THE EDMONTON HOT SUMMER GUIDE COMING IN JUNE, BOOK YOUR AD NOW!
HOT SUMMER GUIDE .COM
OVER 140 PAGES OF AWESOMENESS LAST YEAR EMAIL ROB LIGHTFOOT AT ROB@VUEWEEKLY.COM OR CALL 780-426-1996
FANTASTIC SAVINGS ON YOUR NEXT HOUSEBOAT ADVENTURE! WATERWAY HOUSEBOATING
OVER 30% OFF! $4800 VALUE FOR ONLY $2999 WWW.VUEMART.COM
ʼnPÃØPdØ ıÀğíĽ´ÀíĽIJ ßíæıíç íğįíæØÃæ įæíŊ Read it here!
Email acookson@vueweekly.com to order your copy now.
contents
Mar/Apr 2014, Issue 103
Contributors. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4 Radio 101. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5 BY SARAH FAHEY Woodshedding. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7 BY ROLLA OLAK Crank It . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7 BY NELSON FROM NELSON Music Camps . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8 - 11 Vinyl Love. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12 - 14 Supernatural: Mike Tupelo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16 - 17 BY RICHARD CHAPMAN Q & A with Community Radio Programmers. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18 - 23 Community Radio listings. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24 Rock ‘n Roll memories of Ray Condo. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26 - 28 BY DAVE O RAMA Reviews. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29 - 30 BY BOB DOULL and DAVE O RAMA Where the live jazz is in Vancouver. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30 BY JACLYN GUILLOU
is published by Aberdeen Publishing Inc. PO Box 1150 Peachland, BC V0H 1X0 604 999 4141 www.bcmusicianmag.com hello@bcmusicianmag.com Publisher Leanne V Nash lvnash@bcmusicianmag.com Editor Sarah Fahey sarah@bcmusicianmag.com Associate Publisher-at-Large Paul Crawford paul@bcmusicianmag.com Sales ads@bcmusicianmag.com jlayh@bcmusicianmag.com Layout Leanne V Nash Cover Design Richard Chapman Canada Post Agreement 41440066
Please ask before considering a reprint or reproduction of the content of this magazine. The written permission of the publisher must be granted before you do either. The opinions expressed within these pages are those of the authors and do not necessarily reflect BC Musician Magazine nor its affiliates.
www.bcmusicianmag.com Will you please subscribe? Or sign up for our semi-regular newsletter updates? Easy to do on our web site. Facebook page: bc musician magazine Twitter: @bcmusicianmag
We also have a group on Facebook: BC Musician. This was our first foray into social media and it’s going strong as a place for people to share their gig information, look for fellow musical collaborators, and otherwise share information of interest to the BC music community.
contributors Dave O Rama is a
writer, photographer, broadcaster, DJ and music addict. He has been hosting radio programs in Toronto and BC for over twenty years. Currently Dave is the host and producer of The Lovecast, a 3-hour music program heard Saturday evenings on CHLY 101.7 FM which broadcasts to Canada’s west coast. The Lovecast has been on the air for 10 years.
Please support our Community Partners who work so hard to support music and the arts in our communities. CKUA
(ckua.com | Edmonton)
Larsen Music
Nelson from Nelson has done “ev-
ery music-related job there is” in his 20 years of being a musician in the B.C. Interior. His latest roles include radio host on Kootenay Co-op Radio, co-founder/promoter/ audio engineer for the CRANK IT!!!(To 6) Concert Series, band projects Chinese For Travelers and Law Of Signs, and webmaster at www.nelsonfromnelson.com.
Richard Chapman has worked
with a wide variety of great Canadian artists for nearly three decades - from the Rheostatics and Herald Nix to Moose Records and The Pointed Sticks. Currently he conducts the Northern Electric collective www. northern-electric.ca.
(204 389 1988 | Victoria)
McKillican Production Services (250 255 7705 | BC & AB)
Jaclyn Guillou recipient of a CBC Galaxie
Rising Star Award, is an emerging jazz vocalist, composer and lyricist residing in Vancouver, BC. She just released her sophomore album “The Lover’s Walk” and is currently working on her third album. She recently starred in the CBC Television series “Absolutely Canadian” which was a live concert recorded at CBC studio tributing the 50th anniversary of Dinah Washington. Guillou tours throughout Europe, Canada and the USA carving out her path as a fresh new innovative voice on the world wide jazz scene with her new music and contemporary sound.
Sarah Fahey completed a diploma in Writ-
ing & Publishing in 2011 at Okanagan College in Vernon and she returned to home base in Penticton where she ran the art collective the Golo Art Project and wrote about Arts and Culture in Penticton for oook.ca before embarking on the journey of BC Musician Magazine. Also an artist, Sarah has participated in many live painting events throughout BC from body painting to street art fests. Paint on public walls continues to be her preferred venue for expression and a constant source of inspiration.
Momentum Productions / Hootstock
(hootstock.com | 100 Mile House)
Here it comes!
Navigator Multimedia (204 862 9868 | Kelowna)
The Occidental
(250 992-5814 | Quesnel)
The Packing House
(250 458 2256 | Spences Bridge)
The Waverley
(250 336 8322 | Cumberland)
Zocalo’s
(250 331 0933 | Courtenay)
We’re getting started on our
6th Annual
Ultimate Summer Festival Guide New cover by the talented Meghan Hildebrand. More listings than we can count (yet).
Stories + photos + more make this THE go-to, most comprehensive, indispensable, print publication available.
publishing late April, with 15,000 copies to be distributed throughout BC and Alberta. Call or text 604-999-4141 or email: ads@bcmusicianmag.com Ad rates can be found: www.bcmusicianmag.com
4 BC Musician Magazine | March - April 2014
radio 101 - next step for BCMM? By Sarah Fahey When I was a teenager I imagined having an underground radio station using military two way radios (I don’t even know if this is possible) to transmit out of a hidden secret bunker. Inspired by Christian Slater, in the 1990’s cult classic Pump Up The Volume, no doubt. This past January I attended Radio 101, a mandatory one hour class for interested community members who want to become programmers on Peach City Radio, Penticton. It was an introduction to community radio, policies that affect programmers and CRTC governing policies of community radio stations. Radio 101 was sobering to say the least, and my fantasy of radio piracy hit the floor with a thud along with my enthusiasm as we take turns reading aloud a portion of the CRTC rules. The airwaves are licensed, this is as trippy and mind boggling to me as radio itself. I stuff my rebellion in my back pocket and decide for once to listen instead of argue. In Canada the CRTC, (Canadian Radio-Television and Telecommunications Commission) holds all licenses to broadcast. Different types of radio stations follow different guidelines under a variety of licenses. Campus and community radio stations are now regulated under one policy called Campus and Community Radio Policy CRTC 2010-499. Canadian content and music categories are two main sections of the many rules that must be followed to gain and keep a license. A Program Playlist (Radio Log) must be filled out for every show. With minutes of spoken word recorded and music categories noted and calculated. Within the station’s broadcast week of 126 hours, the station must produce so many hours of Canadian content, spoken word, and percentages of certain music categories. Shows can balance each other out and the hours from midnight to six am are unregulated by the CRTC. As a creative person interested in creating a show the rules and thoughts of filling out forms sounds daunting. However, I’ve pushed on and attended a workshop at the beginning of February where we learned how to put a show together. I’ve decided to not worry about the details for now, just absorb how to create a show and then I’ll apply the required elements and see what can be adjusted from there. I also know that the folks at Peach City are dedicated to assisting ‘would be’ programmers to fill the airwaves and will help with the nitty-gritty when I get there. Peach City Radio is in their 4th year as an organization. They have a committed board and core membership. Although they do not have a broadcasting license yet you can find podcasts at www. peachcityradio.org. Peach City Radio decided early on to make training programmers a part of their mandate in the initial stages
We need your feedback! Please visit our web site which is getting more nifty features all the time. Sign up for our newsletter, get semi-frequent updates. We really, really need to hear from our readers! Can you please take a minute to fill out a tiny survey on our web site? All respondents will be entered into a draw for prizes. We figure at least 3 prizes to be drawn. Maybe more.
www.bcmusicianmag.com
so while CRTC regulations for broadcasting currently don’t apply to their efforts, they are encouraging volunteers to build shows that can and will be ready for the real deal when it’s time to turn on the dial. Some time in the near future there may be a BC Musician Magazine radio show...! In preparation for this issue I have listened to most of the shows in our Q & A with DJs (pages 18 through 23) and am continuing through the list. I am blown away by the quality and the music that comes from community radio. It is also great to hear the voices of people that I have only communicated with through emails over the past year working with the magazine as a few of these DJs are also regular contributors and distributors of BCMM in their community. These community shows are jam-packed full of good stuff and they promote like crazy local happenings. Listening to them made me feel more connected to the different communities in BC and I even learned more about artists that appear in the magazine. If your show (or a favourite show) was not mentioned in this Q&A don’t fret we will be hghlighting other shows throughout the distribution of this issue on our Facebook page and web site. Email me a link/podcast to sarah@bcmusicianmag.com. And don’t forget to sign up for our emailed newsletter via www. bcmusicianmag.com. We send newsletters every two to three weeks with updates and more. We’ll also have links on our web site to listen to stations and particular programs.
Del Barbour March 5 Royal Canadian Legion Branch 31 Old Man Luedecke with Jordie Lane March 6 Royal Canadian Legion Branch 31 Jasper Rotary Masquerade Ball March 8 champagne reception, four-course meal, live music, dancing. The Fairmont Jasper Park Lodge Jasper Winter Pride Festival March 21 - 23 The annual Pride weekend, held over three days, features skiing at Marmot Basin, live music, loads of fun Historical Lantern Tour: March 22 Back Country Cooking Workshop: April 12 In celebration of Friends of Jasper National Park’s 30th anniversary.
The Fitzhugh | 626 Connaught Drive, Jasper AB T0E 1E0 780 852 4888 | thefitzhugh.ca
BC Musician Magazine | March - April 2014 5
Pre-Festival Workshops
songwriting contest! Bidiniband returns to Wells for the 4-day intensive Songwriting Camp.
Photo: Banff Centre
SONGWRITING CAMP with
BIDINIBAND
July 29 - August 1 Back by popular demand, the Songwriting Camp with Bidiniband, features ex-Rheostatics, Dave Bidini along with seasoned musicians, Doug Friesen, Paul Linklater and Don Kerr all of whom have an established pedigree in musical education and live performance. The camp will focus on songwriting with Dave Bidini, but will also cover areas such as production with drummer and producer Don Kerr; improvisation with bassist Doug Friesen; and musicianship with guitar virtuoso Paul Linklater. The program includes a number of special events including a student BBQ and instructor concert, as well as the opportunity to perform your new songs as part of a student showcase on the Friday night of the ArtsWells Festival. Enter the win a spot Songwriting Contest and ance spot at orm perf a at the Bidiniband Camp, plus ician and an Mus BC in le the ArtsWells Festival, profi ram with prog arts W NXN interview on CBC Radio’s om. rts.c ima at Sheryl MacKay. Details
Other Pre-Fest Workshops: SONGWRITING & RHYTHM FOR KIDS AND YOUTH with CORWIN FOX & KIA KADIRI July 29 - August 1
Island Mountain Arts located in the historic Cariboo town of Wells, British Columbia and BC Musician Magazine are pleased to announce a contest to win a scholarship to attend a four-day intensive Songwriting Camp, July 29th – August 1st with Canadian indy music legend, Dave Bidini, formerly of the Rheostatics and his band, Bidiniband. Along with the scholarship (valued at $469), the winner will be invited to perform at the 11th Annual ArtsWells Festival Of All Things Art, August 1 - 4, 2014 and will be featured both in BC Musician Magazine and in an interview on CBC Radio’s province wide arts and culture program North by Northwest with Sheryl MacKay. Back by popular demand, the Songwriting Camp with Bidiniband, features ex-Rheostatics, Dave Bidini along with seasoned musicians, Doug Friesen, Paul Linklater and Don Kerr all of whom have an established pedigree in musical education and live performance. The camp will focus on songwriting with Dave Bidini, but will also cover areas such as production with drummer and producer Don Kerr; improvisation with bassist Doug Friesen; and musicianship with guitar virtuoso Paul Linklater. The program includes a number of special events including a student BBQ and instructor concert, as well as the opportunity to perform your new songs as part of a student showcase on the Friday night of
the ArtsWells Festival. The contest is open to emerging and professional songwriters who submit entries. You don’t need a professional recording. Entries will be judged on originality, melody, composition, and lyrics. Production/Recording quality and vocal ability are not criteria. This is an invaluable opportunity for both aspiring and established songwriters to nurture their songwriting on all levels while working with their peers and the mentorship of a senior songwriter. The deadline to apply is Friday, April 25, 2014 and the winner will be announced by Friday, May 9th, 2014. Applicants are also encouraged to apply to the “Songwriter Workshop Support Program,� offered through FACTOR (www. factor.ca), which provides up to $750 towards attending a songwriting workshop. Running concurrently with the Adult Songwriting Camp is Songwriting & Rhythm for ages 6 - 18 with Corwin Fox and Kia Kadiri. For more information about the contest or any of the programs offered, visit www.imarts.com, call 1-800-442-2787, or email info@imarts.com. For more info on the ArtsWells Festival Of All Things Art visit www.artswells.com.
