Portland Music Innovation Center by Casey Kent

perception...

PORTFOLIO:

table of contents

TERMINAL STUDIO

More than 79 pages of select work representing the 30 weeks during my final year of graduate study at the University of Oregon Portland.

STUDIO PROFESSORS Brad Cloepfil

Allied Works Architects, Portland OR

Brent Linden

SITE STRUCTURE

Allied Works Architects, Portland OR

Keith Alnwick

Allied Works Architects, Portland OR

p22

p40

p70

Narrative | 04 30 Weeks | Fall, Winter, and Spring Term schedule of 2010 academic year at the University of Oregon_ Portland | 06

CALENDAR

Brad Clopefil, Brent Linden, Keith Alwick: Conversations with Students | Fall Term 2009 Pre Thesis | 08

EARLY DISCUSSION

The Urban Island: Program Driven | Winter Term 2010 Thesis | 16

URBAN DESIGN

The Music Innovation Center: A Portland Institution | Winter Term 2010 Thesis | 20

DEFINING THE INSTITUTION

Procession of Discovery: Changing Perceptions | Spring Term 2010 Thesis | 31

BUILDING

p36

o. 01

ALLIED WORKS ARCHITECTS GRADUATE TERMINAL STUDIO Bound within are the works and thought process developed in my final terminal design studio. Beginning in the fall of 2009 and culminating in the spring of 2010 the studio focused on Portland Oregon’s Rose Quarter. Integral to the studio was an in depth look into the making and craft of creating “capital A” Architecture. In addition to formulating a new urban design concept for the Rose Quarter we were asked to designed a new type of institution. This institution was deemed the Music Innovation Center, and it set out to combine performance, collections, and education spaces into a new type of experience. I began with the formation of a thought process upon which my design concepts could grow. Vital to the intent of the studio, I then worked to develop a strong and concise central concept to which I then systematically explained and visualized. In the end the visceral and emotional qualities of the spaces and structure created are the defining aspects of the project. Visitors are lead on a procession of sensory experiences that transform, focus, and alter perceptions. Author Casey Kent M. Arch University of Oregon | Portland B.ENDV University of Colorado | Boulder

WHAT IS IT The Portland Music Innovation Center is a new type of building. Blending performance, education, and collections the institution provides a in depth look into Portland’s music culture. From the roots of the past to flashes in to the future, the Portland Music Innovation Center provides an array of extraordinary sensory experiences sure to heighten ones perception and awareness of the unique and incredibly rich sub culture that comprises an integral part of Portland Oregon and the Pacific Northwest. THE ORGANIZATIONAL STRATEGY The Portland Music Innovation Center is conceived from four organizational strategies combined to create one new innovative institution - The corkscrew of Portland specific music collections - The anchoring of twin civic performance places - Field distributed pockets of educational spaces - The random occurrence of sensory experiences The simple form of the spiral interacting with a field of scattered points make the PMIC both diligent and lively. The curious tourist, the third geration Portlander, and casual game day visitor will all find a new appreciation of Portlands music culture. Through a series of sensory heightening experiences visitors from all walks of life will leave the PMIC with preconceptions forever altered.

NARRATIVE| terminal studio2009-2010

4 ALLIED WORKS ARCHITECTS | TERMINAL STUDIO

THE ROSE QUARTER Perhaps the most identifiable region with-in the Portland metro area, the Rose Quarter is home to two both Memorial Coliseum and the Rose Garden Arena, two of the most iconic buildings in the city. Situated at the crossroads of transit, entertainment, and fledgeling urban fabric the current state of the Rose Quarter is bleak at best. Today the Rose Quarter is essentially a urban island cut off from much of its immediate context and dependent upon large scripted events to maintain its viability. While it is true that the Rose Quarter remains vacant for large portions of the day it is important to note that the in the 2008 calender year the Rose Quarter hosted more people on its grounds than any other venue in the world. With such global visibility it is the hope of this project that through the use of program, this critical mass will be absorbed and informed, activating the site throughout all hours of the day and transforming this entertainment district in to a Portland cultural asset envious of the region and nation alike.

ALLIED WORKS ARCHITECTS | TERMINAL STUDIO

craft

structure

FALL TERM

september

landscape

document urban design

define institution

WINTER TERM

january

THESIS PREP

THESIS

TERMINAL STUDIO

CALENDAR | academic year2009-2010

1 Schedule

Over the course of 30 weeks we investigated and learned the inner thought process and approach that allied works uses in its practice and developed our own thought process to which we used in the creation of our own proposals for Portlandâ&#x20AC;&#x2122;s rose quarter

6 ALLIED WORKS ARCHITECTS | TERMINAL STUDIO

massing

production re-work

research structure

systems media

final re-work

production

SPRING TERM

april

ALLIED WORKS ARCHITECTS | TERMINAL STUDIO

Digital Presence http://www.rosequarter.com/ http://rosequarterblog.com/ http://www.facebook.com/rosequarter http://twitter.com/rosequarter

EARLY DISCUSSION | fall2010

2 ROSE QUARTER

3 CITY BLOCKS

A visual search of Portlandâ&#x20AC;&#x2122;s rose quarter

Portland Oregon downtown city grids including the rose quarter region

8 ALLIED WORKS ARCHITECTS | TERMINAL STUDIO

2040 plan

_centers and nodes

_alternative perspective on typical urban design

_all transpotation lines meet downtown

_rose quarter is part of central downtown center just not connected

4 SATELLITE COMPONENTS

ALLIED WORKS ARCHITECTS | TERMINAL STUDIO

5 2040 PLAN

An early concept of distributing the institution out into the city

Looking at how the Rose Quarter fits into the larger Portland 2040 regional development plan

6-10 SATELLITE SITES

Specific sites in the Portland metro area that would be chosen for broadcasting data to or from the music innovation center

10 ALLIED WORKS ARCHITECTS | TERMINAL STUDIO

ALLIED WORKS ARCHITECTS | TERMINAL STUDIO

Scope

11 FILL IN THE RIVER SCHEME 1

12 ADDING A THIRD GRID

13 SCOPE OF WORK

Looking at the extreme idea of bridging the willamete river with an new section of city blocks

Diagram of the existing and proposed city grids

Diagram of proposed area of new Rose Quarter

12 ALLIED WORKS ARCHITECTS | TERMINAL STUDIO

0 50 100

14 SITE CONNECTIONS

ALLIED WORKS ARCHITECTS | TERMINAL STUDIO

200

Feet 300

15 PROPOSED FIGURE GROUND

Documenting the various site connections

A look at the proposed new city blocks ‘filling’ in the river

0 sub grade

ne weidler st

drinkable quality water

civic

rid

b el

retail

development proportion connection

park

MAX lines

4 4

nw broadway

MAX lines

housing

commercial

street car lines

transit

d oa

ne mlk blvd

interstae 5

he av y |h w ig po illa h m w sp er et ee t |c e d le riv ra an er il se d

nw glisan st

Order

1 memorial collosium 2 rose garden 3 convention center 4 river window 5 city transit hub A | B possible m.i.c sites super fund quality water

16 PROPOSED MIC SITES

17 3D MASSING OF SCHEME 1

Diagram of proposed sites for the music innovation center in the fill in the river scheme

