Chalk Illustrated - Issue 9 - Summer 2013 by Kerry Kistler

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Chalk ILLUSTRATED

Using Chalk Art for Ministry, Education & Fun!

Home of the free because of the brave Issue 9 Summer 2013

This Issue:

ALSO: Eagle on Sheets pg. 8 k Patriotic E k Prodigal SSon for Kids pg. 19 Your Biggest Investment pg. 24 k Easel-ly Yo k Animated Easel - Bonus E-book pg. 26 k Chalk 3:16 in the Philippines pg. 29

Vester Arnold

CHALK ILLUSTRATED  SUMMER 2013  ISSUE 9  PAGE 2

The Features, Stories & Columns Inside This Issue.

4 5 8 9 13 13 14 17 19 20 22 23 24 26 27 29 30 31

Coffee with Kerry: The Future of Chalk Illustrated: Subscribing Letters & E-mail: Reaction to 2-Step Plan, Low Cost Easel, more Chalk on Sheets: Patriotic Eagle and Flag

Cover Artist: Vester Arnold: God's "InVester" Money & Ministry: What About a Sales Table? Bowman on Target: Using Blackboards & Softening Chalk Step-By-Step Studios: Calvary

Background Checks: The Prodigal Son Chalk Be Nimble: Prodigal Son Oddio Re-Cordings: National Parks, WW II, Prodigal Son Lightning Cartoons: Flag/Ship, Eagle/Plane, Dictator/Liberty, Jug/Pig

Taming Hidden Pictures: Patriotic Potpourri My Tuppence Worth: Easel-ly Your Biggest Investment - Part 4 In the Workshop: Animated Easel Survey Results: What Style of Chalk Easel Do You Use? Global Chalk Art: Chalk 3:16 in the Philippines Chalk Art Want Ads: Training Events and Easels Nub Tub: Flags, Eagles and Lady Liberty

Chalk Illustrated is a magazine designed and produced to educate, edify and unify the chalk art community worldwide. It is published on a quarterly basis (as time allows). Both PDF download and printed versions are available. Each printed issue may be purchased for $6.95 US with free shipping anywhere in the US (international orders please e-mail for actual postage charges). Each PDF (download) issue may be purchased for $3.95 US. Annual subscriptions (4 issues) to the PDF version are $15.95, and printed subscriptions are $27.95 with free shipping in the US. Subscriptions, donations and advertising may be made through the official web site at www.ChalkIllustrated.com. To order, visit the web site and click on the Subscribe & Shop tab where you will find more details. We accept checks, credit/debit cards and PayPal. You may also make donations to help with this ministry to: Kerry Kistler,1722 N. Waverly Ave., Springfield, MO 65803. All correspondence should be directed to the editor, Kerry Kistler, at ChalkIllustrated@gmail.com or call 417.894.3455 or 417.894.3458. Your articles and idea submissions are always welcome—every effort will be made to include your material. The entire contents of this publication is protected by copyright © 2013 and may not be reproduced without permission. Article reprints are generally allowed upon request.

CHALK ILLUSTRATED  SUMMER 2013  ISSUE 9  PAGE 3

•COFFEE•WITH•KERRY• The editor spills some ink – and a drop orr ttwo w of coffee.

the future of Chalk Illustrated

are less than $250, yet my cost to produce CI exceeds $2500. These expenses include laptop depreciation (all design & layout is done on a 6-year-old laptop that needs to be replaced), various software, file hosting (for the downloads you enjoy), distributing sample copies, a small advertising/ promotional effort, shipping contest prizes, maintaining print inventory and more. Simple math requires an increased cash flow to keep CI in production. Add the 300+ hours of labor I invest per issue, and you can see that Chalk Illustrated truly is a labor of love.

Here is the 2-STEP PLAN in a nutshell: [Editors note: In case you missed the broadcast e-mail which went out in April, I have updated it here.]

HALK ILLUSTRATED IS beginning its third year of publication with this issue, and even with no advertising or marketing budget, we have grown to over 450 subscribers—with new readers joining every week! It has been my joy to publish ublish this quarterly magazine. I could not have done itt without many of you writ-ing articles and sending in n ideas. Please don't stop!! Since launching CI twoo years ago, it has become me my main ministry expresssion. My 3 original goals als still stand: 1. Provide content that is usable, helpful, encouragaging, educating and inspiring. ng 2. Unify chalk artists. Reader Gary Palmer expressed it best: "Somehow [Chalk Illustrated] really brings us together with a sense of community and shared vision." 3. Keep it FREE. While I am continuing to pursue these goals, I find it necessary to make a few adjustments to ensure that CI will endure. I have been very grateful for the occasional donations received from thoughtful subscribers—you have helped keep things going. However, annual donations

1. Increase Each Issue by Four Pages to Accommodate Paid Advertising. Several subscribers have asked to buy ad space in Chalk Illustrated, so I am increasing the page count from 28 to 32 pages. By adding 4 pages for advertising, there will still be 28 pages of usable chalk art content in each issue. Do you have chalk-related items to sell (i.e. a book, DVD, chalk art accessory, easel, sound equipment or supplies)? Let over 450 other chalk artists know. Rates can be found at ChalkIllustrated.com. Click on the Advertise tab.

2 Offer Three Levels of 2. A Access (this went into effect on

May 12). Every year, CI delivers 112 pages of solid material plus scores of additional pages in bonus download content, audio files, stencil designs and more. How much is this content worth to you? Show it by subscribing, ala carte, according to its value to you:

II. BASIC ACCESS - FREE

Subscribing at this level allows anyone connected to the internet to read the magazine from a computer, laptop, iPad, etc. It does not allow downloading issues for home printing, nor access to the bonus content. New issue notification will be sent via e-mail. If you choose this level, no action is needed - you are already subscribed and will continue to receive new issue alerts. I granted ALL current subscribers permission to download any content they desired until May 12. At this level, you will no longer be able to access or download issues or bonus content. But, you can upgrade...

II. STANDARD ACCESS - $15.95 annually (4 issues)

Subscribers will receive a link for online reading plus protected links for

CHALK ILLUSTRATED  SUMMER 2013  ISSUE 9  PAGE 4

downloading, saving, printing and reading purchased issues. You will also have full access to downloadable bonus content featured in the issues which you have purchased. Back issues (plus related bonus content) are available at $3.95 per issue for download access.

III. PREMIUM ACCESS - $27.95 annually (4 issues)

At $5.00 over my actual cost for printing and shipping, this level includes everything in levels I and II, PLUS professionally printed copies mailed to you in a protective envelope. Due to increased shipping costs, Canadian and International subscriptions will be higher. Note: If you have EVER had a paid subscription or purchased ANY issues of the print edition, you were e-mailed all new

download links for every back issue you have ever purchased. Printed back issues are available at $6.95 per issue (US delivery included). Other countries will have higher shipping as it applies. Please know that these changes have not been made in order to turn Chalk Illustrated into a business venture but to keep the magazine alive as a ministry service to you. The below graphic should help clarify any questions. If you would like to upgrade to a Standard or Premium level, please visit ChalkIllustrated.com and click on the Subscribe & Shop tab where you may select the level that's right for you. God's best,

Kerry Kistler

CHALK ILLUSTRATED  SUMMER 2013  ISSUE 9  PAGE 5

LETTERS

E-MAIL

Your open fforum tto communicate, Y i t commentt & critique. iti

E APPRECIATE YOUR notes of encouragement, ideas, news, tips and chalk-related questions. Send all this and more to ChalkIllustrated@ gmail.com, and we'll include as many notes as possible in the next issue.

We received lots of feedback about the new CI subscription plan & advertising rates plus a few other topics.

Reasonable

Thanks for all that you do. Your plan is both reasonable and very generous. Keep up the good work. Jill McFarlen

Overdue

It's wayyyyyyyyy overdue that you would set some limits! It's hard to set boundaries on ministry giving, isn't it? We deal with similar issues, probably giving more DVDs than we sell, and striving to keep on with ministry but with some business sense. I don't know how anyone in ministry ever makes a dime, to be honest. Thank you for all you do. Pat Holt

Whatever it Takes

I am so grateful for the magazine and the labor of love you put into it. Whatever it takes to keep you financially afloat is okay. God bless you, Ruthie Wall

Can't Imagine

I couldn't imagine how you managed this quality of a magazine this long on so little, and I can't imagine anyone having a problem with understanding. Suzie Zoerman

Moocher?

What an incredible value considering all that you put into each issue. I feel like a moocher for not having done this before. Count me in. I'd like to subscribe at the Premium level. Gary Palmer

Will Gladly Pay

I use this as a resource, and I have already received way more information and help than the amounts you are asking for. I will gladly pay what it takes to keep these issues coming. Chris Burt

I Have Wondered...

I agree wholeheartedly and have wondered how you do this without financial support. I really appreciate the magazine. Blessings, Carl Ens

Tread Mill Reading

I applaud your action steps. I agree it is bringing a far-flung group together and inspiring us to continue. I encourage everyone to invest in the printed magazine. It is inexpensive and much easier to browse through again and again. I am SO glad I ordered all the printed back issues of CI. I take it to the gym and read them on the tread mill at 6 a.m. A great inspirational start to the day. And I can review the articles more easily than in the computer version. I will be sharing my issues with Craig Esvelt, a long time chalk artist nearby, and plan to help with some articles in the coming months. Nancy Anderson

MORE Work?

