all embrace the musical era, network

and absorb as much as possible and educate ourselves, we could gain from this experience.”

often felt that South Africa did not support real heartfelt music, only bubble gum catchy club songs and it drove me insane. Recently the environmental chakra in South Africa regarding house music and the mass respect our people have for it has quickly changed my perception. From the mass influx of international DJ’s crossing over into our borders recently to grace our auditory senses, one can pick up on the hustle and bustle on our social networks people are overcome with emotions regarding it all as a blessing and milestone upon their musical love and appreciation of the genre. The downfall of course, being that it could pose a potential threat to our local music industry as much of the focus is taken off our own home grown talent. However if we 10

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all embrace the musical era, network and absorb as much as possible and educate ourselves, we could gain from this experience. Throughout 2013 and right into the new year, the house music industry within our country has been evolving with sub genres such as deep house, tech, techno, garage and underground electronic, becoming more and more common on playlist and dance floors than ever before. We also see the ever growing battle of commercial house and deep house music in the ring. Who will be the receiver of the knock-out and who will take the title? With the recent passing on of the Chicago born legendary house music pioneer, Frankie Knuckles, aka “The godfather of house" on the 1st of April 2014, the house nation has

become augmented and interested in the origins of house music, doing more research, reading more books and watching more interviews. Thus now knowing what an immensely rich culture the genre of house has, there's no doubt that house music is also more acknowledged for its gilded history and subsequently respected more. For most, house music is a composition of acoustics, beats, arpeggios or whatever one may want to call it. Combined together these sounds induce a sound that does not only evoke a state of ecstasy that makes us move our heads, tap our feet and fingers and of which we sway our hips rhythmically to and feed our souls, it’s just that. For me even more, it is a lifestyle.... BE the movement!!!

FEATURE ARTICLE

MARCH 2014

FRANKIE K On the 1ST of April, I woke up to find so many messages and tributes all over the internet dedicated to the “Godfather of house”. He passed away unexpectedly on the 31st of March. April began on a very sour note for most house lovers but it reminded most of us to celebrate house as well as our existence each and every day. Knuckles together with Larry Levan and Robert Williams were, at a very young age, hooked on the New York disco culture. Soon after, he began mixing at the Warehouse, a club in Chicago where he became known for playing new and fresh tunes. He was not playing what everyone was used to hearing in the clubs. What he was playing had more soul in it. As they say, the rest is history. The role as well as the influence that Frankie Knuckles had in the world of house music throughout his journey, revolutionised dance music forever. Frankie Knuckles was a Grammy award winning DJ and lead the Chicago dance in the 80’s that

changed the Club culture back then. I don’t know what house music would be if so many years ago Knuckles was not willing to push the boundaries and go where no man had gone before. The first song I remember hearing from him is Tears, where he featured Robert Owens. For all his contributions, “The Godfather” had a street in Chicago named after him, where there once was the Warehouse. In Chicago, the 25th of June was declared Frankie Knuckles day. To Knuckles, House music was not only about the rhythm but to him; it meant unifying a combination of different races and sexual orientations through sound, dance and the message. I am grateful to have lived in an era where I got to witness the legend that was. House music is more than just music, a lot of DJ’s have said that without him many of them wouldn’t be doing what they are doing today. All I can say is, ‘Thank You to our Godfather we will keep celebrating your life through music ‘ Rest in peace, heaven has received an angel. By: Louisa Nkosi

THE GODFATH 12

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KNUCKLES

HER OF HOUSE MARCH 2014

DEEP NEWS

Zakes Bantwini appointed Head Of A&R For Sony Music Africa. Well news just in, Zakes Bnatwini is sort of going back to doing what he entered the industry doing, artist management. If you recall Zakes entered the industry as the very flamboyant manager of one El’Vovo, since then he has gone on to forge a name for himself as a prolific and highly revered house vocalist and producer. His career as a house artist has seen him release two full records, the latest being ‘my music bible’ which is already causing waves throughout the industry and has seen him receive a slew of nominations for the album. However now Zakes will be playing a new role in his already illustrious career, the development and direction of other artists, all 14

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be it this shouldn’t be unchartered waters as mentioned previously and due to the fact that he owns a label of his own. This role however is for an external company, Sony and an even bigger role, for the African continent, this however does not sound as though it phases the man instead he sounds as though he relishes the challenge. The details and what the actual direction of the role will entail are still on the sketchy side, but it goes without say, this may be the biggest role Zakes has had to play in the business of house music and one does wonder about the future of his own music career with the taking up of this role.

DEEP NEWS

Figure of 8 Out Now!!! GoodLuck Releas New Music Video

They just featured as the cover artists on our March issue and gave us a highly anticipated interview that gave us an in depth look into the creation and creative process and thinking behind the making of the “creatures of the night” album that has seen this multi-talented trio breaking grounds and smashing all charts both here at home and internationally. The latest offering from this album is their figure of 8 video, which sees them continue with what makes GoodLuck the creative geniuses they are breaking new grounds and taking a completely obscure and yet very welcomed direction in creativity and ingenuity. And in this video what takes centre stage is not the trio but their latest D3 gadget that Ben so proudly talked about in our March issue (you can go check out that interview to get the explanation, there’s just not enough time right now). The video shot by Velocity Films is sure to be creative and entertaining. Go check it out, nothing more refreshing than South African artists who take pride in their craft.

MARCH 2014

The Wawela Music Awards Return For A Second Edition Last year a new event was added to the South African music and entertainment, calendar the Wawela music awards. Brought by the South African music records association SAMRO, these awards are open exclusively to their members. The CEO of SAMRO Sipho Dlamini saysâ&#x20AC;? the wawela music awards recognise SAMRO members who have lit up local and international stages, screens and airwaves with their incredible talent. It is their way of saying thank you to creative trailblazers who have gone above and beyond the norm to produce memorable workâ&#x20AC;?. Amongst the sixteen categories that will be awarded this year is the Best creative album of the year, Songwriter of the year, Breaking through the borders

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award , Prolific catalogue of works award ,Prolific publishers achievement award and the Statistical award which is based on statistical information from SAMRO . While some may ask if these awards are necessary at all, their categories show that the Wawela music awards have a place. Last year Kgomotsho Mashigo also known as jazzy pop songstress black porcelain was the big winner taking home the best creative album and best female artist and composer awards. Submissions to be considered for the awards were due on the 20th of April and were done online at www.wawelamusicawards. co.za So now we wait to see who made the cut.

DEEP NEWS

Mi Casa Takes Best Dance Album At 20th Edition Of The SAMA’s I keep saying it, these boys keep on winning and evidently the winning streak is not about to end. Just after releasing, practically less than a year ago, their second album Su Casa following their hugely successful debut, the offering proved to be the hit everyone was anticipating and perhaps hoping for, with hit after hit, the latest being Jika. Now the trio’s not only had the honour of being nominated amongst the biggest names in the South African house scene in the best dance album category but they actually won it to cap off a night where they also put on a rather spectacular performance of Jika, where J something started with a more slowed down version of the dance tune moving the tempo to the dance enthused version sound we know and love. All I can say is congratulations to the trio and if the bar couldn’t get any higher for them I think it just did. Don’t forget we featured these guys on 15th issue, so if you need a refreshment of their plans for the rest of the year besides winning prestigious awards, go check out the interview.

