BookPage October 2012

Page 24

reviews tious, sprawling and nearly Dickensian new novel that follows one middle-aged, middle-class man from bad to worse to renewed, and everywhere in between. May We Be Forgiven opens with a series of unfortunate events. George Silver, a widely loathed television executive, flies off the handle after a deadly car accident. Harry Silver, a Nixon scholar with less money and success than his brother, finds himself not only embroiled in the drama, but also entwined emotionally and sexually with George’s gorgeous wife, Jane—that is, until George comes home and bludgeons her to death with a table lamp. And that’s when things really get crazy. Homes—never one to shy from unpleasant situations—takes these brothers’ bad deeds as her starting point, and Harry’s circuitous quest for forgiveness as the book’s core. Abandoned by his shrewish wife and saddled with the care of George’s two precocious children, Harry moves into his brother’s Westchester home and begins to build a brand new life. This process, it turns out, is as hilarious as it is wrenching. Think kleptomaniac great aunts, Internet sexcapades with lonely housewives and a covert mission to recover Richard Nixon’s lost short-story collection. In many ways, Nixon and the failed American dream form the cheeky subtext of this novel: The house, the wife, the kids are an outmoded myth, and even when good men try, they come up short. This

The Guardians by Richard Williams AuthorHouse • $16.99 ISBN 9781434376633

24

Two shelties lead their masters back to the path of God’s love. These special dogs have the ability to speak, but their unusual talent is a closely guarded secret.

FICTION said, Homes is also up to something sneakier and more redemptive with her madcap antics. By seeking to do good in the lives of others, she seems to say, and by cobbling together a different version of the nuclear family, we can heal ourselves. Such issues might seem weighty, but Homes is never didactic—a balance she achieves with the sheer strangeness and deadpan nature of her tale. Indeed, one never can predict what’s going to happen next. In a less capable writer’s hands, this spiraling and volatility might feel disorienting. But with Homes at the helm, you can’t help but be delighted by the ride. —J i l l i a n Q u i n t

Visit BookPage.com for a Q&A with A.M. Homes.

mr. penumbra’s 24-hour bookstore

by developing “boob-simulation software” and Mr. Penumbra himself, the hopeful store proprietor. Though there’s a code to be cracked in these pages, the real treat of Mr. Penumbra’s 24-Hour Bookstore is Sloan’s energetic storytelling—and the many, many lines that you will surely want to share on Facebook and tweet to the masses. (“He has the strangest expression on his face—the emotive equivalent of 404 PAGE NOT FOUND.” Or: “If fidgets were Wikipedia edits, I would have completely revamped the entry on guilt by now, and translated it into five new languages.”) Readers who don’t know a hashtag from a wiki will still appreciate the book’s ultimate message about friendship, and the conclusion that nothing— not even a world full of programmers and hackers—can substitute for a cunning mind.

cast as the lead in a film along with megastar Dawn Devonport, the present begins to claim more of his attention, while drawing increasingly close to his past. As Cleave stacks one crisp memory on top of another, the edifice of his story begins to quiver beneath the weight. Recipient of the 2005 Man Booker Prize, Banville is peerless in his steadfast precision of language. Ultimately it is his masterful, high style prose that makes Ancient Light shine. — W . S . Ly o n

live by night By Dennis Lehane

Morrow $27.99, 416 pages ISBN 9780060004873 Audio, eBook available

HISTORICAL fiction

—Eliza Borné

By Robin Sloan

FSG $25, 304 pages ISBN 9780374214913 eBook available

debut fiction

ancient light By John Banville

Knopf $25.95, 304 pages ISBN 9780307957054 Audio, eBook available

literary fiction

Robin Sloan’s funny debut novel, Mr. Penumbra’s 24-Hour Bookstore, is both a celebration and a send-up of the clashing worlds of technology and those who cling to dead-tree books. After losing a job at the corporate headquarters of NewBagel, where “ex-Googlers” developed software to create the perfect bagel, Clay Jannon gets hired at an unconventional bookstore in San Francisco. Unconventional because it’s open 24 hours, has very few customers, is vertical—there are three stories worth of books you have to climb a ladder to retrieve—and the books are written in secret code. What at first seems to be a front for an illegal operation turns out to be connected with a cult, and Clay goes on a mission to solve the mystery that has been plaguing its members for centuries, enlisting the help of a quirky team, like the Google acolyte he’s dating, the friend who got rich

John Banville’s Ancient Light is a trip through a hall of mirrors, where memory unfolds into memory and is scattered into a thousand angles, each one staring back in lurid detail. It’s all source material for our narrator Alex Cleave, retired actor and now memoirist. But for him, for us, the material source of the images he recalls is the most elusive thing in the world. Through Cleave’s narration, we shift among three time periods— two viscerally remembered and one presently lived—and all the women who have mattered in his life. The first is Mrs. Gray, his lover, him at age 15 and she at 35, and the mother of his then-best friend. Their tryst is recounted in striking detail, vivid to the point of upstaging his present. But when Cleave is unexpectedly

“Some years later, in a tugboat in the Gulf of Mexico, Joe Coughlin’s feet were placed in a tub of cement.” As an opening line guaranteed to pick you up by the scruff of the neck and not let go, it doesn’t get much better than that. Live by Night is told in flashbacks, coming around full circle to that gripping beginning, which is, in its way, the end. Ardent Dennis Lehane-ophiles will recognize the Coughlin family name from 2008’s The Given Day, the sweeping early 20thcentury novel in which Aiden (Danny) Coughlin, Joe’s Boston cop father, played a pivotal role. Fast-forward 10 years or so to the heady time of Prohibition, and the younger Coughlin offers up a fine example of the apple having fallen far from the tree. While Coughlin père pursued his vision of law and order, Coughlin fils embarked early on a life of crime. He should have known better than to rob well-connected speakeasy owner Albert White, and he really should have known better than to make a play for White’s girl, but then there would have been no cement overshoes and probably no story as


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