A 3D visual of the proposed maximum build out

14 ALLIED WORKS ARCHITECTS | TERMINAL STUDIO

ALLIED WORKS ARCHITECTS | TERMINAL STUDIO

N WEIDLER ST 25

13 25

O NT BE

25 25

N WEIDLER ST

PARKING STRUCTURE

25 13 13

E AV

PARKING STRUCTURE

EL HE W

ATE RST

INTE

N WILLIAMS AVE

NE FLINT AVE

AY DW

E AV

50 13

N BE E

PARKING STRUCTURE

NE HE

W 25

AV E

N CENTER C ST

25 25 25

N CENTER C ST

ON NT

PARKING STRUCTURE

25 25

TE 5 RSTA INTE

N WILLIAMS AVE

NE FLINT AVE

AY DW

N WINNING WAY

13 13

N WINNING WAY 13 13

13 25

NEW HOTEL

35 50

50 50

NEW HOTEL

25 25

25 50 25

MEMORIAL COLOSIUM

50 35 50

25 35

IN RS

ROSE GARDEN

NE WHEELER AVE

MIC

35 50 50 35

TE TA

MEMORIAL COLOSIUM

20 50

50 25

NE WHEELER AVE

TOWER ABOVE 35

25 25

RECEPTION | PUBLIC

N IN RS

ROSE GARDEN

NEW M.I.C RT

TE TA

RR TI LA

LOADING | STORAGE

E AV

TRAVELING EXHIBIT

35 25 25

EDUCATION

25 50 25

SKY FRAME

50 35

50 25 20 25

20 50

35 35

25 35

35 25

50 13

50 25

25 50

13 25

35 13

35 35 25

20 20

13 35

35 35 35 25 25

35 35

13 25 50

25 35 35

35 35

13 35

250

URBAN DESIGN | winter2010

125

100 50

375

400 200

35 35

500

35 50

50 35

13 20

13 35

URBAN ISLAND CONCEPT 18 SCHEME 2 SITE PLAN

ALLIED WORKS STUDIO | WINTER 2010 | CASEY KENT

19 SCHEME 3 URBAN ISLAND

ENLARGED VICINITY PLAN

13 13

ALLIED WORKS STUDIO | WINTER 2010 | CASEY KENT

20 SCHEME 3 URBAN ISLAND

New re working of scheme 2 and initial placement of the MIC on site

Urban Island scheme initial context plan and connection diagram

Urban Island scheme initial site plan

16 ALLIED WORKS ARCHITECTS | TERMINAL STUDIO

1 7

M.I.C

RQ PLAZA

MEMORIAL COLOSIUM

SOUND CANYON

ROSE GARDEN

NEW PARKING ENTRANCE

4 10

NEW HOTEL

RETAIL

M.I.C SQUARE

VETRIANS MEMORIAL PARK

EXISTING PARKING

4 11 11

3 7

10 1

8 5

21 SCHEME 3 OVERALL

Urban Island overall concept aerial

PROPOSED ALLIED WORKS ARCHITECTS | TERMINAL STUDIO

ALLIED WORKS STUDIO | WINTER 2010 | CASEY KENT

PUBLIC ROSE QUARTER PLAZA

PRIVATE MIC COURTYARD

EMBRACING THE CONCEPT OF A URBAN ISLAND THE NEW URBAN PLAN CREATES A INTERNALLY CENTERED ORDER AND CREATES BOTH PUBLIC AND MORE PRIVATE URBAN SCALE SPACES. WITHIN THE RQ A NEWLY DUG OUT BOWL AS WELL AS ONE MADE FROM BUILT STRUCTURE ARE FORMED

DUAL DEPRESSIONS

RECONNECTING LANDSCAPE

0 ALLIED WORKS STUDIO | WINTER 2010 | CASEY RECONNECTING LANDSCAPE 22 PUBLIC SPACES DIAGRAM 23 KENT

Hierarchy of public space in urban island scheme

ALLIED WORKS STUDIO | WINTER

Initial concept of using MIC massing to reconnect the found landscape

18 ALLIED WORKS ARCHITECTS | TERMINAL STUDIO

RQ PLAZA LOOKING SOUTH

24 SITE CONTEXT

25 CREATE A PUBLIC PLAZA

ALLIED WORKS STUDIO | WINTER 2010 | CASEY KENT

26 SOUND CANYON EXPERIENCE

Initial examination of site buildings

Inital concept of adding light wells to the existing memorial coliseum underground space and using landscape features to define a new civic space

Initial experience envisioned for the site

ALLIED WORKS ARCHITECTS | TERMINAL STUDIO

PMIC

PORTLAND MUSIC INNOVATION CENTER WHAT THE HELL IS IT

The Portland Music Innovation Center is a new type of building. Blending performance, education, and collections the institution provides a in depth look into Portlandâ&#x20AC;&#x2122;s music culture. From the roots of the past to flashes in to the future, the Portland Music Innovation Center provides an array of extraordinary sensory experiences sure to heighten ones perception and awareness of the unique and incredibly rich sub culture that is such a integral part of Portland Oregon and the Pacific Northwest.

ORGANIZATIONAL STRATEGY

The Music Innovation Center is conceived from four organizational strategies combined to create one new innovative institution -

The corkscrew of Portland specific music collections The anchoring of twin civic performance places Field distributed pockets of educational spaces The random occurance of sensory experiences

The simple form of the spiral interacting with a field of scattered points make the PMIC both diligent and livley. The curious tourist, the third geration Portlander, and casual game day visitor will all find a new appreciation of Portlands music culture. Through a series of sensory heightening experiences visitors from all walks of life will leave the PMIC with preconseptions forever altered.

THE ROSE QUARTER

Perhaps the most identifiable region with-in the Portland metro area, the Rose Quarter is home to two both Memorial Colosium and the Rose Garden Arena, two of the most iconic buildings in the city. Situated at the crossroads of transit, entertainment, and fledgeling urban fabric the current state of the Rose Quarter is bleak at best. Today the Rose Quarter is essentially a urban island cut off from much of its immediate context and dependent upon large scripted events to maintain its viability. While it is true that the Rose Quarter remains vacant for large portions of the day it is important to note that the in the 2008 calender year the Rose Quarter hosted more people on its grounds than any other venue in the world. With such global visibility it is the hope of this project that through the use of program, this critical mass will be absorbed and informed, activating the site throughout all hours of the day and transforming this entertainment district in to a Portland cultural asset envious of the region and nation alike.

Optic Kin

DEFINING THE INSTITUTION | winter2010

22 PUBLIC SPACES DIAGRAM

Hierarchy of public space in urban island scheme

20 ALLIED WORKS ARCHITECTS | TERMINAL STUDIO

0 Optic

Organigram of a pdx music center

Ken

Providing a sight and sound sampling of PDX and the region, the Portland Music Innovation Center unites culture, education, and entertainment as only music can.

Calling upon the rich musical history that was Jumptown the building educates visitors in the past and speaks to the current and now through interactive exhibitions and live feeds from throughout the region.

Acting as a civic amenity in the sense that the building provides a service to the community, whether visited or not, the Portland music and innovation center begins to span traditional physical media with emerging social medias.

100,000 sq ft of INTERACTION

16.2%

Script Visual Primary

49.3%

12.2%

23.3%

.7%

% .3 45

29.0%

Secondary The porosity from the fracturing of the center enables patrons of different walks of life, and with various amounts of physical contact with the site to interact with one another and the building.

84.8%

94.5%

4.5%

6.9%

Culture

92.1%

68.3% Interactive Exhibition Exhibition Galleries Temporary/Special Exhibit Collection Galleries Fixed Designation Rotation Exhibits Jumptown Archive Music Education Resource Library Performance Recital Multi-Form Experimental Informal Rehearsal Recording Broadcast Facilities Cafe News Stand Retail

82.2% 37.6% 4.8%

Community Room Event Outdoor Performance

Entertainment

29.5% 80.3% 4.7% 14.5% 75% 51.1% 33.3% 48.2% 50.2% 32.2% 9.3% 21.4% 7.9% 54.2% 54.5% 32.2% 26.4% 15.4% 33.3% 75.7% 85% 91.9%

Lobby Orientation

89.4%

10.6%

Education

55.2% 19.7% 95.3% 58.4% 20.2% 33.7% 33.3% 15.6% 32.2% 37.8% 82.2% 78.6% 2.1% null 23.3% 32.2% null 2.2% 33.3% null null null 10.2% 4.2% null

null null 27.1% 4.3% 15.2% 33.3% 36.2% 17.6% 30.0% 8.5% null 90.2% 45.8% 32.2% 32.2% 73.6% 82.4% 33.3% 24.3% 15% 8.1%

MAYOR ELECTED

7.6% 59.2% 95.2%

22 PUBLIC SPACES DIAGRAM

FIRST CONCERT OF SUMMER

BLAZERS PLAY DENVER 7:05

MILE CYRUS SOLD OUT IN 22 MIN

OBAMA ELECTED

14 CAR PILE UP ON US 26

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22 PUBLIC SPACES DIAGRAM

Hierarchy of public space in urban island scheme

ALLIED WORKS ARCHITECTS | TERMINAL STUDIO

SWINE FLU OUTBREAK

gestures

CENTRAL PERFORMANCE

EDUCATION LINING

subtractive

carve

additive | subtractive

TOWER PERFORMANCE

PUBLIC | PRIVATE SPIRALS

PROGRAM

canyon

slope

subtractive

hollow

subtractive

suspension

COLLECTIONS | EDUCATION CIRCULATION

cut

BUILDING | spring2010

compression

wall

additive

planes

LINEAR COLLECTIONS

subtractive

31 CIRCULATION DIAGRAMS

additive

twist | elevation

32 SPACIAL DEFINITION

Looking at the programmatic organizational and circulation to various parts of the institution

A series of diagrams that illustrated the making of space and the visceral qualities of those spaces

22 ALLIED WORKS ARCHITECTS | TERMINAL STUDIO

SITE

AFFECTATION MASSING PROGRAM

33 MASSING STUDY

Diagrams showing the outside and inner forces on the building mass

ALLIED WORKS ARCHITECTS | TERMINAL STUDIO

34 EXPERIENTIAL

A series of vignettes looking at various experiences that would heighten visitors perceptions

