Animanima 2014 by Festival Animanima

13-16. novembar 2014.

Četvrtak 13. novembar / Thursday November 13th 20:00

22:00

Otvaranje festivala / Festival Opening Ceremony Otvaranje izložbe Ivana Stojkovića (Srbija) / Opening of the exibition of Ivan Stojković (Serbia) Multimedijalni šou ZOOMWOOZ (Španija) / ZOOMWOOZ Multimedia Show (Spain) O!PLA preko granica 2014 / O!PLA Across The Borders 2014

Petak 14. novembar / Friday November 14th 12:00 17:00 19:00 21:00

Dan vrana / The Day Of The Crows HFF “Konrad Wolf” Nemačka / HFF “Konrad Wolf” (Germany) Meklaren, delirični sanjar / McLaren, the delirious dreamer Tito na ledu / Tito On Ice

Subota 15. novembar / Saturday November 15th 12:00 17:00 19:00 21:00

Priče iz noći / Tales Of The Night Milen Alempijević: Umetnost preterivanja / Milen Alempijević: The Art of Exaggeration Najbolje iz Ansija 2014 / Best Of Annecy 2014 Prevara / Cheatin'

Nedelja 16. novembar / Sunday November 16th 12:00 17:00 19:00 21:00

Žan sa Meseca / Moon Man Savremena animacija Andaluzije / Contemporary Animation Of Andalusia STASH: Drive My Car / STASH: Drive My Car Koža boje meda / Adoption Approved

Srednji hol Middle Lobby

Velika sala Grand Hall

Mala sala Conference Room

13-16. novembar 2014. Dom kulture Čačak, SRBIJA 2014, November 13-16 Cultural Center Cacak, SERBIA

www.animanima.org

ANIMANIMA 2014

Naziv programa / Naziv podprograma

Animanima, osmo izdanje Dragi ljubitelji animiranog filma, 8. po redu ANIMANIMA je pred vama. Novo izdanje našeg i vašeg festivala može se pohvaliti i novim izgledom internet strane. Za to se pobrinuo dizajner Ivan Kostić, kao i za dizajn festivalskog videa: njegove slike je pokrenuo i oživeo neumorni i lucidni animator Krunoslav Jović, a zvučnu sliku uobličio je u svom studiju Miloš Gojković. Dakle, stari saradnici, ali u novoj kombinaciji i kreativnoj raspodeli.

Milen Alempijević, umetnički direktor / artistic director

Zbog poteškoća sa kojima smo se susretali, ove godine festivalski budžet značajno je umanjen. Izostavili smo takmičarski program, ali dobrih filmova, sigurni smo, neće nedostajati. Deo recentne svetske produkcija zastupljen je u reviji filmova koji su pobrali nagrade na najznačajnijem svetskom festivalu animacije u Ansiju, među njima i dobitnik gran prija, „Čovek na stolici“, korejske autorke Dahe Jeong. Ove godine dugometražni program biće nešto obimniji, a ono što svakako ne smete propustiti je „Prevara“, novi film kralja indi scene Bila Plimtona. Po prvi put na našem kulturnom prostoru predstavlja se animirana kinematografija Andaluzije, a „reklamožderi“ će uživati u programu „Drive My Car“, realizovanom u saradnji sa kanadskim portalom STASH. Ova godina svuda u svetu prolazi u znaku obeležavanja stogodišnjice rođenja Normana Meklarena, tako da ni ANIMANIMA neće biti izuzetak: očekujemo vas na uzbudljivoj retrospektivi velikog majstora animacije! Ovde se lista zanimljivih programa ne iscrpljuje, potražite na našem sajtu nešto za sebe i vidimo se na projekcijama u Domu kulture od 13. do 16. novembra!

Animanima, 8th edition Dear animated film lovers, the 8th edition of ANIMANIMA has arrived. Among other things, the new edition is proud of the new look of its web pages, designed by Ivan Kostić. As for the design of the festival video, its pictures have been set in motion and inspired by the tireless and lucid work of the animator Krunoslav Jović, accompanied by the soundtrack produced in the studio of Miloš Gojković. Another undertaking of the old collaborators, but this time in a new combination and creative distribution of tasks. Even though the hardships during this year and the significant cuts in the festival budget have left us without the competition programme, one thing is for sure: there will be no shortage of good fims. A part of the recent global production is presented withing the presentation of films that have won awards at the world’s most significant animation festival in Annecy, including the Grand Prix winner, the Man on the Chair by the South Corean author Dahee Jeong. This year’s feature films programme will be more comprehensive than usual, and one of the must-see creations is certainly the Cheatin’, a new film by the “King” of indie animation scene Bill Plympton. The viewers will also have the chance to see for the first time in our cultural environment the animated cinematography of Andalucia, while lovers of TV commercials will have their chance to enjoy the Drive My Car programme, brought to us in collaboration with the Canadian portal STASH. This year has been marked around the world by various events commemorating the hundredth anniversary of Norman McLaren’s birth, and ANIMANIMA will be paying its tribute as well: we are expecting you at the exciting retrospective of the great animation master! The list of the interesting programmes does not end here, as we invite you to look up your own preferences at our website, and visit us at the screening at the Cultural Centre, from 13th until 16th November!

KRATKI METAR / SHORT FILMS

Najbolje iz Ansija 2014 / Best of Annecy 2014 02

Meklaren, delirični sanjar / McLaren, the Delirious Dreamer 03

STASH: Drive My Car 04

Savremena animacija Andaluzije / Contemporary Animation of Andalusia 05

60 godina univerziteta „Konrad Wolf“ 60 Years of “Konrad Wolf” University 06

O!Pla preko granica 2014 / O!Pla Across The Borders 2014

ANIMANIMA 2014

Kratki metar

NAJBOLJE IZ ANSIJA 2014 Subota / 15.11.2014. / Velika sala / 19:00 01

PEAU “INSTANT T” Nagrada žirija Reditelj: Perin Faje Francuska / 2013 / 3:42

GLAVA U OBLACIMA Priznanje žirija Reditelj: Roberto Katani Italija / 2013 / 7:50

HASTA SANTIAGO Nagrada za prvi film “Jean-Luc Xiberras”, Nagrada Sacem za za originalnu muziku Reditelj: Mauro Kararo Francuska, Švajcarska / 2013 / 12:45

ČUDO Nagrada “CANAL+ Creative Aid” za kratki film Reditelj: Mirai Mizue Japan, Francuska / 2014 / 8:08

ANATOLOVA ŠERPICA Nagrada publike Reditelj: Eric Monšo Francuska / 2014 / 5:47

STRANA TELA Izvorni naslov: Corps étrangers Nagrada “Off-Limits” Reditelj: Nicola Bro Kanada / 2013 / 4:12

ZAKRPA Nagrada žirija Reditelj: Gerd Gokel Nemačka, Švajcarska / 2014 / 3:20

ČOVEK NA STOLICI Kristal za kratki film Reditelj: Dahe Jeong Francuska, Južna Koreja / 2014 / 6:55

VEĆA SLIKA Kristal za diplomski film Reditelj: Dejzi Džejkobs Velika Britanija / 2014 / 7:00

PRIČE IZ AUTOBUSA Priznanje žirija, Nagrada omladinskog žirija za kratki film Reditelj: Tali Kanada / 2014 / 10:40

Ansi, banja u Francuskoj u blizini granice sa Švajcarskom, za turiste iz celog sveta je sinonim za prijatan boravak u lepom mestu kraj kristalnog jezera sa pogledom na Alpe. Ali, za sve one koji su posvećeni animiranom filmu ili kao autori, producenti, edukatori, prikazivači ili samo kao zainteresovana, neizmerno radoznala publika, Ansi je reč koja izaziva grozničavo uzbuđenje u iščekivanju da ova najveća svetkovina animiranog filma u svetu (bogata tradicija seže od njenih početaka, daleke 1960. godine) svake godine u junu predstavi obilje svojih programa. Brojni tim eksperata i saradnika različitih profila, predvođen vizionarskim i kreativnim umetničkim direktorom, Kanađaninom Marselom Žanom, dao je sve od sebe da izdanje 2014. nadmaši prethodno. Sve u vezi sa Ansijem je priča o velikim brojevima, pa ni ova sezona nije izuzetak: 115 000 karata, više od 7000 akreditacija, više od 500 prikazanih filmova iz 73 zemlje, 26 nagrada. A kada govorimo o nagradama, imamo zadovojstvo da vam u okviru specijalnog programa „NAJBOLJE IZ ANSIJA 2014“ prikažemo crème de la crème, deset filmova nagrađenih na ovom prestižnom festivalu: „Kristal“ za diplomski film – Veća slika, Dejzi Džejkobs, Nagradu žirija – Zakrpa, Gerda Gokela, Nagradu „Off-Limits“ – Strana tela, Nikola Broa, Nagradu publike – Anatolova mala šerpa, Erika Monšoa)... i druge, uključujući, naravno, i dobitnika gran prija, Ansijevog „Kristala“ za najbolji kratki animirani film, izvanredno ostvarenje Čovek na stolici, južnokorejske rediteljke Dahe Jeong.

ANIMANIMA 2014

Short Films

BEST OF ANNECY 2014

Saturday / 15.11.2014 / Grand Hall / 19:00

For tourists around the world, the French spa Annecy just off the Swiss border is synonymous with a pleasant stay at a nice resort, on the shore of the crystal-clear lake and a view of the Alps. For those, however, who are dedicated to animated films – be it authors, producers, educators, presenters or just ordinary, interested and endlessly curious audience, Annecy is the word that provokes a hectic thrill in the anticipation of the world’s largest animated film feast (the rich tradition dates back to its beginnings, as far back as 1960) and its regular presentation of the wealth of the festival programmes that takes place in June each year. The numerous team of experts and collaborators of various profiles, headed by the visisonary and creative art director Canadian Marcel Jean, have done their best to make the 2014 outperform all of the previous ones. Everything about Annecy is gigantic in figures, and this season is no exception: 115,000 tickets, more than 7000 accreditations, over 500 films from 73 countries and 26 awards.

Talking of awards, we are pleased to announce the special programme BEST OF ANNECY 2014 in which we will present the crème de la crème – ten films that won the awards at this prestigious festival: the Crystal for the graduation thesis, The Bigger Picture by Daisy Jackobs, The Jury Award – Patch by Gerd Gockell, the winner of OffLimits award, film Foreign Bodies, by Nicolas Brault, the Audience Award, Anatol’s Little Saucepan by Éric Montchaud)... and others, including of course the winner of the Grand Prix, the Crystal of the Annecy festival for the best short animated film, the outstanding Man on the Chair, by the South Corean director Dahee Jeong.

