14 Series 19 Series 21 Series 28 Series
2 - 15 16 - 23 24 - 31 32 - 55
28 Colours 28 Copper
34 - 37 52 - 55
14 custom 21 custom 28 custom 38 custom
82 - 85 86 - 87 88 - 89 90 - 91
38 Series 57 Series Mini innie/outtie canopies Bocci Variation Design Sustainability Custom
Technical
14 Specifications 21 Specifications 28 Specifications 38 Specifications 57 Specifications
Credits
92 - 97 98 - 101 102 - 109 110 - 113 114 - 117
56 - 63 64 - 69 70 - 71 72 - 73 74 - 75 76 - 77 78 - 79 80 - 91
92 - 117
118
14
2
STANDARD
14s 14sp 14.1mi 14.1mo 14.1m 14.1 14.1deep 14.3 14.5
Âą 102
14.7
14
Designed by Omer Arbel, 2005. Traditionally, chandeliers have been understood as central, sculptural installations, which become the visual focus of a room. The 14 series, designed in 2005, is the original chandelier to challenge this concept. Instead of a central sculptural object, 14 is an ambient chandelier, achieving its power through a strategy of composition and clustering. 14 fills the volume of a room, making the height and shape of its dimensions understood to the inhabitants in a direct sensual manner.
14.14 14.26 14.36
14 is an articulated, seamed cast glass sphere with a frosted cylindrical void that houses either a low voltage (12V, 10Watt xenon) or proprietary, dimmable, and replaceable LED. The 14 series is also available in grey cast glass. Individual pendants are visually quite subtle, but gain tremendous strength when multiplied and clustered in large groups. Light interacts with the bubbles and imperfections of the cast glass to produce a glow reminiscent of small candles floating within spheres of water. Cast glass is an organic process, imperfect by nature, and each 14 is handmade; thus, every piece produced is unique. Our standard collection offers flexibility in both design and measure, starting from a single pendant and continuing through to 36 pendant chandeliers in a range of canopy shapes and sizes as well as custom configurations (see pages 82-85). The clustering effect can be manipulated through various combinations to create larger scale groupings with profound phenomenological impact. Materials Cast glass, blown borosilicate glass, braided metal coaxial cable, silicone gaskets, electrical components and a brushed nickel or white powder coated canopy. Worldwide patents issued and pending. US patent # D556,361 EU patent # 000518394 Approved to UL standards by CSA
4
5
4
14.36
5
14.1m x 9
6
7
14.1
14.1m x26
8
9
14.3 grey
14.26
10
11
14.250
12
13
14s
14s
14
15
14s amber
14s amber
19
16
STANDARD
19.280 19.540 19.800
± 280 - 800
19 Designed by Omer Arbel, 2011. 19 is an exploration of sand casting, which is a low fidelity technique used for making metallic objects. The technique involves pressing a shape into sand to create a void, and then roughly pouring molten metal into the void. Some overspill is a by-product of this process, which is, in conventional circumstances, cleaned up after production and re-finished. In this project we explored the expressive possibilities of the overspill. We developed a technique that encourages a generous and unpredictable overspill during production, which occurs along the entire open perimeter of the cast piece, making a unique ‘halo’ for every piece fabricated. We chose to use a high copper content brass such that the overspill oxidizes instantly, producing an extremely textured surface that stands in contrast to the interior of the piece, which retains a smooth finish because it does not come in contact with air, and which we hand-polish to a near mirror finish. 19.280’s are unlimited production, numbered and signed. 19.540’s are a limited run of 95 pieces, numbered and signed. 19.800’s are a limited run of 19 pieces, numbered and signed. Made of recycled brass in East Vancouver at the oldest foundry on the West Coast of Canada.
Materials Recycled red brass Worldwide utility and design patents pending EU patent # 001829912
18
19
19.280
20
21
19.540 and 19.280
22
23
19.280
19.280 x2
21
24
STANDARD
21.1mi 21.1mo 21.1m 21.1 21.1deep 21.3 21.5 21.7
21
21.21 21.26 21.36
Designed by Omer Arbel, 2007.
21.50
A random amount of raw porcelain is flattened and rolled into a pancake shape, which is then wrapped around a frosted borosilicate glass inverted trumpet diffuser. The thin porcelain skin is allowed to flop over the borosilicate core to create whatever form is most natural to it, thus making a unique shape, of varying size, in each iteration of the fabrication process.
Âą 160
21’s are meant to be mounted in groupings, such that the pieces touch each other to form clumps. The relatively simple shapes of the individual pendants, when placed in a group, make a complex sculptural form. Each diffuser houses either a low voltage (12V, 20W xenon) lamp or proprietary, dimmable, and replaceable LED. A strong contrast is established between the organically distributed soft light passing through the translucent charcoal grey or white porcelain skin and the sharp, crisp light passing through the borosilicate glass diffuser.
Materials Raw porcelain glazed on one side, blown borosilicate glass, silicone gaskets, braided metal coaxial cable, electrical components and a brushed nickel or white powder coated canopy. Worldwide utility and design patents pending
Approved to UL standards by CSA
26
27
21.36
28
29
21.7
21.21nd white
30
31
21.50
21.1m x 21
28
32
STANDARD Random 28s 28sp 28sc 28d 28.1mi 28.1mo 28.1m 28.1 28.1deep 28.3
Âą 150 - 180
28.5 28.7 28.11 28.16 28.28
STANDARD Cluster 28.3 28.7 28.19 28.37 28.61
28 Designed by Omer Arbel, 2009. Bocci’s 28 series is an exploration of fabrication process. Instead of designing form itself, here the intent was to design a system that produces form. We developed a method with loose parameters that produces a different shape in every iteration of the fabrication procedure, thus every 28 created is unique from any other in existence. The 28 pendants result from a complex glass blowing technique performed in Bocci’s glass atelier in Vancouver, whereby air is intermittently introduced and then removed from a glass matrix, which is heated and then rapidly cooled. The result is a distorted spherical shape with a composed collection of inner satellites (bubbles), one of which is made of opaque white milk glass and houses either a low voltage and replaceable xenon (12V 20W) or proprietary, dimmable, and replaceable LED.
