June issue by CV WorldWide Magazine

JUNE 2017

THE Lifestyle Magazine for Custom Vehicle & Music Enthusiasts

ALWAYS FREE

Born of the DriVeN mind of Bass Player Geo Garcia, Vegas Hard Rock band DriVeN was imagined in 2014 ...The label "Hybrid Rock" has been used 2 describe this incredibly diverse & heavy groove Rock band. Their 1st single "Tolerance" has been widely & enthusiastically received & aired all over the Country. After a highly successful inaugural show schedule that included 18 shows in 2 states, in 5 months, The band is poised to start working on their new Single & debut EP.....2017 will be the year of the DriVeN. p. 6

Contents... Press Release: Obituary Announce Tour With Exodus

Arch Enemy: Album Art and Tour Revealed

Dope & HED Pe: Tour Announcement

Jamie Paullus Jamie Paullus continues to WOW our readers with the BEST Spokane has to offer - this month: music greats Black Label Society. Page 32

Order in the Chaos: Best Fuzz Pedal Out There HAIR TRIGGER: a Comic from Anthony Hitaffer

28 38 Sherry Keith Mystic Photography continues her up close and personal view into the Vegas music scene with Worlds Greatest Rock Show & Tom Kiefer... Page 18

CV WorldWide Magazine

Locally Owned / Nationally Known

proval. Publisher assumes no financial responsibility for the errors in ads beyond the cost of space occupied by error. Publisher is not liable for: any slandering of an individual, or group as we mean no malice or individual criticism at any time; nor are we responsible for the opinions or comments of our columnists; and promises, coupons, or lack of fulfillment from advertisers who are solely responsible for the content of their ads. Publisher is also to be held harmless from: failure to produce any issue as scheduled due to reasons beyond control; all suits, claims or loss of expenses; this includes but is not limited to, suits for libel, plagiarism, copyright infringement and unauthorized use of a person’s name or photograph.

OBITUARY Announce "Battle of the Bays" North American Co-Headlining Tour with Exodus Tampa Bay Florida Death Metal Godfathers OBITUARY collide with Bay Area Thrash Metal Kings EXODUS for another epic Battle of the Bays this Fall! The two American legends went to war in Europe last year and are now bringing the Battle to America this time with support from POWER TRIP and DUST BOLT. The coheadlining tour kicks off September 14 in Durham, NC and ends on October 15 in Baton Rouge, LA. Tickets go on sale this Friday, June 16 and a complete listing of dates is available below. Additionally, OBITUARY will perform at the prestigious Hellfest Open Air 2017 on June 18 in France and return to Europe for a headline tour on July 8 including multiple festival appearances at Resurrection Festival, Rock Maraton 2017, VOA Heavy Rock Fest and more.

All Dates Sep 14 to Oct 15 w/ Exodus, Power Trip and Dust Bolt --Sep 14

Durham, NC

Motorco Music Hall

Sep 15

Virginia Beach, VA

Sep 16

Baltimore, MD

Baltimore Soundstage

Sep 17

Sayreville, NJ

Starland Ballroom

Sep 19

Brooklyn, NY

Music Hall of Williamsburg

Sep 20

Worcester, MA

The Palladium (Downstairs)

Sep 21

Burlington, VT

Higher Ground

Sep 22

Quebec City, QC

Imperial Ball

Sep 23

Ottawa, ON

Bronson Centre

Sep 24

London, ON

London Music Hall

Sep 26

Grand Rapids, MI

Sep 27

Columbus, OH

Sep 28

Indianapolis, IN

Sep 29

Joliet, IL

Sep 30

Minneapolis, MN

Oct 01

St. Louis, MO

The Ready Room

Oct 03

Lawrence, KS

Granada Theater

Oct 04

Ft. Collins, CO

Aggie Theatre

Oct 06

Sacramento, CA

Ace Of Spades*

Oct 07

Los Angeles, CA

Teragram Ballroom*

Oct 08

San Diego, CA

The Observatory North Park

Oct 10

Tucson, AZ

Oct 11

Albuquerque, NM

Oct 12

El Paso, TX

Oct 14

San Antonio, TX

Paper Tiger *

Oct 15

Baton Rouge, LA

The Varsity Theater +

Shakas Live

The Intersection Park Street Saloon Deluxe @ Old National Center The Forge Skyway Theatre

The Rock Sunshine Theater Tricky Falls

^ Obituary, Exodus, Dust Bolt ONLY * Obituary, Power Trip, Dust Bolt ONLY + Obituary, Dust Bolt ONLY

OBITUARY BIO: One of the most influential, revered and bestselling death metal bands of all time, OBITUARY formed in the swamplands of South Florida in 1986 after switching their name from Xecutioner. The band signed to Roadracer Records, a now defunct division of Roadrunner, for the recording of their debut album, the immense and immeasurably heavy Slowly We Rot (1989). The album was engineered by the legendary Scott Burns at Morrisound Studio, which would come to be the most sought after facility for production of albums during the rise of death metal in the 1990s. Unlike much death metal preceding it, the album had a sludgy feel and integrated devastatingly slow passages along with obliterating overtures that reached far beyond any point of mayhem that metal had yet to reach. The result was a carnal pleasure for doom, death and thrash fans alike coupling the adrenaline of a speedball with the slow, degrading measures of a sewer at dusk. OBITUARY were unlike anything anyone had heard before and would change the shape of heavy music forever. OBITUARY followed up Slowly We Rot with Cause of Death (1990), perhaps the band's most hailed album and an even more chaotic, bass heavy mix of the band's signature groove, manic guitar solos and crashing drums. The album's defining feature, however, was vocalist John Tardy's disarmingly horrific, gargling style, that created guttural chasms of dread, which, though often mimicked, have been achieved by no one else. Drastically shifting tempos and Tardy's unique vocal style became the band's trademark, which clearly distinguished them from the rest of the burgeoning US death metal scene.

