Woolley & Wallis Fine Chinese Works of Art, Paintings & Calligraphy by Auction Technology Group

WOOLLEY & WaLLis

WOOLLEY & WaLLis SALISBURY SALEROOMS

威立士

SALISBURY

Fine Chinese Works of art, Paintings & Calligraphy 中國藝術品及字畫

Tuesday 22nd May 2018 F ine C hinese W orks oF

A rt , P Aintings & C AlligrAPhy t uesdAy 22 nd M Ay 2018

www.woolleyandwallis.co.uk

Lots 1, 2, 144 & 147

Specialist Departments Please dial +44 (0)1722 followed by the number listed below AsiAn Art John Axford MRICS ASFAV Jeremy Morgan Marta Olszewska

424506 +44 (0)7812 601098 424591

vAluAtions For insurAnCe & ProbAte Paul Viney ASFAV Clive Stewart-Lockhart FRICS FRSA

424509 424598 446960 424590 424500

Chinese PAintings Freya Yuan-Richards

424589

mArketing Ilona Pichler Tamzin Corbett

JAPAnese Art Alex Aguilar Doméracki

424583

ACCounts Janice Clift (Office Manager)

20th Century Design Michael Jeffery Zoe Smith

424505 329477

english & euroPeAn CerAmiCs & glAss Clare Durham

424507

Furniture, Works oF Art & CloCks Mark Yuan-Richards Jim Gale Suzy Becsy

411854 339161 411854

JeWellery Marielle Whiting FGA Jonathan Edwards FGAA (Consultant) Charlotte Glyde

424595 424504 424586

meDAls & Coins, Arms & Armour Ned Cowell Zoe Cordey

341469 446980

PAintings Victor Fauvelle Jo Butler Hollie Grubb

424503 424592 424592

silver Rupert Slingsby Lucy Chalmers

424501 424594

tribAl Art & Antiquities Will Hobbs Zoe Cordey

339752 446980

Catalogue £20.00 (£25.00 by post) (£30.00 by post outside Europe)

generAl oFFiCe Pauline Jones Sharon Ringwood Nicola Young Fleur Field sAleroom mAnAger David Jordan

424500

CAstle gAte mAnAger Matt Hill CAstle gAte reCePtion Madeleine White boArD oF DireCtors Paul Viney ASFAV Chairman John Axford MRICS ASFAV Deputy Chairman Clive Stewart-Lockhart FRICS FRSA Managing Director ComPAny seCretAry Natalie Milsted FCCA AssoCiAte DireCtors Janice Clift Clare Durham Will Hobbs Michael Jeffery Mark Yuan-Richards Rupert Slingsby Marielle Whiting FGA

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 • www.woolleyandwallis.co.uk

424500

424599

Fine Chinese Works of Art, Paintings & Calligraphy 中國藝術品及字畫 Tuesday 22nd May 2018 at 10.30am Viewing in London (Highlights) 17 Clifford Street 2nd Floor W1S 3RQ Saturday 12th May Sunday 13th May Monday 14th May Tuesday 15th May

10.00am – 4.00pm 11.00am – 4.00pm 10.00am – 5.00pm 10.00am – 4.00pm

Viewing in Salisbury Saturday 19th May Monday 21st May Tuesday 22nd May

10.00am – 1.00pm 9.00am – 5.00pm 9.00am – 10.30am

CHINESE ART

John Axford +44 (0)1722 424506 jea@woolleyandwallis.co.uk

Jeremy Morgan +44 (0)7812 601098 jm@woolleyandwallis.co.uk

BUYER’S PREMIUM Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 買家佣金每件拍品收取25%的買家佣金+增值稅（20%）

Marta Olszewska +44 (0)1722 424591 mo@woolleyandwallis.co.uk

Telephone Bidding Requests for telephone bidding cannot be accepted after 12 noon BST on Monday 21st May.

CHINESE PAINTINGS

All online bidders will be required to pay a deposit of £5,000. This deposit will allow the online bidder to bid up to a maximum of £50,000 in total at this auction.

Freya Yuan-Richards +44 (0)1722 424589 fyr@woolleyandwallis.co.uk

www.the-saleroom.com

JAPANESE ART

Alex Aguilar Doméracki +44 (0)1722 424583 aad@woolleyandwallis.co.uk

Please note there is a 3% plus VAT surcharge for using this service 網上競投服務平台會有3%額外手續費（+VAT稅）

新浪微博 @艾思福

Lot 293

SPECIAL ASIAN ART NOTICES Restricted Bidding If you wish to bid at this auction you will need to register and provide proof of identity and of your address and provide photographic ID. You may be asked to pay a deposit of £5,000. Any deposit must be paid by debit card or bank transfer. Woolley and Wallis must have cleared funds no later than 12 noon BST on Monday 21st May. If you are not successful you will be refunded (without interest) within seven working days. ALL ONLINE BIDDERS WILL BE REQUIRED TO PAY A DEPOSIT OF £5,000. THIS DEPOSIT WILL ALLOW THE ONLINE BIDDER TO BID UP TO A MAXIMUM OF £50,000 IN TOTAL AT THIS AUCTION. 網絡競投需向本公司支付£5000押金，網上競投總金額的限額為£50,000。特別提示：競拍者須憑本人護照領取競投號牌，并預交保證金£5000。請務必妥善保管自己的競投號牌，不得將自己的競投號借於他人使用。若他人使用其號牌競投相應拍品，競買者需承擔全部法律責任。注：註冊拍賣截止時間為05月21日中午12點整。

Bank Transfers should be sent to: Lloyds Bank plc, Blue Boar Row, Salisbury SP1 1DB Account no. 00957707 Sort code 30-97-41 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 Telephone Bidding Requests for telephone bidding cannot be accepted after 12 noon BST on Monday 21st May. Condition of lots Please note that the condition of lots is not stated in the catalogue descriptions. Reports on condition may be available on request. The absence of condition reports in the catalogue does not imply that the lot is free from imperfections or faults. 品相報告競買人應於拍賣之前的預展中視察拍品。純為方便買家威立士可以在拍賣開始前提供品相報告，但未記載的品相報告並不代表其品相完美，如果您有需要請聯繫我們咨訊相關信息。

CHRONOLOGY OF CHINA 中國歷代年表

NEOLITHIC 新石器時代 c.6500-1700 BC XIA DYNASTY 夏 c.2100-1600 BC SHANG DYNASTY 商 c.1600-1100 BC ZHOU DYNASTY 周 c.1100-221 BC Western Zhou 西周 c.1100-771 BC Eastern Zhou 東周 770-256 BC Spring and Autumn Period 春秋 770-476 BC Warring States Period 戰國 475-221 BC QIN DYNASTY 秦 221-206 BC HAN DYNASTY 漢 206 BC-AD 220 Western Han 西漢 206 BC-AD 8 Eastern Han 東漢 AD 25-220 THREE KINGDOMS 三國 220-280 Wei 魏 220-265 Shu Han 蜀漢 221-263 Wu 吳 222-280 JIN DYNASTY 晉 265-420 Western Jin 西晉 265-317 Sixteen Kingdoms 十六國 304-439 Dong Jin 東晉 317-420 SOUTHERN DYNASTIES 南朝 420-589 Liu Song 劉宋 420-479 Southern Qi 南齊 479-502 Liang 梁 502-557 Chen 陳 557-589

NORTHERN DYNASTIES 北朝 386-581 Northern Wei 北魏 386-534 Eastern Wei 東魏 534-550 Western Wei 西魏 535-556 Northern Qi 北齊 550-577 Northern Zhou 北周 557-581 SUI DYNASTY 隋 581-618 TANG DYNASTY 唐 618-907 FIVE DYNASTIES 五代 907-960 Later Liang 後梁 907-923 Later Tang 後唐 923-936 Later Jin 後晋 936-946 Later Han 後漢 947-950 Later Zhou 後周 951-960 LIAO DYNASTY 遼 907-1125 SONG DYNASTY 宋 960-1279 Northern Song 北宋 960-1127 Southern Song 南宋 1127-1279 JIN DYNASTY 金 1115-1234 YUAN DYNASTY 元 1271-1368

MING DYNASTY 明 1368-1644 Hongwu 洪武 1368-1398 Jianwen 建文 1399-1402 Yongle 永樂 1403-1425 Hongxi 洪熙 1425 Xuande 宣德 1426-1435 Zhengtong 正統 1436-1449 Jingtai 景泰 1450-1456 Tianshun 天順 1457-1464 Chenghua 成化 1465-1487 Hongzhi 弘治 1488-1505 Zhengde 正德 1506-1521 Jiajing 嘉靖 1522-1566 Longqing 隆慶 1567-1572 Wanli 萬曆 1573-1620 Taichang 泰昌 1620 Tianqi 天啟 1621-1627 Chongzhen 崇禎 1628-1644 QING DYNASTY 清 1644-1911 Shunzhi 順治 1644-1661 Kangxi 康熙 1662-1722 Yongzheng 雍正 1723-1735 Qianlong 乾隆 1736-1795 Jiaqing 嘉慶 1796-1820 Daoguang 道光 1821-1850 Xianfeng 咸豐 1851-1861 Tongzhi 同治 1862-1874 Guangxu 光緒 1875-1908 Xuantong 宣統 1908-1911 REPUBLIC OF CHINA 中華民國 1912HONGXIAN (YUAN SHI KAI) 洪憲（袁世凱）1915-1916 PEOPLE’S REPUBLIC OF CHINA 中華人民共和國 1949-

Fine Chinese Works of Art, Paintings & Calligraphy 中國藝術品及字畫 Tuesday 22nd May 2018 at 10.30am

Stephen D Winkworth, William (Billy) Wilberforce Winkworth and Sir Norman Collie at Lovelands, Winkworth’s country house c.1920

Lots 1-29 from the collection of Professor John Norman Collie and thence by descent Professor John Norman Collie FRSE FRS (1859-1942) was a British scientist, mountaineer and explorer, and has been claimed as Conan Doyle’s inspiration for Sherlock Holmes. His professional career was spent as a scientist (he was the first to use x-rays in a medical context) but his avocation was mountaineering about which he published several works. Collie’s interests included fishing, fine claret, horse racing and Chinese works of art, and like Sherlock Holmes, he was an incessant pipe smoker. Much of Collie’s Chinese collection was sold by Sotheby & Co in a dedicated two day sale in 1943, but the pieces (lots 1-29) remained in the family until now. John Norman Collie 博士（1859-1942）是英國科學家、登山家及探險家。曾是作家柯南道爾所著的《福爾摩斯探案集》

的靈感來源。Collin博士是第一位把X光運用到醫學用途上的科學家，但他更喜愛登山、釣魚、賽馬及收集中國藝術品。當然還有和神探福爾摩斯一樣的癖好：抽煙斗。Collie博士大部分的中國藝術藏品已在1943年由蘇富比以專場形式分兩天拍賣成交，但本次拍賣的拍品（編號1-29）是由Collie家族成員收藏至今。照片左起第三位為John Norman Collie 博士，攝於1920年Winkworth’s country house。

1 A CHINESE WHITE JADE FU LU SHOU MOUNTAIN CARVING 18TH CENTURY With Shoulao leaning on a staff, his attendant offering him a large peach and with a deer to his left, and a bat flying above, with lingzhi and bamboo sprays to the base and a pine tree to the reverse, together with a wood stand, 14.5cm. (2)

Provenance: from the collection of Professor J Norman Collie, FRS (1859-1942) and thence by descent.

十八世紀白玉雕福祿壽山子來源：J Norman Collie FRS 博士(1859-1942)收藏

£5,000-10,000

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

2 A FINE CHINESE WHITE JADE CARVING OF LONG MA 18TH CENTURY Transforming into a qilin and emerging from crashing waves with the bao gua on its back, 9.5cm.

£6,000-8,000

Provenance: from the collection of Professor J Norman Collie, FRS (1859-1942) and thence by descent.

十八世紀白玉雕龍馬負圖擺件來源：J Norman Collie FRS博士(1859-1942)收藏

3 A CHINESE BRONZE TRIPOD INCENSE BURNER EARLY QING DYNASTY With a compressed circular body and two chilong clambering over the rim forming handles, all supported on three tapering feet, with a six character mark to the base which reads wu chen Mi Sheng tang zhi, together with a wood cover with a rock crystal finial, 26cm, 2.8kg. (2)

£3,000-5,000 Provenance: from the collection of Professor J Norman Collie, FRS (1859-1942) and thence by descent.

清銅製螭龍耳三足爐《戊辰米生堂製》來源：J Norman Collie FRS博士(1859-1942)收藏

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

4 A CHINESE BRONZE TRIPOD ‘DRAGON’ INCENSE BURNER 17TH/18TH CENTURY The body of compressed circular form cast with two pairs of confronting dragons contesting the sacred pearl of wisdom, with a waisted neck and two loop handles with a foliate design rising from the rim with key fret band, all raised on three tall legs cast with stylised leaves, a three character mark in seal script to the base reading song yue lü, 17.5cm, 2.5kg.

£4,000-6,000 Provenance: from the collection of Professor J Norman Collie, FRS (1859-1942) and thence by descent.

十七/十八世紀銅製雙龍戲珠紋三足爐《松月侶》來源：J Norman Collie FRS博士(1859-1942)收藏

5 A CHINESE BRONZE CYLINDRICAL INCENSE BURNER 17TH/18TH CENTURY

6 A PAIR OF CHINESE CLOISONNE ‘BUTTERFLY’ VASES 19TH CENTURY

The plain body with two elephant head-shaped handles, raised on a short circular foot, with a six character Xuande mark to the base, 9.6cm, 853g.

With ovoid bodies and tall necks decorated with butterflies, blossoming prunus branches, chrysanthemum and hibiscus against turquoise grounds, with ruyi-heads to the rims and scrolling foliate bands to the feet, 30cm. (2)

£2,000-3,000 Provenance: from the collection of Professor J Norman Collie, FRS (1859-1942) and thence by descent.

十七/十八世紀銅製獸耳銜環爐《大明宣德年製》來源：J Norman Collie FRS博士(1859-1942)收藏

£800-1,200 Provenance: from the collection of Professor J Norman Collie, FRS (1859-1942) and thence by descent.

十九世紀銅胎掐絲琺瑯蝶戀花紋瓶一對來源：J Norman Collie FRS博士(1859-1942)收藏

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

7 A RARE CHINESE IMPERIAL CORAL CUP 18TH CENTURY

8 A CHINESE BRONZE TRIPOD INCENSE BURNER QING DYNASTY

The oval lobed body with a handle, inlaid in coral on a metal base with figures in a landscape between bands of key fret to the rim and foot, the interior with a silver liner and a paper label for the Burlington Fine Arts Club, together with a wood stand, 8cm. (2)

With a compressed circular body cast with six spiralling roundels, with a recessed rim and two loop handles rising from the shoulder, all supported on three tall legs capped with masks, 19.5cm, 2kg.

£2,000-3,000 Provenance: from the collection of Professor J Norman Collie, FRS (1859-1942) and thence by descent. Exhibited at the Burlington Fine Arts Club Exhibition of Chinese Art in 1915.

£1,500-2,500 Provenance: from the collection of Professor J Norman Collie, FRS (1859-1942) and thence by descent.

清銅製三足爐來源：J Norman Collie FRS博士(1859-1942)收藏

Cf. The Complete Collection of Treasures of the Palace Museum, Treasures of the Imperial Court, Vol 57, pp.30-31, no.24 for a peach box and cover decorated in coral using a similar technique.

十八世紀御製銀胎嵌珊瑚小盃來源：J Norman Collie FRS博士(1859-1942)收藏展覽：1915年在Burlington Fine Arts Club展出，附标签

9 A RARE CHINESE IMPERIAL BLUE-GROUND ZHADOU SIX CHARACTER YONGZHENG MARK AND OF THE PERIOD 1723-35 With a wide flared rim, decorated with an even dark blue glaze, the interior white, all raised on a short flared foot, 12.5cm.

£30,000-50,000 Provenance: from the collection of Professor J Norman Collie, FRS (1859-1942) and thence by descent. Cf. The Complete Collection of Treasures of the Palace Museum, Monochrome Porcelain, p.81, no.74 for another example of a blue-ground zhadou also from the Yongzheng period.

清雍正御製霽藍釉渣斗《大清雍正年製》青花楷書款來源：J Norman Collie FRS博士(1859-1942)收藏

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

10 A CHINESE BAMBOO BITONG 18TH CENTURY Carved with four scholars in a boat travelling down a mountain river amongst pine trees, the rim and base with hardwood mounts, 16cm.

£4,000-6,000 Provenance: from the collection of Professor J Norman Collie, FRS (1859-1942) and thence by descent. Cf. L C S Tam, Chinese Bamboo Carving, pp.236-237, no.52 for a similar example of a bitong with Immortals in a boat.

十八世紀竹雕泛舟紋筆筒來源：J Norman Collie FRS博士(1859-1942)收藏

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

11 A CHINESE UNDERGLAZE BLUE AND RED ‘THREE FRIENDS OF WINTER’ VASE KANGXI 1662-1722 With an ovoid body carved with bamboo, prunus and pine picked out in underglaze red, blue and celadon, 21cm.

£3,000-5,000 Provenance: from the collection of Professor J Norman Collie, FRS (1859-1942) and thence by descent.

清康熙青花釉里紅歲寒三友瓶來源：J Norman Collie FRS博士(1859-1942)收藏

12 A SMALL CHINESE COPPER-RED MEIPING YONGZHENG 1723-35 Decorated with an even glaze draining from a white rim, a paper label for Bluett & Sons, London to the base, 17.5cm.

£3,000-5,000 Provenance: from the collection of Professor J Norman Collie, FRS (1859-1942) and thence by descent.

清雍正紅釉梅瓶來源：J Norman Collie FRS博士(1859-1942)收藏，附倫敦Bluett & Son標籤

13 A NEAR PAIR OF CHINESE BLUE AND WHITE ‘PRUNUS’ JARS AND COVERS KANGXI 1662-1722 Each with an ovoid body painted with prunus blossoms against a cracked-ice ground, with dentil bands to the shoulders and with ruyi-head bands to the covers, together with wood stands, 24cm. (6)

£3,000-5,000 Provenance: from the collection of Professor J Norman Collie, FRS (1859-1942) and thence by descent.

清康熙青花冰梅紋蓋罐一組兩件來源：J Norman Collie FRS博士(1859-1942)收藏 14 A CHINESE BLUE AND WHITE JAR 19TH CENTURY Painted with shaped panels of birds and blossoms against a blue powder ground, together with a reticulated wood cover and stand, 20.5cm. (3)

£800-1,200 Provenance: from the collection of Professor J Norman Collie, FRS (1859-1942) and thence by descent.

十九世紀青花開光花卉紋罐來源：J Norman Collie FRS博士(1859-1942)收藏

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

15 A CHINESE SPINACH-GREEN JADE VASE 18TH CENTURY

16 A CHINESE BLUE AND WHITE ‘LOTUS’ DISH SIX CHARACTER XIANFENG MARK AND OF THE PERIOD 1851-61

With a slender neck and a cylindrical body carved with panels containing stylised lotus flowerheads, all raised on a short circular flared foot, 13cm.

Painted to the centre with stylised lotus flowerheads and foliage, the rim and reverse mirroring the design, 15.4cm.

£1,500-2,500

£1,000-2,000

Provenance: from the collection of Professor J Norman Collie, FRS (1859-1942) and thence by descent.

十八世紀碧玉雕蓮花紋瓶來源：J Norman Collie FRS博士(1859-1942)收藏

Cf. Z Lili, The Shanghai Museum Collection: Qing Dai Yongzheng- XuanTong Guan Yao Ci Qi, p.342 for a plate of the same design from the Tongzhi period.

清咸豐青花纏枝蓮紋碟《大清咸豐年製》青花楷書款來源：J Norman Collie FRS博士(1859-1942)收藏 17 A CHINESE PALE CELADON JADE MODEL OF AN ARCHAISTIC BLADE 18TH/19TH CENTURY Of triangular form with a taotie mask to the centre and a lion dog finial, together with a small cup carved in the shape of a blossom, 6.2cm. (2)

£1,000-2,000 Provenance: from the collection of Professor J Norman Collie, FRS (1859-1942) and thence by descent.

十八/十九世紀灰白玉雕仿古斧型佩及海棠紋碗來源：J Norman Collie FRS博士(1859-1942)收藏

19 A CHINESE AMBER SNUFF BOTTLE 19TH CENTURY

20 A CHINESE RED GLASS SNUFF BOTTLE 19TH CENTURY

With a tapering body carved in shallow relief with stylised lotus flowerheads and foliage, 6.5cm.

With a flattened circular body with lion mask handles to the sides, raised on an oval foot, the amber of dark syrup colour with light yellow mottling, 7.5cm.

With a flattened circular body and lion mask handles to the sides, raised on an oval foot, 6.5cm.

£1,000-2,000

Provenance: from the collection of Professor J Norman Collie, FRS (1859-1942) and thence by descent.

十八/十九世紀白玉雕纏枝蓮紋鼻煙壺來源：J Norman Collie FRS博士(1859-1942) 收藏

十九世紀琥珀雕鼻煙壺來源：J Norman Collie FRS博士(1859-1942) 收藏

18 A CHINESE WHITE JADE ‘LOTUS’ SNUFF BOTTLE 18TH/19TH CENTURY

£800-1,200 Provenance: from the collection of Professor J Norman Collie, FRS (1859-1942) and thence by descent.

十九世紀紅料獅耳鼻煙壺來源：J Norman Collie FRS博士(1859-1942) 收藏

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

21 A CHINESE AMBER SNUFF BOTTLE 19TH CENTURY With a flattened body carved in a dark amber of even colour with stylised lion mask handles to the sides, raised on an oval foot, 8cm.

£1,000-2,000 Provenance: from the collection of Professor J Norman Collie, FRS (1859-1942) and thence by descent.

十九世紀琥珀雕鼻煙壺來源：J Norman Collie FRS 博士(1859-1942) 收藏

22 A CHINESE RED-OVERLAY GLASS ‘CARP’ SNUFF BOTTLE 19TH CENTURY With a flattened circular body carved through the red overlay to a clear bubble-suffused ground with two carp amidst aquatic plants, raised on an oval foot, 6.2cm.

£500-1,000 Provenance: from the collection of Professor J Norman Collie, FRS (1859-1942) and thence by descent.

十九世紀雪霏地套紅料鯉魚紋鼻煙壺來源：J Norman Collie FRS博士(1859-1942) 收藏

23 λ A CHINESE CORAL SNUFF BOTTLE 18TH CENTURY Carved with lilies, hyacinths and bell flowers in shallow relief, with an inlaid Japanese ivory stopper with Shibayama-style insects and an ivory base with a signature, 6.1cm.

£1,500-2,500 Provenance: from the collection of Professor J Norman Collie, FRS (1859-1942) and thence by descent.

十八世紀珊瑚雕花卉紋鼻煙壺來源：J Norman Collie FRS博士(1859-1942) 收藏

24 THREE CHINESE SNUFF BOTTLES 19TH CENTURY

25 TWO CHINESE ROCK CRYSTAL SNUFF BOTTLES 19TH CENTURY

One agate with a flattened circular body, the stone with black and brown markings, another in blue glass, the third amber with lion head-shaped handles, 5.8cm. (3)

The larger carved of translucent crystal with two oval panels with Shoulao and an assistant and with blossoming prunus, the sides with lion mask handles, the other bottle of smoky crystal carved with a horse beside a willow tree, 7cm. (2)

£1,000-2,000 Provenance: from the collection of Professor J Norman Collie, FRS (1859-1942) and thence by descent.

十九世紀藍料、瑪瑙及琥珀雕鼻煙壺一組三件來源：J Norman Collie FRS博士(1859-1942)收藏

£1,000-2,000 Provenance: from the collection of Professor J Norman Collie, FRS (1859-1942) and thence by descent.

十九世紀水晶雕鼻煙壺一組兩件來源：J Norman Collie FRS博士(1859-1942)收藏

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

26 FIVE CHINESE SNUFF BOTTLES 19TH CENTURY Two ceramic, one plain green, one moulded with figures, two agate, one with a lion dog, the other with a fisherman and a tiger, the fifth in cinnabar lacquer with figures in sampans and pavilions, 8.5cm. (5)

£1,000-2,000 Provenance: from the collection of Professor J Norman Collie, FRS (1859-1942) and thence by descent.

十九世紀鼻煙壺一組五件來源：J Norman Collie FRS博士(1859-1942)收藏

27 A CHINESE YELLOW AMBER SNUFF BOTTLE 19TH CENTURY With a flattened ovoid body carved in a honey yellow amber with panels with figures, trees and birds, 7.3cm.

£1,000-2,000 Provenance: from the collection of Professor J Norman Collie, FRS (1859-1942) and thence by descent.

十九世紀琥珀雕鼻煙壺來源：J Norman Collie FRS博士(1859-1942)收藏

28 A CHINESE GLASS ‘CRICKET’ SNUFF BOTTLE SIMULATING AGATE 19TH CENTURY With a flattened ovoid body of buff colour decorated with a green overlay design of a cricket and two radishes with rockwork in the background, 7cm.

£2,000-3,000 Provenance: from the collection of Professor J Norman Collie, FRS (1859-1942) and thence by descent.

十九世紀料製鼻煙壺來源：J Norman Collie FRS博士(1859-1942)收藏

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

29 A FINE CHINESE RED-OVERLAY GLASS ‘PAVILION’ SNUFF BOTTLE 18TH CENTURY The pear-shaped body carved through the dark red overlay to a clear bubble-suffused ground with the sun, a three legged toad, rocks and a walled city emerging from crashing waves, a crane in flight holding a scroll in its beak and a pavilion floating in the clouds, 8cm.

£5,000-8,000 Provenance: from the collection of Professor J Norman Collie, FRS (1859-1942) and thence by descent.

