Projects

Page 1

Heinz von Eckartsberg Projects


Contents


Urban

6-77

Urban Development in Accra, Ghana sIBZ

Accra, Ghana Greenpoint, Brooklyn

6-17 18-23

e-Tabolism The Columbus Transect

Red Hook, Brooklyn Columbus, Ohio

24-31 32-45

Elsternwick Urban Design Framework

Elsternwick, Victoria (AUS)

46-55

Hampton Station Precinct A Tale of Two Centres

Hampton, Victoria (AUS) Chirnside Park, Victoria (AUS)

56-65 66-73

People’s Market Design Competition

Collingwood, Victoria (AUS)

74-77

Architectural

80-151

Gellibrand Town Centre

Gellibrand, Victoria (AUS)

80-101

Marysville Microbrewery Place of Worship

Marysville, Victoria (AUS) Docklands, Victoria (AUS)

102-107 108-115

38 Freshwater Place

Southbank, Victoria (AUS)

116-123

Klein’s Deli

San Francisco, California

124-129

M.Y.China

San Francisco, California

130-137

Lodge on the Lake

Canberra, Victoria (AUS)

138-143

Ghana: Design / Build

Abrafo-Odumasi, Ghana

144-151


Urban

Heinz von Eckartsberg Projects


5


Accra, Ghana Participatory Development The WE GROW development strategy allows the inherent value of Ga Mashie to be regained by bridging the gap between the community and government through compound redesign that includes ownership, reorganization to form community improvement groups, government utilities development, and ultimately a reconnection to larger trade networks.

We Grow

Heinz von Eckartsberg Projects

Existing Scalar Gap Within Ga Mashie the separation between the government and the community is extremely apparent. This project proposes to bridge this divide and create a median for either side to benefit from the other. The basic typological unit in Ga Mashie is the family compound. Using this as a source for outward growth is crucial to the advancement of the community. Currently the town of Ga Mashie occupies the historical heart of Ghana’s capital Accra, once anchoring its economy with a teeming port industry. When this port was relocated to Tema 40 years ago, it left the many micro economies disconnected from a larger market network. Much of the small production currently occurs in the sacred spaces within the compounds of the Ga people. Due to the destruction left by an earthquake in 1939, many of the compounds are not sufficient to allow for the necessary growth to generate economic stability for the community. Despite this deterioration, the value of Ga Mashie cannot be understated. It is the heart of Accra geographically and culturally and can regain its connection back into a larger context.

Strategy This strategy intends to reorganize Ga Mashie, providing a plan for community improvement groups that shrink the scale of government to something visible and that people interact with everyday. Introducing amenities and training centers within the auxiliary spaces located in the void space between multiple compounds. This reorganization of the community will not only increase their capacity for leadership and training opportunities but, extend the life of the compound itself. Out of this underlying typological and habitual shift economic growth and a heightened quality of life would begin to progress. Potential Growth Eventually the development of larger scale utility networks will be generated by the government; strategically linking into these amenities that are being introduced at the community level. This re-established center will continue to economically thrive while aiding Ga Mashie to brand itself and become a cultural enclave within Accra. Those living within the compounds as well as local Ga’s near this region will enjoy everything that Ga Mashie has to offer, economically and culturally. This growth aims to reconnect Ga Mashie with larger trade networks and economies by linking the most opportunistic zones of development to allow for progressive change along major corridors within the community.



WE GROW_PARTICIPATORY DEvELOPMENT

B

PROGRAM 1. Bedrooms PROGRAM 2. Communal ‘Sacred’ Space 1. 3. Bedrooms Kitchen Area (flexible space) PROGRAM 2. 4. Communal Retail Stall ‘Sacred’ Space 1. Bedrooms 3. Kitchen Area (flexible space) 2. Communal ‘Sacred’ Space 4. Retail Stall 3. Kitchen Area (flexible space) 4. Retail Stall

WE GROW_PARTICIPATORY DEvELOPMENT WE GROW_PARTICIPATORY DEvELOPMENT

EXISTING COMPOUND rooms: 2,307 sqft. EXISTING COMPOUND 1,651 sqft. center space: rooms: 2,307 sqft. EXISTING COMPOUND 3,958 sqft. center space: 1,651 sqft. rooms: 2,307 sqft. PROPOSED COMPOUND 3,958 sqft. center space: 1,651 sqft. bedrooms: 3,958 sqft. PROPOSED COMPOUND 10’x10’ 2,307 sqft. bedrooms: 13.5’x10’ COMPOUND 1,651 sqft PROPOSED 10’x10’ 2,307 center space: (+ 732 sqft.) 2,383 sqft. sqft. bedrooms: 13.5’x10’ 1,651 sqft market stall: 176 sqft. 10’x10’ 2,307 sqft. (+ 732 sqft.) center space: 2,383 sqft. flexible space 830 sqft. 13.5’x10’ 1,651 sqft market stall: ( 842 sqft.) 4,800 176 sqft. sqft. center space: (+ 732 sqft.) 2,383 sqft. flexible space 830 sqft. market stall: 176 sqft. ( 842 sqft.) 4,800 sqft. flexible space 830 sqft. ( 842 sqft.) 4,800 sqft.

Private Ownership Private Ownership Private Ownership Sacred Space Sacred Space Sacred Space

Communal Ownership Communal Ownership Communal PROPOSED LAND OWNERSHIP Ownership

GROUND FLOOR PLAN

PROPOSED LAND OWNERSHIP

2ND FLOOR PLAN

Unaltered Communal ‘Sacred’ 2ND FLOOR PLANSpace

A

GROUND FLOOR PLAN 2nd Story Bedrooms GROUND FLOOR PLAN 2nd Story B Bedrooms

A

2nd Story B Bedrooms

C Unaltered Communal ‘Sacred’ Space

A

B

PROPOSED LAND OWNERSHIP

2ND FLOOR PLAN C Unaltered Communal ‘Sacred’ Space C

Ribbon Ribbon EXISTING COMMUNAL ‘SACRED’ SPACE EXISTING 1,661 sqft.COMMUNAL ‘SACRED’ SPACE EXISTING COMMUNAL 1,661 sqft. ‘SACRED’ SPACE 1,661 sqft.

PROPOSED COMMUNAL ‘SACRED’ SPACE PROPOSED COMMUNAL 2,390 sqft. (+733 sqft.) ‘SACRED’ SPACE PROPOSED COMMUNAL 2,390 sqft. (+733 sqft.) ‘SACRED’ SPACE 2,390 sqft. (+733 sqft.)

PROPOSED ADDITIONAL PROGRAM PROPOSED (842 sqft.) ADDITIONAL PROGRAM PROPOSED ADDITIONAL (842 sqft.) PROGRAM (842 sqft.)

Kitchen/Dining

Ribbon PROPOSEDKitchen/Dining DESIGN STRATEGY Kitchen/Dining PROPOSED DESIGN STRATEGY PROPOSED DESIGN STRATEGY

Retail Stall Retail Stall Retail Stall

SECTION B SECTION B

Heinz von Eckartsberg Projects

SECTION B

PROPOSED COMPOUND GUIDELINES: 1. Preserve theCOMPOUND footprint of the central open space. 7. Each home must have: PROPOSED GUIDELINES: 2. No residential structure may be more than two - a bin for all compostable waste 1. Preserve theCOMPOUND footprint of the central open space. 7. Each home must have: PROPOSED GUIDELINES: stories or 24 ft. in height. - proper drainage channels 2. No residential structure may be more than two - a bin forhave: all compostable waste 1. the footprint of the central open space. 7. Each home must 3. Preserve If property lies along a designated commercial - seismic reinforced construction Proposed Compound Guidelines stories or 24 ft. in height. proper drainage channelswaste 2. No residential structure may be more than two - anatural bin forventilation all compostable corridor, the height may be increased to three stories, 3. If property lies along a designated commercial -- seismic reinforced construction stories ft. in height. proper drainage or 36 ft.orin24 height. 8. Properties are responsible for maintaining 1. Preserve theheight footprint ofaincreased the central open must bechannels responsible foropen its corridor, the to three stories, 6. Each -home ventilation 3. If property lies may alongbemust designated - natural seismic reinforced 4. Any new construction adhere tocommercial minimum space free of trash and waste. construction or 36 ft. inthe height. space. own compostable waste. 8. Properties are responsible for maintaining open corridor, height may be increased to three stories, - natural ventilation sanitation standards. 9. All second-story dwellings must be individually Anyft. new construction must to free of trash waste. Each home must havefora bin for all com2. No4. structure mayadhere have a minimum or 36 in height. 8. Properties are and responsible maintaining open 5.residential All rooms must have a window opening into the 7. space owned. sanitation standards. 9. All second-story dwellings must be individually 4. Anymore new construction mustor adhere to minimum height than or 2 the stories 24no feet. postable waste, proper drainage free of trash and waste. central open space outer street smaller than space 10. A selected member of the compound willchancollect 5. All rooms must have a window opening into the owned. sanitation 9. All second-story be individually 2 ft. in any standards. dimension. nels, seismic reinforced construction, 3. If property lies along a designated a percentage of totaldwellings wages for must compound upgrades central open space or theaouter street no smaller A selected member of the compound will collect 5. All rooms have window intothan the 10. owned. 6. Each homecorridor, must be responsible foropening its ownbe fromnatural the cluster savings. commercial the height may ventilation 2 ft. in any dimension. a percentage total wages forcompound compoundwill upgrades central open space or the outer street no smaller than 10. selectedofmember of the collect compostable increased to waste. threebe stories or 36 feet 8. fromA Properties are responsible for maintain6.ft. Each home must responsible for its own the cluster 2 in any dimension. a percentage of savings. total wages for compound upgrades ing open spacewefree of trash and waste. 4. Any newhome construction must adhere to compostable waste. 6. Each must be responsible for its own from theproject cluster savings. studio | grow _ ga mashie minimum sanitation standards 9. All second story dwellings must be indicompostable waste. studio project | we grow _ ga mashie vidually owned. 5. All rooms must have a window opening

into the central open space or the outer street no smaller than 2 ft. in any dimension.

ga compound mashie studio project | we growof_the 10. A selected member will collect a percentage of total wages for compound upgrades from the cluster savings.NY Times Building Visualisation

C

166 166 166


D

WE GROW_PARTICIPATORY DEvELOPMENT

SECTION A

1. 8” raised concrete slab with rebar 2. 2’-0” deep structural concrete footing 3. grade change to allow for water to runoff back to the exterior 1

The Compound

COMPOUND DRAINAGE DETAIL

165

1. 8” raised concrete slab with rebar 2. 7’-0” wood door leaf is centered between floor & ceiling to allow for air flow to circulate between the interior & exterior spaces 3. sandcrete block

24

NATURAL VENTILATION DETAIL

The regeneration of the compound allows for a series of necessary upgrades that are sensitive to both the culture and the climate conditions of Ga Mashie. The goal of this design was to ensure that the central ‘sacred’ space was kept intact and would remain so for future generations of the Ga community. Unfortunately, the current occupancy of this compound unit far exceeds the space the existing footprint is able to provide; thus additional floors were alloted in order to alleviate the density within the compound at ground level. An added benefit of these additional floors is that they introduce possibilities for individuals to have private