28 pendants are designed either to cluster in hexagonal shapes, where the pendants nestle into one another, or to be composed with random drop lengths in an ambient manner similar to their distant cousins, the 14 series. Standard 28 pendants are blown with a clear glass exterior sphere and an opaque white interior cavity along with one to three clear satellites. The 28 series is also available in smoked grey glass and an infinite variety of colour options. Coloured 28 pendants are hand blown specifically for each chandelier. The colours reflect an endless variety of mood and palette and are created in one of two formats; either with the entire outer sphere blown from coloured glass, or maintaining the clarity of the exterior sphere and introducing colour through the satellites only. The innovative canopy design of the 28 series allows for a modular approach - chandelier scope is scaleable to nearly any application. In the arena of bespoke work, there exists endless customization options during manufacturing: Canopy shape, size and colour; chandelier composition; pendant colour and custom pendant sizing; and custom drop lengths of up to 30500 mm.
Materials Blown glass, braided metal coaxial cable, electrical components and a powder coated or brushed nickel canopy. Worldwide utility and design patents pending US patent # D628,740S EU patent # 001695834
Approved to UL standards by CSA
34
35
COLOURS OPAQUE
TRANSLUCENT
Milk
grey
Ivory
emerald
Linen
copper
Seaglass
steel
Celadon
cobalt
Robin’s Egg
amethyst
Denim
purple
Lapis
plum
Mauve
pink
Sandstone
aubergine
Olive
oxblood
Forest
nutmeg
Grass
charcoal
Buttercup Apricot Ruby Bubblegum
moss lime neon yellow amber orange cherry
Due to the hand crafted nature of the 28 series, the pendant size as well as color depth and tonality will vary. All photography taken with lit 20w Xenon bulbs, colour of pendant when off or with LED may vary.
36
37
SATELLITES OPAQUE SATELLITE
Milk
grey
Ivory
emerald
Celadon Linen Seaglass Robin’s Egg Denim Lapis Mauve Sandstone
Due to the hand crafted nature of the 28 series, the pendant size as well as color depth and tonality will vary. All photography taken with lit 20w Xenon bulbs, colour of pendant when off or with LED may vary.
TRANSLUCENT SATELLITE
copper steel cobalt amethyst purple pink aubergine charcoal
Olive
moss
Forest
lime
Grass
neon
Buttercup
yellow
Apricot
amber
Ruby
orange
Bubblegum
cherry
38
39
28.37
28.37
40
41
40
28.1
28s
42
43
28.7
28.7
44
45
28d
28d
46
47
28.1m x10
48
49
28.37
28.37
50
51
50
28.1m x46
52
53
28 copper Bocci introduces a flexible copper suspension option for all 28 series chandeliers - designed to create a compositional aesthetic achieved through shaping the copper tube during installation. Seemingly gravity defying, the pendants can be angled any which way with potential for the glass to sculpturally tangle with the copper - yielding an awkward expression we find interesting. Copper suspension adds complexity and scale to individual hanging or surface-mounted 28’s. The copper will intentionally weather and tarnish, registering duration and use in its patina.
Materials: Blown glass, copper tubing, electrical components and a white powder coated, brushed nickel, or copper mini canopy. Worldwide utility and design patents pending US patent # D628,740S EU patent # 001695834
28sc
Approved to UL standards by CSA
54
55
55
28.7c
28.7c
38
56
STANDARD
38.3m 38.3 38.11 38.16
Âą 200 - 250
38.28
38 Designed by Omer Arbel, 2012. 38 is a surrealistically motivated re-exploration of a technique originally developed for a previous project called 28, whereby air is pushed in and out of glass that is intermittently heated and cooled. In the case of this project, the technique is stretched to the limits of possibility. Large glass spheres are blown, and then a multitude of white cavities are introduced into them haphazardly, intentionally intersecting and colliding with each other. Several of these are deep enough to contain earth with succulent & cacti plantings. Others are used as a housing for lighting elements. There are two or three lighting elements per large sphere, and one or two planters. Electricity and suspension are achieved using stiff copper tubing, which is allowed to tangle and crinkle, seemingly without regard for gravity. Occasionally, these copper tubes loop around white satellite planters that appear to have escaped from the confines of the lit clear glass spheres.
Materials: Blown glass, copper tubing, electrical components and a powder coated or copper mini canopy. Worldwide utility and design patents pending EU patent: # 002071019
Approved to UL standards by CSA
58
59
38 moon
38.11
60
61
60
38.3
38 pendant
62
63
38.11 x 10
57
64
STANDARD
57s 57.1mi 57.1mo 57.1m 57.1 57.1deep 57.3 57.5 57.7
Âą 100 - 165
57.37
57 Designed by Omer Arbel, 2013. 57 is an exploration of a technique of making analogous to that used for producing closed cell foam. The process involves trapping voids of air of different sizes and configurations within a glass matrix, yielding a shape loosely referencing a rain cloud. These pockets of air remain invisible when the piece is off, but come alive to reveal an interior universe when the piece is illuminated.
