"Composer's Forum" program

Page 1

May 2, 2024

New
Composer’s Forum Part of the 23rd Annual
Music Series

CAL STATE FULLERTON

SYLVIA A. ALVA

President, California State University, Fullerton

AMIR H. DABIRIAN

Provost and VP for Academic Affairs

ARNOLD HOLLAND, EDD

Dean, College of the Arts

CSUF SCHOOL OF MUSIC

DR. RANDALL GOLDBERG Director, School of Music

KIMO FURUMOTO

Assistant Director, School of Music

BONGSHIN KO

Assistant Director, School of Music

SCHOOL OF MUSIC FULL-TIME FACULTY AND STAFF

Faculty

Conducting

Kimo Furumoto – instrumental

Dr. Robert Istad – choral

Dr. Dustin Barr – instrumental

Jazz and Commercial Music

Bill Cunliffe* – jazz piano; arranging; Fullerton Jazz Orchestra, Fullerton Big Band and combo director

Rodolfo Zuñiga – jazz studies, jazz percussion, and music techology; Fullerton Chamber Jazz Ensemble director

Piano, Organ, Piano Pedagogy

Ning An – piano

Bill Cunliffe – jazz piano

Alison Edwards* – piano, piano pedagogy, class piano

Myong-Joo Lee – piano

Dr. Robert Watson – piano

Music Education, Teacher Training, and Teaching Credential

Dr. Christopher Peterson – choral

Dr. Gregory X. Whitmore* – instrumental

Music in General Education

Dr. John Koegel*

Dr. Katherine Reed

Music History and LIterature

Dr. Vivianne Asturizaga – musicology

Dr. John Koegel* – musicology

Dr. Katherine Powers – musicology

Dr. Katherine Reed – musicology

Strings

Kimo Furumoto – Director of Orchestra Studies and University Symphony Orchestra conductor

Bongshin Ko – cello

Dr. Ernest Salem* – violin

Theory and Composition

Dr. Pamela Madsen – composition, theory

Dr. Ken Walicki* – composition, theory

Vocal, Choral, and Opera

Dr. Robert Istad – Director of Choral Studies and University Singers conductor

Dr. Kerry Jennings* – Director of Opera

Dr. Christopher Peterson – CSUF Concert Choir and Singing Titans conductor

Dr. Joni Y. Prado voice, academic voice courses

Woodwinds, Brass, and Percussion

Dr. Dustin Barr – Director of Wind Band Studies, University Wind Symphony, University Band

Jean Ferrandis – flute

Sycil Mathai* – trumpet

Dr. Gregory X. Whitmore University Symphonic Winds conductor

Staff

Michael August – Production Manager

Eric Dries – Music Librarian

William Lemley – Audio Technician

Jeff Lewis – Audio Engineer

Chris Searight – Music Instrumental Services

Paul Shirts – Administrative Assistant

Elizabeth Williams – Business Manager

* denotes Area Coordinator facebook.com/CSUFMusic instagram.com/CSUFMusic soundcloud.com/csufmusic music.fullerton.edu

Welcome to the Spring 2024 Performing Arts Season at Cal State Fullerton’s College of the Arts. Whether you are a first-time or long-time patron, a friend, or parent to one of our exceptional students, thank you for joining us. Your support makes all the difference to their success.

I am pleased to present another semester of programming powered by the incredible gifts of our Art, Dance, Music, and Theatre students. This spring, the School of Music starts the season with a trio of concerts February 16–18 by artists-in-residence Talich Quartet; faculty artist Damon Zick and his Quarteto Nuevo featuring fellow faculty artist Bill Cunliffe; and University Symphony Orchestra. In May, University Symphony Orchestra and Symphonic Chorus will close the concert season with a performance of Mozart’s emotionally charged “Requiem.” Begovich Gallery presents the Begovich Visual Arts Lecture Series with visiting artists’ talks throughout the semester, including multidisciplinary artist Hings Lim on February 22, whose work will also be exhibited at Grand Central Art Center. The Department of Theatre and Dance begins their season in March with “Marisol,” a darkly comedic fantasy where the title character must find hope in a post-apocalyptic Brooklyn where angels are taking up arms and coffee is extinct. Hilarious, multiple Tony award-winning modern musical send-up “Urinetown” closes the theatre season just as CSUF’s dancers and choreographers take to the stage for “Spring Dance Theatre.”