FIDDLE MASTERCLASS with Gal Shahar July 30 - August 1
ArtsWells Festival Of All Things Art August 1- 4, 2014 • www.artswells.com Scholarships and bursaries available, for more info about these and other programs:
1 - 800- 442-2 78 7 w ww.ima rt s .c o m ISLAND MOUNTAIN ARTS Wells/Barkerville, BC, Canada
What you don’t see...
What you DO s ee!
backstage magicians... McKillican Production Services Professsional Sound & Lighting Production
„ CGUYS UNISERVE COM
6   BC Musician Magazine | March - April 2014
Joey Only Outlaw Band, Robson Valley Music Festival
CRANK IT!!! (to 6) Nelson from Nelson verb: Practice a musical instrument. Where do you make music? Tell us about it! woodshedding@bcmusicianmag.com
Rolla Olak East Vancouver, BC I’m usually the guy writing songs in a cabin in the woods, inspired by the crippling beauty of nature and miles away from any distractions or fancy coffee shops. Out in the wilderness it’s easy to find the muse. These days I’m writing in a basement off East Hastings Street in Vancouver. It’s a completely different atmosphere down here. My studio/cave/woodshed is located in the basement of one of the few remaining live-work spaces on the Downtown East Side that hasn’t been completely gentrified yet. The building has a mandate to provide artists with spaces to do their work and the amenities include a wood shop, paint room, gallery space and music room. When I first moved in the “music room” was more of a storage room, but with the help of a few residents we completely renovated the space adding soundproofing, hanging monitor stands, shelving, vibe-lighting and some psychedelic rugs. Collaborations among residents have been known to happen. I met Brent Freedman (Pete Samples) when I moved in and we accidentally recorded an EP together (search for Galiano EP). The hallways and stairwell that lead to the studio have some of the best natural reverb I’ve heard. It’s a great place to record — if you don’t mind the sound of freight trains rolling by. On the other side of these studio walls is the end of the line for the Canadian Pacific Railway. Container ships are off-loaded 24/7 by way of the enormous cranes that make up the rust-red skyline of the port. Float planes skim across the water and helicopters buzz the sky — every mode of transportation is taking off or grinding to a halt outside. It’s loud and chaotic, and it’s made me louder. It’s also worth mentioning the homelessness, mental illness and drug abuse that this part of town is famous for. It’s hard to see such an extreme level of poverty and abuse on a daily basis while families drive past in BMW SUVs, wide-eyed
as though on some kind of deranged urban safari. A number of my friends work with the Portland Hotel Society and Insite, and it’s inspiring to see them help the community the way they do. The people, the stories and the politics have all had a profound effect on me here. I’m looking forward to writing in a cabin in the woods again some day, but for now this is where I’m working. It’s not much, but it works. It’s a confinement, to be broken out of through language, rhyme and melody. It’s a place of revelation and isolation. I turn up the old guitar amp and play along to the thunder of the freight trains preparing their loads for a cross country trip.
Nestled deep within the Selkirk Mountain range, Nelson has always had a vibrant music scene, dating back to the 30s and 40s Big Band era. Eight hours east of Vancouver, eight hours east of Calgary, and 2 hours north of Spokane, we’re in a geographically advantageous place for touring bands of all sizes, and the town has a reputation for scenic beauty, fun people, and appreciative crowds on any night of the week. Fires and venue closures took their toll in the early “double 00’s”, but up until almost a year ago, live music could be had in town five a nights a week. Then, the team of Paul Hinrichs and Howie Ross ended their lease at The Royal On Baker, and the place went dark. My partner-incrime Jay Hannley (station manager at Kootenay Co-op Radio) and I, had previously proposed doing a punk or metal show once a month or so, but suddenly our scope expanded greatly. Jay, a veteran of the Edmonton scene, and me, a known musician in these parts, combined our talents and connections, and thus the CRANK IT!!!(To 6) Concert Series was born. Partnering with Kootenay Co-op Radio, we transformed their basement into an intimate, “lo-fi” performance space; loud acts play a live-to-airbroadcast concert, also recorded for an upcoming podcast series, in an all-ages format. Jay and his wife Bobbi also wanted to host quieter folk acts at their house, dubbed “The Special” at 810 Silica St. When I went by for a visit I was amazed; it was the house concert venue formerly known as the Sugar Shack, started by Jody Peck who “became” Miss Quincy there. Destiny? Absolutely! To date, we’ve hosted over 75 acts at both our venues, in all genres, from as far away as Whitehorse, San Francisco, and Nova Scotia, with tons of local talent in there as well. We kicked off our 2014 season on February 7th with a sold out show with Geoff Berner. There’s lots to come, including 2 bands from Beijing, China in March, and Ladyhawk on April 29th. It’s a lot of work, for little or no money, but we do it for the love of music. The audience — and the bands — seem to really like what we’re doing! Facebook.com/CRANKITTO6ConcertSeries Bookings: nelsonfromnelson@gmail.com jay@kootenaycoopradio.com
BC Musician Magazine | March - April 2014 7
music camps 2014 - ongoing
Headliners School of Performing Arts Nanaimo www.headliners.ca
School of Rock youth programs, theatre and film classes, workshops and classes and great little performance space for jams and collaborations.
2014 - ongoing
Larsen Music Victoria, BC larsenmusic.ca
Committed to “building healthy communities by offering a wide variety of musical opportunities in a warm and supportive environment” in Victoria. Workshops, music programs, concerts, music store, and more. Great place to pick up your copy of BC Musician Magazine.
Spring Jam March 7 - 9, Summer Camp June 6 - 8, Fall Jam Nov 7 - 9
Georgia Strait Guitar Workshop Crescent Beach gsgw.ca
A weekend of musical seminars by exceptional seminar leaders in a beautiful, ocean side setting in Crescent Beach, BC. An affordable and fun way to learn new techniques and skills, the weekend also provides time to perform, jam and socialize with those who share our common musical interests.
Courses run Sept, Jan and April
The Vancouver Ukulele Festival Ukulele Workshops and Concert Concert Workshop Festival Mar 8 & 9. Vancouver, BC www.rubysukes.ca Beginners and experienced players can immerse themselves in the world of Ukulele with a unique concert and series
of workshops. Players can learn from the same professionals performing on stage at a series of inspiring ukulele workshops covering everything from technique to songwriting. Ruby’s Ukes 10 Ukulele courses run every September, January and April, with workshops and additional classes throughout the year.
March 26 - 30
108 Cabin Fever Bluegrass Workshop The Hills Health Ranch at 108 Mile Ranch www.bcbluegrass.com
Spend a fun-filled four and half days with others who share a love for playing bluegrass music. A friendly, noncompetitive environment for all players with ample opportunity for class time, special workshops, jam sessions, concerts and more.
May 4 - 9
Hornby Island Blues Workshop www.hornby-blues.bc.ca
One of Canada’s premier blues instructional camps on beautiful Hornby Island. A dozen or so of the finest Canadian Blues and Roots musicians convene to share their knowledge and inspiration with the registrants. Limited to 70 students, register early.
May 9 - 11
Vancouver Island Music Workshop
Live Arts Production and
Promotion 250-397-4103 momentum8productions@ gmail.com
www.facebook.com/ Momentum.Productions producers of the Hootstock Festival of music, dance and spoken word: hootstock.com
8 BC Musician Magazine | March - April 2014
Seven Springs Resort outside of Parksville, BC vancouverislandmusicworkshop.com
If you’re looking for somewhere to get started in music, hone your musical skills or kick start yourself back into music after a period of time away from it, the VIMW aims to provide an unforgettable weekend of music making and instruction within a supportive community and in a magical setting for a wide selection of instruments and voices.
May 16 - 19 & Aug 21 - 24
Foothills Acoustic Music Institute Bragg Creek, AB www.fami.ca
A weekend of musical instruction, inspiration, jam sessions and opportunities to perform and socialize with others who share common musical interests, appealing to a wide variety of skill levels and instrument types. Musical styles include folk, swing, blues, Celtic, bluegrass, country, old timey, roots and traditional. For ages 12 and up.
music camps Musical Theatre June 28 - July 20 Classical Program June 29 - July 13 Island Jazz July 13 - July 20
CYMC International Summer Youth Music School and Festival Comox, BC cymc.ca
This acclaimed summer school and festival features Jazz, Classical, Strings, Piano, and Musical Theatre programs and performances (both student and faculty).
July 7 - 11
Coast School of Celtic Music Roberts Creek, BC www.coastcelticmusic.com
Classes are structured to meet a range of skills from those who learn quickly by ear (advanced) to those who have 1-2 years experience and the basics of their instrument (novice). Fiddlers at all levels will have the opportunity to study the various fiddle styles of many of our instructors. Scottish, Irish, Appalachian, French Canadian, Old Time, East Coast or some combination of the above.
July 7 - 25
The Kamloops Interior Summer School of Music www.kissm.ca
From classical to jazz, acoustic to electronic, beginner to accomplished performer, age 7 and up, it is available to everyone. Extensive list of course options to choose from.
July 13 - 18
Jam Camp by the Sea
Girls Rock Camp Girls Rock Camp Victoria (GRCVI) is very pleased to be offering its first summer camp program this July 21 to 25, 2014. With the support of Larsen Music, GRCVI will be holding a week-long day camp at the Larsen School of Music. Over the course of six days, girls ranging in age from 8 to 18 will form a band, learn to play an instrument, write a song with their band, then rock it out live in front of an audience. No previous experience required! This day camp program allows the camp participants to engage in an immersive music experience with local musicians and volunteers, using rock and roll as a background over which campers learn skills including relationship building, communication, leadership and teamwork. Through the context of female-led instruction, GRCVI aims to provide girls with a safe and positive space where they can learn about music while exploring some of the issues and challenges they face as young women in our culture, including lack of confidence, lack of positive role modeling, lack of positive outlets for self-expression, and lack of exposure to peers from other economic and cultural backgrounds.
dently run and relies on the resources of its society, its volunteers and community support through partnerships and donations. The team involved in starting and supporting the Girls Rock Camp Victoria Society include past and present volunteers of the Vancouver Girls Rock Camp, local musicians, and other members of the music and local community who are eager to share their skills, expertise and enthusiasm to make this unique opportunity available for youth. For more information, including registration dates for camp, volunteer opportunities and more, please visit our website at: www.girlsrockvictoria.ca or email us at hello@grcvi.ca
GRCVI strives to create an empowering atmosphere for girls and women by challenging the stereotype that rock music is primarily played by men and for men. For this reason, a camp environment where camp programming is taught by women will help the camp participants feel empowered to get involved in all aspects of music making. GRCVI is a BC-registered non-profit society and 100% volunteer-run. Like all Girls Rock Camps around the world, GRCVI is indepen-
Ruckle Provincial Park, Salt Spring Island, BC jamcamp.org
Jam Camp is a musical adventure for families of all ages and musical experience. For 3-5 days, Jam Campers join a multinational crew of facilitators, and explore music that celebrates life, nature, and cultural diversity. From African drumming to classical violin, Jam Camp encourages families to use their instruments to jam with other musicians and to create new, original songs.
We are your local choice for band and string instrument rentals, repairs, sales and lessons. 1833 COOK STREET | 250-389-1988
WWW.LARSENMUSIC.CA
BC Musician Magazine | March - April 2014 9
music camps July 14 - 18
Annual Fiddle, Piano, & Guitar Workshops Selkirk College, Castlegar, BC kootenayfiddlers.com
Whether you are a beginner or professional, this workshop has something to offer everyone. Classes are designed for learning and fun. Bring your recording device to keep track of all the tunes you will hear.