24 ALLIED WORKS ARCHITECTS | TERMINAL STUDIO

M.I.C ORDER

ACCOMMODATION & ORDER

LANDSCAPE ORDER

USER EXPERIENCE

ALLIED WORKS STUDIO | WINTER 2010 | CA

35 MIC ORDER

Diagram of the ordering process of the MIC

ALLIED WORKS ARCHITECTS | TERMINAL STUDIO

0 EXISTING MEMORIAL COLOSIUM

NEW MIC TOWER

NEW MIC TOWER EXISTING MEMORIAL COLOSIUM

NEW MIC BUILDING

MIRROR FINISH

NEW WELL WINDOW

NEW SOUND CANYON WALL

EXISTING MEMORIAL COLOSIUM

PLACED AT NEAR THE CENTER OF THE RQ THE MIC TOWER IS THE ONLY VISIBLE PIECE OF THE MIC FROM OFF SITE. ROTATING TO ALIGN WITH THE CITY GRID THE TOWER PROVIDES A VISUAL CONNECTION TO PDX FROM WITHIN AND ITS MIRROR FINISHED FACADES PROVIDE GLIMPS INTO THE HAPPENINGS OF THE RQ FROM AROUND THE CITY

THE NEW RQ GRADING CREATES A DISTINCT VOID BETWEEN THE EXISITNG MEMORIAL COLOSIUM AND THE NEW MIC BUILDING. THIS SOUND CANYON WILL PROVIDE UNIQUE OPORTUNITIES FOR THE MIC TO HOLD EVENTS AND CONCERTS IN WHICH SOUND CAN BE BOUNCED OFF OF AND ALTERED WITH THE EXISTING MC FACADE AND THE NEW LANDSCAPE | BUILT WALLS

SOUND CANYON

TOWER CONNECTION

ALLIED WORKS STUDIO | WINTER 2010 | CASEY KENT

36 SOUND CANYON

WITH THE NEW ON SITE HOTEL THE ROSE QUARTER PLAZA DITS IN THE MIDDLE OF PARKING, EVENTS, AND HOUSING FUNCTIONS. THIS LOADING FROM ALL SIDES WILL PROVIDE HIGH VOLUMES OF TRAFFIC AT ALL HOURS OF THE DAY. SITED DIRRECTLY ABOVE THE MC’S 70,000 EVENT FACILITY THE PLAZA WILL ALSO ADD FOUR MASSIVE LIGHT WINDOWS DOWN INTO THE SPACE

37 REFLECTIVE SIGHT

RQ PLAZA LOOKING SOUTH

ALLIED WORKS STUDIO | WINTER 2010 | CASEY KENT

38 SCALE AND DAYLIGHT

Vignettes looking at various experiences that would heighten visitors perceptions

26 ALLIED WORKS ARCHITECTS | TERMINAL STUDIO

NEW MIC TOWER EXISTING MEMORIAL COLOSIUM NEW HOTEL EXISTING MEMORIAL COLOSIUM NEW 40 FOOT SWELL

NEW MIC BUILDING

NEW HOTEL NEW RQ PLAZA

EXISTING ROSE GARDEN TRANSIT ACCESS TO SITE

EXISTING ROSE GARDEN ARENA

SITING IN THE MIDDL OF AN URBAN ISLAND THE MIC ESTABLISHES DIRECT VISUAL AND SOCIAL CONNECITONS TO THE IMMEDIATE CONTEXT, CITY AND WORLD. THE USE OF THREE ELEMENTS (TOWER, CANYON AND CREVASE) FACILITATE NEW PERSPECTIVES ON SOUND AND ITS ABILITY TO COMMUNICATE

M.I.C SITE LOOKING NW

ALLIED WORKS STUDIO | WINTER 2010 | CASEY KENT

39 SWELL

ALLIED WORKS ARCHITECTS | TERMINAL STUDIO

ONE OF TWO NEWLY FORMED DEPRESSIONS THE ROSE QUARTER PLAZA SERVES AS THE MORE PUBLIC URBAN SPACE WITHIN THE RQ. SURROUNDED BY STRUCTURED PARKING, A NEW HOTEL, AND THE EXISTING MEMORIAL COLOSIUM AND ROSE GARDEN, THE RQ PLAZA WILL SEE EXTENSIVE USE AND PRVIDES A GREAT PLACE FOR ENCOUNTERS AND INTERACTION

RQ PLAZA LOOKING NORTH

ALLIED WORKS STUDIO | WINTER 2010 | CASEY KENT

40 PLAZA

Using landscape to create separation I developed a urban island concept for the new Rose Quarter

With the addition of a new hotel to the site both critical mass is achieved and a grand new civic place is created for the Portland region

1 7

M.I.C

RQ PLAZA

MEMORIAL COLOSIUM 8

SOUND CANYON

ROSE GARDEN

NEW HOTEL

NEW PARKING ENTRANCE

LANDSCAPE BURM

VETRIANS MEMORIAL PARK

6 11

M.I.C COURTYARD EXISTING PARKING

4 1

11 7 11

6 2

8 5

5 9 5

THE NEW ROSE QUARTER URBAN DESIGN MAKES SIGNIFICANT ALTERATIONS TO THE GRADE LITERALLY FORMING TWO CLEARLY DEFINED BOWLS OR DEPRESSIONS. INSIDE THIS URBAN ISLAND SITS A NEW HOTEL, MUSIC AND INNOVATION CENTER, A VETERANS MEMORIAL PARK, LARGE PUBLIC PLAZA, PRIVATE COURTYARD AND THE EXISTING SPORT AND EVENT VENUES

41 URBAN ISLAND OVERALL

ROSE QUARTER OVERALL An overview of the entire urban pland and proposed siting for the new MIC

ALLIED WORKS STUDIO | WINTER 2010 | CASEY KENT

28 ALLIED WORKS ARCHITECTS | TERMINAL STUDIO

EXISTING ROSE GARDEN ARENA EXISTING ROSE GARDEN ARENA

NEW MIC BUILDING EXISTING MEMORIAL COLOSIUM

NEW 40 FOOT SWELL NEW SKY FRAME

NEW GREEN ROOF

NEW HOTEL

NEW WELL WINDOW

NEW 150 FOOT MIC TOWER NEW MIC COURTYARD

NEW VETERANS MEMORIAL NEW SOUND CANYON

NEW PED TRANSIT ACCESS

LOCATED ON THE SOUTHWEST PORTION OF THE ROSE QUARTER THE MIC SITS IN A NEWLY FORMED BOWL. THIS DEPRESSION IS INTERSECTED WITH THE RQ’S MAIN ACCESS TO TRANSIT. ENTRANCE TO THE MIC IS FROM WITHIN THE PRIVATE CORTYARD AT THE BOTTOM OF THE BOWL

M.I.C SITE LOOKING SOUTH

EXISTING PARKING STURCTURES

ALLIED WORKS STUDIO | WINTER 2010 | CASEY KENT

ACKNOLEDGING THAT THE ROSE QUARTER IS IN FACT A URBAN ISLAND THE NEW URBAN DESIGN EMBRACES AND EXPANDS ON THIS CONCEPT. BUILDING UP THE LANDSCAPE ON THE SOUTH WEST PORTION OF THE SITE, THE RQ BECOMES HOME TO TWO BOWLS OR DEPRESSIONS, ONE SERVES ALL PUBLIC FUNCTIONS AND THE OTHER BECOMES MORE PRIVATE SERVING ONLY THE MIC

RQ LOOKING SOUTH

42 TRANSIT CONNECTION

ALLIED WORKS ARCHITECTS | TERMINAL STUDIO

ALLIED WORKS STUDIO | WINTER 2010 | CASEY KENT

43 PARKING CONNECTION

A look at the major site connection bisecting the new MIC building

A look at the existing parking garages and the new automobile patron entrance to the site

