October 2014
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Fri 24th Oct • £20 adv / £35 VIP
Sun 23rd Nov • £24.50 adv
Coma
+ Deer Tick + Bayside
6pm - 10pm
+ special guests Metasoma + ResPublica
Sat 25th Oct • £15 adv
1pm -9pm • Weekend tix £25 adv
10.30pm-3.30am • £4 adv
OVER 18S ONLY - PROOF OF AGE REQUIRED
Fri 3rd Oct (all tix £5)
The Pigeon Detectives Live Fri 10th Oct
The Libertines’ Carl Barat (DJ Set) Thurs 2nd Oct • £7 adv 10pm - 3am • over 18s only
The Birmingham Freshers Festival
ft. MK + Miss Dynamite + Majestic
UK B-Boy Championships Knock-Out Jam
Sun 26th Oct • £17.50 adv
3pm -11pm • Weekend tix £25 adv
UK B-Boy Championships World Final
Mon 27th Oct • £13 adv
Chevelle
Sat 1st Nov • £34.50 adv
Tues 7th Oct • £13.50 adv
The 8123 UK Tour ft. The Maine
+ special guests Lydia & Nick Santino
Thurs 9th Oct • £13 adv
Alestorm
+ Lagerstein + Redrum + Rainbowdragoneyes
Mon 3rd Nov • £13 adv
TesseracT & Animals As Leaders
I Am Legend
MC Trigga’s Birthday Bash
Thurs 6th Nov • £21.50 adv
Rise Against
Sat 18th Oct • £10 adv
We Are The Ocean Sun 19th Oct • £15 adv
ICW: Ringo’s Despair Weds 22nd Oct • £15 adv
Clean Bandit
Fri 12th Dec • £11.50 adv 6.30pm -10pm
Mastodon
Weds 3rd Dec • £12 adv
Electric Six
+ Andy D + Only The Good
Thurs 4th Dec • £30 adv
Boyz II Men
Fri 5th Dec • £15 adv
Graham Bonnet Sat 6th Dec • £18.50 adv
Heffron Drive
Thurs 18th Dec • £25 adv
Machine Head
+ Devil You Know + Darkest Hour
Thurs 18th Dec • £15 adv
The Wonder Stuff
(acoustic) + special guest Mark Morriss
Sat 20th Dec • £20 adv
The Twang & The Enemy
Rescheduled show • original tickets valid
Professor Green
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Sat 4th Oct • £13 adv
Sun 19th Oct • £10 adv
+ The Ghost Inside + Crown The Empire + Secrets
The Wailers
6pm - 10pm
Skeletal Family & Salvation
Knotslip
+ Birthrite
+ Destroyed Beyond Belief + Our World Below? + Slaughter Horse
Sikth
Sun 5th Oct • £7.50 adv
Thurs 23rd Oct • £12 adv
Thurs 13th Nov • £10 adv
+ Sister Shotgun
Sun 9th Nov • £14 adv
6pm -10pm
Fri 14th Nov • £14 adv 6pm -10pm
Against Me! Sat 15th Nov • £19.50 adv
Kobra And The Lotus Weds 8th Oct • £15 adv
Supersuckers
+ The Trews + Deadcuts
Fri 10th Oct • £10 adv 6pm - 10pm
Mamas Gun
Courteeners
Fri 21st Nov • £27.50 adv 6pm -10pm
+ Years & Years
Thurs 23rd Oct • £13.50 adv / £27 VIP
Sat 22nd Nov • £15 adv
Mad Caddies + Jaya The Cat
Dave Giles Fri 31st Oct • £12 adv 6pm - 10pm
Framing Hanley Mon 3rd Nov • £10 adv
Sat 8th Nov • £10 adv
ft. Marmozets + Lonely The Brave + Allusondrugs
Thurs 20th Nov • £19.50 adv
6pm -10pm
+ Lisbon + Charlotte Carpenter
Sat 15th Nov • £11 adv 30th Anniversary of “Hatful of Hollow”
Fri 24th Oct • £8 adv
Kill It Kid
Eliza and the Bear Weds 15th Oct • £9 adv
The Smyths
Ghetts
Tues 14th Oct • £8 adv
The Kooks
Example + Feed Me
Rixton
+ Decapitated + Grand Magus + Winterfylleth
Asking Alexandria
Levellers
Katy B + Becky Hill
Behemoth
5.30pm -10pm
Weds 15th Oct • £15 adv
Sat 18th Oct • £16 adv
+ Icon For Hire
6pm -10pm
Fri 7th Nov • £16.50 adv
+ The So So Glos
Justin Furstenfeld
Hollywood Undead
Gogol Bordello
+ Pennywise + Emily’s Army
Fri 14th Nov • £22.50 adv
Thurs 16th Oct • £18 adv
6pm -10pm
Catch the Rainbow Tour
Billy Idol
Lords Of The Riff Vol.2 ft. Anti-Mortem
Kid Ink
Fri 28th Nov • £15 adv
Weds 5th Nov • £37.50 adv
Mon 13th Oct • £16 adv
The Hold Steady
Fri 12th Dec • £18.50 adv
Delain + Wolf
6.30pm -10pm
performing the album ‘Legend’
9pm - 5am • over 18s only
Weds 26th Nov • £14 adv
+ Navene K
The Lawrence Arms Sat 11th Oct • £22.50 / £25 VIP
Thurs 11th Dec • £19.50 adv
Lily Allen
Weds 17th Dec • £18.50 adv £65 VIP Meet & Greet
Sat 8th Nov • £19.50 adv
+ Sam Russo + Bangers
+ Godsize
Weds 26th Nov • £32.50 adv
+ Big Business + Krokodil
Klaxons
Fri 10th Oct • £14 adv 6pm -10pm
Raging Speedhorn
Sat 1st Nov • £13.50 adv
Ones To Watch
Black Veil Brides
Mon 8th Dec • £8 adv
The Doors Alive
Tues 4th Nov • £12 adv
Tues 7th Oct • £20 adv
James Bay + Port Isla
Inspiral Carpets
Counting Crows + Lucy Rose
Bakermat
ft. Sulu Babylon + Chasing Traits + Nina Baker + Only Shadows + Danni G + Screaming Quays + The Two Percent
Mon 24th Nov • £10 adv
Sun 7th Dec • £18.50 adv
Sat 29th Nov • £22.50 adv
Sat 4th Oct • £8.50 adv 6.30pm -11pm
The Gaslight Anthem
The Big Cheese Tour Fri 17th Oct • £10 adv 6.30pm - 10pm
The Modfathers
The UK’s No. 1 Tribute to Paul Weller & The Jam
Sat 18th Oct • £10 adv
Danny & The Champions Of The World + Trevor Moss & Hannah Lou + Brokenwitt Rebels
+ Gallery Circus + Pickering White
Antarctic Monkeys Thurs 13th Nov • £12 adv
Wild Child
Weds 26th Nov • £9 adv
Upon A Burning Body + Martyr Defiled + The Charm The Fury
Sat 29th Nov • £11 adv
The Clone Roses
UK’s No.1 Stone Roses Tribute
Tues 9th Dec • £9 adv
‘68 + Trophy Scars
16-18 Horsefair, Bristol St, Birmingham, B1 1DB 2
Doors 7.00pm unless stated • Venue box office opening hours: Mon-Fri 12pm-4pm, Sat 11am-4pm • No booking fee on cash transactions
Brum Notes Magazine
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metropolis music presents Metropolis Music by arrangement with Primary Talent International present
Juce Wed 3 December
The Institute
THE BLACK KEYS
Ticketmaster.co.uk Gigsandtours.com
TURN BLUE WORLD TOUR 2015
New album ‘Junto’ out now
SATURDAY 28 FEBRUARY • LG ARENA
Basementjaxx.com
NEW ALBUM ‘TURN BLUE’ OUT NOW THEBLACKKEYS.COM
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PLUS GUESTS
PLUS GUESTS
THE GARDEN
THE RAMONA FLOWERS
THURSDAY 30 OCTOBER
THE INSTITUTE
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LAMBOFFICIAL.COM THE NEW ALBUM ‘BACKSPACE UNWIND’OUT 13 TH OCT A METROPOLIS MUSIC PRESENTATION BY ARRANGEMENT WITH PRIMARY TALENT INTERNATIONAL
TUESDAY 18 NOVEMBER THE INSTITUTE
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FRIDAY 05 DECEMBER
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Thursday 16 October
O2 Academy2 Ticketweb.co.uk Gigsandtours.com A Metropolis Music presentation by arrangement with X-ray
The show will consist of spoken word, a Q&A session and an acoustic set of songs never before heard, as well as stripped down and softer versions of Blue October fan-favourites blueoctober.com blueoctober.com blueoctober.com /blueoctober.com /blueoctober.com /blueoctober.com @blueoctober.com @blueoctober.com @blueoctober.com
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SUNDAY 23 NOVEMBER
HARE & HOUNDS G I G S A N D TO U R S. C O M / T I C K E T M A S T E R. C O. U K W W W. L I L A N D M A D . C O M A M E T R O P O L I S M U S I C P R E S E N TAT I O N B Y A R R A N G E M E N T W I T H X- R AY
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SUNDAY 07 DECEMBER
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NEW ALBUM ‘AT WAR WITH REALITY’ OUT 27 OCTOBER ATTHEGATES.SE A METROPOLIS MUSIC PRESENTATION BY ARRANGEMENT WITH THE AGENCY GROUP
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October 2014
TO U R A N N O U N C E M E N TS & P R I O R I T Y B O O K I N GS • F I N D U S O N
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CONTENTS
Alt-J live at Wolverhampton’s Civic Hall. Read more on P35. Photo by Andy Hughes. Brum Notes Magazine Unit 12 The Bond 180-182 Fazeley Street Birmingham B5 5SE info@brumnotes.com 0121 224 7363 Advertising 0121 224 7363 advertising@brumnotes.com Distribution StickupMedia! 0121 224 7364 Editor: Chris Moriarty Contributors Words: Josh Allen, Matthew Burdon, Lyle Bignon, Dan Cooper-Gavin, Andrew Gutteridge, Tajinder Hayer, Dan Owens, Will Pace, Saima Razzaq, David Vincent Assistant Editor: Amy Sumner Arts Editor: Dan Cooper-Gavin Food & Drink Editor: Daron Billings Pictures: Megan Bradley, Wayne Fox, Rob Hadley, Andy Hughes, Richard Shakespeare Cover photo: Andy Hughes Design: Adam Williams, Andy Aitken Connect Twitter: @BrumNotesMag Facebook: www.facebook.com/ BrumNotesMagazine Online: www.brumnotes.com
Regulars News 6-7 Fresh Talent 8-9 Live Reviews 34-35 Album Reviews 36-37 What’s On Guide 38-46 Music and Features Birmingham Comedy Festival 10-11 Fierce Festival 12 All Years Leaving: Eagulls / TRAAMS 14-15 The Hold Steady 18 Marmozets 20 Future of the Left 21 Vashti Bunyan 23 OxjamBrum: Map & Clashfinder 24-25 St Vincent 26-27 Superfood 28-29 The Student Guide to Birmingham 31-34
All content © Brum Notes Magazine. Views expressed are those of the author, not necessarily Brum Notes Magazine. While all care has been taken to ensure the accuracy of content, Brum Notes Magazine will not be held liable for any errors or losses claimed to have been incurred by any errors. Advertising terms and conditions available on request.
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Brum Notes Magazine
October 2014
5
news
Photo by Kien Quan
24 hour survey launched to discover cultural habits of brummies
World’s best hip hop dancers to battle it out in Birmingham
The 19th annual B-Boy Championships World Finals descend on Birmingham this month, unleashing the finest break artists, poppers and hip hop dancers as they do battle across two days. It is the second year in a row the championships have taken place in the city, with the 2014 instalment returning to the O2 Academy on October 25 and 26. Up to 5,000 fans are expected to turn out over the weekend to watch dancers and crews from across the world showing off unique routines, solo performances and team displays. Hosted by hip hop stars Crazy Legs and Afrika Islam, the finals are the culmination of international eliminations across five continents in countries including Japan, Korea, USA, Italy and Mexico. Saturday (October 25) will feature open international qualifications, with crews and soloists from the UK and further afield given one last chance to seize the remaining spots in the finals. Then the best of the best will battle it out in the world finals on the Sunday, competing across four categories. The audience will also be treated to a special live performance from legendary US hip hop duo Dead Prez. The weekend will include hip hop dance workshops led by the world’s top dancers, taking place at DanceXchange at the Hippodrome Theatre in Thorp Street. Tickets for the finals at the O2 Academy start from £15 for day tickets or £25 for weekend tickets. For full details visit www.bboychampionships.com.
People across the West Midlands will be quizzed on their cultural activities as part of a major survey into arts in the region. The 24 Hour Cultural Survey will take place from midday on October 24 to midday on October 25, will those taking part being asked what they have done during the previous 24 hours. It has been commissioned by 22 arts organisations across the West Midlands, including the Royal Shakespeare Company, Birmingham Hippodrome (pictured), Birmingham Royal Ballet, Mac Birmingham, DanceXchange and Wolverhampton Grand Theatre. It is hoped the findings will be used to inform arts policy in forthcoming years, both by the organisations and local authorities. Fill in the short questionnaire at www.24hourculture.co.uk.
Moseley gig to support Syria aid efforts Music fans are being urged to donate items to assist with aid efforts in Syria, in exchange for enjoying a free live gig in Moseley. Charity Hand in Hand has launched a Big Aid Drop for Syria campaign, with supporters in Birmingham hosting the donation drive at the Patrick Kavanagh pub in Trafalgar Road on October 25. Entry will be free with giggoers urged to bring along an item of aid for the charity, such as nappies, new clothing, tinned food, soap and toothbrushes. The full lineup of bands will be announced soon.
Northern Soul film celebrated in true party style The story of Northern Soul, the youth culture that defined a generation, is being re-told in a unique new British film released this month. The film by Elaine Constantine, simply titled Northern Soul, will be showing at the Mac in Birmingham from October 17 – with two of the city’s most exciting music venues joining in the excitement to host special parties. Soul-inspired club night Testify will host the after-party at Alfie Bird’s in the Custard Factory on the opening night, with a free bus from the Mac after the 8.15pm screening. 6
A week earlier Soulvation will stage a Northern Soul party at the Hare & Hounds in Kings Heath on October 10, with ‘making of’ clips being shown, merchandise given out and a free single given away to the first 25 arrivals. Testify promoter and DJ Maryam Snape said: “Any subculture is fascinating but Northern Soul is especially so, it seems like an exclusive club yet accessible to old and young alike because it’s music to dance to. The history of how it evolved is so exciting and people are very passionate about it.” Brum Notes Magazine
BLACK HISTORY MONTH TO MARK CENTENARY OF THE FIRST WORLD WAR with events across birmingham Black History Month events will take place across Birmingham throughout October, with a special focus on the contributions of African, Asian and Caribbean soldiers during the First World War. With 2014 marking the centenary of the conflict, a theme of Black Blood Runs Red has been adopted for the annual cultural celebration. More than 50 events will take place in Birmingham, including theatre, music, comedy, performance, talks and more. The official BHM launch at The Drum in Aston at the end of September included a special dramatic performance to recognise the sacrifices made by the soldiers from Britain’s colonies who lost their lives. A themed exhibition is also on display throughout October at Birchfield Library, while the University of Birmingham hosts a poetry trail, with maps available from the Aston Webb Reception to help you find poems hidden around the campus. The biennial Afrovibes Festival will also combine celebrations with Black History Month, marking 20 years since the first democratic elections in South Africa with a host of South African contemporary theatre, music and visual arts at The Drum and other venues in the city. As part of that The Drum cafe will host Mandela 27 from October 13-27, a DIY exhibition based on the dimensions of Nelson Mandela’s former prison cell. For the full programme visit www.the-drum.org.uk or www.blackhistorymonth.org.uk.
Free movie tickets on offer for budding film critics in Brum
Young film fans in Birmingham can earn free screenings of the latest titles and independent movies in return for sharing their opinions on social media. Mac Birmingham, an arts centre nestled in Cannon Hill Park near Edgbaston, has launched a special ‘two4none’ offer giving people aged under 21 the chance to get two free tickets to selected films in exchange for a tweet about their cinematic experience. A variety of eligible films are being screened throughout October , including Before I Go To Sleep, Northern Soul, Night Train to Lisbon, A Most Wanted Man, Mystery Road, The Riot Club and What We Did on Our Holiday, with the offer applying to specified dates and show times. Only one free pair of tickets is available per screening so to qualify you must be under 21, arrive an hour before the screening and be the first person to ask at the box office for the offer, then afterwards send a tweet to @mac_birmingham on how your found the film and your experience of watching it at the venue. Visit www.macbirmingham.co.uk for the full list of eligible screenings and more details.
Fier Fi erce ce Festi Festiva vall 2–12 Oc Octo tober ber 20 2014 14
www.wearefierce.org rg
October 2014
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@fiercefestival ◆ facebook.com/we com/ arefierce com/we
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Words by Amy Sumner
MODERN MINDS
Photo by Megan Bradley
“We started off making music just for something to do and it turns out we’re actually quite good at it,” acknowledges Modern Minds frontman, Luke Pritchard. “I enjoy writing music now more than ever but the difference is that nowadays I want the world
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facebook.com/wearemodernminds to hear it. I couldn’t care less if reviewers don’t want to write about us or if radio stations don’t want to play us – as long as people keep turning up to our gigs then we’ll keep playing.” It’s fighting talk from the Modern Minds corner. But, formed in July last year, the cocksureness of the (self-described) “sexy young five-piece” isn’t without its legitimacy. This month they play a headline show at the 300-capacity Temple at The Institute and shortly after they’ll headline OxjamBrum at The Sunflower Lounge. Not bad for a band who look suspiciously like lad rock on the tin. There are elements of The Courteeners and The Twang in there for sure; it’s very welljudged songwriting with hooks aplenty and a seasoned proficiency for a catchy chorus. But actually it’s impressively powerful. “We’ve got a variety of musical backgrounds
which works surprisingly well,” says guitarist Adam Bills. “Individually we’re listening to Dark Side Of The Moon and Sgt Pepper’s..., trance anthems, dirty rock‘n’roll and Great Balls Of Fire.” Drummer Adam Phillips pipes up, “I love Manic Street Preachers. They’ve asked me to join but I’m too tied up with Modern Minds at the minute.” Currently recording their debut EP, Luke explains how the band’s songs come together. “I travel the country a lot so I have a free mind most of the time which is perfect for writing – sometimes I’ll write a whole song in my head while I’m driving and will have to remember it the best I can when I get home. Modern Minds are live at The Institute on October 4 and headline The Sunflower Lounge for OxjamBrum on October 18.
