Raul Guerrero: Curated by Allen Ruppersberg

Page 1

Raul Guerrero

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Raul Guerrero Curated by Allen Ruppersberg January 21 - March 13, 2010

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BOARD OF DIRECTORS

CUE FELLOWS

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;&1?)&3$%=1+)@ C)<<3$%0P1<2-*= 41),)&1$/A$B1&?1&Q$Chair R-+$!))01& M.<<.-=$!)&21'' #<1-+)&$H1-&'+13 D12)&-:$F-88 !)&.+-$J-&K.+ 5)+-':-+$J1':1= L)88-+-$N-&'.+1S 5*-+$/T+6:1S R&E.+?$/-+,<1&Q$Senior Fellow !-&)<3+$/)=1&8 J.<<3$M1.

CURATORIAL ADVISORY COUNCIL

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STAFF

Executive Director 51&1=3$%,-=8 Development Director N-&+.$!)&21''

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Programs Director B1-'&.61$M)<1&'UM1181 Programs Coordinator L3-+$4)=-8$ Development Coordinator >-<.-$/01''1&

2


CUE Art Foundation is a 501 (c)(3) non-profit forum for contemporary art and cultural exchange that provides opportunities and resources for under-recognized artists. We value the astonishing diversity of creativity that artists provide and the importance of their activity in the social context of the city. CUE provides artists, students, scholars and art professionals resources at many stages of their careers and creative lives. Our programs include exhibitions, publications, professional development seminars, educational outreach, symposia, readings and performances. Since 2002, we have operated from our 4,500 square foot storefront venue in the heart of New York’s Chelsea Arts District. CUE exhibiting artists are chosen by their peers who are themselves selected by a rotating advisory council from across the country. This pluralistic process ensures that CUE consistently offers diverse viewpoints from multiple disciplines of artistic practice. Simply put, we give artists their CUE to take center stage in the challenging world of art.

3


Artist: Raul Guerrero

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Summer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ummer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utumn, 1984 41$2*8$P&)=$>1)6)6*.<6)$6)=18$23$-'$`aYb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cdQ$.8$0-.+'1,$2&.?:'$31<<)\$\.':$2<*1$'&.=Q$\)&+$'.&18$-&1$6)E1&1,$ .+$=*,$-+,$':1$+-=1$El Llanero Solitario$e41$J)+1$L-+?1&f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

