Jonkershoek Cataloge by Andre van Wyk

Decorative and Fine Arts Cape Town 5 & 6 October 2010

CAPE TOWN SPECIALISTS Ceramics, Glass and Works of Art

Ceramics and Jewellery

Carpets and Jewellery

Shona Robie, Office Manager shona.robie@swelco.co.za

Jennifer Schultz jennifer.schultz@swelco.co.za

Cora Welz ct@swelco.co.za

Paintings, Watercolours, Drawings, Prints, Sculpture and Books

Gary Shean gary.shean@swelco.co.za

Phillippa Duncan, Auctioneer phillippa.duncan@swelco.co.za

Ian Hunter ian.hunter@swelco.co.za

Silver and Metalware

Furniture and Clocks

Shipping

Karen Randle karen.randle@swelco.co.za

Anton Welz, Auctioneer anton.welz@swelco.co.za

Shaun Dunt shaun.dunt@swelco.co.za

This catalogue may be referred to as JONKERSHOEK I SA1006 TELEPHONE FAX WEBSITE

+27 (0) 21 794 6461 +27 (0) 21 794 6621 www.swelco.co.za

PAYMENT Robin Ford Cora Welz

ABSENTEE AND TELEPHONE BID REQUEST To be received at least 24 hours prior to each session Shona Robie I Gary Shean

ADMINISTRATION Susie McRae

Absentee and Telephone Bid requests should be received 24 hours prior to the sale. Those received after 10am on Monday 4 October, may not be processed.

SHIPPING Shaun Dunt

Please indicate clearly on the Absentee/Telephone Bid Form or separately if you or a representative will be collecting your purchases from the sale venue, or the Johannesburg office. Please send written dispatch instructions with your bidding slip or separately by Wednesday, 6 October. (See Shipping Instructions at the back of this catalogue.) For Methods of Payment and further information please see the back of this catalogue. Please note that all lots are sold subject to our Conditions of Business at the back of this catalogue.

011 880 3125 021 794 6461 susie.mcrae@swelco.co.za ct@swelco.co.za shaun.dunt@swelco.co.za

Please fax your shipping instructions by no later than midday on Wednesday 6 October to + 27 (0) 21 794 6621 Catalogue: R 115 I By mail: R 125 I Overseas: R 300 To order a catalogue Cora Welz Laurie Sher

021 794 6461 011 880 3125

Cape Town Address: The Great Cellar, Alphen Hotel, Alphen Drive, Constantia, 7806 Postal Address: P O Box 818, Constantia, 7848

Decorative and Fine Arts Property of various owners including Estates Late Mrs C A M Cunnold, Mr H L Green and Mr D A P Mort

AUCTION IN CONSTANTIA, CAPE TOWN TUESDAY 5TH AND WEDNESDAY 6TH OCTOBER 2010

Exhibition Friday 1 October 2010 | 09h00 – 17h00 Saturday 2 October 2010 | 09h00 – 15h00 Sunday 3 October 2010 | 09h00 – 17h00

INVITATION INV VITATIO VITATIO ON TO ON O CONS CONSIGN SIGN SIGN If you hav have ve paintings, furnitu furniture, re, silver, silver, ceramics, jewellery, jeewellery, watches, books bo ooks or carpets, please contact us on

021 794 646 6461 61

for an obligation-f obligation-free ree appraisal. a Paintings Paintings, s, Watercolours, Watercolours, D Drawings, Prints, Scu Sculpture ulpture & Books Ian Hunter Phillippa Duncan Gary Shean

Jewellery, Jewe ellery, Ceramics, Glass s & Works Works of Art Shona Robie Jennifer Schultz

Jewellery Jew wellery & Carpets Cora W Welz elz e

Silver Sil ver & Metalware Karen Randle

WORLD RECORD FOR THE ARTIST

Fur Furniture, rniture, Clocks & C Collectorsâ&#x20AC;&#x2122; Items Anton W Welz e elz

Freida Fre ida Lock HOUT BAY BA AY VALLEY VALLEY A Y R1 680 0 000 SOLD Cape Town To own June 2010

The Great Cellar C Cellar,, Alphen Hotel Alphen Driv Drive, ve, Constantia 7806 PO Box 818, 81 18, Constantia 7848 ct@swelco.co.za

New Auction Venue The Great Cellar, Alphen Hotel, Alphen Drive, Constantia Latitude: S 34째 03' 53.6" Longitude: E 018째 25' 19.0" Demarcated Parking available in the following locations: Lower Eastern Parking Lot, Alphen Grounds Dressage Arena and Paddock, Alphen Drive Shuttle service available between Arena/Paddock and The Great Cellar Please note: No parking in Alphen Drive or Peter Cloete Avenue

Contents

Session One, Lots 1–230 Carpets and Rugs, English and South African Furniture, Lighting, Oriental Furniture, South African Paintings, Watercolours, Drawings and Prints

32 Session Two, Lots 231–460 English and Continental Furniture, Collectors’ Items, British, European and American Paintings, Watercolours, Drawings and Prints, South African Paintings, Watercolours, Drawings, Prints and a Tapestry 62 Session Three, Lots 461–660 English, Continental and Cape Furniture, 20th Century Design, British and South African Sculpture, South African Paintings, Watercolours, Drawings, Prints and a Carpet 132 Session Four, Lots 661–870 Books, Art Reference Books and Metalware 154 Session Five, Lots 871–1130 Vertu, Electroplate, Cape, English, Foreign, Zimbabwean and South African Silver, English, European, South African and Oriental Ceramics, Glass and Works of Art 188 Session Six, Lots 1131–1294 Cars, Clocks and Barometers,Tristan Da Cunha Memorabilia, A Brooch Watch and Wristwatches, An Unmounted Diamond and Unmounted Gemstones, Antique, Period and Contemporary Jewellery 208 Important Notice to Prospective Bidders 209 Payment and Dispatch of Purchases 211 Absentee/Telephone Bid Form 212 Methods of Payment and Dispatch 212 Shipping Instructions Form 214 Conditions of Business 220 Catalogue Subscription Order Form 221 Forthcoming Auction in Johannesburg 222 Forthcoming Auction in Johannesburg 226 Prices Achieved / Imhoff / June 2010 228 Client Services and Specialist Departments 231 Condition reports for works on paper 234 Index of Artists

SESSION ONE

TUESDAY 5 OCTOBER 2010 10AM

LOTS 1 – 230

CARPETS | FURNITURE | PAINTINGS

1 CARPETS AND RUGS

A KAZAK-GENDJE CARPET, CAUCASIA, CIRCA 1900

A BAKTIARI RUG, WEST PERSIA, CIRCA 1920,

A KASHGHAI CARPET, WEST PERSIA, CIRCA 1930

A TABRIZ CARPET, NORTH WEST PERSIA, CIRCA 1930

condition: fair, restorations 256 by 132cm

condition: good, ends fraying 191 by 139cm

ILLUSTRATED

ILLUSTRATED ON OPPOSITE PAGE

R 12 000 - R 16 000

R 4 000 - R 6 000

the sky-blue field with an overall multi-coloured boteh design within two narrow ivory and pale-green floral borders condition: fair, areas of wear 232 by 162cm

the red field with an overall design of scrolling vines and arabesques all with multicoloured flowerhead palmettes and leaves within an ivory cartouche and rosette border, triple guardstripes condition: fair 323 by 244cm

A KURDI RUG, WEST PERSIA, CIRCA 1920

the deep indigo blue field with bold multi-coloured palmettes and leaves within a brown flowerhead border, single guardstripe condition: fair 187 by 117cm

R 6 000 - R 9 000

R 3 000 - R 4 500 A TEKKE TURKOMAN CARPET, RUSSIA, CIRCA 1920

the madder field with three rows of twelve tekke guls and side guls depicted in black, walnut, ivory and rose within a madder gul border end panels with serrated leaves condition: fair, even overall wear 226 by 167cm

R 3 000 - R 4 500

8 A KARADJAR RUNNER, NORTH WEST PERSIA, CIRCA 1930

the madder-red field with typical karadja medallions all with geometric multi-coloured floral devices within three narrow pale blue and gold borders condition: fair 525 by 104cm

R 6 000 - R 9 000

3 A TEKKE TURKOMAN CARPET, RUSSIA, CIRCA 1920

the madder-red field with five rows of fifteen tekke guls and side guls depicted in ivory, madder black, red and walnut within sunburst gul border, serrated leaf end panels, one inner and three outer guardstripes condition: fair, some even wear 328 by 225cm

R 6 000 - R 9 000

8 â&#x20AC;˘ DECORATIVE AND FINE ARTS

6 A SHIRVAN RUG, CAUCASIAN, CIRCA 1920

the terracotta field with an overall pattern of multi-coloured guls within an ivory crab border, two inner and three outer guardstripes condition: fair, overall wear 172 by 116cm

R 1 500 - R 2 000

R 8 000 - R 12 000

10 A ISPAHAN RUG, MODERN, PERSIA, CIRCA 1930

the madder-red field with a floral medallion and pendant, ivory spandrels all with multicoloured flowering vines and leaves within a black palmette and leaf border, triple guardstripes condition: fair 200 by 142cm

R 4 000 - R 6 000

A CHINESE CARPET, CIRCA 1950

A BELOUCH RUG, EAST PERSIA, CIRCA 1950

the dark indigo blue field with loosely arranged overall multicoloured floral devices within a gold vine and flowerhead border condition: fair 538 by 392cm

R 4 000 - R 6 000

the black field with five medallions and serrated leaves depicted in brown, madder-red, ivory and black within a madder gul border, one inner and two outer guardstripes condition: fair 210 by 116cm

R 3 000 - R 4 000

12 A KESHAN SILK CARPET, PERSIA, CIRCA 1950

the ivory field with an overall design of multi-coloured scrolling vines terminating in flowerheads and leaves within an ivory palmette and arabesque border, triple guardstripes condition: overall wear, ends fraying, some colour runs 408 by 268cm

A TEKKE TURKOMAN RUG, RUSSIA, CIRCA 1960

R 3 000 - R 4 500

R 600 - R 900

A SAROUK RUG, WEST PERSIA, CIRCA 1950

A KIRMAN RUNNER , PERSIA, CIRCA 1960

the pale gold field with diagonally arranged rows of multi-coloured botehs all with small floral devices within a dark indigo blue palmette border, one inner and two outer guardstripes condition: good 200 by 123cm

the ivory field with an overall design of multi-coloured flowering shrubs within a similar red border, single guardstripe condition: good 365 by 94cm

R 8 000 - R 12 000

the madder-red field with one row of tekke guls depicted in ivory, orange and blue within a madder gul border and panels with serrated leaves and triple guardstripes condition: good 100 by 52cm

R 3 000 - R 4 500

A KIRMAN RUNNER, PERSIA, CIRCA 1960

14 A CAUCASIAN RUG, AZERBAIJAN, CIRCA 1950

the pale green field with four madder medallions all with stylised rosettes, animals and arabesques within a gold serrated leaf border, twin guardstripes condition: fair, overall even wear 197 by 110cm

R 2 500 - R 3 500

the dark indigo blue field with an overall design of multicoloured flowering shrubs within a similar red border, single guardstripe condition: good 365 by 90cm

R 3 000 - R 4 500

19 A KIRMAN RUNNER, PERSIA, CIRCA 1960

similar to previous lot condition: good 365 by 90cm

R 3 000 - R 4 500

AN AFGHAN CARPET, WEST PERSIA, CIRCA 1960

A HERIZ CARPET

the ivory field with horizontally arranged geometric botehs depicted in gold, blue, red and orange within two inner and three outer guardstripes condition: fair 253 by 183cm

R 3 000 - R 4 500

21 A KASHAN PRAYER RUG, PERSIA, CIRCA 1960

the ivory field with an ascending design of two flowering trees and shrubs with perching birds all in multi-colours within a madder vine, palmette and leaf border, two inner and three outer guardstripes, condition: fair, some fading 198 by 132cm

condition: good 292 by 210cm ILLUSTRATED ON PAGE 10

R 4 000 - R 6 000

23 A TURKOMAN CARPET, AFGHANISTAN, MODERN

the madder field with seven rows of twenty-eight guls depicted in ivory, beige, brown and black within five narrow geometric borders twin guardstripes madder end panels with stylised trees condition: good 394 by 308cm

R 12 000 - R 16 000

R 6 000 - R 9 000

CAPE TOWN, 5 & 6 OCTOBER 2010 â&#x20AC;˘ 9

30 A PAKISTANI RUG, MODERN

the red field with two rows of eighteen guls in ivory, red, black and brown within a red gul border condition: good 159 by 96cm

R 1 200 - R 1 600

31 A PRAYER RUG, WEST PERSIA, MODERN

A HAMADAN RUNNER, PERSIA, MODERN

A BAKTIARI CARPET, WEST PERSIA, MODERN

A PAKISTANI RUNNER, MODERN

the ivory field with five hooked medallions depicted in brown and blue, all with scattered floral devices within a dark blue geometric border condition: good 279 by 70cm

the field divided by multicoloured cartouches containing floral devices and trees within an ivory rosette border, single guardstripe condition: good 201 by 155cm

R 2 000 - R 2 500

R 2 000 - R 3 000

A PAKISTANI RUG, MODERN

AN AFGHAN RUNNER, MODERN

A PAKISTANI RUG, MODERN

the red field with one row of seven guls in red and black within a red zig-zag border, twin guardstripes condition: good 347 by 100cm

the ivory field with overall gul pattern depicted in cinnamon, ivory and black within a narrow gul border, three inner and four outer guardstripes condition: good 205 by 127cm

the turquoise field with two rows of seventeen guls depicted in ivory, brown and black within a turquoise gul border, three inner and four outer guardstripes condition: good 170 by 101cm

the rose field with two rows of twenty-six guls depicted in ivory, pink, brown and blue within a rose gul border, one inner and two outer guardstripes condition: fair 355 by 81cm

R 2 500 - R 3 500

R 2 500 - R 3 500 44 DETAIL

10 â&#x20AC;˘ DECORATIVE AND FINE ARTS

R 1 500 - R 2 000

R 1 200 - R 1 600

the black field with a bold serrated red and blue medallion, red spandrels all with multicoloured floral devices within a dark blue vine and rosette border, single guardstripe condition: good 209 by 136cm

R 3 500 - R 4 500

32 A PAKISTANI RUG, MODERN

the red field with two rows of ten guls in ivory, red, orange and black within a red gul border, single guardstripe condition: good 150 by 95cm

R 600 - R 900

A PAKISTANI RUG, MODERN

AN AFGHAN RUG, MODERN

the red field with two rows of five hooked guls depicted in red, beige, ivory and blue within a beige rosette border, single guardstripe condition: good 150 by 91cm

the black field with an overall design of large cartouches in red and black containing floral devices within a narrow black leaf border, single guardstripe condition: good 147 by 103cm

A KESHAN CARPET, NORTH WEST PERSIA, MODERN

A KORDI FLATWEAVE RUG, EAST PERSIA, MODERN

the field divided horizontally with multi-coloured bands, embroidered design in multicolours condition: fair 257 by 136cm

R 600 - R 900

R 1 000 - R 1 500

the ivory field with a beige floral medallion, similar spandrels all with flowering vines and leaves within a similar pale gold border, three inner and four outer guardstripes condition: good 186 by 199cm

A KESHAN RUG, PERSIA, MODERN

AN AFGHAN RUG, MODERN

the ivory field with three multicoloured seichour medallions within an ivory stylised palmette border, four inner and outer guardstripes condition: fair, even wear, ends fraying 207 by 135cm

the red field with two rows of nine guls depicted in ivory, black and orange within a red rosette border, two inner and three outer guardstripes condition: good 200 by 101cm

R 1 500 - R 2 000

R 3 000 - R 4 500

R 1 500 - R 2 000

R 2 000 - R 3 000

38 35

AN INDO-PERSIAN RUG, MODERN

AN AFGHAN RUG, MODERN

the brown field with an ivory floral medallion, blue spandrels with arabesques all with multicoloured flowering vine within an ivory vine and palmette border, triple guardstripes condition: fair 223 by 139cm

the black field with two red diamond medallions with a red leaf border, two inner and one outer guardstripes condition: good 139 by 100cm

R 800 - R 1 200

R 3 000 - R 4 000

43 40 A BAKTIARI CARPET, WEST PERSIA, MODERN

the field divided into squares each containing multi-coloured floral design garden design within an ivory palmette and rose-pattern border, three inner and outer guardstripes condition good 300 by 203cm

R 10 000 - R 15 000

41 A INDO-PERSIAN CARPET, MODERN

the deep indigo blue field with an overall design of multicoloured flowering shrubs with a similar ivory border, two inner and three outer guardstripes condition: good 358 by 203cm

R 8 000 - R 12 000

A KORDI FLATWEAVE RUG, EAST PERSIA, MODERN

similar to previous lot condition: fair, minor wear 285 by 155cm

R 1 500 - R 2 000

44 A PERSIAN CARPET, MODERN

the madder field with a pale blue and pale green bold medallion, ivory spandrels all with stylised geometric vines and palmettes within an ivory turtle border, single guardstripe condition: good 555 by 388cm ILLUSTRATED ON OPPOSITE PAGE

R 20 000 - R 30 000

45 A KESHAN RUG, PERSIA, MODERN

condition: good 203 by 129cm ILLUSTRATED

R 10 000 - R 15 000

46 A FINE QUM SILK RUG, PERSIA, MODERN

the terracotta field with a multicoloured floral medallion, similar blue and ivory spandrels all with flowering vines within an ivory vine and arabesque border, three inner and four outer guardstripes condition: good 122 by 78cm

R 6 000 - R 9 000

47 – 50 NO LOTS

45 CAPE TOWN, 5 & 6 OCTOBER 2010 • 11

ENGLISH FURNITURE

AN OAK COFFER, 18TH CENTURY AND LATER

A GEORGE III STYLE MAHOGANY AND INLAID BOWFRONT CORNER CABINET, 19TH CENTURY

A GEORGE III STYLE MAHOGANY BEDSIDE COMMODE, 19TH CENTURY

A HARLEQUIN SET OF EIGHT WILLIAM IV STYLE MAHOGANY DINING CHAIRS

each plain top rail above a carved mid-rail, stuff-over seat, on turned and carved legs (8)

the rectangular hinged top above a fluted panelled front and sides, the front bearing the inscription ‘1611’, the sides applied with carrying handles, on fluted stile legs, restorations, replacements 57,5cm high, 78,5cm wide, 41cm deep

the outset moulded cornice above a pair of doors enclosing three conforming shelves on a moulded plinth base, stringing throughout 96cm high, 63cm wide, 44cm deep

the hinged bowfronted top inset with a gilt-tooled leather surface enclosing a compartment, slide-out step inset with a gilt-tooled leather surface 40cm high, 41cm wide, 45cm deep

R 3 000 - R 4 000

PROVENANCE

R 2 000 - R 3 000

Rustenberg Estate

PROVENANCE

Rustenberg Estate

R 4 000 - R 6 000

A WILLIAM IV STYLE MAHOGANY ARMCHAIR

52 A GEORGE I STYLE PAINTED AND GILDED MIRROR

the plain top rail above a foliate-carved mid-rail, scrolling arms above a stuffover seat, on fluted, turned and tapered legs; and Two Similar Examples, restorations (3)

the shaped plate within a rouged, green-painted and gilded carved frame, the frame decorated with scrolling acanthus leaves and shell motifs with a foliate-carved cresting, conforming apron, centred with a scallop motif 71cm high, 41cm wide

PROVENANCE

Rustenberg Estate

R 3 000 - R 4 000

R 2 000 - R 3 000

61 A VICTORIAN MAHOGANY BED STEP, 19TH CENTURY

53 58

A GEORGE II STYLE WALNUT AND PAINTED MIRROR

the rectangular plate below an arched panel painted with summer flowers, the shaped and wavy crest centred by a scallop-shaped motif 69cm high, 32,5cm wide R 2 000 - R 3 000

54 A PAIR OF GEORGE III STYLE WALNUT PEDESTAL SIDE CABINETS

each rectangular moulded top above four graduating drawers, raised on a plinth base 74,5cm high, 39cm wide, 41,5cm deep (2)

A PAIR OF MAHOGANY AND INLAID DEMI-LUNE TABLES

A GEORGE III STYLE MAHOGANY ARMCHAIR, LATE 19TH/ EARLY 20TH CENTURY

each with a moulded top above an inlaid frieze on four square-section, tapering and fluted legs raised on spade feet 76cm high, 117cm wide, 58cm deep (2) PROVENANCE

The Edward Roworth Collection

R 4 000 - R 6 000

in the Chippendale Chinoiserie taste, the arched top rail terminating in foliatecarved scrolls, pierced trellis back, the arms above pierced trellis sides, curved and pierced supports, the caned seat carved with fretwork, the square-section legs applied with pierced and scrolling spandrels and carved with fretwork panels, joined by an H-shaped stretcher, on block feet; and A Side Chair, en suite (2)

PROVENANCE

Rustenberg Estate

The Edward Roworth Collection

R 1 500 - R 2 000

ILLUSTRATED

R 2 000 - R 3 000

the rectangular moulded and hinged top inset with a gilt-tooled leather surface enclosing a porcelain bowl, the ogee front concealing a slide-out step inset with a gilt-tooled leather surface, on turned legs 39cm high, 42cm wide, 47cm deep PROVENANCE

Rustenberg Estate

R 1 500 - R 2 000

62 A VICTORIAN MAHOGANY PEMBROKE TABLE, 19TH CENTURY

the hinged moulded rectangular top above a plain frieze, on turned tapering legs raised on brass castors 72,5cm high, 136,5cm wide fully extended, 99cm deep R 4 000 - R 6 000

12 • DECORATIVE AND FINE ARTS

A VICTORIAN MAHOGANY PEMBROKE TABLE, 19TH CENTURY

A VICTORIAN MAHOGANY BOWFRONT MUSIC CABINET, 19TH CENTURY

A VICTORIAN WALNUT CABINETWHAT-NOT, 19TH CENTURY

A VICTORIAN WALNUT CHAISE LONGUE

the hinged rectangular top above a wavy apron, on ringturned tapering legs raised on castors 72,5cm high, 147,5cm wide fully extended, 104,5cm deep

the moulded shaped top above a fielded frieze drawer, a glazed astragal door below, on cabriole legs joined by wavy aprons on each side 101cm high, 61cm wide, 40cm deep

the shaped top tier with an oval mirror surmounted and flanked by pierced and carved scrolling foliage, on four turned supports, the lower conforming structure with a pierced and scrolling back gallery, an arched mirrored door below enclosing a shelf and flanked by two pairs of shaped shelves and turned supports, on turned legs raised on porcelain castors 143cm high, 106,5cm wide, 33cm deep

the padded button-back within a moulded and foliate-carved frame above a serpentine stuff-over seat, on foliate-carved cabriole legs joined by an apron centred with carved foliage, raised on castors 167cm long

R 4 000 - R 5 000

R 3 000 - R 5 000

64 A SET OF FOUR EARLY VICTORIAN ROSEWOOD DINING CHAIRS

each shaped top rail above a curved mid-rail, stuff-over serpentine seat on faceted baluster legs; and A Victorian Rosewood Side Chair, 19th Century, the carved cabriole legs terminating in scrolls (5) PROVENANCE

Rustenberg Estate

R 3 000 - R 4 000

65 A VICTORIAN MAHOGANY INVALID’S TABLE, 19TH CENTURY

the adjustable rectangular top with a front and back gallery, an adjustable turned support below, raised on a pearshaped base with castors, distress 108cm high, 76,5cm wide, 38cm deep R 3 000 - R 4 000

66 A VICTORIAN MAHOGANY FOLDING BUTLER’S TRAY, 19TH CENTURY

the hinged split rectangular top raised on wavy X-shaped supports joined by turned stretchers 69cm high, 89cm wide, 42cm deep R 3 000 - R 4 000

PROPERTY OF THE ESTATE LATE MRS C A M CUNNOLD

68 A VICTORIAN MAHOGANY WORK TABLE, 19TH CENTURY

the moulded rectangular top above a plain frieze concealing compartments, in sizes, the tapering sides between turned baluster supports, on carved downswept feet joined by a turned stretcher, distress 70,5cm high, 52cm wide, 37,5cm deep

R 3 000 - R 5 000

71 A SET OF SIX VICTORIAN UPHOLSTERED WALNUT SIDE CHAIRS,19TH CENTURY

each padded button-back above a stuff-over seat, on carved cabriole legs (6) R 3 000 - R 5 000

R 3 000 - R 5 000 VARIOUS PROPERTIES

A VICTORIAN WALNUT TRIPOD WORK TABLE, 19TH CENTURY

A VICTORIAN MAHOGANY OCCASIONAL TABLE

the hinged and moulded octagonal top above a plain frieze and apron enclosing compartments, in sizes, on a tapering octagonal support with a turned collar, on carved scrolling downswept feet, distress 72cm high, 41cm wide, 41cm deep

the shaped rectangular top above a panelled frieze drawer, on pierced scrolling supports with outswept scrolling legs, on castors, joined by a turned stretcher 70cm high, 52cm wide, 49cm deep

R 3 000 - R 5 000

PROPERTY OF THE ESTATE LATE MRS C A M CUNNOLD

R 4 000 - R 6 000

75 A VICTORIAN MAHOGANY AND UPHOLSTERED ARMCHAIR, 19TH CENTURY

the foliate-carved cresting and frame surrounding a waisted button-back, padded scrolling arms, serpentine stuff-over seat, on acanthuscarved cabriole legs raised on porcelain castors; and A Victorian Mahogany and Upholstered Low Chair, 19th Century, the carved frame and cresting surrounding a waisted button-back, serpentine stuff-over seat, on carved cabriole legs raised on porcelain castors (2) R 1 800 - R 2 000

76 A NEAR PAIR OF VICTORIAN WALNUT AND UPHOLSTERED LOW CHAIRS, 19TH CENTURY

each with a foliate-carved cresting above a waisted button-back, serpentine stuffover seat, on foliate-carved cabriole legs joined by a wavy apron (2) R 1 800 - R 2 000

73 A VICTORIAN WALNUT OCCASIONAL TABLE, 19TH CENTURY

the circular moulded top on a turned column, carved and scrolling downswept legs 69,5cm high, 47cm diameter R 1 200 - R 1 500

CAPE TOWN, 5 & 6 OCTOBER 2010 • 13

VARIOUS PROPERTIES

A HARLEQUIN SET OF FIVE VICTORIAN MAHOGANY BALLOON-BACK CHAIRS, 19TH CENTURY

A NEAR PAIR OF VICTORIAN MAHOGANY AND MARBLETOPPED DEMI-LUNE CONSOLE TABLES, 19TH CENTURY AND LATER

A LATE VICTORIAN OAK AND INLAID DAVENPORT, LATE 19TH/ EARLY 20TH CENTURY

AN EDWARDIAN TEAK, MAHOGANY, SATINWOOD AND INLAID TRAY, EARLY 20TH CENTURY

of oval form, with a banded gallery and centred by an inlaid shell motif, applied with a pair of opposing carrying handles, some veneer loss 37cm by 57,5cm

Rustenberg Estate

the superstructure with a gallery and a hinged and moulded top enclosing stationery compartments, a sloping, hinged writing surface below enclosing pigeon holes and dummy drawers, in sizes, the sides inset with four short drawers and opposing dummy drawers, on a plinth base raised on castors, restorations, distress 90cm high, 53,5cm wide, 52,5cm deep

R 4 000 - R 6 000

PROPERTY OF THE ESTATE LATE MRS C A M CUNNOLD

each open-frame back with a foliate-carved cresting above a stuff-over serpentine seat, on carved cabriole legs (5) PROVENANCE

Rustenberg Estate

R 3 000 - R 4 000

78 A VICTORIAN BURR-WALNUT WHAT-NOT, 19TH CENTURY

with three tiers, each moulded and inlaid rectangular shelf united by turned columns surmounted by finials, on turned legs, alterations 88cm high, 55cm wide, 34,5cm deep R 3 000 - R 4 000

each moulded grey-veined marble top with a bracketsupport camel-back gallery, conforming plain frieze, the central cabriole leg terminating in a scroll and flanked by a pair of stile supports, raised on a shaped triform base on flat bun feet, one later 92,5cm high, 90cm wide, 46cm deep (2) PROVENANCE

81 79 A MAHOGANY DAVENPORT

in the Victorian taste, the rectangular top with a threequarter gallery, a hinged gilt-tooled leather writing surface below enclosing pigeon holes, in sizes, and a central drawer on a pair of carved and scrolling supports, panelled back and front with the sides inset with four shortdrawers on a shaped plinth base raised on bun feet 90cm high, 75cm wide, 60cm deep

A VICTORIAN MAHOGANY AND UPHOLSTERED PRIE DIEU CHAIR

the T-shaped upholstered backrest flanked by a pair of pierced scrolls, deepbuttoned stuff-over seat, on cabriole legs joined by an apron centred with a carved flowerhead, on brass castors R 1 000 - R 1 500

A PAIR OF CARVED MARBLE GARDEN BENCHES, 20TH CENTURY

each rectangular seat carved with a medallion-and-foliate edge and raised on a pair of acanthus-leaf and scrollcarved supports, restorations 43cm high, 35cm deep, 131cm long (2)

R 1 200 - R 1 500

85 AN EDWARDIAN MAHOGANY AND INLAID DISPLAY CABINET, EARLY 20TH CENTURY

the rectangular top with a downswept pediment above an inlaid and cross-banded frieze centred by a patera motif, a pair of glazed astragal doors below enclosing a pair of shelves, the lower structure inset with a pair of drawers above a wavy apron, on stylised cabriole legs, stringing throughout 181cm high, 101cm wide, 40cm deep R 5 000 - R 7 000

PROVENANCE

The Edward Roworth Collection

A MAHOGANY EXTENDING KNEE-HOLE WRITING DESK, EARLY 20TH CENTURY

R 4 000 - R 6 000

the rectangular top inset with a gilt-tooled leather writing surface concealing two further similar writing surfaces, the central arched apron flanked by twin pairs of graduating short drawers, on cabriole legs with pad feet 74cm high, 197cm fully extended, 71cm deep

PROVENANCE Rustenberg Estate ILLUSTRATED

R 4 000 - R 6 000

PROVENANCE

Noordhoek Manor

R 6 000 - R 8 000

14 â&#x20AC;˘ DECORATIVE AND FINE ARTS

SOUTH AFRICAN FURNITURE

AN EDWARDIAN MAHOGANY CUTLERY BOX, CIRCA 1915

A PINE JONKMANSKAS, 20TH CENTURY

A BRASS TWELVE-LIGHT CHANDELIER, MODERN

the moulded rectangular hinged top applied with a plated plaque with a presentation inscription and enclosing a baise-lined interior, a pair of fitted drawers below, the sides with recessed brass carrying handles, on a moulded plinth base 26cm high, 47cm wide, 37cm deep

the moulded rectangular top above a pair of short drawers, a pair of panelled doors below enclosing a shelf, on turned, tapering feet, restorations 155,5cm high, 101,5cm wide, 47cm deep

in the Dutch 17th century taste, each scrolling arm terminating in a candle holder and drip-pan, the body with three graduating spheres and terminating in a pull-ring, oxidisation 81cm high

A SET OF FIVE BRASS AND MAHOGANY TABLE LAMPS, MODERN

R 4 000 - R 6 000

PROVENANCE Rustenberg Estate

PROVENANCE Noordhoek Manor

R 6 000 - R 8 000

R 800 - R 1 000

PROVENANCE Sold: Stephan Welz & Co, Cape Town, 17 & 18 October 2006, lot 109

A YELLOWWOOD TABLE, 20TH CENTURY

A PAIR OF VICTORIAN BRASS FIGURAL WALL SCONCES, 19TH CENTURY

A PAIR OF CAST-IRON HANGING LAMPS

R 3 000 - R 4 000

91 the rectangular top above a plain frieze, on square-section tapering legs 72,5cm high, 118cm wide, 74,5cm deep R 3 000 - R 5 000

AN OAK CHIFFONIER, 20TH CENTURY

the rectangular moulded top above a pair of frieze drawers, a pair of panelled doors below, on turned, tapering feet, restorations 88cm high, 121cm wide, 50cm deep R 4 000 - R 6 000

92 A YELLOWWOOD AND STINKWOOD TABLE, 20TH CENTURY

the rectangular top above a plain frieze, on square-section tapering legs 71,5cm high, 116cm wide, 78cm deep R 3 000 - R 5 000

each putto-form sconce holding a pair of torches with foliate drip-pans and surmounted with cranberry glass shades, each torch united by a garland flanked by a pair of leaf-and-berry swags terminating in flowerheads, the foliate-scroll putto body with a turned circular bracket, fitted for electricity 49,5cm high (2) PROVENANCE Rustenberg Estate

R 3 000 - R 4 000

each with a brass drip-pan above a turned, fluted and barley-twist shaft raised on a turned circular foot, fitted for electricity each 62cm high excluding the shade (5)

each with a hexagonal, faceted and glazed body, losses 81cm high (2) PROVENANCE

Noordhoek Manor

R 4 000 - R 6 000

100 A SET OF THREE CAST-IRON HANGING LAMPS

en suite to the previous lot 66cm high (3) PROVENANCE

Noordhoek Manor

R 3 000 - R 4 000

AN EXTENDING DINING TABLE

the shaped rectangular top above a fielded apron, the corners carved with floral motifs, on carved, reeded cabriole legs, with one leaf insertion 70,5cm high, 142,5cm wide fully extended, 113cm deep

R 5 000 - R 7 000

LIGHTING

A YELLOWWOOD BOOK RACK

the carved, shaped ends joined by pierced rails 25cm high, 62cm wide, 19cm deep R 300 - R 500

94 A TWELVE-LIGHT BRASS CHANDELIER

the baluster-turned shaft with an orb applied with a drop-ring, each scrolling arm terminating in a drip-pan 58cm high R 20 000 - R 25 000

97 A PAIR OF LACQUERED LORD ROBERTS MEMORIAL WORKSHOPS LAMP BASES, FULHAM, LONDON, 1914-1945

in the Chinoiserie taste, each of baluster form and decorated with figures before trees, foliage and rockwork, the moulded circular foot decorated with foliage, flowerheads and diaper panel, with label attached to the underside of one lamp, distress, fitted for electricity 55,5cm high (2)

101 A BRASS-FIVE LIGHT CHANDELIER, 20TH CENTURY

the baluster-shaped column with a collar and a dropped finial, the scrolling arms ending in glass shades joined by a tubular brass ring, fitted for electricity 67cm high R 4 000 - R 6 000

PROVENANCE Noordhoek Manor

R 800 - R 1 000

CAPE TOWN, 5 & 6 OCTOBER 2010 â&#x20AC;˘ 15

ORIENTAL FURNITURE

102

104

A CHINESE EXPORT GILDED AND LACQUERED SEWING BOX, CIRCA 1840

A CHINESE PAINTED AND GILDED TRAVELLING LAP DESK, LATE 19TH CENTURY

rectangular with canted corners, the hinged lid enclosing a fitted tray with compartments, in sizes, containing a miscellaneous collection of ivory sewing accessories, a drawer below with compartments, in sizes, the sides applied with ringpull handles, on carved paw feet, the exterior decorated with scenes of figures in various pursuits amongst pagodas and trees, bands of stylised foliage, scrolls and insects, distress, losses 14,5cm high, 35cm wide, 24cm deep

the hinged rectangular top enclosing a folding, baiselined writing surface and compartments, in sizes, the sides applied with swing carrying handles, the exterior and folding writing surface decorated with figures at various pursuits, pagodas, stylised foliage and stylised bamboo spandrels, distress 22cm high, 49cm wide, 28,5cm deep PROVENANCE Noordhoek Manor

107

R 3 000 - R 4 000

PROVENANCE Noordhoek Manor ILLUSTRATED

R 1 500 - R 2 000

103

102

103

105

A CHINESE LACQUERED AND GILDED TEA BOX, LATE 19TH CENTURY

A CHINESE CARVED HARDWOOD CENTRE TABLE, 19TH CENTURY

rectangular with canted corners, the interior fitted with lidded compartments and trays, on carved paw feet, the exterior, inner lidded compartments and trays decorated with figures at various pursuits, pagodas, sampan, foliage, dragons and stylised western playing card motifs 13cm high, 37cm wide, 31cm deep PROVENANCE

Noordhoek Manor ILLUSTRATED

R 3 000 - R 4 000 16 â&#x20AC;˘ DECORATIVE AND FINE ARTS

the square top carved with a plain circular panel enclosed by berries and foliage within a beaded border, the frieze carved with panels of prunus blossom, the pierced apron similarly carved, on cabriole legs carved with dragons issuing from cloud-shaped feet 70cm high, 71cm square R 4 000 - R 5 000

106

107

A PAIR OF CHINESE CARVED HARDWOOD ARMCHAIRS, 20TH CENTURY

A CHINESE EBONISED, GILDED AND LACQUERED OPIUM BED, 20TH CENTURY

each armchair with a carved scrolling back and pierced back splat centred with an I-Ching symbol amongst foliage, the arms supported on pierced Chinese symbol supports, wooden seat, each square-section leg with a Greek-key foot and joined by a box stretcher; and A Side Chair with an Occasional Table, en suite (4)

the caned bed panel with a three-quarter gallery decorated with figures at various pursuits, precious objects, carved and scrolling foliage, birds and fish, the stylised scroll legs sitting on carved gilded Dogs-of-Fo and joined by a foliate-carved and gilded apron 117cm high, 208,5cm wide, 137cm deep

PROVENANCE Rustenberg Estate

R 5 000 - R 7 000

ILLUSTRATED

R 8 000 - R 10 000

108

110

A CHINESE EBONISED, GILDED, INLAID AND LACQUERED FOUR PANEL SCREEN, 20TH CENTURY

A SET OF SIX CEYLONESE CARVED HARDWOOD CHAIRS

each hinged panel depicting horse-mounted warriors before a landscape and within foliage, a fielded mythical beast beneath each warrior, within a stylised scrolling foliage and mother-of-pearl diaper border, the reverse painted with stylised bamboo, on stile feet with brass caps 131,5cm high, 160cm wide open

each foliate-carved top rail above a fielded and panelled back with a conforming apron, the fielded and moulded serpentine seat above a conforming foliate-carved apron, on cabriole legs (6) PROVENANCE Rustenberg Estate

R 5 000 - R 7 000

PART ILLUSTRATED

R 6 000 - R 8 000

109 A CEYLONESE CARVED HARDWOOD CENTRE TABLE

the moulded wavy top inset with a conforming panel, the frieze carved in high-relief with scrolls and stylised foliage, foliate-carved cabriole legs joined by a carved X-shaped stretcher, united by a drumshaped socle applied with studded bands and headed by an onion-shaped finial 79cm high, 209cm long, 100cm deep PROVENANCE Rustenberg Estate

108 DETAIL

ILLUSTRATED

R 8 000 - R 10 000

109

CAPE TOWN, 5 & 6 OCTOBER 2010 â&#x20AC;˘ 17

SOUTH AFRICAN PAINTINGS, WATERCOLOURS, DRAWINGS AND PRINTS

111

113

116

John Dronsfield

Eleanor Frances Esmonde-White

Maurice Charles Louis van Essche

(SOUTH AFRICAN 1914-2007)

(SOUTH AFRICAN 1906-1977)

AFTER BATHING and THE LOVERS, two

SEATED NUDE

(SOUTH AFRICAN 1900-1951)

AFRICAN IMPROVISATION 1 & 2, two

felt tip pen with black dye on paper each approximately: 32,5 by 25cm (2)

111 PART LOT

LITERATURE Esmé Berman, Art and Artists of South Africa, A.A. Balkema, Cape Town, 1974, part illustrated on p 82

softground and hardground etching, signed and numbered 39/50 in pencil in the margin, and a linocut, signed, dated ‘54 and inscribed “artist’s proof” in pencil in the margin sheet size: 38,5 by 28cm and 12,5 by 26cm (2)

ILLUSTRATED

R 14 000 - R 18 000

117 François Krige

PART ILLUSTRATED

R 5 000 - R 7 000

R 15 000 - R 20 000

VARIOUS PROPERTIES

A MOTHER’S COURAGE

PROPERTY OF THE ESTATE LATE MR HL GREEN

114

signed and dated 39 charcoal on paper 36 by 29,5cm

Otto Klar (SOUTH AFRICAN 1908-1994)

112 Wolf Kibel (SOUTH AFRICAN 1903-1938)

112

signed and dated 49 charcoal on paper 50 by 37cm

NUDE SEATED IN AN ARMCHAIR

with a note of authenticity from the artist’s widow and son on the reverse crayon on paper 35 by 27cm

TWO AFRICAN FIGURES

monotype printed in colours, signed and dated 55 sheet size: 20,5 by 18cm R 4 000 - R 6 000

(SOUTH AFRICAN 1913-1994)

ILLUSTRATED

R 20 000 - R 30 000

118 Charles (Carel Antoon) Gassner (SOUTH AFRICAN 1915-1977)

115 Maurice Charles Louis van Essche

ILLUSTRATED

(SOUTH AFRICAN 1906-1977)

R 15 000 - R 20 000

THE CLOWN AND THE MUSE

signed and dated 51 gouache on paper

NUDE

signed and dated 1962 oil on board 73 by 45cm ILLUSTRATED ON OPPOSITE PAGE

R 8 000 - R 12 000

43 by 29cm 115

ILLUSTRATED

119

R 20 000 - R 30 000

Willem Gravett (SOUTH AFRICAN 1917-1999)

A PORTRAIT OF THE ARTIST AS A YOUNG MAN

signed and dated 40 oil on board 29,5 by 23,5cm R 3 000 - R 4 000

116

117

18 • CONDITION REPORTS FOR WORKS ON PAPER SEE PAGES 231-233 • FULL CONDITION REPORTS AVAILABLE ON WWW.SWELCO.CO.ZA

120 Frans Martin Claerhout (SOUTH AFRICAN 1919-2006)

YOUNG GIRL HOLDING A DOLL

signed oil on board 71 by 36cm PROVENANCE: Stellenbosch Art Gallery ILLUSTRATED

R 30 000 - R 40 000 118

121 Frans Martin Claerhout (SOUTH AFRICAN 1919-2006)

A YOUNG GIRL

ILLUSTRATED

125

127

Anthony Strickland

Robert Griffiths Hodgins

Carl Adolph Büchner

(SOUTH AFRICAN 1920-2000)

(SOUTH AFRICAN 1920-2010)

(SOUTH AFRICAN 1921-2003)

THURSDAY, HAMMARSDALE

THREE NUDES

SEATED NUDE

lithograph printed in colours, signed, numbered 19/45 and dated 91 sheet size: 50 by 65,5cm

signed oil on board 49,5 by 34,5cm

R 20 000 - R 30 000

R 7 000 - R 10 000

122

124 Robert Griffiths Hodgins

Frans Martin Claerhout

(SOUTH AFRICAN 1920-2010)

(SOUTH AFRICAN 1919-2006)

PICKING DAISIES

BATHER

signed oil on board 46 by 60cm

monotype in colours, signed, inscribed with the title and “monotype” in pencil in the margin sheet size: 56 by 76cm

R 20 000 - R 30 000

ILLUSTRATED

R 6 000 - R 8 000

126 Carl Adolph Büchner

ILLUSTRATED

R 20 000 - R 30 000

128

(SOUTH AFRICAN 1921-2003)

Jan (Johannes Wilhelmus) Dingemans

FIGURE

(SOUTH AFRICAN 1921-2001)

signed

AFRICAN WOMEN BY A ROW OF TREES

oil on board 41 by 28cm ILLUSTRATED

R 25 000 - R 35 000

signed oil on board 37 by 61,5cm ILLUSTRATED ON PAGE 20

R 15 000 - R 20 000

124

121

123

signed; title inscribed on a label on the reverse oil on canvas board 49,5 by 90cm

signed oil on board 61 by 31,5cm

120

R 12 000 - R 16 000

126

127

CAPE TOWN, 5 & 6 OCTOBER 2010 • 19

128

129

132

Jan (Johannes Wilhelmus) Dingemans

Marjorie Wallace

(SOUTH AFRICAN 1921-2001)

AFRICAN WOMEN

signed oil on board 26 by 22cm R 7 000 - R 10 000

VARIOUS PROPERTIES

136 Sidney Alex Kumalo

(SOUTH AFRICAN 1925-2005)

134

(SOUTH AFRICAN 1935-1988)

BOY AND CAT

Renee Le Roux

FLOWER CHILDREN

signed gouache and pastel on paper 80 by 50cm ILLUSTRATED

R 15 000 - R 20 000

130

PROPERTY OF THE ESTATE LATE MR D A P MORT

Jan (Johannes Wilhelmus) Dingemans

133

(SOUTH AFRICAN 1921-2001)

133

132

Marjorie Wallace

A GATHERING OF WOMEN AT SUNSET

(SOUTH AFRICAN 1925-2005)

signed oil on board 21,5 by 29cm

signed gouache on paper 63 by 49cm

R 6 000 - R 8 000

ILLUSTRATED

A TWINKLE IN HER EYE

R 10 000 - R 15 000

(SOUTH AFRICAN 1927-)

HIS and HERS, a pair

each signed and dated ‘08; each inscribed with their respective titles on the reverse collage on paper each approximately: 52 by 44cm (2)

signed and dated 74; inscribed with the title on the reverse pastel on paper 50 by 71,5cm ILLUSTRATED

R 12 000 - R 16 000

R 7 000 - R 10 000

137 135 Eli Kobeli (SOUTH AFRICAN 1932-1999)

THE YOUNG GUITARIST

signed and dated 81 mixed media on paper 46,5 by 32cm R 3 000 - R 5 000

Sidney Alex Kumalo (SOUTH AFRICAN 1935-1988)

MAN AND HIS DOG

signed and dated 74 pastel on paper 72 by 47cm ILLUSTRATED

R 12 000 - R 16 000

131 Marjorie Wallace (SOUTH AFRICAN 1925-2005)

CONTEMPLATIVE FIGURE

signed oil on paper 48 by 39cm R 15 000 - R 20 000

136

137

20 • CONDITION REPORTS FOR WORKS ON PAPER SEE PAGES 231-233 • FULL CONDITION REPORTS AVAILABLE ON WWW.SWELCO.CO.ZA

148

142

149

138

141

144

147

Sidney Alex Kumalo

Joseph Ramapulane Maseko

Hendrik Christiaan Niemann

(SOUTH AFRICAN 1935-1988)

(SOUTH AFRICAN 1940-)

(SOUTH AFRICAN 1941-)

MAN AND FISH

FIGURES IN CONVERSATION

HOLDING FLOWERS

TWO WOMEN

signed and dated 85 pencil and pastel on paper 67,5 by 46,5cm

signed mixed media on paper 37 by 55cm

signed and dated 2003 oil on board 38 by 27,5cm

signed and dated 82 watercolour on paper 21 by 24,5cm

R 5 000 - R 8 000

R 4 000 - R 6 000

R 6 000 - R 8 000

R 5 000 - R 7 000

139

142

145

148

Peggy Delport

Hendrik Christiaan Niemann

Louis Jansen van Vuuren

(SOUTH AFRICAN 1937-)

(SOUTH AFRICAN 1941-)

(SOUTH AFRICAN 1949-)

SOPHIE JACOBUS GRANDAUGHTER OF FRANS AND MOLLY OLIPHANT BORN 1946 NIEU BETHESDA

TWO FISHERMEN

SEATED WOMAN

LEDA AND THE SWAN

signed and dated 83 oil on board 22,5 by 26cm

signed and dated 89 watercolour and pastel on paper 34,5 by 28,5cm

signed and dated 1990 pastel on paper 57 by 45cm

R 10 000 - R 12 000

R 6 000 - R 8 000

R 12 000 - R 16 000

143

146

149

signed, dated 1977 and inscribed with the title charcoal and wash on paper 76 by 56cm R 5 000 - R 7 000

ILLUSTRATED

Hendrik Christiaan Niemann (SOUTH AFRICAN 1941-)

Hendrik Christiaan Niemann

ILLUSTRATED

(SOUTH AFRICAN 1941-)

Dumile (Zwelidumile Mxgazi) Feni-Mhlaba

140

FISHERMEN’S HOUSES

YOUNG GIRL IN BLUE

(SOUTH AFRICAN 1942-1991)

Judith Seelawder MasonAttwood IBIS

R 5 000 - R 7 000

signed and dated 89 watercolour and pastel on paper 28 by 22,5cm

MOTHER AND HER CHILDREN

(SOUTH AFRICAN 1938-)

signed watercolour on paper 24 by 32,5cm

signed pencil on paper 42 by 42cm R 4 000 - R 6 000

R 6 000 - R 8 000

signed and dated 64 pastel on paper 26 by 37cm PROVENANCE Sold: Stephan Welz & Co, Cape Town, 16 October 2007, lot 267 ILLUSTRATED

R 8 000 - R 12 000

CAPE TOWN, 5 & 6 OCTOBER 2010 • 21

154

156

155

154 Hennie Niemann Jnr. (SOUTH AFRICAN 1972-)

CONTEMPLATIVE WOMAN

signed and dated 02 oil on canvas 49,5 by 39cm ILLUSTRATED

R 40 000 - R 60 000

157

155

158

Hennie Niemann Jnr.

