MUSIC cambridge.org/music2015
2015
Welcome to the Music books catalogue 2015. Here you will find new and forthcoming titles, representing the highest level of academic research from renowned authors. Our highlights this year include The Cambridge Companion to Hip-Hop edited by Justin A. Williams and volume three of The Collected Documents of George Frideric Handel edited by Donald Burrows, Helen Coffey, John Greenacombe and Anthony Hicks. Our publications are available in a variety of formats, including ebooks and print, as well as online collections for institutional purchase via our publishing service University Publishing Online, which incorporates the Cambridge Books Online platform. We also publish a range of leading Music journals, including Organised Sound and Twentieth-Century Music (see back inside page for more information). You can recommend our books, online collections and journals to your librarian by filling out the form at the back of this catalogue. To see more book listings, product information, preview extracts and reviews, and to find out which conferences we are attending, you can find us online at www.cambridge.org/music2015. You can also keep up to date with the latest news and author views from our academic blog at www.cambridgeblog.org. We hope that you enjoy reading about our latest publications. For queries, suggestions or proposals, you can find a list of useful contacts at the back of this catalogue.
20% OFF
your first online purchase*
Stay up to date with
Cambridge Alerts
How to order books In the UK, Europe and rest of the world: www.cambridge.org/music2015 +44 (0)1223 326050 directcs@cambridge.org
Visit www.cambridge.org/alerts to receive email alerts on new books, offers and news in the subjects of interest to you
In the Americas: www.cambridge.org/music2015 +1 845 353 7500 (toll free +1 800-431-1580)
*Terms and conditions apply. full details at http://www.cambridge.org/academic/alerts-terms-and-conditions
orders@cambridge.org
Contents Music criticism 1 Music performance 1 Opera 3 Medieval and Renaissance music 5 Seventeenth-century music 9 Eighteenth-century music 10 Nineteenth-century music 13 Twentieth-century and contemporary music 16 Also of interest 21 Information on related journals Inside back cover
C ambridge Introductions to M usic
see page 2
Friedemann Sallis
Music Sketches
GeorGe Frideric
H a ndel
see page 10
collected documents Volu me 2 1 7 2 5 – 1 7 3 4
edited by donald Burrows, Helen coffey, John Greenacombe and anthony Hicks
C ambridge Introductions to M usic
see page 14
Jonathan Kregor
Program Music
The Cambridge Companion to
see page 17
Hip-Hop Edited by
Justin A. Williams
The Cambridge Companion to
Duke Ellington Edited by
Edward Green
see page 18
Featured authors Friedemann Sallis, University of Calgary Author of Music Sketches The term ‘music sketch’ refers to the vast variety of documents that composers produce as they work out a musical technique or idea, and as they prepare a performance or publication of their work. Covering a period from 1600 to the present, this
Camb ridge
Introduct
ions to Music
book examines the compositional practice of specific composers with the help of numerous high-quality black and white scans of manuscripts and autographs, many of which have never been
Sallis Friedemann
hes Music Sketc
published before.
Jonathon Kregor, University of Cincinnati Author of Program Music Using numerous interdisciplinary methods and primary-source materials, this book provides a comprehensive survey of program music from the long nineteenth century. Music by Beethoven, Cambridge Introductions to Music
Mendelssohn, Berlioz, Liszt, Saint-Saëns, Mahler, Strauss, and others are discussed with copious illustrative materials, providing numerous contexts for this fundamentally important practice of the period.
Jonathan Kregor
Program Music
Visit www.cambridge.org/authorhub for a range of step-by-step guides for authors
Music criticism / Music performance
Music criticism Rethinking Difference in Music Scholarship Edited by Olivia Bloechl University of California, Los Angeles
Melanie Lowe Vanderbilt University, Tennessee
and Jeffrey Kallberg University of Pennsylvania
Two decades after the publication of several landmark scholarly collections on music and difference, musicology has largely accepted difference-based scholarship. This collection of essays by distinguished international contributors is a major contribution to the field. It explores and re-evaluates the key issues and includes individual case studies and methodologies. 2015 247 x 174 mm 450pp 23 b/w illus. 49 music examples 978-1-107-02667-4 Hardback £75.00 / US$115.00 For all formats available, see
www.cambridge.org/9781107026674
Music and Ethical Responsibility Jeff R. Warren Quest University Canada
Music and Ethical Responsibility argues that musical experience involves encounters with others, and ethical responsibilities arise from those encounters.
1
Music performance The Manual of Musical Instrument Conservation Stewart Pollens
This is the first book to combine museum-based conservation techniques with practical instructions on the maintenance, repair, adjustment, and tuning of virtually every type of historical musical instrument. As one of the world’s leading museum-based conservators of musical instruments, Stewart Pollens gives practical advice on the handling, storage, display, and use of historic musical instruments in museums and other settings, and provides technical information on such wideranging subjects as acoustics, cleaning, climate control, corrosion, disinfestation, conservation ethics, historic stringing practice, measurement and historic metrology, retouching, tuning historic temperaments, varnish, and writing treatment reports. There are informative essays on the conservation of each of the major musical instrument groups, the treatment of paper, textiles, wood, and metal, as well as historic techniques of wood and metalworking as they apply to musical instrument making and repair. This is a practical guide that includes
2014 247 x 174 mm 213pp 5 b/w illus. 978-1-107-04394-7 Hardback £60.00 / US$90.00 For all formats available, see
www.cambridge.org/9781107043947
eBooks available at www.cambridge.org/ebookstore
2
Music performance equations, formulas, tables, and step-bystep instructions. 2015 246 x 189 mm 550pp 62 b/w illus. 12 tables 978-1-107-07780-5 Hardback £89.99 / US$150.00 Publication April 2015 For all formats available, see
www.cambridge.org/9781107077805
Organising Music Theory, Practice, Performance Edited by Nic Beech University of Dundee
and Charlotte Gilmore University of Edinburgh
Dispelling the myth that the logic of creativity and business are opposed, this book sets up a unique dialogue between leading organisational theorists and music professionals to explore new ways to enhance performance. Balancing theory with a range of tales from the field, this innovative book will have wide appeal. ‘This excellent book is a major contribution to this field, providing both a succinct and accessible contribution to the field of organisational studies, and case studies and reflections on what the field might learn from music and the music industry. I can thoroughly recommend it.’ Richard J. Badham, Macquarie Graduate School of Management, Sydney 2015 228 x 152 mm 446pp 2 b/w illus. 2 tables 978-1-107-04095-3 Hardback £70.00 / US$115.00 For all formats available, see
www.cambridge.org/9781107040953
New in Paperback
A History of Singing John Potter University of York
and Neil Sorrell University of York
From its prehistoric past to its multicultural present, this history examines singing as a historical and universal phenomenon. 2014 228 x 152 mm 355pp 978-1-107-63009-3 Paperback £19.99 / US$34.99 Also available 978-0-521-81705-9 Hardback £84.99 / US$134.99 For all formats available, see
www.cambridge.org/9781107630093
Highlight
Music Sketches Friedemann Sallis University of Calgary
This introduction provides students and scholars with the skills they need to begin on research projects involving the study of composers’ working documents. It includes numerous illustrations of original manuscripts and autographs and a selection of detailed case studies, which explore how sketches were created and the techniques involved. Cambridge Introductions to Music
2015 247 x 174 mm 290pp 34 b/w illus. 6 tables 17 music examples 978-0-521-86648-4 Hardback £55.00 / US$85.00 978-0-521-68554-2 Paperback £19.99 / US$29.99 For all formats available, see
www.cambridge.org/9780521866484
Opera
Opera Understanding the Leitmotif From Wagner to Hollywood Film Music Matthew Bribitzer-Stull University of Minnesota