1. precast concrete with reinforced steel rebar 2. sandcrete block 3. vent handle @ 6’-0” A.F.F. 4. wind tower with operable vent 5. wood louvers

WIND TOWER DETAIL

E

ownership of their own space, which is not a reality in the current fabric of Ga Mashie. The proposed structure has many features, including a grade change accommodating the drainage needed during the raining season and proper ventilation elements to allow for natural air flow through the units. The main building materials of the area were maintained where applicable in order to make this transformation as seamless as possible. 9


WE GROW_PARTICIPATORY DEvELOPMENT

Communal Sacred Space Private Investors

Private Investors

Pedestrian Intersection Benefits

Consumers

Benefits

Consumers

Alley

EXISTING CLUSTER AREA

Commercial Space Communal Sacred Space

Commercial Space Compound

Compound

Carved Out Building Space

Communal Area

Communal Programmatic Area Compound Cluster Perimeter

Alley

The Cluster

Heinz von Eckartsberg Projects

PROPOSED CLUSTER AREA

167

% of Savings Revenue

% of Savings Revenue

CLUSTER SAVINGS PROGRAM

The cluster program is located in the void space between multiple compounds that is currently used for production, storage, and passage between compounds. The cluster space is a communal center for the compounds to engage in their own transformation. The capacity for families to obtain these amenities individually is minimal at this point, and the hope is that this process will not only start providing the families with basic needs that are necessary to their livelihoods, but encourage them to learn how to save. To initiate this process, a selected member of each compound will take the responsibility

for collecting a percentage of earnings from each family, to be used for amenities and maintenance. These amenities will be introduced in a series of phases starting with compost toilets, production space, and the cultural wall. The ‘cultural wall’ is equipped with an audio recording device that trains and educates residents on the next phase of amenities planned. The second phase increases garbage sorting, begins collecting compost to be sold at local markets, and continues education on water collection through the ‘cultural wall.’ In phase three, potable water storage is introduced below ground in polytanks.


Potable Water Storage

Water is stored below ground and in poly-tanks

GA

GA

Training/Cultural Wall

Recording device will be used to play training instructions for amenities and Ga history

Training Area

Training for water collection, storage and distribution C

Garbage Disposal

Additional bins for increased collection and sorting

Private Toilets

Acquired from shared savings and/or individual revenue from vendor stalls

C

+

+

+

Production Area

Communal production area

Composting Toilet

Fertilizer from toilets can potentially be sold in markets and for local greenery

Training Area

Training in garbage collection and recycling, compost and environmental education

Cultural Wall

Perforated panel

Access to recording device Speaker wall within

11


Cape Coast

Kumasi

Collective Type Industrial Market

16

Waterfront/Public

Corridors Regional Connectors

12

18

5

8

Residential/Civic/Commercial/Mixed

7

11 15

Old Waste Treatment Facility

3

6

10

Gulf of Guinea

17 9

14

Korle Lagoon

19

13

Squatter Settlement

Migrant Fishing Village

Future Agriculture

19

Public Esplanade

Beachfront

James Fort

Heinz von Eckartsberg Projects

Vehicular Access

Sidewalk

1

4

Local Commerce Non-Motorist

2

Tema

Public Beach

Beachfront Shops & Restaurants Wholesale Fish Market Parking Fishing Boat Storage & Pier


3

Salaga Market

Municipal Water & Sewage line

Residential Core to Ring Rd. & Coastal Highway

Ussher Fort

GA

Ceremonial & Recreation

Individual

Commercial

pedestrian path urban agriculture micro industry

hired security vendor variety & growth trade patterns

Municipal

Anticipated Growth Public open space

15

London Market

Cold Storage Warehouse

Vendor Row

Pilot Cluster

sewage(piped or compost) trash pick up piped water or storage

Meat Market

Produce Market Dry Storage & Mosque Security Wall

Commercial Corridor

Pedestrian Local Connector Regional Connector

Pedestrian Market to Market Connector

13


Heinz von Eckartsberg Projects


15


Kumasi Achimota

Kot Santana

Abeka

Maamobi Odorkor Nima

Mallam (Ciba) Kaneshi Adabraka Mallam Atta Okaishie

Osu Night

Cape Coast Old Fadama

Makola Tema Station

Dansoman Ga Mashie Chorkor

Tuesday

Fisherman Village

Heinz von Eckartsberg Projects

Gulf of Guinea


toka International Airport (ACC)

Tema

Labadi

17


sIBZ

Heinz von Eckartsberg Projects

Greenpoint, Brooklyn, USA


designed_space Project_Transformative Urban Systems Year_2010 Location_ Newtown Creek, Brooklyn Sustainable Industrial Business Zones This project sought to phase a working green infrastructure into New York City’s Industrial Business Zones surrounding Newtown Creek, a tidal estuary and boundary between Queens and Brooklyn. By using incentives for existing and prospective industries, we envisioned creating spatial connections and catalyzing economic and ecological remediation of the creek and surrounding area. These steps would incorporate an enhanced stormwater treatment system for businesses and for the creek’s remediation process, seaming underutilized land adjacent to the creek through a series of working greenbelts. Through these strategies, the relationship between industrial and ecological growth becomes one of cooperation rather than opposition.

19


Benefits -property tax breaks -employee draw -a model for other IBZ zones Industrial Business Zones in New York City

One quarter of the city’s IBZs border Newtown Creek

Greenpoint_Williamsburg Relocation Program

4

Merging City

4/16 in NTC

1

Businesses affected by rezoning eligible for: A) 50,000 B) (15.13 per sq/ft) x (total eligible sq/ft in move out site) or C) Eligible moving costs

3

4

2

35% off green-roof 25% discount in wa + permiable public sp If waterfront, must

Bus Stop Catch Basin with permeable paving Bike Path

-

Privately Owned Space

Edge Attenuating Clip On simulating riparion edge Elevated Walkway

Merging City Initiatives with

msburg ogram

Floating Wetlands

1

ezoning eligible for:

Viewable Saltwater Marsh and Plant Growth

al eligible sq/ft in move out site)

3

4

2

35% off green-roof installation 25% discount in water/sewer bill with “black + permiable public space or wetland requirem If waterfront, must attach to green infrastru CSO Basin and Sponge Cultures

Heinz von Eckartsberg Projects

-

Irrigation Channel

CSO Redirect

10’ Bikeway

Bulkhead Wrap Pedestrian Walk

Tidal Channel Water Storage

Salt Grass Narrow Leaf Cattail Saltmarsh Bulrush Common Reed Saltmeadow Rush Salt Meadow Cordgrass Smooth Cordgrass Eelgrass

Edge Attenuating Clip On


21


Bus Stop Catch Basin with permeable paving Bike Path

Heinz von Eckartsberg Projects

Privately Owned Space


-

Edge Attenuating Clip On simulating riparion edge Elevated Walkway 23

Floating Wetlands


e-Tabolism

Heinz von Eckartsberg Projects

Re∙Fuse Ref∙Use: New York’s Waste Stream Red Hook, Brooklyn, USA Human Waste streams were examined in this studio, specifically how to counter the trend of proliferation with new models that challenge existing streams. Our group chose to study e-waste. If not properly disposed of, these items contaminate and damage ecosystems. If recycled, they can be repurposed or gleaned for raw and rare materials. The current ‘e-recycling’ process has damaged U.S. ecosystems as well as in countries like Ghana and China. In response to this unregulated system New York City is passing a series of laws against the disposal of e-waste, where both individuals as well

as companies will be held accountable. However, currently the City still expects its e-waste to be handled outside of its borders. Our project and process entitled e-Tabolism sought to create a network within Red Hook to address this stream locally by taking in the city’s electronics and using them to bridge the community with a waterfront industry. A local specialized labor force will be integrated into existing systems that recycle, reuse, and disassemble the serviceable parts to generate local products.


west 135th MTS south bronx MTS east 91st MTS west 59th MTS

north shore MTS

gansevoort MTS green point MTS

Red Hook E-Tabolism Center

hamilton MTS

southwest bk MTS

local post office, e-waste collection barge route, MTS MTS, Marine Transport Station E-Waste Recycling Center

E-Waste collection process through shrinking post office network

25


dispences envelope for small item mailing & tracking pick-up service Residential apartments

24 - 30 units

dropbox remaining post office space

Red Collection Process Hook

integrated e-cycling storage

e-cycle

10 min walk

22

50

12

16

70 17

MTS Barge

THEHOOK

SYSTEM

2 x month

COLLECTION DIAGRAM_To Red Hook Red Hook_E-Tabolism

Adriana Amendolara_Kate Cho_Wonwoo Park_Heinz von Eckartsberg

From NO POSTAGE NECESSARY IF MAILED IN THE UNITED STATES

cell phone (separate from battery) portable audio device (mp3 player, cd player, cassette player) handheld reader digital watch portable gaming device portable storage device digital camera

peripherals (cords, wire, headphones, cd, dvd, cassette) other:

SMALLER ELECTRONICS ARE MAILED broken working condition (describe):

SYSTEM

Heinz von Eckartsberg Projects

laptop computer

THE POSTAL SERVICE_Electronics Adriana Amendolara_Kate Cho_Wonwoo Park_Heinz von Eckartsberg

Red Hook_E-Tabolism


retail store distribution

Red Hook Redistribution

unloading

e-cycle

refurbishing

Process

separation

refurbished products

supporting parts

THEHOOK

secondary industry

sorting

SYSTEM

raw material redistribution

mining

manual dismantling e-component redistribution

DISTRIBUTION SYSTEM_From Red Hook

monitors

10%

televisions

10%

computers, phones, fax, printers

15%

DVD / VCR, stereo equipment

15%

Refrigerators

20%

electronic

Red Hook_E-Tabolism

System

Residential apartments

24 - 30 units

electric

Adriana Amendolara_Kate Cho_Wonwoo Park_Heinz von Eckartsberg

Washing machines, dryers, AC units, vaccums, coffee machines, toaster, iron

30% 22

16

27 50


Massing + Landscape + diverse public/semi-public space + vertical/horizontal circulation + arrangement for open view + keep industrial character

service road

Circulation + programmatic connection + flexible use + seperated with service road + node system

Program Bar + site contextual connection + overlayed, mixed use E-cycling Industry/ Business

DESIGN

Commercial Education/ training Landscape/recreation

DESIGN STRETEGY_ CONCEPT

Heinz von Eckartsberg Projects

Adriana Amendolara_Kate Cho_Wonwoo Park_Heinz von Eckartsberg

Red Hook_E-Tabolism


10 min

MTS Barge

RETAIL STORES

POST OFFICE PARKS

MTS

LIBRARY

SCHOOLS

INDUSTRY

par

Community Integration

Public

indoor recreation outdoor recreation ground path under/over path commercial corridor

Education community center project housing schools proposed e-school training centers education / research

Industry light industry / business e-industry small business area commercial corridor artists / glass industry

Accessibility parking usps truck e-collecting route barge e-collecting route under/over path water taxi station

29


Heinz von Eckartsberg Projects


31


The Columbus Transect

Heinz von Eckartsberg Projects

Columbus, Ohio, USA


33


Heinz von Eckartsberg Projects


35


Heinz von Eckartsberg Projects


37


Heinz von Eckartsberg Projects


39


Heinz von Eckartsberg Projects


41


Heinz von Eckartsberg Projects


43


Heinz von Eckartsberg Projects


45


Elsternwick Urban Design Framework

Heinz von Eckartsberg Projects

Elsternwick, Victoria (AUS)


the primary typology in the surrounding context. Along the northwest border of the site is a line of single family homes which are themselves cut off by the rail and a large 2 meter tall fence surrounding the site.