July 14 - 18 and/or July 21 - 25
VCM World Music Explorers Victoria, BC vcm.bc.ca/world-music-explorers
For ages 5 - 10, Discover World Music through creativity, composition, movement, and innovative technology. Experiment with music from around the world using movement, dancing and singing. Play world instruments and compose music in styles from various countries using cutting-edge technology, and play in a Brazilian Samba group, an African Drum Circle or an Asian Pentatonic Improv ensemble.
July 12 - 25
Salt Spring Fiddle Camp Salt Spring Island, BC www.fiddleworks.ca
All ages, all abilities from first time to advanced players are warmly invited in a large variety of instruments; fiddle, viola, cello, guitar, mandolin, concertina, flute, whistle, percussion, choir and classes in dance, improv and art.
July 26 - Aug 1
BC Fiddle 'Treat Gavin Lake near Quesnel, BC members.netbistro.com/fiddle
The BC Fiddle ‘Treat is a five day workshop with a 20-year history, designed to teach fiddlers and accompanists, old-time fiddle tunes and techniques. Instruction covers fiddle, piano, guitar and mandolin accompaniment, as well. They feature first-rate instructors, picked from both the local music community and top Canadian artists. The BC Fiddle ‘Treat is ideal for musicians of any age or ability.
July 27 - Aug 16
MusiCamp Alberta Red Deer College, Red Deer, AB www.musicampalberta.com
MusiCamp Alberta is the provincial residential summer music program for students aged 10 and up. Workshops in Piano, Contemporary Fiddling, Musical Theatre and World Drumming.
July 27 - Aug 1
Kootenay Jam Camp Syringa Provincial Park near Castlegar, BC jamcamp.org
Jam Camp is a musical adventure for families of all ages and musical experience! For 3 to 5 days, Jam Campers camp with our multinational crew of facilitators, and explore music that celebrates life, nature, and cultural diversity. From African drumming to classical violin, Jam Camp encourages families to use their instruments to jam with other musicians and to create new, original songs.
July 29 - Aug 1 & Aug 11 - 15
Songwriting Camp Songwriting and Rhythm Day Camp International Harp School Wells, BC imarts.com
Island Mountain Arts has been running arts programming since 1977. Wells is a hotbed of musical (and artistic) creativity during the summer months. The registration deadline is two weeks before class start, but best to register early.
July 21 - 25
Girls Rock Camp Victoria, BC www.girlsrockvictoria.ca
With the support of Larsen Music, GRCVI will be holding a week-long day camp at the Larsen School of Music. Over the course of six days, girls ranging in age from 8 to 18 will form a band, learn to play an instrument, write a song with their band, then rock it out live in front of an audience. No previous experience required!
10 BC Musician Magazine | March - April 2014
music camps Aug 3 - 8
Aug 11 - 16
Suzuki Valhalla Institute
Aug 16 - 21
Okanagan Jam Camp
Slocan Valley, BC valhallafinearts.org
Now in its 10th year, Suzuki Valhall Institute provides an inspiring musical program in a beautiful, natural setting well-suited for a family vacation. The SVI provides instruction in violin, viola and cello, from a faculty of highly trained and skilled Suzuki teachers with experience teaching at all levels, from Twinklers to advanced students.
Aug 10 - 15
Valhalla Summer School of Music
Camp Dunlop, Kelowna BC jamcamp.org
Our first Jam Camp in the Central Okanagan! Okanagan Jam Camp will be held at Camp Dunlop, a Scouts Camp on the shores of Okanagan Lake. It is only minutes from downtown Kelowna, but hidden from the city in a lush little valley. There’s a beach, canoes, a hall with power for plugged in music jams, loads of room for tents and hiking trails up the valley to beautiful lake views.
Aug 12 - 16
The Bulkley Valley Folk Music Society Slocan Valley, BC valhallafinearts.org/home/valhalla-sum- Younger Guitar Camp mer-school-of-music
Under the artistic leadership of John Kadz and Bill Van der Sloot, VSSM is a quality, family-oriented experience for children and adults at all levels. The week focuses on master class instruction in violin, viola, cello, piano, flute and classical guitar. There are morning sessions tailored to help instrumentalists improve performing and technical skills.
BCM Sighting by Dave O Rama
Who: Ronnie Hayward, Rockabilly Doghouse Bass Player and Beat Poet.
The Bulkley Valley Folk Music Society Adult Guitar Camp Telkwa, BC www.bvfms.org
Held at Camp Caledonia on Tyhee Lake in Telkwa BC, this is an all inclusive camp with accommodation, meals and instruction over 4 action packed days.
Aug 17 - 22 & Aug 24 - 29
NimbleFingers Bluegrass and Old-Time Music Workshop near Sorrento, BC www.nimblefingers.ca
Specializing in guitar instruction, welcoming youth, ages 10 to 18. The program is designed to help participants explore guitar and creativity skills in a structured and fun environment.
NimbleFingers provides a friendly and non-competitive environment for everyone from beginners to advanced players, with ample opportunity for group learning, electives, organized jam sessions, and many other spontaneous activities. World-class instructors, intimate concerts, old-time dances, fantastic food and loads of jamming.
I would play three or four gigs a day. The bars have all been shut down and the warehouses have been turned into condos. After a time away I returned to Vancouver and it was like a ghost town. All I saw was what used to be."
“I make my living as a musician and I can’t get by in Vancouver, or even Montreal. I’m living in Toronto right now because there are more places to play than anywhere I know, even Europe."
Telkwa, BC www.bvfms.org
ronniehayward.grindtone.com
Originally from Castlegar, BC. He was a regular fixture on the Vancouver music scene for many years beginning in 1984. What: Upright bass player for numerous BC bands including Jimmy Roy’s 5 Star Hillbillies, The Nervous Fellas, The Bughouse Five and The Yo-Dell’s. Also a solo artist in his own right with a significant output of releases. When: Spotted January 5, 2014. Where: At the downtown Toronto café, Saving Gigi’s, where he performs first Sunday of every month with his trio, which includes Teddy Fury on percussion and Alistair Christl on guitar. Why: “Right now there’s a ton of great musicians in Vancouver but there’s nowhere to play. When I say nowhere I mean nowhere. Back in the day photo Dave O Rama
BC Musician Magazine | March - April 2014 11
vinyl Record Store Day April 19 Alberta Calgary
The Inner Sleeve 117 3411 20th St SW 403 242 9899 www.theinnersleeve.com
We are always looking for quality new and used LPs and CDs. We are currently looking for: Punk,Soul/Funk, Jazz, Blues, Psychedelic, Heavy Metal.
Heritage Posters & Music 1502 11th Ave SW 403 802 1846 www.heritagepostersandmusic.com
A freakin bad ass collection of wicked posters and slamin’ tunes. Your source for pop culture history. Vintage vinyl, new and out of print music, rare concert, tour and gig posters, music photos, movie posters and pop culture memorabilia.
Hot Wax Records 114 10 St NW 403 283 0055 www.hotwax.ca
Hot Wax began in 1978 when records were the way to buy music. Tens of thousands of used records as well as new vinyl releases and classic re-issues.
Melodiya Records 2523-17th Ave SW 403 246 8916 www.melodiyarecords.ca
Cultivating an unhealthy audio dependence. We carry rock, pop, indie, punk, metal, hip-hop, jazz, and a selection of audiophile labels.
1502 11 Ave SW, Calgary, AB 403.802.1846 www.heritagepostersandmusic.com
Recordland 1208 9 Ave SE 403 262 3839 facebook.com/pages/Recordland-Ltd Al and Eraz Cohen take on Recordland after their legendary Dad’s retirement.
Sloth Records 736b 17th Ave SW 403 265 6585 facebook.com/pages/Sloth-Records
LPs, CDs, singles, 7”, 10”, books, t-shirts, DVD’s, Rock and DJ Accessories, Turntables, Mixers, Serato, Cartridges, Needles, Used stuff, Magazines, and lots of Local Content!
Alberta Edmonton
Black Byrd 10442-82 Ave 780 439 1273 www.blackbyrd.ca
Stocking a comprehensive selection of CDs and vinyl in every genre, turntables as well as a wide selection of accessories.
Freecloud Records 10764 101 St 780 429 1476 www.freecloud.ca
Dealers in rare & out of print records, stocking new releases, reissues, imports, collectibles, limited edition and audiophile pressings + tens of thousands of used LPs.
Listen Records & CDs 10433A 124th St 780 732 1132 listenrecords.net
Best in jazz, blues & folk-roots Vinyl, CDs, Posters & DVDs
12 BC Musician Magazine | March - April 2014
One of the best selections in town of ethnic, funk, soul, rare groove, library & other exotic sounds, + a plethora of esoteric experimental and avant garde music.
Permanent Records 8126 Gateway Blvd 780 988 2112
“Best blues section in Edmonton” - Holger Petersen, host of CBC’s Saturday Night Blues
Sound Connection 10016 82nd Ave 780 425 8721
LP’s CD’s and Cassettes; buy sell or trade.
Kootenay Rockies Nelson
Packrat Annie’s 411 Kootenay St 250 354 4722 facebook.com/pages/Packrat-AnniesNelson-BC Packrat Annie’s has been selling music and books for almost 30 years — we started with vinyl and now it’s back again.
Thompson Okanagan Kelowna
Milkcrate Records 1551 Ellis St 250 862 8965 www.milkcraterecords.ca
The hub of Kelowna’s music scene, specializing in new vinyl, both in stock and special order. Bring your list and they’ll sleuth it down and bring it in just for you. Also have pre-loved vinyl, CDs, cassettes,
vinyl every day is record Store Day record players and turntables (new and vintage), record supplies, HiFi gear and more. Live in-store all-ages and free shows with touring acts and local musicians on the world-famous Milkcrate 'Murfy-Wall’ stage.
Underground Music 1331 Ellis St Unit 4 778 478 0215 undergroundkelowna.com
Nanaimo
facebook.com/lyles-place
Fascinating Rhythms 51 Commercial St 250 716 9997 facebook.com/fascinatingrhythm nanaimo
BC’S Interior largest selection of new sealed vinyl. Largest selection of used vinyl, you name it, it’s probably here.
A focal point for local music fans of most genres since 1988. From the latest CDs to the old rare vinyl record, plus a large collection of old radios, turntables and old stereo equipment.
Penticton
Parksville
Remember Vinyl Records 428 Main St 778 476 5838
Penticton’s neighbourhood record store since 2003. Quality pre-owned vinyl LPs, professionally cleaned on a VPI record cleaning machine. A great selection of cassette tapes is also available.
The Grooveyard 239 Main St 250 493 6501 www.grooveyard.ca
We always try to bring in a vast array of titles and it is exciting to see vinyl creating some buzz and excitement … nothing beats the sound on vinyl.
Vernon
Eclectibles 2909 30th Street 250 307 0163 facebook.com/pages/EclectiblesVernon
Carrying a little of everything. Also a good selection of new and used guitars and other instruments as well an array of turn tables and stereo gear.
Vancouver Island Courtenay
Bop City Records 211 Simms St 250 338 6621
"A humble local record shop now for over 20 years. We stock new and previously enjoyed cds and vinyl and happily take special orders. Expect discount specials for record store day."
Since 1982, Lyle’s Place has grown into a shop with a broad spectrum of new and used vinyl, CDs and DVDs. Also a great source of music related accessories and novelties, including record cleaning and archival supplies, rock shirts, and music, art and movie posters.
Talk’ s Cheap 556B Pandora Ave 250 381 9857 www.talkscheapvictoria.com
Specializing in interesting, obscure and hard to find records, vintage movie posters and art...
The Turntable
Cranky Dog Records 154 Morison St 250 954 3465
New and Used CDs and DVDS as well as Music Posters!
107- 3 Fan Tan Alley 250 382 5543 www.turntablerecords.ca
Buy, sell and trade new and used CDs, cassettes and vinyl records.
Quadra Island
Dave’s Records Q-Cove Plaza Harper Road Quadra Island 250 285 2718 islandmusic.webs.com
Dave’s Records is primarily a music store, but has morphed into a vinyl store over the past 3 years and is the only record store for miles around.
Victoria
Black Raven Records 2608 Quadra St 250 590 1033 blackravenrecords.blogspot.ca specializing in all genres of punk, metal, grind and extreme music.