ward to 2014, when after a five year gap between albums, OBITUARY successfully crowdfunded their new album and subsequently partnered with Relapse Records for it's release. Reinvigorated with a new lineup featuring the additions of legendary bassist Terry Butler (Death, Massacre, Six Feet Under) and lead guitarist Ken Andrews. The result was Inked In Blood (2014) which immediately took the world by storm. The next couple years revolved around an extensive world tour schedule that took them to sold-out venues across the globe including tours with Cannibal Corpse, Carcass and Exodus and multiple mainstage festival appearances including 7000 Tons of Metal, Maryland Deathfest, Hellfest, Obscene Extreme, Full Terror Assault, Neurotic Deathfest, Graspop Metal Meeting, and the band's own inaugural Florida Metal Fest. To end 2016, OBITUARY released a surprise, live EP, Ten Thousand Ways to Die, featuring two brand new songs plus twelve classics and fan favorites recorded across eleven different cities during the Inked In Blood world tour. The EP left die-hard fans craving more, unbeknownst that it was just the beginning. Now in 2017, OBITUARY return with their self-titled, 10th studio album, further cementing their legacy as one of the most important metal bands of all time! Picking up where Inked In Blood left off, OBITUARY show no signs of slowing down as they continue to reign as Kings of death metal. Recorded at their home studio in Tampa, FL, Obituary is a 10 track tour-de-force of bone-pulverising death metal that is as heavy, uncompromising and infectious as anything they've released in their historic, nearly 30-year career! OBITUARY are:

OBITUARY spent the next two decades releasing some of the finest death metal ever put to tape with classics like The End Complete (1992), World Demise (1994), and Frozen in Time (2005) solidifying them as one of the genre's most important bands of all time. Fast for-

John Tardy - Vocals Trevor Peres - Guitar Ken Andrews Jr. - Guitar Terry Butler - Bass Donald Tardy - Drums

<CV> Let's start off with introducing the band and their roles. <JOEL> Joel Floyd West, vocals. Geo Garcia, bass. Sandro Brasi, drums. Glauber Moreno and Tone Garcia on guitars. <CV> Tell us how you came up with the name for the band? <JOEL> I came in to the band after their original formation so they already had a name. But to me it means motivation and perseverance. <GEO> DriVeN was originally takin from a Sevendust song. Also one of a hand full of names that have been thrown around for the last several years. <CV> Give us a little background on each member. <JOEL> I was born and raised near Missoula, MT started playing music at the age of 13. I've also live in Chicago and Seattle, now Vegas. And over the years have toured the states a few times with different bands as a lead singer and guitarist.

know, production stuff, until I got DriVeN.

<GLAUBER> I'm originally from Cuba. Proud musician veteran of Cuba's own grunge era during the 90's with the Cuban band Joker (for a while as rhythm player and then sharing lead roles with my fellow axe brother Ludwig Rivero) and then had the honor to played with the Cuban prominent artist Polito IbanĂąez (singer and song writer) after the release of his album "Para no Pensar" more as live and tour musician but, the experience was amazing. Here in Las Vegass I have dedicated myself to be more behind the scene, producing new artist, expanding my reel, you

<GEO> Grew up in Orange Ca. Been jammin since I was 13, influences from Sabbath 2 Prince 2 Sevendust & Nothing More. Owns his own recording studio. Original/founding member of DriVeN.

<SANDRO> Been around the Vegas music scene for a while with notable projects like an Iron Maiden tribute and all original bands Cell and Sick that couldnâ&#x20AC;&#x2122;t break out for whatever reason.

<CV> When did the band form and do you all hail from Las Vegas? <JOEL> The band, its current phase has been hitting hard locally for just about one year now. Our line up consists of guys from Vegas, California, Montana, and even Cuba. <SANDRO> Vegas native. <GEO> The band started in 2015. <CV> What brought you all together and how did you know this was a perfect fit? <JOEL> I don't believe you ever know that something is a perfect fit until you've actually exhausted the span of your life doing it. Relationships, friendships, and partnerships often end unexpectedly and often for no reason. The only thing that is perfect and everlasting is the music itself. <SANDRO> Introduced to the band via ex singer and when I heard their songs I knew I was in. It had grooves and hooks and with edge and I was sold. <GEO> The members where found through Craigslist & word of mouth.

<CV> What got each of you into music and at what age did you know this is what you wanted to do? <JOEL> There was a homeless guy with a guitar camping out in my dad’s backyard when I was 13. He let me play his fender start for about 10 hours straight. First time I ever picked up an instrument. It was that day that I dove in and never looked back. <SANDRO> Kiss was my original inspiration and I wanted to be the cat. I was 6 and from then on I wanted to be a drummer in an awesome band like that (maybe not exactly “like that”) <GEO> My Mom & Dad always listened to music in the house......I thin k the feeling is "natural" when it comes to finding members that fit in a certain band or project.....It’s kind of like finding the right cafe or house....you kind of just "feel"

it....The rest is up to each member & what they will contribute & sacrifice for. <CV>.Who would you consider your biggest music influences and why? <JOEL> Musically, there are too many to name. When it comes to writing I am mostly influenced by people and events, or subconscious downloads of information. <SANDRO> Kiss – for show Motley- for Tommy lee Sevendust-for sheer heaviness and serious grooves from their drummer Korn- Originality and great songwriting and longevity. <GEO> I guess both of my BIGGEST influences would be from Black Sabbath.....they inspired me & fueled my dreams. Geezer Butler & Vinny Appice.