PEAU "INSTANT T" Jury Award Director: Perrine Faillet France / 2013 / 3:42

FOREIGN BODIES "Off-Limits" Award Director: Nicolas Brault Canada / 2013 / 4:12

ABSENT MINDED Jury Distinction Director: Roberto Catani Italy / 2013 / 7:50

PATCH Nagrada žirija / Jury Award Director: Gerd Gockell Germany, Switzerland / 2014 / 3:20

HASTA SANTIAGO "Jean-Luc Xiberras" Award for a First Film, Sacem Award for Original Music Director: Mauro Carraro France, Switzerland / 2013 / 12:45

MAN ON THE CHAIR Cristal for a Short Film Director: Dahee Jeong France, South Korea / 2014 / 6:55

09 04

WONDER "CANAL+ Creative Aid" Award for a Short Film Director: Mirai Mizue Japan, France / 2014 / 8:08

THE BIGGER PICTURE Cristal for a Graduation Film Director: Daisy Jacobs Great Britain / 2014 / 7:00

10 05

ANATOLE'S LITTLE SAUCEPAN Audience Award Director: Éric Montchaud France / 2014 / 5:47

BUS STORIES Jury Distinction, Junior Jury Award for a Short Film Director: Tali Canada / 2014 / 10:40

ANIMANIMA 2014

UVODNI GOVOR NORMANA MEKLARENA Izvorni naslov: Discours de bienvenue de Norman McLaren Norman Meklaren Kanada / 1961 / 6:53

ZVEZDE I PRUGE Izvorni naslov: Étoiles et bandes Norman Meklaren Kanada / 1941 / 2:00

KOKIN SKOK Norman Meklaren Kanada / 1949 / 4:00

RAZBIBRIGA Izvorni naslov: Caprice en couleurs Norman Meklaren Kanada / 1949 / 7:47

BILA JEDNOM JEDNA STOLICA Izvorni naslov: l était une chaise Klod Žutra, Norman Meklaren Kanada / 1957 / 9:54

HORIZONTALNE LINIJE Izvorni naslov: Lignes horizontales Evelin Lambart, Norman Meklaren Kanada / 1962 / 5:55

BLINKITI BLENK Izvorni naslov: Norman Meklaren Kanada / 1955 / 5:15

KOS Izvorni naslov: Le merle Norman Meklaren Kanada / 1958 / 4:06

SUSEDI Izvorni naslov: Voisins Norman Meklaren Kanada / 1952 / 8:06

SINHROMIJA Izvorni naslov: Synchromie Norman Meklaren Kanada / 1971 / 7:26

PAS DE DEUX Norman Meklaren Kanada / 1968 / 13:21

Kratki metar

MEKLAREN, DELIRIČNI SANJAR Povodom 100 godina od rođenja majstora animacije Normana Meklarena Petak / 14.11.2014. / Velika sala / 19:00 Na severnoameričkom kontinentu 40-ih godina XX veka odigravaju se prevrati u oblasti filmske animacije koji će doprineti drugačijem kritičkom prijemu i razumevanju animiranog filma. Izraziti oponent diktatu sladunjavih proizvoda iz Diznijevog studija, Teks Ejveri, izvrnuće fabulu naglavce, dopuštajući svojim anarhoidnim likovima iznenađujuće kalambure, istovremeno dovodeći u nove odnose elemente filmske forme. Daleko od vreve, u miru i pod okriljem kanadskog Nacionalnog filmskog borda (NFB), jedan tihi revolucionar – Norman Meklaren – konsekventno je sprovodio svoje vizije u delo i ispostaviće se da će to biti, kako je rekao Ranko Munitić, fundamentalne inovacije, remek-dela slobodne animacijske ekspresije. Škot rođenjem (Stirling, 1914), Meklaren je najveći deo života proveo u Kanadi i svi njegovi profesionalni uspesi neraskidivo su vezani za kanadski Nacionalni filmski bord (NFB). Pre dolaska u Otavu 1941. godine, proveo je neko vreme u Londonu i u Njujorku. U prestonici Ujedinjenog Kraljevstva je za Nacionalnu poštu načinio promotivni film Ljubav na krilu (1938), koji je onačio prvu zvaničnu upotrebu tehnike direktnog crtanja na filmsku traku, čime je film realizovan bez posredovanja kamere. U Americi, naredne godine, u njegovom filmu Tačke i čvorovi, pored apstraktne slike i zvuk je apstraktan, nastao uz pomoć mehaničkih modifikcija zvučnih zapisa. U Kanadi Meklaren intenzivno radi, trebalo je podstaći građane na kupovinu ratnih obveznica ili ih upoznati sa opasnostima inflacije i prednostima štednje, ali su ovi propagandni filmovi u isto vreme bili i značajni eksperimenti van do tada uobičajenih okvira samog medija.

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Meklarenu je 1943. povereno otvaranje i organizacija posebnog NFB-ovog odela za animaciju i on ubrzo okuplja oko sebe značajna imena, poput Džordža Daninga, Renea Žoduana, Džima Mekeja, Granta Manroa i Žan-Pola Ladusera, sa kojim će 1944. napraviti film Ševa, pokretanjem komadića isečenog materijala. Bio je to svojevrsni eksperiment koji će odvesti ka novima, metamorfiranju crteža i iluziji neprekidnog kretanja u prostoru. Tih godina nastaju i filmovi-ilustracije starih narodnih pesama francuske kulturne tradicije u Kanadi, u kojima se prepoznaje Meklarenova buduća jaka veza sa muzikom i plesom. Kada se 1949. godine pojavio film Razbibriga, na muziku džez trija Oskara Pitersona, bio je to još jedan zreli rad u oblasti njegovog apstraktnog izražavanja, ali i više od toga, jer, videvši film, Pikaso je egzaltirano uzviknuo: „Konačno nešto novo!“ Međutim, Meklaren ne prestaje da iznenađuje: on aplicira tehniku snimanja „kadar po kadar“ (frame-by-frame) na ljudske pokrete i ostvaruje zapanjujuće efekte: film Susedi (njih dvojica bi jedan cvet želeli svaki u svom dvorištu, zbog čega otpočne bespoštedna borba oko međe) dobija Oskar 1952. Vest o prestižnoj nagradi Meklarena je zatekla u Indiji (jedan u nizu njegovih socijalnih angažmana), a skromni maestro je odgovorio: „Hvala, ali ko je taj Oskar?“ Za Meklarena je često tehnički aspekt kreacije bio značajan u meri u kojoj bi najpre osmislio metod, a onda za njega pogodnu temu filma. Blinkiti Blenk (1954) svoju sliku duguje mehaničkom grebanju filmske trake, u Priči o stolici (1957) trik-kamera predmet ontologizuje, dodeljujući mu karakter. U remek-delu iz 1967. godine, Pas de deux, igra dvoje baletskih umetnika je tehnikom hronofotografije, sukcesivnim umnožavanjem njihovih pokreta, dostigla vanvremenost, gotovo mističnost. Film kao da je vizuelizovao Meklarenovu maksimu o animaciji koja nije umetnost pokrenutih crteža, već nacrtanog pokreta, od esencijalne važnosti je ne ono što se može naći u crtežima, nego između njih. Koherencija vizuelnog i zvučnog je u središtu Meklarenovog umetničkog izraza. Za istoričara animacije Đanalberta Bendacija, Meklaren je bio introspektivni pesnik, delirični sanjar pokretnih geometrjskih formi i istraživač manje poznatih oblasti filmske umetnosti. Za jedan ljudski život i više nego dovoljno. Milen Alempijević

ANIMANIMA 2014

Kratki metar

MCLAREN, THE DELIRIOUS DREAMER Celebrating 100th anniversary of the birth of the animation master Norman McLaren Friday / 14.11.2014 / Grand Hall / 19:00 01

NORMAN MCLAREN’S OPENING SPEECH Original Title: Discours de bienvenue de Norman McLaren Norman McLaren Canada / 1961 / 6:53

STARS & STRIPES Original Title: Étoiles et bandes Norman McLaren Canada / 1941 / 2:00

HEN HOP Norman McLaren Canada / 1949 / 4:00

BEGONE DULL CARE Original Title: Caprice en couleurs Norman McLaren Canada / 1949 / 7:47

CHAIRY TALES Original Title: l était une chaise Claude Jutra, Norman McLaren Canada / 1957 / 9:54

LINES HORIZONTAL Original Title: Lignes horizontales Evelyn Lambart, Norman McLaren Canada / 1962 / 5:55

BLINKITY BLANK Norman McLaren Canada / 1955 / 5:15

BLACKBIRD Original Title: Le merle Norman McLaren Canada / 1958 / 4:06

NEIGHBOURS Original Title: Voisins Norman McLaren Canada / 1952 / 8:06

SYNCHROMY Original Title: Synchromie Norman McLaren Canada / 1971 / 7:26

PAS DE DEUX Norman McLaren Canada / 1968 / 13:21

The changes in the film animation that took place during 1940s in North America would eventually contribute to an overall different critical view and perception of animated film. A fervent opponent of the sweetened products dictated by the Disney Studio, Tex Avery will turn the fable upside down, allowing his anarchic characters to delve into astounding pranks, while at the same time bringing the elements of the film form into new relations. Far away from the bustle of the main scene, undisturbed under the wing of the Canadian National Film Board (NFB), the quiet revolutionary Norman McLaren kept turning his visions into reality in a gradual process that would turn out to be, as Ranko Munitić once observed, a series of fundamental innovations, master-pieces of animation expressiveness. As an artist of Scottish descent (born in Stirling in 1914), McLaren lived in Canada for most of his life and all of his professional success was inseparably linked with the Canadian National Film Board (NFB). Before moving to Ottawa in 1941, he had spent some time working in London and New York. In the promotional film Love on the Wing (1938), which he had made in the UK capital, he pioneered a cameraless technique of direct drawing onto the film tape. In the film that he made in America in the following year, Dots and Loops, abstract visual expression was supported by an abstract soundtrack, made using mechanical modifications of sound recordings. McLaren’s work in Canada is laborious and intense, driven by the need to encourage the citizens to buy the government bonds, to make them aware of the dangers of inflation and the advantages of saving; at the same time, these propaganda films were also significant experiments beyond the current standard frameworks of the medium. In 1943, McLaren was entrusted with the task of setting up and organising a special NFB animation department, where he soon gathered some important artists such as George Dunning, René Jodoin, Jim McKay, Grant Munro and Jean-Paul Ladouceur,

ANIMANIMA 2014

Short Films

with whom he would make the Skylark in 1944, featuring the technique of moving cut-out pieces of material. In its own right, this experiment would lead to new exploration and eventually to metamorphic transformation of the drawing and creating the illusion of perpetual movement through space. This period would see the creation of films-illustrations of old folk songs, part of the French cultural heritage in Canada, suggesting McLaren’s later strong bonds with music and dance. Apart from being another mature product of the artist’s abstract explorations, the 1949 Begone Dull Care, featuring the Oscar Peterson jazz trio music, was also a step further – having seen the film, Picasso’s exalted comment was: “Finally something new!” However, McLaren’s stock of surprises did not end here – instead, he moves on to apply the frame-by-frame technique on human movements, achieving astonishing results. The Neighbours (engaged in a ferocious fight over the boundary, each of them wanting the same flower in his yard) won the Oscar in 1952. The news of the prestigious award reached McLaren in India (attending to one of his numerous social engagements), and was received by the modest master with a comment: “Thanks, but who is Oscar?”. McLaren found the purely technical aspect of creation significant to the degree to which he would first thought of a method, and then defined a suitable theme for it. While Blinkity Blank owes its picture to the mechanical scratching of the film tape, the Chairy Tale (1957) the object is ontologised by the trick-camera endowing it with a character. In his 1967 masterpiece, Pas de deux, the dance of two ballet artists is transposed to a timeless, almost mystic dimension by the chronophotography technique and successive multiplication of their movements. The film seems to have visualised McLaren’s maxim of animation representing not an art of moving drawings, but of the drawnmovement, where the prime importance is not placed on the content of the drawings themselves, but rather on what is between the drawings. The coherence between the visual and audio content is in the centre of McLaren’s artistic expression. For animation historian Giannalberto Bendazzi, McLaren was an introspective poet, a delirious dreamer of moving geometric forms and an explorer of lesser-known areas of the cinematic art. More than enough for a human life. Milen Alempijević

