Virgin Media British Academy Television Awards in 2022 programme

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2022


#THEINSTANTWHEN #TAITTINGERTIME

FA M I LY S P I R I T 20 Years as Official Champagne to BAFTA

Photo: Massimo Vitali


C ONT ENTS CO N T E N TS CO N T ENTS OP EN I N G M ES SAG ES

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TH E STORY T E L L E RS Samaira Iqbal

young presenter

Harry Petch

young game designer

Alesha Ledeatte-Williams Edward Cripps

scholar

bfi flare x bafta

Anna Franquesa-Solano & Mdhamiri Á Nkemi

breakthrough

Cissy Jones bafta winner

Melissa Johns

elevate

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TH E N OMI NAT IO NS IN FU L L

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TH E F ELLOWS H IP

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TH E J UR I ES

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TELEVI S I ON CRAF T AWAR DS W INNE RS

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W I TH TH A NKS. . .

#VirginMediaBAFTAs /BAFTA @BAFTA BAFTA /BAFTA BAFTA.ORG

For more on sustainability: WEAREALBERT.ORG

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The spiral is a symbol of creativity, perseverance, continual motion, evolution V O and storytelling, all aspirational motifs ingrained in C our industries. Spirals also have a strong visual connection to the screen arts through the Fibonacci sequence and related golden ratio. Our cover art celebrates some of the UK's favourite programmes, as well as the breadth of genres on offer, how we consume them and the incredible global impact of British television. ER

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“I AM HUGELY PROUD OF BAFTA’S ONGOING COMMITMENT TO ENSURING THAT YOUNG TALENT FROM ALL WALKS OF LIFE ARE GIVEN EVERY POSSIBLE OPPORTUNITY TO BUILD AND DEVELOP SUCCESSFUL CAREERS IN THE FILM, GAMES AND TELEVISION INDUSTRIES.”

HRH THE DUKE OF CAMBRIDGE, KG PRESIDENT OF BAFTA 2


WE LC OM E W ELC OM E W ELCO M E WE LCO M E WE LCO M E

AMANDA BERRY

A very warm welcome to tonight’s Awards and especially to all our nominees. Your boundless hard work, dedication and creativity, in another challenging year, is inspirational and we hope your exceptional work will ignite the same kind of creative sparks in the next generation.

In the following pages, we feature just a few of the people we’ve supported these past few years. Their story is our story, which, like an infinite spiral, continues and evolves. Have a wonderful night.

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KRISHNENDU MAJUMDARB

This is a special year for BAFTA – our 75th! As we celebrate the achievements of yesterday and continue to act on the issues of today, we are also looking to tomorrow. This is a pivotal moment in our history. We are actively investing in a future that will benefit our members, our industries and anyone who loves films, games and television. We’ve already made some sweeping changes, across our whole organisation, to get us to a place where we can best fulfil our mission: to inspire new and unheard voices, to support talent from all backgrounds, to advocate for change and to celebrate excellence.

AFTA CHAIR

obe

BAFTA CHIEF EXECUTIVE



W ELC OM E W E LC O M E W ELCO M E

Virgin TV is for everyone. And as tonight’s only award to be voted for by the public, Virgin Media’s Must-See Moment represents that. It celebrates every TV fan among us, and the diversity that makes Great British TV so special.

Shall we get started? Cheers!

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LUTZ SCHÜLERC

This year’s nominees are a credit to that. So, on behalf of BAFTA and Virgin Media, we’d like to thank our judging panel, expertly chaired by Sara Putt of BAFTA’s Television Committee. Also to you, the talented group of people who created these incredible moments for us all to enjoy. And finally to the nation’s TV fans, for voting to help us crown Virgin Media’s Must-See Moment of 2021.

EO, VIRGIN MEDIA O2

WELCOME BACK TO THE

Thank you all for joining us for the 2022 Virgin Media BAFTA TV Awards. Bringing you closer to the shows, series and stars you love is what we do best. So, after two years of enjoying the Awards from home, we couldn’t be more excited to welcome so many of you back in person for this special evening in the TV calendar. We congratulate all of tonight’s nominees.

WE LCO M E WE LCO M E

VIRGIN MEDIA BRITISH ACADEMY TELEVISION AWARDS


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...is a little different from previous years. And not just in size (we hope we’ve made it easier for you to carry and take home). Over the following pages, we explore BAFTA’s story through the eyes and experiences of those who have benefitted from our year-round programme of initiatives. Their experiences are at turns moving, surprising and extraordinary and make BAFTA all the more determined to inspire new and unheard voices, to support talent from all backgrounds, to advocate for change and to celebrate excellence. This brochure features only extracts from the full interviews and features. To be further inspired by their compelling stories, please visit: www.bafta.org/about/awards-brochures 6


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“I’M FIRST AND FOREMOST INTERESTED IN THE STORY, THE CHARACTERS.” SIR DAVID LEAN BAFTA’s first chair

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A YEAR IN THE LIFE OF BAFTA... (SELECTED HIGHLIGHTS)

FEBRUARY BAFTA, Place2Be and Oak National Academy launch the Express Yourself campaign as part of Children’s Mental Health Week.

MARCH A new category is introduced at the Games Awards, EE Game of the Year, which was won by The Last of Us Part II. The big winner on the night was Hades, with five awards, including Logan Cunnigham, winner of Performer in a Supporting Role.

APRIL The Film Awards is celebrated over two days, Saturday and Sunday. Nomadland was the big winner with four awards, including Best Film, Director and Leading Actress. The publicly voted EE Rising Star Award went to Bukky Bakray.

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MAY It was a story of first-time winners at the Television Craft Awards and the Television Awards, with Paul Mescal, Malachi Kirby, Rakie Ayola, Aimee Lou Wood, Sophie Willan, Georgi Banks-Davies, Marian Mohamed, Marcus Viner and Harry Escott all winning their first BAFTA.The publicly-voted Virgin Media’s Must-See Moment was won by Britain’s Got Talent’s Diversity performance.

PHOTOS: BAFTA; BAFTA/ Greg Williams; BAFTA/ Amy Muir; BAFTA/Charlie Clift; BAFTA/Scott Garfitt

JUNE • The inaugural BAFTA Breakthrough India initiative launches, in partnership with Netflix. • BAFTA publishes the results of its first ever global membership survey and commits to address areas of underrepresentation by 2025.

JULY For the first time, awards are presented for both Games and Immersive categories at the GSA BAFTA Student Awards, hosted digitally in Los Angeles.

AUGUST Leading screen industry organisation for environmental sustainability, albert, celebrates its 10th anniversary.

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SEPTEMBER Twenty-seven BAFTA scholars in the US and UK are announced. A further 14 recipients will benefit from a career development bursary pilot, supported by filmmaker Paul Greengrass. OCTOBER Gangs of London wins four at the BAFTA Cymru Awards.

NOVEMBER • BAFTA 195 opens its doors to members after being closed for two years for a major redevelopment. • Limbo wins four at the BAFTA Scotland Awards. • BFI NETWORK x BAFTA Crew announces 20 practitioners from underrepresented backgrounds who will receive bespoke mentor and career support. • Guru Live, our festival for emerging talent, goes online for free.

DECEMBER • BAFTA, with the support of Netflix, unveils its UK and US Breakthrough participants, naming 36 creatives from film, games and television. • BFI Flare x BAFTA reveals the industry mentors who will support six British LGBTQIA+ filmmakers. • BAFTA consolidates its US operations - BAFTA North America is born.

THE 2021 AWARDS SCHEDULE 25 MARCH British Academy Games Awards 10-11 APRIL EE British Academy Film Awards 24 MAY British Academy Television Craft Awards

6 JUNE Virgin Media British Academy Television Awards 24 OCTOBER British Academy Cymru Awards 20 NOVEMBER British Academy Scotland Awards 10


FACE VALUE In December, this beautiful photo of the multi-talented Michaela Coel was selected as a winner of the UK’s biggest portrait competition, Portrait of Britain 2021, organised by 1854 Media and the British Journal of Photography. The portrait was part of a set captured by photographer Charlie Clift at the 2021 Television Awards, where Coel picked up two wins for her drama, I May Destroy You, including Leading Actress, adding to its three wins at the earlier Television Craft Awards. 11


!

SAMAIRA IQBAL WON BAFTA’S YOUNG PRESENTER 2021 COMPETITION, SUPPORTED BY SKY KIDS’ FYI. AS PART OF HER PRIZE, SHE WAS GIVEN THE OPPORTUNITY TO INTERVIEW HER DREAM SPORTS PERSONALITY.

OMG “

I’M INTERVIEWING JESSE LINGARD!” That’s exactly the right level of excitement you would expect from any football-mad teenager. And so it was with 15-year-old Samaira Iqbal, repeating this phrase over and over when she learned that the Manchester United and England player was to be her first interviewee after winning the annual Young Presenter competition.

PHOTOS: BAFTA

Samaira says she became interested in presenting as early as year six (around age 10) and had already done a few “presenting bits and bobs”, but entered the BAFTA competition more on

Samaira teaches Jesse how to sign 12


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a whim. “I saw there was a competition and told my sister,” she explains. “We thought there was no way we would win, but we’d give it a go. The theme was ‘express yourself ’, so we decided to do it about British Sign Language (BSL), to spread awareness. I interviewed her, just a little sisterly bond on camera.” Good communication is vital in Samaira’s world. Her little sister, Rubi, as well as her parents, aunt and uncle are deaf, so BSL was the first language she learnt. She also has an infectious personality and a keen mind, priceless traits for a presenter. “Being in front of the camera is just what I want to do,” she notes. “I know how big this could be. This is BAFTA and BAFTA is massive. It’s already opened a lot of doors.” As for that Lingard interview: “I don’t think you could enjoy something more. He’s such a chill guy, it was easy to make a connection. Hopefully, it’s the first of many. Can you imagine?