十八世紀雪霏地套紅料鼻煙壺來源：J Norman Collie FRS博士(1859-1942)收藏

30 A TIBETAN GILT BRONZE FIGURE OF BUDDHA SAKYAMUNI 15TH CENTURY

31 A TIBETAN GILT BRONZE FIGURE OF THE THIRD DALAI LAMA 15TH/16TH CENTURY

Seated in vajraparyankasana on a double lotus base with his right hand in bhumisparsha mudra and his left in dhyana mudra, dressed in monk’s robes partially draped over his right shoulder, the base sealed with a four-pointed vajra, 9cm, 197g.

Sitting in vajraparyankasana on a double lotus throne with a vajra emblem to the front, touching the ground with his right hand, the left resting on his knees, wearing monk’s robes, his head shaved with traces of cold painted decoration, the base sealed and painted with red lacquer with a four-pointed vajra, 9cm, 284g.

£1,000-2,000 Provenance: formerly in the Cheng Huan Collection. Cf. Christie’s Paris, 9th June 2015, lot 354 for a similar but earlier example.

十五世紀西藏銅鎏金釋迦摩尼坐像來源：香港大律師清洪先生舊藏

£2,000-3,000 Provenance: formerly in the Cheng Huan Collection. Cf. The Complete Collection of Treasures of the Palace Museum, Buddhist Statues of Tibet, VIX, p.201, no.192 for a related example of the Third Dalai Lama from the 17th century.

十五/十六世紀西藏銅鎏金三世達賴坐像來源：香港大律師清洪先生舊藏

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

32 A TIBETAN GILT BRONZE FIGURE OF SHADAKSHARI AVALOKITESHVARA 17TH CENTURY Seated in vajraparyankasana on a lotus throne, the primary hands folded in namaskara mudra in front of the chest and the secondary hands raised, wearing a dhoti, adorned with jewellery and a tiara inlaid with turquoise and coral beads, the blue-painted hair arranged in a high chignon surmounted by the head of Amitabha, the base sealed and incised with a four-pointed vajra, 13cm, 637g.

£2,000-3,000 Provenance: formerly in the Cheng Huan Collection. Cf. Christie’s New York, 20th March 2009, lot 2271 for a similar example.

33 A TIBETAN GILT BRONZE FIGURE OF A BODHISATTVA 17TH CENTURY Seated on a lotus throne, wearing a dhoti, with celestial ribbons at the shoulders, a tiara and elaborate jewellery, his right hand is raised in vitarka mudra, and his left lowered in dhyana mudra rest on his lap, the base sealed, inscribed with Tibetan script to the back of the throne, 10.5cm, 581g.

£2,000-3,000 Provenance: formerly in the Cheng Huan Collection.

十七世紀西藏銅鎏金菩薩坐像來源：香港大律師清洪先生舊藏

十七世紀西藏銅鎏金四臂觀音坐像來源：香港大律師清洪先生舊藏

34 A WESTERN HIMALAYAN BRONZE FIGURE OF PADMAPANI 11TH/12TH CENTURY

35 A TIBETAN COPPER FIGURE OF VAJRAVARAHI 13TH CENTURY

Standing, wearing a dhoti and a tall headdress, with earrings inlaid with turquoise beads, his right hand stretched downwards in varada mudra, all raised on a double lotus throne, 12.5cm, 220g.

Dancing in ardhaparyankasana with one leg on a human corpse, wearing a skull headdress with a sow head to the side, a human head necklace, holding a karttrika in her right hand and a kapala filled with amrita in her left hand, raised on a modern metal stand, 11.5cm, 181g. (2)

£2,000-3,000 Provenance: formerly in the Cheng Huan Collection. Cf. The Complete Collection of Treasures of the Palace Museum, Buddhist Statues of Tibet, VIX, p.111, no.106 for a related example of Padmapani from the same period.

£2,000-3,000 Provenance: formerly in the Cheng Huan Collection.

十三世紀西藏紅銅金剛亥母立象來源：香港大律師清洪先生舊藏

十一至十二世紀喜馬拉雅銅蓮花手觀音立像來源：香港大律師清洪先生舊藏

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

36 A TIBETAN BRONZE FIGURE OF PADMAPANI 12TH CENTURY

37 A WESTERN HIMALAYAN BRONZE FIGURE OF PADMAPANI 11TH/12TH CENTURY

Standing on a double lotus throne, wearing a beaded dhoti and a headdress, a tall chignon and elaborate jewellery, his right hand stretched downwards in varada mudra, 12.5cm, 206g.

Standing, wearing a dhoti, a tall headdress and elaborate jewellery, his right hand stretched downwards in varada mudra, holding a blossom in the other, the figure with an open mandala attached to the rear of the pedestal, 18cm, 551g.

£2,000-3,000 Provenance: formerly in the Cheng Huan Collection. Cf. The Complete Collection of Treasures of the Palace Museum, Buddhist Statues of Tibet, VIX, p.98, no.93 for a related example from the same period.

十二世紀西藏紅銅蓮花手觀音立像來源：香港大律師清洪先生舊藏

£3,000-5,000 Provenance: formerly in the Cheng Huan Collection. Cf. Classics of the Forbidden City, Tibetan Buddhist Sculptures, p.176, no.95 for a related figure of the Bodhisattva Padmapani.

十一/十二世紀喜馬拉雅銅蓮花手觀音立象來源：香港大律師清洪先生舊藏

38 A TIBETAN COPPER INLAID BRONZE FIGURE OF BUDDHA SAKYAMUNI 14TH CENTURY Sitting in vajraparyankasana, touching the ground with his right hand in bhumisparsha mudra, the left resting on his knees, all raised on a double lotus throne, the base sealed with a four-pointed vajra, 9cm, 159g.

£5,000-6,000 Provenance: formerly in the Cheng Huan Collection. Cf. The Complete Collection of Treasures of the Palace Museum, Buddhist Statues of Tibet, VIX, p.159, no.152 for a related example of Sakyamuni. Also see Bonhams Hong Kong, 3rd October 2017, lot 17.

十四世紀西藏銅鎏金錯紅銅釋迦摩尼像來源：香港大律師清洪先生舊藏

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

39 A RARE TIBETAN GILT BRONZE FIGURE OF BUDDHA SAKYAMUNI 14TH/15TH CENTURY Seated on a double lotus throne in vajraparyankasana, his left hand in dhyana mudra, the right hand resting on his lap in bhumisparsha mudra in a combined gesture of supreme accomplishment and meditation, the gilt copper mandala decorated with Bodhisattvas and beasts in high relief, inlaid with stones, the stepped stand decorated with lotus petals, snow lions and inlaid with semi-precious stones, the base sealed, 19cm, 991g. (2)

£50,000-60,000 Provenance: formerly in the Cheng Huan Collection.

十四/十五世紀西藏局部鎏金釋迦牟尼坐像來源：香港大律師清洪先生舊藏

40 A TIBETAN BRONZE FIGURE OF WHITE TARA 13TH/14TH CENTURY

41 A TIBETAN PALA-STYLE BRONZE FIGURE OF WHITE TARA 14TH CENTURY

Seated on a double lotus base, her left hand in vitarkamudra, her right in varadamudra, her eyes closed, the face with a serene expression, her hair in a high chignon and with an elaborate tiara, with lotus sprays and celestial ribbons at her shoulders, the base with a double vajra mark, 10.5cm, 333g.

Seated in vajraparyankasana, wearing an elaborate tiara and jewellery, with blossoms at each shoulder, her right hand lowered in varada mudra, the left hand raised holding a flower stem, the base sealed with a four-pointed vajra, 8cm, 199g.

£2,000-3,000 Provenance: formerly in the Cheng Huan Collection.

十三/十四世紀西藏銅白度母坐像來源：香港大律師清洪先生舊藏

£2,000-3,000 Provenance: formerly in the Cheng Huan Collection.

十四世紀西藏銅白度母坐像來源：香港大律師清洪先生舊藏

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

42 A TIBETAN PARCEL-GILT FIGURE OF TSONGKAPA 16TH CENTURY

43 A TIBETAN BRONZE FIGURE OF GREEN TARA 13TH/14TH CENTURY

Wearing a monk’s robes and a tall cap, seated in vajraparyankasana on a double lotus base with hands in dharmachakra mudra, with lotus flowers at each shoulder supporting his attributes: the sword of knowledge and the book of wisdom, all raised on a plinth with two stylised lions, the base sealed, 9cm, 282g.

Seated in lalitasana, wearing an elaborate headdress and jewellery inlaid with colourful beads, with floral sprays to her shoulders, raised on a double lotus throne, the base plate with a double vajra mark, 10.5cm, 336g.

£1,000-2,000 Provenance: formerly in the Cheng Huan Collection. Cf. The Complete Collection of Treasures of the Palace Museum, Buddhist Statues of Tibet, VIX, p.191, no.182 and p.204, no194 for related examples of the Tsongkapa.

£1,000-2,000 Provenance: formerly in the Cheng Huan Collection.

十三/十四世紀西藏銅鎏金綠度母坐像來源：香港大律師清洪先生舊藏

十六世紀西藏銅局部鎏金宗喀巴坐像來源：香港大律師清洪先生舊藏

44 A TIBETAN GILT COPPER ALLOY FIGURE OF PADMASAMBHAVA AS PADMA GYALPO 15TH CENTURY Seated in with crossed legs on a double lotus throne, holding a damaru and kapala in his hands, wearing flowing robes and a hood, the base with a four-pointed vajra, 8cm, 276g.

£1,000-2,000 Provenance: formerly in the Cheng Huan Collection.

十五世紀西藏紅銅蓮花生大師來源：香港大律師清洪先生舊藏

45 A CHINESE LACQUERED BRONZE FIGURE OF GUANDI 17TH/18TH CENTURY Seated on a red lacquered throne, wearing a full suit of armour inlaid with colourful beads, with his hands supported on his knees, 18cm, 1.6kg.

£5,000-7,000 Provenance: formerly a French private collection, Normandy.

十七/十八世紀銅加彩關帝坐像來源：法國諾曼底私人收藏

46 A TIBETAN SILVER AND COPPER INLAID BRONZE FIGURE OF A LAMA 16TH CENTURY Seated in vajraparyankasana on a double lotus throne, with a bare head and elongated earlobes, wearing monk’s robes with edges inlaid with copper, the cloud pattern to the shoulder and his eyes inlaid with silver, a line of later lança script to the edge of the base, the base sealed, 18cm, 1kg.

£1,000-2,000 十六世紀銅錯銀錯紅銅喇嘛坐像

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

46A A RARE CHINESE BROCADE TEXTILE FRAGMENT TANG DYNASTY With a large roundel containing two confronting phoenix and stylised lotus flowerheads within a thick blue border with polka dots, surrounded by cranes in flight, all in blue and brown against buff ground, 44cm x 53cm.

£10,000-20,000 Provenance: formerly in the Cheng Huan Collection. Cf. The Forbidden City Treasure, Classics of the Forbidden City, pp.80-81, no.37 for a Song Dynasty robe with a related pattern.

唐鳳紋織品來源：香港大律師清洪先生舊藏

47 A TIBETAN GILT BRONZE FIGURE OF VAJRASATTVA 16TH/17TH CENTURY Seated in vajraparyankasana, wearing an elaborate headdress with celestial ribbons and jewellery set with blue and red beads, holding an articulated vajra in her right hand and a ghanta in her left hand, raised on a double lotus throne, the base sealed, 24.5cm, 1.7kg.

£10,000-15,000 Cf. The Complete Collection of Treasures of the Palace Museum, Buddhist Statues of Tibet, volume VIX, p.175 no.167 and p.230, no.219 for related examples of Vajrasattva.

十六/十七世紀銅鎏金金剛薩錘菩薩坐像

48 A CHINESE GILT AND LACQUERED BRONZE FIGURE OF GUANYIN LATE MING DYNASTY

49 A NEPALESE ROCK CRYSTAL AND GILT COPPER MODEL OF A STUPA 18TH/19TH CENTURY

Wearing long flowing robes and an elaborate tiara, necklace and earrings, seated on a rockwork base in rajalilasana, holding a peach in her left hand, the right resting on her elevated knee, 21.5cm, 1.3kg.

The crystal pillar mounted with a gilt copper finial and tassels inlaid with semi-precious stones, all supported on a three tier base, sealed and with a four-pointed vajra mark, 16cm.

£2,000-3,000

£3,000-4,000

Provenance: formerly in a French private collection, Normandy.

十八/十九世紀銅鎏金底座及水晶舍利塔

明晚期銅鎏金彩漆自在觀音坐像來源：法國諾曼底私人收藏

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

50 A LARGE CHINESE POLYCHROME DECORATED AND LACQUERED WOOD FIGURE OF GUANYIN 17TH CENTURY

51 A CHINESE GILT AND LACQUERED BRONZE FIGURE OF BUDDHA SAKYAMUNI MING DYNASTY

Wearing long robes and a tall tiara, her face framed by elongated earlobes, her right hand resting on her knee, her left holding a small box, seated in lalitasana on the back of a recumbent lion dog with a fierce expression, a paper label for John Sparks, 59.5cm.

Seated in vajraparyankasana, wearing long flowing robes with floral borders, with a fylfot to the exposed chest, his left hand upturned, the right touching the ground, his elongated earlobes framing his face bearing a serene expression with downcast eyes, 28cm, 5kg.

£5,000-8,000

£2,000-3,000

Provenance: a Scottish private collection, Edinburgh.

明銅鎏金彩漆釋迦牟尼佛坐像

十七世紀木雕彩漆獅吼自在觀音來源：蘇格蘭私人收藏

52 A PAIR OF CHINESE GILT BRONZE BUDDHIST LION DOGS MING DYNASTY Seated on their haunches with their heads turned, their ears flat and each with one paw resting on a brocade ball, the hair of the manes and tails picked out in fine detail, 18cm, 3.7kg. (2)

£3,000-5,000 Provenance: from the collection of Sir Beilby Alston (1868-1929), the Ambassador of the United Kingdom to China (1920-1922), and by repute gifted to him by the last Emperor of China Pu Yi, and thence by descent.

明銅鎏金獅子繡球坐像一對來源：Sir Beilby Alston (1868-1929)收藏，1920-1022年曾任英國駐中國外交官，可能是溥儀送給他的禮物。

Sir Beilby Alston (1868-1929)

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

53 A RARE CHINESE REVERSE GLASS PAINTING LATE 18TH CENTURY Depicting Madame de Pompadour in an interior, wearing an Oriental costume, seated while working on an embroidery panel chatting to her attendant. The scene is after the ‘Sultan’s Wife Embroidering’, a painting from 1747 by Charles-André van Loo (1705-1765), framed and glazed, 46.5cm x 51.5cm.

£3,000-5,000 Provenance: purchased at J Sparks, London in the late 1960s.

十八世紀晚期玻璃畫蓬帕杜伯爵夫人來源：1960年代晚期購於J Sparks 54 A LARGE CHINESE RECTANGULAR SILVER MIRROR 19TH CENTURY The frame with repoussé decoration of animals and blossoms, with a six character signature reading Shan Da Gen He Zhen Zao to the lower edge, all within a border simulating bamboo, the inner edge picked out in gilt, 60.7cm x 44.2cm.

£3,000-5,000 十九世紀銀質折紙花卉紋鏡

55 λ A ROSEWOOD BREAK-FRONT CABINET SET WITH CHINESE PORCELAIN PANELS QING DYNASTY AND LATER With four doors set with an arrangement of panels enclosing drawers and shelves and raised on a detachable plinth, 88cm x 147cm x 51cm.

£800-1,200 清或更晚紅木嵌人物故事紋瓷板 56 λ A CHINESE KINGFISHER FEATHER PANEL 18TH/19TH CENTURY Decorated with two phoenix standing on a tall rocky outcrop between flowers, mounted in a glazed hardwood frame, 75cm x 54.5cm.

£2,000-3,000 十八/十九世紀點翠鳳戲牡丹掛屏

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

57 A CHINESE FOLDING SIX PANEL SCREEN 19TH CENTURY Painted with figures in a landscape with pavilions and pagodas within a wide border of flowers, birds and butterflies, the reverse with various blossoms, rocks, birds and butterflies on a green ground, 310cm x 210.5cm.

£2,500-3,500 Provenance: a private collection, London.

十九世紀開光人物山水紋屏來源：倫敦私人收藏

58 A CHINESE HARDWOOD INCENSE STAND OR TABLE LATE QING DYNASTY

59 A CHINESE HARDWOOD ‘DRAGON’ TABLE LATE QING DYNASTY

With a square top and an apron carved with floral and key fret bands with cartouches containing chilong above an openwork frieze, supported on four tall legs, 84.5cm x 46cm x 46.5cm.

With a rectangular top and an intricately carved reticulated frieze decorated with scaly dragons contesting sacred pearls, the legs with further dragons, 80cm x 141cm x 50cm.

£1,500-2,500

£8,000-12,000

Provenance: the Benveniste collection, Montreal, purchased in the 1960s and ‘70s.

清晚期硬木雕龍紋雕條案

清晚期硬木螭龙纹花几來源：Benveniste收藏，購於1960-70年代

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

60 A CHINESE HARDWOOD DISPLAY CABINET LATE QING DYNASTY

61 A CHINESE HARDWOOD DISPLAY CABINET LATE QING DYNASTY

With a pair of glazed doors enclosing shelves, the glazing bars and sides carved with flowers and foliage, all raised on animal feet, 187cm x 115cm x 37cm.

Carved with bamboo, prunus, chrysanthemum and peony and with an arrangement of shelves, a cupboard and a single drawer, the cresting rail decorated with dragons, 186cm x 98cm x 35cm.

£1,500-2,500

£3,000-5,000

清晚期硬木雕花卉紋柜

清晚期硬木雕梅蘭竹菊紋博古柜

62 A CHINESE HARDWOOD BUDDHIST SHRINE STAND LATE QING DYNASTY The superstructure with seven reticulated panels carved with figures, phoenix and peony beneath a flaming pearl finial and above an arrangement of five drawers and a shaped frieze carved with a scrolling foliage, the sides and terminals carved with dragons, 77cm x 50cm x 33cm.

£5,000-8,000 清晚期硬木雕人物故事紋佛龕

63 A FINE CHINESE SCHOLAR’S TABLE SCREEN QIANLONG 1736-95 Painted on silk in watercolour and applied with soapstone details, illustrating a scene from The Romance of the Western Chamber, where the young Cui Ying Ying kneels before her mother begging for her acceptance and approval of a young scholar she loves, glazed and mounted on a reticulated wood stand, 40cm. (2)

£4,000-6,000 Provenance: from the collection of Henry Bridges Fearon (1907-1995), purchased from Spink & Son. Table screens, along with brushes, ink sticks, paper and ink stones were necessary furnishings of a scholar’s studio. These luxury goods were not only practical utensils but also a sign of the owner’s wealth and taste. Table screens were originally used to protect the papers on the scholar’s desk from wind, splashes of ink and peering eyes.

清乾隆硬木嵌壽山石雕插屏來源：Henry Bridges Fearon (1907-1995)收藏，購於Spink & Son

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

64 A LARGE A-FRAME HUANGHUALI CUPBOARD 20TH CENTURY With tapered sides, two internal shelves, two drawers and a large moon plate lock, supported on four tall legs, 178cm x 108cm x 63cm. (5)

£3,000-5,000 Provenance: from an English private collection, Somerset, purchased from House of Huanghuali in 2009, a copy of the original invoice is available.

二十世紀黃花梨方角櫃來源：英國塞默塞特私人收藏，2009年購於House of Huanghuali，附發票複印件

65 A CHINESE HUALI SIDE CABINET, LIAN ER CHU 20TH CENTURY With two drawers above a pair of panel doors, the rectangular top with up-turned ends, mounted with circular escutcheons, all supported on four square legs, 88cm x 135.5cm x 43cm.

£2,000-3,000 Provenance: from an English private collection, Somerset, purchased from House of Huanghuali in 2009, a copy of the original invoice is available.

二十世紀花梨木翹頭連二悶戶櫥來源：英國塞默塞特私人收藏，2009年購於House of Huanghuali，附發票複印件

66 A CHINESE TIELIMU CABINET 19TH CENTURY With a rectangular top, above a pair of doors enclosing a shelf, mounted with brass hinges and raised on square legs, 90.5cm x 85.5cm x 51.5cm.

£2,000-3,000 十九世紀鐵力木雕櫥 67 A CHINESE HONGMU SIDE TABLE LATE QING DYNASTY With a rectangular top above a frieze carved to each face with scrolls and key fret designs, raised on straight legs joined by stretchers to each end, 79cm x 137cm x 38cm.

£1,500-2,500 清晚期紅木雕條桌

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

68 A CHINESE HARDWOOD PAINTING TABLE LATE QING DYNASTY

69 A CHINESE HUALI KANG TABLE LATE QING DYNASTY

With a long rectangular top supported on two piers, each set with a dream stone panel and with lingzhi supports, 92cm x 225cm x 40.5cm.

With a rectangular top and shaped frieze carved with geometric scrolls, 35cm x 89cm x 62cm.

£1,500-2,500

£1,000-1,500

清晚期硬木雕如意幾案

清晚期花梨木雕炕桌

70 A CHINESE CLOISONNE CIRCULAR STAND LATE MING DYNASTY Decorated with stylised lotus flowers and foliage, the flared foot with a band of lappets, 13cm, 476g.

£2,000-3,000 明晚期銅胎掐絲琺瑯高足盤

71 A PAIR OF CHINESE CLOISONNE AND GILT BRONZE HAT STANDS QIANLONG 1736-95 Each with a compressed globular top and a tall knopped stem supported on a circular flat topped base, decorated with lotus blossoms, ruyi-heads, angular scrolls and key fret, 29.5cm. (2)

£4,000-6,000 清乾隆銅胎掐絲琺瑯帽架一對

72 A CHINESE CLOISONNE DISH 18TH CENTURY Heavily cast and decorated to the exterior with three quatrefoil panels, each with a lotus flowerhead and peaches against a turquoise ground with bats and clouds, the base and interior gilded, 16cm, 780g.

£3,000-4,000 十八世紀銅胎掐絲琺瑯福壽如意紋盤

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

73 A CHINESE KNIFE WITH A CLOISONNE SCABBARD AND JADEITE HANDLE QIANLONG 1736-95 The scabbard decorated with stylised bats amidst clouds on a turquoise ground, the gilt bronze mounts with key fret bands, 27cm. (2)

£2,000-3,000 Provenance: from the collection of Mr George Athenogenes, London. The use of knives at meals was a mark of Manchu identity. When eating sacrificial pork, men and women were expected to cut up their own meat. Knives and other eating utensils often formed part of the dowries of princesses.

清乾隆銅胎掐絲琺瑯刀鞘及翡翠刀柄來源：倫敦George Athenognes先生收藏

74 A CHINESE CLOISONNE ‘LOTUS’ VASE QIANLONG MARK AND OF THE PERIOD 1736-95 The pear-shaped body with a slightly tapering neck, decorated with stylised lotus flowerheads and scrolling foliage on a turquoise ground and a band of ruyi-heads around the rim, a five character mark to the base which reads Qian Long nian zhi deng, 12cm.

£4,000-6,000 Provenance: from the collection of Mr George Athenogenes, London. Cf. H Brinker and A Lutz, Chinese Cloisonné, the Pierre Uldry Collection, no.285 for a closely related example. See also The Complete Collection of Treasures of the Palace Museum, Metal-bodied Enamel Ware, vol. XIVIII pp.24, no.22 and p.84, no.81 for other examples.

清乾隆銅胎掐絲琺瑯折紙花卉紋瓶《清乾隆年製登》來源：倫敦George Athenognes先生收藏

75 A CHINESE PAINTED ENAMEL ‘WAN SHOU WU JIANG’ DISH SIX CHARACTER QIANLONG MARK AND OF THE PERIOD 1736-95

76 A SMALL CHINESE CLOISONNE ARROW VASE MING DYNASTY

Painted in famille rose enamels with roundels containing characters on a floral ground, 22.4cm.

With a compressed circular body and a tall neck decorated with two phoenix, stylised lotus flowerheads and scrolling foliage, with bands of ruyi-heads to the rim and the foot, all against a white ground, 15.5cm.

£3,000-5,000 Provenance: Formerley from the collection of Valentine George Crittall (1884-1961) the 1st Baron Braintree, MP.

清乾隆銅胎畫琺瑯萬壽無疆碟《大清乾隆年製》篆書款來源：Valentine George Crittall（1884-1961）收藏

£2,000-3,000 Cf. Roger Keverne, Winter 2006 Exhibition Catalogue, no.44, for a comparable vase in pottery dated to the Yuan dynasty.

明銅胎畫琺瑯投壺

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

77 A MASSIVE CHINESE CLOISONNE HU LATE MING DYNASTY With a pear-shaped body decorated with lotus flowerheads on a turquoise ground divided by dark blue bands with small blossoms, the flared neck with a gilt rim, the side applied with two lion head handles with loose rings, all raised on a flared foot, 58cm.

£10,000-15,000 Cf. H Brinker and A Lutz, Chinese Cloisonné, The Pierre Uldry Collection, no.183 for a related vase.

明晚期銅胎掐絲琺瑯纏枝蓮花紋壺型尊

78 A MASSIVE CHINESE ‘FU LU SHOU’ CLOISONNE INCENSE BURNER QIANLONG OR LATER The rectangular-section body decorated with large dark blue characters which read fu lu to each side against a turquoise ground with gold shou characters, the rim with a red and green chevron band, the domed lid mirroring the design, surmounted with a large lion dog, all supported on four tall mask-shaped legs, a six character Xuande mark to the underside, 67cm, 18kg. (2)

£10,000-20,000 Cf. Christie’s New York, 20th October 2004, lot 598 for a related incense burner from the C Ruxton and Audrey B Love Collection.

清乾隆或晚期銅胎掐絲琺瑯福祿壽紋大爐《大明宣德年製》仿款

79 A CHINESE RED-GROUND SILK WOMAN’S SEMI-FORMAL KESI ROBE, JIFU 19TH CENTURY Woven with silk and gold thread with eight roundels containing dragons with sacred jewels amongst clouds and the Eight Buddhist Symbols above stylised rocks and waves, mythical sea monsters and Buddhist symbols, 118cm across, 140cm long.