Leitmotifs are a type of associative theme found in dramatic music. In this book, Matthew Bribitzer-Stull explores the background and development of the musical leitmotif, from Wagner and art music to the Hollywood adaptations of The Lord of The Rings and the Harry Potter series. Advance praise: ‘In eloquent prose, Dr Bribitzer-Stull offers a fascinating interpretation of the structural and expressive roles of the leitmotif in Wagnerian opera and Hollywood film music. His attractive semiotic theory of associative meaning yields fundamental insights into how musical motives enhance meaning in intermedial contexts.’ Robert S. Hatten, University of Texas, Austin 2015 247 x 174 mm 315pp 3 tables 176 music examples 978-1-107-09839-8 Hardback c. £60.00 / c. US$99.00 Publication May 2015 For all formats available, see
www.cambridge.org/9781107098398
3
Key Reference
The Cambridge Verdi Encyclopedia Edited by Roberta Montemorra Marvin University of Iowa
A fascinating and comprehensive resource for information on Verdi’s works, his life and career, and his cultural influence. A Classical Music Editor’s Choice Top Ten Book of the Year 2014 – Joint winner 2014 228 x 152 mm 614pp 10 b/w illus. 978-0-521-51962-5 Hardback £100.00 / US$160.00 For all formats available, see
www.cambridge.org/9780521519625
Key Reference
The Cambridge Wagner Encyclopedia Edited by Nicholas Vazsonyi University of South Carolina
As the only encyclopedia of Richard Wagner available, this comprehensive reference work is an essential resource for enthusiasts and academics. A Classical Music Editor’s Choice Top Ten Book of the Year 2014 – Joint winner 2013 228 x 152 mm 897pp 8 tables 48 music examples 978-1-107-00425-2 Hardback £120.00 / US$180.00 For all formats available, see
www.cambridge.org/9781107004252
For regular email alerts visit www.cambridge.org/alerts
4
Opera Textbook
The Cambridge Companion to French Music Edited by Simon Trezise Trinity College, Dublin
This accessible Companion provides a comprehensive introduction to the music of France from the early middle ages to the present day. With chapters on a range of music genres, internationally renowned authors provide a chronological history of music-making in France and analyse the key themes and topics. Contents: Foreword; Part I. Chronological History of French Music from the Early Middle Ages to the Present: 1. From abbey to cathedral and court: music under the Merovingian, Carolingian, and Capetian kings in France, through Louis IX; 2. Cathedral and court: music under the late Capetian and Valois kings in France, to Louis XI; 3. The Renaissance; 4. Music under Louis XIII and XIV (1610–1715); 5. Music from the Regency to the Revolution (1715–89); 6. The Revolution and Romanticism to 1848; 7. Renaissance and change: 1848 to 1914; 8. La guerre et la paix: 1914–45; 9. Cultural and generational querelles in the musical domain: music in France from the Second World War; Part II. Opera: 10. Opera and ballet to the death of Gluck; 11. Opera and ballet after the Revolution; Part III. Other Musics: 12. Traditional music and its ethnomusicological study in France; 13. Popular music; Part IV. Themes and Topics: 14. Manuscript sources and
calligraphy; 15. Church and state in early medieval France; 16. Music and the court of the ancien régime; 17. Musical aesthetics of the Siècle des Lumières; 18. Paris and the regions from the Revolution to World War I. Cambridge Companions to Music
2015 247 x 174 mm 440pp 18 b/w illus. 20 music examples 978-0-521-87794-7 Hardback £60.00 / US$99.00 978-0-521-70176-1 Paperback £19.99 / US$33.00 For all formats available, see
www.cambridge.org/9780521877947
Opera Acts Singers and Performance in the Late Nineteenth Century Karen Henson University of Miami
Karen Henson uses four detailed case studies to explore a wealth of new historical material about singers in the late nineteenth century and to challenge the idea that this was a period of decline for the opera singer. ‘Karen Henson lovingly summons the voices of four singers of the fin de siècle, chronicling the moment when the opera star was no longer defined by beautiful singing alone. Spiraling out from Paris to aesthetics and performance practice in both Verdi and Wagner, Henson uncovers the roots of our current obsession with dramatic intensity, cinematic realism, and photogenic celebrity on the operatic stage.’ Mary Ann Smart, University of California, Berkeley
Opera / Medieval and Renaissance music Cambridge Studies in Opera
2015 247 x 174 mm 279pp 17 b/w illus. 44 music examples 978-1-107-00426-9 Hardback £65.00 / US$99.00 For all formats available, see
www.cambridge.org/9781107004269
5
his discussion of Strauss’s stage works and their historical contexts. Cambridge Studies in Opera
2014 247 x 174 mm 353pp 17 b/w illus. 3 tables 135 music examples 978-0-521-45659-3 Hardback £65.00 / US$99.00 For all formats available, see
Opera and Modern Spectatorship in Late NineteenthCentury Italy Alessandra Campana Tufts University, Massachusetts
Alessandra Campana examines four late nineteenth-century operas, Mefistofele by Arrigo Boito, Simon Boccanegra by Verdi, Otello by Verdi and Manon Lescaut by Puccini, and a silent film scored by Mascagni, to explore for the first time how opera participated in the making of a modern public in postunification Italy. Cambridge Studies in Opera
2015 247 x 174 mm 220pp 22 b/w illus. 19 music examples 978-1-107-05189-8 Hardback £65.00 / US$99.00 For all formats available, see
www.cambridge.org/9781107051898
Rounding Wagner’s Mountain Richard Strauss and Modern German Opera Bryan Gilliam Duke University, North Carolina
Richard Strauss’ fifteen operas make up the largest German operatic legacy since Wagner’s operas of the nineteenth century. In the first book to discuss all of Strauss’ operas, Bryan Gilliam explores the composer’s response to Wagner in
www.cambridge.org/9780521456593
Medieval and Renaissance music Hildegard of Bingen and Musical Reception The Modern Revival of a Medieval Composer Jennifer Bain Dalhousie University, Nova Scotia
Hildegard of Bingen has attracted interest ever since her death in 1179. In this book Jennifer Bain traces the reception of Hildegard, focusing particularly on the modern era. This book will appeal to those interested in the history of reception, culture, politics and religion, and women’s studies. 2015 247 x 174 mm 250pp 18 b/w illus. 7 tables 8 music examples 978-1-107-07666-2 Hardback £64.99 / US$99.99 Publication April 2015 For all formats available, see
www.cambridge.org/9781107076662
Visit our website at www.cambridge.org/academic
6
Medieval and Renaissance music Music and Riddle Culture in the Renaissance
Medieval Music, Legend, and the Cult of St Martin
Katelijne Schiltz
The Local Foundations of a Universal Saint Yossi Maurey
Universität Regensburg, Germany
This is the first book on the theory, practice and cultural context of musical riddles during the Renaissance. Highly illustrated and including a catalogue of enigmatic inscriptions, it will be of interest not only to musicologists, but also to scholars of literature, art history, theology and the history of ideas. 2015 247 x 174 mm 385pp 58 b/w illus. 3 colour illus. 36 music examples 978-1-107-08229-8 Hardback £84.99 / US$135.00
Hebrew University of Jerusalem
The cult of St Martin of Tours was one of the most successful saintly cults in medieval Europe. Yossi Maurey’s study is the first to explore the music and liturgy of the cult and to address how Martin came to inspire a lively folkloric tradition and numerous works of art.
Publication April 2015
2014 247 x 174 mm 318pp 11 colour illus. 8 tables 26 music examples 978-1-107-06095-1 Hardback £70.00 / US$110.00
For all formats available, see
For all formats available, see
www.cambridge.org/9781107082298
www.cambridge.org/9781107060951
Tactus, Mensuration and Rhythm in Renaissance Music
St. Anne in Renaissance Music
Ruth I. DeFord
Devotion and Politics Michael Alan Anderson
Hunter College, City University of New York
Eastman School of Music, University of Rochester
Ruth DeFord offers new interpretations of the writings of Renaissance music theorists on the notation and performance of rhythm. Illustrated with more than 200 music examples, this book provides new analytical insights and performance recommendations for some of the best known musical repertories of the period.
Devotion to Saint Anne, the apocryphal mother of the Virgin Mary, reached its height in the fifteenth and early sixteenth centuries. Michael Alan Anderson highlights the political implications of the music that honoured Anne and explores its connections to some of the most prominent court cultures of western Europe.
