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PROJECT INFO 2015-2016 PARTNER: COOK COUNTY DEPARTMENT OF ENVIRONMENTAL CONTROL The building industry in the United States is responsible for an estiPDWHG PLOOLRQ WRQV RI FRQVWUXFWLRQ GHEULV Ă RZLQJ LQWR ODQGĂ€OOV SHU \HDU %H\RQG WKH HQYLURQPHQWDO LPSOLFDWLRQV RI WKLV ZDVWH VWUHDP WKH ORVW HFRQRPLF EHQHĂ€W LV VWDJJHULQJ $5&+(:25.6 LQ SDUWQHUVKLS ZLWK WKH &RRN &RXQW\ 'HSDUWPHQW RI (QYLURQPHQWDO &RQWURO is leading a design initiative to expand the building material reuse PDUNHWSODFH %\ TXHVWLRQLQJ FRPPRQ SHUFHSWLRQ DQG LQGXVWU\ SUDFWLFH WKH SURMHFW ZLOO LGHQWLI\ QHZ SDWKZD\V IRU LQFUHDVLQJ WKH XVH RI UHXVHG EXLOGLQJ PDWHULDOV WKDW DUH VXVWDLQDEOH WHFKQLFDOO\ IHDVLEOH DQG SURĂ€WDEOH 7KH 'HPROLWLRQ 'HEULV 'LYHUVLRQ 2UGLQDQFH ' HVWDEOLVKHG D program for the recycling and reuse of construction and demolition ZDVWH LQ VXEXUEDQ &RRN &RXQW\ 7KH &RXQW\ DLPV IRU FRQWUDFWRUV WR UHFRYHU PDWHULDOV WKDW ZRXOG RWKHUZLVH EH GLVFDUGHG DQG UHWXUQ WKHP WR WKH HFRQRP\ ZKLOH DOVR JHQHUDWLQJ MREV IURP WKH GHFRQVWUXFWLRQ RI VWUXFWXUHV DV ZHOO DV UHF\FOLQJ DQG UHXVH RI GHPROLWLRQ GHEULV $V D UHVXOW RI WKH ' 2UGLQDQFH WKHUH LV D PDVVLYH VXSSO\ RI XVHG EXLOGLQJ PDWHULDOV EXW D ORZ GHPDQG RU RXWOHW IRU UHXVH &RRN &RXQW\ DVNHG $UFKHZRUNV WR H[SORUH SODWIRUPV WKDW FDQ LQFUHDVH DZDUHQHVV application and potential to radically expand the reused building mateULDOV PDUNHW :$67(' 0$5.(7 FKDOOHQJHV WKH SHUFHLYHG DFWXDO DQG systematic barriers that exist in building material reuse industry. 7KLV LQLWLDWLYH ZLOO XWLOL]H EUHDNWKURXJKV LQ PDQ\ LQGXVWULHV IURP EXLOGLQJ VFLHQFH WR LQIRUPDWLRQ WHFKQRORJ\ WR V\VWHPV HQJLQHHULQJ DQG WHVW DSSOLFDWLRQV ZLWKLQ WKH $ ( & DQG :DVWH ,QGXVWULHV :LWK WLPH ZH EHOLHYH WKLV ZLOO FUHDWH SK\VLFDO V\VWHPDWLF IXWXUHV PDUNHWV DQG WHFKQRORJ\ EDVHG SURMHFWV
A Roadmap to the Building Materials Reuse Industry of the 21st Century *2
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DID YOU KNOW THAT, AS A RESULT OF A RECENT COOK COUNTY ORDINANCE, ABOUT 90% OF MATERIALS FROM BUILDING DEMOLITIONS ARE NOW BEING EITHER RECYCLED OR, BETTER YET, REUSED? THE COUNTY IS WELL ON ITS WAY TO ACHIEVING A VIRTUOUS CYCLE OF BUILDING MATERIALS, WHERE WHAT COMES OUT OF BUILDINGS IS RECOGNIZED FOR THE HIGH QUALITY AND ECONOMIC VALUE IT OFTEN HAS, AND RETURNED TO USE IN THE COMMUNITY. DEB STONE, CHIEF SUSTAINABILITY OFFICER AND DIRECTOR COOK COUNTY DEPARTMENT OF ENVIRONMENTAL CONTROL *4