Ditch Records & CDs 784 Fort St 250 386 5874 www.ditchrecords.com
An independent record store carrying used & new vinyl, CDs & DVDs.
Lyle’s Place 770 Yates St 250 382 8422
BC Musician Magazine | March - April 2014 13
vinyl support your local record store Powell River
Roxy Records 7053 F Glacier St 604 483 6538 www.roxyrecords.ca
We carry a selection of New & Used Vinyl and CDs. Turntables & Accessories, Body Jewelry, Posters & More!
Burnaby
Music Madhouse Records 9304 Salish Court 778 868 0847 www.facebook.com/pages/MusicMadHouse-Records
Groovy underground record shop: psychedelia, metal, punk, posters, tees, live music.
Vancouver, Coast and Mountains Richmond
The Beatmerchant 160-12240 2nd Ave 604 204 0044 www.beatmerchant.com
Richmond’s only record store. new & used LPs, CDs, DVDs, posters, T-Shirts. New Releases + all genres.
Squamish
Kelly’s Eclectibles 1496 Winnipeg St 604 849 0262 www.facebook.com/pages/KellysEclectibles
We sell new and used vinyl, guitars and audio components.
Vancouver
Audiopile 2016 Commercial Dr 604 253 7453 www.audiopile.com
"Our uniqueness is our strenuous (sometimes failing) efforts to avoid hipster douchery and/or music nerd snobbery."
Beat Street Records 439 W Hastings St 604 683 3344 www.beatstreet.ca
Open since 1996, Beat Street has served a community of record collectors, djs, street culture, and artists. New and used vinyl records in all genres, DJ and phono equipment, clothing, books, toys, concert tickets, and graffiti art supplies.
Dandelion Records 2442 Main S 778 737 7367 dandelionemporium.blogspot.ca
Records and a great selection of books, bags, teas and more!
Highlife Records 1317 Commercial Dr 604 251 6964 highlifeworld.com
Broad range of music + a strong selection of African, Latin, Reggae and other cool music from far-flung locales.
Neptoon Records 3561 Main St 604 324 1229 neptoon.com
Vancouver’s oldest independent record store. Spring Record Convention Sunday April 13, 11 am The Croatian Cultural Centre
Red Cat Records 4332 Main St 604 708 9422 www.redcat.ca
Every day should be Record Store Day.
Vinyl Records 319 West Hastings St 604 488 1234 www.vinylrecords.ca
The Largest selection of Used Hip Hop Soul, Funk, Reggae, Rock, Punk, New Wave, Spoken Word, Jazz, House, Disco, Future Jazz, Breaks, Electronica, Trance, Brazilian, Latin, Blues and Early Electronic in Vancouver. On 12” and LPs.
Zulu Records 1972 West 4th Ave 604 738 3232 www.zulurecords.com
Bands! A Party! A Sale! Record Store Day rules. Every year.
14 BC Musician Magazine | March - April 2014
Vinyl Records by Jaclyn Guillou
Vinyl Records at 319 Hastings Street opened in 1999 and has been in their downtown Vancouver location for 9 years. They recently renovated the front area of their store giving it a fresh bright modern feel with a beautiful design that resembles the circular shape of a vinyl itself. David Love Jones, the owner of Vinyl Records, is an obsessive collector but his secret to success is to try and be less obsessed than his customers, sharing with them the rare finds. He embraces every style of music and although not all genres sell as well, he is enthusiastic about all of them regardless of the style. Vinyl is well known for having an in depth selection of world music, jazz, electronic, hip hop, punk and of course, the biggest selection being rock. The record shop also serves as a concert venue with a beautiful vintage grand piano in the main room. Vinyl Records has a strong role in the community by inviting up and coming music talent as well as local established musicians to perform on special occasions. With the decline of CDs, vinyl sales have increased and is now a confirmed market trend. Young people are often incredibly enthusiastic about records and are leading the way in this vinyl revival. Older folks who remember when records were the main format are coming back to look for their favourite albums. To learn more about David Love Jones, check out his radio show African Rhythms Radio on CITR every Friday.
9099 100th Ave, Fort St John, BC • 250 787 7030 1509B Alaska Ave, Dawson Creek, BC • 250 782 7066 www.northeastnews.ca FORT ST JOHN, BC at On the Rocks 250 261 6942 Every Wednesday Wings and Ribs Open Mic
DAWSON CREEK, BC at the Encana Centre 250 782 7443 March 11 An Evening with Chicago March 15 A Tribute to Queen God Save the Queen Looking forward to Luke Bryan That’s My Kind of Night May 6
at the Dawson Creek Art Gallery 250 782 2601 • southpeacearts.ca March 6 Home Routes Concert: Jon Brooks April 4 Home Routes Concert: Correo Aereo
at Headspace 250-261-6979 • henry@myheadspace.ca House Concerts 7:30 pm Every second Tuesday, Writer’s Open Mic 7 pm at Lido Theatre 250-785-3011 • info@lido.ca March 27: Arrowsmith Rocks April 12: Rocking the Peace April 26: Mystery Concert by Moose FM at North Peace Cultural Centre 250 785 1992 npcc.bc.ca March 6: April Verch Big Band March 23: Steve Dawson Duo March 29 - April 17: Peace Liard Regional Juried Art Show April 6 - 16: North Peace Performing Arts Festival
KAMLOOPS THIS WEEK | 1365B Dalhousie Dr, Kamloops V2C 5P6 | 250 374 7467 | kamloopsthisweek.com Feb 28 - Mar 1 Serious Dogs @ The Blue Grotto
Mar 15 - Mar 16 Antiques & Collectibles Sale @ North Shore Community Centre
Apr 5 - Jun 14 Unreal @ Kamloops Art Gallery
Mar 1 & Apr 5 Kamloops Old Time Fiddlers @ The Heritage House
Mar 20 Van Django @ St. Andrews on the Square
Apr 8 Lorne Elliott @ The Sagebrush Theatre
Mar 6 - Mar 15 Kamloops Film Festival 2014 @ The Paramount Theatre
Mar 27 Phillip Phillips @ Interior Savings Centre
Featuring the best independent Canadian & international films
Mar 29 Kamloops Symphony presents A Perfect Blend @ TRU Alumni Theatre
Apr 10 - Apr 26 Western Canada Theatre presents Waiting for the Parade @ The Sagebrush Theatre
Mar 11 - Mar 14 International Days @ Thompson Rivers University Mar 12 Kamloops Dishcrawl: St. Patrick’s Day Crawl @ Various Downtown Restaurants
Mar 27 - Apr 5 Western Canada Theatre presents Waiting for the Parade @ The Sagebrush Theatre
Apr 11 - 12 Kamloops Symphony presents Blues in G Minor: 4 Women Shakura S’Aida @ Sagebrush Theatre Apr 13 Ballet Kelowna presents “Innovation” @ Sagebrush Theatre
BC Musician Magazine | March - April 2014 15
CFBX 92.5FM Kamloops
radio
Myles Gregory Broken Glass Tuesday 10pm - 11pm
What is it?: A weekly punk rock show highlighting punk music, shows, culture & community. The ever expanding sub-genres of Punk are included; so you’ll hear punk, hardcore, ska, grind, crust, folk-punk, etc. Facebook.com/brokenglassradio • Twitter: @theycallmemylo What is your Station or Show jingle or handle? I try to keep in simple; so basically no jingle or handle. However, I have started a show intro recently. It’s a quick mash-up of: Rocket From the Crypt, The Rebel Spell, SNFU, Kids in the Hall, Paul McKenzie (The Real McKenzies), Soundcity Hooligans & Rancid. What is the local or inside name for your show? A few friends know that 'Broken Glass’ is a Murder City Devils reference. My favourite band by far. What main marketing event is critical for your show/station? We have an annual Year-Ender on air in late December. It’s great to promo the shows to lots of volunteers and listeners. When/how/who or what started you in radio? Listening to CITR while I attended UBC. There was a show on Monday night called 'Vengence is Mine’. I loved it. How long has your show been airing? I have had shows in the past, but 'Broken Glass’ started in 2007. What’s your day job? I am a Distribution Designer with BC Hydro. Basically designing power lines and electrical connections. What’s your weakness or vice? There are so many to choose from. Often when I make mix cds or tapes, I have a horrid habit of including something really 'poppy’ or 'trendy’ as the last track on the mix. Other than your own, what station or show do you listen to? There are three: 1. 'Radio Schizo’ with Lewis on CFBX Wednesday at 9pm. 2. Maximum Rock 'n’ Roll Radio. 3. 'Everything & the Kitchen Sink’ found at eatks.net Can you name and describe briefly a favourite interview? My favourite interview was with Moneen before their show in Kelowna, 2009. They were a blast! The Real McKenzies and Cancer Bats are also great bands I’ve been fortunate enough to interview. Ever had a kick-yourself on-air fumble or moment you wanted to erase? I’m sure I have had my share, but I try to block them out of my memory. My first interview was with Belvedere, way back, probably around 2002/03. I was embarrassingly useless. How long do you take to prepare for your show? It varies. I’m always keeping my ears and eyes open for new bands and new music. But that aside, probably between an hour or two. About once a month, I aim to have a theme on the show, and that always takes more time. What song do you think should be banished from radio? Such a great question, and I’m stumped/wanting to avoid it. It’s not so much a song that needs to be banished, but the dance, rock or indie trendy tracks that sound like every other dance, rock or indie trendy track. Any fun facts you’d like to share? For Halloween in 2009, all the members of Moneen dressed up as Taylor Swift and jokingly started playing a song of hers. When I asked them what Moneen song they would like Taylor to cover, they were very pleased with the question. After some discussion, they came back with 'Start Angry...End Mad’.
CJSR 93.5FM Nelson, BC
Dustin Cantwell
Fane of the Cosmos Sunday 10pm - midnight What is it? Fane of the Cosmos explores the political, social, economic, spiritual and military (if you can believe it) aspects of Cognitive Liberty and the War on Drugs. From Taoist sexual practices to Bill Hicks, Mushroom Tea to Tolkien, this show seeks to blend serious issues with just enough humour to aid in digestion. With its origins in Nelson this radio show seeks to protect and nourish the rich cannabis culture that lives in this area. True radio must have an element of desperation to express oneself. With over 70 years of deep-seated propaganda regarding drugs this show has sought to break open those myths, to expose them for what they are — mechanisms of control. What is your Station or Show jingle or handle? My opening song is “A New Way To Say Hooray” by Shpongle. What main marketing event is critical for your show/station? Our biannual membership drives and our annual kayak raffle. When/how/who or what started you in radio? I started as a co-host with an imbedded radio segment called “Plant Allies” which covered the entheogenic properties of a single plant per week, after co-hosting for sometime I took the helm. One of the original hosts of the show, Ian Hunter, passed away tragically in a drowning accident in Kootenay Lake. Truly devastating for me but I knew he wanted the show to continue. How long has your show been airing? 15 years. What’s your day job? I work as a legal researcher and roofer, yes it’s quite a blend of work. What’s your weakness or vice? I have a weakness for good Mixed Martial Arts, not the ground beef but the skilled art. Other than your own show what station or show do you like to listen to? Without sounding elderly I love CBC... especially “Q” and “Ideas.” Can you name and describe briefly a favourite interview? My favourite interviews are the interviews I did with Lorenzo Haggerty from the Psychedelic Salon, Daniel Pinchbeck from Reality Sandwich and Jeremy Narby the author of the book “DNA and the Cosmic Serpent” Ever had a kick-yourself on-air fumble or moment you wanted to erase? There is always that horrifying moment when you are talking about your favourite weed and look over to see the “On Air” light on....yikes. How long do you take to prepare for your show? I harvest relevant news stories all week and spend a few hours before the show preparing the various segments. I believe in spontaneous radio shows so I prepare a smorg of radio cuts and then start the show and see what happens... sometimes this works and occasionally it sucks. Having a late night radio show so I rarely see anyone in the studio. I have to wait to hear from folks on the street... I call it the high five meter... or sometimes the knuckle sandwich metre... haha. What song do you think should be banished from radio? Banishing songs is the function of totalitarian states not community radio. The distinguishing feature of a community radio station is our avoidance of corporate shackling and openness towards all perspectives. Any fun facts you’d like to share? Coop radio stations are a beautiful representation of organic process. Out of a seeming chaos comes a creative and challenging and revolutionary blend of radio programming. Novelty abounds and in that uniqueness is birthed a perfect balance to the sterile and ordered corporate media.