A flexible suspension system allows for easy composition: pendants may be clustered such that they touch each other, referencing a cloudy sky (an especially poignant reference in the City of Vancouver, where the idea was born); they may also be composed as a field, such that each piece can be perceived individually, perhaps referencing a child’s drawing of a cloud (equally poignant but in a more universal manner). Most chandeliers are fundamentally vertical in composition, which is why they work best in rooms with high ceilings; in contrast, 57 is conceived as a layer or strata of light, or in other words: a horizontal chandelier.
Materials: Blown glass, aircraft cable, semi-rigid coax, electrical components and a brass or white powder coated canopy. Worldwide utility and design patents pending EU patent # 002268581
66
67
57.7
68
69
57 pendant
57.1m
70
71
Normally, fixtures are designed to function somewhat independantly from their architectural substrates. the mini innie and mini outtie are instead designed to emerge out of or press into their substrate as if revealing the electrical infrastructure hidden within the walls. By doing so, they suggest a sort of ‘nonfixture’, an architectural appendage. The mini innie is a strain relief mud-in canopy that presses into the ceiling plane to form an indent (or ‘innie’), the coaxial cable and pendant emerging from within. The effect is an uninterrupted ceiling plane with no additional hardware mounted to it.
Innie/ Outtie mini canopy Bocci introduces two new mini canopies for all coaxial cable suspended pendants: colloquially named the mini innie and mini outtie. Mini innie canopy
Mini outtie canopy
The mini outtie canopy is a strain relief paintable canopy that pulls out from the ceiling. Designed for non-mudded ceiling materials, the canopy minimizes the effect of mounting hardware on the celing plane. Use the innie and outtie canopies together or seperately. Materials: polyurethane plastic, brass hardware
Approved to UL standards by CSA
72
73
Vancouver
Bocci Bocci is a contemporary design and manufacturing house based in Vancouver, Canada, with a satellite company based in Berlin, Germany.
BOCCI
Unlike typical corporate structures, Bocci operates unconventionally as a co-operative community of designers, architects, craftspeople, technicians, agents, governance bodies, testing facilities, raw materials suppliers and fine shops. Our aim is to build a healthy, flexible and stable network united under the goal of creating conceptually motivated, practical and striking consumer goods of the highest quality.
The trend in contemporary manufacturing is to outsource production. In contrast, Bocci is committed to manufacturing at our Vancouver factory. We have fully equipped glass casting and blowing shops and a ceramics atelier all under our roof, or at arms length. Our designers, technicians and salespeople walk through the factory floor to get to their desks, and thus have an intimate and profound connection to our work. All these activities take place around a courtyard with a very large tree, carved into the 5th floor of a renovated art deco former printing press building located close to Vancouver’s downtown, on the edge of the Pacific Ocean. As a company, we have committed to participating in the speed of contemporary culture. We’ve structured ourselves to hold strong inventories, and have invested in a network of warehouses worldwide, such that the things we make are available with astonishingly short lead times - in many cases shipped within 24 hours of an order. Bocci is focused on the values of flexibility, design rigor, sustainability, innovation, creativity and intelligence. We apply these ideals to the things we make, but also to the way we make them, and above all, to the way we operate as a company.
74
75
In effect, the pendants are designed to adapt to the requirements of spaces in rooms, hallways, atriums and stairways; not only physically, but phenomenologically as well. This approach requires a very adaptable and pragmatic system of power delivery, mounting and suspension. The result of this then is a modular series of pendants that can be configured using a number of different canopies and suspension means to accomplish almost limitless variations on a single series without expensive customization.
Variation Bocci’s modular pendant strategy of composing and clustering individual units began with the 14. Conventional chandeliers are understood as centerpieces orienting the room around these sculptural installations. for Bocci, a chandelier can be seen more as a grouping of singular units to form a cohesive cloud emerging from a loosely defined field of light. Each singular pendant is seen as a spatial instigator, filling a room with clusters of pendants engaging the entirety of the space.
This variability enables a number of additional features, significantly a capacity for resilience as use and necessity change. Aligned with our goals for sustainability, a small number of welldesigned products should be functional, beautiful and additionally adaptable throughout all the scenarios of a persons life. As such, in most cases for example, a chandlier designed for one use (ie. staircase) can be adapted to another (ie. chandelier over a dining table) by economically swapping parts (coaxial cable lengths in this example). Different pendants can be swapped from one installed canopy to another. Bocci is constantly developing new means of interface with our pendants while utilizing our past and current innovations. We are looking for reciprocal relationships between series and developments for new pieces that in turn often become modifiers for old series. Bocci is commited to exploring these adjacencies by looking backwards as well as forwards.
76
77
76
Design Arbel finds form in the intrinsic qualities of materials and the processes we have at our disposal to manipulate them. Thus, projects tend towards the particular rather than the universal, and have a formal appropriateness to them derived from physical, chemical or mechanical process, rather than from abstract ideas in the author’s imagination. Direct access to high craft ateliers has meant that design at all scales is investigated as an analog, sculptural exploration, using technology only as a secondary analytical tool. Omer Arbel’s practice has evolved to intimately combine the fields of industrial design, architecture, manufacturing and materials research. This interdisciplinary approach was born of the necessities of building a sustainable and ambitious office in a context with little opportunity within the cultural periphery, but has since transformed into a structure uniquely positioned to explore the rich area of investigation in the overlap of these fields.