2015 247 x 174 mm 512pp 27 b/w illus. 14 tables 240 music examples 978-1-107-06472-0 Hardback £80.00 / US$130.00 Publication April 2015 For all formats available, see
www.cambridge.org/9781107064720
‘… Anderson explores brilliantly and exhaustively the many subtle influences music dedicated to the Mother of Mary had on the ‘political’ views of European nobility, especially females … The book is a triumph of prodigious research; close criticism of ‘orthodox’ views; mastery of a wide-
Medieval and Renaissance music ranging literature; and tendentious … tireless, detailed, specifically targeted conclusions … [It] is a wonder … A treat for scholars, musicologists, and historians of music and those specializing in the period.’ W. Metcalfe, Choice 2014 247 x 174 mm 359pp 70 b/w illus. 20 tables 39 music examples 978-1-107-05624-4 Hardback £65.00 / US$99.00 For all formats available, see
www.cambridge.org/9781107056244
The Making of Liturgy in the Ottonian Church Books, Music and Ritual in Mainz, 950–1050 Henry Parkes Yale University, Connecticut
This highly original study explores the religious life of early medieval Germany through its ritual books. Interdisciplinary in perspective, it sheds light on the histories of important manuscripts from the city of Mainz, challenging long-held assumptions about the ritual traditions and political dynamics of the Ottonian Church. Cambridge Studies in Medieval Life and Thought: Fourth Series, 100
2015 228 x 152 mm 288pp 4 b/w illus. 2 maps 8 tables 978-1-107-08302-8 Hardback £65.00 / US$99.00 For all formats available, see
www.cambridge.org/9781107083028
7
Manuscripts and Medieval Song Inscription, Performance, Context Edited by Helen Deeming Royal Holloway, University of London
and Elizabeth Eva Leach University of Oxford
This unique publication offers fresh perspectives on key manuscript sources of medieval song. In ten chapters leading experts each treat a single manuscript in detail, offering new findings, essential summaries of each manuscript’s contents and historiography, and detailed, accessible analyses of the songs’ music and texts. Music in Context
2015 247 x 174 mm 352pp 7 b/w illus. 27 tables 25 music examples 978-1-107-06263-4 Hardback £64.99 / US$99.99 Publication April 2015 For all formats available, see
www.cambridge.org/9781107062634
The Monstrous New Art Divided Forms in the Late Medieval Motet Anna Zayaruznaya Yale University, Connecticut
In The Monstrous New Art Anna Zayaruznaya focuses on a group of late medieval musical compositions that foreground monstrous and hybrid creatures and ideas. The book is generously illustrated with figures and music examples and will be of interest to
eBooks available at www.cambridge.org/ebookstore
8
Medieval and Renaissance music scholars of music history and fourteenthcentury French literature and culture. Advance praise: ‘A thoroughly excellent, original, important, and thought-provoking book, which will prove to be of great interest to a broad constituency of readers in musicology.’ Elizabeth Eva Leach, University of Oxford Music in Context
2015 247 x 174 mm 245pp 25 b/w illus. 6 tables 44 music examples 978-1-107-03966-7 Hardback £64.99 / US$99.99 Publication April 2015 For all formats available, see
www.cambridge.org/9781107039667
Key Reference
The Cambridge History of FifteenthCentury Music Edited by Anna Maria Busse Berger University of California, Davis
and Jesse Rodin Stanford University, California
Through forty-five creative and concise essays by an international team of authors, this Cambridge History brings the fifteenth century to life for both specialists and general readers. Combining the best qualities of survey texts and scholarly literature, the book offers authoritative overviews of central composers, genres, and musical institutions as well as new and provocative reassessments of the work concept, the boundaries between improvisation and composition, the practice of listening, humanism, musical borrowing, and other topics. Multidisciplinary studies of music and
architecture, feasting, poetry, politics, liturgy, and religious devotion rub shoulders with studies of compositional techniques, musical notation, music manuscripts, and reception history. Generously illustrated with figures and examples, this volume paints a vibrant picture of musical life in a period characterized by extraordinary innovation and artistic achievement. Contributors: Anna Maria Busse Berger, Jesse Rodin, Michael Long, Klaus Pietschmann, Laurenz Lütteken, Alejandro Enrique Planchart, Lawrence F. Bernstein, Philippe Canguilhem, John Milsom, Julie E. Cumming, Peter Schubert, James Hankins, Reinhard Strohm, Leofranc Holford-Strevens, Blake Wilson, Alison K. Frazier, Deborah Howard, Anthony M. Cummings, Yolanda Plumley, David Fiala, Richard Sherr, Pamela F. Starr, Bonnie J. Blackburn, Patrick Macey, M. Jennifer Bloxam, David J. Rothenberg, Anne Walters Robertson, Anne Stone, Emily Zazulia, Evan A. MacCarthy, Margaret Bent, Thomas Schmidt-Beste, Andrew Kirkman, Nicole Schwindt, Keith Polk, David Fallows, Honey Meconi, Richard Taruskin The Cambridge History of Music
2015 228 x 152 mm 850pp 50 b/w illus. 20 tables 97 music examples 978-1-107-01524-1 Hardback £110.00 / US$225.00 Publication May 2015 For all formats available, see
www.cambridge.org/9781107015241
Seventeenth-century music
Seventeenthcentury music The Lure and Legacy of Music at Versailles Louis XIV and the Aix School John Hajdu Heyer University of Wisconsin, Whitewater
Louis XIV and his court at Versailles had a profound influence on music in France and throughout Europe. Taking its departure from Louis XIV’s 1660 visit to Provence, this book explores the developments in sacred music during Louis’s reign, particularly in the musical forms of the French motet. 2014 247 x 174 mm 299pp 14 b/w illus. 4 tables 23 music examples 978-0-521-51988-5 Hardback £65.00 / US$99.00 For all formats available, see
www.cambridge.org/9780521519885
New in Paperback
The Cambridge History of SeventeenthCentury Music Edited by Tim Carter University of North Carolina, Chapel Hill
and John Butt University of Glasgow
The Cambridge History of SeventeenthCentury Music seeks to provide the most up-to-date knowledge on seventeenthcentury music together with a vital questioning of the way in which such a history can be told or put together for our present purposes. Written by a distinguished team of experts in the field, the chapters not only address
9
traditional areas of knowledge such as opera and church music, but also look at the way this extremely diverse and dynamic musical world has been categorised in the past and how its products are viewed from various cultural points of view. While this history does not depart entirely from the traditional study of musical works and their composers, there is a strong emphasis on the institutions, cultures and politics of the age, together with an interrogation of the ways in which music related to contemporary arts, sciences and beliefs. ‘Each of the essays delivers on the book’s promise of a strong emphasis on the institutions, cultures, and politics of the age.’ Choice
Contributors: Tim Carter, John Butt, Stephen Rose, Victor Anand Coelho, Barbara Russano Hanning, Penelope Gouk, Lois Rosow, Noel O’Regan, Robert Kendrick, Margaret Murata, Alexander Silbiger, Gregory Barnett The Cambridge History of Music
2014 228 x 152 mm 614pp 978-1-107-68105-7 Paperback £30.00 / US$50.00 Also available 978-0-521-79273-8 Hardback £154.99 / US$274.99 For all formats available, see
www.cambridge.org/9781107681057
Visit our website at www.cambridge.org/academic
10
Eighteenth-century music
Eighteenthcentury music Key Reference
George Frideric Handel Collected Documents Volume 3: 1734–1742 Edited by Donald Burrows The Open University, Milton Keynes
Helen Coffey The Open University, Milton Keynes
John Greenacombe The Open University, Milton Keynes
and Anthony Hicks
English works Alexander’s Feast, Saul and Messiah. 2015 247 x 174 mm 780pp 12 b/w illus. 3 music examples 978-1-107-01955-3 Hardback c. £100.00 / c. US$180.00 Publication July 2015 For all formats available, see
www.cambridge.org/9781107019553
Key Reference
George Frideric Handel Collected Documents Volume 2: 1725–1734 Edited by Donald Burrows The Open University, Milton Keynes
The Open University, Milton Keynes
Helen Coffey
The life and career of George Frideric Handel, one of the most frequently performed composers from the Baroque period, are copiously and intricately documented through a huge variety of contemporary sources. This multi-volume major publication is the most up-to-date and comprehensive collection of these documents. Presented chronologically in their original languages with English translations and with commentaries incorporating the results of recent research, the documents provide an essential and accessible resource for anyone interested in Handel and his music. This volume begins with Handel’s move to the Covent Garden theatre, during the period of his competition with the Opera of the Nobility, and ends with his season of oratorio performances in Dublin. These years saw the composition of Italian operas including Ariodante, Alcina and Serse but also of the major
The Open University, Milton Keynes
John Greenacombe The Open University, Milton Keynes
and Anthony Hicks The Open University, Milton Keynes
The life and career of George Frideric Handel, one of the most frequently performed composers from the Baroque period, are copiously and intricately documented through a huge variety of contemporary sources. This major multi-volume publication is the most up-to-date and comprehensive collection of these documents. Presented chronologically in their original languages with English translations and with commentaries incorporating the results of recent research, the documents provide an essential and accessible resource for anyone interested in Handel and his music. In charting his activities in Germany, Italy and Britain, the documents also offer a valuable insight into broader eighteenth-century topics, such as court life, theatrical history, public concerts and competition