I support your efforts and the proposed fi-

nancial structure you've listed. My question is this: Will breaking this into the various levels actually create MORE work for you? Thanks for being a blessing to so many. Randy Christensen

Aussie Sign Up

Great! Sign me up for the premium. I know that it will cost more since I live in rural Australia. But we don't have cheap unlimited broadband, and downloading is time consuming and expensive. I enjoy the articles and need the inspiration to keep drawing. Carolyn Trumble

Art for God

Thanks for the labour of love. Struggling with my chalk art but would like to support CI as I think this is a wonderful art for God! Pastor Paul Long

CHALK ILLUSTRATED  SUMMER 2013  ISSUE 9  PAGE 6

Shocked!

I'm shocked! Not at your decision and the changes but at the fact that you haven't made these changes sooner. I agree it is something that must be done, so go for it knowing it will be a good thing, my Friend. Blessings on you, Sheldon Rhodes

Sell Ads!

Your ad idea is GREAT. In fact, part of the usefulness of a chalk art magazine is where to get resources. The rates sound reasonable as well. I'm too cheap to advertise (or maybe too poor - just rich in the Lord. But, I hope to see many artists buy David LeGrand's easel. We are so happy to live and raise a family on full-time chalk-art evangelism that we're glad to give up many other things money could buy for the joy of

full-time service. We're having the time of our lives--which is but for a moment, then it will vanish into eternity. YES, sell ads. I hope you sell many. I may come up with something at a later time and buy ad space. God bless you with many years of creativity!!! Joy in Christ, Dwight Haynes

BRAVO!

I have pondered on several occasions how you could keep CI going without paid ads or contributions. We know about those "little contributions" - and appreciate them greatly - but they don't keep the project afloat. Keep up the great work and thank you for allowing us to invest in just a little way. James & Tracy Snyder

All Worthwhile

You are experiencing the same things I went through when putting out the Christian Artist. Remember, most do not know what you really do to get each issue out. However, God knows and sees all. There are many that really enjoy and use each issue but just don't speak out and let you know. Suggestion: add a survey page in your emails for each issue did they find the issue helpful; which article was the most helpful; would they like to share something with the readers. Maybe ask readers to send in letters telling some of their experiences as a result of one of their drawings. Ask readers how they are changing or making their drawings different or better. Ren Dueck

Better & Better

I have waited 60 years for this kind of information for chalking. And I will gladly pay whatever it takes to keep you afloat. Every issue just gets better and better. I am learning to use a Mp3 because of your downloads and love it. The Lord is using you and blessing each one of us in very special ways. I would love to see ads for things I could buy. Great idea! Thank you for letting us know of your problems and letting us help. I hope you get lots of ideas from others. God bless you and your work. Your friend for eternity, Cathy Griffiths

Not Free to Produce

Although I really appreciate "FREE" I also understand that we all really need to work together to keep CI going! It's not "FREE" to produce. I am so blessed by this publication and would like to see it continue! I'm happy to support your ministry. It has been a blessing to me! I've been wanting to get my hands on the actual publication for a while so I thought now was the perfect time. I would like to subscribe to the printed edition. The Lord stirred my heart about 2 years ago for chalk art ministry. He provided my training through Alpha Arts studio with Mr. LeGrand and Matt Bowman. I LOVE LOVE LOVE it! My family recently helped me put together my own chalk art studio on our farm. I love going in there to worship the Lord and drawing with Jesus! :) I've enjoy speaking at

ladies conferences & local Christian schools to inspire others to "Draw" closer to Jesus & offer their gifts to him to use for his glory. It's amazing what He does with it! Here's my contact website: Wavesofgloryandgrace.blog.com. Thanks for all the inspiration you give! Erica Russell

Overhead Costs

I have no problem at all with your proposals for the future of Chalk Art Illustrated. I understand that the overhead cost needs to be taken care of so that you can continue to provide Christian artists with such a great quality publication and resource. I will be willing to do the Premium Access and believe it is a very minimal cost for the value of the product. Thank you again for creating this ministry tool and giving it so sacrificially. Darrell Jennings

Other Letters on Other Topics... 4th Wise Man

I just started doing the 4th Wise man after I found your download of the story. Every time I listen to the story as I draw, I hear another ‘golden nugget’. I’ve done it at least a half dozen times since your article. I don’t do any hidden pictures with invisibles – that’s too much prep time and taking the paper in and out of the car! Dee Ruckert

Low Cost Easel?

Gary Means told me about Chalk Illustrated,

and I'm just getting started in the chalk art ministry. I am going to be 75 and want to do this, so I would like to receive the printed magazines. Also, I would like to find someone who could build a [low cost, lightweight] easel for me. I can't handle a heavy chalk board and take it everywhere. 2x4's are awfully heavy. So, how do other people do this? I would appreciate your input. Thanks so much. Carol Garrett

A Real Ministry

Thank you for your excellent work with the Chalk Illustrated magazine. It is done very well and is a big help and encouragement to all of us chalk artists. I know it takes a lot of time to do this and it is a real ministry, so keep up the good work brother. Craig Moore

Subscription Alert?

Do you know how many years I subscribed to? I tried to see if my account was anywhere on the CI web site, but didn't find one. Do you notify people when their subscriptions expire? While I appreciate the free downloaded issues, I am just old-school enough that I can't give up holding that paper in my hands while I lay on the couch and savor the contents. Keep up the good work. Kathy Madsen [My web site is not sophisticated enough yet for subscribers to log into personal accounts. It would be nice if you could get your information that way. However, I do keep detailed subscription records,

CHALK ILLUSTRATED  SUMMER 2013  ISSUE 9  PAGE 7

and I also tuck in a "Last Issue" alert when appropriate. I have decided to also send out e-mail alerts beginning with issue #9. Kerry]

Speakers in Hood?

I work almost exclusively with small country churches in the Midwest, and I haven't run into any that use a format more complex than CDs with their sound system. It's convenient to just hand the sound man a sound track on CD - which works with my style of chalk talks (playing through a single CD is all I need). But, there are a lot of churches I work with that do not even have a CD player - sometimes hauling out an old boom box will do the trick. With the size churches I work with, this is more than enough sound, but I would like to put speakers in my light system and mount a CD player to the back of the easel. Easy set up is important to me once I arrive at the church. Any recommendations or resources for small CD players with enough watts in the amp for a mid-size speaker? Mr. Eddie [I have not used a CD player for a long time in a program but an iPod in most locations - of course there isn't any kind of amp in those. They have to be patched into a regular sound system (yours or the churches). Let's see what kind of response we get from the readers of CI. Kerry]

Correction: Issue #7

misprint - Ren Dueck's correct e-mail address: renwdueck@yahoo.com

Hanging Your Fears Out to Dry with Large Format Chalking.

My most requested chalk drawing!

Patriotic Eagle and Flag

By R Richard h d Hight H ht h

NEVER ENLISTED. I knew from an early age that art was my "calling." However, I come from m a rich family history of service to our nation. n n. Between active duty and civil service, my fa-ther had over 50 years of service to the US. Myy brothers both served in the Marines. My brothher-in-law was in the Army and was selected as a guard at the Tomb of the Unknown Soldier in DC and is now a State Trooper. It is a heritagee I am both proud of and thankful for. We owe so much to the men and women who stepped up when we needed them. Currently, my most requested chalk drawing is an eagle in flight with an American flag background. Of course, in this instance, I use music that has a patriotic theme. There is so much roussing patriotic music available. I consider the patriotic pieces I do a way of paying homage to our finest and it is my way ayy of serving those who serve. I have been before re each branch of the military to perform from coast ast to coast...the Army, Navy, Air Force, Marines and nd Coast Guard. I have seen tears in the eyes of seaasoned and toughened Admirals, Colonels, Majors rs and Generals as I complete the final stroke revealing the Eagle in flight and it always humbles es me. I have been blessed to perform with the Army my my Golden Knights, The Blue Angels, The Thunderbirds and on more bases and forts than I can remember. I am truly thankful to have been born in America where I have always enjoyed freedom that most of the world never knows. It also makes me more appreciative of what the Lord has done for me and I am ever mindful of this verse...

Therefore if the Son makes you free, you shall be free indeed. —John 8:36

These three drawings are variations on a theme. It was my honor to perform before the Blue Angels, the United States Navy's flight demonstration squadron.

Rich Richard i Hight ghtt is a professional motivational keynote speaker and chalk and fine artist. For more information visit his websites at www.visualmpact. com or www. visualmpactministries.com or call 918.583.6071. You can also like him on facebook at visualmpact..

CHA HALK HAL AL ILLUSTRATED  SUMMER 2013  ISSUE 9  PAGE 8

Presenting • the • Cover • Artist! Introducing another neighbor from our chalk art community.

An Interview

with ith Vester V t Arnold A ld

INCE 1979, Vester Arnold, his wife, Sheryl, and daughters have invested in the Kingdom of God by traveling the roads of America & several foreign countries, preaching revivals, drawing, singing, and doing children's work. Vester shares his story.

CI: Vester, have you always been interested in art?