MARCH 2014

Liquideep Calls It A Day Now here’s something I really didn’t see coming. I won’t lie in my experience of working with the liquideep guys, even from a distance, was well let’s just say is better off forgotten. I found dealing with them and their ‘people’ simply unbearable. But alas that is not what this piece is about, well perhaps not entirely, if there’s one thing I picked up and I suppose the point I was trying to make is, seemingly egos run high in this group so when news broke of an open letter confirming the rumours that had 18

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been making the rounds that liquideep had broken up, I was shocked at first, but recalled my experience with the group and realised that I was not really surprised, like I said, egos seem to run high in the group. But with all that we salute their hard work and for offering numerous hits, ‘can I be your fairy-tale’ and hope their individual endeavours are successes. Read the open letter Zyon wrote as an attempt to explain the split, just sounds like someone is tryna avoid just saying I’ve had it. Lol

DEEP NEWS

ZIYONS’ OPEN LETTER This is a message I knew I would have to write at some point. I know that some have been speculating about whats happening. Something I completely understand. In order to keep from any confusion, this my open letter regarding what’s going on. The reality is, Yes, as a collective, Liquideep will no longer be releasing any new material nor will we be performing together. We wanted to share this in a recent tv interview that we did, but unfortunately the interviewer was looking for drama instead of allowing us to speak to our fans in a positive light about whats happening. To those who got the wrong impression of me with that interview, I do apologize. To those who could see what was happening, thank you for understanding and for still encouraging me.In regards to Liquideep, we are both taking different directions both personally and career wise. Naturally, this affects things moving forward. Though I do feel that there is a lot of positive things that will come from this new endeavor, I will say that it wasn’t an easy decision for us to come to. All we ask is for your prayers. From me, I’d like to say thank you to all of our fans who have been behind us through all of our ups and downs. We will never forget how good you have all been to us. For the rest of the year, I will honour all of the dates we agreed to. So far, that has already been happening. So if you only see me, now you won’t be surprised. ^_^ I am busy working to complete my solo album “Audio Alchemy” which will be released in July, this year. Music is my passion. Something I will never turn from. I need your support. Thank you to those who have encouraged me to make this move. I am very excited about this new chapter, and look forward to sharing with you. May you continue to feel joy in every area of your life. May faith guide you to the reality you planted in your dreams. Love & Light, Ziyon MARCH 2014

VOCALIST PROFILE

DEEP MAGAZINE

PORTIA MONIQUE

The Colours of Portia Monique You’ve heard her vocals belting out on the much loved ladies anthem by the Lay Abouts, Do Better, and now recently on an equally emotionally charged melodic Colours of Love, featuring South African duo, The Arrows. Portia Monique is mirroring the likes of Monique Bingham in her take over as a revered and leading vocalist in the local House music scene. It comes as no surprise that she started singing at the age of 3 and writing since the age of 9. Her melodies and heartfelt lyrics rightfully craft her as a skilled and seasoned musician. She isn’t just big in SA; Monique is also a prominent music figure in Seattle. There she built her name through taking part in weekly performances at lounges and (as in SA) collaborations with other artists. Her impressive musicality has been given the nod by many American industry major players – a list that includes noted producer, Rodney “Dark Child” Jerkins. Her sound crosses boundaries over many genres such as pop, R&B, House. With influences like Sade and Zap Mama, it stands to reason that she has unparalleled music ability. Now that we know her a bit more here’s the exciting part to it all: her debut album is expected to be released this year! And it is is a no brainer that the South African (House) music lovers will be supporting this release as soon as it hits our shores. By: Baxolisi Mfidi MARCH 2014

TRACK REVIEW

SUNLIGHT-LOUIE VEGA STARRING AXEL TOSCA

By: Louisa Nkosi

DEEP MAGAZINE

Every month I have to restrain myself from reviewing a Louie Vega song, but after hearing this song for the first time I could not possibly stop myself. I love Mr Vega for his versatility; he has the ability to go in the direction with his music, of jazzy, soulful, Afrocentric or even a disco groovy. Sunlight is a sweet melody. It’s warm and soulful and you cannot help but be drawn into it. It’s a sound that we expect from Mr Vega and we expect no less from the legend. In this song Louie Vega presents Axel Tosca who is such an extraordinary talent. Axel (whose

full name is Pedrito Martinez) is quite an eccentric individual and one of the most talented pianists I have ever come across. I am glad I came across his work and I plan to look out for him in the future. It’s so exciting to see legends such Mr Vega joining forces with young and up and coming talent but still manage to maintain their original classic sound. Such legends never compromise on their sound, but still manage to keep their fans happy. This song magnifies just how beautiful the melody of a piano can be. I say it all the time and I mean it.

MARCH 2014

MIX REVIEW

MUSIC PRAYER

A FRANKIE KNUCKLES TRIBUTE 1- You can do it baby-George Benson (MAW) 2- Musical Prayer-Markus Enochson ft. E-Man (Suedo Jazz) 3- The Standard-Vick Lavender (Reprise) 4- Vannessas Lips-Deep endSoul

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he loss of the God father of house made me look back and remember how and why I got hooked on house music year after year with its progression from when I was first introduced to it in 2003 till this present day. I thought it would be interesting to share this mix by an extremely talented local DJ. DJ Katiso popularly known as DJ Katzz is a DJ on Kaya FM. He features on the Lounge mix and offers the ‘Mankind Connections ‘, every Sunday at 12 Midnight for an hour till 1. His mix comes just after the Café Culture, by Black Coffee. His mix is on that jazzy and rare groove kind of vibe. Whether you are out and about on the weekend or whether you decide to have a night in, DJ Katzz mix is definitely one to stay up for. This mix was done a couple of years ago and it’s called the Music Prayer It kicks off with an old time favourite classic of mine. The song is called ‘You can do it baby’ by the legendary duo, Masters at work. This is an old time George Benson classic. This song is clear proof that magic can be done when you combine a mix of extreme talents. This is a very jazzy track and Masters at work have managed to preserve the soulfulness that one would expect from the legendary George Benson. The next song is still in line with the jazz fusion flavour that we experienced from the previous track. This track is called the

Music Prayer and the artist is Markus Enochson featuring E-Man (Suedo Jazz) this is an old song and I think many heads will recognise it from back in the day. It was released back in 2003 but it still sounds as good as it did when I heard it for the very first time. The vocals are by Eric Clark, also known as, E-Man, the man has such strong vocals and his sound is easily recognised. All I can say to this prayer is –Amen! The next song is called the Standard by the maestro, Vick Lavender. This is the reprise version of the song. This is the best version of the song and most reprised version, because the song has stripped off a lot of layers and the core of the song prevails. My favourite element to the song is the jazzy guitar. Every note is just clearer and even more beautiful, something that I had never heard with the original. The song sounds more like a jazz fusion with a perfect dose of house. A perfect combination. Top Standard! The last song of the perfect mix is a song called Vanessa’s Lips. This jazzy, Afrocentric and soulful song is inspired by all the beautiful woman on earth. I think every woman should listen to this one. I don’t know who Vanessa is but she must be one special lady to have inspired such an amazingly beautiful offering. This mix is just a small taste of what DJ Katzz has to offer and I know that if you have never had the opportunity to listen, once you do I don’t think you will ever look back. By: Louisa Nkosi

MARCH 2014

BELG 26

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GIUM AN ELECTRONIC MUSIC STATE OF MIND

MARCH 2014

Belgium, a country slightly larger than a cluster of pixels on a numeric map, it is nevertheless one of the areas of Europe that have played a key role in the history of electronic music during the 80’s and the first half of the 90’s. Known across the world for its French fries, its beer, its surrealism and its complex set of governmental institutions, this country’s state of mind has always been a perfect playground for new musical trends that are just beginning to blossom. Placed in the heart of Europe, since its creation, Belgium was has always been a crossroad and a meeting point. Belgian mentality is imbued with those different cultures, that over time has developed a spirit of curiosity, openness of mind, a sense of surrealism, embracing other cultures and foremost a taste for the party. We could start our story in the beginning of the XXth century and follow the numerous major contributions that Belgium made to various musical genres. But from this history that is well detailed in the acclaimed “The Sound of Belgium” documentary we will mainly note that Belgium created a perfect playground where new and unknown music cultures could find fertile

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soil to grow and blossom with an ever hungry-for-new music audience. From the invention of Bakelite in 1907, the first record could be pressed to the greatest hit of the American singer Marvin Gaye "Sexual Healing", written and composed in Ostend, not to mention the electropunk groups such as Front242 or the disco-electro-punk group Telex, the Belgian music scene has always sought to constantly renew the musical scene and continuously push the limits of the party spirit. At the dawn of the 80’s the Cold War and the economic crisis hit Belgium which at the time was experiencing tremendous social unrest that will be reflected in the music of the time as a representation of rebellion against the norms and conventions. Front242 paved the way and created music with arid and severe repetitive sequences in a very raw style, while the German group>>> Kraftwerk proposed a mathematical and “clean” electronic music. This sound later evolved through mixing the dark sounds of New Wave with those of Pop music landing on the dancefloors thus creating a true avant-garde nightclub culture that quickly spread throughout

and Belgium becoming the European trio forming a birth place of a musical genre that will leave its mark on an entire generation. In Belgium, legendary venues such as Boccaccio, At The Villa, La Rocca , The 55, the Gaîté to name a few, played a huge role in the growing success of electronic music filling the dancefloor every opening with people hungry for New Beat, Techno and Acid House.