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CONSTRUCTION HISTORY :KHQ \RX VWHS EDFN DQG WDNH D ORRN DW WKH EXLOGLQJ FOLPDWH WRGD\ LW PD\ QRW ORRN VR UREXVW 7KHUH DUH FKHDSO\ PDGH VWUXFWXUHV EHLQJ FRQVWDQUO\ HUHFWHG DOO RYHU WKH FRXQWU\ ZLWK OLWWOH WR QR DUFKLWHFWXUDO FRQVLGHUDWLRQV :K\ LV D ODUJH SHUFHQWDJH RI WKH $PHULFDQ SRSXODWLRQ FRQVWDQWO\ PRYLQJ LQ DQG RXW RI ÁLPV\ GZHOOLQJV" +RZ GR ZH SUHYHQW WKLV PHGLFRULW\ IURP EHFRPLQJ WKH QRUP HVSHFLDOO\ ZKHQ WKHVH VWUXFWXUHV DUH VR TXLFN DQG FKHDS WR FUHDWH" 2XU WHDP NHSW FRPLQJ WR WKH FRQFOXVLRQ WKDW ZDVWHG VSDFH LV HTXLYDOHQW WR ZDVWHG PDWHULDO OHDGLQJ WR WKH LGHD WKDW LQ RUGHU WR SUHYHQW ZDVWH IURP HQWHULQJ WKH PDUNHW LQ WKH ÀUVW SODFH ZH PXVW PRGLI\ RXU EXLOGLQJ FRQVWUXFWLRQ WHFKQLTXHV ,I WKH SUDFWLFH RI EXLOGLQJ UHÁHFWV VXVWDLQDELOLW\ LQ WKH PHWKRGV LQ ZKLFK PDWHULDOV DUH MRLQHG RU FRQQHFWHG RU LI VWUXFWXUHV DUH SXW LQ SODFH ZLWK WKH LGHD WKDW WKH\ ZLOO RQH GD\ EH GHFRQVWUXFWHG IRU VDOYDJH SHUKDSV ZDVWH ZLOO QRW be a future problem. ,Q RUGHU WR IXUWKHU LQYHVWLJDWH SRWHQWLDO VROXWLRQV WR WKLV VLWXDWLRQ WKH WHDP IRFXVHG RQ FRQVWUXFWLRQ WHFKQLTXHV RI WKH SDVW SDUWLFXODUO\ LQ WKH 8QLWHG 6WDWHV DQG QHDU WR &KLFDJR LI SRVVLEOH :H WUDFHG the design and materials inherent in single-family homes from 1900 WKURXJK WKH SUHVHQW ZKLFK DOORZHG XV WR EULHÁ\ VHH KRZ PDWHULDO FKDQJHV ZHUH SDLUHG ZLWK VW\OLVWLF FKDQJHV DQG ZKDW XQGHUO\LQJ IDFWRUV PD\ KDYH LQÁXHQFHG WKHVH EXLOGLQJ WHFKQLTXHV
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1920s Stately homes featured craftsPDQVKLS DQG GXUDELOLW\ FUHDWLQJ a basis of many cities’ building VWRFN WRGD\
1900s Prevalence of family homesteads and farms constructed from local PDWHULDOV RIWHQ E\ PHPEHUV RI the family or community 1940s 3RVW :DU KRXVLQJ IRU UHWXUQLQJ veterans and their families led to ´FRRNLH FXWWHUµ SODQQHG WRZQV VXFK DV /HYLWWRZQ 3$
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2000- present $Q XQVWDEOH KRXVLQJ PDUNHW SDLUHG ZLWK WKH H[SHFWDWLRQ RI GLVSOD\HG ZHDOWK OHDGV WR WKH SUROLIHUDWLRQ RI developed communities
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1980s $ ERRPLQJ 86 HFRQRP\ DOORZHG IRU VSUDZOLQJ VLQJOH IDPLO\ KRPHV featuring decorative features and H[SDQVLYH ODZQV 'HVSLWH FRPLQJ WR WKH FRQFOXVLRQ WKDW KDYLQJ XSZDUG HFRQRPLF PRELOLW\ DOORZV IRU LQGLYLGXDOV WR SXUVXH PRUH VSDFH DQG QHZHU GZHOOLQJV ZH IHOW FRQYLQFHG WKDW EXLOGLQJ WHFKQLTXHV RI WKH SDVW provided more robust structures ZLWK JUHDWHU LQKHUHQW ZRUWK DQG character. This led us to begin WKLQNLQJ DERXW KRZ WR UDLVH DZDUHQHVV DPRQJVW FRQVXPHUV WKDW QHZ GRHV QRW DOZD\V HTXDO EHWWHU" 1DUUDWLYHV SHUKDSV KROG WKH NH\ to reinvesting in materials.