Vester: Yes, since I was a child, I always liked to draw. In grade school and into high school, one notebook after another would be filled with pencil drawings which I gave away. Pencil is the basis of all art. We cannot cover up bad drawing with beautiful color. Practice the fundamentals--it will pay big dividends. Vester Arnold \ next page 

CHALK ILLUSTRATED  SUMMER 2013  ISSUE 9  PAGE 9

ch church in Cape Coral, FL, now known as Gulf Co Coast Baptist Church. There was a picture of a chalk drawing in the newspaper. The a artist was Mark Grover, a native of New EEngland, who was pastoring a church in tthe area. After introducing myself to him, he gave me a closer look at his work. He h was a superb artist. Of course, the black w light caused a sensation. I said, "Man, how about that! I think I can do this if you would show me how to build a chalkboard." So, in the back of his church, my first chalkboard was built—the old-fashion kind that folded up into a suitcase style. That is when I learned of Ding Teuling. Soon, we were off to the New York Adirondack Mountains for a week of classes with Ding and Dave.

se" black light "The Lighthou

CI: How did you transition to a fullfull-time ministry in chalk art?

Vester Arnold \ continued The Lighthouse, above, is a black light version of the previous page. Never Forget, front cover, is a drawing that can be used for any patriotic holiday with the right message. We should never forget the sacrifice of our veterans, nor the sacrifice of Christ for our sin. We use a 200-year-old song called, "I'm A Soldier," to the tune of "Come, Thou Fount." It is very effective, and can be heard on YouTube sung by the Rochester Family.

CI: Have you had art training?

Vester: In the 1960's, I attended Columbus College of Art and Design in Ohio, but only for a semester. I worked for the E. F. McDonald Co. in Dayton, Ohio, for a few months as a "keyline artist." In the 70's, I spent two weeks with Ding Teuling and learned not only chalk art, but also a few things about a traveling ministry which was very helpful.

CI: What was your first exposure to chalk art?

Vester: In the mid-70's, I was starting a new

Vester: The thought that half my life would be spent as a a chalk art evangelist never entered my mind. As a kid, I always wanted to be a magazine illustrator. Soon after I trusted Christ, being born again in 1967, God called me to preach. Within a few months, I attended a Bible College in Texas and then Baptist Bible College in Springfield, MO. I was a student of many schools—a graduate of none. I left college and went back to my hometown of Fort Myers, FL. I was a member of a little church of about 40 people. We were having a revival meeting; I walked in and saw Sheryl with her mom and dad sitting on the third row—a blue-eyed blonde that I definitely wanted to know better. We had gone to high school together. Nine years after high school, we were married in 1971. Then Jennifer, Jill, and Jana came along. As I did a Wednesday night service here or a Sunday night service there, the thought of going full-time began to press upon me. I resigned from the pastorate, sold my house, and with only 7 revival meetings scheduled—off we went in our little red VW Bug pulling a two-wheel trailer

“

I resigned from

the pastorate, sold my house, and with only 7 revival meetings scheduled, off we went...

”

"The Resurrection of the Saints” black light

CHALK ILLUSTRATED  SUMMER 2013  ISSUE 9  PAGE 10

that carried my chalk board. Most people would have voted for us "most likely not to succeed". Now we are on our 5th truck and 3rd fifth-wheel trailer, and we have had two motor homes. We are thankful for how the Lord provides!

CI: Do you teach chalk to others?

Vester: For the most part, over the years, I have recommended (to those with an interest) attending the Teuling classes—now the LeGrand classes—in Winston-Salem, NC. Along the way, I have tried to help those who are interested in chalk art. Sometimes they just need a little encouragement. Some years ago, our daughter Jill took my original chalk board to East Africa to be with missionaries. The book, "Drawing with the Right Side of the Brain," by Betty Edwards was used to help train Jill. Now with six children, she doesn't have much time for chalk art. The missionaries liked the chalk art so well that she left the board with them.

“

We use great

care in selecting music for the drawings. Music must move the heart, not the feet.

”

CI: How many different chalk drawing are in your tool box?

Vester: We do revival meetings in the he fall, winter, and spring, and VBSs in the summer. mmer. Many of the churches have us in everyy year or two. I have about 70 drawings. Some me we drop off; others are added on. It is really ally a challenge to come up with something new, but we must work at it.

Baptistry painting

like the hymns Sheryl plays while I draw the Titanic. I think it is very powerful.

CI: Do you do any other kind of art besides chalk art?

Vester: Sometimes churches will want a baptistry painting. After the wall has a coat of Gesso, the painting is done in oil.

CI: What is under the (light) hood?

Vester: The chalk board I use was made in the 70's. For years it was Dave Teuling's personal board. Along the way, I put a new frame and

Baptistry painting, above. Years ago, I started out with acrylic paints, but found they dried too quickly. I was unable to blend colors as well, so I switched to oil paints and have had better results. This is the most recent one I painted, in May, in Marion, NC. 6' x 12' oil. Titanic, below. A night to remember. For 100 years preachers and chalk artists have used this epic story as an example.

Vester Arnold \ next p page g 

CI: Do you have a favorite?

Vester: My favorite? I have several. Very early in our ministry, a "Calvary" picture ture was developed. We use great care in selecting music for the drawings. Music usic must move the heart, not the feet. Many any people become very emotional when n I draw Calvary and Sheryl sings. Many different "Calvaries" have been drawn over ver the past 35 years [see Step-by-Step, pg 14 to learn one of these]. The "Woman at the Well" has quiet et simplicity and shows a changed life; e; the "Titanic" has a dramatic black lightt with the lights of the ship reflecting on n the smooth water at night. I especiallyy

CHALKK ILLUSTRATED  SUMMER 2013  ISSUE 9  PAGE 11

"Titanic" black light

light e Cross" black "The Way of th Vester Arnold \ continued The Way of the Cross, above. This well known concept may have originated with Robert Smith, a Southern Baptist pastor. Some call it the "Amazing Grace" of chalk pictures. The Prodigal Son, below. Every generation, culture, language, and people love the story of the prodigal. Visit Vester's web site at VesterArnoldMinistries.com

backing on it and did some welding on the legs to give them more strength. David LeGrand put on a new, more powerful black light and reflector. It also has LeGrand controls. So I call it a Teuling-LeGrand Hybrid. A 100-watt red, amber, or blue flood light is used. I find that very effective. It is rugged and handsome, and so far has held up with the beating that a traveling ministry gives all equipment.

CI: Can you share something remarkable that has happened at one of your programs?

Vester: Years ago at a church in Jupiter, FL, then pastored by fellow chalk artist Rick Overman, the

m message was on the subject of Hell. I drew a picture of the flames of Hell and people with pi their arms lifted up. A woman, no one had th seen before or since, was seated near Sherse yyl on the second row fumbling through a ssong book, and during the message she would mock what was said about Hell with w a demonic, deep, guttural voice. When the black light came on, she said loudly, "It's beautiful!" Three pastors were in the service; they later said they had never been in a service like that, and they felt a strange coldness. No one moved during the invitation. The woman left immediately after the service. She would not let anyone speak to her, even though some ttried.

“

Some people will

CI Fi CI: Finally, why chalk art? What is it about chalk that continues to motivate you?

come to see an artist draw a picture (which is human nature) that might not come otherwise.

Vester: The more we can do, the more the Lord can use us in His service. Some people will come to see an artist draw a picture (which is human nature) that might not come otherwise. Chalk art is a great way to present the Gospel to people of all ages. I never tire of it.

"Prodigal Son” regular & black light

CHALK ILLUSTRATED  SUMMER 2013  ISSUE 9  PAGE 12

”

 Money & Ministry

• O N

T A R G E T •

By Matt Bowman

I am in schools (here and abroad) and Q: have opportunities to share chalk art with students. However, sometimes I only have my

By Sheryl Arnold

What About a Sales Table?

UR SALES TABLE is part of our ministry as well. Many people look forward to buying items as gifts for others. In turn, that helps us financially. We received about 1/3 of our income from table sales. I make Bible covers, Bible book marks, magnets, 11 X 14 matted photos (we use a Nikon Coolpix and an Epson 1400 printer), and we also have DVD's of Vester's drawings available. In our early years on the road, I was so busy home schooling our children, there was no time to make items for our table. After Jennifer and Jill went to college, I was able to devote much more time to making things. Money from the table helped paid for their Bible college expense. Everyone who travels should have some kind of table. In this way, some of your ministry can be left with the people you come in contact with. At the same time, it helps defray the expense of living on the road. Some ask if we have been in churches that do not let us put up our table in the foyer. It has happened only a handful of times. In the church circles we travel, a table is welcomed, even expected.

"America” one of the note cards we offer on our sales table.

lecturer's chalk with me in the car without my easel or paper. Will lecturer's chalk work on a school blackboard or greenboard? I wonder if a chalk board has enough surface "tooth" to work with our chalks. I'm also concerned that the pigment might stain the surface.

Well, as you could guess, we make the chalk for paper. It is our customers that tell us how they use it, A: and that is always fun. Lecturer’s chalk works on any semi smooth surface. It does really well on many blackboards, but not all. Harvard U has found it works great on their blackboards while other schools say the chalk does not work for them. Green boards and blackboards vary so much it is amazing. It is safe to say that the chalk writes on any surface that is not smooth and glassy. Staining? Not so far.