<CV> Tell us about your very first show together, how did it go and how were you received? <JOEL> It was at LVCS with Combichrist. The crowd loved us and our performance received great review. It was breaking the ice on stage that made it clear we were going to be a great live act every time we get on. <GLAUBER> It was supposed to be a dream come true to me because we were opening for Maximum Cavalera during their "Back To The Roots Tour" very 1st show . At that point I was like "wow, I opening for my heroes (Sepultura and Max Cavalera's projects are well known and followed over there and I'm a huge fan, you better believe it ). Later that day we heard that Igor got hurt and they were not playing but, we got to open and hang out with Combichrist, I got to see and hang out with my buddy Oumi Kapila (who also plays with FIlter) and what can I say? We came ready to tear that stage down and we did it. <GEO> Our 1st show was opening for Metal Legends, Grim Reaper. It was at the now defunct Vegas club LVCS & it went really well.....the thing that stands out most for me is the fact that we brought so much gear as an opening act....The stage crew was a little pissed off. No nerves, we're all pros here. <CV> Tell us about your single â&#x20AC;&#x153;Toleranceâ&#x20AC;? and how that was received? <JOEL> The perfect tribute to a stripper junkie ex -girlfriend, even if she dies young she will be immortalized through this song. <GLAUBER> I have pretty picky friends when it comes to music and most of the feedback that I received was very positive. As a song is a song that combines Being heavy and being melodic without losing the push (accents, ambient, pocket... you know) that our music is meant to be written with. <GEO> Tolerance is a great 1st song for us.......minus the fact that it doesn't have a solo....it really shows the strength of this band....with all of its stops, starts & build ups. It

also showcases the fact that we're not your everyday Hard Rock/Metal band....we have depth & direction. The Single has been received very well......being played on several pod casts & internet Radio stations nationwide including local Radio. <CV> You are currently working on an album yes? What would you like to tell us about that? <JOEL> Most of it is already written. Start preproduction next week. It may end up an EP or might be an LP. But one thing is for sure, it's going to break us down and build us back up. And most likely pave the way for the rest of our journey as a performing band. <GLAUBER> Working on first EP yay! <GEO> We are currently finishing up our 2nd single & starting Pre-production on out debut EP. The Single will be out very soon, followed by about a 6 month long recording stint for the EP.

<CV> Give us some insight on the song and music writing process; is it a joined effort or does one person do all the writing? <JOEL> We all contribute a piece to the music. Mostly the lyrics are all me, beings as they are often very personal. However lyrical collaboration is a possibility and something we might end up doing on the debut record. <GLAUBER> Always a joint effort. The creative process may always change, great things can happen while writing together and there is also that great thing that you can create on your own and then develop it with the rest. What we always aware if that we make sure that whatever we create we deliver it with passion, excellence and the right energy. <GEO> The song writing really is whatever we come up with....it may be a whole song one of the guys brings to the table or start with a riff......Then Joel gets it........lets it simmer & writes whatever the song inspires him to feel & write. We haven’t had much time to actually throw jamming sessions & kind of play off of each other.....but that definitely in the works.....We needed time 2 get more familiar with each other’s styles etc. <CV> Tell us about the recording process, anything you like or dislike? <JOEL> As a musician, I don't like doubling as a producer or engineer. I love playing that role in other bands or artists projects, and being versatile is good. But I feel more often stepping outside of your role can be counterproductive. <SANDRO> The recording process is very taxing and it brings out the most emotions because its forever and it has to be perfect. Love it but I never get more pissed off then when I’m doing it. <GEO> I love recording....from start to finish....it’s a bit of a marathon....but to watch the songs develop...is magic. <CV> What is the motivation behind the songs your write? Do any of them

speak to you on a personal level and if so why? <JOEL> I use my song writing either as a way to vent my frustrations, come to terms with different issues, or to deliver a positive message to others. <GEO> The motivation is in the expression of every song.....I really love to "feel" the song....the emotion attached to each note & line. <CV> Tell us about the music industry today and where you think "Driven" fits in? <JOEL> My hopes and plans are that Driven becomes a band that does not fit in to the industry at all, but rather stands out. <GLAUBER> I believe that there is an audience for our music and the Industry will always start within yourself. The industry is how respectful of your brand and your audience you are, how consistent, how much are you willing to expand and network with others and that takes me to the fact that by doing that you then interact with bigger entities. DriVeN is heading there with assertiveness, that is a sure thing. <SANDRO> I think the music industry is in transition right now and is confused. Driven fits in this world by combining musical elements from the past 30 years and puts them together into a relevant machine that forces you to be interested with visual style live shows and an energy that is hard to match followed with tight musicianship.