the country. Mid-80’s, the very first radios were on board as well, spreading these new sounds on their airwaves. The New Beat was born! The open minds of Belgians, fertile soil of artistic freedom and a search of a new cultural identity of a younger generation made the New Beat a quick success. The new genre quickly invaded the Belgian night life, propelled New Beat artists to the top of the charts in a few days without mass media support, only through countless DJ sets played during the endless parties. The musical revolution was underway, Belgium danced from Tuesday morning to Monday evening with clubbers from all over Europe. Labels such as R&S Records, USA Import or DiKi Records were born signing some of the most legendary tracks of the time (“Age Of Love” from the group of the same name, “The Sounds Of C...” from Confetti's, “Flesh” from A Split-Second to name a few). Belgian clubbers welcomed first European imports from the U.S. scene and its Techno music: KMS, Underground Resistance, Moby under his alias Voodoo Child, Joey Beltram with his worldwide hit “Energy Flash”. New Beat was evolving to a more Techno sound with UK, Germany

The endless party movement stopped abruptly in the mid 90’s with a crackdown by authorities in their fight against drugs. Most of the Belgian legendary clubs were closed within a few months. But while the nightlife took a hit, nothing was over as clubs such as Fuse and Café d'Anvers took over the mission to perpetuate the party spirit. Festivals such as 10 Days Off and I Love Techno appeared putting electronic music on an even larger scale in Belgium attracting thousands of people every year up to now. Electronic music in one decade went from underground clubs to general public audience on a more global scale spreading throughout Europe and further east after the fall of the Berlin Wall. While the world is dancing and partying to Belgian bread music, and party scene still attracts clubbers from various countries, the electronic music scene is slowly declining, lacking cultural dynamism. Becoming a mass phenomenon, the spark of originality was somewhat lost or forgotten. Slowly fading from the global scene, Belgian electronic music movement was going back to the underground to revitalize and reinvent itself. Belgian venues stopped betting on local talents turning to foreign artists to fill the club dancefloors. MARCH 2014

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Early 2000s, a timid revival was taking shape, as a new generation was ready to take over. Specialized media appeared (TheClubbing. com, Radio Vibration in Brussels,…) attracting a large public membership showing the everpresent interest in the underground music. A painstaking job started to slowly rebuild the scene. New Belgian artists began to break through with two Many DJ's in particular, Dr. Lektroluv, Mo & Benoelie, Pole Folder,... They were the ones to gradually restart the machine but it was not until the mid2000’s that the true new beginning saw the light. New clubs and concepts appeared willing to support local artists (i.e. The Wood, Dirty Dancing becoming later Libertine Supersport). New festivals were born such as Tomorrowland that within ten editions became one of the world’s largest dance events. Even the authorities, who have so long fought this musical trend, began to recognize and supported it. This dynamism brought a new wave of Belgian artists such as Aeroplane, Mugwump, Loulou Players, Boddhi Satva to name few who, signed on some of the biggest labels in Europe, were touring around the globe. Followed up by more international names, The Magician, Kolombo, Stéreoclip and Cabaret Nocturne, all signed on renowned foreign labels but born and living in Belgium. New labels were born, fueled by the rich Belgian musical background and many outside influences. We Play House, Curle Recordings and Lektroluv Records were among the ones to reestablish the Belgian electronic music vibe. The rebirth of the Belgium electronic music scene found an even faster pace in the beginning of this

new decade with labels such as Atmosphere, Vlek, Loulou Records, Reworck and Electronical Reeds that while focusing on the local scene attract international attention. These labels discovered and helped establish a new generation of artists such as Felix Cage, Lex Newton and Superdrums. A new span of promoters like Labyrinth, Play Label, Woodstrasse, Liberty White just to name a few, took risks of standing the ground of electronic music. The newly acquired reputation of the Belgian scene is perfectly illustrated through a series of prominent facts. Indeed, Pete Tong invited Aeroplane to celebrate his 500th "Essential Mix" while Kolombo was entrusted to mix the compilation of the famous Brazilian club, Warung Beach Club. The Magician hit the European charts with his remix of "I Follow Rivers" by Lykke Li that received the honors to be recommended by Coldplay. As for newer talents, Lex Newton is also broadcasted repeatedly on BBC1 with his latest EP, Let Me In Your Heart, while Felix Cage multiple international collaborations, in particular with the South African slam poet Lazarusman. Although still fragile and changing, the Belgian music scene has found a second breath thanks to openmindedness and eagerness for change, ready to mix cultures and sounds from around the world. Alongside the underground, more mainstream artists like Stromae and Dimitri Vegas and Like Mike are in the international spotlight offering great visibility for Belgian musical diversity. In its constant search for cultural identity and rich past related to electronic music, Belgium has a clear potential for more surprises in the future. The spark of musical innovation is shining bright. By: Imkitha Mkebula MARCH 2014

LEX NEWTON 32

DEEP MAGAZINE

By: Imkitha Mkebula

IS HE THE NEW BELGIAN SUPERSTAR?

s the article earlier on the Belgian house scene has told you, Belgium as a country has been part of the ever growing electronic house scene from its inception, if you didn’t know that well now you know and along with their musical influences the country has given birth to a bevy of very familiar names to many house lovers, Boddhi Satva and Kolombo, along with some very famous and well renowned festivals one in particular of cause, Tomorrowland. Now the country brings us another international star in the making and for some a name that may even be familiar by name or sound. Lex Newton is a Belgian superstar and legend in the making, having been part of the Belgian scene for the past 10 years plus and has worked with every Belgian DJ, producer and promoter worth working

with, Lex has now embarked on a familiar but more solid road by signing with one of the biggest record labels in all of Europe, Electronical Reeds. The label is one of the first to actively sign and promote Belgian house artists and has been central in the careers of some of the biggest house names in the country. Lex has just released a new EP Let Me In Your Heart and the first feeling is one of transportation into a world that was, the 90’s. But don’t take that to mean boring or unprogressive in fact quite opposite, Lex brings us the house tune that seems to be making a come-back, deep house sounds, laced over with great mellow vocals and infectious mellow sounds that get you to the dance floor without even noticing yourself. This month on Deep we have the pleasure of talking to this international star and get a feel for his thinking and

INTERNATIONAL PROFILE

DM: For our South African readers, who may not be familiar with Lex Newton, but probably his music, tell us a bit about yourself please?

LN:: I was born in Belgium and raised by the sound of the funk, disco, and jazz records of my parents. I am happy between 0 and 35°C as long as it doesn’t rain (and even then, it’s okay). I ride a motorcycle. I love great Italian or Thai food, and I go crazy for sushi’s. I’m a fan of funny or greatlooking Instagram pics. I love music as a whole. I’m thankful for every day I have the privilege to enjoy making music or anything else I love. DM: Getting straight to it Lex, do you remember when you first fell in love with house music? LN:: Yep, definitely! It was in a clothing store in Camden, London, UK around 1996. The store’s hi-fi system was playing a UK Garage mix tape by Matt Jam Lamont, which my brother and I loved as soon as we heard it. We asked the salesperson what that was, and she told us that we could get a copy of the very same mix tape across the street, which we did of course. Since then, it has become my bible and I still listen to it every now and then. DM: What inspired you to actually take

the path of being a house musician because loving the genre doesn’t always mean having the talent for it? LN:: That’s a great one! Actually I don’t know. UK Garage was so enjoyable at the time with its swing-infused rhythm and syncopated chords stabs that I thought it would be fun to try and make my own. At the time, I got myself a copy of the legendary Fast Track II software and tried it and soon as I came back from London. DM: Your latest EP ‘let me in your heart’ sounds like old school house has had a huge influence on your productions, mellow vocals that don’t overwhelm the song and a progressive simply brilliant arrangement of sound, what is the Lex Newton sound exactly? LN:: Pretty spot on! My “signature sound” is based mainly on two things: a groove / rhythm that makes me want to dance right away and an enjoyable stab line based on minor seventh chords. You will hear those two ingredients in about everything I do. I like vocals as well because, to be honest, I like to sing when DJing, and I think it makes a track more human overall. Syncopated and chord-based for the win!