The approach of the practice demands a high level of collaboration between craftspeople and designers, and as such has shied away from conventional manufacturer-designer or contractor-architect relationships. Instead, the practice does as much as possible in house: manufacturing as much as possible of its own designs, and building as much as possible of its constructed environments. Accolades include several Red Dot and iF Awards, a Yellow Pencil Yearbook Entry, the Ron Thom Early Design Achievement Award, a World Architecture Festival Shortlist and, with Corrine Hunt, the commission to design the 2010 Olympic and Paralympic Medals. Arbel leads OAO (Omer Arbel Office), a multidisciplinary design practice and he acts as Creative Director for the Design and Manufacturing company Bocci. Both companies have achieved near instant critical and commercial success, and position Arbel as a young voice within the international design community. For further information on Omer Arbel, visit www.omerarbel.com
78
79
78
In pre-industrialized western societies the average individual owned less than 100 objects throughout his or her lifetime. A lifetime with only 100 discreet objects is a life in which each object is likely practical, beautiful, particular, inherited, and well made. These objects are undoubtedly precious to their owners; each possessing a tremendous emotional depository of memories. By contrast, today’s consumer society is characterized by what could be described as an unhealthy relationship between us and the things that surround us. We do not commit to our objects – rather they cycle in and out of our lives in a very casual and thoughtless manner. The objects don’t really make a commitment to us either – they are usually badly made, badly designed, and thoughtless.
Sustainability We strive to create objects that become companions in people’s lives. We believe that an object contributes in the most meaningful way to the sustainability discussion if it is, quite simply, never thrown away. If we are able to make objects that suggest the possibility of a commitment to living an entire lifetime alongside them, then the selection of one object over another becomes important and meaningful - and therefore, investment in the quality, value, beauty and worth of the objects that surround us becomes paramount.
We strive to make wonderful objects that suggest the possibility of a lifelong commitment to and by their owners. Of course, the objects we make also take into account conventional sustainability principles. The 14 series cast glass chandelier is made of recycled glass, for example, and our packaging is, of course, recycled and recyclable. However, we hope that our greater contribution is in the conceptual model discussed above. If we are able to redefine (or at least, suggest an alternative to) what we see as a fundamentally unhealthy relationship between people and objects, we hope to contribute to the growth of a responsible and committed materialism, which we see as a more evolved and humane alternative to current consumptive trends.
80
81
Custom Bocci offers consultation, design, and fabrication services for custom chandeliers of unlimited configuration – from petite to linear to oversized chandeliers. With pendant cascades reaching 100’ (30.5 meters) in length; boundless canopy size, shape, depth, and finish; and variations on standard pendant colours. Our custom capacity is infinite.
Alternate to our standard pendant offerings, we produce the following variations, which are available as options on our standard chandeliers as well as custom chandeliers. The blown glass pendants of the 28 series can be created in diameters of 5” (130 mm) up to 11” (280 mm) and are available in a range of glass colours (see colour guide on pages 34-37 for the full breadth of options). Alternate to our classic 14 series clear cast glass pendants, we now produce a grey version. Also available is the 21 series pendant in charcoal grey raw porcelain.
The ceiling canopy is created to your specification. We offer a range of finishes, from our standard white powder coated mild steel to custom options of matte stainless steel and colour-matching RAL shades. For those clients who wish to explore their own paint finishes, we offer a primed mild steel canopy.
Our in-house design team assists in developing each custom chandelier – from concept, to design drawings, to final shop drawings, to production. We work with your CAD files and dimensions to create 3D renderings of the utmost detail, which include your specific space and detailed installation instructions.
82
83
83
14.250
84
85
85
14.230
86
87
21.172
88
89
28.219
90
91
38.11 X 4
92
93
14
Technical Specifications
55mm diameter mounting plate.
LAMPING:
*wall or ceiling mounted
approx. 1 kg L es I ndu st ries S pect ralux I nc. S pect ralux I ndu st ries I nc.
SPECTRAL POWER DISTRIBUTION
0.008
0.008
0.007
0.007
0.007
0.007
0.006 0.006 0.005 0.005 0.004 0.004 0.003
Peak Wavelength
780nm
Luminous Flux
196 Im
0.003
Input Power
0.002
Lumens/Watt
0.002
19.03 W 10.3
0.001
Spectral Power (W/nm)
Spectral Power (W/nm)
2750 S abou rin, S ain t-L aure nt (Qu eb T el. : (514 ) 332 -0082 F ax : (514 ) 332 -
LED
SPECTRAL POWER DISTRIBUTION
0.001
0.006 0.006 0.005 0.005
Peak Wavelength
0.004 0.004 0.003
Input Power
0.002
Lumens/Watt
0.002
47 Im 2.04 W 23.0
0.001
Surface light (mini plate - remote transformer)
0.000 400
440
480
520
560
600
640
680
Wavelength (nm)
720
760
800
400
440
CIE 1931 CHROMATICITY DIAGRAM
480
520
560
600
640
680
Wavelength (nm)
720
760
800
*
CIE 1931 CHROMATICITY DIAGRAM
0.9
x y
0.8 0.7
0. 4660
u
0 . 2658
0 . 4120
v
0 . 3525
CCT
2628
K
u'
CRI
100
v'
R1
99 .8
R9
99 .4
R2
99 .9
R10
99 .7
R3
99 .9
R11
99 .7
R4
99 .8
R12
99 .5
R5
99 .8
R13
99 .9
R6
99 .8
R14
99 .9
R7
99 .9
R8
99 .7
0.9
x y
0.8
0 . 2658 0.7
0. 5288
0.6
0. 4660
u
0 . 2658
0 . 4120
v
0 . 3525
CCT
2628
K
u'
0 . 2658
CRI
100
v'
R1
99 .8
R9
99 .4
R2
99 .9
R10
99 .7
R3
99 .9
R11
99 .7
R4
99 .8
R12
99 .5
R5
99 .8
R13
99 .9
R6
99 .8
R14
99 .9
R7
99 .9
R8
99 .7
0. 5288
0.6
0.4 0.3 0.2 0.1
0
0.1
0.2
0.3
0.4
0.5
0.6
0.7
0.8
0.4 0.3 0.2 0.1 0
0.9
x
Correlated Colour Temperature: Colour Rendering Index: Luminous Flux: Lumens/Watt:
T es t
0.5
y
0.5
y
14s
605nm
Luminous Flux
0.003
0.001
0.000
0
± 51
L es I ndu st ries S pect ralux I nc. S pect ralux I ndu st ries I nc.