150

152

(SOUTH AFRICAN 1972-)

Nat (Nathaniel) Mokgosi

Vusi Khumalo

LUVALE DANCES-ZAMBIA

(SOUTH AFRICAN 1946-)

(SOUTH AFRICAN 1951-)

LET HIS PORTION BE WITH THE BEAST IN THE GRASS OF THE EARTH

BACK YARD

signed, dated 1973 and inscribed with the title pencil on paper 138 by 87,5cm

signed and dated 97; inscribed with the title on a label on the reverse mixed media and metal on board 27 by 34,5cm

PROVENANCE Sold: Stephan Welz & Co, Johannesburg, 19 November 2007, lot 502

EXHIBITED The Everard Read Gallery, Cape Town

R 7 000 - R 9 000

R 5 000 - R 7 000

signed and dated 07; signed, dated 2007 and inscribed with the title on the reverse oil on canvas 60 by 45cm ILLUSTRATED

R 40 000 - R 60 000

156 Hennie Niemann Jnr. (SOUTH AFRICAN 1972-)

151

153

Nat (Nathaniel) Mokgosi

Tyrone Errol Appollis

(SOUTH AFRICAN 1946-)

(SOUTH AFRICAN 1957-)

THE HORSE RIDER

SUMMER RHYTHM

signed and dated 74 pencil on paper 102,5 by 79,5cm

signed acrylic on board 36,5 by 67,5cm

PROVENANCE Sold: Stephan Welz & Co, Johannesburg, 19 November 2007, lot 501

R 5 000 - R 7 000

THE GAZE

signed and dated 07; signed, dated 2007 and inscribed with the title on the reverse oil on canvas 54 by 27cm ILLUSTRATED

R 40 000 - R 60 000

R 7 000 - R 9 000

22 • CONDITION REPORTS FOR WORKS ON PAPER SEE PAGES 231-233 • FULL CONDITION REPORTS AVAILABLE ON WWW.SWELCO.CO.ZA

160

161

163

164

157

159

161

163

Hennie Niemann Jnr.

Anthony Strickland

Kenneth Baker

(SOUTH AFRICAN 1972-)

(SOUTH AFRICAN 1920-2000)

(SOUTH AFRICAN 1931-1995)

THE RED SCARF

FIGURES IN A FIELD

THE GUITARIST AND FRIENDS

AT THE PUB

signed and dated 09; signed, dated 2009 and inscribed with the title on the reverse oil on canvas 52,5 by 27,5cm

signed oil on board 23,5 by 34,5cm

signed and dated 85 oil on board 37 by 45cm

signed; signed on the reverse oil on board 28 by 38cm

R 4 000 - R 6 000

ILLUSTRATED

ILLUSTRATED ON OPPOSITE PAGE

R 40 000 - R 60 000

R 8 000 - R 12 000

James Vicary Thackwray (SOUTH AFRICAN 1919-1994)

FIGURES BY A CAPE HOUSE

signed and dated ‘69 oil on board 60 by 91cm

R 6 000 - R 8 000

160 Kenneth Baker (SOUTH AFRICAN 1931-1995)

158

ILLUSTRATED

162 Kenneth Baker

MUSICIANS

(SOUTH AFRICAN 1931-1995)

signed oil on board 38,5 by 47cm

TWO MEN UNDER A TREE

ILLUSTRATED

signed oil on board 39,5 by 31cm

R 10 000 - R 15 000

R 8 000 - R 12 000

164 Edith Florence Bullen (SOUTH AFRICAN 1939-)

MASKS

signed acrylic on board 98 by 83cm ILLUSTRATED

R 7 000 - R 10 000

PROVENANCE Sold: Stephan Welz & Co, Cape Town, 29 May 2007, lot 670 ILLUSTRATED ON OPPOSITE PAGE

R 20 000 - R 30 000

CAPE TOWN, 5 & 6 OCTOBER 2010 • 23

165 Conrad Nagel Doman Theys (SOUTH AFRICAN 1940-)

WASHING DAY

signed and dated 1975 oil on canvas 41 by 51cm ILLUSTRATED

R 60 000 - R 80 000

165

166 Conrad Nagel Doman Theys (SOUTH AFRICAN 1940-)

WASHING DAY, RED ROOFS

signed and dated 1979 oil on canvas board 26,5 by 42cm ILLUSTRATED

R 40 000 - R 60 000

166

167 Willie Bester (SOUTH AFRICAN 1956-)

A TRUCK BY SHACKS

signed and dated 90 mixed media and found objects on board 53 by 101cm ILLUSTRATED

R 30 000 - R 40 000

167

24 • CONDITION REPORTS FOR WORKS ON PAPER SEE PAGES 231-233 • FULL CONDITION REPORTS AVAILABLE ON WWW.SWELCO.CO.ZA

168 Kenneth Baker (SOUTH AFRICAN 1931-1995)

FISHING BOATS IN TABLE BAY

signed oil on board 48 by 58cm ILLUSTRATED

R 10 000 - R 15 000

169 Kenneth Baker

168

169

172

175

178

Cecil Higgs

Nerine Desmond

BO KAAP

Leng Dixon

(SOUTH AFRICAN 1900-1986)

(SOUTH AFRICAN 1908-1993)

(SOUTH AFRICAN 1916-1968)

signed and dated 85 oil on board 60 by 50cm

A FOREST

A CAPE STABLE

CONSTANTIA WINE CELLAR

ILLUSTRATED

signed and dated 52 charcoal on paper 40 by 29cm

signed pastel on paper 25 by 37cm

R 10 000 - R 15 000

R 4 000 - R 6 000

signed and inscribed with the title; signed and inscribed with the title on the reverse pen, ink and watercolour on paper 32,5 by 25cm

170

173

176

Kenneth Baker

Stanley Pinker

Barbara Grace Burry

(SOUTH AFRICAN 1931-1995)

(SOUTH AFRICAN 1924-)

(SOUTH AFRICAN 1909-2010)

STREET SCENE, DISTRICT SIX

SPANISH HOMES

A COTTAGE IN THE DISTANCE

signed; inscribed with the title on the reverse and dated c. 1969 charcoal and chalk pastel on paper 24,5 by 18cm

signed oil on board 69 by 65cm R 5 000 - R 7 000

signed enamel on board 29,5 by 58,5cm

R 10 000 - R 15 000

177

ILLUSTRATED

Franรงois Krige

R 12 000 - R 16 000

(SOUTH AFRICAN 1931-1995)

signed oil on board 36 by 46cm R 10 000 - R 12 000

171 Gustav Beukes

(SOUTH AFRICAN 1913-1994)

(SOUTH AFRICAN 20TH CENTURY)

174

DISTRICT SIX

(SOUTH AFRICAN 1903-1938)

signed and dated 72 oil on board 46 by 54cm

LANDSCAPE IN BLUE AND GREEN

R 6 000 - R 8 000

R 5 000 - R 7 000

179 Christo Coetzee (SOUTH AFRICAN 1929-2000)

OLD MADRID

TULBAGH

Wolf Kibel

signed watercolour on paper 18 by 27cm

signed watercolour on paper 27 by 44,5cm

180

R 7 000 - R 10 000

ABSTRACT

Taffy (Matthew) Whippman (SOUTH AFRICAN 1901-1973)

signed and dated 61 oil on canvas board 27 by 37cm

R 10 000 - R 15 000

ILLUSTRATED

R 7 000 - R 10 000

179

180

CAPE TOWN, 5 & 6 OCTOBER 2010 โ ข 25

187 Joan Cundall-Allen (SOUTH AFRICAN 20TH CENTURY)

NEW BEGINNING

signed; signed and dated 1969 on the reverse oil on canvas 90,5 by 101cm ILLUSTRATED

185

R 8 000 - R 12 000

186

183 Bettie Cilliers-Barnard (SOUTH AFRICAN 1914-)

188 Anna Vorster

ABSTRACT FORM

(SOUTH AFRICAN 1928-1990)

signed acrylic on board 32 by 45cm

ABSTRACT LANDSCAPE

R 10 000 - R 12 000

signed and dated 71 oil on canvas 44,5 by 60cm ILLUSTRATED

184 187

Stephanie Watson (SOUTH AFRICAN 1927-1997)

REFLECTIONS

Christo Coetzee (SOUTH AFRICAN 1929-2000)

PROVENANCE Sold: Stephan Welz & Co, Cape Town, 16 October 2007, lot 239

signed, dated 76, inscribed with the title and “18 Majorca Flowers” mixed media on woven paper strips 64 by 49cm

R 4 000 - R 6 000

Taffy (Matthew) Whippman

189

signed and dated 79 oil on calico laid down on board 59,5 by 44,5cm

188

181

R 15 000 - R 20 000

ARCHETYPAL MOSAIC CUBIC FORMS + INVISIBLE DIMENSION (sic)

R 6 000 - R 8 000

185

(SOUTH AFRICAN 1901-1973)

Gunther Friedrich Julius van der Reis

BOTTLES ON A WINDOW LEDGE

(SOUTH AFRICAN 1927-)

signed and dated 48 oil on canvas board 63,5 by 47cm

PYRAMID SHAPED OBJECTS (sic)

LANDSCAPE, TWILIGHT

signed and dated 83; inscribed with the title on a label on the reverse mixed media on board 46 by 58,5cm

signed, inscribed with the title and “8077, Tulbagh, Cape, S.A.” mixed media on card 51 by 64cm

R 4 000 - R 5 000

182 Eleanor Frances Esmonde-White

ILLUSTRATED

190 Christo Coetzee (SOUTH AFRICAN 1929-2000)

R 6 000 - R 8 000

R 8 000 - R 12 000

(SOUTH AFRICAN 1914-2007)

191

WHEEL OF FORTUNE

186

Christo Coetzee

signed watercolour heightened with white on paper 17 by 39cm

Renee Le Roux

(SOUTH AFRICAN 1929-2000)

R 4 000 - R 6 000

(SOUTH AFRICAN 1927-)

BRONZE AGE

SUN

signed mixed media on canvas 80 by 100cm, unframed

signed, inscribed with the title and “Tulbagh, Cape, S.A. 81-50” mixed media and sand on paper 46 by 35cm

ILLUSTRATED

R 5 000 - R 7 000

R 8 000 - R 10 000 26 • CONDITION REPORTS FOR WORKS ON PAPER SEE PAGES 231-233 • FULL CONDITION REPORTS AVAILABLE ON WWW.SWELCO.CO.ZA

192 Christo Coetzee (SOUTH AFRICAN 1929-2000)

SAND ABSTRACT

signed, inscribed “79.159” mixed media and sand on paper 42,5 by 60cm R 5 000 - R 7 000

193 Christo Coetzee (SOUTH AFRICAN 1929-2000)

HEAD

signed and dated 99 acrylic on paper 63 by 50cm

197

196 Esther Mahlangu (SOUTH AFRICAN 1935-)

AN NDEBELE DESIGN

signed and dated 2003 acrylic on canvas 60 by 60cm

198

R 8 000 - R 10 000

200 197 Gregory John Kerr (SOUTH AFRICAN 1949-)

THE BARD

oil on canvas 61 by 45,5cm

Gregory John Kerr (SOUTH AFRICAN 1949-)

MY SECOND LAST DUCHESS and A NONCOMMITTAL ALLIANCE, two

ILLUSTRATED

oil on canvas each: 30 by 23cm (2)

R 7 000 - R 10 000

R 5 000 - R 7 000

Christo Coetzee

198

(SOUTH AFRICAN 1929-2000)

201

Louis Jansen van Vuuren

Nicolaas Maritz

BLUE ABSTRACT FORMS

(SOUTH AFRICAN 1949-)

(SOUTH AFRICAN 1959-)

signed and inscribed “91 - 10” acrylic and spray paint on paper 63 by 49cm

DREAMING REDHEAD WITH BLUE HORSE

GROEN SWARTLANDSE LANDSKAP

signed and dated 1971 oil on canvas 122 by 122cm

R 4 000 - R 6 000

ILLUSTRATED

signed; inscribed with the title on the reverse enamel on board 42 by 42cm

R 4 000 - R 6 000

194

R 25 000 - R 35 000

R 6 000 - R 8 000

195 Christo Coetzee (SOUTH AFRICAN 1929-2000)

204

199 NO LOT

UNKNOWN PAINTING 1

signed and dated “85 / No 76, Spain” acrylic on paper 46 by 64cm

205

R 4 000 - R 6 000

CAPE TOWN, 5 & 6 OCTOBER 2010 • 27

203

207

Nicolaas Maritz

Jacob Hendrik Pierneef

(SOUTH AFRICAN 1959-)

(SOUTH AFRICAN 1886-1957)

IRON RED NIGHT SKY; FOREST GREEN, PETTENASCO and GEEL KOMEETLUG, three

GEWEL, STELLENBOS; DAM EN BOS; and WILGERBOME (NILANT 17; 59; 81), four

each signed; each inscribed with their titles on the reverse enamel on board; enamel, sand and collage on board with painted perspex overlay; and enamel on board 15 by 20,5cm, 19 by 20,5cm and 16,5 by 24,5cm (3)

linocuts, each impressed with the executor’s facsimile stamp, the second copy of the last inscribed “willows” in pencil in the margin the largest sheet size: 19 by 27cm (4) R 12 000 - R 14 000

R 5 000 - R 7 000

208 Jacob Hendrik Pierneef

204 Henk Serfontein (SOUTH AFRICAN 1971-)

206

ART DECO GARAGE WITH STREET LIGHTS

signed; inscribed with the artist’s name, title and dated 2008 on the reverse oil on panel 41cm diameter ILLUSTRATED ON PAGE 27

(SOUTH AFRICAN 1886-1957)

STALLE, HUIS VAN BISKOP BOUSFIELD (NILANT 33)

linocut, signed, dated 1936 and inscribed “Aan Vital Haesaenf” in pencil in the margin sheet size: 24,5 by 32,5cm unframed ILLUSTRATED

R 10 000 - R 15 000

R 8 000 - R 12 000

209 Jacob Hendrik Pierneef

205

208

Henk Serfontein (SOUTH AFRICAN 1971-)

OLYMPIC BLINDS

signed; inscribed with the artist’s name, title and dated 2008 on the reverse oil on panel 41cm diameter ILLUSTRATED ON PAGE 27

(SOUTH AFRICAN 1886-1957)

PRELLER SE HUIS, PRETORIA (NILANT 34)

linocut, signed, dated 1929 and inscribed “Hoek Kerk en du Toit St, Pretoria” in pencil in the margin sheet size: 31,5 by 43cm ILLUSTRATED

R 10 000 - R 15 000

R 8 000 - R 12 000

210 206

Jacob Hendrik Pierneef

Henk Serfontein

(SOUTH AFRICAN 1886-1957)

202

(SOUTH AFRICAN 1971-)

Nicolaas Maritz

FADING TATTOO I

BOOMSTAM EN DENNEBOOM (NILANT 75)

209

(SOUTH AFRICAN 1959-)

SUURLEMOENE EN GROEN BAK

signed; inscribed with the title on the reverse enamel on glass 38 by 48cm R 5 000 - R 7 000

signed and dated ‘96; inscribed with the title on a label on the reverse mixed media on paper 59,5 by 59,5cm ILLUSTRATED

linocut, signed and dated 30 in pencil in the margin sheet size: 37 by 27cm ILLUSTRATED

R 10 000 - R 15 000

R 7 000 - R 10 000

210 28 • CONDITION REPORTS FOR WORKS ON PAPER SEE PAGES 231-233 • FULL CONDITION REPORTS AVAILABLE ON WWW.SWELCO.CO.ZA

219

218

211

214

217

219

Jacob Hendrik Pierneef

Jacob Hendrik Perneef

Jacob Hendrik Pierneef

Walter Whall Battiss

(SOUTH AFRICAN 1886-1957)

(SOUTH AFRICAN 1906-1982)

PLAASHUIS PRETORIA (NILANT 39)

MIERSHOPE, S.W.A. (NILANT 113)

PAUL KRUGER (NILANT 120)

SCULPTURED HEAD, SEYCHELLES

linocut, signed, dated 1925 and inscribed with the title in pencil in the margin sheet size: 21 by 31,5cm unframed

linocut, signed and numbered 84/100 in pencil in the margin sheet size: 21 by 14,5cm

Jacob Hendrik Pierneef (SOUTH AFRICAN 1886-1957)

BLOEKOMBOME (NILANT 76)

linocut, signed, inscribed “Bome, TVL” in pencil in the margin sheet size: 51 by 38cm R 6 000 - R 8 000

R 5 000 - R 7 000

R 6 000 - R 8 000

R 8 000 - R 12 000

212

linocut, signed and dated 1950 in pencil in the margin sheet size: 49,5 by 38cm

silkscreen printed in colours, signed, numbered 21/30 and inscribed with the title in pencil in the margin plate size: 42,5 by 61cm

218

ILLUSTRATED

215

Walter Whall Battiss

R 15 000 - R 20 000

Jacob Hendrik Pierneef

(SOUTH AFRICAN 1906-1982)

(SOUTH AFRICAN 1886-1957)

SEYCHELLES

VERWAAIDE DORINGBOOM, S.W.A. (NILANT 119)

linocut, signed and dated 1927 in pencil in the margin sheet size: 16 by 23cm R 5 000 - R 7 000

silkscreen printed in colours, signed, numbered 37/45 and inscribed with the title in pencil in the margin sheet size: 64 by 89,5cm PROVENANCE Goodman Gallery, Johannesburg ILLUSTRATED

216 Jacob Hendrik Pierneef

R 15 000 - R 20 000

(SOUTH AFRICAN 1886-1957)

213 Jacob Hendrik Pierneef (SOUTH AFRICAN 1886-1957)

OU HUISIE, SILVERTON (NILANT 41)

linocut, signed and inscribed “Silverton” and dated 1926 in pencil in the margin sheet size: 17 by 20cm

DIE SFINKS, FOURIESBURG (NILANT 58)

linocut, signed, inscribed “O.V.S.” and dated 1927 in pencil in the margin sheet size: 15,5 by 18,5cm R 5 000 - R 7 000

R 6 000 - R 8 000

CAPE TOWN, 5 & 6 OCTOBER 2010 • 29

220

223

Walter Whall Battiss

Cecil Edwin Frans Skotnes

(SOUTH AFRICAN 1906-1982)

(SOUTH AFRICAN 1926-2009)

BOY AND BIRD

SHAKA KILLS AN HEIR; SHAKA MOVES TO DUKUZA and NANDI DIES, three

silkscreen, signed, inscribed with the title and “Artist’s proof” in pencil in the margin sheet size: 64 by 44,5cm LITERATURE Jillian Carman and Susan Isaac, Walter Battiss - Gentle Anarchist, Standard Bank Gallery, Johannesburg, 2005, another state of this print is illustrated in colour on p 197

three woodblock prints in colour, each signed, dated 73 and numbered H.C. 1/3 sheet size: 50 by 33cm (3) PROVENANCE Sold: Stephan Welz & Co, Cape Town, 29 May 2007, lot 690

R 7 000 - R 10 000

ILLUSTRATED

R 8 000 - R 10 000

224 220

Cecil Edwin Frans Skotnes

221

(SOUTH AFRICAN 1926-2009)

Walter Whall Battiss

THE ISLAND OF DEATH; and another, two

(SOUTH AFRICAN 1906-1982)

FRUIT-PICKERS

silkscreen printed in colours, signed in pencil in the plate, inscribed with the title and “artist’s proof” in pencil on the window mount sheet size: 36 by 30cm

two woodcut prints in colour, the first signed, numbered 54/75, dated 75 and inscribed with the title in pencil in the margin, the latter signed and dated 75 sheet size: each 48 by 63cm (2) R 6 000 - R 8 000

ILLUSTRATED

R 7 000 - R 10 000

225 Andrew Clement Verster

222 Cecil Edwin Frans Skotnes (SOUTH AFRICAN 1926-2009)

221

HEAD AND TORSO

monotype printed in colours, signed and dated 75 in the plate sheet size: 53,5 by 43,5cm

(SOUTH AFRICAN 1937-)

HOMAGE TO SEFERIS with ten poems by George Seferis 1900-1971, translated by Dian Joubert, published by the The Caversham Press, November 1987.

ILLUSTRATED

ten serigraphs in colour, each signed and dated 87, numbered 16/100 and inscribed with the title in pencil in the margin sheet size: 58 by 42cm

R 8 000 - R 10 000

PART ILLUSTRATED ON OPPOSITE PAGE

R 8 000 - R 12 000

222

30 • CONDITION REPORTS FOR WORKS ON PAPER SEE PAGES 231-233 • FULL CONDITION REPORTS AVAILABLE ON WWW.SWELCO.CO.ZA

226

228

John Ndevasia Muafangejo

Norman Catherine

(NAMIBIAN 1943-1987)

(SOUTH AFRICAN 1949-)

CATHEDRAL CHURCH OF St. GEORGE. WINDHOEK 1981 (sic)

KING FERD III COMMEMORATION BY NORMAN KING NORMAN

linocut, signed, dated 1981 and numbered 31/150 in pencil in the margin sheet size: 86 by 61cm

photolithograph printed in colours, signed and numbered 62/120 in pencil in the margin 51 by 71cm

LITERATURE Orde Levinson, I Was Lonelyness - The Complete Graphic Works of John Muafangejo, A Catalogue Raisonné 1968 - 1987, Struik Winchester, Cape Town, 1992, illustrated on p 200

PROVENANCE Sold: Stephan Welz & Co, Johannesburg, 30 July 2007, lot 230

ILLUSTRATED

229

R 10 000 - R 15 000

Marlene Dumas

R 4 000 - R 6 000

(SOUTH AFRICAN 1953-)

DE MUZE IS MOE

227 John Ndevasia Muafangejo (NAMIBIAN 1943-1987)

JUDAS ISCARIOT BETRAYED OUR LORD JESUS FOR R3.00

linocut, signed, dated 1973 and numbered 49/100 in pencil in the margin sheet size: 43 by 61cm LITERATURE Orde Levinson, I Was Lonelyness - The Complete Graphic Works of John Muafangejo, A Catalogue Raisonné 1968 - 1987, Struik Winchester, Cape Town, 1992, illustrated on p 72

lithograph printed in colours, signed, dated 1994 and numbered 75/100 in pencil in the margin sheet size: 89 by 62cm ILLUSTRATED

R 15 000 - R 20 000

230 William Joseph Kentridge (SOUTH AFRICAN 1955-)

WILLIAM KENTRIDGE, IL RITORNO DE ‘ULISSE, 1998

photolithograph, signed and numbered 178/200 in pencil in the margin sheet size: 59,5 by 70,5cm

ILLUSTRATED

R 8 000 - R 10 000

225 PART LOT

226

R 6 000 - R 8 000

227

229

CAPE TOWN, 5 & 6 OCTOBER 2010 • 31

SESSION TWO

32 • DECORATIVE AND FINE ARTS

TUESDAY 5 OCTOBER 2010 2.30PM

LOTS 231 – 460

FURNITURE | COLLECTORS’ ITEMS | PAINTINGS

CAPE TOWN, 5 & 6 OCTOBER 2010 • 33

ENGLISH FURNITURE

231

233

234

236

A GEORGE II STYLE MAHOGANY KNEE-HOLE DESK, 20TH CENTURY

A MAHOGANY EXTENDING DINING TABLE, 19TH CENTURY

A SET OF SIX GEORGE III STYLE MAHOGANY DINING CHAIRS

the moulded rectangular top above a plain frieze, the turned pillar support centring four hipped, reeded and downswept legs terminating in brass caps, raised on castors 70cm high, 181,5cm fully extended, 106,5cm deep

comprising: a pair of carvers and four side chairs, each carved top rail above a pierced and carved trellis back splat, plain bottom rail and reeded side-supports, the shaped and reeded arms above a drop-in seat, on tapering square-section legs terminating in spade feet (6)

A GEORGE III STYLE MAHOGANY AND GILT-METAL MOUNTED CORNER DISPLAY CASE, EARLY 20TH CENTURY

R 8 000 - R 10 000

PROVENANCE Rustenberg Estate

the rectangular cross-banded top with a serpentine front, a central drawer below flanked by a pair of graduating twin short drawers, each foliate-carved cabriole leg terminating in a ball-and-claw foot 76cm high, 99cm wide, 58cm deep R 6 000 - R 8 000

ILLUSTRATED

R 6 000 - R 8 000

of concave form, the outset moulded pediment with a dentil frieze centred below by a wreath intertwined with scrolling foliage, an astragal glazed door below enclosing a pair of shelves, the lower conforming section with a moulded edge above a panelled door enclosing a shelf, on bracket feet 180,5cm high, 65cm wide, 42cm deep R 5 000 - R 7 000

235 A GEORGE III STYLE MAHOGANY BREAKFRONT BOOKCASE, LATE 19TH/EARLY 20TH CENTURY

the shaped rectangular top with a foliate-carved edge, the plain frieze above a pair of astragal glazed doors enclosing three shelves, a pair of fielded doors on either side enclosing adjustable shelves, on a carved plinth base, raised on squat, foliate-carved cabriole legs with ball-andclaw feet 125,5cm high, 183cm wide, 43cm deep

232

232 A GEORGE III MAHOGANY BOWFRONT CHEST OF DRAWERS, EARLY 19TH CENTURY

R 6 000 - R 8 000

A GEORGE III STYLE MAHOGANY AND INLAID DISPLAY CABINET, EARLY 20TH CENTURY

the outset moulded cornice above an inlaid frieze, a pair of astragal glazed doors below enclosing a fabric-lined interior with three shelves, glazed sides, on stile feet, stringing throughout 138,5cm high, 92cm wide, 35cm deep R 5 000 - R 7 000

238 A GEORGE III MAHOGANY, SATINWOOD AND INLAID WRITING DESK, CIRCA 1790

the shaped top above a pair of short drawers, two graduating long drawers below, on bracket feet joined by a wavy apron 76cm high, 102cm wide, 51cm deep

the hinged, cross-banded and rectangular-shaped top centred by a vacant oval plaque and enclosing a folding writing surface and compartment, the frieze inset with a dummy drawer and another with later compartment, on squaresection, tapering legs joined by a X-shaped stretcher, stringing throughout, distress 68cm high, 63,5cm wide, 45cm deep

ILLUSTRATED

R 5 000 - R 7 000

234

34 â&#x20AC;˘ DECORATIVE AND FINE ARTS

237

R 4 000 - R 6 000

239

242

247

A GEORGE IV TORTOISE-SHELL AND IVORY BOWFRONT TEA CADDY, CIRCA 1825

A GEORGE IV GILT-COMPOSITION OVERMANTEL MIRROR, CIRCA 1830

AN EARLY VICTORIAN WALNUT WORKTABLE, MID 19TH CENTURY

of sarcophagus form, the hinged top centred with a plaque bearing the inscription ‘Blake’ and enclosing a pair of compartments with tortoiseshell covers, the plinth base raised on turned and incised flat bun feet 16cm high, 19cm wide, 11,5cm deep

the outset moulded cornice applied with beading, the frieze depicting Roman mythological figures at various pursuits, the later bevelled plates below flanked by a pair of Composite capitols above fluted pillars on plinth bases 90cm high, 149cm wide

the circular hinged top enclosing a baise-lined interior, tapering and gadrooned body raised on a turned and down-spiralling support, gadrooned collar, each downswept leg centred by a cylindrical socle with a gadrooned drop finial 74cm high, 36,5cm diameter

R 6 000 - R 8 000

ILLUSTRATED

R 3 000 - R 4 000

243

243 240 A WALNUT TEA CADDY, 19TH CENTURY

the hinged rectangular top enclosing a pair of lidded and foil-lined compartments 14,5cm high, 24cm wide, 14cm deep ILLUSTRATED

R 3 000 - R 4 000

AN OAK BOOK PRESS, 19TH CENTURY

the superstructure of typical form above a frieze drawer, on ring-turned tapering legs, restorations 135cm high, 72,5cm wide, 45cm deep ILLUSTRATED

R 3 000 - R 4 000

R 2 000 - R 3 000

245 A WILLIAM IV MAHOGANY CHEST OF DRAWERS, 19TH CENTURY

of small proportions, the shaped rectangular top above four short drawers flanked by a pair of carved and fluted columns, on flat bun feet 45,5cm high, 40cm wide, 28cm deep R 3 000 - R 4 000

246 A WILLIAM IV ROSEWOOD WORKTABLE, 19TH CENTURY

240

239

241

244

A MAHOGANY PEMBROKE TABLE

A WILLIAM IV FLAMEMAHOGANY CORNER CUPBOARD, 19TH CENTURY

the shaped, hinged rectangular top above a pair of drawers and a sliding compartment, an opposing fall-front door enclosing a compartment, on ring-turned tapering legs 67cm high, 68cm wide fully extended, 51cm deep R 3 000 - R 4 000

the stepped, shaped and moulded triangular top above an ogee drawer and fielded door, flanked by a pair of foliate-carved and lobed pillars, raised on a plinth base 148cm high, 103cm wide, 64cm deep

the hinged rectangular moulded top with canted corners and enclosing a baise-lined compartment, a conforming bead-andlappet frieze, the turned and gadrooned pillar support with a lappet collar on a stylised flowerhead base, raised on four C-scroll feet, restorations 73cm high, 45cm wide, 36,5cm deep

247

248 A VICTORIAN MAHOGANY TOILET MIRROR, 19TH CENTURY

the later arch-shaped plate within a conforming frame with stylised foliate cresting, suspended between a pair of turned pillars surmounted by turned finials, the lower section with a hinged compartment, on turned feet 106cm high, 71,5cm wide

ILLUSTRATED

PROVENANCE Noordhoek Manor

R 3 000 - R 4 000

R 6 000 - R 8 000 246 CAPE TOWN, 5 & 6 OCTOBER 2010 • 35

PROPERTY OF THE ESTATE LATE MRS C A M CUNNOLD

252 A VICTORIAN WALNUT DAVENPORT, 19TH CENTURY

the hinged serpentine top inset with a tooled-leather writing surface and enclosing drawers and pigeon-holes, in sizes, a hinged plinth-shaped stationery compartment above, panelled front, the sides inset with four short drawers and opposing dummy drawers, a pair of scrolling foliate-carved supports raised on a plinth base, on brass castors 86,5cm high, 55cm wide, 56cm deep R 6 000 - R 8 000

253 A VICTORIAN WALNUT CHIFFONIER

the shaped rectangular top with an eggand-dart rim above a plain frieze with conforming beading, a pair of arched mirrored doors below enclosing a pair of shelves and flanked by a pair of turned spiral pillars, on a plinth base raised on turned feet 91cm high, 94cm wide, 36cm deep 251

R 6 000 - R 8 000

249

251

A VICTORIAN ROSEWOOD SOFA TABLE, 19TH CENTURY

A VICTORIAN MAHOGANY GENTLEMAN’S WARDROBE

the hinged rectangular top with rounded corners and egg-and-dart edge, a pair of frieze drawers below, each pair of foliatecarved scroll supports joined by turned stretchers and raised on plinths with eggand-dart edges, on bun feet with brass castors, distress 73cm high, 152cm wide fully extended, 71cm deep

the outset moulded cornice above a plain frieze, three panelled doors below enclosing shelves, drawers and a hanging rail 214cm high, 226cm wide, 67cm deep ILLUSTRATED

R 12 000 - R 15 000

PROVENANCE

Noordhoek Manor

R 4 000 - R 6 000

250 A VICTORIAN MAHOGANY COMMODE

the bowfronted, moulded and hinged top inset with a gilt-tooled leather surface enclosing a compartment, a conforming slide below, on tapering ring-turned feet 45cm high, 45,5cm wide, 45cm deep R 1 200 - R 1 500

36 • DECORATIVE AND FINE ARTS

255

VARIOUS PROPERTIES

PROPERTY OF THE ESTATE LATE MRS C A M CUNNOLD

254

257

261

A VICTORIAN MAHOGANY TABLE, 19TH CENTURY

A VICTORIAN MAHOGANY AND INLAID FOURTIERED WHAT-NOT, 19TH CENTURY

A TEAK AND BRASS-BOUND MILITARY CHEST-ON-CHEST, 19TH CENTURY

the rectangular moulded top raised on a faceted bulbous support with turned collar, the drum-shaped socle centring four downswept scrolling and carved legs terminating in foliate-carved feet, on brass castors, losses 78,5cm high, 142cm wide, 136cm deep

each rhomboid-shaped tier raised on turned rods headed by turned finials, the top tier with a partial pierced back gallery, on turned legs 133cm high, 71cm wide, 27,5cm deep

in two parts, the rectangular top above a pair of short drawers, a deep long drawer below, the lower section with a pair of long drawers, on flat block feet 102cm high, 106cm wide, 48cm deep

R 2 000 - R 3 000

PROVENANCE Rustenberg Estate

PROVENANCE

ILLUSTRATED

Rustenberg Estate

258

R 6 000 - R 8 000

A VICTORIAN WALNUT DEMI-LUNE CARD TABLE, 19TH CENTURY

255 A HARLEQUIN SET OF EIGHT VICTORIAN BALLOON-BACK DINING CHAIRS, 19TH CENTURY

each open-frame back above a drop-in seat, on ring-turned tapering legs, some numbered (8) ILLUSTRATED ON OPPOSITE PAGE

R 6 000 - R 8 000

the hinged and moulded top concealing a baize-lined surface, plain frieze, on a turned support with carved and downswept legs, raised on porcelain castors 74,5cm high, 100cm wide open, 90cm deep open R 7 000 - R 9 000 VARIOUS PROPERTIES

259 A VICTORIAN MAHOGANY ARMCHAIR, 19TH CENTURY

256 A VICTORIAN WALNUT AND INLAID TILT-TOP BREAKFAST TABLE, 19TH CENTURY

the moulded and oval-shaped top inlaid and centred by scrolling foliage, the turned cluster-column support centred and united by a drum-shaped socle surmounted by a turned finial, each foliate-carved cabriole leg terminating in scroll ends and raised on castors 73,5cm high, 122cm wide, 89,5cm deep

the carved, down-curved and scrolling arms on foliate-carved supports, the carved and scrolling back rest above a stuff-over circular seat, each carved scrolling leg joined by a foliate and fruitcarved apron PROVENANCE

R 12 000 - R 15 000

262 A VICTORIAN MAHOGANY HALF-TESTER BED, LATE 19TH CENTURY AND LATER

the arched and moulded footboard above a demi-lune panel centred by foliate-carved cresting, a pair of turned, fluted and roundel-applied supports on either side, slatted bed base, the pleated fabric headboard fitted with a pair of brass reading lamps and surmounted by a three-quarter moulded cornice flanked by a pair of curtains, on turned bun feet raised on castors 234cm high, 153cm wide, 222,5cm deep PROVENANCE Rustenberg Estate

R 6 000 - R 8 000 PROPERTY OF THE ESTATE LATE MRS C A M CUNNOLD

Rustenberg Estate

R 2 000 - R 3 000

R 6 000 - R 8 000

260 A VICTORIAN MAHOGANY WARDROBE, 19TH CENTURY

the outset moulded pediment above a pair of panelled doors centred by carved scrolling foliage and enclosing a mirrored interior with a pair of shelves and a hanging rail, on a conforming plinth base, restorations 206,5cm high, 148cm wide, 58,5cm deep

263 A VICTORIAN MAHOGANY CHIFFONIER, 19TH CENTURY

the moulded rectangular top above a pair of panelled drawers, a pair of panelled doors below enclosing a shelf, on a plinth base 88cm high, 135cm wide, 45cm deep R 5 000 - R 7 000

R 12 000 - R 15 000

261

CAPE TOWN, 5 & 6 OCTOBER 2010 â&#x20AC;˘ 37

CONTINENTAL FURNITURE

264

267

270

273

A VICTORIAN BURR-WALNUT AND MAHOGANY CENTRE TABLE, 19TH CENTURY

A DUTCH OAK CUPBOARD, 18TH CENTURY

A FRENCH LOUIS XVI STYLE PAINTED AND GILDED MIRROR

the rectangular top with a moulded pediment, a pair of panelled doors below enclosing a pair of shelves, on stile feet, restorations, repairs 117cm high, 137,5cm wide, 47cm deep

the outset moulded cornice above a dentil frieze, a panel below centred by an urn, a pair of thrysuses and a pair of wands all applied with foliage, the later plate below within a dentil frame, on Greek-key block feet 140,5cm high, 83,5cm wide

A PAIR OF CONTINENTAL WALNUT SIDE CHAIRS, 19TH CENTURY

the oval-shaped, moulded and serpentine top above a plain frieze, each carved scrolling support united by a drum-shaped socle headed by a turned finial, each scrolling leg teminating in a lappet, raised on porcelain castors, minor veneer loss 72,5cm high, 152,5cm wide, 120,5 deep ILLUSTRATED

R 8 000 - R 10 000 VARIOUS PROPERTIES

265 A VICTORIAN BURR-WALNUT AND INLAID CARD TABLE, 19TH CENTURY

R 6 000 - R 8 000

R 4 000 - R 6 000

R 1 500 - R 2 000

271

274

A CONTINENTAL FRUITWOOD AND UPHOLSTERED BENCH, 19TH CENTURY

A FRENCH OAK SIDE TABLE, EARLY 20TH CENTURY

268 A SET OF TEN LOUIS XV STYLE BALLOON-BACKED CHAIRS

each caned balloon-back within a ribbon-carved frame surmounted by floral cresting, serpentine stuff-over seat, on tapering fluted legs, restorations (10)

the stuff-over seat flanked by a pair of out-curved and ribbed arms, plain frieze, on square-section tapering legs, with a pair of baluster cushions 160cm long

R 8 000 - R 10 000

the rectangular, moulded, hinged and swivel top enclosing a baise-lined surface and compartment, the turned cluster column joined by a drum-shaped socle surmounted by a turned finial, downswept and foliate-carved legs terminating in scrolls, on castors 71cm high, 90,5cm wide, 45cm deep when closed

PROVENANCE Rustenberg Estate

R 2 000 - R 3 000

275 A PAIR OF LOUIS XV STYLE ARMCHAIRS

266

the padded back within a conforming frame centred by floral cresting, the padded arms on carved, scrolling supports, stuff-over seat, on floral-carved cabriole legs (2)

264

269

in the Sheraton taste, each reeded gallery with a batwing pattern surmounted by carved finials, shaped top shelf, the interior with an urn surrounded by a festoon and scrolling foliage, above a pair of bevelled mirrors, wavy bottom shelf above a shaped apron with scrolling foliage and applied with carved dropped finials, stringing throughout, restorations 74cm high, 35cm wide, 25cm deep (2)

A PAIR OF CARVED HARDWOOD LOUIS XV SIDE CHAIRS, 20TH CENTURY

272

each back with a carvedribbon frame surmounted by a ribbon cresting and flanked by a pair of turned supports, the back raised on foliatecarved and wavy supports, the bowfront and panelled seat above a wavy foliate-carved apron centred by a scallop motif, on cabriole legs (2)

the moulded and wavy rectangular top above three long drawers, on shaped block feet, restorations, evidence of previous wood borer damage 86,5cm high, 118,5cm wide, 57cm deep

R 2 500 - R 3 000

R 2 000 - R 3 000

38 â&#x20AC;˘ DECORATIVE AND FINE ARTS

the rectangular moulded top above a guilloche-carved frieze and inset with a pair of drawers, the Doric-form legs united by shaped stretchers centred by a Classical architectural-form stretcher comprising Ionic pillars, plinths and balusters, on turned feet raised on castors, surface distress 73,5cm high, 99,5cm wide, 61cm deep R 4 000 - R 6 000

R 6 000 - R 8 000

A PAIR OF ROSEWOOD AND INLAID EDWARDIAN CORNER SHELVES

each down-curved top rail above a carved midrail flanked by a pair of downswept side supports, stuff-over serpentine and tapestry-upholstered seat, on square-section outswept legs (2)

PROVENANCE Rustenberg Estate

A CONTINENTAL PINE CHEST OF DRAWERS, 19TH CENTURY

R 6 000 - R 8 000

R 1 400 - R 1 600

SOUTH AFRICAN FURNITURE

276 A HARDWOOD MIELIE STOMPER

the waisted and hollowed-out body, with a wooden pestle 82cm high (2) PROVENANCE Rustenberg Estate

R 800 - R 1 000

277

282

285

288

A CAPE MULBERRYWOOD SANDVELD SIDE CHAIR, EARLY 19TH CENTURY

A PAINTED PINE KIST, 19TH CENTURY

A HARLEQUIN SET OF SEVEN CAPE BLACKWOOD SIDE CHAIRS, LATE 19TH CENTURY

A STINKWOOD EXTENDING DINING TABLE, LATE 19TH/ EARLY 20TH CENTURY

the plain top and bottom rails united by three plain splats, riempie seat, on squaresection tapering legs joined by an H-shaped stretcher R 1 500 - R 2 000

278

the hinged rectangular top enclosing a cream-painted interior, the front panel painted with stylised floral motifs, on square-section tapering legs, lock lacking, distress 61,5cm high, 108cm wide, 40,5cm deep

in the Cape Regency taste, each plain top rail above a plain mid-rail, riempie seat, on turned, tapering legs joined by a pair of side stretchers (7) R 8 000 - R 10 000

the moulded rectangular top with canted corners, plain frieze, ring-turned legs raised on porcelain castors, with one leaf insertion 76cm high, 171,5cm fully extended, 122cm deep R 6 000 - R 8 000

R 3 000 - R 5 000

A CAPE STINKWOOD SIDE CHAIR

the reeded top and bottom rails united by three plain back splats, riempie seat, on square-section legs joined by a box stretcher, restorations R 1 500 - R 2 000

279

286

A CAPE STINKWOOD ARMCHAIR, 19TH CENTURY

A CAPE EBONISED AND TEAK ROCOCO-REVIVAL MIRROR-ONCHEST, LATE 19TH CENTURY

the plain top and bottom rails above four plain back splats, a pair of out-curved arms on square-section graduating supports, caned seat, on square-section tapering legs joined by a three-quarter box stretcher R 2 000 - R 3 000 289

280 A CAPE TEAK VOETSTOFIE

the rectangular pierced top above dovetailed sides, on a plinth base, distress 20,5cm high, 28cm wide, 24cm deep R 1 500 - R 1 800

281 A PAINTED PINE KIST, 19TH CENTURY

with a hinged rectangular top, the front painted with stylised floral motifs, restorations 32,5cm high, 92cm wide, 37,5cm deep R 3 000 - R 5 000

283 A CAPE STINKWOOD RUSBANK

in the Regency taste, the shaped top rail and chamfered mid-rail united by turned spindles, the downswept scrolling arms above a riempie seat, on ringturned tapering legs 179,5cm long R 7 000 - R 10 000

284 A CAPE STINKWOOD REGENCY ARMCHAIR, 19TH CENTURY

the shaped top rail above a plain mid-rail, down-curved arms on turned supports, riempie seat, on turned and tapering legs, restorations, the front legs raised

the mirrored plate within an arched and wavy frame suspended between a pair of barley-twist supports headed with turned finials, the lower section with a shaped and moulded rectangular top above a pair of fielded and linen-fold drawers, on ball-and-claw feet joined by a wavy apron, locks lacking, later escutcheons 186cm high, 89cm wide, 50cm deep R 5 000 - R 7 000

287 A CAPE STINKWOOD BED, EARLY 20TH CENTURY

the headboard with a wavy crest and apron centred by a caned panel, barley-twist posts surmounted by turned finials, slatted base and conforming footboard, on turned feet 138cm high, 197,5cm long, 94cm wide

289 A CARVED WOOD FIREPLACE SURROUND BY DIETER KRUGERHAYE, CIRCA 1960

the outset moulded mantel above a fielded frieze centred by three protea flowerheads and foliage, each fielded side applied with disa flowers, on plinth bases, signed ‘K.H.’ 130,5cm high, 174cm wide, 24,5cm deep ILLUSTRATED

R 6 000 - R 8 000

R 4 000 - R 6 000

R 1 500 - R 2 000 CAPE TOWN, 5 & 6 OCTOBER 2010 • 39

292

291 COLLECTORS’ ITEMS

290

293

296

298

A CARVED WALRUS TUSK

A CARVED SCRIMSHAW FIGURE OF AN INUIT HUNTER IN A KAYAK

A DUKE OF EDINBURGH’S OWN VOLUNTEER RIFLES BANDSMAN SHORT SWORD, ROBERT MOLE AND SONS, BIRMINGHAM, 19TH CENTURY

A SANDF CEREMONIAL INFANTRY SWORD, MID 20TH CENTURY

depicting a polar bear, walrus, leopard seal, beluga whale and narwhal 45cm long R 2 000 - R 3 000 R 2 000 - R 3 000

the figure holding a paddle, a carved seal behind the paddler; and A Carved Ivory Rifle the kayak 20,5cm long (2) ILLUSTRATED

291 A WALRUS IVORY SCRIMSHAW CRIBBAGE BOARD

the tusk etched with animals and figures, the feet in the form of a polar bear and walrus, losses 46cm long ILLUSTRATED

R 2 000 - R 3 000 R 2 000 - R 3 000

R 1 000 - R 1 500 R 2 000 - R 3 000

294 A MISCELLANEOUS COLLECTION OF SCRIMSHAW CARVINGS

comprising: a walrus, a porpoise, various ivory objects attached to a rawhide thong; and Four Beaded Articles (Qty) PART ILLUSTRATED

292 AN IVORY SLED WITH INUIT FIGURES AND DOGS,

the sled with eight carved seated Inuit figures of various sizes and one standing figure behind nine carved sled dogs in various sizes, traces damaged the sled 28,5cm long ILLUSTRATED

R 2 000 - R 3 000 R 2 000 - R 3 000

R 700 - R 1 000 R 2 000 - R 3 000

295 A BRASS FOG HORN, TYFON, SWEDEN, 19TH CENTURY

46cm double-edged blade etched ‘ROB MOLE AND SONS, MANUFACTURERS, BIRMINGHAM,’

brass cross-hilt with coat of arms of Queen Victoria, stamped DEOVR 22,281168, Birmingham inspection mark and 3HO.86.69, the leather scabbard with brass mouth and chape R 800 - R 1 200 R 2 000 - R 3 000

297 A CAVALRY SWORD, HAWKS & CO, PICCADILLY, LONDON

the steel hilt with a shagreen grip, 90cm blade by Hawks & Co Piccadilly London, complete with scabbard and sword knot R 4 000 - R 5 000 R 2 000 - R 3 000

the hand operated pump with wooden handle and swivel mounted horn, on an oval wooden base 60cm high ILLUSTRATED ON OPPOSITE PAGE