How do I get my old chalk, which seems to Q: have gotten hard, to soften up? My chalk sits for a long time and tends to harden so it doesn’t go on the paper very well.

Old chalk is hard because it was made that way. Time does little to the chalk. It is considered a “stable” A: product once it is made. It basically does not get harder with

age. It is, however, prone to mold in damp environments. Some basement storages breed mold, and the chalk absorbs the moisture. Really fine mold then grows on the chalk which looks like a form of dirt. It can be wiped off with a rag over a trash can. Hard chalk can sometimes be made softer by putting it in a sealed container with a lid (like a Cool Whip tub) and putting a damp rag or paper towel in there with the chalk. Do not let it touch the chalk, just put it there so the chalk will absorb the moisture. The damp container method will help some. Since I use our chalk too, I'm just as concerned about the quality and softness as the next person. Longtime chalkers know that the yellow-green, green and dark green were always hard and sometimes useless. The greens have gotten much better because we are constantly working on the chalk - be we have not arrived yet. Matt Bowman operates EternityArts. com, a ministry that conducts chalk classes and manufactures materials for Gospel chalk artists around the world. Send your questions for Matt c/oo chalkillustrated@gmail.com

CHALK ILLUSTRATED  SUMMER 2013  ISSUE 9  PAGE 13

Step-by-Step Studios Exploring the Creative Chalk Art Process via Storyboards.

Calvary

D B

old n r A ster e V y

URING THIS SUMMER, as we celebrate freedom and liberty on Independence Day, may this drawing remind us of the freedom purchased for us by Jesus on the cross. The Bible declares, “So if the Son sets you free, you will be free indeed” (John 8:36). But, the Word also says, “You, my brothers and sisters, were called to be free. But do not use your freedom to indulge the flesh; rather, serve one another humbly in love” (Galatians 5:13). Charles Kingsley put it this way: “There are two freedoms— the false, where a man is free to do what he likes; the true, where he is free to do what he ought.” This surely applies to our spiritual lives because freedom without boundaries is like a river without banks. These photos were taken from a DVD containing three different chalk drawings designed for your education, inspiration and edification: Calvary, The Way of the Cross and The Prodigal Son (black light pictures are not taught). It may be purchased for $18, postpaid, from Vester Arnold, 3740 Eagle Nest Rd., Fruitland Park, FL 34731.

I begin the drawing on this pre-toned background. The hidden picture is also pre-drawn. Several colors are blended together in the toned area including Blue, Turquoise, White and Light Blue with touches of Carnation or Coral. I like to keep the skies soft, without defined edges. Use sharp edges in the foreground. The distant walls are made with Lt. Peach. Use Light Blue for the shadow side. The trees and shadow on the ground are Dark Blue. Over this, layer some patchy light using Yellow Green. Suggest rocks in the distance with flecks of White.

CHALK ILLUSTRATED  SUMMER 2013  ISSUE 9  PAGE 14

Just below the "sunset" area, to the left, I sharpen the horizon line with some Blue. The hill of Golgotha is blocked in quickly using Black and smoothed out by blending. It's fun to go against the rules and use my eraser to spread the chalk and blend it in.

The three crosses are simple Black silhouettes, but take care to use proper perspective - smaller in the distance, larger in the foreground. It's also important to use accurate proportions with the figures, but don't pick away at them for too long.

The soldier and people are likewise quickly drawn with Black and with attention to proper proportions and perspective - note how much smaller the people are next to the soldier. This automatically pushes them farther into the distance.

Over these black silhouettes, add some quick detail by adding loose dashes of color - Blue and White for the armor, Red for the soldier's garb, Light Peach for skin, and whatever you like for the other people. Note also that highlights have been added to the cross and hill using Dull Peach. Calvary \ next page 

CHALK ILLUSTRATED  SUMMER 2013  ISSUE 9  PAGE 15

Calvary \ continued

Add some more highlight detail to the left of the hill using Dull Peach to form rocks and other rough areas. I do not use fluorescent yellow on these areas - this keeps the full focus on the hidden picture in the sky. Also note the Blue reflected highlights on the right side of the hill which form a subtle skull shape.

Add a bit of scrubby grass in the lower left corner using Green and Yellow Green for highlights. It takes me about nine minutes to finish the picture plus a couple of minutes to go through my colored lights.

Here is the hidden picture under black light. Notice how I use a patch of invisible Blue in the area behind the center cross, soldier and people to help create a strong contrast. This helps to silhouette the crucifixion in order to keep some of the focus there.

Here is a close-up of the hidden face of Jesus. This is not an overly difficult composition to freehand since the face is in profile. It is simple enough that a basic stencil could be cut and used to aid in capturing accurate proportions. I use invisible Gold, Orange and Flesh to create this profile portrait.

CHALK ILLUSTRATED  SUMMER 2013  ISSUE 9  PAGE 16

1 Secrets of Animation Background Art

the Prodigal Son by b Kerry K Kistler Ki tl

HE PARABLE OF The Prodigal Son (or the Parable of the Lost Son) is the tale of a wayward youth reunited with his father and family after having squandered all his inheritance through wasteful living. Learn of God’s overwhelming love for those who humbly repent of their foolish ways with this endearing Bible story! Nest Entertainment has been marketing this animated story since 1988, and it is filled with lush and creative backgrounds that I believe are the work of Disney background artist Jim Coleman.

Observations & Ideas

This is the moment when the Prodigal son leaves his life on the farm and heads to the city to seek his fortune. The artist adds some nice detail to this scene with the low, stone walls framing the foreground. Using the right kind of palm trees helps to reinforce the mideastern setting.

This scene uses the rough and worn textures of an ancient city. The use of stone, patchy plaster and thick walls help make the setting feel authentic. Note also how the foreground is framed on the left with a darker wall, awning and clay pot, emphasizing the "pool of light" effect where the action is set.

I just love this establishing shot of the cobbler shop. I like the artist's cho choice of descending stairs rather than ag ground level entrance. The cluster of ite items around the doorway is "set dressin ing" that provides visual interest.

This bird's-eye view is really an interesting choice. The dramatic Prodigal Son \ next page 

CHALK ILLUSTRATED  SUMMERR 2013  ISSUE 9  PAGE 17

Prodigal Son \ continued

perspective of the looming archway emphasizes how small and out-of-his-depth the main character is.

Here is another wonderful example of dramatic perspective and framing. Observe how much of the scene is filled with the stone archway plus the darker wall/barrel on the left. Whenever rending a stone wall or structure, the massive archway teaches us something about how sketchy the detail can be, and still work. Every stone does not need to be rendered—it would take too long for chalk work—a suggestion is plenty.

The use of dismal skies and rainy weather have long been used by artists to establish a mood. Gone is the bright sun and clear skies of city life. With his money gone, the Prodigal son walks in the rain past dead trees. The whole vibe of is one of loss and sadness. These elements may seem like visual cliches, but they do work on an emotional level. When rendering rain, this shot gives us a good example of how it should be done—short streaks of light blue, in a random pattern, with a consistent angle and no big juicy rain drops.

This scene is one of the most powerful moments of the story—eating with the pigs and coming to his senses. The emotional tone is still one of bleakness thanks to the limited color palette, overcast sky, dead tree, broken down stone fence, and mud. Even so, the "pool of light" effect is still in use. The artist made a clever choice in this background, which you cannot see here. After the lad makes the decision to return home to his father, he does a 180, jumps over the fence and begins running for home. As the camera pans right to follow the action, the background is brighter, and we see that the grass really is greener on the other side of the fence—no accident, but intentionally done to speak to the subconscious. If I were going to present a drawing of the Prodigal Son, I would probably not emphasize this moment of the story unless the hidden drawing showed the happy ending reunion (see Donna Holloway's drawing on pg. 19). The simple design by Vester Arnold (pg. 12) also does this powerfully.

This scene of the father and son returning home is so heartwarming, but probably too complex for most chalkers to draw within 15 minutes. I've been chalking since 1996 and I wouldn't try it myself. But, I share this scene because it could be simplified—how much of the father's house is visible in Vester's design? And there are other elements here that merit our study. Notice the dramatic perspective of the road leading home. It's an appropriate shot that serves as a "bookend" to the earlier shot of the son leaving home. Everything is sunny and bright—gone is the dismal and bleak. The entire foreground (road, stone wall, tree limb, foliage, etc.) is darker and serves as a framing contrast to the bright "mansion on a hill top." This makes use of a basic art technique: it takes the darks to bring out the lights. If you would like to try presenting the parable of the Prodigal Son, there are several sound track ideas to check out in the Oddio ReCordings column (pp. 20-21).

CHALK ILLUSTRATED  SUMMER 2013  ISSUE 9  PAGE 18

Chalk Be Nimble

CCreative ti t Ch Chalking h lki lk CConcepts t ffor Child Children h ld off All A Ages. Two different versions of thee same beloved Bible story byy chalk artists Donna Holloway ay & Tom Ammons. s.