18 BC Musician Magazine | March - April 2014
CKUA 94.9 FM Edmonton 93.7 FM Calgary
radio
Allison Brock
Wide Cut Country Saturday 10am - noon (MST) What is it? Wide Cut Country is an Alt. Country / Americana / Roots music show. It turns out I was “outlaw” before there was Outlaw Country radio. www.ckua.com www.radiobrock.com (archived playlists, interviews & industry moments) What main marketing event is critical for your show/station? Our marketing tends to involve getting into the community, most often through broadcasting live from a variety of folk festivals and our bi-annual fundraisers. When/how/who or what started you in radio? I started in radio in by attending a radio broadcasting course at Fanshawe College in London, Ontario, in 1980. It was the love of music and wanting to be closer to it that drew me to radio and has been the driving force my entire career.
“where I come from we would described this weather as shitty.” I thought I was going to be kicked out of school and that was devastating — I think it kind of cured me in a way from ever making another really bad judgement call. How long do you take to prepare for your show? About 10 hours. Any fun facts you’d like to share? From the time I signed on Widecut the #1 comment has been — “I never thought I liked country music until I heard your show”. Another thing that I am very proud of is something that Sam Baker always says and that is, “if it wasn’t for Widecut & Bob Harris from the BBC I wouldn’t have a career”. To think that you have any kind of impact is really fulfilling.
How long has your show been airing? 15 years. What’s your day job? Independent radio producer and host. I have launched numerous radio programs including BackRoads Country which aired in Winnipeg for 4 years and hosted Night Mix on a commercial station in Calgary (97.7) which aired Indie Folk music. My job there was to give context to a commercial audience for relatively unfamiliar music. I have also done a fair amount of music programming including an Americana channel for Stingray digital in the U.S. market and 3 channels for CBC.ca including the Alt. Country, Classic Country & Top 40 Country channels. I also do voicework for a variety of clients. My background also includes working for 3 different major record labels (Sony Music, A&M Records and Virgin Records). I held numerous positions in marketing & promo including; Promotion Representative, National Marketing Manager and Domestic Product Manager. These roles directed national marketing campaigns including all advertising, videos, photography, graphics and Point of Purchase materials. Artists I worked with include: Leonard Cohen, The Rolling Stones, Lenny Kravitz, Celine Dion, 54-40, Barney Bentall, Mae Moore. Also launched Junkhouse & Our Lady Peace among others. What’s your weakness or vice? Red wine. Other than your own, what station or show do you listen to? I listen to CKUA a lot as I really love being turned on to new music in multiple genres. And to a few channels on Sirius satellite. Can you name and describe briefly a favourite interview? There have been so many favourite interviews, including Rosanne Cash, Merle Haggard, Jim Lauderdale, Tom Wilson (Blackie & Rodeo Kings), Ricky Skaggs.... For me a great interview is a great conversation and for someone like Rosanne Cash to say “that she had never been asked that question before” is incredible! Ever had a kick-yourself on-air fumble or moment you wanted to erase? You always have little stumbles but what starts to happen is you are able to recover more quickly and are able to turn a negative into a positive. Really, my only kick myself moment happened in college — a listener had phoned and suggested that I tell more about myself and who I really was. So my next break I said that
BC Musician Magazine | March - April 2014 19
Peach City Radio Penticton
radio
Ian Mackinder & Dave Del Rizzo Left Off the Dial Wednesday 11am - noon (repeats through the week)
What is it?: Left Off the Dial features music that listeners won’t hear on mainstream commercial radio. Hosts Ian and Dave take time to discover and showcase local artists, and obscure music from various genres and eras. Themes vary from one episode to the next. www.peachcityradio.org/programs/music/leftoffthedial.php What is your Station or Show jingle or handle? “Playing what mainstream won’t.” What main marketing event is critical for your show/station? For Peach City Radio, the events that drive our success are associated mostly with our fundraising efforts — Okanagan Vinyl Fest, and our live radio play The Big Broadcast of 2014. When/how/who or what started you in radio? We started shortly after the first ever community meeting in Penticton, gathering people together to work on Peach City Radio. Before that, Ian worked on campus radio in College but neither of us had much current (if any) radio experience. How long has your show been airing? We’ve been doing the show on and off for almost 4 years... however we’ve been consistently producing weekly shows for the past year. What’s your day job? We are both Federal Government employees. What’s your weakness or vice? - Ian: Records, I have an addiction! Dave: Audio gear. Other than your own, what station or show do you listen to? Ian: The podcast Coverville was a huge influence and motivator for me. I enjoy other Peach City Radio shows and when travelling community and campus station like CFBX in Kamloops. Dave: Podcasts like “This American Life”, “RadioLab” and “Snap Judgement” are what I mostly listen to, but if it has to be radio, it’s always NPR.
CFIS 93.1 FM Prince George, BC
Dwight Wolfe (aka The Wolfman)
Homegrown Tuesdays at 6:00 PM What is it? CFIS-FM’s weekly spotlight of established or up-and coming artists in the Prince George region. Each week we spin albums and provide insight on the musical careers of your local favourites. cfisfm.com What is your Station or Show jingle or handle? Boomer Radio 93.1 When/how/who or what started you in radio? The radio station started up in July 2007. After listening to the radio station almost exclusively, I started volunteering in early 2008. How long has your show been airing? Since June 2008 What’s your day job? Resource Management Consultant What’s your weakness or vice? Getting out and listening to local musicians. Other than your own, what station or show do you listen to? On Saturdays we broadcast a locally produced blues show called Blues Underground. Can you name and describe briefly a favourite interview? Back in October, I did a rare live show with folkies Jeff Andrew, Sober Becky and Ryan Boeur (of Fish and Bird) just before their gig at the local venue NancyO’s. Ever had a kick-yourself on-air fumble or moment you wanted to erase? No, but I have accidentally lost some pre-recorded interviews, which can be a bummer. How long do you take to prepare for your show? For a jukebox show it is rather quick, but a showcase episode with an interview and live music can take 2-3 hours to produce. Any fun facts you’d like to share? Back in August, the CRTC approved an upgrade to our broadcast signal. We are going to 500 watts this year!
Can you name and describe briefly a favourite interview? Having up and coming Vancouver musician Jordan Klassen, his band, and his touring partner Andy Shauf in the home studio, chatting and laying down a few live tracks for us was a highlight. (It’s episode 11 in the archive) Ever had a kick-yourself on-air fumble or moment you wanted to erase? We do! We have a lot of them. Luckily, our show is not live, so we can edit them out for the most part. We’re not sure what’s going to happen once we start doing the show live-to-air...
Here it comes!
We’re getting started on our
6th Annual Ultimate Summer Festival Guide
How long do you take to prepare for your show? An hour or two to put a playlist together and prep, then we take an hour to record directly to ‘tape’.
publishing late April, 2014. New cover by the talented Meghan Hildebrand. More listings than we can count, yet. Stories and photos + more make this THE go-to, most
What song do you think should be banished from radio? Ian: Tough.... so many. I really dislike that song Breakfast At Tiffany’s and Bad Day. Dave: The Lumineers “Ho Hey” — it’s become somewhat of a mainstream anthem for ‘indie’ music, and that defeats the purpose, doesn’t it? Any fun facts you’d like to share? We are both lovers of fine whiskeys and often encourage our listens enjoy pour a glass of spirits during our shows. It seems fitting, good music and fine whiskey.
Call or text 604-999-4141 or email ads@bcmusicianmag.com Ad rates can be found: www.bcmusicianmag.com click on the advertising link.
20 BC Musician Magazine | March - April 2014
comprehensive, indispensable, print
publication available. 15,000 copies, distributed throughout BC and Alberta.
92.5 Stoke FM Revelstoke, BC
radio
Alex Scott
Monday Mayhem Monday 8pm What is it? Monday Mayhem is the only extreme music show on Stoke FM. Playing all sub-genres of Metal and Punk. Monday Mayhem aims to deliver all of the heavy, fast, aggressive and underground music you crave but rarely hear on the radio. Also, we have new segment called Album the month. It’s where we pick one newer release (no older than 1 year) and play one or two tracks on every show for a whole month. We try and keep it Canadian as much as possible but there are so many great records coming out! facebook.com/mondaymayhemonstokefm • stokefm.com What is your Station or Show jingle or handle? No Jingle really… The intro to the show just has me saying “you’re listening to Monday Mayhem on Stoke FM” with a CKY guitar riff playing in the background. We have interesting transitions between songs sometimes though! What main marketing event is critical for your show/station? No marketing events really. We just use Facebook, word of mouth and and sometimes the Stoke List (Revelstoke’s version of kijiji). I wouldn’t consider any of those things an event, haha. When/how/who or what started you in radio? I started in radio in July 2013. I was asked by Eve Northmore to do a metal show for Stoke FM. Put it off for a year before finally getting my stuff together and doing it. It was around September when I asked Lerritt Robinson and Chris Ford to co-host the show.
Vancouver Co-Op Radio CFRO 100.5 FM Vancouver, BC
Bruce Triggs & Rowan Lipkovits
Accordion Noir Wednesday 10-11 pm What is it? Accordions from Every Genre from Every Continent. Punk Rock to Classical squeezebox from the 1800s to the busker down the street tonight. Live Radio, Podcast, local shows, an annual festival, and now Bruce is writing a history book, Accordion Uprising. What main marketing event is critical for your show/station? The annual Accorion Noir Festival in September, 2014 will be year seven. When/how/who or what started you in radio? I (Bruce) loved listening to WPFW (Pacifica) in Washington DC as a teen and then had a college show. When I moved to Vancouver the first thing I remember doing was going to Co-op Radio to become a lifetime member. A few years later I suggested to Rowan that we do an accordion show together and he laughed and said yes. How long has your show been airing? Since December of 2006. What’s your day job? I am writing a book on the history of the accordion, and raising twin daughters. What’s your weakness or vice? That would be telling, but it might involve too many antique accordions in a tiny apartment.
Other than your own show what station or show do you like to listen to? All the shows on Stoke FM are killer! But if I’d have to pick one… I’d say we all really dig The Music Listeners Club. They’re on Thursdays at 8pm!
Other than your own show what station or show do you like to listen to? I still fondly remember “Corn Between Your Teeth,” a comedy show that ran for fifteen years back in the 80s and 90s. The host led you throught the history of recorded comedy with a feeling for the wider society through time – while being terribly funny. Total inspiration for our show; simply take comedy performers like Moms Mabley, and replace them with accordionists like Carl Fortina (who died this week; after playing for 600 movies, including the Godfather, and records like the Beach Boys’ “Good Vibrations”).
Can you name and describe briefly a favourite interview? To tell you the truth, they usually end up all blurring together after a while. If I had to pick one… I’d say an interview I did with my old band, Mortillery. It was in Calgary just after our set at the 2013 Calgary Metal Festival. There were cameras and microphones. That’s all I remember.
Can you name and describe briefly a favourite interview? Hard to pick. Daniel Handler (Lemony Snicket), Jenny Conlee (Decemberists). Finnish madman Kimmo Pohjonen was a treat, I’d been a fan since I heard his genre-bending records ten years ago so I was pretty star-struck.
Ever had a kick-yourself on-air fumble or moment you wanted to erase? Every Monday night we all try and watch what we say but sometimes there are slip ups. Nothing too bad though. At the end of the day, we’re a bunch of potty-mouths watching our mouths while live on the air.
Ever had a kick-yourself on-air fumble or moment you wanted to erase? Yes, and they’re all preserved on our podcast forever. This is how we gain the super-power to determine that a programmer has left the mic on from the sound of them clicking a pen along with the tune that’s playing.
What’s your day job? I (along with my two co-hosts) work at the Big Eddy Pub/Liquor Store. Best BBQ Bison burger in the west. I’m serious. What’s your weakness or vice? I’d say my weakness would have to be death. Or a tasty guitar riff.
How long do you take to prepare for your show? We pick our songs throughout week. Then I’ll edit it all together the day before. Lerritt Robinson (one of the co-hosts) will print up our “set-lists” before the show. It’s pretty simple, the whole process takes no longer than three hours. What song do you think should be banished from radio (commercial or community radio)? My list on that subject is way too long for an interview question. Just turn on a mainstream radio station, listen to what’s coming out of your speakers and that’s my answer. Any fun facts you’d like to share? Every other week we a have a special theme and we try and play stuff that’s rare. We’ll also throw in some classics, so listen to our show on Mondays at 8pm because sometimes we give away sweet stuff! We also take requests/dedications. Even if you want to come up and be a special guest, we’re always wanting to spice it up a bit!