Lenses of analysis:

Filtered through conditions

City Neighbourhood Local

Part C: Urban Context Analysis

CiTY

permeable ocal benefit fluent like shape, idors, eflects llings, xt. Along gle family l and a large

nEigHBOURHOOD

LOCAL

Filtered through conditions

City

47

Neighbourhood Local

LEFTA Elsternwick | Urban Design Framework

9


10km

Part C

CBD FEDERATION SQUARE

CHURCH STREET CORRIDOR

DOMAIN INTERCHANGE

CHAPEL STREET CORRIDOR

5km

ST. KILDA JUNCTION

ST KILDA CARLISLE ST. INTERCHANGE CARLISLE STREET PRECINCT

RIPPONLEA MAINSTREET

ELWOOD

ELSTERNWICK

Heinz von Eckartsberg Projects

ELSTERNWICK URBAN VILLAGE

GLEN HUNTLY GARDENVALE ACTIVITY CENTRE

BAY STREET CORRIDOR


nsit Corridors

Part C: Urban Cont

ns/context: along major transit infrastructure

ong ons: yity for higher density transit-oriented, mixed use development

Development along Nepean Hwy

Transit Corridors

ghway, in particular north of the Carlisle g the corridor, reflects opportunity to CBD tural lines and create nodes or hubs for

CBD

ng the highway corridor. nodes and intersections, with higher

SITE

SITE

DEVELOPMENT ABOVE 5 STOREYS

LEFTA Elsternwick |

49


Heinz von Eckartsberg Projects

1:2 Ratio

1:1 Ratio


Part E: Site Response

Residential interfaces

Open spaces

Topography Marmara Drive context island site Rail interface

Highway frontage

Design Response Layers 40

SJB Urban

F 51


Heinz von Eckartsberg Projects

Part F: Urban Design Framework

Green Spine linking into established neighbourhoods


Part A: Project Vision

ELM AVENUE MARMARA DRIVE

03

02 01

NEPEAN HIGHWAY

04 05

R AI L W AY

06

C OR R ID OR

LEFTA Elsternwick

Development Precincts

5

53


Open Land Space Use

Built form

townhouse public open space mid rise communal open space mid-high rise

Heinz von Eckartsberg Projects

Strategies

commercial interface

Objective Objective To Toestablish provide opportunities a range of open for spaces retail, commercial, that encourage passive residential surveillance and community and a highly uses permeable in new builtprecinct, form with which higher-density addresses and builtresponds form punctuated to the site bycontext. landscaped areas. Strategies Strategies  Provide a continuous commercial/retail frontage  Provide at ground for floor ‘pocket levelparks’ to theathighway key public corridor, entrance with points zero-setback to the precinct. condition to the street frontage and  Create potential a central canopypublic to theopen footpath. space in the precinct,  for Investigate informal/passive the provision uses such for internal as meeting, space sitting for and community childrens’ infrastructure play. such as function spaces.   Create Createcommunal building modulation open spaces along between highway new corridor residential/commercial to promote individual building buildings. character and views  Provide diverse residential types across the precinct, to accommodate a range of household types.  Encourage mixed tenure housing types across the precinct.

Objective To facilitate higher-density, mixed-use development that is responsive to the site context and interface conditions. Strategies  Provide for mid to high-rise built form which is highly ‘urban’ in character. Perimeter block type building configurations are encouraged.  Investigate opportunities for a ‘marker’ building at the site’s north-west corner, close to the highway frontage, to mark the precinct on approach from the north.  Create a continuous, undulating ‘wall’ or surface along the highway frontage. This form addresses the high-speed environment of the Highway.  Locate car parking below-grade areas in the eastern part of the site, behind the commercial highway frontage, to take advantage of the topography and allow increased open space above, while avoiding any visual impacts from car parking.

LEFTA Elsternwick

7


Interfaces / edges

Connections

3

1

2

1 commercial interface 2 rail interface 3 Marmara interface

Objective To address and respond to the site’s varied interface conditions, and to contribute to the amenity of surrounding streets and buildings. Strategies  Reinforce Nepean Highway as an emerging boulevard and attractive urban development corridor.  Activate the highway frontage through commercial/ retail development with active frontages and pedestrian amenity.  Built form interfacing to Marmara Drive should be low-scale (2-3 storeys)  Marmara Drive should become a high-amenity, pleasant, quiet, 2-sided local street which benefits existing residents.  Built form adjoining residential interfaces (across the rail corridor) should be low-scale (2-4 storeys)

Objective To re-integrate the site into the local urban area, and to encourage pedestrian movement into and through the precinct. To facilitate and encourage public transport usage. Strategies  Extend Marmara Drive through the precinct to re-connect to Nepean Highway. This new ‘mews’ street should be design and managed to limit traffic volumes  Create car parking entrance points off Elm Avenue (separate to Marmara Drive), with limited car access off Marmara Drive.  Create continuous connections into existing pedestrian paths beyond the site, to the north and south.

55

8

SJB Urban | SJB Architects


Hampton Station Precinct

Heinz von Eckartsberg Projects

Hampton, Victoria (AUS)


57


Station Patronage

HAMP TON S TRE ET WILL

COMMUNI

TY

HUB

IS ST RE

ET

R A IL E

W

R

ILLIS LANE

S E R

Over 1500 people pass through Hampton Station during an average weekday

V E

KO

SUPERM

ARKET

X

IS

U M M G NE O LA C IN NA G RK IN A P

KU OL E

walk

T

T

64.7%

E R

R A IL W A Y

train

C R E

2.2%

S C E N T

cycle

THOM

AS ST RE

ET

3.3%

car S E R V IC E

22.9%

S T R E E T

bus 6.8% source: PTV Train Station Patronage Fact Sheet

Site Context 1:2000

Connection Network

HAMP TON S TRE ET WILL

COMMUNI HUB

TY

IS ST RE

ET

R A IL E

W

R

ILLIS LANE

S E R V E

ARKET

E X

IS

U M M G NE O LA C IN A G RK UN IN A P

K OL

KO

SUPERM

T

T E R

R A IL W A Y C R E S C E N T

AS ST RE

S E R V IC E S T R E E T

Heinz von Eckartsberg Projects

THOM

Pedestrian Bike Bus

Site Context 1:2000

ET


Land Use

HAMP TON S TRE ET WILL

COMMUNI

TY

HUB

IS ST RE

ET

R A IL E

W

R

ILLIS LANE

S E R V E

KO

ARKET

E X

IS

U M M G NE O LA C IN NA G RK IN A P

KU OL

SUPERM

T

T E R

R A IL W A Y C R E S C E N T

THOM

AS ST RE

ET

S E R V IC E S T R E E T

Detached Residential Multi-Residential Civic / Community Commercial Rail

Site Context 1:2000

Active Edges

HAMP TON S TRE ET WILL

COMMUNI HUB

TY

IS ST RE

ET

R A IL E

W

R

ILLIS LANE

S E R V E

ARKET

E X

IS

U M M G NE O LA C IN A G RK UN IN A P

K OL

KO

SUPERM

T

T E R

R A IL W A Y C R E S C E N T

THOM

AS ST RE

ET

S E R V IC E S T R E E T

Active Frontages

Site Context 1:2000

59


func focu es to lane

sting and future buildings. The complex site edges d interfaces present significant design challenges.

DHS Owned Land

W IL

L IS

STR

EET

W

KU

IL

OL

LI

S

KO

LA

NE

VicTrack Owned Land

NA

Permitted Development

LA NE

ET

RA

Existing Bus Stop

NT

HA

CE

M

ES

PT

CR

ON

AY

ST

W

RE

IL

4

The THO

blic place network

STR

SE

1

MAS

EET

RV IC

e public realm focuses on human scale, intimacy, safety Subject Site d activation of existing and proposed convergence Theprovide site is a 'classic' infill situation: nts. The individual places opportunities fora compressed, linear space between rail corridor and platforms, laneways, ting, meeting, interacting, arriving, restbuildings. and play. They site edges existing and future The complex vide a demonstrated Public Transport benefit. and interfaces present significant design challenges.

E ST RE ET

The spac men an in age sens adjo

This of e 'out

The platf of a

DHS Landspaces to Links Owned between form a legible sequence of arrival

L IS

KO

STR

Station plaza as principle arrival space and connector

W

KU

IL

OL

EET

LA

W IL

EET

NE

STR

S

ce: NYC DOT, Pearl Street Triangle Park

L IS

LI

W IL

VicTrack Owned Land

NA LA

Permitted Development

NE

NE RE

ET

LA S

ST ON M HA

NT

LA

CE

NA

ES

PT

W

CR

KU

IL

AY

OL

W

LI

IL

KO

RA

Existing Bus Stop

RE

STR

EET

ON

NT

ET

HA

RE

CE

M

ST

ES

E

PT

IC

CR

RV

AY

SE

W

3

MAS

ST

IL

THO

ET

NE

RA

ce: NYC DOT, Astor Place / Cooper Square Traffic Plan

The public realm focuses on human scale, intimacy, safety and activation of existing and proposed convergence points. The individual places provide opportunities for waiting, meeting, interacting, arriving, rest and play. They provide a demonstrated Public Transport benefit.

THO

SE

MAS

STR

EET

RV IC E ST RE ET

Heinz von Eckartsberg Projects

Public place network

ce: NYC DOT, Astor Place / Cooper Square Traffic Plan

Links between spaces to form a legible sequence of arrival

Source: NYC DOT, Pearl Street Triangle Park W IL

L IS

STR

EET

Station plaza as principle arrival space and connector


ction, forming a legible sequence of 'nodes' with a us on pedestrian movement, along the key approacho the Station. These spaces are integrate with existing es, linkages and the Station environment itself.

Building entrance / pocket park

Pocket park / open space

Building entrance / arrival space

W IL

L IS

STR

Bus interchange / arrival space EET

LI W

KU

IL

OL

Station arrival / waiting / public amenity

S

KO

LA

NE

Station plaza

NA LA NE ET

RA NT

HA

CE

M

ES

PT

CR

ON

AY

ST

W

RE

IL

e Station Plaza THO

MAS

STR

SE

e main entrance plaza delivers 500sq.m of new, public ce, and blends seamlessly (within operational require2 nts) with the platform environment. This space retains Public Realm as network/system ntimate scale and appropriate dimensions, to encoure activation, usage, protection from elements a to the public The context has the guided a network and approach realm: a system of spaces, varying type, size and se of 'ownership' and therefore looking afterofby function, forming a legible sequence of 'nodes' with a oining tenancies. focus on pedestrian movement, along the key approach-

EET

RV IC E ST RE ET

es to the Station. These spaces are integrate with existing

lanes, linkages and the Station s space discourages anti-social behaviour and environment a sense itself. exposure, instead providing an atmosphere of an tdoor living room'.

e plaza space 'opens out' and integrates with the form environment, and is aligned for visibility and ease access from all approach routes.