ForChrist.com

w.Drawing ons' site: ww

Tom Amm

Tom's Inspiration

p r SO N d i g a l

In my talk, lk I put the h ffocus more on the h fforgiving ffather h rather h than h on the repentant son. I thought the black light picture impacted that idea and paralleled God's love for us, when we turn back to Him. After all, where would we be, even if we are repentant, if it wasn't for a loving, forgiving Father? The image of Jesus hugging the son is from work by Danny Hahlbohm. The music I use for the talk includes: "Prodigal" by Casting Crowns, "Turn Around" by Matt Maher, "Undo" by Rush of Fools, " Still Calls Me Son" by John Waller, " Remind Me Who I Am" by Jason Gray, and "Alive Again" by Matt Maher. "Prodigal" & "Still Calls Me Son" really do a good job narrating the theme.

Donna's Inspiration

This chalk talk was inspired by the song, “When God Ran.” The first time I heard that song, it touched me so deeply that I wept. We often think of our salvation or sanctification experience as being all about our decision, but this picture shows the intense love God has for us and an anticipation and longing He has for a relationship with us! It’s hard to wrap our minds around that kind of love coming from the God of the universe. I knew I wanted to express that idea in a chalk talk. I’m

Donna Hollo

way's site: w

ww.DrawnTo

Him.com

always looking for picture ideas, and a friend bought me the "Read With Me Children’s Bible" by Dennis Jones. The picture from the prodigal son was so perfect I didn’t even change the design. I’ve used this drawing a lot with children because it’s drawn in cartoon but have found that the music & message are so powerful that adults are deeply touched as well. On a funny note, I was telling the story to a group of children, and one lilittle boy got so caught up in it that - when I got to the part about the “pity party” tthe prodigal was having for himself - the little boy jumped up and said, “He was hhaving a ‘piggy’ party.” I had to laugh and agree with him. It is my philosophy that we need to be as creative as we can in getting Jesus’ SStory to people. One of our biggest challenges today is competing with the intensity oof video games and media. All of us expect our minds to be stimulated, so when wwe sit in church and that doesn’t happen, we all tend to nod off. I don’t believe it’s aas much a matter of being bored as it is that it’s one of the few times our minds aactually relax. Unfortunately, those times are the most important times for us to be lilistening. So, if we can use the creativity that God gives us as artists to engage the minds of people, then God can engage their hearts. m Music I use: "Without You" by Big Daddy Weave, "This is Your Life" by SSwitchfoot, "That's Where His Mercy Begins" by Steve Green, "Still Calls Me Son" by b John Waller, "When God Ran" by Phillips, Craig & Dean.

CHALK ILLUSTRATED  SUMMER 2013  ISSUE 9  PAGE 19



Oddio Recordings 

Stories St i & SSongs ffrom Vi Vintage t RRecords d and d Old Old-Time Ti RRadio. di This bonus content is freely available to paid subscribers of Chalk Illustrated.

Chalk Art Audio:

National Parks, WWII Radio & Prodigal Son

Free DownLoads

By Kerry Kistler

Songs of the National Parks

1958, Disneyland, Narrated by Thurl Ravenscroft

HERE HAS BEEN a lot of media attention on our national park system this year, and it might be a nice change of pace from the usual patriotic subjects. There is an opening/closing narration: "This is America the Beautiful. This is our heritage, loaned to us by almighty God." Includes 6 song like Along the Yellowstone, The Desert, Grand Canyon, Woodsman's Prayer and Ranger's Hymn. From KiddieRecords.com Total run time: 21:38

2 Radio Reports WW II

narrated by Frank Knight

1966, Longines Symphonette, The Years to Remember Series

DRAMATIC and important newscasts in radio history, "exactly as TtimeHEyouradioMOST heard them when they changed the course of human events." These warreports from the 1940s would make powerful audio elements within a larger sound track mix. The 14 segments are in one track, so some editing is necessary. We just remembered D-Day's 69th anniversary—you should listen to "FDR prays on D-Day." Vinyl LP to digital transfer Total run time: 21:30

The Prodigal Son

from Armed Forces Radio Service

1949, Greatest Story Ever Told, Episode #55.

SERIES, The Greatest Story Ever Told radio show ran on AstoriesPOPULAR ABC in the 1940s and 50s and was based on a popular book that retold from the Bible in a form that would be more understandable to modern

a audiences. Some shows were based on specific incidents in the Bible, while others wwere fictionalized dramas crafted around one of Christ's teachings. From OTRRLibrary.org Run time: 30:32

CHALK ILLUSTRATED  SUMMER 2013  ISSUE 9  PAGE 20

4 Prodigal Son from The Bible Stories

1960, Cricket Records Narrated by Leif Erickson

HIS DRAMATIZED STORY TPlayers features the New York Theatre and includes a music

score with sound effects. The full collection has 16 stories on 8 records—this is from album 8, side 1. Though the content of these records is public domain, the entire collection is available on iTunes and Amazon for $5.95. From Gary Means (Digitized LPs) Run time: 12:24

5 T

Not Free

The Prodigal Son

But Worth the Price

Luke 15:11-32

The Parabless

1970, The Bible in Living Sound, Volume 6, Reclaimed!

HE ORIGINAL DRAMATIZED audio Bible that really gets kids excited about the Bible! These 450 spiritually enthralling stories, re-enacted with music and lively sound effects, leave impressions of lasting beauty and wonder. These stunning nondenominational dramatizations captivate listeners of all ages as they are enriched by visualizing the values taught in God's Word. From www.BibleInLivingSound.org Run time: 9:32. [All BLS on this page ©® 2012 Sentinel Recordings, PO Box 234, Nordland, WA 98358-0234. Leal V. Grunke, Producer.]

Two Sons and a Father

Luke 15:11-32

2012, Crossroads Kids' Club, God's Story Video Series

ROSSROADS KIDS' CLUB is the infant-through-fifth-grade ministry for Crossroads Church in Cincinnati, Ohio. They regularly produce fun videos and music and, currently, there are 26 videos in the God's Story series. You may download them for free via iTunes. I am providing only the audio track in mp3 even though some of the sound effects make more sense in the context of the animated video. From www.CrossroadsKidsClub.net/video Run time: 4:06

The Prodigal Son

Luke 15:11-32

2006, Bible Stories My Kids Love, Told by E.K. Linder

TELLS A parable about a son that leave his family and father and how JstoryESUS God, like the father in the parable, looks forward to our return to him. This is told by Pastor K, a children's minister with a calling to help kids. She relates dozens of familiar Bible stories while pointing out the lessons they can teach us. Narration with music. Note: Ads have NOT been edited out. From www.BibleStoriesMyKidsLove.net Run time: 14:14

The Prodigal Son

2008, TaleTube narrated by John Dur HIS TIMELESS teaching of love and forgiveness comes to life like never before. Jesus’ message for all of us is clearly and artfully presented. Children and adults alike will enjoy the simplified wording, expanded story line, beautifully composed original music score and compelling illustrations. Created by Taletube, this DVD compilation includes three of the Bible's most powerful and moving parables: The Parable of the Talents, The Prodigal Son, and the Good Samaritan. Each DVD is loaded with vivid artwork, original music, and immersive sound effects. MP3 versions may be downloaded for $2.95 each.

From www.TaleTube.com

Run time: 12:09

PLUS

The Prodigal Son from The Children's Bible

The Prodigal Son

1974, Peter Pan Records, In Sound and Pictures

HIS DRAMATIZED STORY is from a double LP set containing 23 Bible stoTa certain ries. This version has plenty of sound effects, and even the dramatic organ has vintage charm. However, this story will probably be too short for most

chalkers to use as a sound track unless a couple of songs about the Prodigal Son are included for added length. Originally published with an illustrated booklet. See YouTube to view 13 of these stories (search Dosswerks) Run time: 3:14

9 T

Lost Sheep, coin, son 5 versions of Luke 15 1989-97, Faith Comes by Hearing, Dramatized Audio Bibles

HIS STORY OF the Prodigal Son is a verse-by-verse dramatization/narration of the Scripture, with music and sound effects. There are five different versions/ translations: King James Version (2:41), New Revised Standard Version (3:04), Contemporary English Version (3:02), New International Version (3:02) and the Kidz Bible (3:07). From www.FaithComesByHearing.com All five versions in one zip file.

CHALK ILLUSTRATED  SUMMER 2013  ISSUE 9  PAGE 21

The Prodigal Son

1980, Nest from disc 21 HIS DRAMATIZED VERSION of the New Testament was originally released on 36 CDs but is currently out of print. Nest says they may make the set available as mp3 downloads someday. For now, this story is available as CI bonus content. Run time: 12:09

L i ghtn i ng Cartoons ! Adding Laughter to Your Program With TricKartoons.

Arty y& Nub

Hi Gang! Arty and Nub here! This time we're sharing from a vintage chalk stunt book that's over 70 years old. This one is harder to find than a frog hair. thank Gary Means for sharing. there's also a couple of porker ideas to set up the Prodigal son. Free Down Load

Angel Contreras

Patriotic Chalk Stunts to O Out-Blitz Blli the h Blitzers By John Balda RICK CARTOON STUNTS have been used for humor and Tentertainers education for a long time. During World War 2 the chalk talk of the day wasted no time in adapting this medium

for patriotic humor and blatant propaganda. This booklet was released the year after Pearl Harbor, so the shelf life of many of these stunts ended with the war, since the subjects were often the axis leaders—Hitler, Mussolini, etc. And today, some of the content is clearly squirm-worthy due to the

Flag to Navy Ship

Eagle to War Plane

Keep 'em Sailing.

garish caricatures of our (then) enemies, and some racist overtones such as "JAPAN" turning into a skunk. Yet, out of 20 ideas, a few transcend that era and could be adapted for use today in a July 4th or other patriotic program. If you are interested in studying the other chalk stunts in this book, it is available as a free PDF download from the Bonus Content page of this issue. But, if you find some of the material offensive, don't contact me with complaints—you've been warned.