Brum Notes Magazine
GOODNIGHT LENIN
“Claude Debussy, Carol King, The Seekers, floor singers at folk clubs, Bela Bartok, Simon & Garfunkel – the list of my inspirations is endless but that gives a fair sweep of my earlier influences which formed the music I wanted to make. Nowadays I am as much influenced by the people I meet on the road who tell stories with their music and bring ideas to life.”
You Were Always Waiting The lead single to be taken from the Birmingham quintet’s long-awaited debut album due out next month, YWAW is a pretty slice of their trademark West Coast Americana sound. Keys, harmonies, and a good dose of longing. Top drawer. Out October 10, streaming now at youtube.com/goodnightleninhq
The concepts behind Louise’s latest offering appear very well thought out.
MYRRH ROOM
“Veritas translates literally as ‘truth’, however the album is also about honesty and integrity,” Louise explains. “In real life these things are less black and white so the album deals with the more complex aspects of truth and the greyer areas.
LOUISE JORDAN facebook.com/louisejordansings Louise Jordan is sat in her home office in Hertfordshire as we talk, although she’s spent the last four days playing at a wedding in Valencia. “Work as an independent musician can change from glamorous to mundane in the space of a few hours,” she quips. Releasing her third album, Veritas, at the end of this month, we were keen to find out more about the songwriter who popped up onto our radar only relatively recently. “Songwriting was never an ambition of mine. When I was younger I enjoyed writing music for theatre and that was largely instrumental and written for small groups of musicians.
THE PLAYLIST
Songwriting became a focus much later, when I was working as a teacher and started visiting folk clubs in my early 20s. It was in folk clubs that I first started hearing music I could really relate to.
“I hope that people find my music as a whole relaxing and thought-provoking, useful for reflecting on what is important in life. With Veritas more so than my previous releases I want the music to offer a positive message. “By being honest I don’t intend to glamorise life. I think if we’re honest with each other, rather than trying to always present the best versions of ourselves, we can help ourselves and others to make the most of our experiencing life.”
Hunger Sometimes it pays not to over-complicate things, a good hook is all it takes. And boy is this a good hook. Watch out for the Birmingham-by-Banbury quartet but be prepared for one almighty earworm. Out October 6, streaming now via soundcloud.com/myrrh-room
GHOSTS OF DEAD AIRPLANES Born To Lose In A Past Life Blues ‘An askew jaunt through history re-imagined, through the eyes of a reincarnated fantasist’ is how GODA describe their latest single. And what the blazes does that sound like? It’s Rocky Horror indie pop delivered with a yelping urgency and...Pavement. We just couldn’t help ourselves. Out now, available to buy from Amazon
Louise’s songs are full of thought and perception, advice and reflection. Via an array of instrumentation and a piercingly beautiful voice she translates her passions and her fears. Louise Jordan is live at Ort Cafe, Balsall Heath, on October 10. Veritas is out now.
Follow us at soundcloud.com/ brumnotes for more
ONES TO WATCH Midnight Magpie Crafting ambient flutters that demand your attention, Midnight Magpie are an experimental collective fusing jazz and electronica with a Latino groove. The fledgling outfit launch their debut EP, Mice In The Walls, at this show and we are intrigued. Bull’s Head, October 9 October 2014
Connor Hemming Drawing influence from Bob Dylan to The Stooges, Connor Hemming is an emerging solo artist careering between raging political and slower pensive tracks. Expect a haphazardly volatile garage folk frenzy. The Sunflower Lounge, October 10
Regale Infectious and upbeat, Regale’s Oasis-inspired, Reverend & The Makers-style indie rock has already secured them some impressive radio play. There’s an element of groove in there too from the Walsall band. See what they can do live. Hare & Hounds, October 16
The Dunnett/Baxter Big Band Formed by Birmingham Conservatoire trombone players Tom Dunnett and Tom Baxter, this 14-piece band and their monthly residency at The Yardbird has become an entertaining staple. The Yardbird, October 6 9
comedy
Birmingham Comedy Festival
George Egg
James Acaster
Foghorn Improv
Birmingham Comedy Festival has been attracting big names and the cream of up-and-coming talent to Brum since 2001. Get ready to have those ribs tickled, as it’s time for this year’s cavalcade of mirth. Dan Cooper-Gavin peruses the line-up. Jimmy Carr, Peter Kay, Russell Brand, Stephen Merchant and Sarah Millican are just some of the pillars of British light entertainment who’ve performed at the Birmingham Comedy Festival over the past 13 years. But the not-for-profit festival isn’t just about the big names. As this year’s vast lineup demonstrates, there’s also plenty of focus on emerging local and national talent, as well as lots of other artistic treats too. So, while 2014 brings appearances from the likes of Mark Watson and Robin Ince and a performance of scripts from The Goon Show, there’s also the chance to check out the Edinburgh Comedy Award-nominated James Acaster and a rare live set from internet favourites the Brett Domino Trio. Here’s our recommendations…
October 3 Things get underway with the Breaking Talent Award at The Glee Club, which will see six local comics vying for the inaugural festival prize. It’s also the first night of the Old Joint Stock’s Goon Show revival, with performances of the Spike Milligan-penned scripts The Phantom Head Shaver (Of Brighton) and The Canal, while the Mac hosts a special appearance from notorious local turn Bob Blackman, infamous for his rendition of Mule Train while smashing his head with a tray. 10
October 4 For the first Saturday of the festival, comedy tour de force Mark Watson calls in at the Mac with his show Flaws, which we’re assured is his darkest and most personal to date. There’s also an appearance from high-octane Irish hero Tommy Tiernan at the Town Hall, while Brummie comic James Cook leads a Charity Shop Crawl along Kings Heath High Street – buy an item of clothing from each one, then round the day off at the pub.
October 5 A standout day on the itinerary, as 15 comics perform for one hour each in a special All Dayer. Spread across two venues on John Bright Street – Cherry Reds and The Victoria – we’re promised a grab bag featuring political satire, guerrilla cookery and near-death experiences from acts including Have I Got News For You writer Kate Smurthwaite. Meanwhile, down in Edgbaston, Glasgow’s finest Susan Calman calls in at the Mac with her touring show Lady Like.
October 6 Alfie Moore has racked up an impressive string of TV credits, including Comic Relief, Channel 5’s The Wright Stuff and ITV’s Show Me The
Funny, as well as his own BBC radio show Alfie Moore’s Almanac. Tonight he headlines The Old Joint Stock’s monthly Club Room Comedy Night. It’s also a good day to check out Steve Lilly’s Comedy Classic Portraits exhibition, which is running at the Pen Museum in Hockley throughout the festival.
October 7 The exquisitely odd David O’Doherty is at The Glee Club tonight with his Casio keyboard and his touring show David O’Doherty Has Checked Everything. There’s also an appearance from Dead Ringers’ Jan Ravens at the British Oak in Stirchley, with the evening compered by Brum comedy stalwart Barbara Nice. Back in the city centre The Victoria has the Conversation Garden, an evening of audience participation hosted by BBC New Comedy Award nominee Dan Nicholas.
October 8 The excellent Tony Law is such an overwhelming force of nature, resistance is utterly futile – at The Glee Club tonight he invites you to Enter The Tonezone. Meanwhile, there’s thoughtprovoking fare from Robin Ince at the Comedy Junction at The Station in Sutton Coldfield, with his show Blooming Buzzing Confusion Brum Notes Magazine
Kate Smurthwaite
considering the nature of free will, while Tangram Theatre explore Albert Einstein at The Old Joint Stock in their critically-acclaimed Relativitively Speaking.
October 9 Nerdish online anti-heroes The Brett Domino Trio pitch up at the Hare & Hounds tonight with their keytars and Stylophones, while rising star du jour James Acaster is at The Glee Club with his sharply observational show Recognise. The peerless Spanish theatre outfit Atresbandes can be found at the Mac with their show Solfatara, in which a couple have an uninvited dinner guest – their own darkest fears – while Cherry Reds plays host to Oh Dear Diary, a night where cringeworthy teenage journals are shared.
October 10 James Cook returns for a special double-header at the Mac, performing his two most recent Edinburgh shows, Always Be Rolling, a paean to board games, and Adventures On Air, documenting his time working on commercial radio. There’s also a special cabaret night at The Old Joint Stock, as Behind The Blinds invites the audience round for a suburban October 2014
Brett Domino
dinner party, while the engagingly creative David Trent is on the bill at The Glee Club.
October 11 The shock-headed Andy Zaltzman calls into the Solihull Arts Complex with his show Satirist For Hire, in which the audience can volunteer themselves to be “satirised to order”. Meanwhile, the Mac has an afternoon of Laurel And Hardy: Comedy Classics, with screenings of Battle Of The Century and The Music Box accompanied by a talk by John Ullah from the Birmingham branch of the Laurel and Hardy Appreciation Society.
October 12 While the festival rounds off with an all-day Wrap Party at The Roadhouse in Stirchley, do check out Rough Works at The Glee Club, a night run by Brum’s Jo Enright (who’s appeared in Phoenix Nights and Life’s Too Short), offering a platform for comics to try out new material. The Birmingham Comedy Festival is at various venues, October 3-12. Full details at www.bhamcomfest.co.uk. 11
arts & culture
Fierce Festival
Club Fierce: Algorave October 4, The Edge
It’s theatre, art, music and dance as you’ve never experienced them before – time for the 2014 edition of Brum’s swashbuckling live-art extravaganza Fierce. Dan Cooper-Gavin picks out this year’s highlights. Live art, collision, hyperlocal, supernow – those are the watchwords of Fierce, Birmingham’s foremost purveyors of bleeding-edge performance. Under the fearless artistic direction of Laura McDermott and Harun Morrison for the past five years, the Fierce name has become synonymous with improbable experimentation, with the annual festival drawing adventurous artists and audiences from far and wide to Brum. With 40 per cent of our population under the age of 25, Birmingham is Britain’s youngest city, and so this year’s programme has a special focus on youth. Here’s what we’re looking forward to the most…
Sheffield’s Forced Entertainment have been declared “Britain’s most brilliant experimental theatre company” by the Guardian. This is the UK premiere of their latest show, in which a 12-strong cast don homemade costumes to represent the landscape and personages of a haunted forest, with the action set against a sonic backdrop courtesy of Lebanese sound artist Tarek Atoui.
A metal-pressings factory in the Jewellery Quarter is the venue for a haunting sound installation by Tania El Khoury, comprising first-person accounts of dead Syrian activists. The title refers to the Syrian practice of burying the deceased in domestic gardens in order to protect both the living and the dead from the ongoing brutal regime.
Car Deconstructions October 3-5, Eastside Projects
For her graduate studies at the Zagreb Academy of Fine Arts, in an exploration of gender roles and the sharing of knowledge Dina Roncevic trained to become a car mechanic. Roncevic has trained up seven Birmingham schoolgirls in the basics – over the course of the three days of this installation, the girls will work together to completely disassemble a vehicle. 12
Council Of Community Conveyors October 4-5 and 11-12, various venues
Eat The Street
Toronto outfit Mammalian Diving Reflex are concerned with breaking down barriers between the social strata. For Fierce 2014 they return to Birmingham with this, a project which will see 12-year-olds become restaurant critics, forming their considered opinion about Brum’s finest eateries. Following their tour of the city, they’ll be giving their verdicts in a special awards ceremony at the Custard Factory on October 11.
David Blandy & Larry Achiampong October 3, The Edge
Gardens Speak October 2-5 and 9-12, AE Harris
Exposure October 4-5, The Edge Living with albinism means Bristol-based artist Jo Bannon sees – and is seen – differently. This project has her exploring perceptions of herself via a series of intense one-on-one encounters with Fierce punters.
October 3-9, various venues
The Last Adventures October 1-3, Warwick Arts Centre
Nerds rejoice, as the opening Saturday night at Fierce heralds an algorave, where the music is produced live via teams of coders using Pure Data and Max/MSP. Also on the bill is an eclectic set from London-via-Sri Lanka project My Panda Shall Fly. In other late-night Fierce frivolity, October 11 brings a gay-friendly Slow Dance at the Polish Centre on Bordesley Street.
The official opening party of Fierce 2014 takes place at The Edge on Cheapside, the studio which serves as the festival’s hub. Part of the festivities will come courtesy of Biters, Blandy and Achiampong’s hyper-referential collaboration in which they seek truth and authenticity in the age of mass media.
Another Canadian initiative on this year’s bill, this project, led by Eric Moschopedis and Mia Rushton, sees volunteers given clipboards and sashes and sent out to areas around Birmingham, with the job of knocking on doors and documenting messages from the residents for their neighbours. The noble aim is to bring the inhabitants of Balsall Heath, Edgbaston and Perry Barr closer together.
Parting Waters October 5-12, Moseley Road Baths One of two artistic responses to the imminent demise of the iconic Balsall Heath facility, this is the result of a collaboration between Australian artists Laura Delaney and Lisa Stewart and members of the local community, and will feature underwater soundscapes and an after-dark video installation on the building’s Grade II-listed facade. Also at the baths from October 10-12 is Museum Of Water, Amy Sharrocks’ collection of over 500 bottles of clear liquid, each with its own distinct back story.
Concerto No 3 October 5, Birmingham Conservatoire Rachmaninov’s Piano Concerto No 3 is positively sadistic in its formidable technical demands on its players. In the latest formidable feat of endurance from the imagination of Australia’s SarahJane Norman, a team of “post-virtuosic” pianists – lapsed players, former child prodigies – will take on Rach 3 in this gruelling 12-hour durational performance.
Fierce Festival runs from October 2–12 at various venues. For more information, visit www.wearefierce.org. Brum Notes Magazine
THE
H R OBAIRDM I N GOH AUM S E THU 2ND MAIN GIG ROOM: A night of unsigned metal w/ENEMO-J + EXILES OF ELYSIUM + ReVerbed + TIDES APART + ARAMANTUS / LIVE LOUNGE: ACOUSTIC OPEN MIC w/ TIM WALKERDINE FRI 3RD HELLRAZOR: Tribute to the legends of ROCK! Plus support from SWAMP DONKEY TH SAT 4 THE OASIS EXPERIENCE Support comes from REASIDE SUN 5TH SOLIHULL ROCKSCHOOL CHARITY SHOW(Juniors & Seniors) (3pm Doors) MON 6TH MAIN GIG ROOM: THE ROADHOUSE OPEN MIC NIGHT w/BEN DALBY / LIVE LOUNGE: BHAM COMEDY FESTIVAL 2014 SHOW: BEST OF THE RH COMEDY NIGHT MC’d/Hosted by Hannah Silvester THU 9TH MAIN GIG ROOM: CAFFEINE KILL + THIS ELEGANT CHAOS + SYSTEMYK + GIRLS THAT SCREAM LIVE LOUNGE: ACOUSTIC OPEN MIC w/IAN BEVAN FRI 10TH MAIN GIG ROOM: BLACK SABBATH Tribute: CHILDREN OF THE GRAVY w/ support SEVENTH ERA and MASSIVE HEAD TRAUMA / LIVE LOUNGE: BHAM COMEDY FESTIVAL 2014 SHOW: HUBRIS SAT 11TH HOT RED CHILI PEPPERS w/support from ONDAHWUN TH SUN 12 BIRMINGHAM COMEDY FESTIVAL: OFFICIAL WRAP PARTY 2014 in association w/FOSTERS (2pm doors, 18+) A continual feast of music, comedy and burlesque to close this year’s Birmingham Comedy Festival MRS BARBARA NICE + FREDDIE FARRELL+ MASAI GRAHAM + HANNAH SILVESTER + THE ANGEL DE-LITES + MOREORLESQUE + TICKETY BOO + PIXIE AMORE + LUX DELIOUX + DOC LEROC + JACQUE BRUXELLES + NEEDLE POPPETS + THOM & CHRISBEE + LIONEL STREET PLAYERS + Plus Stall Traders and much more! TH THU 16 MAIN GIG ROOM: REAGAN BROWNE (USA) w/special guests HELLS ADDICTION and CIRCUS JUNKIE REBELS / LIVE LOUNGE: ACOUSTIC OPEN MIC with COREY YOUNG FRI 17TH U2UK perform the ‘best of U2’ w/support from THE DARKEST LIGHT SAT 18TH PRINCE TRIBUTE: ENDORPHINMACHINE – w/support MEGAN REECE SUN 19TH BE HOPEFUL raising money for CANCER RESEARCH & MENINGITIS UK LOST AT HOME (3pm doors) VENGEFUL ATONEMENT + STATE OF PLAY – INFINUS + SAMSARA + WAIT FOR THE FALL + THE PROPHETS + DEAD END DREAMS + A PROMISE TO FORGET THU 23RD MAIN GIG ROOM: THE MENTULLS w/support from THE TOM WALKER TRIO / LIVE LOUNGE: ACOUSTIC OPEN MIC w/HELEN JONES FRI 24TH MENTALLICA: Europe’s No 1 Tribute to Metallica – support from ADAMANTIUM TH SAT 25 SOULED OUT 2 FUNK SUN 26TH PLUMMET OR ASCEND PROMOTIONS Presents: HYPEFEST (3pm doors) Ft: TERRAFORM + A PROMISE TO FORGET + THIS CONCEPT + BORDERS + EMPTY HANDS + FRAGMENTS + SAMSARA + WAIT FOR THE FALL + CITY UNDER SKY + KILLING WITH VENGEANCE TH WED 29 SCREAM BABY SCREAM + THE DEADXIII + GHOULS STONE VALLEY TH THU 30 MAIN GIG ROOM: THE ZOE GREEN BAND w/support BONNYLOU / LIVE LOUNGE: ACOUSTIC OPEN MIC HALLOWEEN SPECIAL w/IAN BEVAN and TIM WALKERDINE FRI 31ST FRED ZEPPELIN LIVE LOUNGE OPEN MIC COMEDY ACOUSTIC OPEN MIC EVERY MONDAY WITH EVERY THURSDAY HANNAH SILVESTER
MAIN GIG ROOM OPEN MIC EVERY MONDAY WITH BEN DALBY
All listings are correct at time of print, however, they are subject to change at any time so please check website or call the Roadhouse Team before you travel. Please note: We are strictly 18+ on Friday & Saturday Nights
October 2014
13
This Is Tmrw keep the festival spirit going this month, presenting two days of adventurous live music in the shape of the second ever ALL YEARS LEAVING festival. Taking over the Hare & Hounds in Kings Heath for a weekend, expect a full spectrum of alternative sounds, rock’n’roll swagger, lo-fi vibes, dream pop, psychedelia, post punk spirit and uncompromising energy from the likes of Hookworms, Menace Beach, The Voyeurs, God Damn, Bad Breeding, Cheatahs and many more. We caught up with two of the weekend’s star attractions, Leeds punk rockers and Friday night headliners EAGULLS, and equally thunderous three-piece TRAAMS.