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HOW DO WE GET PAST THE TABOOS OF WHITE WALLS AND NEW MATERIALS BEING “BETTER”? WHY ARE WE PHOTOSHOPPING THE POWER OUTLETS OUT OF PHOTOS FOR PUBLICATION? WE NEED TO STOP ROMANTICIZING BUILDINGS; THEY MUST BE LIVED IN AND USABLE. WE SHOULD BE INVESTING IN THE POETICS OF BANAL PHENOMENA BY ADDING LAYERS OF INFORMATION TO THE MATERIALS TO MAKE THEM MORE ACCESSIBLE, APPEALING, VALUABLE. NOTES FROM ROTOR ARCHITECTURE’S LECTURE AT ARCHEWORKS 03/02/16
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PROJECT PLAN
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INSTALLATION People are united to events and LQWHUDFWLYH DFWLYLWLHV :KDW FDQ ZH DV WUDLQHG DUFKLWHFWV EXLOG WKDW ZRXOG HQWLFH WKH SXEOLF WR MRLQ LQ RQ D FRQYHUVDWLRQ DERXW ZDVWHG PDWHULDOV"
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%\ LQXQGDWLQJ DQ DUHD ZLWK PHGLD pertaining to the dilemma of ZDVWHG PDWHULDO ZH EULQJ LQ D multitude of different voices and YLHZSRLQWV 'HYHORSLQJ D VLPSOH and clear graphic representation RI WKH LVVXH DOORZV IRU D SXEOLF WKDW LV NQRZOHGJHDEOH DQG V\PSDthetic to the issue to spread and JURZ
$WWUDFWLQJ SUHVV JLYHV WKH campaign a sense of authority DQG QHZQHVV $SSHDULQJ LQ the right outlets furthers the exploration by inviting a larger audience and therefore a more diverse conversation. $ SUHVV RXWOHW OLNH 1HR&RQ seemed to be the perfect outlet IRU GLVSOD\LQJ RXU FRQVWUXFW DQG RU JUDSKLF FDPSDJLQ DV LW LV D QDWLRQDO FRQVXPHU GULYHQ HYHQW NQRZQ IRU KHUDOGLQJ LQ WKH ´QHZµ LQ SURGXFW GHVLJQ ZLWK YHU\ OLWWOH focus on reuse or sustainability.
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1HR&RQ KDV SUHYLRXVO\ EHHQ WKH site of similarly inspired instalODWLRQV LQ WKH SDVW 2Q WKH OHIW LV D VWUXFWXUH IURP *HQVOHU ZKLFK uses paper as its language to demonstrate a need for recycling. $ERYH LV DQRWKHU VSDWLDO FRQVWXFW E\ %ODNH 6ORDQH IURP WKH 5HEXLOGLQJ ([FKDQJH XVLQJ UHFODLPHG ZRRG WR FUHDWH D PHHWLQJ VSDFH WKDW VWDQGV RXW TXLWH D ELW IURP WKH RWKHUZLVH QRQ GHVFULSW product booths.