Rose Garden Arena

mic sunken courtyard

vestibule

group rehersal

box office coat check up collection

lobby

mens washroom

family washroom

mechanical room

electric workshop

acoustic workshop

general storage

staging area

gratis outdoor performance well

group rehersal

recording studio

gartis stage

group rehersal

30 student classroom

practice well

womens washroom

Memorial Colosium

30 student classroom

archive room

resource center mens washroom womens washroom

30 student classroom

general storage

30 student classroom

mic sunken courtyard

broadcast studio

instrement collection

collections above

44 GROUND FLOOR PLAN

First iteration of the ground floor plan for the new MIC

30 ALLIED WORKS ARCHITECTS | TERMINAL STUDIO

mic sunken courtyard below

128

cafe fly loft

open to lobby below gift shop

+160FEET practice well

300 seat performance

+140FEET

women washroom

+80FEET

men washroom

dressing room

green room

mic sunken courtyard below

executive director office

dressing room

gratis outdoor performance well

washroom confrence room

backstage storage

staff offices

+120FEET

washroom

collections

+60FEET

150 seat performance

+100FEET

volunteer support space

M.I.C THIRD CUT PLANS | 0FEET

+40FEET 64 32

ALLIED WORKS STUDIO | WINTER 2010 | CASEY KENT

128 96

M.I.C TOWER PLANS 45 TOWER PLANS

46 RAMP PLAN

First iterations of the tower floor plans for the new MIC

First iteration of the collections ramp floor plan for the new MIC

ALLIED WORKS ARCHITECTS | TERMINAL STUDIO

EXPANSION

BACK OF HOUSE

LOADING DOCK

BACK OF HOUSE

STORAGE CONDITIONING STORAGE STORAGE CONDITIONING CONDITIONING CONDITIONING STORAGE CONDITIONING

PRESENTATION GALLERY

PRESENTATION GALLERY PRESENTATION GALLERY

RECORDING STUDIOS RECORDING STUDIOS

EDUCATION

EDUCATION RECORDING STUDIOS

BROADCAST STUDIOS

PRACTICE

PRACTICE EDUCATION

EDUCATION

SECTION BB

47 SECTION

First iteration of the east west section for the new MIC

32 ALLIED WORKS ARCHITECTS | TERMINAL STUDIO

SECTION BB

48 SECTION

First iteration of the east west section for the new MIC

ALLIED WORKS ARCHITECTS | TERMINAL STUDIO

Fly Loft Lg Performance Support Sm Performance Director

Staff

Cafe Cafe

Collections

Lobby

Workshops

Loading Dock

Memorial Colosium

Sound Canyon

Existing Parking

Collections Above Workshops Below

Practice Well

Rehersal

Rose Garden

M.I.C Sunken Courtyard

EAST | WEST SITE SECTION

64 32

128 96

ALLIED WORKS STUDIO | WINTER 2010 | CASEY KENT

49 SECTION

Second iteration of the east west section for the new MIC

34 ALLIED WORKS ARCHITECTS | TERMINAL STUDIO

Collections

Collections Workshops

New Burm

Draw

Collections

Gratis Performance

Collections Above Workshops Below

Existing Walkway

Rose Garden

M.I.C Sunken Courtyard

NORTH | SOUTH SITE SECTION

64 32

128 96

ALLIED WORKS STUDIO | WINTER 2010 | CASEY KENT

50 SECTION

Second iteration of the north south section for the new MIC

ALLIED WORKS ARCHITECTS | TERMINAL STUDIO

NEW MIC BUILDING EXISTING ROSE GARDEN EXISTING MEMORIAL COLOSIUM

NEW PED TRANSIT ACCESS

NEW 40 FOOT SWELL NEW SOUND CANYON

ALLIED WORKS STUDIO | WINTER 2010 | CASEY KENT

SECTION AA

NEW MIC TOWER EXISTING ROSE GARDEN

FLEX

NEW VETERANS MEMORIAL

NEW PED TRANSIT ACCESS EXHIBITION

EDUCATION NEW SUNKEN MIC COURTYARD

PERFORMANCE

SECTION BB

51 SECTION

52 SECTION

Third iteration of the east west section for the new MIC

NEW HOTEL

EXISTING ROSE GARDEN

NEW RQ PLAZA WELL WINDOW

EXISTING MEMORIAL COLOSIUM

ALLIED WORKS ARCHITECTS | TERMINAL STUDIO

160

GITUDINAL SECTIONS

EXISTING MEMORIAL COLOSIUM

SECTION BB

NEW HOTEL

EXISTING ROSE GARDEN

NEW RQ PLAZA WELL WINDOW EXISTING MEMORIAL COLOSIUM

80 40

160 120

SECTION CC

53 SECTION

Third iteration of the east west section for the new MIC

ALLIED WORKS ARCHITECTS | TERMINAL STUDIO

STRUCTURE & MATERIAL

STRUCTURAL

BOULDERS

CABLE

STO N

MEDIA

E STE NON STRUCTURAL

CORTEN

BASE OF BUILDING

MATERIAL & STRUCTURE

GLASS

TOP OF BUILDING

NARRATIVE ALLIED WORKS STUDIO | WINTER 2010 | CASEY KENT

54 MATERIAL & STRUCTURE

The duality of stone and steel make up the structural and material systems for the Music Innovation Center. As visitors perceptions are heightened and ones understanding of the Portland underground music culture becomes more clear, so do the buildings material and structural expression. Raw materials change into finely crafted ones and structure shifts from monolithic to tensile. Corten evolves into stainless steel cable and rough boulders transform into glass. All through the building the duality of the stone and steel are percent, yet through ones experience and procession with the MIC the qualities of the materials begin to transcend.

55 STRUCTURE TO NON

A look at the material and structure to be used in the building

Diagram showing how load will transfer from raw materials to refined ones

38 ALLIED WORKS ARCHITECTS | TERMINAL STUDIO

56 MAIN WELL PERSPECTIVE

PECTIVE

Perspective from the main performance well

ALLIED WORKS ARCHITECTS | TERMINAL STUDIO

EXTERIOR PERSPECTIVE 57 OFF SITE TRANSIT PERSPECTIVE

ALLIED WORKS STUDIO | WINTER 2010 | CASEY KENT

A look onto the site from the main transit stop to the south west

EXTERIOR PERSPECTIVE 58 MIC PERSPECTIVE

ALLIED WORKS STUDIO | WINTER 2010 | CASEY KENT

A look over the new building with the main transit connection

40 ALLIED WORKS ARCHITECTS | TERMINAL STUDIO

L F C A

F A

CIRCULATION DIAGRAM

59 FLOW DIAGRAM

Flow diagram from off site through building and onto the plaza

ALLIED WORKS ARCHITECTS | TERMINAL STUDIO

PROGRAM AXON 60 PROGRAM DIAGRAM

ALLIED WORKS STUDIO | WINTER 2010 | CASEY KENT

ALLIED WORKS STUDIO | WINTER 2010 | CAS

A diagram of the program distribution

mic sunken courtyard

vestibule

group rehersal

box office coat check

mechanical room

up lobby

mens washroom

electric workshop

collection

family washroom

acoustic workshop

30 student classroom

general storage

group rehersal

recording studio

gartis stage

staging area

gratis outdoor performance well

group rehersal

archive room

practice well

womens washroom

group rehersal

30 student classroom

resource center

30 student classroom

general storage

mens washroom womens washroom

30 student classroom

mic sunken courtyard

broadcast studio

instrement collection

PLAZA -16 FEET

collections above

61 GROUND FLOOR PLAN

Ground level plan mic sunken courtyard below

open to lobby below collections

practice well

general storage

gartis stage below

ALLIED WORKS ARCHITECTS | TERMINAL STUDIO loading dock

gratis outdoor performance well

PLAZA -16 FEET

collections above

mic sunken courtyard below

open to lobby below collections

practice well gartis stage below

general storage

loading dock

gratis outdoor performance well

collections storage

underground loading area

collections

PLAZA -8 FEET

MAIN PLANS

ALLIED WORKS STUDIO | WINTER 2010 | CASEY KENT

62 RAMP LEVEL PLAN

Ramp level plan

ALLIED WORKS ARCHITECTS | TERMINAL STUDIO

HIGH GLAZING FROM PRACTICE WELL

ELECTRIC LIGHTING FROM 4P-10P INTERIOR GLAZING FOR DAYLIGHTING CONCRETE PARTITION WALLS

OPAQUE WALLS UPTO 10 FT IN CLASSROOMS

50 PERCENT TRANSPARENT PIVOT DOORS

30 PERSON CLASSROM

CLASSROOM PERSPECTIVE 63 EDUCATION CLASSROOM

ALLIED WORKS STUDIO | WINTER 2010 | CASEY KENT

Classroom perspective

44 ALLIED WORKS ARCHITECTS | TERMINAL STUDIO

FLOATING SLAB

CASCADING GLASS FACADES

NO COLUMNS OR VERTICAL SUPPORT

VISUAL CONNECTION TO PDX AS BACKGROUND

30 PERSON CLASSROM

SKY BOX PERSPECTIVE 64 SKYBOX PERSPECTIVE

ALLIED WORKS STUDIO | WINTER 2010 | CASEY KENT

Skybox performance venue perspective

ALLIED WORKS ARCHITECTS | TERMINAL STUDIO

FLOATING BOX

EXTENSIVE GREEN ROOF

GRADIENT OF STRUCTURE AND MATERIALS

INTENSIVE GREEN ROOF

STRUCTURE & MATERIAL 65 MATERIAL DIAGRAM

ALLIED WORKS STUDIO | WINTER 2010 | CASEY KENT

Diagram of material placements

46 ALLIED WORKS ARCHITECTS | TERMINAL STUDIO

0 + 44 + 34

+ 38

+ 24

+ 34 + 36

+ 34

~ 10 ~

~ ~ 12

+ 26

+ 16

POGRAPHY

66 LANDSCAPE DIAGRAM

Diagram of landscape and topography

ALLIED WORKS ARCHITECTS | TERMINAL STUDIO

+ 42

+ 36

+ 44

+ 40

+ 38

AXON PERSPECTIVE 67 BUILDING TO LANDSCAPE

0 ALLIED WORKS STUDIO | WINTER 2010 | CASEY KENT

+ 40

+ 38 ALLIED WORKS STUDIO | WINTER 2010

Diagram of topography and building relationship

1 Tensile Structural Cable

2 24 x 48 Concrete Girder see structural

HIGH

3 Exterior Insulation 2 12 x 12 Corten Steel Tube see structural

3 24 x 48 Corten Steel Girder see structural

4 Post Tension Slab

4 Exterior Gabion Wall 1 12 x 12 Corten Steel Tube see structural

2 6 x 6 Corten Steel Cage

5 Glazzing 5 Glazzing

see structural

6 Glazzing Fastener

6 Interior Gabion Wall

3 Exterior Gabion Wall

7 LCD Media Screen

4 Glazzing 7 Alluminum Raised Floor System

5 Alluminum Raised Floor System

8 Tensile Cable Lattice

8 Radiant Piping

6 Radiant Piping

7 Fresh Air Intake 8 Post Tention Slab

9 Corten Steel C Channel see structural

9 Air Exchange Unit 10 Glazzing

10 Frosted Acrylic Floor Panels 11 Fresh Air Intake 12 Air Exchange Unit 13 Site Retaining Wall

11 On Grade Concrete Slab

14 On Grade Concrete Slab

9 Alluminum Raised Floor System 10 Radiant Piping 11 Fresh Air Intake

12 PIP Foundation

12 Post Tension Slab

13 Air Exchange Unit

LOW

workshop wall section 1/4” = 1’ - 0”