How long do you take to prepare for your show? Sometimes an hour or so. Any fun facts you’d like to share? A fancy accordion has more parts than a grand-piano, and costs thousands of dollars. Streetvalue? Not worth stealing, please. My favourite part of our show is when I ad-lib reasons for my co-host being missing. He has “travelled” to Antarctica to record penguin accordions, under the ocean for sonar experiments, and into space to help deploy the “accordion fold solar panels” at the international space station. I wish I had a compilation of all those improves over the years. Gotta crowd-source that project to listeners of our podcasts.
BC Musician Magazine | March - April 2014 21
CFUV 101.9 FM Victoria, BC
radio
Janet Marie Rogers
(DJ January) Native Waves Tuesday 2 - 3 pm What is it? Native Waves Radio is a one hour arts based radio program focused on contemporary and traditional indigenous music, arts and performance. We make community announcements pertinent to the local Lekwungen territory. We host guests from the indigenous arts, activist, education, and cultural sectors. Native Waves Radio has been part of the vibrant CFUV radio family since February 2007. What main marketing event is critical for your show/station? Annual Fund Drive. How long has your show been airing? February, 2007. What’s your day job? Writer, Poet Laureate of Victoria What’s your weakness or vice? Blues musician Derek Miller — I think I play his music a bit too much on the program Other than your own, what station or show do you listen to? I have been known to tune into CBC’s sweetheart Jian’s the Q when driving in the car and Definitely Not the Opera. Can you name and describe briefly a favourite interview? I recently interviewed the activist power couple Queen Sacheen and Joe James Crow from Ancestral Pride. It was a great and memorable interview because it had good flow. We were all on the same wavelength and fit a lot of important indigenous issues into the hour as well as talk about some native music and the (then) upcoming Neil Young benefit concerts. Ever had a kick-yourself on-air fumble or moment you wanted to erase? Every time I flub the native language names of people or places. I wish I was fluent in all the indigenous languages. How long do you take to prepare for your show? Sometimes it’s on the fly... okay it’s usually on the fly. What song do you think should be banished from radio? Women-hating rap, most bubble gum pop music. Any fun facts you’d like to share? I find it interesting that my Mother is a huge fan of radio, always has been since she was young. To this day she doesn’t have TV. She prefers listening to the radio, so it’s no surprise I have found my place on radio and enjoy producing shows and documentary content. Native Waves Radio, as part of the National Campus and Community Radio Association, produced one of six Resonating Reconciliation documentaries focused on residential school experiences from within their perspective regions. NWR radio doc invited local hiphop artist and West Saanich Coast Salish nation member Brian Sampson to collect residential school interviews from family members creating a multigenerational radio document from first-hand survivors. The Resonating Reconciliation funds were introduced by the Truth and Reconciliation national body which then filtered through to the NCRA. The funds were part of an initiative not only to create a story archive, but as a way to introduce new indigenous radio producers into the campus and community radio network, to retain these new individuals, and create new content to be shared. This year, CFUV fm was successful in acquiring funds to support an Aboriginal News Anchor position. The successful candidate is Haida/ Cree Sacha Oulette who will receive full technical training, build on her on-air hours and work with Native Waves Radio host in producing CFUV’s second Resonating Reconciliation radio documentary.
CJMP 90.1 FM Powell River, BC
Cousin Awd
(or Way Past Awd and sometimes Future Awd) aka Zoë Ludski 42 Fish Mondays 11 AM - 1 PM (rebroadcast Saturday at 11 AM) What is it? A show to think with. Time and Space get bent with 42 Fish! Cousin Awd encourages Direct Action by putting this Community Radio Show directly in your ear holes. Featuring: The Droste Effect, Dr. Zachary’s Science Factory and Awd Politics with Murray Dobbin. Music and talk lube for the brain gears. www.cjmp.ca/our-programs/42-fish What is your Station or Show jingle or handle? 42 Fish the Theme Song was created at 2 AM in the studio of the uber talented Josh SkyeEngle with helpful input from, like: I want it to be based on the vibra slap with a muppet like feel. I believe he then drove me to the airport around 5 AM and I mixed it on the flight back home. My “handle” is Cousin or Awd or Cousin Awd. (I love this word: handle.) CJMP the name of our station is pronounced Cee Jay Emm Pee. Nothing to do with up down movements. What main marketing event is critical for your show/station? 42 Fish believes in Transmedia Storytelling. I try to share different elements on Facebook and Twitter while I’m speaking about the subject on the radio. Recently I took Cousin Awd out to try Stand Up Comedy and see what’s she’s like on stage.... Turns out she’s pretty awd. When/how/who or what started you in radio? I graduated from Ryerson University’s Radio and Television Arts although I never picked up the certificate. I started in radio to become a Hockey play-by-play announcer. BWAAA-HAHAHA HA! whew! After getting fired from Hockey Night in Canada I was punished with a career in Country Music and News. I was reborn in Community Radio. How long has your show been airing? This show has been on for 1 year in April. Prior to this you might recall my program called The Training Wheel. No? Really? Harumph. It ran for 2+ years and was an on air training program for new volunteers to CJMP who wanted to learn how to be a DJ. What’s your day job? That’s really funny. I freelance. (Will Work For Food.) What’s your weakness or vice? CENSORED Other than your own, what station or show do you listen to? I love our new CJMP Sunday Funday line up. It starts at 10 AM with Roger Thom and Slack Tide, Hidden Treasures with Darlene Sundin, The Film and Festival Express with Courtney Harrop, Breakin’ Bread with Rock Thrustcrotch and the Road Worderer with Theo Angell. Can you name and describe briefly a favourite interview? As a matter of fact I can. I had a talk show in the States and got to interview a Republican Senator regarding a bill about ‘terrorists.” I asked her where I could find the government’s definition of Terrorist which she could not do. She admitted that if they were going to kill them, they should probably define who they were. Ever had a kick-yourself on-air fumble or moment you wanted to erase? Never. However, other people have expressed that I have had those moments. There was something to do with Ben Johnson and The Fan 590 in Toronto and Spaceballs that I would rather not get into. How long do you take to prepare for your show? It doesn’t stop. I am collecting songs, stories and images all week long. I might even get half a script written for a break or some audio edited for a segment. I create images and messages for the online media whenever I get a chance. But it really boils down to those final four hours on Monday morning when I try to get it all organized into a program log, some notes and a bunch of browser tabs.
22 BC Musician Magazine | March - April 2014
Radio Malaspina CHLY 101.7 FM Nanaimo, BC
Dave O Rama
The Lovecast Saturday 4 - 7 pm What is it? a music exploration program aimed at voracious and intelligent music lovers. The Lovecast is all about the love of music and exploring sounds from all over the world. It’s a sexy mix of musical genres combined to whip up a frothy Saturday night groove. What main marketing event is critical for your show/station? CHLY FM is a public access, non-profit, listener supported radio station broadcasting to Canada’s west coast. We conduct two annual fund drives in April and October. These fund drives are crucial to our existence. When/how/who or what started you in radio? I was always an outside the box music fanatic since I was a kid and I spent my youth frequenting underground music venues in Toronto and London, England in the 70s and 80s. When I was a teenager I discovered an obscure radio station broadcasting in the Toronto area that was free form in its music programming and was operating way outside the boring and saccharine commercial radio formatting of the time. The station was CFNY FM, now historically known as the station referred to in the Rush song The Spirit Of Radio. I contacted my favorite night time host and she mentored me for a while and had me do cultural reports for CFNY FM while I was living in England in 1980/81. Then on my return from England I studied broadcasting in college and have been producing music programs on radio ever since. How long has your show been airing? My current program, The Lovecast, has been on the air and broadcasting from the studios at CHLY FM to Canada’s west coast since November 2002.
cafĂŠ
The ZO is your meeting place for great local music, delicious food & sumptuous drinks.
Free WiFi Full Breakfast Lunch & Sunday Brunch Specials Open for Dinner Thursday -� Saturday See the website calendar for details on live entertainment.
Downtown Courtenay on the corner of 5th & Cliffe
250-�331-�0933 r XXX [PDBMPDBGF DB
What’s your day job? Writer, Therapist, DJ, Artist and Pirate. What’s your weakness or vice? I am highly distracted by beautiful women and I possess a voracious appetite for new music. I’m also a former urbanite who is now passionately devoted to nature and rural environments. I also love festivals and I love to travel. Other than your own show what station or show do you like to listen to? I helped found CIUT FM in Toronto back in the late 80s. I’m very proud that CIUT FM continues to flourish. I listen to Global Rhythms on CIUT, Ken Stowar has been producing this international music program for 25 years. I’m also a fan of Marc Maron’s podcast What The Fuck because he has so many great guests and they speak sincerely about their careers and their approach to the creative process. www.wtfpod.com Can you name and describe briefly a favourite interview? Some artists I have had on The Lovecast repeatedly over the years include Kiran Ahluwalia, Dubmatix, Eccodek and Adham Shaikh. These folks are always good for some in-depth discussion on the creative process. Some memorable interviews that come to mind include American jazz musician Mose Allison and Texas blues man Charles Brown. These men possessed a sincerity that was beautiful to be around. Ever had a kick-yourself on-air fumble or moment you wanted to erase? Nothing I couldn’t forgive myself for. I’m a bit of a perfectionist so I don’t wing it very often. The most difficult thing is that I play music from all over the world in languages that I do not speak or understand, so getting the pronunciation of song titles and artists names correct can be daunting at the best of times. How long do you take to prepare for your show? My brain is a music proccessing machine that never shuts off. I usually spend several hours putting together all the music for each program, and if there is an interview involved then add a couple more hours to the process.
Open yday Ever
Licensed Establishment
FREE Wi-Fi
The Packing House Located in downtown Spences Bridge just off the #8 and #1 Highways on Riverview Avenue
Contact us to book your show!
3705 Riverview Ave, Spences Bridge, BC 250 458 2256 â—† steverice53@msn.com
BC Musician readers agree: “A MUST STOP spot!�
Any fun facts you’d like to share? “Your heartbeat changes and mimics the music you listen to.�
BC Musician Magazine | March - April 2014   23
Ferrying Between Community Radio Stations by Zoë Ludski
Board members and volunteers from CJMP 90.1 FM in Powell River crossed the Strait in January to meet with counterparts on Cortes Island, CKTZ 89.5 FM. The stations were meeting to discuss collaborating on future projects and sharing resources. Both stations are members of the National Campus Community Radio Association and are working with Voice of the Shuswap in Salmon Arm, BC on a grant application from the Community Radio Fund of Canada that will build a support network between the three organizations. Other outcomes include shared programming, collaborative programming and developing relationships between community members from the 7 First Nations who share the territory, as well as non-indigenous community members in the areas. All three radio stations fall under the Community Radio licence, meaning they are not associated with an academic institution or student body and therefore do not have guaranteed incoming volunteers and funding. Our stations are run on volunteer hours, donations and grants. At least six paid positions in the three communities rely on the outcome of this grant application. We wish everyone luck with the process and future success regardless of the outcome! Photos: Above Left: in the studio: Rick Bockner (back to camera) and Howie Roman (at sound board) broadcasting their Pete Seeger Special Left: Greeted at the Cortes Island Dock! CJMP treasurer Kate, CKTZ President Gary, CJMP Secretary Don and CJMP Program Director Zoë Right: Cortes Community Radio Beautification Project Sign. Signs like these exist in community stations across Canada. Take comfort in the fact that no community radio dj anywhere in Canada — except you — does any cleaning at their station.
CFUR Campus Radio 88.7 FM Prince George, BC cfur.ca
Providing grounds for students and community members who are interested in radio, either as a career or hobby, to be able to use CFUR as a training ground or outlet. Committed to providing quality music and spoken-word programming that is not available on the dial anywhere else in the community.
CFSI Saltspring Island Radio 107.9 FM cfsi-fm.com
CFSI is privately owned by Salt Spring Radio Corporation, operating as a volunteer-programmed community radio station. Bills are paid thanks to CFSI’s advertisers, the visionary island businesses who support community radio, cultural diversity and freedom of expression.