4


Biography

L-*<$;*1&&1&)$\-8$2)&+$.+$B&-\<13Q$!-<.P)&+.-$.+$YZcg$-+,$?&1\$*0$.+$9-'.)+-<$!.'3Q$<)6-'1,$ '\1<E1$=.<18$+)&':$)P$>.O*-+-Q$N1W.6)A$H1$6*&&1+'<3$&18.,18$.+$/-+$D.1?)Q$!-<.P)&+.-A$R+$':1$ gbX8$-+,$hbX8Q$\11K<3$P-=.<3$E.8.'8$')$>.O*-+-$.+'&),*61,$:.=$')$-$E-&.1'3$)P$N1W.6-+$P)<K$ -&'8$-+,$6&-P'8$.=0)&'1,$P&)=$':1$.+'1&.)&$)P$N1W.6)$-+,$-<<$'3018$)P$K.'86:$?1-&1,$')\-&,8$ ':1$')*&.8'$=-&K1'$<.K1$D-$I.+6.X8$Last Supper$&1+,1&1,$.+$0<-8'1&$)P$0-&.8Q$)&$!1&E-+'18$D)+$ i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dbA$H.8$ ^&8'$8)<)$1W:.2.'.)+Q$.+$YZdcQ$\-8$-'$':1$!.&&*8$;-<<1&3Q$J)8$%+?1<18A$41$1W:.2.'.)+$P1-'*&1,Q$ Rotating Yaqui MaskQ$-+$R+,.?1+)*8$-&'.P-6'$-''-6:1,$')$-$\-<<$=)*+'1,$=)')&$&)'-'.+?$ -'$Yg$LCNj$"(VJ%Q$-$0:)')$6)=0)8.'1$)P$-$"(V$)E1&$':1$6.'3$)P$J)8$%+?1<18j$Bird Bone WhistlesQ$2.&,$2)+18$6&-P'1,$.+')$\:.8'<18$-+,$-''-6:1,$')$-+$6)=0&188)&$')$6&1-'1$8)*+,8$ -+,$0:)')?&-=8$,10.6'.+?$)2861+1$:-+,$?18'*&18$\.':$':1.&$/0-+.8:$'&-+8<-'.)+8A$/.=.<-&$ \)&K8$-+,$1W:.2.'.)+8$P)<<)\1,$':.8$.+.'.-<$8:)\A$R+$':1$YZ`bX8Q$;*1&&1&)$8:.P'1,$:.8$P)6*8$ P&)=$':1$6)+610'*-<$1W01&.=1+'-'.)+$)P$':1$0&1E.)*8$,16-,1$')$-$=)&1$1=)'.)+-<Q$-<<1?)&.6-<$ 8'3<1$*8.+?$).<$0-.+'.+?$-8$':1$=1,.*=$)P$1W0&188.)+A$V.<$0-.+'.+?$-<<)\1,$P)&$':1$)00)&'*+.'3$ ')$6&1-'1$&10&181+'-'.)+8$)P$':)*?:'8$-+,$1+6)*+'1&1,$8.'*-'.)+8$*8.+?$1=)'.)+$-+,$ .=-?.+-'.)+$=)&1$,.&16'<3A$R+$YZ`cQ$,*&.+?$-$8.WU=)+':$-&'.8'.6$&1'&1-'$.+$N1W.6)Q$:1$6&1-'1,$ ':1$V-W-6-$6)<<16'.)+Q$':1$^&8'$2),3$)P$\)&K$*8.+?$':.8$+1\$-00&)-6:$')$:.8$-&'$=-K.+?A$ VE1&$':1$<-8'$,16-,1Q$':1$7*18'.)+$)P$':1$&1-<.'3$-+,$=3':$)P$':1$%=1&.6-+$6)+'.+1+'$:-8$ 211+$':1$0&.=-&3$.+'1&18'$.+$:.8$-&'.8'.6$6)+'1+'A$41$)+?).+?$81&.18Q$Problemas y Secretos Maravillosos de La Indias/ Problems and Marvellous Secrets of the IndiesQ$1W-=.+18$ %=1&.6-+$<-+,8$-+,$':1.&$:.8')&.6-<$=3':)<)?3A$41$0&)O16'$+)\$.+6<*,18$':&11$,.8'.+6'$-&1-8$ )P$.+E18'.?-'.)+a$41$B<-6K$H.<<8$)P$D-K)'-Q$J-'.+$%=1&.6-Q$-+,$/)*':1&+$!-<.P)&+.-A$L-*<$ ;*1&&1&)$:-8$1W:.2.'1,$':&)*?:)*'$!-<.P)&+.-$-+,$:.8$8)<)$8:)\8$.+6<*,1$':1$J)+?$B1-6:$ N*81*=$)P$%&'$eYZddfj$N*81*=$)P$!)+'1=0)&-&3$%&'Q$/-+$D.1?)$eYZ`Zfj$4)=-8kJ1\-<<1+$ eYZd`fQ$L.6:-&,$F*:<1+86:=.,'$eYZ`cf$-+,$/-W)+$J11Q$J)8$%+?1<18$eYZ`Zfj$B-&2-&-$B&--':1+$ ;-<<1&3Q$91\$G)&K$eYZ`cfj$i*.+'$!)+'1=0)&-&3$%&'Q$J-$5)<<-$eYZZgfj$;-<1&.-$9.+-0.Q$L-E1++-Q$ R'-<3$elbbgfj$-+,$>L%9/-6'.)+8a$!)+'1=0)&-&3$J-'.+$%=1&.6-+$-+,$J-'.+)$%&'Q$N!%Q$/-+$ D.1?)$elbbhfA$H1$&161.E1,$-+$9#%$C:)')?&-0:3$(1<<)\8:.0$.+$YZdZ$-+,$':1$/-+$D.1?)$%&'$ C&.S1$.+$lbbhA$H1$.8$6*&&1+'<3$-$J16'*&1&$.+$':1$D10-&'=1+'$)P$I.8*-<$%&'8$-'$':1$"+.E1&8.'3$ )P$!-<.P)&+.-Q$/-+$D.1?)A$4.8$1W:.2.'.)+$-'$!"#$%&'$()*+,-'.)+$=-&K8$;*1&&1&)X8$^&8'$8)<)$ 1W:.2.'.)+$.+$91\$G)&K$.+$)E1&$'\1+'3$31-&8A