ANIMANIMA 2014

Kratki metar

DRIVE MY CAR

Nedelja / 16.11.2014. / Velika sala / 19:00 01

Ford Fiesta “Ice Puck”

Mercedes Benz “Sounds Of Summer”

Renault Espace “Hector's Life”

Volkswagen Golf Gti “Gene”

Toyota Camry “Knives”

Peugeot “Easy Life”

Hummer H3 “Chairs”

Volkswagen Polo “Skydiving”

Hummer H3 “Monster”

Subaru “Stone Age”

Nissan “Croco”

Volkswagen Phaeton “Galanty Show”

Citroen “Jungle”

Citroen “Rubik's Cube”

Audi “Rs6 Gymnasts”

Hyundai “Imagine”

Audi Q5 “Unboxed”

Festival ANIMANIMA nastavlja saradnju sa kreativcima iz Toronta, STASH Magazinom, koji se stara o najvećoj svetskoj onlajn videoteci animacije, specijalnih efekata i moušn dizajna, čiji je sastavni deo i mnoštvo posebnih sadržaja koji se odnose na unapređenje znanja u oblasti struke. STASH-ova arhiva vrvi od reklama za automobile: Tojota, Mercedes, BMW, Subaru, Ford, Škoda, Audi, Reno, Pežo, Nisan, Sitroen, Ševrolet, Folksvagen... Umetnički direktor Animanime Milen Alempijević predložio je STASH-ovim urednicima Stivenu Prajsu i Heder Griv jedan pomalo neobičan program, a njima se ideja dopala i izašli su u susret njegovoj zamisli i izboru, tako da Animanima ponovo ima zadovoljstvo da svojoj publici predstavi deo bogate STASH-ove kolekcije animiranih radova autora iz celog sveta. Pred vama je revija naslovljena po poznatoj pesmi Bitlsa “DRIVE MY CAR”. Automobil je jedan od fenomena našeg doba. Za nekog tek prevozno sredstvo ili sredstvo za rad, za nekog statusni simbol ili zadovoljstva zbog moćnih performansi, za nekog i više od toga: kućni ljubimac ili član porodice! U čemu god da ste se prepoznali, ne propustite reviju “DRIVE MY CAR” u koji ćete videti na koji način savremeni majstori animacije i specijalnih efekata pretaču sugestivnost marketinških poruka jedne od najmoćnijih globalnih industrija u žive, ponekad zapanjujuće slike. www.stashmedia.tv

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DRIVE MY CAR

Sunday / 16.11.2014 / Grand Hall / 19:00 The ANIMANIMA festival continues the collaboration with the creative team of Toronto, the STASH Magazine, the world’s largest online video-library of animation, special effects and motion design, including as well numerous special contents in the field of advancement of the professional knowledge in this area.

The STASH archive is brimming with car commercials: Toyota, Mercedes, BMW, Subaru, Ford, Škoda, Audi, Renault, Peugeot, Nissan, Citroen, Chevrolet, VolksWagen… When the Animanima Art Director has approached the STASH editors Stephen Price and Heather Greave with an unusual proposal regarding the programme, it turned out that they liked it and supported the idea and the selection, resulting in the opportunity and pleasure for Animanima to present to its audiences once again a part of the STASH’s rich collection of animated works by authors from all parts of the world. The review before you has been aptly titled after the well-known Beatles song, “DRIVE MY CAR”. The automobil is a present-day phenomenon. While for some of us it is a mere means of transportation, for others it becomes much more – a pet or a family member! Whatever of these situation you may identify with, do not miss the ‘DRIVE MY CAR’ review, with its unique insight into the work of contemporary animation and special effects masters, picking on suggestiveness of marketing messages conveyed by one of the world’s most potent industries and transposing them into, into living, albeit sometimes astounding pictures. www.stashmedia.tv

Skoda “Meaner Stuff”

Lexus “Swarm”

Land Rover “Claynation”

Kia “Totally Transformed”

Subaru “The Carparts”

Kia Sorento “Space Babies”

Kia Optima “One Epic Ride”

Nissan “Wouldn't It Be Cool?”

Mini “Rocketman Concept”

Audi A4 “Pacesetter”

Audi A6 “Manipulation”

Audi “Vampire Party”

BMW “Refuel”

Audi A4 “Robot”

Toyota Prius “People Person”

Mini Countryman “Flow”

Audi “Hummingbird”

Subaru “Crowd”

Volkswagen “Flyboy”

Volkswagen “The Moving City”

Audi “Doberhuahua”

Chevrolet “Buildings”

ANIMANIMA 2014

Kratki metar

SAVREMENA ANIMACIJA ANDALUZIJE Nedelja / 16.11.2014. / Mala sala / 17:00 01

PRINC SMEĆA Izvorni naslov: El Príncipe de las basuras Režija: Fransisko Antonio Peinado Gaitan 2008 / 8:40

DAMA I SMRT Izvorni naslov: La dama y la muerte Režija: Havijer Resio Grasija 2009 / 8:26

ALFRED I ANA Izvorni naslov: Alfred Y Anna Režija: Kike Florido 2012 / 14:00

FUGA Režija: Huan Antonio Espigares 2012 / 16:00

ORIGAMI Režija: David Pavon 2013 / 6:00

GOSPODIN BARIJENTOS – OFSAJD Izvorni naslov: Sr. Barrientos Fuera de juego Režija: Kike Florido 2013 / 4:30

Ovaj program, realizovan u saradnji sa Institutom Servantes iz Beograda, još jedna je prilika prilika da na Animanimi gledamo ostvarenja recentne animirane produkcije iz Španije. Ovoga puta predstavljamo autore iz regiona Andaluzija. Audiovizuelna fondacija Andaluzije nam je obezbedila šest filmova nastalih u periodu 20082013. godine. “Princ smeća“ je distopijska priča o dečaku koji živi u svom paralelnom svetu u ruinama i sreće se sa ljudima, najokrutnijim bićima koja je ikada mogao da zamisli. Crna komedija “Dama i Smrt“ pripoveda o starici koja umire i arogantnom doktoru koji je u sali za hitne slučajeve neprestano vraća u život boreći se sa Smrću lično! „Alfred i Ana“ govori o idealima profesora muzike Alfreda zbog kojih se on vremenom udaljio od svoje supruge Ane. „Fuga“ je fantazmagorična pripovest o devojčici Sari koja u konzervatorijumu otkriva različite načinie razumevanja realnosti u kojoj živi i sopstvenog talenta. „Origami“ donosi poetičnu priču o papirnom brodiću iz napuštene prodavnice igračaka koji kreće na životno putovanje. „Gospodin Barijentos – ofsajd“ je pitka komedija u kojoj gospodina u zapuštenom hotelu jedne olujne fudbalske noći iznenada poseti misteriozna osoba... Ovi filmovi svedoče o širokom rasponu autorskih poetika, od SF-a, preko crnohumorne komedije, do psihološke drame, i predstavljaju u najboljem svetlu savremenu animacijsku scenu na krajnjem jugu Pirinejskog poluostrva. www.avandalus.org

ANIMANIMA 2014

Short Films

CONTEMPORARY ANIMATION OF ANDALUSIA Sunday / 16.11.2014 / Conference Room / 17:00 01

THE GARBAGE PRINCE Original Title: El príncipe de las basuras Director: Francisco Antonio Peinado Gaitán 2008 / 8:40

THE LADY AND THE REAPER Original Title: La dama y la muerte Director: Javier Recio Gracia 2009 / 8:30

ALFRED & ANNA Original Title: Alfred Y Anna Director: Juanma Suárez García 2012 / 14:00

FUGUE Director: Juan Antonio Espigares 2012 / 16:00

ORIGAMI Director: David Pavón 2013 / 6:00

MISTER BARIRENTOS – OFFSIDE Original Title: Sr. Barrientos Fuera de juego Director: Kike Florido 2013 / 4:30

This programme, realized in collaboration with the Cervantes Institute from Belgrade, presents another opportunity for the Animanima audiences to watch the releases of the recent animation production of Spain. This time, the festival will present authors from the region of Andalusia. The institution of Fundación Audiovisual de Andalucía has provided six films created in the period between 2008 and 2013. “The Garbage Prince” is distopian story about a boy who lives in a parallel world full of ruins where he encounters humans, the cruelist beings he could ever have imagined. Black comedy “The lady and the reaper “ depicts an old lady waiting for her last hour to be reunited with her late husband and an arrogant doctor who starts a fierce battle with the Death herself! In “Alfred & Anna” idealistic music teacher Alfred drifts away from his wife Ana as time goes by. Sara, main character from short film “Fugue” will discover at music Conservatory in a phantasmagoric way different sides of her own reality and talent.“Origami” brings a poetic story about a little paper boat from a deserted toy shop, who one day decided to embark on the journey of a lifetime. Finally, in “Mister Barirentos – Offside”, one stormy football night a gentleman in a rundown hotel is suddenly visited by a mysterious person... Here we have the wide scope of the authors’ poetic approaches, ranging from SF, to dark humour comedy, to psychological drama, representing in the best light the contemporary animation scene of the southernmost region of the Iberian Peninsula. www.avandalus.org

ANIMANIMA 2014

Kratki metar

60 GODINA UNIVERZITETA „Konrad Wolf“ Petak / 14.11.2014. / Mala sala / 17:00

OSNOVNE STUDIJE U OBLASTI LEPIH UMETNOSTI (B.F.A.) Težište studijskog programa je na sticanju umetničkih, praktičnih i tehnoloških osnova za klasične, eksperimentalne i digitalne 2D i 3D tehnike animacije. Ono što program Osnovnih studija na HFF-u čini posebnim, jeste to što on omogućava studentima da preuzmu odgovornost za svaku od faza u produkciji animiranog filma – od razrade početne zamisli, preko priče i vizuelnog stila u stvaranju skice za scenario, do razrade likova, umetničke / tehničke primene u kombinaciji sa zvučnim sadržajem i razvoja filma. Julija Dufek / Julia Dufek

Bik Režija: Matijas Denšel 2002 / 3:32

Lucija Režija: Feliks Genert 2003 / 8:24

Papučari Režija: Suzana Zajdl 2004 / 7:10

Džemsešn Režija: Izabela Plućinska 2005 / 9:32

Naš čovek u nirvani Režija: Jan Kester 2006 / 10:31

Moj srećni kraj Režija: Milen Vitanov 2007 / 5:00

Čamp i Klamp Režija: Stefan Zaher, Mihael Herm 2008 / 10:19

Nikada ne vozi kola kad si mrtav Režija: Gregor Dashuber 2009 / 9:47

Zaleđe Režija: Jost Althof, Jakob Vejde 2010 / 9:00

Flamingo Prajd Režija: Tomer Ešed 2011 / 5:00

REŽIJA ANIMIRANOG FILMA – Master Finih umetnosti (M.F.A.) Master Program Režije animiranog filma omogućuje studentima da usavrše svoja tehnička i kreativna znanja i veštine usvojene tokom Osnovnih studija animacije, kao i da dodatno razviju svoj individualni umetnički pristup u praktičnim postavkama. Pored pripreme za uspešnu karijeru slobodnog umetnika, program studente osposobljava i za uspešno rukovođenje timom saradnika. Izbor naboljih diplomskih filmova predstaviće specijalna gošća iz Potsdama, nekada i sama student ove ugledne nemačke obrazovne ustanove, a sada predavač na odseku za animaciju, Julija Dufek.