Read the full interview: bafta.org/about/awards-brochures 13


Birch (2020 EE Rising Star Michael Ward; Television Lecture 2020: Chris Packham; 2014: Lone Scherfig); BAFTA/Agne Bekeraityte (albert x BAFTA Crew, 2019)

FO RM OR EM EM OR IES :H ERI TAG E.B AFT A.O RG

Television Lecture 2014: Lenny Henry); BAFTA/Michael J Barrett (Sir Run Run Shaw, 1978); BAFTA/Matt Holyoak (Film Awards portrait, 2019);

PHOTOS: BAFTA (Carl Foreman Awards 1993; Mitzi Cunliffe Special Award, 1992; Television BAFTA/Doug McKenzie (Dirk Borgarde Tribute, 1988); BAFTA/Alecsandra Raluca


This year, BAFTA celebrates its 75th anniversary. It’s been quite a journey. Here are just a few highlights from across the years, from Los Angeles to Hong Kong. Here’s to many more!

Academy Circle in Hong Kong, 2013; BAFTA 195; Martin Scorsese at BAFTA Scotland, 1987; BAFTA Cymru launch, 1988; 2007 Games Lecture: Showcase, 2019); BAFTA/Jessie Craig (Breakthrough 2013); BAFTA/Quetzal Maucci (Elevate round table, 2020); BAFTA/Lisa Prime

Craft Awards 1993; BAFTA Scotland Awards, 1993; Anthony Minghella Lecture, 1997; Dragoi (Elevate at Pinewood, 2018); BAFTA/Jordan Anderson (Death Stranding

Will Wright); BAFTA/Ricky Darko (#MeToo at the Film Awards 2018); BAFTA/Jonathan (BAFTA Kids’ Big School Day, 2018); BAFTA/Jamie Simonds (David Lean Lecture


GREAT WHAT HAPPENS WHEN A BAFTA YOUNG GAME DESIGNERS SUPERTEAM ENTERS A CLIMATE CHANGE-THEMED GAME JAM? THEY SHOWCASE THEIR GAME AT COP26 AND TO ROYALTY, NATURALLY. Climate change is front page news, but communications on how and what changes we should make are often complex and confusing. One way to encourage positive action is through engaging storytelling, and this was the challenge set by Abertay University for a game jam sponsored by SSE Thermal, themed around carbon capture technology. Four students teamed up to create a climate action game, Net Carbon, that would not only win the jam but also go on to be finetuned and displayed at UN climate change conference COP26. All four talented students are former BAFTA Young Game Designers (YGD) alumni, namely: Harry Petch, Cam Tuliao, Jaime Williams and Jordan Han. “It feels like YGD is one big family to me,” says Harry, who was twice a YGD finalist and also the winner of the Mentor Award. “We created a game that we all felt had some nice nuance. It was quite simple but we were happy with it... COP26 was overall a very valuable experience and we had some lovely feedback.” Earlier this year, Harry was invited to BAFTA 195 Piccadilly to present Net Carbon to HRH The Duke of Cambridge at the first official event to be held in our fully redeveloped HQ. The event was a showcase of new talent and included the launch of a new career development bursary in Prince William’s name, as well as the announcement of a new tier of membership for emerging practitioners. 16


EXPECTATIONS “IT

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LIKE YGD IS ONE

BIG FAM ILY

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PHOTOS: Harry Petch; BAFTA/Scott Garfitt; BAFTA/Mollie Rose 17


It was great to chat to the other BAFTA beneficiaries about their journeys,” Harry says. “And it’s not every day you get to present your game to Prince William. It still feels a little surreal, but it was awesome... He’s really interested in the arts and what BAFTA does to give back to people. It was a real morale boost for our team and added that little extra bit of validation.” They may still be students right now, but clearly there’s more to come from Team YGD. Watch this space.

From L-R: Harry with his parents at YGD in 2016; Net Carbon; 2022: showcasing the game to BAFTA president, Prince William Read the full interview: bafta.org/about/awards-brochures 18


February 1949: One of the earliest photographs of a meeting of the Council of the British Film Academy (the precursor to BAFTA) at its offices at 117 Piccadilly, this previously unpublished image captures (from left to right): Michael Balcon (chair), Roger Manvell (director) and David Lean (BAFTA’s original chair). The BFA was founded in 1947 with the aim of “stimulating exceptional

creative work” and supporting and celebrating British filmmakers during a period of intensified competition from American films in the post-war period. BAFTA’s current mission has expanded far beyond the BFA’s original ambitions, but if this small group of exceptional British filmmakers had not taken that first big step then the arts charity would not be here today.

PHOTO: ©George Konig/BFI National Archive

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PHOTO: BAFTA/Jordan Anderson

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S CHO L ARS HIP, I WOU L D N’ T B E

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N OW. A N D T H AT ’ S T H E T R U T H .” A L E S H A

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I actually cried,” blushes hair and make-up artist Alesha Ledeatte-Williams, recalling the moment she was interviewed after applying for a BAFTA scholarship. “It was one of those times when you think to yourself, ‘This is my only opportunity...’ Without the scholarship, I wouldn’t be working in the industry now, I reckon. And that’s the truth.”

Tears aside, in 2018 Alesha did receive a Prince William Scholarship in Film, Games and Television, supported by BAFTA and Warner Bros. With the funds, she was able to pay more than half of the fee to complete her 30-week advanced course in Make-Up and Hair Artistry at The Iver Make-Up Academy, a practical course taught by industry veterans, which has been instrumental in helping her forge a career in film and television. She’s already landed jobs on Sex Education and No Time to Die. There wasn’t anything else available for hair and make-up specifically back then,” says Alesha, who was 31 at the time of her course. “It took a huge burden off my shoulders. And, as a mature student, it felt really encouraging that BAFTA would invest in me... It not only gave me access to study, it also gave me credentials. BAFTA is a big brand, so to be able to put it on my CV makes people look twice.” Read the full interview: bafta.org/about/awards-brochures 21

THE MAKEOVER

ALESHA LEDEATTE-WILLIAMS HAD A NUMBER OF JOBS, FROM TEACHING ABROAD TO EVENT MANAGEMENT, BEFORE REALISING HER LOVE FOR FILM AND MAKE-UP COULD BE THE PERFECT COMBO. THE ROAD AHEAD HAD ONE MAJOR BARRIER...


THERE’S NO PLACE LIKE HOME FOR A SPECIAL PHOTOSHOOT TO MARK THE BRITISH ACADEMY TELEVISION CRAFT AWARDS AND THE VIRGIN MEDIA BRITISH ACADEMY TELEVISION AWARDS IN 2021, FOUR WINNERS WERE ASKED TO PICK A PLACE OF SIGNIFICANCE THAT INSPIRES THEIR WORK. TURNS OUT DOROTHY WAS RIGHT ALL ALONG... This was where I first learnt to play. To hold [a BAFTA]

in areas like that

are like, ‘How do you go from

...People that grew up

that to that?’ I wanted

“”

in that same space was strange and absurd and quite beautiful

MALACHI KIRBY Supporting Actor for Small Axe Malachi chose the Battersea council estate where he grew up. The actor was a BAFTA Breakthrough participant in 2016.

to do something that bridged that gap. Malachi Kirby 22


PHOTOS: Charlie Clift

MARIAN MOHAMED Emerging Talent: Factual for Defending Digga D Marian picked Ridley Road Market in Hackney, a lively hive of activity near her home that the director knows very well.


GEORGI BANKS-DAVIS Emerging Talent: Fiction for I Hate Suzie London’s Grand Union Canal is a place close to Georgi’s heart. The director was recently selected as a 2021 BAFTA Breakthrough participant.

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CHARLIE COOPER Male Performance in a Comedy Programme for This Country Charlie stepped out into the countryside near his hometown of Stroud to do a spot of fishing. This was Charlie’s seventh BAFTA nomination for writing and starring in This Country; previously winning three for Breakthrough Talent and Scripted Comedy in 2018 and Writer: Comedy in 2019. Charlie and his sister, Daisy Cooper, were also named as a Breakthrough duo in 2017.


E IT “ I CA N T R AC

LITTLE DID SCREENWRITER EDWARD CRIPPS KNOW THAT A TINY SUGGESTION MADE AT A BAFTA EVENT WOULD BE LIFE-CHANGING.

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It was while attending a round table with a big Hollywood writer, organised as part of BFI NETWORK x BAFTA Crew, the development programme for emerging and mid-level creatives, that Edward Cripps asked if it would be possible to do something similar with a British creative who was closer to their entry level. BAFTA subsequently arranged a round table with Charlie Covell, the former BAFTA Breakthrough (2015) who had just been nominated for writing The End of the F•••ing World (2017). “Charlie was very kind and candid and we kept in touch afterwards,” he says. 26

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Skip forward to 2019 and things had taken a downturn – Edward was ushering in a cinema in order to make ends meet. However, his writer aspirations remained and he had been accepted for BFI Flare x BAFTA, a more intimate offshoot of Crew that supports LGBTQIA+ filmmakers. As part of the initiative, recipients get to choose a mentor and at the top of Edward’s list was Charlie. PHOTOS: BAFTA/Alecsandra Raluca Dragoi; BAFTA/Ian Derry 27


“She very kindly agreed,” he notes. “I’d written a sample script and it just happened to be in a similar genre to her next project, Kaos. She liked the script and so did the producers, so I pitched some storylines and wrote some sample scenes... When she called to say I’d gotten the job to join the writers’ room, I was on my shift at the cinema. I just went into the toilets and cried.” Edward now has two projects in development, one with Two Brothers Pictures and the other with Objective Fiction, as well as a film treatment (“a queer coming-of-age vampire flick”), currently in the process of applying for funding.