2750 S abou rin, S ain t-L aure nt (Qu eb T el. : (514 ) 332 -0082 F ax : (514 ) 332 -
XENON
2537 100 81 8.3 P age 6 / 10
0
0.1
0.2
0.3
0.4
0.5
x T es t
0.6
0.7
0.8
165mm diameter paintable mounting plate.
± 102
0.9
*wall or ceiling mounted
2647 84 47 23 P age 6 / 10
10W or 1.5W LED type G4 bi-pin lamp (Bocci 24.1 or 24.2 LED)
approx. 1 kg
Ta = 25C ± 51 DESIGNATIONS:
(14s/sp)
suitable for indoor or outdoor use
14sp
Surface light
14 technical
*
94
95
-18 41
adjustable up to 3000 standard
41
adjustable up to 30500 custom
adjustable up to 30500 custom
approx. 2 kg
approx. 2 kg
± 102
14.1mi
14.1mo
14.1
approx. 5.5 kg
14.3
Deep
152 220
32 adjustable up to 3000 standard
201
adjustable up to 30500 custom
approx. 9.5 kg
approx. 14 kg
± 102
± 102
14.1
14.5
adjustable up to 3000 standard
254
adjustable up to 30500 custom
approx. 2 kg
approx. 2 kg
adjustable up to 30500 custom
32
adjustable up to 30500 custom
adjustable up to 30500 custom
220
approx. 2 kg
adjustable up to 3000 standard
116
adjustable up to 3000 standard
152
adjustable up to 30500 custom
7 adjustable up to 3000 standard
14.1m Mini canopy
116
± 102
Mini outtie canopy
13
32 adjustable up to 3000 standard
± 102
Mini innie canopy
29
40
16 adjustable up to 3000 standard
14.7
96
97
53
53
53
53
284 3000 standard max.
850
30500 custom max.
508
3000 standard max.
3000 standard max.
3000 standard max.
30500 custom max.
30500 custom max.
30500 custom max.
755
approx. 36.5 kg
approx. 38 kg
14.14
14.14
Round
30500 custom max.
approx. 61.5 kg Round
370
3000 standard max. 1100
30500 custom max.
approx. 63.5 kg
14.26 Square
Square
53 3000 standard max.
600
approx. 87 kg
14.36
53 3000 standard max.
14.26
approx. 83.5 kg
14.36 Round
Rectangle
53
600
755
30500 custom max.
approx. 83.5 kg
14.36
Rectangle
98
99
Technical Specifications
41
LAMPING:
L es I ndu st ries S pect ralux I nc. S pect ralux I ndu st ries I nc.
0.007 0.007
0.006 0.006 0.005 0.005 0.004 0.004 0.003
Peak Wavelength
780nm
Luminous Flux
196 Im
0.003
Input Power
0.002
Lumens/Watt
0.002
19.03 W 10.3
0.001 0.001
560
600
640
680
Wavelength (nm)
720
760
0.005 0.005
Peak Wavelength
0.004 0.004 0.003
Input Power
0.002
Lumens/Watt
0.002
approx. 0.5 kg
400
47 Im
y
0.8 0.7
0. 4660
u
0 . 2658
0 . 4120
v
0 . 3525
CCT
2628
K
u'
440
480
520
560
600
640
680
Wavelength (nm)
720
760
CRI
100
v'
R1
99 .8
R9
99 .4
R2
99 .9
R10
99 .7
7
R3
99 .9
R11
99 .7
R4
99 .8
R12
99 .5
R5
99 .8
R13
99 .9
R6
99 .8
R14
99 .9
R7
99 .9
R8
99 .7
x y
0.8
0 . 2658 0.7
0. 5288
21.1m
0. 4660
u
0 . 2658
0 . 4120
v
0 . 3525
CCT
2628
K
u'
CRI
100
v'
R1
99 .8
R9
99 .4
R2
99 .9
R10
99 .7
R3
99 .9
R11
99 .7
R4
99 .8
R12
99 .5
R5
99 .8
R13
99 .9
R6
99 .8
R14
99 .9
R7
99 .9
R8
99 .7
116
0 . 2658 0. 5288
40 adjustable up to 3000 standard
116
32 adjustable up to 3000 standard
0.6
0.4 0.3 0.2 0.1
0.1
0.2
0.3
0.4
0.5
0.6
0.7
0.8
x
Correlated Colour Temperature: Colour Rendering Index: Luminous Flux: Lumens/Watt:
0.4 0.3 0.2 0.1 0
0.9
T es t
0.5
y
0.5
2628 100 196 10.3 P age 6 / 10
0
0.1
0.2
0.3
0.4
0.5
x T es t
0.6
0.7
0.8
adjustable up to 30500 custom
adjustable up to 30500 custom
approx. 0.5 kg
approx. 0.5 kg
adjustable up to 3000 standard 152
2647 84 47 23 P age 6 / 10
approx. 1.3 kg
Âą 160
DESIGNATIONS:
21.1 recommended for indoor use only
adjustable up to 30500 custom
0.9
20W or 1.5W LED type G4 bi-pin lamp (Bocci 24.1 or 24.2 LED) Ta = 25C
Mini canopy
23.0
800
0.9
0.6
21.1mo Mini outtie canopy
Mini innie canopy
2.04 W
CIE 1931 CHROMATICITY DIAGRAM
x
0
approx. 0.5 kg
0.001
800
0.9
y
21.1mi
605nm
Luminous Flux
0.003
CIE 1931 CHROMATICITY DIAGRAM
0
approx. 0.5 kg
adjustable up to 30500 custom
0.006
0.000 520
adjustable up to 30500 custom
0.006
0.001
0.000 480
adjustable up to 30500 custom
SPECTRAL POWER DISTRIBUTION 0.008
0.007
Spectral Power (W/nm)
Spectral Power (W/nm)
SPECTRAL POWER DISTRIBUTION 0.007
440
41
adjustable up to 3000 standard
29
2750 S abou rin, S ain t-L aure nt (Qu eb T el. : (514 ) 332 -0082 F ax : (514 ) 332 -
LED
0.008
400
adjustable up to 3000 standard
L es I ndu st ries S pect ralux I nc. S pect ralux I ndu st ries I nc.