Julija Dufek. Rođena u Zapadnom Berlinu 1975. godine, Julija Dufek je prvih deset godina svog života provela u tada podeljenoj Nemačkoj, da bi 1986. sa roditeljima otišla u Bocvanu u Africi, gde ostaje do kraja školovanja 1993. godine (diplomirala je na južnoafričkom Voterford Kamlaba Junajtid Vorld koledžu u Svazilendu). Vrativiši se u Berlin, započinje studije animacije na Visokoj školi za film i televiziju „Konrad Volf“ (sada Filmski univerzitet Konrad Volf u Babelzbergu). Godine 2010, odlazi u Italiju, u Firencu, gde živi i studira vajarstvo na Umetničkoj akademiji u Firenci. Počev od 2012, angažovana je kao umetnički član fakulteta, na odseku za animaciju pri Univerzitetu „Konrad Volf“ u Babelsbergu, gde pomaže studentima u njihovim filmskim projektima, drži predavanja iz oblasti Autodesks Maya, Pixologics Zbrush, kao šef katedre Vicon Motion Capture System, 3D skener i 3D printer. Uvek naglašava figurativnu prirodu svog rada, bilo da radi o analognim ili digitalnim tehnikama. Sebe doživljava kao vajara koji kroz animaciju izrađuje “skulpturu u pokretu”.

ANIMANIMA 2014

Short Films

60 YEARS of “Konrad Wolf” UNIVERSITY Friday / 14.11.2014 / Conference Room / 17:00

BACHELOR OF FINE ARTS (B.F.A.) The training provided focuses on the artistic, practical, and technological basics of all classic, experimental, and digital 2D and 3D animation techniques. What makes HFF's Animation B.F.A. program special is that it enables students to take responsibility for all steps in the production of an animated film – from the development of the first idea, the story, and the visual style over the creation of a storyboard, character design, and artistic / technical implementation to sound recording and film playout. DIRECTING FOR ANIMATION – Master of Fine Arts (M.F.A.) The Animation Direction M.F.A. program allows students to enhance the technical and creative skills acquired during the Animation B.F.A. program and to further develop their individual artistic approach in a practical setting. In addition to the preparation of a successful artistic career in the freelance business, the program also provides systematic training on how to manage a team. The selection of the best graduation films will be presented by our special guest from Potsdam, herself a former student of this respectable German school and a current lecturer at the Animation Department, Julia Dufek. 01

Tauro Director: Matthias Daenschel 2002 / 3:32

Lucia Director: Felix Gönnert 2003 / 8:24

Pantoffelhelden Director: Susanne Seidel 2004 / 7:10

Jam Session Director: Izabela Plucinska 2005 / 9:32

Our Man in Nirvana Director: Jan Koester 2006 / 10:31

My Happy End Director: Milen Vitanov 2007 / 5 Min.

Chump & Clump Director: Stephan Sacher & Michael Herm 2008 / 10:19

Never Drive A Car When You’re Dead Director: Gregor Dashuber 2009 / 9:47

Hinterland Director: Jost Althoff & Jakob Weyde 2010 / 9:00

Flamingo Pride Director: Tomer Eshed 2011 / 5:00

Julia Dufek. Born in 1975 in West Berlin, Julia Dufek spent her first 10 Years in divided Germany. With her parents she left for Botswana, Africa in 1986, where she stayed until she finished her schooling in 1993 (in Swaziland at the Waterford Kamhlaba United World College of Southern Africa). Back in Berlin she studied animation at the Hochschule für Film und Fernsehen “Konrad Wolf”, (now Filmuniversity Babelsberg KONRAD WOLF). In 2010 Julia left for Florence, Italy to live and study sculpture at the Florence Academy of Art. Since 2012 she is an artistic member of faculty in the animation department of the Filmuniversity Babelsberg KONRAD WOLF. Here she assists students with their film-projects, teaches Autodesks Maya, Pixologics Zbrush and is in charge of the departments Vicon Motion Capture System, the 3D scanner and 3D printer. The emphasize in her work has always been figurative, be it analog or digital. She sees herself as a sculptor who embraces animation as “sculpture in motion”.

ANIMANIMA 2014

Kratki metar

O!PLA PREKO GRANICA 2014 Četvrtak / 13.11.2014. / Mala sala / 22:00

O!Pla preko granica 2014 predstavlja sasvim izuzetan program, u kome se prikazuju pobednici o!Pla – festivala poljske animacije (www.polskaanimacja.pl), kao potpuno nezavisnog kulturnog projekta, čije je drugo izdanje održano u 44 grada u Poljskoj, od 21. marta do 8. juna 2014. godine, dok je odluku o pobednicima donosila isključivo publika!

O!PLA preko granica 2014 predstavlja neku vrstu preseka savremene (2012-2014) poljske animacije za gledaoca uzrasta 16+ i uključujući kako filmove stvorene u profesionalnom studiju, tako i potpuno nezavisne animacije, školske filmove (diplomske radove), animirane muzičke spotove, sve do animiranih epigrama (veoma kratkih filmova), kao nove kategorije. Od samog početka, osnovni cilj festivala O!PLA bio je da (ponovo) izgradi odnose između publike i umetnika, kao i da umetnost animacije dovede do manjih centara u zemlji. Uz sve to, zahvaljujući specijalnim projekcijama za gledaoce svih uzrasta, predavanjima, susretima sa umetnicima i radionicama, O!PLA ima i značajnu edukativnu dimenziju. Konačno, zahvaljujući projektu O!PLA preko granica 2014, moguće je promovisati umetnost poljske animacije u drugim zemljama (prošle godine, projekat je prikazan u 32 grada na 4 kontinenta). Treće izdanje festival O!PLA održaće se u periodu 21.03.-31.05. 2015. godine. Pokretač i glavni organizator festivala O!PLA je Animation Across Borders (Pjotr Kardas).

STEFAN I BUBA 2012 / 12:20 Režija: Pjotr Lok Hoang Ngok 3. Nagrada (Smeđi zavežljaj) u kategoriji “studentskih/diplomskih” radova

ČOVEK OD ŽICE 2013 / 11:29 Režija: Ana Rekas 2. Nagrada (Srebrni zavežljaj) u kategoriji “studentskih/diplomskih radova”

ORAWUS 2013 / 09:15 Režija: Vojćeh M. Slavuski 3. Nagrada (Smeđi zavežljaj) u kategoriji “Animirani muzički spot”

PRAVO PRVE NOĆI 2012 / 4:15 Režija: Lukaš Rusinek 2. Nagrada (Srebrni zavežljaj) u kategoriji “animirani muzički spot”

CREVNI PARAZIT 2014 / 7:29 Režija: Tomaš Pavlak 3. Nagrada (Smeđi zavežljaj) u kategoriji “potpuno nezavisnih” filmova

IZGUBLJENI RAZUM 2013 / 6:05 Režija: Marsin Vasilevksi 3. Nagrada (Smeđi zavežljaj) u kategoriji “filmova izrađenih u profesionalnom studiju” CRNO NA BELOM 2013 / 01:10 Režija: Mateuš Gudel 3. Nagrada (Smeđi zavežljaj) u kategoriji “animiranih epigrama”

ON / OFF 2013 / 06:27 Režija: Pjotr Ludvik 2. Nagrada (Srebrni zavežljaj) u kategoriji “filmova izrađenih u profesionalnom studiju”

VLADAVINA LJUBAVI 2013 / 13:15 Režija: Adela Kacmarek 1. Nagrada (Zlatni zavežljaj), u kategoriji “filmova izrađenih u profesionalnom studiju”

ŠTA AKO... 2013 / 04:57 Režija: Kamil Vojčik 1. Nagrada (Zlatni zavežljaj) u kategoriji “potpuno nezavisnih” filmova

TRI KRALJA – PASTORALA 2014 / 03:20 Režija: Ana Blaščik 1. Nagrada (Zlatni zavežljaj) u kategoriji “animirani muzički spot”

PAUK I MUVE 2013 / 3:30 Režija: Tesa Moult-Milevska 2. Nagrada (Srebrni zavežljaj) u kategoriji “potpuno nezavisnih” filmova

ARS MORIENDI 2013 / 7:22 Režija: Miloš Marganjski 1, Nagrada (Zlatni zavežljaj) u kategoriji “studentskih/diplomskih” filmova

SO I BIBER 2012 / 02:02 Režija: Alisija Adamkijevič 2. Nagrada (Srebrni zavežljaj) u kategoriji “animiranih epigrama”

PAC! 2012 / 01:19 Režija: Alisija Blažinska 1. Nagrada (Zlatni zavežljaj) u kategoriji “animiranih epigrama”.

ANIMANIMA 2014

Short Films

O!PLA ACROSS THE BORDERS 2014 Thursday / 13.11.2014 / Conference Room / 22:00

O!PLA Across the Borders 2014 is an exceptional program including the winners of O!PLA – The Festival of Polish Animation (www.polskaanimacja.pl) – the fully independent cultural project, whose second edition was held in 44 Polish cities, from March 21st to June 8th 2014, and in which only audience decide about the winners!

O!PLA Across the Borders 2014 is a kind of cross-section of contemporary (20122014) Polish animation for audience 16+; including both “films made in professional studio”, fully independent animations, school (graduation films), animated music videos, and new category – “animated epigrams” (very short movies). From the very beginning, the main aim of O!PLA was to (re)build relations between audience and artists, and reaching out with the art of animation especially to smaller centers in the country. Moreover, O!PLA – thanks to special screenings for viewers of all ages, lectures, meetings with artists and animation workshops – has a significant educational dimension. And thanks to O!PLA Across the Borders 2014 project it is possible to promote the art of Polish animation also abroad (last year in 32 cities at 4 continents). 3rd edition of O!PLA will be held 21.03-31.05.2015. The initiator and main organizer of O!PLA is Animation Across Borders (Piotr Kardas).

STEVEN AND THE BETTLE 2012 / 12:20 Director: Piotr Loc Hoang Ngoc 3rd Award (“Brown Bundle”) in the category “school/graduation”

WIRE MAN 2013 / 11:29 Director: Anna Rekas 2nd Award (“Silver Bundle”) in the category “school/graduation”

ORAWUS 2013 / 09:15 Director: Wojciech M. Sławuski 3rd Award (“Brown Bundle”) in the category “animated music video"

THE LAW OF THE FIRST NIGHT 2012 / 4:15 Director: Łukasz Rusinek 2nd Award (“Silver Bundle”) in the category “animated music video"

HUMAN PARASITE 2014 / 7:29 Director: Tomasz Pawlak 3rd Award (“Brown Bundle”) in the category “fully independent”

LOST SENSES 2013 / 6:05 Director: Marcin Wasilewski 3rd Award (“Brown Bundle”) in the category “film made in professional studio” BLACK ON WHITE 2013 / 01:10 Director: Mateusz Gudel 3rd Award (“Brown Bundle”) in the category “animated epigrams”

ON / OFF 2013 / 06:27 Director: Piotr Ludwik 2nd Award (“Silver Bundle”) in the category “film made in professional studio”

THE GOVERNANCE OF LOVE 2013 / 13:15 Director: Adela Kaczmarek 1st Award (“Golden Bundle”) in the category “film made in professional studio”

WHAT IF... 2013 / 04:57 Director: Kamil Wójcik 1st Award (“Golden Bundle”) in the category “fully independent”.