£5,000-8,000 Provenance: purchased from Christie’s New York on 2nd July 2008, lot 782. Donated to the Carnegie Museum of Art from a Pennsylvania private Collection.

十九世紀紅地緙絲團龍紋吉服來源：紐約佳士得2008年7月2日·編號782，曾由美國賓西法尼亞州私人收藏捐贈給Carnegie博物館

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

80 A RARE CHINESE BLACK-GROUND SILK ROBE FOR A FIRST-RANK IMPERIAL CONSORT, LONG GUA 19TH CENTURY Embroidered with silk and gold thread with eight roundels containing dragons with sacred jewels amongst clouds, bats and fylfots on a dark blue ground, above Buddhist symbols and stylised waves crashing against rocks, 185cm across, 142cm long.

£8,000-12,000 Provenance: from the collection of Col. Charles D’Oyly Harmar, DSO, Royal Marines. Charles D’Oyly Harmar (1878-1963), was posted to Wei-Hai-Wei in 1898 and was present at the sacking of Peking in 1900. Cf. G Dickinson & L Wrigglesworth, Imperial Wardrobe, pp.188 and 189, pl.170 and 171 for a closely related example with the corresponding drawing from the Huangchao Liqi Tushi (the regulations for ceremonial paraphernalia of the Qing dynasty).

十九世紀御製墨地團龍紋長褂來源：皇家海軍上校Charles D’Oyly Harmar（1878-1963），曾于1898 年駐威海衛并參加1900年的北京解圍戰

Col. Charles D’Orly Harmar, DSO, Royal Marines

Lots 81-98 from the collection of Surgeon Lieutenant George Giri (b.1923) 81 THREE SMALL CHINESE JADES SEALS QING DYNASTY One jadeite of rectangular-section with a spray of lingzhi to the top, another of two separate characters joined at the middle and the top, carved as two peaches and a bat, another with a spray of bamboo to one side and a pine tree on a rocky outcrop in relief to the other, together with a pendant carved as two conjoined blocks with calligraphy to three sides, 4.2cm. (4)

£1,500-2,500 Provenance: from the collection of Surgeon Lieutenant George Giri, b.1923, purchased in Hong Kong 1962-65.

清青白玉及翡翠雕章一組四件來源：Surgeon Lieutenant George Giri（生於 1923）收藏，1962-65年購於香港。

82 A CHINESE ARCHAISTIC GREY JADE AO PENDANT MING DYNASTY

83 A CHINESE PALE CELADON JADE TWO-HANDLED CUP QING DYNASTY

With the horned head of a dragon, his legs held close to the body, the shell of a tortoise and with a long trifurcated tail curling onto its back, 5cm.

The U-shaped bowl carved with studs and a central stylised shou character in relief to each side, all raised on a short foot, the stone with minor russet-brown striations, together with a wood stand, 10.7cm. (2)

£500-1,000

£800-1,200

Provenance: from the collection of Surgeon Lieutenant George Giri, b.1923, purchased in Hong Kong 1962-65.

Cf. J Ayers, A Jade Menagerie, Creatures real and Imaginary from the Worrell Collection, pp.26-27 and 68, no.9 for a similar carving of a dragon-headed tortoise. Also see Bluett & Son Ltd., Dr Newton’s Zoo, p.37, no.70 for a related carving of a similar creature.

清清白玉雕雙耳杯來源：Surgeon Lieutenant George Giri（生於1923）收藏，1962-65年購於香港

明玉雕鰲型佩來源：Surgeon Lieutenant George Giri（生於1923）收藏，1962-65年購於香港。

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

84 TWO CHINESE WHITE JADE SEALS QING DYNASTY The larger uncut, carved as a bamboo section, the smaller as a boy with a gourd, the base in the form of an artemisia leaf, 5.3cm. (2)

£3,000-5,000 Provenance: from the collection of Surgeon Lieutenant George Giri, b.1923, purchased in Hong Kong 1962-65.

清青白玉雕童子及竹紋章一組兩件來源：Surgeon Lieutenant George Giri（生於1923）收藏，1962-65年購於香港。

85 FIVE CHINESE JADE SEALS MING/QING DYNASTY Two circular with feline creatures carved to the tops, one square with a chilong finial, two rectangular-section with U-shaped handles, 5.4cm. (5)

£1,500-2,500 Provenance: from the collection of Surgeon Lieutenant George Giri, b.1923, purchased in Hong Kong 1962-65.

明/清玉雕方章一組五件來源：Surgeon Lieutenant George Giri（生於1923）收藏，1962-65年購於香港。

86 TWO CHINESE PALE CELADON JADE CARVINGS 18TH/19TH CENTURY One carved as a pair of chilong entangled in a spray of lingzhi, the other as Liu Hai climbing a gigantic gourd, with his toad to the reverse, 5.8cm. (2)

£2,000-3,000 Provenance: from the collection of Surgeon Lieutenant George Giri, b.1923, purchased in Hong Kong 1962-65.

十八/十九世紀青白玉雕螭龍及劉海戲蟾掛件一組兩件來源：Surgeon Lieutenant George Giri（生於1923）收藏，1962-65年購於香港。

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

87 TWO SMALL CHINESE PALE CELADON JADE SEALS QING DYNASTY One oval, the other rectangular-section, with a spray of berries and lingzhi carved to one side, each with a mythical beast finial, 4.7cm. (2)

£1,000-2,000 Provenance: from the collection of Surgeon Lieutenant George Giri, b.1923, purchased in Hong Kong 1962-65.

清青白玉雕方章一組兩件來源：Surgeon Lieutenant George Giri（生於 1923）收藏，1962-65年購於香港。

88 FOUR SMALL CHINESE WHITE JADE ANIMAL CARVINGS QING DYNASTY One carved as two catfish entangled in a spray of lingzhi, another a small monkey with a peach, a third of a mythical beast with a lingzhi in its mouth and the fourth as a bird perched on a fruiting branch, 6cm. (4)

£2,000-3,000

Provenance: from the collection of Surgeon Lieutenant George Giri, b.1923, purchased in Hong Kong 1962-65. Cf. M Knight, H Li, T T Bartholomew, Later Chinese Jades, p.272, no.296 for a similar carving of two catfish in the collection of the Asian Art Museum of San Francisco. Also see A Forsyth and B McElney, Jades from China, p.395, no.324 for a carving of a bird with peach spray from the Museum of East Asian Art in Bath, England.

清白玉雕擺件一組四件來源：Surgeon Lieutenant George Giri（生於1923）收藏，1962-65年購於香港。

89 FOUR CHINESE WHITE JADE CARVINGS QING DYNASTY One carved as two catfish, another as a group of mushrooms and a butterfly, a third as a peach issuing from a leafy stem and the fourth as a pair of peaches and a bat, 9cm. (4)

£2,000-3,000

Provenance: from the collection of Surgeon Lieutenant George Giri, b.1923, purchased in Hong Kong 1962-65.

清白玉雕鯰魚、蘑菇、壽桃及蝴蝶擺件一組四件來源：Surgeon Lieutenant George Giri（生於1923）收藏，1962-65年購於香港。

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

90 FOUR CHINESE WHITE JADE ANIMAL CARVINGS QING DYNASTY One the Fu Lu Shou of a deer with a spray of peach in its mouth and a bat on its back, one of a mythical beast with a leafy stem in its mouth, another of two badgers fighting over a lingzhi, the fourth of a duck, two with wood stands, 5cm. (6)

£2,500-3,500

91 FOUR CHINESE PALE CELADON JADE FIGURES QING DYNASTY One carved as Liu Hai with his three-legged toad, another as a boy with a goose, a third, a plaque of a sage with a fan and the fourth of a boy with a hobby horse with a wood stand, 6cm. (4)

£1,000-2,000

Provenance: from the collection of Surgeon Lieutenant George Giri, b.1923, purchased in Hong Kong 1962-65. Cf. M Wilson, Chinese Jades, pp.28-29, no.24 for a related carving of a duck in the collection of the Victoria and Albert Museum.

清白玉雕動物擺件一組四件來源：Surgeon Lieutenant George Giri（生於1923）收藏，1962-65年購於香港。

Provenance: from the collection of Surgeon Lieutenant George Giri, b.1923, purchased in Hong Kong 1962-65.

清青白玉雕劉海、童子戲鵝及仙人立像一組四件來源：Surgeon Lieutenant George Giri（生於1923）收藏，1962-65年購於香港。

92 FIFTEEN CHINESE JADE CARVINGS MING AND QING DYNASTIES Comprising: four bi discs, one with a wood stand, six pendants, two archer’s rings, a belt hook, a heng, and a small cup, 10.3cm. (16)

Provenance: from the collection of Surgeon Lieutenant George Giri, b.1923, purchased in Hong Kong 1962-65.

£1,000-2,000

明/清玉雕佩、小盃及擺件一組十五件來源：Surgeon Lieutenant George Giri（生於1923）收藏，1962-65年購於香港。

93 THREE CHINESE CELADON JADE ITEMS QING DYNASTY

Provenance: from the collection of Surgeon Lieutenant George Giri, b.1923, purchased in Hong Kong 1962-65.

Comprising: a hair pin carved with a shou character and spiraling motifs, a snuff bottle with calligraphy and a coral stopper and an archer’s ring carved with cash in relief, 17.5cm. (3)

£1,500-2,500

清玉雕扳指、鼻煙壺及簪一組三件來源：Surgeon Lieutenant George Giri（生於1923）收藏，1962-65年購於香港。

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

94 FIVE CHINESE ARCHAISTIC JADE CARVINGS MING/QING DYNASTY Comprising: a small vase and cover with a lion dog finial, a sinuous dragon, an oval plaque and two bi discs, one decorated with studs, scrolls and key fret, the other with three chilong to one side and spiral studs to the reverse, each with a wood stand, 13cm. (11)

£1,000-2,000 Provenance: from the collection of Surgeon Lieutenant George Giri, b.1923, purchased in Hong Kong 1962-65.

明/清玉雕蓋瓶、壁及龍紋牌一組五件來源：Surgeon Lieutenant George Giri（生於1923）收藏，1962-65年購於香港。

95 ELEVEN CHINESE PALE CELADON JADE PLAQUES QING DYNASTY

96 A COLLECTION OF CHINESE WHITE JADE ITEMS QING DYNASTY

Comprising: an oval plaque with Li Bai and an attendant, with calligraphy to the reverse, others as an axe head, a lock, a bi disc, a belt hook, a cicada, a dragon, a butterfly, a cross-section of a lotus stem, another of two coins and one of two confronting archaistic dragons, 8cm. (11)

Including belt buckles, pendants and interlinked rings, 4.1cm. (20)

£2,500-3,500 Provenance: from the collection of Surgeon Lieutenant George Giri, b.1923, purchased in Hong Kong 1962-65.

清青白玉雕佩一組十一件來源：Surgeon Lieutenant George Giri（生於1923）收藏，1962-65年購於香港。

£300-500 Provenance: from the collection of Surgeon Lieutenant George Giri, b.1923, purchased in Hong Kong 1962-65. Cf. C Y Watt, Chinese Jades from the Collection of the Seattle Art Museum, p.107, no.92 for a pair of similar ornaments.

清白玉雕飾品一組二十件來源：Surgeon Lieutenant George Giri（生於1923）收藏，1962-65年購於香港。

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

97 A COLLECTION OF NINE SMALL CHINESE PALE CELADON JADE PENDANTS QING DYNASTY

98 THREE CHINESE PALE CELADON JADE BELT HOOKS QING DYNASTY

Comprising: a circular carving of Buddhai He Shang, a stylised dragon, three cats, a fish with a lotus spray in its mouth, a butterfly with a cicada to the reverse and a grasshopper pupa, 6cm. (9)

£1,200-1,800

£500-1,000 Provenance: from the collection of Surgeon Lieutenant George Giri, b.1923, purchased in Hong Kong 1962-65.

清玉雕擺件一組九件來源：Surgeon Lieutenant George Giri（生於1923）收藏，1962-65年

Each carved with a dragon head and a chilong to the body, 11.5cm. (3) Provenance: from the collection of Surgeon Lieutenant George Giri, b.1923, purchased in Hong Kong 1962-65.

清青白玉雕螭龍帶鉤一組三件來源：Surgeon Lieutenant George Giri（生於1923）收藏，1962-65年購於香港。

購於香港。

99 A CHINESE BRONZE INCENSE BURNER 17TH/18TH CENTURY

100 A CHINESE BRONZE TWO-HANDLED INCENSE BURNER 17TH CENTURY

The compressed circular body with two lion head-shaped handles supported on a short flared foot, with a six character Xuande mark to the base, together with a reticulated wood cover and a carved stand, 21.5cm, 2.2kg. (3)

The compressed circular body with a raised rib and two dragon head-shaped handles, a six character Xuande mark to the base, 12.2cm, 1kg.

£1,500-2,000 十七/十八世紀銅狮耳熏爐《大明宣德年製》

£3,000-4,000 十七世紀銅雙螭耳簋式爐《大明宣德年製》

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

101 A CHINESE BRONZE INCENSE BURNER 17TH/18TH CENTURY The compressed circular body with a slightly everted rim and two side handles, a six character Xuande mark to the base, 18.5cm, 2kg.

£800-1,200 十七/十八世紀銅戟耳爐《大明宣德年製》款

102 A SMALL CHINESE ARCHAISTIC ‘SHI SOU’ SILVER INLAID BRONZE INCENSE BURNER 17TH/18TH CENTURY With an ovoid body supported on three tall legs and two loop handles rising from the rim, inlaid with an archaistic silver wire decoration of taotie masks, key fret and studs, with a two character mark to the underside, 9.7cm, 400g.

£1,000-1,500 十七/十八世紀銅錯銀雙耳三足爐《石叟》

103 A MASSIVE CHINESE GOLD AND SILVER INLAID BRONZE ARCHAISTIC INCENSE BURNER LATE MING/QING DYNASTY The compressed circular body with six flanges, decorated with taotie masks inlaid with gold and silver beneath a band of archaistic mythical beasts on a dense diaper ground, the flared neck with a band of archaistic lappets and two high handles with circular bosses rising from the rim, all raised on three curved feet, 56.5cm high, 32kg.

104 A CHINESE BRONZE YEN YEN VASE MING DYNASTY The bulbous body with a band of lappets to the shoulder, a slender neck and two handles cast with stylised cloud patterns and a shallow band of double archaistic dragons above the double rings, the broad flared rim and waisted foot with a band of round studs, 28.2cm, 1.5kg.

£600-800

£2,000-3,000

Cf. Sydney L Moss Ltd, The Second Bronze Age, Later Chinese Metalwork, no.65 for a similar larger example.

Provenance: from the collection of Sir Henry Norman (1858-1939).

明銅鳳尾尊

明晚期/清銅錯金銀大香爐來源：Sir Henry Norman（1858-1939）收藏

Sir Henry Norman

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

105 A CHINESE COPPERY-BRONZE TRIPOD INCENSE BURNER MING/QING DYNASTY

106 A CHINESE BRONZE TRIPOD INCENSE BURNER LATE MING DYNASTY

With a compressed circular body decorated with two pairs of confronting dragons amongst clouds contesting sacred pearls of wisdom, the neck with a band of cash, the rim with two tall flared handles with a scrolling foliate design, all raised on three lion dog head-shaped legs, 36cm, 4.3kg.

The compressed circular body with a waisted neck, and two tall S-shaped handles rising from the shoulder, supported on three qilin head-shaped legs, together with a reticulated wood cover with a soapstone knop carved as a group of lingzhi, 34cm, 7kg. (2)

£3,000-5,000

£5,000-8,000

明/清銅鯉魚跳龍門紋爐

明晚期銅朝冠耳三足熏爐

107 A LARGE CHINESE BRONZE YEN YEN VASE 17TH CENTURY The body cast in two sections, the tall flared neck with two thick rings above the shoulder and two dragon-shaped handles towards the rim encircled with a key fret band, the body with two Buddhist lion dogs chasing a brocade ball on a ground of cloud and fire wisps and two taotie mask handles with loose rings, raised on a tall foot, 44.3cm, 15kg.

£1,500-2,500 十七世紀銅獅子繡球螭龍耳鳳尾尊

108 A PAIR OF CHINESE GILT-BRONZE INCENSE BURNERS 17TH/18TH CENTURY The compressed circular bodies with loop handles and short flared feet, each with a six character Xuande mark, 17.5cm, 1.7kg. (2)

£400-600 十七/十八世紀銅鎏金蚰耳爐一對《大明宣德年製》

109 A CHINESE BRONZE DRUM-SHAPED INCENSE BURNER 17TH CENTURY The body cast with confronting pairs of dragons contesting sacred pearls between borders of studs and with two lion head handles, a six character Xuande mark to the base, 15cm, 744g.

£1,500-2,000 Provenance: formerly a Canadian private collection.

107

108

十七世紀銅雙龍趕珠紋三足爐《大明宣德年製》來源：加拿大私人收藏

109

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

110 A CHINESE BRONZE TRIPOD INCENSE BURNER 18TH CENTURY

111 A CHINESE BRONZE TRIPOD INCENSE BURNER MING/QING DYNASTY

With a compressed circular body and an everted rim, all supported on three splayed feet, with a four character mark to the underside, 12.4cm, 831g.

The compressed body with two applied chilong rising from the shoulder and forming loop handles, all supported on three short legs, with a four character mark to the base, 24cm, 2.8kg.

£2,000-3,000

十八世紀銅三足鬲式爐

明/清銅螭龍耳三足爐

112 A RARE CHINESE GILT BRONZE TRIPOD INCENSE BURNER SIX CHARACTER QIANLONG MARK AND OF THE PERIOD 1736-95 With a heavily cast compressed circular body supported on three short legs, with loop handles rising from the rim, 12cm, 800g.

£15,000-20,000 Cf. Beijing Poly, 5th June 2014, lot 7503 for a similar Qianlong marked example.

清乾隆鎏金銅冲天耳三足爐《大清乾隆年製》楷書款

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

113 A CHINESE BRONZE TRIPOD INCENSE BURNER SIX CHARACTER XUANDE MARK AND POSSIBLY OF THE PERIOD With a compressed circular body with two loop handles rising from the rim, the surface with a warm brown patina and encrustations, 13cm, 1.5kg.

£10,000-20,000 Provenance: by repute from the collection of a British diplomat acquired in the 1920s. Cf. The Forbidden City Gazette 3, 2015, p.72 for a comparable incense burner dating to the Xuande period.

明宣德（可能）銅冲天耳三足爐《大明宣德年製》來源：英國外交官收藏，購於1920年代（傳）

Lots 114-123, 448 & 524 from the collection of Prof. Peter Hariolf Plesch (1918-2013) and Gerta Regina “Traudi” Plesch obe (1921-2013) and thence by descent PLESCH 伉儷珍藏中國藝術品（編號114-123, 448 & 524）

Peter and Traudi were important collectors of Chinese, Japanese and Korean Art. Their vast collection grew exponentially after their wedding in 1963 and also included many examples of Chinese, Roman and English glass, thus reflecting their eclectic taste. Peter and Traudi both came to the UK after fleeing the rise of Nazism in the 1930s. Peter left Berlin in 1933 with his father Janos Plesch, Albert Einstein’s personal doctor and friend. Traudi emigrated from Vienna with her family in 1938. Peter became Professor of Chemistry at Keele University and gained international recognition for his lifelong studies of cationic polymerisation, publishing several books and more than 150 research papers, the last just after his 90th birthday. Traudi received her OBE in 2000 for charitable services to the community in Staffordshire. In March 1959 at Sotheby’s London, Peter purchased a Ruyao narcissus bowl for £2,200 against the dealer J.T.Tai. It was reoffered at the same saleroom in February 1970 where it sold for £46,000 and subsequently made the front page of a UK national newspaper. On both occasions the hammer price entered the Guinness book of records as the highest price ever paid for any ceramic. Several pieces from the collection were lent to Oriental Ceramic Society exhibitions including this bowl in 1960. Peter published many articles relating to Asian arts, bringing his own scientific approach to collecting, including formulating a new cataloguing system. Peter and Traudi’s collection was admired by many fellow collectors and academics. Their passion for the collection was matched by the enthusiasm of their guests, and they were known to be always very welcoming to all visitors. Cf. R Davids & D Jellinek, Provenance: Collectors, Dealers & Scholars: Chinese Ceramics in Britain and America, p.361. Mr Peter and Traudi Plesch

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

114 A CHINESE PARCEL-GILT ARCHAISTIC BRONZE DING LATE MING DYNASTY With a circular body divided by four flanges and decorated with taotie masks against a dense cash pattern, with two loop handles rising from the rim, all supported on three tall dragon mask-shaped legs, 17.8cm, 1.4kg.

£3,000-5,000 Provenance: from the collection of Professor Peter H Plesch and Mrs Traudi Plesch OBE and thence by descent, collection no.Bh18, purchased from Bluett London, in 1959 for £32.10. Cf. Sydney L Moss Ltd, The Second Bronze Age, Later Chinese Metalwork, no.51 for a similar example.

明晚期銅局部鎏金仿古饕餮紋扁足鼎來源: Peter H Plesch教授及 Traudi Plesch OBE 夫人收藏，（收藏編號Bh18），1959年以£32.1的價格購於倫敦Bluett

115 A CHINESE PARCEL-GILT BRONZE RECTANGULAR ‘DRAGON’ INCENSE BURNER 17TH CENTURY The reticulated cover cast in relief with two gilt dragons emerging from scrolling clouds, contesting the sacred pearl of wisdom to the finial, the body with two buffalo head handles and mythical beasts amidst breaking waves, raised on a slightly flared foot, with a six character Xuande mark to the base, 22cm, 3.5kg. (2)

£5,000-7,000 Provenance: from the collection of Professor Peter H Plesch and Mrs Traudi Plesch OBE and thence by descent, collection no Bh22l, purchased from Gérard Lévy, Paris, in March 1971 for 2,700F. Cf. M Maucuer, Musée Cernuschi, Bronzes de la Chine Impériale des Song aux Qing, p.131, no.81 for a similar example.

十七世紀銅局部鎏金雙龍趕珠獸耳方爐《大明宣德年製》楷書款來源: Peter H Plesch教授及 Traudi Plesch OBE 夫人收藏，（收藏編號 Bh221），1971年3月以2,700法郎購於Gérard Lévy

116 A CHINESE SILVER AND GOLD INLAID BRONZE VASE MING DYNASTY OR EARLIER The cylindrical body with archaistic scrolling decoration, with two zoomorphic handles with three rings to the base, all supported on three bear-shaped feet, 8cm, 300g.

£500-800 Provenance: from the Grabowski collection. Christie’s London, 16th December 1981, lot 280, purchased by Spinks & Son Ltd for £390 and then the collection of Professor Peter H Plesch and of Mrs Traudi Plesch OBE and thence by descent, collection no.Bm8B.

明銅錯金銀象耳瓶來源：Grabowski舊藏，購於倫敦佳士得1981年12月16日·編號280 ，由Spink & Son Ltd以£390的價格購得。Peter H Plesch教授及 Traudi Plesch OBE 夫人收藏，（收藏編號Bm8B）

117 TWO CHINESE SILVER INLAID ‘SHI SOU’ BRONZE TRIPOD INCENSE BURNERS 17TH/18TH CENTURY Each with a compressed circular body inlaid with silver wire with taotie masks and key fret, with loop handles rising from the rims, all supported on three tall legs, with two character marks to the bases, 15cm and 14.5cm, 915g and 707g. (2)

£1,000-1,500 Provenance: from the collection of Professor Peter H Plesch and Mrs Traudi Plesch OBE and thence by descent, the tripod collection no.Br15, purchased on 13th December 1992 for £110.

十七/十八世紀銅錯銀及鎏金銅錯銀三足爐一組兩件《石叟》來源: Peter H Plesch教授及 Traudi Plesch OBE 夫人收藏，（收藏編號Br15），1992年12月13日以£110的價格購得

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

118 A CHINESE SILVER INLAID ‘SHI SOU’ BRONZE BITONG 17TH/18TH CENTURY The cylindrical body with a flared rim and foot inlaid in silver wire with bamboo and calligraphy with a poem, with a two character mark to the base, 9cm, 265g.

£1,000-1,500 Provenance: from the collection of Professor Peter H Plesch and Mrs Traudi Plesch OBE and thence by descent, collection no.Bv9, purchased from Spink & Son Ltd in December 1966 for £25, exhibited at the OCS exhibition in 1979. The Chinese Scholar’s desk, 17th to 18th century, the Ashmolean Museum, Oxford, p.4 no.7.

十七/十八世紀銅錯銀翠竹題詩筆筒《石叟》來源: Peter H Plesch教授及 Traudi Plesch OBE 夫人收藏，（收藏編號Bv9），1966年12月以£25的價格購於Spink & Son Ltd，1979年曾在英國東方瓷器協會展出。出版：牛津阿什莫爾博物館，《中國文房》，頁4 編號7

119 A CHINESE SILVER INLAID ‘SHI SOU’ BRONZE FIGURE OF A LUOHAN 17TH CENTURY Standing, wrapped in a long cloak decorated with clouds and edged with a band of bats and clouds inlaid with silver wire, holding a scroll in his hand, with one foot bare, a two character mark to the back, mounted on a modern stand, 22.5cm, 2.5kg.

£1,000-1,500 Provenance: from the collection of Professor Peter H Plesch and Mrs Traudi Plesch OBE and thence by descent, collection no.Bs23, purchased from David Newman in May 1973 for £150.