2750 S abou rin, S ain t-L aure nt (Qu eb T el. : (514 ) 332 -0082 F ax : (514 ) 332 -
XENON
12
16 adjustable up to 3000 standard
21.1 Deep
21.3
21 technical
21
-18
100
101
adjustable up to 3000 standard 152
53
32
32
adjustable up to 30500 custom
203
53
adjustable up to 3000 standard
3000 standard max.
adjustable up to 30500 custom
30500 custom max.
755
3000 standard max. 30500 custom max.
755
approx. 2.8 kg
approx. 2 kg
approx. 32 kg
21.5
21.7
21.36 Round
53 284
850
approx. 28 kg
21.36
Square
53
53
3000 standard max.
3000 standard max.
30500 custom max.
30500 custom max.
600
53
3000 standard max.
370
1100
3000 standard max. 30500 custom max.
755
30500 custom max.
approx. 18 kg
approx. 28 kg approx. 24 kg
21.21
21.26
21.36
Rectangle
21.50
approx. 33 kg
102
103
*
Technical Specifications
55mm diameter mounting plate.
165mm diameter paintable mounting plate.
*wall or ceiling mounted
*wall or ceiling mounted
approx. 1 kg
approx. 1 kg
LAMPING:
L es I ndu st ries S pect ralux I nc. S pect ralux I ndu st ries I nc.
L es I ndu st ries S pect ralux I nc. S pect ralux I ndu st ries I nc.
2750 S abou rin, S ain t-L aure nt (Qu eb T el. : (514 ) 332 -0082 F ax : (514 ) 332 -
XENON
0.008
0.007
0.007
0.007
0.007
0.006 0.006 0.005 0.005
Peak Wavelength
0.004 0.004
780nm
Luminous Flux
0.003 0.003
Input Power
0.002
Lumens/Watt
0.002
196 Im 19.03 W 10.3
0.001
Spectral Power (W/nm)
Spectral Power (W/nm)
SPECTRAL POWER DISTRIBUTION
0.008
0.005 0.005 0.004 0.003
Input Power
0.002
Lumens/Watt
0.002
560
600
640
680
Wavelength (nm)
720
760
800
400
440
CIE 1931 CHROMATICITY DIAGRAM
x y
0.8 0.7
0. 4660
u
0 . 2658
480
520
560
600
640
680
Wavelength (nm)
720
760
23.0
*
800
0 . 4120
v
0 . 3525
CCT
2628
CRI
100
K
u'
0 . 2658
v'
0. 5288
0.9
x y
0.8 0.7
0.6
0. 4660
u
0 . 2658
0 . 4120
v
0 . 3525
CCT
2628
CRI
100
K
u' v'
R1
99 .8
R9
99 .4
0 . 2658
R2
99 .9
R10
99 .7
R3
99 .9
R11
99 .7
R4
99 .8
R12
99 .5
R5
99 .8
R13
99 .9
R6
99 .8
R14
99 .9
R7
99 .9
R8
99 .7
Âą 150-180
0. 5288
0.6
0.4 0.3 0.2 0.1
0
0.1
0.2
0.3
0.4
0.5
0.6
0.7
0.8
R1
99 .8
R9
99 .4
R2
99 .9
R10
99 .7
R3
99 .9
R11
99 .7
R4
99 .8
R12
99 .5
R5
99 .8
R13
99 .9
R6
99 .8
R14
99 .9
R7
99 .9
R8
99 .7
Correlated Colour Temperature: Colour Rendering Index: Luminous Flux: Lumens/Watt:
0.4 0.3 0.2 0.1 0
0.9
x
T es t
0.5
y
0.5
y
47 Im 2.04 W
CIE 1931 CHROMATICITY DIAGRAM
0.9
0
Surface light
0.001 0.000
520
605nm
Luminous Flux
0.003
0.001
480
Peak Wavelength
0.004
28sp
(mini plate remote transformer)
0.006
0.000 440
28s Surface light
0.006
0.001
400
2750 S abou rin, S ain t-L aure nt (Qu eb T el. : (514 ) 332 -0082 F ax : (514 ) 332 -
LED
SPECTRAL POWER DISTRIBUTION
2628 100 196 10.3 P age 6 / 10
0
0.1
0.2
0.3
0.4
0.5
x T es t
0.6
0.7
0.8
flexible crochet memory cable
58mm diameter mounting plate.