MID

collections wall section 1/4” = 1’ - 0”

MID

HIGH

tower wall section 1/4” = 1’ - 0”

LOW

68 EXPLORATORY SECTION

Early study into structure and building construction

48 ALLIED WORKS ARCHITECTS | TERMINAL STUDIO

Burried in Earth

Daylight is Captured High in the Space

Operable Windows Let the Building Breath

Light Washes Wall Illuminating Classroom

Partition Wall Gives Privacy & Absorbs Thermal

CLASSROOM SYSTEMS

OLLECTIONS SECTION

69 STUDY SECTION

Study render section

ALLIED WORKS ARCHITECTS | TERMINAL STUDIO

+ 40

+ 38 ALLIED WORKS STUDIO | WINTER 2010 | CASEY KENT

70 EDUCATION SECTION

Study education systems section

ENVIRONMENT 71 Environment Sketches

+ 40

+ 38 ALLIED WORKS STUDIO | WINTER 2010 | CASEY KENT

Study of environment conditions

50 ALLIED WORKS ARCHITECTS | TERMINAL STUDIO

SYSTEMS 72 SYSTEMS SKETCHES

+ 40

+ 38 ALLIED WORKS STUDIO | WINTER 2010 | CASEY KENT

Systems sketch studies

ALLIED WORKS ARCHITECTS | TERMINAL STUDIO

main entrance

mens washroom

womens washroom

collection

lobby

mens washroom

family washroom

womens washroom

box office

back of house storage

coat check

mechanical room

electric workshop

gartis stage

archive room

30 student classroom

group rehersal

group rehersal acoustic workshop

practice well

staging area

group rehersal

resource center

recording studio

gratis outdoor performance well

30 student classroom

broadcast studio

instrement collection

education entrance

73 GROUND LEVEL PLAN

Ground level plan

52 ALLIED WORKS ARCHITECTS | TERMINAL STUDIO

collections

practice well

gratis outdoor performance well below

collections

74 RAMP LEVEL PLAN

Ramp level plan

ALLIED WORKS ARCHITECTS | TERMINAL STUDIO

75 casey kent

PMIC

PORTLAND MUSIC INNOVATION CENTER WHAT THE HELL IS IT

The Portland Music Innovation Center is a new type of building. Blending performance, education, and collections the institution provides a indepth look into Portlandâ&#x20AC;&#x2122;s music culture. From the roots of the past to flashes in to the future, the Portland Music Innovation Center provides an array of extraordinary sensory experiences sure to heighten ones perception and awareness of the unique and incredibly rich sub culture that comprises an integral part of Portland Oregon and the Pacific Northwest.

ORGANIZATIONAL STRATEGY

The Portland Music Innovation Center is conceived from four organizational strategies combined to create one new innovative institution -

The corkscrew of Portland specific music collections The anchoring of twin civic performance places Field distributed pockets of educational spaces The random occurance of sensory experiences

THE ROSE QUARTER

Optic Kin

75 NARRATIVE

Program and institution definition

54 ALLIED WORKS ARCHITECTS | TERMINAL STUDIO

BOULDERS

STRUCTURAL

casey kent

MATERIAL | STRUCTURE | LANDSCAPE

casey kent

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Providing a sight and sound sampling of PDX and the region, the Portland Music Innovation Center unites culture, education, and entertainment as only music can. Acting as a civic amenity in the sense that the building provides a service to the community, whether visited or not, the Portland music and innovation center begins to span traditional physical media with emerging social medias.

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With the completion of last nights review we are officially half way done! I am 5/6th of the way complete to becoming a master!! Critique was overall very good last night. I escaped the shredding that a few of my peers happen to encounter! Comments were as follows. Brad noted that the analytical work that has gone into my concept is really clear. He did note that I really need a in between program diagram. Something to span the gap between my plans and my form finding diagrams. Brent noted that I have clarity in my intent but that my drawings that represent the movement from solidity to transparency are struggling. He understands the pit to some extent, to create further separation from the site, but is not sure that the massing or experience in circulation through the site are successful yet. The pit is only a single move as of now, it is always adjacent to the two spirals as well, it has no program or occupant designation. I need to get more specific on how occupants enter my building. My perspective is very clear. Brad, thinks that if I took the pit as a transition place it could be really clear and successful. A step down from the plaza level and then on down to the street. A juror thought that I should concentrate on looking at the smoothness of the landscape transition, the tectonics and the the consequences of my actions. I should look at the language of my earth works. Looking at the difference between a amphitheater or a retaining wall ect. Need to diagram what i am getting out of my diagraming. This is the formal operation, and then this is what it got me. This will add clarity. Revise the organigram to illustrate the three arms better. One juror had issue with the burm that I have created on the southwest edge of the site. He likes the idea of adding program to the RQ. He does not see that the burm makes it a

LINEAR COLLECTIONS

94.5%

Culture

29.5% 80.3% 4.7% 14.5% 75% 51.1% 33.3% 48.2% 50.2% 32.2% 9.3% 21.4% 7.9% 54.2% 54.5% 32.2% 26.4% 15.4% 33.3% 75.7% 85% 91.9% 82.2% 37.6% 4.8%

89.4%

TOWER CONNECTION

RQ PLAZA LOOKING SOUTH

ALLIED WORKS STUDIO | WINTER 2010 | CASEY KENT

PROCESSION OF DISCOVERY

55.2% 19.7% 95.3% 58.4% 20.2% 33.7% 33.3% 15.6% 32.2% 37.8% 82.2% 78.6% 2.1% null 23.3% 32.2% null 2.2% 33.3% null null null 10.2% 4.2% null

null null 27.1% 4.3% 15.2% 33.3% 36.2% 17.6% 30.0% 8.5% null 90.2% 45.8% 32.2% 32.2% 73.6% 82.4% 33.3% 24.3% 15% 8.1% 7.6% 59.2% 95.2%

M.I.C ORDER

79 ORGANIGRAM

ALLIED WORKS STUDIO | WINTER 2010 | CASEY KENT

Entertainment

LANDSCAPE ORDER

USER EXPERIENCE

80 PROCESSION

Massing and space relationship diagrams

Program and institution creation

Experiential and vignette studies

56 ALLIED WORKS ARCHITECTS | TERMINAL STUDIO

81 casey kent

music innovation center ALLIED WORKS STUDIO | WINTER 2010

81 OVERVIEW IMAGE

Site overview and MIC close up

ALLIED WORKS ARCHITECTS | TERMINAL STUDIO

HIGH

MID

LOW

82 SITE SECTION

Section

58 ALLIED WORKS ARCHITECTS | TERMINAL STUDIO

SYSTEMS | ENVIRONMENT | MEDIA

casey kent

0 casey kent

1 Tensile Structural Cable

2 24 x 48 Concrete Girder see structural

3 Exterior Insulation

4 Post Tension Slab

future exploded axon 5 Glazzing

6 Glazzing Fastener

1 Tensile Structural Cable 7 LCD Media Screen

8 Tensile Cable Lattice

2 12 x 12 Corten Steel Tube see structural

3 24 x 48 Corten Steel Girder see structural

4 Exterior Gabion Wall

5 Glazzing

6 Interior Gabion Wall

9 Alluminum Raised Floor System 10 Radiant Piping 11 Fresh Air Intake

7 Alluminum Raised Floor System

12 Post Tension Slab

8 Radiant Piping

9 Corten Steel C Channel

13 Air Exchange Unit

see structural

10 Frosted Acrylic Floor Panels

HIGH

11 Fresh Air Intake

tower wall section 1/4” = 1’ - 0”

12 Air Exchange Unit 13 Site Retaining Wall 14 On Grade Concrete Slab

educational systmes section

Burried in Earth

1 12 x 12 Corten Steel Tube

MID

see structural

2 6 x 6 Corten Steel Cage see structural

3 Exterior Gabion Wall

Daylight is Captured High in the Space

collections wall section 1/4” = 1’ - 0”

4 Glazzing

5 Alluminum Raised Floor System

Operable Windows Let the Building Breath

6 Radiant Piping

7 Fresh Air Intake

8 Post Tention Slab

Light Washes Wall Illuminating Classroom 9 Air Exchange Unit 10 Glazzing

11 On Grade Concrete Slab

This is the formal operation, and then this is what it got me. This will add clarity. Revise the organigram to illustrate the three arms better. One juror had issue with the burm that I have created on the southwest edge of the site. He likes the idea of adding program to the RQ. He does not see that the burm makes it a better place. My diagraming also seem to come off very clear but are confusing. Not sure why. Thinks that they compete with each other. It comes off as being reversed engineered rather than setting up principles that will be used.