Eighteenth-century music between music publishers. This volume covers the period of Handel’s London opera career during which he achieved gradual independence from the Royal Academy opera company, but also introduced English theatre oratorios and wrote the music for the 1727 coronation. 2015 247 x 174 mm 972pp 16 b/w illus. 4 colour illus. 978-1-107-01954-6 Hardback £120.00 / US$180.00 Publication April 2015 For all formats available, see
www.cambridge.org/9781107019546
Key Reference
George Frideric Handel Collected Documents Volume 1: 1609–1725 Edited by Donald Burrows The Open University, Milton Keynes
Helen Coffey
Bach’s Numbers Compositional Proportion and Significance Ruth Tatlow
In the eighteenth century the universal harmony of God’s creation and the perfection of the unity (1:1) were philosophically, morally and devotionally significant. Ruth Tatlow employs theoretical evidence and practical demonstrations to explain how and why Bach used numbers in his published compositions. 2015 247 x 174 mm 337pp 9 b/w illus. 119 tables 978-1-107-08860-3 Hardback c. £65.00 / c. US$99.00 Publication May 2015 For all formats available, see
www.cambridge.org/9781107088603
Highlight
The Open University, Milton Keynes
Music and the Exotic from the Renaissance to Mozart
and Anthony Hicks
Ralph P. Locke
The Open University, Milton Keynes
John Greenacombe The Open University, Milton Keynes
A multi-volume authoritative reference source for information about the life and career of George Frideric Handel. 2014 247 x 174 mm 855pp 20 b/w illus. 10 music examples 978-1-107-01953-9 Hardback £120.00 / US$180.00 For all formats available, see
www.cambridge.org/9781107019539
11
Eastman School of Music, University of Rochester
During the years 1500–1800, Europeans became increasingly aware of ethnic Otherness. In this prequel to his 2009 book Musical Exoticism, Ralph P. Locke demonstrates Western culture’s rich response to this burgeoning awareness. His insights into the period’s major works and genres are supported by numerous music examples and rare illustrations. Advance praise: ‘European encounters with Asia and the Americas found echoes in the theater, church, and chamber, as music itself found new ways to convey
For regular email alerts visit www.cambridge.org/alerts
12
Eighteenth-century music meaning and provoke a wide range of feelings. Ralph P. Locke’s magisterial tour of the exotic takes us not only to lands both far and near, but also through changing musical worlds laced with danger and excitement.’ Tim Carter, University of North Carolina, Chapel Hill 2015 247 x 174 mm 464pp 53 b/w illus. 25 music examples 978-1-107-01237-0 Hardback £84.99 / US$135.00 Publication April 2015 For all formats available, see
www.cambridge.org/9781107012370
Convent Music and Politics in EighteenthCentury Vienna Janet K. Page University of Memphis
Janet Page explores the golden age of convent music in Vienna, and the convents’ surprising engagement with contemporary politics. 2014 247 x 174 mm 318pp 17 b/w illus. 3 tables 68 music examples 978-1-107-03908-7 Hardback £65.00 / US$99.00 For all formats available, see
www.cambridge.org/9781107039087
New in Paperback
The Cambridge History of EighteenthCentury Music Edited by Simon P. Keefe University of Sheffield
The eighteenth century arguably boasts a more remarkable group of significant musical figures, and a more engaging combination of genres, styles and
aesthetic orientations, than any century before or since, yet huge swathes of its musical activity remain underappreciated. The Cambridge History of Eighteenth-Century Music provides a comprehensive survey, examining littleknown repertories, works and musical trends alongside more familiar ones. Rather than relying on temporal, periodic and composer-related phenomena to structure the volume, it is organised by genre; chapters are grouped according to the traditional distinctions of music for the church, music for the theatre and music for the concert room that conditioned so much thinking, activity and output in the eighteenth century. A valuable summation of current research in this area, the volume also encourages readers to think of eighteenth-century music less in terms of overtly teleological developments than of interacting and mutually stimulating musical cultures and practices. ‘This must have been a very difficult book to edit, and Simon Keefe (together with David Wyn Jones, who planned the volume) deserves unqualified congratulations for having engaged the work of so many gifted contributors and for having lurked in the detail (as it were) to such good effect … one cannot doubt the immense significance of this volume in its authoritative engagement with a repertory that speaks at every turn to the central importance of music as a vital expression of eighteenth-century thought.’ Music and Letters
Contributors: Simon P. Keefe, Stephen Rose, Paul R. Laird, Jen-Yen Chen, Jean-Paul C. Montagnier, Charles E. Brewer, David Schroeder, Margaret R. Butler, Lois Rosow, Michael Fend, Claudia Maurer Zenck, Anke
Eighteenth-century music / Nineteenth-century music Caton, Michael Burden, Rainer Kleinertz, Greger Andersson, John Irving, Rohan Stewart-MacDonald, Stefanie Tcharos, Berta Joncus, Eva Zöllner, Steven Zohn, Simon McVeigh, Richard Will, Cliff Eisen, David Black The Cambridge History of Music
2014 228 x 152 mm 814pp 5 b/w illus. 4 tables 11 music examples 978-1-107-64397-0 Paperback £30.00 / US$50.00 Also available 978-0-521-66319-9 Hardback £159.99 / US$224.99 For all formats available, see
www.cambridge.org/9781107643970
Nineteenthcentury music Key Reference
The History of the Erard Piano and Harp in Letters and Documents, 1785–1959 Edited by Robert Adelson Musée du Palais Lascaris
Alain Roudier Centre International du Pianoforte
Jenny Nex Musical Instrument Museums Edinburgh
Laure Barthel and Michel Foussard Ministère de la Culture
Sébastien Erard and the firm that carried his name are seminal in the history of musical instruments. Erard’s inventions – especially the double escapement for the piano and the double-action for the harp – have had an enormous impact on instruments and musical life and are
13
still at the foundation of piano and harp building today. The recently discovered archives of the Erard piano and harp building firm are perhaps the largest and most complete record of musical instrument making anywhere, containing never-before-published correspondence from musicians including Mendelssohn, Liszt and Fauré. These volumes present the archive’s records and documents in two parts, the first relating to inventions, business, composers and performers and the second to the Erard family correspondence. In both the original French and with English translations, the documents offer fascinating insights into the musical landscape of Europe from the start of Erard’s career in 1785 to the closure of the firm in 1959. 2015 247 x 174 mm 1100pp 40 b/w illus. 978-1-107-09291-4 2-Volume Hardback Set c. £150.00 / c. US$250.00 Publication June 2015 For all formats available, see
www.cambridge.org/9781107092914
Gustav Mahler’s Symphonic Landscapes Thomas Peattie Boston University
Thomas Peattie provides a richly interdisciplinary account of Gustav Mahler’s music, considering the theatrical dimension of his symphonies and situating these works in the context of the musical, theatrical, and aesthetic traditions of the Austrian fin de siècle. 2015 247 x 174 mm 240pp 7 b/w illus. 978-1-107-02708-4 Hardback £64.99 / US$99.99 Publication April 2015 For all formats available, see
www.cambridge.org/9781107027084
eBooks available at www.cambridge.org/ebookstore
14
Nineteenth-century music The Other Worlds of Hector Berlioz
Schubert’s Beethoven Project
Travels with the Orchestra Inge van Rij
John M. Gingerich
Victoria University of Wellington
The negotiation between worlds that is characteristic of Berlioz’s writings also plays out in his music. Inge van Rij’s book combines historical, critical and analytical approaches to a selection of key works by the composer to offer new ways of thinking about the sights and sounds of the orchestra.
Gingerich provides a new understanding of Schubert’s relationship to Beethoven, and the ways in which he built on Beethoven’s legacy. 2014 247 x 174 mm 372pp 10 tables 83 music examples 978-0-521-65087-8 Hardback £65.00 / US$99.00 For all formats available, see
www.cambridge.org/9780521650878
2015 247 x 174 mm 370pp 8 b/w illus. 4 tables 77 music examples 978-0-521-89646-7 Hardback £74.99 / US$118.00
Program Music
For all formats available, see
Jonathan Kregor
www.cambridge.org/9780521896467
Brahms in the Home and the Concert Hall Between Private and Public Performance Edited by Katy Hamilton Royal College of Music, London
and Natasha Loges Royal College of Music, London
Johannes Brahms remains a figure of perennial appeal and significance to performers, scholars and music-lovers alike. This richly illustrated collection of essays, including a hitherto unpublished memoir of Brahms, explores the boundaries between the composer’s public, professional identity and his lifelong engagement with private and amateur music-making. 2014 247 x 174 mm 424pp 27 b/w illus. 6 tables 124 music examples 978-1-107-04270-4 Hardback £65.00 / US$99.00 For all formats available, see
www.cambridge.org/9781107042704
Highlight
University of Cincinnati
This accessible introduction provides a comprehensive survey of program music from the late eighteenth to the early twentieth century. Exploring works by Beethoven, Mendelssohn, Berlioz, Liszt, Saint-Saëns, Mahler, Strauss, and others, it sets the ideas and repertoires of program music in context, with numerous illustrations and music examples. Cambridge Introductions to Music
2015 247 x 174 mm 332pp 8 b/w illus. 26 tables 115 music examples 978-1-107-03252-1 Hardback £50.00 / US$85.00 978-1-107-65725-0 Paperback £17.99 / US$27.99 For all formats available, see
www.cambridge.org/9781107032521
Nineteenth-century music
Frauenliebe und Leben Chamisso’s Poems and Schumann’s Songs Rufus Hallmark Rutgers University, New Jersey
Rufus Hallmark sets Schumann’s famous song cycle in the context of the challenges and social expectations faced by women in early nineteenth-century Germany. His study offers insights on Schumann’s composing materials, reception of the song cycle, other contemporary poems about women, and comparisons with other musical settings of the poems. Music in Context