I can trace it all back to Crew,” Edward states. “It’s really changed my life, especially the Flare scheme. It’s given me a huge confidence boost... The dream is to have my own project with its own writers’ room, but right now I’m focused on getting more experience and credits and working with people I can learn from.”

Read the full interview: bafta.org/about/awards-brochures

At a BFI Flare x BAFTA mentoring lunch with filmmaker Isabel Sandoval; Inset: mentor Charlie Covell


xtracts from issue #1 (winter 1959) of the Journal, the first member publication by the Society of Film and Television Arts (SFTA), formed earlier that year from the merger of the British Film Academy and the Guild of Television Producers and Directors. The amalgamation of these

two leading industry bodies represented the, sometimes grudging, acceptance that British practitioners were increasingly working across both film and television. Notably, the Journal’s first issue explored the newly emerging format of ‘videotape’ and how it was impacting both industries.

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C L I M AT E . I T ’ S WO R T H T H E

W O R L D T O T RY.

MAKE THINGS ABOUT

T HI S IS T HE M OM EN T TO

RICHARD CURTIS IS A BAFTA-WINNING WRITER, DIRECTOR, HUMANITARIAN AND A PASSIONATE ADVOCATE FOR MAKING MORE FILMS, GAMES AND TELEVISION PROGRAMMES TACKLING SUSTAINABILITY AND CLIMATE CHANGE. If ever there was a need to change a narrative with global implications then now is the time for sustainability and climate action. Film, games and television can play their part in ensuring this message is driven home to the public not just through documentaries or current affairs programming but through all genres. This was the message from writer-director Richard Curtis in an address given at a Project Everyone panel held at COP26 in November 2021. Curtis is a key voice from the screen industries highlighting the impact of climate change and has long been a supporter of albert, the leading screen industry organisation for environmental sustainability, which is now officially part of BAFTA. 30


Curtis revealed how great films had impacted his understanding of the world, noting how The China Syndrome (1979) had “nailed me on the subject of nuclear power,” while Ken Loach’s Raining Stones (1993) had taught him “more about the texture and reality of poverty than every article in the Guardian.” He now thinks it’s time that film, games and television did the same for climate change.

This isn’t about preaching,” he added. “I suspect it’s not even about raising awareness – we might be beyond that now... We need to inspire action and innovation by making it dramatic and interesting. We need to show the terrible price of climate change but also the success stories, so people really see how change can happen... I truly believe every genre has its role... My motto has always been: to make things happen, you have to make things. And this is the moment to make things about climate. It’s worth the world to try.”

PHOTOS: BAFTA/Jamie Simonds; ©BBC Scotland/Fraser Mcfadzean

Learn more: wearealbert.org

albert at COP26 – Telling Climate Stories Together: In Conversation with Broadcaster CEOs 31


BREA K I N The 2021 UK Breakthrough participants

PHOTOS: BAFTA/David Vintiner; BAFTA/Alexey Kosorukov; BAFTA/ Matt Winkelmeyer/Mike Coppola/ Getty Images

BAFTA BREAKTHROUGH SHOWCASES AND SUPPORTS THE NEXT GENERATION OF CREATIVE TALENT IN FILM, GAMES AND TELEVISION IN THE UK, INDIA AND THE US. THEY ARE ALL EXCITING PROSPECTS AT A CRITICAL ‘BREAKTHROUGH’ MOMENT IN THEIR CAREERS. TWO OF THE 2021 PARTICIPANTS, ONE FROM THE UK INITIATIVE AND ONE FROM THE US, TELL THEIR STORY...

Read the full interviews: bafta.org/about/awards-brochures BAFTA’s flagship talent programme champions and supports individuals on the verge of their big breakthrough. Find out more at bafta.org/supporting-talent/breakthrough BAFTA Breakthrough is supported by Netflix in the UK, USA and India. 32


NG OUT MDHAMIRI Á NKEMI (EDITOR) BREAKTHROUGH: LIFE IN A DAY (2021)

I’m looking for projects that feel like they haven’t been done before, at least not through a mainstream lens. Things that feel fresh and exciting, from voices that haven’t had much chance to tell their stories before. It’s amazing to be recognised by BAFTA... Breakthrough was recommended to me by my friend, composer Segun Akinola, who did it back in 2017... He’d gotten a lot out of it and made some good connections. It just sounded like a really good opportunity.

MATTER OR THE FORM.”

“I FIND MYSELF GRAVITATING TOWARDS STORIES

I didn’t really know film was a job and never considered it when I was younger. I read a lot and had kind of decided that I was going to be an author. That all went off the rails when I turned 12 and my friend got this [DSLR] camera. My friend was using it for photography but I realised it could also do video and started playing around with it. I became obsessed... Editing was the thing I was drawn to – it was the bit that was most exciting to me as it felt like that that was where the film came alive.

THAT FEEL ORIGINAL, EITHER THROUGH THE SUBJECT 33


The 2021 US participants ANNA FRANQUESA-SOLANO (CINEMATOGRAPHER) BREAKTHROUGH: THE FAREWELL (2019)

I studied art history at university first. By the end of it, the only thing I knew was that I didn’t want to study other people’s work, I wanted to create things myself. By coincidence, I worked on a short film and it opened a whole new world of possibilities. Film was always something you just watched in the cinema, it wasn’t something I thought I could ever do. It was not part of my world in Barcelona.

I learnt about Breakthrough through my agent... I’m looking forward to connecting with people who can give me advice. It’s very rewarding to feel like you’re part of a community, to feel included. WAS THROUGH IMAGES... SO I DECIDED TO STUDY 38 34

CINEMATOGRAPHY.”

“I REALISED THAT MY WAY TO TELL A STORY

I decided to study filmmaking... I realised all my student projects were silent. My way to tell a story was through images, not dialogue or writing. So I decided to study cinematography in New York [at the New York Film Academy’]. Little by little I’ve got to where I am now.


hen and now. BAFTA 195 Piccadilly sits at the heart of our activities. It was officially opened on 10 March 1976 by HM The Queen, pictured here addressing guests in the Princess Anne Theatre. Also pictured, the Queen’s private secretary, Bill Heseltine; HRH The Duke of Edinburgh; BAFTA president HRH The Princess Anne; vice-president Sir Richard Attenborough; and chair Sydney Samuelson.

Almost 50 years later, on 27 January 2022, BAFTA’s current president, HRH The Duke of Cambridge, was our royal guest at the first official event to be held in the newly redeveloped building. Below he’s pictured in the fully refurbished, state-of-theart Princess Anne Theatre, in conversation with Suranne Jones, Annie Price (BAFTA mentors), Lily BlunsomWashbrook and Roxanne McKenzie (scholars).

PHOTOS: BAFTA/Michael J Barrett; BAFTA/Scott Garfitt

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STA RRY STARRY E YED EYED CELEBRATING THE 2021 EE BRITISH ACADEMY FILM AWARDS, PHOTOGRAPHER GREG WILLIAMS CAPTURED SOME STRIKING IMAGES OF THE NOMINEES. HE ASKED THEM TO MIMIC THE FAMOUS BAFTA MASK, NOTING: “[IT’S] A SIMPLE WAY TO CREATE A SENSE OF TOGETHERNESS AND UNITY BETWEEN NOMINEES SCATTERED ACROSS THE GLOBE.”

NIAMH ALGAR

KOSAR ALI

(Supporting Actress nominee, Calm with Horses)

(Supporting Actress nominee, Rocks)

MARIA BAKALOVA

BUKKY BAKRAY

(Supporting Actress nominee, Borat Subsequent Moviefilm)

(EE Rising Star winner; Leading Actress nominee, Rocks) 36


SỌPẸ́ DÌRÍSÙ .

MORFYDD CLARK (EE Rising Star nominee)

(EE Rising Star nominee)

ADARSH GOURAV

CONRAD KHAN

(Leading Actor nominee, The White Tiger)

(EE Rising Star nominee)

VANESSA KIRBY

MADS MIKKELSEN

(Leading Actress nominee, Pieces of a Woman)

(Leading Actor nominee, Another Round) 37


ASHLEY MADEKWE

WUNMI MOSAKU

(Supporting Actress nominee, County Lines)

(Leading Actress nominee, His House)

CLARKE PETERS

PAUL RACI

(Supporting Actor nominee, Da 5 Bloods)

(Supporting Actor nominee, Sound of Metal)

TAHAR RAHIM (Leading Actor nominee, The Mauritanian) 38


MY, M Y, M Y D E L I L A H BAFTA WINNER CISSY JONES ON HER UNIQUE JOURNEY INTO VOICE ACTING FOR GAMES... After a decade working in the tech industry.

After two years of classes and gaining an agent...

I hate this. I need a new job. But what? “...Next on Inspiration FM, The Simpsons’ Nancy Cartwright talks voice acting...”

Bingo!

‘Going from a decent salary to a gig economy was scary. But I knew in my heart it was the right path. My second audition was for The Walking Dead.’ Circa: 2014-15.

2017: Cissy wins a BAFTA for voicing Delilah in Firewatch.