Partition Wall Gives Privacy & Absorbs Thermal 12 PIP Foundation

Need to build a model to illustrate how everything is working. I need to come up with a hybrid to explain my project. Plans may not be able to illustrate my ideas. Read YES, its a comic book as manifesto of architecture. Look at connecting the diagram with what I am referring from them. I need to embed the action of the spaces in the diagrams themselves. I should pause in-between each action and contemplate its implications on the design. I as the designer need to put my foot down at some point and not just accommodate all of the outside forces.

LOW 83 SYSTEMS ENVIRONMENT MEDIA

workshop wall section 1/4” = 1’ - 0”

84 WALL SECTION DETAILS

Relationship of systems, environment, and media

Examination of three areas of building and the corresponding wall structure

ALLIED WORKS ARCHITECTS | TERMINAL STUDIO

AY DW

25 25

BEN

13 13

AV E

PARKING STRUCTURE

NE HEE W

25 50

N CENTER C ST

25 13

R LE

IN THE 2008 CALENDER YEAR THE ROSE QUARTER HOSTED MORE PEOPLE ON ITS GROUNDS THAN ANY OTHER VENUE IN THE WORLD. IT IS THE GOAL OF THE URBAN DESIGN TO ABSORB AND RETAIN THIS IMMENSE AMOUNT OF PEOPLE DURING NONE SCRIPTED EVENTS.

25 25 25

N WINNING WAY

13 13

13 35

PARKING STRUCTURE

UN SCRIPTING

TE 5 STA

INTER

N WILLIAMS AVE

NE FLINT AVE

URBAN ISLAND CONCEPT

memorial coliseum

N WEIDLER ST 25

25 25 25

casey kent

0 casey kent

collections

gratis outdoor performance well below

25 13

ACCOMMODATION

50 50

13 25

NEW HOTEL

25 13

A LARGE NUMBER OF THE PEOPLE VISITING THE ROSE QUARTER DO SO FOR CONVENTIONS OR RELIGIOUS EVENTS. TO LODGE THESE PEOPLE A NEW HOTEL IS PURPOSED. THIS NEW LODGING WILL HELP TO CREATE A CRITICAL MASS WITHIN THE ROSE QUARTER.

50 50

35 50

35 25

50 50 35

20 20

MEMORIAL COLOSIUM

50 50

50 25

35 35

collections

CONNECTIONS

25 35 25

collections

NE WHEELER AVE

50 25 25

N IN

TE RS

ROSE GARDEN

MIC

TE TA

E AV

50 50

35 50 20 25 25

25 25

1/16 scale

35 25

50 25

abstracted ramp level +0 to +34

TURNING IN ON ITS SELF IS THE MAIN CONCEPT IN THE URBAN ISLAND URBAN DESIGN. TWO ENTRANCES ONTO THE SITE ARE PLANNED. TO THE NORTH THE EXISTING AUTOMOTIVE PARKING IS TO REMAIN AND A MOTORIST ENTRANCE IS FRAMED OFF OF THE NEW PLAZA. TO THE SOUTH A DEDICATED PEDESTRIAN PATH BRINGS RIDERS IN FROM MASS TRANSIT.

35 50 25

memorial coliseum

50 25

PROGRAM DRIVEN

13 25

50 13

25 13

25 25

35 50

30 35

13 35

20 50

30 20

35 25

20 35

35 35 35 35

25 50

35 13

25 35 35 35

35 35

13 50 35

35 35 50

35 13

50 35

13 20

13 35

13 13

REALIZING THAT THE ROSE GARDEN LACKS ANY REAL CONNECTION TO THE SURROUNDING CONTEXT, THE URBAN DESIGN RELIES ON PROGRAM TO ATTRACT VISITORS INTO THE SITE. THE EXISTING ROSE GARDEN AND MEMORIAL COLISEUM AS WELL AS THE NEW M.I.C WILL CREATE A UNIQUE CULTURAL AND ENTERTAINMENT DISTRICT AND CIVIC AMENITY FOR THE REGION.

main entrance

mens washroom

womens washroom

30 student classroom

lobby collection

mens washroom

family washroom

womens washroom

box office

coat check

mechanical room

electric workshop

gartis stage

archive room

acoustic workshop

recording studio

CURRENT CONDITIONS

back of house storage

gratis outdoor performance well

staging area

broadcast studio

ground floor +0 1/16 scale

250 125

85 SITE PLAN

500 375

86 PLANS

Overall site plan

Building plans

60 ALLIED WORKS ARCHITECTS | TERMINAL STUDIO

0 casey kent

casey kent

sky box looking out

classroom

looking northeast

rose quarter overall

87 PERSPECTIVES

gratis performance well

88 PERSPECTIVES

major site junction

89 PERSPECTIVES

3D perspectives

ALLIED WORKS ARCHITECTS | TERMINAL STUDIO

90 SECTION

Section

62 ALLIED WORKS ARCHITECTS | TERMINAL STUDIO

ALLIED WORKS ARCHITECTS | TERMINAL STUDIO

4 5 11 14 18 19 20 21 22 23 32 33 36 38 41 42 43 44

Semi Private Performance Well Private Practice Well Recording Studios Classroom Mens Washroom Womens Washroom Security Office Coat Check Stage Back Stage Presentation Gallery Collections Music Discovery Ramp Plaza Level Path Hall Structured Delivery Garage

43 44

42 5

22 4

91 DEVELOPED SECTION

Section

64 ALLIED WORKS ARCHITECTS | TERMINAL STUDIO

1 2 6 19 25 37 38 39 40 41

Entrance Lobby Public Performance Well Womens Washroom Conditioning Room Landing Ramp Long Draw Landscape Burm Plaza Level

40 41

32 38 6

37 25 39

92 DEVELOPED SECTION

Section

ALLIED WORKS ARCHITECTS | TERMINAL STUDIO

1 2 3 5 7 8 10 11 14 15 30 31 36 37 38 41 42 43 44 45

Entrance Lobby Orientation Gallery Private Practice Well Electric Workshop Acoustic Workshop Storage Recording Studios Classroom Rehearsal Room Mechanical Temporary Gallery Music Discovery Landing Ramp Plaza Level Path Hall Structured Delivery Garage Sky Box Performance

3 41

41 \37 43 44

31 3 7

93 DEVELOPED SECTION

Section

66 ALLIED WORKS ARCHITECTS | TERMINAL STUDIO

C E

28 C E

29 2

OPEN TO BELOW

RAMP UP

29 36

31 OPEN TO BELOW RA MP

1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44

Entrance Lobby Orientation Gallery Semi Private Performance Well Private Practice Well Public Performance Well Electric Workshop Acoustic Workshop Workshop Storage Recording Studios Broadcasting Suite Reference Room Classroom Rehearsal Room Education Admin Office Rare Instrument Gallery Mens Washroom Womens Washroom Security Office Coat Check Stage Back Stage Long Term Storage Conditioning Room Quarantine Room Dock Elevators Stair Mechanical Temporary Gallery Presentation Gallery Collections Music Discovery Landing Ramp Long Draw Landscape Burm Plaza Level Path Hall Structured Delivery Garage

RA MP UP

32 28

RAMP UP C E

P UP

33 29

93 DEVELOPED PLAN

Ground Level Plan

ALLIED WORKS ARCHITECTS | TERMINAL STUDIO

95 PERFORMANCE PERSPECTIVE

Main well perspective

68 ALLIED WORKS ARCHITECTS | TERMINAL STUDIO

96 PERFORMANCE PERSPECTIVE

Skybox perspective

ALLIED WORKS ARCHITECTS | TERMINAL STUDIO

CONTEXT

classroom

PMIC

education

PORTLAND MUSIC INNOVATION CENTER

WHAT IS IT

The Portland Music Innovation Center is a new type of building. Blending performance, education, and collections the institution provides a indepth look into Portland’s music culture. From the roots of the past to flashes in to the future, the Portland Music Innovation Center provides an array of extraordinary sensory experiences sure to heighten ones perception and awareness of the unique and incredibly rich sub culture that comprises an integral part of Portland Oregon and the Pacific Northwest.

subtractive subtractive

ORGANIZATIONAL STRATEGY

compression

The Portland Music Innovation Center is conceived from four organizational strategies combined to create one new innovative institution - The corkscrew of Portland specific music collections - The anchoring of twin civic performance places - Field distributed pockets of educational spaces - The random occurance of sensory experiences

additive additive

wall

three wells of performance diagram

THE ROSE QUARTER

canyon

additive || subtractive subtractive additive

slope

Optic Kin

TRANSIT

+ 44

subtractive subtractive

+ 38

+ 34

hollow

Optic

instrument gallery

Organigram of a pdx music center

Ken

Providing a sight and sound sampling of PDX and the region, the Portland Music Innovation Center unites culture, education, and entertainment as only music can.

subtractive subtractive

suspension

collections

earth works

sky box level +158

semi private well + 26

additive additive

16.2%

Script Visual

49.3%

3% 45.