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NeoCon IS SO VERY IMPORTANT IN THE DESIGN INDUSTRY... THE SHOW IS THE VERY ESSENCE OF DESIGN, ESPECIALLY IN THIS DIGITAL ERA, BEING ABLE TO BREAK OUT OF THE “TRADE SHOW” BOUNDARIES AND ENABLE THE EMOTIONAL DIMENSIONS IS CRUCIAL. MARTIN LESJAK + ANASTASIA SU CEOS/CREATIVE DIRECTORS, 13&9
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Q: DO YOU THINK PEOPLE ARE KNOWLEDGEABLE WHEN IT COMES TO REUSED MATERIALS? 20
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A: I DON’T KNOW, BUT PEOPLE SEEM TO BE INTERESTED IN LEED. I DON’T THINK IT’S ABOUT WHAT IS SUSTAINABLE OR THE BEST-- I THINK PEOPLE GO FOR WHAT IS FAMILIAR. IT’S HARD TO CHANGE PEOPLES’ MINDS. IT FEELS LIKE AN UPHILL BATTLE TO CHANGE BEHAVIOR-- IT TAKES PEOPLE WANTING TO CHANGE AND NOT THROUGH INCENTIVES. MONEY DOESN’T CHANGE BEHAVIOR. WANTING TO CHANGE BEHAVIOR CHANGES BEHAVIOR. FROM INTERVIEW WITH SALES REP
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INITIAL DESIGN
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COLLECTIONS $IWHU D QXPEHU RI WULSV WR WKH ReBuilding Exchange ZH amassed a number of materials that caught our attention. Intially WHVWLQJ WKH LWHPV WKDW GUHZ RXU attention became part of our hySRWKHVLV DV WR KRZ SHRSOH DUH HGXFDWHG DQG RU PDGH DZDUH DERXW UHXVHG PDWHULDOV 'LG WKH PRUH ´LQWHUHVWLQJµ SLHFHV RU WKH REMHFWV ZLWK PRUH FKDUDFWHU KHLJKWHQ RU KLQGHU RXU LQVWDOODWLRQ" :KHQ GR parts function as a system and ZKROH RU ZKHQ DUH WKH\ LVRODWHG because of their individual propHUWLHV"
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(DUO\ LPDJLQLQJV RI WKH LQVWDOODWLRQV ZH FRXOG FUHDWH ZLWK RXU menagerie of materials ranged IURP YHU\ LQYROYHG SURJUDP GULYHQ FRQVWUXFWV WR VLPSOH VWDFNV DQG SLOHV 2XU JRDO ZDV WR LQWHUDFW ZLWK WKH VSDWLDO OLPLWDWLRQV RI WKH $UFKHZRUNV EXLOGLQJ ZKLOH HQJDJLQJ SDUWLFLSDQWV LQ D SK\VLFDO ZD\ The exposed trusses in the building provided the perfect opportunity of provide some sort of RUGHUHG V\VWHP WR ÀW WKHVH PDWHULDOV ZLWKLQ :H SXUVXHG WKH LGHD RI tying nylon thread in long loops so that the audience could earily PDQLSXODWH SRVLWLRQ KHLJKW HWF RI WKH YDULRXV REMHFWV WR LQIRUP D QHZ VSDWLDO VLWXDWLRQ
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COLLECTIONS IN TRANSIT Rob Calvey, Leanna Humphrey, Chelsea Kilburn, John Knuteson
We have arranged an assemblage of assorted architectural artifacts. We invite you to: 1. Consider the function, application and lifespan of the pieces present in this collection. Imagine their journey, history, and narrative. 2. Please take an object with you as you move through the [nbe]bg`' =blieZ\^ bm% fZd^ liZ\^ pbma bm% Ûg] Z pZr mh bfiZ\m it or the space surrounding it.* Re-imagine its value and relationship to the other pieces in the collection. *Please feel free to utilize the suspended framework we have provided, or formulate your own system.
Inventory 01 | Cabinet Doors Wood Veneer 02 | Floorboards Wood 03 | Door Hinges Brass 04 | Screens Metal mesh/Wood or Metal frame 05 | Insulated Glass Block 06 | Trim Wood 07 | Doors Wood 08 | Coffee Bean Sacks Burlap 09 | Fabric Samples 10 | Stone Samples 11 | Framing Metal
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INSTALLATION 1 %\ SOD\LQJ RQ WKH QRWLRQ RI D JDOOHU\ ZH WUDQVIRUPHG WKH HQWU\ZD\ RI $UFKHZRUNV LQWR D WKUHVKROG LQWR D VSDFH IRU FRQVWUXFWLRQ DQG SOD\IXO LQWHUDFWLRQV (DFK RI WKH PDWHULDOV IURP WKH 5HEXLOGLQJ ([FKDQJH DSSHDUHG DV D FXUDWHG ´SLHFH RI DUWµ GLVWLQFWO\ WDSHG RII DV WKRXJK RQ GLVSOD\ 8QOLNH LQ WKH SUHPLVH RI D PXVHXP WKRXJK ZH DVNHG RXU audience to participate in the deconstruction of the collection and to UHVWUXFWXUH WKH REMHFWV DV VRPH VRUW RI VWUXFWXUH RQ WKH RSSRVLWH HQG RI WKH EXLOGLQJ :H SURYLGHG WZR VLPSOH FXHV DW WKH RSSRVLWH HQG D ÀHOG RI ORRSHG VWULQJV WKDW ZRXOG DOORZ IRU W\LQJ REMHFWV WR WKH WUXVVHV DERYH DV ZHOO DV D ZRRGHG FKDLU IRU LQKDELWLQJ ZKDWHYHU VWUXFWXUH DSpeared at the end of the exercise. ,QVWLOOLQJ D VHQVH RI DJHQF\ LQ RXU DXGLHQFH ZDV H[WUHPHO\ LPSRUWDQW DV ZH DUH RI WKH EHOLHI WKDW WRXFKLQJ DQG SK\VLFDOO\ H[SHULHQFLQJ D material leads to a lasting impression.
