Catherine Southon November 2014 by ATGMEDIA

Antiques & Collectables Wednesday 19th November at 11.30am TO BE HELD AT Farleigh Court Golf Club, Old Farleigh Road, Nr Selsdon, Surrey CR6 9PE

Antiques & Collectables Wednesday 19th November at 11.30am VIEWING Tuesday 18th November 9.30am - 5pm Wednesday 19th November 9am - 11am a u c t i o n a n d v i e w i n g t o b e h e l d at

Fa r l e i g h C o u r t G o l f C l u b , O l d Fa r l e i g h R o a d, N r S e l s d o n , S u r r e y C R 6 9 P E

Ripley Arts Centre, 24 Sundridge Avenue, Bromley, BR1 2PX Valuation days held here every Tuesday and Thursday between 12 and 1pm

Welcome to Catherine Southon Auctioneers & Valuers Specialist:

Catherine Southon MA

Consultants: Susan Rothwell Aubrey Dawson Sale Administrator:

Nicola Minney

Auction Enquiries and Information:

07596 332978 07808 737694 07710 158858 Email: info@catherinesouthon.co.uk

Auction Venue:

Farleigh Court Golf Club, Old Farleigh Road, Nr Selsdon, Surrey CR6 9PE

Office:

Ripley Arts Centre, 24 Sundridge Avenue, Bromley, BR1 2PX Tel: 0208 313 3655 (not week of auction)

I M P ORTA N T N OTI C E S Please note that purchased items of furniture should be collected from the auction venue before 4pm on Friday 21st November. All other purchases can also be collected during this time. Please note that the condition of items are not noted in the catalogue. Condition reports can be viewed on www.the-saleroom.com C OLLE C TIO N S All lots should be collected on the day of the auction, or on Thursday 20th or Friday 21st November until 4pm. After this time all items of furniture, decorative works of art and paintings will be shipped to the warehouse where an appointment has to be made for collection. All other items will be available for collection at our office address at Ripley Arts Centre 9.30 - 3pm, Monday - Friday for two weeks after the sale. S HI P P I N G

the-saleroom.com Email: delivery@atgmedia.com; Tel: 0207 4206670 AU C TIO N S We hold regular Antiques and Collectables Auctions, with colour catalogues, on-line catalogues and Live bidding. These auctions take place regularly at Farleigh Court Golf Club, Old Farleigh Road, Nr Selsdon, Surrey CR6 9PE. This venue has plently of free parking and is a short taxi ride from East Croydon Station with directly links to London. The Company trades as Catherine Southon Auctioneers & Valuers Ltd. The Company’s registered office is: Lygon House, 50 London Road, Bromley, BR1 3RA. Company Registration Number 08020183. Registered in England and Wales.

LI V E I N TER N ET BIDDI N G - Bid Here Without Being Here All you need is your computer and an internet connection and you can make real-time bids in real‑world auctions at the-saleroom.com. You don’t have to be a computer whizz. All you have to do is visit www.the-saleroom.com and register to bid - it’s just like being in the auction room. A live audio feed means you hear the auctioneer at exactly the same time as other bidders. You see the lots on your computer screen as they appear in the auction room, and the auctioneer is aware of your bids the moment you make them. Just register and click to bid! w w w.c a t h e r i n e s o u t h o n .c o.u k

Furniture, Clocks & Decorative Works of Art (LOTS 1-39)

F u rn i t u re , C loc k s & D ecorat i ve W or k s of A rt

1. An elm Windsor stick back chair, with shaped elm seat £80-£120

4. A Georgian design mahogany circular dining table and six Victorian dining chairs, the plain tilt top upon on a broad central column and supported on three swept legs to pad feet. Together with a set of six Victorian mahogany balloon back dining chairs with velvet covered seats and supported on scrolled front legs, table 122cm diameter £200-£300

2. An Edwardian mahogany piano stool with rectangular arm rest, padded rising seat with storage below and supported on square tapering legs, 46cm wide, 43cm deep £60-£80

5. A gentleman’s Victorian fitted pine travelling chest, the lid opening to reveal a mahogany fitted interior with a sliding bank of 12 drawers with brass recessed handles, the top of the bank inlaid with Adam inspired swags and flowers, the inside of the lid with crossbanded veneers and central initials ‘CD’, 97cm wide, 60cm deep, 57cm high £400-£600

3. A set of three Victorian mahogany single chairs, with carved and scrolled foliate frames, overstuffed seats and supported on cabriole front legs £60-£80

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6. A large 19th century oak and iron bound silver chest, with slightly domed lid and cast iron ring handles, on later castors, 89cm long, 75cm high, 57cm deep £100-£150

8. A George III mahogany foldover tea table, the plain top over a long single drawer with brass swan neck handles and supported on square tapering legs inlaid with vases and harebells, 98cm wide, 47cm deep, 73cm high £100-£150

9. A mahogany tilt top tripod table, with central column and three splayed legs, 76cm high £50-£70

7. A Queen Anne style burr walnut bachelors chest, with crossbanded folding top over four long drawers with pierced brass handles and supported on bracket feet, 64cm wide, 36cm deep, 77cm high £150-£250

10. A mahogany Sunderland table, early 20th century, with butterfly leaves, turned legs, marquetry detail of a shell design to the centre top of the table, united by a turned stretcher £80-£120

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11. A 19th century French boulle work table, the top with brass and tortoiseshell inlay with ormolu mounts, opening to reveal a mirror backed interior, draw with sliding tray, with sewing well below and supported on curved legs, legs with ormolu sabots, 61cm wide, 44cm deep, 71cm high £100-£200

12. An early 20th century embossed brass stick stand and walking sticks, with eight assorted wooden walking sticks, one with a silver end cap, another with a horn handle £50-£80

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13. A 19th century French black lacquer and gilt tooled leather table cabinet, with ormolu mounts, the front mounted with three circular painted celluloid panels depicting classical scenes, with hinged folding front and sides above three small drawers, supported on short turned acanthus mounted feet, 36cm wide, 23cm deep, 37cm high £200-£300

14. A Victorian carved oak wide tube stick barometer by Dollond of London, with carved oak leaf and acorn finial, with engraved ivory face plates, the thermometer with Reaumur and Fahrenheit scales, the body with further carved oak leaf and acorn decoration, 106cm high £150-£250

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15. A brass eight day bulkhead clock, with Arabic numerals, and retails stamp for Mercer, England, 24.5cm diameter £150-£200 17. A late 19th century brass lantern clock, the bell strap surmounted by an acorn shaped finial, with fretted brass panels, and a 7½ inch dial with Roman numerals, 36cm high £80-£120

16. A 19th century Continental porcelain urn shaped clock, with white porcelain dial and French movement, the urn and cover of square form with encrusted flowers, wreath handles, the body painted with flowers and supported on a pedestal base with a ribbon entwined wreath foot. Crossed swords mark in blue to base, 34.5cm high £100-£200

18. A black boulle mantel clock, French, late 19th century, with 5-inch enamel dial stamped on the bottom Benard a Paris, with Roman numerals and stepped base, 40cm high £100-£200

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20. A late 19th century African Nigerian tribal recurve bow, the shaft of smooth carved and curved hardwood with metal wire wrapped tips, 161cm long £80-£120 21. A large African carved rosewood tribal mask, together with four miniature carved tribal masks, large mask 26cm high, smallest 10.5cm high £60-£80

19. Polynesian art: An Austral Islands wooden ceremonial paddle, early 1800s, with leaf-shaped blade and cylindrical shaft entirely intricately carved in geometric interlocking criss-cross patterns, concentric circles/sunburst motifs and zigzag patterns, the pommel carved with traditional tiki figures, 114cm long £1,000-£1,500

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22. A WWI Trench art brass and copper gun carriage, with copper barrel, large wheels and a box-section tail, 37cm long £100-£150

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24. A late 19th/early 20th century bronze tazza, cast with classical scenes surrounded by leaves and tendrils, the scrolled handles with mask heads, 48cm wide, 9cm high £100-£150

23. A silver model of a sailing ship, the ship with three masts in full sail, the deck with applied figures and supported on an ebonised wooden base, ship: 38cm long, 36cm high £200-£300

25. A George III scroll work tea caddy, of octagonal form the mahogany and satinwood tea caddy with hand painted vignette to the front panel depicting a waterfall, surrounded by fine paper scroll work, each of the other panels with scroll and bead work depicting swirls, urns and oval designs, the lid with with scroll work in the form of a star, with some of the original liner, 13cm high £1,500-£2,000

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26. A pair of ornamental table lamps, each with squared central alabaster pillar topped with gilt painted metal mount in the form of a lyre with central Wedgwood style plaques, with two branches to either side decorated with acanthus leaves, with blue shades, 40cm high £70-£100

29. An Edwardian inlaid mahogany tray, of rectangular form with shaped side inlaid with satinwood depicting flowers and tendrils, with reeded edges and brass carrying handles, long 67cm £50-£80

30. After Claude Michel Clodion (1738-1814) French, an early 20th century bronze of a faun and two cherubs resting on a stump amidst flowers, on an alabaster base, signed on the reverse Clodion, 32cm high £300-£400 27. A Victorian Kent’s patent knife cleaner, with original labels, and enamel plaque, 55cm high £60-£80

28. A Victorian four gallon copper flask, of conical form with large loop handle, with smaller carrying handle to the front, height 47cm £70-£100

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31. A bronze figure of a Roman figure, seated, on a marble plinth, stamped on the reverse 3506, height 35cm £300-£500

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32 32. A large 19th century French ormolu figural lamp, signed ‘Detziec’, formed as a lady in a flowing robe holding a torch, leaning against a pillar with doves at her feet, supported on an alabaster base with scrolled acanthus mount and stepped ormolu feet. Later converted to electricity, 49cm high not including lamp £1,000-£1,500

33. An Art Deco lamp with bronze panther, the seated panther on an alabaster and marbled base adjacent to the frosted lamp in the form of a sphere, 37cm wide £150-£250

34. A large Arts & Crafts brass and enamel charger, decorated with a central embossed entwined roundel, surrounded by three green and enamel discs with embossed entwined border, 58.5cm diameter £150-£250

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35. An Arts & Crafts hammered copper and brass box and cover, with riveted band and roundel decoration, turned handle and supported on turned feet, 18cm long £40-£60

38. An Arts and Crafts three tiered cake stand, the brass stand with three graduated copper trays with hammered design and fluted edges, height 93cm £50-£70

36. A pair of Christopher Dresser designed brass andirons, circa 1870, probably made by Benham & Froud, formed as simplistic jointed tubular trestles, 18.5cm wide, 15cm high £100-£150

37. A pair of Christopher Dresser designed brass andirons, circa 1870, probably made by Benham & Froud, formed as ribbed globes supported on tripod legs with crosspiece and knurled ends, 19cm wide, 18cm high £100-£150

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39. A triple brass cake stand with Royal Crown Derby plates, the brass stand with three 8¾ inch gilt edged ‘Harrow’ plates with hand painted flowers, two plates with a green stamp the other with a red stamp, height 78cm £80-£120

Paintings, Drawings & Prints (LOTS 40-82)

P a i nt i ngs , D raw i ngs & P r i nts

43. Thomas Rowden RA (1842-1926) British, Two watercolours of cattle grazing, one in a highland setting, the other in a meadow scene beside a river. Both signed and one dated ’90. Both in gilt frames with wash mounts, 17 x 48cm; 13 x 43.5cm £100-£150 40. Bernard Benedict Hemy (1855-1913) British, Stormy seascape with a fishing boat sinking in the foreground. Oil on canvas. Signed, 26.5 x 36.5cm £100-£150

41. Bernard Benedict Hemy (1845-1913) British, Stormy seascape with a fishing boat in rough seas, tall ship and steam ships in the background. Oil on canvas. Signed, 26.5 x 36.5cm £200-£300

42. James Stark (1794-1859) British, A wooded river landscape with waterfall in the foreground and man fishing. Oil on canvas covered board, framed. Signed and dated 1827, 49 x 59cm £500-£800

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44. ‡ Peter Pearson (born 1955) Irish, ‘Evening Quiet - Dublin Bay’ a scene overlooking water to factory chimneys and hills in the distance. Oil on canvas, signed and dated ‘91. Framed, 54 x 72cm £600-£800

45. ‡ Peter Pearson (born 1955) Irish, ‘Off to Holyhead’, an abstract scene with stylised landscape and a skeletal figure and fish in the foreground. Oil on canvas. Signed. Framed, 111 x 83cm £800-£1,200