Chichester trio TRAAMS are not really from Chichester. In fact it’s only lead singer and guitarist Stu Hopkins who currently resides there, but with the band having played their first gig in the picturesque cathedral city and the alternative being Bognor Regis, we’re happy enough to let this one slide. Forming in summer 2011,TRAAMS released their debut single, the seven-and-a-half minute Klaus, at the beginning of 2012, a year during which they would subsequently sign with Brighton independent FatCat and record with Rory Atwell the groundwork of their debut album Grin, which was released the following year after a second session with Hookworms’ leader and Leeds producer Matthew Johnson. They also played, a lot, working to constructively harness their ferocious live energy and to balance their penchant for extended instrumentals with shorter, poppier divisions. “I think you do the very basic things first which are being tight and being in tune,” explains Stu, “and then you build from there. Being good live is really important to us, we can’t help but be energetic, that’s how we play. But also we want you to notice us, we want the volume to take your head off and we want your ears to hurt when you leave. It’s a different experience to putting 14
on the record. Personally, when I’m watching a live performance, I don’t really want the songs I know played perfectly, I want embellishments and things drawn out and messed with. That’s what makes it exciting. “I don’t think TRAAMS would be right if musically we didn’t balance both, it’s what our band is about. I think we might try and take the two different styles further in the future so the long ones are even longer and even a bit more progressive. But we love The Beach Boys and The Ramones so we’ll always bang out a two-minute pop song now and again.” TRAAMS’ work is a relentless post-punk attack assuaged with a krautrock groove. It’s jabbing guitars and throbbing rhythm driving forwards ever-faster. However, in a distinctly Buzzcocks trope, their anti-rulebook punk songs amass such appeal they teeter on the paradigm of pop – take a listen to Flowers. And then Low. Vocally, Hopkins is tantalisingly akin to the slacker rock yelps of Parquet Courts’ Austin Brown, and it’s as forward-pushing too, fulfilling a perpetual need to power up. “Everything we play is pretty propulsive and loud,” says Stu, “we’re not very good with a cappellas and Adam doesn’t know how to work drum brushes.”
So where does this musical melting pot stem from? “I worked at a record store as a teenager,” Stu recalls, “and there were these two dudes, Liam O’Brien and Tim Fairplay, who really pushed loads of records on me. I was an obnoxious teen who thought I knew everything and I really didn’t. They showed me The MC5, Kraftwerk, CAN, PIL, Richard Hell, Aphex Twin, Television, The Stooges, Cabaret Voltaire, Gang of Four, Wire, The Birthday Party, Public Enemy. I definitely think a lot of those bands have seeped into what we do – maybe not Public Enemy. They also really got me into techno and dance music – Richie Hawtin, Dave Clarke, Ricardo Villalobos, and I think that’s where the repetition sometimes comes from, those subtle changes and locked-in grooves.” And speaking of musical melting pots, TRAAMS are looking forward to joining the line-up of This Is Tmrw’s second ever All Years Leaving festival this month. “It’s a really great lineup,” enthuses Stu. “The Friday was announced before we had been asked to play and I remember checking it out and thinking, ‘that’s a pretty sick lineup, we should try and get on that’.” Interview by Amy Sumner TRAAMS are live on the Saturday of All Years Leaving. Brum Notes Magazine
“The summer’s been very busy, we’ve been all over the place,” reports Eagulls’ vocalist George Mitchell, before listing various excursions the band have endured since the spring, zipping back and forth across both the Atlantic and English Channel. “But I’m still alive. I’m still breathing,” he assures us. “Though I do get pretty stressed.” While other so-called ‘buzz-bands’ have long since buzzed off, Eagulls’ reputation has continued to rise, reaching a highpoint with the arrival of their self-titled debut album back in March – prompting appearances on the Letterman Show in the US (“Our record label is based in Brooklyn so it was more natural for them to have us over there and do American stuff…”) and then Jools Holland’s Later. And while he acknowledges the importance of such profile-building appearances, listening to fans’ reactions to the album at gigs has been the biggest kick. “When you make a record or create any work, you don’t think about what people want – some people do, but I prefer not to. [So] when people like it, you feel like you’ve accomplished something. It’s nice to see people feel there’s something special in our songs, to feel the same way about the songs as us.” Hailing from Leeds, Mark Goldsworthy (guitar), Henry Ruddel (drums), Liam Matthews (guitar), Tom Kelly (bass), and George demonstrate a fierceness and energy that echoes the vibe of post-punk, and has found considerable favour in the US (home to their label, Partisan). “In America they try to appreciate British music,” says George on how they’re perceived Stateside. “It’s always been a thing over there, they like British bands. Over here, British bands can suffer from that faux Yank problem, singing with a fake American accent, but all the bands we liked growing up, they were truthful and British. There were no fake American voices.” October 2014
The mighty Stone Roses, whose I Want To Be Adored was recently covered by Eagulls for The AV Club, are a prime example of what George sees as a band with a clear British identity. “Ian Brown sang with his voice, his own accent,” he says. “It’s part and parcel, you know? It was done from the heart. That interested me. More bands are doing it now. Look at the Arctic Monkeys – the Americans love them and he’s singing in a Sheffield accent.” Back on home soil, Eagulls missed out on making it on to this year’s Mercury Prize shortlist, despite many having had the band pegged as sure-fire additions, with some going so far as to place bets on them winning before the nominees were even announced. “The first thing I heard about it was from the bookies,” George declares, still surprised. “It’s a strange world.” He’s quick to add that their absence is no issue. “The Mercury chooses from a wide spectrum. It [would have been] great if we were nominated. But there’s a lot more to it than just being nominated I think.” Having already headlined the Hare & Hounds this year, the band return for This Is Tmrw’s twoday All Years Leaving bash, alongside the likes of Cheathahs, God Damn, Menace Beach and Bad Breeding for Friday’s instalment (October 24), followed by Hookworms, Traams, The Voyeurs, Victories At Sea and Echo Lake the day after (October 25). It’s certainly a more intimate setting than the outdoor festivals Eagulls frequented during the summer, but what do they make of the lineup? “Cheatahs joined us for our American tour for two weeks,” says George, “we’ve never played with
God Damn before; Menace Beach are from Leeds and also Bad Breeding, so it should be good. And there’s Hookworms the next day. People who go are going to have a pretty good two days ahead of them.” And while the other bands are a clear draw, George does confess he’s planning to get to Kings Heath as early as possible for some rummaging. “I like to go to charity shops and there are loads around there. I look for old books I can adapt for flyers and artwork and old keyboards. I love old keyboards and old bits’n’bobs. There’s beauty in the crap people leave behind,” he laughs. “Car boots – I love them too, but I don’t go to many. Good job too as I’d be completely skint. “I like to have things to play with. I’ve recently bought a Yamaha synth thing, I also look out for old Casio keyboards, anything like that.” So while everyone else is downloading digital synth-like apps to their tablets to make music, George prefers to keep it old school. “We’re very analogue. We like to keep our sound that way, it’s more…not original…authentic.” Interview by David Vincent Eagulls headline day one of All Years Leaving at the Hare & Hounds, Kings Heath, on Friday, October 24. Doors 4pm. Friday’s bill also includes Cheatahs, God Damn, Menace Beach, Bad Breeding and Sunshine Frisbee Laserbeam. Saturday (Oct 25) features Hookworms, TRAAMS, The Voyeurs, Victories At Sea, Echo Lake, Theo Verney, Table Scrabs and secret special guests still to be unveiled. Plus, expect art installations, street food, popup bars and late night DJs on both nights. Tickets are £13.50 (day), £25 (weekend). Full details at www.thisistmrw.co.uk. 15
AutUmn/wiNteR 24TH SEPTEMBER
30TH SEPTEMBER
MAZES
HARE & HOUNDS 1ST OCTOBER
SYLVAN ESSO
HARE & HOUNDS
9TH OCTOBER
ALL YEARS LEAVING HARE & HOUNDS
MONEY
BULL’S HEAD
HARE & HOUNDS 25TH OCTOBER
ALL YEARS LEAVING
WITH HOOKWORMS, TRAAMS, THE VOYEURS, VICTORIES AT SEA, ECHO LAKE, THEO VERNEY, TABLE SCAPS
HARE & HOUNDS
19TH NOVEMBER
21ST NOVEMBER
HARE & HOUNDS
HARE & HOUNDS
CLOUD NOTHINGS MERCHANDISE
2ND DECEMBER
18 DECEMBER XMAS PARTY
HARE & HOUNDS
BULL’S HEAD
THE WYTCHES/TELEGRAM
CALORIES+FRIENDS
TICKETS FOR ALL SHOWS AVAILABLE FROM:
MORE INFO:
THETICKETSELLERS.CO.UK OR BEHIND THE BAR AT
THE HARE & HOUNDS
Sat 4th OCT:
Sat 27th Sept: Celebrating 30 years of House with
NIGHTMARES ON WAX LIVE
.CO.UK
THE HARE&HOUNDS: HIGH STREET, KINGS HEATH, BIRMINGHAM, B14 7JZ HAREANDHOUNDSKINGSHEATH.CO.UK THE BULLS HEAD: 23 ST MARY'S ROW, BIRMINGHAM, B13 8HW BULLSHEADMOSELEY.CO.UK
WED 8th OCT:
FATIMA & THE EGLO LIVE BAND
STEVE COBBY Marshall &(FILA BrAZILLIA) Jefferson FRI 24th OCT: & Maurice SEVEN DAVIS JNR Fulton
CO-PROMOTED WITH MOHO (Hare and Hounds)
(Hare and Hounds)
& KUTMAH
CO-PROMOTED WITH HOUSE SOUND OF BIRMINGHAM (Hare and Hounds)
FRI 14th NOV:
MALA
CO-PROMOTED WITH UNDER THE COUNTER (Hare and Hounds)
CO-PROMOTED WITH UNDER THE COUNTER (Hare and Hounds)
SUN 16th NOV:
SAT 20TH DEC:
& MARK E
(Hare and Hounds)
HYPNOTIC BRASS LEFTFOOT XMAS PARTY ENSEMBLE (Hare and Hounds) Also catch Leftfoot DJs at:
AMP FIDDLER (Hare and Hounds)
HORSE MEAT DISCO
CO-PROMOTED WITH BIRMINGHAM PROMOTERS (Hare and Hounds)
THURS 11TH DEC:
SAT 1ST NOV:
FRI 21ST NOV:
KATE TEMPEST
(SECRET LOCATION)
fOrwArd thInkIng muSic fOr The seConD cIty
TICKETS FOR ALL SHOWS AVAILABLE FROM: THETICKETSELLERS.CO.UK OR BEHIND THE BAR AT THE HARE AND HOUNDS
tues 18th nov:
little dragon (the institute) mon 10th nov:
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SESSIONS
every 2nd sat of the month
@the yardbird
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fOrwArd thInkIng muSic fOr The seConD cIty
16
2014
15TH OCTOBER
HAPPYNESS
HARE & HOUNDS
WITH EAGULLS, CHEATAHS, GOD DAMN, MENACE BEACH, BAD BREEDING, SUNSHINE FRISBEE LASERBEAM
28TH OCTOBER
BULL’S HEAD
CHILDHOOD
24TH OCTOBER
autumn winter
FEAR OF MEN
Brum Notes Magazine
October 2014
17
dj set from sam redmore & other spooky guests, free barbecue plus mulled cider, live art & fancy dress! £4 on the door!
An evening of musical talent spanning a breadth of genres hosted by the one and only ‘H’! Every sunday at the sun on the hill from 4pm! Free entry!
MAKE YOUR CHRISTMAS PARTY BOOKING NOW FOR THE SUN ON THE HILL. PRICES START FROM £7.50 A HEAD FOR A PRIVATE BAR AND FOOD ON OUR MEZZANINE!
An eclectic mix of handpicked musicians & poets create the foundation for this cross platform, intimate event. at the station every sunday from 6pm. free in!
FOR ALL YOU NEW STUDENTS (AND THE OLD ONES TOO) WE’RE GIVING YOU 50% OFF ALL FOOD FOR OCTOBER, TO EASE YOU INTO THE YEAR!
CHECK OUT OUR OCTOBER LISTINGS AT THE STATION FOR GREAT LIVE MUSIC ALL MONTH LONG IN OUR BACK ROOM WITH SOMETHING FOR EVERYONE!
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Brum Notes Magazine
Rock
Steady
American rockers The Hold Steady have racked up an impressive 10 years of vibrant riffs and vibrant storytelling. With a prolific output of six albums in that time – despite the four-year break before 2014’s Teeth Dreams – they have a hefty back catalogue to call on ahead of this month’s UK tour. Josh Allen finds out more. “I suppose you could say that we’re more HBO than Hollywood,” deadpans guitarist Tad Kubler down the line. About to tour the UK with their first new album since 2010, Teeth Dreams, which came out in the spring, Tad is talking about the band’s “lyrically dense” creative process. “I write the music. I think Craig [Finn, lead singer and lyricist] has always really liked narratives that are very specific, but also at the same time very cinematic in a way that’s episodic.” So where do those dense, tense, forensic, TV drama type narratives come from? “Craig always says: ‘If I wrote songs about my life they’d just be really dull.’ But that ain’t true, his life is actually really exciting! [Although in a different way from our music]. I suppose the reality is that he just likes writing the lyrics for our records that way.” That’s not to say that the crafting of each Hold Steady outing is the same. Whilst “the music and lyrics always happen separately”, this was the first time in six records that the band went into the studio without anything already written. “Craig quite often has ideas he’s already thought up,” Tad says, “but this time the dynamic was different in lots of ways. For instance this is the first record we’ve done with Steve [Selvidge, who October 2014
joined the band as a permanent fifth member in 2011]. Steve and I have a great rapport both personally and when we play together. I find we’re really complementary. “Also Craig had been working on a solo project and we’d all been doing different things, giving us some breathing space, some growing space, so it was really exciting to get back together again in the studio. [Personally], as we’ve done more and more records and I’ve become more and more proficient, I’ve found that I’ve been able increasingly to bring sonic ideas that I’ve already worked out to the process.” He quickly jumps in to assure that this doesn’t crowd out the other band members – “we work through each song together. [But] I find it helps me focus on the song structure and maybe the arrangement…it just makes it nice.” Despite the four-year gap between their last two albums, fans might not have to wait quite so long after this tour for another LP. “There’s been talk of going straight back into the studio, as well as talk of taking a break… Last time we wrapped up the touring cycle for Heaven Is Whenever and only intended to take six months out, that just naturally turned into two years so who knows.”
So what other impact has the passing of time had? Has success and getting older changed the band’s outlook? “[When you’re starting out] you spend eight hours in practice spaces making your record, that’s the focus. Then you get a bit of success and other stuff comes your way, wives, girlfriends, buying a bar…maybe more girlfriends if that’s your thing, all of that. It changes your focus, reduces your creativity, or at least redirects it; I guess that’s a shame. Technology has changed dramatically, it changed the world of music. Just think, when we started out, Twitter, Instagram, they didn’t exist, they were a few years away from existing. For a long time I guess we kind of thumbed our noses at the social media side. This was a mistake and a shame for our fans. Our attitude was ‘we can put 600 people in a room in Cleveland on a Tuesday night, we don’t care how many Facebook friends we have’.” Now though their attitude towards social media as a communications medium has undergone a sea change. “If you do it in your own voice, in the right way it can be really fun. That’s something I really enjoy doing, we all really enjoy doing it now.” The Hold Steady are live at the O2 Academy 2, Birmingham, on October 13. 19
WORTH THE WAIT They were tipped as one of the break-out bands of 2011, and heralded as Best New Band by rock bible Kerrang! back in January 2013. But it’s only now that Marmozets look set to finally make the impact that so many expected of them thanks to the much anticipated arrival of their debut album, The Weird and Wonderful. David Vincent meets a band now enjoying the chance to show off their diversity. “There’s two EPs, we did an EP of album singles in the US, there’s the Good Day single and B-side...so we’ve done a bit of material that’s out there,” says guitarist Jack Bottomley. “But you’re not quite a real band until you have an album out. You usually only get the kind of attention we’ve already had after you’ve released your album.”
“We want people to know the songs, to really know the songs, so when you look into the audience you can see people singing the words, not going rar-rar-rar in the songs,” Jack chuckles.
Formed at school, and made up of two groups of siblings – Jack and brother Will (bass), plus the MacIntyres, Becca (vocals), Sam (guitar) and Josh (drums) – the West Yorkshire quintet cited such acts as Gallows, QOTSA, White Stripes, Mars Volta and Dillinger Escape Plan as inspiration. Debut EP Passive Aggressive, garnered four and five-star reviews back in 2011 and they racked up gigs with Senses Fail, The Used, Enter Shikari and FFAF before finally starting work on The Weird and Wonderful last year.
“When we talk about ourselves we go for ‘alternative rock’ – but that sounds really boring,” says Jack, who acknowledges the mathcore, hardcore and post-punk tags others have labelled them with before enthusing about the sheer variety the album offers. “It’s different for every song. You could class us as mathcore, but other songs would be something else, they might have a groove thing that’s really weird.”
“We had the album written this time last year so we’ve been waiting to get it out,” reports Jack, who lists record label dealings, ill health, engineers, and artwork as the cause of mounting delays. “We wanted it to be perfect. There’s no pressure if it’s your first album, the second album is when there’s the pressure. 20
After a string of critically acclaimed singles, the album finally allows the band the space to show off their musical diversity.
Alongside the album, the band are heading out on the road, firstly with Lonely The Brave as co-headliners of The Big Cheese Tour, and then opening for elder statesmen Taking Back Sunday across the UK and Europe. Jack recalls pre-Marmozets how he and brother Will were in awe of Taking Back Sunday, staying in at weekends to catch them on MTV2. Today, while he’s still a fan, he sees them in a different light.
“Because you’re in it, you don’t feel starstruck. Now you understand it, they’re the same as we are, although we’ve not been doing it for 20 years. But there’s still big respect from us. So we’re not quite starstruck. Sometimes though you see someone like them and you go ‘woah!’, you feel proud to get in this position, to hang out with them.” And after sharing festival stages a couple of times with Lonely The Brave during the summer, Jack says they are looking forward to playing a “proper gig” with them as they tour together this month. “People perhaps wouldn’t expect the mix – us and them – but it works. We have similar influences but we’re very different bands. The vibes we’re going for are very different but it’ll work because we are different. They have a slightly older fanbase, ours a slightly younger. All of us together will be really, really cool.”