2014 247 x 174 mm 292pp 14 tables 44 music examples 978-1-107-00230-2 Hardback £65.00 / US$99.00 For all formats available, see
www.cambridge.org/9781107002302
Beethoven’s Theatrical Quartets Opp. 59, 74 and 95 Nancy November University of Auckland
The first detailed contextual study of Beethoven’s middle-period quartets, encompassing reception history, early performance practices, aesthetic contexts and theatrical impetus. Music in Context
2014 247 x 174 mm 295pp 9 b/w illus. 1 table 94 music examples 978-1-107-03545-4 Hardback £60.00 / US$95.00 For all formats available, see
www.cambridge.org/9781107035454
15
New in Paperback
The Cambridge History of NineteenthCentury Music Edited by Jim Samson Royal Holloway, University of London
This comprehensive overview of music in the nineteenth century draws on the most recent scholarship in the field. It avoids mere repertory surveys, focusing instead on issues which illuminate the subject in novel and interesting ways. The book is divided into two parts (1800–1850 and 1850–1900), each of which approaches the major repertory of the period by way of essays investigating the intellectual and socio-political history of the time. The music itself is discussed in five central chapters within each part, amplified by essays on topics such as popular culture, nationalism, genius, and the emergent concept of an avant-garde. The book concludes with an examination of musical styles and languages around the turn of the century. The addition of a detailed chronology and extensive glossaries makes this the most informed reference book on nineteenth-century music currently available. ‘… a comprehensive, impressive overview of the music of the period in question … Jim Samson has assembled an equally impressive selection of Anglo-American musicological minds to write it with him. There is in fact nothing gimmicky here, but much to admire. The book on its own terms remains a significant contribution to the current literature, of which any publisher should be proud.’ Musical Times
For regular email alerts visit www.cambridge.org/alerts
16
Nineteenth-century music / Twentieth-century and contemporary music Contributors: Jim Samson, Andrew Bowie, John Rink, Roger Parker, K. M. Knittel, Julian Rushton, John Irving, John Butt, Derek Carew, John Williamson, Max Paddison, Katharine Ellis, Thomas Grey, James Hepokoski, Susan Youens, Jonathan Dunsby, Derek B. Scott, Anthony Pople
connections in Hollywood as well as within academia. 2015 247 x 174 mm 295pp 38 b/w illus. 1 table 978-1-107-06499-7 Hardback c. £60.00 / c. US$99.00 Publication May 2015
The Cambridge History of Music
For all formats available, see
2014 228 x 152 mm 785pp 978-1-107-67994-8 Paperback £30.00 / US$50.00
www.cambridge.org/9781107064997
Also available 978-0-521-59017-4 Hardback £139.99 / US$254.99 For all formats available, see
www.cambridge.org/9781107679948
Popular Musical Theatre in London and Berlin 1890 to 1939 Edited by Len Platt Goldsmiths, University of London
Twentiethcentury and contemporary music Schoenberg and Hollywood Modernism Kenneth H. Marcus University of la Verne, California
Schoenberg is often viewed as an isolated composer who was ill-at-ease in exile. Kenneth H. Marcus shows that, contrary to this perception, Schoenberg was deeply involved in the cultural and intellectual environment in which he found himself, and had multiple
Tobias Becker Freie Universität Berlin
and David Linton Goldsmiths, University of London
In the decades before the Second World War, popular musical theatre was a global industry. This collection brings together international contributors to offer new insights into historical popular culture in London and Berlin and the Anglo-German relationship during a period of intense hostility and rivalry. 2014 228 x 152 mm 227pp 15 b/w illus. 4 music examples 978-1-107-05100-3 Hardback £60.00 / US$95.00 For all formats available, see
www.cambridge.org/9781107051003
Twentieth-century and contemporary music The Musicology of Record Production
The Legacy of Johann Strauss
Simon Zagorski-Thomas
Political Influence and TwentiethCentury Identity Zoë Alexis Lang
London College of Music, Thames Valley University
Recorded music is as different to live music as film is to theatre. In this book, Simon Zagorski-Thomas sets out a framework for the study of recorded music and record production using current ideas from psychology and sociology. 2014 247 x 174 mm 275pp 978-1-107-07564-1 Hardback £60.00 / US$95.00 For all formats available, see
17
University of South Florida
Zoë Lang explores constructions of twentieth-century Austrian identity through an examination of commentary on Johann Strauss, Jr’s waltzes. 2014 228 x 152 mm 248pp 11 tables 11 music examples 978-1-107-02268-3 Hardback £60.00 / US$95.00 For all formats available, see
www.cambridge.org/9781107022683
www.cambridge.org/9781107075641
Becoming Heinrich Schenker Music Theory and Ideology Robert P. Morgan Yale University, Connecticut
Much controversy surrounds Schenker’s mature theory and its attempt to explain musical pitch motion. In this book, Robert Morgan provides a balanced view, showing that Schenker’s mature theory developed logically out of his earlier ideas yet reflected a troubled ideology dependent upon contemporary German thought. 2014 247 x 174 mm 294pp 61 music examples 978-1-107-06769-1 Hardback £65.00 / US$99.00 For all formats available, see
www.cambridge.org/9781107067691
Highlight
The Cambridge Companion to Hip-Hop Edited by Justin A. Williams University of Bristol
Written by renowned scholars and industry professionals, this Companion covers the key elements and methods, from Nerdcore hip-hop to the role of rappers in the Obama campaign. With case studies from around the world, this collection reflects the passion and scholarly activity occurring in the new generation of hip-hop studies. Cambridge Companions to Music
2015 247 x 174 mm 365pp 20 b/w illus. 11 music examples 978-1-107-03746-5 Hardback £54.99 / US$89.99 978-1-107-64386-4 Paperback £19.99 / US$29.99 For all formats available, see
www.cambridge.org/9781107037465
Visit our website at www.cambridge.org/academic
18
Twentieth-century and contemporary music Highlight
The Cambridge Companion to Duke Ellington Edited by Edward Green Manhattan School of Music
Duke Ellington is widely held to be the greatest jazz composer. This comprehensive and accessible Companion is the first collection of essays to provide an in-depth overview of Ellington’s career, music, and place in popular culture and will be essential reading for anyone with an interest in his enduring legacy. ‘[I] couldn’t stop reading it. I am glad it has been published and the book can be recommended highly.’ Louis Tavecchio, Universiteit van Amsterdam Cambridge Companions to Music
2015 247 x 174 mm 320pp 2 b/w illus. 53 music examples 978-0-521-88119-7 Hardback £55.00 / US$90.00 978-0-521-70753-4 Paperback £15.99 / US$29.99 For all formats available, see
www.cambridge.org/9780521881197
Harrison Birtwistle Studies Edited by David Beard Cardiff University
Kenneth Gloag
issues through a wide-range of critical, theoretical and analytical interpretations and perspectives. Cambridge Composer Studies
2015 247 x 174 mm 336pp 17 b/w illus. 18 tables 81 music examples 978-1-107-09374-4 Hardback £65.00 / US$99.00 Publication April 2015 For all formats available, see
www.cambridge.org/9781107093744
Highlight
British Musical Modernism The Manchester Group and their Contemporaries Philip Rupprecht Duke University, North Carolina
This panoramic study of musical modernism synthesizes cultural, biographical, and analytic perspectives to provide a group portrait of the leading figures in post-war British art music. Philip Rupprecht explores the music of the Manchester Group and other composers in works spanning sixties theatricality through to seventies pop, electronic and post-minimalist music. Music Since 1900
2015 247 x 174 mm 445pp 13 b/w illus. 93 music examples 978-0-521-84448-2 Hardback c. £75.00 / c. US$115.00
Cardiff University
Publication May 2015
and Nicholas Jones
For all formats available, see
Cardiff University
This collection of essays represents current research on the music of Sir Harrison Birtwistle, reflecting the diversity of his music in terms of periods, genres, forms, techniques and related
www.cambridge.org/9780521844482
Twentieth-century and contemporary music French Music and Jazz in Conversation
Schoenberg’s Twelve-Tone Music
From Debussy to Brubeck Deborah Mawer
Symmetry and the Musical Idea Jack Boss
Birmingham Conservatoire
University of Oregon
This book explores the rich historicalcultural interactions between French concert music and American jazz in the first half of the twentieth century (1900– 65), from both perspectives. Deborah Mawer provides a set of detailed musical case studies on Debussy, Satie, Milhaud, Ravel, Jack Hylton, George Russell, Bill Evans and Dave Brubeck.
Jack Boss takes a unique approach to analyzing Schoenberg’s twelvetone music, adapting the composer’s notion of a ‘musical idea’ – problem, elaboration, solution – as a theoretical framework. Containing analytical readings of key works including Moses und Aron, the study provides the reader with a clearer understanding of this vitally important composer.
‘This is the book for which jazz scholarship has long been waiting: at last, the hugely significant interactions between jazz and modern concert music have been unravelled with the insight, technical understanding and contextual awareness they deserve. Professor Mawer delves deeply into this two-way process in a series of fascinating case studies which celebrate some of the most exciting and far-reaching musical crossfertilizations of the twentieth century.’ Mervyn Cooke, Professor of Music, University of Nottingham
Music Since 1900
2014 246 x 189 mm 463pp 129 music examples 978-1-107-04686-3 Hardback £70.00 / US$110.00 For all formats available, see
www.cambridge.org/9781107046863
The Spectral Piano From Liszt, Scriabin, and Debussy to the Digital Age Marilyn Nonken New York University
2014 247 x 174 mm 319pp 3 b/w illus. 6 tables 54 music examples 978-1-107-03753-3 Hardback £60.00 / US$99.00
Marilyn Nonken finds precedent in the works of pianist-composers Liszt, Scriabin and Debussy for spectral attitudes towards the musical experience.