Wanna play a strong female in a game about loss and human connection? Do I?!! ...Yes, yes I do! For more: bit.ly/cissysjourney 39

‘Firewatch and Delilah changed my life. She brought me to BAFTA and that opened countless doors. I was still fairly new back then. Now I work a lot in games, animation and commercials. I’m so much happier now.’


PHOTOS: BAFTA/Misha Meghna; BAFTA: Jamie Simonds; James Veysey/Shutterstock

“RATHER THAN

BAFTA Elevate 2019-2020: Actors

FORCE, WHY CAN’T IT BE THE BY-PRODUCT?”

REPRESENTATION BEING THE DRIVING


IN A IDEAL WORLD, WORDS LIKE ‘INCLUSION’ AND ‘REPRESENTATION’ WOULD NOT BE A THING. JOBS WOULD GO TO THE PERSON MOST SUITABLE, SELECTED BY TALENT AND EXPERIENCE. SADLY, WE DON’T LIVE IN THAT WORLD YET, BARRIERS DO EXIST AND THE PLAYING FIELD IS NOT LEVEL. BUT WE’RE WORKING ON IT...

It’s not about equality of outcome, it’s about equality of opportunity,” says actress Melissa Johns, star of Coronation Street (2017-2019), Life (2020) and Grantchester (2021), and member of the 21-strong cohort of actors selected in 2019 for BAFTA Elevate, an initiative supporting talented individuals from underrepresented backgrounds to reach the next stage of their career. 41


If we have equality of opportunity, then surely you will get the best person for the job. But, until those casting doors are open for everybody, you will never know if that’s truly what you have.”

Melissa is in a strong position to comment. Born without her right arm below the elbow, she has not only had to overcome intolerance in everyday life, but also accept herself for who she is, all while trying to forge a career in a profession that is riddled with many more rejections than it is successes. “What we need to remember is that we are as worthy of getting roles and being in this industry as anyone else,” she says. “Our industries will always be richer with more voices. We can tell stories that take our lived-in experiences into consideration and portray characters in a completely different way. That’s what we bring to the table. Rather than representation being the driving force, why can’t it be the by-product? Our talent should get us to where we need to be.” Melissa is the co-founder of TripleC, which runs DANC (the Disabled Artists Networking Community). BAFTA has been working with both to help make the industry more inclusive. “As an actor, BAFTA has encouraged me, empowered me and celebrated me in my own right,” she says. “But I also see the work they’re doing with my organisation towards making long-lasting changes. BAFTA has all the ingredients to be one of our biggest game changers and champions to level out the industry.” Read the full interview: bafta.org/about/ awards-brochures

42


T

his rarely seen image from the 2000 Interactive Entertainment Awards ceremony captures host Phill Jupitus in relaxed mood with BAFTA vice-president and chair of trustees, David Puttnam. Two years earlier, Lord Puttnam had been instrumental in ensuring there was a place for celebrating interactive entertainment by adding these Awards to BAFTA’s calendar. As the precursor to the Games Awards, they recognised the creative talents of those involved in the UK’s rapidly expanding

PHOTOS: BAFTA

games industry while it was still in its relatively nascent days. With the addition of games professionals to its existing membership of film and television practitioners, BAFTA finally blossomed into the organisation it is today – an independent charity representing the three art forms of the screen industries.

TREASURES FROM THE ARCHIVE

TREASURES FROM THE ARCHIVE TREASURES FROM THE

ARCHIVE

TREASURES FROM THE ARCHIVE TREASURES FROM THE ARCHIVE

TREASURES FROM THE ARCHIVE

ARCHIVE TREASURES FROM THE ARCHIVE


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T HE N O M IN ATI O NS COMEDY ENTERTAINMENT PROGRAMME

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DAYTIME

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FEATURES

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MINI-SERIES

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NEWS COVERAGE

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SHORT FORM PROGRAMME

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SPECIALIST FACTUAL

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SPORT

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VIRGIN MEDIA’S MUST-SEE MOMENT 45

T HE NO MI NAT I O N S

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CO ME DY E N T ERTA I NMENT

PROGRAMME TH E G RA H A M NO RTO N SHOW Graham Norton, Graham Stuart, Jon Magnusson, Toby Baker, Catherine Strauss, Pete Snell So Television/BBC One TH E L ATEIS H S HOW W ITH M O G ILLI GA N Rhe-an Archibald, Ben Wicks, Tim Dean, Pollyanna McGirr, David Geli, Mo Gilligan Expectation, Momo G/Channel 4 RAC E A R OU ND B R I TA I N Ben Wicks, Andy Brown, Munya Chawawa, Trent Williams-Jones, Claire Cook, Kevin Muyolo Expectation, Munz Made It/YouTube TH E RA N GA N AT I O N Ruth Phillips, Richard Cohen, Mark Barrett, Barbara Wiltshire, Debra Blenkinsop, Helena Parkhill Zeppotron/BBC Two

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CURRENT

A F FAI RS F EA R L ES S : T HE WO M E N F IG H TIN G P U T I N ( E X P OSU R E ) Sarah Collinson, David Henshaw, David Alter, Sasha Odynova, Ksenia Barakovskaya Hardcash Productions, The Economist/ITV F OU R H OU RS AT T HE CA P I TO L Jamie Roberts, Will Grayburn, Dan Reed AMOS Pictures/BBC Two TH E MEN W HO S E LL F O OT BA LL (A L JA Z EE RA I NV EST I GAT I O NS ) Phil Rees, David Harrison, Jason Gwynne, Sarah Yeo, Nicholas Dove, Adrian Gatton Al Jazeera I-Unit/Al Jazeera English TRU MP TAKES O N T HE WO R LD Norma Percy, Tim Stirzaker, Sam Collins, Tania Rakhmanova, Lucy Hetherington, Greg Sanderson Brook Lapping, Les Films d’Ici, ARTE, The Open University/BBC Two

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DAY TI M E TH E C H AS E Michael Kelpie, Martin Scott, Helen Tumbridge, Hester Davies, Caroline Sale, Mick Thomas Potato/ITV MON EY BAG S David Flynn, Michelle Woods, Aaron Rosenthal, Louisa Benger, Shaun Parry, Mike Maclaine youngest Media/Channel 4 R IC H A R D OS M A N’S HO U SE O F GA M ES Tamara Gilder, Breid McLoone, Tom Banks, Abby Brakewell, John Smith, Sarah Boyce Remarkable Television/BBC Two STEP H ’S PAC KE D LU NC H Ben Wicks, Rebecca Papworth, Vivek Sharma, Steph McGovern, Alan Clayton, Derek Hallworth Expectation, Can Can Productions/Channel 4

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DRA MA

SE RI ES IN MY S K I N Kayleigh Llewellyn, Nerys Evans, Molly Manners, Sophie Francis Expectation/BBC Three MA N H U N T: T HE NI G HT STA LKE R Ed Whitmore, Marc Evans, Jo Willett, Evie Bergson-Korn, Philippa Braithwaite Buffalo Pictures/ITV U N F OR G OT T E N Chris Lang, Sally Haynes, Laura Mackie, Guy de Glanville, Andy Wilson Mainstreet Pictures/ITV VIG IL Tom Edge, Simon Heath, Jake Lushington, Angie Daniell, James Strong, Isabelle Sieb World Productions/BBC One

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E N T ERTA I NMENT

P ER F ORM AN CE A L IS ON H A MM O ND I Can See Your Voice Thames/BBC One B IG Z U U Big Zuu’s Big Eats Boom/Dave G RA H A M N ORTO N The Graham Norton Show So Television/BBC One J OE LYC ET T Joe Lycett’s Got Your Back Rumpus Media, My Options Were Limited/Channel 4 MIC H A EL M C I NT YR E Michael McIntyre’s The Wheel Hungry McBear Media/BBC One S EA N LO C K 8 Out of 10 Cats Does Countdown Zeppotron/Channel 4

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E N T ERTA I NMENT

P ROG RAMME * A N AU DIE NC E WI T H A D E LE Adele, Jonathan Dickins, Sally Wood, Ben Winston, Lou Fox, Bex Hampson Fulwell 73, Onward, Sony, Columbia/ITV A N T & DEC’S SAT U R DAY N IG H T TAKE AWAY Production Team Lifted Entertainment, Mitre Studios/ITV L IF E & R H YM ES Production Team CPL Productions, Licklemor Productions/Sky Arts STR ICTLY C O M E DA NC I NG Production Team BBC Studios/BBC One * Given in honour of Lew Grade

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FACT UA L

S ER I ES TH E DETECTIV ES: F I G HT I NG OR GA N IS ED CR I M E Production Team Minnow Films, Open University/BBC Two 9/11: ON E DAY I N A M E R I CA Caroline Marsden, Daniel Bogado, TJ Martin, Dan Lindsay, David Glover, Ella Wright 72 Films/National Geographic U N DER C OVER P O LI C E : H U N TIN G PA E D O P HI LES Joe Mather, Simon Ford, Jamie Pickup, Mark Casebow, Charlie MacDonald, Juliet Piper BBC Studios/Channel 4 U P R IS IN G Production Team Rogan Productions, Lammas Park, Turbine Studios/ BBC One

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FEAT U RES B IG Z U U ’S B I G E ATS Sam Grace, Alex Gilman, Chris Faith, Lucy Blatch, Big Zuu, Rohan Minhas Boom/Dave MORTIME R & WHI T E HO U SE : G ON E F ISHI NG Paul Whitehouse, Bob Mortimer, Lisa Clark, Stephanie Fyfe, Rob Gill, Doug Bryson Owl Power/BBC Two S ORT YOU R LI F E O U T Charlotte Brookes, Kurt Seywald, James Callum, Lucy Blatch, Michael Hyland, Demi Doyle Optomen Television/BBC One TH E G R EAT B R I T I SH SE W I NG B E E Production Team Love Productions/BBC One