Building entrance / pocket park

Pocket park / open space

Building entrance / arrival space

W IL

W IL

L IS

L IS

STR

STR

Bus interchange / arrival space EET

EET

NE

LI

S LI IL W

KU

NE

OL

LA

KO

NA

LA

W

KU

IL

OL

Station arrival / waiting / public amenity

S

KO

LA

NE

Station plaza

ET

NA

RA

ST

ET PT

STR

EET

RV

NT

SE

CE

HA

ES

MAS

M

CR

ON

AY

ST

W

RE

IL

NT

HA

CE

M

ES

PT

CR

ON

AY

NE

W

RE

LA

IL

RA

THO

IC E

4

ST RE ET

The Station Plaza

THO

SE

The main entrance plaza delivers 500sq.m of new, public space, and blends seamlessly (within operational requirements) with the platform environment. This space retains an intimate scale and appropriate dimensions, to encourage activation, usage, protection from the elements and a sense of 'ownership' and therefore looking after by adjoining tenancies.

MAS

STR

EET

RV IC E ST RE ET

This space discourages anti-social behaviour and a sense of exposure, instead providing an atmosphere of an 'outdoor living room'.

61

The plaza space 'opens out' and integrates with the platform environment, and is aligned for visibility and ease of access from all approach routes.

W IL

L IS

STR

EET


ve frontages.

a se sola

ivation of the main plaza space is extended to address d activate the platform environment, providing visual rest, activity and enhanced safety outcomes - a her transport benefit.

Res envi pass

L IS

STR

EET

W

KU

IL

OL

LI

S

KO

LA

NE

W IL

NA LA NE ET

RA NT

HA

CE

M

ES

PT

CR

ON

AY

ST

W

RE

IL

8

Inte THO

5

STR

SE

ilding ‘breaks’

MAS

EET

RV IC

Frontages e proposal avoids long, Active relentless built form, but car parking is provided at ground floor level. ead creates substantialCommuter gaps between buildings, in the public and realmStation is minimised through viding for solar access It's to presence the public realm active frontages. ironment, and visibility through at various viewing Activation of the main plaza space is extended to address gles.

E ST RE ET

and activate the platform environment, providing visual interest, activity and enhanced safety outcomes - a

e built form is also staggered longitudinally, further transport benefit. creating a amic visual experience, particularly as experienced m arriving and departing trains. The proposal delivers animated and dynamic visual experience for train sengers.

City views

STR

EET

KU

LA S LI

EET

IL

OL

STR

W

L IS

KO

W IL

L IS

NE

W IL

NA LA NE

ET RE ST ON

S

PT M

IL W

HA

NT

NA

CE

KU

ES

OL

CR

LI

AY

KO

W

LA

IL

NE

RA

LA THO

RA

RE

M

NT

HA

CE

ET

ES

RE

PT

ST

ON

E

CR

THO

Building ‘breaks’ SE

The proposal avoids long, relentless built form, but instead creates substantial gaps between buildings, providing for solar access to the public realm and Station environment, and visibility through at various viewing angles.

RV IC E ST RE ET

Heinz von Eckartsberg Projects

EET

ST

IC

AY

RV

W

Views between building masses

The built form is also staggered longitudinally, creating a dynamic visual experience, particularly as experienced from arriving and departing trains. The proposal delivers an animated and dynamic visual experience for train passengers.

STR

SE

IL

7

MAS

City views

ET

NE

Port Philip Bay views

MAS

STR

EET

Hori prov spac resp pub


ense of vertical continuity, as well as activation and ar access benefits.

sidents’ communal spaces will engage with the Station ironment directly, providing further activation and sive surveillance opportunities

Third floor roof deck Podium open space

W IL

L IS

STR

EET

W

KU

IL

OL

LI

S

KO

LA

NE

Podium open space

NA LA NE ET

RA NT

HA

CE

M

ES

PT

CR

ON

AY

ST

W

RE

IL

egrated built form and open space THO

MAS

STR

SE

izontal and vertical linkages between open spaces vides dynamic definition to the building forms. The ces are designed for occupation and enjoyment, while ponding to the unique local context of intimate, varied blic space experiences, 6 and clear transport benefit.

EET

RV IC E ST RE ET

Upper level communal open space The communal spaces at podium and upper levels are aligned with public spaces at the ground plane, providing a sense of vertical continuity, as well as activation and solar access benefits. Residents’ communal spaces will engage with the Station environment directly, providing further activation and passive surveillance opportunities

Third floor roof deck Podium open space

W IL

L IS

W IL

STR

L IS

EET

STR

EET

KO

W IS L I L AN LI E S LA

NE

Podium open space

L IL W

NE LA N E NA L A KU A OL N KO K U

OL

ET

RA

ET RE ST

PT

ON PT

HA

NT

HA

CE

M

ES

NT

CR

CE

M

ES

AY

CR

W

ON

IL

AY

ST

W

RE

IL

RA

THO

MAS

STR

SE

EET

RV IC E

THO

ST RE

MAS

SE

ET

STR

EET

RV IC E ST RE ET

8 Integrated built form and open space Horizontal and vertical linkages between open spaces provides dynamic definition to the building forms. The spaces are designed for occupation and enjoyment, while responding to the unique local context of intimate, varied public space experiences, and clear transport benefit.

63


Project Design, on & Objectives

D Heinz von Eckartsberg Projects

cept Response


Hampton Station Precinct Proposal

66

65


Reframing a Centre

Heinz von Eckartsberg Projects

Chirnside Park, Victoria (AUS)


67

Draft Stakeholder Development Brief Outline

7


reframing a centre a stakeholder development brief for chirnside park shopping centre

Heinz von Eckartsberg Projects

Prepared for: GPT By Village Well

06/12


8 Draft Stakeholder Development Brief Outline

1.2 a tale of two centres To understand what the centre is now, and what it could be for this community, we looked at how centres have manifested, both traditionally and over recent years. We have asked: What is emerging at the heart of suburban ‘towns’? Town centres are traditionally a European concept developed for stand alone towns. What then, is an appropriate model for suburban civic centres? To start with, people need to be able to create their own meanings and definitions for these spaces – to evolve these from their needs and activities, including their work. This requires a certain influence and access that allows things to evolve organically. We have identified the qualities inherent in an historic town centre or main street condition, as well as the contemporary shopping centre or mall condition. From this we have extracted the qualities we believe are at the core of successful shopping and town centres, as well as new, creative possibilities for how this hybrid condition could continue to evolve and grow in communities today and tomorrow.

69


Heinz von Eckartsberg Projects

town centre

shopping centre

new suburban centre model

Typical town centres include: • A local identity • Welcoming entry points • Clearly defined and easily navigable streets • A connected grid allowing efficient transit • Dispersed parking • Quirky, fine grained retail and service provision • Evolution of precincts that promote efficiency, provide choice and create a critical mass • Quiet spaces & exciting spaces • Often (though not always) unprogrammed and unexpected street life – art, buskers etc • Individualised shops and buildings – one street different to another. • Landmark retail • Character, personality and the unexpected • Moments of beauty, moments of ugliness • Some grit and grot, some very well maintained areas • Ad hoc, historical planning • Public streets, public governance • Nature; trees, planting, grassy areas, sky, weather (good and bad) • Walkability • Traffic • Noise • Sometimes safe and supervised, sometimes not

Typical shopping centres include: • A generic identity • Expanses of parking surrounding the building/s • Shopping and services almost completely indoors • Little or no visual or physical connection with surrounding streets • Single owner with leased retail spaces • Limited access to nature; no exposure to weather; little or no natural light • Private controls / governance • Maximises trader outcomes by design and management • Few quiet or secluded places • Planned development of precincts that promote efficiency, provide choice and create a critical mass; • Programmed activation, often commercial in nature. • Convenience - everything in one place • A uniform and predictable experience, little personality • Few moments of beauty or surprise • Little or no grit or grot, generally well maintained • Largely safe and supervised • More bathrooms

Proposed qualities of the new generation suburban town centre include: • A compelling Vision, Place Story and Plan • High quality public spaces –beautiful spaces with interesting detail, clean and quality built environments and access to fresh air. • A variety of experiences - places to rest and contemplate, places to play, ‘bumpable’ places to connect with others, places to people watch or contemplate – and plenty of seating. • Programming – something happening all the time, not always commercial – events, rituals, celebrations; retailers as place activators • Permeability, accessibility, good connection to surrounding streets y and ease of way-finding • Good retail mix and high quality visual merchandising • Human and intimate scale as well as places of civic proportion and even grandeur • Opportunities for individuals to make their mark • A culture of service excellence • Participatory governance - place management that engages and empowers the stakeholders.


i ve been going here for 30 years and have watched it improve

this is the farthest west we go

convenient

good place to grab a coffee, meet a friend

more shops

child s play area

not lagging

don ‘ t get too big. you have to walk so far in eastland sufficient

47 45

dining experience

prefer chirnside to eastland

come here for a reason

gotta go to bunnings...why not here?

2nd storey view experience

not enough to hold you here

don t love it don t hate it

sometimes we just come for a cup of coffee disabled parking

we know where everything is

i like it

Draft Stakeholder Development Draft Stakeholder Development Brief Outline Brief Outline

47 Draft Stakeholder Development Brief Outline

Draft Stakeholder Development Draft Stakeholder Development Brief Outline Brief Outline

mcewens used to be here

44 46

i feel comfortable in it now

more specialty shops like fashion, ishka, tree of life

small shopping. enough for mom to get around

okay

target is here. eastland doesn t have target

make the food court outside for fresh air love it

better clothing selection

basic

i like it drab handy

older couples

bustling

skate park

better food selection

the cinema isn t attached to the centre

not much else, you come here if you know what you want not to shop or have fun more clothing shops

don t come unless i have to

more cool shops

average

close to your house

like doncaster would be amazing

fun

getting our car cleaned at the moment so just waiting & grabbed a bite to eat

i can zip in & zip out

i go to eastland for big purchases but don t expect chirnside to be a shopping centre like that

small is good

family oriented

i like the ordinariness

close to home

i bump into people i know here

45 43

middle aged females

Draft Stakeholder Development Draft Stakeholder Development Brief Outline Brief Outline

43

Draft Stakeholder Development Draft Stakeholder Development Brief Outline Brief Outline

Draft Stakeholder Development Brief Outline

42 44

42

open later

Draft Stakeholder Development Brief Outline

non-locals

electronics store

a really good play area for children story of our heritage in the centre, our history is important

parents with prams parking dated

variety in the food court less clothes more toys! quaint

tacky

convenient

close to home

go to eastland + knox city for shopping & leisure

teenagers

middle aged males

young families

71


16 Draft Stakeholder Development Brief Outline

CHIRNSIDE PARK

STOCKLAND LILYDALE

STOCKLAND THE PINES

CROYDON MAIN ST.