5


Curator: Allen Ruppersberg

M:1+$R$,16.,1,$')$+)=.+-'1$L-*<$;*1&&1&)$P)&$-$8<)'$)+$!"#$%&'$()*+,-'.)+X8$1W:.2.'.)+$ 0&)?&-=Q$R$8*??18'1,$8:)\.+?$:.8$81&.18$)P$0-.+'.+?8$21?*+$.+$YZ`c$.+$V-W-6-Q$N1W.6)Q$ 216-*81$R$:-,$+1E1&$7*.'1$P)&?)''1+$':1=A$413$\1&1$:.8$^&8'$P)&-3$.+')$0-.+'.+?$-+,$:-E1$ &1=-.+1,$*+.7*1$m$-'$<1-8'$')$=1$m$':&)*?:)*'$:.8$8*2817*1+'$6-&11&Q$\:.6:$:-8$=)8'<3$ P)6*81,$)+$0-.+'.+?Q$-+,$.+$0-&'.6*<-&Q$0-.+'.+?$-$81+81$)P$0<-61A$4.8$81&.18$:-,$+1E1&Q$')$ =3$K+)\<1,?1$211+$8:)\+$')?1':1&Q$2*'$:-,$211+$0-.+'1,$-8$-$?&)*0$-+,$.+$-$6)+8.8'1+'$ -+,$)&.?.+-<$8'3<1A$4-'$8'3<1$=.?:'$21$,1^+1,$-8$0&.=.'.E1$2*'$+)'$+-nE1Q$\.':$-$')*6:$)P$ =-?.6$&1-<.8=$P&)=$':1$'.=1$-+,$.+6)&0)&-'.+?$-$+-&&-'.E1$P11<.+?$)P$80-61$6)=.+?$P&)=$:.8$ 86*<0'*&-<$'-2<1-*8$)P$':1$0-8'A$$41$1<1=1+'8$':-'$=-,1$':1$86*<0'*&-<$1+E.&)+=1+'8$8'-+,$ )*'$:-,$0-881,$.+')$':1$0-.+'.+?8A $$$$$$$$H.8$6*&&1+'$\)&K$:-8$?&)\+$.+')$8)=1':.+?$=)&1$8)0:.8'.6-'1,$)&$K+)\<1,?1-2<1$=)8'$ \)*<,$8-3Q$=381<P$.+6<*,1,Q$2*'$R$-=$-<8)$8'.<<$':)&)*?:<3$-''&-6'1,$')$':)81$^&8'$1@)&'8A$R$ 81<^8:<3$\-+'1,$')$811$':1=$-<<$')?1':1&$-'$<1-8'$)+1$'.=1A $$$$$$R$^&8'$=1'$L-*<$-'$':1$!:)*.+-&,$%&'$R+8'.'*'1$\:1&1$\1$\1&1$2)':$8'*,1+'8$.+$':1$=.,$ YZhb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o$e-'$':1$'.=1f$0-.+'1&8$<.K1$L-*<$D*P3Q$K.'86:$.<<*8'&-'.)+Q$-+,$':1$?1+1&-<$,1'&.'*8$)P$ /0-+.8:$-+,$%=1&.6-+$6*<'*&-<$:.8')&3$':-'$:1$P)*+,$?&)\.+?$*0$.+$':1$/-+$D.1?)$-&1-$)P$ /)*':1&+$!-<.P)&+.-A$41+$.+$YZ`c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k)<,$=1,.*=A$