MARCH 2014

DM: Tell us about the Belgian house scene though, how has the reception been to your music over your decade long career? LN:: Actually, UK Garage was never a real hit here in Belgium. Some tracks would be known by more underground music lovers around the end of the 90s, but nothing like Filtered House at the time. Thing is, I really like Disco-, Funk- and sampled-based House, so I had plenty of genres to play at my gigs, satisfying both the audience and myself. Then I learned to like more Techno or Progressive stuff around 2010 and incorporated great bits of it in my sets. Now that old-school House is back since a year or so, and I couldn't be a happier DJ and producer. DM: You've worked with Electronical Reeds before over the years, what finally made you decide to sign up with the label? LN:: Electronical Reeds is like a family. I have known Laurent (the label manager) since early 2010, when he and I founded our own labels. We were the two new Brussels-based electronic music labels trying to make some noise. But paperwork was draining too much of my inspiration, so I closed my label a few months later. Souldust - which happens to be my best friend - became A&R for Electronical Reeds in 2013 and convinced me to make an EP for Electronical Reeds, while Laurent has shown me great support since the beginning. I'm lucky enough to make any music I like and release it on the label, and they are working like crazy to make everything around artists happen. Last but not least, we are friends. We enjoy going out and listening to our favourite DJs or eat at our favourite Italian restaurant. 34

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DM: Who does Lex respect and consider to be his greatest influence in the world of house? LN:: There are so many artist I love and enjoy, but influence come from back in the days: Matt Jam Lamont, Tuff Jam, Todd "The God" Edwards (before Daft Punk's Face To Face, if you wonder), early tracks from Daft Punk, Jazzanova, Jamiroquai, Chic and Michael Jackson. DM: The international house scene has grown tremendously, where would you rank Belgium and the European scene compared to the music coming out of other countries, South Africa included? Lol LN:: That's pretty hard to say actually! I think we will never beat the US and the UK, but Belgium has always been in love with House music, so I would say in the top 20 countries. Europe as a whole is just crazy about House music; I would rank it in the top 5 continents ;) DM: How big a part has your educational background in sound engineering played in making you the best producer you can be? LN:: Pretty big I think. Knowing both music theory and sound engineering is really powerful, even for electronic music. Don't call me Beethoven, but I hear quite a lot in my head without even trying it beforehand. I know when I need to add a new layer of stabs to support the harmony. I know if I need to add a sub bass or just EQ the bass that's already there. I'm intolerant with off-key elements like vocals or pads. I know that putting two elements at the same time that compete for the exact same frequency band is useless. But more importantly, I think I know when to stop adding layers for the sake of it. As they say, "if it ain't broke, don't fix it". Does your track work from start to stop without you missing something? Then render and enjoy!

DM: You have had a very long career, what else do you still want to achieve in your career that you haven't? LN: So many things. Continue to improve my musical and technical skills in the studio, and make tracks with other great artists. Put together a live act (this one is on the way actually) and play it around the globe. Release a full-length album with great vocalists and songs. And have the privilege to continue making what I love for a living! DM: Tell us about your favourite music that you have worked on and produced throughout your career? LN: I told you I love music as a whole, right? I played and composed in projects including Psyche Rock, Electro Funk, Nu Soul, Pop Rock, Electro Pop and Trip Hop.

MARCH 2014

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FEATURE ARTICLE

THE POLITICS OF MUSIC 20 YEARS LATER By: Ororiseng Mulaudzi

his year South Africa celebrates twenty years since the first inclusive elections. A milestone, twenty years have gone past since the “shackles” of apartheid where “loosened “and for the first time in the modern time South Africans where free to express themselves. The last twenty years have been interesting for South African music. I make mention of music because politics and music are mutually inclusive. The Oppressive government understood the effectiveness of music as a political tool. In the 1960s and 70s the apartheid government developed formal and informal censorship policies for radio stations .The restrictions covered four domains politics, sex, religion and culture. Censorship arrests and fines did not deter a lot of these artists from making music that resonated with the situations that the majority of South Africans found themselves in. Today Urban dance music is popular music in this country and obviously carries a great influence

over the millions of young people who listen to it and engage with the ideas it presents every single day. In his essay the decay of lying, Oscar Wilde suggests that life imitates art more than art imitates life. If truly this philosophy holds that art sets the aesthetic principles by which people perceive life , artists would then be expected to exercise some responsibility over their craft by understanding the power and influence their work possess. There are ongoing discussions on how much music needs to play a role in uniting an obviously still divided South Africa. Great success of collaborations like Kent & The arrows and DJ clock and Beatenberg give me hope ( I tend to be very optimistic, I am however aware of the very simplistic conditions under which this deduction was made) .Could we be taking the first steps towards moving to a more united South African entertainment scene? Whatever the case, let house lead us. MARCH 2014

GADGET REVIEW

{

E N T R Y

A BEGINNERS GUIDE TO DJ GADGETS & APPS

L E V E L By: Jasveer Morar

ith DJ technology evolving every month, entry level DJ’s are finding it harder to find what equipment to start off with at the cheapest cost and also which equipment can be used at Industry standard. Hardware isn’t like it used to be where there was a simple set up of two turn tables and a simple two channel mixer. These days it’s about CDJ’s, Mixers and Controllers, Effects Units, Chaos pads and the rest that goes with it. To get Industry Standard equipment with all of these mentioned you’re looking at R200,000 plus, Scary and freaky at the same time. But with that said it’s not what you play on but how you use it. You may have all the GEAR and have no IDEA how to use it. For most DJ’s beginning the Journey into this world you might need a simple set up to learn the basics and master the art. Controllers are the simplest way to enter the market, play around and learn the basics. This is all good for Bedroom DJ’s while learning. You can pick up a good Controller with all the jog wheels, loop functions, cueing and Hot Cues for around R2500. But don’t think you can play on that and walk into a club and perform. Unless

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{

you have a Laptop that’s up to specs it’s going to Crash and if you are standing in front of 500 people and it Crashes, you are going to be the talk of the town for the wrong reasons. CDJ’s are more reliable as they don’t need software and a laptop to run off. Everything works off CD’s or USB sticks. Finding the correct CDJ’s might also be a mission. Do You want to play off CD’s or CDJ’s and USB’s? CDJ’s with the USB function cost a bit more but you can carry huge amounts of music on a single USB drive, (500+). The Problems lies with the Industry. Sorting out Your music on Say Numark CDJ’s will take time, than you rock up at a gig and they have Pioneer CDJ’s. Those CDJ’s won’t have the information you already spent hours sorting out on the Numark CDJ’s. CDJ’s are not the cheapest option as you also need a mixer to play off. For an entry level CDJ/Mixer set up you are looking around R6500+ the speakers and amp to go with it. This is Just a basic set up with the functions you are looking for and no effects will be on the mixer. You can see where I am going with this right, Midi Controllers aren’t reliable unless you have a laptop to handle the work load and CDJ’s aren’t cheap. Well it seems we got a break through, in June

2013, Pioneer launched the XR1-DJ, which is a standalone Mixing Console with two CDJ’s and a Mixer built into one unit. In other words they just took the CDJ 350 and DJM 350, put them together and added some upgrades found on the DJM 850 and CDJ 2000. The XDJ-R1 can play CD’s, USB’s and can be used as a Midi Controller. Having the Control to use midi is a great advantage. As it comes with Virtual DJ 7, most beginners can learn quickly to start using it. Even if your laptop isn’t up to specs, you don’t have to worry if it Crashes because you can play off CD’s and USB’s. As of the 8th of April 2014 they launched a Trakor mapping for the XDJ-R1. Soon Serato mapping will also be available. (as Serato and Pioneer have Deals). This Unit is the 1st

type of Standalone dual players and midi controller of such standard. The XDJ-R1 has the same set Up as the CDJ 350’s, with the inclusion of Hot Cues and 3X 4 beat samplers. Each deck is given four effects build it to it, compared to the same effects found on the DJM 750-DJM 2000 Nexus. Each effect is triggered on the beat, which can be changed and the level of each effect can also be changed. On the Mixer section, the set up is similar to the DJM850 but with only 2 channels. Cueing each track can be done individually or at the same time. The level of master and cue can also be set. Colour effects can be used on each channel, not just on both channels. These improvements push the XDJ-R1 into the next generation of players.

Music played through USB ( I recommend) should 1st be put through RekordBox. After which your music is sorted ready to play. Music that is not Rekordboxed can also be played directly from CD’s or through your laptop through Virtual DJ. Aux and Mic inputs are available, so if u need to MC at a wedding or party it is possible. Aux is needed as only 1 USB slot is available, so changing a USB can be tricky, or else a CD to change between USB is needed. With balance RCL outputs getting clear quality sound is Pioneers trademark. Other CDJ’s or Vinyl’s can be added to the mixer to be played on with the phono line inputs.