When our students demonstrate their talents on stage and in the studio, their creative energy is undeniable, but the sacrifice and struggle it took to get there is often less perceptible. We can’t see the hours spent creating, the days of rehearsals, and the years of practice. For many students, the sparks of innovation and artistry that drove them to pursue the arts are often diminished by the high cost of an education. The Dean’s Fund for Excellence provides support for students in need through scholarships, artist residencies, and other financial assistance, ensuring them the opportunity to thrive in the arts. If you believe in their sparks of brilliance, please consider a donation of any amount to the Dean’s Fund for Excellence.

Thank you again for joining us this season and for championing the arts in higher education. I hope to see you at one of the college’s many performances and events this spring.

Sincerely,

SCAN THIS QR DONATE TODAY TO THE DEAN’S FUND FOR EXCELLENCE

PROGRAM

Noché (2024) ..................................................................... Ivan Anthony Parga-Renteria

Daniella Arditti, flute

Wilson Le, vibraphone

October Song (2024) .................................................................Janae Rose Harabedian

Janae Harabedian, voice

Manuel Laverde, piano

Baby’s First Mallet Quintet (2024) ......................................................

Galadriel Pokracki

Cameron Abrahamson, glockenspiel

Galadriel Pokracki, xylophone

Beto Santamaria, vibraphone

John Sunderman, marimba 1

Gabriela Guzman, marimba 2

Cascading (2024) ............................................................................................ Wilson Le

Andrew Alvidrez, marimba

Wilson Le, marimba

Salvador Montaño, vibraphone

Beto Santamaria, vibraphone

Galadriel Pokracki, glockenspiel

John Sunderman, multi-percussion

PROGRAM NOTES

Noché (2024)

Noché is a multi-movement work (in progress) for flute and vibraphone originally composed for Brightwork Newmusic Flute and Percussion duet. Noché is the Spanish word for ’night’ and this is because this work portrays the essence of the night life of the streets of South America, with no particular city-state in mind. This is up to the listener to decide. Counterpoint, struggle between the roles of soloist and ensemble member, dichotomy of familiar and unfamiliar, and fusion of free and strict form, are all elements integrated within this work.

October Song (2024)

October Song began as the result of a successful experiment to see if I could write a song in an hour. Through many hours of refinement, it has retained its simple beauty and grown into an ode to beauty and to the bittersweet feeling that everything, one day, will change.

Baby’s First Mallet Quintet (2024)

GALADRIEL POKRACKI

Baby’s First Mallet Quintet is a mallet percussion ensemble piece. The piece is fastpaced and dance-like in rhythm; while short, it leaves an excitable spark in the air.

Cascading (2024)

WILSON LE

Cascading is a piece of music that takes its inspiration from waterfalls. There are two definitions to the term ‘cascading,’ the first being “to pour downward in large quantities,” and the second begin “arrange in a series or sequence.” Something that I have been interested in is writing music that flows like water. There are multiple segments in this piece that are written like a cascading waterfall,, starting off small, and slowly becoming nuanced and chaos-like, to which it ends in a pond or lake, becoming still water. At the same time, I use sequencing as a way to also interpret the cascading effect. The repetitive form of music helps with the definition of cascading. To interpret the music is to interpret it as flowing water.

ABOUT THE DIRECTORS

Pamela Madsen

Pamela Madsen is a composer, performer, theorist, writer and curator of new music. From massive immersive concertlength projects, solo works, chamber music to multi-media opera collaborations her work focuses on issues of social change, exploration of image, music, text and the environment. With a Ph.D. in Music Composition from UCSD, studies with Brian Ferneyhough, Mellon Foundation Doctoral Research Award in theory at Yale University, Post- Doctoral research in Music Technology at IRCAM, Paris, and Deep Listening Certificate with Pauline Oliveros, her creative projects and research focuses on the evolution of compositional thought, improvisation, electronic music, and women in music.