For all formats available, see
Music Since 1900
www.cambridge.org/9781107037533
2014 247 x 174 mm 207pp 21 music examples 978-1-107-01854-9 Hardback £55.00 / US$90.00
Music Since 1900
19
For all formats available, see
www.cambridge.org/9781107018549
eBooks available at www.cambridge.org/ebookstore
20
Twentieth-century and contemporary music The Orchestral Music of Michael Tippett Creative Development and the Compositional Process Thomas Schuttenhelm Central Connecticut State University
Thomas Schuttenhelm’s book presents an investigation into Michael Tippett’s creative process and a comprehensive critical commentary on his orchestral music. Music Since 1900
2014 247 x 174 mm 338pp 12 b/w illus. 51 music examples 978-1-107-00024-7 Hardback £65.00 / US$99.00 For all formats available, see
www.cambridge.org/9781107000247
Schoenberg and Redemption Julie Brown
sands of Schoenberg’s thought in an authoritative manner, not an easy task … this stimulating book should be available to all who are interested in European culture … Recommended.’ M. Dineen, Choice New Perspectives in Music History and Criticism
2014 247 x 174 mm 272pp 2 b/w illus. 3 music examples 978-0-521-55035-2 Hardback £65.00 / US$99.00 For all formats available, see
www.cambridge.org/9780521550352
New in Paperback
The Cambridge History of TwentiethCentury Music Edited by Nicholas Cook University of Cambridge
and Anthony Pople
Royal Holloway, University of London
University of Nottingham
Julie Brown presents a new way of understanding Schoenberg’s step into atonality in 1908. Reconsidering his early atonal works, his theoretical writings and previously unexplored archival documents, she argues that Schoenberg’s revolutionary step was in part a response to Wagner’s negative charges concerning the Jewish influence on German music.
The Cambridge History of TwentiethCentury Music, first published in 2004, is an appraisal of the development of music in the twentieth century from the vantage-point of the twenty-first. This wide-ranging and eclectic book traces the progressive fragmentation of the European ‘art’ tradition, and its relocation as one tradition among many at the century’s end. While the focus is on Western traditions, both ‘art’ and popular, these are situated within the context of world music, including a case study of the interaction of ‘art’ and traditional musics in post-colonial Africa. An international authorship brings a wide variety of approaches to music history, but the aim throughout is to set musical developments in the context of social, ideological, and technological
‘This book reopens the subject of Jewish culture in the life and work of the twentieth-century classical composer Arnold Schoenberg … [it] draws on the writings of Austrian philosopher Otto Weininger, providing a welcome reintroduction of his work into musicological research. Above all, the author shows a remarkable ability to negotiate the shifting
Twentieth-century and contemporary music / Also of interest change, and to understand reception and consumption as integral to the history of music. ‘Its pluralist narrative finds room for pop, jazz and easy listening alongside classical mainstreams and avant-garde orthodoxies. The non-interventionist stance makes for lively debate between contributors, reflecting the revisionist brand of musicology where the importance of any musical culture must be constantly contested.’ The Independent
Contributors: Nicholas Cook, Anthony Pople, Jonathan Stock, Leon Botstein, Christopher Butler, Stephen Banfield, James Lincoln Collier, Susan C. Cook, Peter Franklin, David Nicholls, Joseph Auner, Hermann Danuser, Michael Walter, Derek B. Scott, David Osmond-Smith, Arnold Whittall, Mervyn Cooke, Robynn Stilwell, Richard Toop, Andrew Blake, Alastair Williams, Robert Fink, Dai Griffiths, Martin Scherzinger, Peter Elsdon, Björn Heile, Peter Jones The Cambridge History of Music
2014 228 x 152 mm 824pp 4 b/w illus. 1 music example 978-1-107-63199-1 Paperback £30.00 / US$50.00 Also available 978-0-521-66256-7 Hardback £154.99 / US$284.99 For all formats available, see
www.cambridge.org/9781107631991
21
Also of interest Porphyry’s Commentary on Ptolemy’s Harmonics A Greek Text and Annotated Translation Edited and translated by Andrew Barker University of Birmingham
Porphyry’s Commentary, the only surviving ancient commentary on a technical text, is not merely a study of Ptolemy’s Harmonics. It includes virtually free-standing philosophical essays on epistemology, metaphysics, scientific methodology, aspects of the Aristotelian categories and the relations between Aristotle’s views and Plato’s, and a host of briefer comments on other matters of wide philosophical interest. For musicologists it is widely recognised as a treasury of quotations from earlier treatises, many of them otherwise unknown; but Porphyry’s own reflections on musical concepts (for instance notes, intervals and their relation to ratios, quantitative and qualitative conceptions of pitch, the continuous and discontinuous forms of vocal movement, and so on) and his snapshots of contemporary music-making have been undeservedly neglected. This volume presents the first English translation and a revised Greek text of the Commentary, with an Introduction and notes designed
Visit our website at www.cambridge.org/academic
22
Also of interest to assist readers in engaging with this important and intricate work. 2015 228 x 152 mm 528pp 30 b/w illus. 978-1-107-00385-9 Hardback £100.00 / US$160.00 Publication June 2015 For all formats available, see
www.cambridge.org/9781107003859
Index A Adelson, Robert.....................................13 Anderson, Michael Alan............................6
B Bach’s Numbers.....................................11 Bain, Jennifer...........................................5 Barker, Andrew.......................................21 Barthel, Laure.........................................13 Beard, David..........................................18 Becker, Tobias.........................................16 Becoming Heinrich Schenker...................17 Beech, Nic................................................2 Beethoven’s Theatrical Quartets..............15 Bloechl, Olivia..........................................1 Boss, Jack..............................................19 Brahms in the Home and the Concert Hall.....................................................14 Bribitzer-Stull, Matthew............................3 British Musical Modernism.....................18 Brown, Julie...........................................20 Burrows, Donald............................... 10, 11 Busse Berger, Anna Maria.........................8 Butt, John................................................9
C Cambridge Companion to Duke Ellington, The......................................18 Cambridge Companion to French Music, The.......................................................4 Cambridge Companion to Hip-Hop, The..17 Cambridge History of EighteenthCentury Music, The..............................12 Cambridge History of Fifteenth-Century Music, The.............................................8 Cambridge History of NineteenthCentury Music, The..............................15 Cambridge History of SeventeenthCentury Music, The................................9 Cambridge History of Twentieth-Century Music, The...........................................20 Cambridge Verdi Encyclopedia, The...........3 Cambridge Wagner Encyclopedia, The.......3 Campana, Alessandra...............................5 Carter, Tim................................................9
23
Coffey, Helen.................................... 10, 11 Convent Music and Politics in Eighteenth-Century Vienna..................12 Cook, Nicholas.......................................20
D Deeming, Helen........................................7 DeFord, Ruth I..........................................6
F Foussard, Michel....................................13 Frauenliebe und Leben...........................15 French Music and Jazz in Conversation...19
G George Frideric Handel..................... 10, 11 Gilliam, Bryan...........................................5 Gilmore, Charlotte....................................2 Gingerich, John M..................................14 Gloag, Kenneth......................................18 Green, Edward.......................................18 Greenacombe, John.......................... 10, 11 Gustav Mahler’s Symphonic Landscapes.13
H Hallmark, Rufus......................................15 Hamilton, Katy.......................................14 Harrison Birtwistle Studies......................18 Henson, Karen..........................................4 Heyer, John Hajdu.....................................9 Hicks, Anthony................................. 10, 11 Hildegard of Bingen and Musical Reception..............................................5 History of Singing, A.................................2 History of the Erard Piano and Harp in Letters and Documents, 1785–1959, The.....................................................13
J Jones, Nicholas.......................................18
K Kallberg, Jeffrey........................................1
For regular email alerts visit www.cambridge.org/alerts
24
Index Keefe, Simon P........................................12 Kregor, Jonathan....................................14
L Lang, Zoë Alexis.....................................17 Leach, Elizabeth Eva.................................7 Legacy of Johann Strauss, The.................17 Linton, David..........................................16 Locke, Ralph P........................................11 Loges, Natasha.......................................14 Lowe, Melanie..........................................1 Lure and Legacy of Music at Versailles, The.......................................................9
M Making of Liturgy in the Ottonian Church, The...........................................7 Manual of Musical Instrument Conservation, The..................................1 Manuscripts and Medieval Song...............7 Marcus, Kenneth H.................................16 Marvin, Roberta Montemorra....................3 Maurey, Yossi...........................................6 Mawer, Deborah.....................................19 Medieval Music, Legend, and the Cult of St Martin...............................................6 Monstrous New Art, The...........................7 Morgan, Robert P...................................17 Music and Ethical Responsibility...............1 Music and Riddle Culture in the Renaissance..........................................6 Music and the Exotic from the Renaissance to Mozart........................11 Music Sketches.........................................2 Musicology of Record Production, The.....17
Opera and Modern Spectatorship in Late Nineteenth-Century Italy........................5 Orchestral Music of Michael Tippett, The.20 Organising Music.....................................2 Other Worlds of Hector Berlioz, The.........14
P Page, Janet K..........................................12 Parkes, Henry...........................................7 Peattie, Thomas......................................13 Platt, Len...............................................16 Pollens, Stewart........................................1 Pople, Anthony.......................................20 Popular Musical Theatre in London and Berlin..................................................16 Porphyry’s Commentary on Ptolemy’s Harmonics...........................................21 Potter, John..............................................2 Program Music.......................................14
R Rethinking Difference in Music Scholarship............................................1 Rodin, Jesse.............................................8 Roudier, Alain.........................................13 Rounding Wagner’s Mountain..................5 Rupprecht, Philip....................................18
S
Nex, Jenny.............................................13 Nonken, Marilyn.....................................19 November, Nancy...................................15
Sallis, Friedemann.....................................2 Samson, Jim...........................................15 Schiltz, Katelijne.......................................6 Schoenberg and Hollywood Modernism..16 Schoenberg and Redemption..................20 Schoenberg’s Twelve-Tone Music............19 Schubert’s Beethoven Project..................14 Schuttenhelm, Thomas............................20 Sorrell, Neil..............................................2 Spectral Piano, The.................................19 St. Anne in Renaissance Music..................6
O
T
Opera Acts...............................................4
Tactus, Mensuration and Rhythm in Renaissance Music................................6
N
Index Tatlow, Ruth...........................................11 Trezise, Simon..........................................4
U
25
W Warren, Jeff R...........................................1 Williams, Justin A...................................17
Understanding the Leitmotif.....................3
Z
V
Zagorski-Thomas, Simon.........................17 Zayaruznaya, Anna...................................7
van Rij, Inge...........................................14 Vazsonyi, Nicholas....................................3
eBooks available at www.cambridge.org/ebookstore
26
Notes
FAO: Acquisitions Librarian LIBRARY RECOMMENDATION FORM I would like to recommend the following titles/online products published by Cambridge University Press for the library ISBN Author Title
_________________ __________________ _________________________ _________________
__________________
_________________________
_________________ __________________ _________________________ _________________ __________________ _________________________ _________________ __________________ _________________________ _________________ __________________ _________________________ _________________ __________________ _________________________ _________________ __________________ _________________________ _________________ __________________ _________________________ _________________ __________________ _________________________ _________________ __________________ _________________________ _________________ __________________ _________________________
Name
Position
Department
Date
Signature
"
Please pass this form to your librarian
FAO: Acquisitions Librarian
Cambridge University Press Bookshop
Customer Services
Cambridge University Press Bookshop occupies the historic site of 1 Trinity Street, Cambridge CB2 1SZ, where the complete range of titles is on sale. Bookshop Manager: Cathy Ashbee Phone + 44 (0)1223 333333 Fax + 44 (0)1223 332954 Email bookshop@cambridge.org
Booksellers For customer service, please contact: UK, Europe - internationaltrade2@cambridge.org Middle East & North Africa - internationaltrade1@cambridge.org North America - customer_service@cambridge.org Central & South America, Caribbean - internationalorders@cambridge.org Asia - asia@cambridge.org Account-holding booksellers can order online at www.PubEasy.com
Cambridge University Press Around the World Cambridge University Press has offices, representatives and distributors in some 60 countries around the world; our publications are available through bookshops in virtually every country.