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FE MA L E P E RFO RMA NCE

IN A C OM E DY P RO G RA M M E A IMEE LO U WO O D Sex Education Eleven Film/Netflix A IS L IN G B E A This Way Up Merman Television/Channel 4 A N JA N A VASA N We Are Lady Parts Working Title Television/Channel 4 N ATAS IA D E M ET R I O U Stath Lets Flats Roughcut TV/Channel 4 R OS E M ATA F E O Starstruck Avalon/BBC Three S OP H IE WI LL A N Alma’s Not Normal Expectation/BBC Two

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I N T ERNAT I O NA L

CA L L M Y AG E NT ! Harold Valentin, Aurélien Larger, Dominique Besnehard, Michel Feller, Fanny Herrero, Victor Rodenbach Mon Voisin Productions, Mother Productions, France Télévisions/Netflix LU P IN George Kay, Nathan Franck, Isabelle Degeorges, Omar Sy, Louis Leterrier, François Uzan Gaumont Television/Netflix MA R E OF E AST TOWN Production Team wiip, Low Dweller Productions, Juggle Productions, Mayhem Pictures, Zobot Projects, HBO/Sky Atlantic S QU ID GA M E Hwang Dong-hyuk, Kim Ji-yeon Siren Pictures/Netflix S U C C ES S I O N Production Team Project Zeus, Hyperobject Industries, Gary Sanchez Productions, HBO/Sky Atlantic TH E U N DE R G R O U ND RA I LR OA D Barry Jenkins, Colson Whitehead, Adele Romanski, Mark Ceryak, Dede Gardner, Jeremy Kleiner Plan B, PASTEL, Big Indie, Amazon Studios/ Amazon Prime 57


WWW.SEACONTAINERSLONDON.COM

@SEACONTAINERSLDN

Sea Containers London wish all nominees the best of luck.


L EA DI NG

ACTOR DAVID TH E WLI S Landscapers SISTER, South of the River Pictures/Sky Atlantic H U G H QUA RSHI E Stephen HTM Television, Baby Cow Productions/ITV OL LY A L E X A ND E R It’s A Sin Red Production Company/Channel 4 SA MU EL AD E W U NM I You Don’t Know Me Snowed-In Productions/BBC One S EA N B EAN Time BBC Studios/BBC One STEP H EN G RA HA M Help The Forge Entertainment, One Shoe Films/ Channel 4

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L EA DI NG

ACT RES S DEN IS E G O U G H Too Close Snowed-In Productions/ITV EMILY WATS O N Too Close Snowed-In Productions/ITV J ODIE C O M E R Help The Forge Entertainment, One Shoe Films/ Channel 4 K ATE W INSLET Mare of Easttown wiip, Low Dweller Productions, Juggle Productions, Mayhem Pictures, Zobot Projects, HBO/Sky Atlantic LY DIA W EST It’s A Sin Red Production Company/Channel 4 N IA M H A LGA R Deceit Story Films/Channel 4

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LIVE

EV ENT TH E B R IT AWAR DS 20 2 1 Production Team BRITs TV/ITV TH E EA RTH S H OT P R I ZE 20 2 1 Production Team BBC Studios/BBC One TH E R OYA L B R I T I S H LE G I O N F EST I VA L OF R EMEMB RA NC E Production Team BBC Studios/BBC One S P R IN GWATCH 20 2 1 Production Team BBC Studios/BBC Two

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MA L E P E RFO RMA NCE

IN A C OM E DY P RO G RA M M E JA MIE DE M ET R I O U Stath Lets Flats Roughcut TV/Channel 4 J OS EP H GI LG U N Brassic Calamity Films/Sky Max N C U TI GAT WA Sex Education Eleven Film/Netflix SA MS ON K AYO Bloods Roughcut TV, Sky Studios/Sky One STEVE C O O GA N This Time with Alan Partridge Baby Cow Productions/BBC One TIM R EN KOW Jerk Roughcut TV/BBC Three

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Sky proudly congratulates our 2022 Virgin Media BAFTA TV Awards nominees

Landscapers

Mare of Easttown

Succession

Life & Rhymes

Brassic

Bloods

Mini-Series Leading Actor

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Male Performance in a Comedy Programme

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MINI - S E RI ES IT ’S A S IN Russell T Davies, Nicola Shindler, Peter Hoar, Phil Collinson Red Production Company/Channel 4 L A N DS CA P E RS Will Sharpe, Ed Sinclair, Katie Carpenter, Olivia Colman, Jane Featherstone, Chris Fry SISTER, South of the River Pictures/Sky Atlantic STEP H EN Mark Redhead, Madonna Baptiste, Alrick Riley, Frank Cottrell Boyce, Joe Cottrell Boyce, Jessica Sharkey HTM Television, Baby Cow Productions/ITV TIME Jimmy McGovern, Tom Sherry, Lewis Arnold, Simon Maloney, Michael Parke, Andrew Morrissey BBC Studios/BBC One

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NEWS

C OVE RAG E C H A N N EL 4 NE WS: B L AC K TO F R O NT Production Team Channel 4 News/Channel 4 G O OD MOR N I NG B R I TA I N: S H A MIMA B EG U M Production Team ITV Studios Daytime/ITV IT V N EWS AT T E N: STO R M I NG O F TH E CA P ITOL Production Team ITV News, ITN/ITV S K Y N EWS : A F G HA NI STA N: E ND GA M E Production Team Sky News/Sky News

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REA L I T Y &

CONSTRU CT E D FACT UA L G O G G L EB OX Production Team Studio Lambert/Channel 4 MA R R IED AT F I RST S I G HT U K Murray Boland, Dermot Caulfield, Danielle Lux, Sharyn Mills, Rachel Viner, James Kayler CPL Productions/E4 RU PAU L’S D RAG RAC E U K RuPaul Charles, Fenton Bailey, Tom Campbell, Bruce McCoy, Sally Miles, Matt Green World of Wonder Productions/BBC Three TH E D O G HO U SE Production Team Five Mile Films/Channel 4

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S CRI P T ED

COM EDY A L M A’S NOT NO R M A L Sophie Willan, Gill Isles, Andrew Chaplin, Nerys Evans Expectation/BBC Two MOTH ER L A ND Holly Walsh, Helen Serafinowicz, Barunka O’Shaughnessy, Caroline Norris, Sharon Horgan, Clelia Mountford Merman Television, Twofour/BBC Two STATH L ETS F L ATS Jamie Demetriou, Seb Barwell, Andrew Gaynord, Ash Atalla Roughcut TV/Channel 4 W E A R E L A DY PA RTS Production Team Working Title Television/Channel 4

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S HO RT FO RM

PROGRAM M E H OL LYOA KS SAV E D M Y LI F E (H OL LYOA KS I R L) Rachel Hardy, Alan Toner, Graham Gallery Lime Pictures/YouTube OU R L A N D Alexandra Genova, Alfred Thirolle Alexandra Genova/Together TV P EOP L E YOU M AY KNOW Juliet Riddell, James Graham, Tom Hannen, Franklin Dow Financial Times, Sonia Friedman Productions/ Financial Times P L EAS E H EL P Lucy Pearman, Ben Mallaby, David Simpson Tiger Aspect Productions/BBC Three

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S I NGL E

DOC U M EN TA RY * 9/11: IN S I D E T HE P R ESI D E NT ’S WA R R O O M Adam Wishart, Neil Grant, Serena Kennedy, Simon Finch Wish/Art Films, BBC One/Apple TV+ G R EN F EL L: T HE U NTO LD STO RY James Newton, Daisy Ayliffe, Emma Lysaght, Kirsty Cunningham, Jessie Versluys, Constantine Gras BBC Studios/Channel 4 MY C H IL D HO O D, M Y C O U NT RY – 20 Y EA RS I N A F G HA NI STA N Phil Grabsky, Shoaib Sharifi, Amanda Wilkie, Clive Mattock Seventh Art Productions/ITV N A IL B OM B E R : M A N HU NT Production Team Expectation/Netflix * Given in honour of Robert Flaherty

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S I NGL E

DRAM A DEATH OF E NG L A ND : FAC E TO FACE Clint Dyer, Dixie Linder, David Sabel, Rufus Norris, Christine Schwarzman, Roy Williams National Theatre, Sabel Productions, Cuba Pictures/ Sky Arts H EL P Jack Thorne, Marc Munden, Beth Willis, Jenny Frayn, Stephen Graham, Jodie Comer The Forge Entertainment, One Shoe Films/Channel 4 I A M VICTO R I A Dominic Savage, Krishnendu Majumdar, Richard Yee, Suranne Jones, Josh Hyams, David Charap Me + You Productions/Channel 4 TO G ETH E R Stephen Daldry, Dennis Kelly, Guy Heeley, Sonia Friedman, Justin Martin Shoebox Films, Sonia Friedman Productions, BBC Film/ BBC Two

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Congratulations to all winners and nominees From BAFTA’s Official Scrutineers. Together, helping give talent the recognition they deserve. deloitte.co.uk/TMT © 2022 Deloitte LLP. All rights reserved.