Keep 'em Flying.

Dictator to Lady Liberty Iron fisted dic a or ... dictators...

come and go..

But LIBERTY,, 2

CHALK ILLUSTRATED  SUMMER 2013  ISSUE 9  PAGE 22

will will go on forever.

Jug to Pig

When that prodigal son hit town, he was living high on the hog! you might say he went hog wild. he hit the ol' jug pretty hard too, and soon we were sharing a trough.

A farm boy said he had a pet pig that he called "BIC." A friend asked him if it was the pig's real name. He replied, "Naw, that's just his pen name." Speaking of pigs, I'm reminded of the Bible story about the prodigal son. Did you know he also played baseball? The Bible says the prodigal son "ran for home." Anyway, after he got home not everyone was happy. A Sunday school teacher once asked the class, "Who was sorry when the prodigal son returned home?" One student answered, "The fatted calf." Jug to Pig by Ed Harris from Chalk-Talkers Comic Trickartoons, c. 1971 PIG to pig by Ed Harris from 40 Chalk Talk Gags, c. 1981. This book was a free bonus PDF download with issue #1.

Taming Hidden Pictures Mastering Those Invisible Pictures Without a Whip & Chair.

Stencil Solutions:

Patriotic potpourri HETHER IT'S FOR JULY 4, or another patriotic program, here are a few stencil ideas to help with W the invisible picture. 1 and 2 were designed by Jay Ball and are FREE PDF downloads from Pump-kinGlow.com (they may also be downloaded from ChalkIllustrated.com). 3 and 4 are designs from InternetApollo.com. This stage lighting company produces hundreds of "gobos" which are thin, metal plates that are used in front of a spotlight to project a shape, picture or phrase onto the floor or wall.

Free DownS Load

CHALK ILLUSTRATED  SUMMER 2013  ISSUE 9  PAGE 23

Inspiration & Insight from the Easel of Jim Pence. Getting Started in Chalk Art: Part 4

Easel-ly Your Biggest Investment

I want to be a chalk artist. Can I go to my local arts and crafts store and buy an easel that will work for me?

Probably not. Why? A properly-designed easel is the chalk artist’s most important tool, and his biggest expense. Unfortunately, most of the less-expensive easels sold in art stores aren’t sturdy enough for the needs of a chalk artist.

2 1 To my knowledge, the LeGrand chalk easel (above) is the only professional, free-standing chalk easel being manufactured at this time. See the back cover of this issue for more information. Currently, the tripod style "flight easel" (below) is not being professionally built, but used models do show up for sale - see the Want Ads on pg 30.

WHAT DO YOU REALLY NEED? Let's consider what you will really need. There are two main types of easels that most chalk artists use: freestanding and tripod. A third variety, the bed-sheet easel, is more of a specialty easel that enables you to draw in a very large format (about 4 x 8 feet). However, this type of easel isn’t great for beginners, so I won’t be covering it in this article. A free-standing easel stands on two legs. As you can see in the photo above, its large feet and the weight of the light box on top are what give it stability. It takes up less space but is a little more difficult to set up.

A tripod easel for chalk art is modified so that the drawing board is vertical rather than leaning back. This kind of easel is sometimes called a “flight” easel, because it is usually lighter in weight and easier to transport on an airplane. It is great for easy setup, but it takes up more floor space. Which of these two varieties of easel is better? Actually, it’s a matter of personal preference. But, either way, a professional chalk art easel will cost somewhere between $1,000 and $1,200. If you can find a used one, your cost will probably be about half that, depending on the condition of the easel. But what if you just can’t justify spending (typically) $500-$1200 for a commercially built chalk art easel? Well, although I said that you can’t buy a true chalk art easel in an art supply store—if budget is a deal-breaker issue —here are a couple of lower cost alternatives.

ART STORE ALTERNATIVES

Through an art store or art supply web site, here are a couple of models that you should probably look at first. The “H-frame” studio easel will have the stability that you need and is fairly lightweight and portable. You can find this H-frame easel (pictured on the next page) at DickBlick.com.

CHALK ILLUSTRATED  SUMMER 2013  ISSUE 9  PAGE 24

build an easel similar to those above for even less than the prices listed. One super-low-cost approach: If you can find some extra wall space in a garage or room, and you don’t mind getting the wall messy and the room dirty, you can always tape or tack your drawing paper right on the wall. Obviously this won’t be much use for actually going out and drawing in front of people, but at least it will give you a way to practice. I have a wall-mounted easel in a special chalk-art room in my house. It’s a great place to practice.

3 4

Or you can buy a modified “Aframe” (tripod) easel like the one shown below. It can also be found at DickBlick.com. Both the H and A frame models are in the $200 price range. The main disadvantages of art store easels is the absence of a lighting system, and they may or may not have a supply tray in front for your chalk. Also, particularly with the H-frame easel, you need to be sure that the drawing board can be positioned vertically, rather than leaning backward.

PROFESSIONAL ADVANTAGE

Whether you build or buy, what are the characteristics that will work for chalk art? Following are several important things to consider (which professionally-built chalk easels already include):

A. The easel needs to be sturdy. Because you’ll be drawing in front of an audience, your “canvas” size must be large enough for the people in the church or auditorium to see your picture clearly. Typically, a sheet of bogus paper measures 40” x 54”. That’s about 3.5 feet x 4.5 feet. Since you will at times need to press hard with the chalk or blend with the palm of your hand, if your easel isn’t sturdy, you’ll have difficulty working on it.

B. The drawing board should be vertical or tilt forward slightly.

4 HOME BUILT ADVANTAGE?

If you really want to learn chalk art but even $100-$200 is out of reach, and if you are good at building things (or know somebody who is), you can

Most art easels lean backward, although some position the canvas at 90 degrees to the floor. With other media, such as oils or acrylics, that’s not a problem. But when you work with chalk, you will generate a lot of dust. If your easel is tilted backward, the paper will pick up the chalk dust as it falls and you will have to repeatedly blow it away (thus sending a lot of dust into the air) or risk smearing unwanted colors on your paper. A vertical or forward-tilted board will enable the chalk dust to fall to the floor without getting caught on your paper.

C. The easel needs a chalk tray. Some art easels have a supply tray in front, but many do not. When you’re drawing in front of an audience, you’re moving quickly and you’ll need to have

your chalk within easy reach. Also, because the room or auditorium will likely be darkened, your chalk needs to be under a light so that you can spot the colors you need. A chalk tray that is in front of the easel accomplishes both of these purposes.

D. The easel needs a light hood. Regular art easels are not normally lighted because artists usually draw or paint by room light or daylight. A chalk artist needs a lighted easel. When you draw, the “house lights” will probably be turned down or off and the lights on your easel will help people focus their attention on you. They’ll also see your drawing better. Most chalk art easels have white lights (to draw by) and several different-colored lights (usually red, blue, and yellow or green). The colored lights are used at the climax of the drawing to build anticipation for the black light “reveal”.

E. The easel needs a black light. If you’re planning to use fluorescent (black light) effects in your pictures (and most chalk artists do), then you’ll also need to have an ultraviolet light as part of your lighting package. Your black light needs to be a fluorescent tube rather than an incandescent bulb. Black light bulbs don’t produce the correct light waves to fluoresce the chalk and, even though they are cheaper, you will be disappointed with the results. (Mercury vapor black lights are an exception to this, but they aren’t well suited for use in an easel.) Getting the proper equipment is an investment, but remember that you are investing in something that can impact people for Jesus Christ. I think it’s a pretty good way to spend your money. I hope you’ll get an easel and start drawing as soon as possible. And remember—have fun! James H. (Jim) Pence is a published author, an accomplished singer, speaker, performance chalk artist, and he teaches karate, writing, and art to home schoolers. James also blogs for SeeTheLightShine.com. This article combines two blog posts from September 29 and October 4, 2011. Used with permission. Visit JamesPence.com.

CHALK ILLUSTRATED  SUMMER 2013  ISSUE 9  PAGE 25

in the Project Ideas Especially for the Do-It-Your-Selfer.

Animated Easel Free Down Load

By Kerry Kistler

N THE WORKSHOP column of our last issue, Ralph Harvey shared information about his Shadow Box chalk easel. It reminded me of some other vintage back-lit easels I've read about. There seems to have been an era when specialty easels were far more common than today. I am uncertain who should receive the honor of creating the first one, but among the candidates are Bill Leach and Art Layne. Mr. Layne published a 24 page booklet c. 1985 called Chalk Artistry and the Animated Easel in which the Introduction says: "With the help of his son, Charles, they worked out his animated effects which are accomplished by lights and small moveable cutouts which cast shadows on the back of the easel. He also uses slides of cutout figures which are projected by small slide projectors." But, Art does give credit where it's due: "I want to mention Evangelist Bill Leach, and give him credit for the many ideas he provided as I developed the Animated Chalk Easel." Clearly, they both deserved blue rib-

ABOVE: Back of easel, showing cutouts mounted inside of plastic easel glass (photos from his book published c. 1985). BELOW: Front view of easel with paper rolled back, showing five projectors. Mr. Layne left this world November 19, 1989.

