Ewa Doroszenko
cial, settled it goods, consumption, wealth, forgetting about the metaphysical realms. It’s important that art can be a mental free zone, offering a space for contemplation and afterthought. A comprehensive overview of my artistic work can be found on websites: www.ewa-doroszenko.com
Ewa Doroszenko was born in 1983 and she currently live and works in Warsaw, Poland. Education: • Graduated (PhD degree) from The Faculty of Fine Arts at the Nicolaus Copernicus University in Torun, 2013. • Graduated (MFA degree) from The Faculty of Fine Arts at the Nicolaus Copernicus University in Torun with distinction, 2008. Selected solo exhibitions: • Tonopolis. Practical activities, Centre of Contemporary Art Znaki Czasu, Torun, Poland, 2012. • Hemel, Gallery Program, Foundation for Promoting Contemporary Art, Warsaw, Poland, 2012. • False memories, 81stopni Gallery, Warsaw, Poland, 2012. • Time capsule, Pauza Gallery, Krakow, Poland, 2011. • Structures of Forgetfulness, CK Agora, Wroclaw, Poland, 2011. • Aesthetic Interface for Memory, Wozownia Gallery of Art, Torun, Poland, 2009. • Aesthetic Interface for Memory, CBA, Warsaw, Poland, 2009. • Girlish bedtime stories, Lokator Gallery, Krakow, Poland, 2008. • Battery-powered Relations, Tummult Gallery, Torun, Poland, 2008. • Battery-powered Relations, Brda Gallery, Bydgoszcz, Poland, 2008. • The Queen of Snow and the others, Debut Gallery, Bydgoszcz, Poland, 2008. • Girlish bedtime stories – photography, Pauza Gallery, Krakow, Poland, 2007. • Down into a rabbit hole, Arts Factory Gallery, Warsaw, Poland, 2006.
Do machines dream of electric sheep? 2012 Oil and acrylic on canvases, walls 2.100 x 700 x 450 cm
human future, mobile culture, activities of regional societies or sociological issues. I am very interested in re-organizing and further developing found artifacts of human culture and placing them in a contemporary context. It’s very important that artists try to create alternative environments and act in non-compromising and alternative ways. Our wes-tern society fascinates and bothers me as well. Population is becoming more and more commer-
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