United Kingdom and Ireland
The Americas
Academic Sales Department Cambridge University Press, University Printing House, Cambridge CB2 8BS, UK Phone + 44 (0)1223 325517 Fax + 44 (0)1223 325983 Email academicsales@cambridge.org Web www.cambridge.org/emea
North, Central, South America and Caribbean Cambridge University Press 32 Avenue of the Americas, New York, NY 10013-2473, USA Phone + 1 212 924 3900 Fax + 1 212 691 3239 Email customer_service@cambridge.org Web www.cambridge.org
Europe (excluding Iberia), Middle East and North Africa Academic Sales Department Cambridge University Press, University Printing House, Cambridge CB2 8BS, UK Phone + 44 (0)1223 325517 Fax + 44 (0)1223 325983 Email academicsales@cambridge.org Web www.cambridge.org/emea
Iberia Cambridge University Press Iberian Branch Basílica 17, 1º-, 28020 Madrid, Spain Phone + 34 91 360 46 06 Fax + 34 91 360 45 70 Email iberia@cambridge.org Web www.cambridge.org/emea
Asia 79 Anson Road Unit #06-04/06 Singapore 079906 Phone + 65 6323 2701 Fax + 65 6323 2370 Email singapore@cambridge.org Web www.cambridge.org/asia
Sub-Saharan Africa and English-speaking Caribbean Cambridge University Press African Branch Lower Ground Floor, Nautica Building, The Water Club, Beach Road, Granger Bay – 8005, Cape Town, South Africa Phone + 27 21 412 7800 Fax + 27 21 419 8418 Email information@cambridge.org Web www.cambridge.org/africa
Australia and New Zealand Cambridge University Press Australian Branch 477 Williamstown Road, Port Melbourne, VIC 3207, Australia Phone +61 3 8671 1411 Fax +61 3 9676 9966 Email info@cambridge.edu.au Web www.cambridge.org/aus
Institutional ebook access If you’re interested in institution-wide access to ebooks, or other Cambridge digital publications, please contact online@cambridge.org in the Americas or library.sales@cambridge.org in the rest of the world.
Connect with our Authors
Join in the conversation
Read exclusive articles and interviews
www.cambridgeblog.org How to order books In the UK, Europe and rest of the world:
Further information Please contact information@cambridge.org
www.cambridge.org/music2015
Inspection Copies
+44 (0)1223 326050
Please order your inspection copies by visiting www.cambridge.org/textbooks
directcs@cambridge.org In the Americas: www.cambridge.org/music2015 +1 845 353 7500 (toll free +1 800-431-1580)
If you experience problems with ordering your inspection copy via our website, or have any questions, please contact our Customer Services team at directcs@cambridge.org or on +44 (0)1223 325588
orders@cambridge.org
Our inspection copy policy • Inspection copies are available to lecturers who regard the textbook as potentially suitable for adoption
EBooks
• We will only supply inspection copies to a campus address
For individuals: you can find information about ebook availability for Cambridge publications at www.cambridge.org/music2015 For institutions: Cambridge publications are also available for institutional purchase as online collections and packages. Visit www.universitypublishingonline.org/list
Review enquiries For further information please email reviewcopy@cambridge.org
Press and media enquiries For further information please visit www.cambridge.org/academic/journalist
Translation Rights For enquiries regarding translation rights, please contact foreignrights@cambridge.org
• We will only process requests which contain a complete university or college address and course information • Books not yet published will be sent in the month of publication • Inspection copies are sent at the discretion of Cambridge University Press and we reserve the right to decline requests without explanation
Book proposals For information about submitting book proposals, please visit www.cambridge.org/proposals
Pricing and availability Prices and publication dates are correct at time of going to press but are subject to alteration without notice
257 The Triumph of Time in the Eighteenth Century: Handel’s Il trionfo del Tempo and Historical Conceptions of Musical Temporality Benedict Taylor
essay
August 2014 MIX 46 / 2
®
For further information about this journal
Paper from responsible sources
journals.cambridge.org/ecm
FSC® C007785
please go to the journal website at: Guest Editor: Sherril Dodds
EMMA DILLON, The Sense of Sound: Musical Meaning in France, 1260–1330 JEREMY LLEWELLYN
2014
Special Issue: Body Parts: Pelvis, Feet, Face, Journals Online Hips, Legs, Cambridge Toes, and Teeth
JAMES GRIER (ed.), Ademari Cabannensis opera liturgica et poetica: Musica cum textibus SAM BARRETT
volume
11
e
Cambridge Journals Online
numberFor2furtherseptember 2014pleaseissn information about this journal e
e
40? 1478-57063DSHU IURP
UHVSRQVLEOH VRXUFHV
go to the journal website at:
-:* *
journals.cambridge.org/emh
Review TA B L E O F C O N T E N T S CONTRIBUTORS A RT I C L E S 435
479
“This Is America”: Jimi Hendrix’s Star Spangled Banner Journey as Psychedelic Citizenship Mark Clague The Inspector of Music Meets the French Raoul Camus
538
The Fugs, the Lower East Side, and the Slum Aesthetic in 1960s Rock Patrick Burke
BOOKS
Agustín Gurza, with Jonathan Clark and Chris Strachwitz, The Arhoolie Foundation’s Strachwitz Frontera Collection of Mexican and Mexican American Recordings; Catherine L. Kurland and Enrique R. Lamadrid, Hotel Mariachi: Urban Space and Cultural Heritage in Los Angeles; Josh Kun, Songs in the Key of Los Angeles; Larry Rothe, Music for a City, Music for the World: 100 Years with the San Francisco Symphony Walter Aaron Clark Continued on inside back cover
Cambridge Journals Online For further information about this journal please go to the journal web site at
http://journals.cambridge.org/sam
33 2
189 Notes on Contributors
Articles
191 Actor-Networks in Music History: Clarifications and Critiques Benjamin Piekut 217 ‘Sound Effects (O.K., Music)’: Steve Reich and the Visual Arts in New York City,
VOLUME 8 • NUMBER 4 • NOVEMBER 2014 1966–1968 Ross Cole
245 Beware the Lamb: Staging Bach’s Passions Bettina Varwig
275 ‘The Age of the Golden Ear’: The Columbia World Library and Sounding out Post-war Field Recording Tom Western
Reviews 301 Rachel Beckles Willson, Orientalism and Musical Mission: Palestine and the West Benjamin Brinner 308 Carol Vernallis, Unruly Media: YouTube, Music Video, and the New Digital Cinema John Richardson, An Eye for Music: Popular Music and the Audiovisual Surreal Holly Rogers
315 Alexandra Hui, The Psychophysical Ear: Musical Experiments, Experimental Sounds, 1840–1910 Carolyn Birdsall, Nazi Soundscapes: Sound, Technology and Urban Space in Germany, 1933–1945 Florence Feiereisen and Alexandra Merley Hill, eds, Germany in the Loud Twentieth Century: An Introduction Brı´an Hanrahan
Cambridge Journals Online For further information about this journal please go to the journal website at:
journals.cambridge.org/tcm