THREE KINGS – PASTORALE 2014 / 03:20 Director: Anna Błaszczyk 1st Award (“Golden Bundle”) in the category “animated music video"

SPIDER AND FLIES 2013 / 3:30 Director: Tessa Moult-Milewska 2nd Award (“Silver Bundle”) in the category “fully independent”

ARS MORIENDI 2013 / 7:22 Director: Miłosz Margański 1st Award (“Golden Bundle”) in the category “school/graduation”.

SALT AND PEPPER 2012 / 02:02 Director: Alicja Adamkiewicz 2nd Award (“Silver Bundle”) in the category “animated epigrams”

PAC! 2012 / 01:19 Director: Alicja Błaszczyńska 1st Award (“Golden Bundle”) in the category “animated epigrams”.

DUGI METAR / FEATURE FILMS

Prevara / Cheatin' Bil Plimpton / Bill Plympton

Tito na ledu / Tito on Ice

Maks Anderson, Helena Ahonen / Max Anderssson, Helena Ahonen

Koža boje meda / Approved for Adoption Jung, Loran Boalo / Jung, Laurent Boileau

Dan vrana / The Day of the Crows Žan-Kristof Desen / Jean-Cristophe Dessaint

Priče iz noći / Tales of the Night Mišel Oslo / Michel Ocelot

Žan sa Meseca / Moon Man Stefan Šeš / Stephan Schesch

ANIMANIMA 2014

Dugi metar / Program 01

PREVARA

Subota / 15.11.2014 / Velika sala / 21:00 SAD / 2013 / 76 min Reditelj: Bil Plimpton Producent: Desire Stavrakos Dizajn: Lindzi Vuds Montaža: Kevin Palmer Muzika: Nikol Reno Dizajn zvuka: Veston Fondžer

Džejka i Elu će spojiti sudbinski sudar automobila u luna-parku, i oni će postati najzaljubljeniji par u dugoj istoriji romanse. Ali kada neka “druga” žena vična spletkarenju poseje zrno ljubomore u njihovo savršeno udvaranje, nesigurnost i mržnja progovaraju jezikom dovešće do zlehude sudbine. Oslonivši se jedino na pomoć osramoćenog čarobnjaka i njegove zabranjene ”mašine duše“, Ela poprima obličje Džejkovih mnogobrojnih ljubavnica, očajnički se hvatajući u koštac sa kvarovima i obmanama, u hrabrom pokušaju da povrate svoju sudbinu.

Bila Plimptona smatraju “kraljem” nezavisne animacije, i ostaje zabeležen kao jedini umetnik koji je rukom iscrtao animirani dugomtražnifilm. Odrastavši u rodnom Portlandu u Oregonu, diplomirao je na odseku za Grafički dizajn državnog Univerziteta u Portlandu. Nakon prelaska u Njujork 1968. godine, započinje karijeru strip crtača za izdanja kao što su New York Times, National Lampoon, Playboy i Screw. Njegov kratki animirani film Your Face nominovan je za Oscar® 1987. godine, da bi naredna nominacija za Oscar® usledila 2005. godine, ovoga puta za kratki film Guard Dog. Prestižno priznanje Filmskog festivala u Kanu, Zlatnu palmu, osvojio je 1991. godine kratkim filmom Push Comes to Shove. Nakon što je izradio veći broj kratkih filmova koji su prikazivani na MTV-u i na festivalu Spike and Mike, svoje umetničke talente usmerio je ka dugometražnom filmu. Od 1991. godine napravio ih je devet od kojih su šest animirani: The Tune, Mondo Plympton, I Married A Strange Person, Mutant Aliens, Hair High i Idiots and Angels.

ANIMANIMA 2014

Feature Films / Programme 01

CHEATIN'

Saturday / 15.11.2014 / Grand Hall / 21:00 USA / 2013 / 76 min Director: Bill Plympton Producer: Desirée Stavracos Art Direction: Lindsay Woods Editing: Kevin Palmer Music: Nicole Renaud Sound Design: Weston Fonger

In a fateful bumper car collision, Jake and Ella meet and become the most loving couple in the long history of Romance. But when a scheming “other” woman drives a wedge of jealousy into their perfect courtship, insecurity and hatred spell out an untimely fate. With only the help of a disgraced magician and his forbidden “soul machine”, Ella takes the form of Jake's numerous lovers, desperately fighting through malfunction and deceit as they try to reclaim their destiny.

Bill Plympton is considered the King of Indie Animation and is the only person to hand draw an entire animated feature film. Born and raised in Portland, Oregon, he graduated from Portland State University in Graphic Design. Bill Plympton moved to New York City in 1968. He began his career creating cartoons for publications such as New York Times, National Lampoon, Playboy and Screw. In 1987 he was nominated for an Oscar® for his animated short Your Face. In 2005, Bill received another Oscar® nomination, this time for a short film Guard Dog. Push Comes to Shove another short film, won the prestigious Cannes 1991 Palme d'Or. After producing many shorts that appeared on MTV and Spike and Mike's, he turned his talent to feature films. Since 1991 he's made 9 feature films, 6 of them, The Tune, Mondo Plympton, I Married A Strange Person, Mutant Aliens, Hair High and Idiots and Angels are all animated features.

ANIMANIMA 2014

Dugi metar / Program 01

TITO NA LEDU

Petak / 14.11.2014. / Velika sala / 21:00 Nemačka / 2012 / 76 min Reditelji: Maks Anderson, Helena Ahonen Scenarista / Dizajner / Snimatelj / Animator / Montažer / Producent: Maks Anderson DV snimatelj: Helena Ahonen Dizajner: Lars Sjunerpon Dizajn zvuka: Per-Henrik Maenpa Koproducent: Mihael Sevholt

U promociji svoje knjige BOSNIAN FLAT DOG, švedski strip umetnici Maks Anderson i Lars Sjunerson obilaze zemlje bivše Jugoslavije, sa frižiderom u kome je mumija Maršala Tita. Posmatrajući kako se kabine pogranične kontrole pretvaraju u improvizovane foto-sesije, zadivljeni mutant-varijantama Diznijevih igračaka iz ere Gvozdene zavese, kupujući suvenire-rukotvorine izrađene od artiljerijske granate i otkrivajući umetnost snajpera u stanovima uništenim eksplozijom, dolaze do zaključka da bi stvarnost zaista mogla da bude čudnija od mašte. Dugometražni prvenac Maksa Andersona odvija se na više nivoa, čime se ostvaruje retko viđena sinteza forme i sadržaja. Kombinacijom tehnike “mrvljenja” animiranih prikaza, fragmentarnih likova od smeća i zrnaste strukture stare crno-bele “Super osmice”, pomešanih sa prizorima MiniDV dokumentaraca, postignut je krajnji rezultat do sada nepoznatog, ali isto tako i savršeno prirodnog izgleda. Vratolomno putovanje kroz paralelni univerzum u kome se raspadaju sve granice doživljavamo kao nešto tragično, poetično i istovremeno urnebesno smešno.

Maks Anderson (1962, Karesunado, Švedska) pripada talasu švedskih stripumetnika koji se javlja sredinom osamdesetih godina prošlog veka, kada je na samom početku bio zapažen kao talentovani filmski animator. Anderson je autor andergraund strip-klasika Pixy i Death and Candy, kao i nekoliko kratkih filmova, među kojima je i nagrađivani film Sto godina. Helena Ahonen se profesionalno bavi dizajniranjem šešira i ima sopstveni studio i radnju u Berlinu. TITO NA LEDU označava njen debi kao snimatelja i reditelja. Od 1995. godine naovamo sarađivala je sa Maksom Andersonom na nekoliko umetničkih projekata.

ANIMANIMA 2014

Feature Films / Programme 01

TITO ON ICE

Friday / 14.11.2014 / Grand Hall / 21:00 Germany / 2012 / 76 min Directors: Max Anderssson, Helena Ahonen Writer / Designer / Photographer / Animator / Editor / Producer: Max Andersson DV photograper: Helena Ahonen Co-designer: Lars Sjunnesson

To promote their book BOSNIAN FLAT DOG, Swedish comics artists Max Andersson and Lars Sjunnesson tour the countries of former Yugoslavia with a mummyfied Marshal Tito in a refrigerator. Watching border controls turn into improvised snapshot sessions, admiring mutant iron-curtain Disney toys, buying souvenir grenade shell handicrafts and discovering sniper art in blown-out apartments, they find that truth may indeed be stranger than fiction. Max Andersson’s feature film debut operates on multiple levels to achieve a rare synthesis of form and content. The combination of animated crumbling, fragmentary garbage characters and grainy black and white super 8 mixed with documentary MiniDV looks like nothing else but seems perfectly natural. A roller coaster ride through a parallel universe where all borders are disintegrating – at the same time tragic, poetic and hilariously funny.

Sound designer: Per-Henrik Mäenpää Co-producer: Michael Sevholt

Max Andersson (Karesunado, 1962, Sweden) is one of the Swedish comics artists who emerged in the mid-1980’s, originally also making his mark as a talented film animator. Andersson is the author of underground comic classics Pixy and Death And Candy as well as several short films, among them the award-winning One Hundred Years. Helena Ahonen, a professional hat designer, maintains her own studio and shop in Berlin. TITO ON ICE marks her debut as a cinematographer and director. She has collaborated with Max Andersson on several art projects between 1995 and the present.

ANIMANIMA 2014

Dugi metar / Program 01

KOŽA BOJE MEDA

Nedelja / 16.11.2014. / Velika sala / 21:00 Belgija, Francuska, Južna Koreja, Švajcarska / 2012 / 74 min Izvorni naslov: Couleur de Peau: Miel Režija: Jung, Loran Boalo Produkcija: Mosaique Films, Artémis Productions, France 3 Cinéma Zvuk: Dan Vanbever Muzika: Siegfried Canto, Little Comet Uloge: Maksim Ansio, Keti Buke, Mae Kole

Jung Enan je u saradnji s rediteljem Loranom Boaloom adaptirao svoj uspešni grafički roman o odrastanju usvojenog korejskog deteta u belgijskoj porodici. Jung je jedan je od 200.000 usvojenih Koreanaca širom sveta. On odlučuje da se po prvi put vrati u Južnu Koreju da bi udahnuo vazduh domovine, prošetao zemljom svojih predaka i možda pronašao tragove biološke majke. Ovo putovanje pomirenja sa samim sobom i svojim poreklom načinjeno je u obliku animiranog dokumentarca.

Loran Boalo. Jednu deceniju je radio kao glavni snimatelj, a zatim glavni montažer na brojnim dokumentarnim filmovima. Strast prema stripovima i uopšteno prema grafičkoj umetnosti rezultirala je nekolicinom filmova o devetoj umetnosti. Za dvadesetu godišnjicu pada Berlinskog zida napravio je animiranu seriju za RTBF i curiosphere.tv. Osim režije, bavi se hronikom stripa na portalu actuabd.com, kao i animiranim stripom na stranici France Télévisions. Jung. Rođen u Seulu, 1965. godine. Jedna belgijska porodica ga je usvojila 1971. godine. Uzeo je ime Jung Enan. Nakon studija crtanja na akademiji umetničke škole u Briselu počeo je da ilustruje kratke članke za Spirou i Tintin. Prve knjige objavio 1991. godine, a 2006. objavio je Couleur de Peau: Miel, autobiografski prikaz u crno-beloj tehnici za ediciju Soleil.