十七世紀銅錯銀羅漢立像《石叟》來源：Peter H Plesch教授及 Traudi Plesch OBE 夫人收藏，（收藏編號Bs23），1973年5月以£150的價格從David Newman處購得

120 A SMALL CHINESE BRONZE WATER POT AND A BRONZE INCENSE STICK HOLDER 16TH/17TH CENTURY The square-section water pot with a chicken head-shaped spout and a loop handle inlaid with silver and copper wire with archaistic scrolling design, raised on four bracket feet, the vase with an ovoid body on a flared foot and a tall neck with two handles and a flared rim, all decorated with stylised lotus flowerheads and foliage, 11cm and 6.8cm, 138g and 201g. (2)

£500-800 Provenance: from the collection of Professor Peter H Plesch and Mrs Traudi Plesch OBE and thence by descent, collection no.Bv7 and Bv11, the water pot purchased from Spink & Son Ltd at the 1968 Antique Dealers Fair for £10, exhibited at the OCS exhibition in 1983, no.44.

十六/十七世紀銅花卉紋瓶及銅錯銀鳳首水盂來源：Peter H Plesch教授及 Traudi Plesch OBE 夫人收藏，（收藏編號 Bv7及Bv11），水盂為1968年在古董商展以£10的價格購於Spink & Son Ltd，1983年在英國東方瓷器協會展出（編號44）

121 A CHINESE BRONZE INCENSE BURNER 16TH/17TH CENTURY With a compressed circular body and lion mask handles all raised on a flared circular foot, a six character Xuande mark to the base, 17.5cm, 1kg.

£400-600 Provenance: from the collection of Professor Peter H Plesch and Mrs Traudi Plesch OBE and thence by descent, collection no.Bh15, purchased in 1959 for £10.

十六/十七世紀銅鎏金兽耳爐《大明宣德年製》來源：Peter H Plesch教授及 Traudi Plesch OBE 夫人收藏，（收藏編號Bh15），1959年以£10的價格購得

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

122 A CHINESE JADE BLADE SHANG DYNASTY OR LATER The greyish brown stone with a tapering hole to one side and a small hole for suspension, a paper label for the P H Plesch Collection, together with a fitted stand, 15cm. (2)

£400-600 Provenance: from the collection of Professor Peter H Plesch and Mrs Traudi Plesch OBE and thence by descent, collection no.Hw15, purchased from Spink & Son Ltd in April 1966.

商或更晚玉二孔刀來源：Peter H Plesch教授及 Traudi Plesch OBE 夫人收藏，（收藏編號 Hw15），1966年4月於Spink & Son私下洽購

123 A PAIR OF CHINESE GLASS BANGLES AND A GLASS NECKLACE PROBABLY HAN AND SONG DYNASTIES The bangles of even colour, the necklace consisting of thirty-two circular dark blue beads with twelve flattened beads to the front and a central jade bead in the form of a disc, together with a large globular dark blue glass bead, 8.3cm. (4)

£200-300 Provenance: from the collection of Professor Peter H Plesch and Mrs Traudi Plesch OBE and thence by descent, the bangles collection no.CGm8.5p purchased from Michael Gillingham, London, on 17th May 1994 for £580, the necklace collection no.CGm1.4/44, also purchased from Michael Gillingham, London, in February 1994 for £650. Cf. Oriental Works of Art, exhibition catalogue at the Oriental Art Gallery, London, no.44, 1992 for comparable bangles.

漢及宋（可能）料製珠、珠鏈及手鐲一組四件來源：Peter H Plesch教授及 Traudi Plesch OBE 夫人收藏，手鐲（收藏編號CGm8.5p），1994年5月17日以£580的價格購於倫敦Michael Gillingham；珠鏈（收藏編號CGm1.4/44）,1994年2月以£650的價格購於倫敦Michael Gillingham

124 λ A LARGE RHINOCEROS HORN NEPALESE ‘VAISHNAVA’ LIBATION CUP 18TH/19TH CENTURY The teardrop-shaped vessel carved in relief to the interior with Vishnu and his consort Lakshmi standing on a lotus throne before a mandala, the border with a continuous band of wave motifs, the exterior deeply carved with the avatars of Vishnu around the exterior, 18cm, 421g.

£3,000-5,000 Provenance: a distinguished European private collection. Cf. J Chapman, The Art of Rhinoceros Horn Carving in China, no.393, 394 and 395 for comparable examples.

十八/十九世紀尼泊爾犀角雕佛像莲瓣杯來源：歐洲貴族收藏

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

125 λ A RARE CHINESE RHINOCEROS HORN ‘TWIN PARROT’ LIBATION CUP 18TH CENTURY The well-polished cup of amber tone, carved in high relief with feathers extending over the rim, one end of the horn with an openwork strap handle, a mythical beast head with open mouth forming its top, raised above a tapering foot carved with a narrow band of key fret motif to the lower edge, 9cm x 13cm, 142g.

£15,000-25,000 Provenance: a distinguished European private collection.

十八世紀犀角雕鸚鵡紋杯來源：歐洲貴族收藏

126 A RARE CHINESE GOLD ‘PRUNUS’ HAIR ORNAMENT MING DYNASTY In fine filigree with thin wires branching from the main stem, with a single large prunus flower, two small buds, two orchids and other leaves, 10.1cm, 14g.

£2,500-3,500 Provenance: Dr Johan Carl Kempe (1884-1967), Sotheby’s Hong Kong, 11th April 2008, lot 2319. Exhibited: Chinese Gold and Silver in the Carl Kempe Collection, Smithsonian Institute, Washington DC, 1954-55, no.57.

明金縲絲牡丹髮簪來源：Johan Carl Kempe（1884-1967）先生收藏，香港蘇富比2008年 4月11日·編號2319，曾在1954-55年華盛頓Smithsonian Institute的Carl Kempe中國金銀器展中展出，編號57

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

127 A RARE CHINESE GOLD ‘RUYI’ HAIRPIN 18TH/19TH CENTURY Decorated in filigree with wires adorned with scrolling ornaments, a wan symbol and a pearl with a central ruyi-head set with a larger pearl, 14.5cm, 11g.

£3,000-5,000 Provenance: Dr Johan Carl Kempe (1884-1967), Sotheby’s Hong Kong, 11th April 2008, lot 2301. Exhibited: Chinese Gold and Silver in the Carl Kempe Collection, Smithsonian Institute, Washington DC, 1954-55, no.65.

十八/十九世紀金縲絲如意萬壽髮簪來源：Johan Carl Kempe（1884-1967）先生收藏，香港蘇富比2008年 4月11日·編號2301，曾在1954-55年華盛頓Smithsonian Institute的Carl Kempe中國金銀器展中展出，編號65

128 A CHINESE SILVER-GILT FILIGREE VASE 18TH CENTURY

129 λ A CHINESE CANTON IVORY BASKET AND COVER 19TH CENTURY

With a pear-shaped body decorated with four shou characters, inlaid with beads and raised on a short flared foot, the shoulder and rim with bands of ruyi-heads and further agate inlay, the top with fine filigree flowers, foliage and bats with further jade, agate and coral inlay and a single shou character, 19cm. (2)

The octagonal lobed body intricately carved with reticulated panels of figures in landscapes, the domed cover with a peach-shaped finial and a bail handle with peony flowerheads, all supported on four short feet, 25cm. (2)

£3,000-5,000 十八世紀鎏金銀縲絲福壽花插

£2,000-3,000 Cf. Chinese Ivories from the Shang to the Qing, An Exhibition organised by The Oriental Ceramic Society jointly with The British Museum, 1984, p.182, no.256 for a related basket.

十九世紀象牙雕山水花卉紋籃

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

130 A CHINESE ARMORIAL SILVER FILIGREE AND ENAMEL BASKET AND COVER 18TH CENTURY The fine lobed hexagonal filigree body and handle decorated with applied floral green, aubergine and blue plaques, the cover with a melon-shaped finial and with a small oval cartouche engraved with the Mainwaring coat of arms, all raised on six leaf-shaped feet, 22cm. (2)

£10,000-15,000 Cf. Chinese Export Art in the Hermitage Museum, Late 16th-19th Centuries, p.146, no.157 for a similar example in the Hermitage Museum collection, St. Petersburg. The quality of this basket resembles the style of the well-respected Canton retail silversmith Cutshing, who was renowned for creating enamelled and jewelled filigree items for the European and Middle Eastern royal households.

十八世紀銀縲絲嵌琺瑯花口籃

131 A CHINESE BAMBOO OPENWORK INCENSE HOLDER 18TH/19TH CENTURY

132 A CHINESE BURR-WOOD ‘NINE DRAGON’ BRUSHPOT QING DYNASTY

The cylindrical body carved with figures in a landscape amongst pagodas, trees and rockwork, with bands of blossoming prunus to the rims, 23cm.

Carved from an irregular piece of wood with a reticulated design of nine scaly dragons amongst rocks, the base with a hardwood mount, the rim inlaid with metal wire and mother of pearl, 18cm.

£3,000-4,000 十八/十九世紀竹雕山水人物紋香薰

£5,000-8,000 Cf. Scholar’s Paraphernalia, Classics of the Forbidden City, pp.70-71, no.45 for a related example of a dragon bitong with a similar inlaid rim.

清木雕九龍紋筆筒

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

133 A CHINESE SILVER RUYI SCEPTRE 19TH CENTURY Decorated in repoussé with a four character inscription to the shaft reading ji xiang ru yi, the head with a bird on a blossoming tree, the central panel with a stylised shou character and the terminal with a bat holding a spray of peaches in its mouth, all picked out in gilt and within key fret border with dark blue enamel, a six character mark to the reverse including the characters Bei Tian Bao, 36cm, 225g.

£6,000-8,000 十九世紀銀質喜上眉梢紋如意

134 λ THREE CHINESE AMBER SNUFF BOTTLES 18TH/19TH CENTURY

136 A CHINESE BONE FIGURE OF GUANYIN MING DYNASTY

Carved in dark orange amber, one with peony sprays and butterflies, another with squirrels amongst grape vines, the third with a deer by a blossoming prunus tree with two birds in its branches to one side and three goats to the reverse, each with a green stained ivory stopper, 6.2cm. (3)

Standing, wearing long flowing robes, with a tall chignon covered with a veil, her head with elongated earlobes turned to the side, holding a scroll in her right hand, the left supporting her robes, her attendant carrying an offering, traces of red lacquer and gilt decoration, mounted on a wood stand, 22.5cm.

£5,000-8,000

£800-1,200

十八/十九世紀琥珀雕鼻煙壺一組三件

明骨雕送子觀音像

135 A SMALL CHINESE AMBER FIGURE QING DYNASTY Standing, wearing long robes and a hood, carrying a flute, 8.5cm.

£2,000-3,000 清琥珀雕仙人像

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

137 A CHINESE BEIJING OPALESCENT SEA-GREEN COLOURED GLASS VASE TONGZHI MARK AND OF THE PERIOD 1862-74

138 A SMALL CHINESE BEIJING OVERLAID GLASS BOTTLE VASE 18TH CENTURY

The mallet-shaped body with a tall tapering neck, the slightly recessed base with a four character incised mark within a square, 18.5cm.

With a circular body and a tall neck decorated with red, blue and yellow grapes and leaves against a milky ground, a circular paper label for Chait Galleries New York to the base, 9.8cm.

£600-1,000

£3,000-4,000

Cf. S Marchant & Son, Exhibition of Chinese Glass, The Hope Danby Collection, pp.32-33, no.17 for a closely related vase.

Cf. C Brown and D Rabiner, Clear as Crystal, Red as Flame, p.91, no.57 for a similar vase. Also see Treasures of Chinese Glass Workshops, p.63, no.48 for a comparable example in the Ina and Sandford Gadient Collection.

清同治綠料長頸瓶《同治年製》款

十八世紀白地三色套料長頸瓶附Chait Galleries New York標籤

Lots 139, 140 and 141 from the collection of Leonard Henry Pike (1885-1961) and thence by descent Leonard Henry Pike (1885-1961), ‘Public Servant and Agent-General’, was born in Streatham in London in 1885. The day after his marriage to Lucy Raymond on 31st March 1910, he and his new wife emigrated to Australia. He worked in the Department of Justice, enlisting in the Australian Imperial Force during WWI. After the war he went back into public service, working as an official secretary to three successive premiers, E. G. Theodore, W. N. Gillies and William McCormack. He organized official visits to Queensland, including the 1927 tour of the Duke and Duchess of York. In 1927 Pike was appointed official secretary to the Queensland agent-general’s office in London. From 1928 he had been working in the sugar industry representing Australia on the International Sugar Council until 1952 as vice-chairman. Pike represented the Returned Sailors’ and Soldiers’ (and Airmen’s) Imperial League of Australia on the British Empire Service League from 1927. In 1931-51 he was the Australian Football Association’s delegate to the council of the Football Association in London. A proficient horseman, Pike was also a chorister, organist and newspaper columnist. He died on 24 March 1961 at Bexhill, Sussex, and was buried in the cemetery at Bexley Hill.

Leonard Henry Pike

139 A CHINESE IMPERIAL FACETED YELLOW BEIJING GLASS BOTTLE VASE FOUR CHARACTER QIANLONG MARK AND OF THE PERIOD 1736-95 With a bulbous octagonal body with a long slender neck raised on a tall foot, with a four character mark in a square border incised to the base, together with a reticulated wood stand, 15cm. (2)

£20,000-30,000 Provenance: from the collection of Leonard Henry Pike (1885-1961). Cf. C Brown and D Rabiner, Clear as Crystal, Red as Flame, p.75, no.39 for a similar vase from the Asian Art Museum of San Francisco. See also E B Curtis, Pure Brightness Shines Everywhere: The Glass of China, pl.9.1. A similar vase was sold at Christie’s Hong Kong on 1st December 2010, lot 2925 and another on 28th May 2014, lot 2916 from the Edward T Chow Collection.

清乾隆御製黃料八棱瓶《乾隆年製》來源：Leonard Henry Pike (1885-1961)收藏

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140 A CHINESE IMPERIAL TURQUOISE BEIJING GLASS BOTTLE VASE FOUR CHARACTER QIANLONG MARK AND OF THE PERIOD 1736-95 With a circular body raised on a straight foot and with a tall, slightly flared neck, a four character mark in a double square border incised to the base, together with a reticulated wood stand, 22.5cm. (2)

£10,000-20,000 Provenance: from the collection of Leonard Henry Pike (1885-1961). Cf. Christie’s New York, 18-19th September 2014, lot 1149 for a similar example.

清乾隆御製孔雀藍料長頸瓶《乾隆年製》來源：Leonard Henry Pike (1885-1961)收藏

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

141 A CHINESE IMPERIAL YELLOW BEIJING GLASS BOTTLE VASE FOUR CHARACTER QIANLONG MARK AND OF THE PERIOD 1736-95 The circular body with a tall neck, raised on a straight foot, a four character mark in a square border incised to the base, 22cm.

£20,000-30,000 Provenance: from the collection of Leonard Henry Pike (1885-1961). Cf. Luster of Autumn Water, Glass of the Imperial Workshop, pp.122-123, no.5 for a similar vase from the Yongzheng period, see also Beijing Poly, 5th June 2012, lot 6148 for a similar example.

清乾隆御製雞油黃料長頸瓶《乾隆年製》來源：Leonard Henry Pike (1885-1961)收藏

142 A CHINESE CELADON JADE ‘PEACH’ BRUSH WASHER 18TH CENTURY

143 A CHINESE YELLOW JADE CARVING OF A QILIN QING DYNASTY OR LATER

Shaped as a large peach issuing from a leafy stem with a smaller fruit to one side and a bird perched near the rim to the other, together with a wood stand, 14cm. (2)

Crouching, baring its fangs with a menacing expression, with a single horn to the top of its head, 7.5cm.

£3,500-4,500 Provenance: Christie’s Paris, 21st December 2009, lot 334, a copy of the original invoice is available.

£6,000-7,000 清或更晚黃玉雕麒麟擺件

十八世紀青白玉雕桃型筆洗來源：巴黎佳士得2009年12月21日·編號334，附發票複印件

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

144 A LARGE CHINESE PALE CELADON JADE HU-SHAPED VASE QIANLONG 1736-95 The pear-shaped body with two dragon mask handles and loose rings to the waisted neck, carved in low relief with taotie masks above bands of lappets and key fret bands to the rim and flared foot, 18.5cm.

† £15,000-20,000 Provenance: formerly in the estate of an American private collector.

清乾隆青白玉雕龍首銜環壺型瓶來源：美國私人收藏

145 A CHINESE PALE CELADON JADE MOGHUL-STYLE EWER AND COVER 19TH CENTURY

146 A SMALL CHINESE PALE CELADON JADE MOGHUL-STYLE VASE AND COVER 18TH/19TH CENTURY

With a flattened ovoid body carved in low relief with flower patterns, with different flowers to the neck and cover, supported on a short oval flowerhead-shaped foot, 15cm.

With a bulbous body carved in low relief with stylised petals beneath lappets, all supported on a flowerhead-shaped foot, the cover with a flower finial inset with a large ruby, 9cm. (2)

£2,000-3,000

£4,000-5,000

Provenance: formerly the collection of Hon. Evelina Rothschild and the Behrens family.

十九世紀痕都斯坦青白玉雕花叶壶來源：Hon. Evelina Rothschild和Behrens家族收藏

Cf. National Palace Museum, Exquisite Beauty-Islamic Jades. p.188, no.236 for a similar vase.

十八/十九世紀青白玉雕蓋罐來源：Hon. Evelina Rothschild和Behrens家族收藏

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

147 A CHINESE PALE CELADON JADE ‘RAFT GROUP’ CARVING QIANLONG 1736-95 Carved as the Immortal Magu holding a peach and with a young boy clutching a lingzhi oar in a log raft, together with a wood stand carved with rolling waves, 17cm. (2)

£12,000-18,000 Provenance: Sotheby’s Hong Kong, 2nd May 1991 lot 324 and Sotheby’s Hong Kong 27th April 2003 lot 101. Cf. M Knight, H Lee and T Bartholomew, Later Chinese Jades from the Asian Art Museum of San Francisco, p.288, nos.321 and 322, and The Woolf Collection of Chinese Jade, p.263, no.133, for comparable carvings of Immortals on rafts.

清乾隆青白玉雕麻姑乘槎擺件及底座來源：香港蘇富比1991年5月2日·編號324，香港蘇富比2003年4月27日·編號101

148 A CHINESE WHITE JADE PLAQUE QING DYNASTY OR LATER One side carved with a lion dog, the reverse with the characters yu tang jin xiu, 5.7cm.

£3,000-5,000

153 A CHINESE WHITE JADE RECTANGULAR ‘HUA MU LAN’ PLAQUE QING DYNASTY OR LATER Carved to one side with the image of the heroine, the reverse with a poem, the top with archaistic scrolls and a hole for suspension, 6cm.

清或更晚白玉雕靈獸佩《玉堂錦繡》

£3,000-5,000

149 A CHINESE PALE CELADON JADE CARVING OF A FINGER CITRON 18TH/19TH CENTURY

154 A CHINESE WHITE JADE PLAQUE QING DYNASTY OR LATER

The fruit issuing from a leafy stem, 5.5cm.

One side carved with lotus flowers, the reverse with calligraphy, 8.3cm.

£2,000-3,000 十八/十九世紀青白玉雕佛手擺件 150 A CHINESE WHITE JADE PLAQUE QING DYNASTY OR LATER Carved as an oval ring with twelve characters of the sexagenary cycle to each side, with a reticulated figure amongst clouds to the centre, mounted by a stylised bat and a pair of birds, 7.2cm.

£2,500-3,000 清或更晚白玉鏤雕佩 151 A CHINESE WHITE JADE RECTANGULAR ‘TAI YI ZHEN REN’ PLAQUE QING DYNASTY OR LATER Carved to one side with the Immortal floating on a large lotus leaf, the reverse with a poem, the top with archaistic clouds and ruyi-heads and a hole for suspension, 6.3cm.

£3,000-5,000

清晚期白玉雕花木兰佩

£1,500-2,000 清或晚期白玉雕蓮花紋牌 155 A CHINESE AGATE ABSTINENCE PLAQUE QING DYNASTY OR LATER Carved in shallow relief with a gourd-shaped panel with two Chinese characters to one side reading zhai jie, the reverse with the Manchu characters bolgomi karga, all within an archaistic scrolling border, 7.2cm.

£3,000-4,000 清或更晚瑪瑙雕齋戒牌 156 TWO CHINESE CELADON JADE HAT FINIALS MING DYNASTY OR LATER Each carved as a group of egrets amongst lotus flowerheads and leaves, one in white jade, the other in a greyish stone with brown inclusions, 5.2cm. (2)

£2,000-3,000 明或更晚青白玉鏤雕花卉紋爐頂

清或更晚白玉雕太乙真人佩 152 A CHINESE WHITE JADE HAT FINIAL MING DYNASTY Carved as a reticulated dome, decorated with birds and lotus and with a single bird surmount, 4.5cm.

£1,000-2,000 明晚期白玉鏤雕花鳥紋爐頂

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

148

149

150

151

152

153

154

155

156

Lots 157- 165 from the collection of Mr Arthur Crick (1890-1956) and thence by descent

Arthur Crick

157 A CHINESE SPINACH-GREEN JADE ‘THREE FRIENDS OF WINTER’ VASE 18TH CENTURY

158 A CHINESE PALE CELADON JADE ARCHAISTIC VASE AND COVER 18TH CENTURY

Carved as the trunk of a prunus tree with a blossoming branch, a gnarled pine tree and sprays of bamboo and lingzhi, together with a wood stand, 15.5cm.

The flattened pear-shaped body decorated with taotie masks and with lappets and key fret to the neck mounted by two archaistic phoenix handles, together with a wood stand, 19.5cm. (3)

£500-1,000

£2,000-3,000

Provenance: from the collection H R Parfitt Esq., then purchased Sotheby’s London, 9th November 1954, lot 147 for £48, and later the collection of Mr Arthur Crick (1890-1956).

Provenance: from the collection of Professor J Norman Collie, FRS, then purchased Sotheby’s London, 9th April 1943, lot 308, and later the collection of Mr Arthur Crick (1890-1956).

十八世紀碧玉雕歲寒三友瓶來源：H R Parfitt Esq收藏，倫敦蘇富比1954年11月9日·編號147，成交價為£48；之後由Arthur Crick (1890-1956)收藏

十八世紀灰白玉雕饕餮紋蓋瓶來源：J Norman Collie收藏，倫敦蘇富比1943年4月9日·編號308，之後由Arthur Crick (1890-1956)收藏

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

159 A CHINESE SPINACH-GREEN JADE RETICULATED VASE 18TH CENTURY

160 A PAIR OF SMALL CHINESE GREEN JADE GU-SHAPED VASES 19TH/20TH CENTURY

With a quatrefoil body carved with stylised lotus flowerheads and foliage and bands of lappets to the shoulder and foot, with two tall handles raising from the rim, together with a wood stand, 12cm. (2)

Each with a taotie mask carved to the body and a ruyi-head border, with pairs of dragon-head handles with loose rings to the shoulders, all supported on dragon-shaped bases, together with reticulated fitted wood stands, 11cm. (4)

£500-1,000 Provenance: from the collection of Mr Arthur Crick (1890-1956).

十八世紀碧玉雕折枝蓮紋瓶來源：Arthur Crick (1890-1956)收藏

£500-1,000 Provenance: from the collection of Mr Arthur Crick (1890-1956).

十九/二十世紀青玉雕饕餮紋瓶一對來源：Arthur Crick (1890-1956)收藏

161 A CHINESE SPINACH-GREEN JADE DOUBLE VASE 19TH CENTURY

162 THREE CHINESE HARDSTONE VASES 20TH CENTURY

Carved as a hollowed prunus tree trunk with a flowering branch entangled with a spray of bamboo, lingzhi and a small pine tree, with a small gu-shaped vase with a taotie mask to the side, flanked by a small qilin, 15cm.

Two in green jadeite, one with flower-shaped handles and loose rings, the other carved on a rocky base with a branch of a fruiting tree and a bird to the shoulder, the third vase in malachite with a spray of prunus and peony and a bird finial to the cover, two with wood stands, 14cm. max. (6)

£800-1,200 Provenance: from the collection of Mr Arthur Crick (1890-1956).

£500-1,000

十九世紀碧玉雕歲寒三友紋擺件來源：Arthur Crick (1890-1956)收藏

Provenance: from the collection of Mr Arthur Crick (1890-1956).

二十世紀翡翠及壽山石雕瓶一組三件來源：Arthur Crick (1890-1956)收藏 163 TWO CHINESE FAMILLE VERTE ‘PHOENIX’ KENDI KANGXI 1662-1722 Each with a quatrefoil body and a tall neck decorated with panels of flower sprays and floral and geometric patterns, the spouts formed as phoenix heads, 20cm. (2)

£3,000-5,000 Provenance: from the collection R W M Walker Esq., then purchased Sotheby’s London, 12th July 1945, lot 75 by D J K Wright for £150, and later the collection of Mr Arthur Crick (1890-1956). Cf. C J A Jörg, Chinese Ceramics in the Collection of the Rijksmuseum, Amsterdam, p.162, no.177 for a similar pair of kendi.

清康熙五彩鳳首軍持一組兩件來源：R W M Walker Esq收藏，倫敦蘇富比1945年7月12日·編號 75，之後由Arthur Crick (1890-1956)收藏

161

162

100

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

163

164 A CHINESE SANCAI FIGURE OF GUANDI KANGXI 1662-1722

165 A CHINESE SANCAI FIGURE OF GUANYIN KANGXI 1662-1722

Seated on a stool, wearing a suit of armour, holding an ingot in his left hand, his right arm raised, the right leg resting on a tiger, all supported on a perforated rock-shaped base painted with bamboo shoots to the back, 24cm.

Seated, wearing long robes, her tall chignon covered by a veil, with a beaded necklace, holding a ruyi sceptre in her left hand, 21cm.

£300-500 Provenance: from the collection of Mr Arthur Crick (1890-1956).

£400-600 Provenance: from the collection of Ernest G Raphael Esq., then purchased Sotheby’s London, 9th November 1945, lot 34 by Strass for £170, and later the collection of Mr Arthur Crick (1890-1956).