MARCH 2014

GADGET REVIEW

RemoteBox is another app created by Pioneer. As the XDJ-R1 has a wireless system built into it, wireless control is given to you in the form of an App for Apple( At the Moment, Hopefully an Android app is launched soon). This allows you to control the whole XDJ-R1 system to be controlled on an Ipad, Iphone or Itouch device. From the cue, to mixer and effects everything can be done by using to fingers. The effects section can be used in the same way the DJM 2000 Nexus screen allows the effects to be used, with an X-Y axis and level depth on the axis. Low, mid and high frequencies can be killed with a finger, all done on a screen. Say you at a party and people don’t want to get you a drink, but you can’t leave cause u need to carry on mixing, no worries just pick up you device and walk, and mix at the same time. So things you can’t do with Remotebox which is scratching and adding CD’s . The beat slicer found Remotebox is only 2nd to the Pioneer CDJ 2000 Nexus, which is great! RemoteBox is something that gives the whole system an Upgrade at no additional cost to you.

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The Downside of the XDJ-R1 is the loop section which involves a button which can turn to select to loop size and pressing it down activates the loop. For a unit like this a loop in, loop out and reloop button should be added. This teaches you to loop properly and adjust if you have to. The screen could be abit better as it could include a wavelength view. Quantize should also be added to hardware and not only RemoteBox. These are the only faults I find with the unit. The looping being the biggest Problem I find.

With that said I feel this unit is a great in all other aspects. With Wireless system around the DJ at a wedding might not have to be seen until it is time for them to perform. It has the basic elements of learning how to DJ and some industry standards effects to make you as a beginner stand out. While some guys jump in and get a controller, it crashes their laptop and they lose interest in DJing, You can still perform without a laptop and save some cash instead of buying CDJâ&#x20AC;&#x2122;s and a mixer. The choice is Yours. And remember this is Pioneer, so you are getting a good deal. Keep the Music rocking.

By Jasveer Morar Twitter: @Jasveer_Morar Facebook: facebook.com/Jasveer.MorarDJ SoundCloud: soundcloud.com/jasveermorar MARCH 2014

M“

eet the inspired, dedicated and talented e has carved a place for himself Ngope aka in the South African music sceneKatlego that will not be filled by anyoneDJ Swiss, born in deep soon and there are many pretenders,Polokwane in the dusty Seshego, Zone 4, a place but what makes this streets man aofliving which made legend and one of the greatest househim the man he is today.

I don’t think you can define my sound, I play how i feel at the time, if I had to define my sound ISwiss would probably DJ’s to have ever graced the decks Dedicated to the house cause DJ in SA has been his ability to cross all call it happy house. started his career by recording his bearers and continuously produce house music shows from radiowant to get I don’t and play music for the favourite love of music. into his cassette, inspired by artists like Thato Sikwane has been in the industry caught up in the trap of Rodger Sanchez, Roger Good, Fistaz for just about two decades and has trying to box myself. Glen Lewis, Black Coffee and released 20 albums andMixwell, compilations

FRESH

Being driven by a positive mind-set DJ Swiss worked hard to create a name for himself in the house music industry with his widely praised and acclaimed mixes, which have put him on the map and showed the country what Polokwane has to offer. In addition to his illustrious house career as an individual, DJ Swiss is also the label manager for the record label called “surreal sounds” also the name sake of the Da Capo and Punk album “surreal

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“

more the list is endless, but nonetheless those are the artists who inspired DJ Swiss to be the artist he is, these are the artists that DJ Swiss spent countless hours recording mixes of, trying to emulate these great giants in the music industry.

COVER PROFILE

By: Imkitha Mkebula & Thembani Manganyi MARCH 2014

DEEP MAGAZINE

COVER PROFILE

n that two decades, with his staple series Fresh house Flava on its 7th offering released in 2013 and still after 7 albums causing havoc on the dance floor and further pushing the envelope and above all cementing his place in the industry as a revered and highly respected mix master, producer and all round entertainer who has his ear on the ground and knows how to the get the crowd going in any part of the world. He has expended his portfolio of work by working with Euphonik to create the FeU brand to make more outstanding music and strengthening the growth of cross border music that reaches and appeals to everyone and all races, something that seems to always be on the mind of the man in many of the decisions he makes pertaining to his career. Deep salutes the musical and entertainment genius this month, read on. DM:: Can you please give us a brief history of the man DJ fresh just to remind us of where it all started for you? FRESH:: I started at school hey, I was 13 and there was gig at work and the DJ who was supposed to be playing didn’t show and everyone knew I loved music and was a collector, so basically I filled in for him, the set was good and I was known as DJ from there on. I got my first professional booking when I was 18 and yeah there was no looking back from there.

time, if I had to define my sound I would probably call it happy house. I don’t want to get caught up in the trap of trying to box myself. I think a lot of DJ’s get into the trap of trying to impress other DJ’s, but that doesn’t really pay the bills and the other thing you have to consider is, are the people you’re playing for dancing and enjoying the music, we’ve all been there, but you need to learn to represent yourself and your crowed. DM:: What inspires your productions? FRESH:: Again I wouldn’t say there’s one thing, it really is various elements, external or internal, sometimes you allow those things to win sometimes you don’t but really it could be anything and really at any time. A jazz show once inspired me on my way to a gig where I found myself playing a very jazzy set. So it can be such random occurrences.

DM:: At a time where the genre itself was not regarded as commercial or even a legitimate career path, what made you follow the house route? FRESH:: I wouldn’t say I chose it, it chose me as the saying goes. It’s something I had been doing since I was 13, even when I went to law school, I did law school for two years, I was DJing and went on to do a radio show on YFM, so really it’s all I knew. DM:: You’re regarded as probably one of the most powerful musicians DM:: What defines the DJ Fresh and all round artist in the country; sound? does the pressure ever get to you? FRESH:: I don’t think you can define FRESH:: The thing about me is that I my sound, I play how i feel at the have always done what I wanted

MARCH 2014

you have a responsibility to help grow the industry, you alone are not t o the industry why should you be selfish and do and not help expand it. how I feel. The only pressure really is from me. I am a firm DM:: The fresh house flava series’ have believer as a DJ don’t be afraid to play songs always packed quite a punch and continue that make people dance, learn to please to be one of the most highly regarded the crowd while staying true to you and compilations in the country, what was the your craft, then pressure doesn’t really exist thinking behind the first volume?? from that perspective, but I really follow the FRESH:: Fresh House Flava was as a result philosophy of doing what I really want to do. of demand I can say. YFM started just after DM:: What legacy would you like to leave in the industry? FRESH:: Honestly, if I were to die right now I think my legacy speaks for itself. The Euphonik’s, Cleo, DJ Kent and even DJ Monde, these are people whose careers I have had hand in helping to build and in return they have continued to pay it forward with other artists they have mentored. When you have made it 46

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’97 and there weren’t many radio stations playing house on a mainstream basis and YFM was, almost every fourth song on Y was a house track and people were loving them. So I went to house Afrika and what started as a joke to release a compilation turned to reality and the first Fresh house Flava album sold 100 000 copies and every other Fresh House Flava after that went platinum just

COVER PROFILE

from pre-orders. And I think that’s what led to the compilation boom, a lot people saw that and i f this works. there’s one thing about me and DM:: Your demographic reach is outstanding! What do you think makes you such an all- Euphonik is that, we belive don’t get hired to do something round success? FRESH:: It’s a number of things; one is constantly you should be doing yourself. So really reinventing myself, one must never be afraid it was just about doing something similar for to reinvent themselves, where you look at how ourselves on our own terms, so ja, that’s how you’re doing things and how you could do it started. them differently, another humility, if you look at the guys that have been in the industry for decades, Oskido, Vinny, Christos and the likes, the one thing about them all is that they are humble, so humility goes a long way and also respecting the industry, it’s your job, it’s what you do, so respect it and of course relevance because that brings longevity to your career and not forgetting doing what you love, that feeds you for a long time to come. DM:: Tell us about Ohship, how did it come about? FRESH:: We were still doing the Miller parties

DM:: What can we expect from Fresh for this year? FRESH:: Well Fresh goes electro has just come out and Fresh House Flava 8 comes out in August of this year and my label Dawg house productions is releasing a compilation of 10 unreleased vocalists just to put them out there and give them a vehicle into the industry. It’s mostly a deep house project, we’ve recorded about 10 now so were left with two. The project will have videos as well, so look out for that. MARCH 2014

South African Music Entertainment Symposium Workshop DEEP Magazine prides itself on being a portal of information, education and entertainment in House music. One such event which helped attendees gain information and education into brand management and innovative streams of getting your music and your brand built from the ground up was the South African Music Entertainment Symposium Workshop. It was truly an informative and proactive exchange of ideas with the headline: Building your brand beyond the music. With attendees which included industry executives, headline DJ’s and even underground artists just starting out it provided a diverse audience.