Art Layne's Animated Easel booklet is available as a free download bonus feature of Chalk Illustrated #9. Special thanks to Avonelle Slagle for loaning her copy to us for scanning.

bons for the creative tinkering that went into Layne's Animated Easel. The March 1968 issue of The Christian Artist [bonus of issue #2] featured an article by Art about this easel, including a diagram (bottom left) and this thought: "Animated chalk artistry has been used very successfully and is a further attraction in that, after the picture is drawn, there are different stages of action as the speaker adds various points to his message. Illustration 4 shows the animated easel in sections. A side view of the animated chalk easel is shown in illustration 5. The control box can be placed on the pulpit stand beside your Bible. Then, after the picture is finished, it can be used to easily control the animation of your message." Dan Ondra, in his book This illustration was extracted from the Easel Designs, also presMarch 1968 issue of The Christian Artist. ents a diagram of Mr. Layne's Animated Easel, as well as a page on the Rear Projection Easel developed by Bill Leach. Mr. Leach used extensive rear projection and seetthrough-the-board effects.

Diagram of Art Layne's Animated Easel used courtesy of Dan Ondra.

Dan's 49-page e-book is full of design ideas for practice easels and portable easels. It has been updated for 2013 and is available for $5.00 through his web site at DanOndra.com. I recommend it for the historical overview of chalk art easel designs used over the decades. Note: The Tom Read easel (pg. 26 of Dan's book) is not being made by Mr. Read due to poor health.

CHALK ILLUSTRATED  SUMMER 2013  ISSUE 9  PAGE 26

Survey Results from the Spring Contest

HE SPRING 2013 CONTEST had 91 participants and 2 winners of DVDs, donated courtesy of SeeTheLightShine.com (many thanks to Pat Holt): Gail Fannin, South Africa; and Cathy Patnovic, DE. Thanks to all of you for taking the time to participate. The question was:

"What style of chalk easel(s) do you use?"

k The same black light bulb for 20 years now! It just keeps working to send the "light". Ellen Dykstra k LED lighting unit built for me by my son has added so much to the lighting effects. David Colwell k My home built one had to be retired because it is not allowed to go on a plane. Then I retired the Ondra one because it was overweight on a plane. I really like my LeGrand easel—it is the easiest to assemble and is the lightest one I have had so far. Sam Laterza k Custom built by my family after looking at directions purchased from Eternity Arts. Light hood made from aluminum and wood custom built at a local manufacturer. Still a little heavy for one person to assemble when I travel. Lorie Hurst k Can be taken apart for (reasonably) easy transportation. Black cloth version. Paul Long

25 own: 2 leg, commercial built like LeGrand, Teuling 21 own: 2 leg, home built 17 own: Other (unusual hybrids, hand-held, wall mounted, etc.) 16 own: 3 leg tripod, commercial built like Ondra 13 own: 3 leg tripod, home built 7 own: 4 leg, home built 4 own: 2 leg bedsheet using Da-Lite (or similar) frame 3 own: Hybrid (additions to a consumer art easel) 2 own: 4 leg, commercial built

k Convertible. 3 levels of leg height and 3 levels on hood adjustments [see issue #7 for more details]. James Snyder

Here are some comments from the entry forms:

k My husband built my easel, and I covered it with dark blue felt. So far so good! My Dad used to do chalk talks in the 60's, 70's and some in the 80's. I have his old homemade easel but it was too small. He only used half the size as they use today. He passed away a year ago at the beautiful age of 93 and I'm trying to follow in his footsteps. I am finding God is giving me so much m joy with this and blessing me. I give Him All thee Glory! Beth Dougherty

k Hybrid modified consumer easel, fits into a quiver size holder on my shoulder. Fit with tent pole frame, and 2 ft by 2.5 ft sheets, where the tent poles fit through the channels on the side. I took 6 cloths to Trinidad on missions and washed them out and dried them each night. Worked well, and went anywhere. No black light. Maybe next one. Linda Schiro k I use both my 6'x8' bed sheet easel and my LeGrand easel for my presentations. Mr. LeGrandd also made a wooden frame that attaches onto myy LeGrand easel that I stretch a half of a twin size ze black bed sheet on. I love using it for "quicker" r r" drawings! Erica Russell k I've used the same chalkboard since 1984. It was w custom built except the feet, which were given to me m by Dave Teuling at my first chalk class in Muskegon. g gon. NEVER REWIRED and only changed the bulbs oncee or twice. My thanks to Dave, Ding, and longtime friend riiend Vester Arnold for their wonderful guidance throughout g ghout the years. Thanks to Chalk Illustrated for the great infori mative research and ideas. Richard Overman k One of the first Dave Teuling made. We have had h to make a few modifications. Black light wasn't at correct angle. We bought it used. Phyllis Blakeslee k I have 2 easels, one for travel and one for home. Jane Lininger k It has some adjustable features. It was made from Bowman Phase 1 Training Booklet blueprint. Kenneth C Gillikin k I wear out a lot of them, like maybe 4 a year. Paul Young k I built the easel and the light box for black light chalk drawings by myself. Rodney Evans

k I am having my LeGrand easel made where I can do both Landscape and Portrait. Charles Todd Hatchett k I like my easel to practice on and keep stationary. However, it is too heavy for me to really carry and too tall to put light hood on by myself so I need help when I plan to use it someplace else. Ruth Wall k Use a 2 leg artist easel, removable whiteboard as backing with bed sheet clipped to it, 3/4 of twin sheet is used. Or I use 3 legged Da-lite tripod easel with chalk sitting on a stand to the side. David Harbeson k My precious dad built my easel. Vicki Sanderson

k My wall mounted board is for home prep of chalk drawings and is mounted outside on the side of a dr r building. Night time bugs come for a visit ststorage t wwhen the lights are on, but black lights attract the bbest and biggest bugs. When I visited Taiwan the teen t campers squealed as my back became a landing pad for bigger bugs than we have in Georgia. Lord, keep me safe! Richard Vance k Most of my work is heavy marker, and I hold the sketch pad to get closer or farther. Terrance V. Mc Arthur k My LeGrand easel gives me confidence. Cathy Griffiths k This easel [LeGrand] is easy to handle and recommend it. Danny Clegg works well for travel. I would re e k Seems to lack black light power so I simply have started laying another black light stick on the chalk tray at the end of the drawing to enhance that effect. Otherwise, very satisfied and it has been a blessing to my back. James T Lochridge Jr. k Built from pvc pipe filled with sand for increased stability. Homemade light hood with black light and incandescent lights. Set up time is less than 10 minutes. James Melvin Summerlin See Contest Comments \ next page 

CHALK ILLUSTRATED  SUMMER 2013  ISSUE 9  PAGE 27

Spring Contest Comments \ continued

k It's easy to put up and take down. I can clip on bulletin board boarders to make it look like a frame. Jill McFarlen k Fully adjustable with rope and pulleys. Robin Gray Dixon, Sr. k I use a regular art easel. I've only done small drawings. Gloria McLain

k Much taller than most. I am 6'6". So the legs were not cut down to the standard size. With light hood on top, I need about 8'2" clearance to set it up. Thomas Dale Ammons k My easel is able to hold a board for me to clip bogus paper to OR hold a bed sheet frame for twin size sheets. No lighting system other than basic tube black light that I have to hold. Timothy Woodrow Underwood

k We converted a barn into my studio and have a plywood wall to use for my easel...for now. Teresa Ehalt

k My easel was built by a woodworker probably 30+ years ago for 2 ladies who were in full time children's ministry. I used to love watching them chalk talk! When they retired I got the board from them and have used it for the past 15 or so years! It's been a tremendous blessing! It was a big heavy board with a very extravagant light hood so I modified the light hood by putting on a LeGrand hood which works well though certainly not as beautiful as the old red mahogany hood was. Carl Ens

k I constructed a 4x7 foot easel that I've used more than 4000 times...and it's still working [see issue #6 for more]. Cliff Beaman

k Just wanting to learn this ministry, and interested which is the best easel to use. Patti Ward

k The Tripod holds a very large ornate picture frame, so each picture is 'framed' as I work. The frame is gaffed and holds 14 sheets of heavy paper. Each is removed and given away when it is finished. Tom Jorgenson

k My easel is a commercial stainless steel easel. It folds easily and is about 22 lbs to carry. A special piece had to be put on for the light box. Cathy Patnovic

k Have modified my drawing board to 27 x 40" and provide poster frames as an option (this is the largest ready-made frame I can purchase). Dee Ruckert k I've just modified an old wooden easel. Katie Williams

k My brother-in-law built mine with a small table attachment. Give a plumber a job and he will glue every joint using PVC. Patsy A. Mills k Very rustic and hand made—needs a bigger shelf for materials! Linda Grissom k I've been doing chalk drawings for 30 years. I'm always trying to nudge artistic believers into stepping out and trying it. Jim Hicks k Built using step ladder, homemade lighting bar with six colored floodlights and two fluorescent light fixtures with UV tubes. Don Croddy