清康熙素三彩觀音來源：Arthur Crick (1890-1956)收藏

清康熙素三彩關公坐像來源：Ernest G Raphael Esq收藏，倫敦蘇富比1945年11月9日·編號 34，成交價為£170，之後由Arthur Crick (1890-1956)收藏

164

165

101

166 A CHINESE LONGQUAN CELADON DISH EARLY MING DYNASTY

167 A CHINESE JIAN YAO HARE’S FUR BOWL SONG DYNASTY

The body moulded with lappets radiating from a central flowerhead spray, together with a carved wood stand, 36cm. (2)

The gently flared body with gilt metal rim, decorated with an unctuous glaze of black and brown, with irregular russet markings draining from the rim, stopping short of the foot, 8.8cm.

£500-1,000 明早期龍泉青釉花卉紋盤

£500-1,000 宋建窯兔毫盞

102

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

168 A LARGE CHINESE POTTERY MODEL OF A HORSE TANG DYNASTY Standing four-square in a dynamic pose with his head turned to the side, 55cm high.

£5,000-7,000 Provenance: purchased from Berwald Oriental Art Ltd in June 2004 for £11,500 by an Italian collector, a copy of the original invoice is available. Together with a copy of Thermoluminescence Analysis Report, sample no.C104d52, dated 20th February 2004.

唐馬俑來源：意大利私人收藏，2004年6月以£11,500 的價格購於Berwald東方藝術古董店，附發票複印件

169 A LARGE CHINESE LONGQUAN CELADON DISH EARLY MING DYNASTY With a barbed rim, the centre moulded with a peony flowerhead and Chinese character ji, the cavetto incised with further blossoms and scrolling foliage, the design mirrored to the reverse, 42cm.

£1,500-2,500 明早期龍泉花卉紋大盤

103

170 A LARGE CHINESE FAMILLE VERTE YEN YEN VASE KANGXI 1662-1722

171 A LARGE CHINESE FAMILLE VERTE YEN YEN VASE KANGXI 1662-1722

Painted with panels containing blossoms, landscapes, mythical beasts and the Hundred Antiques, 57cm.

Painted with a continuous scene of three equestrian figures in a landscape, the neck mirroring the design, 53cm.

£10,000-15,000

清康熙五彩開光瑞獸紋鳳尾尊

Cf. C J A Jörg, Famille Verte Chinese Porcelain in Green Enamels, p.83, no.82 for a related vase.

清康熙五彩人物故事紋鳳尾尊

104

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

172 A LARGE AND RARE CHINESE FAMILLE VERTE ‘HUNDRED ANTIQUES’ ROULEAU VASE KANGXI 1662-1722 The tall cylindrical body applied with moulded precious objects, blossoms and fruit, and painted in gilt and famille verte enamels, the neck encircled with two chilong amongst scrolling foliage and lingzhi, the base, shoulder and rim with bands of iron-red and gilt bands of stylised lotus flowerheads, together with a fitted wood box, 77cm. (2)

£5,000-7,000 Provenance: Sir James Neville Bt. (1897-1982) of Sloley Old Hall, Norfolk and thence by descent. Cf. The Complete Collection of Treasures of the Palace Museum, Porcelains in Polychrome and Contrasting Colours, volume 38, p.156, no.143, for a similar, but smaller example.

清康熙五彩加金凸雕博古紋棒槌瓶來源：英國諾福克Sloley Old Hall的James Neville Bt.（1897-1982）先生收藏

105

173 A CHINESE BLUE AND WHITE ‘EIGHT IMMORTALS’ INCENSE BURNER KANGXI 1662-1722 The compressed circular body painted with Shoulao celebrating his birthday with the Eight Immortals beneath a band of cash, the base with an artemesia mark, together with a hardwood stand and cover, 24cm. (3)

£3,000-5,000 Provenance: purchased from Douglas Wright, London, 14th November 1960 for £17.17s, the original invoice is available. Cf. The Victoria and Albert Museum, no.326-1931 for a closely related famille verte incense burner.

清康熙青花八仙祝壽紋香爐來源：1960年11月14日以£17.17的價格購於倫敦Douglas Wright，附發票。 174 A CHINESE BLUE AND WHITE ‘HUNTING’ BOWL KANGXI 1662-1722 The centre painted with a doe beneath a pine tree, the exterior with a group of hunters and attendants in a rocky landscape, a six character Chenghua mark and a paper label for Geoffrey Waters, London, 21cm.

£4,000-6,000 Provenance: purchased from Geoffery Waters, London, 22nd June 1999.

清康熙青花人物故事

106

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

175 A CHINESE BLUE AND WHITE SLENDER PEAR-SHAPED VASE KANGXI 1662-1722

176 A CHINESE BLUE AND WHITE BITONG KANGXI 1662-1722

Painted with three figures illustrating a scene from the Romance of the Western Chamber, the base with a tied conch mark, 21cm.

Painted with figures illustrating a scene from the Romance of the Western Chamber, the waisted cylindrical body flaring to the rim and foot, the base with a six character Chenghua mark, 13.2cm.

£4,000-6,000 Provenance: purchased from Bukowski, Stockholm, 4th June 2010, lot 1723.

清康熙青花人物故事碗

£3,000-4,000 Provenance: an English private collection, London. The scene is thought to be as that described in part I, act II of The Romance of the Western Chamber and is referred to as ‘The Renting of the Quarters in the Monastery’. The scene describes the initial meeting between Fa Pen, the Elder of the P’uchiu Buddhist Monastery in Putting, and the scholar Chang. The Elder agrees to rent Chang a room in the west wing of the monastery so that he may prepare for the Imperial examinations. The Romance of the Western Chamber is one of the most famous Chinese dramatic works. It was written by the Yuan Dynasty playwright Wang Shifu and is set during the Tang dynasty. It tells the story of a young couple consummating their love without parental approval.

清康熙青花西廂記故事紋筆筒來源：倫敦私人收藏

107

177 A LARGE CHINESE BLUE AND WHITE ‘DOUBLE PHOENIX’ DISH WANLI 1573-1620

178 A LARGE CHINESE BLUE AND WHITE OVOID JAR WANLI 1573-1620

Decorated to the centre with a pair of phoenix on a floral ground within a rich patterned border and panels with birds, fruit and flowers around the shaped rim, 47.5cm.

Decorated with panels containing plants and rockwork, with bands to the shoulder and lappets to the foot, scrolling foliage to the rim, together with a reticulated wood cover with a lion dog finial, 37cm. (2)

£4,000-6,000

£6,000-8,000

Cf. M Rinaldi, Kraak Porcelain, p.99, pl.87 for a related large dish painted with pheasants from the Troesch Collection, Switzerland.

明萬曆青花開光花卉紋罐

明萬曆青花鳳戲牡丹紋盤

108

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

179 A CHINESE BLUE AND WHITE EGRET-MARKED KRAAK ‘CRICKET’ DISH WANLI 1573-1620

180 A RARE CHINESE BLUE AND WHITE EGRET-MARKED KRAAK ‘DEER’ DISH WANLI 1573-1620

Finely painted with a cricket on a rock and with flower sprays, the moulded bracket-lobed rim with eight panels of various blossoms and cicadas, the reverse with eight panels of fruit and cicadas, the base with an egret mark and a circular label for Bluett & Sons, London, 19.7cm.

Finely painted in vibrant tones of cobalt blue with two deer beneath a pine tree, the bracket-lobed rim with eight panels of various blossoms, the reverse containing eight panels of lingzhi and cicadas, the base with an egret mark and a circular label for Bluett & Sons, London, 21cm.

£2,000-3,000

£4,000-6,000

Provenance: formerly the property of a titled English collector.

Cf. Christie’s New York, 16th March 2015, lot 3502, and Christie’s Amsterdam, 20th May 2008, lot 9 for other egret-marked Kraak dishes.

Cf. Christie’s New York, 16th March 2015, lot 3502 and Christie’s Amsterdam, 20th May 2008, lot 9 for other egret marked Kraak dishes.

The egret mark appears exclusively on Wanli Kraak pieces of high quality, fine painting and moulded designs, was used at one particular kiln. There are only about 45 known examples recorded worldwide.

明萬曆青花克拉克瓷附倫敦Bluett & Sons標籤

明萬曆青花克拉克瓷盘附倫敦Bluett & Sons標籤

109

181 A PAIR OF CHINESE BLUE AND WHITE BOWLS KANGXI 1662-1722 Each with the exterior decorated with ladies attending boys playing in gardens, the broad rims with panels of auspicious objects and diaper pattern, with a six character Chenghua mark to the base, 21.2cm. (2)

£3,000-5,000 清康熙青花人物紋撇口碗一對

182 A CHINESE BLUE AND WHITE AND UNDERGLAZE RED ‘MASTER OF THE ROCKS’ BOWL KANGXI 1662-1722 Painted with a continuous mountain and river landscape of a fisherman in a sampan and a village in the background, the trees highlighted in red, the centre with a roundel illustrating a similar scene, the inner rim with a band of pine branches, 19.4cm.

£3,000-4,000 清康熙早期青花山水人物紋香爐

183 A CHINESE BLUE AND WHITE INCENSE BURNER KANGXI 1662-1722 The bombé-shaped body painted with three figures in a mountainous landscape and with a band of clouds and Buddhist symbols beneath the rim, raised on a short foot, 23cm.

£2,500-3,500 清康熙青花山水紋香爐

110

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

184 A NEAR PAIR OF CHINESE BLUE AND WHITE YEN YEN VASES KANGXI 1662-1722 Each moulded with lotus petal-shaped panels containing landscapes, on a ground of blossoming prunus, and with bands of diamond diaper, 52.3cm. (2)

£12,000-15,000 清康熙青花開光山水紋鳳尾尊一對

111

185 A CHINESE BLUE AND WHITE ‘PHOENIX’ BOWL KANGXI 1662-1722

186 A CHINESE BLUE AND WHITE JAR KANGXI 1662-1722

Painted to the exterior with four pairs of phoenix in flight, another single bird to the well, with a stylised floral band to the inside of the rim, the base with an incense burner mark, together with a wood stand, 18.1cm. (2)

The ovoid body painted with dignitaries receiving tributes from officials in an interior, together with a reticulated wooden cover, 21cm. (2)

£4,000-6,000

清康熙青花人物故事紋罐

£1,500-2,500

清康熙青花鳳求凰撇口碗

112

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

187 A LARGE CHINESE BLUE AND WHITE BALUSTER VASE AND COVER KANGXI 1662-1722 With a tall tapering body moulded with lotus petal-shaped panels containing landscapes, the ground with prunus and other blossoms, with moulded raised bands to the foot and neck, the cover mirroring the design, surmounted by a lotus bud knop, 58.5cm. (2)

£3,500-4,000 清康熙青花山水紋蓋瓶

188 A CHINESE BLUE AND WHITE YEN YEN VASE KANGXI 1662-1722 Painted with prunus on a cracked-ice ground divided by chevron borders, 43.7cm.

£4,000-6,000 Cf. Roger Keverne, Winter Exhibition 2007, no.44 for a similar Kangxi gu beaker of the same design.

清康熙青花冰梅紋鳳尾尊

113

189 A CHINESE WHITE JADE CARVING OF THE SI XI TONG ZI QING DYNASTY OR LATER

190 A CHINESE WHITE JADE BELT HOOK 18TH/19TH CENTURY

Carved as tumbling boys with a square hole to the centre, 5.5cm.

Carved with a dragon head terminal and a smaller sinuous dragon to the body in high relief, 11.6cm.

£3,500-4,500 清或更晚白玉雕四喜童子佩

£2,000-3,000 十八/十九世紀白玉雕螭龍紋帶鉤

191 A CHINESE WHITE JADE BELT BUCKLE QING DYNASTY OR LATER

192 A CHINESE GREEN JADE OVAL SEAL QING DYNASTY OR LATER

In three sections, carved with geometric motifs, 14cm overall. (3)

Surmounted by a chilong, the seal face with five characters between two dragons which read yu ci He Hui Yuan, 4cm.

£3,500-4,500 清或更晚白玉雕帶扣

£3,000-5,000 清或更晚碧玉雕螭龍扭章

114

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

193 A CHINESE WHITE JADE PLAQUE 18TH CENTURY Carved in the form of a lock, decorated in shallow relief with flowers, lingzhi and bamboo, the reverse with four characters which read fu shou kang ning, 9cm.

194 A FINE CHINESE WHITE JADE SNUFF BOTTLE FOUR CHARACTER QIANLONG SEAL MARK AND PROBABLY OF THE PERIOD The body finely carved with a band of stiff leaves to the neck and lappets to the foot, the metal stopper set with an amethyst, 6.8cm.

£5,000-7,000

£15,000-20,000

Provenance: the Dr Dean Edell Collection, illustrated in C Randall, The Brush and the Stone, The Dr Dean Edell Collection of Chinese Art, p.44, no.28.

Provenance: purchased from the Marianne Marquise collection in the 1980s.

十八世紀白玉花卉紋如意鎖《福壽康寧》

清乾隆（可能）白玉雕鼻煙壺《乾隆年製》來源：購於1980年代的Marianne Marquise收藏

115

195 A CHINESE PALE GREY JADE CARVING OF A BEAR QING DYNASTY OR LATER

196 A CHINESE WHITE JADE ‘SQUIRREL AND VINE’ PENDANT QING DYNASTY

Crouching, with his head facing forward and legs tucked underneath the body, the stone with grey and brownish inclusions, 7cm.

Formed as a squirrel feasting on a bunch of large grapes, the reverse carved as two leaves with yellow skin, 5cm.

£3,500-4,000

清或更晚清白玉雕臥熊

清白玉雕松鼠葡萄佩

197 A CHINESE HARDSTONE ‘THREE RAMS’ GROUP QING DYNASTY OR LATER

198 A CHINESE WHITE JADE ARCHAISTIC ‘PHOENIX’ PENDANT QING DYNASTY OR LATER

Carved as a recumbent beast with two young, with a large spray of lingzhi in his mouth extending to his back with a yin-yang symbol, each animal with long curled horns, 7cm.

Recumbent, with his head resting on his back, the legs tucked underneath the body, with feathers carved in fine detail, a hole for suspension drilled through the body, the stone with yellow mottling to one side, 6cm.

£3,000-5,000 清或更晚寿山石雕三陽開泰擺件

£3,500-4,500 清或更晚白玉雕仿古鳳佩

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Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

199 A CHINESE INSCRIBED YELLOW JADE ARCHER’S RING QIANLONG MARK AND PROBABLY OF THE PERIOD The face carved with a sampan beneath a tree, with brown inclusions to the stone, the reverse engraved with a poem and a seal, which reads gu xi tian zi, 3.5cm.

200 A CHINESE WHITE JADE INCENSE HOLDER AND COVER FOUR CHARACTER QIANLONG MARK AND POSSIBLY OF THE PERIOD The cylindrical body finely carved with geometric motifs within key fret borders, 8.1cm. (2)

£15,000-20,000

£20,000-25,000

Provenance: from the collection of Professor R W Jackson.

Provenance: from the Franz Haller Collection, Aachen, Germany, purchased in the 1970s.

The poem reads: Yu e ceng jing pi su gong, Cheng tu jiao jiao jian yong Zhong. Fei liu yang tiao yi bu jin, Yu guo shi qiao yuan geng qiong.

清乾隆（可能）白玉雕饕餮紋香插《乾隆年製》來源：1970年代購於德國Franz Haller 收藏

清乾隆（可能）黃玉雕御題詩扳指銘文：玉厄曾經闢俗功，成圖佼佼見庸中。飛流仰眺意不盡，欲過石橋源更窮。乾隆癸卯。鈐印：古稀天子來源：R W Jackson博士收藏

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201 A CHINESE WHITE JADE ‘DRAGONS’ WEIGHT QING DYNASTY OR LATER The pebble entirely carved with dragons amidst swirling waves, 10cm.

£3,000-5,000 清或更晚白玉雕雲龍紋鎮紙

202 A CHINESE PALE CELADON JADE MOUNTAIN QING DYNASTY OR LATER Carved with two figures in a canoe drifting down a river among mountains and pine trees, with a pavilion on top of a hill, the reverse with a single crane and pine trees, 16cm.

£5,000-6,000 清或更晚青白玉雕人物山水纹山子

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Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

203 A CHINESE PALE CELADON JADE CIRCULAR ‘DRAGON’ PLAQUE 19TH/20TH CENTURY Crisply carved with a single scaly confronting five-clawed dragon in a circular panel to one side, and with an eight character inscription to the reverse reading zong guang di dian yu mei jin zhang, the square surmount pierced with a suspension hole, the base with finely pierced fretwork, 13.1cm.

£8,000-12,000 Provenance: formerly a private collection, London.

十九/二十世紀青白玉雕龍紋牌銘文：崇光迪典，玉枚金章。來源：倫敦私人收藏

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204 A CHINESE WHITE JADE RETICULATED PLAQUE MING DYNASTY OR LATER

205 A CHINESE WHITE JADE PENDANT QING DYNASTY OR LATER

Carved with two phoenix, one with a flower, the other with a lingzhi spray, 8cm.

One side carved with a rabbit, the reverse with the mao character, 7.3cm.

£3,000-5,000 明或更晚白玉鏤雕如意鳳求凰牌

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£3,000-5,000 清或更晚白玉雕玉兔佩《卯》

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

206 A FINE CHINESE ARCHAISTIC YELLOW JADE MODEL OF AN AXE HEAD PROBABLY QIANLONG Crisply carved in shallow relief with a sinuous chilong clambering over the rim of a bi disc which is decorated with formal scrolls. The axe blade with a band of key fret flanked by mythical beasts, a paper label for the Erik Hancock Collection, 11.9cm.

£25,000-30,000 Provenance: purchased from the Erik Hancock Collection in the 1970s. Erik Hancock was one of the best-known collector’s through the late 1960s and 70s. Born into a privileged Birmingham family he grew up surrounded by antiques and collectables and became fascinated with his father’s collection. In young adulthood he too became an avid collector and over his own lifetime amassed a large collection of Chinese Art with a specific interest in Jades and Chinese Snuff Bottles. He was a regular speaker at art clubs around the city and loaned The Birmingham City Museum a portion of his snuff bottle collection. He featured his own collection in many of his talks and often traded amongst fellow collector’s in the area. Upon his death some of the collection was bequeathed to the city museum and a portion of his snuff bottle collection was sold. Nearly all the pieces of the collection bare a distinctive collector’s label which is easily recognised. Many pieces from his collection are now housed in major collections around the world and listed in publications of private snuff bottle and jade collector’s spanning the decades since the 1970s.

十八/十九世紀黃玉雕仿古斧型佩來源：1970年代購於Erik Hancock收藏

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207 A CHINESE FAMILLE ROSE MOULDED ‘FLOWERS’ BOWL SIX CHARACTER JIAQING MARK AND OF THE PERIOD 1796-1820 With a lobed lotus-shaped body painted with various blossoms and lingzhi, 18.5cm.

£1,000-2,000 清嘉慶粉彩花卉紋碗《大清嘉慶年製》礬紅篆書款

208 FOUR SMALL CHINESE CUPS JIAQING 1796-1820 Each painted with a waterside scene with architecture and a four character inscription, three with iron-red peach sprays to the base, one with a four character iron-red mark, 6.8cm. (4)

£2,000-3,000 清嘉慶粉彩山水紋盃一組四件

209 TWO CHINESE PORCELAIN ‘LANDSCAPE’ CUPS SIX CHARACTER IRON-RED JIAQING MARKS AND OF THE PERIOD 1796-1820 One with a four character inscription reading yun shan wan zhong, the other inscribed xu ting yan liu, each with a gilded rim, a short foot and the body painted with a waterside landscape to one side and a poem to the reverse, 9cm. (2)

£1,000-2,000 清嘉慶粉彩山水紋盃一組兩件《大清嘉慶年製》礬紅篆書款

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Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

210 A LARGE CHINESE FAMILLE ROSE ‘PRUNUS’ PLATE LATE QING DYNASTY/REPUBLIC PERIOD Painted with blossoming prunus trees with lingzhi sprouting from the trunk and sprays of iron-red hibiscus, a six character Kangxi mark to the base, 53.5cm.

211 A CHINESE FAMILLE ROSE SAUCER DISH SIX CHARACTER YONGZHENG MARK AND OF THE PERIOD 1723-35 Painted with a spray of peonies and chrysanthemums and a small iron-red seal mark, 15.8cm.

£5,000-8,000

£2,000-2,500

Cf. Z Lili, The Shanghai Museum Collection: Qing Dai Yongzheng- XuanTong Guan Yao Ci Qi, p.365 for a similar example from the Guangxu period.

清雍正粉彩花卉紋碟《大清雍正年製》青花楷書款

清晚期/民國粉彩花卉紋大盤《大清康熙年製》仿款

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212 A CHINESE FAMILLE VERTE DISH KANGXI 1662-1722

213 A CHINESE FAMILLE ROSE RUBY-BACK SHALLOW BOWL YONGZHENG 1723-35

Painted with Dong Zhuo, Diao Chan and Lü Bu, illustrating a scene from The Romance of the Three Kingdoms, the reverse with a tied jewel within a channelled footrim, 28cm.

Brightly painted in fine detail with a young woman and three boys seated on a chest beside a massive blue vase, a tall bamboo table and a white cracked glaze incense burner, the borders decorated with three bands of diaper pattern in pink, blue and yellow and with three shaped cartouches with flower sprays, 21.2cm.

£4,000-6,000 Provenance: an English private collection, London.

清康熙五彩吕布戏貂蝉纹碟來源：英國倫敦私人收藏

£1,000-2,000 Provenance: from the collection of John Blakeway, d.1986. Cf. G C Williamson, The Book of Famille Rose, p.100, pl.XXXIII for an almost identical dish from the Martin-Hurst Collection.

清雍正粉彩如意多子多福紋碟來源：John Blakeway（逝于1986年）收藏

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Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

214 A RARE CHINESE FAMILLE VERTE SMALL INSCRIBED VASE KANGXI/YONGZHENG

215 A CHINESE FAMILLE VERTE DISH KANGXI 1662-1722

The bottle-shaped body raised on a flared foot and decorated with a scholar enjoying wine in the moonlight, the reverse with a maple tree, the neck with a poem to the moon, 17cm.

Depicting a scene from the Romance of the Western Chamber, a paper label for the J F Woodthorpe Collection, 21cm.

£4,000-6,000 清康熙/雍正五彩飲酒圖長頸瓶

£4,000-6,000 Provenance: from the collection of J F Woodthorpe, later the Follander collection, Belgium, and then Christie’s Amsterdam, 20th/21st November 2007, lot 189. John Frederick Woodthorpe (1897-1966) was a client of Bluett’s from 1948-1960. Much of his collection was sold at Sotheby’s from 1954 through to 1961. His label can still be seen on a selection of high quality Ming and Qing porcelain. The small disc in iron-red to the left of the pavilion indicates that this scene takes place at night and is thought to be an episode from the 12th century play, the Romance of the Western Chamber. The play tells the story of the love of Cui Ying Ying for a young scholar, Zhang Sheng. On this dish, it is difficult to be certain as to whether the scene represents a meeting between the two principal characters or between her maid, Hong Niang and Zhang Sheng.

清康熙五彩西廂記故事紋碟來源：J F Woodthorpe舊藏，Follander收藏，阿姆斯特丹佳士得2007 年11月20/21日·編號189 附J F Woodthorpe 收藏標籤，從1948年至1960年John Frederick Woodthorpe曾是倫敦Bluett’s的客人。

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216 A CHINESE CELADON GROUND BALUSTER VASE KANGXI 1662-1722 The body incised with scaly dragons on a foliate ground with peony flowerheads between bands of chevron, with a band of ruyi-heads to the rim, with four circular blue and white panels containing blossoms and the Hundred Antiques, together with a reticulated wood cover, 33cm. (2)

£2,500-3,000 清康熙青釉地開光花卉紋將軍罐

217 A RARE CHINESE POWDER BLUE GROUND AND UNDERGLAZE COPPER-RED DISH KANGXI 1662-1722 Decorated with a figure of a travelling warrior monk carrying a large bundle, a fly whisk and a long stick on his back, all reserved against a powder blue ground, with sprays of bamboo and a flower mark in a double circle to the reverse, 26cm.

£2,500-3,000 Cf. C J A Jörg, Chinese Ceramics in the Collection of the Rijksmuseum, Amsterdam, pp.127-128, no.132 for a dish of an identical design. The plate probably depicts Monk Hua, a character from Shuihu zhuan, a popular tale of rogues and robbers.

清康熙青花釉里紅人物紋碟

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Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

218 A CHINESE COPPER-RED, CELADON AND UNDERGLAZE BLUE BALUSTER VASE KANGXI 1662-1722 Carved and painted with trees and flying birds and a small figure in a sampan in a rocky landscape, together with a hardwood cover and stand, 24.5cm. (3)

£500-800 Provenance: from the collection of Charles William Martin (1850-1896), Quorn Place, Leicestershire.

清康熙青花釉里紅松石紋將軍罐來源：萊卡斯特郡Charles William Martin （1850-1896）收藏

219 A CHINESE DOUCAI ‘MANDARIN DUCKS’ DISH YONGZHENG 1723-35 Painted with a lotus pond with five swimming ducks and a sixth in flight, the reverse with a six character Chenghua mark, 20cm.

£4,000-6,000 Provenance: from the collection of Charles William Martin (1850-1896), Quorn Place, Leicestershire.

清雍正鬥彩蓮池鴛鴦紋碟來源：萊卡斯特郡Charles William Martin （1850-1896）收藏

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220 A CHINESE ORNAMENTAL PANEL 18TH/19TH CENTURY Set with three porcelain plaques depicting a boy and a buffalo, a farmer and an attendant and with two square seals, one inscribed Tang Ying zhi yin, the other Jun Gong, set on a black granular ground within a later hardwood frame, the reverse with black lacquer, 70cm x 81cm overall.