Madsen’s works have been commissioned and premiered world-wide by such artists as Los Angeles Percussion Quartet, Brightwork newmusic, ModernMedieval, Moscow Contemporary Music Ensemble, Tony Arnold, Nicholas Isherwood, Stacey Fraser, Claire Chase, Jane Rigler, Anne LaBerge, Brian Walsh, Lisa Moore, Vicki Ray, Aron Kallay, Bugallo-Williams Piano Duo, Ashley Bathgate, Trio Solisti, New York New Music Ensemble, Either/Or, yesaroun’ duo, California Ear Unit, Verdehr Trio, Zeitgeist, JACK, Ethel, Lyris, Formalist and Arditti string quartets with multimedia collaborations with visual artists Quintan Ana Wikswo, Camille Seaman, Jimena Sarno and Judy Chicago.

Major concert-length projects include Madsen’s Opera America and National Endowment for the Arts Funded Opera: Why Women Went West, National Endowment for the Arts and New Music USA supported Oratorio for the Earth; Luminous Etudes: Visions of the Black Madonna of Montserrat; Luminosity: Passions of Marie Curie multi-media opera; Melting Away: Gravity for orchestra, with Arctic photographer Camille Seaman; We are All Sibyls-Envisioning the Future Project multi-media opera installation with visual artist Judy Chicago. Selected as Huntington Library Mellon Research Fellow, Alpert Award Panelist, Creative Capital artist “on the radar” with awards from Opera America, National Endowment for the Arts, New Music USA, Meet the Composer, American Scandinavian Foundation, artist residency fellowships at MacDowell Colony, UCross, Wyoming, Women’s International Studies Center, New Mexico, Wurlitzer Foundation Award, with international Russia/Siberia Concert tour, featured composer at Pulsar Festival, Denmark, she is a frequent guest artist at festivals and universities worldwide. She is Director of the Annual New Music Festival, InterArts Collaborative Projects at Cal State Fullerton where she is Professor of Music Composition, Music Theory and Director of the New Music Ensemble.

Eric Dries

Eric Dries is a pianist, improviser, composer and educator who explores the innovative fields between traditional jazz, free improvisation, and contemporary classical music. His work explores a wide range of stylistic practices from jazz and contemporary music worlds in diverse performance situations. Dries is interested in expanding experimental ideas while honoring the fundamental tenets of the jazz tradition. His solo piano performances reinterpret and invigorate the tradition of jazz standards with a foundation of rhythmic experimentation and harmonic and melodic expansion. Dries has performed and recorded with some of the top studio and freelance musicians in southern California where he is in high demand at high profile performance venues, and jazz festivals. Dries early notated compositional works explore virtuosic solo instrumental experimentation and unusually orchestrated chamber ensemble combinations. His current compositional work combines the rigor of compositional technique with improvised frameworks of traditional jazz and experimentalism of new music to create systems of group dynamics that encourage performer-composer collaboration and new sonic exploration in each performance. He holds a Ph.D. in Composition and M.A. in Music Theory from University of California San Diego, where he studied with Rand Steiger, George Lewis, Anthony Davis, Roger Reynolds and Brian Ferneyhough, with postdoctoral studies and research in Music Technology at IRCAM. He studied jazz improvisation and composition with bassist Richard Davis and saxophonist Les Thimmig at University of Wisconsin Madison where he received his BM in Music Composition, studying with Stephen Dembski. He currently is a Lecturer in Music composition, theory, jazz, and music technology at California State University Fullerton School of Music.