<GEO> Music today is VERY accessible....U don’t have to save your money to get or hear your favorite bands or songs. The business has always been heavily in the favor of the :business" man & his company, but now more than ever....the bands have to get out on the road....I'd like to think that DriVeNs music is setting a NEW trend, we're not "inventing": anything NEW, but we're doing a little bit of everything from all 5 decades of Hard Rock & I think that its coming across to the fans......We don’t want to "ride" a wave......We're trying to say, hey.......we're doing a little something different....take a listen.....you might like it. Start a NEW wave in Rock music.

ple. <CV> How do you feel about music download sales, would you prefer a return to CD's and Vinyl? <JOEL> While digital is great for the environment and it's resources, not to mention convenient, I really do miss holding something in my hand that has a booklet of artwork and lyrics included within.

<GLAUBER> We are humans and we are all about adapting. I'm a mess, Geo is always after my butt but, I'm ADHD so buying cd’s for me is just buying chaos. I love Vinyl’s, I grew up among them, I loved tapes, I loved CDs but I'll stick with technology as long as the people behind them don't try to screw the artist up, I'm <CV> What are your thoughts on the use and pro-tech. necessity of Social Media? <SANDRO> I like the convenience of music <JOEL> I think it helps, but more so that people streaming and downloads but miss the trip to the rely on it too much. And I hope in my life time I record stores to sift through their stock to find get to witness the day the whole thing crashes those great albums that might not catch your eye and we have to go back to the old way of pro- otherwise through the radio or your hard drive. moting ourselves as musicians, on foot and face <GEO> Downloads are cool.....& necesto face. sary....but I still buy the "physical" copy of a <GLAUBER> Network, network, network. Use GREAT album. I think we should stay active in all the tools available that are consistent with that way.....keep making & buying the physical your concept and then promote, promote and copies.....I'd say we need to come up with a betpromote however; this social media tools have ter "physical" copy....one that doesn’t scratch & their way to be used, so if you don’t know how to lasts....the CD’s etc. all get ruined to easily. use them effectively then pay few bucks to a professional so you can obtain a positive result. <SANDRO> Social media is a necessary evil. <GEO> Social media is VERY important & VERY necessary....but it’s not the end all, be all....I feel as if it kind of the way the old school fliers where.....it’s cool & you can spread the word through it....but in the end, not a huge % of fans are going to see you because of a flier.....In other words....it’s very useful for reaching out to places you may not be able to get to, but there is still NO substitute for physically getting out there & making the connection with the peo-

<CV> You have played with Combichrist, Udo and 9Electric which are great bands. Tell us about that and what did you take away from those experiences? <JOEL> Combi and 9s singers are really cool guys, fun to party with. But Udo is a legend! Still from all 3 shows I walked away with a sense of pride that Driven has what it takes to be paired up with any national act and hold our own on that stage. <GLAUBER> Well I mentioned some of that earlier with Combichrist, the Udo show was very stressful for me, there was a lot of people that day and just understanding who we were opening for was a lot to take, but at the end we handled the bull. All of those shows have opened new doors for us and we are very grateful to the promoters and the staff that support all of those shows. I really enjoyed a lot the one most recent one with All Hail the Yeti, INVIDIA and Broken Rail, I was super pumped but, that was because besides our kickass fans we had those bands there during our set. Wow! I have respect for that. I love when people who are in big bands or work for them have the patience and respect to be there for you and listen to you. <SANDRO> All 3 of those bands gave a different experience but the main similarities were that all those bands had their shit together and had the crowd in the palm of their hands by the end. <GEO> Itâ&#x20AC;&#x2122;s always great to play the same stage as true pros......It inspires me to keep playing....keep dreaming. My favorite with DriVeN has been with a personal hero of mine.......UDO. Great show & great to see that people that age can STILL kill it!!! <CV> Tell us about some of the shows you have played so far, do you have a favorite place to play and why? <JOEL> House Of Blues because of their beautiful stage and level of professionalism, and Adrenaline Bar because of their strong local support system and friendly staff. <GLAUBER> All of the venues have been

great to us and they all have their own advantage. We loved LVCS, great place to play and great staff, it was sad to see it go. I love Adrenaline, DriVeN is always welcome there and that has become the new house for heavy music in town. Back Stage Billard has a great atmosphere and an amazing green room, House of Blues was amazing. We love Vamp'd we have been honored to play there and we simply love it. <SANDRO> Vampd, hob are great because of the sound they give you and the adrenaline because of the grittiness of the place but its still a great place to play, its metal. <GEO> My favorite local place to play is The Adrenaline (Formally Cheyenne Saloon) A true Rock staple here in Vegas. Its like family there & for some reason we cant do a bad show there!!! <CV> Do you guys have a ritual at all before you play a show?

<JOEL> Doh ray me fa so la ti do, bathe in virgins blood, sacrifice a cat or 2 to Set.... Ya know the usual stuff. <SANDRO> No rituals just the no dead puppies chant. <GEO> I just relax & right before we go on I jump around a bit.....part of my old Boxing routine. Gets me goin & ready! <CV> Any funny stories to tell from any shows you have played so far? <JOEL> I agree with what Geo said, that was the best! I walked up to the Dive Bar security to check in and could hear these assholes playing on stage without me! Recognized the song right away, threw my shit on the floor and ran on stage. The worst part is I had no idea if they were on the first or final song of the night! Luckily they had JUST started. I don't even think most of our fans noticed I was late. Just that I LOOKED like a douche in casual business attire... <GLAUBER> On our last show at the House of Blues Geo ask me (the guy with the ADHD) to put his "All Access" wristband and somehow I put it so tight that we were laughing for like almost 10 mins. He was saying â&#x20AC;&#x153;I hope I have circulation in my hand at the time to play.â&#x20AC;? <SANDRO> Combichrist found one of our silver skull props we left on stage and they had their way with it during the show and ended up crushing the skull putting it to rest. It was skullfucked! <GEO> The story comes to mind at this moment is when Joel got stuck across town, working late......we waited till the last minute to start....but finally we ran out of time & had to start the set........Just as we start Joel comes running in with his work clothes still on & he makes it just in time to rock the crowd. <CV> What can fans expect to see at a "Driven " show? <JOEL> Energy, passion, soul, dynamics, skill and talent! <GLAUBER> Get ready to mosh, get ready