S OA P &

CONT I NU I N G D RA M A CAS UA LT Y Deborah Sathe, Loretta Preece, Debbie Biggins, Jenny Thompson, Sarah Beeson BBC Studios/BBC One C OR ON AT I O N ST R E ET Production Team ITV Studios/ITV EMMER DALE Production Team ITV Studios/ITV H OL BY C I T Y Production Team BBC Studios/BBC One

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Join us in Sheffield for the 29th edition of our festival, taking place 23–28 June 2022 with guest curation from award-winning filmmaker, writer and producer, Asif Kapadia. Sheffield DocFest is the UK’s leading documentary festival and one of the world’s most influential markets for documentary projects.

We champion and present the breadth of documentary form – film, television, immersive and art – in the vibrant city of Sheffield each June.

2022 Festival Passes on sale now until 7 June – £310 +VAT. Programme announced in May 2022. #SheffDocFest

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S P ECI A L I ST

FACTUAL * B L AC K P OW E R : A B R I T I SH STO RY OF R ES ISTA NC E George Amponsah, Helen Bart, Steve McQueen, James Rogan, Soleta Rogan, Tracey Scoffield Rogan Productions, Lammas Park, Turbine Studios/ BBC Two F R EDDIE M E R C U RY: T HE F I NA L ACT James Rogan, Daniel Hall, Chris Wilson, Mark Hedgecoe, Soleta Rogan, Simon Lupton Rogan Productions/BBC Two TH E MIS S I NG C HI LD R E N Tanya Stephan, Rachel Cumella, Brian Woods, Anne Morrison, Paddy Garrick, Ella Newton True Vision, Nevision/ITV S IL EN C ED : T HE HI D D E N STO RY OF DISA B LE D B R I TA I N Production Team Blast! Films/BBC Two * Given in honour of Huw Wheldon

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Congratulations to all the nominees and winners of the Virgin Media British Academy Television Awards

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S P ORT TH E A B U D HA B I G RA ND P R I X Production Team Sky Sports, Formula 1/Sky Sports Formula 1 IT V RAC ING : T HE G RA ND NAT I O NA L Mark Demuth, Paul McNamara, Paul Cooper, Tasleem Hasham-Laywood, Rob Oldham, Jon Harris ITV Sport/ITV TOK YO 20 20 O LYM P I CS Production Team BBC Sport/BBC One U EFA EU R O 20 20 S E M I - F I NA L: EN G L A N D V D E NM A R K Mark Demuth, Paul McNamara, Phil Heslop, Maggie Price, Roger Pearce, Stuart Smith ITV Sport/ITV

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S U P P O RT I NG

ACTOR CA L LU M S C OT T HOW E LLS It’s A Sin Red Production Company/Channel 4 DAVID CA R LYLE It’s A Sin Red Production Company/Channel 4 MAT TH EW MAC FA DYE N Succession Project Zeus, Hyperobject Industries, Gary Sanchez Productions, HBO/Sky Atlantic N ON S O A N OZ I E Sweet Tooth Warner Bros. Television/Netflix OM A R I D OU G L AS It’s A Sin Red Production Company/Channel 4 STEP H EN G RA HA M Time BBC Studios/BBC One

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S U P P O RT I NG

ACT RES S CATH Y T YS O N Help The Forge Entertainment, One Shoe Films/Channel 4 C EL IN E BU C KE NS Showtrial World Productions/BBC One EMILY M O RT I M E R The Pursuit of Love Open Book Productions, Moonage Pictures, Amazon Studios/BBC One J ES S ICA P LU M M E R The Girl Before 42/BBC One L EA H H A RV E Y Foundation Skydance Television, Phantom Four/Apple TV+ TA H IRA H SHA R I F The Tower Mammoth Screen, Windhover Films/ITV

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MULT IT U D E M E D IA Multitude Media – proud to be the official PR agency for the Virgin Media British Academy Television Awards and the British Academy Television Craft Awards. Representing production companies, broadcasters, festivals and leading organisations in television since 2015.

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V I RGI N MEDI A’S * As voted for by the public

MU ST- S EE M O ME N T * A N AU DIE NC E WI T H A D E LE Adele’s surprised by the teacher who changed her life Fulwell 73, Onward, Sony, Columbia/ITV I’ M A C ELE B R I T Y… G ET M E O U T OF H ER E! Ant and Dec dig at Downing Street’s lockdown parties Lifted Entertainment/ITV IT ’S A S IN Colin’s devastating AIDS diagnosis Red Production Company/Channel 4 RU PAU L’S D RAG RAC E U K ‘UK Hun?’ – Bimini’s verse World of Wonder/BBC Three S QU ID GA M E Red Light, Green Light game Siren Pictures/Netflix STR ICTLY C O M E DA NC I NG Rose and Giovanni’s silent dance to ‘Symphony’ BBC Studios/BBC One All nominations correct at time of press.

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WORDS: Neil Smith | PHOTOS: BAFTA; BAFTA/Andy Buchanan; BAFTA/Doug McKenzie; BAFTA/Sylviane Poitau | PORTRAIT: Sarah Dunn

Clockwise from top left: With actor Judi Dench and wife Pamela Stephenson at A Tribute to Billy Connolly in 2002; his 2012 A Life in Pictures, hosted by Francine Stock and held in Glasgow; hosting the 1995 Awards, with Joan Collins as citation reader

By a quirk of fate, BAFTA trophies tend to come Sir Billy Connolly’s way every 10 years. It was in 2002 that the gregarious Scot received a Special Award, while 2012 saw him celebrated by BAFTA Scotland for his Outstanding Contribution to Film and Television. It seems fitting, then, that 2022 should bring him the Academy’s highest honour, one he accepts with gratitude and his usual good humour. “I had no idea the Fellowship existed but I’m told it’s a big deal,” he chuckles. “It’s lovely to be recognised and to become a jolly good fellow.


Having been nominated several times for his work, the Big Yin is no stranger to BAFTA, but having been born in a Glasgow tenement flat, the young Connolly surely had no ken that such elevation awaited him. It was a passion to perform that led him first to music and then stand-up and by the early 1970s, nationwide comedy tours were happening.

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Television success eluded him, however, until 1975, when he was invited to make the first of 15 memorable appearances on Michael Parkinson’s chat show. “It was a huge breakthrough,” he admits. “It made me 10 times more famous than I was.

At A Tribute to Julie Walters in 2003 with the young Harry Potter cast; at his BAFTA Tribute in 2002

Although being diagnosed with Parkinson’s disease in 2013 has obliged him to stop performing live, it has not prevented him from appearing in films or on television, including the very recent Billy Connolly Does... series (2022). “It’s really important to work, to draw, to write, to walk silly for your grandchildren,” he reflects. “I don’t let the Parkinson’s dictate who I am – I just get on with it. I’ve had a very successful career and I have no regrets.” Read the full interview: bafta.org/television/features/fellowship-2022 86


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T HE J U RI ES C O MEDY E NTERTAI N M EN T P R OGRAM M E Nicky Sargent Chair Claire Horton Clelia Mountford Dave Lambert David Simpson Ed Bye Jo Bunting Paul Sandler Steven Parker Tom Moutchi Yvonne Sellins Zuelika Brown C URREN T AF FAI RS Ade Rawcliffe Chair Ashley John-Baptiste Diarmuid Jeffreys Dominique Walker Janey Walker Janine Thomas Mei-Ling McNamara Naomi Rose Nimesh Joshi Roy Ackerman Sam Bickley Sam McAlister DAY TIME Liz Trubridge Chair Abigail Dankwa Briony May Williams Debbie Supnik Elaine Hackett Jay Francis Nia Thomas

Ortis Deley Peter Demetris Sarah Eglin Sebastian Scott Sohail Shah D RA MA S E RI ES Krishnendu Majumdar Chair Amanda Coe Arthur Hughes Bharat Nalluri Carol Harding Charles Sturridge Delyth Scudamore Erin Doherty Katie Carpenter Sarmad Masud Terri White Theo Park E NT E RTA I NME NT P E RFO R M A NCE Becky Cadman Chair Alexia Antoniou Fiona O’'Sullivan Gbemisola Ikumelo Matt Walton Melanie Leach Nick Johns Rick Edwards Simon Bland Tim Renkow Zeze Millz

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EN TE RTAI N M E N T PR OG RAM M E Adeel Amini Chair Amy Dallmeyer Beya Kabelu Carol Baffour-Awuah Dean Webster Gina Lyons Hannah Duncombe Ish Kalia Richie West Saima Ferdows Shani Dhanda

FE MA L E P E R FO R M A NCE I N A C O ME DY P R O G RA MM E Hannah Wyatt Chair Amanda Blue Andy Milligan Celeste Dring Hsinyi Liu Jolyon Rubinstein Lucien Clayton Munya Chawawa Phil Temple Suzi Ruffell Vivienne Acheampong

FACT UAL SER I ES Denise Seneviratne Chair Claire Collinson-Jones Helen Littleboy James Jones Jill Worsley Katie Bailiff Murray Boland Paul Stead Peter Beard Sheun Adelasoye Teresa Watkins Thomas Stogdon

I NT E RNAT I O NA L Harvey Elliott Chair Emer Kenny Kate Coggins Kwabs Oppong Laurie Nunn Mandip Gill Nazrin Choudhury Scott Bryan Siobhan Sinnerton L E A D I NG ACTO R Lara Akeju Chair Alice Troughton Anjana Vasan Ash Atalla Ashley Thomas Bolu Babalola Ed Rubin Lauren Evans Nathan Nugent Raisah Ahmed Tamara Lawrance Tim Bricknell

F EAT UR ES Dan Maynard Chair Ana de Moraes Camilla Lewis Carolyn Payne Chi Ukairo Elspeth O’Hare Emma Bullimore Rachel Innes-Lumsden Ria Hebden