0.9
2647 84 47 23 P age 6 / 10
3000mm
500mm flexible copper tubing.
20W or 1.5W LED type G4 bi-pin lamp (Bocci 24.1 or 24.2 LED) Ta = 25C DESIGNATIONS:
*wall or ceiling mounted
28sc suitable for indoor or outdoor use
Surface light (copper tubing remote transformer)
approx. 1.2 kg
approx. 2.2 kg
28d
Desk Lamp
28 technical
28
*
104
105
40 -18
116 41
32
16
adjustable up to 3000 standard
41
adjustable up to 3000 standard
adjustable up to 30500 custom
adjustable up to 30500 custom
approx. 1.1 kg
approx. 1.1 kg
adjustable up to 3000 standard adjustable up to 30500 custom
adjustable up to 3000 standard
152
adjustable up to 30500 custom
± 200
approx. 3.5 kg approx. 1.5 kg
28.1mi
28.1mo
Mini innie canopy
28.1 Deep
Mini outtie canopy
28.3
Random 32
32 7
12 29
adjustable up to 3000 standard
116
adjustable up to 30500 custom
adjustable up to 3000 standard
203 ± 406
adjustable up to 30500 custom
adjustable up to 3000 standard adjustable up to 30500 custom
adjustable up to 3000 standard 203 ±406
approx. 6 kg
28.1m Mini canopy
approx. 8 kg
approx. 1.5 kg
approx. 1.1 kg
28.1
28.5
Random
adjustable up to 30500 custom
28.7
Random
106
107
53 32 32
152 ± 330
3000 standard max.
adjustable up to 3000 standard
adjustable up to 3000 standard adjustable up to 30500 custom
203
30500 custom max.
adjustable up to 30500 custom
600
±495
± 1050
approx. 8 kg
approx. 3.5 kg
approx. 71.5 kg
28.37 28.3
28.7
Cluster
Round
Cluster 53
53 3000 standard max. 30500 custom max.
3000 standard max.
501
30500 custom max.
± 750 707 approx. 40 kg
28.19
Round
± 1450
28.61
Round
approx. 81.6 kg
108
109
53
53 3000 standard max.
850
3000 standard max.
30500 custom max.
30500 custom max.
508
53 3000 standard max.
30500 custom max. 755
284
approx. 28 kg approx. 29 kg
28.11
28.11
Square
approx. 65 kg
Square
53
53
53 3000 standard max.
600
28.28
Rectangle
30500 custom max.
1100
3000 standard max.
3000 standard max.
1320
30500 custom max.
30500 custom max.
370 445 approx. 39.5 kg
28.16
Square
approx. 38 kg
28.16
Rectangle
approx. 66.8 kg
28.28
Rectangle
110
111
14
38
Technical Specifications
3000 standard max. 6000 custom max.
62
LAMPING:
approx. 8 kg
L es I ndu st ries S pect ralux I nc. S pect ralux I ndu st ries I nc.
L es I ndu st ries S pect ralux I nc. S pect ralux I ndu st ries I nc.
2750 S abou rin, S ain t-L aure nt (Qu eb T el. : (514 ) 332 -0082 F ax : (514 ) 332 -
XENON
0.007
0.007
0.007
0.006 0.006 0.005 0.005 0.004 0.004 0.003
Peak Wavelength
780nm
Luminous Flux
196 Im
0.003
Input Power
0.002
Lumens/Watt
0.002
19.03 W 10.3
0.001
0.006 0.005 0.005 0.004 0.003
Input Power
0.002
Lumens/Watt
0.002
560
600
640
680
720
760
800
440
480
520
560
600
640
680
Wavelength (nm)
720
760
800
CIE 1931 CHROMATICITY DIAGRAM
0.9 0.8 0.7
x
0. 4660
u
0 . 2658
y
0 . 4120
v
0 . 3525
CCT
2628
CRI
100
v'
R1
99 .8
K
u'
R9
99 .4
R2
99 .9
R10
99 .7
R3
99 .9
R11
99 .7
R4
99 .8
R12
99 .5
R5
99 .8
R13
99 .9
R6
99 .8
R14
99 .9
R7
99 .9
R8
99 .7
0.9 0.8
0 . 2658 0.7
0. 5288
0.6
x
0. 4660
u
0 . 2658
y
0 . 4120
v
0 . 3525
CCT
2628
CRI
100
v'
R1
99 .8
K
u'
R9
99 .4
0 . 2658
R2
99 .9
R10
99 .7
R3
99 .9
R11
99 .7
R4
99 .8
R12
99 .5
R5
99 .8
R13
99 .9
R6
99 .8
R14
99 .9
R7
99 .9
R8
99 .7
Âą 200 - 250
0.3 0.2 0.1
0
0.1
0.2
0.3
0.4
0.5
0.6
0.7
0.8
x
Correlated Colour Temperature: Colour Rendering Index: Luminous Flux: Lumens/Watt:
0.4 0.3 0.2 0.1 0
0.9
T es t
0.5
y
0.4
2537 100 81 8.3 P age 6 / 10
0
0.1
0.2
0.3
0.4
0.5
x T es t
0.6
0.7
0.8
3000 standard max.
