JON SUEDA
Nothing Moments: A Collaborative Project in Art, Literature, and Design (book launch, reading, and GROUP SHOWS:
travling exhibition), Printed Matter Inc., New York, June 2008; Forms of Inquiry: The Architecture of Critical Graphic Design, Casco Office for Art, Design,
and Theory, Utrecht, the Netherlands, Jan.–Feb. 2008 and LUX Gallery, Valence, France, Mar.–June 2008. WORK FEATURED: William Safire’s On Language column, New York Times Magazine, June 2008; Young Graphic Designers Americas, Daab Books, 2008. L AR RY SULTAN
This Side of Paradise: Body and Landscape in L.A. Photographs (travelGROUP SHOWS:
ing), Huntington Library, San Marino, California, June–Sept. 2008; Variable Capital, Bluecoat, Liverpool, England, May–June 2008; Seeing Ourselves: Masterpieces of American Photography from the George Eastman House Collection,
Mississippi Museum of Art, Jackson, Apr.–June 2008; Southern Exposure:
2008. GROUP SHOWS: Interruption of Hierarchies, Sesnon Art Gallery, University of California, Santa Cruz, Apr.–May 2008; Deeesire, Gatov Gallery, Long Beach, California, Dec. 2007. Drawing Complaint: Memoirs of Bjork-Geisha at the Santa Cruz Film
SCREENINGS:
Festival, Deep House Hell, ATA, San Francisco, and Work To Do!, Queer, Feminist and Postcolonial Disidentifications Regarding Autonomy and Work Film Program, Shehalle, Zurich, Switzerland (all 2008). JOSEPH TANK E PRESENTATIONS: “Recent Challenges to the Postmodern Paradigm: The Case of the Aesthetic Regime,” Institut national d’histoire de l’art, Paris, May 2008; “The Twisted Logic of Modernity: the Philosophy and AntiPhilosophy of Art,” Jacques Rancière Day, Roehampton University, London, May 2008. LUCILLE TENAZAS
Quadrille Publishing, 2008; Interview, Mar. 2008; Wallpaper, Mar. 2008.
Henry Wolf Professor at Parsons the New School for Design. Tenazas will be starting a graduate program in communication design with a multidisciplinary focus, drawing on the New School for Social Research, Milano the New School for Management and Urban Policy, and Mannes College the New School for Music.
TINA TAK EMOTO
PAMINA TR AYLOR
PUBLICATION: “Looking Through
SOLO SHOW:
Hannah’s Eyes,” Art Journal, summer 2008. PRESENTATIONS: “Interruption of Hierarchies: The Academy and the Gallery,” Intervene! Interrupt! Rethinking Art as Social Practice, University of California, Santa Cruz, May 2008; “Love/Sick,” 17th Annual Matrilineage Symposium, Syracuse University, New York, Mar. 2008; “Opening Interruptus,” Clark/Getty Symposium, Getty Research Institute, Los Angeles, Feb.
Alliance of Northern California Newsletter,
Works from the Collection of the San Diego MCA, Museum of Contemporary Art, Sydney, Mar.–June 2008; Worlds Away: New Suburban Landscapes, Walker Art
Center, Minneapolis, Feb.–Aug. 2008. WORK FEATURED:
The Genius of Photography,
NEW POSITION:
Reflections, Sculpturesite Gallery, San Francisco, California, Aug.–Oct. 2008. ACQUISITION: Tagged (2004), by the William Benton Museum of Art, University of Connecticut, 2008. WORK FEATURED: Glass
July 2008. PUBLICATION: article about the glass program at Osaka University of Art (CCA’s sister school) in the Glass Art Society Newsletter, Sept.–Oct. 2008.
M ARTIN VENEZKY WORK FEATURED: Brian Wilson’s That Lucky Old Sun CD packaging and stamp sheet, 2008; Kelly Slater: For the Love,
Chronicle Books, 2008; CCA Graduate Studies materials, 2008; San Francisco Museum of Modern Art Diaspora playing cards and Non-Western Westerns poster and T-shirt series, 2008; Wired, May 2008; New York Times Magazine, Apr. 2008. LECTURE: Under Consideration Presents Opposites Attract series, New York Art Directors Club, May 2008. JUDGE: First Chicago International Poster Biennial, June 2008. ACQUISITION: full run of Speak magazine (1995–2001) by the Denver Art Museum, 2008. ANGIE WANG AWARDS: Type
Directors Club TDC54, 2008; Print magazine 2008 Regional Design Annual, 2008. WORK FEATURED: PAGE, May 2008. FR ANK LIN WILLIAMS
Obsession, Lizabeth Oliveria Gallery, Los Angeles, Mar.–Apr. 2008.
SOLO SHOW:
FEDERICO WINDH AUSEN PRESENTATIONS: “Ken Jacobs’s Stereoscopic Vision: Experimental Video and Photography,” International Visual Sociology Association conference, Buenos Aires, Aug. 2008; “Televisual Film and Owen Land’s Modes of Address,” Society for Cinema and Media Studies conference, Philadelphia, Mar. 2008. PUBLICATIONS: “Paul Sharits and the Active Spectator” in Art and the Moving Image, Afterall Books, 2008; “Historiographic Returns: Reviewing British Avant-Garde Film of the 1970s,” Grey Room, winter 2008. WORK FEATURED: “Cossacks in Argentina” on PRI’s Studio 360 (listen at www.studio360.org).
Faculty Notes
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