jump, and have your cellphone ready for our slow songs. <SANDRO> Energy, energy, energy. No one sits on their ass here. We are a tight machine that gives people what is missing in the industry which is a no holds barred hard rock arena type band that makes you want to be a part of the movement. <GEO> Fans can expect 100% performance & a diverse set list. We believe in giving the fans a show & everything we have. <CV> To Date, is there any one show that is memorable for you and stands out and why? <JOEL> We headlined at house of blues last week and that was pretty exhilarating. Other than that playing out of town, Phoenix was nice. Good to see that we can travel far from home and still be supported.

<GLAUBER> Our first House of Blues show was amazing. Very well acclaimed and we go people shouting our name, it was very rewarding. <SANDRO> Hob, February this year. It was our biggest crow and we owned it and it was an amazing moment to hear the crowd unanimously chant our bands name, it was surreal. <GEO> UDO. what a feeling to play on the same show as one of my childhood heroes. One of the highlights of my career.

<CV> Where do you think you are in the journey of â&#x20AC;&#x153;Driven"

<CV> Are any of you involved in any other projects and if so tell us about that. <JOEL> Currently no but I am available for weddings and bar mitzvahs. <GLAUBER> Looking to expand, have spoken with other local talent like Kimberly Barnhill from Bad little Sister, Chase Grijalva from Puppets, Kaye Caruso and others about the possibilities of future collaborations . For a long time I collaborated with Samy Gana, Local Hispanic Rock who just recently released his first L.P "Dame tu Calor" <GEO> I produce in my studio.......No side projects at the moment....Always open to explore music.

<JOEL> Near the end of chapter two. <GLAUBER> Toddler-mature? Lol (joking) I think we understand that team work is a must to succeed, it doesn't matter how far you go, and if you stick together you will reach the goal. <GEO> Weâ&#x20AC;&#x2122;re just getting started & we're focused on a BIG 2017-18

<CV> Are your families supportive of your career? <JOEL> What little family I still associate with is, yes. My father got me started at 13 with my first guitar and some random parts and pieces of gear, and a vinyl of Undertow by TOOL. <GLAUBER> Somehow they are, not really worried about what they think.

<CV> What do you like to do in your down time? Who do you like to listen to?

<SANDRO> Very supportive because they see how excited I am about this project.

<JOEL> I love to travel. Mostly around the states but the world is calling. Lately I've been listening to Ghost, Kenny Wayne Shepherd, and the last live show I caught was the Righteous Brothers which was VERY inspirational and uplifting!

<GEO> Everyone in my Fam loves that I still do my Music & a few come out to support when they can......They are spread all over the Country....so when I play their part of the Country.....they come out. It's really cool to have that

<GLAUBER> I'm Web-Designer, Graphic Designer who does Photography and Digital Video, no downtime for me. <SANDRO> Getting into Eagles of death meatal and really dig Royal Blood right now. <GEO> I'm a sports fan.....& love documentaries. Love to travel & do short get aways. I listen 2 everything from Sinatra to Slipnot.

support. <CV> What advice would you give a band just starting out? <JOEL> Drop out of high school, do drugs, and talk to Satan. At least that's what I did. <GLAUBER> Practice, practice, practice and promote, promote, promote and also, I know as musicians we can be a great example of how to be a broke arse mother talkers but, bands need to invest. Music is an industry so be professional even if you are a certified rock or metal head person. Be dedicated; keep the passion, the joy and good energy every time you doing what you love because you are supposed to love what you do. <SANDRO> Grow thick skin, learn what it means to work together and deal with criticism within the band or else you will be eaten alive. If you don’t love the band you’re in or you don’t think your band is the shit, you shouldn’t be in that band. <GEO> Get a game plan & stick to it.....don't stay one coarse to long......if the band you're in isn't making strides in the right direction....try again, get another band together. Work hard & remember that not everyone's 100% is the same.....find their strong suites & point them in the right direction. I’m a firm believer in people kick themselves out of a band. Plan a ton of

shows at 1st....but make sure they are in selected areas of City in order to reach the most amount of different people.