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49. Gustave Barrier (1871-1953) French, Still life with tureen, flowers and pot, oil on canvas, signed top left G.Barrier, 35 x 27cm (illustrated on page 2) £80-£120

46. ‡ Rodney Charman (born 1944) British, ‘The Prospect of Whitby’, harbour scene with a rowing boat coming into port. Oil on canvas. Signed and dated ’80. Framed, 39.5 x 49.5cm £60-£80 50. ‡ Sir Howard Hodgkin (b.1932) British, Indian Views, hand coloured aquatint etching, signed and dated in pencil, numbered 60/75, 57 x 77cm £1,800-£2,500

47. Jules Achille Noel (1810-1881) French, Beach scene with a fishing boat on the shore and figures nearby. Watercolour, signed. Framed with wash mount, 10.75 x 20cm £100-£150

48. James Peel (1811-1906) British, Near Haslemere, Surrey, a scene of figures walking on a path in an open landscape, hills in the distance. Signed and inscribed on the reverse. Oil on canvas, in a heavy gilt gesso frame, glazed, 44 x 74.5cm £1,000-£1,500

51. Brooke Bond Original tea cards - The Race into Space, a collection of 50 original hand painted designs for Brooke Bond tea cards showing mans first steps into the Universe, 1957-1981. Hand-painted gouache and watercolour. Framed. Together with a Race into Space tea card booklet with complete set of tea cards of the painted originals, average image size 10.5 x 5cm £700-£900

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52. ‡ David Oxtoby (born 1938) British, ‘Chuck Berry’, aquatec on canvas. Signed, inscribed verso. Framed, 152cm square. Provenance: The Redfern Gallery, 20 Cork Street, London £2,000-£3,000

53. ‡ David Oxtoby (born 1938) British, ‘Got dem ‘ol Kozmic Greens again Mama!’ Janis Joplin seated and holding a bottle of Southern Comfort. Aquatec on canvas. Signed, inscribed and dated 1980 verso. Framed, 183cm square. Provenance: The Redfern Gallery, 20 Cork Street, London. £2,000-£3,000

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The Alistair K. Macdonald collection Alistair Macdonald (1880-1948) was a Scotsman whose drawings regularly appeared in British and American periodicals. He produced a number of fantasy drawings in the 1920s for the front cover of American Weekly where he depicted girls as insects, birds and butterflies. He was also a book illustrator, and designed cocktail and dinner menus for the Cunard Line including a magnificent brochure for the Aquatania. He was greatly admired for the delicacy of his line, the way that he depicts movement and the charm and grace of his girls. The collection offered for sale here are mostly pen and ink drawings heightened by watercolour. His wife Alice H. Watson (1896-1984) was also an artist, primarily an illustrator of children’s books. She worked in similar fantasy themes often depicting magical characters in enchanting scenes. The husband and wife team worked closely together, and would often work on illustrations together, some of Watson’s illustrations are also offered for sale here. This collection of drawings by Alistair Macdonald and Alice H. Watson is to be sold by the family. 55. ‡ Alistair K. Macdonald (1880-1948) British, Winter scenes, pen and black ink heightened with body colour on paper applied to board, signed lower right A.K. Macdonald, 46 x 33cm £300-£500

54. ‡ Alistair K. Macdonald (1880-1948) British, Coronemus Nos Rosis Anteguam, pen and black ink heightened with watercolour and bodycolour, on two sheets applied to board, inscribed with poem by Thomas Jordon, signed lower left A.K. Macdonald, 34 x 27cm £400-£600

56. ‡ Alistair K. Macdonald (1880-1948) British, A drawing titled ‘Trials of a Press Artist Finishing Touches to a Summer Number Supplement’ A.K. Macdonald, pen and bodycolour on paper applied to board, 38 x 33cm An interesting image, this is possibly a self portrait depicting A.K. Macdonald painting a portrait of the young girl dressed in butterfly wings possibly for the front cover of The American Weekly £350-£500

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57. ‡ Alistair K. Macdonald (1880-1948) British, Danse Persane, pen, watercolour and bodycolour on paper on board signed lower right A.K. Macdonald, 50 x 37.5cm £350-£550

58. ‡ Alistair K. Macdonald (1880-1948) British, Different dress styles, pen and body colour on paper applied on board, signed lower left A.K. Macdonald, 47.5 x 36 £250-£450

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59. ‡ Attributed to A.K. Macdonald, Recollections, pen on paper applied on board, unsigned, 29.5 x 18.5cm £100-£200

60. ‡ Alistair K. MacDonald (1880-1948) British, Silk Ban and the Poet, pencil and pen on paper, subtitled To Julia - in Woollies, signed lower right A.K. Macdonald, 48 x 39cm £200-£300

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61. ‡ Attributed to A.K. Macdonald, Beauty in Hyde Park, unsigned, pen and watercolour on paper and applied to board, 25 x 34cm £200-£400 63. ‡ Alistair K. Macdonald (1880-1948) British, Victorian ladies and gentlemen, pen heightened in watercolour on paper applied to board, signed lower left A.K. Macdonald, 25.5 x 25 £100-£200

62. ‡ Alistair K. Macdonald (1880-1948) British, Braemar Castle Deeside, watercolour and pen on paper applied to board, signed on the lower right, 26.5 x 41cm £400-£600

64. ‡ Attributed to Alistair K. MacDonald, Enough for Dickery, unsigned, pen on paper applied to board, 35 x 26.5cm £150-£250

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65 65. ‡ A small collection of Alistair K. Macdonald’s sketches, and newspaper covers featuring his designs, comprising a sketchbook with several pencil sketches, four sketches of Italian landmarks including the Bargello Florence; a watercolour of a maritime scene unsigned; a pencil drawing of The Windmill on the Downs a/f; drawing for an allegorical poster entitled ‘Hold fast to the cliff of negotiation’, watercolour of a reclining nude and a watercolour of a maritime scene, three newspaper covers and a cocktail menu featuring his designs and a poster for The Ghost Book featuring A.K. Macdonald illustration, the poster 75 x 51 £150-£250

66. ‡ Alistair K. Macdonald (1880-1948) British, Ladies in the courtyard, watercolour signed, framed and mounted, 38 x 55cm £400-£600 67. ‡ Attributed to A.K. Macdonald, Italian palazzo, oil on canvas, unsigned, applied to board, 47.5 x 38cm £150-£250 68. ‡ Attributed to A.K. Macdonald, Shakespearean Scene, unsigned, pen and pastel on paper applied on board, 21 x 31cm £100-£200

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69. ‡ A collection of 13 drawings by Alice H. Watson (1896-1984) British, mostly pen and pencil on board, or pen on paper applied to board, titles include: The Lion’s Skin, Gullivers, Heigho!, Circled St Giles Steeple Three Times, and a pencil drawing on paper entitled James Elizabeth and Anne, some of the drawing with notes regarding colours and where the drawings should feature in the book, some signed, together with a copy of a drawing by Watson, the largest pen drawing 47.5 x 37cm, the pencil drawing 48 x 38cm £200-£300

70. ‡ A collection of five drawings by illustrator Alice. H. Watson (1896-1984), comprising: The French Polisher, pen on paper, applied to board, signed lower left A. H. Watson; The Last Horn, pen on paper, applied to board, signed lower left A. H. Watson; a specimen drawing from A. H. Watson for Santa Claus in Summer by Compton Mackenzie, pen on board signed lower right A. H. Watson; The Giants’ Bed, pen on paper, applied to board signed lower right A. H. Watson; and Young Girl with Aliens Escaping, pen on board, the largest 38 x 52cm By direct descent to the present owner £100-£200

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72. The Merchant’s Tale & The Shipmans Tale, from Geoffrey Chaucer’s Canterbury Tales. Large folio edition with lithographs by Charles Mozley, translated into modern English by Nevile Coghill, 59 x 42cm £80-£120 73. Thomas Barker (1769-1847) British, Three pen lithographs of country figures, hand coloured with brown wash. Monogrammed TB, 21 x 14cm £80-£120

74. Wellington & Blucher Meeting after the Battle of Waterloo, A steel engraving by Charles W. Sharpe after the painting by Daniel Maclise. Published by Art Union of London c.1875. Framed and mounted, image excluding text 30 x 113cm £200-£300

71. ‡ A collection of ten drawings by illustrator A. H. Watson (1896-1984), mainly pen on board and some on paper and applied to board some heightened with watercolour, titles and captions include: ‘Keep to the left with your basket will you?’ Do you want the whole Sky to Yourself?’, ‘The Three of them explained’, ‘Singing in the Moonlight’, and ‘To the rescue of Red Riding Hood’, mostly signed A. H. Watson, some initialled, some unsigned, 48 x 37cm £200-£300

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75. Henry Alken, A set of four hand-coloured amusing ‘Idea’ sporting prints. Published by Thomas McLean, Haymarket, Each image: 21 x 18cm £100-£200

76. Two 19th century hand-coloured sporting prints, one by Henry Alken and depicting figures on horseback game shooting, the second depicting three gentlemen fishing in a boat. Both framed and mounted, 19 x 29cm £40-£60

77. David Oxtoby (born 1938) British ‘Souet Stockholm’, a limited edition print of Elvis Presley 113/200. Signed, titled and dated 1982 in pencil, dedicated ‘To Patrick’. Framed, image 52 x 43cm £100-£150 78. F. Knoller, A limited edition print of three women in bikinis, men looking on. Numbered 1/30. Signed, titled and dated ’89, 39 x 65cm £100-£150 75

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79. An unusual set of four abstract coloured engravings Limited editions numbered 147/150 (3) 148/150 (1), Signed indistinctly. Framed, images 29 x 23cm £100-£200 80. Kam ‘Morning’ an unusual cubist limited edition engraving 1/15, Signed in pencil. Framed, image 34 x 19cm £40-£50 81. John Loker (b.1938) ‘Coast Extracts II’ an abstract geometric engraving, Signed, titled and dated ‘75 in pencil. Framed, image 24 x 38cm £60-£80

82. Siobán Cleary An abstract study of a nude woman, coloured engraving, artists proof, signed in pencil. Framed, image 20 x 25cm £30-£50

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Ceramics & Glass (LOTS 83-122)

CERAMICS & GLASS

83. A collection of Irish Belleek porcelain, comprising: a porcelain teapot with green stamp of shell form, with coral effect handle, two small early black mark milk jugs, a lattice work basket encrusted with roses and a rose mounted bowl with green mark. (5), teapot 12cm high, jugs 9cm high, basket 14cm wide, bowl 12.5cm diameter £80-£120

86. A continental porcelain figure of a boy and girl, possibly Meissen, circa 1900, formed as a boy and girl holding flower garlands with a bird cage upon a naturalistic base. Crossed swords mark in blue to base, 15.5cm high £100-£150

84. An 18th century Albarello tin glaze apothecary jar, inscribed ‘V.DESOP.SVC’ the body decorated with shells, 19.5cm high £30-£50 85. A collection of Royal Doulton stoneware, comprising five vases of various shapes and sizes and a small jug, in typical blues, browns and green, and with tube lined decoration, the tallest 30cm £60-£100

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87. An 18th century Chelsea porcelain figure of a man, wearing finely painted coloured and gilded clothes, playing bag pipes and seated upon a bocage encrusted tree stump with a dog at his side, supported on a scrolled Rococo style base. Unmarked, 16cm high £100-£150

CERAMICS & GLASS

88. A Victorian Cyples black basalt coffee pot and cover, together with another Victorian black basalt coffee pot cover, both with embossed decoration, 23 and 25cm high £30-£50

89. A pair of Continental figural candelabra, the scroll shaped central columns heavily decorated with applied hand painted leaves and flowers, each column with two seated figures to the lower section, with four branches each heavily decorated with hand painted roses flowers and leaves, with fluted bases painted with flowers raised on four scroll feet, each with blue anchor mark to base, 51.5cm high £200-£300

90. A rare Royal Doulton lady figural bowl and cover, the base signed ‘Dubarry’, the lady in a pale blue flounced dress with pink bead necklace and a fan behind her back. The upper half of the lady lifting off the base to reveal a powder bowl below. Impressed number 324 to base, 26cm high £100-£150

91. A Queen Victoria Regina pearlware commemorative plate, circa 1838, printed in black and hand coloured with a portrait of the young Queen beneath a crown within the inscription ‘Victoria Regina, crowned 28th of June 1838, born 24th of May 1819. Proclaimed 20th of June 1837’, the pink lustre edged rim decorated with moulded flowers, 20cm diameter £50-£70