6


Biography

%<<1+$L*001&821&?$.8$-$6)+610'*-<$-&'.8'$\:)81$\)&K$.+6<*,18$0-.+'.+?8Q$0&.+'8Q$ 0:)')?&-0:8Q$86*<0'*&18Q$.+8'-<<-'.)+8Q$-+,$2))K8A$L*001&821&?$?&-,*-'1,$\.':$-$B(%$P&)=$ ':1$!:)*.+-&,$%&'$R+8'.'*'1$.+$J)8$%+?1<18A$D*&.+?$:.8$1-&<3$31-&8Q$:1$21?-+$8.?+.^6-+'$ &1<-'.)+8:.08$\.':$5):+$B-<,188-&.Q$#,$L*86:-Q$M.<<.-=$M1?=-+Q$-+,$%<<-+$N6!)<<*=Q$ M.<<.-=$J1-E.''Q$B-8$5-+$%,1&$-+,$;1&$I-+$#<KA$H1$0-&'.6.0-'1,$.+$':1$?&)*+,2&1-K.+?$ YZhZ$1W:.2.'.)+Q$When Attitudes Become FormQ$-+,$.8$&16)?+.S1,$-8$-$81=.+-<$0&-6'.'.)+1&$ )P$!)+610'*-<$-&'A$/.+61$':1$<-'1$YZhb8Q$:.8$\)&K$:-8$211+$':1$8*2O16'$)P$)E1&$1.?:'3$8)<)$ 1W:.2.'.)+8$-+,$+1-&<3$lbb$?&)*0$8:)\8Q$-+,$6-+$21$P)*+,$.+$01&=-+1+'$6)<<16'.)+8$ )P$=*81*=8$.+'1&+-'.)+-<<3Q$.+6<*,.+?$41$N*81*=$)P$N),1&+$%&'Q$M:.'+13$N*81*=$ )P$%=1&.6-+$%&'Q$N*81*=$)P$!)+'1=0)&-&3$%&'Q$J)8$%+?1<18Q$()*+,-'.)+$,1$%001<Q$ %=8'1&,-=j$-+,$N*81*=$Pp&$N),1&+1$F*+8'Q$(&-+KP*&'A$H1$:-8$211+$.+6<*,1,$.+$':&11$ M:.'+13$B.1++.-<8Q$D)6*=1+'-$IQ$J3)+$B.1++-<1$-+,$/6*<0'*&1$C&)O16'$Np+8'1&Q$-+,$ :-8$&161.E1,$-$;*??1+:1.=$(1<<)\8:.0$-+,$'\)$9-'.)+-<$#+,)\=1+'$P)&$':1$%&'8$?&-+'8A$ L*001&821&?$<.E18$-+,$\)&K8$.+$91\$G)&K$-+,$J)8$%+?1<18A

7


Raul Guerrero


Vista de BonampakQ$YZ`c V.<$)+$6-+E-8Q$gc$qr$W$sd$tr !)*&'183$)P$J-*&-$/'1-&+8

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Pre – Columbian LoversQ$YZ`g V.<$)+$6-+E-8Q$$gh$qr$W$sgr

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MisterioQ$YZ`g V.<$)+$6-+E-8Q$g`r$W$clr !)*&'183$)P$!:&.8'.+1$H-+,<13$

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Three Masked MenQ$YZ`c V.<$)+$6-+E-8Q$gdr$W$sd$qr !)*&'183$)P$N&A$-+,$N&8A$/'1E1+$D&)2.+8K3

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DesireQ$YZ`g$ V.<$)+$6-+E-8Q$gdr$W$clr !)*&'183$)P$N-&3$D)+K1&8<))'

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The Pool of PalenqueQ$YZ`g V.<$)+$6-+E-8Q$hbr$W$ccr !)*&'183$)P$N&A$-+,$N&8A$%&':*&$V<<=-+

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Raul Guerrero’s “ Oaxaca Series” By Lesley Ma

This essay was written as part of the Young Art Critics Mentoring Program, a partnership between AICA USA (US section of International Association of Art Critics) and CUE Art Foundation, which pairs emerging writers with AICA mentors to produce original essays on a specific exhibiting artist. Please visit www.aicausa.org for further information on AICA USA, or www.cueartfoundation.org to learn how to participate in this program. Any quotes are from interviews with the author unless otherwise specified. No part of this essay may be reproduced without prior consent from the author. Elizabeth Baker is AICA's Coordinator for this program for the second season.