WESTFIELD DONCASTER

HEALSVILLE

YARRA GLEN

KANGAROON GROUND VINCENT ELTHAM COLDSTREAM WARRANDYTE TEMPLESTOWE

CHIRNSIDE PARK

PARK ORCHARDS

BOX HILL

W

LILYDALE

STOCKLAND THE PINES

BALWYN NORTH WESTFIELD DONCASTER

HAWTHORNE EAST

WONGA PARK

CROYDON HILLS MOOROOLBARK

MOUNT EVELYN

WANDIN NORTH

SEVILLE

CROYDON EASTLAND RINGWOOD BAYSWATER NORTH

BLACKBURN

TOORAK BURWOOD KNOX CITY GLEN WAVERLEY

FERNTREE GULLY

CHADSTONE

SPRINGVALE

EASTLAND 1

5

km

KNOX CITY

Engagement Areas Shopping Centre Town Centre / Main Street Primary West Trade Area

Heinz von Eckartsberg Projects

FOREST HILL CHASE

Primary East Secondary West / East Secondary North

regional landscape

Chirnside’s boundary is unusual in that it caters to both semi urban and the rural population of the Yarra Valley & Ranges. Compared to its major competitors, Chirnside Park Centre is much smaller in every category except for the number of anchor tenants. This may lead to it being known less for its small retailers and more

for big box chains. It is the first shopping centre people see coming into the city from the east and is positioned near the far eastern edge of Melbourne’s growth boundary.


17 Draft Stakeholder Development Brief Outline YARRA RANGES NATIONAL PARK

WARBURTON

chirnside

chirnside westfield doncaster

eastland 233

120

>100

eastland

westfield doncaster

7 10

7

400

204

4 7

>350

stockland the pines

stockland the pines

eastland 120,000

westfield doncaster

knox city

knox city

stores

anchor tenants

chirnside

eastland 4

4

westfield doncaster

eastland 2,000 4,700

westfield doncaster

1,400

1

24,450

3,500

3

64,935

forest hill

stockland the pines

5,000

1

37,400

42,244

forest hill

8

chirnside

chirnside

78,688

forest hill

stockland the pines

4

forest hill

stockland the pines

6,391

knox city

knox city

knox city

sq/m

floors

parking

forest hill

73


Peoples Market

Heinz von Eckartsberg Projects

Collingwood, Melbourne (AUS)


SIGNAGE, ART WALLS, MOVIE PROJECTION

RECYCLED VINYL BANNER SHELTER

CASUAL VENDOR STALLS

CASUAL VENDOR STALLS

CONTAINER PROGRAM

SALVAGED WOOD DECK & RECYCLED SEATING

MARKET SITE

75


FOOD & DRINK

RETAIL

COMA

RETAIL

COMA

MARKET LAYOUT: PLAN

FOOD & DRINK

RETAIL

FOOD & DRINK

PAVILLION

RETAIL

BAR

FOOD & DRINK

10

20

30

Heinz von Eckartsberg Projects

meters


glue

How to build a market for people

you will need:

glue

1

Clean hands - Wash your hands thoroughly with soap and dry with a clean paper towel. 2

Craft scissors - Make sure the scissors are sharp and you have an adult to supervise you when cutting.

4

paper glue - Do not over saturate

5

Passion - There is no use building

glue areas and do not eat the glue it’s not good for you.

a market for people if you’re not dedicated and have the passion for it.

glue

glue glue

sors - Make sure the

Green is the new black - making sure we’re responsible and doing our bit for the planet while we have fun.

2

Local goodness is everything supporting local Melbourne and Victorian talent

3

A place for everyone - bring your mum, your dog, your sister, your cousin, your kids...

4

Find your tribe - we like you, you’ll like us, we like your friends.

5

Buy something cool (or drool over it if you can’t buy it!)

6

Eat, drink and be merry!

harp and you have an rvise you when cutting.

- Do not over saturate d do not eat the glue it’s you.

glue

s - Wash your hands with soap and dry with a owel.

1

Program

Inspired by the rabbit-warren like souks and bazaars of the Middle East and the higgledy piggledy of Asian night markets, this season’s People’s Market lets you discover a melting pot of cultural delights that is typically Melbourne in its creativity and artisan quality.

The People’s Ma activity where y so much. Sit an hawker meal w tables and crate some local mus at the Farmers M workshops at so gallery containe some of Melbou emerging artist the container la blackboard artb a message, draw their secret dre weekend to per stallholder good Market with up grab a bubble te catch a old film nighttime summ onto the back w

Our People’s Market concept is based on the core principles of reuse, upcycling and sustainability, as well as a sense of discovery and exploration. All the materials used are fully portable and have had another life i.e.shipping containers as shops and stalls, old vinyl advertising banners as shading cloth, wooden pallet tables, crates as chairs, old jam jars for drinking glasses. Little pockets of seating are scattered throughout the container lanes where you can sit and enjoy the lively atmosphere. The open area at the back of the market provides a space as comfy as your own backyard, with a whole range of programs and events.

The People’s words to live by:

o build a market eople

Concept

Step into a place of mini streets and laneways and find your little corner to sit and enjoy the evening, hanging out with your friends drinking a beer, eating a delicious meal, watching a film on the back wall or listening to great local music. Enjoy!

here is no use building people if you’re not d have the passion for it.

Layout

Step into a place of mini streets and laneways and find your little corner to sit and enjoy the evening, hanging out with your friends drinking a beer, eating a delicious meal, watching a film on the back wall or listening to great local music. Enjoy!

pure grid

BAR

FOOD & DRINK

RETAIL

FOOD & DRINK

RETAIL

single produce

double food

COMA

PAVILLION

RETAIL RETAIL

FOOD & DRINK

Casual vendor stalls

Container program

COMA

FOOD & DRINK

glue 10

20

30 meters

Market site

single retail

bar / food prep

glue

bar / food prep

Container 1 SAVOURY: Carnivale meets Day of the Dead in this South American styled food container. We’re talking authentic, traditional street food from all over South America including arepas, pupusas , jerk chicken, Mexican elote (grilled corn on the cob) and a whole lot more.

Container 4 SWEET: Good time oldie sweets and treats that remind you of buying summer icy poles from the milk bar when you were a kid. The order of the day is homemade, traditional popsicles, shaved ice, icecream sandwiches, sundaes, sherbet cones, choc bombs and banana splits.

Container 2 SAVOURY: A crazy, crisp explosion of rich and spicy Asian food. Your beloved dumplings and pork buns are on the menu alongside other gold star Asian dishes like roti wraps, chaat, pho, pad thai, satay skewers and banh mi rolls. Grab a three colour drink, bubble tea cocktail, pulled tea or mango lassi to cool down in the summer heat.

Container 5 the bar: Locally brewed beers and some international flavours on tap, with summery cocktail concotions that change every week. It’ll also serve up some spanish style tapas (on the house like in Spain!) with your drinks.

Container 3 SAVOURY: Get some dude food in ya with this container bursting with artisan hamburgers, 1950s milkshakes, chilli fries, bratwursts, wieners, New York pizza slices and good old Southern style BBQ pulled pork and fried chicken. COMA SPACE 1

COMA SPACE 2

COMA Gallery Containers (x2): Containers of Modern Art is about contemporary art and craft from Melbourne’s best local and emerging talent. Across two different gallery containers, one is white inside and shows a full range of 2d and 3d artworks. Inside the other is black and draws you into a digital media art world of video installation, virtual reality and soundscapes from another digital world.

Materials used: Shipping containers, reuse/recycled materials (pallets, milk crates, cinder blocks, cable spools, cardboard, jam 1 COMA SPACE jars, fruit crates), mix of LED lighting and fairy lights, projection screen, plywood, hessian and old advertising banners, rope, cables, trestle tables, kitchen utilities and services

FOOD & DRINK

BAR

FOOD & DRINK

Container 1 SAVOURY: Carnivale meets Day of the Dead in this South American styled food container. We’re talking authentic, traditional street food from all over South America including arepas, pupusas , jerk chicken, Mexican elote (grilled corn on the cob) and a whole lot more.

Container 4 SWEET: Good t and treats that remind you summer icy poles from th you were a kid. The order homemade, traditional po ice, icecream sandwiches cones, choc bombs and b

Container 2 SAVOURY: A crazy, crisp explosion of rich and spicy Asian food. Your beloved dumplings and pork buns are on the menu alongside other gold star Asian dishes like roti wraps, chaat, pho, pad thai, satay skewers and banh mi rolls. Grab a three colour drink, bubble tea cocktail, pulled tea or mango lassi to cool down in the summer heat.

Container 5 the bar: Local and some international fla summery cocktail concot every week. It’ll also serve style tapas (on the house your drinks.

Container 3 SAVOURY: Get some dude food in ya with this container bursting with artisan hamburgers, 1950s milkshakes, chilli fries, bratwursts, wieners, New York pizza slices and good old Southern style BBQ pulled pork and fried chicken.

COMA Gallery Containers ( Containers of Modern Art contemporary art and cra Melbourne’s best local and Across two different galler one is white inside and sh of 2d and 3d artworks. Ins black and draws you into world of video installation soundscapes from anothe

COMA SPACE 2

glue

single retail

RETAIL

Food & beverage container descriptions:

Food & beverage container descriptions:

double food

30 meters

give the people what they want! (Ideas)

Casual vendor stalls

pulled apart MARKET LAYOUT: PLAN

single produce

20

recycled vinyl banner shelter

Salvaged wood deck and recycled seating

pure grid

10

MARKET LAYOUT: PLAN

BYO plate and KeepCup for a discount from cafes and bar. Recycled, organic and biodegradable plates, cutlery, loo paper, menus, etc Compost bins for the public and the businesses Second Bite to collect leftover food every night so homeless people can eat too. Support social enterprises like Streat and ASRC Catering. Dumpster herb garden and dumpster pool Green walls with temporary potplants Shading made out of old signage banners Artwork everybody can make and change Recycled seating from pallets, dumpsters, crates, even wooden stumps! Farmers markets workshops for everyone including kids so we can all learn where our food comes from. Resuse and upcycling design workshops Local and emerging designers, artists and crafts people selling their finest creations. Great, shady and dry spots for you to sit and chat and eat your dinner Meet your new boyfriend. Or girlfriend! The best of Melbourne and regional Victoria’s food, drink and handmade gifties No chain stores. Putting money back into the local economy Local music all the way Melbourne is a creative city where cool stuff pop-ups all the time – this is a little pocket of it, so come be part of it! A hive of awesome creative activity. Make sure you check in.