92. Three 19th century Toby jugs, comprising an early 19th century toby jug in traditional seated pose, a standing Toby ‘Hearty Good Fellow’, and a treacle glazed Toby jug (3), largest: 28cm high, smallest 23.5cm high £100-£200

93. A pair of 19th century Samson of Paris Chelsea style bocage groups, formed as cherubs holding baskets of flowers before flower encrusted trees, supported on naturalistic Rococo style bases. Gold anchor mark to the reverse, 11cm high £60-£80

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CERAMICS & GLASS

94. A 19th century Dutch Delft tin glaze twin bottle stand, with looped handle, decorated with panels of flowers and insects, supported on short tapering feet, 21cm wide £100-£150

95. A set of Coalport Felspar porcelain plates, painted with flowers and gilt highlights, comprising: 11 soup plates, 14 dinner plates, 10 side plates. With red printed marks to base, dinner plates 24.5cm diameter £200-£300

96. A Susie Cooper ‘Apple Gay’ coffee service, comprising: a tall coffee pot, 6 x coffee cans and saucers, a milk jug and a sugar bowl and cover £50-£80

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97. A pair of early 19th century porcelain vase shaped inkwells, formed as a lidded bulbous urn and cover with twin gilt handles, the body painted with flowers and gilt highlights, 10cm high £100-£200

98. A 19th century Spode porcelain encrusted vase, the body with flared neck and encrusted all over with flowers and gilding and supported on scrolled feet, 16cm high £60-£80

99. A Chinese Neolithic Period two handled pottery jar, 2nd or 3rd millennium B. C, painted with geometric designs with small looped handles, 29cm high £50-£100

CERAMICS & GLASS

100

101

100. A 18th/19th century Chinese porcelain figure of Guanyin, in seated position with arm raised and wearing brightly coloured polychrome robes, and supported upon a flowering lotus blossom base, 24cm high £200-£300 101. A pair of Japanese Kutani porcelain vases, circa 1900, of ovoid form, painted with a scholars within lappet and cell and butterfly pattern borders, six character mark to base in iron-red, 24cm high £80-£120

102

104

104. A large 19th century Chinese Canton enamel vase, in the famille rose palate, decorated with panels of figures in domestic scenes, flowers, birds and insects, set against a vivid green and gilded floral background. Supported on a carved hardwood stand, 45cm high £100-£150

102. A late 19th/early 20th century Chinese porcelain vase, the bulbous body with slender flared neck and painted with a scene of an Oriental man with a deer, six character Qianlong seal mark in underglaze blue, 15.5cm high £400-£500

103. An 18th century Chinese blue and white tea bowl, of petal form and decorated with panels of figures with character mark to the base, possibly Kangxi, the second 19th century bowl with a Willow pattern landscape scene, together with a 19th century English blue and white tea bowl (3), 6.5cm, 8cm, and 8.5cm diameter £60-£80

105. A 19th century Chinese blue and white moon flask, the body decorated with panels of figures in landscapes, four character mark to base, 21cm high £60-£100

C o n t a c t u s o n 075 9 6 3 3 2 978

CERAMICS & GLASS

106. A pair of Chinese late 19th/20th century blue and white moonflasks, each of flattened globular form painted with dragons within foliate scroll borders, the neck applied with a pair of pierced pine handles (2), 31cm high £100-£150

107. An unusual 19th century Chinese porcelain and cloisonné tea bowl, the blue and white interior decorated with flowers, the exterior decorated in cloisonné with flowers on a turquoise ground. Kang Xi style 6 character mark to base, 8cm diameter £80-£120

108. A Continental bowl possibly by Samson, the rim decorated with gilt painted chain pattern, hand painted all over with flowers and foliage, the underside with painted character mark, diameter 25cm £100-£200

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109. A late 18th or early 19th century Chinese polychrome painted basket on stand, together with a cup and cover, both decorated in bright enamel colours on a blue and white ground. The basket of latticework work with twin gilt handles, basket and stand 22.5cm wide. Cup and cover 9.25cm high £200-£300

110. Two 20th century Chinese porcelain figures, one blue and white figure of Buddha in standing pose, the other a polychrome seated man holding a large carp, 21cm and 14cm high £50-£80

111. A group of three Chinese pottery buffalo, mid 20th century, the group comprising a male buffalo and two calves, all well-modelled and in recumbent poses, supported on carved wooden stands, largest: 24cm long £100-£200

CERAMICS & GLASS

112. A group of Chinese and Japanese blue and white wares, mostly 20th century, comprising: two miniature beaker vases painted with ladies beside a vase of flowers and woods stands; two bottle vases painted with scrolling lotus; a ginger jar and cover and wood stand; a pair of Satsuma earthenware miniature vases; a double gourd vase; a pair of blue and white pierced square vases; a miniature vase and a saucer, two wood stands (16), largest vase 25cm high £80-£120

114. Two Whitefriars Kingfisher blue glass vases, bark effect, one of cylindrical form, the other square tapering, 15.5 and 13.5cm high £40-£60

115. An Austrian Loetz style Art Nouveau copper mounted green glass vase, the green iridescent glass body with six roundels and pierced copper frame. Unsigned, 16.5cm diameter £100-£150

113. A 1930s/1940s Japanese Noritake coffee service, each piece decorated with linear designs in shades of blue and gilding, comprising: a coffee pot and cover, a milk jug, a two-handled sucrier and cover, six coffee cans and six saucers, Chikaramachi mark to base, coffee pot 18cm high £80-£120 116. An Austrian Loetz style Art Nouveau green glass vase, the green iridescent glass body supported on central column with four wrythen legs. Unsigned, 10.5cm diameter £80-£120

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CERAMICS & GLASS

117. A 1930s Karl Palda Art Deco cabaret set, comprising a black and clear glass decanter and six liquor glasses, together with the original mirrored tray with ebonised handles and original shop label, decanter 24.5cm high £200-£300

118. A set of 6 Fritz Heckert enamel drinking glasses, circa 1890, the pale green glasses decorated with white enamel and gilded trailing flowers, supported on short stems to circular feet. Three glasses with etched number and signature to base, 16.5cm high £300-£400

119. An Elizabeth II pair of silver topped cut glass ship decanters, hallmarked Birmingham 1975 with makers mark for A. Chick & Sons Ltd, 27cm high £100-£200

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120. An Elizabeth II silver topped cut glass port decanter, hallmarked Birmingham 1973 with makers mark for A. Chick & Sons Ltd, with mushroom stopper, 28cm high £80-£120

121. Two 18th century opaque twist stem drinking glasses, one with tall tapered bowl, the other with waisted bell-shaped bowl, both with rough pontils, 16cm and 16.5cm high £100-£150

122. An 18th century drinking glass with flared funnel bowl and an 18th century cordial glass with cup-shaped bowl, both with facet-cut stems, the cordial glass with engraved flowers, both with rough pontils, 13.75cm and 19cm high £100-£150

Silver & Silverplate (LOTS 123-166)

S ILV ER & S ILV ER PL AT E

123. A quantity of silver spoons and boxed cutlery, comprising: 13 small desert spoons, 2 cruet spoons with gilded bowls, and ladle, hallmarked between 1833 to 1903, heavily decorated on stems. Box of cutlery consists of 5 forks and 4 knives with ivorine handles, length of ladle 18.5cm total weight 18.02ozt £100-£150

125. A quantity of 19th century silver dessert spoons, the majority of spoons hallmarked for London 1833, with makers mark for John James Whiting, each spoon length 18cm, total weight 52.23 ozt £300-£400

124. A set of six Exeter fiddle pattern silver dessert spoons, hallmarked Exeter 1855, maker: William Rawlings Sobey, with engraved initials, 6.7 ozt £100-£150

126. Twelve silver serving spoons, hallmarked Glasgow 1862, with makers initials JM, weight 50 ozt £300-£400

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S ILV ER & S ILV ER PL AT E

127. A quantity of silver serving, desert, and cruet spoons, hallmarks include London 1813, and makers include J Whiting, total weight 74 ozt £450-£500

128. A collection of 19th century silver spoons and sugar tongs, comprising: serving, desert and tea spoons, a pair of sugar tongs, and a mustard spoon, hallmarks for London dating from 1854-1880 Makers include George Adams, William Eaton, Elizabeth Eaton and Henry Holland, spoon sizes range from 12-22cm, total weight 70ozt £500-£600

129. Two matched pairs of Georgian silver apostle spoons including Hester Bateman and a pair of forks, both pairs of spoons with one spoon hallmarked: London c.774 by Hester Bateman and the other spoon hallmarked London c.1713 with rat tail bowl; the pair of spoons early 18th century with rubbed marks (6), 7.33 ozt £150-£250

130. A collection of 19th century silver forks, comprising forks hallmarked for London 1812 and 1846, makers include G Adams, and J Whiting, length of forks 18cm total weight 39.38 ozt £200-£300

C o n t a c t u s o n 075 9 6 3 3 2 978

S ILV ER & S ILV ER PL AT E

131. A collection of silver forks, dating from early to late 19th century, makers include G Adams and Mary Chawner, fork length 17.5cm total weight 44ozt £250-£300

133. A collection of 19th century silver forks, various hallmarks for London and Glasgow from 1837-1882, makers include Elizabeth Eaton, and Mary Chawner, and Glasgow maker JM, majority of forks length 20cm, total weight 68.76 ozt £400-£450

132. A collection of twenty three silver forks, the majority hallmarked for London 1882, maker G Adams with relief shell and reeded pattern on both sides, fork length 21cm total weight 74.91ozt £450-£500

134. A collection of eighteen silver forks, hallmarked for London 1833 with highly decorated relief pattern, and with family crest, with makers mark for J Whiting, fork length 20.5cm, total weight 57.67 ozt £280-£320

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S ILV ER & S ILV ER PL AT E

137. A George III silver wine funnel, hallmarked London 1795, makers mark HC possibly Henry Chawner, with engraved initial ‘B’, with reeded rim, braced waist and removable filter with gauze ring, 4.98 ozt £200-£300

135. An assorted collection of silver forks, Comprising: 6 dinner and 6 desert forks, hallmarks for London 1899 with graduated reeded relief, makers mark for Joseph & Horace Savory, and Francis Higgins, fork length 18-21.5cm, total weight 30.18 ozt £200-£300

138. A silver wine funnel, hallmark for London 1799/1800, 13cm long, 3.27 ozt £80-£120

136. A set of six Russian silver gilt and Niello spoons, hallmarked Moscow 1869, with spiral twist stem with leaf knop finial, reverse of bowl with Niello scrollwork centred with a vacant heart shaped reserve, 15.6cm long. 8 ozt £400-£600 139. A Regency silver fish server, hallmarked London 1823, makers mark: Jonathan Hayne; together with a set of six Mappin & Webb tea spoons hallmarked Sheffield 1920, server: 5.3 ozt Spoons: 1.96 ozt £80-£120

C o n t a c t u s o n 075 9 6 3 3 2 978

S ILV ER & S ILV ER PL AT E

140. A collection of assorted sets of Victorian silver flatware, comprising: 6 x Old English pattern dessert spoons London 1846 maker: IL HI; 5 x various table spoons, 5 x assorted Victorian dinner forks, 2 x silver sauce ladles and assorted teaspoons, combined weight 39 ozt £300-£400

141. A silver 3 piece tea set with associated coffee pot, comprising coffee pot, tea pot, sugar bowl and milk jug, the sugar bowl and jug hallmarked for London 1897 by makers Fordham & Faulkner, tea pot by Joseph Rogers hallmark Sheffield 1917, and coffee pot hallmark London 1896 by Samuel Walton Smith, combined weight of 30ozt £150-£200

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142. A Victorian silver four piece tea set, hallmarked London 1851, comprising: melon-shaped teapot, pear shaped coffee pot, milk jug and sugar bowl, all with engraved foliate decoration and vacant cartouches, the teapot and coffee pot with melon finials, each with scrolled silver handles. Makers mark: E J & W Barnard. Retailed by Widdowson & Veale, Strand, weight: 68.7 ozt. Coffee pot 23.5cm high £450-£650

143. An Irish silver milk jug, hallmarked Dublin 1914, the bulbous body with scrolled handle and supported on three shell mounted feet. Maker: Wakely & Wheeler, 3.6 ozt. 10cm hgh £40-£60

S ILV ER & S ILV ER PL AT E

144. A George VI oval silver teapot, hallmarked Birmingham 1938, the body of fluted form, with gadrooned rim and supported on ball feet with wooden handle. Makers mark: Robert Pringle, 11.95 ozt including handle £80-£100