0. 5288
0.6
0.5
y
23.0
53 400
CIE 1931 CHROMATICITY DIAGRAM
0
47 Im 2.04 W
0.001 0.000
Wavelength (nm)
605nm
Luminous Flux
0.003
0.001
520
Peak Wavelength
0.004
0.000 480
Mini Canopy
0.006
0.001
440
38.3m
SPECTRAL POWER DISTRIBUTION 0.008
0.007
Spectral Power (W/nm)
Spectral Power (W/nm)
SPECTRAL POWER DISTRIBUTION 0.008
400
2750 S abou rin, S ain t-L aure nt (Qu eb T el. : (514 ) 332 -0082 F ax : (514 ) 332 -
LED
330
6000 custom max.
0.9
2647 84 47 23 P age 6 / 10
10W or 1.5W LED type G4 bi-pin lamp (Bocci 24.1 or 24.2 LED) Ta = 25C
approx. 8 kg
DESIGNATIONS:
38.3 suitable for indoor or outdoor use
112
113
53 284 3000 standard max. 850
6000 custom max.
53 3000 standard max.
445
1320
approx. 31 kg
38.11
53 3000 standard max.
370
1100
38.16
6000 custom max.
6000 custom max.
approx. 43 kg
38.28
approx. 75 kg
114
115
57
42 55mm diameter mounting plate.
Technical Specifications
*wall or ceiling mounted
L es I ndu st ries S pect ralux I nc. S pect ralux I ndu st ries I nc.
LED
28
*
adjustable up to 3000 standard
41
adjustable up to 30500 custom max.
*swag hook must be used
*swag hook must be used
approx. 1.5 kg
approx. 1.5 kg
± 200
± 105
2750 S abou rin, S ain t-L aure nt (Qu eb T el. : (514 ) 332 -0082 F ax : (514 ) 332 -
adjustable up to 3000 standard adjustable up to 30500 custom max.
approx. 1 kg LAMPING:
29
± 150
SPECTRAL POWER DISTRIBUTION 0.008 0.007
Spectral Power (W/nm)
0.007 0.006 0.006 0.005 0.005
Peak Wavelength
0.004 0.004
605nm
Luminous Flux
0.003 0.003
Input Power
0.002
Lumens/Watt
0.002
47 Im
57s
2.04 W 23.0
0.001 0.001 0.000 400
440
480
520
560
600
640
680
Wavelength (nm)
720
760
800
57.1mi
Surface light (mini plate - remote transformer)
57.1mo
Mini innie canopy
Mini outtie canopy
CIE 1931 CHROMATICITY DIAGRAM
0.9
x y
0.8 0.7
0. 4660
u
0 . 2658
0 . 4120
v
0 . 3525
CCT
2628
u'
0 . 2658
CRI
100
K
v'
0. 5288
R1
99 .8
R9
99 .4
R2
99 .9
R10
99 .7
R3
99 .9
R11
99 .7
R4
99 .8
R12
99 .5
R5
99 .8
R13
99 .9
R6
99 .8
R14
99 .9
R7
99 .9
R8
99 .7
0.6
y
0.5 0.4 0.3 0.2 0.1 0
0
0.1
0.2
0.3
0.4
0.5
0.6
0.7
0.8
7
adjustable up to 3000 standard
29
adjustable up to 30500 custom max.
116
adjustable up to 30500 custom max.
0.9
x T es t
Correlated Colour Temperature: Colour Rendering Index: Luminous Flux: Lumens/Watt:
adjustable up to 3000 standard
13
± 100 - 165
P age 6 / 10
2647 84 47 23
1.5W type G4 bi-pin lamp. (Bocci 24.2 LED) approx. 1.5 kg
DESIGNATIONS:
approx. 2 kg ± 150
± 150
suitable for indoor or outdoor use
57.1m Mini Canopy
57.1
57 technical
*
*
116
117
40 32 adjustable up to 3000 standard
116
adjustable up to 30500 custom max.
152 Âą 220
53 adjustable up to 3000 standard
3000 standard max. adjustable up to 30500 custom max.
adjustable up to 30500 custom max.
600
approx. 2 kg approx. 9 kg
Âą 150
57.1
57.3
Deep canopy
32
152 220
32 adjustable up to 3000 standard adjustable up to 30500 custom max.
201 300
3000 standard max. adjustable up to 30500 custom max.
approx. 15 kg
approx. 12 kg
57.5
57.37
57.7
approx. 75.2 kg
Photographs courtesy Estudi Borrell
IMAGES
10 - 11 83
Photographs by Cory Dawson
13 31
Photographs by Josh Dunford
04 - 05 85
Photographs by Spencer Hung
43 57 80 91
Photographs by Robert Keizure
18 - 19
Photographs by Nic Lehoux
50 - 51
Photographs by Gwenael Lewis
3 8 14 15 17 20 - 21 22 23 25 26 - 27 29 30 33 34 35 36 37 38 39 40 41 44 45 48 49 52 53 54 55 58 59 61 62 - 63 65 66 - 67 68 69 74 78 87 89
Photographs by Shannon Loewen Photographs by Matthew Millman Photographs by Janis Nicolay Photographs by James O’Mara
6 9 28 42 76
Photographs by Letícia Remião
7
Photographs by Mike Seymour
70
Photographs © Manollo Yllera / AD Spain Photographs by Goruta Yuuki
12 46 - 47 60
© 2013, Bocci Design and Manufacturing Inc. inquiries should be directed to info@bocci.ca.