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Raul Guerrero’s “Oaxaca Series”

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22


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23


Raul Guerrero’s “Oaxaca Series”

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24


41$M&.'1&Q LESLEY MA Q$?&-,*-'1,$P&)=$ H-&E-&,$!)<<1?1$.+$lbbs$-+,$8*2817*1+'<3$ &161.E1,$:1&$N%$.+$N*81*=$/'*,.18$P&)=$ 91\$G)&K$"+.E1&8.'3A$(&)=$lbbg$')$8*==1&$ lbbZQ$8:1$\-8$-$0&)O16'$,.&16')&$P)&$91\$ G)&KU2-81,$!:.+181$-&'.8'Q$!-.$;*)Ui.-+?A$ /:1$.8$-+$1,.')&$)P$Lovely DazeQ$-+$-&'.8'$ 0*2<.6-'.)+$)*'$)P$C-&.8Q$-+,$.8$6*&&1+'<3$ 0*&8*.+?$:1&$C:A$DA$.+$%&'$H.8')&3Q$41)&3$ -+,$!&.'.6.8=$-'$':1$"+.E1&8.'3$)P$!-<.P)&+.-Q$ /-+$D.1?)A$

25

41$=1+')&Q$LEAH OLLMAN Q$:-8$211+$ \&.'.+?$6&.'.6.8=$-+,$P1-'*&18$)+$':1$ E.8*-<$-&'8$P)&$':1$Los Angeles Times$P)&$ )E1&$'\1+'3$31-&8A$/:1$.8$-$!)&&180)+,.+?$ #,.')&$P)&$Art in America$-+,$':1$-*':)&$)P$ +*=1&)*8$6-'-<)?*1$188-38A$H1&$0*2<.6-'.)+8$ .+6<*,1$Strangely Familiar$e%01&'*&1Q$ lbb`fQ$The Photography of John Brill eF1+'Q$ lbblfQ$-+,$William Kentridge: Weighing... and Wanting$eN*81*=$)P$!)+'1=0)&-&3$ %&'$/-+$D.1?)Q$lbbYfA$/:1$1-&+1,$:1&$B%$ .+$%&'$H.8')&3$-+,$C:.<)8)0:3$P&)=$/6&.008$ !)<<1?1$-+,$:1&$N%$.+$%&'$H.8')&3$P&)=$':1$ R+8'.'*'1$)P$(.+1$%&'8Q$91\$G)&K$"+.E1&8.'3A$ /:1$.8$6*&&1+'<3$\)&K.+?$)+$-$0&)O16'$ 1W0<)&.+?$':1$-_+.'.18$21'\11+$0)1'&3$ -+,$0:)')?&-0:3A$/:1$<.E18$.+$/-+$D.1?)Q$ !-<.P)&+.-A


26


CUE Art Foundation’s operations and programs are made possible with the generous support of foundations, corporations, government agencies, individuals, and its members.

MAJOR PROGRAM SUPPORT IS PROVIDED BY: Accademia Charitable Foundation The Viking Foundation Agnes Gund The Pollock-Krasner Foundation The Greenwall Foundation The Greenwich Collection Ltd. Milton and Sally Avery Arts Foundation Foundation for Contemporary Arts The Joan Mitchell Foundation The Andy Warhol Foundation for the Visual Arts National Endowment for the Arts New York City Department of Cultural Affairs New York State Council on the Arts (a State agency) William Talbot Hillman Foundation

27

MEDIA SPONSOR:


!)E1&$R=-?1a$The Pool of Palenque$e,1'-.<fQ$YZ`g V.<$)+$6-+E-8Q$hbr$W$ccr$ %<<$-&'\)&K$w$L-*<$;*1&&1&)$

CUE Art Foundation 511 West 25th Street New York, NY 10001 212-206-3583 f 212-206-0321 cueartfoundation.org

R/B9a$Zd`UbUZ`YZYYbUZUb !-'-<)?$,18.?+a$1<.S-21':$1<<.8 C&.+'1,$23$=-&xW$=3<18$.+6A$$ *8.+?$Ybby$\.+,U?1+1&-'1,$0)\1&

28



2009/10

CUE Art Foundation 511 West 25th Street, New York, NY 10001 212-206-3583 f 212-206-0321 cueartfoundation.org


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