145. A Victorian silver circular salver, hallmarked London 1859, with central engraved crest surrounded by Gothic strap work and shell decorated rim, supported on three scrolled feet. Makers mark: AM, possibly Alexander Macrae, 19 ozt 25cm diameter £100-£150

146. An Edwardian silver salver with flower embossed rim, hallmarked Sheffield 1902, the centre engraved with scrolling flowers, with central engraved inscription and supported on three embossed legs. Makers: William Mammatt & Son, 30.4 ozt £200-£300

147. A George V silver spirit kettle on stand, hallmarked Sheffield 1912, with scrolled and ebonised handle, lobed body and supported on a stand with burner and four reeded legs to paw feet. Makers mark: Cooper Brothers & Sons, 44 ozt including handles £300-£400

148. Three silver trays, the first hallmarked London 1844 by Charles Reily & George Storer, the second Mappin & Webb Paris hallmark Sheffield 1937, and the third with makers mark for Robert Garrard hallmark London 1842, 34cm, 20cm, 16cm, combined weight 30.84ozt £200-£300

C o n t a c t u s o n 075 9 6 3 3 2 978

S ILV ER & S ILV ER PL AT E

149. An Edwardian silver combination inkwell and pocket watch desk stand, hallmarked Birmingham 1904, the inkwell lid rising to reveal a fitted silver plated pocket watch, with lidded stamp compartments and pen rest below. Makers mark: John Grinsell & Sons, 11cm long, 6.5cm wide £150-£250

151. An Edwardian silver table bell and a pair of novelty wishbone sugar nips, the bell hallmarked Sheffield 1909 and made by Atkin Brothers, the nips hallmarked London 1903 and made by Goldsmiths & Silversmiths, bell 6.1 ozt £60-£80

152. A Continental silver 19th Century table bell, probably Dutch, maker mark GTS with gadrooning and engraved decoration around edge, and lion finial to handle, with original clapper, 14.5cm high, weight 9.37ozt £100-£150

150. A very large silver inkwell in the form of a capstan, hallmarked Birmingham 1939, with inscription for Captain **Smith 13thR, width 35cm £300-£500

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S ILV ER & S ILV ER PL AT E

153. A pair of George V silver topped scent bottles, hallmarked London 1920 with cut glass bodies and flip-up lids with glass stoppers, 9cm high £60-£80 154. A group of assorted silver items, comprising: a pair of silver handled salad servers; a pair of shell shaped salts; two miniature photo frames; seven assorted tea spoons and a pair of sugar tongs; and a tea strainer, weighable silver 4.5 ozt £100-£150

156. An Indian white metal embossed box and cover, decorated with elephants and other animals, together with a Chinese silver figure of Guanyin with Import mark for 1978, box 2.4 ozt £60-£80 157. A late Victorian silver chatelaine, hallmarked London 1901, makers mark: EC, hung with later propelling pencil, Egyptian pendant, star pendant and two silver coins £80-£120

155. A small collection of assorted silver items, comprising: A spill vase, a small trophy cup, pair of salts with green glass liners, a napkin ring, two decanter labels and a pill box. Various dates, one glass liner cracked. Approximately 6.54 ozt £60-£100

158. A collection of assorted silver items, comprising: a silver mesh purse London 1921, another silver purse, cigarette case, two napkin rings, scent bottle and hair pot, pill box, sugar tongs, vesta, 6 apostle spoons, propelling pencil, pendant and gold seal, 17.3 ozt weighable silver £140-£160 159. A small collection of silver items, comprising: an oval silver compact Birmingham 1945, an H. Samuel silver pocket watch and a silver vesta case with Albert chain, 4.8 ozt approx excluding mirror and watch £50-£80

C o n t a c t u s o n 075 9 6 3 3 2 978

S ILV ER & S ILV ER PL AT E

160. An Elizabeth II silver and cut glass limited edition York Minster candle lamp, hallmarked London 1988. Made by order of the Dean and Chapter of York to Commemorate the Restoration of York Minster following the Great Fire 9th July 1984, 23/500, Hector Miller for Aurum Ltd, weighable silver approx 9.5 ozt. Overall height 24.5cm £100-£150

163. A large silver plated and glass cruet set, comprising six cut glass bottles within a silver plated stand with engraved decoration and carrying handle, 28cm high £50-£80

161. A Victorian silver rattle by George Unite, hallmarked Birmingham 1869, with whistle mouthpiece, eight bells and coral tip, 14.5cm long £200-£300 162. A leather cased cylindrical travelling decanter set, containing three shaped glass bottles with chrome tops, with carrying strap, 19cm high £60-£80

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164. A Victorian silver plated trefoil decanter stand, with three cut glass decanters and stoppers. The stand with foliate decoration and supported on three feet, 34cm high £80-£120

S ILV ER & S ILV ER PL AT E

165. A pair of Victorian silver plated telescopic candlesticks, together with a pair of Old Sheffield plated candlesticks (4), 27cm and 22cm high £50-£80

166. A large quantity of silver plated flat wear and a set of silver handled butter knives, early 20th century most with silver collars and born and ivory handles, together with a set of six silver handled butter knives £30-£50

C o n t a c t u s o n 075 9 6 3 3 2 978

Vertu & Oriental Works of Art (LOTS 167-197)

V ERT U & ORIEN TA L WOR KS OF A RT

167. A South American feather and ivory fan in fitted case, with carved and pierced handle, decorated with white feathers and applied green flowers, surmounted by a hummingbird, in fitted case with trade label, 37cm long £100-£150

168. A South American feather and ivory fan, the ivory handle with carved spiral pattern, with cream feathers and pink feathers made into a flower form, surmounted by a hummingbird, 39cm long £80-£120

169. A Chinese ivory fan, the guard stick carved with images of figures, temples and flowers, the inner sticks finely pierced with figures, flowers and geometrical decoration, 19.5cm length £80-£120

170. A Chinese feather and bone fan, with bone guard sticks and inner sticks (part gilt painted), the feathers hand painted with flowers, leaves and birds, 21cm long £100-£150

171. A late 19th century Spanish mother of pearl fan, painted on one side with scene of figures in a landscape the reverse side painted with flowers, with pierced guards. In a Duvelleroy of Paris retail box, 24.5cm long. 45cm long £40-£60

172. A 19th century oval miniature of a gentleman on ivory, wearing a blue jacket and white lace cravat possibly Horace Warpole in associated red morocco leather case, length 3.5cm £300-£500

C o n t a c t u s o n 075 9 6 3 3 2 978

V ERT U & ORIEN TA L WOR KS OF A RT

173. An early 19th century miniature portrait of a young lady, painted on ivory, the sitter with ringlets in her hair, gilt earrings and hair band, and wearing a pale blue dress with floral centrepiece, in a floral gilt frame. Contained within a leather folding travelling case, image: 5.75 x 4.75cm £250-£300

174. An early 19th century miniature portrait of a lady, painted on ivory, the sitter with flowing ringlets and a blue band in her hair, with gilt bead choker and wearing a white lace dress, in a plain gilt frame. Signed indistinctly, image: 6.5 x 5.5cm £250-£300

175. An Edwardian miniature portrait of Lucy Feld, painted on ivory, the sitter with her hair up and wearing a feather collar. Small applied paper portrait to the lower half of the image. Inscribed in pencil on the reverse ‘Lucy Feld 1909’. In a gilded frame and contained within a leather folding travelling case, 7.25 x 5.5cm £250-£350

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176. A Regency miniature mourning portrait of a lady, painted on ivory, with a black band in her hair and wearing a black dress with white collar, against a blue background. The reverse with hair backing and hair plaits, with a gilded frame, 7.25 x 6cm £200-£300

177. A late 19th century miniature portrait of a lady, painted on ivory, the sitter wearing a dark blue dress with white collar and Jet necklace, unsigned, with gilt mount and contained within a velvet folding case, 6 x 4.5cm £200-£300

178. A Victorian gold and tortoiseshell piqué ware purse, with vacant cartouche, and purple fabric lining, 7.75cm wide £150-£250

V ERT U & ORIEN TA L WOR KS OF A RT

179. A 19th century enamel pill box ‘A Trifle from Bath’, of oval form with metal frame, black and white top decorated with birds and blue body, 5 x 3.75cm £80-£120

182. A collection of 28 early/mid 20th century carved jade coloured nephrite discs, of various pierced designs, various sizes, smallest 5cm wide, largest 8.5cm wide £300-£500 183. A Chinese carved stone tablet, deeply recessed and depicting a seated deity with hand raised, 30cm high, 14cm wide, 5cm deep £100-£150

180. A glass, brass and metal Art Nouveau scent bottle, the tear drop shaped glass bottle overlaid with pierced brass and white metal typically decorated with lady surrounded by flowing hair, plants and flowers, with brass chain and matching belt clip, with original stopper, length of bottle 5.8cm £70-£100

181. A Victorian tortoiseshell calling card case, with integrated ivory aide memoir and pencil, with gilded mounts and gold cartouche with engraved initials L.A, 10.5 x 7cm £100-£150

184. A Chinese carved hardwood figure of an elder, circa 1900, the man in seated position with a basket by his side, 14cm high £50-£80

183

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V ERT U & ORIEN TA L WOR KS OF A RT

185 185. A group of 7 Japanese 19th century woodblock prints, depicting wrestlers, signed Toyokuni ga, framed and glazed (7), 35 x 24cm £600-£800

186. A Chinese carved hardwood calling case case, circa 1910, finely carved all over with figures, pagodas and trees. Signed in black ink, 12 x 8cm £60-£80

188. A late 19th/20th century Chinese bronze tripod censer, of circular form with upright loop handles, supported on three figural feet, the cover pierced and surmounted with a lion dog and brocade ball, (tail broken off); together with a polished bronze tripod censer, six character Xuande mark base (2), 27cm diameter and 12cm diameter £300-£350

187. A group of thirteen Chinese rice paper paintings, 19th century, depicting scenes of torture, mounted in an unrelated album with loose calligraphy sheets, largest approximately 25 by 17cm £200-£300

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V ERT U & ORIEN TA L WOR KS OF A RT

189. A Chinese bronze tripod censer, of squat circular form, four character mark to base, 16cm diameter £500-£700

190. A late 19th/early 20th century Oriental malachite vase and cover, heavily carved and pierced with squirrels amongst fruiting vine, the cover carved with an animal, carved wood stand, 23cm high £200-£300

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192

C o n t a c t u s o n 075 9 6 3 3 2 978

V ERT U & ORIEN TA L WOR KS OF A RT

191. A group of 4 Japanese 19th century woodblock prints, depicting wrestlers and other figures, signed Kunisada, Toyokuni and Kochoro Toyokuni, framed and glazed (4), 35 by 24cm £300-£500 192. A group of 6 Japanese 19th century woodblock prints, depicting wrestling scenes, signed Yusai Kuniteru, Kochoro Kunisada, Hirosada, Yoshichiika and Kunichoro Yoshitoro (6), 35 by 24cm £400-£600

194. A pair of early 20th century Japanese red lacquer boxes, with domed lids, decorated all over with Chinoiserie scenes and opening to reveal green painted interiors, 30cm wide £200-£300

195. A set of eight Japanese brass menu holders, early 20th century, each decorated in the Japanned fashion depicting Oriental landscape scenes, 3cm wide £60-£80

193. Ichiryusai Hiroshige (1797-1858), Oban Tate-E No. 19 Ejiri from the series Tokaido Gojusan Tsugi, a Japanese wood block print showing Mount Fuji seen across the pine tree forest Nihomo Matsubasa and the view of the sea coast at Toganura Ejiri. Signed Hiroshige GA. With publishers seal Tsutaya Jusaburo, with sensors seal Aratame. Framed, 34 x 22.5cm £500-£700

196. A Chinese white metal model of a buffalo, early 20th century in recumbent pose with modelled tail and horns and chased body, with small rear slot, 7.25cm long. 26 grams £50-£70 197. A collection of nine Indonesian small bronze musician figures, early 20th century, all in seated position and playing a variety of instruments, figures 6cm high £40-£60

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Jewellery & Watches (LOTS 198-328)

J E W EL L ERY & WATC H ES

201. An 18ct gold swirl shaped abstract brooch, 5.3g £80-£120

198. A gold coloured metal and gem set bee brooch, the bee shaped brooch set with numerous rose diamonds, rubies and peridots, width 5cm £200-£300

202. A 19th century square Victorian brooch set with bird and insects, with gold coloured metal frame inset with wax plaque decorated with a bird with natural feathers surrounded by insects, in original fitted case, 5cm square £80-£120