Marmozets play the 02 Academy, Birmingham, on October 15 as part of The Big Cheese Tour with Lonely The Brave and Allusondrugs. They also support Taking Back Sunday at The Institute on December 11. Debut album The Weird and Wonderful is out now via Roadrunner. Brum Notes Magazine
Future of the Left have never been a band afraid to express an opinion or two, with their often politically charged brand of rock taking aim at everything from the Olympics to movie sequels. As the Cardiff-based outfit prepare to visit Birmingham this month, frontman Andrew Falkous talks ‘lyrical nuances’ with Josh Allen. “There’s an over focus in Britain on London,” says Future of the Left frontman Andrew Falkous, looking back on their 2012 anti-anthem Failed Olympic Bid. “It’s like what’s good for London is automatically good for the rest of the country. I love London, I’m actually moving there soon for my wife’s work. But London benefits from things like the Olympics way more than anywhere else in the country. “I was also quite offended by the commercialised, sponsorship focused nature of it all. McDonald’s were actually a sponsor weren’t they? Because of course Usain Bolt and Jessica Ennis got there by having a Big Mac and large fries,” he laughs. Inevitably, expressing strong opinions tends to invite objections too, although ‘luckily’ their fans tend to be on the same page. “Maybe lucky is the wrong word,” Falkous continues, “but I feel our fans tend to agree with us, tend to be quite engaged and on the left,” he laughs again. “It can be quite amusing to run into people of a more…how shall I put it…’mainstream’ disposition.” “On the same album [as Failed Olympic Bid] there’s a song [criticising movie sequels]. After it came out I had people coming up to me going: ‘mate, why do you hate action films?’ To which I was like, ‘mate, what don’t you get about lyrical nuance and complexity?’ It’s like when Stewart Lee does stand-up. You don’t necessarily always agree with everything you sing”. Of course, after nearly a decade together, Future of the Left have built up a sizeable following of those who appreciate their lyrical nuances. And it was this fanbase that helped finance their last album, 2013’s How to Stop Your Brain in an Accident. But the singer admits he has mixed feelings about the type of crowdfunding campaign that made the record possible. October 2014
Back to the future “It really suited the size of band that we are, I was amazed by the level of support from fans. It was such a shame that the mechanics of it meant that we couldn’t quickly get at the money to put out CDs and the like. “It’s just a pity that it would work less well for a band that isn’t as well known. It isn’t a good first step – you need to create an identity for yourself. Unless of course you’re just trying to guilt trip a few friends and family into doling you 300 or 400 quid.” Crowdfunding is just one element that has reflected the changing landscape for bands these days and Falkous, through his time in previous outfit (the now-defunct) Mclusky and more recently FOTL, has experienced the highs and lows of life as a rock artist more than most. “When I was in my 20s I lived off £100 a week for my rent and all. But there’s only so long you can eat toast and brown sauce sandwiches. You know I didn’t take a girlfriend to a fancy restaurant until I was 30? “All the family [the band] has a life outside of it apart from me. I’m addicted to rock’n’roll like a
freakin’ crack addict needs crack. This means that Future of the Left is just going to be an occasional thing…It breaks my heart, because we could be offered the best tour in the world but our other commitments might mean that we’d not be able to do it.” But in this vein Andrew has some words of encouragement for other musicians making music whilst holding down a job full or part-time. “There is nothing disparaging about the term ‘hobby band’. I’ve just been lucky enough to scratch a bit of living from mine. You’d expect people who’ve been in this a long time to get jaded, end up going through the motions, but people who love doing it just love doing it.” And that love shows few signs of disappearing any time soon. “In general there’s a contract between audience and band: you come to our show, we do a bloody good job playing for you.”
Future of the Left are live at the Hare & Hounds, Kings Heath, on October 7, with support from Dingus Khan and Them Wolves. 21
RE— DISCOVERED DIAMOND Having seemingly abandoned her music career following the apparent lack of success of her debut album Just Another Diamond Day back in 1970, folk singer Vashti Bunyan was shocked to discover decades later that the record had aquired a cult following. Inspired and reinvigorated, she releases her third album in 44 years this month. She tells Saima Razzaq how she has now found the freedom to make the music she wants to make. “Simple pop songs; Buddy Holly, that was my kind of music,” Vashti Bunyan reminisces, looking back to the time she first picked up a guitar. “When I was an art student a friend of mine had a guitar and in picking it up I found I could actually find music in it. So I started writing songs.” Later, a case of “too much music and not enough painting” would lead to Vashti being kicked out of art school, but undeterred she continued writing and recording songs. “I did record quite a lot before the Just Another Diamond Day days and I didn’t really get anywhere. I saw it as my terrible failure at taking my songs to a wider audience, so I went off in a huff,” she laughs, “travelling up the country trying to get to the Outer Hebrides by horse and cart. I can’t believe it now myself, I’d be horrified if my own children were to do it.” It was Vashti’s travelling days that formed the songs for JADD, and on returning to London two years later, she recorded the album under the guidance of Joey Boyd. Unfortunately the album struggled to find an audience and an again disappointed Vashti decided to head back to Scotland, via Ireland. Over the next 30 years the songwriter remained silent. In that silence the interest in JADD was ever-increasing and the original album was selling “on Ebay for as much as $2,000!” Vashti recalls. “I think it was in 1996 that I put my name into a search engine and to my astonishment references came up to JADD, which I thought was long in the past. So I got speaking to someone in a chat 22
room, someone who had been asking what had happened to me.
get to grips to it through a computer and music programme was truly fascinating.
“It was extraordinary, he had bought JADD in Sacramento, California back in 1970, and he knew all about my music – he knew way more than I did about things that had been happening over the years. From then on, I kept a track of it and I tried to find out who JADD belonged to and it took to the year 2000 for me to actually get it.”
“I’m very slow but I do eventually learn and by working with Max Richter on Lookaftering [Vashti’s 2005 second album], I learnt an awful lot. He was fantastic, very patient with me and from there on I just taught myself really, how to record, how to edit.
Vashti re-released JADD in 2000 and it’s now widely considered a bona fide British cult classic album. “It was re-released with great trepidation because it hadn’t been accepted for what it was the first time round but the second time was completely different. Having lived with it in complete silence for all those years and then to suddenly have it referred to as a ‘cult album’ was a really, really great feeling.” A new labour of love is her forthcoming third album, Heartleap, the first record on which Vashti has been in absolute control of her music. “I was able to make things sound the way I’ve always wanted them to sound, it’s like somebody else painting your portrait and then suddenly you do a self-portrait and it’s completely different. I see and hear my own songs, perhaps quite different to the way other people react and hear them.” Working mostly from her home studio in Edinburgh, Vashti has independently pieced together her writing, arranging, playing and recording. “From the age of five I was completely fascinated with how music was recorded and to actually
“That’s why it’s taken me so long, I’ve been learning as I go and of course I have only really scratched the surface, there’s so much more to learn. FatCat [Records] gave me an original deadline of 2008 and then another one in 2010,” she adds with laughter. A great admirer of Molly Drake (Nick Drake’s mother), Vashti reflects on the comparisons of Molly and her own mother and the struggles they faced. “My mother, who was a very dutiful wife and mother, hid her talents just like many women of her generation and every so often I’d come across her playing the piano or dancing. I wrote the song Mother about this. “Women of her generation didn’t really have a chance to follow their artistic sides and it was the same for Nick Drake’s mother, although she recorded some of her songs she never ever had the thought of performing or going out in the world with them. I think she’d be astonished to know her recordings were out in the world now.” Vashti Bunyan is live at the Mac Birmingham on October 7. Her third album Heartleap is out on October 6 through FatCat Records. Brum Notes Magazine
October 2014
23
OXJAMBRUM SATURDAY 18 OCTOBER 2014
Alex Moir
Byron Hare
Jet Pack
Dantanna
The venue hopping all-day music festival that is OxjamBrum returns this month, with more than 60 acts performing across the city. Festivities kick off at midday on Saturday, October 18, with live acts spanning a variety of genres taking to the stages of six musical hotspots including The Flapper, The Oobleck, TALK, Six Eight Kafe and Island Bar, while we team up with OxjamBrum organisers to present a very special Brum Notes 5th Birthday Stage at The Sunflower Lounge.
Doors open there at noon with 13 live bands on throughout the day, including Curb, Drakelow, Swerve, Mirrorhall, Heavy Waves, KIN, Byron Hare and Modern Minds. Other highlights include Arbor Lights, Jet Pack and Iris at The Flapper, Women and VeXXen at The Oobleck, plus Jump the Shark, The Mighty
Young and Steady Hands at TALK. Island Bar hosts live music throughout the evening and DJs until late, with acoustic and stripped down sounds at Six Eight Kafe from the likes of Lauren Pryke and Alex Moir. For the full lineup and timings see our handy clashfinder over the page!
THE VENUES
OxjamBrum takes place on October 18. Wristbands are ÂŁ10 adv from oxjambrum. org.uk or ÂŁ12 on the day.
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Brum Notes Magazine
5th Birthday Stage @ THE SUNFLOWER LOUNGE
THE FLAPPER
THE OOBLECK
TALK
ISLAND BAR
SIX EIGHT KAFE
12:00 The Rooz Connor Hemming
13:00 RiD
The Chalet Lines
Rulers 14:00 Oceana
Sean Stewart Long Fall Boots
15:00
Outlander
Last Light George Gadd
Curb Someone Said Fire
Super
Neumonics Rick Wellings
16:00
Drakelow A Werewolf
Fight the Dice
Young Braves
Fauxchisels
Salvatore Leone
Jump the Shark
Imi Agboaye
Enquiry
Perception
Spooky Wagon
Scribble Victory
Constant Waves
Human Future
The Mourning Suns
AffieJam
Great Uncles 17:00 Swerve 18:00 Mirrorhall
Moselele
Alex Rainsford
19:00 Ghosts of Dead Airplanes
Eagle Empire Broken Oak Duet
Carving a Giant
Emma Crowder
Rick Wellings
20:00 Lady Sanity
Heavy Waves Kaleidoscopes 21:00
Lauren Pryke
Namiwa Jazz VeXXen
Alex Moir
Capitalsun JW Trio
Byron Hare Jet Pack
23:00
Dubcherry
KIN Arbor Lights
22:00
Women
Establishment
The Mighty Young Abel Gray
Modern Minds IRIS
Haze
Steady Hands Dantanna
00:00
01:00
Johnny Doom and Victories at Sea DJs
Guest DJ
Dantics DJ
October 2014
25
Saintly wisdom
She may ooze understated cool with her haunting vocals and ethereal charm, but Annie Clark – better known as St Vincent – can’t hide her excitement at her recent rise to prominence. As she prepares to tour the UK this month, she tells David Vincent about her “awesome” year. Over the past 12 months, Annie Clark – aka St Vincent – has hardly been off the road. Alongside her own dates and a slew of festivals, she’s also opened for such heavy hitters as Queens of the Stone Age and The Black Keys as part of a rolling international road trip for her latest LP. Her 2014 self-titled release was in fact her fourth album, something which may come as a surprise to some of her more recently-acquired fans. But its success has kept her busier than ever. “I’ve travelled around the world. Everything was awesome!” she declares down the phone from her Texas home during some rare downtime, before listing South Korea and Japan as personal highpoints. “Japan, I had the best time. I stayed after [the concerts] and went shopping. They have the best shopping and the best food. I wish I could have spent more time there. Sometimes it’s a matter I only ever see the venue, then see the hotel, then see the inside of an airplane. But sometimes I get a chance to scoop around. It’s a real crap shoot. I’d love to be able to look around more but I don’t have the energy to. “If I’m somewhere, my main goal is to be ready for the show – that’s why I’m there. If I have three bars of energy, I’m not going to spend two bars on the show and one bar on shopping,” she laughs, adding: “I’ve been on the road for 10 years and some places I’ve been to like 10 times and never seen anything. That’s not ‘cos I’m lazy. That’s ‘cos there hasn’t been the time.” Of her Japanese retail adventure, she says she eventually boarded a plane loaded with goodies.
26
“What did I come back with? What didn’t I come back with!” she laughs, again. “I’ve got the most amazing clothes from Japan, these lamps, gifts for everyone – a whole case of gifts. I got a jacket, a lamp shaped like a milk carton and this fake food.” Erm, fake food? “Yeah. There’s an area of Tokyo that’s especially known for fake food, the kind of fake food you see in restaurant windows. For my best friend I got this bowl of spaghetti with a fork dangling from it, like it’s defying gravity. It’s a housewarming present for them, they can put it on their mantelpiece and look like a total slob. It looks awesome. I hope he’s as excited by it as I am.” Released back in February, the selftitled St Vincent, is filled with jittering grooves, fractured guitar and synth sounds, distorted vocals and twisted pop. Prior to release, Annie had stated, ”I wanted to make a party record you could play at a funeral,” something she now says she’s accomplished. “The songs have a groove you can dance to and a heart with that vulnerability, so yeah,” she agrees. Among the key tracks is Digital Witness. Featuring the lines ‘If I can’t show it / If you can’t see me / What’s the point of doing anything?’. It’s clearly a comment on an era where (for many) documenting actions via social media seems more important than actually being in the moment, and fully experiencing what’s around. “I think it’s just a new paradigm,” she says of the rise in digital tools and Brum Notes Magazine
“Some people are stuck in a narcissistic feedback loop, they’re so obsessed with documenting their lives they forget they’re living in the moment”
social media. “I think that in some ways, it’s an incredibly useful tool and is powerful and is democratising. Twenty years ago, if you wanted to make a record, you had to book into a studio. Now, for the price of a laptop, you can make great art and put it out yourself. I’m very proexpression, very pro giving people the tools to allow people to be connected and express themselves. “But the more creativity doesn’t mean it’ll be necessarily more exciting,” she adds. “But people have access now to tools so they can be creative on their own.” As for some people’s obsession with recording their every waking hour, she says: “Some people are stuck in a narcissistic feedback loop, they’re so obsessed with documenting their lives they forget they’re living in the moment. That’s a cycle I’d like to break if possible. If you are on a micro level, living your life for that tiny applause, it feels like you are living your life for an amorphous totally blind mass, or whatever you perceive your public is. If that’s the view of yourself, that’s regrettable…” Despite her observation, Annie is no techno-luddite – she’s fully tooled up with all kinds of mobile devices. “I have everything! Everything!” she declares. “I’m not separating myself, I have taken my phone out and taken a picture at a concert, I’m not putting myself apart from it. I guess what I’m saying is does all that stuff make me more in touch with humanity or is it alienating me from it? I have to decide that.” Another key track on her latest record is album opener Rattlesnake, October 2014
a creation myth song inspired by an incident which found Annie wandering through a forest, naked, only to come across a rather pissed rattlesnake. “I went walking around this great expanse of land. There was no one around so I decided to take my clothes off and immerse myself in nature. I saw holes in the path, but did not put two-and-two together until I heard the rattle and caught a glimpse of the snake.” Seeing the snake, Annie panicked, and legged it. “I’m from the suburbs, I’m not a country person,” she says of her response. “I’m very physically active, but not a ‘nature person’. I don’t romanticise nature. I loooooove it abstractly. I don’t know anything.” As evidence of her lack of knowledge, she tells an anecdote of ‘killer cows’ and how half-truths can become truth. “I was at this cattle ranch telling some friends that cattle can attack,” she chuckles. “I was on my phone, but couldn’t get decent reception so couldn’t do that thing where you check the internet. So we were existing on a little bit of half truth, and all these little bits of half truths became gospel. We all created our own false reality, we had our own laws of nature based on nothing. We were creating our own myths. I thought that creation myth was a good way to start the album.”
St Vincent is live at The Institute, Birmingham, on October 24. 27
FOOD FOR THOUGHT Having been plucked from the hype that has surrounded Birmingham’s music scene in the past couple of years, Superfood have played things cool, teasing us with some carefully chosen live dates and a smattering of releases. But with their debut album ready to drop and a welcome live show in their home city at the end of the month, the time is ripe for them to show what they are all about. Amy Sumner meets a band bursting with energy and putting the fun back into making music. Superfood brought the house down when they played the first date of their London residency over the summer. No really, they actually did, the ceiling of The KPH caved in. “We’d played about 40 seconds of TV and the people at the front had started pogo-ing,” explains Superfood’s ringleader and one half of its songwriting core, Dominic Ganderton. “Then we saw this guy with little bits of stone and plasterboard in his hair waving his arms and making an ‘x’ sign, telling us to stop. The floor had bowed and the ceiling downstairs in the bar collapsed.”
“We carried on because we thought he was just overreacting to us playing so loudly,” interjects partner in crime, guitarist Ryan Malcolm. “We came downstairs to a cloud of smoke – there were fire engines and policemen everywhere,” bassist Emily Baker concludes, whilst drummer Carl Griffin nods enthusiastically. Sat at The Church in Hockley, the band are winding down from a summer season of festivals and recording and preparing for the release of their debut album in November, preceded by the
headline slot on the NME New Blood Tour which begins at the end of this month. They’ve begun fairly explosively, as beginnings go. Forming officially in October 2012, they played their infamous debut show at Peace’s Halloween spectacular at the end of that month (then as JUNNK, subsequently Baby 100), their connections with that particular inner sanctum earning them speculation and hype from any music rag worth its salt. And then they substantiated it, heading out on tour with Wolf Alice and We Are Scientists amongst others and
Photo by Andy Hughes
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Brum Notes Magazine
presenting the world with demo after demo of infectious and credible, guitar pop. That reminds us, they also signed to Infectious, the record label which brought us Alt-J and Drenge before them.
multi platinum-selling producer Steve Osborne down in Bath, it certainly feels like a progression from the scrappy youthfulness which first endeared them to us.
EP MAM, released in February this year was a taster – Beatles frivolity mixed with the youthful disdain of Albarn delivered in Supergrass teenage howls forming the Britpop blueprint of its backbone.
“Then we saw this guy with little bits of stone and plasterboard in his hair waving his arms and making an ‘x’ sign, telling us to stop. The floor had bowed and the ceiling downstairs in the bar collapsed.”
“We only found out the day before that we were going to record the EP, which I think is why it has the energy that it has,” explains Ryan. And it’s that self-same chirpy energy it’s packed with that has proved the key so far – Superfood are writing songs about restlessness, about dissatisfaction and claustrophobia, but on the face of it? They’re perfect, playful, pop. “The album is just an extension of that EP I guess,” says Dom of the transition from one to the other. “I mean we got to work more on the production elements with the album but in terms of the songwriting it’s just the next step along. We didn’t have that much time in between to be fair, it was only a few months.” Recorded in Lincolnshire with Al O’Connell (Paul Epworth, Erol Alkan, Metronomy) and mixed by
“The album is about the period that me and Ryan had before we started this particular band,” explains Dom. “Being in Birmingham and working, going out, repeat and not creating anything to make us feel like we’d accomplished something. I think what people forget about us as a band is that
DON’T SAY THAT
TV
Superfood’s track-by-track guide to their debut album
Pallasades
Lily For Your Pad To Rest On Dom: I had this harp that my sister made when she was at school and I took it to the studio one day when me and Ryan were doing demos. The result is what we wanted to hear at 2am.
You Can Believe Dom: This is the track that most obviously talks about wanting to achieve something more.
Superfood Dom: Superfood is the first song that Ryan and I wrote together. At the time we were mates but we weren’t as close as we are now so we didn’t want to start pouring our emotions out. I had a can of tuna with me so that’s the origin of the name… October 2014
Dom: TV is about having tinnitus – there’s only about four lyrics in the whole song. It’s about not being able to sleep without some kind of background noise.