29.0%

Secondary

12.2%

Primary

The porosity from the fracturing of the center enables patrons of different walks of life, and with various amounts of physical contact with the site to interact with one another and the building.

+ 34

performance

100,000 sq ft of INTERACTION

twist | elevation

+ 36

diagram

1/16 scale

84.8%

ROSE GARDEN ARENA

23.3%

+ 42 + 44

+ 36

+ 26

+ 16

7% 25.

SITE STRUCTURE

parti diagram

94.5%

6.9%

Culture

Orientation Interactive Exhibition Exhibition Galleries Temporary/Special Exhibit Collection Galleries Fixed Designation Rotation Exhibits Jumptown Archive Music Education Resource Library Performance Recital Multi-Form Experimental Informal Rehearsal Recording Broadcast Facilities

early research

initial concepts

4d analysis

perception

Cafe News Stand Retail Community Room Event Outdoor Performance

92.1%

10.6%

Education

68.3%

89.4%

Entertainment

29.5% 80.3% 4.7% 14.5% 75% 51.1% 33.3% 48.2% 50.2% 32.2% 9.3% 21.4% 7.9% 54.2% 54.5% 32.2% 26.4% 15.4% 33.3% 75.7% 85% 91.9% 82.2% 37.6% 4.8%

55.2% 19.7% 95.3% 58.4% 20.2% 33.7% 33.3% 15.6% 32.2% 37.8% 82.2% 78.6% 2.1% null 23.3% 32.2% null 2.2% 33.3% null null null 10.2% 4.2% null

66 null null 27.1% 4.3% 15.2% 33.3% 36.2% 17.6% 30.0% 8.5% null 90.2% 45.8% 32.2% 32.2% 73.6% 82.4% 33.3% 24.3% 15% 8.1% 7.6% 59.2% 95.2%

30 30

sky box theatre

28 28

MEMORIAL COLOSIUM

4.5%

Lobby

performance

29 29

site junction

OPEN OPENTO TOBELOW BELOW

RAMP RAMPUP UP

approach

29 29

COLLECTIONS | EDUCATION | CIRCULATION

36 36

31 31 OPENTO TOBELOW BELOW OPEN P P RAM RAM UP UP

OPENTO TO BELOW BELOW OPEN

31 31

Proposed Hotel Existing Parking

42 42 P P RAM RAM

Program Key

UP UP

33 33

1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48

BB research & precedents validity

32 32

28 28

RAMPUP RAMP UP

33 33

UP PPUP RAM RAM

33 33

portland music innovation center

North

ALLIED WORKS STUDIO | WINTER 2010

abstracted ramp level +0 to +34 1/16 scale

MEMORIAL MEMORIAL COLOSIUM COLOSIUM

30 30

Entrance Lobby Orientation Gallery Semi Private Performance Well Private Practice Well Public Performance Well Electric Workshop Acoustic Workshop Workshop Storage Recording Studios Broadcasting Suite Reference Room Classroom Rehearsal Room Education Admin Office Rare Instrument Gallery Mens Washroom Womens Washroom Security Office Coat Check Stage Back Stage Long Term Storage Conditioning Room Quarantine Room Dock Elevators Stair Mechanical Temporary Gallery Presentation Gallery Collections Seasonal Gallery Instrument Gallery Music Discovery Landing Ramp Long Draw Landscape Berm Plaza Level Path Hall Structured Delivery Garage Sky Box Performance Support Level Small Performance Level Admin Level

29 29

RAMP RAMP DOWN RAMP DOWN DOWN

29 29

RAMP DOWN RAMP RAMPDOWN DOWN

13 13 13

RAMP RAMP UP RAMP UP UP

555

30 30 30

10 10

15 15 15

14 14 14

StoneFacing Facing 33 Stone

PostTension TensionSlab Slab 2 2Post PIPConcrete ConcreteWall Wall 44PIP

12 xx12 12Corten CortenSteel SteelTube Tube 11 12 see structural see structural

GlazzingFrames Frames 3 3Glazzing Glazzing 4 4Glazzing

PIPConcrete ConcreteCreate Createwith with 22 PIP 8-12inches inchesof ofsoil soilabove above 8-12

VerticalSteel SteelMember Member 5 5Vertical StoneFacing Facing 33 Stone

PIPConcrete ConcreteWall Wall 44 PIP

CortenSteel SteelCCChannel Channel 55 Corten

AlluminumRaised RaisedFloor FloorSystem System 55 Alluminum

RadiantPiping Piping 77 Radiant SteelColumn Column 88 88xx88Steel

TensileCable CableTruss Truss 6 6Tensile

see structural see structural

AlluminumRaised RaisedFloor FloorSystem System 66 Alluminum GlazzingFastener Fastener 7 7Glazzing

RadiantPiping Piping 66 Radiant FreshAir AirIntake Intake 77 Fresh PostTention TentionSlab Slab 88 Post

CableTruss TrussMember Member 8 8Cable

Air Exchange ExchangeUnit Unit 99 Air

11Fresh FreshAir AirIntake Intake 11 12Air AirExchange ExchangeUnit Unit 12

11 On OnGrade GradeConcrete ConcreteSlab Slab 11

13Site SiteRetaining RetainingWall Wall 13

AlluminumRaised RaisedFloor FloorSystem System 9 9Alluminum

14On OnGrade GradeConcrete ConcreteSlab Slab 14

RadiantPiping Piping 1010Radiant FreshAir AirIntake Intake 1111Fresh PostTension TensionSlab Slab 1212Post

12 PIP PIPFoundation Foundation 12

AirExchange ExchangeUnit Unit 1313Air

MID

workshop wall section 1/4” == 1’ 1’ -- 0” 0” 1/4”

HIGH

collections wall wall section section collections 1/4”==1’1’- -0” 0” 1/4”

towerwall wallsection section tower

1/4”==1’1’- -0”0” 1/4”

structural | system sections

12 12 12

24 24

ExteriorInsulation Insulation 1 1Exterior withBalast Balastabove above with

detail

A A

18 18 18 25 25

context

see structural see structural

2 PIP Concrete Create with 2 PIP Concrete Create with 8-12 inches of soil above 8-12 inches of soil above

16 16 16

14 14 14

26 26

project overview

1 12 x 12 Corten Steel Tube 1 12 x 12 Corten Steel Tube

15 15 15

23 23

27 27

15 15 15

MIC

14 14 14

11 11

22 22

21 21

20 20

19 19

18 18

Memorial Colosium

LOW

28 28

Rose Garden Arena

Existing Parking

14 14 14

19 19 19

RAMP RAMP DOWN RAMPDOWN DOWN

institution movement

28 28

diagram

17 17 17

+ 188 to top of roof

111

+ 158 sky box level

regional plan

site plan

context

rose quarter

+ 143 support level

North

North 41 33

program 47

4 43

ground level +0

PROGRAM RESPONSES

SITE RESPONSES

diagram

NW-SE section DD

+ 110 small performance level

1/16 scale

education

48 + 95 admin level

48 + 80 admin level

+ 65 admin level

form finding massing

2 29

4141

41 41

3232

NE-SW site section BB

2626

2525

27 35

2 29

33 33

2727

terminal studio project by casey kent www.caseykent.weebly.com

2424

42 42

4343 44

12 12

18 18

43 43

14 14

43 43

NE-SW enlarged section AA

NW-SE section CC

perception

collections | support

context

97 FINAL BOARDS

Final presentation layout

70 ALLIED WORKS ARCHITECTS | TERMINAL STUDIO

CONTEXT

PMIC

PORTLAND MUSIC INNOVATION CENTER WHAT IS IT

The Portland Music Innovation Center is a new type of building. Blending performance, education, and collections the institution provides a indepth look into Portlandâ&#x20AC;&#x2122;s music culture. From the roots of the past to flashes in to the future, the Portland Music Innovation Center provides an array of extraordinary sensory experiences sure to heighten ones perception and awareness of the unique and incredibly rich sub culture that comprises an integral part of Portland Oregon and the Pacific Northwest.

subtractive

ORGANIZATIONAL STRATEGY

compression

additive

wall

THE ROSE QUARTER

canyon

additive | subtractive

slope

Optic Kin

TRANSIT subtractive

hollow

Optic

Organigram of a pdx music center

Ken

Providing a sight and sound sampling of PDX and the region, the Portland Music Innovation Center unites culture, education, and entertainment as only music can.

subtractive

suspension

additive

100,000 sq ft of INTERACTION

twist | elevation

16.2%

Script Visual

84.8% 23.3%

45 .7%

The porosity from the fracturing of the center enables patrons of different walks of life, and with various amounts of physical contact with the site to interact with one another and the building.