R 3 000 - R 4 000 R 2 000 - R 3 000

293

40 • DECORATIVE AND FINE ARTS

294 PART LOT

the steel hilt with a plain pommel and shagreen grip, 82cm stainless steel blade bearing the South African coat of arms, complete with a leather scabbard and sword knot R 1 400 - R 1 600 R 2 000 - R 3 000

299 A MISCELLANEOUS COLLECTION OF MEERSCHAUM PIPES AND CIGARETTE HOLDERS, VARIOUS DATES

various shapes and sizes, comprising: ten pipes and ten cigarette holders, some losses (20) PART ILLUSTRATED ON OPPOSITE PAGE

R 1 300 - R 1 500 R 2 000 - R 3 000

303

300

301

304

A TORTOISE-SHELL, MOTHEROF-PEARL AND IVORY INLAID MINIATURE MANDOLIN

A POLYCHROME PAINTED AND CARVED WOODEN CAROUSEL HORSE, EARLY 20TH CENTURY

A CHINESE HAND-EMBROIDERED SILK SHAWL, LATE 19TH/ EARLY 20TH CENTURY

some distress 13,5cm long

naturalistically modelled rearing up on its hind legs, with horse hair, reins and a pair of stirrups, distress 142cm high, 128cm long

the square cloth profusely embroidered with flowerheads, pagodas and birds within a crocheted fringe 130cm square excluding fringe

R 600 - R 800 R 600 - R 800

PROVENANCE Rustenberg Estate ILLUSTRATED

299 PART LOT

R 1 000 - R 1 200 R 600 - R 800

R 6 000 - R 8 000 R 600 - R 800

305 – 310 NO LOTS

299 PART LOT

302 A MISCELLANEOUS COLLECTION OF HAND-EMBROIDERED TABLE LINEN, 20TH CENTURY

including a pair of matching napkins, a set of 11 matching napkins, a set of 6 matching napkins and 8 table cloths (Qty) R 2 000 - R 3 000 R 600 - R 800

303 A LOUIS VUITTON SUITCASE, FIRST HALF 2OTH CENTURY

lock number 113927 44 by 65 by 22cm ILLUSTRATED

R 15 000 - R 20 000 295

R 600 - R 800

301

CAPE TOWN, 5 & 6 OCTOBER 2010 • 41

BRITISH, EUROPEAN AND AMERICAN PAINTINGS, WATERCOLOURS, DRAWINGS AND PRINTS

311

313

Anglo-Dutch School

German School

(17TH/18TH CENTURY)

(18TH CENTURY)

PORTRAIT OF AN OLD LADY

PORTRAIT OF A WOMAN HOLDING A FLOWER

signed “AETA SVAE”, numbered 64 and dated 1622 oil on canvas 63 by 51cm PROVENANCE Rustenberg Estate ILLUSTRATED

oil on canvas 84 by 64cm PROVENANCE Rustenberg Estate ILLUSTRATED

R 5 000 - R 7 000

R 6 000 - R 8 000

314

311

German School

312 Follower of Jan Cossiers (FLEMISH 1600-1671)

MAN HOLDING A MINIATURE OF A YOUNG WOMAN

oil on canvas 74 by 63cm PROVENANCE Rustenberg Estate ILLUSTRATED

(18TH CENTURY)

PORTRAIT OF A YOUNG WOMAN IN A BLUE DRESS

oil on canvas 84 by 64cm PROVENANCE Rustenberg Estate ILLUSTRATED

R 7 000 - R 9 000

315 Dutch School (19TH CENTURY)

PORTRAIT OF A BEARDED GENTLEMAN

signed “de Jongh” pastel on paper laid down on canvas 71 by 72cm

312

PROVENANCE Rustenberg Estate

R 5 000 - R 7 000

316 Stephen Ward (BRITISH 1912-1963)

PORTRAIT OF DOUGLAS FAIRBANKS

signed and dated 46 pastel on paper 46 by 29cm 313

314

R 6 000 - R 8 000

42 • CONDITION REPORTS FOR WORKS ON PAPER SEE PAGES 231-233 • FULL CONDITION REPORTS AVAILABLE ON WWW.SWELCO.CO.ZA

317

318

317

319

Antonietta Brandeis

G*** Pinotti

(HUNGARIAN 1849-1910)

(ITALIAN 19TH/ 20TH CENTURY)

PONTE VECCHIO BRIDGE

signed; inscribed with the title on the reverse oil on panel 18 by 25cm ILLUSTRATED

R 60 000 - R 80 000

318 G*** Pinotti (ITALIAN 19TH/20TH CENTURY)

THE WALLS OF A NORTH AFRICAN CITY

signed watercolour on paper 42 by 26,5cm PROVENANCE Sold: Stephan Welz & Co, The Prynnsberg House Sale, 25 & 26 March 1996, lot 66 ILLUSTRATED

R 5 000 - R 7 000

RUINS OF BATH OF CLEOPATRA

signed; inscribed with the title in English and Italian on the reverse watercolour on paper 27 by 41,5cm PROVENANCE Sold: Stephan Welz & Co, The Prynnsberg House Sale, 25 & 26 March 1996, lot 67

319

ILLUSTRATED

R 5 000 - R 7 000

320 Max Kreijn (DUTCH 1947-)

ROMA

signed, dated 1988 and inscribed with the title watercolour on paper 48 by 67,5cm ILLUSTRATED

R 10 000 - R 15 000

320

CAPE TOWN, 5 & 6 OCTOBER 2010 â&#x20AC;˘ 43

325 Gerrit van Duffelen (DUTCH 1889-1967)

SHIPS BY THE QUAYSIDE

signed; inscribed with the artist’s name on the stretcher oil on canvas 65 by 87cm, unframed ILLUSTRATED

R 7 000 - R 9 000

326

322 321

321 After Gabriel Metsu (DUTCH 1629-1667)

A WOMAN WITH HER SEWING

oil on canvas 37 by 28cm ILLUSTRATED

Ernst Kolbe (GERMAN 1876-1945)

FISCHERHAVEN AN DER OSTSEE

signed; signed, dated 1929 and inscribed with the title on the reverse oil on board 48 by 58cm R 6 000 - R 8 000

R 6 000 - R 8 000 325

322 Follower of David Teniers the Younger (FLEMISH 1610-1690)

FIGURES IN A TAVERN

327

329

327 John Falconer Slater (BRITISH 1857-1937)

THE APPROACHING STORM, NORTH ATLANTIC

oil on canvas 52,5 by 63,5cm

signed oil on canvas board 62 by 74cm

ILLUSTRATED

R 6 000 - R 8 000

R 8 000 - R 12 000

323

328

Belgian School

G*** Pinale

(19TH CENTURY)

(ITALIAN 20TH CENTURY)

A VESSEL BY A WATERWAY

THE FLOWER MARKET

signed indistinctly oil on canvas 24 by 32,5cm

signed oil on canvas board 59,5 by 79,5cm

R 6 000 - R 8 000

R 5 000 - R 7 000

324

329

Frans Simon

James Lawton Wingate

(DUTCH 20TH CENTURY)

(BRITISH 1846-1924)

ROTTERDAM HARBOUR

AN ATMOSPHERIC SUNSET

signed oil on artist’s board 20,5 by 26,5cm

signed oil on canvas 24 by 35,5cm

R 2 000 - R 3 000

ILLUSTRATED

R 5 000 - R 7 000

44 • CONDITION REPORTS FOR WORKS ON PAPER SEE PAGES 231-233 • FULL CONDITION REPORTS AVAILABLE ON WWW.SWELCO.CO.ZA

330 John Fullwood (BRITISH fl. 1881-1931)

A SHEPHERD OVERLOOKING THE CLIFFS OF DOVER

signed watercolour on paper 75 by 126cm ILLUSTRATED

R 8 000 - R 12 000

331 Harry Fidler (BRITISH 1856-1935)

THE HAIR DRESSER

signed oil on canvas 32 by 26cm

330

ILLUSTRATED

R 7 000 - R 9 000

332 John Murray Thompson (BRITISH 1885-1974)

A TERRIER

signed and dated 05 oil on canvas 34 by 45cm ILLUSTRATED

331

R 6 000 - R 8 000

333 Charles M. Schulz (AMERICAN 1922-2000)

SNOOPY

signed wax crayon on paper sheet size: 50 by 60cm This illustration is the “sister” of the sketch sold by Stephan Welz & Co. in February 2010. The sketch was acquired by the owner while attending a Summer camp in America as a child. Charles M. Schulz was one of the camp entertainers who gave impromptu sketches of his most loved characters to the children he encountered at the camps.

332

334

335

Marc Chagall

Leonor Fini

(FRENCH/RUSSIAN 1887-1985)

(FRENCH 1908-1996)

THE PAINTER IN FRONT OF THE PICTURE

FIGURES AND CATS

lithograph in colours, signed and numbered 7/50 in pencil in the margin sheet size: 61 by 46cm

signed watercolour on paper 40 by 27cm

ILLUSTRATED ON PAGE 46

PROVENANCE The Natalie Knight Gallery, Johannesburg

R 30 000 - R 40 000

ILLUSTRATED ON PAGE 46

R 10 000 - R 15 000 333

ILLUSTRATED

R 25 000 - R 35 000

CAPE TOWN, 5 & 6 OCTOBER 2010 • 45

335

334

337 PART LOT

338

336

337

338

Freidensreich Hundertwasser

After Pablo Picasso

Paul Wunderlich

(AUSTRIAN 1928-2000)

(SPANISH 1881-1973)

(GERMAN 1927-)

NEVER FORGET A RED GARDEN HOUSE

FIVE COMPOSITIONS

JUTTA AUF DEM ATELIERSOFA

woodcut printed in colours, signed, numbered 178/200, inscribed “Vienna” and dated 14 February 1975 in pen in the margin sheet size: 53 by 42cm

photolithographs, printed in colour the largest: 28 by 22cm (5)

lithograph, signed, and numbered 41/95 in pencil in the margin sheet size: 66 by 49cm

PART ILLUSTRATED

ILLUSTRATED

R 10 000 - R 15 000

R 5 000 - R 7 000

R 5 000 - R 8 000

46 • CONDITION REPORTS FOR WORKS ON PAPER SEE PAGES 231-233 • FULL CONDITION REPORTS AVAILABLE ON WWW.SWELCO.CO.ZA

SOUTH AFRICAN PAINTINGS, WATERCOLOURS, DRAWINGS, PRINTS AND A TAPESTRY

339 Gregoire Johannes Boonzaier (SOUTH AFRICAN 1909-2005)

DR JAN VAN ELFEN

signed and dated 1995; inscribed with the title on the reverse pastel on paper 45 by 29cm

341

339

ILLUSTRATED

R 10 000 - R 15 000

340 Gregoire Johannes Boonzaier (SOUTH AFRICAN 1909-2005)

SELF PORTRAIT

signed and dated 1985 pencil on paper 42,5 by 28,5cm

343

345

R 6 000 - R 8 000

Wolf Kibel

Carlo Sdoya

(SOUTH AFRICAN 1903-1938)

(SOUTH AFRICAN 1914-1996)

TWO FIGURES IN A LANDSCAPE

STREET SCENE

341 James Vicary Thackwray (SOUTH AFRICAN 1919-1994)

MOTHER AND DAUGHTER NEAR COTTAGES AND A RUIN

342

signed and dated 22 conté on paper 23 by 16cm

345

signed oil on board 60 by 75,5cm ILLUSTRATED

R 5 000 - R 7 000

R 12 000 - R 16 000

signed oil on canvas 61 by 71,5cm

344

346

ILLUSTRATED

(SOUTH AFRICAN 1909-1992)

R 8 000 - R 12 000

THE STRING SECTION

FLOWER SELLERS

342

signed oil on canvas 44,5 by 34,5cm

signed oil on board 60 by 50cm

R 6 000 - R 8 000

R 5 000 - R 7 000

Christopher Tugwell (SOUTH AFRICAN 1938-)

TWO FIGURES WALKING

signed oil on canvas board 60 by 90cm ILLUSTRATED

Rupert Norman Shephard

Carlo Sdoya (SOUTH AFRICAN 1914-1996)

347

347 Adriaan Hendrik Boshoff (SOUTH AFRICAN 1935-2007)

WOMAN SWEEPING

signed oil on canvas board 39 by 24cm ILLUSTRATED

R 25 000 - R 35 000

R 20 000 - R 30 000

CAPE TOWN, 5 & 6 OCTOBER 2010 • 47

348

352

Adriaan Hendrik Boshoff

Dorothy Kay

(SOUTH AFRICAN 1935-2007)

(SOUTH AFRICAN 1886-1964)

MOMENTS LIKE THESE

CAPE FISHERMAN

signed oil on canvas board 44,5 by 31,5cm

etching, signed and inscribed with the title in pencil in the margin 25 by 20cm

ILLUSTRATED

R 60 000 - R 80 000

ILLUSTRATED

R 7 000 - R 9 000

349 Armando Baldinelli

353

(SOUTH AFRICAN 1908-2002)

Gerard Bhengu

ZULU WARRIORS I

(SOUTH AFRICAN 1910-1990)

signed and dated 1957 oil on canvas board 36,5 by 47,5cm ILLUSTRATED

A BEARDED ZULU MAN

signed watercolour on paper 32,5 by 42cm

R 7 000 - R 10 000

R 10 000 - R 15 000

350

354

348

Armando Baldinelli (SOUTH AFRICAN 1908-2002)

ZULU WARRIORS ll

signed and dated 1957 oil on canvas board 38 by 49cm R 7 000 - R 8 000

351

Constance Helen Greaves (SOUTH AFRICAN 1882-1966)

MAN WITH A LONG PIPE and WOMAN WITH A BLUE HEADSCARF, two

each signed watercolour on paper each approximately: 25 by 21,5cm (2) R 7 000 - R 10 000

Dorothy Kay (SOUTH AFRICAN 1886-1964)

MALAY DRIVER

349

etching, signed, dated 1923 and inscribed with the title in pencil in the margin sheet size: 37,5 by 31,5cm ILLUSTRATED

R 8 000 - R 10 000

351

355 Allerley (Joe) Glossop (SOUTH AFRICAN 1870-1955)

PORTRAIT OF A MAN

signed oil on artist’s board 19,5 by 14,5cm R 5 000 - R 7 000

352

48 • CONDITION REPORTS FOR WORKS ON PAPER SEE PAGES 231-233 • FULL CONDITION REPORTS AVAILABLE ON WWW.SWELCO.CO.ZA

357

356

359

Gregoire Johannes Boonzaier

Frans David Oerder

(SOUTH AFRICAN 1909-2005)

DILSBURG, GERMANY, fifteen

A VENETIAN CANAL

signed and dated 1973 watercolour on paper 20,5 by 32,5cm ILLUSTRATED

R 14 000 - R 18 000

357 Gregoire Johannes Boonzaier (SOUTH AFRICAN 1909-2005)

STIL KANAAL, VENESIË

signed and dated 1973; signed and inscribed with the title on the reverse ink and wash on paper 37 by 27cm

(SOUTH AFRICAN 1867-1944)

various mediums, the watercolour and prints signed various sizes, unframed (15) Included in this lot are 3 prints and 11 photographs by the artist. c.f. Another view of this marketplace in Germany was sold as lot 666 by Stephan Welz & Co, Cape Town, 20 October 2009 PART ILLUSTRATED

R 25 000 - R 35 000

ILLUSTRATED

360

R 10 000 - R 12 000

(SOUTH AFRICAN 1913-1978)

358 Pieter Hugo Naudé (SOUTH AFRICAN 1868-1941)

EUSTON STATION

inscribed with the artist’s name and title on the reverse pastel on paper 28,5 by 22,5cm

359 PART LOT

Terence John McCaw STREET SCENE WITH FIGURES, ISCHIA

signed and dated 52; inscribed with the title on the reverse oil on paper laid down on board 65 by 51cm ILLUSTRATED

R 25 000 - R 35 000

R 10 000 - R 15 000 360

CAPE TOWN, 5 & 6 OCTOBER 2010 • 49

367

366

362

365

368

Cecil Thornley Stewart

Erich (Ernst Karl) Mayer

(SOUTH AFRICAN 1881-1967)

(SOUTH AFRICAN 1876-1960)

Adolph Stephan Friedrich Jentsch

THE UMZIMVUBU RIVER TOWARDS PORT ST JOHNS

THREE HUTS IN A RURAL LANDSCAPE

(NAMIBIAN 1888-1977)

signed and dated 1955 watercolour 11,5 by 21cm

signed and dated 1945 watercolour on paper 17,5 by 26,5cm

R 6 000 - R 8 000

R 12 000 - R 16 000

signed watercolour on paper 33 by 51,5cm

NAMIBIAN LANDSCAPE

R 5 000 - R 7 000

366

369

363

Walter Gilbert Wiles

Cecil Thornley Stewart

(SOUTH AFRICAN 1875-1966)

Adolph Stephan Friedrich Jentsch

(SOUTH AFRICAN 1881-1967)

AROUND THE CAMP FIRE

(NAMIBIAN 1888-1977)

signed pastel on paper 48 by 58cm

FARM OKAPANJA

LANDSCAPE, PORT ST JOHNS

signed watercolour over pencil on paper 29 by 45cm

ILLUSTRATED

R 8 000 - R 12 000

R 4 000 - R 6 000 370

361 Cecil Thornley Stewart (SOUTH AFRICAN 1881-1967)

367 364 Jan Buys

(NAMIBIAN 1888-1977)

(SOUTH AFRICAN 1909-1985)

EVENING REFLECTIONS

A CAPE VILLAGE

signed oil on artist’s board 22,5 by 34cm

signed oil on board 31,5 by 56,5cm

PROVENANCE Sold: Stephan Welz & Co, Cape Town, 22 March 2005, lot 246

R 4 000 - R 6 000

R 7 000 - R 8 000

Adolph Stephan Friedrich Jentsch ACACIA BUSHES AND VELD

signed with the initials and dated 1955; signed and inscribed “No 55-73 S.W. Afrika” on the reverse watercolour on paper 14,5 by 38cm ILLUSTRATED

R 15 000 - R 20 000

signed with the initials and dated 1940, signed, inscribed “Farm Okapanja” in pencil on the artist’s mount watercolour on paper 19,5 by 27,5cm R 7 000 - R 10 000

370 Adolph Stephan Friedrich Jentsch (NAMIBIAN 1888-1977)

S. W. AFRICA

signed with the initials and dated 1953; inscribed with the artist’s name and title on the reverse watercolour on paper 31,5 by 12cm ILLUSTRATED

R 6 000 - R 8 000

50 • CONDITION REPORTS FOR WORKS ON PAPER SEE PAGES 231-233 • FULL CONDITION REPORTS AVAILABLE ON WWW.SWELCO.CO.ZA

372

371

371 Borge Fol. Stuckenberg (DANISH/SOUTH AFRICAN 1867-1942)

A VIEW OF FALSE BAY

signed oil on canvas 46,5 by 70,5cm

375

373

ILLUSTRATED

R 6 000 - R 8 000

372

374

Robert Broadley

Nerine Desmond

(SOUTH AFRICAN 1908-1988)

(SOUTH AFRICAN 1908-1993)

HERMANUS HARBOUR

BLOUWBERG (sic)

signed oil on canvas board 29,5 by 42cm

signed, dated 1945 and inscribed with the title charcoal and wash heightened with white 45 by 60cm

ILLUSTRATED

R 7 000 - R 9 000

R 6 000 - R 8 000

376

376 Nils Severin Andersen (SOUTH AFRICAN 1897-1972)

373

375

William Mitcheson Timlin

David Botha

(SOUTH AFRICAN 1893-1943)

(SOUTH AFRICAN 1921-1995)

RIVER LANDSCAPE

BOATS ON THE BEACH, HOUT BAY

signed and dated 1935 watercolour on paper 34,5 by 49,5cm ILLUSTRATED

signed oil on canvas 39 by 49,5cm

R 10 000 - R 15 000

ILLUSTRATED

R 15 000 - R 20 000

HMS SAUMAREZ LEAVING DURBAN

signed oil on canvas board 42,5 by 57,5cm The HMS Saumarez was best known for the part she played in sinking the German battleship, Scharnhorst in 1943. Here she is seen leaving Durban after being refitted in 1945. PROVENANCE Painted in 1945 and donated to the Merchant Navy Memorial Club, Durban ILLUSTRATED

R 7 000 - R 9 000

CAPE TOWN, 5 & 6 OCTOBER 2010 â&#x20AC;˘ 51

377

378

382

381

377

379

381

Erich (Ernst Karl) Mayer

John Kenneth Ferguson

William Mitcheson Timlin

(SOUTH AFRICAN 1876-1960)

(SOUTH AFRICAN 1885-1967)

(SOUTH AFRICAN 1893-1943)

FOWLS IN AN EXTENSIVE LANDSCAPE

CATTLE GRAZING IN A RURAL LANDSCAPE

A RIVER THROUGH A MOUNTAINOUS LANDSCAPE

signed with the artist’s initials oil on canvas board 16,5 by 30cm

signed oil on canvas 39 by 49,5cm

signed oil on artist’s board 24 by 29cm

PROVENANCE Schweickerdt Gallery, Pretoria

R 4 000 - R 6 000

ILLUSTRATED

R 10 000 - R 15 000

ILLUSTRATED

R 9 000 - R 12 000

380 Reginald Turvey (SOUTH AFRICAN 1882-1968)

382 Jacob Hendrik Pierneef

378

BUFFALO

(SOUTH AFRICAN 1886-1957)

Johannes Blatt

signed watercolour on paper 26 by 39cm

BARBERTON

(SOUTH AFRICAN 1905-1972)

DAWIB-WEST, USAKOS

signed and dated 51; inscribed with the title on the reverse oil on board 60,5 by 80,5cm

R 4 000 - R 6 000

impressed with the executor’s facsimile stamp; inscribed with the title on the reverse watercolour on paper 36,5 by 54,5cm ILLUSTRATED

R 18 000 - R 24 000

ILLUSTRATED

R 10 000 - R 15 000

52 • CONDITION REPORTS FOR WORKS ON PAPER SEE PAGES 231-233 • FULL CONDITION REPORTS AVAILABLE ON WWW.SWELCO.CO.ZA

383

385

383

386

Jacob Hendrik Pierneef

(SOUTH AFRICAN 1886-1957)

TWO TREES

OKAHANDJA, S.W.A.

impressed with the executor’s facsimile stamp pencil on paper 21 by 32cm

etching, signed, numbered 16/100, inscribed with the title and dated 1930 in pencil in the margin sheet size: 28 by 35,5cm

ILLUSTRATED

R 12 000 - R 16 000

384 Jacob Hendrik Pierneef

LITERATURE J.F.W. Grosskopf, Hendrik Pierneef, The Man and His Work, J.L. van Schaik, Pretoria, 1947, illustrated as pl 6

(SOUTH AFRICAN 1886-1957)

ILLUSTRATED

BUSHVELD ROAD

R 7 000 - R 9 000

impressed with the executor’s facsimile stamp pencil on paper 18,5 by 15,5cm

387

R 7 000 - R 9 000

(SOUTH AFRICAN 1886-1957)

DIE WATERKAR

(SOUTH AFRICAN 1886-1957)

BOERHUIS, TULBAGH

R 6 000 - R 8 000

Jacob Hendrik Pierneef

388

PROVENANCE Schweickerdt Gallery, Pretoria

DRAKENSBERG LANDSCAPE

ILLUSTRATED

389

389 Allerley (Joe) Glossop (SOUTH AFRICAN 1870-1955)

soft ground etching, signed and numbered 44/100 in pencil in the margin sheet size: 29 by 36,5cm

LITERATURE P G Nel, J H Pierneef, His Life and Work, Perskor, Johannesburg, 1990, illustrated on p 129

388

Jacob Hendrik Pierneef

impressed with the executor’s facsimile stamp pastel on paper 11 by 20,5cm

385

386

Allerley (Joe) Glossop (SOUTH AFRICAN 1870-1955)

signed oil on board 31 by 39cm

DRAKENSBERG VIEW

signed oil on artist’s board 28 by 38,5cm ILLUSTRATED

R 7 000 - R 9 000

ILLUSTRATED

R 12 000 - R 16 000

R 7 000 - R 9 000

CAPE TOWN, 5 & 6 OCTOBER 2010 • 53

393

392

394

390

393

Edward Clark Churchill Mace

Tinus (Marthinus Johannes) de Jongh

(SOUTH AFRICAN 1863-1928)

(SOUTH AFRICAN 1885-1942)

MORNING MISTS

NEAR WORCESTER

signed; inscribed with the title on a label on the reverse oil on panel 23 by 29,5cm

signed; inscribed with the title on the stretcher oil on canvas 31 by 47cm

R 5 000 - R 6 000

ILLUSTRATED

R 25 000 - R 35 000

391 Jack (Jacobus) Pieters (SOUTH AFRICAN 1886-1977)

MONT AUX SOURCES

signed and dated 1970; inscribed with the title on the reverse oil on board 33,5 by 40,5cm 396

R 5 000 - R 7 000

392 Tinus (Marthinus Johannes) de Jongh (SOUTH AFRICAN 1885-1942)

REFLECTIONS

signed oil on canvas 67,5 by 100,5cm ILLUSTRATED

397

R 60 000 - R 80 000

394 Tinus (Marthinus Johannes) de Jongh (SOUTH AFRICAN 1885-1942)

DE VOORDENSE BEEK

signed watercolour with heightening on paper 36,5 by 47,5cm unframed ILLUSTRATED

R 10 000 - R 15 000

395 Tinus (Marthinus Johannes) de Jongh (SOUTH AFRICAN 1885-1942)

THE ROKIN IN WINTER; KROMBOOMSLOOT IN WINTER, AMSTERDAM and BEURSPOORTJE, AMSTERDAM, three

etchings, each signed in pencil in the margin sheet sizes: 28 by 33cm, 24 by 31cm, 28 by 21,5cm unframed (3) R 6 000 - R 8 000

54 • CONDITION REPORTS FOR WORKS ON PAPER SEE PAGES 231-233 • FULL CONDITION REPORTS AVAILABLE ON WWW.SWELCO.CO.ZA

396 Gabriel Cornelis de Jongh (SOUTH AFRICAN 1913-2004)

NEAR CERES, CP

signed; inscribed with the title on the stretcher oil on canvas 69,5 by 101,5cm ILLUSTRATED ON OPPOSITE PAGE

R 18 000 - R 24 000

397 Gabriel Cornelis de Jongh

401

407

401 Christopher Tugwell (SOUTH AFRICAN 1938-)

(SOUTH AFRICAN 1913-2004)

NEAR WELLINGTON

signed; inscribed with the title on the stretcher oil on canvas 59 by 89,5cm ILLUSTRATED ON OPPOSITE PAGE

A COTTAGE UNDER TREES

signed oil on board 45 by 59,5cm ILLUSTRATED

R 12 000 - R 16 000

R 18 000 - R 24 000

402 398 Gabriel Cornelis de Jongh

Titta Fasciotti

(SOUTH AFRICAN 1913-2004)

LANDSCAPE

THE FLYING DUTCHMAN IN TABLE BAY

signed “T Scotty” oil on board 30 by 42cm

signed oil on canvas 47,5 by 58cm R 7 000 - R 9 000

409

(SOUTH AFRICAN 1927-1993)

R 6 000 - R 8 000

403 Johan (Johannes) Oldert

399

(SOUTH AFRICAN 1912-1984)

Gabriel Cornelis de Jongh

HERMANUS DISTRICT, C.P.

(SOUTH AFRICAN 1913-2004)

signed; inscribed with the title on a label on the reverse oil on board 30 by 42,5cm

NEAR ROBERTSON

signed; inscribed with the title on the reverse oil on canvas 32 by 47cm

410

R 6 000 - R 8 000

R 7 000 - R 10 000

404 400 Gabriel Cornelis de Jongh (SOUTH AFRICAN 1913-2004)

A MOUNTAIN COTTAGE

signed oil on canvas laid down on board 31,5 by 47cm R 7 000 - R 10 000

Vera Volschenk (SOUTH AFRICAN 1899-1987)

THE WINDING ROAD AMONGST THE FOOTHILLS OF THE ZWARTBERGEN, LADISMITH

411

signed and dated 1940; signed, dated 1940 and inscribed with the title on the reverse oil on canvas 29,5 by 44,5cm R 5 000 - R 7 000 CAPE TOWN, 5 & 6 OCTOBER 2010 • 55

413

414

415

406

410

Michael Roos

Edward Roworth

(SOUTH AFRICAN 20TH CENTURY)

(SOUTH AFRICAN 1880-1964)

KAROO

A CAPE FARMSTEAD

signed and dated 1971 oil on canvas board 34 by 42cm

signed oil on canvas 59,5 by 82,5cm

R 5 000 - R 7 000

ILLUSTRATED ON PAGE 55

416

R 14 000 - R 18 000

407 Dino Paravano (SOUTH AFRICAN 1935-)

417

411 Edward Roworth

LATE AFTERNOON, BUSHVELD

(SOUTH AFRICAN 1880-1964)

signed oil on canvas board 49,5 by 75cm

A LONELY FARM IN THE BOLAND

ILLUSTRATED ON PAGE 55

R 10 000 - R 15 000

signed; inscribed with the artist’s name and title on the reverse oil on board 36 by 49cm ILLUSTRATED ON PAGE 55

408

R 6 000 - R 8 000

Charles Ernest Peers

418

405

(SOUTH AFRICAN 1874-1944)

412

THE SENTINEL, DRAKENSBERG

Terence John McCaw

signed watercolour on paper 36 by 22cm R 5 000 - R 7 000

Jan Buys (SOUTH AFRICAN 1909-1985)

(SOUTH AFRICAN 1913-1978)

THE MINE

signed and dated 74 watercolour on paper 56 by 76cm R 8 000 - R 12 000

409

LANDSCAPE

Edward Roworth

signed oil on board 16 by 43cm

(SOUTH AFRICAN 1880-1964)

413

LOURENS RIVER

Stefan Ampenberger

R 4 000 - R 6 000

signed oil on canvas 59 by 73,5cm PROVENANCE The Edward Roworth Collection ILLUSTRATED ON PAGE 55

R 15 000 - R 20 000

(SOUTH AFRICAN 1908-1983)

DIE NEK, THABA NCHU

signed; inscribed with the artist’s name and title on the reverse oil on board 59,5 by 80cm ILLUSTRATED

R 20 000 - R 30 000

56 • CONDITION REPORTS FOR WORKS ON PAPER SEE PAGES 231-233 • FULL CONDITION REPORTS AVAILABLE ON WWW.SWELCO.CO.ZA

414 Christiaan St Patrick Nice (SOUTH AFRICAN 1939-)

A DONKEY CART BY A ROAD STALL

signed oil on board 44 by 60cm ILLUSTRATED ON OPPOSITE PAGE

R 25 000 - R 30 000 421

419

415 Gregoire Johannes Boonzaier (SOUTH AFRICAN 1909-2005)

HOUSE WITH TOWERS, CALEDON STREET, DISTRICT SIX

signed and dated 1967; inscribed with the title and artist’s name on the reverse ink and wash on paper 36 by 55cm ILLUSTRATED ON OPPOSITE PAGE

R 40 000 - R 50 000

418 Gregoire Johannes Boonzaier (SOUTH AFRICAN 1909-2005)

THATCHED HOUSE WITH BARE OAKS, SWELLENDAM, CP

signed and dated 1952; signed and inscribed with the title on the reverse ink and watercolour on paper 33 by 49cm ILLUSTRATED ON OPPOSITE PAGE

416

425

R 15 000 - R 20 000

Gregoire Johannes Boonzaier (SOUTH AFRICAN 1909-2005)

SETTLEMENT

419 Gregoire Johannes Boonzaier

signed and dated 1950 pastel on sandpaper 27 by 36cm

(SOUTH AFRICAN 1909-2005)

ILLUSTRATED ON OPPOSITE PAGE

signed and dated 1967; inscribed with the title on the reverse pastel and watercolour on paper 36 by 48cm

R 25 000 - R 35 000

417 Gregoire Johannes Boonzaier (SOUTH AFRICAN 1909-2005)

LANDSKAP MET DENNEBOME SOMERSET WES (sic)

ILLUSTRATED

421

R 18 000 - R 24 000

Gregoire Johannes Boonzaier (SOUTH AFRICAN 1909-2005)

CROSSROADS

signed and dated 1961 watercolour on paper 25 by 41cm

420

ILLUSTRATED ON OPPOSITE PAGE

LEANING TREE AND COTTAGE KENILWORTH, CAPE. (sic)

R 12 000 - R 16 000

426

Gregoire Johannes Boonzaier (SOUTH AFRICAN 1909-2005)

signed and dated 1978; signed and inscribed with the title on the reverse mixed media on paper 36 by 27cm R 12 000 - R 16 000

STREET WITH A CHURCH, DISTRICT SIX

signed and dated 1970 oil on board 24,5 by 22cm ILLUSTRATED

R 35 000 - R 45 000

422 Bruce Hancock (SOUTH AFRICAN 1912-1990)

MALAY QUARTER

signed oil on board 34 by 49cm R 6 000 - R 8 000

CAPE TOWN, 5 & 6 OCTOBER 2010 • 57

427

430

428

426

430

Charles Graeme Powell-Jones

Eben van der Merwe

(BRITISH 1889-1966)

STILLEWE

DEVIL’S PEAK FROM RONDEBOSCH COMMON

signed oil on canvas board 45 by 61cm ILLUSTRATED ON PAGE 57

R 5 000 - R 7 000

(SOUTH AFRICAN 1932-)

signed and dated ‘79; inscribed with the artist’s name and title on the reverse oil on board 42 by 59,5cm ILLUSTRATED

R 14 000 - R 18 000

427 432

433

424 W*** Dobson (SOUTH AFRICAN 19TH/20TH CENTURY)

A VIEW FROM THE EASTERN BUTTRESS TOWARDS DEVIL’S PEAK

signed oil on canvas 47 by 72cm R 6 000 - R 8 000 435

423 Florence Louise Josephine Zerffi (SOUTH AFRICAN 1882-1962)

TOWN HOUSE AND GROOTE KERK

signed oil on canvas 49 by 39cm R 15 000 - R 20 000

425 Bruce Hancock (SOUTH AFRICAN 1912-1990)

CHURCH ON THE HILL, SIMONSTOWN

signed; inscribed with the artist’s name and title on the reverse oil on board 42,5 by 55cm ILLUSTRATED ON PAGE 57

R 7 000 - R 10 000

George William Pilkington

431

(SOUTH AFRICAN 1879-1958)

(SOUTH AFRICAN 1908-1994)

A HOUSE IN ST JAMES

STILL LIFE WITH FLOWERS AND FRUIT

signed oil on canvas board 24 by 34,5cm

Otto Klar

ILLUSTRATED

monotype printed in colours, signed 21,5 by 19,5cm

R 6 000 - R 8 000

R 5 000 - R 7 000

428

432

Sydney Carter

Alfred Neville Lewis

(SOUTH AFRICAN 1874-1945)

(SOUTH AFRICAN 1895-1972)

PEACH BLOSSOMS

AMARYLLIS IN A BROWN POT

signed; inscribed with the title on the reverse gouache on paper 18 by 25cm

signed oil on canvas 49 by 31,5cm

ILLUSTRATED

R 6 000 - R 8 000

R 25 000 - R 30 000

429

433

Enslin Hercules du Plessis

Dino Paravano

(SOUTH AFRICAN 1894-1978)

HYDRANGEAS

AN INTERIOR

signed oil on canvas board 75 by 45,5cm

signed oil on panel 29 by 39cm R 7 000 - R 10 000

(SOUTH AFRICAN 1935-)

ILLUSTRATED

R 6 000 - R 8 000

58 • CONDITION REPORTS FOR WORKS ON PAPER SEE PAGES 231-233 • FULL CONDITION REPORTS AVAILABLE ON WWW.SWELCO.CO.ZA

434

438

Dino Paravano

Tinus (Marthinus Johannes) de Jongh

(SOUTH AFRICAN 1935-)

STILL LIFE WITH RED ROSES IN A GLASS VASE

(SOUTH AFRICAN 1885-1942)

signed oil on canvas board 44 by 58cm

signed oil on canvas 39 by 28,5cm

R 6 000 - R 8 000

ILLUSTRATED

ROSES

R 18 000 - R 24 000 436

435 Florence Louise Josephine Zerffi (SOUTH AFRICAN 1882-1962)

439 Nerine Desmond (SOUTH AFRICAN 1908-1993)

GLADIOLI IN A JUG

DAISIES IN A VASE

signed pastel on paper 64 by 49,5cm

signed oil on panel 50 by 36cm

ILLUSTRATED ON OPPOSITE PAGE

R 8 000 - R 10 000

442

438

James Vicary Thackwray (SOUTH AFRICAN 1919-1994)

STILL LIFE WITH PURPLE GRAPES

ILLUSTRATED

signed oil on board 58 by 73cm

R 8 000 - R 12 000

ILLUSTRATED ON PAGE 60

R 12 000 - R 16 000

436 Dino Paravano (SOUTH AFRICAN 1935-)

440 Jan Vermeiren (SOUTH AFRICAN 1949-)

443 Eben van der Merwe

STILL LIFE WITH ROSES

STILL LIFE

(SOUTH AFRICAN 1932-)

signed oil on board 50 by 39,5cm

signed oil on canvas 64 by 53,5cm

A STILL LIFE WITH SPRING FLOWERS

ILLUSTRATED

R 8 000 - R 12 000

ILLUSTRATED

R 16 000 - R 20 000

439

signed oil on board 38,5 by 49cm ILLUSTRATED ON PAGE 60

437 George Enslin (SOUTH AFRICAN 1919-1972)

441

R 12 000 - R 16 000

Andrew Clement Verster (SOUTH AFRICAN 1937-)

ROSES IN A BLUE VASE

444

CLOISONNÉ VASE

Jan Vermeiren

signed and dated ‘62 oil on canvas 60 by 44,5cm

signed and dated 96 oil on canvas 40 by 29,5cm

R 10 000 - R 15 000

ILLUSTRATED

R 14 000 - R 18 000

(SOUTH AFRICAN 1949-)

440

STILL LIFE WITH A JUG, PLANTS AND FRUIT

signed acrylic on canvas 49 by 59cm ILLUSTRATED ON PAGE 60

R 10 000 - R 15 000

441

CAPE TOWN, 5 & 6 OCTOBER 2010 • 59

443

442

446

449

Louis Jansen van Vuuren

Christo Coetzee

(SOUTH AFRICAN 1949-)

(SOUTH AFRICAN 1929-2000)

A STILL LIFE WITH A VIEW OF LION’S HEAD

THREE ROSES IN A VASE

signed and dated 1996 pastel on paper 73 by 53cm

signed and dated 84 mixed media on card 34 by 29,5cm R 6 000 - R 8 000

ILLUSTRATED ON OPPOSITE PAGE

R 10 000 - R 12 000

450 Louis Jansen van Vuuren 444

447

(SOUTH AFRICAN 1949-)

Thelma Chait

MOROCCAN STILL LIFE

(SOUTH AFRICAN 1918-2009)

etching, signed, dated 1993, numbered 1/50 and inscribed with the title in pencil in the margin plate size: 39 by 29,5cm

DAHLIAS IN A VASE

signed oil on panel 57,5 by 44cm ILLUSTRATED ON OPPOSITE PAGE

R 6 000 - R 8 000

R 8 000 - R 12 000

451 Kenneth Baker

448 Christo Coetzee (SOUTH AFRICAN 1929-2000)

A STILL LIFE WITH FLOWERS IN A GLASS VASE

445

445 Jan Vermeiren

signed and dated 87 mixed media on paper 62,5 by 49cm

(SOUTH AFRICAN 1949-)

ILLUSTRATED ON OPPOSITE PAGE

STILL LIFE WITH FRUIT IN A BOWL

R 6 000 - R 8 000

(SOUTH AFRICAN 1931-1995)

SPRING FLOWERS AND ORANGES

signed oil on board 53,5 by 36cm R 6 000 - R 8 000

signed oil on canvas 39 by 45,5cm ILLUSTRATED

R 8 000 - R 12 000

60 • CONDITION REPORTS FOR WORKS ON PAPER SEE PAGES 231-233 • FULL CONDITION REPORTS AVAILABLE ON WWW.SWELCO.CO.ZA

452 Alice Goldin (SOUTH AFRICAN 1925-)

FREESIA BLOOMS

signed and dated 1981 watercolour on paper 41 by 23,5cm R 4 000 - R 6 000

453 David Botha (SOUTH AFRICAN 1921-1995)

CAPE DUTCH HOMESTEAD; LANDSCAPE and STILL LIFE, three

linocuts, each signed sheet size: various sizes (one unframed) (3) R 4 000 - R 6 000

446

454 South African School (20TH CENTURY)

TEN SOUTH AFRICAN GRAPHICS

a limited, numbered and signed edition of 75 portfolios by 10 South African artists, each print signed, dated and numbered by the artists, compiled by Chris Spies. Artists are: Lionel Abrams, Raymond Andrews, Wim Blom, Bettie Cilliers-Barnard, Ernst de Jong, Mike Edwards, Dirk Meerkotter, Berenice Michelow, Fred Schimmel and Gunther van der Reis sheet size: 64 by 48cm R 20 000 - R 30 000 447

455 Elizabeth Thamae (SOUTH AFRICAN 20TH CENTURY)

BRINGING CATTLE HOME

with a Setsoto Design label inscribed “Teateyaneng, Kingdon of Lesotho, designed by Elizabeth Thamae” tapestry 140 by 180cm R 3 000 - R 5 000

456 – 460 NO LOTS

448

CAPE TOWN, 5 & 6 OCTOBER 2010 • 61

SESSION THREE

62 • DECORATIVE AND FINE ARTS

TUESDAY 5 OCTOBER 2010 7PM

LOTS 461 – 660

FURNITURE | PAINTINGS

CAPE TOWN, 5 & 6 OCTOBER 2010 • 63

463

466

A GEORGE III MAHOGANY AND INLAID KNIFE BOX, CIRCA 1790

AN OAK CLOTHES PRESS, 18TH CENTURY AND LATER

with serpentine front, the sloped hinged lid centred by a geometric star-motif within a crossbanded border and concealing an inlaid fitted interior with compartments, in sizes, silver keyplate, on shaped and crossbanded feet 38cm high, 24cm wide, 24cm deep

the outset cornice above three frieze drawers, with a pair of panelled doors below enclosing a shelf, with panelled sides, on bracket feet, restorations and alterations 149cm high, 126cm wide, 48cm deep

PROVENANCE Noordhoek Manor

PROVENANCE Sold: Stephan Welz & Co, Cape Town, 30 & 31 March 2004, lot 301

R 10 000 - R 15 000

ILLUSTRATED

R 4 000 - R 6 000

464 A GEORGE III MAHOGANY AND INLAID KNIFE BOX, EARLY 19TH CENTURY

461 ENGLISH FURNITURE

461

462

A GEORGE III GILTWOOD MIRROR, CIRCA 1765

A GEORGE III MAHOGANY AND BRASS-BOUND PLATE BUCKET, CIRCA 1780

the rectangular plate within a fluted moulded frame applied with C-scrolls and scrolling foliage cresting with a dog surrounded and surmounted by C-scrolls and scrolling acanthus leaves, the conforming apron centred by a swan, restorations 126cm high, 65cm wide

of tapering cylindrical form with brass straps and swing handle 43cm high, 38,5cm diameter

the hinged lid centred by a stylised shell-motif patera within a border and enclosing six compartments, in sizes, the sides applied with swing handles, the front with a shellmotif patera, distress 23,5cm high, 23cm wide, 21cm deep PROVENANCE Noordhoek Manor ILLUSTRATED

R 3 000 - R 4 000

ILLUSTRATED

465

R 8 000 - R 10 000

A MAHOGANY KNIFE BOX, 19TH CENTURY

the sloping hinged lid enclosing a velvetlined interior fitted with compartments, in sizes, the sides applied with gilt-metal ring handles 31,5cm high, 32cm wide, 18cm deep

ILLUSTRATED

R 12 000 - R 15 000

PROVENANCE Noordhoek Manor ILLUSTRATED

R 2 000 - R 3 000 464

463

64 â&#x20AC;˘ DECORATIVE AND FINE ARTS

465

467

462

A GEORGE III OAK CHEST OF DRAWERS, EARLY 19TH CENTURY

the moulded rectangular top above a pair of drawers with three graduating drawers below, with panelled sides, on bracket feet 98cm high, 103cm wide, 53cm deep PROVENANCE Sold: Stephan Welz & Co, Cape Town, 30 & 31 March 2004, lot 302

R 8 000 - R 10 000

468

471

A SET OF FOUR GEORGE III MAHOGANY SIDE CHAIRS, LATE 18TH CENTURY

A GEORGE III WALNUT AND MAHOGANY SECRETAIRE BOOKCASE, 18TH CENTURY AND LATER

in the Hepplewhite taste, each shield-shaped back with a pierced and scrolling back splat centred by a carved, floral patera and a sheaf-ofwheat cresting, drop-in seat, on square-section tapering legs joined by an H-shaped stretcher, restorations (4) R 8 000 - R 10 000

469 A GEORGE III STYLE MAHOGANY AND INLAID BOWFRONT SIDE CABINET, 19TH CENTURY

the shaped top above a pair of fielded doors inlaid with fan-shaped patera and enclosing a pair of open drawers, plinth base, on bracket feet 97cm high, 122cm wide, 63cm deep PROVENANCE Rustenberg Estate

R 10 000 - R 15 000

470 A GEORGE III MAHOGANY SECRETAIRE CHEST OF DRAWERS, 19TH CENTURY

the rectangular top above a sliding, hinged fall front enclosing drawers and compartments, in sizes, and a baise-lined writing surface, three graduating drawers below, on a plinth base raised on bracket feet 103cm high, 125cm wide, 53,3cm deep

in two parts, the moulded outswept pediment above a pair of mirrored panelled doors enclosing a later fitted interior, the lower section with a fall-front sliding drawer enclosing drawers and compartments, in sizes, three long graduating drawers below, on shaped bracket feet, distress, restorations 205cm high, 105cm wide, 48,5cm deep PROVENANCE The H.V. Morton Collection

Henry Vollam Morton (18921979) was born in Ashton Under Lyne in Lancashire. He was a prolific travel writer best known for his books on Britain and the Holy Land. He achieved fame while working for the Daily Express reporting on the opening of Tutankhamun’s tomb in Egypt in 1923. His first foreign travel book published in 1934 ‘In the Steps of the Master’, sold over half a million copies. In the late 1940s he moved to South Africa and became a South African citizen. He became a fellow of the Royal Society of Literature, was made a Commander of the Order of the Phoenix in Greece in 1937 and was awarded the Italian Cavaliere, Order of Merit in 1965. ILLUSTRATED

R 30 000 - R 40 000

PROVENANCE Noordhoek Manor

R 8 000 - R 10 000

471

CAPE TOWN, 5 & 6 OCTOBER 2010 • 65

472

473

474

A GEORGE IV MAHOGANY AND INLAID BREAKFRONT GENTLEMAN’S WARDROBE, CIRCA 1825

A MAHOGANY LINEN PRESS, FIRST HALF 19TH CENTURY

A REGENCY FLAME-MAHOGANY AND BRASSINLAID TEA TABLE, CIRCA 1820

in two parts, the outset moulded pediment above a plain frieze, a pair of panelled doors below enclosing three shelves, the lower section with a pair of short drawers above a pair of long drawers, on bracket feet, losses, top and bottom associated 201,5cm high, 126cm wide, 58,5cm deep

the rectangular, hinged and swivel top with a gadrooned edge enclosing a compartment, the bow-shaped frieze centred by a plaque, the turned pillarsupport below raised by a grooved drumshaped socle centring four hipped and downswept legs terminating in brass caps raised on brass castors 73cm high, 91,5cm wide fully open, 92,5cm deep fully open

the outer moulded pediment above a frieze centred by a plaque, a pair of fielded panelled doors below enclosing shelves, a pair of short drawers and three graduating long drawers below, the breakfront section flanked by fielded panelled doors enclosing hanging rails, on a reeded plinth base, raised on reeded legs and large castors, distress 216cm high, 250cm wide, 61,5cm deep PROVENANCE The H.V. Morton Collection ILLUSTRATED