What is your favorite thing about being on stage? What motivates you to do what you do? <CV>

<JOEL> Being on stage is like a religious experience, my only sacred holy moment. The only motivation I have is the act of and in itself. Life seems so bleak and meaningless sometimes, so I've always had a hard time with getting motivated unless it's on stage. <GLAUBER> As a Christian my music gift goes to God first. I believe that he allowed it up here and approved me to play for others and be there for others through music and DriVeN lyrical content is deep and honest as well as being able to enjoy every moment with our fans and friends. That is world to me, last but not least Rock and Roll is about family and we have a great one when it comes to that. <SANDRO> I am in entertainment mode when Iâ&#x20AC;&#x2122;m up there and I turn into something else that is in that moment and I just fucking go nuts because I see lives shows as thisâ&#x20AC;Ś.if no one leaves the show thinking they want to be you then I have failed. <GEO> Performing has always been my favorite & things in life. <CV> What does "Driven" have planned for 2017? Any tours or projects in the works? <JOEL> Certainly, working on the record we talked about earlier and playing some more out of town shows. <GLAUBER> Finishing the EP, artwork, also Practice, practice, practice to then promote, promote, promote and then drop the bombs out and have fun with all of those DriVeNs out there. <GEO> Among our plans are a new single, EP & late summer regional tours. <CV> What would you like to say to your fans and our readers? <JOEL> Thank you to the fans for making our dream a reality, and any readers who are discovering us right now, welcome aboard and enjoy the de!

<GLAUBER> Thank you for being there with the heart and the glass risen up for us, you know who you all are, we love you all. Now-Dear Readers if you haven't listen to DriVeN but you like tunes from Sevendust, Pantera, Alter Bridge then you are missing out, get to the fruity computer of yours and listen to us already. <GEO> Thank you for your support & enthusiasm. We love the inspiration that each one of you brings us. Everyone can be DriVeN.

ARCH ENEMY Reveal Cover Art & Further Details on New Album, "Will To Power", Out September 8 via Century Media Records

Metal powerhouse ARCH ENEMY are ready to bring their fierce brand of metal to audiences worldwide as they announce details on their upcoming album, "Will To Power", out September 8, 2017 via Century Media Records. The band are excited to reveal the album's captivating cover artwork, as shown above, designed by Alex Reisfar.

their show to ever-growing audiences worldwide across the European festival market this summer. They are also excited to announce the first leg of their international "Will To Power Tour 2017" which will commence from September 15 through October 11 across Eastern Europe and will feature special guests, Jinjer. A full list of their upcoming Guitarist Michael Amott commented on the art- appearances can be found below. There will be a US tour coming this fall as well. Stay tuned for furwork: ther tour dates! "It was a pleasure working with Alex Reisfar on the 'Will to Power' cover artwork, he immediately ARCH ENEMY @ Summer festivals 2017 grasped the concept and atmosphere we were look- 06.07.2017 Rock Harz Festival, Ballenstedt, Gering for with this album. We talked about the dou- many ble edged sword that is human ambition, how it 08.07.2017 Resurrection Fest, Viveiro, Spain can be outstandingly creative and beautiful but can also be turned into something dark and powerful. 12.07.2017 Rockmarathon, Dunaújváros, Hungary Alex proceeded to masterfully paint a strong image 15.07.2017 Gefle Metal Festival, Gavle, Sweden that evokes a lot of feelings. The human skull as a central focal point, the flesh sort of falling off into 04.08.2017 Rock Pod Kamenom Festival, Snina, the circular pattern. The snake ouroboros weaving Slovakia in and out of the mouths and throats of the severed 05.08.2017 Ostrave v Plamenech, Ostrava, Czech heads of a wolf, a goat and a vampire bat... All Republic representing self determination and a predatory, 07.08.2017 Festival Di Majano, Majano, Itlay almost parasitic will to power" 08.08.2017 Conrad Sohm, Dornbirn, Austria Co-produced by Amott and drummer Daniel Erlandsson, the album was sent to long time collabo- 10.08.2017 Leyendas Del Rock, Villena, Spain rator and friend Jens Bogren (Opeth, At The 11.08.2017 Vagos Metal Fest, Vagos, Portugal Gates, Dimmu Borgir) for mixing and mastering and marks legendary guitarist Jeff Loom- 12.08.2017 Into The Grave, Leeuwarden, The Netherlands is' (Nevermore) first recording with the band. Following in the steps of their most acclaimed al- 13.08.2017 Bloodstock Open Air, Walton-Onbum to date, "War Eternal", which saw the band Trent, UK reach their highest charts in the US and Germany ARCH ENEMY “Will To Power Tour 2017” w/ to date, "Will To Power" will continue to smash special guest Jinjer records worldwide. 15.09.2017 Music Hall, Innsbruck, Austria While full details and pre-order information on 16.09.2017 Posthof, Linz, Austria "Will To Power" will be made available in the coming weeks, fans can currently take part in a 17.09.2017 Cvetlicarna, Ljubljana, Slovenia special campaign which will allow them to sign up 18.09.2017 Dom Omladine, Belgrade, Serbia and have their name featured in the "Will To Power" Deluxe Box Set Edition. For further details and 20.09.2017 Quantic Club Open Air Stage, Buchato have your name included, please visit: http:// rest, Romania willtopower.centurymedia.com/ 21.09.2017 Universiada Hall, Sofia, Bulgaria Having performed over 200 shows in more than 40 22.09.2017 Piraeus 117 Academy, Athens, Greece countries in support of their previous effort, 23.09.2017 Principal Club Theater Thessaloniki, ARCH ENEMY will continue fervently bringing Greece

DOPE / (HED)Pe Announce The Monster High Tour 2017 Ill Niño to Appear on Select Dates June 7, 2017 - Industrial Metal Veterans DOPE are teaming with G-punk innovators (HED)Pe to announce their The Monster High Tour 2017 with metal rockers Ill Niño on select dates. "I'm really excited about this tour" says Edsel Dope. "We have never done a proper USA Tour with (HED)Pe, or Ill Niño, so this should be a really cool experience for the fans and for all of us…Me and Jared from Hed Pe are already talking about doing some collaborations before and during the tour… "We've continued to add to our production to each and every tour" Edsel says with a smile.. "The show is almost out of hand at this point" "I am anticipating that this will be the last Dope tour for a little while" says Edsel…"Once it is over, I want to focus on finishing up the next Dope album before we hit the road again…I am looking forward to seeing of our fans and friends out there this Fall…" "Hell yea brother! Me and Edsel are gonna bring one hell of a party to your city, so y'all can bring the weed" Says Jared Gomes.. Both bands will play full sets each night and Dope will again be bringing out their highly interactive production, complete with 100 square feet of LED wall, geisers and more.