Takes a rigid grid of small streets and pulls it apart to create interesting in-between spaces Space at the front for plenty of temporary bike racks. Easily navigable with a human scale. Linear arrangment lends to better portability when deploying the market . Breakout space at the rear with projection screenings onto the back wall, and space to integrate 30 casual vendor stalls and a stage. Salvaged wood decking for casual seating and access to COMA spaces Scattered greenery throughout the site including garden walls, green roofs, apple crate herb gardens, recycled barrel, jam jar planter pots, and turf grass. Clusters uses strategically to draw people into the space

PAVILLION

pulled apart

signage, art walls, movie projection

Layout

COMA

Eat, drink and be merry!

RETAIL

Buy something cool (or drool over it if you can’t buy it!)

6

RETAIL

Find your tribe - we like you, you’ll like us, we like your friends.

5

RETAIL

A place for everyone - bring your mum, your dog, your sister, your cousin, your kids...

4

COMA

Local goodness is everything supporting local Melbourne and Victorian talent

3

FOOD & DRINK

2

The People’s Market this year is a hive of Space at the front for plenty of temporary activity where you can explore and discover bike racks. so much. Sit and enjoy your scrumptious Easily navigable with a human scale. hawker meal with friends at the many pallet tables and crate chairs and while there, catch Linear arrangment lends to better portability some local music on the stage, buy something when deploying the market . at the Farmers Markets or take part in artist Breakout space at the rear with projection workshops at some of the tables. The COMA gallery containers show a rolling program of screenings onto the back wall, and space to some of Melbourne’s best and most innovative, integrate 30 casual vendor stalls and a stage. emerging artists and designers. Throughout the container laneways are People’s Boards - Salvaged wood decking for casual seating blackboard artboards where anyone can write and access to COMA spaces a message, draw something or tell their world Scattered greenery throughout the site their secret dreams and wishes. Come on the including garden walls, green roofs, apple weekend to peruse even more art and craft stallholder goodness at the Saturday Pop-Up crate herb gardens, recycled barrel, jam jar Market with up to 30 weekend sellers. At night, planter pots, and turf grass. grab a bubble tea cocktail with friends and Clusters uses strategically to draw people into catch a old film or cult favourite during the nighttime summer film screenings projected the space onto the back wall.

FOOD & DRINK

glue

Green is the new black - making sure we’re responsible and doing our bit for the planet while we have fun.

Inspired by the rabbit-warren like souks and bazaars of the Middle East and the higgledy piggledy of Asian night markets, this season’s People’s Market lets you discover a melting pot of cultural delights that is typically Melbourne in its creativity and artisan quality.

glue

1

Program

Our People’s Market concept is based on the core principles of reuse, upcycling and sustainability, as well as a sense of discovery and exploration. All the materials used are fully portable and have had another life i.e.shipping containers as shops and stalls, old vinyl advertising banners as shading cloth, wooden pallet tables, crates as chairs, old jam jars for drinking glasses. Little pockets of seating are scattered throughout the container lanes where you can sit and enjoy the lively atmosphere. The open area at the back of the market provides a space as comfy as your own backyard, with a whole range of programs and events.

The People’s words to live by:

Takes a rigid grid of small streets and pulls it apart to create interesting in-between spaces

Concept

77


Architectural

Heinz von Eckartsberg Projects


79


Gellibrand River

Heinz von Eckartsberg Projects

Gellibrand River, Victoria (AUS)


81


Heinz von Eckartsberg Projects


MASTERPLAN Armitage Mill Spa Resort and Hote

PROJECT NUMBER 1302 09.08.1

83


LOCAL ATTRACTIONS

PLAN Development Proposal for Gellibrand River scale

As indicated

19.07.13

Development Proposal for Gellibrand River @ A3

Heinz von Eckartsberg Projects

cated

DATE

@ A3

1 Kalimna Falls Trail 2 Maits Rest Rainforest Trail 3 Otway Fly Treetop Adventur LOCAL ATTRACTIONS 4 Triplet Falls Rainforest Walk 5 Madsens Track Nature Walk 1 Kalimna Falls 6 Trail Lake Elizabeth 2 Maits Rest 7Rainforest TheTrail Gables Lookout Walk 3 Otway Fly Treetop Adventures 4 Triplet Falls Rainforest Walk 5 Madsens Track Nature Walk 6 Lake Elizabeth 7 The Gables Lookout Walk PROJECT NUMBER

DRAWING NUMBER

13023

SK 0003

DATE

PROJECT NUMBER

DRAWING NUMBER

19.07.13

13023

SK 0003

REV

-

REV

-

© METIER 3 PTY L IMITED ARCHITE CTS

© METIER 3 PTY L IMITED ARCHITE CTS


KEY DESIGN DIRECTION scale

Not to scale

@ A3

Development Proposal for Gellibrand River

DATE

PROJECT NUMBER

DRAWING NUMBER

27.09.13

13023

SK 0012 REV -

© METI ER3 PTY LIMI TED ARCHITECTS

85

KEY DESIGN DIRECTION 2 scale

Not to scale

@ A3

Development Proposal for Gellibrand River

DATE

PROJECT NUMBER

DRAWING NUMBER

27.09.13

13023

SK 0013 REV -

© METI ER3 PTY LIMI TED ARCHITECTS


Heinz von Eckartsberg Projects

Hotel


OPTION A

OPTION B

OPTION C

OPTION D

ARMITAGE TYPICAL ROOM OPTIONS 0

1

scale

1 : 100

2

3

4

@ A3

5m

Development Proposal for Gellibrand River

DATE

PROJECT NUMBER

DRAWING NUMBER

27.09.13

13023

SK 0033 REV -

© METI ER3 PTY LIMI TED ARCHITECTS

87


Heinz von Eckartsberg Projects Perspective of 5 Star Hotel


89


Heinz von Eckartsberg Projects

Town Centre


91


Heinz von Eckartsberg Projects


93 Perspective of Town Centre


Heinz von Eckartsberg Projects

Lodge


95


Heinz von Eckartsberg Projects


97 Perspective of Lodge


Heinz von Eckartsberg Projects

Cabin Retreats


TYPICAL 2 BEDROOM UNITS

TYPICAL 3 BEDROOM UNITS

TYPICAL 1 BEDROOM UNITS

THE KNOLLS TYPICAL ROOM PLAN 0

2

scale

1 : 200

4

6

8

@ A3

10 m

Development Proposal for Gellibrand River

DATE

PROJECT NUMBER

DRAWING NUMBER

27.09.13

13023

SK 0028 REV -

© METI ER3 PTY LIMI TED ARCHITECTS

99


Heinz von Eckartsberg Projects


Interior Perspective of Cabin Retreats

101


Marysville Microbrewery

Heinz von Eckartsberg Projects

Marysville, Victoria (AUS)


103


1

3

1

1

4

TP2003

TP3001

5

23881 8055

7805

TITLE BOUNDARY

8020

LINE OF WINDOW ABOVE

A

Staff Toilet

12 3 4 5 6

UP

2.80 m²

Electrical / Comm

9.44 m² 412808.000

Dumbwaiter Staff Room

Bottling Area

29.71 m² 412808.000

46.26 m² 412808.000

23.40 m² 412808.000

Laboratory

15.07 m² 412808.000 Freeze

Office 1

Dry

7.56 m² 412808.000

Cold

1.68 m²

Storage Dry Goods

3.01 m²

12.67 m² 412808.000

B

LINE OF LOW BULK HEAD

16565

Garbage Room

LOADING BAY

14.86 m² 412808.000

8.91 m² 412808.000

UP

1

TP3000 Storage Malt Area

4458

TP2000

412808.000

4.00° FALL

1

Chemical Room

Office 2

8.92 m² 412808.000

LINE OF PLATFORM ABOVE

LINE OF BALCONY ABOVE

3.02 m²

1

TP2002

7317

Cold Storage / Finished Goods

C

38.48 m² 412808.000

4.00° FALL

Brewery Production Area

Brewery Services

13.05 m² 412808.000

24

12.10 m² 412808.000

LINE OF LOW BULK HEAD LINE OF WINDOW ABOVE

D 1

TP2001

TITLE BOUNDARY

LOWER GROUND scale

FT DRA

As indicated

MYSTIC MOUNTAINS BREWERY & PROVIDORE @ A3

1

3

1

1

TP3001

DATE

PROJECT NUMBER

DRAWING NUMBER

08/03/13

12063

TP1003

4

TP2003

REV

-

© METIER3 PTY LIMITED ARCHITECTS

5 TITLE BOUNDARY

12/03/2013 4:07:36 PM

C:\Revit\12063\12063_MicroBrewery_A12_Local_ptran.rvt

23

4790

134.34 m² 412708.000

Grain Milling Area

32142 5012

8020

8055

1570

7805

3250

DRIVEWAY FOOTPATH

FEATURE WALL / JOINERY Dumbwaiter

51.74 m²

0° 4.6

grease trap

A

FEATURE WALL / JOINERY

9 10 11 12 13 14 15 16 17 18 KITCHEN

1

TP2002

BAR & BEER TASTING

LINE OF ROOF ABOVE

B

SLIDE Feature wall

SLIDE

415708.000 Feature wall

MALE TOILET

FEMALE TOILET

11.18 m² 412708.000

14.11 m²

DISABLED TOILET

5.27 m² 415508.000

16565 373

412708.000

C

REFER TO LANDSCAPE DOCUMENTATION FOR SPECIFICATION AND DETAILS

Feature wall

re fixtu

C:\Revit\12063\12063_MicroBrewery_A12_Local_ptran.rvt

2.00°

7.91 m² 415508.000

e nag Sig

6.39 m²

TANK

/ wall

STORAGE

412708.000

ENTRY

TANK

ture Fea

GATE ABLE OPER LINE OF

Feature wall

BOARDROOM

VOID TO BELOW

TANK

6° 4.8

SLIDE

fireplace clearance

42.16 m² 415708.000

UP

19.28 m² 415708.000

4458

VOID TO BELOW INTERNAL COURTYARD

80.16 m² 415429.850

SLIDE

SLIDE

4790

LINE OF ROOF ABOVE

SLIDE

000 R2

GATE ABLE OPER LINE OF

40.00°

1

TP3000

12/03/2013 4:44:03 PM

2.00°

FRONT OUTDOOR PATIO

1

TP2000

5181 SETBACK

1

2000 SETBACK

Heinz von Eckartsberg Projects

93.68 m² 415508.000

0° 4.6

38.45 m²

MURCHISON STREET

RESTAURANT

70.32 m² 415708.000

Rear Outdoor Terrace

LINE OF OPERABLE GATE

7317

1.90°

TP2001

TITLE BOUNDARY

GROUND PLAN 0 scale

1 1 : 100

2

FT DRA 3

4 @ A3

5m

MYSTIC MOUNTAINS BREWERY & PROVIDORE

DATE

PROJECT NUMBER

DRAWING NUMBER

08/03/13

12063

TP1002

REV

-

© METIER3 PTY LIMITED ARCHITECTS

D


105


Heinz von Eckartsberg Projects


107


Place of Worship

Heinz von Eckartsberg Projects

Docklands, Victoria (AUS)


one faith

many faiths

unidirectional singular

omnidirectional plural

E

ale

As indicated

@ A3

PLACE OF WORSHIP, MELBOURNE DOCKLANDS 259 - 269 Footscray Road, Docklands

DATE 30/11/12 03 / 12 / 12

PROJECT NUMBER

DRAWING NUMBER

12055

_ SK010

REV

© METIE

109


HA RB

OR IA

OU R

Noise

Hot North Winds

R

BO U

IA H AR

Views

Cool South West Winds

Sun Direction

Hot North Winds Views Sun Direction

ET LA N

E

KA

AV E

RA IA

ST

C AR

NG

Y WA

MA

WA

WA Y

Y

DOC

LAN

LE Views LI T T

LAN

DS

AY W T ON

RA D R IV N DYS RO AD

E

Sunset

HOT NORTHERLY WINDS

HIG

W

FO

AY

HW AY

Views

T

CK

K LA

ON

OT SC

RAY

Central Pier

RO AD

2.6 PROGRAM USE

Marina Residences

Marina Residences

Views

Central Pier

2.6 PROGRAM USE

FR

DO

DOC

ER

Noise

P:\2012\BD_12055 Docklands Place of Worship\24 BIM\24a WIP\WIP_Models_M3A\12055_Place of Worship_A12_Single.rvt