R 20 000 - R 30 000

66 • DECORATIVE AND FINE ARTS

PROVENANCE The H.V. Morton Collection ILLUSTRATED ON OPPOSITE PAGE

R 15 000 - R 20 000

PROVENANCE Rustenberg Manor ILLUSTRATED ON OPPOSITE PAGE

R 6 000 - R 8 000

475

476

A REGENCY MAHOGANY CELLARET, EARLY 19TH CENTURY

A PAIR OF MAHOGANY HALL CHAIRS, 19TH CENTURY

of sarcophagus form, the hinged and moulded rectangular top enclosing compartments and divisions, in sizes, on later carved lionpaw feet 54cm high, 71,5cm wide, 51cm deep

each lobed and waisted backrest centred by a vacant shield-shaped plaque and flanked by a pair of downswept C-scrolls, wooden seat, on baluster-turned legs (2)

ILLUSTRATED

PROVENANCE Rustenberg Estate

R 15 000 - R 20 000

ILLUSTRATED

R 4 000 - R 6 000

475 473

476

474

CAPE TOWN, 5 & 6 OCTOBER 2010 â&#x20AC;˘ 67

477

479

A GEORGE IV MAHOGANY SECRETAIRE CHEST OF DRAWERS, CIRCA 1825

A WILLIAM IV ROSEWOOD LIBRARY TABLE, 19TH CENTURY

the rectangular top above a sliding fall-front drawer enclosing drawers, pigeon holes and compartments, in sizes, three graduating drawers below, on a plinth base raised on turned and lobed feet, distress, restorations 115cm high, 104cm wide, 58cm deep

the moulded rectangular top above a pair of frieze drawers and opposing dummy drawers, each stile support inset with a pierced panel and applied with foliate-carved corbels, cigar-shaped plinth bases on flat turned feet raised on brass castors 72,5cm high, 121cm wide, 63cm deep

PROVENANCE Rustenberg Estate

ILLUSTRATED

R 12 000 - R 15 000

ILLUSTRATED

477

R 10 000 - R 12 000

478 A MAHOGANY, SATINWOOD AND INLAID SECRETAIRE LINEN PRESS, FIRST HALF 19TH CENTURY

in two parts, the outset moulded pediment above a plain frieze, a pair of panelled doors below enclosing three sliding shelves, the lower section with a sliding and hinged fall-front compartment enclosing drawers and pigeon holes, in sizes, a gilttooled writing surface, three conforming and graduating drawers below, on outswept bracket feet united by a wavy apron 226,5cm high, 121,5cm wide, 51,5cm deep ILLUSTRATED

R 15 000 - R 20 000

478

68 â&#x20AC;˘ DECORATIVE AND FINE ARTS

479

480 A ROSEWOOD LIBRARY TABLE, 19TH CENTURY

the moulded rectangular top with rounded corners, a moulded frieze below with foliate and scroll-carved plaques, each foliate-carved support united by a later carved stretcher and raised on moulded plinths with downcurved, foliate-carved feet, with brass castors, alterations 74cm high, 143cm wide, 74,5cm deep PROVENANCE Rustenberg Estate

R 8 000 - R 10 000

PROPERTY OF THE ESTATE LATE MRS C A M CUNNOLD

VARIOUS PROPERTIES

481

483

A VICTORIAN WALNUT TEAPOY, 19TH CENTURY

A VICTORIAN ROSEWOOD AND MAHOGANY CUPBOARD, 19TH CENTURY

the hinged carved circular top enclosing four compartments containing two tea caddies with lids, on a turned foliatecarved baluster column, on carved downswept feet 75cm high, 42cm deep R 6 000 - R 8 000

482 A VICTORIAN WALNUT WELLINGTON CHEST OF DRAWERS, 19TH CENTURY

the rectangular shaped top above a plain frieze, seven graduating drawers below, the uppermost drawer flanked by a pair of carved acanthus-leaf corbels, on a plinth base 127cm high, 58,5cm wide, 40cm deep

in two parts, the arched scrolling and moulded pediment centred by a foliate-carved cresting, a pair of panelled and fielded doors below centred by carved foliage and enclosing three drawers, a pair of applied carved corbels on either side, the lower section with canted corners, the plain frieze above a pair of conforming doors enclosing a pair of shelves, on a moulded plinth base 269cm high, 146,5cm wide, 57,5cm deep PROVENANCE Rustenberg Estate

R 15 000 - R 20 000

ILLUSTRATED

484

R 7 000 - R 9 000

A VICTORIAN MAHOGANY LINEN PRESS, 19TH CENTURY

the outset cornice above a chamfered frieze, a pair of panelled doors below enclosing a hanging rail and flanked by a pair of foliatecarved corbels, the lower section with an ogee long drawer above a pair of long drawers, on a plinth base raised on turned feet 213cm high, 140,5cm wide, 62cm deep

484

485 A VICTORIAN WALNUT, GILT-METAL MOUNTED AND INLAID CREDENZA, 19TH CENTURY

the shaped top above a frieze, the panelled door below centred by a painted and gilded plaque depicting a maiden in the dress of the day and enclosing a velvet-lined interior with a shelf, a pair of bowfront glazed doors on either side enclosing a velvet-lined interior and a pair of conforming shelves, plinth base on ringturned legs, stringing, losses 112cm high, 152cm wide, 38,5cm deep ILLUSTRATED

PROVENANCE Rustenberg Estate

R 10 000 - R 15 000

ILLUSTRATED

R 12 000 - R 15 000

482

485

CAPE TOWN, 5 & 6 OCTOBER 2010 â&#x20AC;˘ 69

CONTINENTAL FURNITURE

486

488

A PAIR OF VICTORIAN WILLIAM AND MARY STYLE CARVED WALNUT ARMCHAIRS, 19TH CENTURY

A DUTCH WALNUT, LABURNUM, ROSEWOOD, MAHOGANY, SATINWOOD, OYSTER-VENEERED AND INLAID CUPBOARD, 18TH CENTURY ELEMENTS AND LATER

each caned back within a floral and foliate-carved frame, the top rail centred by a flower-filled urn flanked by a pair of figures within scrolling foliage, the barley-twist side supports with foliate-carved patera and leaf-form finials, each foliate-carved arm terminating in scroll-ends with floral medallions on scrolling supports, caned seat profusely carved with floral and foliate motifs, the barley-twist legs joined by a pair of barley-twist stretchers and a foliate-carved front stretcher centred by a flower-filled urn and a pair of figures, on turned feet, paint splatter (2)

in two parts, the upper section with an outset moulded cornice applied with a gilded running egg-and-dart motif, the oyster-veneered and inlaid frieze above a pair of doors applied with oyster veneer, seaweed marquetry and geometric inlays, the interior with a pair of shelves and three short drawers, the reverse of the doors with a star-motif, each side inset with a similar motif, on a stepped and moulded plinth base, the later lower section with an inlaid and oyster-veneered frieze above three inlaid short drawers divided and flanked by tapering and faceted baluster pillars, each baluster joined by a wavy apron and raised on bun feet, losses, restorations 206,5cm high, 183cm wide, 59cm deep PROVENANCE Rustenberg Estate ILLUSTRATED

R 30 000 - R 40 000

R 6 000 - R 8 000

487 AN OAK ROLL-TOP DESK, ANGUS, LONDON, CIRCA 1922

the rectangular top inset with a brass plaque bearing the inscription ‘PRESENTED TO THE REVD E.B. ROTWELL BY THE PARISHIONERS OF WELLOW, SOMERSET OF THE OCCASION OF HIS LEAVING THE PARISH, JANUARY 7TH 1916 TO 7TH AUGUST 1922’,

a tambour door below enclosing drawers and pigeon holes, in sizes, each panelled pedestal with a slide drawer, four short drawers below, central apron, the keyplate bearing the maker’s mark 115cm high, 122cm wide, 67cm deep R 7 000 - R 9 000

488

70 • DECORATIVE AND FINE ARTS

489 A FRENCH PROVINCIAL FRUITWOOD ARMOIRE, LATE 18TH CENTURY

the arched and moulded cornice centred by a foliate and rocaille-motif cresting, foliate-carved frieze above a pair of moulded, carved and fielded doors, panelled sides, the moulded plinth base raised on flat turned feet, losses, restorations 261cm high, 187cm wide, 59,5cm deep PROVENANCE Rustenberg Estate ILLUSTRATED

R 30 000 - R 40 000

489

CAPE TOWN, 5 & 6 OCTOBER 2010 â&#x20AC;˘ 71

490

490 A DUTCH OAK AND EBONISED ‘KUSSENKAS’, 18TH CENTURY

the outset moulded cornice above a frieze applied with carved lion masks, a pair of panelled doors below enclosing three shelves and a drawer, a pair of short drawers below, the doors and drawers flanked by ebonised panels, plinth base, on bun feet, restorations 200cm high, 191cm wide, 74cm deep ILLUSTRATED

R 30 000 - R 40 000

72 • DECORATIVE AND FINE ARTS

491

492

493

A DUTCH NEO-CLASSICAL FLAMEMAHOGANY CORNER CUPBOARD, LATE 18TH CENTURY

A GERMAN PAINTED OAK MARRIAGE CUPBOARD, CIRCA 1802

A GERMAN FRUITWOOD AND INLAID CYLINDRICAL BUREAU, 19TH CENTURY

the outset stepped cornice above a frieze inscribed ‘S Jacob Rüpper im Älchenberg, ünd Elisabetha Off von Ricten 1802’, a pair of panelled doors below decorated with floral motifs and enclosing a later interior with four shelves, on a stepped plinth base 18cm high, 189cm wide, 62cm deep

the rectangular top above a sliding panelled door enclosing eight drawers and a sliding leather-inset writing surface, three long drawers below, on block feet 129cm high, 140cm wide, 73cm deep

in two parts, the upper section with a broken arched pediment centred by a corbel decorated with foliate swags, a pair of panelled doors below enclosing a pair of wavy shelves, a brush slide below, the conforming lower section with a dentil frieze and a pair of panelled doors enclosing a shelf, on a fluted plinth base raised on fluted and shaped bracket feet, losses 241,5cm high, 120cm wide, 69cm deep R 30 000 - R 40 000

R 15 000 - R 20 000

PROVENANCE Rustenberg Estate ILLUSTRATED

R 15 000 - R 20 000

492

CAPE TOWN, 5 & 6 OCTOBER 2010 • 73

494 A NAPOLEON III EBONISED, TORTOISE-SHELL, BRASS-INLAID AND GILT-METAL MOUNTED ‘BOULLE’ WORK CENTRE TABLE, CIRCA 1850

the serpentine top inset with red leather, egg-foliate-andswag cast metal rim, the wavy frieze inset with a drawer and centred by a mask-and-ribbon mount, each cabriole leg applied with caryatid mounts and terminating in foliateand-paw sabots, the top fitted with a later conforming plate of glass 77cm high, 147cm wide, 78cm deep ILLUSTRATED

494

R 20 000 - R 30 000

494 DETAIL

495 A FRENCH LOUIS XVI STYLE MAHOGANY, BRASS-INLAID AND GILT-METAL MOUNTED BUREAU PLAT, 19TH CENTURY

the rectangular moulded top inset with a gilt-tooled leather writing surface, the frieze with three short drawers and three opposing short drawers, on square-section tapering legs terminating in conforming brass caps on brass castors, brass stringing throughout 76,5cm high, 143cm wide, 96,5cm deep ILLUSTRATED

495

74 • DECORATIVE AND FINE ARTS

R 12 000 - R 15 000

496 A CASED WALNUT BABY GRAND PIANO, BLÜTHNER, LEIPZIG, CIRCA 1938

registration number 122905, on square-section tapering legs and brass castors; and A Piano Stool, en suite (2) PROVENANCE Rustenberg Estate ILLUSTRATED

R 20 000 - R 30 000

496

497 A DUTCH COLONIAL EBONY AND TEAK CUPBOARD-ON-STAND

the outset moulded cornice above a plain frieze, a pair of panelled doors below enclosing a shelf and flanked by a pair of fluted and turned rods, panelled sides, the lower section with a pair of short drawers and applied with stylised floral motifs, wavy apron, on turned bun feet, distress 189,5cm high, 144cm wide, 59cm deep ILLUSTRATED

R 15 000 - R 20 000

497

CAPE TOWN, 5 & 6 OCTOBER 2010 • 75

CAPE FURNITURE

498

502

A TEAK AND BRASS-BOUND MILITARY CHEST-ON-CHEST, ARMY & NAVY O.S.L., 19TH CENTURY

A PAIR OF STINKWOOD TOLLETJIES ARMCHAIRS

each shaped top and bottom rails joined by a row of turned spindles between finialled uprights, the turned arms on a row of turned spindle supports, riempie seat, on cylindrical legs joined by a double box stretcher (2)

in two parts, the upper section with a rectangular top above a central deep drawer flanked by twin pairs of short drawers, a long drawer below, the lower section with two long drawers on flat block feet, inlaid ivory maker’s label 103cm high, 114cm wide, 55cm deep

R 6 000 - R 8 000

PROVENANCE Noordhoek Manor ILLUSTRATED

R 30 000 - R 40 000

498

499

500

A TEAK AND BRASS-BOUND MILITARY CHEST-ON-CHEST, 19TH CENTURY

in two parts, the rectangular top above two graduating long drawers, two long drawers below, the sides applied with brass carrying handles, on turned feet, distress, restorations, one drawer handle and one carrying handle lacking 101,5cm high, 90,5cm wide, 45cm deep

in two parts, the rectangular top above a pair of short drawers, a long drawer below, the lower section with a pair of long drawers, on ring-turned feet, restorations 109cm high, 106cm wide, 49cm deep ILLUSTRATED

R 20 000 - R 30 000

ILLUSTRATED

R 12 000 - R 15 000

500

501

503

A TEAK AND BRASS-BOUND MILITARY CHEST-ON-CHEST, 19TH CENTURY

A CAPE STINKWOOD TOLLETJIE CHAIR, EARLY 19TH CENTURY

in two parts, the rectangular top above a pair of short drawers and one long drawer, two long drawers below, on block feet 92,5cm high, 91,5cm wide, 44,5cm deep R 12 000 - R 15 000 499 76 • DECORATIVE AND FINE ARTS

the turned top and mid-rails joined by a row of turned spindles between finialled uprights, riempie seat, on cylindrical legs joined by a double box stretcher R 5 000 - R 7 000

506 A CAPE YELLOWWOOD AND FRUITWOOD PEG-TOP TABLE

the rectangular top above a later frieze drawer, on fluted tapering square-section legs, height reduced 65cm high, 96,5cm wide, 70cm deep ILLUSTRATED

R 12 000 - R 15 000

507 A CAPE YELLOWWOOD AND STINKWOOD TABLE

504

504 A CAPE STINKWOOD TRANSITIONAL TULBAGH SIDE CHAIR, LATE 18TH CENTURY

the wave-shaped top rail above a pair of reeded splats and cross bar, the side supports with baluster finials, riempie seat, on chamfered legs joined by a box stretcher, with restorations and replacements LITERATURE Baraitser, M and Obholzer, A. Cape Country Furniture, Second Revised Edition, Cape Town, 1978, p 37, where a similar example is illustrated PROVENANCE Sold: Stephan Welz & Co, Cape Town, 30 & 31 March 2004, lot 371

in the Cape Regency taste, the rectangular moulded top above a plain frieze, on ringturned tapering legs 78,5cm high, 97cm wide, 162,5cm long

505

R 8 000 - R 10 000

508 A CAPE YELLOWWOOD AND STINKWOOD TABLE

in the Cape Regency taste, the rectangular stepped and moulded top above a moulded frieze, on ring-turned tapering legs, surface distress 79cm high, 109,5cm wide, 247,5cm long ILLUSTRATED

R 14 000 - R 16 000 506

ILLUSTRATED

R 3 000 - R 4 000

505 A NEAR PAIR OF CAPE YELLOWWOOD TRANSITIONAL TULBAGH CHAIRS, 18TH CENTURY

each pierced and shaped top rail above reeded splats and chamfered side supports, riempie seat, on square-section chamfered legs joined by a box stretcher, restorations (2) ILLUSTRATED

R 7 000 - R 9 000

508

CAPE TOWN, 5 & 6 OCTOBER 2010 â&#x20AC;˘ 77

509 A CAPE YELLOWWOOD, STINKWOOD AND PINE JONKMANSKAS

the rectangular top above a pair of short drawers, a pair of panelled doors below enclosing a pair of shelves, on turned feet 144,5cm high, 114,5 wide, 47cm deep ILLUSTRATED

R 18 000 - R 20 000

509

510 A CAPE YELLOWWOOD AND STINKWOOD JONKMANSKAS, 19TH CENTURY

the shaped rectangular top above a pair of short drawers, a pair of panelled doors below between reeded columns enclosing two shelves, on turned tapering feet 148cm high, 137cm wide, 53cm deep ILLUSTRATED

R 35 000 - R 40 000

510

511 A SET OF FIVE CAPE STINKWOOD TUB CHAIRS, 19TH CENTURY

each with a caned back and seat, down-curving arms, wavy apron, on cabriole legs, restorations (5) ILLUSTRATED

R 15 000 - R 20 000 511

78 â&#x20AC;˘ DECORATIVE AND FINE ARTS

512

512 A YELLOWWOOD REFECTORY STYLE TABLE

the stepped rectangular top on ring-turned legs joined by an H-stretcher 75cm high, 104cm wide, 290cm long ILLUSTRATED

R 20 000 - R 22 000

20TH CENTURY DESIGN

513

516 A ROSEWOOD ARTS AND CRAFTS MUSIC CABINET, EARLY 20TH CENTURY

the moulded rectangular top below an arched gallery with a three-quarter shelf, a panelled and inlaid door below enclosing two shelves, flanked by alcoves and a pair of short drawers above a shaped apron on square-section tapering legs, on flat block feet 173cm high, 96,5cm wide, 42,5cm deep R 6 000 - R 8 000

AN OAK, STEEL AND LEATHER-UPHOLSTERED ADJUSTABLE BARBER’S CHAIR, COLUMBIA, LATE 19TH/EARLY 20TH CENTURY

the padded adjustable headrest above a padded back and arms, stuff-over seat, steel footplate, on outswept legs terminating in brass caps ILLUSTRATED

R 14 000 - R 16 000

517 AN ART DECO SATINWOOD DISPLAY CABINET, EARLY 20TH CENTURY

the rectangular top above a pair of glazed doors enclosing a pair of shelves, glazed sides, a pair of doors below, on a plinth base 196,5cm high, 96cm wide, 38cm deep R 5 000 - R 7 000

514 AN ARTS AND CRAFTS OAK BOOKCASE-BUREAU, POSSIBLY BY LIBERTY, CIRCA 1905

in two parts, the rectangular flared supported cornice above a frieze inscribed ‘By Nature Comes To Write And Read’ above a pair of glazed-lead paned doors enclosing a pair of adjustable shelves above an alcove, the lower section comprising a desktop inset with a leather writing surface, a long drawer and cupboard below, on tapering square-section legs and bracket feet 213,5cm high, 106cm wide, 49cm deep R 8 000 - R 12 000

515 A PAIR OF JOHN MOYR SMITH MINTON TILE-BACK CHAIRS, 19TH CENTURY

each shaped and carved top rail centred by a floral motif, a row of turned spindles above a panelled backrest inset with a John Moyr Smith tile depicting two scenes from ‘The Idylls Of The King’ between square-section supports surmounted by finials, wooden seat with moulded rim, on tapering ring-turned legs, one tile cracked (2) John Moyr Smith produced a series of twelve designs for Minton China Works, based on the poems ‘The Idylls Of The King’ by Alfred, Lord Tennyson. The tiles were first manufactured circa 1875. Depicted in these examples are ‘Pelleas finding Gawin and Etarre asleep in the Pavillion’ and ‘King Arthur and Guinevere’. R 4 000 - R 5 000

513

CAPE TOWN, 5 & 6 OCTOBER 2010 • 79

518

521

525

A CHROME AND LEATHERUPHOLSTERED CHAISE LONGUE, DESIGNED BY LE CORBUSIER, 1970s

A TEAK AND GLASS TRIPOD OCCASIONAL TABLE, MID 20TH CENTURY

A DANISH TEAK LOW MODULAR OCCASIONAL TABLE DESIGNED BY OLE GJERLØV KNUDSEN FOR FRANCE AND SON, 1960s

with chrome-plated tubular steel frame on a black lacquered base, upholstered in black leather 161cm long

the circular wooden frame inset with a conforming glass top, circular shelf structure below, on outset legs, stamped ‘14’ 55,5cm high, 83cm diameter

the rectangular top on square section legs, united by a pair of side-stretchers 30,5cm high, 66,5cm wide, 58cm deep

R 1 000 - R 1 200

ILLUSTRATED

ILLUSTRATED ON OPPOSITE PAGE

R 8 000 - R 10 000

R 2 500 - R 3 000

526 A SCANDINAVIAN TEAK OCCASIONAL TABLE, BY STEEN & STRØM’S MØBELFABRIK, THIRD QUARTER 20TH CENTURY

518

519

522

524

A LEATHER AND CHROME DAY BED, AFTER A DESIGN BY MIES VAN DER ROHE, 1970s

A TEAK AND UPHOLSTERED ARMCHAIR, MID 20TH CENTURY

A DANISH ROSEWOOD TABLE DESIGNED BY FINN JUHL FOR FRANCE AND SON, CIRCA 1961

the upholstered cylindrical headrest attached to the panelled mattress with straps, on a steel frame and chromed square section legs, distress 191cm long ILLUSTRATED

the upholstered back and sides above a drop-in cushion, on turned legs R 2 000 - R 3 000

523 A PAIR OF EBONISED ARMCHAIRS, DESIGNED BY EJVIND JOHANSSON FOR FDB MOBLER, DENMARK, CIRCA 1955

R 20 000 - R 30 000

520

each crescent-shaped dowel back above a wooden seat, on cylindrical legs joined by an H-shaped stretcher (2)

A PAIR OF TEAK ARMCHAIRS, AFTER A DESIGN BY PAUL SCHNEIDER VON ESLEBEN, MID 20TH CENTURY

each with a padded back between a pair of side supports, the curved arms resting on stile-shaped supports surmounted by turned dome-shaped buttons, stuff-over seat, on shaped stile legs (2) R 4 000 - R 6 000

519

80 • DECORATIVE AND FINE ARTS

R 4 000 - R 6 000

the rectangular top above a fielded apron, on chamfered tapering legs, with manufacturer’s label 72cm high, 95cm wide, 190,5cm long ILLUSTRATED ON OPPOSITE PAGE

R 12 000 - R 15 000

the rectangular-shaped top with a raised rim and inset with a basket, a pair of X-shaped supports below joined by a rod stretcher, with maker’s label and stamped ‘MADE IN NORWAY’ 48,5cm high, 69,5cm wide, 45cm deep R 2 000 - R 3 000

527 A PAIR OF DANISH TEAK SIDE TABLES

the rectangular top with threequarter gallery above a frieze drawer, on tapering cylindrical legs joined by a shelf-stretcher, stamped twice ‘MADE IN DENMARK’

55cm high, 47cm wide, 31,5cm deep R 4 000 - R 6 000

524

528

530

AN ABS PLASTIC MAGAZINE RACK, ’PORTARIVISTE’ BY RODOLFO BONETTO FOR BILUMEN, ITALY, CIRCA 1969

A LEATHER CORNER SEATING UNIT, 1970s

the U-shaped rack centred with a scooped handle, with maker’s mark 31cm high

of organic form, with a conforming and later upholstered stool and applied with a fitted steel tray, distress 63cm high, 121cm wide, 121cm deep

R 600 - R 800

R 4 000 - R 6 000

529

531

A SOUTH AFRICAN TEAK AND UPHOLSTERED ARMCHAIR BY JOHN TABRAHAM FOR KALLENBACH

A SET OF FOUR ARMCHAIRS BY ANTONIO CITTERIO AND PAOLO NAVA FOR B AND B ITALY

the loose back cushion above a drop-in seat between wooden arms, on square-section legs joined by an H-stretcher, with maker’s label

each curved padded top rail above a stuff-over seat, on brushed aluminium legs, stamped beneath the seat ‘IALEA’, design Citterio e P. A. Nava B+B Italia (4)

R 2 000 - R 3 000

R 7 000 - R 9 000

532 A PAUSANIA TABLE LAMP, DESIGNED BY ETORE SOTTSASS FOR ARTEMIDE, ITALY 1983

the cigar-shaped shade raised on two pairs of chrome-plated columns, on a rectangular plinth base, with manufacturer’s label 41cm high ILLUSTRATED

R 6 000 - R 8 000

532

533

534

A MIRRORED CABINET, 20TH CENTURY

A SET OF FOUR LORD YO CHAIRS, DESIGNED BY PHILIPPE STARCK FOR DRIADE

the ridged door enclosing a mirrored interior with three glass shelves, mirrored exterior headed with a fielded clock face, on a wooden plinth base 203cm high R 12 000 - R 15 000

each polypropylene shell on anodised aluminium legs, with maker’s mark (4) R 3 000 - R 5 000

535 – 540 NO LOTS

525

CAPE TOWN, 5 & 6 OCTOBER 2010 • 81

BRITISH AND SOUTH AFRICAN SCULPTURE

542 Lynn Chadwick (BRITISH 1914-2003)

MAQUETTE VII SITTING WOMAN

inscribed C39S, numbered 1/9 and dated 1986 height: 19,5cm Sold together with an inscribed copy of Lynn Chadwick Sculptor: With a Complete Illustrated Catalogue 19471988 LITERATURE Dennis Farr and Eva Chadwick, Lynn Chadwick Sculptor: With a Complete Illustrated Catalogue 1947-1988, Clarendon Press, Oxford, 1990, illustrated on p 325 ILLUSTRATED

R 100 000 - R 150 000 542

541

543 David Begbie (BRITISH 1956-)

BACK VIEW

541 Lynn Chadwick (BRITISH 1914-2003)

MINIATURE FIGURE III

inscribed C41S and numbered 2/30, executed in 1986 height: 9cm LITERATURE Dennis Farr and Eva Chadwick, Lynn Chadwick Sculptor: With a Complete Illustrated Catalogue 1947-1988, Clarendon Press, Oxford, 1990, illustrated on p 325

signed; inscribed with the artist’s name, title and dated 1988 on a label on the underside of the base moulded wire mesh on a painted wooden base height: 58cm (excluding base) PROVENANCE The Salama-Caro Gallery, London ILLUSTRATED

R 7 000 - R 10 000

ILLUSTRATED

R 40 000 - R 60 000

543

82 • CONDITION REPORTS FOR WORKS ON PAPER SEE PAGES 231-233 • FULL CONDITION REPORTS AVAILABLE ON WWW.SWELCO.CO.ZA

544

544 Anton van Wouw (SOUTH AFRICAN 1862-1945)

BAD NEWS

signed and dated 1907 bronze with brown patina height: 32,5cm ILLUSTRATED

R 450 000 - R 550 000

DETAIL CAPE TOWN, 5 & 6 OCTOBER 2010 • 83

545

546

547

545

546

547

After Anton van Wouw

(SOUTH AFRICAN 1862-1945)

JAN HOFMEYR

DIE NOITJE VAN DIE ONDERVELD, TRANSVAAL

THE BUSHMAN HUNTER

bronze, black patina height: 44,5cm

ILLUSTRATED

bears signature, indistinctly inscribed with the title and “Joh-Burg”, dated 1907 bronze with brown patina height: 42cm (excluding base)

R 20 000 - R 30 000

ILLUSTRATED

This sculpture was cast by Luigi Gamberini

signed and indistictly dated bronze on wooden base, dark brown patina height: 48cm (excluding base) ILLUSTRATED

R 20 000 - R 30 000

548 Robin Kenneth Lewis (SOUTH AFRICAN 1942-1988)

TWO BIRDS

copper with a green patination height: 19cm and 18,5cm (excluding bases) (2) ILLUSTRATED

R 20 000 - R 30 000

548 84 • CONDITION REPORTS FOR WORKS ON PAPER SEE PAGES 231-233 • FULL CONDITION REPORTS AVAILABLE ON WWW.SWELCO.CO.ZA

549 Edoardo Villa (SOUTH AFRICAN 1915-)

UNTITLED I

signed and dated 1999 painted steel height: 194cm PROVENANCE Everard Read Gallery, Cape Town EXHIBITED Edoardo Villa’s Garden, Johannesburg, 2000 ILLUSTRATED

R 250 000 - R 350 000

“Equally, Villa does not see his works as isolated end products, but rather as phases in the continuous process of the awareness of being. He creates intuitively and many series of works contain the germ of an idea that generates the next series. Sometimes sculptures are stripped, rebuilt or enhanced, reincorporated into the flow of his creativity. Thus, for example, he reworked aspects of previous sculptures such as Mapogga Woman…to create a completely new piece.”1 In Untitled I, executed in 1999, Villa revisited the 1964 heraldic form of an erect female figure. This act of revisiting previous themes is Villa’s interpretation of ‘continuous becoming’- a 20th century precept of motion and change. In Untitled Villa has translated the solidity of Mapogga Woman into sweeping planes of steel whilst retaining the strong gender references. P.D.

549

CAPE TOWN, 5 & 6 OCTOBER 2010 • 85

550

550 Edoardo Villa (SOUTH AFRICAN 1915-)

THRONE

signed and dated 1996 painted steel height: 95cm PROVENANCE Everard Read Gallery, Johannesburg ILLUSTRATED

R 180 000 - R 240 000

Executed in 1991 with later alterations, Throne forms part of the series developed by Edoardo Villa inspired by Jackson Hlungwane’s series of the same title. Hlungwane’s work had been exhibited in Johannesburg in the late 80s. Villa’s work however moves sharply away from Hlugwane’s work in that Villa’s thrones are not functional objects but rather low-slung, anti-utilitarian and complex in their design. As the series evolved “the sculptures…became plane and line, slicing into and floating in space.”2

Throne rests on pointed supports, not new to Villa’s work as these had first appeared in the 1960s. These delicate points create a contradiction between the solid-yetorganic planes of steel making up the throne. Thus the work appears to resist the pull of gravity. P.D. 1 Karel Nel (ed), Villa at 90: His Life, Work and Influence, Jonathan Ball Publishers, Johannesburg, p 50 2 Karel Nel (ed), Villa at 90: His Life, Work and Influence, Jonathan Ball Publishers, Johannesburg, p 104

86 • CONDITION REPORTS FOR WORKS ON PAPER SEE PAGES 231-233 • FULL CONDITION REPORTS AVAILABLE ON WWW.SWELCO.CO.ZA

551 Edoardo Villa (SOUTH AFRICAN 1915-)

RECLINING FIGURE

signed, dated 1967 and numbered 6/6 bronze with a green patina height: 36cm (excluding base) ILLUSTRATED

R 80 000 - R 100 000

551

552

553

Speelman Mahlangu

(SOUTH AFRICAN 1958-2004)

CIRCLE OF FRIENDS

STANDING FIGURE

signed and numbered 1/15 bronze with brown patina height: 40,5cm

signed and numbered 3/5 bronze, mounted on a wooden base height: 35cm (excluding base)

ILLUSTRATED

R 20 000 - R 30 000

R 12 000 - R 16 000

552

553 CAPE TOWN, 5 & 6 OCTOBER 2010 â&#x20AC;˘ 87

SOUTH AFRICAN PAINTINGS, WATERCOLOURS, DRAWINGS, PRINTS AND A CARPET

554 Norman Catherine (SOUTH AFRICAN 1949-)

UNDER MY SPELL

signed, a sculptured carpet woven in colour by Roger Gailey 198 by 282cm ILLUSTRATED

R 50 000 - R 70 000

554

555 Conrad Botes (SOUTH AFRICAN 1969-)

MURDER AND MAYHEM

signed with the artist’s initials reverse painted acrylic on glass 54,5 by 54,5cm ILLUSTRATED

R 35 000 - R 45 000

555

“To understand the hopelessness of the human condition, and then to embrace that hopelessness, is not the route to nihilism, as it is commonly and mistakenly perceived, but the route to the radically dark-yet-affirming ...This is the greatest lesson that Botes’ art can give us. Botes’ art is not the tedious art of the comic strip but the art of comedy, the art of laughter that has been stripped of conceit, of well being, of crass opportunism, or faked grandeur.” Ashraf Jamal, The Rat in Art: Conrad Botes, Pop and the Posthuman, Erdmann Contemporary, Cape Town, 2004, p 14-15 EXHIBITED Erdmann Contemporary, Cape Town, 2002 LITERATURE Ashraf Jamal, The Rat in Art: Conrad Botes, Pop, and the Posthuman, Erdmann Contemporary, Cape Town, 2004, illustrated in colour p 38

556 Zwelethu Mthethwa (SOUTH AFRICAN 1960-)

556

THE STORYTELLER

signed and dated ‘98 pastel on paper 68 by 85,5cm ILLUSTRATED

R 45 000 - R 55 000

88 • CONDITION REPORTS FOR WORKS ON PAPER SEE PAGES 231-233 • FULL CONDITION REPORTS AVAILABLE ON WWW.SWELCO.CO.ZA

557

558

557

558

559

560

Zwelethu Mthethwa

Jabulane Sam Nhlengethwa

(SOUTH AFRICAN 1960-)

(SOUTH AFRICAN 1955-) and

(SOUTH AFRICAN 1955-)

NO LINES

NEW DEVELOPMENT II

signed and dated ‘97 pastel on paper 69 by 98cm

signed and dated ‘98 pastel on paper 63,5 by 48,5cm

ILLUSTRATED

R 45 000 - R 55 000

R 25 000 - R 35 000

Zwelethu Mthethwa (SOUTH AFRICAN 1960-)

BOY IN A BATH

signed by both artists pastel and collage on paper 45 by 65cm ILLUSTRATED

R 50 000 - R 70 000

NATALIE COLE SINGS JAZZ

signed and dated ‘94, inscribed with the title on a label on the reverse oil and collage on board 28,5 by 39cm PROVENANCE Sold: Stephan Welz & Co, Cape Town, 23 May 2006, lot 556 ILLUSTRATED

R 25 000 - R 30 000

559

560

CAPE TOWN, 5 & 6 OCTOBER 2010 • 89

561 William Joseph Kentridge (SOUTH AFRICAN 1955-)

DRAWING FOR THE FILM STEREOSCOPE

signed charcoal and pastel on paper 122 by 159,5cm

In DRAWING FOR THE FILM STEREOSCOPE the split screen serves to divide Eckstein from himself. Divided by a blue line denoting the two-screens Eckstein stands in a room devoid of homely comforts despite the single bed alongside one wall. He appears strangely shut off from, and impervious, to the blue lines of communication. By splitting the image Kentridge has effectively split Eckstein into his two selves.

Question 4: Why did you choose to use a split screen in some parts of the video?

The following interview is taken from http:// www.ubu.com/film/kentridge_stereoscope. html6

Question 5: Was Stereoscope inspired by specific events in South African history?

ILLUSTRATED

R 1 200 000 - R 1 400 000

“All of my work is about Johannesburg in one form or another. My schools: university, art school, all the training I had has been here in Johannesburg - apart from my year in Paris. Thematically I suppose I work with what’s in the air, which is to say a mixture of personal questions and the broader social questions. Questions this year, questions last year, responsibility, retribution, recrimination, before issues of what histories are hidden in the landscape. Often they’re fairly broad questions but generally they arrive through quite a personal or particular starting point.”1 Stereoscope (1999), as well as Kentridge’s previous seven films, was fashioned through Kentridge’s unique process of animation. Using consecutive modifications to a single charcoal drawing, adding to and erasing from, he arrives at the stills which are then seamed together to create the final film. In essence, there are a thousand alterations to only a few drawings.2 Soho Eckstein, the film’s protagonist, a pin-striped suited businessman, strongly resembles Kentridge3 himself. Eckstein is a solitary figure whose sole companion and sometime source of comfort is a black cat.4 The cat ultimately becomes the “cipher of destruction and ultimate annihilation.”5 The cat later morphs into an electric blue animal that roams feral through the modern cityscapes and finally settles into the cannonball that obliterates the landscape. The sole survivors of this holocaust are Eckstein and the cat. A stereoscope, the photographic device that produces the illusion of a three-dimensional image by combining two pictures of a single subject taken from different points of view, runs visually and thematically throughout the film.

Question 1: Your works appear very labour intensive. How long did it take you to create Stereoscope? Can you talk a little bit about the significance of your laborious process and how you maintain momentum and focus? W.K. The work is very labour intensive. Stereoscope took 9 months to make - with some breaks for travel and exhibitions during that period. It takes a long time because there is no script or storyboard - the ideas are worked out in the making. In the construction of Stereoscope, most of the first four months work had to be abandoned. Momentum - because the work is so slow, unless one works fast and intensely, the project would never get finished. So one has to begin each day running. Making the film is about finding the focus, finding what the film is about. If the film had been storyboarded, it would be difficult to maintain focus; but because it is thought out as it is done, that becomes part of the subject. Question 2: The music in Stereoscope is very striking. Was it composed specifically for the work? If so, were you involved in that process? W.K. Music. Philip Miller, a South African composer, wrote the music for the film. He has written music for four of my films. His involvement comes at quite an early stage - after a couple of months, when there are a few minutes of rushes to look at, we sit look at them at an editing table, with different pieces of music - anything from Monteverdi to jazz - and try to understand the musical grammar of the film. From then on we work closely, and the music becomes more and more precise as the film nears completion.

cat symbolises, if anything - I simply knew that I needed a cat at that moment of the film. Blue lines are simply a literal drawing of different lines of communication in the film.

W.K. Come on! The film is called Stereoscope, a machine which needs two separate images to make one threedimensional view. Any more clues needed?

W.K. No specific events in SA history. The section of chaos in the city towards the end of the film contains images from newspapers and TV from the weeks in which I was working on that part - police beating students in Jakarta, Indonesia; riots outside banks in Moscow, Russia; rebels being thrown over a bridge, and then shot at in the river below, Kinshasa, Congo; someone picking up rubble to throw at a building - US embassy in Nairobi, Kenya. But of course the images are all of Johannesburg. This piece, DRAWING FOR THE FILM STEREOSCOPE, acquired at the time of the inaugural exhibition at the Goodman Gallery in Cape Town, was used as the exhibitions frontispiece.

http://www.onepeople.com

2 http://artarchives.net/artarchives/liliantone/ tonekentridge.html

3 http://www.cmoa.org/international/html/art/ kentridge.htm

Lynne Cooke, Mundus Invernus, Mundus Perversus: William Kentridge, Michael Sittenveld (ed), Harry N. Abrahams Inc, New York, p 50

http://www.ubu.com/film/kentridge_ stereoscope.html

Question 3: Are the recurring elements (like the cat and the blue line, etc.) in your work symbolic of something? They seemed meaningful, but I wasn’t sure of what. W.K. Re the cat and blue line. I never start with a meaning, so cannot tell you what the

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562 Cecil Edwin Frans Skotnes (SOUTH AFRICAN 1926-2009)

TRIBUTE TO UCCELLO NO. 2

signed and dated 89; inscribed with the title on the reverse carved, incised and painted wood panel 121,5 by 122,5cm ILLUSTRATED

R 700 000 - R 900 000

“For me as an artist working...in the twentieth century, having been born into an time of great strife, and travail, and difficulty, I looked forward to coming to terms with… my own existence and my own way of thinking…”1 In Tribute to Uccello Skotnes fuses two figures which, in essence, become indistinguishable Siamese twins that seem

to share a voice. Uccello, referenced in the title, was an Italian painter and mathematician working in the early 15th century who is best known for his pioneering work on visual perspective in art. Uccello’s paintings are distinguishable from other Renaissance works by his fascination of geometric precision.

The exactness of Tribute to Uccello fully demonstrates Skotnes’ confidence with the medium with which he had become best known, that of the carved and painted woodblock panel. P.D. 1

Frieda Harmsen (ed), Cecil Skotnes, Cape Town, 1996, p 133

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563 Ephraim Mojalefa Ngatane (SOUTH AFRICAN 1938-1971)

THE CONVERSATION

signed and dated 54 oil on canvas 60,5 by 44,5cm ILLUSTRATED

R 140 000 - R 180 000

564 William Joseph Kentridge (SOUTH AFRICAN 1955-)

BACK FLIP

stone lithograph, signed, numbered 10/17 and dated 91 in pencil in the margin sheet size: 38 by 37,5cm ILLUSTRATED

R 30 000 - R 40 000

565 William Joseph Kentridge (SOUTH AFRICAN 1955-)

CAMERA HORUS

drypoint, signed and numbered 40/45 in pencil in the margin sheet size: 28,5 by 32,5cm ILLUSTRATED

R 25 000 - R 35 000 563

564

565

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566 Cecil Edwin Frans Skotnes (SOUTH AFRICAN 1926-2009)

LANDSCAPE

signed and dated ‘04 oil on panel 59,5 by 60,5cm PROVENANCE Sold: Stephan Welz & Co, Johannesburg, 18 October 2004, lot 82 ILLUSTRATED

R 200 000 - R 300 000

566 "These [landscape] paintings, therefore do not suggest the intention of representing either the physical or metaphysical properties of geography. The pictorial language is evidently self-referential and its meaning should be sought not in any external reality but rather within the framework of the artist’s experience. The manner in which Skotnes’ landscapes have been constructed tends to confirm the priority of the formal, rather than representational concerns in the works." Michael Godby, Landscape into Art: A Reading of the Brandberg Wall series and Other Representations of the South African Landscape by Cecil Skotnes, Cape Town, 1996, p 99 and 100

567 Cecil Edwin Frans Skotnes (SOUTH AFRICAN 1926-2009)

THE ASSASINATION OF SHAKA

complete portfolio of fortythree woodcuts by Cecil Skotnes, with captions by Stephen Grey, 1973, printed in colours, edition limited to 225 sets and 25 artist’s proofs, this set numbered 193/225, each woodcut signed and numbered, the title page signed by both the artist and poet sheet size: 50 by 33cm PART ILLUSTRATED

R 50 000 - R 70 000

567 PART LOT

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568 Erik (Frederick Bester Howard) Laubscher (SOUTH AFRICAN 1927-)

RED FRAGMENT

signed and dated 61; inscribed with the title on the reverse oil on panel 42 by 45cm c.f. A similar work forms part of the permanent collection at the University of the Witwatersrand as illustrated on p 168 of Esmé Berman’s Art and Artists of South Africa. ILLUSTRATED

R 200 000 - R 300 000

568

569 Erik (Frederick Bester Howard) Laubscher (SOUTH AFRICAN 1927-)

WHITE CLIFFS

signed and dated 73 oil on canvas 51 by 51cm ILLUSTRATED

R 80 000 - R 100 000

569

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570

570 Cecil Edwin Frans Skotnes (SOUTH AFRICAN 1926-2009)

ICON 15

signed; inscribed with the title on the reverse carved, incised and painted wood panel 127,5 by 102,5cm (including the carved, incised and painted artist’s frame with brass mounts) PROVENANCE Goodman Gallery, Johannesburg ILLUSTRATED

R 700 000 - R 900 000

“The face had many characteristics and appeared to Skotnes to grow from the inside out. The result was that he started at the nose…despite their drastic distortion and formalisation which almost deny them their humanity, these portraits have a presence which can convince viewers that the likenesses are true.”1 In Icon 15 the sole facial feature of the subject is the nose, the remainder of the face is a composite of abstract forms.

This near-patterning continues throughout the entire form of the being whose head, shoulders and torso are clearly delineated against the plane of the surround or background. The hand-tooled brass areas of the frame lend the figure a heraldic and monumental quality fitting for a modern icon. P.D. 1 Freida Hamsen, Artist Resolute, Cape Town, 2006, p 58-59

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571 Cecil Edwin Frans Skotnes (SOUTH AFRICAN 1926-2009)

ICON 13

signed and dated 90; inscribed with the title on the reverse carved, incised and painted wood panel 99 by 84cm (including the carved, incised and painted artist’s frame with brass mounts) PROVENANCE Goodman Gallery, Johannesburg

"I never concocted the idea of the African mask at all…" In Icon 13, produced in 1990, the head or mask is reduced to a series of textured and coloured planes. The title suggests a history of stylisation and rich visual elements. In this work, the polished plates of brass containing the image, add to the decoration of the image as a whole. P.D. Neville Dubow, Landscapes of the Mind, Cape Town, 2006, p 112

ILLUSTRATED

R 600 000 - R 800 000

CAPE TOWN, 5 & 6 OCTOBER 2010 • 97

572

574

Sidney Goldblatt

Larry Scully

(SOUTH AFRICAN 1919-1979)

(SOUTH AFRICAN 1922-2002)

UNTITLED

RED TOTEM

signed oil on panel 60,5 by 60,5cm

signed and dated ‘73 oil on canvas 100 by 60cm, unframed

EXHIBITED Stellenbosch Modern and Contemporary Art Gallery, Abstract South Africa Art from the Isolation Years: Volume I, Winter 2007, illustrated in colour on p 24

ILLUSTRATED

R 20 000 - R 30 000 572

573 Larry Scully (SOUTH AFRICAN 1922-2002)

VERTICAL ABSTRACT

signed oil on canvas 122 by 122cm

R 10 000 - R 15 000

575 Bettie Cilliers-Barnard (SOUTH AFRICAN 1914-)

BETRAGTING 1

signed and dated 1988; inscribed with the title on the reverse oil on canvas 60,5 by 80,5cm ILLUSTRATED

R 60 000 - R 80 000

ILLUSTRATED

R 25 000 - R 35 000

573

574

575

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576

577

576

577

Christo Coetzee

Larry Scully

(SOUTH AFRICAN 1929-2000)

(SOUTH AFRICAN 1922-2002)

A STILL LIFE WITH FLOWERS AND FRUIT

HERMANUS SEASCAPE

signed oil on board 121 by 121cm

signed and dated ‘01 oil on canvas 50 by 200cm, unframed

ILLUSTRATED

R 120 000 - R 160 000

R 20 000 - R 30 000

CAPE TOWN, 5 & 6 OCTOBER 2010 • 99

578 Michael Francis Pettit (SOUTH AFRICAN 1950-)

WALL / SKY

signed; inscribed with the artist’s name, title and dated 1992 on the reverse oil on canvas 130 by 180cm ILLUSTRATED

R 40 000 - R 60 000

578

579 Jill Trappler (SOUTH AFRICAN 1957-)

THE POLE THAT TURNS THE COSMOS AROUND

signed, dated 98 and inscribed with the title on the reverse acrylic on canvas 149 by 170cm ILLUSTRATED

R 35 000 - R 40 000

579

580 Gail Catlin (SOUTH AFRICAN 1948-)

ABSTRACT

signed and dated 2004 resin, plate glass, pigments and ribbon 87 by 78,5cm ILLUSTRATED

R 35 000 - R 45 000

580

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581 Henry Symonds (SOUTH AFRICAN 1949-)

STILL LIFE WITH A TABLE AND VASE

signed and dated 90 oil on canvas 149,5 by 99,5cm ILLUSTRATED

R 25 000 - R 35 000

582 Henry Symonds (SOUTH AFRICAN 1949-)

THREE INTERIORS, three

each signed and dated ‘92 acrylic on canvas each approximately: 30 by 20,5cm (3) ILLUSTRATED

R 25 000 - R 35 000

583 Robert Griffiths Hodgins (SOUTH AFRICAN 1920-2010)

581

BLUE JERSEY

signed and inscribed with the title on the reverse oil on canvas 61 by 61cm ILLUSTRATED

R 70 000 - R 90 000 582

583

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585

584

587

Gregory John Kerr

Glenn Cox

(SOUTH AFRICAN 1949-)

(SOUTH AFRICAN 1969-)

WOMAN

EROTIC SCENE 1 and EROTIC SCENE 2, two

signed acrylic on canvas 67 by 59cm ILLUSTRATED

R 15 000 - R 20 000

signed acrylic and ball point on board the largest: 12 by 12cm (2) PART ILLUSTRATED

R 5 000 - R 7 000

585 Andre Naudé (SOUTH AFRICAN 1950-)

588

FOLIAGE STUDY

Andre Naudé

signed and dated 1984 oil on canvas 122 by 122cm, unframed ILLUSTRATED

R 15 000 - R 20 000

(SOUTH AFRICAN 1950-)

FEMALE FIGURE

signed and dated 92 mixed media on paper 43 by 35cm ILLUSTRATED

R 10 000 - R 15 000

586 Karin Synmove Aurora Jaroszynska (SOUTH AFRICAN 1937-)

586

QUASIMODO

signed and inscribed with the title mixed media on card 101 by 74cm ILLUSTRATED

R 60 000 - R 70 000

587 PART LOT

588

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589

590

589

591

Herman Antoine Julien Henri van Nazareth

(SOUTH AFRICAN/ BELGIAN 1936-)

ORANGE LANDSCAPE

GREEN AND RED LANDSCAPE

oil on board 21 by 39cm ILLUSTRATED

R 15 000 - R 20 000

signed and dated 1968 on the reverse oil on board 29 by 40cm ILLUSTRATED

590

R 7 000 - R 9 000

Herman Antoine Julien Henri van Nazareth (SOUTH AFRICAN/ BELGIAN 1936-)

LANDSCAPE

oil on board 45 by 60cm ILLUSTRATED

R 15 000 - R 20 000

592 Herman Antoine Julien Henri van Nazareth

591

(SOUTH AFRICAN/ BELGIAN 1936-)

BLUE HEAD

signed and dated ‘82 on the reverse oil on board 68 by 59cm ILLUSTRATED

R 14 000 - R 18 000

592

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593

594

593

594

John Meyer

(SOUTH AFRICAN 1942-)

THE MATOPOS

FIRST RAIN, SEPTEMBER

signed acrylic on board 36,5 by 59,5cm

signed; inscribed with the artist’s name, the title and dated 1994 on the reverse acrylic on board 29 by 57cm

ILLUSTRATED

R 50 000 - R 70 000

ILLUSTRATED

R 50 000 - R 70 000

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595 Keith Alexander (SOUTH AFRICAN 1946-1998)

THE CALLER

signed and dated 92 acrylic on canvas 106 by 75,5cm c.f. A similar work titled Agana is illustrated on p 21 of David Robbins book Keith Alexander: The Artist in Retrospect. PROVENANCE Purchased directly from the artist ILLUSTRATED

R 300 000 - R 400 000

595 “Isolation, impermanence and the inevitable destruction by hostile environment forces are Alexander’s central subject...in [this] work, there is the odd sense of being able to see the outlines of high drama. One senses that behind the disciplined, remarkably controlled and unflurried reality, there are those tensions and the kind of anguish that accompanies isolation and loss.”1

In The Caller, executed in 1992, we see the familiar checkerboard floor, crumbling in parts, leading to the omnipresent desert. Alexander’s masterful use of dramatic light and shadow effects form an integral part of the powerful composition of this work and the ambiguity of the figure-like shadow beyond the doorway leads the viewer to ponder the true nature of this desolate scene.