£1,000-1,500 Cf. Beijing Poly, 7th June 2017, lot 5876, for a related panel.

十八/十九世紀五彩童子牧牛掛屏《唐英之印》、《俊公》 221 A LARGE CHINESE FAMILLE ROSE SGRAFFITO RUBY-GROUND VASE, TIANQIUPING 19TH CENTURY With an ovoid body and a gently flaring cylindrical neck, decorated with shaped cartouches containing finely painted landscapes and with loose blossoms, a six character Qianlong mark to the base, 53.5cm.

£2,000-3,000 Provenance: from an English private collection, Worcester, purchased before 1950.

十九世紀紅地開光山水紋天球瓶《大清乾隆年製》礬紅篆書款來源：英國伍斯特私人收藏

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Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

222 A LARGE CHINESE BLUE AND WHITE AND OVERGLAZED RED HU-SHAPED VASE 19TH CENTURY The body with two elephant head handles, painted with bands of stylised lotus flowerheads and foliage and the bajixiang, the foot decorated with a band of lappets and crashing waves, the rim with a band of waves, a six character Qianlong mark to the base, together with a wood stand, 47cm. (2)

£3,000-5,000 十九世紀青花加彩八吉祥紋壺型尊《大清乾隆年製》青花篆書款

223 A PAIR OF CHINESE BLUE AND WHITE PHOENIX ARROW VASES 19TH CENTURY The cylindrical bodies painted with stylised phoenix and the bajixiang, with tall necks flanked by tubular handles decorated with dragons and diaper pattern bands, with bands of studs dividing each section, all supported on flared feet with ruyi-head bands around the footrims, together with wood stands, 45cm. (4)

£5,000-8,000 Provenance: from the collection of Mrs Mabel Wetherill, d.1927.

十九世紀青花鳳求凰紋投壺一對來源：Mabel Wetherill夫人(逝于1927年)收藏

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224 A SMALL CHINESE MONOCHROME VASE, YUHUCHUNPING YONGZHENG 1723-35 With a pear-shaped body decorated with an even sang de boeuf glaze, with a flared rim and a short foot, 18.5cm.

£2,500-3,500 Cf. Monochrome Porcelain, the Complete Collection of the Palace Museum, p.30, no.27 for a similar larger example from the Guangxu period.

清雍正紅釉玉壺春瓶 225 A CHINESE LANGYAO SLENDER BALUSTER VASE KANGXI 1662-1722 With a flared cylindrical neck, decorated with a red crackled glaze draining from the rim, 42cm.

£1,000-2,000 Cf. The Complete Collection of Treasures of the Palace Museum, Monochrome Porcelain, volume 37, p.18, no.15 for a comparable vase.

清康熙郎窯紅觀音瓶

226 AN UNUSUAL CHINESE INCISED ‘PRUNUS’ BRUSH WASHER 18TH CENTURY The body incised with a blossoming prunus tree and a spray of bamboo, a band of key fret to the rim, all picked out in celadon, 23cm.

£2,000-3,000 十八世紀白釉暗刻竹梅紋筆洗

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Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

227 A RARE CHINESE LAQUE BURGAUTE PORCELAIN BOTTLE VASE KANGXI 1662-1722 The ovoid body with a narrow neck, a wide rim and a flared foot, all painted with black lacquer with inlaid decoration of three scholars conversing on a moonlit water edge by a bamboo grove, the foot with geometric bands, the shoulder and mouth with bamboo sprays, 28.4cm.

£8,000-12,000 Provenance: Christie’s London, 17th June 2003, lot 66. Cf. The World’s Great Collections, Oriental Ceramics, volume 7, Musée Guimet, Kodansha International, Tokyo New York/San Francisco, no.157, for a plate with a similar decoration in the collection of the Musée Guimet. Also see the Spink & Sons’ catalogue, 1971, p.51, no.206 for a similar vase from the collection of George de Menasce, OBE.

清康熙瓷胎黑漆嵌螺鈿瓶來源：倫敦佳士得2003年6月17日·編號66

228 A CHINESE AUBERGINE GLAZED GOURD-SHAPED VASE KANGXI 1662-1722 The waisted body decorated with an even deep cobalt-blue glaze, 21cm.

£3,000-4,000 Provenance: from the collection of Leonard Henry Pike (1885-1961).

清康熙茄皮紫釉葫蘆瓶來源：Leonard Henry Pike (1885-1961)收藏

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229 A CHINESE FAMILLE ROSE BOTTLE VASE 19TH CENTURY

230 A CHINESE FAMILLE ROSE ‘LANDSCAPE’ VASE REPUBLIC PERIOD

With an ovoid body and a tall neck, painted with Magu and three assistants in a garden gathering flowers, a four character Shen De Tang zhi to the base, 39cm.

Depicting figures in an extensive mountainous landscape with pagodas by the water’s edge, a four character iron-red hall mark to the base which reads Shen De Tang zhi, 33cm.

£3,000-5,000

£5,000-8,000

十九世紀粉彩麻姑獻壽紋瓶《慎德堂製》礬紅楷書款

Provenance: Astrop Park, Kings Sutton, Oxfordshire.

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民國粉彩山水紋瓶《慎德堂製》礬紅楷書款來源：牛津郡Astop Park, Kings Sutton收藏

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

231 A CHINESE HE XU REN STYLE ‘WINTER LANDSCAPE’ VASE REPUBLIC PERIOD The elongated ovoid body with a narrow neck and an everted rim, painted with a scholar on a donkey accompanied by an assistant crossing a bridge towards a village in an extensive snowy winter mountain landscape, the base with a four character Hong Xian mark, together with a wood stand, 24cm. (2)

£15,000-25,000 Provenance: from an English private collection in Derbyshire, acquired in Hong Kong in the 1970s. Cf. Zhushanbayou p.146, no.72 for a related vase and pp.140-141, no.69 for a porcelain plaque depicting the same subject matter, also see Christie’s London, 8th November 2013, lot 1239 for a related vase from 1934. He Xu Ren (1882-1940) is one of the eight celebrated ceramic artists from the early 20th century known as The Eight Friends of Zhushan. Xu Ren is especially famous for his depictions of winter landscapes.

民國粉彩人物山水紋瓶《洪憲年製》礬紅楷書款來源：英國德貝郡私人收藏，1970年代購於香港

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232 A CHINESE WUCAI MONTH CUP SIX CHARACTER KANGXI MARK AND PROBABLY OF THE PERIOD With a deep body and a flared rim, the exterior painted with a blossoming hibiscus tree in a stylised landscape, the reverse inscribed in underglaze blue with a poem reading qing xiang he su yu, jia se chu qing yan, and a seal with the single character shang, all supported on a short foot, 5cm.

£1,000-2,000 Provenance: from the collection of John Blakeway, d.1986. Cf. Kangxi. Yongzheng. Qianlong. Qing Porcelain from the Palace Museum Collection, p.65, pl.48 for a full set of twelve month cups. A complete set is also in the collection of the British Museum, London, museum no.PDF815.

清康熙（可能）五彩花神杯詩文：清香和宿雨，佳色出晴煙。來源：John Blakeway（逝于1986）收藏《大清康熙年製》青花楷書款

two views

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Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

233 A CHINESE MING-STYLE DOUCAI ‘CHICKEN’ CUP PROBABLY 18TH CENTURY With a gently curving body decorated to each side with a cockerel and a hen looking after their chicks between ornamental rockery and floral sprays, a six character Chenghua mark within a double square to the base, 9.1cm.

£4,000-6,000 Provenance: Hong Kong private collection, purchased in 1980s. Cf. The Complete Collection of Treasures of the Palace Museum, Porcelains in Polychrome and Contrasting Colours, pp.195, 231 and 256, nos.177, 212 and 234 for similar pieces from the Chenghua, Kangxi and Yongzheng periods. See also Kangxi Porcelain Wares from the Shanghai Museum Collection, pp.254 and 265, no.163 and 172 for earlier examples.

234 A CHINESE BLUE AND WHITE BOWL SIX CHARACTER YONGZHENG MARK AND OF THE PERIOD 1723-35 The U-shaped body painted with a single floral stem with three flowerheads around the rim, raised on a short circular foot, 9.6cm.

£1,000-1,500 清雍正青花花卉紋碗《大清雍正年製》青花楷書款

十八世紀（可能）鬥彩雞缸杯《大明成化年製》青花楷書仿款來源：香港私人收藏，購於1980年代

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235 A CHINESE WUCAI ‘DRAGON AND PHOENIX’ BOWL SIX CHARACTER DAOGUANG MARK AND OF THE PERIOD 1821-1850 Brightly enamelled with dragons, phoenix and flowers beneath a border of the bajixiang, the interior with a single red dragon, 15.6cm.

£1,500-2,500 清道光五彩趕珠龍紋碗《大清道光年製》青花篆書款

236 A CHINESE IMPERIAL FAMILLE ROSE YELLOW SGRAFFITO-GROUND MEDALLION BOWL SIX CHARACTER GUANGXU MARK AND OF THE PERIOD 1875-1908 The exterior brightly enamelled with three roundels containing goats, between vases with blossoms, fruit and precious objects against a yellow ground, the interior painted in underglaze blue with three goats in a landscape encircled by blossoming branches and auspicious objects, 15cm.

£3,000-5,000 清光緒黃地軋道開光三陽開泰紋碗《大清光緒年製》青花楷書款

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Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

237 A CHINESE FAMILLE VERTE ‘FIVE-DRAGON’ BOWL KANGXI 1662-1722

238 A LARGE CHINESE FAMILLE VERTE DISH SIX CHARACTER KANGXI MARK AND OF THE PERIOD 1662-1722

The exterior painted with four dragons amidst fire wisps chasing sacred pearls of wisdom, and a single dragon to the interior with sea shells and seaweed sprays to the rim, 20cm.

Painted with stylised lotus flowerheads to the centre within a border of blossoms and scrolling foliage and a fruiting vine border in underglaze blue around the rim, 38.2cm.

£800-1,200

£4,000-6,000

清康熙五彩趕珠龍紋碗

Cf. M Butler, M Medley and S Little, Seventeenth Century Chinese Porcelain from the Butler Family Collection, p.134 for a similar dish.

清康熙五彩折枝花卉紋盤《大清康熙年製》青花楷書款

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239 A RARE CHINESE WUCAI ‘OFFERINGS’ BOWL SIX CHARACTER WANLI MARK AND OF THE PERIOD 1573-1620 The centre painted with two scaly dragons contesting a flaming pearl, the exterior with three tables of vases divided by blue jardinières, the flared rim with a geometric cloud scroll band, 19.5cm.

£1,500-2,500 Provenance: from an English private collection, Berkshire. Cf. The Ceramic Art of China, an Exhibition Organised by the Arts Council of Great Britain and the Oriental Ceramic Society, 1971, no.177, pl.122 for a similar bowl from the Riesco Collection.

明萬曆五彩供桌盌《大明萬曆年製》青花楷書款來源：英國伯克郡私人收藏

240 A CHINESE WHITE GLAZED ANHUA ‘BEEHIVE’ WATER POT, TAI BAI ZUN SIX CHARACTER QIANLONG SEAL MARK AND OF THE PERIOD 1736-1795 The body decorated with stylised roundels on a crackled white glaze, the mark indistinct, together with a hard wood stand, 8.8cm. (2)

£2,000-3,000 Cf. The Complete Collection of Treasures of the Palace Museum, Monochrome Porcelain, volume 37, p.122, no.111 for a comparable white glazed water pot from the Kangxi period.

清乾隆白釉太白尊《大清乾隆年製》

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Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

241 A RARE CHINESE IRON RED-GROUND ‘DRAGON’ DISH SIX CHARACTER KANGXI MARK AND OF THE PERIOD 1662-1722 Painted with a central scaly green enamel dragon in pursuit of a flaming pearl amidst small fiery wisps, the border and reverse with four further dragons, 21.8cm.

£500-1,000 Cf. Christie’s New York, 15th September 2016, lot 912, for a similar dish, de-accessioned from the Metropolitan Museum, New York.

清康熙紅地綠龍趕珠紋碟《大清康熙年製》青花楷書款

242 A PAIR OF CHINESE ‘GREEN DRAGON’ DISHES SIX CHARACTER DAOGUANG MARKS AND OF THE PERIOD 1821-1850 Each painted with a dragon amidst flames reaching towards a flaming pearl, the reverse sides with two further dragons on a ground moulded with waves, 18cm. (2)

£500-800 清道光綠彩趕珠龍紋碟《大清道光年製》青花篆書年製

139

243 A RARE CHINESE LEMON YELLOW-GROUND WATER POT FOUR CHARACTER YONGZHENG MARK AND OF THE PERIOD 1723-35 The ovoid body with a slightly raised rim decorated with an even lemon-yellow glaze to the exterior, the interior turquoise, 6.4cm.

£8,000-12,000 Provenance: formerly an English private collection, Oxfordshire. Cf. The Complete Collection of Treasures of the Palace Museum, Monochrome Porcelain, vol.37, p.19, no.16 for a Kangxi monochrome water pot.

清雍正檸檬黃釉水盂《雍正年製》青花篆書款

244 A RARE CHINESE FLAMBE-GLAZED ‘POMEGRANATE’ VASE FOUR CHARACTER YONGZHENG SEAL MARK AND OF THE PERIOD 1723-35 With a tapering neck and a flared rim, decorated with a vibrant purple-red glaze with pale lavender streaks and details, the base with the mark incised beneath a mottled green and brown glaze, 28.5cm.

£6,000-8,000 清雍正窯變釉石榴瓶《雍正年製》篆書款

140

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

245 A RARE PAIR OF CHINESE IRON-RED ‘WU FU’ BOWLS SIX CHARACTER QIANLONG MARKS AND OF THE PERIOD 1736-95 Each with a U-shaped body supported on a straight foot, painted with a band of bats, peaches and fylfots between scrollwork, 10.5cm. (2)

£8,000-12,000 Provenance: formerly from an English private collection, Oxfordshire. Cf. Sotheby Parke Bernet, Hong Kong, and Lane Crawford Holdings Ltd. 8th November 1982, lot.187 for a single Qianlong bowl of this design.

清乾隆礬紅五福捧壽碗一對《大清乾隆年製》青花篆書款來源：牛津郡私人收藏

141

246 A RARE CHINESE DOUCAI ‘LOTUS’ JAR SIX CHARACTER QIANLONG SEAL MARK AND OF THE PERIOD 1736-95 The ovoid body painted with four panels containing stylised lotus flowerheads and leaf scrolls divided by smaller lotus and cloud motifs, the shoulder and foot with bands of overlapping petals, together with a hardwood stand, 11.7cm. (2)

£20,000-30,000 Cf. Sotheby’s Hong Kong, 29th November 1977, lot 189 and again 16th May 1989 lot 67 for a jar and cover of this type from the British Rail Pension Fund, but with a Yongzheng mark; see also Sotheby’s Hong Kong 8th October 2013 lot 3098 for another with an apocryphal Chenghua mark. For the Chenghua prototype of this design, see Mindai taoci daquan, Taipei, 1983, p.212.

清乾隆鬥彩開光折枝蓮花紋罐及底座《大清乾隆年製》青花篆書款

142

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

143

247 A LARGE CHINESE IMPERIAL RU-TYPE BRUSH WASHER WITH AN INTEGRAL PORCELAIN STAND SIX CHARACTER YONGZHENG MARK AND OF THE PERIOD 1723-35 Elegantly potted with curved sides, a pronounced rounded rim and slightly inverted base, all attached to an integral porcelain base with a bow-shaped apron and six short legs joined by a ring foot, decorated with a glaze simulating zitan, paper label for W Dickinson, 104 New Bond Street, 28.5cm across, 19.8cm high.

£20,000-30,000 Provenance: from an English private collection. Cf. The Complete Collection of Treasures of the Palace Museum Beijing, Monochrome Porcelain, volume 37, p.236, no.214 for another example, which was exhibited: China, The Three Emperors, 1662-1795, The Royal Academy of Arts, London, 2005-6, p.265, catalogue no.180. For another example, see Sotheby’s New York, 17th October 2001, lot 160 (W Dickinson traded in London until 1921).

清雍正御製仿汝窯鉢式筆洗及仿紫檀釉底座《大清雍正年製》青花篆書款來源：英國私人收藏

144

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

145

248 THREE CHINESE INSCRIBED PEWTER-ENCASED YIXING TEAPOTS AND COVERS QING DYNASTY

249 THREE CHINESE INSCRIBED PEWTER-ENCASED YIXING TEAPOTS AND COVERS QING DYNASTY

One shaped as conjoined cylinders, two bamboo-shaped, each set with a jade spout, knop and handle, with exteriors inscribed with poems, two with seals to the interiors, 16.5cm. (6)

One coin-shaped, two moon-shaped, all set with jade handles, knops and spouts, inscribed with calligraphy, and with seals to the interiors, 16cm. (6)

£400-600

£500-1,000

Provenance: from the collection of Christopher Blair-Myers Esq.

清紫砂包錫茶壺一組三件來源：Christopher Blair-Myers先生收藏

清紫砂包錫古幣型及卻月壺一組三件來源：Christopher Blair-Myers先生收藏

248

249

146

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

250 THREE CHINESE INSCRIBED PEWTER-ENCASED YIXING BELL-SHAPED TEAPOTS AND COVERS QING DYNASTY

251 ONE CHINESE PEWTER AND TWO PEWTER-ENCASED YIXING TEAPOTS AND COVERS QING DYNASTY

Set with jade handles, knops and spouts, inscribed with calligraphy, landscapes and foliage, all with seals to the interiors, 14cm. (6)

All set with C-shaped jade handles, jade knops and faceted jade spouts, inscribed with poems and incised with blossoms, the two Yixing teapots with seals to the interiors, 13.5cm. (6)

£500-1,000

Provenance: from the collection of Christopher Blair-Myers Esq.

清紫砂包錫詩文茶壺一組三件來源：Christopher Blair-Myers先生收藏

清紫砂包錫三鑲壺一組三件來源：Christopher Blair-Myers先生收藏

250

251

147

252 A CHINESE PEWTER AND THREE PEWTER-ENCASED YIXING SQUARE-SECTION TEAPOTS AND COVERS QING DYNASTY

253 FOUR CHINESE INSCRIBED PEWTER-ENCASED YIXING TEAPOTS AND COVERS QING DYNASTY

Three with jade handles and spouts, each with a jade knop, the exteriors inscribed with poems, two of the Yixing teapots with seals to the interiors, 17.5cm. (8)

Each set with a jade spout, knop and handle and inscribed with poems and incised with blossoms and bamboo, the stoneware bodies with seals to the interiors, 16.5cm. (8)

£500-1,000

Provenance: from the collection of Christopher Blair-Myers Esq.

清紫砂包錫詩文壺一組四件來源：Christopher Blair-Myers先生收藏

清紫砂包錫八棱壺一組四件來源：Christopher Blair-Myers先生收藏

252

253

148

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

254 FOUR CHINESE INSCRIBED PEWTER-ENCASED YIXING TEAPOTS AND COVERS QING DYNASTY

255 ONE CHINESE PEWTER AND THREE PEWTER-ENCASED YIXING TEAPOTS AND COVERS QING DYNASTY

Three with jade handles, spouts and knops, the exteriors inscribed with poems, two with seals to the interiors, one with a pewter liner, 17.5cm. (9)

Two of cylindrical form, two square-section, each set with jade handles, knops and spouts, inscribed with poems and incised with blossoms, two with seals to the interiors, 16.5cm. (8)

£500-1,000

£300-500

Provenance: from the collection of Christopher Blair-Myers Esq.

清紫砂包錫壺一組四件來源：Christopher Blair-Myers先生收藏

254

255

149

256 FOUR CHINESE INSCRIBED PEWTER-ENCASED YIXING SQUARE-SECTION TEAPOTS AND COVERS QING DYNASTY

257 FOUR CHINESE INSCRIBED PEWTER-ENCASED YIXING TEAPOTS AND COVERS QING DYNASTY

Three set with jade spouts and two with jade handles, one with a wood handle, each with the exterior inscribed with poems and incised with foliage, two with seals to the interiors, 16.5cm. (8)

Each set with a jade spout, handle and knop, and inscribed with poems, foliage and blossoms, three teapots with seals to the interiors, 16.5cm. (8)

£500-1,000

Provenance: from the collection of Christopher Blair-Myers Esq.

清紫砂包錫胡一組四件來源：Christopher Blair-Myers先生收藏

清紫砂包錫三鑲壺一組四件來源：Christopher Blair-Myers先生收藏

256

257

150

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

258 THREE CHINESE INSCRIBED PEWTER-ENCASED YIXING TEAPOTS AND COVERS AND A TEA CANISTER AND COVER QING DYNASTY

259 FOUR CHINESE INSCRIBED PEWTER-ENCASED YIXING TEAPOTS AND COVERS QING DYNASTY

Each teapot set with a jade spout and handle, two with jade knops, all with ribbed exteriors inscribed with poems, two with seals to the interiors, the canister incised with calligraphy to one side and a bamboo spray to the reverse, with two seals impressed to the base, 16.5cm. (8)

Each set with a jade spout, knop and handle, with stoneware bodies and pewter exteriors inscribed with poems, three with seals to the interiors, 17.5cm. (8)

£500-1,000

£1,000-2,000

Provenance: from the collection of Christopher Blair-Myers Esq.

清紫砂包錫六棱壺一組四件來源：Christopher Blair-Myers先生收藏

清紫砂包錫竹紋壺一組四件來源：Christopher Blair-Myers先生收藏

258

259

151

260 FIVE CHINESE YIXING TEAPOTS AND COVERS QING DYNASTY

261 A CHINESE INSCRIBED PEWTER-ENCASED YIXING TEAPOT AND FIVE PEWTER TEAPOTS AND COVERS 20TH CENTURY

One shaped as two conjoined cylinders with a chilong to the cover, another cylindrical, with applied decoration of vine and squirrels, the remaining teapots of ovoid form, two plain and one with calligraphy and a fish knop, each with a seal mark, 22cm. (10)

Two set with jade spouts, handles and knops, four inscribed with poems, one undecorated and shaped as a ruyi-head, one square-section with a liner, one inlaid with hardstones, the square-section Yixing teapot with a seal to the interior, 22cm. (13)

£500-1,000

£300-500

Provenance: from the collection of Christopher Blair-Myers Esq.

清紫砂壺一組五件來源：Christopher Blair-Myers先生收藏

清紫砂包錫及錫壺一組六件來源：Christopher Blair-Myers先生收藏

260

261

152

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

262 ONE CHINESE INSCRIBED PEWTER AND THREE PEWTER-ENCASED YIXING TEAPOTS AND COVERS QING DYNASTY

263 ONE CHINESE PEWTER AND THREE PEWTER-ENCASED YIXING TEAPOTS AND COVERS QING DYNASTY

Two ovoid, two bell-shaped, two set with jade spouts, handles and knops, two with wood handles, each inscribed with a poem, one with a seal to the interior, 19cm. (8)

Of circular form, inscribed with poems, two set with jade handles, knops and faceted spouts, one with a wood handle, three with seals to the interiors, 17.5cm. (8)

£400-600

£300-500

Provenance: from the collection of Christopher Blair-Myers Esq.

清紫砂包錫及錫壺詩文壺一組四件來源：Christopher Blair-Myers先生收藏

清紫砂包錫及錫壺壺一組四件來源：Christopher Blair-Myers先生收藏

262

263

153

264 EIGHT CHINESE INSCRIBED YIXING AND PEWTER CUPS LATE QING DYNASTY

265 FOUR CHINESE YIXING TEAPOTS AND COVERS QING DYNASTY

Decorated with blue and turquoise enamel, encased with pewter and inscribed with poems, all set with jade handles, 9.7cm. (8)

Three plain and one incised with calligraphy and a spray of bamboo, two with seals to the bases, 14cm. (8)

£500-1,000

£400-600

Provenance: from the collection of Christopher Blair-Myers Esq.

清晚期紫砂包錫杯一組八件來源：Christopher Blair-Myers先生收藏

清紫砂壺一組四件來源：Christopher Blair-Myers先生收藏

264

265

154

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

266 FOUR CHINESE YIXING SNUFF BOTTLES AND TWO CUPS 20TH CENTURY

267 SIX SMALL CHINESE YIXING TEAPOTS AND COVERS QING DYNASTY

Two bottles shaped as snail shells and two with slip decoration and seals to the bases, one cup peach-shaped with a white enamelled interior and one formed as a magnolia blossom, 10cm. (6)

With ovoid bodies, two plain and four decorated with calligraphy around the shoulders, two with seals, four signed to the bases, 12cm. (12)

£300-500

£400-600 Provenance: from the collection of Christopher Blair-Myers Esq.

Provenance: from the collection of Christopher Blair-Myers Esq.