Order in the Chaos "Hey Guys, what would you say is the best fuzz pedal out there?" How many times a day do you see that post on social networking? Well, I don’t know about you, but every time I see that question, two thoughts comes to mind... either this person is just taking pop-shots out into the ether in the hopes that it may make them some new friends as they justify their own past purchases; or, they really ARE interested in receiving a realistic, helpful answer and genuinely DO want to know which fuzz pedal ultimately reigns supreme as the end-all, be-all method to tonal bliss. Let’s pretend that the poster of the question just started playing and wants to add a little more color to their sound. Not knowing what to get but being blessed with a little jingle in their pocket from this week’s paycheck; they want to blow it on a new effects pedal. The more thoughtful types might then approach their peers on a social network expecting not to get torn down and humiliated. Let’s face it, buying a new effects pedal is a fair and frugal compromise to replacing your Amplifier, and you might actually create some pretty cool sounds along the way. Do I think it's a good idea at the beginner stage for a player to add pedals to make cool sounds over having them work harder at this point with developing their use of traditional scales and chord structures WITHOUT the use of effects pedals? Of course not, but if all you do is practice your guitar whenever you pick it up, you'll never have any fun; and chances are, you will learn things, but you won’t learn how to be creative. And, let’s face it, effects pedals can be a lot of fun. Some can even help shape your initial tone as you begin to come of your own in your growth as a guitarist.

Take the “Delay” pedal, for instance. There are thousands of different delay pedals out on the market, and possibly even more offered as boutique pedals by custom builders. They can cost as little as $29.00 to upwards of $1,500.00, and more. However, they all essentially do the same thing. They alter time from the point you strike the note to the time it allows the sound to come out of the speaker. Usually in unison with the initial note that is released on time. In simplistic terms, the Delay pedal usually allows the user to change the rate, mix, resonance, and frequency of the delay. Meaning, the speed of the repeats, how “loud in the mix” the the repeats are, how long the period is between the repeats, and how long “chronologically” is the signal to be repeated. Some pedal builders offer both mono and stereo versions of their Delay pedal. The Delay pedal is most often also able to create the same form patterns as a REVERB. Just as a Flanger, a Chorus, a Pitch Shifter, a Phase Shifter, or any other type of Modulation Pedal will often slightly bridge into the other pedals mentioned domain. Wait… What? You just threw a bunch of weird, technical words at me. What do they all mean? Sorry about that. Let me help clarify those terms briefly. Every pedal made falls into one or more of four basic categories. Those categories are Gain, Frequency, Modulation, and Time. Examples of the four categories and what they cover in terms of the type of effect are as follows:

Gain Pedals: Distortions, Overdrives, Fuzz, sure he started with one delay pedal. Maybe even Boosts, Compressions, and Volume Controls. the tremolo on his amp. The thing is, he started somewhere. And where he started was with his amp. He began by getting a decent sound out of Frequency Pedals: EQs, Wah-wahs, Envelope Fil- his amp and branched out from there. You should ters, Pitch Shifts, and Harmony. do the same and always keep in your memory engrams this one, simple rule: “Never let your pedals hijack your tone.” In other words, let them Modulation Pedals: Tremolos, Vibratos, Chorus- COLOR your sound, not create it. es, Flangers, Phasers, and Phase Shifters. Time Pedals: Delays and Reverbs.

Awesome, now why did you bring up the question about the best fuzz pedals?

There are many other sub sets of these four categories, and some select pedals that can do things that may or may not fall into these categories. Effects like Loopers, Multi FX Pedals, Instrument Modelers, and Amp Emulators, etc.

Oh yeah, that’s right, I did, didn’t I? But, you will also recall that I placed a note after that stating the reader may feel free to replace the word “FUZZ” with any of their choice.

Okay, now that we got that out of the way, let’s get back on track, because it can be very easy for me to shotgun blast you way too much information on this subject. Earlier, I brought up DELAY as my first pedal example. And there was a very good reason for this. Seeing as within 24 hours of my penning this article (actually, I’m typing it out on my Mac), the band U2 will be performing in Seattle. Dave Edmunds (The Edge) is a very fond user of Delay. Listen to just about every guitar riff he has written and recorded/performed live… it is saturated with thick and heavy delay. The problem is, that is HIS sound. And I’m betting that you do not have the budget to afford what he is provided with being the guitarist for one of the most notable bands on the planet. (You can disagree with me on that last statement, but let’s face it… they are basically a household name while you and I are sadly not.) I can assure you that Dave Edmunds did not wake up one morning, decide he was going to become a guitarist, and immediately went out and bought a multi-thousand dollar rack delay setup with the sound he produces now on stage. I’m

You see, that question I put in the headline has no answer. There is no end-all, be-all answer to the question. There is no great Pedal Guru high up in the mountains of Tibet with a collection of every amp, guitar, pedal, acoustic room, cabinet, etc. to prove to you what’s best. Not to mention, if somebody claimed to wield the best guitar tone of all time, chances are that when you heard it, you wouldn’t like it. Because tone, like beauty, is in the senses of the beholder.