Dom: Pallasades is the only song on the album that talks about anything to do with relationships – it’s about getting the runaround and how fed up you can be with that.
Mood Bomb Ryan: Me and Dom were used to just recording in my bedroom but with this one we went to an actual studio. We’d be there until about 1am and we’d call Carl asking him to come and put drums on what we’d just written. And he’d come.
i / It’s Good To See You Dom: The interlude is a recording from the woods near my house. The song is about this lemon who didn’t feel too great because he got bullied by the flowers in the garden…
Don’t Say That Dom: Baxter Dury’s Happy Soup inspired this
we haven’t had that two or three years to work out our sound. It’s a good way to do things because we’re being honest, I’m pleased about that and we haven’t bowed under the pressure yet. So the album is four mates getting together and working each other out I guess.” Where debut albums from their Birmingham contemporaries Peace and Swim Deep may have disappointed somewhat when it came down to it (in their reflections of the bands’ capabilities – standalone they were steadfast pieces of work), Don’t Say That is spot on. You can buy it from November 3 but just before that the band kick off touring season with Honeyblood on the NME New Blood Tour in Birmingham on October 31. With the stakes already high in the Halloween spectaculars, might Superfood have anything up their sleeve for their hometown extravaganza? “The obvious choice is to dress up as the Hey Arnold! characters! He’s the chillest guy,” enthuses Dom. “And I’m highly strung like Helga,” agrees Emily. Expect a party. Superfood are live at The Oobleck in the Custard Factory, Birmingham, on October 31. Debut album Don’t Say That is out on November 3 on Infectious.
one because I wanted something with that slapback bass sound although that’s not how it ended up. It’s also the only song on the album with the 12-string on it.
Melting Dom: We were listening to a lot of ELO when we did that one…it was one of the first ones we wrote, in Ryan’s bedroom.
Right On Satellite Dom: We wanted a really cool chant in a song, and to get a children’s choir in…but obviously we were in a studio in the Jewellery Quarter and it was 1am and we couldn’t really go to a school to find a load of kids. So me and Ryan sat there and tried to sound like children and then multi-layered it.
Like A Daisy Dom: Like A Daisy is about wasting the days away and letting life pass by. You need to get up before midday sometimes and have a productive day. Ryan: And probably put some trousers on as well. Most of the songs are about boredom and restlessness – we’re just writing about what we’re seeing around us. Hopefully the next one will be about private jets. 29
SAT OCTOBER 11 th
SAT OCTOBER 4th
ASTRX
krafty kuts mr switch & dantanna
ghostpoet DJ SET BRASSICA LIVE & MORE
Sun OCTOBER 5th
TURin
SAT OCTOBER 25 th
brakes
DJ MARKY EVERY TUESDAY
HANG LOOSE •
Sun OCTOBER 26th
BLACK
•STUDENT NIGHT
L I P s
EVERY WEDNESDAY
THE
THURS 23RD OCT
STUDENT NIGHT
ANTLERS * ASTRX
SAT NOVEMBER 1ST
FRI 31st OCT
THROWING SNOW LIVE PAUL WHITE LIVE CIRCLE TRAPS LIVE
NME NEW BREED TOUR
superfood & honeyblood
* Saturday 04 October / 10 - 4 Downtown Party Network Brassica Johnny Discobollocks / DJ2 / Steve Room 2
Johnny Discoballbag / DJ5 / A Local Indie Lad / Cool Kid / Alan Partridge
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Thornton
Band / Arse /
* Alfie Bird’s Custard Factory Digbeth Birmingham B9 4AA www.alfiebirds.co.uk @alfiebirds theticketsellers.co.uk
Brum Notes Magazine
Welcome to Birmingham, the second city, heart of the country and, for many of you, your new home for the next three years – and hopefully much longer beyond that. Even for seasoned Brummies, this can be a tricky place to find your way around but it’s worth putting in that bit of effort to discover those hidden gems that will make your time here even more exciting. Luckily, we understand that effort and students don’t always go hand in hand, so we’re here to make things as easy as possible. Brum Notes Magazine is your monthly guide to the best music, nightlife and more across the city so we’ve pooled
our collective minds to prepare this insider guide to the finest, pubs, clubs, shops, hidden gems, secret haunts and top notch surprises that Birmingham has to offer. From vintage clothes boutiques to cavernous record stores, secret beer
gardens to warehouse raves, sizzling street food to buzzing gigs galore, there is more to Birmingham than meets the eye. So have a read, dare to explore beyond the usual student standards and, above all, just get out there and enjoy it…
GETTING ABOUT
JEWELLERY QUARTER
suit all budgets, nightclubs to suit bargain-hunting revellers through to wannabe WAGS and a colourful collection of late night cabaret venues all help make this a bustling part of the city most nights of the week.
This city of a million people is notoriously sprawling, spliced up by flyovers, subways and underpasses and with many of its star attractions tucked away on the fringes of the city centre or in the bohemian suburbs. Once your learn your way around though it doesn’t need to feel daunting and most of the districts and quarters are easily reached by bus, train or taxi. The pedestrianised streets of the city centre and the sparkling shopping mecca of the Bullring are easily negotiated and most of you will quickly become acquainted with the student housing hotspots of Selly Oak to the south or Erdington and Perry Barr to the north. But here are some of the key areas you should be sure to make yourselves familiar with:
DIGBETH The beating heart of Brum’s creative scene, head out the back of the Bullring to Digbeth where you’ll find an intriguing mix of industrial buildings, Irish pubs, music venues, street art, clothes shops, adventurous arts spaces and underground clubs nestled among the back streets and under the arches. The Custard Factory (the former home of Bird’s Custard) is at the heart of it, The Institute music venue smack bang in the middle of the high street, with The Rainbow and its various interconnected clubbing spaces located a little further down the main drag. October 2014
Head to the north west of the city centre, over the Queensway tunnels, and you’ll find streets lined with jewellery shops and workshops dating back centuries, while the picturesque St Paul’s Square is surrounded with a varied mix of wine bars, rock pubs and live jazz venues. Explore a little further for art galleries, restaurants, cocktail bars and some of the city’s best ‘hidden gem’ pubs in the shape of The Lord Clifden, The Church and The Rose Villa Tavern, plus music rehearsal spaces and rock venue The Asylum.
JOHN BRIGHT STREET Once home to dive bars and gritty rock clubs, swanky apartments brought an end to those days, but John Bright Street and the surrounding area has enjoyed its own nightlife renaissance in recent years with a selection of refurbished boozers such as The Victoria joined by independent bars and craft beer specialists such as Cherry Reds and BrewDog. Throw in a couple of top notch cocktail venues within easy reach, Caribbean food and spicy spirit at Turtle Bay, plus the O2 Academy just over the road, and it makes a great place to start – and end – any night out.
SOUTHSIDE Where Chinatown and the Gay Village merge, with theatres, clubs, bars and entertainment complex The Arcadian all squeezed in the middle. Food to
MOSELEY/KINGS HEATH Brum’s bohemian hotspots, the hipster suburbs of Moseley and Kings Heath are a mile apart and just a few miles south of the city centre (and a short hop from Selly Oak). Home to some of Brum’s best beer gardens, trendy cafes and bars, vintage clothes shops, veggie restaurants, fantastic boozers and some of the most adventurous music and club venues that are dripping with independent spirit. If new music is your thing, the Hare & Hounds in Kings Heath will become your second home. Hop on a number 50 (which runs overnight) or 1 bus from the city centre, or a cab will usually only set you back about a fiver.
HARBORNE Another leafy suburb south of the city centre, Harborne often becomes home to students who stay in the city or those medical sorts who wind up working or training at the nearby hospitals. Also well worth the trip from nearby Selly Oak and the university campus for its legendary Harborne Mile pub crawl, or just for visiting top notch pubs such as The New Inn or The Plough (a strong contender for title of ‘best beer garden in Birmingham’). 31
LIVE GIGS Brum is understandably a popular stop for most touring artists, with the O2 Academy (Bristol Street, city centre) and The Institute (High Street, Digbeth) both offering up three different sized rooms catering for the full spectrum of touring bands of all sizes and genres. The biggest names from Justin Bieber to Arctic Monkeys are likely to be found at the LG Arena (NEC, Solihull) a few miles on the train away, or the NIA (King Edwards Road) on the canalside in the city centre. The Hare & Hounds (High Street) in Kings Heath is a landmark Grade II listed pub with a proud musical heritage that continues to boast the most exciting and eclectic programme of new music, taking in national and international bands, emerging artists, established stars and good quality local acts. Sister venue the Bull’s Head in nearby Moseley also offers forward-thinking shows in its 100-capacity upstairs space, while The Sun at the Station back on Kings Heath High Street serves up top quality open mic nights and local bands, as does The Sun on the Hill (Bennetts Hill) in the city centre. Back in Digbeth, Alfie Bird’s and The Oobleck are recent and very welcome arrivals on the city’s music scene, bringing live gigs and club nights back to the heart of the Custard Factory (as well as serving up some of the tastiest burgers and pizzas), Muther’s Recording Studio (Rea Street) boasts its own secret live venue and bar with in-the-know gigs, while clubbing hotspot The Rainbow (Digbeth High Street) also makes a mean gig venue in its outdoor courtyard (crowdsurfing mandatory). Tucked away alongside the canal (and with a huge beer garden to boot) not far from Broad Street in the city centre, The Flapper (Kingston Row) is a favourite with alternative music fans, hosting an array of sweatier gigs in its downstairs gig room, taking in the full spectrum of indie, rock, post rock and noise, while the main pub area is a student fave too with its quiz nights, pool tables and late night DJs. The Sunflower Lounge (Smallbrook Queensway) is a bustling music-inspired bar upstairs and packs ‘em in tight to the gig space downstairs, with loud local bands, up-and-coming touring acts and the occasional secret show from a bigger name band who just wanna make you sweat. The Actress & Bishop (Ludgate Hill) in the Jewellery Quarter hosts local live acts a-plenty upstairs, plus the main bar offers student-friendly prices, a great soundtrack for indie and rock fans and late night DJ antics. Hit comedy venue The Glee Club (Hurst Street) in The Arcadian is not only the city’s best place for stand-up but also makes for the most uniquely 32
intimate live music shows, generally focusing on folk-leaning or acoustic acts – but always tastefully chosen. Live jazz and funk jams are the norm at The Yardbird (Paradise Place), which also boasts the perfect people-watching patio, while classical music fans are well served by the CBSO Centre (Berkley Street), home of the renowned City of Birmingham Symphony Orchestra, and the Symphony Hall, while the historic Town Hall also hosts a full range of entertainment, including all-seater gigs from acts ranging from cult electronica artists to folk icons through to household name pop stars. Wolverhampton is not to be forgotten either, as it’s often worth the short train or tram ride for the gigs on offer at the fantastically atmospheric live venues of the Civic Hall, Wulfrun Hall (North Street) and more intimate Slade Rooms (Broad Street).
NIGHTCLUBS While the Broad Street big hitters might dominate the majority of student nights, the more discerning clubbers may want to venture a little further afield. Digbeth is the melting pot of cross-genre club nights for those like to party hard, with The Rainbow complex offering a variety of spaces in its converted pub and courtyard, underground cellar club, warehouse, roof garden and even an outdoor arena. Keep an eye out for their legendary street parties too. Alfie Bird’s has brought adventurous clubbing back to the Custard Factory, with everything from hip hop and breaks through to northern soul. Hidden under the arches around the corner, Spotlight (Lower Trinity Street) is both super-cool pre-club bar and high quality house night venue in its own right. Reggae, roots and super heavy beats are the usual servings at the maze-like PST (Lombard Street) tucked away in
The Rainbow
the back streets behind the coach station. Another hidden favourite, although it is covered in unmissable street art, is Suki10c (Bordesley Street), specialising in all-nighters, dub, tech, rap battles and, well, anything else they fancy. The Institute hosts some big name club nights too and some essential student-only late night antics, while the O2 Academy is a popular choice for Friday night revellers as it is home to the long-running Propaganda indie club. Birmingham’s Gay Village in the Southside area of the city is heavily populated with LGBT bars, pubs, cabaret venues and nightclubs, with the iconic Nightingale Club (Kent Street) the area’s biggest and most famous, accommodating up to 2,000 revellers, as well as offering cheap drinks on its popular Thursday student night. For partying in the ‘burbs, the Hare & Hounds is often your venue of choice again, with a wellchosen lineup of international DJs (expect the likes of Gilles Peterson, Mr Scruff, Norman Jay and Floating Points) keeping things banging until the early hours. Moseley’s Bull’s Head also offers free entry club nights until late at the weekends and long established reggae night Jam Jah on Mondays. And we couldn’t mention student clubbing in Birmingham without Snobs. This legendary Brum Notes Magazine
nightclub has been a local and student favourite for decades, with its Big Wednesday indie night a must on many uni-goers’ weekly timetables. Having just last month moved from the original home it occupied for more than 40 years, it now enjoys a sparkling new 1,400-capacity setting on Smallbrook Queensway, right next to The Arcadian and across the road from The Sunflower Lounge.
PUBS & BARS You’ll no doubt have discovered your new local or favourite pub by the time you’ve picked up this magazine and there is no shortage of places to pick across the city. While we couldn’t possibly list all our favourites, here are some top choices that you should definitely check out… The craft beer revolution has very much made its presence felt in Birmingham with BrewDog and boho boozer The Victoria, alongside Cherry Reds cafe bar (all on John Bright Street), all offering a fine selection of craft brews, ales and bustling atmospheres most nights. Real ale aficionados can’t miss The Wellington (Bennetts Hill), with its 16 handpulls, plus roof garden, pork scratchings and dartboard, while Pure Bar & Kitchen (Waterloo Street) is another one geared towards offering a ‘specialist’ beer experience. The Lord Clifden (Great Hampton Street) on the edge of the Jewellery Quarter offers a fabulous urban beer garden, ping pong, darts, funky DJs and awesome Sunday lunches, while just up the road The Church (Great Hampton Street) serves up delectable cocktails, a sunny roof terrace, spicy deep south-inspired dishes and party tunes at weekends. Island Bar (Suffolk Street Queensway) is a firm favourite for professionally-prepared cocktails (including some Tom Cruise-style flaring if you’re lucky) served up against a top quality soundtrack, while sister venue The Jekyll & Hyde (Steelhouse Lane) is a hidden gem, with quirky drinks, quizzes, film clubs and a specialist gin parlour upstairs. Equally quirky and attentive to its mixology is The Lost & Found (Bennetts Hill), a former bank transformed into a whimsical Victorian wonderland, where plants and birdcages surround you, while nearby Bodega (Bennetts Hill), a Mexican-style cantina, offers £4 cocktails from 4pm-7pm. Just over the road, The Sun on the Hill offers the sort of relaxed vibe rarely found in city centre pubs, with a cool, indie-leaning soundtrack, comfy sofas, DJs at weekends and a popular Sunday open mic session from 6pm. Check out sister pub The Sun at the Station for similar vibes in Kings Heath (High Street). In nearby Moseley, The Prince of Wales hides a vast beer garden that has been known to host some pretty wild nights in its time, with a real sand tiki bar, hog roasts, live music and weatherproof seating, while the traditional pub inside is both welcoming and eclectic for a ‘proper’ pub experience. The Fighting Cocks (St Mary’s Row) and The Patrick Kavanagh (Trafalgar Road), both in Moseley, also offer bustling atmospheres well worth further inspection. The recently refurbished pub The Village (Alcester Road) delivers ‘hipster chic’ pretty well too. Over in Harborne there is a wealth of choice, hence it being swarmed with pub crawlers most weekends. But if you like to be selective then The Plough, The Junction (High Street) and The New Inn (Vivian Road) all attract younger crowds and combine traditional with tastefully trendy pretty darn well. October 2014
The Lord Clifden
STUDENT GRUB Birmingham is a gastronomical delight these days. Not only does it serve up flavours inspired by its melting pot of cultures – and of course proudly lays claim to being the home of the balti – but it also boasts more Michelin stars than any other UK city outside London. But you probably want to save the likes of Turners (High Street, Harborne), Simpsons (Highfield Road, Edgbaston) and Purnell’s (Cornwall Street) for when the folks are paying. Street food may be trendier than a fixed-gear bike with a beard right now, but it’s still damn tasty and an affordable way to turn eating into an allround social experience. Head to Digbeth Dining Club for a whole host of sumptuous stalls, every Friday evening under the arches at Spotlight (Lower Trinity Street in Digbeth). Self catering? Well that can be a pleasure too. Pot Noodles be damned. Shop well and you can eat like a king or queen. Well, maybe a prince or princess that’s fallen on hard times. Head down to the Bull Ring Markets (Edgbaston Street) in the city centre for fresh fruit and veg at a fraction of the price you’ll pay in supermarkets and – top tip – check out Chilly Billy’s for super cheap near-their-sell-by-date bargains. The meat and fish are great value too, especially if you get lucky near closing time on Saturdays. Don’t be afraid to have a little haggle either.
TOP 3 BUFFETS Big Wok (Wrottesely Street) – £12.99 The name says it all really, as much Chinese food as you can eat. ‘Wok’ more could you want? Jimmy Spices (Broad Street) – From £7.99 to £14.99 Can’t decide what cuisine you fancy? No problem, here you can scoff dishes from the Far East, Indian subcontinent, Middle East, Europe and the Americas. Shogun Sushi & Noodle Bar (The Cube, Wharfside Street) – £12.95 Fresh fish is good for the brain, right? So guarantee yourself a 2:1 with a monthly visit to Shogun Sushi and OD on the stuff. Experience a True Birmingham Balti For that authentic balti experience you have to head to the Balti Triangle, where the streets are lined with curry houses. Most are unlicenced so you can bring your own booze to make it even more student-friendly on the wallet (there will be off-licences nearby wherever you stop). Adil on Ladypool Road claims to be the first balti house in the country so is worth a visit for historical purposes alone – but the food is great too. Grameen Khana on the same road boasts an indoor waterfall and super stylish decor, while the lack of meat on the menu at Jyoti’s on Stratford Road did not stop Jamie Oliver calling it his favourite curry house in the country. Back in the city centre, Festival Balti (Broad Street) is perfect for that late night curry, as is Manzils at the top of Digbeth high street. Multi award-winning Lasan (James Street) in the Jewellery Quarter offers Indian cooking with a fine dining twist and is another one where you want to make sure the parents are paying. 33
SHOPPING & STYLE Brum has reinvented itself as something of a shopping destination in recent years, with the huge new Bullring, eye-catching and excellent Selfridges and the high end luxury of The Mailbox, as well as all of the high street favourites you would expect to find in a major city. But as well as all the big name stores, you should be equally excited to find out that there is also a veritable Aladdin’s cave of independent retailers, vintage gems and hidden boutiques. Read on for some of our style guru Tajinder Hayer’s favourites…
cut throat shaves and advice on hair from some of the country’s leading stylists.