清紫砂茶壺一組六件來源：Christopher Blair-Myers先生收藏

二十世紀紫砂鼻煙壺、杯及田螺擺件一組六件來源：Christopher Blair-Myers先生收藏

266

267

155

268 A CHINESE INSCRIBED PEWTER-ENCASED YIXING TEAPOT AND COVER QING DYNASTY The handle, spout and cover set with jade, the body incised with prunus and a poem about tea drinking, the interior with a seal mark, 15.5cm. (2)

268

£2,000-3,000 清紫砂包錫詩文三鑲壺

269 A CHINESE YIXING TEAPOT AND COVER QING DYNASTY With a compressed circular body and simple loop handle, the base with a two character mark reading zi qi, 17cm. (2)

£200-300 清紫砂壺

269 270 A CHINESE YIXING TEAPOT AND COVER LATE QING DYNASTY The pear-shaped body decorated with colourful enamels with flowers, fruit and butterflies, a four character mark to the base reading huai de qing li, 18.5cm. (2)

£200-300 清晚期紫砂加彩蝶戀花紋壺

271 A CHINESE YIXING TEAPOT AND COVER QING DYNASTY

270

With a plain ovoid body, a loop handle and short spout, the base impressed with two seal marks, 17.5cm. (2)

£500-1,000 清紫砂壺

271

156

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

272 A CHINESE YIXING TEAPOT AND COVER 20TH CENTURY Naturalistically moulded as a large fruit, applied with a small moth and with a toad finial, the base with a seal mark, 17cm. (2)

£300-500

272

二十世紀紫砂蛙扭瓜形壺

273 A CHINESE YIXING TEAPOT AND COVER MOULDED AS A WALNUT QING DYNASTY The body applied with smaller nuts, one forming the knop, the loop handle as a branch, all supported on five nut-shaped legs, a three character seal reading Chen Ming Yuan to the handle and a further seal mark to the base, 18cm. (2)

£500-1,000 清紫砂核桃型壺

273 274 A CHINESE YIXING ‘BAMBOO’ TEAPOT AND COVER LATE QING DYNASTY/ REPUBLIC PERIOD With a cylindrical ribbed body, the handle, spout and knop formed as bamboo branches, with a seal to the cover reading You Yan and another four character seal to the base, 21cm. (2)

£400-600 清晚期/民國紫砂竹紋壺

275 A CHINESE YIXING ‘NUTS’ TEAPOT AND COVER LATE QING DYNASTY/ REPUBLIC PERIOD

274

The plain circular body with applied decoration of various nuts and seeds, the handle formed as a water chestnut, the spout as a lotus stem, the knop formed as a mushroom, a two character seal mark reading shi jiang impressed to the cover and the base, 17cm. (2)

£300-500 清晚期/民國紫砂連生麟子壺

275

157

276 A CHINESE DOUBLE WALLED YIXING TEAPOT AND COVER 18TH CENTURY The flattened circular body moulded with reticulated panels, decorated with birds, butterflies, pine and prunus, the cover with an animal knop, 13.5cm. (2)

£400-600 十八世紀紫砂獅鈕扁壺 277 A CHINESE YIXING CYLINDRICAL TEAPOT 17TH/18TH CENTURY With a short spout and metal mounts to the handle and the associated cover, a five character mark to the base which reads Jing Xi Hui Meng Chen and an oval seal, 17.5cm. (2)

£1,000-1,500 十七/十八世紀紫砂壺《荊溪惠孟臣》 278 A CHINESE YIXING HEXAGONAL TEAPOT AND COVER 18TH CENTURY

276

The body with two panels moulded with a crouching boy holding a leafy stem, the other panels of stylised scrolling foliage, the spout shaped as a dragon head, the handle as a dragon tail, the lid surmounted with a Buddhist lion dog, 16cm. (2)

£1,000-2,000 十八世紀紫砂六棱壺

277

158

278

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

279 A RARE CHINESE YIXING TEAPOT AND COVER BY CHEN BO FANG EARLY QING DYNASTY With a flattened circular body, the handle formed as a geranium stem, the spout as a rolled leaf and the base as a blossom, the cover as an upturned flower, all elements evoking a swirling sensation of motion, signed Bo Fang to the lid, 18.5cm. (2)

£8,000-12,000 Provenance: an English private collection, Lancashire. Cf. C S Low, Fine Yixing Stoneware from the Hezhenghai Collection, p.240-241, no.88 for a related teapot of this form.

清早期陳伯芳製風卷葵壺来源：英國蘭開夏郡收藏

159

280 A CHINESE YIXING DUANNI HU-SHAPED VASE QING DYNASTY OR LATER The pear-shaped body with two handles painted with a river landscape in black slip against a buff ground, a six character Qianlong mark to the base, 24.5cm.

£500-1,000 清或更晚段泥紫砂山水紋壺型瓶

281 A CHINESE YIXING DUANNI BITONG QING DYNASTY OR LATER With a waisted cylindrical body with eight incised lines of calligraphy, 15.4cm.

£500-1,000 清或更晚段泥紫砂詩文筆筒

282 AN UNUSUAL CHINESE ENAMELLED YIXING MODEL OF A COCKEREL AND A HEN 19TH CENTURY Naturalistically decorated with coloured enamels and raised on a tree trunk, 39.5cm. (3)

£1,200-1,500 十九世紀紫砂公雞擺件

160

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

283 A CHINESE YIXING TEAPOT, LINER AND COVER AND A PEWTER TEA CANISTER 20TH CENTURY Formed as a barrel with studs to the rims, the body inscribed with calligraphy and incised with a spray of blossoms, with seals to the base and the cover, the ovoid pewter canister mounted with a coconut shell, together with a pewter teapot with a tall handle decorated with figures, birds and blossoms, 24cm. (7)

283

£500-1,000 Provenance: from the collection of Christopher Blair-Myers Esq.

二十世紀紫砂壺及椰殼罐一組三件來源：Christopher Blair-Myers先生收藏 284 A CHINESE QUATRE-LOBED YIXING CUP 18TH/19TH CENTURY The interior enamelled in white, a band of key fret moulded around the rim and a dragon mask to the handle, 8cm.

£100-200 Provenance: from the collection of Professor J Norman Collie, FRS (1859-1942) and thence by descent.

十八/十九世紀紫砂海棠口盃來源：J Norman Collie教授（1859-1942）收藏

284

285 TWO CHINESE YIXING AND PEWTER BOWLS AND ONE CUP 20TH CENTURY Each with a Yixing body coated with white enamel, the large lobed bowl incised with landscape and calligraphy to the exterior, the peach-shaped bowl with a poem and a pine tree, the cup set with a C-shaped hardstone handle and decorated with seal script and blossoms, 21.5cm. (3)

£400-600 Provenance: from the collection of Christopher Blair-Myers Esq.

二十世紀紫砂包錫碗及杯一組三件來源：Christopher Blair-Myers先生收藏

285

286 THREE CHINESE INSCRIBED PEWTER-ENCASED YIXING TEAPOTS AND COVERS QING DYNASTY One rectangular-section with a wood cover, two quatrefoil, each set with a jade spout, knop and handle, with exteriors inscribed with poems, two with seals to the interiors, 19.5cm. (6)

£500-1,000 Provenance: from the collection of Christopher Blair-Myers Esq.

清紫砂包錫茶壺一組三件來源：Christopher Blair-Myers先生收藏

286

161

287 A CHINESE INSCRIBED PEWTER-ENCASED YIXING TEAPOT AND COVER BY FAN SHU ZENG QING DYNASTY The coin-shaped body set with an angular C-shaped jade handle, a jade spout and knop, the sides incised with a blossoming prunus branch and a poem about prunus blossom and the moon, inscribed Er Quan, the interior with a seal mark which reads Fan Shu Zeng Zhi, 10.5cm. (2)

£300-500 Provenance: from the collection of Christopher Blair-Myers Esq.

清范述曾款紫砂包錫古幣紋茶壺《范述曾製》款銘文：愛敬古梅如宿士，招呼明月道方尊，二泉。來源：Christopher Blair-Myers先生收藏

287

288 A CHINESE INSCRIBED PEWTER TEAPOT AND COVER QING DYNASTY The body shaped as a qin, set with a jade spout, handle and knop, one side incised with bamboo and pine trees by a rock formation, the reverse with a poem, signed Bai Shi, 14cm. (2)

£500-1,000 Provenance: from the collection of Christopher Blair-Myers Esq.

清包錫花卉紋琴式三鑲壺銘文：摘來蒙頂香堪愛，習二清風雨亱生，柏石來源：Christopher Blair-Myers先生收藏

289 FOUR CHINESE INSCRIBED PEWTER-ENCASED YIXING TEAPOTS AND COVERS QING DYNASTY Each with a stoneware body encased with pewter and set with a jade spout and handle, a pewter cover with a cylindrical jade knop, each with one side inscribed with a poem, the other with blossoms and landscapes, 18cm. (8)

288

£400-600 Provenance: from the collection of Christopher Blair-Myers Esq.

清紫砂包錫三鑲壺一組四件來源：Christopher Blair-Myers先生收藏

289

162

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

290 A CHINESE INSCRIBED PEWTER-ENCASED YIXING TEAPOT AND COVER BY FAN SHU ZENG QING DYNASTY Set with a jade spout, handle and knop, one side incised with blossoming prunus branch and a poem by Shao Yun, the reverse with a poem by Qiu Ting, a four character seal to the interior reading Fan Shu Zeng Zhi, 12cm. (2)

£400-600 Provenance: from the collection of Christopher Blair-Myers Esq.

清范述曾款紫砂包錫詩文壺《范述曾製》款來源：Christopher Blair-Myers先生收藏

290

291 TWO CHINESE WOOD AND PEWTER TEAPOT CANISTERS QING DYNASTY Each with a wooden body supported on a pewter base with four short bracket feet, the interiors lined with pewter and each with a pewter cover, one with an inner cover, 11cm max. (5)

£500-1,000 Provenance: from the collection of Christopher Blair-Myers Esq.

清木雕包錫罐一組兩件來源：Christopher Blair-Myers先生收藏

291

292 A CHINESE INSCRIBED PEWTER-ENCASED YIXING TEAPOT AND COVER QING DYNASTY With a half moon-shaped body, set with a jade handle, spout and knop, one side incised with bamboo, the reverse with a nocturnal poem about a mountainous stream amongst pine trees, signed by Yong Mao, a four character seal to the interior, 15.5cm. (2)

£500-1,000 Provenance: from the collection of Christopher Blair-Myers Esq.

292

清紫砂包錫卻月壺銘文：壽盆，明月松間照，清泉石上流，永茂。來源：Christopher Blair-Myers先生收藏

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293 WANG JIAN ZHANG (17TH CENTURY) QUAILS AND MILLET IN THE SONG DYNASTY STYLE A rare Chinese scroll painting, ink and colour on silk, inscribed and signed with two artist’s seals, framed and glazed, 141cm x 81cm.

£8,000-12,000 Provenance: purchased by Mr William Levi Wood (1879-1958) of West End House, Frensham and thence by descent. Mr Wood was the first editor in chief of English Vogue. The Chinese word for quail, an, is a homophone for the word ‘peace’ and the word for millet sui, is a homophone for ‘year’. The imagery of quail and millet in Chinese is used as a pun ‘sui sui ping an’, which may be translated as ‘May you have everlasting peace year after year’. Wang Jian Zhang, was a native of Fujian. Very few paintings by Wang are known to exist as he only painted for personal friends, not for money. During his life his works were already precious and rare, so much so that anyone with even a simple fan leaf by Wang would treat it as a prized possession.

王建章（明末清初）歲歲平安設色絹本鏡框款識：仿宋書院賦色法，王建章。鈐印：王建章、王氏仲子。來源：由William Levi Wood 先生（1879-1958）購得，Wood先生是第一個英國Vogue時尚雜誌的編輯。

Mr William Levi Wood (1879-1958)

164

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

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detail

294

295

294 ATTRIBUTED TO YUN SHOU PING (1633-1690) PEONIES AFTER XU CHONG SI

295 AFTER WANG SHI MIN (QING DYNASTY) MOUNTAIN LANDSCAPE

A Chinese hanging scroll, ink and colour on silk, inscribed and signed Shou Ping with three artist’s seals, 153cm x 48.5cm.

A Chinese scroll painting, ink on silk, title-slip reads Wang Shi Min xian sheng shan shui jing pin, inscribed, dated summer of ding you year, signed with two artist’s seals and two illegible seals, mounted, 79cm x 30cm.

£300-500 惲壽平（傳）五色牡丹設色絹本立軸款識：錦被歌成愛號君，春風碧石舞鸞群，長依瑤圃三株樹，還傍蓬萊五色云。仿北宋徐崇嗣畫法，壽平。鈐印：寄岳雲、正叔、壽平之印。

166

£300-500 王時敏（傳）溪山雨霽水墨絹本立軸署簽：王時敏先生山水精品。款識：溪山雨霽，仿梅道人。丁酉夏日，婁冬王時敏。鈐印：王時敏印、西盧老人、兩印漫漶不辯。

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

296

297

296 XU SHANG YAN (20TH CENTURY) LANDSCAPE, BIRDS AND FLOWERS

297 ANONYMOUS (19TH CENTURY) MAGU SAILING ON A LOG RAFT

Four Chinese hanging scroll paintings, ink and colour on paper, each inscribed and signed Shang Yan with seals of artist and collectors, mounted, 104cm x 39.5cm. (4)

A Chinese painting, ink and colour on silk, framed, 77cm x 42cm.

£300-500

£100-200

Provenance: the collection of Mr J A D Morrison (d.1964), who worked for HSBC in Shanghai between 1922 and 1923 and Hong Kong in 1920.

佚名麻姑乘槎设色绢本立轴

徐上炎（二十世紀）山水、花鳥及垂釣圖設色紙本立軸四幀鈐印：徐、上炎、徐氏。來源：J A D Morrison先生(逝于1964)收藏，曾在上海（1922-1923）及香港匯豐銀行（1920）工作。

167

298 AFTER WU GUAN ZHONG PINES IN A MOUNTAIN A Chinese scroll painting, ink and colour on paper, a signature which reads Wu Guan Zhong and the date 1989, with an artist’s seal, which reads Tu, mounted, 127cm x 66cm.

£300-500 吳冠中山水圖設色紙本立軸款識：吳冠中1989. 鈐印：荼。 299 LIU JIN YUN (20TH CENTURY) MOUNTAINOUS LANDSCAPES A set of four Chinese scroll paintings, ink and colour on silk, each titled, inscribed and signed Jin Yun with three artist’s seals, mounted and framed, 108cm x 44cm. (4)

£1,000-1,500 劉錦雲（二十世紀）山水設色絹本鏡框四幅 300 QI DA SHOU (1922-) CASCADES IN THE TAI MOUNTAIN A pair of Chinese scroll paintings, ink on silk, title-slip by Qi Da Shou, inscribed, titled, dated bing yin year (1988) and signed with two artist’s seals, mounted, 99cm x 49.5cm. (2)

£500-800 Provenance: from an English private collection, Somerset.

祁大壽（1922-）泰山中天門及紅樓遠瀑水墨絹本立軸兩幀署簽：泰山中天門，大壽。紅樓遠瀑，大壽款識：泰山中天門，丙寅冬，祁大壽。紅樓遠瀑閣，丙寅大寒，祁大壽。鈐印：祁大壽印。

298

299

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Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

300

301 DING YUN PENG (19TH CENTURY) FIGURE ON HORSEBACK A Chinese scroll painting, ink on paper, signed with one artist’s seal, framed and glazed, 78cm x 29cm.

£200-300 丁雲鵬（傳）騎士圖水墨紙本鏡框款識：聖華丁雲鵬。鈐印：丁雲鵬印。 302 AFTER SHEN ZHOU (QING DYNASTY) LANDSCAPE A Chinese scroll painting, ink and colour on paper, inscribed, signed with two artist’s seals and two collectors’ seals, one of which reads Lan Ling Wen Zi shou cang (Mou Yue Zao 1682-1761 was a collector and scholar in the Qing dynasty), mounted, 121.5cm x 30cm.

£300-500 沈周（傳）山水設色紙本立軸款識：小桃新卸後，雙燕恰來時。沈周為國用寫意。鈐印：南啓、白石翁、蘭陵文子收藏（繆曰藻1682-1761）、吳亦先藏。

301 detail

302 detail

301

302

169

303 YIN XIN (1959-) PORTRAIT OF THE JESUIT PRIEST CHANG CHENG A Chinese painting, oil on canvas, signed Yin, dated 2005, inscribed tian zhu sheng jiao shi chang cheng, Chinese Catholic Jesuit priest Chang Cheng, framed, 98.5cm x 79cm.

£1,000-2,000 Provenance: purchased from Kings Road Galleries, London on the 30th January 2004. A copy of the original invoice is available. Chang Cheng was a priest, and the Dean of the Faculty of Arts at Shanghai ‘s Aurora University. The Chinese artist Yin Xin learned to paint by copying political posters at the time of the Cultural Revolution. He went to study at the Royal Melbourne Institute of Technology in Australia, and later settled in Paris, reinterpreting works by the Old Masters.

尹欣（1959-）天主聖教士張誠油彩畫布木框款識：Yin 05。來源：2004年1月30日購於倫敦Kings Road畫廊，附發票複印件。 304 ANONYMOUS (MING/QING DYNASTY) IMMORTALS IN LANDSCAPE A Chinese scroll painting, ink and colour on silk, the reverse with a paper label inscribed ‘Sages in a Sacred Mount by Bun Koku Ming’, framed and glazed, 152cm x 83cm.

303

£1,000-2,000 Provenance: an English private collection acquired in the 19th century and thence by descent.

佚名（明末清初）仙人圖設色絹本鏡框 305 AFTER NI ZAN (QING DYNASTY) GUO TIAN CI’S POEM IN RUNNING SCRIPT A panel of Chinese calligraphy, ink on paper, signed Ni Zan, dated the twelth month of tian li ren shen year, with one illegible seal, framed, 28cm x 28cm.

£200-500 倪瓚（傳）行書郭天賜《元詩選》水墨紙本一開冊款識：健枝無冗筆，樹外來江山。洲渚蘆荻空，斜陽淡煙鬟。歸鞍危橋，短篷止荒灣。業漁古雲樂，寧論晉宋間（詳文略）。鈐印：一印漫漶不辯。

304

170

305

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

306 ATTRIBUTED TO DONG QI CHANG (QING DYNASTY) DU FU’S POEMS IN RUNNING SCRIPT A Chinese album of calligraphy, ink on silk, title-slip by You He and dated autumn of the xin mao year with one illegible seal, inscribed and signed Dong Qi Chang, with three artist’s seals, and one collector’s seal which reads gu ren you huan wang shi jian shang shu hua, together with a letter signed Jiang Zhao Rong and dated the 18th year of Republic Period (1929) with three seals of Jiang, mounted album of nine double leaves, 24.5cm x 24.5cm.

£2,000-3,000 董其昌（傳）行書杜甫《秋興八首》水墨絹本九開冊署簽:董思白先生墨寶，辛卯中秋題簽友鶴珍藏，一印漫漶不清。款識：《秋興八首》（詩文略，不錄），今人論唐長句率以子美秋興八首為佳。然其用意深沉，佈置精密，雖老師宿儒未能理會得到者則其所以佳處今人豈盡識哉。董其昌書并識。鈐印：董氏玄宰、宗博學士、玄賞齋、古任友宦王氏鑒賞書畫。附：姜兆榮民國十八年（1929年）信札。

letter

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307 ZHENG BING (19TH CENTURY) MOTHER OF THE WEST A Chinese scroll painting, ink and colour on silk, signed Zheng Bin, dated spring of ren chen year and with one illegible seal, framed and glazed, 162.5cm x 99cm.

£800-1,200 Provenance: from the collection of Mrs Annie Hayes and thence by descent.

鄭斌（明末清初）西王母設色絹本鏡框款識：壬辰春仲畫于燕山慶余堂，鐬江古稀叟鄭斌。钤印：一印漫漶不辨。

307

307 detail

308 ANONYMOUS (QING DYNASTY) MOON PALACE A Chinese circular fan leaf painting, ink and colour on silk, with one collector’s seal which reads yu lan zhi bao, mounted, 25cm.

£300-500 佚名（清）廣寒宮設色絹本團扇面一幀鈐印：御覽之寶。

308

172

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

309 ANONYMOUS (20TH CENTURY) EIGHTEEN LUOHANS Eight Chinese hanging scroll paintings, ink and colour on paper, mounted, 95cm x 32cm. (8)

£1,000-2,000 佚名（二十世紀）十八羅漢圖設色紙本立軸八幀（八選二） 310 ANONYMOUS (QING DYNASTY) LUOHANS A set of twelve Chinese leaves, ink and colour on fabric gauze, with one illegible seal and two collectors’ seals, one of which reads Ti An zhen cang (Wang Zu Xi, 1858-1908), album leaves, 27cm x 18cm. (12)

£500-800 佚名（清）羅漢圖設色絹本十二開册（十二選四）鈐印：梅臣藏印、惕安珍藏、一印漫漶不辯。

309 part lot illustrated

310 part lot illustrated

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311

detail

312

311 ATTRIBUTED TO QIU YING (19TH CENTURY) SERICULTURE

312 ANONYMOUS (REPUBLIC PERIOD) DIAMOND SUTRA IN RUNNING SCRIPT

A Chinese hand scroll, ink and colour on silk, signed Shi Fu Qiu Ying zhi with one artist’s seal and two illegible seals, framed and glazed, 75cm x 29.5cm.

A Chinese handscroll of calligraphy, ink on paper, title-slip by Zong Hai and dated the tenth month of gui chou year with one illegible seal. Four collectors’ seals of Jin Shao Tang family (a wealthy family during the Republic period), 117cm x 26cm.

£1,000-2,000

Provenance: originally from a Cornish estate.

Provenance: brought back from China by Sir Thomas Octavius Callender who was the Managing Director of British Insulated Callender’s Cables. The company had a large contract in Shanghai in the early 1900s.

仇英（傳）庭院女織圖設色絹本鏡框款識：實父仇英製。鈐印：十州、兩印漫漶不辯。來源：英國康沃爾私人遺產。

174

佚名（民國）行書《金剛般若波羅蜜經》水墨紙本手卷署簽：唐人寫經真跡妙品，癸丑十月宗海署簽,一印漫漶不辯。款識：《金剛般若波羅蜜經》（釋文略，不錄）。鈐印：吳興金紹堂印、金氏仲廉（民國時期大戶家族收藏）。

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

313

313 AFTER QIU YING (QING DYNASTY) A WINTER SCENE OF WEST LAKE A Chinese scroll painting, ink and colour on silk, title-slip by Yun He Shan Ren reads Qiu Shi Zhou xie xi hu quan jing, signed with two artist’s seals and four collectors’ seals, mounted, 65cm x 60cm.

£300-500 仇英（傳）西湖雪景設色絹本立軸署簽：仇十州西湖全景,雲鶴山人題。鈐印：十州、溈寧何漢字雪山珍藏書畫印、龍海樓藏、一印漫漶不辯。

175

314 ZHU XIU LI (1938-) SNOWY LANDSCAPE A Chinese fan painting, ink and colour on paper, titled, inscribed, signed Xiu Li and dated the summer of xin you year (1981) with one artist’s seal, mounted on a hanging scroll, 53cm x 24cm.

£300-500 Provenance: purchased from Chi Mei Chai Eastern Art Gallery in London on 11th August 1983 for £75, with original invoice.

朱脩立（1938-）雪山初綠設色紙本扇面立軸款識：雪山初綠，辛酉初夏月圓之夜寫，脩立。鈐印：脩立。來源：1983年8月11日以75鎊的價格購於倫敦集美齋畫廊，附發票。

314

315 LU XI WANG (QING DYNASTY) HUA MU LAN A Chinese fan painting, ink and colour on paper, inscribed with a poem about the female warrior Hua Mu Lan, signed Xi Wang, dated autumn, the eighth month of ji mao year and two artist’s seals, framed and glazed, 23cm x 52cm.

£200-300 呂希望（清）代父從軍設色紙本扇面鏡框款識：鞍韉求上市，機杼罷粉香，志比和戎壯，情綠代父殷。己卯秋八月希望寫。鈐印：希望、一印漫漶不辨。

315

316 OU SHAO YAN (REPUBLIC PERIOD) KINGFISHER A Chinese painting, ink and colour on paper, signed Shao Yan with an artist’s seal which reads Ou Zi, framed and glazed, 37cm x 27cm.

£200-300 歐少儼（民國）翠鳥設色紙本鏡框款識：少儼。鈐印：歐子。 317 ANONYMOUS (EARLY 20TH CENTURY) EROTIC SCENES FROM DAILY LIFE A Chinese album of twenty-two erotic paintings, ink and colour on silk, mounted, 25cm x 22cm.

£3,000-5,000 Provenance: from the collection of Abraham Perez Lizana, together with a letter from 1978 about his collecting in Paris in the 1900s. Cf. F M Bertholet, Concubines and Courtesans, Women in Chinese Erotic Art, p.192, pl.194 and 195 for similar examples.

316

176

佚名（二十世紀早期）春宮圖設色絹本二十二開冊來源：Abraham Perez Lizana收藏，附1978年的收藏介紹信。

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

317 part lot illustrated

End of Sale 177

Modern British & 20th Century Art Wednesday 6th June 2018

Francis Picabia (French 1879-1973) Trois ĂŠtudes de nue signed, pencil and black chalk, 28.5 x 22.5cm Estimate: ÂŁ6,000-10,000

EnquiriEs: Victor Fauvelle | Tel:+44 (0)1722 424503 | vf@woolleyandwallis.co.uk Jo Butler | Tel:+44 (0)1722 424592 | jb@woolleyandwallis.co.uk

Silver & Objects of Vertu Tuesday 17th & Wednesday 18th July 2018 Entries are currently being accepted for this sale

A fine Victorian presentation silver centrepiece, by John Samuel Hunt, London 1851 Sold for ÂŁ43,900 Enquiries: Rupert Slingsby | Tel:+44 (0)1722 424501 | rs@woolleyandwallis.co.uk Lucy Chalmers | Tel:+44 (0)1722 424594 | lc@woolleyandwallis.co.uk

Jewellery & Watches Thursday 19th July 2018 Entries are currently being accepted for this sale

An impressive diamond cluster ring by Bulgari, the central diamond weighing 8.15cts Sold for ÂŁ97,600 Enquiries: Charlotte Glyde | Tel:+44 (0)1722 424586 | cg@woolleyandwallis.co.uk

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ARTIST’S RESALE RIGHT / DROIT DE SUITE Lots marked with a ‡ symbol are potentially subject to a levy. Droit de suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €10,000. Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency. Please enquire for the accepted exchange rate on the day of the sale. royalties for Droit de suite are as follows: 4% up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% in excess of €500,000 up to a maximum levy of €10,000 FirEArMs Lots marked ƒ in the catalogue are subject to the uK firearms/shotgun licencing regime, and may only be viewed and/or purchased by individuals with appropriate licences. such lots are offered on an auctioneer’s permit, and must be collected prior to the expiry thereof. For further information, please contact ned Cowell.