49.3%

29.0%

Secondary

12.2%

Primary

SITEÂ STRUCTURE

4.5%

94.5%

6.9%

Culture

68.3% Lobby Orientation Interactive Exhibition Exhibition Galleries Temporary/Special Exhibit Collection Galleries Fixed Designation Rotation Exhibits Jumptown Archive Music Education Resource Library Performance Recital Multi-Form Experimental Informal Rehearsal Recording Broadcast Facilities

early research 4d analysis

initial concepts perception

Cafe News Stand Retail Community Room Event Outdoor Performance

92.1%

10.6%

Education

89.4%

Entertainment

29.5%

55.2%

80.3% 4.7% 14.5% 75% 51.1% 33.3% 48.2% 50.2% 32.2% 9.3% 21.4% 7.9% 54.2% 54.5% 32.2% 26.4% 15.4% 33.3%

19.7% 95.3% 58.4% 20.2% 33.7% 33.3% 15.6% 32.2% 37.8% 82.2% 78.6% 2.1% null 23.3% 32.2% null 2.2% 33.3%

null null 27.1% 4.3% 15.2% 33.3% 36.2% 17.6% 30.0% 8.5% null 90.2% 45.8% 32.2% 32.2% 73.6% 82.4% 33.3%

4.8%

null

95.2%

75.7% 85% 91.9% 82.2% 37.6%

null null null 10.2% 4.2%

24.3% 15% 8.1% 7.6% 59.2%

98 FINAL BOARD

Final presentation board

ALLIED WORKS ARCHITECTS | TERMINAL STUDIO

Community Room

100

Event Outdoor Performance

4.7% 14.5% 75% 51.1% 33.3% 48.2% 50.2% 32.2% 9.3% 21.4% 7.9% 54.2% 54.5% 32.2% 26.4% 15.4% 33.3% 75.7% 85% 91.9% 82.2% 37.6% 4.8%

95.3% 58.4% 20.2% 33.7% 33.3% 15.6% 32.2% 37.8% 82.2% 78.6% 2.1% null 23.3% 32.2% null 2.2% 33.3% null null null 10.2% 4.2% null

null 27.1% 4.3% 15.2% 33.3% 36.2% 17.6% 30.0% 8.5% null 90.2% 45.8% 32.2% 32.2% 73.6% 82.4% 33.3% 24.3% 15% 8.1% 7.6% 59.2% 95.2%

research & precedents validity

portland music innovation center ALLIED WORKS STUDIO | WINTER 2010

MEMORIAL COLOSIUM

28 29

RAMP DOWN

RAMP UP

4 27 12 26

RAMP DOWN

99 FINAL BOARD

Final presentation board

72 ALLIED WORKS ARCHITECTS | TERMINAL STUDIO

MEMORIAL COLOSIUM

100

28 29

RAMP DOWN

RAMP UP

4 27 12 26

RAMP DOWN

regional plan

site plan

context

rose quarter

SITE RESPONSES

North

PROGRAM RESPONSES

North

form finding massing

43 4

terminal studio project by casey kent www.caseykent.weebly.com

NE-SW site section BB context

100 FINAL BOARD Final presentation board

ALLIED WORKS ARCHITECTS | TERMINAL STUDIO

101 30 28

three wells of performance diagram

+ 44

+ 38

+ 34

earth works

sky box level +158

+ 36

diagram

1/16 scale + 26

+ 34

ROSE GARDEN ARENA

+ 42 + 44

+ 36

+ 26

+ 16

parti diagram

28 29 OPEN TO BELOW

RAMP UP

COLLECTIONS | EDUCATION | CIRCULATION

31 OPEN TO BELOW

RAM P UP

MEMORIAL COLOSIUM

OPEN TO BELOW

42 RAM P UP

101 FINAL BOARD Final presentation board

RAMP UP

UP MP

74 ALLIED WORKS ARCHITECTS | TERMINAL STUDIO

MEMORIAL COLOSIUM

29 OPEN TO BELOW

RAMP UP

102

31 OPEN TO BELOW

RAM P UP OPEN TO BELOW

42 RAM

Program Key

P UP

RAMP UP

North

abstracted ramp level +0 to +34 1/16 scale

MEMORIAL COLOSIUM

1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48

Entrance Lobby Orientation Gallery Semi Private Performance Well Private Practice Well Public Performance Well Electric Workshop Acoustic Workshop Workshop Storage Recording Studios Broadcasting Suite Reference Room Classroom Rehearsal Room Education Admin Office Rare Instrument Gallery Mens Washroom Womens Washroom Security Office Coat Check Stage Back Stage Long Term Storage Conditioning Room Quarantine Room Dock Elevators Stair Mechanical Temporary Gallery Presentation Gallery Collections Seasonal Gallery Instrument Gallery Music Discovery Landing Ramp Long Draw Landscape Berm Plaza Level Path Hall Structured Delivery Garage Sky Box Performance Support Level Small Performance Level Admin Level

RAMP DOWN

RAMP UP

AA 2

4 PIP Concrete Wall

see structural

2 PIP Concrete Create with 8-12 inches of soil above

3 Stone Facing

4 PIP Concrete Wall

5 Corten Steel C Channel

5 Alluminum Raised Floor System

8 8 x 8 Steel Column

see structural

6 Alluminum Raised Floor System 7 Radiant Piping

6 Radiant Piping

7 Fresh Air Intake 8 Post Tention Slab

9 Air Exchange Unit

11 Fresh Air Intake 12 Air Exchange Unit 13 Site Retaining Wall 14 On Grade Concrete Slab

11 On Grade Concrete Slab

12 PIP Foundation

workshop wall section 1/4” = 1’ - 0”

MID

collections wall

C A

3 Stone Facing

1 12 x 12 Corten Steel Tube

see structural

2 PIP Concrete Create with 8-12 inches of soil above

LOW

1 12 x 12 Corten Steel Tube

23 16

27 12 26

14 19

RAMP DOWN

102 FINAL BOARD Final presentation board

ALLIED WORKS ARCHITECTS | TERMINAL STUDIO

MEMORIAL COLOSIUM

28 29

RAMP DOWN

RAMP UP

103

23 16

14 4

18 25

12 26

RAMP DOWN

institution movement 28

diagram

program diagram

ground level +0 1/16 scale

33 27

43 4

103 FINAL BOARD Final presentation board

76 ALLIED WORKS ARCHITECTS | TERMINAL STUDIO

104 classroom education

14 instrument gallery collections

semi private well performance

sky box theatre performance site junction approach

104 FINAL BOARD Final presentation board

ALLIED WORKS ARCHITECTS | TERMINAL STUDIO

105 Proposed Hotel Existing Parking Rose Garden Arena

Existing Parking

Memorial Colosium MIC

project overview context

1 12 x 12 Corten Steel Tube see structural

2 PIP Concrete Create with 8-12 inches of soil above

1 Exterior Insulation with Balast above

3 Stone Facing

2 Post Tension Slab 4 PIP Concrete Wall

1 12 x 12 Corten Steel Tube

3 Glazzing Frames

see structural

4 Glazzing

2 PIP Concrete Create with 8-12 inches of soil above

5 Vertical Steel Member 3 Stone Facing

6 Tensile Cable Truss

4 PIP Concrete Wall

5 Corten Steel C Channel

5 Alluminum Raised Floor System

8 8 x 8 Steel Column

see structural

6 Alluminum Raised Floor System 7 Glazzing Fastener

7 Radiant Piping

6 Radiant Piping

7 Fresh Air Intake 8 Post Tention Slab 8 Cable Truss Member 9 Air Exchange Unit

11 Fresh Air Intake 12 Air Exchange Unit 13 Site Retaining Wall

9 Alluminum Raised Floor System

14 On Grade Concrete Slab

11 On Grade Concrete Slab

10 Radiant Piping 11 Fresh Air Intake

12 Post Tension Slab

12 PIP Foundation

13 Air Exchange Unit

LOW

workshop wall section 1/4” = 1’ - 0”

MID

collections wall section 1/4” = 1’ - 0”

HIGH

tower wall section 1/4” = 1’ - 0”

structural | system sections detail

105 FINAL BOARD Final presentation board

78 ALLIED WORKS ARCHITECTS | TERMINAL STUDIO

106

+ 188 to top of roof

+ 158 sky box level

+ 143 support level

41 33

4 43

NW-SE section DD

+ 110 small performance level

education

48 + 95 admin level

48 + 80 admin level

+ 65 admin level

2 29

27 41

2 29

29 39

NE-SW enlarged section AA

NW-SE section CC

perception

collections | support

106 FINAL BOARD Final presentation board

ALLIED WORKS ARCHITECTS | TERMINAL STUDIO