The ghost mining town of Namibia provided Keith Alexander with a bounty of vistas upon which to build the body of work for which he first garnered public acclaim in the late 1980s.

David Robbins, Keith Alexander: The Artist in Retrospect, Jonathan Ball Publishers, Johannesburg, 2000, p 20

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596

597

John Dronsfield

(SOUTH AFRICAN 1900-1951)

AN AERIAL STILL LIFE

A SURREAL STAGE DESIGN

signed oil on board 50,5 by 40cm

oil on a steel plate 45,5 by 35cm

ILLUSTRATED

R 20 000 - R 30 000

ILLUSTRATED

R 25 000 - R 35 000

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598

598 Walter Whall Battiss (SOUTH AFRICAN 1906-1982)

ABSTRACT

oil on canvas 39 by 50,5cm PROVENANCE From the Estate of the artist, 5th Avenue Auctioneers, Johannesburg, 31 May 2003 ILLUSTRATED

R 80 000 - R 100 000

CAPE TOWN, 5 & 6 OCTOBER 2010 • 107

599 Walter Whall Battiss (SOUTH AFRICAN 1906-1982)

PRELUDE TO THE DANCE

signed oil on canvas 60 by 76cm PROVENANCE Purchased from the Lidchi Gallery EXHIBITED Sao Paulo Biennale, 1960 ILLUSTRATED

R 600 000 - R 800 000

The formative years of Walter Battiss were lived in small towns surrounded by wilderness. As a child, he had experienced the openness of the Karoo, which left an indelible impression on his perception of experienced and imagined reality. He recalled looking up at the vast desert sky and thinking that the stars existed on one plane, with the darkness as another plane, beyond the stars, and in between was a space that he felt he could inhabit where he “could bargain with the unreal”1. His exposure to the rock engraving of the Bushmen at the age of 11 struck a chord within him and in his twenties he began actively seeking out the paintings and engravings of South Africa’s first people: “[w]hat I had recognised was that in all of us there is still some aspect of primitivism – the vestigial Adam”2. He realised that within this seemingly simplistic art form lay an expression of sophisticated, stylised and schematised vision, one that combined perceived and imagined reality. The harsh light of the Karoo and Highveldt influenced his move towards dispensing with his early Impressionistic style of painting and the illusionary rendering of space in preference for “a representation of the spiritual essence of visual reality on a two-dimensional plane.”3 Prelude to a Dance belongs to the period of artworks created between 1955 and 1962, which includes African Rocks and Figures (in the collection of the South African National Gallery), Fishermen Drawing Nets (1955), African Women (1960) and African Paradise (1961). These paintings share the same stylistic devices and subject or themes. They show Battiss looking to Africa for inspiration

and combining scenes from everyday rural village life, rites and rituals, the art of the Bushmen and that of the Ancient Egyptians. In Prelude, Battiss creates his own elusive narrative, much as the explicit meaning of the paintings of the Khoi-San artists now elude us, Battiss invites us into his imagined world to create our own narrative. The stylised figures become calligraphic symbols that hold whole phrases of meaning as opposed to a single letter within the Roman alphabet. During this period, Battiss was also examining Egyptian Hieroglyphics and Islamic calligraphy – that a word formed a symbolic picture of meaning. In terms of the conventions of hierarchical proportioning in Egyptian mural painting, the three female figures (centre mid-left) may be read as being of the greatest importance or significance. However, we may also read these as symbolic of contemporaneous reality overlaying the mythical past. These figures seem to be conversing with one another; one of the women holds a fruit, perhaps an apple, which then recalls the judgement of the Three Graces by Paris. Aside from the three large female figures rendered in black silhouettes and draped in brightly coloured and patterned wraps, all the other figures are depicted within the language of Khoi-San figurative stylisation. They are rendered in swift, calligraphic line-work, which is then filled in with flat tones of colour. Battiss sought to free colour from symbolic meaning: “To enjoy colour as colour not servile to tone or science dogma, thus beholding polychrome paintings as chords of colours unsullied by superstitious associations – yellow ochre to be enjoyed

for its special yellowness, and white for its special whiteness, and black for its special blackness.”4 The figures reside on one plane while the background has been reduced to a flat one-dimensional decorative surface – a patchwork of colour upon which the figures appear in friezes. While these three central figures hold the greatest visual gravitas within the composition we are soon drawn to a figure on their right, that of an artist as he holds a palette and paintbrushes. One is tempted to guess that this is the figure of Battiss, the shaman or Wisemantrickster. Beneath the paintbrush of the artist figure is a series of orange dots, in the lexicon of Bushman rock-art the most common interpretation of painted patterns and dots is seen to be evidence of the ocular stimulation that occurs in trance states. As a stylistic device within this painting, they lead the eye of the viewer from the artist to three dancing figures. These figures, their legs bent at the knees direct the eye to the group of figures in the top right hand corner. The turquoise figure is holding a black object which leads the eye across the top of the canvas to the three figures at top centre, who in turn direct our attention to the Khoi-San hunter figure on the extreme left. Showering down from him are turquoise dots leading to the large group of ochre and orange figures in the bottom right-hand corner. In the bottom centre is a singular non-human figure, a white bird. Its form is strongly reminiscent of the national bird of Zimbabwe, based on the soapstone carvings found at the Great Zimbabwe Ruins, of which Battiss would have been familiar with having

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travelled there. Beside the bird, two white figures lead the eye to the last group on the middle right, their up-stretched arms leading us into the top right hand group again. Like Matisse’s La Dance (1909) the arms and legs of the dancing figures lead the eyes around and around the swirling motion of the dancing figures. Here too Battiss leads the eye through the outstretched limbs from one set of figures or dancers to the next. When questioned as to why he was so drawn to the artwork of the Bushmen he replied: “When thinking over and contemplating these traces of the past, we feel a deep sympathy with the soul of these men, reincarnating something of their thought in ourselves, and so,

resuscitating in our minds part of their secret life.”5 As the artist-shaman he invites us to participate in this dance of life that we too may be lifted out of our reality into a trance – like or elevated state by either participating in the dance or allowing ourselves to be absorbed by the artwork. C. W. H.

4 From a letter to Murray Schoonraad (1946). Quoted in Schoonraad, M. Battiss and prehistoric rock art, in Skawran, Battiss, p 51 5 Quoted by Schoonraad, M. Battiss and prehistoric rock art’, in Skawran, Battiss, p 47

Berman, E. (1975) The Story of South African Painting, Cape Town: A.A. Balkema. Carman, G. & Isaac, S. (Eds.) Walter Battiss: Gentle Anarchist, A Retrospective Exhibition of the works

Battiss, W. Limpopo. (1965) Pretoria: J.L. van Schaik, p 7. 2 From a letter to Murray Schoonraad (1946). Quoted in Schoonraad, M. Battiss and prehistoric rock art, in Skawran, Battiss, p 50. 3 Skawran, K.M. Battiss and Africa: Images and Symbols, from the catalogue for Battiss and the Spirit of Place.

CAPE TOWN, 5 & 6 OCTOBER 2010 • 109

600 Maurice Charles Louis van Essche (SOUTH AFRICAN 1906-1977)

TWO FIGURES, CONGO

signed oil on board 51 by 35cm c.f. This work was included in the SAAA SA Art Abroad exhibition of 1948. The exhibition was sponsored by the then government of the Union and was the first official undertaking of the SAAA which had been formed in 1945 to supercede the SAFAA. ILLUSTRATED

R 200 000 - R 300 000

600

601 Maurice Charles Louis van Essche (SOUTH AFRICAN 1906-1977)

AFRICAN GIRL

signed and dated 63 gouache on cardboard 36,5 by 26,5cm ILLUSTRATED

R 35 000 - R 45 000

601

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602 Eleanor Frances Esmonde-White (SOUTH AFRICAN 1914-2007)

TWO WASHERWOMEN

signed oil on canvas 61 by 46cm ILLUSTRATED

R 200 000 - R 300 000

602

603 Eleanor Frances Esmonde-White (SOUTH AFRICAN 1914-2007)

TWO FISHERMEN

signed oil on canvas 29,5 by 39,5cm ILLUSTRATED

R 80 000 - R 100 000

603

604 Gerard Sekoto (SOUTH AFRICAN 1913-1993)

AFRICAN MOTHERS

signed; inscribed with title on the reverse gouache on paper 32 by 47cm ILLUSTRATED

R 90 000 - R 120 000

604

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605 Gerard Sekoto (SOUTH AFRICAN 1913-1993)

TOWNSHIP SCENE

signed and dated ‘71 oil on canvas board 32 by 39cm c.f. a similar composition appears on p 62 in colour, The Art of Gerard Sekoto by Barbara Lindop ILLUSTRATED

R 450 000 - R 500 000

606 Sidney Goldblatt (SOUTH AFRICAN 1919-1979)

MAPOGGA WOMAN

signed; inscribed with title on the reverse oil on board 49 by 39,5cm 606

ILLUSTRATED

R 25 000 - R 35 000

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607

610

609

607

608

609

610

Alfred Neville Lewis

(SOUTH AFRICAN 1895-1972)

George Mnyalaza Milwa Pemba

A MAN WITH EARRINGS AND BANDANA

PONDO WOMAN GRINDING CORN

(SOUTH AFRICAN 1912-2001)

GIRL WITH FIREWOOD

REVIVAL

signed oil on canvas board 40 by 29,5cm

signed oil on panel 25 by 34,5cm

ILLUSTRATED

signed and dated 57 oil on canvas laid down on board 44 by 34cm

R 60 000 - R 80 000

R 50 000 - R 70 000

signed and dated 80; inscribed with the title on the reverse oil on board 49 by 67cm

ILLUSTRATED

R 200 000 - R 250 000

ILLUSTRATED

R 120 000 - R 140 000

CAPE TOWN, 5 & 6 OCTOBER 2010 • 113

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611 611

Johannes Petrus Meintjes (SOUTH AFRICAN 1923-1980)

DREAMING CHILD

signed and dated 1946 oil on panel 61,5 by 48,5cm This painting appears as entry no 121 in Johannes Meintjes dagboek 1 ILLUSTRATED

R 140 000 - R 180 000

612 Johannes Petrus Meintjes (SOUTH AFRICAN 1923-1980)

HEAD WITH SEAWEED

signed and dated 1951 oil on board 40,5 by 27cm This painting appears as number 326 in Meintjes dagboek 2 ILLUSTRATED

R 50 000 - R 70 000

613 Irma Stern (SOUTH AFRICAN 1894-1966)

TOMATO PICKERS

signed and dated 1963 felt-tip pen, watercolour and gouache on paper 57 by 39cm 613

ILLUSTRATED

R 150 000 - R 200 000

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614

615

614

616

Maud Frances Eyston Sumner

Frans David Oerder

(SOUTH AFRICAN 1902-1985)

CHRYSANTHEMUMS IN AN EARTHENWARE POT

ST LOUIS

signed pen and ink and gouache on paper 44 by 29cm The subject of this painting is King Louis IX of France who was revered for the social reforms he implemented. He died in 1297 on his second Crusade to the Holy Land and was canonised by Pope Boniface VIII. It is probable that this watercolour was inspired by the legend and perhaps copied from a Cathedral window.

(SOUTH AFRICAN 1867-1944)

signed oil on canvas 28 by 38cm PROVENANCE Sold: Sotheby’s, Amsterdam, 6 September 2005, lot 253 ILLUSTRATED

R 60 000 - R 80 000 616

617 Frans David Oerder (SOUTH AFRICAN 1867-1944)

ILLUSTRATED

DAISIES IN A GLASS VASE

R 40 000 - R 60 000

signed oil on panel 66,5 by 74,5cm

615

ILLUSTRATED

William Mitcheson Timlin (SOUTH AFRICAN 1893-1943)

R 80 000 - R 100 000

FAIRY JEWELS

signed, dated 1918, inscribed with the title and with the artist’s owl device mark watercolour on artist’s sketching board 36 by 53cm

617

ILLUSTRATED

R 40 000 - R 50 000

CAPE TOWN, 5 & 6 OCTOBER 2010 • 115

618 Irma Stern (SOUTH AFRICAN 1894-1966)

STILL LIFE WITH POPPIES AND FRUIT

signed and dated 1935 gouache on paper 63,5 by 50,5cm PROVENANCE Michael Stevenson Fine Art, Cape Town EXHIBITED Standard Bank Gallery, Irma Stern: Expressions of a Journey, 2003, illustrated in colour in the catalogue on p182 ILLUSTRATED

R 900 000 - R 1200 000

Marion Arnold observed that Stern’s still life paintings are among her most sumptuous and sensuous images.1 For Irma Stern, still life was the ideal genre in which to experiment and assert her confidence in her artistic talent. Painted in 1935, a year after her divorce from Dr Johannes Prinz, the choice of executing such a finished work in the very permanent yet delicate medium of gouache is representative of Irma’s new found freedom. Stern composed the still life paintings in her studio using her favourite objects, many acquired on her travels both within and beyond the borders of South Africa. The impersonal nature of the vase, tray and white cloth in this composition serve to entice the viewer to focus instead on the items which they contain.

“In this flower-piece, the delicacy of the gouache medium captures the ethereal quality of the yellow and orange poppies, and the tight composition, with the blooms reaching out to the edge of the picture, reflects the exuberance of Stern’s best still-lifes.”2 Irma Stern was always a master colourist and in this masterpiece the viewer can imbue many of the colours which she chose with emotive connotations: chartreuse (confidence, prosperity, travel and growth), tangerine (new ideas, increased vigour) and a full spectrum of blues ranging from sky to ultramarine (intuition, generosity, travel, harmony). Furthermore the inclusion of yellow Iceland poppies, a naartjie, long associated with prosperity and happiness, and apples emblematic of knowledge, all serve to underscore Stern’s growth exhibited at this time as an artist of merit.

Given the marriage of expressionism and keen observation, this painting demonstrates Stern’s confidence with the often challenging medium of gouache. The surety of Irma’s hand can be clearly seen in the composition and exuberant use of colour in her middle period. This work was included in the Standard Bank Gallery’s Irma Stern: Expression of a Journey Exhibition in 2003. Inspired by her numerous travels, it is truly a work that cements the visual legacy she left behind. P. D.

Marion Arnold, Irma Stern: A Feast for the Eye, Rembrandt van Rijn Art Foundation, Cape Town, 1994, p 125 2

Michael Stevenson and Deon Viljoen, South African Paintings 1880-1990, Cape Town, 2000

116 • CONDITION REPORTS FOR WORKS ON PAPER SEE PAGES 231-233 • FULL CONDITION REPORTS AVAILABLE ON WWW.SWELCO.CO.ZA

618

CAPE TOWN, 5 & 6 OCTOBER 2010 • 117

619 François Krige (SOUTH AFRICAN 1913-1994)

SPRINGTIME

signed oil on board 65 by 39cm ILLUSTRATED

R 200 000 - R 250 000

After Francois Krige’s death in 1994, an astonishing number of previously unseen works were discovered in his studio. According to Justin Fox, Krige’s nephew: ‘Still life is the genre in which Krige was to make his most important contribution to South African painting.’1 In this work, Springtime, one sees an abundance of spring flowers contained within the composition by a rough mud wall. This work thereby represents a visual bridging of the genre of still life and landscape painting. This subject matter occupied much of Krige’s productivity after moving to Montagu in 1967. A strong comparison can be made between this work and the body of work produced by Claude Monet in Giverny. Monet‘s time in Giverny was spent planting his garden in colour groupings which he then left to grow wild. Krige on the other hand benefitted from the wild flowers which grow in profusion in this area. Given Krige’s love for the landscape and nostalgia with which these works were rendered, it can be said that Montagu was Krige’s Giverny P.D. 1 Justin Fox, The Life and Art of François Krige, Fernwood Press, Cape Town, 2000, p 98

619

620 François Krige (SOUTH AFRICAN 1913-1994)

ROSES

authenticated on the reverse by Sylvia Krige (the artist’s widow) and Suzanne Fox (the artist’s sister) on 26th March 2000 oil on canvas board 35 by 25,5cm ILLUSTRATED

R 35 000 - R 45 000

620

118 • CONDITION REPORTS FOR WORKS ON PAPER SEE PAGES 231-233 • FULL CONDITION REPORTS AVAILABLE ON WWW.SWELCO.CO.ZA

621

622

621 Irmin Henkel (SOUTH AFRICAN 1921-1977)

REFLECTIONS

signed and dated 74 oil on canvas 45 by 55cm ILLUSTRATED

R 100 000 - R 120 000

622 Irmin Henkel (SOUTH AFRICAN 1921-1977)

TWO SHELLS

signed and dated 73 oil on canvas 43 by 53cm ILLUSTRATED

R 40 000 - R 60 000

623 Adriaan Hendrik Boshoff (SOUTH AFRICAN 1935-2007)

STILL LIFE WITH MAGNOLIAS

signed oil on canvas board 121 by 89,5cm ILLUSTRATED

R 500 000 - R 600 000

623

CAPE TOWN, 5 & 6 OCTOBER 2010 • 119

624

627

625 Maud Frances Eyston Sumner (SOUTH AFRICAN 1902-1985)

THE THAMES

625

signed pen and ink and watercolour on paper 45 by 48,5cm ILLUSTRATED

R 35 000 - R 45 000

626 Maud Frances Eyston Sumner (SOUTH AFRICAN 1902-1985)

SAILING BOATS

signed watercolour on paper 37 by 54cm 626

624

ILLUSTRATED

R 40 000 - R 50 000

Maud Frances Eyston Sumner (SOUTH AFRICAN 1902-1985)

A VIEW OF THE ALPS

signed watercolour on paper 46 by 60cm ILLUSTRATED

R 20 000 - R 30 000

627 John Thomas Baines (SOUTH AFRICAN 1820-1875)

A FRIGATE IN STORMY WATERS, TABLE BAY

signed and dated May 7th 1846 and inscribed with the title on a label on the reverse oil on canvas 26,5 by 31,5cm PROVENANCE Sold: Bonhams, The South African Sale, London, 23 May 2007, lot 13 ILLUSTRATED

R 80 000 - R 120 000

120 • CONDITION REPORTS FOR WORKS ON PAPER SEE PAGES 231-233 • FULL CONDITION REPORTS AVAILABLE ON WWW.SWELCO.CO.ZA

628 Pieter Hugo Naudé (SOUTH AFRICAN 1868-1941)

WILDEPAD IN DIE KNYSNA BOS

signed; inscribed with the title on the reverse oil on canvas 70,5 by 44,5cm ILLUSTRATED

R 400 000 - R 500 000

Naudé began his career as an artist focused on becoming a portraitist. His choices of attending the Slade under Alfonse Legros and the Munich Kunst Akademie under Franz von Lenbach showed his intent to master the human figure. His process of becoming an artist began with a mastery of construction drawing under Legros. His mentor’s affiliation was to the Realist movement, embodied by the plein air painters of Fountainbleau, in which everyday scenes including workers at their labours were allotted great credence. Naudé moved to Fountainbleau in 1895 where he could work among the artists of the area. Satyrs in a Forest painted in 1897, refers stylistically and thematically back to his time spent in London and the prevailing Victorian Romantics and their interest in the romantic myths of antiquity. The Wood Carriers and Two Figures working in the Afternoon Light were painted on his return to South Africa and reflect the Realist movement and the works of artist such as Gustave Courbet. Naudé found portrait commissions scarce and slowly became more enthused with the landscape. His style developed into a form of Impressionism for which he achieved his critical acclaim of which Wildepad in die Knysna Bos, Breede River Reflections and Amalfi Coast are all representative examples. I.H.

628

Naudé A. Hugo Naudé, Struik Publishers, Cape Town, 1974

CAPE TOWN, 5 & 6 OCTOBER 2010 • 121

629 Pieter Hugo Naudé (SOUTH AFRICAN 1868-1941)

SATYRS IN A FOREST

signed and dated 97 oil on canvas 49,5 by 49,5cm ILLUSTRATED

R 140 000 - R 180 000

629

630 Pieter Hugo Naudé (SOUTH AFRICAN 1868-1941)

THE WOOD CARRIERS

signed; signed and inscribed with the title on the stretcher oil on canvas 58 by 50cm ILLUSTRATED

R 300 000 - R 400 000

630

122 • CONDITION REPORTS FOR WORKS ON PAPER SEE PAGES 231-233 • FULL CONDITION REPORTS AVAILABLE ON WWW.SWELCO.CO.ZA

631 Pieter Hugo Naudé (SOUTH AFRICAN 1868-1941)

TWO FIGURES WORKING IN THE AFTERNOON LIGHT

signed oil on canvas 31 by 41,5cm PROVENANCE Purchased directly from the artist by Mr A. W. Spilhaus and housed at Hohenort House. Thence by descent to the present owner ILLUSTRATED

R 140 000 - R 180 000

631

632 Pieter Hugo Naudé (SOUTH AFRICAN 1868-1941)

BREEDE RIVER REFLECTIONS

signed oil on panel 29 by 39,5cm ILLUSTRATED

R 80 000 - R 100 000

632

633 Pieter Hugo Naudé (SOUTH AFRICAN 1868-1941)

AMALFI COAST

signed; inscribed with the title on the reverse oil on artist’s board 26,5 by 20,5cm ILLUSTRATED

R 80 000 - R 100 000

633

CAPE TOWN, 5 & 6 OCTOBER 2010 • 123

634

634 Terence John McCaw (SOUTH AFRICAN 1913-1978)

VIEW FROM THE ARTIST’S GARDEN, HOUT BAY

signed and dated 50 oil on canvas 66,5 by 90cm ILLUSTRATED

R 100 000 - R 120 000

124 • CONDITION REPORTS FOR WORKS ON PAPER SEE PAGES 231-233 • FULL CONDITION REPORTS AVAILABLE ON WWW.SWELCO.CO.ZA

635

635 Maggie (Maria Magdalena) Laubser (SOUTH AFRICAN 1886-1973)

LANDSCAPE WITH HUTS, TREES AND TWO FIGURES

signed oil on panel 38 by 48cm LITERATURE Liz Delmont and Dalene Marais, Maggie Laubser: Her Paintings, Drawings and Graphics, Perskor, Johannesburg, 1994, illustrated on p 335 ILLUSTRATED

R 600 000 - R 800 000

CAPE TOWN, 5 & 6 OCTOBER 2010 â&#x20AC;˘ 125

636

636 Jacob Hendrik Pierneef (SOUTH AFRICAN 1886-1957)

THE DISTANT BLUE MOUNTAINS signed oil on board 46 by 56cm ILLUSTRATED

R 700 000 - R 900 000

Pierneef visited Namibia initially on the insistence of friends who had travelled or lived there. He did so in 1923 and again in 1924. This new vista was important to the artist’s development on a number of levels; stylistically these works fused his visual languages of Impressionism with naturalistic observation. It was from this time in Namibia that the artist began to employ trees and mountains as compositional devices in the landscape for dramatic effect to express vastness and monumentality. The colouration and aesthetic of the landscape propagated a new palette of sun-baked hues with crisp-edged shadows. The artist also drew attention to the subtle gradation of earth tones visible in the Namibian sky. Most of these paintings were done early or late in the day, to avoid the extreme heat and exposure of the Namibian sun. Painting at these times necessitated a rapid technique which gave the work an energised and lively quality, fusing naturalistic observation with Impressionistic application of paint. After Namibia the artist’s work became more assured, compositionally powerful and finely nuanced than before. The following three works date from this period. Pierneef enjoyed a successful exhibition in July 1923 in Windhoek, where most of the works sold; an indication of the appreciation Namibian buyers had for the artist’s observation, compositions, palette and vision of the area. I.H. Roos N. Art in South West Africa, J.P. van der Walt, Pretoria, 1978 Nel P.G. JH Pierneef, His Life and Work, Perskor, Cape Town, 1990

126 • CONDITION REPORTS FOR WORKS ON PAPER SEE PAGES 231-233 • FULL CONDITION REPORTS AVAILABLE ON WWW.SWELCO.CO.ZA

637

638

637

638

Jacob Hendrik Pierneef

(SOUTH AFRICAN 1886-1957)

MIERSHOPE, SWA

THE PINK HOUSE NEAR WILHELMSTAL

signed and dated 23 oil on artist’s board 30 by 46cm

signed and dated 23 oil on artist’s board 30 by 46,5cm

ILLUSTRATED

The house has been partially remodelled and is now the Khan River Lodge

R 400 000 - R 500 000

PROVENANCE Commissioned by the present owner’s family during the artist’s stay in Namibia in 1923 ILLUSTRATED

R 380 000 - R 420 000

CAPE TOWN, 5 & 6 OCTOBER 2010 • 127

639

640

Jacob Hendrik Pierneef

Gregoire Johannes Boonzaier

(SOUTH AFRICAN 1886-1957)

(SOUTH AFRICAN 1909-2005)

A PANORAMIC LANDSCAPE

VERLATE STRAAT EN DONKIEKAR, WINTER, DISTRIK SES (WILLIAMSSTRAAT)

signed and dated 52 oil on board 18 by 55cm ILLUSTRATED

R 450 000 - R 550 000

signed and dated 1990 oil on canvas 43 by 68cm PROVENANCE From the artist’s collection and thence by descent ILLUSTRATED

R 350 000 - R 450 000

640

128 • CONDITION REPORTS FOR WORKS ON PAPER SEE PAGES 231-233 • FULL CONDITION REPORTS AVAILABLE ON WWW.SWELCO.CO.ZA

641 Gregoire Johannes Boonzaier (SOUTH AFRICAN 1909-2005)

THAMES AT KEW BRIDGE

signed, dated 1935 and inscribed with the title oil on canvas 33,5 by 44cm ILLUSTRATED

R 80 000 - R 100 000

641

642 Pranas Domsaitis (SOUTH AFRICAN 1880-1965)

KAROO LANDSCAPE 2

signed oil on board 42 by 56cm ILLUSTRATED

R 60 000 - R 80 000

642

643 Carl Adolph Büchner (SOUTH AFRICAN 1921-2003)

WATERFALL

signed oil on canvas board 45 by 60cm ILLUSTRATED

R 25 000 - R 35 000

643

644 Carl Adolph Büchner (SOUTH AFRICAN 1921-2003)

OFF TO CHURCH

signed oil on paper laid down on card 43,5 by 53,5cm ILLUSTRATED

R 25 000 - R 35 000 644 CAPE TOWN, 5 & 6 OCTOBER 2010 • 129

645 646

645

VARIOUS PROPERTIES

Alfred Frederic Krenz (SOUTH AFRICAN 1899-1980)

648

WESTERN CAPE LANDSCAPE

Errol Stephen Boyley

signed and dated 1971 pastel on paper 22 by 31cm

WOODCUTTER’S COTTAGE, KNYSNA

ILLUSTRATED

R 15 000 - R 20 000

(SOUTH AFRICAN 1918-2007)

signed; inscribed with the title on the reverse oil on board 59 by 43,5cm ILLUSTRATED

646

R 30 000 - R 40 000

Terence John McCaw 647

(SOUTH AFRICAN 1913-1978)

LESOTHO LANDSCAPE

signed and dated 58 oil on canvas board 44 by 59cm ILLUSTRATED

R 40 000 - R 60 000 PROPERTY OF THE ESTATE LATE MR D A P MORT

647 Terence John McCaw (SOUTH AFRICAN 1913-1978)

FARM BUILDINGS IN A RURAL LANDSCAPE

signed and dated 68 oil on canvas board 44,5 by 60cm ILLUSTRATED

R 40 000 - R 60 000 648

130 • CONDITION REPORTS FOR WORKS ON PAPER SEE PAGES 231-233 • FULL CONDITION REPORTS AVAILABLE ON WWW.SWELCO.CO.ZA

649 Errol Stephen Boyley (SOUTH AFRICAN 1918-2007)

HOMESTEAD, KNYSNA

signed oil on board 50 by 75cm ILLUSTRATED

R 35 000 - R 45 000

649

650 Errol Stephen Boyley (SOUTH AFRICAN 1918-2007)

FISHERIES, ST HELENA BAY

signed; inscribed with the title on the reverse oil on board 50 by 75cm PROVENANCE Gallery 101, Johannesburg ILLUSTRATED

R 35 000 - R 45 000 650

651 Errol Stephen Boyley (SOUTH AFRICAN 1918-2007)

AMBLING FIGURES ON A BEACH

signed oil on board 50 by 75,5cm ILLUSTRATED

R 40 000 - R 60 000

651

652 Errol Stephen Boyley (SOUTH AFRICAN 1918-2007)

FISHING BOATS AT THEIR MOORINGS

signed oil on board 49,5 by 75cm ILLUSTRATED

R 40 000 - R 60 000

653 – 660 NO LOTS 652

CAPE TOWN, 5 & 6 OCTOBER 2010 • 131

SESSION FOUR

132 • DECORATIVE AND FINE ARTS

WEDNESDAY 6 OCTOBER 2010 10AM

LOTS 661 – 870

BOOKS | METALWARE

CAPE TOWN, 5 & 6 OCTOBER 2010 • 133

BOOKS

661

664

Allen, V.

Braithwaite, C.

KRUGER’S PRETORIA

ROYAL DOULTON

Cape Town: A. A. Balkema, 1971 col. & b/w illustrations 8vo hardcover, dustjacket worn, tears, discolouration and foxing and another of similar interest

London: Dunestyle Publishing, 1989 col. & b/w illustrations 8vo hardcover good and two others of similar interest

♦ BATEMAN, P. - Generals of the AngloBoer War, hardcover, b/w illustrations, dustjacket worn, tears with damage to the margins and spine (2)

♦ KYBALOVA, K. - Ceramic Marks of the World, b/w illustrations, dustjacket discolouration, worn and marked ♦ MANKOWITZ, W. - Wedgwood, col. & b/w illustrations, dustjacket worn (3)

R 250 - R 300

R 300 - R 350

662

665

Baraitser, M. & Obholzer, A.

Burchell, William. J.

CAPE COUNTRY FURNITURE

TRAVELS IN THE INTERIOR OF SOUTHERN AFRICA - 2 Vols

Cape Town: A. A. Balkema, 1971 b/w illustrations 8vo hardcover, dustjacket abrasions and damaged corners R 300 - R 400

663 Beardsley, A. THE LYSISTRATA OF ARISTOPHANES

New York: Odyssey Publications, 1967 b/w illustrations 4to hardcover good, solander case damaged This facsimile is a reproduction by photolithography, on hand-made paper and using similar materials for the plates and the binding in turquoise-coloured boards, of an example of the issue of 100 copies of The Lysistrata of Aristophanes translated into English by Samuel Smith, illustrated by Aubrey Beardsley, and privately published by Leonard Smithers of London in 1896 Of that famous book 515 facsimiles, each fitted with an extra solander case, have been made, of which fifteen are not for sale, this is number 152 R 2 000 - R 2 500

134 • DECORATIVE AND FINE ARTS

London: The Batchworth Press, 1953 b/w illustrations, plates, line drawings and fold out maps in each volume 8vo hardcover good This example has been reprinted from the original editions of 1822-4, with some additional material and with an introduction by I. Schapera (2) R 1 500 - R 1 700

666 Carruthers, J THOMAS BAINES: EASTERN CAPE SKETCHES, 1848 TO 1852

Johannesburg: The Brenthurst Press, 1990 col. & b/w illustrations 8vo hardcover, dustjacket discolouration and 24 of similar interest ♦ RAPER, P. & BOUCHER, M. - Robert Jacob Gordon: Cape Travels, 1777 to 1786, 2-Vols, hardcover, col. & b/w illustrations, dustjacket good ♦ BOUCHER, M. & PENN, N. - Britain at the Cape 1795 to 1803, hardcover, col. & b/w illustrations, dustjacket worn, minor tears and creases ♦ CLARKE, S. - ‘Vanity Fair’ in Southern Africa, 1869 to 1914, hardcover, col. & b/w illustrations, dustjacket worn ♦ CARRUTHERS, J. - Melton Prior: War Artists in Southern Africa, 1895 to 1900, hardcover, b/w illustrations, dustjacket good ♦ SPIES, S. B. - A Soldier in South

Africa 1899 to 1902, hardcover, b/w illustrations, dustjacket good ♦ VINEY, G. & BROOKE SIMONS, P. - The Cape of Good Hope 1806 to 1872, hardcover, col. & b/w illustrations, dustjacket good ♦ BOUCHER, M. - Livingstone Letters 1843 to 1872, hardcover, col. & b/w illustrations, dustjacket minor scratching and damage to the spine ♦ DIEMONT, M. & DIEMONT, J. - The Brenthurst Baines, hardcover, col. & b/w illustrations, dustjacket covered in plastic, discolouration and minor staining ♦ DAVEY, A. - The Defence of Ladysmith and Mafeking, hardcover, col. & b/w illustrations, dustjacket slightly worn, discolouration and markings ♦ TABLER, E. C. - Baines on the Zambezi, 1858 to 1859, hardcover, col. & b/w illustrations, dustjacket minor discolouration ♦ CORDEUR, B. & SAUNDERS, C. - The War of the Axe 1847, hardcover, col. & b/w illustrations, dustjacket minor wear and discolouration ♦ SMITH, A. H. - Cape Views and Costumes: Water-colours by H. C. de Meillon, hardcover, col. illustrations, dustjacket good ♦ BROOKE SIMONS, P. - John Blades Currey 1850 to 1900, col. & b/w illustrations, dustjacket good ♦ GUNN, M. & DU PLESSIS, E. - The Flora Capensis of Jakob and Johann Philipp Breyne, hardcover, col. & b/w illustrations, dustjacket good ♦ FORES, V. S. & ROURKE, J. - Paterson’s Cape Travels, 1777 to 1779, hardcover, col. & b/w illustrations, dustjacket good ♦ CLARKE, S. - Zululand at War 1879, hardcover, col. & b/w illustrations, dustjacket good ♦ CLARKE, S. - Invasion of Zululand 1879, hardcover, col. & b/w illustrations, dustjacket good ♦ LE CORDEUR, B. & SAUNDERS, C. - The Kitchingman Papers, hardcover, col. & b/w illustrations, dustjacket worn ♦ 5 Vols, Third Series, The Jameson Raid: A Centennial Retrospective, Flora Herscheliana: Sir John and Lady Herschel at the Cape 1834 to 1838, Francois Levaillant and the Birds of Africa, The Siege of Mafeking Vol 1 & 2 The complete collection in fine condition (25) ILLUSTRATED ON OPPOSITE PAGE

R 25 000 - R 35 000

667

669

671

672

Clancey, P. A.

Cook, M. Alexander

Duggan-Cronin, A. M.

du Plessis, I. D.

GAMEBIRDS OF SOUTHERN AFRICA

THE CAPE KITCHEN

THE BANTU TRIBES OF SOUTH AFRICA - 7 Vols

THE CAPE MALAYS

Cape Town: Purnell, 1967 first edition col. & b/w illustrations 8vo hardcover, dustjacket edgeworn, damage to the margins and spine R 200 - R 250

668

Cape Town: Stellenbosch Museum, 1973 b/w illustrations 8vo hardcover, dustjacket fair and another of Cape interest ♦ COOK, M. ALEXANDER - Die Kaapse Kombuis, hardcover, b/w illustrations, dustjacket fair (2) R 250 - R 350

Collier, J. PORTRAIT OF CAPE TOWN

670

Cape Town: Longmans, 1961 b/w illustrations 8vo hardcover, dustjacket and slipcase fair, signed and dated ‘61 by the author, this is copy No 125 of a special edition limited to 200 copies

Cornwallis Harris, Captain W.

R 200 - R 250

PORTRAITS OF THE GAME AND WILD ANIMALS OF SOUTHERN AFRICA

Cape Town: Sable Publishers, 1986 col. & b/w illustrations 4to hardcover, dustjacket good R 400 - R 500

Cambridge University Press and Kimberley: Alexander McGregor Memorial Museum, 1929, 1931, 1933, 1938, 1939, 1954 b/w illustrations 8vo softcover, including: Volume 2: Section 1, The Bavenda Tribes; Volume 2: Section ll, The Suto-Chunan Tribes, Sub-Group ll, The Bapedi (Transvaal Basotho); Volume 2: Section lll, The Suto-Chuana Tribes, Sub-Group lll: The Southern Basotho; Volume 3: Section l, The Nguni; Volume 3: Section lll, The Nguni (The Zulu); Volume 3: Section V, The Nguni (Baca, Hlubi, Xesibe); The Bechuana foxing, staining, spine worn, joints loosening (7) R 10 000 - R 12 000

Cape Town: A. A. Balkema, 1972 col. & b/w illustrations 8vo hardcover, dustjacket worn, tears, discolouration and damage to margins and spine R 200 - R 250

673 Eliovson, S. THE COMPLETE GARDENING BOOK FOR SOUTHERN AFRICA

Cape Town: Howard Timmins, 1968 col. & b/w illustrations 4to hardcover fair and another of similar interest ♦ ELIOVSON, S. - South African flowers for the garden, hardcover damage to the spine and margins, discolouration (2) R 300 - R 400

666 PART LOT

CAPE TOWN, 5 & 6 OCTOBER 2010 • 135

674

678

681

684

Emslie, A.

Godden, G. A.

Hayward, H.

THE OWL HOUSE

ENCYCLOPEDIA OF BRITISH POTTERY AND PORCELAIN MARKS

WORLD FURNITURE

Kemp, Dr A. & Finch-Davies, C. G.

London: Viking, 1991 col. & b/w illustrations 4to hardcover, dustjacket worn with minor damage. A book on the unusual house and surroundings of the artist, Helen Martins, with photographs by Roy Zetisky R 400 - R 500

London: Barrie & Jenkins, 1983 b/w illustrations 8vo hardcover, dustjacket worn, tears, creased and marked Heavily illustrated throughout with pottery and porcelain marks and another of similar interest

Fransen, H. & Cook, A.

♦ CLARK, G. & WAGNER, L. Potters of Southern Africa, col. & b/w illustrations, dustjacket worn and tears (2)

THE OLD BUILDINGS OF THE CAPE

R 500 - R 600

Cape Town: A. A. Balkema, 1980 b/w illustrations 8vo hardcover, dustjacket minor tears and creasing

679

675

R 800 - R 1 000

676 Fransen, H. DIE KAAPSE STOEL / THE CAPE CHAIR

Cape Town: Stellenbosch, 1969 b/w illustrations 8vo hardcover, dustjacket good An illustrated edition of the catalogue of an exhibition held in the Stellenbosch Museum in April 1969, text in both English and Afrikaans R 300 - R 400

Grogan, T. VANISHING CAPE TOWN

Cape Town: Don Nelson, 1976 first edition col. & b/w illustrations 8vo hardcover discolouration and damage to spine

680 Harris, V. NETSUKE: THE HULL GRUNDY COLLECTION IN THE BRITISH MUSEUM

London: British Museum Publications, 1987 col. & b/w illustrations 8vo hardcover, dustjacket good and another of similar interest

Geyer-Raack, R. H. & Geyer, S. MÖBEL UND RAUM

R 450 - R 500

Berlin: Im Bauwelt Verlag, 1955 col. & b/w illustrations 8vo hardcover damaged R 150 - R 200

136 • DECORATIVE AND FINE ARTS

R 250 - R 300

682 Heller, D. IN SEARCH OF GLASS

Cape Town: Maskew Miller, N.D b/w illustrations 8vo hardcover, dustjacket worn, tears, foxing on the frontispiece and staining

THE BIRDS OF PREY OF SOUTHERN AFRICA

Johannesburg: Winchester Press, 1980 col. & b/w illustrations 4to hardcover, dustjacket, complete with a slip-case excellent The text by Dr Alan Kemp is a narrative account of each species known in Southern Africa, extracting the essence of their biology and of birds of prey in general, limited to 1726 copies of which this is no 310 and two others of similar interest

683

♦ FINCH-DAVIES, C.G. Gamebirds & Waterfowl of Southern Africa, hardcover, col. illustrations, dustjacket excellent, complete with slipcase, limited to 5026 copies of which this is no 1079 ♦ FINCHDAVIES, C.G. - A Celebration of Birds, col. & b/w illustrations, dustjacket excellent, complete with slip-case (3)

Hoberman, G.

R 1 500 - R 2 000

Signed by the author and inscribed “For Stephen du Toit with very kind regards” and dated 24/9/51, engraved with a distinctive VOC monogram R 300 - R 400

R 250 - R 300

♦ DAVIES, B. - Netsuke Classics, hardcover, col. & b/w illustrations, dustjacket good (2)

677

London: Hamlyn, 1965 first edition col. & b/w illustrations large 4to hardcover, dustjacket worn with visible damage

THE ART OF COINS AND THEIR PHOTOGRAPHY

London: Lund Humphries, 1981 first edition col. & b/w illustrations 8vo hardcover, firmly bound in mustard boards with titles in gilt to the spine, bound ribbon bookmarks and a white to black label on the front board good R 300 - R 350

685 Kendall, F. K. THE RESTORATION OF GROOT CONSTANTIA

Cape Town: Juta & Co, 1930 col. & b/w illustrations 4to hardcover, the cover is blue cloth with gilt gold lettering and design wear to the corners, spine ends and edges and another of Cape interest ♦ MASSON, M. - A Scrapbook of the Cape, b/w illustrations fair (2) R 200 - R 250

686

690

691

Kolbe, P.

Melliss, J. C.

Mortimer, B.

BESCHRYVING VAN DE KAAP DE GOEDE HOOP

ST. HELENA

HFO: SOME PERSONAL PERSPECTIVES ON HARRY FREDERICK OPPENHEIMER BY HIS COLLEAGUES AND FRIENDS

THE CAPE COPPER-SMITH

London: L. Reeve & Co, 1875 8vo A physical, historical and topographical description of the island including its geology, fauna, flora and meteorology, the botanical plates from original drawings by Mrs. J. C. Melliss, col. & b/w illustrations (8 tinted lithographs and 38 coloured lithographs), 2 maps (of the Southern Atlantic and St Helena) and a geological section through the island of St Helena, marbled endpapers, full brown leather, embossed with armorial device of St Helena, worn along edges

Cape Town: Stellenbosch Museum, 1982 col. & b/w illustrations 8vo hardcover, dustjacket worn, signed by the author on the title page and another of Cape interest

J. C. Mellis (1835-1911) was born on St Helena where his father was an officer of the St. Helena Artillery. He was appointed as government surveyor in St Helena from 1860 to 1871 when he retired to England

♦ COOK, M. ALEXANDER - The Cape Kitchen, hardcover, b/w illustrations, dustjacket rubbed and worn (2)

ILLUSTRATED

Amsterdam: Balthazar Lakeman, 1727 Dutch edition 4to hardcover, leather bound one of six maps missing, sold w.a.f., 2 Vols consisting of 529 and 449 pages each, 64 plates and a portrait ILLUSTRATED

R 20 000 - R 25 000

687 Le Roux, M.

R 12 000 - R 15 000

Johannesburg: The Brenthurst Press, 1985 col. & b/w illustrations large 4to hardcover, in the original dark orange cloth excellent R 7 000 - R 9 000

692 Norwich, O. NORWICH’S MAPS OF AFRICA

Vermont: Terra Nova Press, 1997 second edition col. & b/w illustrations 4to hardcover Each map is illustrated and carefully described, including bibliographical description by Pam Kolbe and citations, originally published in 1983, the book has been revised and edited by Jeffrey Stone for this second edition R 1 200 - R 1 400

R 300 - R 400

688 Luckhoff, C. A. TABLE MOUNTAIN

Cape Town: A. A. Balkema, 1951 col. & b/w illustrations 4to hardcover, dustjacket worn, foxing and discolouration R 200 - R 250

689 Mankowits, W. WEDGWOOD

London: Spring Books, 1966 col. & b/w illustrations 4to hardcover, dustjacket worn, discolouration and tears

686

R 250 - R 300 690 CAPE TOWN, 5 & 6 OCTOBER 2010 • 137

693

696

699

701

Oberholster, J. J.

Picton-Seymour, D.

Rosenthal, E.

Sclater, P. L. & Thomas, O.

THE HISTORICAL MONUMENTS OF SOUTH AFRICA

VICTORIAN BUILDINGS IN S.A. INCLUDING EDWARDIAN & TRANSVAAL, REPUBLICAN STYLES 1850 - 1910

VICTORIAN SOUTH AFRICA

THE BOOK OF ANTELOPES

Cape Town: TafelbergUitgewers, 1975 b/w illustrations 8vo hardcover, dustjacket tears, creased, damage to the margins and spine and another of similar interest

London: R. H. Porter, 1894 1900 large 4to illustrated with hand-coloured plates, the greater number of them drawn (under the immediate supervision of the late Sir Victor Brook, Bart.) by Joseph Wolf, F.Z.S., and by numerous woodcuts, 220, 194, 245, 242pp., 98 (of 100) hand coloured lithographic plates 121 wood-engraved illustrations, in text, some light foxing, brown cloth binding with gilt vignette of antelope on front covers which are all a little fish mothed, corners bumped, the bindings of all 4 volumes are loose, some of the plates have come away from the binding.