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LEADIN G ACT R ESS Marc Samuelson Chair Alistair Petrie Emily Berrington Hakan Kousetta James Friend James Wood Kiran Sonia Sawar Nicky Bligh Philippa Lowthorpe Sophie Leigh Stone Tina Pawlik LIVE EVEN T Rajiv Nathwani Chair Andrea Hamilton Emma Jay Emyr Afan Joe Blake-Turner Kevin O’Brien Laetitia Nneke Sasha Duncan Simon Pizey Siobhan Mulholland Sonali Shah Sophie Todd Tina Daheley M AL E PER F OR M AN C E IN A COM E DY P R OGRAM M E Dan Isaacs Chair Alex Jennings Chris Chibnall Graham Stuart Juliet Morrish Karen Wilson Lydia Hampson Nida Manzoor Olivia Lee Rachel Springett Ronke. Adékoluejo . Tim Crouch Wayne Yip

M I NI - S E R I ES Beryl Richards Chair Andy De Emmony Annie Harrison-Baxter Danielle Lux Joseph Mawle Karissa Hamilton-Bannis Lachlan MacKinnon Laurence Bowen Menhaj Huda Prano Bailey-Bond Saskia Schuster Sian Clifford Tracy Brabin NE WS COV E RAG E Dan Maynard Chair Charlotte Ross Dan Silver James Longman Karen Wightman Kit Morey Lasharna Ross Phil Rees Ruth Settle Susan Goldberg Tom Giles RE A L I T Y & CO NST R U CT E D FACT UA L Kalpna Patel-Knight Chair Adam Adler Clodagh O’Donoghue Fozia Khan Jayne Stanger Julie Shaw Kara Manley Melissa Waterson Paddy McGuinness Reva Sharma Richard Mears Sam Thompson 90


SCRI P T E D C OM EDY Claire Zolkwer Chair Anthony Caveney Bea Ballard Dominic Brigstocke Grace Ofori-Attah Hannah Pescod John Rushton John Macmillan Lola Jagun Roanna Benn Rufus Jones Selin Hizli Steven D Wright

S I NG L E D RA MA Maxine Watson Chair Alexandra Arlango Amy Hubbard Charlie Covell Chris Fry Hong Khaou Irma Inniss Lisa Rousseau Rob Williams Sue Gibbs S OA P & C O NT I NU I NG D RA MA Christine Healy Chair Alana Marmion-Warr Charlie Hampton Duncan Lindsay Gaby Chiappe Holly Boyden Jyoti Fernandes Peter Wolfes Rich Cain Rosalind Taylor Sam Atwell Sarah Waterfall Tanmay Dhanania

SHORT F OR M Sara Putt Chair Adam Gee Amelia Dimoldenberg Chanté Joseph Charlie Swinbourne Clare Timms Huse Monfaradi Ian Fenton Leah Henry Paul McLoone Runyararo Mapfumo Tamsin Summers SIN GLE D O C UM ENTA RY Beryl Richards Chair Allen Charlton Andrea Cornwell Carrie Britton David Clews Gilberte Phanor John Rosser Katie Bryer Margy Kinmonth Nacressa Swan Orlando von Einsiedel Paul Dosaj 91

S P E C I A L I ST FACT UA L Hilary Rosen Chair Danielle Graham Derek McLean Janet Lee John Redshaw Katharine Patrick Kevin Batchelor Ola Mosaku Pat Younge Richard Bond Richard Bradley Tiffany Sweeney


SP ORT Paul Gilbert Chair Alexander Rowe Austin Okon-Akpan James Allen John McKenna Kate Andrews Nicola Howson Ollie Bartlett Rebecca Hopkins Sarah Leach SU PP ORTI N G ACTO R Lucy Willis Chair Antonia Gordon Brian Minchin Cyril Nri Debs Paterson Jamie Campbell Niamh Algar Philip Leach Sasha Robertson Taj Atwal Tom Basden Tom Ellis

V I R G I N ME D I A’S M U ST- S E E M O ME NT Sara Putt Chair Alexi Duggins Andy Halls Anita Singh Boyd Hilton Caitlin Moran Dara Nasr Jason Okundaye Jazmin Kopotsha Josh Newis-Smith Kerri-Ann Roper Mark Jefferies Navi Ahluwalia Scott Bryan Tolani Shoneye Tom Stichbury

SU PP ORTI N G ACT R ESS Katie Player Chair Amanda Mealing Amy Trigg Clare Kerr Eliza Mellor Fehinti Balogun Lucian Msamati Rebecca Johnson Roger Jean Nsengiyumva Sara Johnson

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BAFTA Rocliffe New Writing Showcase: YA and Children’s Media

S U P P O R T N E W TA L E N T

You can play a pivotal role in supporting the creative future of film, games and television by making a donation today. Or why not name one of the seats in our newly designed Princess Anne Theatre and become part of the fabric of London’s most exciting new creative space. To find out more, visit bafta.org/about/fundraising or contact Lucy Plaskett on +44 7970 325678

BAFTA is a registered charity no 216726 and Friends of BAFTA USA is a tax-exempt public charity under Section 501(c)(3) of the Internal Revenue Code (“IRC”).

At BAFTA, we believe that talent is everywhere but opportunity is not. We have recently redeveloped 195 Piccadilly to be a creative centre for film, games and television, giving us the increased space and state-of-the-art technology to dramatically increase our support for the next generation of talent.


T HE BAF TA G O ES TO. . . T HE WIN N ERS O F T H E B RI T I S H ACA D E MY T ELEVIS IO N C RAF T AWA RDS I N 20 22 , HELD ON 2 4 AP R I L, AR E L I ST E D OV E R T HE F OL LOW I N G PAG ES... o f f i c i a l t e l e v i s i o n c r a f t pa r t n e r

C OST UM E DES IG N P C WIL LI AM S We Are Lady Parts Working Title Television/ Channel 4 D IRECTO R : FACTUA L JA MES NE W TO N Grenfell: The Untold Story BBC Studios/Channel 4 D IRECTO R : F ICTION c at e g o r y s p o n s o r

D I R E CTO R : M U LT I - CA M E RA PAU L D U G DA L E Glastonbury Festival: Live at Worthy Farm BBC Studios, Driift Live/ BBC Two E D I T I NG : FACT UA L DA NNY C O L L I NS, M A R K H A MM I L L 9/11: Inside the President’s War Room Wish/Art Films, BBC One/ Apple TV+ E D I T I NG : F I CT I O N

P ETER HOAR It’s A Sin Red Production Company/ Channel 4

SA RA H B RE WE RTO N It’s A Sin Red Production Company/ Channel 4 94


EME R G IN G TA L EN T: FACT UA L

M A KE U P & HA I R D ES I G N

ADAM B R OW N (Dire ctor) Into the Storm: Surfing to Survive (Storyville) Raw TV/BBC Four

BA R RI E G OW E R, SA RA H G OW E R The Witcher Cinesite, Hivemind, Platige Image, Pioneer Stillking Images/Netflix

EME R G IN G TA L EN T: FICT ION

O R I G I NA L M U SI C A RT H U R S H A R P E Landscapers SISTER, South of the River Pictures/Sky Atlantic

c at e g o r y s p o n s o r

P HOTO G RA P HY: FACT UA L

ADJA N I SALM ON ( Write r) Dreaming Whilst Black Big Deal Films/BBC Three

c at e g o r y s p o n s o r

EN TERTA IN M EN T C RA F T TEA M

JA MES I NC L E D O N Liverpool Narcos Blast! Films/Sky Documentaries

c at e g o r y s p o n s o r

N IGEL CATM UR, AN DY D E AC O N , PATRI C K D O H E RT Y, K EVIN D UF F, SIMO N H AW, AN DR E W STOKES The Royal British Legion Festival of Remembrance BBC Studios/BBC One

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PHOTO G RA P H Y & L I GHTING : F ICTION

S O U ND : FACT UA L

E R IK WILSO N Landscapers SISTER, South of the River Pictures/Sky Atlantic

ST E P H E N G R I FFI T H S, A NDY S H E L L E Y, NAS PA R K AS H , DA N JO H NS O N, TA E H A K K I M, CL A I R E E L L I S 1971: The Year That Music Changed Everything Mercury Studios, On The Corner Films/Apple TV+

PR ODUCTION DES IG N

S O U ND : F I CT I O N

c at e g o r y s p o n s o r

c at e g o r y s p o n s o r

S O U ND T E A M A Very British Scandal Blueprint Pictures/BBC One CRISTIN A CASALI , R OBERT WIS CHHUSEN - H AYES, FABRICE SP ELTA Landscapers SISTER, South of the River Pictures/Sky Atlantic SC RIP TED CASTIN G c at e g o r y s p o n s o r

S P E C I A L, V I SUA L & G RA P HI C E F F E CTS DA D I E I NA RS S O N, GAV I N R O U ND, A L E KSA NDA R P EJI C, O L I V E R C U B BAG E , ST E FA NO P E P I N, JET O M OS H E B I The Witcher (Episode 1) Cinesite, Hivemind, Platige Image, Pioneer Stillking Images/Netflix

A IS HA BY WAT E RS We Are Lady Parts Working Title Television/ Channel 4 96


T HE SP E C I A L AWA R D : T R I P LE C TIT LES & G RA P H IC IDEN TIT Y TIM J ON ES, JA MES C R OSS, FAN TASI STA UTAM A R O, R ON C H AKRABORT Y, K EN J I K AWAI , FACTO RY F I F T E E N Tokyo 2020 BBC Sport, Nexus Studios/ BBC One WRIT ER : C OM EDY N IDA M AN ZOO R We Are Lady Parts Working Title Television/ Channel 4 WRIT ER : DRA MA K AY LE I G H LLE W EL LY N In My Skin Expectation/BBC Three

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A BAFTA Special Award was presented to TripleC, a gateway organisation for deaf, disabled or neurodiverse people to access the arts and media. Founded five years ago by actors Cherylee Houston and Melissa Johns, Triple C is a collective of disabled and non-disabled creatives, focused on changing access to the arts for people with disabilities. Together, they are working towards better representation of disabled talent on our screens and in our theatres. It’s no exaggeration to say that when you have seen disabled talent onscreen these past few years, TripleC was either directly involved or a member of its 1,300-plus Disabled Artists Networking Community (DANC) was part of the conversation.