199. An oval shaped 9ct gold garnet brooch, set with six garnets, diameter 4cm £70-£100

200. A 19th century gold covered metal framed cameo, with classical figure, 6.5cm high £60-£80

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203. An 18ct white gold and aquamarine bar brooch, in a fitted case retailed by Franklin & Hare of Taunton, weight: 4.2 grams £80-£120

204. A Victorian gold pedant with enamel flower decoration and hair back, together with a gold and coral brooch; a gold mourning brooch; and a white metal engraved locket (4) £70-£100

J E W EL L ERY & WATC H ES

205. A 15ct gold and enamel Royal Flying Corps bar badge, the crest with laurel wreath and crown in brightly coloured enamels and flanked by a pair of diamond set wings. Note: The Royal Flying Corps merged with the Royal Naval Air Service in 1918 to form the Royal Air Force. In Hicklenton & Sydel retail box, weight: 5.6 grams £100-£150

206. An Edwardian gold, seed pearl and peridot bar brooch, set with three peridots, the central one surrounded by a ring of seed pearls £100-£150

209. A Georgian citrine and seed pearl oval brooch, with deep dished mount, 2cm wide £60-£80

210. A collection of six mourning brooches, including hair brooches, a garnet brooch, cabochon garnet brooch and an amber glass brooch (6) £100-£150

211. A gold and diamond flower head bar brooch, set with small rose-cut diamonds, unmarked, 2.1 grams £80-£100 207. A Victorian gold and turquoise sweetheart bar brooch, and a gold and turquoise ring with central stone surrounded by small diamonds, ring size J½ £60-£100

208. An Edwardian gold triple flower head bar brooch, set with diamonds and seed pearls, 2.9 grams £200-£300

212. A 19th century 18ct gold and enamel sun and moon brooch, the sun mounted with a ring of turquoise stone encircling a St. George cross. The reverse engraved ‘Beny Bower Esq, Deputy H.J’, 6.6 grams £100-£150

C o n t a c t u s o n 075 9 6 3 3 2 978

J E W EL L ERY & WATC H ES

214

216. A rock crystal reverse hand carved intaglio 18ct gold ring depicting an Alsatian dog, the domed plaque finely painted and engraved with the head of an Alsatian £400-£600

213. An Edwardian gold, diamond and sapphire flower head pendant brooch, with central sapphire of approximately 0.25cts surrounded by 6 smaller sapphires and diamonds. With removable brooch / pendant mount. Gold unmarked £400-£600 214. An Edwardian gold and diamond graduated crescent brooch, the central diamond approximately 0.45cts, and flanked either side by smaller graduated diamonds, 29 in total. With screw-in removable mount. Gold unmarked. In the original fitted case retailed by Streeter & Co. 18 New Bond Street, London, 7.1cm long, 8.5 grams £2,500-£3,500 215. A silver and marquasite phoenix shaped brooch, set with numerous marquasite stones, stamped on the reverse silver, length 9cm £50-£80

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217. A rock crystal reverse hand carved intaglio brooch depicting a collie, the domed crystal plaque depicting finely painted collie mounted on a rope twist flower shaped brooch, unmarked but probably gold, with pin to back, 4cm wide £600-£800 218. A rock crystal reverse carved and painted intaglio brooch, depicting lily of the valley on mother of pearl in heart shaped setting on a bar brooch unmarked but probably gold, with safety chain, 4.5cm wide £500-£700

J E W EL L ERY & WATC H ES

220

221

219. A Charles Horner silver and enamel scarab brooch, hallmarked Chester c.1869, together with a banded agate and silver roundel brooch (2) £50-£70 220. A Victorian gold, enamel and seed pearl pendant, formed as entwined blue enamel ribbons surrounding a central pearl and mounted all over with smaller pearls. Unmarked £80-£120

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223

224. A gold coloured metal circular vine pendant, the grapes formed from seed pearls, unmarked, 2.5cm diameter, 2.2 grams £60-£80

221. An Edwardian Art Nouveau style 9ct gold and garnet pendant on chain, and a smaller gold, aquamarine and seed pearl pendant (2), combined weight: 8.3 grams including stones £80-£120 222. An Edwardian 15ct gold and aquamarine pendant, set with small seed pearls and large oval suspended aquamarine, on a 15ct gold chain, weight: 3.7 grams £100-£150 223. An Edwardian 15ct gold and black opal pendant with large oval opal suspended from a smaller opal, with chain, larger opal 18mm long £1,000-£1,500

225. An early 20th century Chinese carved amber coloured pendant of a Buddha, in seated pose, and held by a white metal claw mount frame, the frame stamped with character marks, 4.75cm high £200-£300

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226. A Chinese lavender jade pendant, formed as carved and pierced flowers, 3.5 x 2.25cm £80-£120

229. A long Chinese jade coloured necklace, with silver gilt clasp and two coloured stone inserts £60-£80 230. A Victorian style 9ct gold belcher link necklace and matching bracelet, 75g £450-£550 231. A Modern 9ct gold rope twist necklace and bracelet set, 19g £100-£150 232. A Victorian sovereign mounted as a pendant, on 9ct gold chain £200-£300 227. A jade coloured pendant and earring set, the carved pendant on silver and marquasite chain link necklace with a pair of matching earrings, length of pendant 6cm £50-£60

228. A ruby and diamond suite of leaf shaped jewellery, comprising a pair of leaf shaped earrings set with rubies and single diamonds and a matching 14ct gold pendant, length of pendant 2cm £80-£120

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233. An Edwardian style gold coloured metal necklace, set with rubies and seed pearls on chain link necklace, length 39cm £150-£200

J E W EL L ERY & WATC H ES

234. A Modern 18ct gold fringe necklace, of graduated style with double beaded border, 41g £600-£700

237. A gold coloured metal and turquoise necklace, pendant and earrings, the gold coloured metal chain link necklace interspersed with turquoise, together with a 15ct gold flower shaped pendant set with seed pearls and turquoise on chain, and a pair of 15ct gold drop earrings set with seed pearl and turquoise, length of former 40cm £200-£300

235. A gold coloured metal and opal stiff necklace, set with numerous opals in swirl shaped setting, on silk cord £200-£300

238. A 14ct gold Greek Key design necklace, 15.8 grams £150-£250

236. A pearl, sapphire and gold coloured necklace and matching bracelet set, the five strand pearl necklace interspersed with gold coloured metal plaques set with sapphires, length of necklace 38cm £200-£300

239. A Chinese amber coloured bead necklace of 25 graduated beads, possibly reconstituted, 29.1 grams £400-£600

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240. A Chinese amber coloured bead necklace of 33 graduated beads, together with a loose amber bead bracelet of 19 beads, weight 35.8 grams £300-£400 243

241. A Tiffany Sterling Silver necklace, of plain linked form, in original gift box, pouch and with paperwork, 43cm long. 2.76 ozt £80-£120

244

242. A Modern white gold coloured metal and diamond drop pendant, with two drops of differing lengths set with small brilliant cut diamonds, on a silver chain £400-£600 243. A 9ct gold Victorian style sapphire and diamond stiff bangle, set with eleven graduated sapphires and rose diamond points between carved and pierced decoration, with safety chain £400-£600 244. A fine 19th century 15ct gold bangle set with diamonds and sapphire, with approximately 44 diamonds and centre faceted sapphire £1,200-£1,800

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245. A 19th century style gold coloured metal diamond and tourmaline stiff bangle, probably Scandinavian, set with old cut diamonds and five tourmalines in closed setting with chased decoration to back of bangle, in fitted case with makers name £700-£1,000

J E W EL L ERY & WATC H ES

251. A gold coloured metal bracelet with three diamonds, in swirl setting, on flexible bracelet, length 6cm £60-£80

246. A Victorian style ruby and seed pearl stiff bangle, set with rubies and seed pearls in trellis setting £150-£250

247. A charm bracelet, the curb link bracelet with eight charms attached and padlock clasp, unmarked but probably 9ct gold, 32g £200-£300 248. A 9ct gold 1960s flexible mesh bracelet, two coloured gold, 50.2g £300-£400

252. A 9ct gold charm bracelet and a 9ct gold curb link bracelet on padlock clasp, 26.3g £120-£180

253. A Georg Jensen Danish silver bracelet, each link formed as a simple chevron, with hook type clasp. In Jensen retail box, approx 17cm long £150-£200

249. A 9ct gold gate bracelet, with padlock clasp, 14.2g £80-£120

254. A silver charm bracelet set with 11 charms and padlock clasp, together with a silver heart shaped locket and an Edwardian silver vesta vase (3), combined weight: 2.76 ozt £100-£150 250. A 9ct gold charm bracelet, a padlock bracelet with padlock clasp, set with 18 charms including an interesting micro mosaic charm of a ruin, a polo player and playing cards, together with three additional gold charms, 70g £600-£700

255. An Art Deco 15ct gold, diamond and sapphire line bracelet, the central panel mounted with three princess cut sapphires interspersed by two circular diamonds of approx. 0.1cts each, the ground studded with smaller diamonds, 8.1 grams. 17cm long £1,500-£2,000

255

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256. A 9ct gold charm bracelet, set with 13 charms and a padlock clasp, weight: 66.9 grams £450-£550

259. A pair gold coloured metal and diamond drop earrings, with double loop set with numerous diamonds, unmarked £150-£150 260. A pair of modern 18ct gold diamond stud earrings, with 18ct gold butterflies £60-£80

257. A small 9ct gold charm bracelet, set with 10 charms, 26.4 grams £150-£200 261. A pair of gold coloured metal drop earrings set with seed pearl and sapphires £60-£80

258. A 15ct gold four bar gate bracelet, with safety chain, 20.6 grams £200-£300 262. A 15ct gold, seed pearl and jade bar brooch, together with a pair of carved jade earrings with 9ct gold mounts £200-£300

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J E W EL L ERY & WATC H ES

263. A pair of 9ct gold aqua earrings, a bar brooch and a bib brooch, the drop earrings set with seed pearl and aquamarine, a 15ct gold seed pearl and ruby bar brooch, set with faceted amethyst £150-£200

264. A pair of Art Deco style white metal and diamond earrings, of curved form and each set with five graduated diamonds. Screw and post fitting. Largest stone approx. 0.14 cts £500-£600

266. A George III marquise shaped hand painted mourning ring, dated 1787, finely painted on ivory depicting an image of a mourning mother seated next to a memorial, together with a mourning pendant, ring N½ £80-£120

267. A Victorian 18ct gold sixteen stone diamond ring, with old cut diamonds, carved shoulders and claw setting £600-£800

268. An 18ct gold diamond ring, set with approximately ¼ carat diamond and six diamonds to shoulders £400-£600

265. A jade and white metal necklace, set with a single pearl, and a similar jade and silver ring, each with an oval jade disc £80-£120

269. An 18ct gold square shaped ring, set with nine small diamonds in circular settings £100-£150

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270. A three stone diamond and sapphire ring, with centre set sapphire in claw setting flanked by two single diamond stones, the gold shank unmarked but probably 18ct £600-£800

271. A Victorian gold coloured metal ring set with opals and diamond, the five stone ring set with three opals and old cut diamonds, in carved and pierced and settings, size K½ £300-£400

272. A 9ct gold seed pearl flower head ring, with central pearl surrounded by eight smaller pearls, size L £70-£100

273. An 18ct white gold diamond and sapphire ring, set centre step cut sapphire with diamonds to sides, size L £200-£300

274. A white gold diamond solitaire ring, approximately ¼ carat, size L £150-£250

275. A 14ct gold amethyst dress ring, with faceted amethyst, size N £60-£80

276. A gold coloured metal dress ring set with opal doublet, in claw setting, size Q £100-£150

277. A gold coloured metal sapphire and seed pearl ring, three faceted sapphires and two seed pearls in swirl setting, size N½ £40-£60 278. A white metal and sapphire eternity ring, with chased mounts, size P £40-£60

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279. A small 18ct yellow gold and diamond cluster ring, the head set all over with small diamonds, on a plain shank, size J £200-£300

280. An 18ct white gold and diamond solitaire ring, the single stone weighing approx. 0.33cts, set in a simple shank, size O½ £250-£350

281. An 18ct gold diamond and sapphire cluster ring, of oval shaped form, with large central faceted sapphire surrounded by small diamonds, size L £250-£300

283. An 18ct gold and platinum solitaire ring, cushion cut, approximately one carat, in claw setting, size O½ £1,500-£2,500

284. An Art Deco white gold, sapphire and diamond ring, the central oval sapphire with triangular sapphire shoulders and pave set diamonds, size R £400-£600