Rembrandt Van Rijn, 1972 col. & b/w illustrations 4to hardcover, dustjacket worn R 250 - R 300

694 Palmer, E. & Pitman, N.

Cape Town: A. A. Balkema, 1977 b/w illustrations 8vo hardcover, dustjacket minor tears, impressions and foxing

♦ POLLOCK, N. C. & AGNEW, S. - A Historical Geography of South Africa, hardcover, b/w illustrations, dustjacket worn (2)

R 500 - R 700

TREES OF SOUTH AFRICA

Cape Town: A. A. Balkema, 1961 col. & b/w illustrations 4to hardcover, dustjacket worn, staining, tears and discolouration R 300 - R 400

695 Peal, C. A. BRITISH PEWTER & BRITANNIA METAL

London: Peebles Press, 1971 col. & b/w illustrations 8vo hardcover, dustjacket worn, discolouration and tears R 150 - R 200

697 Priest, C. D.

R 200 - R 250

THE BIRDS OF SOUTHERN RHODESIA - 4 Vols

London: William Clowes and Sons, 1935 col. & b/w illustrations, map and bookplate 4to hardcover, 454, 553, 355, 420pp., prelims, foxed edges, worn with small pieces missing ILLUSTRATED

R 3 000 - R 3 500

700 Rossi, S. THE LETTS GUIDE TO COLLECTING PAPERWEIGHTS

London: Charles Letts, 1990 col. & b/w illustrations 4to hardcover, dustjacket worn and minor damage to the margins and two others of similar interest ♦ LE CORBEILLER, C. - European & American Snuff Boxes, hardcover, b/w illustrations, dustjacket fair ♦ WILLS, G. Antique Glass: for pleasure and investment, hardback, col. & b/w illustrations, dustjacket worn, discolouration and minor damage to the margins (3)

698 Ritts, H. PICTURES

California: Twin Palms,1998 b/w illustrations large 4to hardcover cloth, dustjacket fair R 400 - R 600

R 300 - R 350

Plates 79 and 80 (of the Sable Antelope) are missing. “The Book of Antelopes”; was issued in 17 parts from 1894 to 1900. The first three volumes of this set have the original ‘temporary’ title pages and ‘provisional’ contents pages. At the end of Vol. 3 are the original blue covers of Parts IX, X, XI and XII. At the end of Vol. 4 are the final title pages of Vols. 1, 2 and 3, the 6pp. preface Sclater wrote in 1900, the table of contents and lists of text illustrations for all four volumes, plus a 15pp. alphabetical list of abbreviations ILLUSTRATED

R 40 000 - R 50 000

702 Seymour, B. Wyler THE BOOK OF OLD SILVER

New York: Crown Publishers, 1937 b/w illustrations 4to hardcover, dustjacket worn and tears 701 697

138 • DECORATIVE AND FINE ARTS

R 250 - R 300

703

706

710

713

Smith, A.

Tacconi, M. & Serra, P.

Visser, J.

White, A. & Sloan, B. L.

THE ZOOLOGY OF SOUTH AFRICA - 3 Vols

BERGAMO NELLE STAMPE DAL 1400 AS 1800

POISONOUS SNAKES OF SOUTHERN AFRICA

THE STAPELIEAE - 3 Vols

Johannesburg: Winchester Press, 1977 col. & b/w illustrations 8vo hardcover, in full brown Morocco gilt excellent

Bergamo: Kefri, 1975 b/w illustrations 4to hardcover, dustjacket discolouration and minor damage

Cape Town: Howard Timmins, 1996 col. & b/w illustrations 8vo hardcover, dustjacket worn and tears

A reprint of the rare original edition of 1849, the edition is limited to 350 numbered sets, this is volume 1, 2 and 3 of set No 44 (3)

R 700 - R 800

R 200 - R 250

707

711

Thompson, Molly, D.

Walton, J.

R 2 500 - R 3 000

FORGOTTEN CORNERS OF THE CAPE

CAPE DOVECOTS AND FOWLRUNS

Cape Town: Timmins, 1981 col. & b/w illustrations 8vo hardcover, dustjacket poor, damage to margins and spine, discolouration, foxing and staining

Cape Town: Stellenbosch, 1985 col. & b/w illustrations 8vo hardcover, dustjacket worn, otherwise good and four others of similar interest

704 Sparrman, A. A VOYAGE TO THE CAPE OF GOOD HOPE, TOWARDS THE ANTARCTIC POLAR CIRCLE, AND ROUND THE WORLD - 2 Vols

London: G. G. J. & J. Robinson, 1785 engraved plates and a large folding map 8vo hardcover possibly rebound, foxing, staining and discolouration (2) R 1 500 - R 2 000

705 Steyn, P. & Arnott, G.

R 120 - R 150

708 Tyrrell, B. & Jurgens, P. AFRICAN HERITAGE

Johannesburg: Macmillan, 1983 col. & b/w illustrations 8vo hardcover, dustjacket minor discolouration and wear R 300 - R 400

HUNTERS OF THE AFRICAN SKY

Cape Town: Struik Winchester, 1990 col. & b/w illustrations 4to hardcover, dustjacket good and two others of similar interest ♦ STEYN, P. - Nesting Birds, hardcover, col. & b/w illustration, dustjacket good ♦ STEYN, P. - Birds of prey of Southern Africa, hardcover, col. & b/w illustrations, dustjacket good, with illustrations by Graeme Arnott (3)

709

♦ WALTON, J. - Homesteads & Villages of South Africa, hardcover, b/w illustrations, dustjacket poor ♦ PAMA, C. - Regency Cape Town, hardcover, b/w illustrations, dustjacket poor ♦ NAUDE, A. - Rondebosch & Round About, hardcover, col. & b/w illustrations, dustjacket poor ♦ CAPE TOWN PHOTOGRAPHIC SOCIETY. - From The Days That are Gone, hardcover, b/w illustrations, dustjacket poor (5) R 500 - R 600

Van Wyk, P. TREES OF THE KRUGER NATIONAL PARK - 2 Vols

Cape Town, Johannesburg & London: Purnell, 1974 first editon col. & b/w illustrations 4to hardcover, dustjacket worn, minor tears with damage to the spine (2) R 300 - R 350

712

Pasadena: Abbey San Encion Press, 1937 col. & b/w illustrations, including colour plates, folding maps and text illustrations 8vo hardcover lacking dustjacket, foxing, discolouration and minor damage (3) R 1 000 - R 1 500

714 Wynyard, R. T. Wilkinson. INDIAN COLONIAL SILVER

London: Durrant House, 1973 limited to 1000 copies b/w illustrations 4to hardcover, dustjacket in poor condition, discolouration, tears and foxing R 800 - R 1 000

ART REFERENCE BOOKS

715 Alexander, F. L. SOUTH AFRICAN GRAPHIC ART AND ITS TECHNIQUES

Cape Town: Human & Rousseau, 1974 col. & b/w illustrations 4to hardcover, dustjacket worn, tears and minor damage to the spine R 350 - R 400

Welz, S. CAPE SILVER AND SILVERSMITHS

Cape Town: A. A. Balkema, 1976 b/w illustrations 8vo hardcover, dustjacket worn, discolouration and minor damage to the margins and spine R 600 - R 700

R 500 - R 600

CAPE TOWN, 5 & 6 OCTOBER 2010 • 139

718

723

727

Arnold, M. & Carruthers, J.

Berman, E.

THOMAS BAINES

ART & ARTISTS OF SOUTH AFRICA

Vlaeberg: Fernwood Press, 1995 col. & b/w illustrations 8vo hardcover, dustjacket excellent

Cape Town: A. A. Balkema, 1970 third impression col. & b/w illustrations 8vo hardcover, dustjacket good

R 450 - R 550

R 1 000 - R 1 500

Cape Town: Southern Book Publishers, 1983 col. & b/w illustrations 8vo hardcover, dustjacket worn, minor tears, scratches and damaged corners R 2 000 - R 2 500

722

719

724

Arnold, M.

Berman, E.

728

SOUTH AFRICAN BOTANICAL ART

ART & ARTISTS OF SOUTH AFRICA

Berman, E.

Cape Town: Vlaeberg, 2001 col. & b/w illustrations 4to hardcover, dustjacket good

Cape Town: A. A. Balkema, 1983 new updated & enlarged edition col. & b/w illustrations 8vo hardcover lacking dustjacket

R 200 - R 300

720

R 1 000 - R 1 200

Arnott, B. CLAUDE BOUSCHARAIN

Cape Town: C. Struik, 1977 col. & b/w illustrations 4to hardcover, dustjacket good 728

716

R 600 - R 700

Amshewitz, S. A.

721

THE PAINTINGS OF J. H. AMSHEWITZ

TOWN FURNITURE OF THE CAPE

London: Batsford, 1951 first edition col. & b/w illustrations 4to hardcover, dustjacket worn, tears along the margins and spine, discolouration and staining

Baraitser, M. & Obholzer, A. Cape Town: C. Struik, 1987 col. & b/w illustrations 8vo hardcover, dustjacket edgeworn, minor tears and damage to corners R 600 - R 700

R 300 - R 400

722 Battiss, W.

717

LIMPOPO

Arnold, M.

Vlaeberg: Fernwood Press, 1995 col. & b/w illustrations 4to hardcover, dustjacket good

Pretoria: Van Schaik, 1965 first edition col. & b/w illustrations 4to hardcover, dustjacket worn, tears, foxing, discolouration, taped along the spine, in poor condition

R 300 - R 400

ILLUSTRATED

IRMA STERN: A FEAST FOR THE EYE

R 600 - R 800

140 • DECORATIVE AND FINE ARTS

ART & ARTISTS OF SOUTH AFRICA

Cape Town: Southern Book Publishers, 1993 new updated & enlarged edition col. & b/w illustrations 8vo hardcover, dustjacket worn, creasing and damage to the margins and spine

725

ILLUSTRATED

Berman, E.

R 2 000 - R 2 500

ART & ARTISTS OF SOUTH AFRICA

Cape Town: A. A. Balkema, 1970 col. & b/w illustrations 8vo hardcover, dustjacket worn, tears and discolouration, of this edition 200 copies have been specially bound in deluxe style, and signed by the author, this is no: 121 R 1 000 - R 1 200

726 Berman, E. THE STORY OF SOUTH AFRICAN PAINTING

Cape Town: A. A. Balkema, 1975 first edition col. & b/w illustrations 8vo hardcover, quarter-leather deluxe binding good, in this edition two hundred copies have been signed by the author, this is no: 98 R 800 - R 900

729 Berman, E. & Nel, K. ALEXIS PRELLER: A VISUAL BIOGRAPHY

Johannesburg: Shelf Publishing, 2009 col. & b/w illustrations 8vo softcover, consisting of two items contained in one slipcase good ♦ ZALOUMIS, A. - Zulu Tribal Art, hardcover, col. & b/w illustrations, dustjacket good (2) R 1 000 - R 1 500

730

733

736

738

Boonzaier, G. & Lipshitz, L.

Clark, G. & Wagner, L.

Daix, P. & Boudaille, G.

de Jager, E. J.

WENNING

POTTERS OF SOUTHERN AFRICA

Cape Town: Unie-Volkspers, 1949 col. & b/w illustrations 4to hardcover, dustjacket worn, tears, discolouration, areas of loss and in very poor condition

Cape Town: C. Struik, 1974 first edition col. & b/w illustrations 8vo hardcover, dustjacket worn, tears, discolouration and damage to the spine and another of similar interest

PICASSO - THE BLUE AND ROSE PERIODS

IMAGES OF MAN: CONTEMPORARY SOUTH AFRICAN BLACK ART AND ARTISTS

R 250 - R 350

♦ LEACH, B - A POTTER’S BOOK, softcover, col. & b/w illustrations, poor (2)

731

R 400 - R 500

Bosch, A. & De Wall, J. ESIAS BOSCH

Cape Town: Struik-Winchester, 1989 standard edition col. & b/w illustrations 4to hardcover, dustjacket worn, markings otherwise good a standard edition of 2500 copies, numbered 101 to 2600, this copy is number 1021

734 Cole, E. HOUSE OF BONDAGE

New York: Random House, 1967 b/w illustrations 4to hardcover, dustjacket worn and minor tears, with text by Thomas Flaherty R 1 000 - R 1 200

ILLUSTRATED

R 1 500 - R 2 000

735 Cottrell, K.

732

MORE THAN SUNBURNT

Calvino, A. STEINBERG

Maeght, 1977 slim folio, consisting of colour prints, a double page colour print and b/w full page prints large 4to contained in a slip-case good, text in French, “La Plume a La Premiere Personne”, limited to 150 of which this is no: 142, signed by the artist R 500 - R 600

Johannesburg: Central News Agency, 1958 col. & b/w illustrations 4to hardcover, dustjacket worn and minor damage to the margins and spine R 200 - R 250

London: Evelyn, Adams & Mackay, 1967 col. & b/w illustrations large 4to hardcover discolouration, loose binding, staining and damage to the corners. Translated from the French by Phoebe Pool and the catalogue compiled with the collaboration of Joan Rosselet and three others of similar interest

East London: Fort Hare University Press, 1992 first edition col. & b/w illustrations 8vo hardcover, dustjacket excellent R 1 000 - R 1 200

739 Desmond, N.

♦ JAFFE, H. L. C. - Pablo Picasso, col. & b/w illustrations, dustjacket worn, discolouration, tears and staining, 133 reproductions with 48 in large full colour ♦ RICHARDSON, J. - A Life of Picasso, volume 2: 1907 - 1917, hardcover, b/w illustrations, dustjacket good, this volume sheds new light on Picasso’s obsessions and influences ♦ UHDE, W. - The Life and Work of Vincent Van Gogh, hardcover, col. & b/w illustrations fair (4)

CANDLELIGHT POETS OF THE CAPE

Cape Town: Howard Timmins, 1967 b/w illustrations 8vo hardcover, dustjacket worn, stained, marked and minor tears, this edition is limited to 1000 copies of which this is no. 686 R 150 - R 200

740 Dixon, L.

R 1 500 - R 1 800

LENG DIXON

Cape Town: Maskew Miller, 1958 first edition col. & b/w illustrations 8vo hardcover lacking dustjacket, discolouration, warping to the pages and foxing and another of similar interest

737 de Jager, E. J. CONTEMPORARY AFRICAN ART

Cape Town: C. Struik, 1973 col. & b/w illustrations 4to hardcover, dustjacket discolouration and another of similar interest ♦ ZALOUMIS, A. - Zulu Tribal Art, hardcover, dustjacket good with photographs by Ian Difford (2)

♦ LEWIS, N. - Studio Encounters, hardcover, b/w illustrations, dustjacket worn, tears and in poor condition (2) R 250 - R 300

R 500 - R 600

731

CAPE TOWN, 5 & 6 OCTOBER 2010 • 141

741

744

748

Dubow, N.

Grosskopf, J. F. W.

Hudleston, S.

IRMA STERN

HENDRIK PIERNEEF: DIE MAN EN SY WERK

AGAINST ALL ODDS

Cape Town: C. Struik, 1974 col. & b/w illustrations 4to hardcover, dustjacket minor discolouration ILLUSTRATED

741

R 600 - R 700

742 Friedman, H. NORMAN CATHERINE

742

R 1 000 - R 1 200

745 Harmsen, F.

Johannesburg: Jonathan Ball, 1996 col. & b/w illustrations 8vo hardcover good ILLUSTRATED

R 500 - R 600

749 Jeppe, H. SOUTH AFRICAN ARTISTS 1900 - 1962

Johannesburg: Goodman Gallery, 2000 col. & b/w illustrations 4to softcover, dustjacket worn, foreword by David Bowie, signed by the artist and another of similar interest

LOOKING AT SOUTH AFRICAN ART

♦ NORMAN CATHERINE, Now and Then: A selection of work from 1968 to 2004, softcover, col. & b/w illustrations good, signed by the artist (2)

R 1 200 - R 1 400

Hart, S.

750

ILLUSTRATED

ZAKKIE ELOFF: DRAWN FROM LIFE

Jeppe, H.

R 1 200 - R 1 500

Johannesburg: Chris van Rensburg Publications, 1982 b/w illustrations large 4to hardcover, original pale beige pictorial linen with slip-case good, this edition is limited to 750 copies of which this copy is number 79, signed by the artist and author

743 Gerhard Guse, E. PAUL KLEE: DIALOGUE WITH NATURE

Munich: Prestel-Verlag, 1991 col. & b/w illustrations 4to softcover good and another of similar interest 745

Pretoria: J. L. van Schaik, 1945 col. & b/w illustrations 4to hardcover lacking dustjacket, worn, damage to edges and spine

♦ BOUGAULT, V. - Paris Montparnasse: The Heyday of Modern Art 1910 - 1940, softcover, col. & b/w illustrations damaged (2) R 350 - R 400

Pretoria: J. L. Van Schaik, 1985 first edition col. & b/w illustrations 8vo hardcover good ILLUSTRATED

Johannesburg: Afrikaanse Pers-Boekhandel, 1963 col. & b/w illustrations 8vo hardcover, dustjacket worn, tears and damage to the spine, discolouration, pen marks and foxing R 600 - R 700

746

SUID-AFRIKAANSE KUNSTENAARS 1900 - 1962

Johannesburg: Afrikaanse Pers-Boekhandel, 1964 col. & b/w illustrations 8vo hardcover, dustjacket worn, areas of loss, discolouration, foxing and staining R 500 - R 600

R 700 - R 900

747 Holloway, V. CECIL HIGGS

Cape Town: C. Struik, 1974 col. & b/w illustrations 4to hardcover, dustjacket minor discolouration R 600 - R 700

751 748

142 • DECORATIVE AND FINE ARTS

751

754

758

761

Kentridge, W.

Lanes, S.G.

Meintjes, J.

Moore, H.

EVERYONE THEIR OWN PROJECT

THE ART OF MAURICE SENDAK

KAMERADE

White River: Captures, 2008 col. & b/w illustrations 8vo softcover excellent, limited to an edition of 120, signed by the artist and numbered 79/120 and two others of similar interest

London: The Bodley Head, 1980 col. & b/w illustrations 4to hardcover good

Kaapstad: Edina-Pers, 1947 col. & b/w illustrations 8vo hardcover, dustjacket worn and stained, signed by the author

SKETCHBOOK 1928 THE WEST WIND RELIEF

♦ BREIDBACH, A. - William Kentridge: Thinking Aloud, softcover, col. & b/w illustrations excellent, signed by the artist ♦ KENTRIDGE, W. - Nose, hardcover, col. & b/w illustrations, dustjacket excellent, consisting of 30 etchings, signed by the artist (3) ILLUSTRATED ON OPPOSITE PAGE

R 1 500 - R 1 800

752 Kibel, F. & Dubow, N. WOLF KIBEL: A BRIEF SKETCH OF HIS LIFE AND WORK

Cape Town: Human & Rousseau, 1969 first edition col. & b/w illustrations 4to hardcover, dustjacket worn, tears, discolouration and damage to the margins and spine, this edition is limited to 750 copies of which this is no 27

Original WILD THING drawing on the front end paper makes this wonderful survey of the artist’s work R 500 - R 600

London: Raymond Spencer Co, 1982 8vo comprising two etchings and aquatint in colours, signed in pencil and numbered 23/25, with wide margins in excellent condition, with the accompanying catalogue by Alan G. Wilkinson and facsimile sketchbook signed in pen and numbered A 23/25 in pencil, contained in the original Solander box covered in green paper, good

R 250 - R 300

759 Meintjies, J. MAGGIE LAUBSER

755 Levinson, O. I WAS LONELYNESS: THE COMPLETE GRAPHIC WORKS OF JOHN MUAFANGEJO

Cape Town: Struik Publishers, 1992 b/w illustrations large 4to hardcover, dustjacket, complete with a slip-case marks and minor damage to the margins and spine, with contributions by Pat Gilmour, Olga Levinson, Orde Levinson, Edward Lucie-Smith and Steven Sack R 2 500 - R 2 800

756 Maskew, M. A PORTRAIT OF UYS KRIGE

R 1 200 - R 1 500

Cape Town: Chelsea Gallery, 1985 b/w illustrations small 8vo hardcover good

753

R 120 - R 150

Pretoria: H. A. U. M., 1944 col. & b/w illustrations 4to hardcover, dustjacket foxing, tears, discolouration, areas of loss, taped together with sellotape A very scarce eary monograph on this important South African artist, text in Afrikaans R 500 - R 600

760 Mitford-Barberton, I. IVAN MITFORD-BARBERTON

Cape Town: Howard Timmins, 1962 b/w illustrations small 8vo hardcover, dustjacket in very poor condition, signed by the author, limited to 500 copies of which this is no. 83

A facsimile reproduction of Henry Moore’s sketchbook as he worked out ideas for relief sculpture - his first important commission and the first which began defining Moore’s style and importance, the same sketchbook shows Moore’s preparatory work on slightly later commissions, Moore’s West Wind Relief was one of eight works for the London Underground’s headquarters buildings ILLUSTRATED

R 12 000 - R 14 000

R 200 - R 250

Koschatzky, W. HUNDERTWASSER

New York: Rizzoli, 1986 col. & b/w illustrations large 4to hardcover, dustjacket discolouration and marked R 400 - R 500

757 McShine, K. ANDY WARHOL: A RETROSPECTIVE

New York: The Museum of Modern Art, 1989 col. & b/w illustrations 4to softcover excellent R 200 - R 250 761 PART LOT

CAPE TOWN, 5 & 6 OCTOBER 2010 • 143

762

766

767

769

Naude, A.

Ogilvie, G.

HUGO NAUDE

THE DICTIONARY OF SOUTH AFRICAN PAINTERS AND SCULPTORS

Redgrave, J. J. & Bradlow, E.

Johannesburg: Everard Read, 1988 first edition col. & b/w illustrations 8vo hardcover, dustjacket poor condition, tears, marking, discolouration and staining and eight others of similar interest

Johannesburg: Everard Read, 1988 first edition col. & b/w illustrations 8vo hardcover, dustjacket worn, minor tears and flecks of paint

♦ MITFORD-BARBERTON, M. - Beeldhouer, hardcover, b/w illustrations, dustjacket in very poor condition, tears, marking, staining and foxing ♦ TIMMINS, H. Tretchikoff, hardcover, col. & b/w illustrations, dustjacket in very poor condition, abrasions along all margins, tears, discolouration and staining ♦ WERK, L. - Johannes Meintjes, hardcover, col. & b/w illustrations, dustjacket worn, tears, discolouration and marking, first edition ♦ LEWIS, N. - Studio Encounters, hardcover, b/w illustrations, dustjacket worn, marked, tears and foxing ♦ DESMOND, N. - Candlelight Poets of the Cape, hardcover, b/w illustrations, dustjacket worn ♦

768

Cape Town: C. Struik, 1974 col. & b/w illustrations 4to hardcover, dustjacket good R 600 - R 700

763 Nel, P. G. J H PIERNEEF - HIS LIFE AND HIS WORK

Cape Town: Perskor, 1990 col. & b/w illustrations 8vo hardcover, dustjacket excellent R 2 500 - R 3 000

764 Nel, P. G. J H PIERNEEF: HIS LIFE AND HIS WORK

Cape Town: Perskor, 1990 col. & b/w illustrations 8vo hardcover, dustjacket good R 2 000 - R 2 500

765 Nilant, F. E. F. J. H. PIERNEEF HOUT - EN LINOSNEË

JOHNSON, T., RABINOWITZ, H. &

Kaapstad: A. A. Balkema, 1974 b/w illustrations 8vo hardcover, dustjacket poor condition, worn, discolouration, tears and staining ILLUSTRATED

R 3 000 - R 3 500

SIEFF, P. - Rock-Paintings of the South-West Cape, hardcover, col. & b/w illustration ♦ PALMER, E. & PITMAN, N. - Trees of South Africa, hardcover, col. & b/w illustrations, dustjacket worn, tears and staining ♦ REMBRANDT VAN RIJN ART FOUNDATION Twentieth Century South Africa Art, hardcover, col. & b/w illustrations, dustjacket worn (9)

R 6 500 - R 7 000

R 2 000 - R 2 500

Picasso, P.

FREDERICK I’ONS

Cape Town: Maskew Miller, 1958 col. & b/w illustrations 8vo hardcover, dustjacket worn, tears, discolouration and damage to the margins and spine and another of similar interest ♦ WERK, L. - Meintjes, hardcover, col. & b/w illustrations, first edition lacking dustjacket, fair (2)

LE GOUT DE BONHEUR: A SUITE OF HAPPY, PLAYFUL, AND EROTIC DRAWINGS

R 1 600 - R 1 800

New York: Harry N. Abrams, 1970 large 4to illustrated with 71 facsimile lithographic prints after drawings by Pablo Picasso, col. & b/w, with an introduction by Jean Marcenac, printed on Arches wove paper, foxing and minor discolouration, this album comprises three of Picasso’s studio sketchbooks dated respectively by the artist according to day, month, and years as follows: 25.4.64 - 20.5.64, 15.9.64 - 6.10.64 and 8.10.64 - 9.10.64, the combined edition has been limited to 1998 Albums for the entire world, and these have been divided into three parallel but separate editions, one for each of the participating publishers (Harry N. Abrams, Inc., New York, Editions Cercle d’Art, Paris and Carl Schunemann Verlag, Bremen), and each separate edition has been numbered from 1 to 666, this is 1 of 666 in English of which this is Abrams no: 479 in the original linen folder and matching folding box

770 Rembrandt van Rijn Art Foundation TWENTIETH CENTURY SOUTH AFRICAN ART

Cape Town: Human & Rousseau, 1966 b/w illustrations large 4to hardcover, dustjacket worn, tears, damage to the spine and discolouration R 600 - R 700

ILLUSTRATED

R 12 000 - R 14 000

768 765 144 • DECORATIVE AND FINE ARTS

771

775

778

781

Rembrandt van Rijn Art Foundation

Schoonraad, M.

Skawran, K. & Macnamars, M.

Smuts, H.

TWENTIETH CENTURY SOUTH AFRICAN ART

Cape Town: C. Struik, 1976 col. & b/w illustrations 4to hardcover, dustjacket good

BATTISS

Cape Town: Irma Stern Museum/Trustees, 2007 col. & b/w illustrations small 8vo softcover good and another of similar interest

Kaapstad: Human & Rousseau, 1966 col. & b/w illustrations large 4to hardcover, dustjacket worn, minor tears and damage to the spine, slipcase damaged R 600 - R 700

772 Rembrandt van Rijn Art Foundation TWENTIETH CENTURY SOUTH AFRICAN ART

Cape Town: Human & Rousseau, 1966 col. & b/w illustrations large 4to hardcover, dustjacket worn, tears and discolouration, slipcase damaged

WALTER BATTISS

R 600 - R 700

776 Schoonraad, M. & Puminy, P.

Craighall: A.D. Donker (Pty) Ltd., 1985 col. & b/w illustrations 4to hardcover, dustjacket discolouration, tears, pen markings on the frontis page R 2 000 - R 2 500

♦ SCHOONRAAD, E. & SCHOONRAAD, M. - Battiss in the Hadhramaut, hardcover, col. & b/w illustrations, dustjacket poor, worn, tears, discolouration and marked ♦

779 Skawran, K. & Macnamara, M. BATTISS

Craighall: A. D. Donker (Pty) Ltd, 1985 col. & b/w illustrations 4to hardcover, dustjacket worn, foxing to end pages and minor discolouration R 2 000 - R 2 500

UNIVERSITY OF SOUTH AFRICA

780

773

- Battiss and the spirit of Place, softcover, col. & b/w illustrations good (3)

Scheepmaker, H. J.

ILLUSTRATED

ADVENTURE IN ART

R 1 800 - R 2 000

Johannesburg: McGraw-Hill, 1974 deluxe edition large 4to in the original buckram and matching slipcast, in excellent condition, containting 43 Woodcuts by Cecil Skotnes and text by Stephen Gray with an additional coloured woodcut signed by Skotnes in pencil. This limited deluxe edition contains an original woodcut by the artist and is No. 85 of 250 copies, signed by both Artist and Poet

R 200 - R 250

774 Scholtz, J du P. MOSES KOTTLER

Cape Town: Tafelberg, 1976 first edition col. & b/w illustrations 8vo hardcover, dustjacket worn and marked R 350 - R 400

777 Scott, F. P. GREGOIRE BOONZAIER

Cape Town: TafelbergUitgewers, 1964 col. & b/w illustrations 8vo hardcover, dustjacket edgeworn, discolouration and three others of similar interest ♦ HOLLOWAY, V. - Cecil Higgs, softcover, col. & b/w illustrations ♦ THE SOCIETY OF BIBLIOPHILES IN CAPE TOWN -

Hidden Treasures, Irma Stern, hardcover, col. & b/w illustrations, dustjacket good ♦ LEWIS, N. - Studio Encounters, hardcover, b/w illustrations, dustjacket worn, tears and discolouration (4)

782 South African Broadcasting Corporation OUR ART

Pretoria: S. A. Association for the Advancement of Knowledge and Culture, 1961 col. & b/w illustrations small 8vo softcover discolouration, staining and worn (2) R 100 - R 200

R 500 - R 600

New York: Harry N Abrams, 1972 col. & b/w illustrations large 4to hardcover, dustjacket worn, tears and scratches, four pages are loose

♦ IRMA STERN MUSEUM - softcover, col. & b/w illustrations (2) R 300 - R 400

BATTISS 75

Pietermaritzburg: D & S Publishers, 1981 col. & b/w illustrations large 4to hardcover, in the original green covers good and two others of similar interest

AT HOME WITH IRMA STERN

Skotnes, C. & Grey, S.

783

THE ASSASSINATION OF SHAKA

Stevenson, M. & Viljoen, D.

R 2 500 - R 3 500

CHRISTO COETZEE

Cape Town: Fernwood Press, 2002 col. & b/w illustrations 8vo hardcover, dustjacket good R 250 - R 300

784 Steynberg, C. COERT STEYNBERG: ‘N OUTOBIOGRAFIE

Roodepoort: Cum-Boeke, 1982 col. & b/w illustrations small 8vo hardcover, dustjacket good R 300 - R 400

R 800 - R 900

CAPE TOWN, 5 & 6 OCTOBER 2010 • 145

785

789

792

794

Time-Life Library of Art

Tretchikoff, V. & Hocking, A.

Tyrrell, B.

Van Rooyen, J.

AMERICAN PAINTINGS 1900-1970

PIGEON’S LUCK

MAGGIE LAUBSER

col. & b/w illustrations 4to hardcover good and another of similar interest

London: Collins, 1973 col. & b/w illustrations 8vo hardcover, dustjacket worn and creased, illustrated with black and white endpaper photographs

TRIBAL PEOPLES OF SOUTHERN AFRICA

♦ TIME-LIFE LIBRARY OF ART The World of Van Gogh good (2) R 120 - R 150

786 Timlin, M. W. THE SHIP THAT SAILED TO MARS

London: George G. Harrap & Company, 1923 first edition 4to Illustrated by the author, 48 laid down colour plates mounted on grey art paper, 48 pages of text mounted on grey paper, 1/4 vellum over grey boards with gilt lettering and decorations on the spine discolouration, damage to the edges and minor damage to the spine ILLUSTRATED ON OPPOSITE PAGE

R 20 000 - R 25 000

787 Timmins, H. TRETCHIKOFF

Cape Town: Howard Timmins, 1969 col. & b/w illustrations large 4to hardcover, dustjacket worn, tears and discolouration R 1 200 - R 1 800

R 250 - R 300

790 Truter, C. ALEXIS PRELLER

Pretoria: The Maroola Press, 1947 col. & b/w illustrations 8vo softcover staining, foxing, discolouration and damage to the spine, inscribed with a message and signed by the artist R 200 - R 250

791 Tuchman, M. & Barron, S. DAVID HOCKNEY: A RETROSPECTIVE

Los Angeles: Country Museum Of Art, 1988 col. & b/w illustrations 4to hardcover, dustjacket good, for the exhibitions held at the Los Angeles Country Museum of Art, The Metropolitan Museum of Art 1988 and The Tate 1989

Cape Town: T. V. Bulpin, 1976 col. & b/w illustrations 4to hardcover discolouration, marking and foxing and seven more of similar interest ♦ TYRRELL, B. - Suspicion is my name, hardcover, col. & b/w illustrations discolouration, marking and foxing ♦ PHILLIPS, M. - The Bushman Speaks, hardcover, b/w illustrations, dustjacket worn, tears and marking, frontis page with silverfish damage ♦ JOHNSON,

Townsend, M. LIGHT IN FALSE BAY

Cape Town: Molly Townsend, 2005 col. & b/w illustrations 4to softcover excellent R 200 - R 300

R 600 - R 700

795 Verloren Van Themaat, E. PRANAS DOMSAITIS

Cape Town: C. Struik, 1976 col. & b/w illustrations 4to hardcover, dustjacket good R 600 - R 700

T., RABINOWITZ, H. & SIEFF,

- Rock-Paintings of the South-West Cape, hardcover, col. & b/w illustrations, dustjacket worn, foxing and discolouration ♦ HERTSLET, J. - Bantu Folk Tales, linocut illustration by Joyce Wallis, dustjacket worn and tears ♦ LEWIS-WILLIAMS, J. D. - New Approaches to Southern African Rock Art, b/w illustrations worn with damage to the margins and spine ♦ FAGG, W. & PICTON, J. - The Potter’s Art in Africa, softcover, b/w illustrations discolouration, marked and staining ♦ LINDGREN, N. E., & SCHOFFELEERS, J. M. - Rock Art and NYAU, softcover, b/w illustrations (8) P.

R 750 - R 850

796 Wenning, H. MY FATHER

Cape Town: Howard Timmins, 1976 col. & b/w illustrations 8vo hardcover, dustjacket worn R 500 - R 600

797 Wenning, H. MY FATHER

Cape Town: Howard Timmins, 1976 col. & b/w illustrations 8vo hardcover, dustjacket excellent R 500 - R 600

R 300 - R 350

793 Van Nieker, M.

788

Cape Town: C. Struik, 1974 col. & b/w illustrations 4to hardcover, dustjacket good

MARLENE DUMAS: SELECTED WORKS

New York: Zwirner & Wirth, 2005 col. & b/w illustrations 8vo hardcover excellent, signed on the frontis page by the artist and dated 2006 R 500 - R 600

798 Werk, L. MEINTJIES

Cape Town: Anreith, 1948 first edition col. & b/w illustrations and a list of plates 8vo hardcover, dustjacket worn, staining, minor tears and discolouration, with text in both English and Afrikaans R 1 200 - R 1 400

146 • DECORATIVE AND FINE ARTS

799

800

801

802

Werth, A.

White, K.

Wilcox, A. R.

Zwemmer, A.

ARMANDO BALDINELLI

KAREL APPEL: WORKS ON PAPER

THE ROCK ART OF SOUTH AFRICA

London: Gallery Twenty-One, 1974 col. & b/w illustrations 4to hardcover, dustjacket worn, tears to the margins and spine

New York: Abbeville Press, 1980 col. & b/w illustrations large 4to hardcover, dustjacket good

Johannesburg: Nelson, 1963 col. & b/w illustrations 8vo hardcover, dustjacket wear and discolouration

HENRY MOORE - SCULPTURE AND DRAWINGS

R 500 - R 600

R 200 - R 300

R 300 - R 400

London: Lund Humphries & Company, 1946 col. & b/w illustrations 4to hardcover discolouration and minor damage, with an introduction by Herbert Read R 400 - R 500

803 – 810 NO LOTS

CAPE TOWN, 5 & 6 OCTOBER 2010 • 147

METALWARE

811 A DUTCH VOC BRASS AND COPPER TOBACCO BOX, 18TH CENTURY

811

the hinged cover moulded with ‘VOC’ on either side centred by a crest, dated ‘1756’ 15cm wide ILLUSTRATED

R 5 000 - R 7 000

812 A CAPE COPPER JAM BOILER, JOSIAH DUFFETT, CAPE TOWN, 19TH CENTURY

circular with rolled rim applied with iron loop handles 19,5cm high ILLUSTRATED

815

R 5 000 - R 7 000

A CAPE BRASS COFFEE URN, J. FERGUSON, WORCESTER, 19TH CENTURY

813

the cylindrical body with moulded bands stamped

812

A CAPE BRASS JAM BOILER, JOSIAH DUFFETT, 19TH CENTURY

circular with rolled rim applied with a fixed iron handle 33cm high ILLUSTRATED

R 6 000 - R 8 000

‘J. FERGUSON MAKER WORCESTER’,

applied with loop handles and spigot stamped ‘FIDDIAN’, detachable domed cover with bun finial 28cm high ILLUSTRATED

R 6 000 - R 8 000

814 A CAPE COPPER AND BRASS LAUNDRY IRON, JOSEPH LAWTON, 19TH CENTURY

813

with pierced sides, the closing plate with a hook, iron supports and turned-wooden grip, the body stamped ‘J LAWTON’, some damage 22cm high ILLUSTRATED

R 8 000 - R 10 000

816 814 148 • DECORATIVE AND FINE ARTS

819

817

816 A CAPE BRASS COFFEE URN AND KONFOOR, JOHN WILLIAM McLACHLAN, WORCESTER, 19TH CENTURY

the pierced circular konfoor on three paw feet, cylindrical urn with moulded bands applied with loop handles, stamped ‘J. W. McLACHLAN WORCESTER’ and spigot stamped ‘FIDDIAN’, detachable domed cover with bun-shaped finial 43,5cm high (2) ILLUSTRATED ON OPPOSITE PAGE

R 15 000 - R 20 000

819 A CAPE BRASS COFFEE URN, HENDRICKUS PIT, WORCESTER, 20TH CENTURY

the cylindrical body applied with strap handles and spigot stamped ‘FIDDIAN’, detachable domed cover with urn-shaped finial 29,5cm high ILLUSTRATED

817 A CAPE COPPER TART PAN, FREDERIK NICOLAAS VAN AS, 19TH CENTURY

cylindrical with rolled rim applied with iron loop handles, the cover with strap handle stamped ‘F. VAN AS’, on three tapering feet 27cm high ILLUSTRATED

R 20 000 - R 25 000

818 A CAPE BRASS JAM POT, THOMAS CHRISTOPHER FALCK, ROBERTSON, 20TH CENTURY

cylindrical body stamped ‘T. C. FALCK 1977 ROBERSTON’,

applied with loop handles, detachable domed cover with a strap handle 15,5cm high

821

A CAPE BRASS COFFEE URN AND KONFOOR, TH & BT LAWTON, CAPE TOWN, 20TH CENTURY

the pierced square konfoor with side drawer stamped ‘TH & BT LAWTON BURG STREET CAPE TOWN’, on three paw feet, one lacking, cylindrical urn with moulded bands applied with lion-mask ring handles and spigot, detachable domed cover 36,5cm high (2) ILLUSTRATED

R 6 000 - R 8 000

R 18 000 - R 24 000

820 A CAPE BRASS COFFEE URN AND KONFOOR, JOHANNES FREDERIK STAAL, ROBERTSON, 20TH CENTURY

822 A CAPE BRASS COFFEE URN AND KONFOOR, THOMAS CHRISTOPHER FALCK, ROBERTSON, 20TH CENTURY

the pierced square konfoor with side drawer on four feet, the urn with detachable domed cover, applied strap-work handles and spigot stamped ‘FIDDIAN’, the cylindical body with moulded bands, the body and drawer stamped ‘F.J. STAAL 28. FEBRUARY 1922 ROBERTSON’, 40,5cm high (2)

the pierced square konfoor with side drawer on four pad feet, cylindrical urn with moulded bands stamped ‘T.C. FALCK MAKER ROBERTSON’, applied strap-work handles and spigot, detachable domed cover with bun-shaped finial, some damage, 40cm high (2)

ILLUSTRATED

R 10 000 - R 15 000

R 15 000 - R 20 000

ILLUSTRATED

R 10 000 - R 15 000

818

820

822 CAPE TOWN, 5 & 6 OCTOBER 2010 • 149

826

828

A COPPER TART PAN, 18TH CENTURY

A COPPER LAUNDRY IRON, 18TH CENTURY

cylindrical with rolled rim applied with an iron carrying handle, detachable cover with iron loop handle 22cm high ILLUSTRATED ON OPPOSITE PAGE

R 18 000 - R 24 000

with pierced sides, the closing plate with a hook, iron support and turned-wooden grip 23cm high ILLUSTRATED ON PAGE 152

R 8 000 - R 10 000

827 A DUTCH BRASS AND COPPER JAM POT, 18TH CENTURY

shaped circular body applied with a swing handle, on three strap feet, some damage 30cm high ILLUSTRATED ON PAGE 152

R 10 000 - R 15 000 823

823 A CAPE BRASS COFFEE POT AND KONFOOR, FREDERIK JOHANNES STAAL, ROBERTSON, 20TH CENTURY

the pierced circular konfoor on three pad feet, cylindrical pot stamped ‘F J STAAL ROBERTSON’ applied with a loop handle, detachable domed cover with ball finial 36cm high (2) ILLUSTRATED

R 10 000 - R 15 000

824 A CAPE COPPER BRANDY STILL, LAWTON, 20TH CENTURY

cylindrical body with bosses and strapwork, the domed cover stamped ‘LAWTON’ 85cm high PROVENANCE

Rustenberg Estate ILLUSTRATED

R 15 000 - R 20 000

825 A CAPE COPPER WATER JUG, THOMAS CHRISTOPHER FALCK, ROBERTSON, 20TH CENTURY

the tapered cylindrical body with moulded bands stamped ‘T. C. FALCK 1968 ROBERTSON’, applied with a loop handle 41cm high ILLUSTRATED ON OPPOSITE PAGE

R 6 000 - R 8 000 824

150 • DECORATIVE AND FINE ARTS

829 A COPPER TART PAN AND COVER, 19TH CENTURY

cylindrical with rolled rim, applied with iron loop handles, the cover with a strap handle 20cm high ILLUSTRATED ON PAGE 152

R 15 000 - R 20 000

830 A COPPER KETTLE AND COVER, 19TH CENTURY

the globular body applied with a composition handle, swan-neck spout, 27cm high; and Two Further Examples the taller 30cm high (3) R 1 500 - R 2 000

831

826

834

838

A COPPER MILK URN

A COPPER JAM BOILER

cylindrical, applied with an iron swing handle 36cm high

circular with rolled rim, applied with iron loop handles 23,5cm high

PROVENANCE

R 3 000 - R 4 000

A COPPER AND BRASS PAN

rectangular, applied with brass loop handles, stamped ‘HC’ 51,5cm wide over handles

Rustenberg Estate

R 1 000 - R 2 000

PROVENANCE

Rustenberg Estate

R 1 000 - R 2 000

832

835 A GROUP OF THREE COPPER SAUCEPANS

in sizes, each with iron carrying handle, one stamped the largest 13cm high (3)

A COPPER KETTLE

rectangular, the detachable cover with urn-shaped finial, applied with a strap handle, swan-neck spout 33cm high

PROVENANCE

Rustenberg Estate

R 1 000 - R 2 000

PROVENANCE

Rustenberg Estate

R 800 - R 1 000

836 A COPPER AND BRASS TESSIE

833

circular pierced body with rolled rim and moulded bands, applied with brass handles and three bun feet 12cm high

A COPPER MEASURE, 20TH CENTURY

R 800 - R 1 000

rolled rim, applied with a brass harpshaped handle 31cm high

837

R 600 - R 800

A COPPER POT

shaped circular body with rolled rim, applied with loop handles 26cm high PROVENANCE

Rustenberg Estate

R 1 500 - R 2 000 825

CAPE TOWN, 5 & 6 OCTOBER 2010 • 151

845 A GROUP OF FOUR COPPER POT

in sizes, three applied with iron swing handles, the other applied with two loop handles the largest 24cm high (4) PROVENANCE

Rustenberg Estate

R 3 000 - R 4 000

846 A COPPER AND BRASS MEASURE

baluster body applied with a loop handle, 34cm high; and A Copper Measure, the shaped flared body applied with a loop handle 21,5cm high (2) 827

R 2 000 - R 3 000

839

842

A COPPER MEASURE

A MISCELLANEOUS COLLECTION OF THREE COPPER JELLY MOULDS

shaped baluster body with everted spout, applied with a loop handle 25cm high

various shapes and sizes, some damage the tallest 21,5cm high (3)

R 1 500 - R 2 000

R 1 000 - R 2 000

840

843

A COPPER WATER URN

A PAIR OF COPPER MILK CHURNS

cylindrical body applied with a spigot and loop handles, the detachable cover with handles, body and cover stamped

each of typical form, body stamped 46cm high (2)

‘BARROW CORPORATION’

41cm high PROVENANCE

PROVENANCE

Rustenberg Estate

R 2 000 - R 3 000

Rustenberg Estate

R 1 500 - R 2 000

844

828

A GROUP OF FOUR COPPER SAUCEPANS

841 A GROUP OF THREE COPPER SAUCEPANS

in sizes, each with iron carrying handle the largest 11,5cm high (3) PROVENANCE

in sizes, each with iron carrying handles the largest 11cm high (4) PROVENANCE

Rustenberg Estate

R 1 500 - R 2 000

847 A COPPER AND BRASS OIL MEASURE

square with conical top, everted spout applied with a spigot and three loop handles, stamped ‘FIVE GALLON 62ºF’ 44cm high PROVENANCE

Rustenberg Estate

R 1 000 - R 2 000

848 A BRASS JAM BOILER

circular with rolled rim, applied with a fixed iron handle 36cm high R 2 000 - R 2 500 829

152 • DECORATIVE AND FINE ARTS

849

855

861

TWO COPPER SAUCEPANS

A COPPER BRANDY STILL

A PAIR OF BRONZE FIRE DOGS

in sizes, each with an iron carrying handle the larger 14,5cm high (2)

the globular body with bosses and strapwork, cover lacking 41cm high

each applied with three hooks, two shellshaped, the other a fleur-de-lis, plain back support 65cm high (2)

PROVENANCE

Rustenberg Estate

R 6 000 - R 8 000

PROVENANCE

R 1 000 - R 2 000

Rustenberg Estate

856 850 A COPPER BOILER

circular, applied with an iron swing handle 30cm high PROVENANCE

Rustenberg Estate

R 800 - R 1 000

the pierced circular konfoor on three pad feet, cylindrical urn with moulded bands, applied with loop handles and spigot stamped ‘FIDDIAN’, detachable domed cover with bun-shaped finial 43cm high (2) R 4 000 - R 6 000

the conical shaped body applied with a strap handle 22cm high R 800 - R 1 000

857 A BRASS MEAT COVER, 20TH CENTURY

R 1 500 - R 2 000

858

TWO BRASS MUGS, 20TH CENTURY

A COPPER AND BRASS LAUNDRY IRON, 20TH CENTURY

R 1 500 - R 2 000

A BRASS FIRE SURROUND

pierced with a circular decoration, 77cm wide; and A Set of Fire Irons, comprising: a poker, a pair of tongs and a shovel, each with a twist stem and urn-shaped finial the shovel 67cm long (4) Rustenberg Estate

R 2 000 - R 3 000

the domed body with a strap handle 22cm high

852 each circular body applied with a loop handle the larger 8,5cm high (2)

862

PROVENANCE

851 A COPPER MEASURE

R 1 000 - R 2 000

A BRASS COFFEE URN AND KONFOOR, 20TH CENTURY

with pierced sides, the closing plate with a hook, iron supports and turned-wooden grip 22,5cm high

863 A RUSSIAN BRASS SAMOVAR, 19TH CENTURY

the cylindical body centred with a spigot, applied with two turned-wooden handles, on a square base with four bracket feet, set above a steam vent, the cover with two turned-wooden handles, centred with a cylindrical chimney 54,5cm high R 2 500 - R 3 000