ANIMANIMA 2014

Feature Films / Programme 01

APPROVED FOR ADOPTION Sunday / 16.11.2014 / Grand Hall / 21:00 France, Belgium, South Corea, Switzerland / 2012 / 74 min Original Title: Couleur de peau: miel Directors: Jung, Laurent Boileau Production: Mosaique Films, Artémis Productions, France 3 Cinéma Sound: Dan Vanbever Music: Siegfried Canto, Little Comet Cast: Maxym Anciaux, Cathy Boquet, Mahé Collet

Henin’s collaboration with the film director Laurent Boileau resulted in this adaptation of his successful graphic novel telling a story of the growing up of a Corean child adopted by a Belgium family. Jung is one of the 200,000 Coreans adopted around the world. He decides for the first time to go back to South Corea, to breathe the air of his ancestors, walk on it and perhaps find traces of his biological mother. This is a journey of reconciliation with oneself and one’s origins, composed in the form of the animated documentary.

Laurent Boileau. Having spent a decade working as a chief cameraman and the chief editor for a number of documentary films, his passion for comic strips and graphic art in general resulted in several films about the Ninth Art. Marking the twentieth anniversary of the downfall of the Berlin Wall, he made an animated series for the RTBF nad curiosphere.tv. Apart from film directing, he is active producing the comic strip chronicle at the actuabd.com portal, as well as animated comic strip at the France Télévisions web pages. Jung. Born in Seoul in 1965, he took the name Jung Henin after being adopted by a Belgium family in 1971. Completing the studies of drawing at the Academy of the Brussels Art School, he started illustrating short articles for Spirou and Tintin. His first books were published in 1991, and in 2006 he produced the autobiographic black-and-white account Couleur de Peau: Miel, published by the Soleil publishers.

ANIMANIMA 2014

DAN VRANA Petak / 14.11.2014. / Velika sala / 12:00 Francuska, Belgija, Luksemburg, Kanada / 2012 / 96 min Izvorni naslov: Le jour des corneilles Režija: Žan-Kristof Desen

Dečak živi u srcu šume. Odgaja ga otac, tiranski kolos koji mu brani da ode iz šume. Izolovan od ljudi, dečak odrasta u divljini, okružen duhovima iz šume...

PRIČE IZ NOĆI Subota / 15.11.2014. / Velika sala / 12:00 Francuska / 2011 / 84 min Izvorni naslov: Les contes de la nuit Režija: Mišel Oslo

Svake večeri, devojčica, dečak i kino operater nalaze se u jednom malom napuštenom bioskopu, prepunom čudesa. Troje prijatelja maštaju, crtaju, igraju se svih mogućih igara jedne magične noći kada sve postaje moguće...

ŽAN SA MESECA Nedelja / 16.11.2014. / Velika sala / 12:00 Francuska, Nemačka, Irska / 2012 / 95 min Izvorni naslov: Der Mondmann Režija: Stefan Šeš

Žanu sa Meseca je dosadno i odlučuje da poseti Zemlju. Jednoga dana, kači se na rep komete i dolazi kod nas. Predsednik Sveta, ubeđen da se radi o kolonizaciji, organizuje poteru za njim...

Dugi metar / Program 02

ANIMANIMA 2014

THE DAY OF THE CROWS Friday / 14.11.2014 / Grand Hall / 12:00 France, Belgium, Luxembourg, Canada / 2012 / 96 min Original Title: Le jour des corneilles Director: Jean-Cristophe Dessaint

The boy lives in the heart of the wood, raised by his father. Isolated from people, the boy grows up in the wilderness, surrounded by the forest fairies...

TALES OF THE NIGHT Saturday / 15.11.2014 / Grand Hall / 12:00 France / 2011 / 84 min Original Title: Les contes de la nuit Director: Michel Ocelot

Three of them – a girl, a boy and a cinema operator – meet up every evening in a small vacant cinema, full of wonders. The three friends day-dream, draw and play games of all kinds, on a magic evening when everything becomes possible...

MOON MAN Sunday / 16.11.2014 / Grand Hall / 12:00 France, Germany, Ireland / 2012 / 95 min Original Title: Der Mondmann Director: Stephan Schesch

Because he is bored, Jean of the Moon decides to visit the Earth. So one day, he jumps onto a comet’s tail and arrives here. Convinced that this is colonization, the President of the World orders a chase after him...

Feature Films / Programme 02

PRATEĆI PROGRAM / aDDITIONAL pROGRAMME

Umetnost preterivanja / The Art of Exaggeration 02

Zoomwooz 03

Ivan Stojković: Strip, ilustracija, animacija / Ivan Stojković: Comics, illustrations, animation 04

Vinćenco Đanola: Crtajmo direktno na film! / Vincenzo Gioanola: Let Us Draw Directly on Film!

ANIMANIMA 2014

Autor: Milen Alempijević Izdavač: LUDIBUNDUS, Čačak, 2014.

Prateći program / Razgovori

UMETNOST PRETERIVANJA Beleške jednog gledaoca Subota /15.11.2014. / Mala sala / 17:00 UMETNOST PRETERIVANJA je nastala kao posledica želje da se estetici i poetici savremenog autorskog animiranog filma, nesicrpnom panoptikumu ideja i vizura, pristupi s namerom da krajnji rezultat bude knjiga koja će pozvati na nova ili ponovna gledanja. Tematski raspon knjige obuhvata tumačenja fenomena gradova kao najprotivrečnijih simbola savremenog društva; koegzistencije animalnog i humanog sveta; odnosa i veza između animiranog filma i džeza kao muzičkog idioma koji je revolucionisao poimanje popularne muzike; poetika pojedinih autora iz zemlje i sveta, diskurs o ulozi i funkciji lutke-subjekta u narativu animiranog filma. Recenzent ovog izdanja, filmski kritičar Nebojša Popović, kaže: “UMETNOST PRETERIVANJA je ozbiljna i višestruko proživljena studija o animiranom filmu kao umetnosti kroz koju se reflektuju druge umetnosti, nauke i vremena u kojima su određena dela nastajala i o kojima ta dela govore. Autorov pogled iznutra ne bio bio kompletan da se pojava/film koji/a se analizira ne stave/i u širi fenomenološki kontekst koji ne samo da je okvir ili prostor ispoljavanja umetničkog dela već je i provokacija njegove suštine. Oni su snažan, često impresivan analitički, informativni, faktografski ali i dramaturški temelj za dalje autorsko razmišljanje u kome će se fabula animiranih filmova preplitati sa opaskama i stručnim komentarima koji će rezultirati efektnim suštinskim zaključkom.”

Milen Alempijević je rođen 1965. godine u Čačku. Autor je desetak knjiga različitih žanrova iz oblasti beletristike. Poslednjih godina piše i članke o džezu, filmu i animaciji za dnevne listove i kulturnu periodiku. Priredio je dvobroj 183-184 časopisa za umetnost i kulturu Gradac posvećen džezu. Neki od eseja u ovoj knjizi predstavljeni su i u formi multimedijalnih predavanja na festivalima animacije: Balkanima (Novi Beograd, 2010), Animanima (Čačak, 2010), Animateka (Ljubljana, 2011). Milen radi u čačanskom Domu kulture na mestu urednika Filmskog i video programa i kao umetnički direktor međunarodnog festivala animacije Animanima.

ANIMANIMA 2014

Additional programme / Talks

THE ART OF EXAGGERATION Notes of a spectator Saturday /15.11.2014 / Conference Room / 17:00 THE ART OF EXAGGERATION has emergerd in an attempt to approach the aestethics and poetics of contemporary autre animated film – this limitless Panopticon of ideas and views – with an intention that its final outcome should be in the form of a book that lands itself to new or renewed watching experiences. Thematically, the book spans a range of topics – from the phenomenon of cities as the modern society’s most contradictory symbols, to coexistence of animals and humans, relationship between animated film and jazz as a musical idiom that revolutionarised the understanding of popular music, as well as potencial expressions of certain authors from the country and abroad, and a discourse on the role and function of a doll as a subject in the animated film narrative. Film critic Nebojsa Popovic says: “THE ART OF EXAGERATION is a serious, so-manytimes-lived-through, study of animated film as an art which reflects other forms of art, science and times which certain works belong to and tell us about. Author’s view from the inside would not be complete if the phenomenon/film which is analysed were not placed within a wider phenomenological context, which transcends the mere concept of a framework or an area where a work of art is expressed, to become a provocation of its very essence. These are powerful, very often impressive analytical, informative, factographic, but also dramaturgical foundation for further creative contemplation where the narrative of animated films interweaves with remarks and expert comments that will yield the effective essential conclusion.”

Author: Milen Alempijevic Publisher: LUDIBUNDUS, Cacak, 2014.

Milen Alempijević was born in Čačak, in 1965. He is the author of about a dozen of books of various genres of general fiction. Over the past few years, he has written a number of articles on jazz, film and animation, for daily newspapers and cultural magazines. He has edited the double edition (No. 183-184) of the art and culture magazine Gradac, dedicated to jazz. Some of the essays in this book were presented in the form of multimedia lectures at the animation festivals: Balkanima (Novi Beograd, 2010), Animanima (Čačak, 2010), Animateka (Ljubljana, 2011). Milen works at the Cultural Centre in Čačak as the Editor of the Film and Video Programme and the Art Director of the Animanima International Animation Festival.

ANIMANIMA 2014

Prateći program

ZOOMWOOZ

Četvrtak / 13.11. 2014. / Velika sala / 20:00

Karla Kraht / Karla Kracht

ZOOMWOOZ je kombinacija bioskopskog izvođenja uživo (teško ga je precizno kategorisati, jer se napaja sadržajima različitih umetničkih disciplina, kao što su video uživo, igra senki, pozorište, kompjuterska animacija, ilustracije i strip, muzika, specijalni efekti...) koje odražava u suštini funkcionisanje ljudskog društva i sistema u njegovom okruženju. Video, predstava, muzika, kompjuteri, svetla, senke, crteži, likovi, siluete... sve ovo služi svrsi stvaranja virutelnog sveta koji iznenađujuće podseća na naš ljudski. Predstava koja bez prestanka koristi sve vrste elemenata – kompjutere, sintisajzere, osvetljenje i drugo... uz istovremeno uvođenje papirnih figura od rukom bojenih isečaka, pomalo detinjastog izgleda, koji vas spajaju sa realnim svetom, dok se stvarno i virtuelno mešaju u univerzumu koga stvaraju Karla Kraht i Andres Beladies.

Karla Kraht (umetničko ime Aleksandre Zicman) je video umetnik, ilustrator i animator. Nakon što je stekla obrazovanje u Nemačkoj, Španiji i Ujedinjenom Kraljevstvu, živi i radi u Barseloni. U poslednje vreme svoj umetnički focus usmerava ka specifičnostima različitih aspekata vezanih za prostor i realno vreme instalacija ili predstava koje realizuje na svojim putovanjima i tokom boravka u Aziji, Južnoj Americi i Evropi.