DM: How do you think South African brand management compares to international brand management? AW: Just from my research and observation, it’s hard to compare the two because everyone has their own identity and that’s where we make the mistake sometimes of trying to compare ourselves to everyone else. Brands are different because the consumers are attached more to people and attached to consistency and because of that it makes it more challenging for newer entities to gain traction because people are so comfortable and are accustomed to things. DM: How do you think Artist Management compares to international brand management? AW: I always tell artists they need to be their own managers, their own best managers. Because in the beginning you are the only one who believes in your talent. To believe that a stranger 48

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is going to come of the street and be 100% committed and believe in you- I just don’t think that’s accurate. What a manager is supposed to do is generate business for you. And domestically I think that’s where there is a difference between managers who can generate business for you and those who can only schedule studio time. And with the managers in South Africa, at least the ones I met, their goal was to make their artists bigger than just in South Africa. DM: What advice do you have for managers and artists in terms of getting business and helping artists align themselves to certain brands? AW: It’s about doing intelligent and logical things that don’t necessarily make sense. Like for instance: think of any brand- coca cola, Yamahasomeone sat down and built the product and the brand and built a life style around that brand. As a business your head should be into creating things that don’t exist.

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I mean you can’t just look at the entertainment side but also building a lifestyle around it as well so everything in House can become a part of pop culture.

Last Word: Word of advice from Amir Windom: As an artist if you don’t take time to develop your brand and work on the marketing and distribution of your music then why are you making music? It takes just as much work to get the music out there as it takes to make it. You need to put more time into the business, marketing and brand development side. The making music part is easy- getting people to listen to and share your music is the hard part. Word of advice from Suede: FUCK HUMBLE- BE GREAT

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As an artist if you don’t take time to develop your brand and work on the marketing and distribution of your music then why are you making music?

“

DM: How do you feel the House market compares to the Hip- Hop market and do you think House Music in Africa can become what Hip-Hop has become in America? AW: Absolutely, I mean you can’t just look at the entertainment side but also building a lifestyle around it as well so everything in House can become a part of pop culture. Hip Hop is embedded in pop culture. If T.I is wearing a Sterling watch- people want to wear a Sterling watch. Hip Hop normally creates a lot of trends and it’s the same aspect as House music- you gotta create trends. When we make music we want to create something that doesn’t exist. You also gotta look at it from a psychological point of view, what are consumers responding to.

MARCH 2014

DEEP MAGAZINE

By: Mashudu Modau

Follow @ZASAMES for more information on the South African Music Entertainment Symposium which will be taking place later on in the year. MARCH 2014

UNDERGROUND PROFILE By: Thembani Manganyi

MMINO E’CLEVE

The epitome of awesome,magnificent and extremely talented. Mark my words this guy is the future of house music. With his producing and mixing skills and ever so creative music theatrics when he’s on the decks-check out the interview we had with him below! >>>

QA DEEP MAGAZINE

UNDERGROUND PROFILE DM:: Tell us about your name ?what does Mmino e’Cleve mean and where does it come from? MC:: Well the name came about when I was trying to figure the answers to great music’s secrets and how to make them work to my advantage. I later realized that there’s no one who has pledged to become one with the word for Music, and so I did. Mmino is the South Sotho word for music. In music theory there is a Treble Clef and a Bass Clef and since the isn’t an E Clef I then chose to make one which then spelled like this e’Cleve. DM::Your sound is very unique, almost tribal, tell us about it? MC:: My music is greatly influence by raw, deeply rooted African elements used magnificently by the likes of Femi Khuti, Salif Keita and STIMELA mixed with a touch of Motown soul. DM:: Tell us about the music you have produced and the people you have worked with ? MC:: I’ve been blessed to have worked with some of SA’s amazing musicians Terrence Mckay, Adella, Tee Pee, Lulo Cafe, Red Button, Kay E, Sbuda P, Solly Vista, Psyfo, Lugs and the list goes on and on... DM:: What label are you signed under ?and why did you choose to sign with them ? MC:: I’m not signed by any company as yet but have a few offers on the table. DM:: What do you think about the current state of house music and how would you like to change it? MC:: We couldn’t be at better state than where we are and as to how I’d like to change it??? LETS JUST SAY I’M ALREADY DOING IT LOOK OUT FOR MY NEXT SINGLE!!! DM:: Tell us about your latest single

“yin’ndaba” McKay

featuring

Terrence

MC:: This time I chose to go back to house music made around 2000 to 2006 and blended it with 2014 DM:: Give us a little bit of insight about your future exploits and what we can expect to see from you? MC:: I’m going to be dropping a few songs which should lead to an album and hosting House music events. DM:: Briefly describe your journey in the music industry ? MC:: I first took interest in music when he was just 11 years old. I was introduced to the love of music by my grandfather, who also helped me with half of the money to buy my first music desk mixer at the age of 12. At the age of 14 I won a Y FM competition called the Mad Half Hour. In 2012 I played at the NESCAFE GOLD TOUR around South Africa. Started making good music just over 6 years ago. I have a feature on ALEX FM 98.1 (stream live on WWW.ALEXFM.CO.ZA) a radio show called THE MIXTAPE every FRIDAYS 19:00 to 21:00 whereby I teach up and coming producer how to evolve. I have mixes every Saturday afternoon on ALEX FM 98.1 (stream live on WWW.ALEXFM.CO.ZA) at 16:20 to 17:00 / 17:20 to 18:00. DM:: What is the one thing that you would say describes you as an artist and what would you like to be remembered for in the music industry? MC:: My drum combos, cords and 13 years of experience plus the pipe I use to sing in my latest house jams. DM:: What words of advice do you have for those who would like to be producers or dj’s like you? MC:: Practice, practice and more practice. MARCH 2014

By: Thembani Manganyi

TOP 10 SONG CHART

THE CHART IS PACKED WITH THE FRESHEST AND AS THEY SAY, REALEST BEATS.

Title Artist

Turn You On Mi casa

DEEP MAGAZINE

I tend to believe that it is at this time of the year where we hear the most authentic and honest pieces of music, as it is far from the December ‘need’ to make a hit. Take nothing away from the invigorating December hits, albeit honest art will forever be a bonus. Donald’s duet with Bucie debuts at NO. 9. His new album Black and White just came out and in quintessential Donald style there are songs for the ladies and songs about love affairs and Don’t Let It Burn is one such song. A huge dance floor favourite is

Let Me Go The Layabouts ft. Shea Soul

Pluto (Remember Me)

Ready For Your Love

DJ Clock ft. Beatenberg

Gordon City feat. Mnek

Title

Busa

Artist

Euphonik Mpumi

ft.

Euphonik’s Busa, which debuts at NO. 5. A brilliant song that does not lack in quality. Gordon City, the 2 year old English duo are at NO. 5. They feature Mnek with their global hit Ready For Your Love, a MASSIVE song on the radio. I Put It to You that there shall be no objections of the TOP 3. These songs meet the universal criteria of a praise worthy Vocal House song. There’s the vocal prowess, flawless production and the massive reception on most mediums. Want to see this top 3? Enjoy the chart

Ghetto Zakes Bantwini

Title

Don’t Forget Me

Artist

. Charles Webster, Kid Fonque & Khensy

Dream Cloud Rocco feat. Kafele

Title Artist

#10

Don’t Let It Burn Donald feat. Bucie

Boiling Disclosure Harnett

ft.