285. A white gold and diamond solitaire ring, the stone weighing approximately .20cts. Unmarked, size L £150-£200

286. A 9ct gold and cabochon garnet ring, with rub over setting, size K½ £80-£100 282. An 18ct white gold and diamond star burst ring, the central diamond of approximately 0.25cts and surrounded by smaller stones in a starburst pattern, weight: 6.2 grams £600-£700

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287. An 18ct gold and diamond solitaire ring, set with emerald cut diamond of approximately 0.25 cts in a plain yellow gold mount £300-£400

288. A five stone diamond ring set in 18ct yellow gold and platinum, the central stone of approximately 0.42cts, flanked either side by smaller stones of approximately 0.30cts and 0.12cts, size: N £800-£1,000

289. A five stone diamond ring set in 18ct yellow gold and platinum, the central stone of approximately 0.30cts, flanked either side by smaller stones of approximately 0.16cts and 0.09cts, size 0½ £500-£700

290. An 18ct gold and diamond four stone ring, and a gentleman’s 18ct and diamond ring, 4.4 grams. 4 stone: size N½. Gents ring: size Q £60-£80

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291. Three gold rings, comprising: a 22ct gold and opal ring; an illusion set 18ct gold and diamond ring; and an illusion set 9ct gold gents ring, opal ring: P½; 18ct ring size Q½; 9ct gents ring size W £100-£150

292. Two 9ct gold rings, together with an 18ct gold and Cubic Zircone ring and a silver mounted pendant with Amethyst specimen rock £100-£150

293. Two gold coloured metal opal rings, one set with three opals in pierced trellis shaped setting and another set with five oval opals (one chipped), sizes N, M £150-£250

294. Two diamond rings and another, comprising a ¼ carat single stone diamond ring in claw setting, a three stone diamond ring and a solitaire cubic zirconia, sizes I, S, Q £350-£450

J E W EL L ERY & WATC H ES

295. Three assorted 9ct gold rings, comprising: a plain gentleman’s signet ring; a garnet ring; and a sapphire and diamond eternity ring (3), 10 g £50-£80

300. Two 18ct gold rings, comprising an 18ct gold wedding band with floral chased decoration, and an 18ct gold Mizpah ring, 6.5g, sizes R, L £60-£100 301. Four assorted gold wedding bands, comprising: 2 x 22ct bands and 2 x 9ct bands, 9ct: 6.9 grams. 22ct: 10 grams £150-£200 302. A 22ct gold wedding band £60-£80

296. A 15ct gold signet ring with cornelian seal, together with another gold signet ring, 15ct ring size J £150-£200

297. A Victorian gothic style silver coloured metal bracelet, together with a 9ct gold and garnet eternity ring, another eternity ring set with white stones, and a pewter brooch set with faceted paste stones £100-£120 298. Three 22ct gold wedding bands, 12g £200-£300 299. A 22ct gold wedding band, 6.6g £80-£120

303. A 9ct gold vesta case, hallmarked Chester 1906, with engraved inscription ‘Mizpah 1907’, maker: Sampson Mordan & Co, 22.5 grams £100-£150 304. A pair of Chinese 14ct gold and jade coloured cufflinks, each formed as a jade roundel with central Chinese character in gold. Stamped 585 £30-£40 305. A 9ct rose gold ladies wristwatch, ring and pendant, the 9ct gold wristwatch on bracelet, with an 18ct gold ring set with seed pearls (one missing), and a small 9ct gold heart shaped locket with chased decoration of ferns, 36.8g (with watch movement) £60-£80

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306. A silver Albert chain and another silver watch chain, together with an Edwardian silver cased fob watch, miniature propelling pencil and a Victorian engraved silver oval locket, weighable silver 2.97 ozt £100-£150 307. A collection of silver jewellery, comprising four rings, a pair of half hoop earrings, a brooch, a locket on chain and a train charm, 28.5 ozt £100-£120

313. Two 9ct gold necklaces and two pairs of 9ct gold cufflinks, a flexible necklace and a belcher chain necklace, with a pair of masonic cufflinks and a pair of rectangular shaped cufflinks with engine turned decoration, 26.1g £120-£180 314. An Victorian 18ct gold Albert chain, the clasp stamped 18 with Sheffield assay mark, length 67cm long. 29 grams £400-£500

308. A quantity of 9ct gold jewellery, comprising five gold chain necklaces, two gold rings, a St Christopher pendant and a single charm, 38g £250-£350 309. A Victorian gold sovereign, dated 1874 £120-£180 310. An Edward VII gold sovereign, dated 1902 £140-£180 311. A pair of half sovereign earrings, a 9ct gold bracelet and a 9ct gold locket, the locket with engraved decoration £250-£300

315. A pair of 18ct gold oval cufflinks, with engraved initials ‘EDW’, 12.4 grams £100-£200

312. Three gentleman’s gold rings, comprising an 18ct gold keeper ring, a 9ct gold shield shaped signet ring, and an 18ct gypsy ring set with two diamonds (one missing), sizes R, T, P £100-£150

316. A 9ct gold curb link Albert chain, with T bar and lobster clasp, 34.7 grams £300-£350

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317. A ladies gilt metal Gucci cocktail watch, of rectangular form with baton numerals and rectangular chain link bracelet, number 3600L, in fitted original case, with paper work £50-£80

318. A ladies Gucci stainless steel and diamond wrist watch, on flexible link bracelet £250-£350

319. A Precimax 18ct yellow gold ladies wrist watch, with mechanical movement, silvered dial with baton numerals and gold link bracelet, 22 grams excluding movement £200-£300 320. A Modern gold watch, stamped on the reverse 0.333 £60-£80

321. A ladies 9ct gold Omega wristwatch, on mesh bracelet, with guarantee, length 8cm £300-£400

322. A 1940s/50s gentlemen’s Rolex Oyster wristwatch, in a 9ct gold case with cream dial, baton numerals and centre sweep seconds, the dial with printed Rolex Oyster mark, the crown impressed Rolex Oyster, the back with serial number 57309, case 2.75cm diameter £300-£350

323. An Omega Seamaster 9ct gold cased gentleman’s wrist watch, the gilded dial with baton numerals and date aperture. Quartz movement, on a black leather strap, dial 28mm £150-£200

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324. An Omega De Ville 9ct gold cased gentleman’s wrist watch, the gilded dial with baton numerals. Mechanical movement, on a black leather strap, dial 28mm £150-£200

327. An 18ct gold ladies fob watch, in engine turned case with chased dial and black enamel Roman numerals, diameter 3.5cm £100-£150

325. A ladies 14ct gold fob watch, with chased decoration to case and dial, with black Roman numerals, diameter 3cm £80-£120

328. A gentleman’s Movado hunter pocket watch, with 14ct gold case, white enamel dial, with gold fob seal attached to black moire ribbon £300-£500

326. A Tavannes 18ct yellow gold half hunter pocket watch, the case with black enamel Roman numerals, with painted dial and black Roman numerals with subsidiary seconds dial and blued steel hands. 16 jewel movement, the case stamped 18 .750 £300-£400

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Collectables (LOTS 329-350)

COL L ECTA B L ES

329. A fine and rare Newton’s pocket 2-inch globe, printed inscription for Newton’s New Terrestrial Globe 1818 the twelve hand coloured gores applied to a papier maché sphere with metal axis contained within a red Morocco leather case opening to reveal coloured gores depicting phases of the moon and the movement of the moon and the position of the earth for spring summer autumn and winter, diameter of case 2¼ inch £3,000-£5,000

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330. An R & J Beck brass compound monocular microscope, with rack and pinion focussing, triple nose piece, micrometer focusing, and three canned objectives, contained within a mahogany case, together with 20 prepared specimen slides and a collection of blank slides and a booklet on preparing slides, 33cm high £80-£120

332. A brass Negretti and Zambra monocular microscope, late 19th century, signed on the Y shaped base, with single body tube with rack and pinion focusing, rectangular shaped stage and plano concave mirror, contained within a fitted mahogany case, with single Zeiss objective, 39cm high £200-£300

333. A collection of prepared microscope slides, approximately 100 prepared specimen slides some with labels for Watson and Beck and Beck, specimens include hair of a mouse, legs of a wasp, wings of a tortoiseshell butterfly etc.., contained within a home made wooden case containing four drawers, 24cm high £60-£100 331. A Henry Crouch monocular microscope, with double nose piece and rack and pinion focussing, together with another monocular microscope (unmarked), both in mahogany cases, together with a small collection of 24 specimen slides some with decorated paper labels, specimens include spores of moss, leaf of geranium, hair of the back of a tiger moth etc.., height of case 33cm £80-£120

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COL L ECTA B L ES

334. A Negretti & Zambra barograph, in a mahogany case with hinged folding lid, with brass carrying handle, the internal plate engraved Negretti & Zambra, London, together with spare recorder charts, 32cm wide £150-£250

335. A barograph by Short and Mason, contained within a bevelled glass and mahogany case with ink bottle and drawer below containing additional paper, 37cm wide £100-£150

336. An H. Hughes & Son brass triple circle sextant, signed on the scale H. Hughes & Son Ltd, 59 Fenchurch St, London, with index arm and vernier, interchangeable filters, magnifier and mirror, on later display stand, radius 24cm £200-£300

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337. A Wilson Fletcher Bruce & Sons sextant, circa 1920, the lattice frame sextant with four additional eyepieces, interchangeable filters magnifier, index arm, and mirror, contained within a mahogany case with brass recessed handle, radius 25cm £100-£150

338. A brass ships bell, engraved Trevethoe 1944, with clapper, and wall bracket, 24cm high £80-£120

339. An eight spoke brass ships wheel, with central brass hub inscribed BROWN BROS. & CO Ltd ROSEBANKS IRONWORKS EDINBURGH, with mahogany handles, diameter 93cm £200-£300

COL L ECTA B L ES

340. A copper ships navigation lamp, with label for Harvie Commercial Quality Birmingham, of cylindrical form with red coloured glass for port, 35cm high £60-£80

344

343

343. A Dinky Supertoys 955 Fire Engine, made by Meccano Ltd, in original box with three plastic firemen figures £60-£80 344. A Dinky Supertoys 987 ABC TV Mobile Control Room, made by Meccano Ltd, in original box with television camera and camera man £60-£80

341. A pair of heavy brass mid 20th century hanging navigation lamps, made by Gabriel & Co. of Birmingham, with red and blue glass shades and twisted wire shade guards. Stamped with makers name and ‘AP2009B’, the shades dated 1950, 32cm high £150-£250

345. A Sir Christopher Wren (1632-1723) commemorative Britannia silver medallion, in a fitted presentation case. Produced by John Pinches Ltd, weight: 200 grams (6.4 ozt) £80-£120

342. A comprehensive set of carved wooden draughtsman railway curves, all stamped and numbered in various sizes, in a rectangular mahogany box, box: 45.5cm wide, largest cuve: 43cm long, smallest 12.5cm long £80-£100

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COL L ECTA B L ES

346. An early 20th century carved and stained bone chess set, with unstained and red stained pieces, of turned and ribbed design, King 10.5cm high, pawn 3.5cm high £60-£80

349. A Louis Vuitton clutch bag, in traditional Louis Vuitton logo material, with popper type clasp, single central compartment and small zipped pocket. Together with cardboard presentation box, 23cm wide £100-£150

347. Two British pattern 1856 pioneer saw back swords, one blade stamped Wilkinson, London, with brass hilts and hand guards, steel blades, overall length 70cm £200-£300

348. An Australian XI 1953 Coronation Cricket Tour Autograph sheet, from the Australian Board of Control for International Cricket, Manager: George A Davies, signed by 17 players, in an oak frame, 31 x 25.5cm £80-£100

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350. Linda McCartney a black and white photographic print of Paul McCartney with one of his young daughters probably Stella, signed lower right Linda McCartney ’84, mounted and framed, 37 x 26cm £300-£500

TERMS & CONDITIONS

IMPORTANT INFORMATION FOR BIDDERS AND BUYERS Each auction is prepared in advance and is on public view at the saleroom for one day before the sale, and the morning of the sale. No passes or appointments are required.

CONDITIONS OF BUSINESS

PAYMENT

All lots are offered subject to Catherine Southon Auctioneers & Valuers Ltd’s Conditions of Business.