Andres Beladies / Andrés Beladiez

Andres Beladies (Španija, 1966) je diplomirao na RESAD Fakultetu u Madridu, na odseku za pozorišnu režiju i dramaturgiju. U većini svojih predstava, integriše primenu tehnologije kao sredstva za scensku naraciju. Svoj umetnički rad dopunjuje aktivnostima kulturnog menadžmenta, radom u ulozi umetničkog konsultanta za festivale, kompanije i programske institucije. Nakon nekoliko manjih zajedničkih projekata, Karla and Andres su udružili snage i stvorili “zoomwooz”, koji je prikazan na mnogim festivalima, uključujući i festival “Nouveaux Cinema” u Montrealu / Arko Art Center, Soul / Incheon Art Platform, Južna Koreja / dferia, San Sebastian / Alhondiga Bilbao/ Festival Alt, Vigo / Festival A PART, Katowice / Tatwerk Berlin.

ANIMANIMA 2014

Additional programme

ZOOMWOOZ

Četvrtak / 13.11. 2014. / Velika sala / 20:00 ZOOMWOOZ is a live-cinema-performance (It is difficult to categorize it precisely, since it is nurtured from many artistic disciplines, such as live-video, shadow play, theatre, computeranimation, illustration and comic, music, special effects...) reflecting the functioning of human society and its surrounding systems. Video, performance, music, computers, lights, shadows, drawings, characters, silhouettes, etc.. all this serves for creating a virtual world that reminds in such a surprising way of the human. A performance that constantly uses all sorts of elements: computers, synthesisers, lights… and at the same time cutout and hand-painted paper figures, of a slightly childish appearance, that hook you to the real world. The real and the virtual mix up in an universe created by Karla Kracht & Andrés Beladiez.

Karla Kracht (artistic name of Alexandra Zitzmann) is video artist, illustrator and animation artist. Educated in Germany, Spain and the UK, she lives and works in Barcelona. Recently her artistic practice focuses on the site specific and real time aspects of an installation or performance, due to her travels and residencies in Asia, South America and Europe. Andrés Beladiez (Spain, 1966) graduated in stage direction and dramaturgy at RESAD, Madrid he incorporates the use of technology as a tool for the scenic narration in most of his plays. He complements his artistic work with cultural management, artistic advice for festivals, companies and programming structures. After several small collaborations, Karla and Andrés joined forces to create zoomwooz, which has been presented at Festival du Nouveaux Cinema, Montreal / Arko Art Center, Seoul / Incheon Art Platform, South Korea / dferia, San Sebastian / Alhondiga Bilbao / Festival Alt, Vigo / Festival A PART, Katowice / Tatwerk Berlin amongst others.

ANIMANIMA 2014

Prateći program / Izložba

Ivan Stojković: STRIP, ILUSTRACIJA, ANIMACIJA Izložba Ivana Stojkovića predstavlja radove iz oblasti animacije, ilustracije i stripa, kao rezultat njegovog autorskog i komercijalnog rada u proteklih nekoliko godina. Radovi su predstavljeni u vidu štampanih predložaka, originalnih radova i projekcije, i uz gotovo svaki rad biće izložen i propratni materijal koji obuhvata skice, studije, probne radove, uzorke paleta, tekstura i sav ostali materijal koji je nastao u procesu rada. Na taj način izložba ne samo da predstavlja publici celokupan stvaralački proces i bolje upoznaje gledaoca sa prirodom profesije, već i prikazuje dve načina stvaranja: usredsređeni, kontrolisani, ciljni i prohtevima klijenta ograničeni, ali i spontani, nesputani, istraživački usmeren rad. Ivan Stojković

Ivan Stojković je rođen 1988. Godine u Prokuplju. Završio je Srednju umetničku školu u Nišu na odseku za grafički dizajn. Studirao je grafički dizajn na Fakultetu primenjenih umetnosti u Nišu i animaciju na Fakultetu primenjenih umetnosti u Beogradu. Diplomirao je 2012. u klasi profesora Rastka Ćirića. Učestvovao je na grupnim izložbama širom zemlje, izlagao samostalno u KC Grad u Beogradu i bio učesnik festivala animacije u zemlji i inostranstvu (Balkanima, Beograd, 2011; Animateka, Ljubljana, 2011; Animafest, Zagreb, 2012; konkurencija za Int’l Children’s Film Festival, Njujork, 2013). Dobitnik je nekoliko nagrada iz oblasti stripa i animacije: Nagrada za najbolji alternativni strip, Internacionalni salon stripa, Beograd, 2009; Zoptik nagrada, Evropski festival animiranog filma, Balkanima, Beograd, 2011, Najbolji mladi strip crtač, Balkanska smotra strip autora, Leskovac, 2013, Plaketa „Branko Plavšić”, Međunarodna strip konferencija, Dom Omladine, Kragujevac, 2014. Trenutno živi i radi u Čačku.

ANIMANIMA 2014

Additional programme / Exhibition

Ivan Stojković: COMICS, ILLUSTRATIONS, ANIMATION The exhibition includes works in the area of animation, illustration and comic art, representing a result of the authors’ and commercial engagement over the past few years. The works are presented in the form of printing templates, original works and projections. Almost every work will be accompanied by the accessory material including sketches, studies, try-outs, samples of pallets, textures and other items used in the working process. In this way, the exhibition not only presents to the visitors the entire process of creation and raises the general awareness of the nature of the profession, but it also presents the two methods of creation: focused, controlled, goal-oriented and limited by the client’s requests, as well as the spontaneous, unrestricted, research-oriented work.

Ivan Stojković was born in Prokuplje in 1988. Having graduated from the High School of Art in Niš, Department of Graphic Design, he went on to study Graphic Design at the Facutly of Applied Arts in Niš and Animation at the Faculty of Applied Arts in Belgrade. He graduated in 2012, in the class of Professor Rastko Ćirić. Ivan has participated in collectiove exhibitions around the country, and has also had independent exhibitions in the “Grad” Cultural Centre in Belgrade; he took part in animation festivals in the country and abroad (Balkanima 2011, Belgrade; Animateka 2011, Ljubljana; Animafest 2012, Zagreb; competition for the 2013 Int’l Children’s Film Festival in New York). The received awards in the field of comic strip and animation include the Award for the Best Alternative Comic Strip at the International Comic Strip Salon in Belgrade, 2009; the Zoptik award at the European Animated Film Festival ‘Balkanima’ in Belgrade, 2011; the Best Young Drawing Artist, awarded at the Balkan Review of Comic Strip Artists in Leskovac in 2013; the “Branko Plavšić” plaque, awarded at the International Comic Strip Conference at the Youth Centre in Kragujevac, 2014. Currently living and working in Čačak.

ANIMANIMA 2014

Prateći program / Radionica animacije

Vinćenco Đanola: CRTAJMO DIREKTNO NA FILM!

Vinćenco Đanola / Vincenzo Gioanola

Cilj ovog tečaja jeste da učesnici savladaju teorijske aspekte stvaranja animacije, kroz izradu kolektivnog animiranog filma. Učesnici u radionici će koristiti tehniku direktnog crtanja na providnom filmu od 35 mm, pristup koji je Vinćenco Đanola imao priliku da istražuje i usavršava tokom više od 30 godina rada u ovoj oblasti. Ovom tehnikom je moguće postići izvanredne rezultate bez izlaganja astronomskim troškovima za opremu (kamera, “benč-šuting”, razvijanje fima i štampanje, itd.) i to – veoma brzo! Na papirnoj kopiji filma, učesnici izrađuju crteže koji će kasnije biti preneti na stvarnu filmsku traku, pomoću posebnih markera. Đanola je ovu tehniku izrade animiranog filma razvio tokom godina kolektivnog rada sa različitim vrstama korisnika: sa decom iz osnovnih i srednjih škola, sa studentima, nastavnicima iz različitih škola, članovima različitih socijalnih ustanova, nezaposlenim licima, starim licima, invalidima i drugima, i to u više gradova u Italiji i drugim zemljama, postigavši sjajne rezultate i izvanredno kolektivno angažovanje učesnika. Učesnici će crtati razne sekvence od jedne sekunde (25 kadrova) za izradu cikličnih pokreta (kao kod starih zootropa). Po završetku ovog dela izrade, ceo urađeni deo filma se skenira prolaskom kroz telekinoprojektor, i svaka sekvenca dobija zvučnu podlogu.

Vinćenco Đanola rođen je 1955. godine u Kazale Monferatu, a danas živi u Pećetu Torineze (Torino). Svoj prvi animirani film "Boogie" ostvario je 1981. godine i od tada radi kao instruktor animacije za decu, studente i nastavnike u javnim i privatnim školama, a isto tako i kao ilustrator i grafički umetnik, uz česta angažovanja u sferi reklamne umetnosti. Nekoliko puta je sarađivao sa Andreom Ledukom iz kanadskog Nacionalnog odbora za film, u okviru inicijative pod nazivom “Animacija”, koja omogućuje izradu animiranog filma u kratkom vremenu i uz pomoć osobe bez prethodnog iskustva u ovoj oblasti. Učestvovao je na Osmom Filmskom festivalu u Ankari 1997. godine kao član žirija za međunarodni takmičarski program animiranih filmova, zatim kao član žirija za animirane filmove na filmskom festivalu “Sottodiciotto Film Festival” održanom u Torinu 2004. godine, kao i na festivalu “Cinemambiente” u Torinu 2007. godine. Iako u izradi animacije koristi različite tehnike, konstantu u njegovom radu kao autora predstavlja istraživanje mogućnosti animacije bez kamere, izvođenjem crteža dirketno na filmu, kao i ispitivanje odnosa između slike i zvuka. Vinćenco je jedan od osnivača studija “La Lanterna Magica” iz Torina, za koji radi kao animator, mediator, pisac scenarija i crtač storiborda. Trenutno radi kao predavač i profesor u Nacionalnoj školi filma u Torinu.

ANIMANIMA 2014

Additional programme / Animation Workshop

Vincenzo Gioanola: LET US DRAW DIRECTLY ON FILM! The objective of this course is to learn the theories that underlie the animated film through making of a film collective. Workshop participants will use the technique of drawing directly on transparent 35 mm film, a technique that Vincenzo Gioanola had the opportunity to explore and refine for more than 30 years of experience in this field. With this technique one can get excellent results without exorbitant costs of equipment (camera, bench shooting, developing and printing film, etc), and - very quickly! On a paper copy of the film the participants will make the designs which will be later transferred on the actual film strip using the special marker pens. Gioanola developed this system of film making through years of collective work with different users: children of elementary and middle schools, high school students, teachers of different levels of social centers goers, unemployed, elderly, disabled, etc... in several Italian and foreign cities, getting great results and a great collective participation. Participants will draw different pieces of 1 second (25 frames) for the creation of cyclical movements (such as in ancient zoetropes). After that, the whole work on the film will be scanned through telecine, each loop will have its own soundtrack.