Sinead Chart compiled by: Lusky

MARCH 2014

TOP 10 CHART VIDEO We often complain when our Media Houses do not do us right but we hardly ever praise when right is done. I watch a lot of the main music shows in the country and I must praise them for playing and believing in local videos. Needless to mention our radio stations, in particular YFM, for breaking almost every House song in the country (no this is not a raise application but sheer honestyď &#x160;). Thank you for believing in South African music again and thank you for showing us quality House videos. Some videos continue to latch onto the chart, simply because of how good they

Title Artist

Buya Black Coffee ft. Toshi

DEEP MAGAZINE

Let Me Go The Layabouts ft. Shea Soul

Easy To Love

Pluto (Remember Me)

Bucie ft. Heavy K

DJ Clock ft. Beatenberg

Title

Turn You On

Artist

Mi Casa

are. DJ Kent’s Spin My World Around is one such video as well as Mi Casa’s Jika, they occupy spots NO. 7 and 9 respectively. Disclosure debut with the tech-romantic video of their hit Latch. Another noteworthy debutant is the video that is arguably the biggest song in the country, Pluto (Remember Me) by DJ Clock and Beatenberg. A lovely fun Cape Town feel that looked fun for the boys to shoot without compromise on quality. This video hogs the NO. 4 spot. Mi Casa pops up again on the chart, the jovial Scientists debut at NO. 5. Full marks

Spin My World Around . DJ Kent ft. The Arrows

on the creativity. Donald’s devotion to his music videos is inspiring. Unpredictable takes the old-age emotional army approach with a twist. Although the concept is stale, a great storyline is always welcome in the days of confusing storylines in music videos. This video debuts at NO. 6. It would be a huge injustice to place the dark intrigue that is Busa by Euphonik anywhere else other than the NO. 1. The video is extremely mesmerizing, perfectly matching Mpumi’s fascinating vocal style.

Title

Party After

Artist

Muzart

Latch

Jika

Disclosure feat. Sam Smith

Title Artist

#10

Mi Casa

Unpredictable Donald Chart compiled by: Lusky

MARCH 2014

ALBUM REVIEW

Title: Fresh Goes Electro Vol. 3 Artist: DJ Fresh Record Label: Soul Candi Fresh goes electro for the third time and not a moment too soon and his got us all excited!! Oh did I mention his on the COVER!!! I guess for the most part we couldn’t have planned this any better hey. Ok back to the business at hand, the album. It’s a god one, a solid offering that definitely lives up to the name, “going electro”. The album definitely showcases EDM as heard by Fresh and is a non-stop dance belter. I say this always about Fresh, the thing is with this man he just knows and gets it, it’s almost impossible for him to disappoint the crowd and although this album in my opinion may not be anything spectacular it is solid and will be sure to give any EDM lover a good time on the dance floor and if your still unsure about the EDM revolution, it might convert you as well. Fresh also brings and remixes some of his FeU tracks with Euphonik to the album like ‘Cool & Deadly’ featuring Nyanda. The album is a two disc album and so best believe there will be hits and therefore plenty of dancing. As a third offering this in my opinion would not be my best pick of the three, but it’s still Fresh.

DEEP MAGAZINE

Title: Rocco- The Bridge Artist: DJ Rocco Record Label: House Afrika Records Ok granted, this album should have made its way to the DEEP album review pages a long time ago and the hits coming from this offering alone are a testament to that, but it’s Rocco! For many fans who have already gone out to purchase the album, there may be no need for a review because they probably agree with me, it is beautiful. This album pays testament to the saying “house is a feeling”. The bridge is an emotional journey that takes the listener to almost every emotional place you can go to and Rocco is primarily able to do this because of the featured vocalists on the album. The list ranges from Liquideep’s Zyon to Sebastien Grand and there is a continuous theme of soulful and deep vocals accompanied by brilliant soulful melodies indicative of the House Afrika vet. This is album is sensual and is almost a retrospective journey to the house of the 90’s, it showcases unbelievable vocals taken from every corner of the globe and is pre-occupied with offering pure deep house. I love it.

EDITOR’S RATING

By: Imkhitha Mkwebula

MARCH 2014

VIDEO REVIEW

Artist: Culoe De Song Record label: Soulistic music Title: No contest / Lovin Marvin

Artist: Donald Moatshe Title: Unpredictable

No contest is a hit single from Culoes award winning album Exodus. We have come to expect quite a lot from Culoe. His music is a reflection of how creative he can be. The No Contest video shows Culoe deejaying in what looks like a warehouse while Step up inspired dance off goes on. It is just unfortunate that decent just does not cut it for an artist in the calibre of Culoe who is always taking things to the next level with his music. Although there is some good dancing on the video and the video looks decent it is still a bit of a let-down.

Donald has had a great run over the last few months getting nominated for a BET award, releasing his black and white album and most recently announcing that his song over the moon has reached the half a million download mark. Even though one may not particularly be a fan of Donaldâ&#x20AC;&#x2122;s music they will agree that a lot of effort goes into his videos. This one is no different, it features Rockville actor Lehasa Moloi. Like all Donaldâ&#x20AC;&#x2122;s singles Unpredictable is catchy.

DEEP MAGAZINE

Artist: Micasa Record label: Soul Candi Title: Turn you on

EDITORâ&#x20AC;&#x2122;S RATING

Another hit from their Su Casa album Turn you on is Mi Casaâ&#x20AC;&#x2122;s second single from their latest release. The turn you on video is just beautiful. It is not a corny house music video. It was well shot and directed. Choreographed by the flamboyant Somizi Mhlongo and directed by Star productions the turn you on video is a treat.

By: Ororiseng Mulaudzi MARCH 2014

OH SH GOES TO>>>OH SHIP

By: Thembani Manganyi 62

DEEP MAGAZINE

Ever wondered what it would be like cruising on ship with 2,5k beautiful people, partying on the deck in the middle of the sea on the way to the Portuguese island, with sexy ladies showing off their cute bikinis and sexy bodies, sipping on mouth-watering cocktails? Well you'll never know how it is if you weren’t on the cruise but we were there and there’s only one word to describe the experience... AWESOME!!!!

First day we were blessed with the likes of Roger Goode, Black Coffee, fresh and euphonik, millshake, Poppy and many more respectively as the party kicked off. People were shy for the first few hours but later on they got the hang of things and let’s just say it was a once in a lifetime experience. Even though the drinks were expensive it didn’t stop people from spending big and having a blast regardless of the fact that everything was sold in dollars.

MARCH 2014

OH’ SHIP

SHIP!!!

Second day kicked off with breakfast and gave people the chance to get refreshed before starting the party at 3pm, which was eventful with the same line up but shuffled up but included the likes of speedsta and a performance by milkshake. Things got super sexy in late hours of the night when we had a themed party with the introduction of the pyjama party which got us guysâ&#x20AC;&#x2122; week in the knees. The pyjama party brought out the best and the worst of outfits but at the end of the night, it was a blast.

DEEP MAGAZINE

OH’ SHIP MARCH 2014

Although the 3rd day wasnâ&#x20AC;&#x2122;t really the best of days, with the news that we were not going to the Portuguese islands because of bad weather, people made the best of it and had fun (no one would let a minor glitch get in the way of having fun on your last day on a cruise) and not to forget the comedy night that left us in stiches.

DEEP MAGAZINE

OH’ SHIP MARCH 2014

DEEP MAGAZINE

OH’ SHIP In conclusion the overall cruise was a once in a life time experience filled with laughter, dancing, joy and never ending memories and of course the joy of knowing you met your celebrity personalities like the likes of Boity Thulo, Black Coffee, Kenny Mckenzie, Euphonik, DJ Fresh, Thembi Seete and many more. So with that said can’t wait till we board our next ooooooooohhhhhhhhship!

MARCH 2014

FASHION EDITOR

Zakhe Chamane

EDITORâ&#x20AC;&#x2122;S

Letter

Hello. We can officially unleash our coats and heavy knit jerseys. The winter-cold is knocking impatiently at our doors. This issue we deeply warm you up with trends and a guidance for this autumn/winter. We swiftly mature with the season as deep fashion. Deep style strives in warming and breathing some fresh air with you. This winter/ autumn we visit the background and the success of Burberry and how theyâ&#x20AC;&#x2122;ve survived so long in industry. The style diary is our gift to you fashionista as informing you on the fashion scene is our duty. Fasten your faux belt and keep warm.