Payment is due in sterling immediately after the sale and before purchases can be released. Payment in person can be made in the saleroom on the day of the auction. After this, payments must be made by post, card transactions by telephone or electronic transfer to our bank. Catherine Southon Auctioneers & Valuers Ltd welcomes the following methods of payment:

ESTIMATES AND RESERVES Estimates are published as a guide only and are subject to review. The actual hammer price of a lot may be higher or lower than the range of figures given and there are no predetermined starting prices. Estimates may be subject to revision. Published estimates are exclusive of buyer’s premium and VAT. All lots are subject to reserves. The reserve price is never higher than the low pre-sale estimate. BUYER’S PREMIUM AND VAT A buyer’s premium of 18% is applicable to all the lots in this sale. The buyer’s premium is inclusive of VAT at the current standard rate (20%). Lots are normally offered for sale under the auctioneers margin scheme and VAT is payable on the buyer’s premium by all buyers.

CREDIT/DEBIT CARD We are pleased to accept major Credit Cards, for which a surcharge will be made of 3% of the transaction total. This is to cover the charge made to us by the bank. (Unfortunately we are unable to accept American Express). There is no charge for payments by Debit Card. STERLING BANKER’S DRAFT RO BUILDING SOCIETY CHEQUE We are pleased to accept a Sterling Banker’s Draft or a Building Society cheque drawn on a recognised UK bank or building society.

Lots marked with a dagger † will be offered under normal UK VAT rules and VAT will be charged on both the hammer price and the buyer’s premium.

STERLING CHEQUE OR CASH

PRE-SALE EXHIBITION

Cash payments will not be accepted above the amount of £6,000.

All auctions are on public view the day before the sale and on the morning of the sale. CONDITION REPORTS All prospective bidders are encouraged to attend the pre-sale exhibition and view the lots in person. If this is not possible, we will be pleased to provide a brief condition report where practical. All condition reports are provided in good faith. Buyers are reminded that it is their responsibility to satisfy themselves of the condition of lots. All weights and measurements are approximate only. Please refer to Conditions of Business for further information.

Cheques are not acceptable tender unless agreed in advance by Catherine Southon Auctioneers & Valuers L td.

ELECTRONIC AND WIRE TRANSFERS Wire transfers can be made directly to our bank: National Westminster Bank plc 33 High Street West Wickham Kent BR4 0WH Sort Code: 60-23-22

BIDDING IN PERSON

Account Number: 79995810

To bid with us you must register to obtain a bidding number. You will be asked to provide proof of identity. All lots sold will be invoiced in the name and address in which the paddle has been registered and will not and cannot be transferred to other names or addresses. If you instruct an agent to bid on your behalf, you will need to provide a letter of authority to this effect.

Account Name: Catherine Southon Auctioneers & Valuers Ltd

ABSENTEE & TELEPHONE BIDDING

PLEASE NOTE THAT THE FULL AMOUNT OWED MUST BE TRANSFERRED. CATHERINE SOUTON AUCTIONEERS & VALUERS LTD WILL NOT ACCEPT TRANSFER CHARGES. ALL BANK TRANSFER/COMMISSION CHARGES MUST BE PAID BY THE BUYER

Catherine Southon Auctioneers & Valuers Ltd is pleased to execute bids on behalf of clients unable to attend the sale in person. All bids should be submitted in writing and in good time, no later than 4.00pm on the day prior to the sale. No absentee or telephone bidding requests will be accepted without a landline telephone number. Lots will be purchased as cheaply as possible (subject to other bids received, reserves and competition in the saleroom). It will be possible to arrange auction room telephone bidding, but subject always to the availability of lines and staffing. These services are offered free of charge and are subject to our Conditions of Business.

IBAN: GB47 NWBK 6023 2279 9958 10 Swift Code: NWBKGB2L BIC: NWBK GB 2L

Next Antiques and Collectables Auction Including a Private Collection of Oriental Works of Art Wednesday 25th March 11.30am TO BE HELD AT Farleigh Court Golf Club, Old Farleigh Road, Nr Selsdon, Surrey CR6 9PE

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TERMS & CONDITIONS

CONDITIONS OF BUSINESS FOR SELLERS The Conditions of Business for Sellers govern all aspects of the consignment, report, holding and sale of Property by Catherine Southon Auctioneers & Valuers Ltd and the Conditions of Business for Buyers, as printed in sale catalogues and available from Catherine Southon Auctioneers & Valuers Ltd upon request. Catherine Southon Auctioneers & Valuers Ltd act as agent for Sellers. Conditions of Business for Buyers and/or Sellers may be amended by additional terms printed in the sale catalogue and/or by notices posted up in the saleroom or announced by the auctioneer. DEFINITIONS “Seller” is the owner of the Property, their agent, executors or the person in possession of the Property (as appropriate). “The Company” means Catherine Southon Auctioneers & Valuers Ltd, Lygon House, 50 London Road, Bromley, BR1 3RA, Company registration number “Seller’s Commission” is the commission The Company charges Sellers of Property. “Expenses” are The Company’s expenses, fees and charges relating to the Property, including legal expenses, insurance charges, illustration fees, administration fees, customs duties, shipping and packing costs and any other expenses and VAT on these amounts. “Buyer’s Premium” is the commission The Company charges Buyers of Property. “Hammer Price” is the highest bid for the Property accepted by the auctioneer. “Reserve Price” is the minimum Hammer Price at which the Property may be sold, as agreed between the Seller and The Company. “Net Sale Proceeds” are the proceeds of sale actually received by The Company, less Seller’s Commission, Buyer’s Premium and Expenses. “Property” means any item or items of any kind accepted by The Company with a view to its or their sale at auction. “Buyer” means the bidder (including a commission bidder) whom The Company has accepted by the fall of the auctioneer’s hammer. “Deliberate Forgery” means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description. The Seller’s Commission, Hammer Price, Buyer’s Premium and all Expenses are subject to VAT, where applicable.

1. SELLER’S WARRANTIES (a) The Seller warrants to The Company and the Buyer that:(i) the Seller is the owner of the Property or is properly authorised to sell it;

Company’s standard rates. The Company reserves the right to pay out of its commissions a fee to any third party introducing Sellers or Property to it. (f) Sellers are prohibited from bidding on their own Property.

3. WITHDRAWAL OF PROPERTY (a) If the Seller withdraws any Property from sale after their written agreement to sell it, The Company may charge the Seller 50% of the Seller’s Commission and Buyer’s Premium that The Company would have received had the Property sold at its mid estimate, plus all Expenses (the “Withdrawal Fee”). (b) The Company may withdraw any Property from sale without liability for any of the following reasons:- if (i) it reasonably believes that the authenticity or attribution is questionable; (ii) it reasonably believes that the Seller’s Warranties or other Conditions of Business have been breached; (iii) there is a competing ownership claim or lien over the Property; (iv) the Property does not have all licences and permits required by law, including those required under the Convention on the International Trade in Endangered Species (CITES); (v) the condition of the Property has deteriorated since consignment; (vi) the auction has been postponed for any reason. (c) If the Property is withdrawn for any of reasons 3(b)(ii), or (iii) the Seller shall pay the Withdrawal Fee, as per Condition 3(a). If withdrawn for any other reason, the Property shall be returned to the Seller at the Seller’s expense.

4. EXCLUSION OF LIABILITY (a) The Company shall not be liable for any errors or omissions in any written or oral information provided to Sellers or for acts or omissions relating to the conduct of the auction or any other matter relating to the sale of Property, whether negligent or otherwise, subject always to Condition 4(c). (b) Without prejudice to Condition 4(a), any claim against The Company shall be limited to the Net Sale Proceeds for the relevant Property. The Company shall not in any circumstances be liable for any indirect or consequential losses. (c) The Company’s liability to the Seller in respect of death or personal injury caused by The Company’s negligent acts or omissions shall not be excluded or limited.

(ii) the Seller shall transfer possession and good title in the Property to the Buyer, free from any third party claims;

5. LOSS OR DAMAGE TO PROPERTY

(iii) the Seller has provided all relevant information about the ownership, condition, authenticity, attribution, provenance and import/export history of the Property;

(a) Unless otherwise agreed in writing, The Company will assume the risk of loss or damage to Property received from the Seller until:-

(iv) there are no copyright or other restrictions on The Company’s rights to produce and publish images of the Property.

(i) risk passes to the Buyer; or

(b) The Seller will indemnify The Company, its directors, employees, officers and Buyers of the Property against all losses and damages resulting from a breach of any of these warranties or other Conditions of Business. The Company may cancel, rescind or postpone sales of Property where it reasonably believes that there has been or may be a breach of these warranties or any other Conditions of Business by the Seller.

(iii) 6 months after receipt of the Property by The Company, if not consigned for sale.

2. SALE PREPARATION (a) The Company shall have sole discretion as to how Property is described, illustrated and marketed, and the date, venue and conduct of the sale. (b) All oral or written estimates, appraisals and reports are statements of opinion only, and may not be relied upon as a prediction of the sale price and may be revised from time to time by The Company. The Company is not responsible for error of description (made either orally or in any catalogue) or for the genuineness or authenticity of any lot. (c) The Company may, without obligation, consult with third party experts and carry out such other research for the Property as it deems necessary. The Company may transfer possession of the Property to such third parties and shall not be responsible for the acts and omissions of such third parties. (d) The Company shall have the absolute right to produce and publish images of any Property consigned for sale and will retain copyright in any such images it produces. (e) The Company will charge a Buyer’s Premium on the sale of the Property at The

(ii) if unsold, 30 days after the sale or when released to the Seller (whichever is earlier); or (b) If damage or loss occurs whilst the Property is at the risk of The Company, the maximum amount of The Company’s liability shall be: (i) the Hammer Price of the Property, if sold; (ii) the Reserve Price of the Property or as otherwise stated on the Property Receipt, if unsold; or (iii) the mid estimate, if not offered for sale (or The Company’s reasonable estimate of auction value where there are no pre-sale estimates); less Seller’s Commission and Expenses. (c) The Company will not be liable for any loss or damage caused by:- (i) normal wear and tear, gradual deterioration or inherent vice or defect; (ii) errors in processing; (iii) war or radioactive contamination.

6. VAT If any Property is an asset of the Seller’s business, the Seller must notify The Company on delivery of the Property to The Company, whether or not he is registered for VAT purposes and if so, his registered number and whether or not he intends to operate the VAT Used Goods Scheme covering amongst other goods, works of art and antiques.

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TERMS & CONDITIONS

7. POST AUCTION SALES

re-sale plus all relevant Expenses.

If any Property fails to sell at auction, The Company shall be entitled for a period of 35 days after the auction to sell the Property privately for no less than the Reserve Price (unless otherwise agreed with the Seller) and on the terms of these Conditions of Business.

(c) If the Seller deposits the Property with The Company for more than 1 year and neither collects or consigns it for sale, The Company shall be entitled to sell such Property at a future sale conducted by The Company or elsewhere, with estimates and reserves at The Company’s discretion, after giving the Seller 60 days written notice sent to the Seller’s last known address.

8. PAYMENT OF NET SALE PROCEEDS (a) Subject in all cases to prior receipt of cleared funds by The Company and subject to rescission of the sale under Condition 10, 35 days after the sale date or 5 working days after receipt of cleared funds from the Buyer (whichever is later), The Company shall send the Seller the Net Sale Proceeds in pounds sterling, less any other amounts owed by the Seller to The Company. (b) The Company shall not be obliged to check the ability of Buyers to pay for Property and shall have absolute discretion whether to use any of the rights and remedies against defaulting Buyers contained in the Conditions of Business for Buyers.

9. UNSOLD/ UNCOLLECTED PROPERTY (a) The Company will advise Sellers whether or not their Property has sold. Unsold Property may either:(i) be reconsigned for sale; or (ii) be collected by the Seller, in which case a Reduced Commission of 50% of the Seller’s Commission may be payable calculated as if the Property sold for its Reserve Price (where applicable), plus relevant Expenses. (b) If the Seller does not reconsign or collect the Property within 60 days of the auction as per Condition 8(a) (i) or (ii) above, The Company shall be released from any duty of bailment and may in its sole discretion be entitled to:-

10. RESCISSION OF SALES The Company may rescind the sale where it reasonably believes that the Property is a Deliberate Forgery, in which case The Company shall send the Seller a notice of such rescission. The Seller agrees to return to The Company the Net Sale Proceeds received from the sale of such Property together with any additional Expenses incurred by The Company. The Company will return the Property to the Seller upon receipt of the Net Sale Proceeds and Expenses, unless prevented from doing so for reasons beyond The Company’s control.

11. DATA PROTECTION (a) The Company will use information supplied by Sellers or otherwise obtained lawfully by The Company for the provision of auction related services, client administration, marketing and as otherwise required by law. (b) By agreeing to these Conditions of Business, the Seller agrees to the processing of their personal information and to the disclosure of such information to third parties worldwide for the purposes outlined in Condition 11(a).