Elva Hurst

k My original easel was build by Teuling in the 60s for my mentors David and Linda Mitchell. I inherited it in the late 80's and am still using it. I've replace the lights and have had to do some repairs, but it's still going strong. I have a set of LeGrand legs and back board that I use for missions work as well. Roy Stone k I am just starting out & am in need of a light weight easel that will hold a 40x50 size board to draw by, with a black light, dimmer switch, etc. Carol Garrett k Lights need revamping with all the new things available to keep the heat down. LED seems much too expensive, but the incandescent 100 watt bulbs are difficult to find and burn way too hot. Gary Palmer

The

Farm Life

Chalk Artist

Series

Raised among the “plain” people of Lancaster county Pa, Elva’s old order Mennonite roots have given her a unique perspective on life. Having painted and drawn since childhood, the kitchen table eventually became her easel, and scenes of everyday life on the farm became her subjects. Years later, she now lives on a beautiful farm with a large, rustic studio in a big red barn called the “Barnyard Art Studio & Gallery”. It is here that her ideas and creativity blossom from the beautiful landscape and animals around her. Having learned the art of chalk talk, she performs for tour buses at her studio and for organizations of all kinds all across the state. Her love of art and memories of the farm have emerged into a fun, insightful series of books for both children and adults, titled the “Farm Life Series”. Her art also reflects these memories.

Audio versions also available

In the “Farm Life” series we read about the adventures of an old order Mennonite girl in the heart of Lancaster county, PA. Full of meaningful and fun experiences, such as pony cart rides, mischievous raccoons, and the seasons of change into the teen years, these books give insight into farm life and emphasizing the values and truth that never change. These books can be yours to own for only $5.00 ea., or you can purchase the whole set of five books for $23.00! Audio CDs are $4.00 ea., the whole set is $15.00. To order simply visit our website or call.

www.elvaschalkart.com

CHALK ILLUSTRATED  SUMMER 2013  ISSUE 9  PAGE 28

717.626.6582

Easels in the making.

Internationall CChalking h lk & Missions

Setting up easels on the stage. Ophir & DLTJ Artists: Melvin, David, Ronilo, Daniel, Zuriel, Ophir, Jhoan, Rochelle, Timothy & Joshua.

Chalk 3:16 in the Philippines By Ophir B O h Odal Odd l - DrawingLifeToJesus.blogspot.com

HANK YOU TO the few subscribers of CI who read my page [issue #7] and e-mailed me. Though I didn't receive any financial help, it was so rewarding to received encouragement. I now have some new chalk art friends on facebook. I teach and train young people (for free) to become chalk artists. I thank God that all of my students are very committed to training and being used in the ministry of creative arts. The evangelistic event on February 28 was successful because of God’s grace and mercy. All glory to God! This is first time that I’ve tried to set-up 8 easels on stage, as well as having two artists draw together with a live band. The effect was spectacular to the audience. Special thanks to John F. Wagner for sending us chalks especially for this evangelistic event. Also, I thank God for a 3-day event in March for the people in Alaminos Pangasinan, Philippines [photos below]. With chalk, we told the story about the life of King Josiah (2 Kings 22 & 23).

Melvin Egcol drawing simultaneously with a ladies trio.

Rev. Ophir Odal with Pastor/Singer Zuriel Pinagsihan

The audience also enjoyed taking some photos of the black light drawings right after the evangelistic event.

CHALK ILLLUSTRATED  SUMMER 2013  ISSUE 9  PAGE 29

Chalk Art Supplies & Stuff Want Ads for Gear, Gadgets, Equipment & Training.

FOR SALE: Chalk Easel with Protective Travel Case 4 Light hood has 2 red spots, 2 green spots, 2 white spots, 2 black light fluorescent tubes, and 1 mercury vapor black light contained under a trap door (allows bulb to reach full capacity before exposing the drawing). 1 spare mercury vapor bulb. 4 Mercury vapor black light is operated with a special transformer—the florescent black light tubes are used for the “finale” but also act as a back-up. 4 Small control panel operates spots, black light tubes and trap door release for mercury vapor light. WANT ADS: Up to 100 words, no images. $5.95 per issue. See ChalkIllustrated.com.

HAYNES CHALK CLASS If you are interested in learning how to use chalk-art for ministry, here's an opportunity to save 20%. Register now to reserve an easel for the September 28th Training Session--Save $15 with early registration. This one-day class is from 10:00am - 4:00pm at the world-class Alpha Arts Studio and Ministry Media Library in Winston-Salem, NC. The $75 registration fee includes printed textbook/syllabus and chalk/paper starter kit. Early registrations get $15 discount if paid in full before Aug 31. Registration and $75 Fee is due by Sept. 15th. Discount through PayPal or call Dwight Haynes 540-230-5782 to register with a credit card by phone, or mail a check to Missionary Dwight Haynes, 4582 Miller Lane, Pulaski, VA 24301 to reserve your easel at the class.

DOMBECK CHALK CLASS We are very excited to invite you to the Ray Dombeck Chalk Art Course held Oct. 14-17, 2013 at LeGrand Products (Alpha Arts), Winston-Salem, NC. Ray brings a rich background of experience to chalk art ministry. Trained as an art-

4 Large collapsible wooden picture frame to hang over completed picture, plus 2 rolls of chalk paper, size: 40” x 48” 4 Original cost for this custom built unit exceeded $1000.00 in the 1970s. The light hood and controls were extra. Not used for 23 years—in good shape.

Asking $500.00 plus delivery/shipping Contact Jan Scott in Canada: 604.597.7000 or g.scott@scottsparable.com

ist, sign painter, oil painter, church mural designer, and chalk artist, the quality of Ray's pictures are unsurpassed. His rare gift of combining colors make his pictures really live. His extensive evangelistic outreach and driving compassion to win souls has taken him to many foreign countries and churches across America. He specializes in skies, rocks and water, and a fine arts look of artistic blending. This advanced course is an opportunity to prepare for the ministry of chalk art with personal instruction by Ray. For more details, contact David LeGrand at (336) 725-2041 or david@ chalkmart.com.

RIDE SHARING TO CLASS Is anyone interested in riding & sharing costs with me from Newark, Delaware, to the Ray Dombeck chalk art class in Winston-Salem NC in October? Call: Cathy Patnovic @ 302-354-8633

FLIGHT EASEL FOR SALE Used Ondra Flight Easel and case (golf bag) for sale. It's traveled quite a few miles, but is still in good condition. It has a few minor issues, but nothing serious. Ondra Flight Easels sold new for $1277. Asking $650 (shipping extra). For more information, e-mail Jim Pence at: james@pence.com.

CHALK ILLUSTRATED  SUMMER 2013  ISSUE 9  PAGE 30

•

rted Chalk Bit o s s As

Se s lect nd Odds & E Shaun Hays, above, is shown chalking Lady Liberty in large format. Some bed sheet chalkers choose to wear dust protection. To see more pix, visit ShaunHays.com. m

Gloria Kohlmann, left, puts the finishing touch on a chalk creation titled Land of the Free. To purchase a teaching DVD, visit GloryInspirations.com. l

Liberty, right, is by Richard Hight, a pro who has mastered working on sheets. See his article on page 8 for another patrioticc idea. de . k

A teaching DVD of Land of the Free is available from Gloria for $20.00.

Robert Maitland, above center, is a master designer of ambigrams. Stars and Stripes reads the same upside down. See more typographic symmetry at AmbigramDesign.wordpress.com. m

k Speed painters are gaining more attention than ever before. Tim Decker, middle right, painted this Liberty as a military tribute. Watch videos at TimDecker.com.

Donna Holloway creates the drawing, God Bless America, in about 18 minutes. See her Prodigal Son on page 19. For more drawings, visit DrawnToHim.com.

Dee Ruckert says "Sweet Liberty was my very first chalk talk after meeting Gary Means and taking his workshop, where I got my second hand easel. I am an elementary art teacher, and the music teacher pulled the songs together for me." Visit PastelPresentations.vpweb.com.

CHALK ILLUSTRATED  SUMMER 2013 013  ISSUE 9  PAGE 3 31

LeGrand Prix The M Most Precision Engineered & Quality Engi Built Chalk Art Easel Buil on Planet Earth. am.)

it dre (Shhhhh. Let

• 445 lbs (20.4 kg) • AAll Aluminum Construction • Powder-coated Finish • Fully Equipped Light Hood • Easel Only (no lights) $677 • Travel Bag available: $120 • Many Exclusive Features • Sets up in 2 minutes. d price • Rush Orders Welcomed.

$1Ri1g9ht7

““I recently bought one on ne of David’s new easels and I’m ’ really real impressed. I’ve been using a Teuling easel for the last 25 years and it l has been a good one one, but it is much heavier and bulkie bulkier to carry. Since I recently turned 60, I decided to opt for something lighter and more compact to keep my ministry alive and keep me from working so hard to get in and out of churches.”

-Keith Carpenter

For Complete Details: www.ChalkMart.com ChalkMart.com or call 336 336-725-2041 725 204 • Hand Crafted in the USA.

CHALK ILLUSTRATED  SUMMER 2013  ISSUE 9  PAGE 32