Wearable Art

Let me elaborate: I can hand you a Gibson Les Paul, a custom, hand-wired Marshall head with a 4x12 cabinet, and an arsenal of guitar pedals that would weigh down a pickup truck. But, if you cannot play, it won’t do you a hill of beans. The pedals will not help you. And, you will not sound good.

Pedals on the floor should go in this order if you do not have an effects loop on your amp, or if you have your rig set up a custom way that does not require you to access the effects loops of multiple heads (how I run my rigs):

Tuner > Gain > Frequency > Delay > ModulaLook at it like this: You/Your Talent > Guitar > tion > Input on Amp(s). Amp > Effects (Note: If you have heads that have an effects Not like how you may currently be conceiving loop, you should try running your modulation your sound. Which would be: Effects > You > pedal through there. It sounds KILLER!) Guitar > Amp. If you follow the equation as I provided (You/ Your Talent > Guitar > Amp > Effects), you will see this is how a lot of successful guitarists go about building what sounds good and original. Or you can choose not listen to my formula and continue to sound raucous, raunchy, and undisciplined. Now, if that is the sound you are going for because you are in a raucous, raunchy, and undisciplined type band, then by all means, carry on mate. But, truth be told, even the raunchiest of bands out there still tour with good and reliably, strong gear.

The reason I, personally, run my Modulators (Stereo Chorus) after my Delay is because I do not want to delay the effect being created by the Chorus. Rather, I want the Chorus to sweep the Delay. That is actually a really easy way to remember the order. Place your pedals in the order that allows each one placed after the next to CREDIT the overall sound rather than detract from it.

If you are going for a specific sound result, my chain may not work for you. For example, I always place my Wah pedal before my Delay. Whereas, you may want it the other way around. I already know all this, but what was that you I don’t know why, but it’s your rig… do what said about the order of the effects in your chain? you want with it. It is but for me to lead the horse to the water, not to force it to drink. Yep, I hear that question all the time too. And the first thing I am going to disclose is that there are no 100% true rules or laws outlining the best and most crucial path for running effects pedals in a chain. But, I WILL tell you this, some orders and placements have proven themselves to be the most sonically proficient and will give you the best results. And since I always see local guys playing out with pedals on the floor screeching feedback through the PA or drowning out their vocalist with a Phaser at full sweep on their solo channel, I feel I should go ahead and try to help you out by giving you a decent idea of how to set your stuff up so you don’t sound like a complete ass-clown on stage.

Okay, I have my pedals in a good order where they complement each other and they don’t fight my initial tone… but when I turn them on, my volume either dips really low, or jacks up to the sealing… what do I do? Easy… set up your chain, and turn on your amp, set the volume on it where you want it, and roll up your guitar’s volume. Play a note with no effects on. Now, go to your first pedal in your chain. Turn it on. Does your volume go up? Is it not supposed to? Cool… turn down that pedal’s volume knob a little until it doesn’t raise your

volume and vice-versa. After you have that pedal set, go to the next one and repeat the sequence of events after turning OFF the prior pedal. Do this through your whole chain with the pedals that allow you the opportunity to change their volumes. You might have to tweak ones that you may run two or more of at the same time, but a few minutes spent doing this will tune up your rig and make you sound more PRO – trust me, the audience and your band will notice.

sponsive tone. Speaking of mics, I use a combination of Shure SM58 and Sennheiser e609 Silver on each cabinet. You will notice that my descriptions have been somewhat vague. It is completely on purpose, as I do not want you to copy me. Like I said, it is only for me to lead you to the water…

h t t p s : / / w w w. f a c e b o o k . c o m / brien.dechristopher?fref=nf

As a quick aside, it took me years to find my http://www.sicskinz.com tone. I literally tried almost every logical combi- https://www.linkedin.com/in/btomassetti1 nation of amp, cab, guitar, power amp, pre amp, efx processor, digital amp rig, etc. that fit the genre of music I play. My resulting setup is exactly what I wish I had found twenty years ago. I am not trying to sound arrogant about it, but I am proud of the results. Since I play a somewhat hard to heavy rock style, I chose a guitar suitable to that genre. I usually play a single humbucker in a strat style body and a Floyd Rose. Of course, I have a particular pickup, a particular model of guitar, and a particular Floyd Rose that I prefer not to compromise on as they do make up the second thing in my chain (myself being first – remember the equation?). For my amps, I use a pair of matching Marshall JCM2000 DSL heads (usually 100watt) that have been modified with upgraded transformers and tubes amongst a few other mods. I use a Marshall 1960 JCM800 4x12 cab with each head loaded with a specific model of speaker. My pedal board is setup like this:

Sometimes, I will run out through a DI to a house PA, but I really prefer not to do that as I feel bypassing the cabinets and removing mics from the equation can result in a dry and less re-

Presented by CV WorldWide Magazine and PureSin Photography

Thursday 7/20

GEOFF TATE OPERATION MINDCRIME Saturday 7/29

H A I R T R I G G E R

A W H I t A f f E r