Vincenzo Gioanola, born in Casale Monferrato in 1955, living in Pecetto Torinese (Turin). He realized his first animated film “Boogie” in 1981. Since this period he has taught animation to children, students and teachers in public and private schools, worked as an illustrator, engraver, and in the sphere of advertising. He collaborated several times with André Leduc from the National Filmboard of Canada in "Animathon", an initiative that allows creating animated films within a short time with persons who never worked in this field. He participated at the 8th Ankara Film Festival 1997 as a member of the jury for the international animation competition, as a member of jury of the animation films in 2004 for the “Sottodiciotto Film Festival” in Turin and in 2007 for the “Cinemambiente” in Turin. He makes animation with different techniques, but a constant in his work as an author is research about the possibilities of cameraless animation drawing directly on the film and about the relationship between image and sound. He is one of the founders of the company “La Lanterna Magica” from Turin and has worked as an animator, inbetweener, scriptwriter and storyboarder. At present, he works as teacher and tutor for “Scuola Nazionale di Cinema”, in Turin.

ANIMANIMA 2014

Indeks imena / Index of names

A Adamkiewicz, Alicja............................................... 19 Ahonen, Helena......................................................25 Alempijević, Milen...................................................32 Althoff, Jost............................................................. 17 Anderssson, Max....................................................25

Koester, Jan............................................................ 17 Kracht, Karla........................................................... 35 L Ludwik, Piotr.......................................................... 19

B M Beladiez, Andrés.................................................... 35 Błaszczyk, Anna.................................................... 19 Błaszczyńska, Alicja............................................. 19 Boileau, Laurent..................................................... 27 Brault, Nicolas.......................................................... 7

Margański, Miłosz.................................................. 19 McLaren, Norman................................................... 10 Mizue, Mirai............................................................... 7 Montchaud, Éric........................................................ 7 Moult-Milewska, Tessa........................................... 19

C N Carraro, Mauro.......................................................... 7 Catani, Roberto......................................................... 7 D Daenschel, Matthias.............................................. 17 Dashuber, Gregor.................................................... 17 Dessaint, Jean-Cristophe......................................29 Dufek, Julia............................................................. 16 E Eshed, Tomer......................................................... 17 Espigares, Juan Antonio....................................... 15

Ngoc, Piotr Loc Hoang........................................... 19 O Ocelot, Michel..........................................................29 P Pawlak, Tomasz..................................................... 19 Pavón, David.......................................................... 15 Plucinska, Izabela.................................................. 17 Plympton, Bill......................................................... 23 R

F Faillet, Perrine........................................................... 7 Florido, Kike........................................................... 15

Rekas, Anna........................................................... 19 Rusinek, Łukasz.................................................... 19 S

G Gaitán, Francisco Antonio Peinado...................... 15 García, Juanma Suárez......................................... 15 Gioanola, Vincenzo.................................................39 Gockell, Gerd............................................................. 7 Gönnert, Felix......................................................... 17 Gracia, Javier Recio............................................... 15 Gudel, Mateusz...................................................... 19

Sacher, Stephan...................................................... 17 Schesch, Stephan...................................................29 Seidel, Susanne...................................................... 17 Sławuski, Wojciech M............................................ 19 Stojković, Ivan........................................................36 T Tali.............................................................................. 7

H V Herm, Michael......................................................... 17 Vitanov, Milen.......................................................... 17 J W Jacobs, Daisy........................................................... 7 Jeong, Dahee............................................................ 7 Jung......................................................................... 27 K Kaczmarek, Adela.................................................. 19

Wasilewski, Marcin................................................ 19 Weyde, Jakob......................................................... 17 Wójcik, Kamil......................................................... 19

ANIMANIMA 2014

A Absent Minded (Glava u oblacima)....................... 7 Alfred & Anna (Alfred i Ana).................................. 15 Anatole's Little Saucepan (Anatolova šerpica)............................................ 7 Approved For Adoption (Koža boje meda)........... 27 Ars Moriendi (Umetnost umiranja)...................... 19 Audi A4 "Pacesetter" (Uzor).................................. 13 Audi A4 "Robot" (Robot)........................................ 13 Audi A6 "Manipulation" (Manipulacija)................ 13 Audi "Doberhuahua" (Dobervava)....................... 13 Audi "Hummingbird" (Kolibri)............................... 13 Audi Q5 "Unboxed" (Neraspakovano).................. 12 Audi "Rs6 Gymnasts" (Gimnastičari).................. 12 Audi "Vampire Party" (Vampirska zabava).......... 13 B Begone Dull Care (Razbibriga)............................. 10 Bigger Picture, The (Veća slika)............................. 7 Blackbird (Kos)...................................................... 10 Black On White (Crno na belom).......................... 19 Blinkity Blank (Blinkiti blenk).............................. 10 BMW "Refuel" (Dopunjavanje).............................. 13 Bus Stories (Priče iz autobusa).............................. 7 C Chairy Tales (Bila jednom jedna stolica)............. 10 Cheatin' (Prevara).................................................. 23 Chevrolet "Buildings" (Zgrade)............................. 13 Chump & Clump (Čamp i Klamp)......................... 17 Citroen "Jungle" (Džungla).................................. 12 Citroen "Rubik's Cube" (Rubikova kocka)............ 12

Indeks naslova / Index of titles

J Jam Session (Džemsešn).................................... 17 K R Kia Optima "One Epic Ride" (Jedna epska vožnja)...................................... 13 Kia Sorento "Space Babies" (Svemirske bebe)............................................ 13 Kia "Totally Transformed" (Potpuno transformisan)................................ 13 L Lady And The Reaper, The (Dama i Smrt)............ 15 Land Rover "Claynation" (Narod od gline).......... 13 Law Of The First Night, The (Pravo prve noći)............................................. 19 Lexus "Swarm" (Roj).............................................. 13 Lines Horizontal (Horizontalne linije)................. 10 Lost Senses (Izgubljeni razum)........................... 19 Lucia (Lucija).......................................................... 17 M Man On The Chair (Čovek na stolici)...................... 7 Mercedes Benz "Sounds Of Summer" (Zvuci leta)........................................................ 12 Mini Countryman "Flow" (Tok).............................. 13 Mini "Rocketman Concept" (Koncept Rocketman)..................................... 13 Mister Barirentos – Offside (Gospodin Barijentos – Ofsajd)...................... 15 Moon Man (Žan sa Meseca).................................29 My Happy End (Moj srećni kraj)........................... 17

D N Day Of The Crows, The (Dan vrana)......................29 F Flamingo Pride (Flamingo Prajd)......................... 17 Ford Fiesta "Ice Puck" (Pak).................................. 12 Foreign Bodies (Strana tela)................................... 7 Fugue (Fuga).......................................................... 15

Neighbours (Susedi)............................................. 10 Never Drive A Car When You’re Dead (Nikada ne vozi kola kad si mrtav)................. 17 Nissan "Croco" (Kroko)......................................... 12 Nissan "Wouldn't It Be Cool?" (Zar to ne bi bilo kul?)..................................... 13 Norman McLaren’s Opening Speech (Uvodni govor Normana Meklarena)............. 10

G O Garbage Prince, The (Princ smeća)..................... 15 Governance Of Love The, (Vladavina ljubavi)........ 19 H Hasta Santiago (Put u Santjago)............................ 7 Hen Hop (Kokin skok)........................................... 10 Hinterland (Zaleđe)............................................... 17 Human Parasite (Crevni parazit)......................... 19 Hummer H3 "Chairs" (Stolice).............................. 12 Hummer H3 "Monster" (Monstrum).................... 12 Hyundai "Imagine" (Zamisli)................................ 12

Peau "Instant T"........................................................ 7 Peugeot "Easy Life" (Jednostavan život)........... 13

On / Off (Uključeno / Isključeno)......................... 19 Orawus (Oravus)................................................... 19 Origami...................................................................... 5 Our Man in Nirvana (Naš čovek u nirvani)............ 7 P Pac! (Pak!).............................................................. 19 Pantoffelhelden (Papučari).................................. 17 Pas De Deux............................................................ 10 Patch (Zakrpa)......................................................... 7

Renault Espace "Hector's Life" (Hektorov život)............................................... 12 S Salt And Pepper (So i biber).................................. 19 Skoda "Meaner Stuff" (Opasnija stvar)................ 13 Spider And Flies (Pauk i muve)............................. 19 Stars & Stripes (Zvezde i pruge).......................... 10 Steven And The Bettle (Stefan i Buba)................. 19 Subaru "Crowd" (Gužva)........................................ 13 Subaru "Stone Age" (Kameno doba).................... 12 Subaru "The Carparts" (Delovi za kola)................ 13 Synchromy (Sinhromija)...................................... 10 T Tales Of The Night (Priče iz noći)..........................29 Tauro (Bik).............................................................. 17 Three Kings – Pastorale (Tri kralja – pastorala)..................................... 19 Tito On Ice (Tito na ledu)........................................25 Toyota Camry "Knives" (Noževi).......................... 12 Toyota Prius "People Person" (Osoba od ljudi)................................................ 13 V Volkswagen "Flyboy" (Leteći dečak)................... 13 Volkswagen Golf Gti "Gene" (Džin)....................... 12 Volkswagen Phaeton “Galanty Show” (Pozorište senki).............................................. 12 Volkswagen Polo "Skydiving" (Skajdajving).................................................... 12 Volkswagen "The Moving City" (Grad u pokretu)............................................... 13 W What If... (Šta ako...)............................................... 19 Wire Man (Čovek od žice)..................................... 19 Wonder (Čudo)......................................................... 7

Animafest 2015 70x103mm.indd 1

21.10.2014. 13:01:57

28 OCTOBER – 1 NOVEMBER 2014 Budaörs • Hungary

WWW.PRIMANIMA.EU

Međunarodni festival animacije ANIMANIMA 2015 9. izdanje: od 1. do 13. septembra 2015. g.

International Animation festival ANIMANIMA 2015 9th edition: 2015, September 10-13th

Organizator / Organizer

Pokrovitelji / Under the Auspices

Република Србија

Министарство културе и информисања

Programska podrška / Programme Support

Podrška / Support

Medijska podrška / Media Support

Web podrška / Web Support

FILMSKI CENTAR SRBIJE

ANIMANIMA 2014 Međunarodni festival animacije International Animation Festival Direktor festivala / Festival Director Dragojlo Jerotijević Umetnički direktor / Artistic Director Milen Alempijević Producent / Producer Nebojša Petrović Saradnici / Associates Ilija Damjanović, tehnička podrška / Technical Support Aleksandar Jovanović, web podrška / Web Support Festivalski spot / Festival’s video Dizajn / Art Directing: Ivan Kostić Animacija / Animation: Krunoslav Jović Duzajn zvuka / Sound Design: Miloš Gojković Festivalski plakat / Festival Poster Ivan Kostić Adresa / Address ANIMANIMA Festival Dom kulture Čačak, 32000 Čačak, Trg ustanka 2-6, SERBIA Tel: ++381 32 341 068, Fax: ++381 32 225 073, E-mail: office@animanima.org www.animanima.org

KATALOG / CATALOG Izdavač / Publisher: Dom kulture Čačak / Cultural Center Cacak Za izdavača / For Publisher: Dragojlo Jerotijević Urednik / Editor: Milen Alempijević Dizajn / Design: Ivan Kostić Štampa / Press: „Svetlost“ Čačak Tiraž / Circulation: 300 Godina / Year: 2014 CIP zapis je dostupan u elektronskom katalogu Narodne biblioteke Srbije: COBISS.SR-ID 211005196 ISBN 978-86-917761-1-4

ANIMANIMA 2014 13-16. novembar 2014. Dom kulture Čačak, SRBIJA ANIMANIMA 2014 2014, November 13-16 Cultural Center Cacak, SERBIA www.animanima.org