The College of the Arts at Cal State Fullerton is a unique learning environment that encourages artistic expression and individual achievement. We are a hands-on learning lab where immersive academic experiences and opportunities for cross-disciplinary collaboration inspire our 2,700+ student artists, performers, and scholars to reach realize their full potential, shaping the future of the arts locally and globally. This takes exceptional faculty members, state-of-the-art facilities, and support from community members like you.

The Dean’s Fund for Excellence provides resources for College of the Arts students through masterclasses and artists’ residencies; travel to competitions and workshops; and the practical application of industrystandard technology and equipment in the classroom, all of which have a huge impact on the educational experience of our students.

GET INVOLVED. GIVE TODAY! Ann Steichen, Director of Development P: 657-278-7124 E: asteichen@fullerton.edu CHANGE THE LIVES OF ASPIRING ARTISTS. DONATE TO THE DEAN’S FUND FOR EXCELLENCE. give.fullerton.edu/deansfundarts
SHAPING THE FUTURE OF THE ARTS

$1,000,000 +

Terri & Bob Niccum

Stanley Mark Ryan

$100,000 - $999,000

Darryl Curran

Gregory & Shawna Ellis

David & Shirley Sepel

William Wagner

$25,000 - $99,999

Lee Begovich

Johnny Carson Foundation

Leo Freedman Foundation

Karyn L. Hayter

Robin & Steve Kalota

Sallie Mitchell Revocable Trust

Donna & Ernest Schroeder

Sue & Dr. Edward A. Sullivan

The Andy Warhol Foundation for the Visual Arts

$10,000-$24,999

Apple Inc.

Drs. Joseph and Voiza Arnold

Robin de la Llata Aimé & John B. Aimé

EMC Associates, Ltd

Ellen M. and William A. Groves

Kathleen A. Hein

J. P. Morgan Charitable Giving Fund

Marianne R. Kreter

Eleanore & James Monroe

Lucina L. Moses & John Brennan

Dana Praitis

Louise P. Shamblen

Dr. Kristin K. Stang & Dr.Gordon P. Capp

Jeffrey A. Stang & Lisa

McDaniel Stang

$5,000-$9,999

Boeing North American Fitness Inc.

Steven Caulk

Continuing Life LLC

Morningside of Fullerton

Fidelity Charitable Gift Fund

Anonymous

Friends of Jazz, Inc

Leslie Garman

Dr. Margaret Faulwell Gordon

MaryLouise & Edward Hlavac

DONOR APPLAUSE

Jill Kurti Norman

Norma L. Morris

Bettina Murphy

Dwight Richard Odle Foundation

Orange County Community Foundation

Stephen Rochford, DMA

Schwab Charitable Fund

Barbara Thompson

$1,000-$4,999

John A. Alexander

Judy Atwell

Dorothy & Nick Batinich

Dr. & Mrs. Keith O. Boyum

Janet & Allan Bridgford

Broadway Arts Studio

Marion Brockett

California Community Foundation

Katherine Calkins

James Case

Charities Aid Foundation of America

CMC

Joann Driggers & Stephen Collier

Harriet & William Cornyn

CSU Northridge Foundation

CSUF Auxiliary Services Corporation

Jeannie Denholm

Dr. Marc R. Dickey

Susan & Richard Dolnick

Charlie Duncheon

Anne Fingal

Fullerton Families & Friends Foundation

Jane Deming Fund

Marsha Gallavan

Annette & Dr. Leon Gilbert

Renee Gillespie

Dr. Mark J. Goodrich

Michael R. Haile

Susan Hallman

James L. Henriques

Frank A. Hinojoz

The Ibanez Family

Janet L. Smith Voice Studio

Sandra & Norman H. Johnson

Michelle Jordan

Gladys M. Kares

Ronald L. Katz Family Foundation

Masako & Ray Kawase

Gayle A. Kenan

Ms. Junko Klaus

Dr. Irene L. Lange

Shirley & Eugene Laroff

Marilyn M. Little

The Loftus Family Foundation

Jason Lomeda

Juan Lopez

Juliette Lunger & John A. Hoyos

Melissa Madsen

Paul Coluzzi & John M. Martelli

Karen & William McClung

Thelma Mellott

Patti & Carl Miller

Jamie M. Spitzer

David Navarro

Grace & Ujinobu Niwa

Debra L. Noble

Tyler Stallings & Naida Osline

Deanna & Arie Passchier

Aleks Lyons & Geoffrey Payne

Peace Mountain Theatre Company Inc

Anonymous

Jim Plamondon

Linda L. & E. B. Powell

The Presser Foundation

Sharon & Dr. Anil K. Puri

R23 International Inc.