12. MISCELLANEOUS

(i) transfer the Property to independent storage at the Seller’s expense; or

(a) If any part of these Conditions of Business be held unenforceable, the remaining parts shall remain in full force and effect.

(ii) re-offer the Property at auction for no less than 50% of the original Reserve Price agreed with the Seller (where applicable), and subject to the Seller’s Commission on the

b) These Conditions of Business shall be interpreted in accordance with English Law under the exclusive jurisdiction of the English Courts, in favour of The Company.

CONDITIONS OF BUSINESS FOR BUYERS 1. INTRODUCTION

3. EXAMINATION OF LOTS

(a) The contractual relationship of Catherine Southon Auctioneers & Valuers Ltd and Sellers with prospective Buyers is governed by:

(a) THE COMPANYs knowledge of lots is partly dependent on information provided by the Seller and THE COMPANY is unable to exercise exhaustive due diligence on each lot. Each lot is available for examination before sale. Bidders are responsible for carrying out examinations and research before sale to satisfy themselves over the condition of lots and accuracy of descriptions.

(i) these Conditions of Business for Buyers; (ii) the Conditions of Business for Sellers displayed in the saleroom and available from Catherine Southon Auctioneers & Valuers Ltd; (iii) any additional notices and terms printed in the sale catalogue, in each case as amended by any saleroom notice or auctioneer’s announcement. (b) As auctioneer, Catherine Southon Auctioneers & Valuers Ltd acts as agent for the Seller. Occasionally, Catherine Southon Auctioneers & Valuers Ltd may own or have a financial interest in a lot.

2. DEFINITIONS “Bidder” is any person making, attempting or considering making a bid, including Buyers; “Buyer” is the person who makes the highest bid or offer accepted by the auctioneer, including a Buyer’s principal when bidding as agent; “Seller” is the person offering a lot for sale, including their agent, or executors; “THE COMPANY” means Catherine Southon Auctioneers & Valuers Ltd, registered office: Lygon House, 50 London Road, Bromley BR1 3RA. Company Registration number: 08020183; “Buyer’s Expenses” are any costs or expenses due to Catherine Southon Auctioneers & Valuers Ltd from the Buyer; “Buyer’s Premium” is the commission payable by the Buyer on the Hammer Price at the current rate of 18% (inc VAT); “Hammer Price” is the highest bid for the Property accepted by the auctioneer at the auction or the post auction sale price; “Purchase Price” is the Hammer Price plus applicable Buyer’s Premium and Buyer’s Expenses; “Reserve Price” (where applicable) is the minimum Hammer Price at which the Seller has agreed to sell a lot. The Buyer’s Premium, Buyer’s Expenses and Hammer Price are subject to VAT, where applicable.

w w w.c a t h e r i n e s o u t h o n .c o.u k

(b) All oral and/or written information provided to Bidders relating to lots, including descriptions in the catalogue, condition reports or elsewhere are statements of THE COMPANY’s opinion and not representations of fact. Each lot is sold by the Seller with any and all errors of description, faults and imperfections. All weights and measurements are approximate and should not be relied upon as fact. Estimates may not be relied on as a prediction of the selling price or value of the lot and may be revised from time to time at THE COMPANY’s absolute discretion.

4. EXCLUSIONS AND LIMITATIONS OF LIABILITY TO BUYERS (a) THE COMPANY shall refund the Purchase Price to the Buyer in circumstances where it deems that the lot is a Counterfeit. (b) Subject to Condition 4(a), neither THE COMPANY nor the Seller: (i) is liable for any errors or omissions in any oral or written information provided to Bidders by THE COMPANY, whether negligent or otherwise; (ii) gives any guarantee or warranty to Bidders and any implied warranties and conditions are excluded (save in so far as such obligations cannot be excluded by English law), other than the express warranties given by the Seller to the Buyer (for which the Seller is solely responsible) under the Conditions of Business for Sellers; (iii) accepts responsibility to Bidders for acts or omissions (whether negligent or otherwise) by THE COMPANY in connection with the conduct of auctions or for any matter relating to the sale of any lot. (c) Without prejudice to Condition 4(b), any claim against THE COMPANY and/ or the Seller by a Bidder is limited to the Purchase Price for the relevant lot. Neither THE COMPANY nor the Seller shall be liable for any indirect or consequential losses. (d) Nothing in Condition 4 shall exclude or limit the liability of THE COMPANY or the Seller for death or personal injury caused by the negligent acts or omissions of THE COMPANY or the Seller.

continued over page

TERMS & CONDITIONS 5. BIDDING AT AUCTION (a) THE COMPANY has absolute discretion to refuse admission to the auction. Before sale, Bidders must complete a Registration Form and supply such information and references as THE COMPANY requires. Bidders are personally liable for their bid and are jointly and severally liable with their principal, if bidding as agent (in which case THE COMPANY’s prior and express consent must be obtained). (b) THE COMPANY advises Bidders to attend the auction, but THE COMPANY will endeavour to execute absentee written bids provided that they are, in THE COMPANY’s opinion, received in sufficient time and in legible form. (c) When available, written and telephone bidding is offered as a free service at the Bidder’s risk and subject to THE COMPANY’s other commitments; THE COMPANY is therefore not liable for failure to execute such bids. Telephone bidding may be recorded.

6. IMPORT, EXPORT AND COPYRIGHT RESTRICTIONS THE COMPANY and the Seller make no representations or warranties as to whether any lot is subject to import, export or copyright restrictions. It is the Buyer’s sole responsibility to obtain any copyright clearance or any necessary import, export or other licence required by law, including licenses required by law under the International Trade in Endangered Species (CITES).

(g) Exercise a lien over any Buyer’s Property in THE COMPANY’s possession, applying the sale proceeds to any amounts owed by the Buyer to THE COMPANY. THE COMPANY shall give the Buyer 14 days written notice before exercising such lien; (h) commence legal proceedings to recover the Purchase Price for the lot, plus interest and legal costs; (i) disclose the Buyer’s details to the Seller to enable the Seller to commence legal proceedings.

10. FAILURE TO COLLECT PURCHASES (a) If the Buyer pays the Purchase Price but does not collect the lot within 10 working days of the auction, the lot will be stored at the Buyer’s expense and risk at THE COMPANY’s premises or in independent storage. (b) If a lot is paid for but uncollected within 1 month of the auction, following 60 days written notice to the Buyer, THE COMPANY will re-sell the lot by auction or privately, with estimates and reserves at THE COMPANY’s discretion. The sale proceeds, less all THE COMPANY’s costs, will be forfeited unless collected by the Buyer within 2 years of the original auction.

11. DATA PROTECTION 7. CONDUCT OF THE AUCTION (a) The auctioneer has discretion to refuse bids, withdraw or re-offer lots for sale (including after the fall of the hammer) if (s)he believes that there may be an error or dispute, and may also take such other action as (s)he reasonably deems necessary.(b) The auctioneer will commence and advance the bidding in such increments as (s)he considers appropriate and is entitled to place bids on the Seller’s behalf up to the Reserve Price for the lot, where applicable. (c) Subject to Condition 7(a), the contract between the Buyer and the Seller is concluded on the striking of the auctioneer’s hammer. (d) Any post-auction sale of lots shall incorporate these Conditions of Business.

8. PAYMENT AND COLLECTION (a) Unless otherwise agreed in advance, payment of the Purchase Price is due in pounds sterling immediately after the auction (the “Payment Date”). (b) Title in a lot will not pass to the Buyer until THE COMPANY has received the Purchase Price in cleared funds. THE COMPANY will generally not release a lot to a Buyer before payment. Earlier release shall not affect passing of title or the Buyer’s obligation to pay the Purchase Price, as above. (c) The refusal of any licence or permit required by law, as outlined in Condition 6, shall not affect the Buyer’s obligation to pay for the lot, as per Condition 8(a). (d) The Buyer must arrange collection of lots immediately after the sale on the day of the auction, or until 12noon on the day after the auction; failing this, only on prior agreement, a mutually convenient day agreed by The Company and the Buyer. Purchased lots are at the Buyer’s risk from the earlier of (i) collection or release to a nominated carrier (ii) 5 working days after the auction. Until risk passes, THE COMPANY will compensate the Buyer for any loss or damage to the lot up to a maximum of the Purchase Price actually paid by the Buyer. THE COMPANY’s assumption of risk is subject to the exclusions detailed in Condition 5(d) of the Conditions of Business for Sellers. (e) All packing and handling of lots is at the Buyer’s risk. THE COMPANY will not be liable for any acts or omissions of third party packers or shippers.

9. REMEDIES FOR NON-PAYMENT Without prejudice to any rights that the Seller may have, if the Buyer without prior agreement fails to make payment for the lot within 5 working days of the auction, THE COMPANY may in its sole discretion exercise 1 or more of the following remedies:(a) store the lot at its premises or elsewhere at the Buyer’s sole risk and expense; (b) cancel the sale of the lot; (c) set off any amounts owed to the Buyer by THE COMPANY against any amounts owed to THE COMPANY by the Buyer for the lot; (d) reject future bids from the Buyer; (e) charge interest at 4% per annum above NatWest Bank Base Rate from the Payment Date to the date that the Purchase Price is received in cleared funds; (f) re-sell the lot by auction or privately, with estimates and reserves at THE COMPANY’s discretion, in which case the Buyer will be liable for any shortfall between the original Purchase Price and the amount achieved on re-sale, including all costs incurred in such re-sale;

(a) THE COMPANY will use information supplied by Bidders or otherwise obtained lawfully by THE COMPANY for the provision of auction related services, client administration, marketing and as otherwise required by law. (b) By agreeing to these Conditions of Business, the Bidder agrees to the processing of their personal information and to the disclosure of such information to third parties worldwide for the purposes outlined in Condition 11(a) and to Sellers as per Condition 9(i).

12. MISCELLANEOUS (a) All images of lots, catalogue descriptions and all other materials produced by THE COMPANY are the copyright of THE COMPANY. (b) These Conditions of Business are not assignable by any Buyer without THE COMPANY’s prior written consent, but are binding on Bidders’ successors, assigns and representatives. (c) The materials listed in Condition 1(a) set out the entire agreement between the parties. (d) If any part of these Conditions of Business be held unenforceable, the remaining parts shall remain in full force and effect. (e) These Conditions of Business shall be interpreted in accordance with English Law, under the exclusive jurisdiction of the English Courts, in favour of THE COMPANY.

13. ARTISTS’ RESALE RIGHTS From 14th February 2006 all UK art market professionals (which includes, but is not limited to; auctioneers, dealers, galleries, agents and other intermediaries) are required to collect a royalty payment for all works of art that have been produced by living artists. This payment is only calculated on qualifying works of art which are sold for a hammer price more than the UK sterling equivalent of EURO 1,000 – the UK sterling equivalent will fluctuate in line with prevailing exchange rates, for an estimate of the current UK sterling equivalent, please refer to the front of this catalogue. It is entirely the responsibility of the buyer to acquaint himself with the actual EURO to UK Sterling exchange rate on the day of the sale in this regard. The actual qualifying threshold will be calculated by the Artist’s Resale Right Service Hub based on the European Central Bank reference rate published at 2.15pm on the day of the sale, and can be found on www.dacs.org.uk. All items in this catalogue that are marked with ‡ are potentially qualifying items, and the royalty charge will be applied if the hammer price achieved is more than the UK sterling equivalent of EURO 1,000. The royalty charge will be added to all relevant invoices, and must be paid before items can be cleared. All royalty charges are paid to the Design and Artists Copyright Society (‘DACS’), no handling costs or additional fees with respect to these charges will be retained by the auctioneer. The royalty charge that will be applied to qualifying items which achieve a hammer price of more than the UK sterling equivalent of EURO 1,000, but less than the UK sterling equivalent of EURO 50,000 is 4% payable by the buyer. For qualifying items that sell for more than the UK sterling equivalent of EURO 50,000 a sliding scale of royalty charges will apply – for a complete list of the royalty charges and threshold levels, please see www. dacs.org.uk. There is no VAT payable on this royalty charge. For all questions relating the regulations regarding Droit de Suite royalty charges, please see www.dacs.org.uk, telephone +44 (0) 845 410 3410, or email arr@dacs.org.uk.

C o n t a c t u s o n 075 9 6 3 3 2 978

Ripley Arts Centre, 24 Sundridge Avenue, Bromley BR1 2PX Tel: 0208 313 3655 07596 332 978 www.catherinesouthon.co.uk