FLAMINGO VINTAGE (CUSTARD FACTORY, DIGBETH) Opened only last month, Flamingo Vintage specialises in (you guessed it, vintage) clobber from the 1950s-70s. Expect flares, platform boots and a whole lot more.
MODERN BODY ART (CORPORATION STREET, CITY CENTRE) Tattoo enthusiasts will be well served by the talented and highly trained experts on hand to fulfil all of your ink needs.
THE LIQUOR STORE (GREAT WESTERN ARCADE, COLMORE ROW)
DISORDER (NEEDLESS ALLEY, CITY CENTRE)
Strictly for the boys, this store stocks a great array of denim from the likes of Edwin, A.P.C, and Nudie Jeans. Great personal service and an impressive collection of British brands that you won’t find elsewhere in the city.
Award winning retailer Disorder is the place to go if you are looking for clothes that are inspired by art and design and will make you stand out from the crowd. The women’s dresses especially are like nothing else you would find on the high street.
COW VINTAGE (HIGH STREET, DIGBETH)
A TOO MENSWEAR (ETHEL STREET, CITY CENTRE)
For truly independent clothing you need to head towards Digbeth. COW is probably the best place for vintage pieces for women and men, with many clothes lovingly restored and in great condition – everything from dungarees to polka dot dresses and bomber jackets.
BENJAMIN RYAN HAIR & BEAUTY (EDMUND STREET, CITY CENTRE) There is little point getting all dolled up for a night out if your hair is looking limp and lifeless. To prevent such a disaster, head to this salon of choice where services include head massages,
Record Stores Vinyl isn’t dead! And nor are cassettes or CDs! Birmingham still boasts a small selection of surviving record shops and even some new ones to boot. Here’s where you’ll find the best of ‘em: • • • • • • •
Swordfish, Dalton Street, city centre The Diskery, Bromsgrove Street, city centre Left for Dead, Custard Factory, Digbeth Milque & Muhle, Custard Factory, Digbeth Polar Bear Records, York Road, Kings Heath HQ Muzik, Priory Walk, city centre Music & Video Exchange, Smallbrook Queensway, city centre
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If you like designer threads but hate the thought of bustling Saturday afternoon shopping crowds, head to A Too Menswear where you will find Acne and Tiger of Sweden nestled amongst Adidas Originals and Levis Vintage.
PROVIDE (CUSTARD FACTORY, DIGBETH) A strong ethical focus on ensuring that manufacturing processes are fair to all those involved, and the clothes are still great. Provide is the place to go to for simple, well made sweats and graphic t-shirts, in great fabrics that never
go out of fashion, as well as an ever-growing collection of independent magazines and books for the artistically minded.
IKON GALLERY BOOKSHOP (OOZELLS SQUARE, BRINDLEYPLACE) As well as providing a showcase for great modern art, Ikon Gallery also boasts one of the most inspiring bookstores in the city, with designer inspiration guides and tomes as well as hard to find fashion magazines.
COCKTAIL COSMETICS (CUSTARD FACTORY, BIRMINGHAM) For the lady that loves a scented bath bomb, Cocktail Cosmetics specialises in cruelty free and vegan makeup and beauty products.
MORE THAN VINTAGE (GREAT WESTERN ARCADE, COLMORE ROW) Quite simply the premium store for women’s vintage wear in the city. Raising funds to support homeless services across the city, they have a great range of women’s vintage apparel that includes 60s style knitwear and shoes from the 90s.
OASIS INDOOR MARKET (CORPORATION STREET) A true alternative shopping destination, this indoor market is maze-like and packed full of stalls offering everything from vintage clothes to tattoos and piercings. A true student favourite for those who like to express their individuality.
Left for Dead
Provide
See next month’s edition for our guide to the most exciting arts and culture hotspots across Birmingham. Follow us on Twitter @BrumNotesMag for more tips.
Brum Notes Magazine
live
ALT-J Civic Hall, Wolverhampton 22/09/14
Mercury Award-winners Alt-J release their second album, This Is All Yours, today and tonight’s sell-out stop on their tour marks the celebration. Luckily it’s been streaming online for the past couple of weeks. As such it’s a strong start, the album’s lead single Hunger of the Pine, featuring samples of nation-divider Miley Cyrus, recreated ably, followed by two from their 2012 debut (An Awesome Wave), Dissolve Me and Something Good. It’s a beautifully balanced set from the increasingly impossible to quantify outfit – though TIAY at times errs on the slow side, the positioning of its upbeat singles amongst An Awesome Wave’s beatier backbone does credit to their perceptiveness and reflects the ingenuity of their live-to-sample ratio. In a four-across-the-front formation, two spotlights fall on lead singer Joe Newman and keyboardist Gus Unger-Hamilton as they follow the soft a capella trajectory of Interlude I into Tessellate and beyond into the salaciously erotic Every Other Freckle. At times the newer material does lack the force of their older work but maybe that’s the power of the audience members, who are still in the getting-to-know-each-other stage of the relationship. The encore comprises a stripped back cover of Bill Withers’ Lovely Day followed by Nara and finally Breezeblocks, which it seems everyone has been waiting for. Alt-J may have lost a founding member this year but conversely they’ve found their live stride. Amy Sumner
DARLIA The Institute, Birmingham 22/09/14
With supports as strong as Curb (who melted faces) and Genghar (who blew minds), October 2014
it might look like Darlia have musically shot themselves in the foot. However, as they walk on stage, it’s clear that there are faces yet to be melted and minds yet to be blown. While the room may have been disappointingly empty, this just gave the crowd, young and old alike, more space to thrash about to the music. While their sound may not be revolutionary – think 90s grunge – they’re incredibly passionate, which is clear by the amount of power that they put into the performance of each song. Nowhere is this passion clearer than in Ohio, a track they had played a total of three times before this show. As the chorus vibrates through the room it becomes clear just how talented a vocalist frontman Nathan Day is. The trio have been putting in work on their music for years and it really shows. Darlia’s music may be serious and gritty but that doesn’t mean they can’t have fun on stage, something many bands never quite seem able to do. Matthew Burdon
their Milkshake EP, showing off just how far this band have come since the early days. Songs like Donut, Breeze and Toucan Surf almost feel like a service to those dedicated enough to have followed them from the beginning, whereas tracks such as Time and Think Too Much, Feel Too Little – which has a previously restless crowd swaying dreamily – showcase their progression both in terms of musical ability and songwriting. This being Milk Teeth’s last night on tour with Jaws, they come on to end the first part of the set with Stay In, which keeps the security busy with crowdsurfers. After a brief, and possibly unnecessary interlude, the band return to finish the set with an unsurprising encore. However, as the riff for Gold kicks in to end the night, even the most cold hearted cynic can’t help but melt a little at the positive energy surrounding them. Matthew Burdon | Photo by Rob Hadley
JAWS The Oobleck, Digbeth 20/09/14
Despite being up against a games carnival next door, the 24-hour rave at The Rainbow and a party upstairs, Jaws have no trouble filling the 400-capacity venue to bursting. After riotous sets from supports Milk Teeth and Fickle Friends, Jaws walk out to Will Smith’s Fresh Prince of Bel Air, pick up their instruments and launch into album title track Be Slowly. Immediately it is clear that Jaws’ album was written with a live show in mind, as the guitar textures that are synonymous with their music are carried over from record to stage perfectly. The set is a mixture of their new album and 35
set? Would Richard Thompson ride onto the stage on a Vincent Black Lightning 1952? And would The Waterboys show us the whole of their moon? This year’s starstudded Moseley Folk Festival line-up threw up plenty of interesting questions...
BENJAMIN BOOKER O2 Academy, Birmingham 06/09/14
Fresh from touring with recently-infamous rock diva Jack White, there’s a sense of hot anticipation in the air of the O2 Academy’s most intimate room – often the reserve of tribute acts and lesser-populated shows, but tonight it’s jam packed and primed for New Orleans’ hottest new talent. Two things have got people talking about Benjamin Booker recently, debut demo Have You Seen My Son?, which the 25-year-old uploaded to the internet to watch the play count number tens of thousands, and his voice – a soulful velvety surprise. If that sounds like some kind of chocolatey dessert, be assured, it isn’t far off. Just under an hour of songs and instrumentals from the songwriter’s debut album – he’s joined on stage by two instrument-swapping teammates who enhance the musicianship that already packs a punch. Violent Shiver, Wicked Waters and the aforementioned single are particularly impressive live. Booker genially interacts with his audience, he clambers guitar in hand over the barrier to surf the arms of his onlookers and he disappears behind the scenes to return with his rider which he disseminates forthwith. A masterclass in performance from start to finish. Amy Sumner
Day One The 2014 instalment of the ever-eclectic Moseley Folk Festival gets off to a flyer, with Martha Tilston & The Scientists providing one of the festival’s anthems courtesy of the delightful Artificial, a wry look back on her years of working in an office. Tom Peel serves up home grown plums and a lovely version of I Love It In The Town Hall When You Give Me A Squeeze, before Sonic Youth’s Thurston Moore goes all acoustic, debuting tunes from forthcoming album The Best Day, well and truly proving that less really can be Moore. All this before tea time. Ex-Doves dude Jimi Goodwin out-Elbows Elbow with Oh! Whiskey, a painfully honest account of his struggles with the demon drink, before local lads Midnight Beardfires...sorry Bonfires...cross Wild Beasts, Alt-J and Vampire Weekend via recent single Exhale. That just leaves Johnny Marr to serve up a proper crowd-pleaser with solo tracks and...heaven knows we’re happy now... some Smiths classics too. He actually does a passable Morrissey, not an impersonation as such but with more than a hint of that dour delivery (maybe it’s just a Manc thing?). As if one guitar hero wasn’t enough Marr wheels out The Cult’s Billy Duffy (looking remarkably well preserved) at the end for a spunky I Fought The Law and a sublime How Soon Is Now. Best. Moseley. Folk. Encore. Evah. Day Two Enough highlights for a small book to kick off Day Two with Cigar Box guitar blues from Chicken Bone John, former Low Anthem member Jocie Adams’ new band Arc Iris and
Arc Iris Photo by Wayne Fox
their classical/prog/folk mash-u, then MoFo favourites Boat To Row unveiling a surprisingly groovy bassline on new track Whistle And I’ll Come To You. Winner of the ‘I Didn’t Know He Wrote That’ award for the weekend Boo Hewerdine treats us to the Ivor Novello-nominated Patience Of Angels (memorably recorded by Eddi Reader), paving the way for the acid psych of Woods and their remarkably high voiced singer Jeremy Earl. Not since Canned Heat’s Alan Wilson has a man hit such heights without trapping his knackers in a door. Band of the day (and possibly the entire festival?) Stealing Sheep. No question. Tribal drumming, deliciously haunting three-part female vocal harmonies, oddball 60s pop, analogue synths...you’d be baarmy to resist. The Felice Brothers go down a storm with their blend of Appalachian-tinged folk and country rock. Blessed with more than one fine lead vocalist, their set is a fan pleasing mix of the old and new with a storming Whiskey In My Whiskey belted out by James Felice and the distinctly Dylan-ish Cherry Licorice off brand new album Favourite Waitress drawled brilliantly by brother Ian. Next up and adding a fresh feel to old favourites, Dan Whitehouse’s hook-up with
Moseley Folk Festival 2014 Moseley Park, Moseley 29-31/08/14
Would Morrissey pop along for a quick guest appearance during Johnny Marr’s
Johnny Marr Photo by Richard Shakespeare
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Brum Notes Magazine
Thurston Moore Photo by Wayne Fox
Harriet Harkcom is a perfect combination and with a full band in tow some of his more heartfelt and emotionally raw material never sounded so good. That just leaves Richard Thompson to round things off. Okay, he probably sprang from the womb singing and playing guitar, but even so for an hour-and-a-half he makes it all look bloody effortless. That voice is richer than ever, the intricate guitar playing still dazzling and the between-song banter wonderfully endearing. Highlights? The whole damn thing but Vincent Black Lightning 1952 deservedly gets a huge whoop, Valerie is suitably fast and furious and Who Knows Where The Time Goes? (dedicated to its writer Sandy Denny) is heartbreakingly moving. Being an old pro, he saved the best for the encore though with a version of Beeswing every bit as delicate and beautiful as the song’s subject. Day Three Okay, hands up. Who scheduled Miles Hunt and Erica Nockalls for 12.40? Still, an impressive number of Moseley Folkers make it down on time and are rewarded with a set wonderstuffed full of old and new classics. Keeping things local, harmony-rich siblings Cannon Street deliver a moving cover of Anthony & the Johnsons’ Hope There’s Someone and eight-piece Celtic folk powerhouse Old Dance School kick up some impressive reels to blow away any hangovers. Meanwhile up at the Tennis Court stage Katherine Priddy holds a packed tent enraptured with a hauntingly fragile version of Jackson C Frank’s Blues Run The Game before Sam Walter’s angel voiced schoolboy to salty sea dog delivery of traditional Swahili and British folk songs provides one of the more original moments of the weekend. Back in the 80s The Waterboys got quite a few younger listeners interested in folk thanks to Fisherman’s Blues, which gets an early outing in their festival-closing set along with their biggie, Whole of the Moon, unsurprisingly generating a rousing call and response singalong. If that’s all you knew The Waterboys for though, some of the other stuff might have been a little more surprising. The bluesy Still A Freak rocks along furiously with some great guitar and fiddle solos and All The Things She Gave Me peaks with a mind-melting Hammond orgy that sees lead singer Mike Scott jigging away to himself in the corner of the stage before a strippedback Raggle Taggle Gypsy brings things back to planet folk. Other tracks are distinctly proggy whilst the extended jam on The Pan Within wouldn’t have been out of place on a hard rock album. A suitably eclectic and energetic climax to yet another fine Moseley Folk Festival. Daron Billings
October 2014
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album reviews
Flying Lotus You’re Dead Out October 6 (Warp)
“I just wanted to see what would happen if I made a record that started at the moment of death, conceptually.” So says FlyLo, of his fifth studio offering, You’re Dead. Although seemingly chaotic at times, the fluidity found in his last project (Until the Quiet Comes) returns, adding framework to the abstract. Opening track Theme flashes your life before your eyes before rolling into Tesla, where shuffling brushes create crackling electricity as jazz-guitar
APHEX TWIN Syro Out now (Warp)
Suspended in a sort of stasis, simultaneously familiar and unfamiliar, the music of Aphex Twin – aka Richard David James – is neither dated nor futuristic. It draws on the DNA of techno, hip hop, breakbeat, drone, ambient, jungle, house and glitch, yet shuns the structure and form of those genres. Most of the tracks on Syro are mere pit-stops on a dizzying journey through the spectrum of sounds at James’ disposal: oscillating, distorted and phased, tripping over each other to result in a tangle of trippy and frenzied electronica. Voices, pushed through filters and gates on minipops 67 [120.2][source field mix], 38
runs fizz overhead. Brief amuse-bouches of sound whet the appetite in short interludes, preluding heavy-hitting tracks like the Kendrick Lamar-assisted Never Catch Me and Coronus,The Terminator. Fans of FlyLo’s early work for Adult Swim will be pleased to still find 8-bit style glitch-hop refrains in Ready Err Not and Dead Man’s Tetris, the latter seeing a return of his rhyme-sayer alterego Captain Murphy, alongside Snoop Dogg. At 19 tracks strong and, true to form, You’re Dead cannot be pigeonholed in terms of genre, but still jazz without doubt rests at its fulcrum – no surprise given FlyLo’s Coltrane bloodline and the presence of peers Thundercat and Hancock.
XMAS_EVET10 [120] thanaton3 mix], CIRCLONT6A [141.98][syrobonkus mix] and fz pseudotimestretch+e+3 [138.85] offset this frantic sprint through eerie and shape-shifting digital soundscapes. Where the 4/4 beat underpinning sinister standout 180db_ [130] is a relief to hear, CIRCLONT14 [152.97][shrymoming mix] and PAPAT4 [155] [pineal mix] scream destruction by major sonic assault, vaulting from crazed broken beats to manic jungle-driven arpeggios. Listening to the soothing beauty of final track aisatsana [102], it’s hard to believe that the schizophrenia of the previous 11 tracks even existed at all; memories suppressed by an exquisite five-anda-half minute pairing of piano and field recordings. Richard D James has released close to 50 records to date, his first for at least 10 years sets him apart in a class of his own for least another decade to come. Lyle Bignon
From the extra-terrestrial quasi hip hop of Obligatory Cadence to the Bohemian Rhapsody-esque stylings of Descent Into Madness, FlyLo weaves an immense tapestry, with every thread adding to the picture as a whole. FlyLo’s metaphysical exploration of death is best summed up in Kendrick’s feature: ‘Life and death is no mystery and I wanna taste it’. And taste it you shall, You’re Dead is a feast. Will Pace
PHILIP SELWAY Weatherhouse Out Oct 6 (Bella Union)
When Philip (née Phil) Selway first swapped his sticks for an acoustic guitar and rose from the Radiohead drumming stool in order to venture into solo album territory four years ago, more than a few eyebrows were raised. And, on some level, this scepticism was validated. For all of its relative merits, Familial was an overly dreary affair, with cute ballads about fatherhood and growing old often paling into anaemia. Fortunately, in time for his sophomore effort, Selway has managed to cut the monotony that made his debut such a non-event and, on this new batch of songs, really comes into his own as an Brum Notes Magazine
individual artist. True, the highlights (Around Again, Miles Away and Ghosts) might recall the haunting self-analysis of his day-job band – (the latter, in particular, closely resembles the melancholic spirit of Exit Music (For A Film) – but nevertheless position him as a songwriter of great beauty and tenderness, with the album’s more percussive tracks (Coming Up For Air, Drawn To The Light) also the most joyous examples of the maturation in his craft, surprising even the sharpest of ears on repeat listens. Mild-mannered in delivery, the record doesn’t scratch as violently at scars as, say, some of John Lennon’s early solo work, but there’s plenty here to suggest that Selway’s life hasn’t exactly been packed full of smiles. ‘Remember me? I used to be something, didn’t I?’ he laments, over sashays of perfectly-placed strings, on centrepiece It Will End In Tears. Poignant and pondering, Weatherhouse is the sound of a man forced to stifle his creativity for so long at the peak of his creative powers, with absolutely everything in its right place. Hail to the drummer! Dan Owens
Scott Matthews Home Part 1 Out Oct 6 (San Remo Records)
Initially pegged for a spring release, Scott Matthews’ fourth long-player has been a while coming. After recording in traditional studios with producers for predecessors Passing Strangers, Elsewhere and What The Night Delivers, Home Part 1 finds the Ivor Novello-winning Black Country songwriter bringing the entire operation in-house. Literally. Setting up studio in his own home and selfproducing, the album could easily have been the aural equivalent of the kind of death trap you see families fleeing from on DIY SOS. But not so. Without the firm hand of a seasoned producer, Scott has nonetheless produced a remarkable, layered recording. Though he does call on close friends, he also plays the majority of instruments himself. It’s a remarkable feat, with tracks such as The Night Is Young both rich and subtle. Despite the three-year gap between releases, Home treads relatively familiar ground with several songs continuing stories from earlier releases. Mona is described as a prequel from Elsewhere’s Up On The Hill, while The Outsider references Passing Stranger. But there’s also progress with the drifting instrumental The Clearing showing how far Scott’s come as a musician and (significantly) arranger, confident enough to drop the lyrics completely. With new deals behind the release, Home Part 1 should be the album that sets Scott back on the path he began with his debut, way back in 2006. A success on every level. David Vincent October 2014
ALLO DARLIN’
STE MCCABE
We Come From The Same Place Out Oct 6 (Fortuna POP!)