HW AY

AT

ST

LE Y

HIG

OT SC

FR

DS

FO

W

DUD

ER

CK

Noise

T REE

Sunset

Views HOT NORTHERLY WINDS

Y



E

WA

DO

Noise

D R IV

E

NT

Noise

Views

Sunrise

K

DS

D R IV

RO

KL AN

DS LAN

RF

ST R

LE Y

OC LE D

TE

DUD

WA Y

LI TT

WA

ER

Y WA

DJ

E

IA

AN

LAN

LA

UR

EE T

AV E

KA

Noise

W

CAR

RA

Noise

NE



Sunrise

Views

E

NT

ER

RO

DJ

RF

AN

TE

ST

NE

O BE LATR

D R IV

DS COOL SOUTH KL AN DOC WESTERLY WINDS

LA

UR

WA

OS

W RE ET

AT

RE E ST

W

OB LATR

COOL SOUTH WESTERLY WINDS

OS

Docklands now boasts one of the fastest growing populations of residents, workers and visitors in VictoDocklands now boasts one of the fastest growing ria. Designedpopulations as a place forofpeople, the community’s residents, workers and visitors in Victoinvolvement in ongoing planning and decision-making ria. Designed as a place for people, the community’s is essential to help shape docklands and bring life to the area. involvement in ongoing planning and decision-making

Marina Residences

Marina Residences

Etihad Stadium

Quay Park

19/11/2012 2:21:40 PM

Etihad Stadium

VI CT

VI C TO

AR R IA H

HA RB

OR IA

BO U

OU R

Quay Park NewQuay Promenade

R

Nolan

is essential to help shape docklands and bring life to

Since the firstthe residents area. moved into Docklands in 2001, the population has grown from approximately 650 residents to more than 7,000.

Quay Park Town Houses

NewQuay Promenade

Arkley

SITE / CONTEXT ANALYSIS - ENVIrONMENTAL As indicated

scale

Palladio Boyd

Palladio

@ A3

Boyd

DATE

PROJECT NUMBER

30/11/12 03 / 12 / 12

12055

Quays Conder

OB LATR

RE E ST

ET

KA IA

Y WA

DOC

Y

KL AN

DS

WA Y

LAN DS HIG HW D R IV E N DASY K LA DFOOCO LE TSC LI T T RAY RO AD

2025 20,000 60,000+

© METIER3 PTY LIMITED ARCHITECTS

ER

FR

ON

T

W

AY

Retail

AT

Residental

HIG

Costco

Retail

W

AY

HW AY

T

DS

ON

OT SC

RAY

2.3 PUBLIC SPACES

FR

P:\2012\BD_12055 Docklands Place of Worship\24 BIM\24a WIP\WIP_Models_M3A\12055_Place of Worship_A12_Single.rvt 19/11/2012 2:21:40 PM

2012 7,000 29,000

Commerical Office

LAN

FO

RO AD

Identified Existing Green / Open Spaces locations and possible Future Indicative sized Green / Open Spaces within 100m of Subject site.

VI CT

HA RB

OR IA

OU R

Existing Green / Open Spaces Future Green / Open Spaces

2.3 PUBLIC SPACES SITE / CONTEXT ANALYSIS – PrOGrAM uSE As indicated

scale

OB LATR

RE E ST

PLACE OF WORSHIP, MELBOURNE DOCKLANDS 259 - 269 Footscray Road, Docklands

@ A3

DATE 30/11/12 03 / 12 / 12

Identified Existing Green / Open Spaces locations and possible Future Indicative sized Green / Open Spaces within 100m ofREVSubject site.

PROJECT NUMBER

DRAWING NUMBER

12055

_ SK009

© METIER3 PTY LIMITED ARCHITECTS

ET

U AR BO

IA H E TO RE LA N VI CAR AV

R

Existing Green / Open Spaces

RA

C

KA IA

ST

NG

Y WA

MA

DOC

KL AN

Future Green / Open Spaces

NT

ER

RO

DJ

E

RF

AN

NE

UR

D R IV DS

TE

LA

W

WA

OS

WA Y

WA Y

Heinz von Eckartsberg Projects

2006 3,936 6,000

Costco

ER

CK

REV

AT

DO

Paking Lot

_ SK005

2001 Residents 658 WorkersOffice600 Commerical

W

ET TRE

each day is expected to increase to more than 60,000. DRAWING NUMBER

Residental

W

S

PROJECT NUMBER 12055

DO

CK

LE Y

DATE 30/11/12 03 / 12 / 12

NT

EE T

Carrick Insitute

DUD

Paking Lot

RO

DUD

ST R LE Y

OC LE D

RF

WA Y

Many of Australia’s leading corporations have set up

head 2006 offices in2012 Docklands, 2001 2025 increasing the number of Residents 658 3,936 7,000in 2002 20,000 workers from 600 to more than 29,000 today. Workers 600 6,000 29,000 of60,000+ By 2025, the number workers travelling to Docklands

TE

NE

LI TT

WA

LA

ER

Harbour Town Shopping Centre WA

IV E IV E DR

OS

DJ

E

Y WA

NG

AN

@ A3

D R IV

DR NDS PLACE OF WORSHIP, MELBOURNE DOCKLANDS KLA DOC ARC 259 - 269 Footscray Road, Docklands

W

UR

DS

IA

MA

Carrick Insitute

HarbourOne

KL AN

NT

EARC

RO

LAN

RF

VE ARA

KA

C

ST

SITE / CONTEXT ANALYSIS - ENVIrONMENTAL

WA Y

RA

ER

TE

NE

DJ

WA

LA

UR

As indicated

Aquavista

OS

W

AN

scale

RA

HarbourOne

ET

NG

ST RE

MA

Conder

O BE LATR

E

© METIER3 PTY LIMITED ARCHITECTS

is expected grow to more Many of Australia’s leadingtocorporations have than set up20,000, attracted by head offices the in Docklands, increasing the numberoptions of different range of housing and accessible workers fromcommunity 600 in 2002 tofacilities more than 29,000 today. that will be on offer. By 2025, the number of workers travelling to Docklands each day is expected to increase to more than 60,000.

Harbour Town Shopping Centre

N E LA

AV C AR

theover population has grown from conapproximately 650 resiThere are now 5,400 dwellings built or under DRAWING NUMBER struction in Docklands. 2025than the number dents to By more 7,000.of residents REV _ SK005 is expected to grow to more than 20,000, attracted by the different range of housing options and accessible There are now over 5,400 dwellings built or under concommunity facilities that will be on offer. struction in Docklands. By 2025 the number of residents

Aquavista

Quays

Since the first residents moved into Docklands in 2001,

Quay Park Town Houses

Nolan Arkley OF WORSHIP, MELBOURNE DOCKLANDS PLACE 259 - 269 Footscray Road, Docklands

ST

SITE / CONTEXT ANALYSIS – PrOGrAM uSE

DS

HIG

HW AY

FO

KA

OT SC

Y WA

NG

D R IV

E

NT WA

WA Y

Y

LI T T

T

K

RO

ER

DOC

RF

NE

DJ

TE

LA

AN

RO AD

DS LAN

WA

OS

UR

RAY

IA

MA

W

AY

LAN

RA

ST

C

E

DATE 30/11/12 03 / 12 / 12

W

CK

LAN VE ARA

E

T

DO

ET

D R IV

ON

EE T

DS

FR

ST R

KL AN

ER

Y U D LE

OC LE D

AT

D

ST RE

PLACE OF WORSHIP, MELBOURNE DOCKLANDS 259 - 269 Footscray Road, Docklands LI TT

@ A3

W

O BE LATR

As indicated

scale

_M3A\12055_Place of Worship_A12_Single.rvt

P:\2012\BD_12055 Docklands Place of Worship\24 BIM\24a WIP\WIP_Models_M3A\12055_Place of Worship_A12_Single.rvt

R VI C TO

NG

19/11/2012 2:21:40 PM

Noise 2.2 ENIVRONMENTAL Cool South West Winds

VI CT

MA

P:\2012\BD_12055 Docklands Place of Worship\24 BIM\24a WIP\WIP_Models_M3A\12055_Place of Worship_A12_Single.rvt

ST

19/11/2012 2:21:40 PM

2.2 ENIVRONMENTAL

OC LE D

K LA

NDS

D R IV

E

PROJECT NUMBER

DRAWING NUMBER

12055

_ SK009

REV

© METIER3 PTY LIMITED ARCHITECTS


site mass

separation of function

context & use

public

using existing laneway to delineate border between two programs with the logical public use being on the highly trafficed Footscray Rd.

responding to existing property lines and easement requirements

context & use

19/11/2012 2:21:40 PM

P:\2012\BD_12055 Docklands Place of Worship\24 BIM\24a WIP\WIP_Models_M3A\12055_Place of Worship_A12_Single.rvt

on of function

lowering public use to address trian level. Raising storage / re views

program integration

private public DESIGN rESPONSE

ting laneway to delineate border between ams with the logical public use being on the ficed Footscray Rd.

scale

As indicated

PLACE OF WORSHIP, MELBOURNE DOCKLANDS 259 - 269 Footscray Road, Docklands

@ A3

lowering public use to address the corner at a pedestrian level. Raising storage / residential for privacy & views

defining program and public / private open spaces

PROGRAM DEVELOPMENT

Administration spaces pushed to the south side of the space to retain privacy and allow for openess on the street entries

PLACE OF WORSHIP, MELBOURNE DOCKLANDS 259 - 269 Footscray Road, Docklands

DATE 30/11/12 03 / 12 / 12

PROJECT NUMBER

DRAWING NUMBER

12055

_ SK011

M

P:\2012\BD_12055 Docklands Place of Worship\24 BIM\24a WIP\WIP_Models_M3A\12055_Place of Worship_A12_Single.rvt

Public outdoor space that serves as a buffer from the road and congregation point before and after events

Š METIER3 PTY LIMITED ARCHITECTS

Laneway enriched to create smaller intimate public spaces and act as a datum between worship space and storage / apartment facilities