R 4 000 - R 6 000

853

864

A COPPER VESSEL

circular, fitted with a spout, applied with three loop handles 26cm high

859 A PAIR OF BRASS DOOR STOPS

R 2 000 - R 3 000

each moulded in the form of a horse, 23cm high; and Another, moulded in the form of a St Bernard dog 18cm high (3)

854

R 1 500 - R 2 000

A LARGE COPPER CAULDRON

the globular body applied with an iron swing handle, the detachable cover with a strap handle, raised on four claw-and-ball feet 61cm high PROVENANCE

Rustenberg Estate

R 1 500 - R 2 000

860

A SET OF BRASS CUTLERY, THAILAND, 20TH CENTURY

comprising: 12 table knives, 11 table forks, 12 dessert knives, 12 dessert forks, 12 dessert spoons, 12 fish knives, 12 fish forks, 12 fruit knives, 12 fruit forks, 11 soup spoons, 12 teaspoons, 3 serving spoons, a serving fork, a carving fork, 3 carving knives, a pie server, a pickle fork, a server and a ladle, some damage (142) R 1 500 - R 2 000

A PAIR OF BRASS FIRE DOGS

each with urn-and-ball finial, on pad feet, plain back support, 38cm high; and A Set of Brass Fire Irons, comprising: a poker, a pair of tongs and a shovel, each with urnshaped finial the shovel 64cm long (5)

865 – 870 NO LOTS

PROVENANCE

Rustenberg Estate

R 2 000 - R 3 000

CAPE TOWN, 5 & 6 OCTOBER 2010 • 153

SESSION FIVE

154 • DECORATIVE AND FINE ARTS

WEDNESDAY 6 OCTOBER 2010 2.30PM

LOTS 871 – 1130

SILVER | CERAMICS

CAPE TOWN, 5 & 6 OCTOBER 2010 • 155

874

875

876

AN ART NOUVEAU ELECTROPLATE BIBLE COVER, M. LILLIAN SIMPSON, LATE 19TH CENTURY

AN ART NOUVEAU ELECTROPLATE CENTREPIECE, WMF, 20TH CENTURY

the front and back moulded and pierced with a central standing angel amongst stylised flowers and fruit, each corner with an angel, the clasp with an angel and scrolls, each plaque engraved ‘ART UNION OF LONDON 1ST JANUARY 1896’, fitted to a Bible; and The Age of Art Nouveau by Maurice Rheims, hardcover, col. & b/w illustrations, dustjacket, edgeworn, minor tears and discolouration

cast in the form of a scantilyclad maiden with a putto by her feet, standing before a bulrush terminating in a flowerhead supporting a later cut-glass dish, raised on a C-scroll shaped square base with flowerheads, berries and foliage 51cm high ILLUSTRATED

R 4 000 - R 6 000

VERTU

871

873

A STAFFORDSHIRE ENAMEL AND GILT-METAL MOUNTED PATCH BOX, 19TH CENTURY

A LEATHER, SILVER AND ELECTROPLATE-MOUNTED PURSE, .925 STANDARD, 19TH CENTURY

circular, painted with a floral spray enclosed within a C-scroll border, the base similarly decorated, the interior of the cover with a mirror, 5cm diameter; Two Staffordshire Enamel and Gilt-metal Mounted Snuff Boxes, 20th Century, each rectangular, one painted overall with floral sprays, the other with figures and landscape, chips, cracks, the larger 7cm wide; and Another, 19th Century, oval, painted with floral sprays, the base with floral panels against a blue ground 8cm wide (4)

rectangular with five compartments, cover applied with stylised foliage, silver and electroplate mounts and a cartouche with initials; and An Electroplate-mounted Green Ceramic Vase, 20th Century 7cm high (2)

R 1 200 - R 1 500

872 A MINIATURE PORTRAIT OF A GENTLEMAN

oval, wearing a navy blue coat and white cravat, mounted in a gold frame, 7cm high; and A Miniature Portrait of a Lady, oval, wearing a white shawl and a pearl necklace, mounted in a gold frame 7cm high, fitted in a leather case (2)

The electroplate cover was a commission from the council of the Art Union of London, which gained the artist a gold medal in the national competition of the schools of art in 1894 LITERATURE Maurice Rheims, The Art of Art Nouveau, Thames and Hudson Ltd, London, 1965, illustrated on p 395

(2) R 4 000 - R 6 000

R 1 000 - R 2 000

ELECTROPLATE

874 AN ELECTROPLATE AND GLASS NOVELTY HONEY POT, MAPPIN & WEBB, 19TH CENTURY

realistically modelled in the form of a bee, red glass body, the hinged cover in the form of wings, 8,5cm high; and An Electroplate Spoon (2) ILLUSTRATED

R 3 000 - R 4 000

R 1 200 - R 1 500 876

156 • DECORATIVE AND FINE ARTS

877 PART LOT

877

878

A SET OF ELECTROPLATE ‘PERLES’ PATTERN CUTLERY, CHRISTOFLE, 20TH CENTURY

A SET OF ELECTROPLATE CUTLERY, CHRISTOFLE, 20TH CENTURY

comprising: 3 table knives, 6 table forks, 3 table spoons, 17 dessert knives, 22 dessert forks, 17 dessert spoons, 12 fish knives, 12 fish forks, 12 cake forks, 12 pastry forks, 11 butter knives, 12 soup spoons, 16 teaspoons, 7 coffee spoons, 12 long drinking spoons, 2 cheese knives, a pie server, a soup ladle; and Another, comprising: 11 snail forks, 5 fish serving forks, 2 ladles and a serving spoon (197)

comprising: 12 table knives, 12 table forks, 4 table spoons, 12 dessert knives, 12 dessert forks, 12 dessert spoons, 12 fish knives, 12 fish forks, 12 soup spoons, 12 pastry forks, 12 teaspoons, 12 coffee spoons, 2 butter knives, a cheese knife, 2 ladles, 5 serving spoons, in sizes, a fish serving knife, 2 serving forks and a pie server (150)

PART ILLUSTRATED

R 17 000 - R 19 000

PART ILLUSTRATED

R 18 000 - R 24 000

878 PART LOT

CAPE TOWN, 5 & 6 OCTOBER 2010 • 157

879

881

883

CAPE SILVER

AN ELECTROPLATE SAUCE BOAT, CHRISTOFLE, 20TH CENTURY

A SET OF ELECTROPLATE CUTLERY, SPILHAUS, SHEFFIELD, 20TH CENTURY

A PAIR OF ELECTROPLATE NAPKIN RINGS, 20TH CENTURY

886

oval with a lug handle, raised on an oval wavy foot, 6cm high; An Electroplate Sauce Boat, similar; An Electroplate Ladle, Christofle, 20th Century, terminal in the form of a swan head; An Electroplate Ladle, similar; and An Electroplate Dish, Christofle, 20th Century, circular with beaded rim 33cm diameter (5) R 4 000 - R 6 000

880 A CANTEEN OF ELECTROPLATE CUTLERY, ELKINGTON PLATE, 20TH CENTURY

each engraved with a ‘B’, comprising: 12 table knives, 12 table forks, 6 table spoons, 12 dessert knives, 12 dessert forks, 12 dessert spoons, 12 fish knives, 12 fish forks, 12 fruit knives, 12 fruit forks, 12 fruit spoons, 12 grape fruit spoons, 12 tea knives, 12 tea forks, 12 pastry forks, 12 soup spoons, 12 long drinking spoons, 6 ice cream spoons, 12 egg spoons, 10 teaspoons, 12 coffee spoons, 12 ice spoons, 3 jam spoons, 3 mustard spoons, 3 salt spoons, 3 sugar spoons, 3 sugar tongs, 2 pickle forks, 3 butter knives, 3 sauce ladles, a soup ladle, 3 servers, a serving spoon, a carving knife, a pair of fish servers, a knife sharpener; and A Pair of Dutch Silver Sugar Tongs, 20th Century, all contained in a fruitwood cabinet, some damage 76cm high, 61cm wide, 36,5cm deep (284)

comprising: 9 table knives, 9 table forks, 4 table spoons, 9 dessert knives, 9 dessert forks, 9 dessert spoons, 9 fish knives, 9 fish forks, 9 soup spoons (76)

each realistically moulded with a fox and fruiting vines, on a scroll and foliate base 9cm high (2) R 800 - R 1 000

R 3 000 - R 4 000

884 882 A CANTEEN OF ELECTROPLATE CUTLERY, SHEFFIELD PLATE, 20TH CENTURY

comprising: 12 table knives with composition handles, 12 table forks, 4 table spoons, 12 dessert knives with composition handles, 12 dessert forks, 12 dessert spoons, 12 fish knives, 12 fish fork, 12 soup spoons and 12 teaspoons (112) R 2 000 - R 3 000

AN ELECTROPLATE-MOUNTED CUT-GLASS CLARET JUG, 20TH CENTURY

A CAPE SILVER TESSIE, JOHN TOWNSEND, 19TH CENTURY

circular with shell-and-foliate rim, copper lining on three acanthus-leaf feet, raised on a turned-wooden base applied with a silver collar with engraving, on three foliate feet 10cm high ILLUSTRATED

the bulbous glass body applied with a collar engraved with scrolls and foliage, the hinged cover with urn-shaped finial, double-scroll handle 21cm high

R 8 000 - R 10 000

R 800 - R 1 000

with engraved terminal, 38g

887 A CAPE SILVER SPOON, WILLIAM MOORE, 19TH CENTURY

R 2 000 - R 3 000

885 AN AMERICAN ELECTROPLATE WINE COASTER, GORHAM, 20TH CENTURY

circular with wavy beaded rim with a turned-wooden base 18cm wide R 1 000 - R 2 000

888 A CAPE SILVER TEASPOON, JOHANNES COMBRINK, 19TH CENTURY

with engraved terminal, 14g R 800 - R 1 000

R 5 000 - R 7 000

886

158 • DECORATIVE AND FINE ARTS

ENGLISH SILVER

894

889

A GEORGE III SILVER SAUCE BOAT, INDECIPHERABLE MAKER’S MARK, LONDON, 1774

A GEORGE I SILVER DOUBLE MARROW SPOON, MAKER’S MARK C.I., LONDON, 1721

of typical form 61g R 2 500 - R 3 000

oval with gadrooned rim, engraved with a crest, applied with a leaf-capped doublescroll handle, on three shelland-pad feet, some damage 249g, 11cm high R 2 000 - R 3 000

890 A GEORGE I SILVER LADLE, INDECIPHERABLE MAKER’S MARK, LONDON, 1722

the bowl with reeded rim, applied with a turned-wooden handle ILLUSTRATED

R 3 000 - R 4 000

891 A GEORGE II SILVER PAP-BOAT INDECIPHERABLE MAKER’S MARK, LONDON, 1734,

895 A GEORGE III SILVER TANKARD, PETER, ANN AND WILLIAM BATEMEN, LONDON, 1802

cylindrical with reeded bands, applied with a loop handle, engraved ‘R E W MAY 1864’, gilt interior 635g, 14,5cm high R 8 000 - R 10 000

896

boat-shaped, engraved ‘MH’ 50g, 10,5cm high

A GEORGE III SILVER LADLE, INDECIPHERABLE MAKER’S MARK, LONDON, 1804

R 4 000 - R 6 000

the bowl with reeded rim, applied with a twisted horn handle

892

R 2 000 - R 3 000

A GEORGE II SILVER COFFEE POT, THOMAS MASON, LONDON, 1735

the baluster body chased with flowerheads, C-scrolls, foliage and a vacant cartouche, hinged cover with conforming decoration, urn-shaped finial, turned-wooden leafcapped handle, on a circular spreading foot 613g all in, 21,5cm high ILLUSTRATED

R 9 000 - R 12 000

893 A GEORGE II SILVER TODDY LADLE, INDECIPHERABLE MAKER’S MARK, LONDON, 1747

the shaped bowl with flowerheads and foliage centred by a cartouche with initials, applied with a horn handle

897 A PAIR OF GEORGE III SILVER LADLES, ELIZABETH MORLEY, LONDON, 1804

each circular bowl applied with a twisted horn handle (2) R 2 000 - R 3 000

892

898 AN ASSEMBLED SET OF SILVER CUTLERY, VARIOUS MARKERS AND DATES, DUBIN AND LONDON, 1817-1845

comprising: 6 table forks, 8 table spoons, 4 dessert spoons, 12 teaspoons and 2 serving spoons, each terminal engraved 1824g in total (32)

900 A WILLIAM IV SILVER CUP, BENJAMIN STEPHENS, LONDON, 1835

R 7 000 - R 9 000

899 A WILLIAM IV SILVER TEAPOT, EDWARD, EDWARD JUNIOR, JOHN & WILLIAM BARNARD, LONDON, 1834

the compressed baluster body applied with a leaf-capped C-scroll turned-wooden handle, the hinged cover with flower-and-leaf finial, raised on a circular foot, the body engraved with initials 709g all in, 15cm high

the baluster body moulded with foliage, flowerheads and C-scrolls with a vacant cartouche, applied with a leaf-capped scroll handle, on a circular foot, 106g, 9,5cm high; and A Pair of Silver Heart-shaped Bonbon Dishes, Mitchell Bosly & Co, Birmingham, 1895, the pierced body moulded with C-scrolls and foliage, raised on three ball feet 40g in total, 8cm wide (3) R 800 - R 1 000

R 2 000 - R 3 000

R 3 000 - R 4 000 890

CAPE TOWN, 5 & 6 OCTOBER 2010 • 159

901

902

A VICTORIAN SILVER SALT BOWL, HAWKESWORTH, EYRE & CO, SHEFFIELD, 1837

A PAIR OF VICTORIAN SILVER CANDLESTICKS, THOMAS BRADBURY & SON, SHEFFIELD, 1838 AND 1841

circular, pierced and moulded with C-scrolls, foliage and four cartouches, fitted with a glass liner, 47g, 6cm high; A Victorian Silver Five-bar Toastrack, William Hutton & Sons Ltd, London, 1898, rectangular with oval bars centered by a carrying handle, on four ball feet, 91g, 9,5cm high; An Edwardian Silver Sauce Boat, Indecipherable Maker’s Mark, London, 1901, circular with wavy gadrooned rim, leafcapped scroll handle, 181g, 8cm high; and An Edwardian Silver Bowl, William Devenport, Birmingham, 1904, circular, chased with flowerheads, scrolling foliage and a vacant cartouche, beaded rim 67g, 5cm high (4) R 2 000 - R 3 000

each shaped circular base moulded with C-scrolls and foliage, baluster column moulded with leaves, urn-shaped sconce with conforming decoration, detachable nozzel, loaded 26,5cm high (2) ILLUSTRATED

R 6 000 - R 8 000

903 A SET OF FOUR VICTORIAN SILVER BERRY SPOONS, INDECIPHERABLE MAKER’S MARK, LONDON, 1850

each terminal with scrolling foliage and flowerheads 346g in total (4) R 3 500 - R 4 000

908

904

906

A VICTORIAN SILVER MILK JUG, DANIEL & CHARLES HOULE, LONDON, 1855

A VICTORIAN SILVER BOWL, JAMES DIXON & SONS LTD, SHEFFIELD, 1887

baluster body engraved with flowerheads, C-scrolls, foliage and two vacant cartouches, applied with a leaf-capped double-scroll handle, on three scroll-and-shell feet, 190g, 15cm high; and An Edwardian Silver Caster, Indecipherable Maker’s Mark, London, 1905, baluster body with gadrooning, pierced detachable cover with bud finial 145g, 15cm high (2)

circular with wavy rim, 44g, 4,5cm high; A Victorian Silver Cup, Mappin & Webb Ltd, Sheffield, 1896, raised on a spreading foot with a beaded rim, knopped stem, body engraved with inscription, 287g, 22cm high; and A Cased Set of Nine George V Silver Spoons, William Devenport, Birmingham, 1901, each with a twist stem 45g in total (11)

R 2 000 - R 3 000

905

907

A VICTORIAN SILVER CUP, INDECIPHERABLE MAKER’S MARK, GLASGOW, 1877

A MISCELLANEOUS COLLECTION OF SILVER ITEMS, VARIOUS MAKERS AND DATES, LONDON, BIRMINGHAM AND SHEFFIELD, 1895-1959

the shaped circular body chased with a band of arabesque enclosing two cartouches, applied with a pair of handles terminating with a lion’s head, the stepped circular base with fluting and gradooning 924g, 28cm high 902

160 • DECORATIVE AND FINE ARTS

R 4 000 - R 6 000

various shapes and sizes, comprising: a candlestick, a pair of two-handled cups, a caster, another in the form of a owl, a cup, a pair of cased napkin rings and another 303g weighable silver (10) R 4 000 - R 6 000

908

912

916

A VICTORIAN SILVER-MOUNTED CUT-GLASS SCENT BOTTLE, JAMES DEAKIN & SONS, CHESTER, 1898

A PAIR OF EDWARDIAN SILVER CORINTHIAN COLUMN CANDLESTICKS, JAMES DIXON & SONS LTD, SHEFFIELD, 1901 AND 1902

A GROUP OF SIX EDWARDIAN SILVER BON-BON DISHES, HENRY MATTHEWS, BIRMINGHAM, 1904

the globular glass body and stopper cut with printies, the hinged cover moulded with scrolling foliage, birds, a bearded mask and a vacant cartouche, the pierced silver collar moulded with C-scrolls, flowerheads, putti, birds and a pair of vacant cartouches 17cm high

each square base moulded with C-scrolls and swags, beaded rim, fluted column, acanthus-leaf sconce, detachable nozzle, loaded 17cm high (2)

ILLUSTRATED ON OPPOSITE PAGE

913

each oval body pierced with trellis-work, C-scrolls and flowerhead rim with vacant cartouche, 107g in total, 10cm wide; and A Cased Silver Cruet Set, Birmingham 19611963, comprising: a salt cellar, a salt spoon, a mustard pot, an electroplate mustard spoon and a pepper pot, each with wavy rim, on four pad feet, blue glass liners 151g in total (11)

R 4 000 - R 6 000

A NEAR PAIR OF EDWARDIAN SILVER CHOCOLATE POTS, WILLIAM MAMMATT & SON, SHEFFIELD, 1901 AND 1902

R 2 000 - R 3 000

each tapered cylindrical body engraved, hinged cover with bud finial, one with turned-wooden handle and finial, the other with bone handle and finial 606g all in, 15cm high (2)

917

909 A VICTORIAN SILVER-MOUNTED RUBY-GLASS DOUBLE-ENDED PERFUME BOTTLE, CHARLES MAY, BIRMINGHAM, 1899

the silver covers moulded with C-scrolls and foliage

R 3 000 - R 4 000

the shaped oval body pierced with scrolling foliage, engraved with swags, reeded rim, swing handle, raised on a pierced foot 365g, 24cm high

914

R 2 000 - R 3 000

R 800 - R 1 000

910 AN EDWARDIAN SILVER AND VELVET PIN CUSHION, CORNELIUS DESORMEAUX SAUNDERS & JAMES FRANCIS HOLLING SHEPHERD, BIRMINGHAM, 1901

heart-shaped, applied with a pierced arabesque collar, 6cm high; An Edwardian Silver and Velvet Box, William Devenport, Birmingham, 1904, rectangular, applied with a pierced scroll and foliate cover centred by a vacant cartouche, 31,5cm wide; and An Edwardian Silver-mounted Easel-back Mirror, James Deakin & Sons, Chester, 1905, inverted shield-shape with bevelled plate within a conforming frame moulded and pierced with C-scrolls, scrolling foliage and a vacant cartouche 34,5cm high (3) R 3 000 - R 4 000

911 AN EDWARDIAN SILVER THREE-PIECE TEA SET, WILLIAM HUTTON & SONS LTD, LONDON, 1901

comprising: a teapot, a milk jug and a sugar basin, each baluster body with a decorative rim, raised on four shell-andpad feet, leaf-capped scroll handles, the teapot with turned-wooden handle and finial 606g all in, the teapot, 10cm high (3)

AN EDWARDIAN SILVER BASKET, C S HARRIS & SONS LTD, LONDON, 1904

AN EDWARDIAN SILVER-MOUNTED GLASS STRIKER, CORNELIUS DESORMEAUX SAUNDERS & JAMES FRANCIS HOLLINGS SHEPHERD, CHESTER, 1901

5,5cm high; An Edwardian Silver Waiter, Barker Brothers, Chester, 1906, shaped circular body with scroll-and-shell rim, on three volute feet, 167g, 16cm high; and A George V Silver Bowl, Adie Brothers Ltd, Birmingham, 1926, circular body pierced with stylised foliage, on three paw feet 57g, 6cm high (3)

918 AN EDWARDIAN SILVER BOWL, COLEN HEWER CHESHIRE, CHESTER, 1906

shaped oval body pierced with scrolling foliage and stars, scroll rim with two female masks, raised on four C-scroll and foliage feet 262g, 25cm wide R 2 000 - R 3 000

R 4 000 - R 6 000

919 915 AN EDWARDIAN SILVER CASTER, CHARLES WILKES, BIRMINGHAM, 1901

baluster body with reeded girdle, on a spreading circular foot, detachable pierced domed cover, urn-shaped finial, 296g, 24cm high; and A George VI Silver Sauceboat, Indecipherable Maker’s Mark, Birmingham, 1937, gadrooned rim, leafcapped scroll handle, on three pad feet 158g, 10,5cm high (2) R 3 000 - R 4 000

AN EDWARDIAN SILVER CIGAR BOX, INDECIPHERABLE MAKER’S MARK, BIRMINGHAM, 1906

rectangular, the hinged cover engraved, cedar lined, 18cm wide; Another, Grey & Co, Chester, 1912, rectangular, the hinged cover and body engraved, cedar lined, 23cm wide; and Another, rectangular, the hinged cover with engine-turned decoration enclosing initials, with inscription, cedar lined, on four bracket feet, 14cm wide, some damage to all (3) R 2 000 - R 3 000

R 1 500 - R 2 000

CAPE TOWN, 5 & 6 OCTOBER 2010 • 161

920

923

926

929

A PAIR OF EDWARDIAN SILVERMOUNTED CUT-GLASS SCENT BOTTLES, INDECIPHERABLE MAKER’S MARK, BIRMINGHAM, 1907

A GEORGE V TORTOISESHELL-MOUNTED SILVER BOX, INDECIPHERABLE MAKER’S MARK, LONDON, 1913

A GEORGE V SILVER CRUET SET, DOCKER & BURN LTD, BIRMINGHAM, 1922 AND 1925

A SILVER AND YELLOW GUILLOCHE ENAMEL-MOUNTED DRESSING TABLE SET, ADIE BROTHERS LTD, BIRMINGHAM, 1936-1938

each bulbous body applied with a hinged cover moulded with C-scrolls and flowerheads, 12cm high; and An Edwardian Silver-mounted Cut-glass Jar, Charles S Green & Co Ltd, Birmingham, 1908, circular, the detachable cover moulded with scrolls, foliage, stylised birds, a bearded mask with a vacant cartouche 9cm high (3) R 2 000 - R 3 000

921 AN EDWARDIAN SILVER BASKET, INDECIPHERABLE MAKER’S MARK, CHESTER, 1908

oval body pierced with scrolling foliage, raised on a spreading foot, swing handle 481g, 28,5cm wide R 3 000 - R 4 000

922 A MISCELLANEOUS COLLECTION OF SILVER ITEMS, VARIOUS MAKERS AND DATES, LONDON, BIRMINGHAM AND CHESTER, 1909-1919

various shapes and sizes, comprising: a pair of silvermounted glass jars, a silvermounted cut-glass box, a pin cushion, a box and a purse the pin cushion 8cm high (6) R 2 000 - R 3 000

oval, the hinged cover with reed, ribbon and bow rim, the tortoise-shell with scrolling foliage 12cm wide R 1 000 - R 2 000

924 A GEORGE V SILVER CUP, DEAKIN & FRANCIS LTD, BIRMINGHAM, 1918

the circular body engraved with a ‘N’, applied with a loop handle, 50g, 6cm high; and A German Silver-mounted Glass Jar, 20th Century, oval with detachable domed cover, engaved with initials 12,5cm high (2) R 2 000 - R 3 000

925 A GEORGE V SILVER INKSTAND, JAMES DEAKIN & SONS, SHEFFIELD, 1921

rectangular with pie-crust rim, fitted with a pair of silvermounted glass inkwells, on four pad feet 167g weighable silver, 17cm wide R 2 500 - R 3 000

comprising: a salt cellar, a mustard pot and a pepper pot, each body pierced with scrolls, fitted with blue glass liners; An Electroplate Pepper Pot and Salt Spoon; A Dutch Silver Tray, 1920, square with canted corners, reeded rim, engraved in the centre, on four bracket feet, 412g, 23cm square; A Dutch Silver Basket, 20th Century, oval pierced body with swing handle, 93g, 11,5cm high; and A Set of Five Dutch Silver Teaspoons, 20th Century 46g in total (12) R 3 000 - R 4 000

927 A MISCELLANEOUS COLLECTION OF SILVER AND GUILLOCHE ENAMEL-MOUNTED DRESSING TABLE ITEMS, VARIOUS MAKERS AND DATES, BIRMINGHAM, 1926-1936

various shapes and sizes, comprising: a hair brush, two nail buffers, a hinged case, a nail file, a nail cleaner, a cuticle pusher and a clock (8) R 2 500 - R 3 000

928 A GEORGE V SILVER WAITER, VINER’S LTD, LONDON, 1935

square with canted corners, plain ogee rim, on four volute feet 316g, 19cm square R 2 000 - R 3 000

comprising: a hand mirror, some enamel loss, four various brushes, a silver-mounted glass scent bottle, a pair of silvermounted glass powder jars and three silver-mounted glass table jars, in sizes (11) R 2 000 - R 3 000

930 A GEORGE VI SILVER TEAPOT, ADIE BROTHERS LTD, BIRMINGHAM, 1937

boat-shaped with basket weave pattern rim, leaf-capped composition handle and finial, raised on a shaped rectangular foot, 753g all in, 13,5cm high R 2 000 - R 3 000

931 A GEORGE VI SILVER AND GUILLOCHE ENAMEL-MOUNTED CIGARETTE CASE, JOSEPH GHOSTER LTD, BIRMINGHAM, 1945

rectangular, two shades of green enamel panels, 8,5cm high; A George VI Silver Cigarette Case, Maker’s Mark C.E.G., London, 1948, rectangular with grid decoration, 178g, 10cm high; A German Silver Cigarette Case, 20th Century, rectangular, moulded with pansy flower, 76g, 9,5cm high; and An Electroplate Cigarette Case, 20th Century, Greek-key rim with swag rim, 9cm high (4) R 3 000 - R 4 000

932 A PAIR OF ELIZABETH II CASED SILVER DISHES, ADIE BROTHERS LTD, BIRMINGHAM, 1956

each circular with pie-crust rim, raised in a circular foot, engraved with the initial ‘K’ 129g in total, 12cm diameter (2) R 1 000 - R 2 000 933

162 • DECORATIVE AND FINE ARTS

933

937

A SILVER FIVE-PIECE TEA AND COFFEE SET, BARKER BROTHERS SILVER LTD, BIRMINGHAM, 1962

A GROUP OF SEVEN SILVER WINE LABELS

comprising: a teapot, a coffee pot, a hot water jug, a milk jug and a two-handled sugar basin, each octagonal vase-shaped body with a pair of scrolling foliage vacant cartouches, zigzag rim, applied with a turnedwooden harp-shaped handle and ball finial, on four pad feet 2471g all in, the coffee pot 25cm high (5) ILLUSTRATED ON OPPOSITE PAGE

R 8 000 - R 10 000

934 A GEORGE VI SILVER ROSE BOWL, INDECIPHERABLE MAKER’S MARK, BIRMINGHAM, 1966

circular, the shaped wavy rim with foliate decoration, on a spreading circular foot 583g, 11cm high R 2 000 - R 3 000

each with fruit-and-vine rim, engraved ‘PORT’, ‘SHERRY’, ‘WHISKEY’, ‘CALVADOS’, ‘BRANDY’, ‘CABERNET’ and ‘COGNAC’ 82g in total (7)

R 2 500 - R 3 000

A RUSSIAN SILVER DOUBLE SALT CELLAR, POSSIBLY ANATOLY APOLLONOVICH ARTSYBASHEV, MOSCOW, 1889

circular with beaded rim, engraved with foliage and a vacant cartouche, centred by a twist stem with ring handle, on four ball feet, 67g, 12cm high; and A Russian Silver Cup, Lev Oleks, Moscow, 1895, circular with beaded rim, engraved with flowerheads and foliage, on a circular base with beaded rim, applied with a harpshaped handle 132g, 10cm high (2) R 3 000 - R 4 000

FOREIGN SILVER

935 A CONTINENTAL SILVER TRAY, .800 STANDARD

oval with reeded rim 1248g, 41cm wide R 5 000 - R 7 000

936 A CONTINENTAL SILVER DOUBLE SALT CELLAR

940

938

939 A GERMAN SILVER DISH, .800 STANDARD, 19TH CENTURY

shaped oval body with a plain ogee rim, 494g, 31,5cm wide; and A Continental Silver Dish, .800 Standard, shaped circular body with reeded rim 550g, 28cm diameter (2)

940 A JAPANESE SILVER BASKET, LATE 19TH/EARLY 20TH CENTURY

circular body with bamboo decorations, rim, hinged swing handles and four feet in the form of bamboo shoots 522g, 25cm diameter

942 A DUTCH SILVER FOUR-PIECE TEA SET, MAKER’S MARK G.S., 1922

ILLUSTRATED

R 3 000 - R 4 000

941 A RUSSIAN SILVER CUP, LATE 19TH/EARLY 20TH CENTURY

circular with beaded rim, the body engraved with an inscription, applied with a wreath and a loop handle, on a circular beaded foot, 134g, 11cm high; and A Group of Six Russian Silver Kiddush Cups, in sizes, each engraved 138g in total (7)

comprising: a teapot, a milk jug, a two-handled sugar basin and a slop-bowl, each boatshaped body with reeded rim, applied with turned-wooden harp-shaped handles and a urn-shaped finial, on an oval foot 862g all in, the teapot 14cm high (4) ILLUSTRATED

R 3 000 - R 4 000

R 4 000 - R 6 000

each cellar pierced with scrolls, fitted with cut-glass liner, applied to a base with four ball-and-claw feet, centred by a stem with a bead-and-foliage ring handle 290g, 20,5cm high R 3 000 - R 4 000

942

CAPE TOWN, 5 & 6 OCTOBER 2010 • 163

943

944

946

948

A DUTCH SILVER FIVE-PIECE TEA SET, J. M. VAN KEMPEN & SON, 1929

THREE DANISH SILVER TABLEWARES, ‘ACORN’ PATTERN, GEORG JENSEN, POST 1945

A CANTEEN OF SILVER CUTLERY, GEROFABRIEK, NETHERLANDS, 20TH CENTURY

A PORTUGUESE SILVER FIVE-PIECE TEA AND COFFEE SET, PORTO, 20TH CENTURY

comprising: a teapot, a milk jug, a sugar basin, a slop-bowl and a rectangular box, each with flowerheads-and-foliate rim, the body with hammered finish, moulded with stylised swags, turned-wooden handles and acorn finial 1233g all in, the teapot 14cm high (5)

comprising: a caddy spoon, a spoon and a snail fork 73g in total (3)

comprising: 6 table knives, 6 table forks, 6 table spoons, 6 dessert knives, 6 dessert forks, 6 dessert spoons, 6 fish knives, 6 fish forks, 12 pastry forks, 12 teaspoons, a pair of meat carvers, a pair of fish servers, 3 serving spoons, in sizes, a soup ladle, a sauce ladle, 6 knife rests, a knife sharpener, 3211g of weighable silver; and A Set of Silver Tableware, C J Vander Ltd, London, 1975, comprising: 6 fish forks and 6 teaspoons 532g in total (100)

comprising: a teapot, a coffee pot, a milk jug, a two-handled sugar basin and a circular tray, each with C-scrolls, shells and foliate decoration, applied with double C-scroll handles, the hinged cover with comforming decorations, bud finial, raised on a circular C-scroll foot 4359g in total, the coffee pot 27cm high (5)

ILLUSTRATED

R 5 000 - R 7 000

R 1 500 - R 2 000

945 A DANISH SILVER DISH, GEORGE JENSEN, POST 1945

circular, raised on a stylised foliate foot, 56g, 7cm diameter; and A Cup, cylindrical with similar decorations 88g, 7cm high (2) R 1 500 - R 2 000

R 4 000 - R 6 000

947 A SILVER CIGARETTE CASE, POSSIBLY SPANISH, 20TH CENTURY

rectangular body with reeded bands, the hinged cover with blue stones, gilt interior 60g, 11cm high ILLUSTRATED

R 1 500 - R 2 000 947

164 • DECORATIVE AND FINE ARTS

ILLUSTRATED ON OPPOSITE PAGE

R 10 000 - R 15 000

949 A MEXICAN SILVER DISH, .925 STANDARD

circular with scrolling foliageand-shell rim 825g, 31cm diameter R 3 000 - R 4 000

ZIMBABWEAN SILVER

SOUTH AFRICAN SILVER

950

952

THREE ZIMBABWEAN SILVER MINIATURE SCULPTURES, PATRICK MAVROS

A PAIR OF SOUTH AFRICAN SILVER CANDLESTICKS, 20TH CENTURY

in the form of a guinea fowl, a porcupine and a wildebeest, each mounted on an ebonised wooden base (3)

each with waisted column, reeded borders, on a spreading circular foot, loaded 21cm high (2)

R 1 000 - R 2 000

R 3 000 - R 4 000

953 – 960 NO LOTS

951 TWO ZIMBABWEAN SILVER SCULPTURES, PATRICK MAVROS

each in the form of a hippopotamus, one seated and the other wallowing the taller 4cm high (2) R 1 500 - R 2 000

948

CAPE TOWN, 5 & 6 OCTOBER 2010 • 165

ENGLISH CERAMICS

964

966

A POWELL & BISHOP ‘MASK’

A COPELAND PARIAN WARE

PATTERN EARTHENWARE JUG,

QUARTER LENGTH BUST OF

961

1876-1878

‘CLYTHIE’, CIRCA 1855

A STAFFORDSHIRE FIGURAL

the tapering cylindrical body printed in puce with a band enclosing an espagnolette mask on either side and issuing swags reserved against a white ground, the loop handle moulded with an acanthus leaf, staining, printed factory mark and pattern name, 20cm high; A Staffordshire Earthenware Pink Lustre Bowl, 19th Century, painted with a floral spray enclosed within a border of fruiting vines, the exterior with a similar band, staining, restoration, 24,5cm diameter; and A Staffordshire Stoneware Black-glazed Jug, 19th Century, printed and painted in teal and gilt on either side with a Romanesque profile portrait reserved against a black ground, gilding rubbed 12cm high (3)

modelled after the original Greco-Roman marble sculpture, raised on a socle base, chips, impressed ‘C Delpech Redt. Art Union of London 1855’ 32cm high

GROUP OF SPANIELS, 19TH CENTURY

973

modelled with two russet and cream spaniels, one seated on a barrel, the other seated beside, raised on an oval gilt-line base, hairline crack, chip, 22cm high; and A Staffordshire Russet and Cream Spaniel, gilding rubbed 22,5cm high (2) R 1 200 - R 1 500

962 A PAIR OF STAFFORDSHIRE MODELS OF POODLES, MID 19TH CENTURY

each modelled seated on their haunches facing left and right, their ears, manes and tails applied with extruded clay, with gilt collars, gilding rubbed 24,5cm high (2) R 2 000 - R 3 000

963 A STAFFORDSHIRE WATCH STAND, 19TH CENTURY

974

modelled with a clock aperture amongst fruiting vines flanked by a seated maiden, holding a sheep, and her companion, holding a wind pipe, a seated hound by their feet, raised on a gilt-line oval base, areas of bocage lacking, hairline cracks, 32cm high; and A Staffordshire Figure of a Zebra, 19th Century, raised on an oval base with bocage 12,5cm high (2) R 800 - R 1 000

R 1 000 - R 1 500

166 • DECORATIVE AND FINE ARTS

967 A SWANSEA-STYLE PART DESSERT SERVICE, EARLY 19TH CENTURY

each piece painted with colourful floral sprays reserved against a white ground, the dishes with scroll moulded borders, comprising: 6 plates, an oval two-handled dish and a square two-handled dish, hairline cracks, staining, restoration the oval dish 29cm wide over handles (8) R 1 200 - R 1 500

965 A COPELAND AND GARRETT

968

PARIAN WARE FIGURE

A COPELAND SPODE AND

‘NARCISSUS’, 1846

SPODE BLUE AND WHITE

modelled by E B Stephen after the original marble sculpture by R A Gibson, the scantily-clad figure gazing at his reflection in a pool, printed ‘NARCISSUS BY GIBSON RA, modelled by E R STEPHENS and executed in STATUARY

‘ITALIAN’ PATTERN PART DINNER

PORCELAIN BY COPELAND & GARRETT

for the ART UNION of

LONDON, 1846’

31cm high Fifty copies of ‘Narcissus’ were commissioned by Art Union of London to be offered as prizes in its annual lottery. This was the first major commission of Parian statuary porcelain and proved crucial in popularizing Parian ware. R 3 000 - R 4 000

975

R 3 000 - R 4 000

AND TEA SERVICE, 19TH AND 20TH CENTURY

comprising: 12 dinner plates, 5 fish plates, 10 side plates, 12 dessert plates, 8 dessert bowls, 2 rectangular platters, in sizes, 9 tea cups and 9 saucers, 5 larger saucers, 2 teapots and covers, in sizes, a sugar bowl, a milk jug, 2 sugar bowls and covers, 2 egg cups and a salt and pepper, chips, printed factory mark the larger platter 43cm wide (82) R 3 000 - R 4 000

969 A MINTON BOTTLE VASE,

PROPERTY OF THE ESTATE LATE MRS C A M CUNNOLD

975

977

A WALTER MOORCROFT

A ROYAL DOULTON FLAMBÉ

‘ORCHID’ PATTERN VASE,

VASE, 1932-1975

972

MID 20TH CENTURY

A PAIR OF ROYAL WORCESTER

the baluster body tubelined with a band of orchids and irises reserved against a shaded green and blue ground, painted initials, impressed facsimile signature,

23,5cm high

the tapering cylindrical body printed with a cottage before a landscape with a lake and sunflowers, printed factory mark, 25cm high; and Another, 1932-1975, the ovoid body printed with a shepherd and his flock before a landscape, chips, printed factory mark 19cm high (2)

ILLUSTRATED ON OPPOSITE PAGE

R 1 500 - R 2 000

LATE 19TH CENTURY

painted with floral sprigs reserved against a turquoise ground, the neck with a gilt band with beads, raised on a simulated carved wooden base, restoration, gilding rubbed, impressed factory mark 21cm high R 700 - R 900

TWO-HANDLED VASES PAINTED BY JOHN FLEXMAN, 1921

shape 2710, each slender ovoid body painted on either side with a spray of roses and buds, signed J Flexman, printed factory mark and date cypher 22,5cm high (2) R 1 500 - R 2 000

970 A COPELAND & GARRETT 19TH CENTURY

973

after the Chinese original, the body in the form of a peach with branch and leafy spray handle and spout, overall treacle glaze, impressed factory mark, numeral 12 17,5cm high

A WILLIAM MOORCROFT ‘POMEGRANATE’ PATTERN VASE, 1920s

of squat baluster form, impressed MOORCROFT MADE IN ENGLAND and numeral 146, painted signature in blue 26,5cm high ILLUSTRATED ON OPPOSITE PAGE

R 15 000 - R 20 000

971

978 976 A CLARICE CLIFF ‘TREES AND HOUSE’ PATTERN BOWL, 1930

the hexagonal body painted with cottages amongst bubble and wedge trees in shades of orange, green, black and brown, the interior with orange and black bands, areas of enamel loss, printed factory mark 7,5cm diameter R 5 000 - R 7 000

ROSE’ PATTERN CANDLESTICKS,

974

EARLY 20TH CENTURY

A WILLIAM MOORCROFT

R 1 500 - R 2 000

R 6 000 - R 8 000

ILLUSTRATED

A PAIR OF WEMYSS ‘CABBAGE

each with spreading stem, circular foot, square-section base, repair, painted green script mark, impressed WEMYSS, printed retailer’s mark for T GOODE & CO 30,5cm high

MADE IN ENGLAND

VARIOUS PROPERTIES

CADOGAN TEAPOT,

R 600 - R 800

POTTER TO HM THE QUEEN,

‘BIG POPPY’ PATTERN VASE,

A PAIR OF SPODE COPELAND’S CHINA ‘CHINOISERIE’ PATTERN TWO-HANDLED VASES, 20TH CENTURY

each tapering ovoid body raised on a circular foot, printed in gilt on either side with phoenix in flight and perched amongst branches of prunus blossoms reserved against a speckled blue ground, the handles terminating in lion masks, printed factory mark 28cm high (2) PART ILLUSTRATED

R 4 000 - R 6 000

CIRCA 1925

of shouldered tapering cylindrical form, tube-lined with flowers, hairline crack, impressed MOORCROFT BURSLEM ENGLAND

28cm high ILLUSTRATED ON OPPOSITE PAGE

R 12 000 - R 15 000

976

978 DETAIL CAPE TOWN, 5 & 6 OCTOBER 2010 • 167

979

981

982

984

A POOLE POTTERY ‘BLUE

A POOLE POTTERY ‘ABSTRACT

A POOLE POTTERY PART COFFEE

A BESWICK FIGURE OF A

COCKEREL’ PATTERN BOWL,

FLOWER’ PATTERN TWO-

SERVICE, CIRCA 1950

COCKATOO, 1926-1973

MID 20TH CENTURY

HANDLED VASE, 1930s

circular, painted with a band of cockerels amongst stylised flowers, printed factory mark, 27cm diameter; and A Poole Pottery ‘Blue Cockerel’ Pattern Vase, Mid 20th Century, of cylindrical form with flared rim, printed factory mark 21cm high (2)

the globular body with loop handles, painted with a band of stylised flowers, impressed factory mark, painted initials, 17cm high; A Poole Pottery ‘Abstract Flower’ Pattern Vase, 1930s, the tapering ovoid body painted in shades of green, grey and black, painted initials, 17,5cm high; Another, 1930s, the squat body painted with a geometric design and flowers, impressed factory mark, painted initials, 12,5cm high; and A Poole Pottery ‘Vine’ Pattern Vase, 20th Century, impressed factory mark, painted initials 17cm high (4)

each piece painted with floral sprigs reserved against a cream ground, turquoise covers and saucers, comprising: 12 coffee cups and 12 saucers, a coffee pot and cover, a hot water pot and cover and a sugar bowl, printed factory mark the coffee pot 15cm high (27)

designed by Albert Hallam, modelled perched on a tree trunk, painted in shades of pink, grey and brown, printed factory mark 29cm high

ILLUSTRATED

R 1 500 - R 2 000

980 A POOLE POTTERY ‘ABSTRACT FLOWER’ PATTERN VASE, 1930s

of tapering ovoid form, painted with a band of stylised flowers, impressed factory mark, painted initials 23,5cm high

R 1 000 - R 1 500

985 ‘BUTTERFLY TREE’ PATTERN

983 A BURLEIGH WARE CHARACTER JUG OF J C SMUTS, CIRCA 1941

modelled by E T Bailey, inscribed to base ‘PRIME MINISTER OF THE UNION OF SOUTH AFRICA GENERAL THE RT HON J. C. SMUTS 1941’,

R 1 500 - R 2 000

factory mark 13cm high

printed

PROVENANCE Noordhoek Manor

R 1 500 - R 2 000

A PAIR OF CROWN DEVON

ILLUSTRATED

ILLUSTRATED ON OPPOSITE PAGE

R 500 - R 700

980

TWO-HANDLED LUSTRE WALL VASES, 1950s

each urn-shaped body painted and enamelled with butterflies in flight beneath a flowering tree reserved against a blue lustre ground, gilt highlights, hairline crack, printed factory mark, painted pattern number 5034, 17,5cm high; A Carlton Ware ‘Stork’ Pattern Two-handled Dish, 1940s, ovoid with wavy rim, printed factory mark, 17,5cm wide over handles; and A Carlton Ware Dish, 1940s, oval with wavy rim, ribbed handle, overall mottled blue glaze, gilt highlights, printed factory mark 25,5cm wide (4) R 1 200 - R 1 500

979

168 • DECORATIVE AND FINE ARTS

981

986

VARIOUS PROPERTIES

990 A WEDGWOOD ‘FLORENTINE

A QUEEN’S FINE BONE CHINA ‘VIRGINIA STRAWBERRY’

988

GOLD’ PATTERN PART DINNER

PATTERN PART TEA SERVICE,

A ROYAL DOULTON BLUE AND

AND COFFEE SERVICE,

20TH CENTURY

GILT BORDERED PART DINNER

1961-1986

each moulded piece printed with butterflies amongst strawberries, blossoms and foliage reserved against a white ground, green rim, comprising: 10 breakfast cups and 12 saucers, 9 tea cups and 12 saucers, 10 cake plates, 2 cream jugs, 5 milk jugs, a sugar bowl and cover, 5 sugar bowls, 4 small teapots and covers, a large teapot and cover and a two-handled cake plate, printed factory mark and pattern name the cake plate 25,5cm wide over handles (72)

SERVICE, 20TH CENTURY

each piece printed with a border of gilt griffins and mythical creatures amongst scrolling foliage reserved against a cream ground, comprising: 11 dinner plates, 12 fish plates, 12 side plates, 11 dessert bowls, 3 oval platters, in sizes, 12 twohandled consommé cups and 11 saucers and 10 coffee cups and 12 saucers, printed factory mark the largest platter 43,5cm wide (94)

PROVENANCE Noordhoek Manor

R 2 000 - R 3 000 PROPERTY OF THE ESTATE LATE MRS C A M CUNNOLD

987 A PARAGON ‘TREE OF KASHMIR’ PATTERN PART DINNER SERVICE, 20TH CENTURY

each piece printed with a flower-filled two-handled vase enclosed within a border of floral sprays, gilt rim, comprising: 6 dinner plates, 6 fish plates, 6 side plates, 6 two-handled consommé cups and 6 saucers, printed factory mark and pattern name the dinner plate 27cm diameter (30)

each piece with the gilt initial ‘L’, comprising: 12 dinner plates, 12 fish plates, 12 soup bowls, 12 side plates, 3 oval platters, in sizes, 3 twohandled tureens and covers and 2 stands and 2 smaller two-handled tureens, covers and 2 stands, lion, crown and circle mark, Rd 542586, numbered in black enamel the largest platter 43cm wide (60) PROVENANCE Rustenberg Estate

R 7 000 - R 9 000

984

R 4 000 - R 6 000

989

991

A WEDGWOOD KEITH MURRAY

A SPODE ‘KNIGHTSBRIDGE

VASE, 1940s

COBALT’ PART DINNER AND TEA

of ribbed globular form, overall matte-white glaze, chip, printed factory mark 15,5cm high

SERVICE, 1962-2005

R 1 200 - R 1 500

each piece with a cobalt blue and gilt border, comprising: 12 dinner plates, 12 fish plates, 12 side plates, 12 dessert bowls, an oval platter, 2 oval two-handled tureens and covers, a gravy boat and stand, a teapot and cover, 12 tea cups and saucers, a milk jug, a cream jug, a two-handled sugar basin and cover and a two-handled cake plate, printed factory mark the platter 42cm wide (81) R 6 000 - R 8 000

1009

R 2 500 - R 3 500

1010 CAPE TOWN, 5 & 6 OCTOBER 2010 • 169

993 EUROPEAN CERAMICS

992 A HET BIJLTJE (THE HATCHET) DUTCH DELFT BLUE AND WHITE PLATE, CIRCA 1770

painted with a flower-filled jardiniére enclosed within a border of alternating diaper and floral spray panels, ochre rim, chips, fritting, painted factory mark 25cm diameter R 800 - R 1 000