Brains Of Britain Out Oct 13 (Maneki-Neko)
Anglo-Australian fourpiece Allo Darlin’ release their third album in four years. True to form it maintains the ukulelebased, jaunty indie pop tradition of its predecessors, but with the band dabbling successfully in other musical styles, the result is a more textured yet easily digestible listen. Opener Heartbeat sets the trend, with the gentle flush of drums and strings accompanying Elizabeth Morris’ lyrics about ‘cheap Jägermeister’ and ‘chipboard dance floors’. Outwardly the folk-pop resplendence of Noah & The Whale is easily apparent, but the heart is all Pulp at its observational best. Kings And Queens is twee Britpop whilst Bright Eyes’ duetting suggests The Beautiful South with a smidgen of fuzz guitar. Even the rockier tracks, (Half-Heart Necklace, Romance And Adventure) are measured and controlled, they don’t feel forced but more part of the natural evolution of the band. These forays into different genres prove that they are accomplished enough to do so without losing sight of their roots. The album title reads as a re-affirmation of their relationship with the fans – they might be branching out but there is no reason to move on. Andrew Gutteridge
Johnny Marr Playland Out Oct 6 (Warner)
Ste McCabe has always made noise from the fringes of society, dedicating an entire underground career to twisting pop-punk convention and lifting the unspoken embargo on free speech, all the while remaining a fierce champion of gay rights, feminism and musical experimentation. Proudly left of centre, Brains Of Britain finds the day-glo punker continuing to pelt bile at a world that simply won’t listen. Opening track Fool, a distorted anthem of generational malaise masquerading as a foot-stomping club banger, sets the album’s savage precedent, with sub-three minute gems Mantos ’99 and Don’t We Have Nice Hair following the same deceptive pastel-pop approach, most faithfully danceable tunes that, on closer inspection, mask genuine anger and astute social commentary. But the record hits hardest when these poisonous rants are left untouched by warm technicolour sounds. The rawness of Billy Bragg duet Cockroach and the awesome profanity of The Family Values Song don’t so much pick away at slowdecaying institutions as ready them for demolition, McCabe’s own two hands in full control of the detonator. Despite clocking in at under 30 minutes, Brains Of Britain leaves us with plenty to chew over and more than enough sonic flavour to savour. A delightful fourth helping. DanOwens
Charlotte Carpenter Think Johnny Marr and glittery, star-studded riffs come to mind. He’s dipped in and out of more projects than you could shake a Fender at but with Playland, Marr’s found himself a play-safe formula. Husky vocals outweighed by self-confident melodies run all the way through with only a few tracks thrown in breaking the pattern. Easy Money sees the return of the sly digs at the guys up top and the charming sound of The Smiths, whilst sun-kissed The Trap takes things down a level with a more romantic approach and, for once, sees the accompaniment take a backseat with some low-key synths added to the mix. Stumbling back to the 80s again, title track Playland once again perfects the ‘Marr way’, sounding almost anthemic as the album draws to an end, while Little King ends things big, reverberating the playful sound of Playland. Overall, he’s made a grower – with the first listen making you wonder if he’s set sights on the middle of the road. But once you’ve passed the jazzed up riffs and cool-cut lyrics, Marr’s on to a winner. Becky Rogers
Take It All EP Out Oct 6 (Let It Go Records)
Take It All is defined by its ability to both debilitate and galvanise in the same breath. Opening track Woes intoxicates, with a solitary tremolo guitar alongside the unfettered allure of Carpenter’s voice, reminiscent of Nancy Sinatra and Martina TopleyBird. Her growth is well marked in Every Now and Then, employing the backing musicians who have become a mainstay in her arrangements. It’s breathlessly sexy, with the singer sashaying across the soundscape laid down by the band. Title track Take It All swells, cascades and plunges into a tempest of emotion, juxtaposing the clarity of her voice against distorted guitars and resounding drums. The purity of the vocal belies the extent of her experience. If I Could, laments the reality of adulthood, while the inspired, intimate Blood Ties finishes the EP, its simplicity allowing Carpenter to reach a vocal zenith of control and intonation. Will Pace 39
gigs
DRY THE RIVER
PICK
The Institute, October 10 London’s Dry The River recorded their second album, Alarms In The Heart, in Iceland, set back in the mountains of Mosfellsbær amongst a community of visual artists, musicians, sculptors and craftsmen. In long periods of solitude and expanses of nothingness and utilising the equipment of Sigur Ros amongst others, the record marks the follow-up to the band’s critically acclaimed alt-folk debut, Shallow Bed which was released in 2012. They tour the UK with both this autumn.
MONEY
THAT FUCKING TANK
Manchester melancholic romancers Money journey south for an intimate show revealing new material and picking a path through last year’s Shadows Of Heaven LP. As full of existential intrigue as bucolic resplendence, Bella Union did well to snap these boys up. Expect something special.
Leeds’ furious wall of noise duo That Fucking Tank return to Birmingham to play what promises to be a whirlwind of a show at The Flapper. With a specially tuned baritone guitar played through guitar and bass amps and a minimalist drum kit, the clamour these two can make is impressive. Grassroots to the core, the run of shows marks more than 10 years together as a band. Support comes from IEPI and Wolverhampton’s Women.
Bull’s Head, October 28
BLACK LIPS
The Oobleck, October 26 Stateside garage rockers Black Lips are almost elder statesmen these days, having amassed an impressive seven studio albums in their 14-year career. But they’ve not lost any of that trademark energy and you can catch their ‘flower punk’ ethic in all its glory where they’re at their best – on the live stage.
DEMOB HAPPY
The Sunflower Lounge, October 2 ‘Demob-happy: feeling elated because one is about to leave a stressful or responsible job or situation’. A fitting account of the carefree, grunge-effected Brighton four-piece who sit somewhere between The Strokes, Queens Of The Stone Age and early-era Kings Of Leon. ‘You take my body but you won’t take my mind’ screeches Matt Marcantonio over Suffer You’s scrappy riffs. 40
The Flapper, October 17
SAMUEL J LAWRENCE The Church, October 22
Nottingham songwriter Samuel J Lawrence launches his debut EP with celebratory shows in his home city and in Birmingham. Beautifully honest lyrics and delicate instrumentation, his Birmingham date utilises Hockley’s The Church, which promises a delightfully intimate setting. Support comes from discerning storyteller Rick Wellings and the Louis Theroux of the music world, Tom Peel.
CHILDHOOD
Hare & Hounds, October 9 With the release of their debut album, Lacuna, and the backing of much of the music press, 2014 has been a very successful year for Childhood who spent their initial time together honing their sound
into something both accessible and attractive. Returning to Birmingham’s Kings Heath district to play for This Is Tmrw, with Kid Wave and Dumb providing exciting support.
BUZZCOCKS
The Institute, October 9 Promoting the release of The Way, their first album in eight years and their ninth in total, punk legends Buzzcocks continue to play and to influence. “Looking back on it now it’s like echoes of the Big Bang – you look around you in society and culture and so many things would not have been the same if there never was punk rock,” says frontman Pete Shelley. Arguably one of the most influential British bands, don’t miss their Birmingham show.
NOCTURNE FT VALLEYERS + CHRIS TYE + STYLUSBOY Ort Cafe, October 3
Returning for its first post-summer instalment, Nocturne is a warming acoustic night which time after time features beautifully thought-out bills handpicked by the folk at Nocturne Records and Urban Fox. This month the collective welcome Pembrokeshire alt-folk act Valleyers, indie-folk romantic Chris Tye and lo-fi Coventry act Stylusboy to the cafe’s heart – the perfect antidote to that crisp autumnal eve. Brum Notes Magazine
club nights
Freestyle Returns with Hackney Colliery Band & DJ Format
PICK
Hare & Hounds, October 17
It’s been away for a while but Freestyle proudly returns with a corker of a show. Since forming in 2008, Hackney Colliery Band have built a steady following with their high-energy live show, which takes in Balkan brass, African-inspired rhythms and dance music of all flavours, complete with chunky covers. DJ Format, meanwhile, has been at the top of the hip hop game for over 10 years, releasing three critically acclaimed albums as well as high-profile mixes for the likes of Fabric and the legendary Fania record label. What a way to reintroduce yourself.
Heducation presents Krafty Kuts + Mr Switch
Zombie Prom Rockers
Brum’s own iconic hip hop and breaks night Heducation returns to its spiritual home of the Custard Factory, with a brand new night at The Oobleck, the space where it all began back in the Medicine Bar days. And what a way to return, with a headline DJ set from the ‘king of breaks’ himself, Krafty Kuts. Three-time DMC world DJ champion Mr Switch will also take to the decks, while 11-piece outfit Dantanna will serve up live hip hop, funk and soul.
Dig out your teenage faves and choose your allegiance as we go back to school with this one. House, R’n’B, indie/alt and a silent disco all set across three rooms, it’ll pay off being the first to the party tonight as the first 50 entrants receive free admission. There’s also a whole host of other competitions and prizes, plus fancy dress to boot.
Official OxjamBrum Afterparty
Alfie Birds, October 17
The Oobleck, October 11
The Flapper, October 18
If you’re still afloat after a daytime of diverse live local music, head on over to The Flapper where your day wristband also allows you entry to the official 2014 afterparty. With Kerrang’s Johnny Doom downstairs in the dungeon and Victories At Sea’s JP White manning the decks up top, we’re sensing distinct last man standing vibes...
Chavs
vs
The Rainbow, October 3
Testify! The Northern Soul Film Afterparty special Mac Birmingham launches its month-long run of Northern Soul, the movie charting the story of the legendary era from photographer Elaine Constantine, who makes her directorial debut. When you’re done, hop over to Alfie Birds for a special edition of club night Testify!, serving up a wealth of 60s R’n’B, Northern Soul, ska and rocksteady.
Citrus
Krafty Kuts
The Sunflower Lounge, October 8
October 2014
Kicking off this new monthly club night of live music and DJs, curated by Birmingham pedalpushers Juice, are three genre-crossing acts. Treat yourself to the raucous local sounds of The Bank Accounts, The Mighty Young and (of course) Juice and indulge in party anthems afterwards.
Nightmares On Wax Live Hare & Hounds, October 4
Leeds DJ, composer and label owner George Evelyn (AKA Nightmares On Wax) comes to Birmingham for what promises to be a celebratory performance. Now onto his seventh studio album, and having worked with the legendary De La Soul amongst others, expect a real reflection of this constantly creating and forever evolving artist.
BREAK THRU
The Oobleck, October 25 Jungle pioneer DJ Marky (Brazil / Innerground) heads up a packed lineup of bass-heavy turntablists for the next instalment of Break Thru, one of the city’s longest established cutting edge club nights. This one ploughs through until 5am.
The Haunting
The Rainbow, October 31 This Halloween house and electronic music spectacular will not only test your nerves, but your stamina too, with this huge all-nighter bringing together some of Brum’s coolest underground clubbing brands to party all the way through to 6am. FACE, Seedy Sonics, 10:31, Dolce Vita and more join forces for a road closure party taking over The Rainbow’s multiple spaces, with zombies, street entertainers, fairground rides and up to 5,000 revellers partying until dawn. 41
arts & culture
Three Minute Heroes
Belgrade Theatre, Coventry, October 4-25
PICK
The era-defining music of 2 Tone returns to its spiritual home of Coventry for this impressive production at the Belgrade Theatre, boasting a strong cast of actors and musicians. Telling the story of the groundbreaking genre, this unique stage play focuses on the lives of five Coventry teenagers and the racial tensions that engulfed the city at that time. Both funny and thought-provoking, it naturally boasts a soundtrack that celebrates the revolutionary music that arose, featuring songs that made stars of The Specials and The Selecter.
Fierce
Longbridge Light Festival
October’s a wonderful month to be in Birmingham, not least because it’s time for Fierce, the internationally-acclaimed live-art phenomenon with a formidable reputation for boundary-smashing performances. This year, the festival takes over venues as diverse as the Symphony Hall, Moseley Road Baths and a mechanic’s garage. Prepare to have your perceptions shattered by Car Deconstructions, in which seven young girls strip a vehicle to pieces, and Concerto No 3, a durational performance in which a group of non-pianists take on Rachmaninov’s notorious piece at the Birmingham Conservatoire.
This exciting new initiative in south Brum will see Longbridge town centre further transformed by all manner of awe-inspiring visuals. While the first day of the festival consists of the Tran-si-tion International Conference on city design and regeneration, the second offers dazzling works from a wide range of local, national and international artists, responding to the theme of ‘back to the future’ – sustainable urban living viewed through the prism of science fiction.
Birmingham Literature Festival
The centrepiece of the Barber’s excellent autumn season, this new show brings together arresting images of World War I, as etched and painted by the fascinating CRW Nevinson. Included are pieces on loan from the Tate, the British Museum and the Imperial War Museum. Complementing the exhibition is “Degenerate” Art, a show documenting the creeping influence of Nazi ideology on German Expressionism.
Various venues, October 2-12
Various venues, October 2-11
A full 15 years in and going from strength to strength, the annual celebration of the written word is here again. Amidst the stellar line-up of discussions, workshops and special events, the Olivier Award-winning Guy Masterson performs pieces by Dylan Thomas, Liverpool poet Roger McGough joins a double bill with local talent Liz Berry, and Brum’s enchanting theatre makers Little Earthquake present MR James’ The Story Of A Disappearance And An Appearance. 42
Various venues, October 24-25
Rebel Visions
Barber Institute Of Fine Arts, from October 24
Beorma
Stryx, from October 3 A fascinating documentary show at the Digbeth
art space investigating the origins and histories of more than 20 key players of Brum’s cultural scene – from big hitters like the Birmingham Museum and Art Gallery, Ikon and Mac to newer outfits such as Grand Union, A3 Projects and the Home For Waifs And Strays. Whether you’re new to the city or you’ve lived here all your life, there’s bound to be plenty of interest.
Fuel presents Fiction Mac, October 16-17
Maverick London producers Fuel are touring the UK with this, a characteristically pioneering hour of theatre directed by David Rosenberg. It’s an exploration of the limitlessness of the dream world, with the show comprised of total darkness and binaural sound. Not one for the faint-hearted.
Unogumbe
The Rep, October 24 This month marks the return of the biennial Afrovibes festival to the UK, bringing a range of South African cultural treats to these shores. The Drum and Mac are host venues for the Birmingham-based events – with The Rep getting in on the act too with this, a screening of a modern-day, Xhosa-language take on Benjamin Britten opera Noye’s Fludde, courtesy of effervescent Cape Town outfit Isango Ensemble. Brum Notes Magazine
WHAT’S ON
KEY TO LISTINGS: M = LIVE MUSIC CN = CLUB NIGHT C = COMEDY
BIRMINGHAM: O2 Academy, Horsefair, Bristol St B1, 0844 4772000; The Institute, High St, Digbeth B5, 0844 2485037; NIA, King Edwards Rd B1, 0121 7804141; LG Arena, NEC, Solihull B40, 0121 7804141; The Flapper, Kingston Row B1, 0121 2362421; The Victoria, John Bright St B1, 0121 6339439; Hare & Hounds, High St, Kings Heath B14, 0121 4442081; The Actress & Bishop, Ludgate Hill B3, 0121 2367426; The Sunflower Lounge, Smallbrook Queensway B5, 0121 6327656; Symphony Hall, Broad St B1, 0121 7803333; Town Hall, Victoria Sq B3, 0121 7803333; Kitchen Garden Cafe, York Road, Kings Heath B14, 0121 4434725; Alexandra Theatre, Station St B1, 0844 8472302; Bull’s Head, St Marys Row, Moseley B13, 0121 2567777; Island Bar, Suffolk St B1, 0121 6325296; The Jam House, St Pauls Sq B3, 0121 2003030; Ort, Moseley Rd, Balsall Heath, B12; The Asylum, Hampton St, Hockley B19, 0121 2331109; The Rainbow, High St, Digbeth B12, 0121 7728174; Adam & Eve, Bradford St, Digbeth B12, 0121 6931500; The Rose Villa Tavern, Warstone Lane, B18, 0121 2367910; The Yardbird, Paradise Place B3, 0121 2122524; The Glee Club, The Arcadian, Hurst St B5, 0871 4720400; MAC, Cannon Hill Park B12, 0121 4463232; Nightingale, Kent St B5, 0121 6221718; Scruffy Murphys, The Priory Queensway B4, 0121 2362035; The Wagon & Horses, Adderley St, Digbeth B9, 0121 7721403; Lab11, Trent St B5, lab11.co.uk; The Moseley Arms, Ravenhurst St B12, 0121 7668467; Alfie Bird’s/The Oobleck, The Custard Factory B9, 0121 270 6665; Suki10c, Bordesley Street B5; Gatecrasher, Broad St B15, 0121 633 1520
M M M M M M M M M M
Wednesday, Oct 1 Diverge
Ort
Balsall Heath
The Earth
The Flapper
Birmingham
Mary Gauthier
The Glee Club
Birmingham
Ella Eyre
The Institute
Birmingham
The Besnard Lakes
The Institute
Birmingham
PNKSLM + Sudakistan + Black Mekon Sylvan Esso
The Sunflower Lounge Hare & Hounds
Birmingham
The Jungle Brothers
Hare & Hounds
Kings Heath
CN
Ticking Boxes
Bull’s Head
Moseley
The Sunshine Underground Howl
Slade Rooms
Wolverhampton
CN
Alfie Birds
Birmingham
Bull’s Head
Moseley
CN CN Canvas M M M M M M C M M M M M M M M
Thursday, Oct 2 Birmingham Freshers Festival RUFUS
Kings Heath
O2 Academy
Birmingham
The Institute
Birmingham
Demob Happy + The Heist + Heavy Waves The Lucy Ward Band
The Sunflower Lounge Hare & Hounds
Birmingham
Guerrilla Monsoon
Bull’s Head
Moseley
ENEMO-J
The Roadhouse
Stirchley
Jo Enright
The Glee Club
Birmingham
Kings Heath
Friday, Oct 3 Valleyers + Chris Tye
Ort
Balsall Heath
Out of Sanity
Actress & Bishop
Birmingham
Superficials
O2 Academy 3
Birmingham
Hansu-Tori
Symphony Hall
Birmingham
Johnny Foreigner
The Flapper
Birmingham
FKA Twigs
The Institute
Birmingham
Lewis Watson
The Institute
Birmingham
Eva Hyde
The Rainbow
Birmingham
October 2014
M M M M CN CN CN
C M M M M M M M M CN CN CN CN CN CN CN CN
Want your gig or club night listed in our monthly guide? Send details to: info@ brumnotes.com All details correct at time of going to press. Check with venues before setting out.