拍賣須知營業時間：週一至週五9:00-17:30，週六10:00-13:00 拍賣前預展：本公司所有拍賣預展都會在正式拍賣的前兩天舉行，詳細資訊請查閱相關拍賣圖錄。登記競投：競買人應在拍賣日前於公司前臺接待處申領競投號牌。本公司現提供永久競投號牌，競買人登記後可在未來的拍賣中使用。登記時，您需要出示身份證、護照（如果有）和地址證明（有注明住址的水電煤帳單或駕駛證），或者將以上資料以郵件的形式發送至enquiries@ woolleyandwallis.co.uk 注：the-saleroom.com（網絡實況轉播競投）註冊也需要以郵件的形式發送以上資料至本公司。委託競投：不能出席拍賣的競買人可通過書面形式委託本公司代為競投，工作人員將參考底價，盡力以最低價進行競投。電話競投：委託人可在拍賣會進行時通過電話競投，該項服務須在拍賣會開始前與本公司前臺接待處預約。

拍品情況報告：本公司會提供有關拍品的品相報告，所有拍品的尺寸或重量可以在相關圖錄裏瞭解。注：所有測量數據視為近似值，因印刷或攝影造成圖錄作品的色調、顏色等與原物有誤差者，以原物為准。成交價：所有拍品的成交價會在拍賣會結束後在本公司網站上公佈。付款：競買成功後，所有拍品的購買款項應以英鎊支付，本公司收到款項後方可領取拍品。第一次在威立士拍賣行交易的買家需提供姓名、地址和銀行資訊。

付款可以通過以下方式：銀行匯票、現金匯票、個人支票、旅遊支票、信用卡、銀行借記卡和不超過相當於€15,000的英鎊現金。如果持卡人不在現場，本公司將不能收取超過 £1,000的引用卡付款。本公司電匯資訊： Lloyds Bank plc, Blue Boar Row, salisbury sP1 1DB. Account no. 00957707 Sort code 30-97-41 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 信用卡：VISA或者MAsTErCArD會有2%的手續費和增值稅（VAT）借記卡：Delta, switch, Connect 付款和取貨都可以在拍賣現場進行。傢具和鐘錶類的拍品通常會在拍賣結束後留在拍賣現場三個工作日，然後轉移至倉庫。請買家取貨時請務必提前和本公司預約。拍賣結束三十天后開始徵收存放費用，費用包括：保管費：每件拍品£20（+增值稅VAT）存放費：每天每件拍品£2 （+增值稅 VAT）以上所有費用全部結清才能取貨。增值稅VAT：帶有星號（†）的拍品需要在落錘價上徵收增值稅。帶有希臘字母（Ω）的拍品表示從歐洲以外的國家進口，並且在落錘和買家支付之傭金上收取5% 的增值稅。在本公司網上圖錄‘the sales Tax %ÿ 一欄顯示的是在落錘價上徵收的增值稅比例。

瀕危野生動植物種國際貿易公約（CITES）標註λ的拍品在從英國出口之前需要查詢其進口地的進出口條例，詳細信息請登錄網站查詢www. ukcites.gov.uk 藝術家的追續權：追續權是付給藝術家的專利稅。如果藝術家還在世或者去世以後的70年內，那麼每次出售和轉售都要付給該藝術家或者其繼承人專利稅。追續權不是增收稅，會加在競買人購買價格之上，然後轉給相關仲介機構。專利稅是在落錘價錢（不包括買家支付之傭金）上以百分率的方式徵收。€1,000以下的拍品不收取專利稅，每個拍品的專利稅最高可以收取€10,000. 請詢問拍賣當天的英鎊匯率。追續權的專利稅百分比率請參照下表： 4% 3% 1% 0.5% 0.25%

€50,000以下 €50,000.01 – 200,000 €200,000.01 – 350,000 €350,000.01 – 500,000 €500,000以上

最高的專利稅可以收取€10,000. 帶有‡符號的拍品需要在成交價上收取專利稅。

包裝和運送：威立士拍賣行不提供包裝和運送的服務。以下是在本公司周邊的運送公司及其聯繫方式： Alban shipping 01582 493 099 info@albanshipping.co.uk www.albanshipping.co.uk Mailboxes 01264 360 333 info@mbeandover.co.uk www.mbe.co.uk/andover Pack & Send 0845 465 0564 sales@packsend.co.uk www.packsend.co.uk 若拍品已轉交運輸公司，任何丟失及損壞威立士將不承擔一切責任 **注：本須知如有任何詮釋上的問題，一概以英文版本爲準。

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INSURANCE VALUATIONS Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs.

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DIRECTIONS FROM WOOLLEY & WALLIS CASTLE STREET TO OLD SARUM Woolley & Wallis Salisbury Salerooms 51 – 61 Castle Street SP1 3SU

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MARLBOROUGH & SWINDON

PROBATE VALUATIONS We offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required. since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof. We also carry out valuations for Family Division, Capital Gains Tax, and Private Treaty sales.

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Woolley & Wallis Salisbury Salerooms Ltd. 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU registered in England no.2998482 VAT No: 631 9832 29 Design & Production by

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AUCTION TECHNOLOGY GROUP

Woolley & Wallis Absentee Bid Form Fine Chinese Works of Art, Paintings & Calligraphy

PLEASE PRINT CLEARLY IN BLOCK LETTERS Lot Number in numerical order

22nd May 2018 Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/ or reserves if any, and subject to the Conditions of Sale printed in the Catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed. BUYER’S PREMIUM Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

Billing name (please print) �� Address �� Postcode �� Daytime Telephone �� Email�� All accounts must be settled within 21 days. iD is required for all first time bidders. signature ��

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 Fax: 01722 424508

Brief Description of lot

Price excluding buyer’s premium & VAT

Woolley & Wallis 書面競投表格中國藝術品買家佣金每件拍品收取25%的買家佣金+增值稅（20%）

拍品編號（按數字順序）

敬請以本公司的名義為競買人進行競投，以下所填的價錢上限不包括拍品所需的任何買家保險價和任何VAT增值稅。這些拍品會以圖錄上說明的底價以上的拍賣價成交。競買人資料（請用英語大寫字母書寫）姓：名：

地址：

郵編：聯繫電話：

簽名：

使用借記卡付款沒有手續費，但各類銀行信用卡都將會有 2%+VAT稅的手續費，新買家付款是將需要提供身份證或護照。

salisbury salerooms (威立士拍賣行), 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 Fax: 01722 424508

簡要的拍品描述

競拍價格（請除去VAT 增值稅和買家保險價）

藝術品拍賣和股價協會（sOFAA）、英國皇家註冊測量師協會（riCs）

拍賣規則

競買人須知 1.

簡介：本規則適用於本公司的買家，特別是對於新加入拍賣的競買人。所有拍賣品的資訊和估價都可以在相關拍賣圖錄中翻閱。如果您有任何疑問，本公司的工作人員將非常樂意為您服務。本中文條款如有任何詮釋上的問題，一概以英語版本爲準。

仲介：作為拍賣行，本公司通常以代理買方的身份簽署合同。爲了保護客戶隱私權，本公司不會公開競買人的資訊。

估價：估價是爲了提供競買人一個大概的價格浮動範圍。所有提供的拍賣品均設有賣家所定的保密的最低價，拍品不會以低於此價出售。圖錄上較低的估價價格即可能是該拍賣品的底價。估價不包括競買人支付的傭金和VAT增值稅。估價會在拍賣之前提供給競買人。

買入價格：競買人需要付成交價和傭金（每件拍品的成交價低於£500,000 取25%，超過 £500,000 上部份取12%）+ VAT增值稅 VAT增值稅：買家須以有關法律所規定的稅率及時間繳付增值稅。增值稅會在成交價和傭金之上收取。帶有星號（*）的拍品是從歐盟國家進口的，將徵收20%進口VAT增值稅。帶有雙星符號（**）的拍品是從歐盟以外的國家進口的，當下的VAT增值稅為5%。如果沒有以上敘述的兩種符號，該拍品就不需要徵收VAT增值稅。威立士拍賣行：本公司是賣家的仲介，所有拍品的資訊均源自於賣家，同時也會檢查拍品的情況。本公司在關於拍品的目錄、品相報告和另外口頭與書面的所有陳述，均只屬於意見的表述，而不應依據為事實的陳述。目錄和品相報告中所提及的有關瑕疵和未經修復的敘述只作為對該拍品的參考，不應被依據為拍品的真實狀況。所以競買人在拍賣前仔細檢查拍品情況是一個明智的選擇。但如果發現拍品存在‘ 蓄意偽造’的情況，在三個星期內可能可以被退還。（蓄意偽造的詳細解釋可以在本公司的拍賣條款裏查閱）電器拍品：所有電器拍品都以古董的形式進行拍賣，如果是用於日常使用請在拍賣之前與專業電器公司確認其安全性。出口拍品：買家如果想要出口競拍所得物品需要查明：a）是否需要出口許可證。b)要攜帶入境的國家是否對該類拍品有禁令。比如說，可能會禁止攜帶象牙。如有需要請詢問本公司前臺服務。但上述的兩種情況都不作為取消交易和推遲付款的原因。

競投：競買人需要在拍賣前進行註冊，登記時需要提供姓名，位址。新客戶需要向本公司提供身份證明。如需要電話競投服務，請儘早與本公司進行登記。

10. 競投委託：該項服務是以書面的形式委託威立士在不超過其指定金額下競投拍賣品。工作人員將參考底價，盡力以最低價進行競投，如果威立士收到兩個或以上相同價格的書面競投，則以最先與本公司簽訂委託競投協定者為成功競投者。 11. 付款方式：按照規定，成交拍品需要付清所有遺留款項以後才能取貨。關於付款方式請提前與本公司前臺聯系。 12. 取貨和存儲：請查閱本公司拍賣條款裏關於取貨和儲存的有關信息。所有推遲提取的拍品都會徵收相應的存儲費用。賣家委託條件 1.

解釋：下文中用到‘您’代表賣家或仲介機構，同樣‘我們’代表拍賣行。

傭金：拍品成交價在£999 內收取15%的傭金 +VAT增值稅，超過£1,000 拍品需要徵收10% 的傭金+VAT。

運輸費：所有拍品務必要在截止日期前送達我們拍賣行，且所有費用將由您來承擔。我們可以在運送過程中幫助您但是本公司不承擔運輸中發生任何狀況的責任。

丟失和損傷保險：我們沒有為客戶準備FsA的保險，但本公司用拍品的最低估價作為保護承擔責任賠償。我們會收取成交價的1.5%作為責任賠償的保險費用，如果您的拍品沒有成交那麼我們會以估價的中間值為標準收取費用。如果您不需要這項服務，那麼您將承擔丟失和損傷的風險，直到買家取走該拍品。

插圖：插圖的費用由您來承擔。若我們覺得拍品需要插圖會尋求您的允許，我們會事先通知您。但所有圖像和文字說明的版權都屬本公司所有。

底價和我們的判斷：在拍賣會開始之前我們會和您關於拍品的預訂價達成共識。

我們可以賣出低於拍品預訂價，但我們會支付您該拍品的保留價。但如果您給予本公司‘裁決’的權利，我們會同意以低於預訂價10%的價格出售。

拍賣條例

保留價：（a）

敬請您務必在拍賣前提供給我們您需要的保留價。保留價必須是我們認為合理的成交價格，本公司有權利下降不合理的高保留價。

（b）

保留價確定之後不能被改動。

（c）

保留價被確定以後，您不能自己進行競投。

電器拍品：這些拍品需要詳細的安全證明和防火安全證明。若發現拍品有安全隱患，該拍品將不被進行競投，我們有權要求您取走該拍品。

室內裝飾品：室內裝飾品如果發現有防火安全隱患，根據Provisions of The Torts (interference with Goods) Act 1997, schedule 1 條例，我們有權要求您取走該拍品。

10. 拍品描述：請告知我們正確的拍品資訊，包括拍品來源等等。對於拍品的描述的正確性有嚴格的責任賠償，且在很多情況下您將承擔該責任。如果您沒有反對我們對您的拍品描述，我們將假定您同意您已認可。若競買人發現拍品描述和實際拍品不符我們將退還買家所付金額。我們必須引提醒您，即使您確實不知道拍品描述和實際不相符也必須遵循該條例。 11. 未成交的物品：如果拍品沒有成交，可以在您的允許下在下一次拍賣中再次進行競投。如果我們認為該拍品無法賣出，請您務必儘快從本公司提貨，因為我們有權向您徵收倉庫儲存費。 12. 撤拍和買入的物品：撤拍或自行買入的拍品若已列入圖錄或已經開始印刷，則應支付保留價或者圖錄中最低估價的10%的傭金加上VAT增值稅。 13. 拍賣條例：您所有同意的物品將根據拍賣條例進行出售，您或者仲介有權出售該物品。如違反該條例您將承擔我們、買家和第三方的所有損失和賠償。

威立士索爾茲伯裏拍賣有限公司是與競買人、賣家和在拍賣現場的人進行業務運作。拍賣條例可以從這裡參考查閱。 1. a)

‘拍賣官’代表威立士索爾茲伯裏拍賣公司或他授權的拍賣官。

‘蓄意偽造’是指一件仿品試圖偽造原創作者、時期、年紀、年代、文化或來源於圖錄中描述的不同，而在拍賣當天拍出了與該仿品的本身價值不符的價格。

‘成交（落錘）價’是指競拍價格超過了保留價，而拍賣師落錘成交的價格。

‘委託條款’是指威立士拍賣行規定的賣家或仲介的條約和傭金的百分比率。

‘總額’是指成交價、買家傭金，VAT增值稅和其他費用加起來買家付款的總和。

‘銷售收益’指賣家的淨收益，成交價減去賣家傭金、VAT增值稅和其他費用的餘額。

‘你，你們’等等指買家請參考條例第二條。

您可以授權要求我們取消傭金和所有相關費用，但是我們有權利保留買家所支付的傭金和相關費用所產生的利息。

（b）

您可以授權我們在拍賣結束印業當天進行私下協議出售沒有成交的拍品，但我們可以收取和拍賣成交時同樣的傭金和費用。

15. 存儲：我們對任何不能馬上上拍的物品不負責，且我們有權收取每天£2 儲存費。如果三個星期以後還是沒有前來領取，我們有權利出售該物品並收取相關費用。 16. 結算：通常拍賣結束以後28天內可以完成款項結算，除非買家未付款。

拍賣過程和買家:

競買人在競投之前，必須填妥及簽注登記表格才能參加本公司拍賣。

在拍賣官的決定下，競買人出價最高且被拍賣官接受的競買人才能成為該物品的買家。下錘則表示賣家和買家之間的拍賣合約已經達成。

競買人會被我們視作委託人。我們有權利為賣家競投到其設定的保留價，且有權利拒絕任何競投。

加價：拍賣官有權自行決定加價幅度

買入價格：競買人需要付成交價和傭金（每件拍品的成交價首£500,000 取25%，另外超過 £500,000 上部份收取12%）+ VAT增值稅

增值稅：根據法律規定，買家所有成交的拍品的成交價上要支付VAT增值稅。（具體信息請查閱買家須知的增值稅部份）

付款：拍下拍品以後：

14. 扣除賣家傭金和費用以及保留買家傭金和利息的權利：（a）

定義：

如果需要請提供我們您的身份證明

ii)

以英鎊為貨幣形式付款

b）買家需要付清我們計算出的應付金額，包括以您或您仲介名義下的所有款項。 7. a)

所有權和領取已購買物品：物品的所有權只有在您付清全部應付金額之後才能被轉移。

您需要在拍賣結束後三個工作日付清金額，且取走物品以後所發生的所有責任都由您來擔當。

在付款之前，任何物品不能被提取。

如果有買家沒有全部付清應付金額，根據條例我們作為賣家仲介和拍賣行可以執行以下權利和提醒：

對您的違約進行法律訴訟程式。

ii)

撤回您從本公司競投的所有成交拍品

iii)

如果重新賣出拍品（通過拍賣或私人交涉成交），您就要承擔所有重新拍賣所造成的任何高於您的成交價的部份歸賣家所有。

v) vi) vii)

您拍品的運送、存放和投保的費用都由您承擔，至於存放地點可以在我們的儲藏室或者其他地方。如果沒有在拍賣結束後三個工作日內付款，我們將以每個月1.5%的比率收取利息。直到您付清所有的應付金額，我們才能取消利息的收取。在今後的任何拍賣中，不接受您做出的競投，或在接受任競投之前加一些必要條件。

viii) 申請出售任何其他拍品的收益，或在將來您在結算的時候，可以行使留置權。 1b) 我們作為賣家的仲介和拍賣行，我們執行以上的權利和提醒是爲了做出合理的補償。 9.

第三方責任：所有現場的公眾人員都必須注意現場的安排和安全隱患。拍賣官、我們的員工和都不對任何的死亡和人員傷亡負責（除法律認定是我們的疏忽外）。

10. 委託拍賣：雖然我們建議買家參加拍賣現場對所有競投負責，但如果需要我們可以為買家進行競投。工作人員將參考底價，盡力以最低價進行競投。如果威立士收到兩個或以上相同價格的書面競投，則以最先與本公司簽訂委託競投協定者為成功競投者。 11. 所有權保證和有效性：賣家向拍賣行和您保證，物品的所有權和出處是該買家，且物品不受任何第三方索賠。 12. 仲介：拍賣行通常作為仲介不履行任何買家和賣家的義務。 13. 銷售條例：買家將在委託拍賣之時起承認履行所有委託條款。 14. 描述和條例： a)

在這些條件下的成交的私人財產轉讓根據消費者權益法視為交易。

不付款或未領取已購買拍品的提醒：

iv)

拍品充分查看和調查的機會。競買人將會對我們的描述有不同的見解。我們承諾，任何此類意見會被相當誠實合理的接受。

在我們尋找對拍品正確的描述的時候，可能不能對每個拍品都做到最詳盡的調查。在拍賣開始之前競買人和他們的鑒定師會被給予對每件

15. 偽造者：儘管有之前的條件，但任何拍品被證明是蓄意偽造，或可以在拍賣結束後21 以內原封不動的與相關證明材料一起歸還於我們。如果我們認可您提供的資料證據可以證明該拍品存在蓄意偽造的事實，我們將退還您所付的傭金和成交價。但是如果1 從成交日起，眾學者和鑒定專家都認可圖錄中的描述。或者2 您個人無法提供一個更好的解釋給我們，那麼根據條例您就沒有權利要求我們退還拍品。常規信息 16. 我們有絕對權利拒絕任何人士進入拍賣場地進行拍賣。 17. (a) 所有損壞賠償責任和毀約所帶來的費用都應該酌情賠償給賣家和拍賣行。 (b) 這種權利可以由拍賣行和其員工或賣家強制執行。 18. 任何對買家、賣家、競買人和觀展人的通知都會都以第一類郵件的方式在48 時內寄到其提供給我們的地址。 19. 圖錄描述中出現的特殊名詞都會在術語表中做詳細解釋。 20. 任何沒有節制的拖延或延長競投時間的買主或賣主我們會合情做出一定的讓步。 21. 英國法律可以用於解釋這些條例。圖畫、素描、平板印刷、雕刻品和印刷任何關於作者、歸屬，出處，時期，年份，來源和情況的敘述都是一件的聲明。不能把他當做事實敘述。公司有權利敘述意見用來提供相對可靠的顧問資訊。書籍如果發現書籍收藏中的描述和插圖中被證明有一些缺陷，請您以書面的形式解釋該收藏的問題，并在14天內退回該收藏。在圖錄中已經提及或在拍賣該物品之前指出的缺陷都不予接受。另外包括書中空白處、半個標題、廣告、書籍裝訂損壞、水漬和污漬。

SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS INFORMATION FOR BUYERS 1.

Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand.

Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller.

Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive.

The purchase price. The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4%) inclusive thereafter.

VAT. (†) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the uK. The symbol (Ω) indicates that the lot has been imported from outside the European union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax.

We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of sale. neither the seller nor we, as the auctioneers, accept any responsibility for their condition. in particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale).

Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first.

Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help. The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment.

Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding.

10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. if two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax. 11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash). 12. Collection and storage. Please note what the Conditions of sale state about collection and storage. it is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges. TERMS OF CONSIGNMENT FOR SELLERS 1.

Interpretation. in these Terms the words ‘you’, ‘yours’, etc. refer to the seller and if the consignment of goods to us is made by an agent we assume that the seller has authorised the consignment and that the consignor has the seller’s authority to contract. similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers.

Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above.

Removal costs. items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility.

Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre-sale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable.

Illustrations. The cost of any illustrations is borne by you. if we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue.

Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7.

We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve.

Reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally. 8.

Electrical items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.

Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (interference with Goods) Act 1977, schedule 1, a copy of which is available for inspection on request.

10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it. 11. Unsold and withdrawn items. if an item is unsold it may with your consent be re-offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate. 12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued. 13. Conditions of Sale. You agree that all goods will be sold on our Conditions of sale. in particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking.

sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate. 2.

(b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply. 15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal. 16. Settlement. subject to our normal trading conditions, payment will be made by BACS or cheque five weeks after the sale unless the buyer has not paid for the goods. in this case no settlement will then be made but we will take your instructions in the light of our Conditions of sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale. CONDITIONS OF SALE Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein. 1.

DEFINITIONS

in these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot

INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion.

THE PURCHASE PRICE The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4%) inclusive thereafter.

14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of sale and any interest earned on the sale proceeds until the date of settlement.

BIDDING PROCEDURES AND THE BUYER

(a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with a † or Ω. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘information for Buyers’ for a brief explanation of the VAT position).

PAYMENT

(a) (i) (ii) (b)

immediately a lot is sold you will: give to us, if requested, proof of identity, and pay to us the total amount due in pounds sterling Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

TITLE AND COLLECTION OF PURCHASES

(a) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (b) You shall at your own risk and expense COLLECT any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (IF LATER) after which you shall be responsible for any COLLECTION, storage and insurance charges. (c) No purchase MAY be COLLECTED AND WE SHALL NOT RELEASE ANY LOT TO YOU OR YOUR AGENT until it has been paid for. 8.

REMEDIES FOR PURCHASES

NON-PAYMENT

FAILURE

COLLECT

(a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted;

(viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9.

THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

10. COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

(b) such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them. 18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting. 19. special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue. 20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect. 21. English law applies to the interpretation of these Conditions. PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS in accordance with long standing practice in Fine Art sale rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below. Glossary

11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims. 12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

(a)

(b) (c)

13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot. 14. DESCRIPTIONS AND CONDITION (a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’. (b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation. 15. FORGERIES notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of sale. GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. 17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate.

(d) (e) (f) (g) (h) (i) (j) (k)

Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expert or authority considered by them to be reliable. Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. Attributed to Edward Lear: In our opinion probably a work by the artist but less certainty as to authorship is expressed than in the preceding category. Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. After Edward Lear: In our opinion a copy of a known work of the artist. The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist. The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand. Dimensions are given height before width. Pictures are framed unless otherwise stated.

ARTIST’S RESALE RIGHT / DROIT DE SUITE Droit de suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €10,000. Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer. Please enquire for the accepted exchange rate on the day of the sale. royalties for Droit de suite are as follows: 4% up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% in excess of €500,000 up to a maximum levy of €10,000

Auction Calendar AsiAn Art, Chinese PAintings & JAPAnese Works of Art 22nd & 23rd May 2018 John Axford +44 (0) 1722 424506 • jea@woolleyandwallis.co.uk Freya Yuan-Richards +44 (0) 1722 424589 • fyr@woolleyandwallis.co.uk Alex Aguilar Doméracki +44 (0) 1722 424583 • aad@woolleyandwallis.co.uk PAintings 6th June 2018 – Modern British & 20th Century Art Victor Fauvelle +44 (0) 1722 424503 • vf@woolleyandwallis.co.uk Jo Butler +44 (0) 1722 424592 • jb@woolleyandwallis.co.uk 20th Century Design 20th June 2018 – Arts & Crafts Michael Jeffery +44 (0) 1722 424505 • mj@woolleyandwallis.co.uk furniture, Works of Art & CloCks 4th July 2018 Mark Yuan-Richards +44 (0) 1722 411854 • myr@woolleyandwallis.co.uk silver 17th & 18th July 2018 – Silver & Objects of Vertu rupert slingsby +44 (0) 1722 424501 • rs@woolleyandwallis.co.uk Lucy Chalmers +44 (0) 1722 424594 • lc@woolleyandwallis.co.uk JeWellery 19th July 2018 – Jewellery & Watches Marielle Whiting +44 (0) 1722 424595 • mw@woolleyandwallis.co.uk Jonathan Edwards (Consultant) +44 (0) 1722 424504 • je@woolleyandwallis.co.uk Charlotte Glyde +44 (0) 1722 424586 • cg@woolleyandwallis.co.uk tribAl Art & Antiquities 19th september 2018 Will Hobbs +44 (0) 1722 339752 • wh@woolleyandwallis.co.uk english & euroPeAn CerAmiCs & glAss 16th October 2018 – English & European Ceramics & Glass Clare Durham +44 (0) 1722 424507 • cd@woolleyandwallis.co.uk meDAls & Coins, Arms & Armour 21st november 2018 ned Cowell +44 (0) 1722 341469 • nc@woolleyandwallis.co.uk

• Entries can usually be accepted up to eight weeks prior to the auction • Illustrated catalogues are available about ten days before the sale • Viewing is normally two days prior to the auction and on saturday mornings • Catalogue subscriptions are available for all sales • Fully illustrated catalogues can be viewed on our website www.woolleyandwallis.co.uk

Lots 1, 2, 144 & 147

WOOLLEY & WaLLis

WOOLLEY & WaLLis SALISBURY SALEROOMS

威立士

SALISBURY

Fine Chinese Works of art, Paintings & Calligraphy 中國藝術品及字畫

Tuesday 22nd May 2018 F ine C hinese W orks oF

A rt , P Aintings & C AlligrAPhy t uesdAy 22 nd M Ay 2018