SOCountry Radio Penticton, BC www.socountry.ca
SOCountry.ca Internet Radio is committed to providing news and information for the South Okanagan and being visible and involved with local events.
CHFR Hornby Free Radio 96.5 FM Hornby Island, BC
A totally grassroots, small-is-beautiful radio station on Hornby island located in a nondescript 500 sq ft outbuilding on the edge of a forest.
CHMZ Long Beach Radio FM 90.1 Tofino and CIMMFM 99.5 Ucluelet longbeachradio.ca
Broadcasting from a tiny studio in the old fish processing plant on Grice Road Pier, Geoff Johnson programs music and shows as eclectic as the people and the weather of Tofino.
CKTZ Cortes Community Radio CKTZ 89.5 FM Cortes Island, BC cortesisland.com/tideline/show21s/ Cortes_Radio
Intelligent, innovative, entertaining and alternative programming. On any given random day, you could also be treated to live, in-studio performances by local, minority and Canadian actors and musicians. Cortes Radio is also a great way to learn about any concerns, interests and activities of the Northern Gulf Islands.
24 BC Musician Magazine | March - April 2014
CITR University of British Columbia CiTR 101.9 FM Vancouver, BC citr.ca
CiTR is the student run, community supported and nationally recognized the broadcasting voice of the University of British Columbia (UBC), bringing alternative, progressive, informative and communityoriented programming and awesome music.
CJSF Simon Fraser University 90.1 FM Burnaby Mountain campus cjsf.ca
As a campus/community station, CJSF provides points of view that are rarely expressed in mainstream media. This includes music that isn’t top 40 and news that isn’t on the big media outlets. CJSF offers the public a forum for expressing points of view that otherwise may not be heard. These listings are in addition to the programmer profiles we’ve included in this issue. There are more, and we’re getting our online guide ready at www.bcmusicianmag.com. Email Sarah@bcmusicianmag.com if you have a station that should be included.
March 6
Draw by Night Kelowna
Pleased to support arts & cultural events in Merritt and the Nicola Valley
March 1 - 29 Dance Into My Heart Courthouse Art Gallery Sponsored by the Merritt Dance Society & NVCAC Courthouse Art Gallery. This juried art show will feature a diverse mixture of fine art and costume design from young artists as well as experienced or older artists. Prizes are offered in two categories (artwork and costume design) and in three age groups (adults, youth and children). March 7th Reception. April 3 - 26 Clean and Shine Art Show Local Artists are invited to submit original art works that shine for sale. Also offering gently used art related items collected for sale by NVCAC and VVA members. Frames, easels, art books, original art, art supplies. April 5th Reception. Looking for Live Music in Merritt? The Grand Pub and Grill www.grandpubandgrill.com/blog Cactus Annie’s in the Merritt Desert Inn www.facebook.com/cactusannies
Box 9 2090 Granite Ave, Merritt BC V1K 1B8 250 378 4241 | merrittherald.com
Alternator Centre for Contemporary Art Come armed with your favourite drawing utensil or just bring yourself. Materials and food provided for your inspiration. Free and open to everyone. Starts at 6 pm. March 7
Peachland Volunteer Breakfast
www.peachland.ca for more information. March 8
Seedy Saturday Kelowna
Okanagan College Atrium Come to buy, sell and trade seeds. Includes certified organic, rare, unusual, open pollinated and heritage seeds. Get plant ideas, attend a gardening info session, network with other gardeners. Admission $2, 10 am - 3 pm March 1, 8, 22, 29
Kelowna Farmers and Crafters Winter Market Parkinson Recreation Centre, 9 am - 1 pm
PEACHLAND VIEW 4437 3rd St Peachland, BC V0H 1X7 250 767 7771 www.peachlandview.com
Osoyoos
Oliver Apr 4 - 19th Festival of Ale Apr 5 Spring Arts Faire May 3 Pig Out! Covert Farms May 15-18 Meadowlark Festival
Chronicle Oliver
Established August 25th, 1937
oliverchronicle.com
Mar 13 “The Wheat in the Barley” Osoyoos Concert Series Mar 19, 25, Apr 10 & 24 Home Hardware Cooking & Wine pairing classes April 20 Annual EasterEggstravaganza
Times osoyoos
osoyoostimes.com
BC Musician Magazine | March - April 2014 25
Ray Condo's Rock 'n Roll party By Dave O Rama • Photos Gayle Hurmuses Whether you’ve ever heard of him or not, Canadian roots rocker Ray Condo was undeniably very highly respected by those fortunate souls who have had the opportunity to bask in the glow of his potent talent. Born in Hull, Quebec and raised in Ottawa a young Ray Tremblay invested his time in art school and learning how to play the guitar. There was a short stint with an Ottawa band called The Peasants in the 60s and then Tremblay was off to the west coast to pursue work at Emily Carr eventually ending up as a member of the 70’s Vancouver punk band Secret V’s. Approaching his thirties Tremblay moved across the country again. Still filled with his original nagging passion to pursue painting he resettled in Montreal. But it wasn’t long before the man was lured back into the realm of music and performance. In 1984 Tremblay joined up with Montreal musicians Clive Jackson (upright bass), Chris Dean (banjo) Edgar Bridwell (fiddle), and brothers Eric Sandmark (guitar) and Peter Sandmark (drums). Now rechristened Ray Condo by close friend Regan O’Connor, Ray Condo and His Hard Rock Goners leaped on the Canadian music scene with their frenzied consolidation of rockabilly, country, punk and surf rock. In the mid 80s there was a renewed interest in rockabilly music and a number of my Toronto pals started forming rockabilly bands and booking similar bands from other parts of the country who were also exploring this rocking jungle groove. At the time I also began producing a radio program in Toronto and had become intoxicated by the psychobilly selections coming out at the time on the Canadian indie label Og records, particularly their multi-volume It Came From Canada series featuring artists like the Cowboy Junkies, Shadowy Men On A Shadowy Planet, Jerry Jerry and The Sons Of Rhythm Orchestra, Deja Voodoo, Chris Houston and Ray Condo and His Hardrock Goners. It was at some of these Og inspired Toronto gigs that I became a lifetime fan of Ray Condo’s sound. Condo seemed to have a dedicated fan base from the beginning and amongst the band’s dedicated audience someone who always stood out in the crowd was the ever-present photographer Gayle Hurmuses. At the time, a newly inspired media arts student, Hurmuses would always be present at Toronto clubs like the Cameron House and the Horseshoe Tavern, highly conspicuous with her home-made flash diffuser made out of a semi-inflated white bal-
Ray Condo and the Ricochets at Viva Las Vegas
loon always bobbing around on the top of her camera. Born and raised in Vancouver, Hurmuses has lived in Toronto for a few decades. Over a short period of time Hurmuses and I both became fairly well acquainted with the Goners. Me through my interest in interviewing and promoting the band on my radio show and Hurmuses deciding to devote herself to documenting Condo’s musical evolution. "He was just amazing to photograph," explains Hurmuses. "Just like he never gave a bad performance, It was hard to take a bad photograph of Ray. Because even in the worst of them he is doing something interesting almost all the time." It’s over 25 years since Ray Condo and His Hardrock Goners debut vinyl release, Crazy Date, and it’s almost 10 years since Condo passed away from a fatal heart attack in 2004. Hurmuses and I are sitting in her downtown Toronto dining room during the Christmas 2013 ice storm poring over her almost 20 years of photographs documenting a major part of Condo’s musical career. It’s a walk down memory lane for both of us, a part of our past flooding back in through her photographs. As a photo documentarian Hurmuses was drawn to Condo because "he was such a ham and a consummate performer. There was no barrier between what Ray thought and what he did." As a media artist and a fan Hurmuses has made the decision to venture on a passionate quest to publish her images of Condo and his musical associates in a photo book that documents her
Left: Ray, Ava, Ivan. Middle: Ray and Line. Right: Ray Condo and the Hard Rock Goners at the Horseshoe Tavern.
26 BC Musician Magazine | March - April 2014
A tribute to a canadian legend
Ray Condo downstairs at the Cameron House
time with these talented and dedicated musicians. Calling the project Ray Condo’s Rock N’ Roll Party she initially sought to raise funds for the book through an Indiegogo campaign. Falling short of her $15,000 goal Hurmuses is still sticking to the project and will be releasing the 40-page publication on Ray Condo’s 64th birthday, May 16, 2014. This year also marking the tenth anniversary of Condo’s death. "I recognized his absolute talent," says Hurmuses. "I saw hundreds of shows and never saw anything that wasn’t amazing. Even during the six weeks of Expo when he was singing every day, to the point that by the end he could just croak — and yet he was still great!" I too became addicted to Condo’s performances and can attest to how well Hurmuses captured his intense comic energy. Looking like a long lanky malnourished Johnny Cash, Condo was a manic monster on stage. Not only did he present a wildly kinetic stage persona but he complemented his high spun energy with an impressive vocal range and a killer posse of gifted collaborators in the Goners (and later with The Ricochets). Hurmuses and I also acknowledge what a gifted group of media artists the Hard Rock Goners truly were. Former art student Condo had surrounded himself with a group of musicians whose talents transcended their musical performance. Bassist Clive Jackson, who is to this day a very prolific painter, created many covers for the Goners’ recordings. Violinist Edgar Bridwell,
an animator and teacher by trade, was pivotal in creating a fully animated cartoon music video for their song Barroom Crazy while the Sandmark brothers both brought their day job skills as video technicians to help create several hilarious Ray Condo videos in time for the newly founded music video craze that rose in popularity during the late 1980s. The Goners weren’t just a band according to Hurmuses, "They were kind of like the Group of Seven. Their numerous videos were very much a part of them. The band was actually creatively involved in everything about everything to do with the creative marketing of the band." Around 1991 Condo once again felt the urge to uproot. This time he decided to return to the west coast, first living in Victoria before finally settling in the east end of Vancouver for what would become the last chapter of his life. By 1993 I too had also moved to Vancouver from Toronto and I quickly found myself welcomed into the Condo social camp when I set up house in the Commercial Drive area of East Van. At this point Goners Bridwell, Jackson and even Chris Dean, of the sideline project The Crazy Rhythm Daddies, had also moved west and the Hardrock Goners were now coordinating recording sessions between the members now living in Vancouver and the Sandmark brothers who had remained back in Montreal. The band was also garnering a lot of interest overseas where rockabilly festivals in Europe were popular among the devoted leagues of rock ‘n’ roll fans across the pond. With no sign that the Sandmark brothers were going to follow the rest of the Goners to Lotus Land Condo and Jackson eventually melded with members of Vancouver country swing band Jimmy Roy’s 5 Star Hillbillies to form Ray Condo and the Ricochets. At this point in Canadian musical history Condo picked up the soprano saxophone and began to work hard at injecting a heavy jazz swing influence into the band’s rockin’ country sound. As a former Vancouverite Hurmuses continued to document Condo’s hillbilly jazz evolution during her regular trips out west to visit her family. She even accompanied the band on some of their many tours to the United States that followed their signing with San Francisco label Joaquin Records. Over the next decade Ray Condo and the Ricochets recorded three CDs for the Joaquin label and Cont’d page 28
voted ‘BEST LIVE MUSIC VENUE’ on Vancouver Island (B.C. Living Magazine)
Features top tier regional, national & international original artists weekly. BC Musician Magazine | March - April 2014 27
ray condo cont'd remained popular on the U S and European festival circuit. Yet on their home turf the gigs remained few and far between. The last time Hurmuses saw Condo in person was in Vancouver during Christmas 2002. Ray was frustrated that in his own country he was still struggling and was perplexed because fame seemed to allude him. As his friend Hurmuses felt that Condo secretly had an unconscious aversion to success. Having been plagued with health problems over the years, at this friendly meet up Condo confessed to Hurmuses that he had recently suffered two minor heart attacks and was worried that the next one could be fatal. Hurmuses teased Condo and told him "it would be terrible if you had another heart attack and died because you have so much more to accomplish. But then joked that "on the positive side, if you do suffer a heart attack and die, it ought to be a lot easier to make you famous without that Condo bastard around to fuck things up." Condo got the joke and Hurmuses made him a promise at the time "that if he did pass away early I would do whatever I could to make sure his name stayed around." Condo’s life did come to an end far too soon and immediately following his death in spring 2004 Hurmuses and some of his fans quickly orchestrated a Toronto memorial for the man which included a gallery showing of Hurmuses’ photos of Condo displayed at the infamous Queen St. West performance space the Cameron House and this gallery show would coincide with a musical celebration of his life occurring a block away at the historical Horseshoe Tavern. Both venues that had hosted Condo and the Goners during their many visits to Toronto over the years. The two simultaneous memorial events were connected by a New Orleans style jazz funeral parade in Ray Condo’s honour that traveled between the two venues during the bittersweet festivities. Always the struggling artist, in the last years of Condo’s short life he had taken a day job working as a service person on the Canadian rail lines. As his friend I felt kind of sad to see such a huge talent having to waste his time working the rails. But as she and I sat in her dining room viewing her many photographic memories of Condo, Hurmuses shared with me her more positive take on the scenario. "People ultimately have a vision of what they can and will do to make money. I see being a service person on passenger rail as a classic jazz man’s job. It fit his story. He was
still in character. It hit the pocket so perfectly." Hurmuses admits she wishes she had the funds to produce a hundred page book that would not only encompass her historical photographs of Condo but also include all the promotional media produced collectively by the Goners as well as a selection of artwork that could showcase the individual artistic output created by members of Condo’s band which they produced outside of the Condo country experience. In the meantime Hurmuses is busy selecting her favorite images for the first edition of what she hopes will become a more expansive photographic series on one of her all time favorite musicians. On board for the inaugural publication she has recruited long time friend and Toronto singer Lily Frost to write the introduction of the book as Frost was also a regular member of the Condo social camp when she lived in Vancouver during the 90s. Like Hurmuses and myself, Frost, who recorded a Billie Holiday tribute with former members of the Goners and The Ricochets, also has fond memories of her time with Condo and his posse of country swingers and has this to say about those times living and performing out west: "Ray Condo was like Elvis and Hank Williams wrapped up in a Cramps tortilla. He was a mentor, father figure, band leader and friend to me. Ray inspired most everyone onstage and off with his get-you-off-your-seat performances and his unforgettable house parties which always had live music, BBQ, tap dancing, homemade pies and of course plenty of drinks and ganja for all. We were poor but we were free!" Ultimately, with her May 16th launch at Toronto’s 3030 Dundas Street venue quickly approaching, Hurmuses has her head down in the editing and production process so that she can get Ray Condo’s Rock ‘N Roll Party kickstarted and into the hands of her supporters and Ray Condo’s devoted fans. "The goal is to make sure there is a physical artifact that someone might come across in 50 years and say; wow, who was this guy? And to inspire that person to look for Ray Condo and find his music again." For those who can’t wait fifty years and are interested in purchasing a copy or her book or investing in this historical account of a great Canadian musician, you can contact Gayle Hurmuses at www.facebook.com/RayCondosRockAndRollParty or at hurmuses.com.