DEEP MAGAZINE

FOR THE LOVE OF HOUSE

style

FOR THE LOVE OF MUSIC & FASHION

TRENDS FOR WINTER

WOOL & LEATHER ESSENTIALS

STORE REVIEW>>> THE PRODUCE STORE

STYLE QUEENS MARCH 2014

STYLISTA OF THE MONTH PROFILING OUR MOST STYLISH HOUSE ARTISTS>>>

Z I Y O N

NAME: Jonathan ‘Ziyon’ Hamilton GROUP: Liquid Deep FIRST MAJOR HIT: “Fairy-tale” STYLE: Preppy Tailored chic 72

DEEP MAGAZINE

By: Thando Mazibuko

Ziyon in casual with a punch

Ziyon performing in plum blazer

Ziyon in his signature bowtie

A man of many talents Ziyon being an American born artist, we can now affectionately call one of our own. Besides being a ridiculously talented vocalist and producer, his one of the most stylish men in SA. From making the bowtie a stylish casual trend, this manâ&#x20AC;&#x2122;s preppy-chic but tailored look is surely a cut above the rest. We pay homage to some of his looks and we ask ourselves can this man ever look bad? This month heâ&#x20AC;&#x2122;s our Deep Mag Stylista of the month. MARCH 2014

STORE PROFILE

STREET WEAR FOR ALLâ&#x20AC;Ś By: Thando Mazibuko

Online shopping has become a big part of our society, with a lot of new designers not having to open a physical store but also being able to sell their product to people in a new and innovate way. This issue we profile a new online store which gives young urban wear designers a platform for their clothes to be sold to the masses. We speak to two young innovators of this idea and get to understand what they have planned for this market.

DEEP MAGAZINE

MARCH 2014

STORE PROFILE

QA &

DM: Why did you decide to have an online store instead of going the route of asking other stores to hold your products? A: We decided to create The Producers Store firstly because I like creating really cool and different things. Then there was my background in IT coupled with seeing what my competition is doing wrong. The original mission was to open a physical store a few years ago but that didn’t pan out. DM: Why did you not keep it exclusively for your products but also opened it to other upcoming brands? A: The future is in unity really and what we are trying to push is more than a store, we are offering a lifestyle that everybody can feel as part of. If we went the exclusive route we’d end up limiting the brand and defeat the purpose of what we’re trying to accomplish with The Producers Store. DM: We all know that a major part of South Africans aren’t online, do you think making an online store will cover all markets? A: With data becoming cheaper and more South Africans growing into using the internet, this is the perfect time to bring out our offering. As we grow as a brand we believe online shopping will grow in South Africa.

DEEP MAGAZINE

DM: You’re planning on making The Producers Store a lifestyle, how are you planning on doing this? A: Aside from clothing we will be having regular pop up stores and installations and soon introduce Free Range Wifi at all our events. We want people to work and play through and with us. Since we are creating a lifestyle we will also have regular updates and shots showing that aspect. From the team having a meeting to drinks at a restaurant, images of our events. The Producers Store isn’t just for hip hop heads and street wear fans it’s for everybody. DM: What would you like to achieving with this store? A: The main goal is to become the go to place for South African street wear not just locally but worldwide and to be a leader in online media. DM: Lastly what are you doing different from your competitors? A: Though our competitors have a larger base than us we improve where they do wrong or don’t at all. The Producers Store will feature a full checkout process accepting credit cards and bank transfers and soon shipment tracking, so users can actually click buy and just fill in their details rather than having to send emails to the store owner and liaise with them which is often tedious.

BUCIE QUEENS OF HOUSE & STYLE ZINHLE Like a fine wine needs time to refine its taste, a stylish woman will first experiment until with time she gets her style just rightâ&#x20AC;Ś In this issue we feature two of the queens of house Bucie and DJ Zinhle and look at some of their best looks and track their style evolution. By: Thando Mazibuko

MARCH 2014

DEEP MAGAZINE

Bucie performing at the Channel O awards in this tangerine tutu. Pink Swan vibes!

Bucie at Roberto Carvali Vodka Launch. Slick and sexy in black with a pop of colour with the red leather jacket.

Bucie performing recently on Channel O. Stripped down and casual.

MARCH 2014

DJ Zinhle at the Channel O awards 2012 in a stunning see through little number risqué-bridal perhaps

DJ ZINHLE’S INSTAGRAM OOTD(OUTFIT OF THE DAY) LOOKS. SIMPLE SEXY.

ARTISTIC EXPRESSION

I could easily have a million photos on how I personally would prefer every single male to dress and a million more songs that could best describe the mood I’m in and or how I feel. I think it’s only fair that one’s occupation set the tone for one’s personal style and image. Imagine a suited up taxi driver, or the cleaning lady wearing a pin-skirt and heels, oh well it’s just a thought. With that being said, let me not put too much pressure on DJ’s and keep things simple yet elegant.

By: Katlego Ramela

The Expressionist

Traditional formal grey suit with dark brown loafers, so as to tone down the level of seriousness associated with wearing a suit. Good morning to the world out there, “ngithi san’bonani.” 80

DEEP MAGAZINE

The Serious

The Rebel

A pin-striped, navy blue, doublebreasted suit and a touch of life given by the sky-blue tie. “Kwaze kwanzima ukuk’thanda, not sooo easy to love.”

A leather jacket, t-shirt, chino and rough, old school boots. “In a rare show of perception taken by myself, trying to balance the hollow and the lack that might follow…”

The Vibrant

The DJ

The red tie exudes confidence and screams success, but not that “I worked hard” success, more the “I did it at 25” type of success. “Can I be your suuuuuuuperman?”

Well, the title says it all. DJ’s are known to be cool and can get away with almost anything, except Oskido of course. “Ken-aaah-get-e-hell-yeah??? HELL YEAH!!!” MARCH 2014

Square-Framed Optical Glasses

Westminster Leather Briefcase

Tasselled Leather and Suede Monk-Strap Brogues

Green wool

Essentials Guide Fo Vintage handmade hat

DEEP MAGAZINE

White denim jeans

Allsorts Throw Over

Ankle boots

cardigan

Grey Wool Coat

Left Hand Twill Jeans

Slouchy Quicksilver Beanie with Pom

or AUTUMN/WINTER

By: Guy Hardy

Leather ostrich bag

Drop earrings

Orange Genuine Leather Belt

MARCH 2014

ACCESSORIES WOOL&LEATHER W

ith the new season well and truly underway, our guide places the spotlight on the key trends and star buys to update your wardrobe with. No longer will you be forgiven by the weather by wearing a t shirt or mini skirt in the blistering cold. Just like your fashion choices, your accessories should also change a bit for the winter season. Different styles, warmer options, new colours and exciting accents can transform ordinary winter fashion into a magical new fashion-happy wardrobe. To avoid being unprepared itâ&#x20AC;&#x2122;s time for a wardrobe switch. Sure, there are some crisp and bold statements, but overall fashion this winter will be full of thick and colourful patterns and fabrics. Staying warm is imperative, of course, but that is what leather, wool, coats, hats and scarves are for! With even a handful of these new fashions, your wardrobe will feel up to the call of rain and cold, sleet and snow, the dark beauty of winter months. Not everyone can afford even a faux fur jacket, but everyone can afford a faux fur accent- shopping on a budget is all about creative accommodation and knowing what you are looking for before you leave the house. These picks are definitely must haves for a fun fashionable winter.

DEEP MAGAZINE

MARCH 2014

RENDS

AGE HASNOTHING TO DO WITH STATEMENT PIECES THIS WINTER

1 2

Taking you back to the spice girl’s times. Get high and funky with this wonderful platform.

Fashionably this winter with either trench, half

DEEP MAGAZINE

BOMBER JACKET

We’re stowing the heavier fabrics for future wear and now seeking more lightweight options to rock this winter.

PLATFORM SNEAKERS

COATS

jack or a cape.

GRAPHIC T-SHIRTS

Overlaying has become a big thing by adding a statement t-shirt gives your look a spunk.

HEAVY KNIT JERSEYS

Nothing beats the cold like a well knitted wool jersey. This winter they are heavier, warmer and trendier.

This says a lot about how far you can take in terms of style. You are not shy and excited to look hip.

You can never go wrong with this hat. It can match any outfit and gives the look structured feel.

EARPIECE ACCESSORY

FELT HAT

BOMBER JACKET

COATS

PLATFORM SNEAKERS

MARCH 2014

GRAPHIC T-SHIRTS

EARPIECE ACCESSORY

DEEP MAGAZINE

HEAVY KNIT JERSEYS

FELT HAT

MARCH 2014

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