Revolver
The Victoria
Birmingham
Allah-Las
Hare & Hounds
Kings Heath
The Chinese Burn
Bull’s Head
Moseley
Hellrazor
The Roadhouse
Stirchley
Lucha Libre
Bodega
Birmingham
Propaganda ft The Pigeon Detectives live Seedy Sonics 4th Birthday Zombie Prom: Chavs vs Rockers + Silent Disco Silver Dollar Presents Jerry Dammers (DJ Set) B’ham Comedy Festival Breaking Talent Award Saturday, Oct 4 Kat Healy
O2 Academy
Birmingham
The Rainbow Warehouse The Rainbow Warehouse Hare & Hounds
Birmingham
The Glee Club
Birmingham
Ort
Balsall Heath
APES
Alfie Birds
Birmingham
Sulu Babylon
O2 Academy 2
Birmingham
Skeletal Family
O2 Academy 3
Birmingham
Vic Godard
The Flapper
Birmingham
Modern Minds
The Institute
Birmingham
Summer Heart + Field Harmonics Fierce Festival
The Sunflower Lounge Various
Birmingham
MHVH Garms Party
Spotlight
Birmingham
Fierce Festival Algorave
The Edge
Birmingham
Ghostpoet DJ set
The Oobleck
Birmingham
New Hype! Cellar Takeover FACE With Krysko (WHP) Bruk Up With Lord Byron + Kwai Nightmares On Wax (Live) MODO
The Rainbow
Birmingham
The Rainbow Warehouse Hare & Hounds
Birmingham
Hare & Hounds
Kings Heath
Bull’s Head
Moseley
Birmingham Kings Heath
Birmingham
Kings Heath
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C C M M M M CN C C C M M M M M CN C M M M M M M M M M M M CN C C M M M CN CN
Sol Berstein
The Glee Club
Birmingham
Tommy Tiernan
Town Hall
Birmingham
Sunday, Oct 5 Kobra & The Lotus
O2 Academy 3
Birmingham
Turin Brakes
The Oobleck
Birmingham
Heyrocco
Birmingham
Cloud Boat
The Sunflower Lounge Hare & Hounds
Zinc
Island Bar
Birmingham
Comedy Of Black Origin
The Glee Club
Birmingham
Desi Central
The Glee Club
Birmingham
B’ham Comedy Festival
The Victoria
Birmingham
Monday, Oct 6 Blackjack
The Flapper
Birmingham
Bill Laurance
The Glee Club
Birmingham
Atmosphere
The Institute
Birmingham
Rat & Co + Hoodlem
Hare & Hounds
Kings Heath
Jake Bugg
Civic Hall
Wolverhampton
Jam Jah
Bull’s Head
Moseley
Best Of The Roadhouse Comedy Night Tuesday, Oct 7 The Tea Street Band
The Roadhouse
Stirchley
Alfie Birds
Birmingham
Vashti Bunyan
Mac
Birmingham
Black Veil Brides
O2 Academy 2
Birmingham
The Maine
O2 Academy 2
Birmingham
Level 42
Symphony Hall
Birmingham
Max Raptor
The Flapper
Birmingham
Bednarek
The Institute
Birmingham
Lethal Bizzle
The Institute
Birmingham
Future of the Left
Hare & Hounds
Kings Heath
Woodward
Hare & Hounds
Kings Heath
Jake Bugg
Civic Hall
Wolverhampton
Hang Loose
Alfie Birds
Birmingham
David O’Doherty
The Glee Club
Birmingham
Manilla Road Comedy
The Victoria
Birmingham
Wednesday, Oct 8 Supersuckers
O2 Academy 3
Birmingham
The Shrine
The Oobleck
Birmingham
Fatima
Hare & Hounds
Kings Heath
Howl
Alfie Birds
Birmingham
Citrus
The Sunflower Lounge The Glee Club
Birmingham
C
Tony Law
M
Thursday, Oct 9 The History Of Apple Pie + Kaleidescopes Alestorm
M M M M M M M M C
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Kings Heath
Friday, Oct 10 Louise Jordan
Ort
Balsall Heath
Faustus
Mac
Birmingham
The Lawrence Arms
O2 Academy 2
Birmingham
Mamas Gun
O2 Academy 3
Birmingham
Tony Hadley
Symphony Hall
Birmingham
Ian Prowse & Amsterdam + Under A Banner Intrigue in Tangiers
The Flapper
Birmingham
The Glee Club
Birmingham
Dry The River
The Institute
Birmingham
Cancel Tomorrow
The Rainbow
Birmingham
Elephantine + Youth Man Eddi Reader
The Sunflower Lounge Town Hall
Birmingham
Crocodiles
Hare & Hounds
Kings Heath
Eat Y’Self Pretty
Bull’s Head
Moseley
Children Of The Gravy
The Roadhouse
Stirchley
Lucha Libre
Bodega
Birmingham
DJ Sam Redmore
Island Bar
Birmingham
Propaganda ft Carl Barat DJ Set The Bangin’ Bounce-athon! HYPE 21st Anniversary
O2 Academy
Birmingham
Suki10c
Birmingham
The Rainbow Warehouse The Victoria
Birmingham
Hare & Hounds
Kings Heath
Bull’s Head
Moseley
The Glee Club
Birmingham
The Roadhouse
Stirchley
Saturday, Oct 11 Torn Sail + Joe Woolley
Ort
Balsall Heath
Bolshie + Dinky
Actress & Bishop
Birmingham
Insolito
The Oobleck
Birmingham
New Street Adventure
The Sunflower Lounge The Sun at The Station Alfie Birds
Birmingham
The Rainbow Warehouse The Tunnel Club
Birmingham
Hockley
CN Holiday - The Drive
The Rose Villa Tavern Hare & Hounds
CN
Bull’s Head
Moseley
The Sun on the Hill The Sun at the Station Bull’s Head
Birmingham
M M M M M M M M M M M M M M CN CN CN CN
Birmingham
Alfie Birds
Birmingham
CN
CN Shuffle CN Soulvation presents A
Celebration of Northern Soul The Film Black Box With Timbre
CN David Trent C Hubris C M M M M M CN CN
Wax Futures +Lazarous + Enquiry Heducation presents Krafty Kuts + Mr Switch FACE x MVSON x SURREAL Supersonic Bass
CN CN JuQebox
Special Killer Wave 2.0 With Joel Webster Sunday, Oct 12 Sunsets
Birmingham
Birmingham
Kings Heath Birmingham
Birmingham
Kings Heath
O2 Academy 2
Birmingham
Your Head + Pork
Subside
Birmingham
Ghouls + Enquiry
The Flapper
Birmingham
Buzzcocks
The Institute
Birmingham
Reeves Gabrels & His Imaginary Fr13nds Childhood + Kid Wave
The Oobleck
Birmingham
M
Hare & Hounds
Kings Heath
Wolverhampton
Hare & Hounds
Kings Heath
Island Bar
Birmingham
Midnight Magpie
Bull’s Head
Moseley
Hare & Hounds
Kings Heath
James Acaster
The Glee Club
Birmingham
M CN Zinc CN Coppe’ + Christ + Earth
Slade Rooms
The Brett Domino Trio
C
The Glee Club
Birmingham
M M
Sunplugged ft STORK & The Flights Bohemian Jukebox With Nat Bite The Monobloggers
Is Flat Rough Works
Kings Heath Moseley
Brum Notes Magazine
C C M M M M M M
O2 Academy 2
Birmingham
Flagship
O2 Academy 3
Birmingham
Dan Wilson
The Glee Club
Birmingham
The Saddest Landscape
The Oobleck
Birmingham
Quatuor Ardeo
Town Hall
Birmingham
The Amazing Snakeheads Jam Jah
Hare & Hounds
Kings Heath
Bull’s Head
Moseley
The Roadhouse
Stirchley
Alfie Birds
Birmingham
O2 Academy 3
Birmingham
Alfie Birds
Birmingham
The Glee Club
Birmingham
M M M M CN CN CN
O2 Academy
Birmingham
CN
O2 Academy 3
Birmingham
Wednesday, Oct 15 Kid Ink Marmozets + Lonely The Brave The Radiophonic Workshop Happyness
M CN Howl Tom Stade C
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C C
Stirchley
M Eliza & The Bear M CN Hang Loose Tim Key C
M M M M M M M
Kings Heath
Birmingham
The Roadhouse
Tuesday, Oct 14 Holy Mountain
M
Hare & Hounds
The Victoria
B’ham Comedy Festival Official Wrap Party Monday, Oct 13 The Hold Steady
CN Comedy Night C
M M
CN Freestyle With Hackney
Manilla Road Comedy
Town Hall
Birmingham
Hare & Hounds
Kings Heath
Alfie Birds
Birmingham
The Glee Club
Birmingham
Thursday, Oct 16 Justin Furstenfeld
O2 Academy 2
Birmingham
Jon Allen
The Glee Club
Birmingham
M.A.D
The Institute
Birmingham
Opeth
The Institute
Birmingham
Ian McNabb
Hare & Hounds
Kings Heath
Regale
Hare & Hounds
Kings Heath
Reagan Browne
The Roadhouse
Stirchley
Friday, Oct 17 Looca
Actress & Bishop
Birmingham
Taffy
Alfie Birds
Birmingham
The Neighbourhood
O2 Academy 2
Birmingham
The Modfathers
O2 Academy 3
Birmingham
Friendly Fire Band
PST
Birmingham
That Fucking Tank
The Flapper
Birmingham
Patent Pending
The Institute
Birmingham
The Dirty Youth
The Institute
Birmingham
The Black Water Confederacy Samuel Rogers + Watchfires + The Stirs The Underclass
The Rainbow
Birmingham
The Sunflower Lounge The Victoria
Birmingham
Seth Lakeman
Town Hall
Birmingham
Dong Fang
Hare & Hounds
Kings Heath
Crawlin’ Hands
Bull’s Head
Moseley
Johnny Marr
Civic Hall
Wolverhampton
Testify: Northern Soul the Film After Party Taking Care of Business Dr Jekyll’s Remedy
Alfie Birds
Birmingham
October 2014
Island Bar The Jekyll & Hyde
Birmingham
Birmingham Birmingham
M M M M M
Colliery Band live Andy Zaltzman
The Glee Club
Birmingham
Mickey Sharma
The Glee Club
Birmingham
Saturday, Oct 18 OxjamBrum Festival
Various
Birmingham
Dibel Cissokho
Ort
Balsall Heath
Katy B
O2 Academy
Birmingham
We Are The Ocean
O2 Academy 2
Birmingham
Danny & The Champions of the World Bury Tomorrow
O2 Academy 3
Birmingham
The Institute
Birmingham
Toyah + Erika Nockalls
The Institute
Birmingham
LTJ Bukem
Hare & Hounds
Kings Heath
The Boomtown Rats
Wulfrun Hall
Wolverhampton
Lucha Libre
Bodega
Birmingham
DJ Lee Goodman
Island Bar
Birmingham
OxjamBrum Festival Official Afterparty Face 5th Birthday With Jamie Jones Harmony 16th Birthday
The Flapper
Birmingham
The Rainbow Warehouse Warehouse Club
Birmingham
Bull’s Head
Moseley
Sunday, Oct 19 Knotslip
O2 Academy 3
Birmingham
Welcome to Night Vale
The Glee Club
Birmingham
Holly Johnson
The Institute
Birmingham
He Is Legend
The Oobleck
Birmingham
Sunsets
The Sun on the Hill The Sunflower Lounge The Sun at the Station The Roadhouse
Birmingham
Island Bar
Birmingham
Monday, Oct 20 Afrovibes Festival Launch ft The Soil
Mac
Birmingham
Jess Glynne
The Institute
Birmingham
Chuck Prophet & The Mission Express Kids In Glass Houses + Save Your Breath Annie Eve
The Oobleck
Birmingham
The Sunflower Lounge Hare & Hounds
Birmingham
Kishi Bashi + Beaty Heart Jam Jah
Hare & Hounds
Kings Heath
Bull’s Head
Moseley
The Roadhouse
Stirchley
Tuesday, Oct 21 Blossoms
Alfie Birds
Birmingham
Thought Forms
The Flapper
Birmingham
Maverick Sabre
The Institute
Birmingham
Teleman
Hare & Hounds
Kings Heath
Little Comets
Slade Rooms
Wolverhampton
Hang Loose
Alfie Birds
Birmingham
Wednesday, Oct 22 Clean Bandit
O2 Academy
Birmingham
Blackberry Smoke
The Institute
Birmingham
CN CN OOOOOO Look M M M M M M M
Hundred Waters + Emprss + Silhouettes Sunplugged ft Snooty Bobs + Andy Oliveri Be Hopeful
M CN Zinc M M M M M M
CN Comedy Night C M M M M M CN M M
Birmingham
Birmingham Kings Heath Stirchley
Kings Heath
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M
Prides
M M M CN C M M M M M M M M M M M M M M M M M
Birmingham
M
Sunsets
Samuel J Lawrence
The Sunflower Lounge The Church Inn
Hockley
M
Sunplugged
Honey Ryder
Hare & Hounds
Kings Heath
Willie & The Bandits
Hare & Hounds
Kings Heath
Howl
Alfie Birds
Birmingham
Paul Chowdhry
The Glee Club
Birmingham
M CN C C
Thursday, Oct 23 Rixton
O2 Academy 2
Birmingham
Ghetts
O2 Academy 3
Birmingham
The Cadbury Sisters
The Glee Club
Birmingham
Nick Mulvey
The Institute
Birmingham
The Antlers
The Oobleck
Birmingham
John Cooper-Clarke
Town Hall
Birmingham
Partisans
Hare & Hounds
Kings Heath
The Mentulls
The Roadhouse
Stirchley
Friday, Oct 24 Dead Belgian
Ort
Balsall Heath
Casino + Meme Detroit
Actress & Bishop
Birmingham
Coma + Metasoma
O2 Academy 2
Birmingham
Shadow Flag
The Flapper
Birmingham
Raleigh Ritchie
The Institute
Birmingham
Real Estate + Alvvays
The Institute
Birmingham
St Vincent
The Institute
Birmingham
North Atlantic Oscillation All Years Leaving Festival ft Eagulls Seven Davis Jr
The Oobleck
Birmingham
Hare & Hounds
Kings Heath
Hare & Hounds
Kings Heath
Bull’s Head
Moseley
Island Bar
Birmingham
The Jekyll & Hyde
Birmingham
Saturday, Oct 25 Marit and Rona
Ort
Balsall Heath
Misty’s Big Adventure
Actress & Bishop
Birmingham
The Broken Oak Duet
Muthers
Birmingham
CUD
The Flapper
Birmingham
George Ezra
The Institute
Birmingham
Black Lips
The Oobleck
Birmingham
M That Strangest Feeling M CN DJ Hot Wax CN Dr Jekyll’s Remedy M M M M M M M M M
Too Many T’s + Jimmy Davis + Ruane Maurice All Years Leaving festival ft Hookworms Matthew Edwards & The Unfortunates Lucha Libre
CN CN Xstatic Halloween CN
Warehouse Of Horrors FACE
The Sun at the Station Bodega
Kings Heath
Boxxed
Birmingham
Kings Heath
Birmingham
Birmingham
The Rose Villa Tavern Hare & Hounds
Hockley
Bull’s Head
Moseley
Sunday, Oct 26 Alpha Male Tea Party
The Flapper
Birmingham
The Staves
The Institute
Birmingham
CN Rave Against Racism CN Cache With Niall Wolfe
46
Birmingham
The Rainbow Warehouse The Victoria
CN Education In Sound CN JuQebox
M M
The Sunflower Lounge Hare & Hounds
Birmingham
Kings Heath
M M M M CN C M M M M CN M M M M M CN
Birmingham
Hypefest
The Sun on the Hill The Sun at the Station The Roadhouse
Zinc
Island Bar
Birmingham
Shappi Khorsandi
The Glee Club
Birmingham
Ian D Montfort
Hare & Hounds
Kings Heath
Monday, Oct 27 Sam Smith
O2 Academy
Birmingham
Chevelle
O2 Academy 2
Birmingham
Jungle
The Institute
Birmingham
Tarras Minor
Hare & Hounds
Kings Heath
Jam Jah
Bull’s Head
Moseley
Kings Heath Stirchley
Comedy Night
The Roadhouse
Stirchley
Tuesday, Oct 28 Rival State
The Flapper
Birmingham
Tom Baxter
The Glee Club
Birmingham
Andy Burrows
Hare & Hounds
Kings Heath
Money
Bull’s Head
Moseley
Hang Loose
Alfie Birds
Birmingham
Wednesday, Oct 29 Nerina Pallot
The Glee Club
Birmingham
The Struts
The Oobleck
Birmingham
Takuya Kuroda
Hare & Hounds
Kings Heath
The Barr Brothers
Hare & Hounds
Kings Heath
Scream Baby Scream
The Roadhouse
Stirchley
Howl
Alfie Birds
Birmingham
Thursday, Oct 30 Lamb
The Institute
Birmingham
The Crummies Halloween Special Martyn Joseph
The Sunflower Lounge Hare & Hounds
Birmingham
Rhodes
Hare & Hounds
Kings Heath
The Zoe Green Band
The Roadhouse
Stirchley
Rich Hall’s Howdown
Wulfrun Hall
Wolverhampton
Friday, Oct 31 The Rain Brothers
Ort
Balsall Heath
Loveless Luck
Actress & Bishop
Birmingham
I Am Giant
Alfie Birds
Birmingham
Framing Hanley
O2 Academy 3
Birmingham
&U&I
The Flapper
Birmingham
Wakey!Wakey!
The Institute
Birmingham
Superfood
The Oobleck
Birmingham
Billy Lockett
The Rainbow
Birmingham
Among the Echoes
Bull’s Head
Moseley
Halloween Fancy Dress Free Entry Party The Haunting 2014
The Flapper
Birmingham Birmingham
CN Halloween Monster
The Rainbow Warehouse Hare & Hounds
CN
Hare & Hounds
Kings Heath
Bull’s Head
Moseley
The Glee Club
Birmingham
Civic Hall
Wolverhampton
M M M M M C M M M M M M M M M CN CN
CN C C
Mash Hot Club De Swing October Ball Celestial Halloween Special James Mullinger An Evening With Noel Fielding
Kings Heath
Kings Heath
Brum Notes Magazine
October 2014
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Brum Notes Magazine