40? 3DSHU IURP UHVSRQVLEOH VRXUFHV
-:* *
245
252
T H O M A S B . P AY N E
Michael Scott Cuthbert, Sean Gallagher and Christoph Wolff, eds., City, Chant, and the Topography of Early Music: In Honor of Thomas Forrest Kelly K AT E H E L S E N
Mediation: Notation and Communication in Electroacoustic Music Performance
Cambridge Journals Online For further information about this journal please go to the journal website at:
journals.cambridge.org/pmm
256
early modern music
Edited by Iain Fenlon
V O L U M E 2 3 PA RT 2 O C T O B E R 2 0 1 4
0961-1371
1478-5722
VOL.68 NO.270 - OCTOBER 2014
ISSN 0040-2982
TWENTIETH-
CENTURY
MUSIC VOLUME
11 |
NUMBER
2 |
SEPTEMBER
2 01 4
570
Anne-Zoe´ Rillon-Marne, Homo considera. La pastorale lyrique de Philippe le Chancelier: une e´tude des conduits monodiques
SEPTEMBER
Daniel Cavicchi, Listening and Longing: Music Lovers in the Age of Barnum Karen Ahlquist
Helen Deeming, ed., Songs in British Sources, c.1150–1300 P E T E R M . L E F F E RT S
2 |
567
MUSIC
241
K AT E H E L S E N
NUMBER
REVIEWS
SOCIETYMUSIC FOR AMERICAN
201
G U¨ N T H E R M I C H A E L P A U C K E R
Reviews La´szlo´ Dobszay and Janka Szendrei, eds., Responsories
11 |
How Santa Claus Became a Slave Driver: The Work of Print Culture in a Nineteenth-Century Musical Controversy Douglas W. Shadle
M I K H A I L L O PAT I N
Liturgical chant bibliography 23
ISSN
TWENTIETH-
JOURNAL OF THE CENTURY
153
Canonic techniques in the caccia: compositional strategies and historical development 179
VOLUME
501
NOVEMBER 2014
Guy of Saint-Denis on the tones: thinking about chant for Saint-Denis c.1300 C O N S TA N T J . M E W S , J O H N N . C R O S S L E Y A N D C A R O L W I L L I A M S
Studies in medieval and
PA RT 2 O C TO B E R 2 0 1 4
JOURNAL OF THE
NUMBER 3
125
SEAN CURRAN
TWENTIETH-CENTURY MUSIC
Popular MusicSOCIETY FOR AMERICAN MUSIC
VOLUME 26
CONTENTS Reading and rhythm in the ‘La Clayette’ manuscript (Paris, Bibliothe`que nationale de France, nouv. acq. fr. 13521)
33
VOL. 23
Volume 11 • Issue 1 • June 2014
Issue 3
EARLY MUSIC HISTORY
PLAINSONG AND MEDIEVAL MUSI C
Volume 19
ISSN 1355-7718
259
271
september
communications 317 Reports 318 Conference Reports
143
183
REVIEWS
e
291 Books 304 Editions 308 Recordings
109
2
reviews
ERIC JAS (Utrecht University) What other Josquin? EDWARD NOWACKI (College-Conservatory of Music, University of Cincinnati) The anonymous Musica in Leipzig, Universita¨tsbibliothek, MS 1492: A new edition and translation MURRAY STEIB (Ball State University) Herculean Labours: Johannes Martini and the manuscript Modena, Biblioteca Estense, MS a.M.1.13
no.
283 John Callander and the Avison Connection: A Recently Rediscovered Letter Simon D. I. Fleming
1
61
journals.cambridge.org/emh
235 The Genevan Psalter in Eighteenth-Century Indonesia and Sri Lanka David R. M. Irving
MARY CHANNEN CALDWELL (Wichita State University) ‘Flower of the lily’: Late-medieval religious and heraldic symbolism in Paris, `que nationale de France, MS franc¸ais 146 Bibliothe
journals.cambridge.org/pmm
215 Multi-Day Passions and J. S. Bach’s Christmas Oratorio, bwv248 Daniel R. Melamed
CONTENTS
Enjoy sample material and activate content alerts at
journals.cambridge.org/music
2014
A QUARTERLY REVIEW OF NEW MUSIC EDITORIAL: IN PASSING WHAT IS FELDMAN? KEVIN VOLANS
AUTOMATIC WRITING AND GRAMMELOT IN CLAUDE VIVIER’S LANGUE INVENTÉE BRYAN CHRISTIAN
LIGETI’S DODECAPHONIC REQUIEM JENNIFER IVERSON
SOUND JUDGEMENT: PIERS HELLAWELL IN INTERVIEW BERNARD HUGHES
FORMAL DESIGN AND MATERIAL IN MAURICIO KAGEL’S ANTITHESE FÜR ELEKTRONISCHE UND ÖFFENTLICHE KLÄNGE MAKOTO MIKAWA
IN MEMORIAM: MALCOLM MACDONALD (1948–2014) REVIEWS: FIRST PERFORMANCES, CDs & DVDs, AND BOOKS PROFILE: ILAN VOLKOV
journals.cambridge.org/tem
c o ntents 165 Notes on Contributors
EARLY MUSIC HISTORY 33
ROSS W. DUFFIN (Case Western Reserve University) Voices and viols, Bibles and bindings: The origins of the Blossom partbooks
ISSN 1479-4098
ce on Analyzing rpool, 2–4 July 2013
3
1478-5706
e
journals.cambridge.org/drj
issn
articles
VOLUME 8 • NUMBER 4 • NOVEMBER 2014
mponents in Jimmy
Cambridge Journals Online For further information about this journal please go to the journal website at:
e
173 John Gay, Ballad Opera and the The´aˆtres de la Foire Vanessa L. Rogers
JOURNAL OF THE SOCIETY FOR AMERICAN MUSIC
emporary basics of the role of the r musics from 1960
Re-Cyclings. Shifting Time, Changing Genre in the Dancing Museum Susanne Foellmer
2014
167 Editorial
August 2014
in three songs from e (1971)
The Perils and Possibilities of Dance in the Museum: Tate, MoMA, and Whitney Claire Bishop
september
46 / 2
es’: Zhanna roll, and the ‘outside’
The Way We Perform Now Shannon Jackson
Welcome to This Situation: Tino Sehgal’s Impersonal Ethics Toni Pape, Noémie Solomon, and Alanna Thain
33/2 MAY 2014
flicting nity
e ‘crisis of
Manifesto for a Dancing Museum Boris Charmatz
Opening Hours Inés Moreno
POPULAR MUSIC
Aretha Franklin’s edding’s ‘Respect’
Interview with Boris Charmatz
e
11
An International Journal
362 364
Occupy MoMA, (the risks) and POTENTIALS of le musée de la danse Alessandra Nicifero
2
journals.cambridge.org/ecm
Articles
Experience as Artifact: Transformations of the Immaterial Franz Anton Cramer
number
vol.
360
Play Dead: Dance, the Museum, and Time-Based Art Marcella Lista
e
journals.cambridge.org/oso
359
DIALOGUE: The Dancing Museum
11
journals.cambridge.org/tcm
343
Music Education
volume
journals.cambridge.org/opr
319
journal
journals.cambridge.org/sam
297
journals.cambridge.org/ncm
281
Dance in the Museum André Lepecki and Mark Franko
journals.cambridge.org/pmu
265
BJME
Special Issue: DANCE IN THE MUSEUM Edited by André Lepecki and Mark Franko
Editor’s Note
Congress on Research in Dance
Dance Research
journals.cambridge.org/drj
British Journal of
journals.cambridge.org/bme
NOVEMBER 2014
Forthcoming Articles in DRJ 46/3 (December 2014)
EARLY MUSIC HISTORY 33
245
NUMBER 3 Dance Research journal
eighteenth-century music
aunt
241
VOLUME 31
0265-0517
Dance Research journal
n in
01497677_46-2_01497677_46-2 12/09/14 5:13 PM Page 1
VOLUME 31 NUMBER 3 NOVEMBER 2014
arning
usic
Cambridge Music Journals BRITISH JOURNAL OF MUSIC EDUCATION
aland
Discover key research from
ebooks For institutional purchase Over 25,000 ebooks across multiple subject areas are available for institutional purchase from Cambridge University Press and our partner publishers. Browse Cambridge titles at ebooks.cambridge.org and partner titles at universitypublishingonline.org Please speak to your librarian about gaining access for your institution. Your librarian can contact us at
online@cambridge.org in the Americas or library.sales@cambridge.org for all other areas.
We further the mission of the University of Cambridge by disseminating knowledge in the pursuit of education, learning and research at the highest international levels of excellence.