Brian Rennie & Lori Rennie

Nancy & Robert Rennie

David Rhone

Liz Riede

Thomas C. Robinson

Mary L. Rupp

D. B. Schmitt

D Barry Schmitt R. Trust

Martha Shaver

Ingrid R. Shutkin

Barbara Kerth & Ms. Lorena Sikorski

Janet L. Smith

Roberta & Robert Sperry

Thomas Statler

Douglas G. Stewart

Ernie Sweet

Carolyn & Tom Toby

Fram & Julie Virjee

Verne D. Wagner

Tina L. Walker

Patrick Young

Ruth & Wayne P. Zemke

*deceased

Very special care has been given to the preparation of this donor listing. Please contact Ann Steichen at (657) 278-7124 with questions or concerns.

**Gifts received from July 1, 2022 through November 1, 2023

ONTIVEROS SOCIETY

The Ontiveros Society includes individuals who have provided a gift for Cal State Fullerton through their estate plan. We extend our deep appreciation to the following Ontiveros Society members, whose gifts will benefit the students and mission of the College of the Arts:

ANONYMOUS

JOHN ALEXANDER

LEE & DR. NICHOLAS A.* BEGOVICH

GAIL & MICHAEL COCHRAN

MARC R. DICKEY

JOANN DRIGGERS

BETTY EVERETT

CAROL J. GEISBAUER

& JOHN* GEISBAUER

SOPHIA & CHARLES GRAY

MARYLOUISE & ED HLAVAC

GRETCHEN KANNE

DR. BURTON L. KARSON

ANNE L. KRUZIC*

LOREEN & JOHN LOFTUS

ALAN A. MANNASON*

WILLIAM J. MCGARVEY*

DR. SALLIE MITCHELL*

ELEANORE P. & JAMES L. MONROE

LYNN & ROBERT MYERS

DWIGHT RICHARD ODLE*

SHERRY & DR. GORDON PAINE

DR. JUNE POLLAK & MR. GEORGE POLLAK*

DR. STEPHEN M. ROCHFORD

MARY K. & WILLIAM SAMPSON

LORENA SIKORSKI

DOUGLAS G. STEWART

ANDREA J. & JEFFREY E. SWARD

RICHARD J. TAYLOR

VERNE WAGNER

RICHARD WULFF

DR. JAMES D. & DOTTIE YOUNG*

*deceased

The College of the Arts Proudly Recognizes the 300+ Members of Our VOLUNTEER

SUPPORT GROUPS

ART ALLIANCE: Art Alliance promotes excellence and enjoyment in the visual arts, and their fundraising efforts contribute to student scholarship, gallery exhibitions, opening receptions and sculpture acquisition on campus.

SPECIAL SUPPORT AND EVENT UNDERWRITING

Fay Colmar

John DeLoof

Joann Driggers & Steve Collier

Loraine Walkington

ALLIANCE FOR THE PERFORMING ARTS: The Alliance for the Performing Arts (formerly MAMM) benefits performing arts students through underwriting visiting artists; special theatre, dance, and music performances; and other unique experiences for members.

SPECIAL SUPPORT AND EVENT UNDERWRITING

Judy Atwell

Drs. Voiza & Joe Arnold

Dr. Margaret Faulwell Gordon

Susan Hallman

Norma Morris

Richard Odle Estate

Kerry & John Phelps

Jeanie Stockwell

Verne Wagner

MUSIC ASSOCIATES: Music Associates maintains a tradition of active involvement and community support, and raises scholarship funds for School of Music students through annual fundraising events and membership dues.