• The Indo-Okanagan Times is an independently owned publication designed to cater to the increasing Indo-Canadian market • 50,000 plus reach, in over 28 communities • Promoting better understanding & communication between the cultures • Punjabi & English • Publishing the first Saturday of the month
For more information or to book an ad call 250.808.5454 www.indookanagantimes.com On newsstands in the following communities: Keremeos, Osoyoos, Oliver, Okanagan Falls, Penticton, Summerland, Peachland, West Kelowna, Kelowna, Winfield, Lake Country, Vernon, Armstrong, Kamloops, Merritt, Prince George, Prince Rupert, Kitimat, Houston, Quesnel, Williams Lake, Golden, Duncan, Nanaimo, Port Alberni, Victoria, Squamish, Terrace, 100 Mile House, Fort St. John
28 BC Musician Magazine | March - April 2014
reviews
Havana Electro Tanga
Treble Five Records treblefive.com Trumpeter Malcolm Aiken and his Treble Five crew have put something together here that is very special. A highly in demand brass man Aiken is best known as the leader of his own quartet MAQ, a member of Vancouver salsa crew
No Difference
Gordon Grdina & Mark Helias Songlines Songlinesrecordings.ca
Vancouver based guitarist and oud player Grdina has had a long association with New York based double bassist Helias, often playing together in a trio format during Grdina’s visits to New York. Grdina is well known to readers of this magazine for his work with Think Like Waves, Haram and Dan Mangan. Helias, who started his career with Anthony Braxton, has issued twelve
Mazacote and this excellent Latin funk outfit, Tanga. On this world class recording Aiken and his Treble Five Records media crew traveled down to Havana Cuba where they constructed a makeshift recording studio in an old Havana apartment. They set up recording gear, threw the mattresses up against the windows to muffle the noise from the busy Havana streets and got to work. Aiken then invited a variety of Cuban musical connections and street performers such as marimbula player Oscar Aleixi Rojas, Singer and tres player Francisco ‘Paquito’ Tunon, Cuban MCs Damy Flow and el Chulo, vocalist and percussionist Israel ‘Toto’ Berriel and eighty year-old Cuban congero Francisco ‘Panchito’ Moret to join the project. The Cuban recordings were completed in two sessions over seventeen days with the second part taking place at Septeto Nacional Studios de Ignacio Pineiro in Cen-
tral Havana, where many other layers of instrumentation were added. Then the Treble Five crew returned to Vancouver where more layers were added at The Warehouse and Demitone Studios featuring an impressive roster of northern guest musicians including New York salsa star Jimmy Bosch, roots poet CR Avery, Canadian rapper Kyprios, Pacifika vocalist Silvana Kane, Mazacote front man David Lopez and many others. In total, between the Cuban musicians and the North American artists present here there must be at least two dozen contributors. The result is a powerful recording that deftly incorporates Latin funk, hip hop, Latin jazz, electro, salsa and a variety of Afro-Cuban influences. Like I said at the beginning, this recording is world class! If you love the Latin grooves then you must check out Havana Electro at tangalive. com. Super spicy and totally infectious!
albums as a leader and performed with many leading figures in contemporary American jazz including Don Byron and Marilyn Crispell. Helias is also known for his work as a producer and has done some scoring of film music. For this CD Grdina and his longtime associate, drummer Kenton Loewen meet Helias and longtime member of his trio Open Loose, Tony Malaby, on tenor saxophone. It evokes the old jazz joke: What do you get when you combine two trios? A quartet. All the tracks on the CD are written by Grdina, opening with a melodic oud/ bass duet and then moving to a guitar/ bass duet before the drums and tenor saxophone enter on the third track, The Throes. There is a conceptual sense to the recording as it moves from an almost romantic lyricism to greater intensity and then relaxes the intensity by shifting back to a melodic duo. The intensity of the entire group is always contained in some kind of structure, which acts as both a restraint and a discipline, anchoring the music and never quite letting it explode into free
jazz chaos. There is much to discover here, the guitar solo on The Throes feels like it could have been performed by Mike Bloomfield during his best days with the Paul Butterfield Blues Band; The gentle, inviting ballad, Nayeli Joon, named after Grdina’s daughter; The track Cluster, which has a chamber like quality as Grdina and Helias play the melody and improvise to overdubbed and electronically treated bowed guitar. The Songlines website has a free download of The Throes for anyone who wants to hear the music before committing to the entire CD. Although it is a great track and gives you a window on the entire band playing together it will not prepare you for the lyricism of the duo recordings, so you will just have to break down and get the entire album.
— Dave O Rama
— Bob Doull
BC Musician Magazine | March - April 2014 29
jazz venues in vancouver By Jaclyn Guillou When one door closes, another one opens right? That’s the old saying, but when it comes to Vancouver’s live jazz scene it seems that multiple doors need to be cranked open in order to replace the active calendar that Vancouver’s “jazz home” has presented for 6 nights a week in 12 solid years. The Cellar Jazz Club closed its doors on February 26, but Cory Weeds has created a few new places for hungry jazz lovers. He hosts a new jazz series starting in April at the VSO School of Music’s studio theatre, Pyatt Hall (843 Seymour St). The series takes place every weekend and presents high level players from Vancouver and across the world. It kicks off with some pretty big talent that includes Denzal Sinclaire with the Jill Townsend Big Band, PJ Perry, Renee Rosnes, Oliver Gannon and New York vocalist, Champian Fulton. Keeping things downtown, he’s started a duo series at Ten Ten Tapas (1010 Beach Ave) on Wednesday nights (7-9pm no cover), and a Tuesday night jazz series at Seventeen 89 Restaurant & Lounge (1789 Comox St). Heading eastbound, Vancouver is keeping the jazz spirit alive with a new venue that has been thriving for the past year. Tangent Cafe (2095 Commercial Drive) has been serving up live jazz on Sunday afternoons (4-7pm no cover) and starting in March will host another day on their calendar, Thursday nights (8-11:30pm no cover). Not only does Tangent serve incredibly tasty and reasonably priced Malaysian food, but they have an incredible beer list and a super friendly staff. It’s a cozy, comfortable place to relax and listen to jazz in one of Vancouver’s most vibrant neighbourhoods. The roster of music ranges from trad to contemporary music without boundaries and the first few months feature Peggy Lee’s Waxwing, Ihor Kukurudza trio, James Danderfer and Jon Bentley’s “The Oddity.”
Habitat
Christine Jensen Jazz Orchestra Justin Time www.christinejensenmusic.com
This is Christine Jensen’s fifth CD as a leader and her second big band album. Her earlier big band offering, Treelines, won the 2011 Juno for Contemporary Jazz Album of the Year. She has also appeared on two recordings as a member of Nordic
Tangent Café. photo Vincent Lim
Weekend afternoon jazz seems to be a new trend for laid back Vancouverites and Pat’s Pub (403 E Hastings) celebrates two years of live jazz at their establishment. The Patricia Hotel, Vancouver’s first home of jazz and Jelly Roll Morton who lived there in the early 1920s, has renovated their bar/restaurant and bought a beautiful grand piano to host jazz in their historic building. Their regular concert series is a mix of straight ahead jazz, fusion, and vocal. It takes place Saturday afternoons (37pm no cover), the occasional Friday/Saturday evening, and Monday nights for a jazz jam (8-11pm no cover). Upcoming artists include Bill Coon, Laura Crema, Hugh Fraser and the Night Crawlers. It’s been an interesting journey watching these new venues open their doors and we hope that this is only the start of more good things to come. For more information on jazz in Vancouver and live concert listings check out the ever faithful web site, vancouverjazz.com.
Connection. She plays soprano saxophone but she is unusual in that she established her reputation as a composer before she became more widely known as a performer. Born in Sechelt in 1970, she grew up in Nanaimo. Her mother was an elementary music teacher and served as a piano accompanist. Christine and her sisters (her older sister, Ingrid, is a well known trumpet player and band leader, now based in New York) took part in the band program from Grade six. Once she got into Grade nine she says she “was lucky to be surrounded by band teachers that also could really play jazz. They encouraged me in music by having me take part in the community bands that they were part of. Because of them, I really got to learn big band and small jazz ensemble repertoire. My best lessons in Nanaimo were being surrounded by older players and teachers who really supported me and taught me the tradition. I was lucky to go to high school with great musicians that continued on in jazz and blues, includ-
30 BC Musician Magazine | March - April 2014
ing Pamela York, and David Gogo.“ After graduating under the direction of Bryan Stovell (Diana Krall’s teacher as well), she went to Malaspina College and received a diploma in jazz studies. From there she went to McGill in 1990, and with some twists and turns along the way she continues to reside in Montreal. On Habitat her Jazz Orchestra consists of 22 musicians playing six of Christine’s long form compositions. The music requires concentration and attention to detail. The more you listen the more you will hear. A really good sound system also helps. Compression is the enemy of this music. There are samples of the first track, Treelines, as well as material from earlier recordings on Christine’s website. The February issue of Downbeat Magazine awarded the CD five stars, their highest rating, saying “Habitat feels utterly of a piece, with the improvisations woven from threads of the compositions, the melodies and countermelodies flowing holistically.” — Bob Doull
now open! Music Venue
Photos: henki Photography, Quesnel.
Grand Opening party, February 8, 2014
b
Pub Restaurant
Daniel Wesley played for a full house.
228 Front Street, Quesnel, BC 250.992.5814 www.facebook.com/theoccidental
Located in the Quesnel Hotel,
The Occidental is named for the
original hotel on this site from the 1860s. The building has changed much in its many years but is a physical reminder of the people and events that shaped the development of Quesnel.
Now transformed into a modern venue with highest quality sound equipment and stage, The Occidental will be open 7 days a week from March 1st.
DJ s & Indie MUSICIANS looking for a gig: send an email to
occidental@uniserve.com