OFFIC E RS OF T HE ACA D E MY OFFIC ERS HRH The Duke of Cambridge, Paul Taiano o b e Co-optee and Chair, Finance, kg k t Audit and Risk Committee Academy President Barbara Broccoli o b e Vice-President, Film

Kathryn Busby Co-optee

David Gardner o b e Vice-President, Games

Sir Lloyd Dorfman c b e Co-optee

Dame Pippa Harris d b e Vice-President, Television

Patrick Keegan Co-optee

BOARD OF T R USTEES

Elliot Knight Co-optee

Krishnendu Majumdar Chair of the Academy

Andrew Miller m b e Co-optee

Sara Putt Deputy Chair of the Academy and Chair, Television Committee

Siobhan Reddy Co-optee

Anna Higgs Chair, Film Committee Ade Rawcliffe Chair, Learning, Inclusion and Talent Committee Dr Jo Twist o b e Chair, Games Committee Bal Samra Co-optee and Chair, Commercial Committee

Medwyn Jones Honorary Advisor Marc Samuelson Honorary Advisor Amanda Berry o b e Chief Executive Kevin Price Chief Operating Officer

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C OM M IT TEES EL ECT E D M EM B ERS O F THE F I LM C OM M I T T E E Anna Higgs Chair Alexandra Derbyshire* Deputy Chair Isabel Begg Nainita Desai Julie La’Bassiere Marc Samuelson Clare Stewart Emily Stillman Yu-Fai Suen Alison Thompson

E L E CT E D M E M B E RS OF THE TELEVISION C O MM I T T E E Sara Putt Chair Nicky Sargent Deputy Chair Lara Akeju Becky Cadman Christine Healy Dan Isaacs Ade Rawcliffe Beryl Richards* Fatima Salaria Claire Zolkwer * Children’s Representatives

EL ECT E D M EM B ERS OF TH E GAM ES COM M I T T E E Dr Jo Twist o b e Chair Des Gayle Deputy Chair Jodie Azhar Nick Button-Brown* Leanne Loombe Elizabeth Mercuri Catherine Woolley

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AWA RDS PART N E RS W ITH EN D UR I N G T H AN KS TO A L L T H E O FFI C I A L PARTN ERS TO T H E V I R G I N ME D I A B RI T I S H ACA DEMY T E LEV I SI O N AWA R DS I N 20 22 . TITL E S P O NS O R

OF F IC IAL PA RT NE RS

Official Bottled Water

Official Champagne

Official Scrutineers

Official Outdoor Media

Official Hair

Official Beauty

Official Bottled Water

Official Hotel

Official Wine

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ACKNOW LED G E M E N TS THE ACAD EM Y W I S H ES TO T H A NK… At BAFTA

Virgin Media - Our title sponsor

Sara Putt (Chair), Nicky Sargent (Deputy Chair) and the members of the Television Committee: Lara Akeju, Adeel Amini, Becky Cadman, Paul Gilbert, Christine Healy, Dan Isaacs, Daniel Maynard, Rajiv Nathwani, Kalpna Patel-Knight, Katie Player, Ade Rawcliffe, Beryl Richards, Hilary Rosen, Fatima Salaria, Denise Seneviratne, Claire Zolkwer

Richard Ayoade - Our host Vick Hope, Zeze Millz, Sam Thompson - BAFTA online content hosts George Ezra - performs ‘Green Green Grass’ BBC One - Ceremony broadcaster Done+Dusted - Ceremony co-producers THEATRESIGN - British Sign Language interpreters and translators

Krishnendu Majumdar - Chair of the Academy

With thanks...

Sara Putt - Deputy Chair of the Academy

EMG The Farm Group HARI’s Hairdressers Lancôme Multitude Media Reactor Group

Television jurors and jury chairs All staff at the Academy

All broadcasters and nominees for their invaluable assistance

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I want green energy on set Not green M&Ms #GreenRider

Find out more at wearealbert.org/green-rider


FO R BAF TA e x e c u t i v e d i r e cto r o f

head of events

awa r d s & c o n t e n t

Lucy Waller

Emma Baehr

b a f ta e v e n t s

Olivia Comer, Freya Harris, Georgia Maskery, Judith Morgan, Victoria Walker, Jessica Watt

h e a d o f awa r d s

Kelly Smith television officer

e x e c u t i v e d i r e cto r o f

Natalie Gurney

pa r t n e r s h i p s & f u n d r a i s i n g

television craft officer

Nick Boocock

Louise Robertson pa r t n e r s h i p s t e a m

Natalie Moss, Amy Elton, Emma Tarcy

awa r d s c o o r d i n at o r

Daljit Billen

e x e c u t i v e d i r e cto r o f executive producer

p r & c o m m u n i c at i o n s

Cassandra Hybel

Donna Mathews

awa r d s t e a m

c o m m u n i c at i o n s t e a m

Lisa Gault, Luke Hebblethwaite, Nick Williams, Deirdre Hopkins, Lewis Peet, Natalie Paszkowski, Jessica Rogers, Tia Wedderburn Charli Haynes, Emma Wellwood, Dingile Kasote, Ben Smart, b a f ta p r o d u c t i o n s David Dougherty, Harry Balmforth, Hattie Barker, Lisa Wehrstedt, Rosie Jones, Caoimhe Foran, Ruth Elora Ella Coveney, Daniel Dalton, Kristen Helmick, Joe Okell accounts

Michelle Diep

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BRO C H U RE C R E D ITS e d i to r

printer

Toby Weidmann

FE Burman Ltd London www.feburman.co.uk

d es i g n & c ov e r a rt

Abigail Bills ad sales

Amy Elton Emma Tarcy p h oto g ra p h y d i r e cto r

Claire Rees p h oto g ra p h y c o o r d i n at o r

The Academy chooses Edixion, supporting excellence in print. Printed on Edixion Offset 350gsm (cover) and 140gsm (text). Supplied by FE Burman Ltd. The carbon impact of this paper has been measured and balanced through the World Land Trust, an ecological charity.

Jordan Anderson c o n t r i b u to r

CBP011143

Neil Smith

Certificate no.: CBP012194

With thanks to Louise Anderson, Julia Carruthers, Mariayah Kaderbhai, Cassandra Neal, Lisa Prime and all our interviewees. Special thanks to Pamela Stephenson.

The papers used for this year’s tickets and brochure are Forest Stewardship Council® certified, and are 100% recyclable.

Executive portraits: BAFTA/ Scott Garfitt (HRH The Duke of Cambridge); BAFTA/Jonathan Birch (Amanda Berry), Harry Richards Photography (Krishnendu Majumdar) Although every effort has been made to ensure the accuracy of the information contained in this publication, the Publishers cannot accept liability for errors or omissions. No part of this publication may be reproduced without the written permission of BAFTA.

Published by British Academy of Film and Television Arts 195 Piccadilly London W1J 9LN Tel: +44 (0)20 7734 0022 reception@bafta.org www.bafta.org ©BAFTA 2022 104


CONGRATULATIONS TO ALL OF OUR PRODUCERS AND CREATIVE PARTNERS ON THEIR BRITISH ACADEMY TELEVISION AWARD NOMINATIONS FACTUAL SERIES Undercover Police: Hunting Paedophiles

COMEDY ENTERTAINMENT PROGRAMME The Lateish Show with Mo Gilligan Expectation, Momo G

MINI-SERIES Time

COMEDY ENTERTAINMENT PROGRAMME Race Around Britain Expectation, Munz Made It

LEADING ACTOR Time - Sean Bean SUPPORTING ACTOR Time - Stephen Graham LIVE EVENT The Earthshot Prize 2021 LIVE EVENT The Royal British Legion Festival of Remembrance LIVE EVENT Springwatch 2021 SINGLE DOCUMENTARY Grenfell: The Untold Story SOAP & CONTINUING DRAMA Casualty SOAP & CONTINUING DRAMA Holby City ENTERTAINMENT PROGRAMME Strictly Come Dancing VIRGIN MEDIA’S MUST SEE MOMENT Strictly Come Dancing, Rose and Giovanni’s silent dance to ‘Symphony’

DAYTIME Steph’s Packed Lunch Expectation, Can Can Productions FACTUAL SERIES Uprising Rogan Productions, Lammas Park, and Turbine Studios SCRIPTED COMEDY Alma’s Not Normal Expectation FEMALE PERFORMANCE IN A COMEDY PROGRAMME Alma’s Not Normal - Sophie Willan Expectation MALE PERFORMANCE IN A COMEDY PROGRAMME This Time With Alan Partridge - Steve Coogan Baby Cow Productions SINGLE DOCUMENTARY Nail Bomber: Man Hunt Expectation SPECIALIST FACTUAL Freddie Mercury: The Final Act Rogan Productions

Thanks to all the jurors and voting members of the Academy. Congratulations also to our BAFTA TV Craft Award nominees and winners.



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