Cylindrical communal / worship spaces interrupt the public foyer and entry sequence

DESIGN rESPONSE

REV

111


LITTLE DOCKLANDS DrIVE 46000

SOFT SCAPE

FOYEr / ENTrY / EXHIBITION 300 AIr LOCK 10

TrEES

STOrAGE

HArD SCAPE

LArGE HALL 250

FO O

CHOIr 35

AD rO rAY TSC

AIr LOCK 10

STAGE 80

GArDEN / OuTDOOr GATHErING ruG STOrE 15

LANEwAY

49500

56000

MEDIuM HALL 175

AIr LOCK 10

BIOBOX 32

PrOJECTION rOOM 32 PIANO 12

MEDITATION 15

AIr LOCK 10

LOADING

19/11/2012 2:21:40 PM 19/11/2012 2:21:40 PM

P:\2012\BD_12055 Docklands Place of Worship\24 BIM\24a WIP\WIP_Models_M3A\12055_Place of Worship_A12_Single.rvt P:\2012\BD_12055 Docklands Place of Worship\24 BIM\24a WIP\WIP_Models_M3A\12055_Place of Worship_A12_Single.rvt

COuNCELLING 12

SECurITY 15

Unn PLAN – PLACE OF wOrSHIP UGrOuND nnaammed FLOOr LANDSCAPE PLAN – PLACE OF wOrSHIP ed 1:200 As indicated 1:200

scale

sca le sca le

@ A3

As indicated

As in

As in

di ca

di ca

te d

te d

@ A3

DRAFT DRAFT

@

@

P:\2012\BD_12055 Docklands Place of Worship\24 BIM\24a WIP\WIP_Models_M3A\12055_Place of Worship_A12_Single.rvt

MEETING 50

MEETING 40

MEETING 40

OFFICE 12

OPEN PLAN 40

DIr 12 FEMALE w/C 40 CHANGE 30

IT STOrE SErV

SHArED 20

SHArED 20

rECEPTION

68000

16500

PLACE OF WORSHIP, MELBOURNE DOCKLANDS PLACE OF MELBOURNE DOCKLANDS 259WORSHIP, - 269 Footscray Road, Docklands 259 - 269 Footscray Road, Docklands

DATE

PROJECT NUMBER

DATE 30/11/12 03 / 12 / 12 30/11/12 03 / 12 / 12

DRAWING NUMBER

PROJECT NUMBER 12055

DRAWING NUMBER REV _ SK014

12055

_ SK021

© METIER3 PTY LIMITED ARCHITECTS

REV

© METIER3 PTY LIMITED ARCHITECTS

A3

A3

12000

12000

19/11/2012 2:21:40 PM

FOOTwASH M/F 25 EA

MALE w/C 40 CHANGE 30

KITCHEN 30

scale

CLEANEr’S rOOM 50

6000

6000

25 2599 - 269 - 269 Foots PPLACE Foots crLaAy CE cr a y Road Roa , Doc d, D klan ockla ds nds

DATE

- DATE -

PRO JEC T NU MBER 12PR05OJE 5 CT NUM BER 5

12 05

EAST SECTION 1 ELEVATION - FOOTSCrAY rOAD

PLACE OF WORSHIP, MELBOURNE DOCKLANDS 259 - 269 Footscray Road, Docklands

1:200 scale

As indicated

DRA

-

@ A3

- DRA W

WIN

IN G

GN U MB ER NRUM EVB ER -

REV DATE

-

PROJECT NUMBER

30/11/12 03 / 12 / 12

12055

DRAWING NUMBER © M ET

© M E

TIE

REV

_ SK018 I ER R3

3 P TY PT

LIM

Y L IM

ITE

ITE

D A R

D A R

CH

CH

ITE

ITE

CT

CT

© METIER3 PTY LIMITED ARCHITECTS

S

S

19/11/2012 2:21:40 PM

P:\2012\BD_12055 Docklands Place of Worship\24 BIM\24a WIP\WIP_Models_M3A\12055_Place of Worship_A12_Single.rvt

Heinz von Eckartsberg Projects

12000

6000

wEST ELEVATION 1:200 scale

As indicated

@ A3

PLACE OF WORSHIP, MELBOURNE DOCKLANDS 259 - 269 Footscray Road, Docklands

DATE 30/11/12 03 / 12 / 12

PROJECT NUMBER

DRAWING NUMBER

12055

_ SK016

REV

© METIER3 PTY LIMITED ARCHITECTS


PErSPECTIVE – FOOTSCrAY rOAD VIEw scale

As indicated

PLACE OF WORSHIP, MELBOURNE DOCKLANDS 259 - 269 Footscray Road, Docklands

@ A3

DATE 30/11/12 03 / 12 / 12

PROJECT NUMBER

DRAWING NUMBER

12055

_ SK025

REV

© METIER3 PTY LIMITED ARCHITECTS

19/11/2012 2:21:40 PM

P:\2012\BD_12055 Docklands Place of Worship\24 BIM\24a WIP\WIP_Models_M3A\12055_Place of Worship_A12_Single.rvt

12000

6000

113

NOrTH ELEVATION - LITTLE DOCKLANDS 1:200 scale

As indicated

@ A3

PLACE OF WORSHIP, MELBOURNE DOCKLANDS 259 - 269 Footscray Road, Docklands

DATE 30/11/12 03 / 12 / 12

PROJECT NUMBER

DRAWING NUMBER

12055

_ SK017

REV

© METIER3 PTY LIMITED ARCHITECTS


Heinz von Eckartsberg Projects

ECTIVE – INTErNAL SHOT scale

As indicated

@ A3

PLACE OF WORSHIP, MELBOURNE DOCKLANDS 259 - 269 Footscray Road, Docklands

DATE 30/11/12 03 / 12 / 12

PROJECT NUMBER

DRAWING NUMBER

12055

_ SK026

REV


ArGE CONGrEGATION SPACE INTErIOr

ale

As indicated

@ A3

PLACE OF WORSHIP, MELBOURNE DOCKLANDS 259 - 269 Footscray Road, Docklands

DATE 30/11/12 03 / 12 / 12

PROJECT NUMBER

DRAWING NUMBER

12055

_ SK027

REV

© METIER3 PTY LIMITED ARCHITECTS

© METIER3 PTY LIMITED ARCHITECTS

115


38 Freshwater Place Tower

Heinz von Eckartsberg Projects

Southbank, Victoria (AUS)


CITY

SHORT STAY

SKY LOBBY, OFFICE, CONFERENCE, DINING

STREET

LIVING

Podium & Tower The building is separated to formally address different urban scales & easements

BOUTIQUE LIVING

PARK DINING, RETAIL, LOBBY, PEDESTRIAN ARCADE

Program Separation Arrangement of use vertically to respond to its degree of public or private interface

Negotiating Form Inflecting the form to accomodate program, engage the street & maximise views

Pedestrian Arcade Public Amenity & Views Opening up the ground plane to engage street level & positioning amenities to maximise views

117

BUILDING RESPONSE POWER STREET DEVELOPMENT scale

As indicated

@ A3

DATE

PROJECT NUMBER

DRAWING NUMBER

13.12.13

13045

TP208 REV -

Š METI ER3 PTY LIMI TED ARCHITECTS


RETAIL & HOSPITALITY

Y

A

R

R

A

R

I V

E

R

RETAIL & HOSPITALITY

EUREKA TOWER AHD 300

RETAIL & HOSPITALITY

COMMERCIAL

CROWN HOTEL FWP 2 AHD 104

APARTMENT TOWERS

PO

WE R

STR

EET

APPROVED DEVELOPMENT SITE AHD 224

AHD 72

POSSIBLE DEVELOPMENT APPROVED DEVELOPMENT SITE AHD 130

AHD 60

APT BUILDING AHD 114

AG HS

TR E

ET

AHD 11

APT BUILDING AHD 114

POSSIBLE FUTURE DEVELOPMENT SITE

HANOVER HOUSE AHD TBC

KA

VA N

APT BUILDING AHD 114 LOW AND MID RISE OFFICE BUILDINGS

BUILDING IN PLANNING

D

POSSIBLE DEVELOPMENT

CIT YR OA

SITE

CROWN CONFERENCE CENTRE

SIGNIFICANT SURROUNDING BUILDING

BMW SHOWROOM

CENTREAL EQUITY AHD 104

QUEEN

CROWN PROMENADE HOTEL

SBRIDG E STRE

ET

PRIMA PEARL AHD 250

Heinz von Eckartsberg Projects

OFFICE TOWER AHD 205

RD VA

CROWN ENTERTAINMENT COMPLEX

E AC PL

LE OU KB AN HB UT

FR

QBH AHD 275

ER AT HW ES

SO

FWP 1 AHD TBC

APT BUILDING AHD 105


A ULEV

RD

Freshwater Place 2 102m

K BO HBAN

S ER

HEIGHT RESPONSE OF TOWER

T EE TR

B E NS EET STR

158 City Road Proposed Development 43 Storeys

SOUT

QUE GE RID

W PO

Central Equity 32 Power Street 102m

POWER STREET

D CITY ROA

119

Eureka Tower 300m

PricewaterhouseCoopers Tower 164m

Freshwater Place North 205m

Queensbridge Tower 275m

Power Street Development

Prima Pearl 250m

Crown Towers 152m


Heinz von Eckartsberg Projects


121


Heinz von Eckartsberg Projects


123


Klein’s Deli

Heinz von Eckartsberg Projects

San Francisco Airport, USA


125


Heinz von Eckartsberg Projects


127


Heinz von Eckartsberg Projects


129


M.Y.China

Heinz von Eckartsberg Projects

Westfield Mall, San Francisco , USA


131


Heinz von Eckartsberg Projects


133


Heinz von Eckartsberg Projects


135


Heinz von Eckartsberg Projects


137


Lodge on the Lake

Heinz von Eckartsberg Projects

Canberra, Australian Capital Territory


139


   



    

 

                                                                                              

 



                                                                         





  

  

     

   



   

   

   

 

  







  









 

 



  

Heinz von Eckartsberg Projects




  

 

  

  

 

  







 





   

 

  

 

  







 





 

 

 



  





 

 





   

  







 







  







      





                     













141






  

  





         





  



  

   

 





 

 

Heinz von Eckartsberg Projects

    



 

               




143

      


Ghana Design /Build

Heinz von Eckartsberg Projects

Abrafo-Odumasi, Ghana


corrugated metal roof sheets

wood roof frame with supporting box truss

cement block masonry walls with alternating window bays and interior niches for ďŹ ber optic and electronic cablewire to be routed into the classroom. wood window frames with rebar to secure the technology inside

steel c-channels inset with wood and wood lintel to support roof overhang

concrete platform with 3 foot deep footers and raised so front door is on grade

145


Heinz von Eckartsberg Projects


147


Heinz von Eckartsberg Projects


149


Heinz von Eckartsberg Projects


151


Heinz von Eckartsberg Projects


Issuu converts static files into: digital portfolios, online yearbooks, online catalogs, digital photo albums and more. Sign up and create your flipbook.