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COLLECTIONS IN TRANSIT PART II Rob Calvey, Leanna Humphrey, Chelsea Kilburn, John Knuteson
We have curated a collection of congruous construction components. As you become acquainted with the space and the work, we invite you to: 1. Consider the tectonic possibility of this collection. Imagine how these components could combine or coalesce as parts of a larger construct. 2. Activate these components by either (a) deconstructing one of the three existing constructs or (b) introducing your own construct, detail, or connection. 3. Document your discoveries.
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INSTALLATION 2 ,QVWDOO SURYHG WR EH D JUHDW H[SHULHQFH DQG RXU DXGLHQFH VHHPHG to be truly engaged in creating a structure. The result of the eveQLQJ KRZHYHU ZDV QRW YHU\ VRXQG QRU ZDV LW D UHFRJQL]DEO\ XVHIXO VWUXFWXUH 2XU PDLQ WDNHDZD\ IURP WKH FULWLTXH ZDV WR FKDOOHQJH WKH REMHFWV ZH KDG DPDVVHG WR EHFRPH PDWHULDOV +RZ GRHV FROHOFWLQJ DQG GHSOR\LQJ WHQ RI DQ REMHFW GLIIHU IURP XVLQJ RQH WKRXVDQG RI WKH VDPH WKLQJ" 'R EXLOGLQJ WHFKQLTXHV FKDQJH WR UHÁHFW TXDQWLWLHV" :KLFK PDWHULDOV KDYH LQKHUHQW TXDOLWLHV WKDW ZRXOG DOORZ IRU VXFK D WUDQVIRUPDWLRQ WR WDNH SODFH" $IWHU UHWXUQLQJ WR WKH 5HEXLOGLQJ ([FKDQJH ZLWK WKHVH LGHDV LQ PLQG ZH GHFLGHG RQ VWRFNSLOLQJ OHQJWKV RI ZRRG DQG SODVWLF WULP 7KLV PDWHULDO ZH EHOLHYHG ZRXOG DOO IRU H[SORUDWLRQ LQ FUHDWLQJ PRGXOHV RU units that could then potentially be developed into useful structures.
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BUILDING MATERIALS PRECEDENT
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FUTURE $OWKRXJK WKH OHYHO RI HQJDJHPHQW ZLWK ,QVWDOODWLRQ GLG QRW TXLWH PHHW RXU H[SHFWDWLRQV ZH DWWHPSWHG WR GHYHORS D IXWXUH XVH VWUDWHJ\ IRU UHXVHG PDWHULDOV 2XU DWWHPSWV WR FUHDWH YDULRXV HYHQWV FRXOG HDVLO\ EH ´SDFNDJHGµ LQWR D WUDYHOLQJ WRRONLW RI PDWHULDOV WKDW ÀUP RZQHUV FRXOG XWLOL]H IRU HPSOR\HH HGXFDWLRQ :KDW LI \RX FRXOG KLUH D EXVLQHVV that offered teambuilding exercises focused around reused materials DQG ZKHUH WR JHW WKHP" %\ SURYLGLQJ DQ LQWHUDFWLYH H[SHULHQFH ZH EHOLHYH ZH FDQ LQÁXHQFH PRUH SHRSOH WR VHHN RXW LQIRUPDWLRQ DERXW UHXVHG PDWHULDOV DQG WR VKDUH WKHLU PHPRULHV RI WKH H[SHULHQFH ZLWK WKHLU IULHQGV DQG RU FRZRUNHUV
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DESIGN TEAM
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