SPECIAL SUPPORT AND EVENT UNDERWRITING

Marilyn Carlson

Evelyn K. Francuz

Sandy & Norm Johnson

Marti & Bill Kurschat

Karen & George Mast

Thelma & Earl Mellott

Bettina Murphy

Grace & Ujinobu Niwa

Kerry & John Phelps

Mary & Jerry Reinhart

Ann & Thad Sandford

Dodo V. Standring

Carolyn & Tom Toby

John Van Wey

MORE INFORMATION: Haley Sanford • 657-278-2663

There are many ways to support the College of the Arts, the School of Music, Department of Theatre and Dance, and Department of Visual Arts

GET INVOLVED GIVING.FULLERTON.EDU

Talich Quartet

February 16 • Meng Concert Hall

Quarteto Nuevo

February 17 • Meng Concert Hall

University Symphony Orchestra with Talich Quartet

February 18 • Meng Concert Hall

Brightwork Newmusic

February 22 • Meng Concert Hall

University Symphony Orchestra feat. Joseph Loi, flute

February 25 • Meng Concert Hall

loadbang*

February 27 • Meng Concert Hall

Advanced Vocal Workshop

feat. Michael Schütze, piano

February 29 • Recital Hall

Fabian Ziegler, percussion

March 6 • Meng Concert Hall

Enrico Elisi, piano

March 7 • Meng Concert Hall

Marisol

March 8– 23 • Little Theatre

Fullerton Jazz Orchestra & Fullerton Jazz Chamber Ensemble

March 8 • Meng Concert Hall

Enrico Elisi & Mengyang Pan, duo piano

March 10 • Meng Concert Hall

Alumni Piano Recital

March 14 • Meng Concert Hall

17th Annual Collage Concert

March 16 • Meng Concert Hall

Accidentally on Purpose

March 22– 30 • Hallberg Theatre

University Singers & Concert Choir

March 24 • Meng Concert Hall

Brightwork newmusic*

March 26 • Meng Concert Hall

Minsoo Sohn, piano

March 27 • Meng Concert Hall

Ernest Salem & Hasse Borup, violins

March 28 • Meng Concert Hall

Nicholas Isherwood, bass/baritone*

April 9 • Meng Concert Hall

Gabriel Bianco, guitar

April 10 • Meng Concert Hall

Urinetown the Musical

April 12– 27 • Young Theatre

High School Honor Band & CSUF Wind Chamber Ensembles

April 13 • Meng Concert Hall

CSUF New Music Ensemble & Contemporary Chamber Ensemble

April 17 • Meng Concert Hall

Monteverdi’s The Coronation of Poppea

April 18–21 • Recital Hall

CSUF Symphonic Winds

April 21 • Meng Concert Hall

Fullerton Jazz Chamber Ensemble & Fullerton Latin Ensemble

April 23 • Meng Concert Hall

University Band

May 1 • Meng Concert Hall

Spring Dance Theatre

May 2–11 • Little Theatre

Fullerton Jazz Orchestra

May 3 • Meng Concert Hall

University Wind Symphony

May 4 • Meng Concert Hall

Jazz Singers

May 6 • Meng Concert Hall

Titan Voices & Singing Titans

May 8 • Meng Concert Hall

Symphony Orchestra & Symphonic Chorus Mozart’s “Requiem”

May 11 • Meng Concert Hall

COLLEGE OF THE ARTS • SELECT EVENTS | SPRING 2024 For Studio Series productions, free events, and complete information, visit/call (657) 278-3371 • arts.fullerton.edu/calendar • artstickets.fullerton.edu
STAY CONNECTED Sign up for eblasts from the College of the Arts! arts.fullerton.edu/connect *Part of the 24th Annual New Music Series
music.fullerton.edu
Issuu converts static files into: digital portfolios, online yearbooks, online catalogs, digital photo albums and more. Sign up and create your flipbook.