993 A MEISSEN TEA CADDY AND COVER, 18TH CENTURY

of rectangular section with rounded shoulders, each side painted in the manner of Johann Gregor Höroldt with chinoiserie scenes depicting Orientals engaged in various pursuits between a doublelined iron-red band and gilt foliate scrollwork, the cover with similar vignettes, chip, gilding rubbed, painted crossed swords, gilt numeral .27 to base and cover 13cm high ILLUSTRATED

R 15 000 - R 20 000

994

997

A MEISSEN FIGURE OF A

A DUTCH DELFT-STLYE BLUE AND

GARDENER, CIRCA 1870

WHITE EARTHENWARE DISH BY

modelled as a maiden carrying a basket filled with blossoms under her right arm, standing beside a flower-filled vase, raised on a circular base, gilt highlights, chips, underglaze-blue crossed swords, incised C.68, impressed 122, 19,5cm high; and A Rudolstadt Volkstedt Figure of a Gentleman, Early 20th Century, modelled standing before a fountain, holding a large shell in his right hand and a sword in his left, chip, printed factory mark, impressed 70 16,5cm high (2)

F MOREAU, EARLY

the centre painted with a floral spray enclosed within shaped panels of flowerheads and scrolling foliage, wavy rim, pseudo ‘de Drie Klokken’ factory mark, DELFT 1702, inscribed F Moreau, 32,5cm diameter; and A Nimylez-Mons-style Blue and White Dish by F Moreau, 20th Century, painted with panels enclosing flower-filled jardiniéres and scrolling foliage, painted F Moreau

R 1 000 - R 1 500

995

998

A FRENCH PORCELAIN GILT-

A PAIR OF IMPERIALE ET

METAL MOUNTED BOX AND

ROYALE NIMY ISNIK-STYLE

COVER, LATE 19TH CENTURY

EARTHENWARE JARS AND

of shaped rectangular outline, painted with floral sprays beneath a blue fishscale border, the hinged cover with a courting couple before a landscape enclosed within a similar border, painted factory mark, 12cm wide; and Another, Late 19th Century, the heart-shaped body painted with floral sprays, gilt highlights, painted factory mark 5cm wide (2)

COVERS BY F MOREAU,

R 600 - R 800

NIMY 1931

36,5cm diameter (2)

20TH CENTURY

each tapering ovoid body painted with spiral bands enclosing flowerheads and scrolling foliage in shades of green, red and blue, the cover similarly decorated, repair, signed F Moreau, printed factory mark 26,5cm high (2) R 1 500 - R 2 000

999 ELEVEN ALFRED HACHE & CO PORCELAIN PLATES BY

996

F MOREAU,

A PAIR OF DUTCH DELFT BLUE

EARLY 20TH CENTURY

AND WHITE CHINOISERIE

each variously painted with naturalistic flowers enclosed within a stylised Art Nouveau floral and scrolling foliate border, gilt rim, chip, repair, painted artist’s initials, printed factory mark 21,5cm diameter (11)

HEXAGONAL BEAKER VASES, 19TH CENTURY

each flared body painted with birds amongst a tree of blossoming peonies and chrysanthemums between stylised lappet borders with flowerheads and scrolling foliage, chip, painted factory mark 26,5cm high (2) R 2 000 - R 3 000

170 • DECORATIVE AND FINE ARTS

20TH CENTURY

R 2 500 - R 3 500

1000 A CONTINENTAL EARTHENWARE ‘ORCHID’ PATTERN CHARGER BY F MOREAU, EARLY 20TH CENTURY

naturalistically painted with orchids, including Rhynchostele rossii, Odontoglossum crispum and Lycaste skinneri and an Anthurium reserved against a mottled pale blue ground, inscribed ‘Orchidees’, signed F Moreau, chips, impressed BA 50cm diameter PART ILLUSTRATED

R 4 000 - R 6 000

1001 FOUR CONTINENTAL ISNIK-STYLE EARTHENWARE DISHES BY F MOREAU, EARLY 20TH CENTURY

each painted in shades of green, red and blue, three variously decorated with flowerheads and scrolling foliage, the other with a bird amongst flowerheads and scrolling foliage, repair, painted artist’s initials, ONNAING, 1904 30cm diameter (4) R 1 500 - R 2 000

1000 DETAIL

1002 A LARGE RUDOLSTADT VOLKSTEDT MUSICAL GROUP, EARLY 20TH CENTURY

modelled with three musicians in eighteenth century attire, a maiden playing a piano, a gentleman seated by her side playing a cello and another standing, playing a flute, raised on a scroll base moulded with a carpet and encrusted with floral sprays, gilt highlights, restoration, chips, painted factory mark 38,5cm high R 6 000 - R 8 000

1003 PABLO PICASSO (1881-1973): VISAGE NO 157

white earthenware plate painted and glazed in red, green, blue and black, inscribed Edition Picasso, Madoura, and numbered 100/150

25,5cm diameter, framed ILLUSTRATED

R 30 000 - R 40 000

1004 PABLO PICASSO (1881-1973): TWO TERRACOTTA STAMPED TILES

1003

square, one ‘Square with Dancers B’, the other ‘Oval with Horse and Matador’, each stamped and numbered on the reverse Madoura Plein Feu, Poincon Originale de Picasso, J.159 172/500 and J.163 170/500 respectively each 15cm square, perspex case (2) ILLUSTRATED

R 10 000 - R 15 000

1004 CAPE TOWN, 5 & 6 OCTOBER 2010 • 171

1005

1008

1010

1012

A GOLDSCHEIDER TERRACOTTA

A HUTSCHENREUTHER

A SÄCHSISCHE PORZELLAN-

A BING & GRÖNDAHL FIGURE

VASE, 1930s

KUNSTABTEILUNG SELB ART

MANUFAKTUR DRESDEN FIGURE

OF A RECUMBENT GREYHOUND,

the globular body with elongated neck randomly glazed overall in brown, orange and white, original paper label, printed factory mark, MADE IN AUSTRIA, incised

DECO-STYLE ASHTRAY, 1950s

OF A PARROT, 20TH CENTURY

1948-1951

modelled by K Tutter, the seated elf-like figure playing a wind pipe, shaped square base, printed factory mark, impressed K. TUTTER 11cm high

with crest raised, painted in shades of green, blue, yellow and red, perched on a tree stump encrusted with leaves and berries, painted factory mark, impressed model number 2700 17cm high

model number 2079, printed factory mark, painted model number, 29cm long; A Bing & Gröndahl Figure of a Seated Pekinese, 1952-1957, model number 1631, designed by Dahl Jensen, printed factory mark, painted model number, impressed DJ, 6cm high; and A Royal Copenhagen Figure of a Seated Cat, 1937, model number 055, painted in shades of grey, printed factory mark, underglaze-blue wave mark, painted model number 19cm high (3)

1183, MK

27,5cm high

R 800 - R 1 000

R 2 000 - R 3 000

ILLUSTRATED ON PAGE 169

1006

1009

R 1 500 - R 2 000

A BING & GRÖNDAHL FIGURE OF

A RUDOLSTADT VOLKSTEDT

A MACAW, 20TH CENTURY

FIGURE OF A NODDING

designed by Armand Petersen, painted in shades of blue and grey, perched on a shaped rectangular stand, printed factory mark, painted model number 2235, incised artist’s initials 41,5cm high

PAGODA, 20TH CENTURY

after the original Meissen model by J.J. Kandler, modelled as a female Oriental seated cross-legged with nodding and movable head and hands, her smiling face with moving tongue and longlobed ears, wearing a loosely tied robe patterned with indianishe Blumen, a white ruff with a green bow at her neck, green slippers, printed factory mark 23cm high

1011 A KARL ENS, RUDOLSTADT VOLKSTEDT FIGURE OF A TIGER, CIRCA 1930

ILLUSTRATED ON PAGE 169

printed factory mark, 15cm high; and A Hutschenreuther Figure of a Brown Bear, 20th Century, printed factory mark 17,5cm high (2)

R 2 500 - R 3 500

R 800 - R 1 000

R 1 200 - R 1 500

1013 A HUTSCHENREUTHER ‘FREEDOM’ FIGURINE, 20TH CENTURY

designed by Max Hermann Fritz, the stallion and mare modelled in full gallop, raised on a moulded base, chip, moulded ENTWURF M H FRITZ, printed factory mark 28,5cm high

ILLUSTRATED

R 7 000 - R 9 000

R 4 000 - R 6 000

1007 A GROUP OF SEVEN HUMMEL

1014

FIGURES, 1950-1955

A GROUP OF KÖNIGLICHE

comprising: ‘Baker’, ‘Soloist’, ‘Street singer’, ‘Home from market’, ‘School boy’, ‘Heavenly angel’ and ‘Farewell’, printed factory mark, impressed model number and signature the tallest 13cm high (7)

PORZELLAN-MANUFAKTUR WHITE-GLAZED WARES, 20TH CENTURY

comprising: 6 consommé cups, covers and saucers, a two-handled tureen and cover, a salt and pepper, each variously moulded with bands of swags and flowerheads within beaded borders, and a vase with foliate borders, printed factory mark the tureen 26cm wide over handles (16)

R 2 000 - R 3 000

R 2 500 - R 3 500

1006 172 • DECORATIVE AND FINE ARTS

SOUTH AFRICAN CERAMICS

1019 A LINNWARE BOWL, 1940s

1015 A CERAMIC STUDIO BOWL, 1930s

the lobed body with overall mottled yellow glaze, mottled russet rim, impressed factory mark, 20,5cm diameter; and Another, 1930s, similarly glazed, impressed factory mark 19cm diameter (2) R 700 - R 900

circular, overall mottled green and turquoise glaze 28cm diameter R 2 000 - R 3 000

1020 A LARGE LINNWARE BOWL AND FLOWERHOLDER, 1940s

1016 A LINNWARE BOWL, 1940s

the circular body with overall mottled yellow and russet glaze, impressed LW and circle mark, 30,5cm diameter; and A Linnware Flowerholder, 1940s, circular, overall mottled turquoise glaze 11,5cm diameter (2) R 1 200 - R 1 500

overall mottled blue and turquoise glaze, russet rim, hairline crack, impressed factory stamp 37cm diameter R 3 000 - R 5 000

1021 A MISCELLANEOUS GROUP OF LINNWARE, 1940s

1017 A LINNWARE TWO-HANDLED VASE, 1940s

of squat urn form, overall mottled blue, green and russet glaze, repair 29cm wide over handles R 1 000 - R 1 500

each variously glazed, comprising: 4 mugs, a jug, 5 ashtrays, a toastrack, 6 small plates, in sizes, a saucer, an egg cup, 3 salts and a cover and a honey pot and cover, chips, hairline crack, variously marked the jug 11cm high (23) R 1 500 - R 2 000

1018 A LINNWARE VASE AND FLOWERHOLDER, 1940s

1022

rectangular, overall mottled yellow, cream and russet glaze, impressed studio stamp, painted LINNWARE, 26,5cm wide; and A Linnware Tea-Light Holder, 1940s, the pierced body with overall mottled brown glaze, impressed LW and circle mark 9cm high (3)

SIX LINNWARE BLUE AND WHITE

R 1 200 - R 1 500

TWO-HANDLED BOWLS, 1945 AND 1954

each painted with a floral spray, hairline cracks, painted factory mark and date, 17cm wide over handles; and A Linnware Blue and White Pedestal Dish, 1950s, similarly decorated, painted LINNWARE 26,5cm diameter (7)

1024 DETAIL

1023

1024

A LINNWARE TUREEN AND

A KALAHARI TERRACOTTA

COVER, 1940s

PLATE, 1950s

circular, overall mottled blue glaze, painted LINNWARE, 23cm diameter; A Linnware Bowl, 1940s, the tapering body with inverted rim, overall mottled lavender glaze, chips, impresed LW and circle mark, 18cm diameter; A Linnware Condiment Jug, 1940s, the globular body with slender neck applied with a loop handle, overall mottled lavender glaze, painted factory mark, 13,5cm high; and Two Linnware Mottled Brown-glazed Ashtrays, 1940s, circular, painted and impressed factory marks the larger 14cm diameter (5)

painted with a stylised portrait of a Ndebele woman wearing headdress in shades of ochre, pink, green and burnt sienna reserved against a blue ground, impressed factory stamp, painted KALAHARI MADE IN S AFRICA

36,5cm diameter PROVENANCE Sold: Stephan Welz & Co, Cape Town, 20 October 1998, Lot 149 PART ILLUSTRATED

R 8 000 - R 10 000

R 1 200 - R 1 500

R 1 500 - R 2 000

CAPE TOWN, 5 & 6 OCTOBER 2010 â&#x20AC;˘ 173

1025

1028

1032

1036

A KALAHARI TERRACOTTA

THREE KALAHARI TERRACOTTA

TIM MORRIS (1941-1990):

PLATE, 1950s

VASES, 1960s

A STONEWARE VASE

painted with a stylised portrait of a Bhaca woman wearing headdress in shades of turquoise, yellow, pink and blue reserved against a white ground, painted KALAHARI, 20,5cm diameter; Another, 1950s, painted with a stylised portrait of a woman wearing headdress reserved against a white ground, impressed factory stamp, painted KALAHARI, 16cm diameter; and A Kalahari Terracotta Bowl, 1950s, painted with a stylised portrait of a woman wearing beaded necklace and bangles reserved against a blue and green ground, painted

painted with a geometric pattern, impressed factory stamp, painted KALAHARI, 29cm diameter; Two Kalahari Terracotta Dishes, 1960s, in sizes, each glazed in yellow with white stripes, impressed factory stamp, painted KALAHARI, the larger 18cm wide; and Two Kalahari Terracotta Ashtrays, 1960s, in sizes, impressed factory stamp, painted factory mark the larger 15,5cm diameter (5)

of various shapes and sizes, each painted with foliate decoration in shades of celadon, painted KALAHARI the largest 25cm high (3)

of rectangular section, the neck and shoulders with tenmoku- and cobalt-glazed stylised floral sprays reserved against a speckled grey ground falling short of the foot, impressed artist’s stamp, 40cm high; and A Stoneware Tenmoku-glazed Vase, 20th Century, of ribbed tapering cylindrical form 27cm high (2)

KALAHARI

R 2 000 - R 3 000

R 2 500 - R 3 500

1033 A KALAHARI UNGLAZED EARTHENWARE BUST OF AN AFRICAN HEAD, 1985

pale blue, signed A Klopcanovs, 1985 19cm high (3) R 600 - R 800

18cm diameter (3)

1034

WARES, 1960s

HYM RABINOWITZ (1920-2009):

R 2 000 - R 2 500

of various shapes and sizes, comprising: 3 bowls and a dish, each painted with geometric designs, restoration, painted and incised factory mark the largest dish 40cm wide (4)

A STONEWARE VASE

A KALAHARI TERRACOTTA PLATE, 1950s

painted with a stylised portrait of a married Bhaca woman wearing headdress in white, blue and yellow glaze reserved against a black ground, incised KALAHARI 25,5cm diameter R 3 000 - R 4 000

R 2 500 - R 3 500

1030 TWO KALAHARI TERRACOTTA LEAF-SHAPED DISHES, 1950s

A KALAHARI TERRACOTTA

each decorated with a Zulu maiden grinding maize, raised on four feet, painted KALAHARI, impressed factory stamp 21,5cm wide (2)

PLATE, 1950s

R 2 000 - R 3 000

1027

painted with a geometric pattern in red, blue, yellow, green, black, white and ochre reserved against an ochre ground with brown stripes, painted KALAHARI 35cm diameter R 1 500 - R 2 000

the slightly ribbed squat tapering cylindrical body with three prunts on either side of the shoulder, overall tenmoku-glaze, impressed artist’s stamp, 16,5cm high; and Tim Morris (1941-1990): A Porcelain Jar and Cover, the ovoid body with a circular panel enclosing stylised foliage, the reverse with crosshatching reserved against a tenmoku-glaze ground, the cover similarly glazed, impressed artist’s stamp 13,5cm high (2) R 2 000 - R 3 000

1035 MAARTEN ZAALBERG (1924-

1031

1989): A STONEWARE VASE

A KALAHARI TERRACOTTA FLASK

the slightly ribbed tapering ovoid body with overall mottled cream and yellow glaze, incised Zaalberg, 20cm high; and Another, the slightly ribbed tapering globular body with overall pale green glaze, incised Zaalberg SA 15,5cm high (2)

VASE, 1950s

the tapering cylindrical body with overall yellow craquelure glaze, the neck with an incised band, incised KALAHARI 47,5cm high R 1 000 - R 1 200

R 900 - R 1 200

174 • DECORATIVE AND FINE ARTS

1037 TIM MORRIS (1941-1990): A PORCELAIN LAMP BASE

1029 FOUR KALAHARI TERRACOTTA

1026

R 1 500 - R 2 000

of tapering ovoid form, painted in colbalt with a band of foliage, impressed artist’s stamp, 28cm high; and A David Schlapobersky Stoneware Dish, 1970s, painted by Felicity Potter, circular, painted in cobalt with stylised foliage, impressed artist’s stamp 34cm diameter (2) R 2 000 - R 3 000

1038 ANDREW WALFORD (1942-): A STONEWARE VASE

the cylindrical body with high shoulders and everted rim painted on either side with a circular panel enclosing a stylised tree in shades of brown and blue reserved against a speckled grey ground, painted signature, 28,5cm high; and Two Further Examples, one of tapering ovoid form, the other octagonal, variously glazed in blue reserved against a speckled grey ground, painted signature the larger 19,5cm high (3) R 1 500 - R 2 000

ORIENTAL CERAMICS PROPERTY OF THE ESTATE LATE MRS C A M CUNNOLD

PROPERTY OF THE ESTATE LATE MRS C A M CUNNOLD

1046 A CHINESE BLUE AND WHITE

1046

1039

1042

ANDREW WALFORD (1942-):

CHRISTO COETZEE (1929-2000):

A STONEWARE JAR AND COVER

A LA ROCHELLE POTTERY

the slightly ribbed cylindrical body glazed in tenmoku with stylised foliage above bands reserved against a speckled grey ground, the cover similarly glazed, painted initials 28cm high

STONEWARE PLATE, 1986

R 1 500 - R 2 000

R 800 - R 1 200

1040

1043

ANDREW WALFORD (1942-):

A ROURKE’S DRIFT STONEWARE

A STONEWARE JAR AND COVER

VASE BY EURIEL MBATHA, 1986

the ribbed cylindrical body with overall tenmoku-glaze, the cover similarly glazed, painted signature 15cm high

of square section, the tapering ovoid body with flared neck incised and painted in iron and black slip with panels of stylised flowerheads, painted factory mark, EURIEL MBATHA,

R 600 - R 800

incised and painted with shades of blue, white and green with a flowerhead and foliage, wavy rim, painted Christo Coetzee 86, La Rochelle Pottery, Tulbagh 23,5cm diameter

1044

JAR AND COVER,

A CHINESE BLUE AND WHITE

LATE 19TH CENTURY

PLATTER, QIANLONG, 1736-1795

painted overall with lotus blossoms and scrolling foliage, the domed cover similarly decorated, restoration, spurious Kangxi script mark 29,5cm high

rectangular with canted corners, painted with figures in a mountainous landscape with a bridge and pavilions enclosed within a diaper band reserved with panels of peonies, the rim with a Greekkey border issuing foliage, fritting, 26cm wide; and A Pair of Chinese Blue and White Tureen Stands, Qianlong, each rectangular with canted corners, similarly painted, the rim with a dense border of scrolls, peonies and scrolling foliage reserved against a diaper ground, fritting 24,5cm diameter (3) R 2 000 - R 3 000 VARIOUS PROPERTIES

1045 A NEAR PAIR OF CHINESE BLUE AND WHITE BOWLS, 19TH CENTURY

the centre of each painted with a fish swimming amongst rocks and foliage enclosed within a band of blossoming trees, the rim with a border of flowerheads and foliage, the exterior similarly painted with fish below a diaper border, chips, spurious Kangxi script mark 15cm diameter (2)

ILLUSTRATED

R 2 000 - R 3 000

1047 A LARGE CHINESE BLUE AND WHITE DOUBLE-GOURD VASE, LATE 19TH CENTURY

painted with a pan chang knot flanked by two dragons amongst clouds above stylised waves below a band with two dragons chasing a flaming pearl amongst clouds, the rim with a Greek-key border, restoration, spurious Qianlong seal script mark 44cm high ILLUSTRATED

R 3 000 - R 4 000

R 1 200 - R 1 500

X-151-86

19,5cm high

1041

R 1 000 - R 1 500

A BOLLAND POTTERY STONEWARE BOWL, SECOND HALF 20TH CENTURY

circular, the interior painted in brown and blue with stylised flowerheads, overall olive glaze, impressed artist’s stamp 32,5cm diameter R 700 - R 900 1047 CAPE TOWN, 5 & 6 OCTOBER 2010 • 175

VARIOUS PROPERTIES

1048

1051

1054

A CHINESE BLUE AND WHITE

JAR AND WOODEN COVER,

JARDINIÈRE,

JAR AND COVER,

EARLY 20TH CENTURY

LATE 19TH CENTURY

EARLY 20TH CENTURY

the baluster body painted on either side with two figures carrying a large balustershaped vase and cover, painted with peonies issuing from rockwork, reserved against a ground of birds amongst prunus blossoms between bands of fruit and foliage, pierced domed cover, spurious Kangxi script mark 37cm high, with carved wooden stand

of typical form, painted with two dragons chasing a flaming pearl amongst clouds above a stylised Greek-key and lappet band, the rim with a diaper band reserved with butterflies and shaped panels of foliage, hairline crack 30cm high

the tapering ovoid body painted overall with prunus blossoms reserved against a cracked-ice ground, the associated cover similarly decorated, repair, chip, spurious Kangxi script mark, 23cm high; and A Small Pair of Chinese Blue and White Jars and Wooden Covers, Late 19th Century, each baluster body similarly decorated, restoration, fritting, pierced covers damaged 14cm high, with wooden stands (3)

R 3 000 - R 4 000

R 4 000 - R 6 000

1052 A CHINESE BLUE AND WHITE LAMP BASE, LATE 19TH CENTURY

1053

1049 A CHINESE BLUE AND WHITE ROULEAU VASE, LATE 19TH CENTURY

painted with Dogs-of-Fo, one with a brocade ball amongst clouds between bands of bats amongst clouds, hairline crack, spurious Qianlong script mark 29,5cm high R 1 500 - R 2 000

1050 A CHINESE ‘FAMILLE VERTE’ BLUE-GROUND JAR AND COVER, LATE 19TH CENTURY

1065 PART LOT DETAIL

the ovoid body painted on either side with a panel enclosing a maiden, her attendant and a child before a balustraded garden reserved against a blue ground with further panels of landscapes and foliage, the domed cover similarly decorated, repair, underglaze-blue double-ring mark 29cm high R 2 000 - R 3 000

1066 176 • DECORATIVE AND FINE ARTS

the baluster body painted with a continuous scene of maidens overseeing children playing before a balustraded garden between zig-zag borders, the neck with stylised clouds, underglaze-blue double-ring mark 35cm high, fitted for electricity R 3 000 - R 4 000 PROPERTY OF THE ESTATE LATE MRS C A M CUNNOLD

1053 A CHINESE BLUE AND WHITE ROULEAU VASE, EARLY 20TH CENTURY

painted with a continuous scene of numerous figures at various pursuits within a pavillion before a balustraded garden with pine trees and rockwork, the neck with stylised lappet and Greek-key bands, fritting, underglazeblue double-ring mark 46cm high ILLUSTRATED

R 3 000 - R 4 000

R 1 200 - R 1 500

1055 A NEAR PAIR OF CHINESE BLUE AND WHITE VASES, EARLY 20TH CENTURY

each ovoid body with elongated neck variously painted with figures and their attendants beneath a pine tree before a balustraded garden, hairline crack, underglaze-blue double-ring mark 35cm high (2) R 3 000 - R 4 000 VARIOUS PROPERTIES

1056 A CHINESE BLUE AND WHITE UMBRELLA STAND, 20TH CENTURY

the cylindrical body painted with two dragons chasing a flaming pearl amongst clouds above a band of stylised waves 45,5cm high R 900 - R 1 200

1060

1062

1065

A MASSIVE CHINESE METAL-

A PAIR OF CHINESE BLUE AND

A CHINESE BLUE AND WHITE

MOUNTED BLUE AND WHITE

WHITE TULIP VASES,

KRAAK-STYLE DISH,

1057

TEAPOT AND COVER,

20TH CENTURY

A PAIR OF CHINESE BLUE AND

20TH CENTURY

WHITE JARS AND COVERS,

the cylindrical body painted with shaped panels of warriors at various pursuits before landscapes above further panels of fruit and foliage reserved against a ground of flowerheads and foliage, the spout with a flower-filled vase, applied swing handle, the cover with a warrior brandishing a bow and arrow, spurious Kangxi script mark 45,5cm high

each flattened shaped ovoid body with five apertures, painted on either side with two mythical birds in flight amongst scrolling foliage, the sides applied with ringhandles, the flared rectangular foot with a band of stiffleaves, each neck with a similar band above a band of ruyi-lappets, craquelure glaze, repairs, spurious Qianlong seal script mark 36cm high (2)

PROVENANCE Rustenberg Estate

R 2 000 - R 3 000

R 2 500 - R 3 500

painted with deer amongst rockwork beneath a pine tree enclosed within a border of alternating panels of symbols and peaches, the exterior with a similar border, spurious Zhengde script mark, 39cm diameter, with wooden stand; and A Chinese Blue and White Wanli-style Dish, 20th Century, painted with a pheonix in flight and ducks swimming amongst lotus blossoms and foliage enclosed within a similar foliate border, the exterior with a similar border, spurious Zhengde script mark 39cm diameter, with wooden stand (2)

1061

1063

A MASSIVE CHINESE METAL-

A PAIR OF CHINESE BLUE AND

MOUNTED BLUE AND WHITE

WHITE TWO-HANDLED PILGRIM

TEAPOT AND COVER,

FLASKS, 20TH CENTURY

20TH CENTURY

each of rectangular form with rounded shoulders, painted on either side with a dragon amongst clouds between bands of stylised waves and ruyi-lappets enclosing a bird and foliage, the sides with peonies below moulded dragon handles, craquelure glaze, spurious Qianlong seal script mark 29cm high (2)

PROPERTY OF THE ESTATE LATE MRS C A M CUNNOLD

20TH CENTURY

each baluster body painted with lotus blossoms and scrolling foliage between lappet borders, the cover with Dog-of-Fo finial 26cm diameter (2) R 600 - R 800 VARIOUS PROPERTIES

1058 A CHINESE BLUE AND WHITE JAR AND COVER, EARLY 20TH CENTURY

the baluster body painted with four Shou amongst flowerheads and scrolling foliage, the shoulders applied with four mask lug handles, the domed cover similarly decorated, Dog-of-Fo finial, 45cm high; and Another, Early 20th Century, the baluster body painted with peonies and scrolling foliage between lappet borders, the shoulders applied with four mask lug handles, the domed cover similarly decorated, Dog-ofFo finial, chip, cover possibly associated 45cm high (2) PROVENANCE Rustenberg Estate

R 4 000 - R 6 000

1059 A LARGE CHINESE BLUE AND WHITE BOWL, 20TH CENTURY

the interior painted with a rondel enclosing a flowerhead and foliage, the rim with a border of waves, the exterior with a band of various flowerheads and scrolling foliage above a band of lappets, hairline crack 38,5cm diameter

the globular body painted with shaped panels of birds amongst blossoms issuing from rockwork above further panels of birds reserved against a ground of flowerheads and foliage, the spout with a flower-filled vase, applied swing handle, the cover with a bird perched on a branch, spurious Qianlong script mark, 45,5cm high; and Another, 20th Century, similarly decorated with panels of figures at various pursuits above a band of lappets, the cover with a maiden playing a lute, spurious Qianlong script mark 45,5cm high (2) PROVENANCE Rustenberg Estate

PART ILLUSTRATED ON OPPOSITE PAGE

R 2 500 - R 3 500

1066 A CHINESE BLUE AND WHITE FIGURE OF GUANYIN, 20TH CENTURY

standing barefoot, wearing long flowing robes sashed at the waist, beaded necklace, the face with serene expression and her hair piled high in a chignon, her hands emerging from voluminous sleeves, holding a bowl in her right hand and a pearl in her left 44cm high

PROVENANCE Rustenberg Estate

R 2 000 - R 3 000

1064 A CHINESE TURQUOISE-GLAZED

PROVENANCE Rustenberg Estate

FIGURE OF A DUCK, 20TH CENTURY

impressed mark, printed MADE 30cm high; and A Resin Figure of a Conure, Modern, paper label 19,5cm high (2)

IN CHINA,

R 4 000 - R 6 000

PROVENANCE Rustenberg Estate

ILLUSTRATED ON OPPOSITE PAGE

R 1 000 - R 1 500

R 600 - R 800

PROVENANCE Rustenberg Estate

R 2 000 - R 3 000

CAPE TOWN, 5 & 6 OCTOBER 2010 â&#x20AC;˘ 177

GLASS

1067

1071

A PAIR OF CHINESE WHITE-

THREE ‘MARY GREGORY’

GLAZED TWO-HANDLED VASES,

CRANBERRY GLASS VASES,

MODERN

LATE 19TH CENTURY

each tapering body with elongated neck, the loop handles applied with pomegranates and foliage 40cm high (2)

each of various form, typically decorated with a young girl, gilt rim, chips the tallest 21,5cm high (3) R 900 - R 1 200

R 3 000 - R 4 000

1072

1068

A CRANBERRY GLASS

A JAPANESE BLUE AND WHITE

ELECTROPLATE-MOUNTED

CHARGER, MEIJI PERIOD,

CASTER, LATE 19TH CENTURY

1868-1912

faceted cylindrical body, pierced domed cover; 15cm high; Another, the pear-shaped body with internal faceting, electroplate worn, 16cm high; A Pair of ‘Cranberry’ Glass Electroplate-mounted Casters, 20th Century, each cylindrical body cut with a spray of berries and foliage, 12,5cm high; A Cranberry and Clear-glass Vase, Late 19th Century, the tapering ovoid body with internal moulded rondels, frilled rim, circular foot, 20,5cm high; A Smaller Example, raised on a blueglass pincered trail foot, 9cm high; and Two ‘Cranberry’ and Clear-glass Jugs the taller 14cm high (8)

painted with two birds perched on blossoming peony branches enclosed within a flowerhead border, scalloped rim, chip 47cm diameter R 900 - R 1 200

1069 A JAPANESE IMARI LAMP BASE, MEIJI PERIOD, 1868-1912

the tapering ovoid body painted with alternating shaped panels enclosing birds amongst foliage reserved against a dense ground of flowerheads and scrolling foliage above a stylised lappet band, the neck with further alternating panels enclosing mythical birds and foliage 40cm high, fitted for electricity

R 1 000 - R 1 200

R 3 000 - R 4 000

1070 A JAPANESE KUTANI BOTTLE VASE, MEIJI PERIOD, 1868-1912

painted with a band of butterflies amongst lotus blossoms and scrolling foliage below a band of rondels reserved against an alternating diaper and fishscale ground, the neck with wrigglework, chip, gilding rubbed, signed 17,5cm high R 600 - R 800

1078 178 • DECORATIVE AND FINE ARTS

1073

1075

1077

1079

A CRANBERRY AND CLEAR-

A CRANBERRY CUT-GLASS

A SET OF SIX LARGE CUT-GLASS

‘DAHLIAS’: A LALIQUE FROSTED

GLASS DECANTER JUG AND

TRUMPET-SHAPED VASE,

GOBLETS, EARLY 20TH CENTURY

AND OPALESCENT GLASS BOWL

STOPPER, LATE 19TH CENTURY

LATE 19TH CENTURY

the interior with honeycomb moulding, applied with a fluted loop handle, associated ball stopper, chip, 24cm high; A Cranberry and Clear-glass Flask Decanter, Late 19th Century, faceted neck, applied with a loop handle, star-cut base, stopper lacking, 19cm high; and A Cranberry Glass Shaft-and-Globe Decanter and Stopper, Late 19th Century, with internal spiral fluting, ball stopper 28cm high (3)

cut with a spiral of fruiting vines, spreading circular foot 47cm high

each cup-shaped bowl cut with pineapples and swags, tapering hexagonal stem 28cm high (6)

R 700 - R 900

R 3 000 - R 4 000

designed 1921, Marcilhac page 749, number 3210, circular, the exterior moulded with flowerheads and foliage, moulded R. LALIQUE FRANCE 24cm diameter

R 700 - R 900

1076

1078

TWO PAIRS OF SILVER-MOUNTED

A LE VERRE FRANCAIS CHARDER

CRANBERRY GLASS BEAKERS,

SILVER-MOUNTED ‘MYRTILLES’

1080

EARLY 20TH CENTURY

PATTERN CAMEO GLASS VASE,

‘COQUILLE NO. 5’: EIGHT

each associated pierced mount with cherubs, foliage and scrolls, two with a vacant cartouche and ram’s-head and scoll handle, the others with mythical bird and scroll handles, the mounts hallmarked Birmingham, 1903 and 1911; and A Miscellaneous Group of Eight Cranberry and Clear-glass Drinking Glasses and Cups (12)

1920s

LALIQUE OPALESCENT GLASS

the tapering cylindrical body of colourless glass with blue powder, overlaid in mottled blue, acid etched and wheel carved with bands of stylised blueberries and foliage, raised on a silver spreading foot with basket-weave bands, cameo mark Charder, the silver hallmarked Birmingham, 1936, mount possibly later 44,5cm high

BOWLS

R 600 - R 800

ILLUSTRATED ON OPPOSITE PAGE

R 700 - R 900

R 15 000 - R 20 000

R 1 500 - R 2 000 R 1 500 - R 2 000

1074 A CRANBERRY AND CLEAR-GLASS BASKET, LATE 19TH CENTURY

the globular body applied with trailed glass frill to rim and foot, reeded handle, 20,5cm high; and A Cranberry and Clear-glass Bowl and Cover, Late 19th Century, circular, applied with a pincered trail and finial, the domed cover painted with floral sprays 16cm diameter (2)

R 4 000 - R 6 000 R 700 - R 900

R 700 - R 900

designed 8 December 1924, Marcilhac page 748, number 3204, the exterior of each moulded with four shells, engraved R Lalique, No 3204, 13cm diameter; ‘Coquille No. 4’: Seven Lalique Opalescent Glass Plates, designed 1924, Marcilhac page 701, number 3012, engraved R Lalique, No 3012, 20cm diameter; and ‘Coquille No. 3’: A Lalique Opalescent Glass Plate, designed 1924, Marcilhac page 701, number 3011, engraved R Lalique 23cm diameter (16) PART ILLUSTRATED

R 20 000 - R 30 000 R 700 - R 900

R 700 - R 900 R 700 - R 900

1080 PART LOT CAPE TOWN, 5 & 6 OCTOBER 2010 • 179

1081

1082

1083

‘BOUCHARDON’: A LALIQUE

‘ORMEAUX’: A LALIQUE

‘MALESHERBES’: A LALIQUE

‘DAHLIAS’: A LALIQUE FROSTED

CLEAR AND FROSTED TWO-

OPALESCENT GLASS VASE

FROSTED AMBER-GLASS VASE

AND ENAMELLED GLASS SCENT

HANDLED GLASS VASE

designed 30 December 1926, Marcilhac page 435, number 984, the globular body moulded overall with foliage, stencilled mark R. LALIQUE, engraved France 16,5cm high

designed 17 January 1927, Marcilhac page 442, number 1014, the tapering ovoid body moulded overall with foliage, chip, engraved R. Lalique France No. 1014 23cm high

BOTTLE AND STOPPER

ILLUSTRATED ON OPPOSITE PAGE

12,5cm high

R 8 000 - R 10 000

R 5 000 - R 7 000

ILLUSTRATED

R 700 - R 900

designed 29 October 1926, Marcilhac page 435, number 981, of spherical form with everted rim, applied with handles each in the form of a seated naked female holding a garland of flowers, moulded R. LALIQUE

R 15 000 - R 20 000 R 700 - R 900

1084

designed 9 April 1931, Marcilhac page 346, number 617, repair to stopper, stencilled mark R. LALIQUE FRANCE, 13cm high; ‘Dahlias’: A Lalique Frosted and Enamelled Glass Box and Cover, designed 9 April 1931, Marcilhac page 346, number 620, circular, chips, stencilled mark R. LALIQUE FRANCE, 12cm diameter; and ‘Dahlias’: Three Lalique Frosted and Enamelled Glass Ashtrays, designed 2 February 1929, Marcilhac page 275, number 301, two with remains of blue staining, moulded R. LALIQUE FRANCE, engraved No 301 7,5cm diameter (5) R 3 000 - R 4 000 R 700 - R 900

180 • DECORATIVE AND FINE ARTS

1082

1083

1085

1086

1087

1088

‘DAUPHINS’: A LALIQUE

‘VOLUTES’: A LALIQUE

‘MALAGA’: A LALIQUE GLASS

‘ENFANTS’: A LALIQUE FROSTED

OPALESCENT AND BLUE-STAINED

OPALESCENT GLASS BOWL

WINE COOLER

GLASS BOX AND COVER, POST

GLASS VASE

designed 17 April 1934, Marcilhac page 309, number 10-395, the underside moulded with spiralling bands of bubbles, stencilled mark R.

designed 25 November 1937, Marcilhac page 782, number 10-3475, the tapering cylindrical body moulded overall in low relief with bunches of grapes, engraved Lalique France 14,5cm high

1945

designed 7 June 1932, Marcilhac page 464, number 10-900, the exterior moulded with fish swimming amongst spiralling waves, stencil mark R.

LALIQUE FRANCE

25cm diameter

14cm high

ILLUSTRATED

R 10 000 - R 15 000

R 4 000 - R 6 000 R 700 - R 900

ILLUSTRATED

circular, moulded with a band of putti, the domed cover with bands of roses, engraved Lalique France 11cm diameter R 1 500 - R 2 000 R 700 - R 900

R 3 000 - R 4 000 R 700 - R 900

R 700 - R 900

1086

1087

CAPE TOWN, 5 & 6 OCTOBER 2010 • 181

1089

1092

A COSTEBELLE OPALESCENT GLASS DRESSING TABLE SET, CIRCA 1930

A SAINT LOUIS CRYSTAL TABLE LAMP BASE, 20TH CENTURY

each piece moulded with panels enclosing birds in flight, comprising: a scent bottle and stopper, a perfume atomiser and a box and cover, chip, moulded factory mark the atomiser 14cm high, cased (3)

spiral fluted, acid etched factory mark 34cm high, fitted for electricity R 1 200 - R 1 500

R 3 000 - R 4 000

1093 A WMF IKORA GLASS BOWL, CIRCA 1930

1090 A FRENCH OPALESCENT GLASS BOWL, 20TH CENTURY

circular, the underside moulded with bands of geometric patterns, moulded MADE IN FRANCE 30cm diameter

the lobed mottled ochre body with irregular bubble inclusions, 23,5cm diameter; and An Amber-glass Bowl, 20th Century, with irregular bubble inclusions, impressed factory mark 29,5cm diameter (2) R 1 500 - R 2 000

R 800 - R 1 000

1094 1091 LIVIO SEGUSO (1930-): A GREEN-GLASS ART SCULPTURE

of ovoid form, the interior with iridescent ‘embryo’ form, irregular bubble inclusions, cased in green glass, engraved Livio Seguso 29cm high

A WMF IKORA GLASS DISH, 1930s

circular, the colourless glass internally decorated with green powders and burst open crackle 31,5cm diameter R 1 200 - R 1 500

ILLUSTRATED

R 20 000 - R 30 000

1095 A LEERDAM SATINATED GLASS FIGURE OF MADONNA AND CHILD, CIRCA 1930

1096 AN ARTE VETRARIA MURANESE LATTICINO MILLEFIORI ‘TUTTI-FRUTTI’ GLASS VASE, 1950s

of tapering cylindrical form with random millefiori, zanfirico and filigrana design set against a silver-leafed deep red interior 19,5cm high R 1 200 - R 1 500

1097 A GROUP OF FOUR SEGUSO LATTIMO GLASS WARES, CIRCA 1960

each cased in clear glass, comprising: a vase, a stylised flower and two apple sculptures, in sizes, the vase engraved Seguso the vase 22cm high (4) R 3 000 - R 4 000

1098 A ROYAL BRIERLEY STUDIO CASED PURPLE AND GOLD IRIDESCENT GLASS VASE, 1980s

of tapering ovoid form with everted neck, acid etched factory mark, paper label 22cm high R 1 500 - R 2 000 1091

182 • DECORATIVE AND FINE ARTS

PROPERTY OF THE ESTATE LATE MRS C A M CUNNOLD

1101 A PAIR OF CHINESE BRONZE TRIPOD CENSERS AND COVERS, LATE 19TH CENTURY

each globular body moulded in low relief on either side with birds amongst foliage, elephant-head handles, raised on three bamboo-moulded feet, the pierced cover with a seated Buddhistic-lion finial 37cm high (2) R 5 000 - R 7 000 VARIOUS PROPERTIES

1102 A CHINESE CLOISONNÉ BANDED TWO-HANDLED VASE, 19TH CENTURY

1100

of archaistic form, the tapering ovoid patinated bronze body enemelled with four bands of lotus blossoms amongst scrolling foliage, the shoulder applied with a pair of taotie-mask-and-ring handles, enamel loss, seal mark 32cm high R 3 000 - R 4 000

WORKS OF ART

1099 AFTER EMILE PICAULT (1833-1915): A FRENCH BRONZE OF A WARRIOR

modelled standing, a sword in his right hand resting on a shield bearing the inscription ‘HONOR PATRIA’, signed on the base E. PICAULT, with label ‘Le Devoir Par E. Picault, and stamp ‘vrai bronze garanti, Paris’ 29,5cm high

1103 A PAIR OF CHINESE CLOISONNÉ ENAMEL CENSERS IN THE FORM OF DUCKS

each with an elegant S-shaped neck, the wings in the form of a removable cover, decorated overall with archaistic scrollwork and hook patterns against a white ground, gilt-bronze beak and feet, chips, impressed numerals 15,5cm high (2) R 2 000 - R 3 000

R 1 500 - R 2 000

1104 1100 HEINRICH VON MICHAELIS (1912-1990): AN ART DECO STYLE BRONZE FIGURE OF FALCON ATTACKING A DUCK

on an oval base, chip, signed and dated 1935 58cm high ILLUSTRATED

R 15 000 - R 20 000

A CHINESE CARVED IVORY VASE, LATE 19TH CENTURY

of tapering ovoid form with elongated neck, carved in low relief on either side with a panel enclosing peonies issuing from rockwork reserved against a ground of further peonies and foliage below a band of flowerheads and scrolls, the neck with a band of lappets below further panels, the oval foot with a Greek-key border, crack 25cm high R 3 000 - R 4 000

CAPE TOWN, 5 & 6 OCTOBER 2010 • 183

R 1 500 - R 2 000

1108

1109

1110

1111

1105

1106

1107

1108

A CHINESE EXPORT IVORY CARD

A JAPANESE IVORY OKIMONO

CASE, 19TH CENTURY

OF A MAIDEN, MEIJI PERIOD,

OF A FARMER AND CHILD, MEIJI

OF A TRADESMAN, MEIJI PERIOD,

the rectangular body carved with figures amidst pavillions and blossoming trees, 10cm high; and A Pair of Chinese Export Ivory Handles, 19th Century, each tapering cylindrical body carved with a dragon, birds and butterflies amongst clouds between bands of stiff leaves and flowerheads 17cm long (3)

1868-1912

PERIOD, 1868-1912

1868-1912

standing, holding a scythe in her left hand and carrying a basket filled with foliage and a tied bundle of grasses, cracks, losses, 17,5cm high, with wooden stand; and A Japanese Ivory Okimono of a Farmer, Meiji Period, standing, feeding the rice chaff from a rice scoop to a chicken by his feet, signed, repair, cracks 11,5cm high (2)

standing, holding a bamboo broom with which he sweeps fallen fruit and foliage, a child by his side reaching for the branch of fruit which he holds in his right hand, cracks 14cm high, fixed wooden stand

standing, resting a tray ladened with containers of food and beverage on his right shoulder and carrying a lantern in his left hand, a kinchaku attached to his obi, repair, cracks, signed 17cm high, with wooden stand

R 1 500 - R 2 000 R 1 500 - R 2 000

R 3 000 - R 4 000 R 1 500 - R 2 000

ILLUSTRATED

R 4 000 - R 6 000 R 1 500 - R 2 000

R 2 000 - R 3 000

1112

184 â&#x20AC;˘ DECORATIVE AND FINE ARTS

1113

1114

1109

1112

1114

1116

A JAPANESE IVORY OKIMONO

A JAPANESE IVORY OKIMONO OF

OF AN ELDERLY PEASANT, MEIJI

AN EGG SELLER, MEIJI PERIOD,

A MAN TYING HIS LACES, MEIJI

THREE FIGURES, MEIJI PERIOD,

PERIOD, 1868-1912

1868-1912

PERIOD, 1868-1912

1868-1912

standing, holding a staff in his right hand and carrying a basket filled with a bundle of water lilies over his shoulders, chip, cracks, signed 17cm high, with wooden stand

standing with one foot raised on a tree trunk, fastening with both hands the laces of his waraji, two woven and tied bundles by his foot, chips, cracks, signed 9,5cm high, with wooden stand

R 5 000 - R 7 000

seated on a rush mat, holding a soroban, a woven basket filled with eggs and a hatching chick by his side, an open account book resting on top of the basket and another by his side, chips, cracks, repair, signed 10cm high, with wooden stand

R 1 500 - R 2 000

IILLUSTRATED ON OPPOSITE PAGE

a samurai standing, supporting a peasant with an anguished expression, a double-gourd vessel in his right hand and clutching a sword in his left, a kneeling tradesman by their side with a pleading expression, a wooden bucket, bundle and a basket by their feet, cracks, chips, signed 13cm high, with wooden stand

ILLUSTRATED ON OPPOSITE PAGE

R 5 000 - R 7 000

1110

ILLUSTRATED ON OPPOSITE PAGE

R 4 000 - R 6 000 R 1 500 - R 2 000

R 6 000 - R 8 000

R 1 500 - R 2 000

1115

A JAPANESE IVORY OKIMONO

A JAPANESE IVORY OKIMONO OF

OF A CHICKEN FARMER, MEIJI PERIOD, 1868-1912

1113

A BARREL-MAKER, MEIJI PERIOD,

standing, lifting a woven bamboo cage releasing a hen and her chicks for feeding time, chip, cracks, repair, signed 17cm high, with wooden base

A JAPANESE IVORY OKIMONO OF

1868-1912

A WOODSMAN, MEIJI PERIOD,

seated on a rush mat, listening to the song of a bird perched above him as he works on the inner side of a large barrel with a tool which he holds with both hands, a box of tools beside him, cracks, seal lacking 12cm high, with wooden stand

1868-1912

R 7 000 - R 9 000

seated on a bundle of faggots rolled in a rush mat, holding a double-gourd vessel and a cup, cracks, seal lacking 9,5cm high, with wooden base

R 1 500 - R 2 000

ILLUSTRATED ON OPPOSITE PAGE

1111

ILLUSTRATED

R 5 000 - R 7 000

R 10 000 - R 15 000

R 1 500 - R 2 000

A JAPANESE IVORY OKIMONO OF A FISHERMAN, MEIJI PERIOD, 1868-1912

standing bare foot, wearing an apron of straw, holding a harpoon in his right hand, his left arm raised as if looking out to sea, losses, cracks, signed 19cm high, with wooden stand ILLUSTRATED ON OPPOSITE PAGE

R 5 000 - R 7 000 R 1 500 - R 2 000

1115

CAPE TOWN, 5 & 6 OCTOBER 2010 â&#x20AC;˘ 185

1117

1121

1124

1126

A JAPANESE BRONZE FIGURE OF

OSAKA SCHOOL: TWO JAPANESE

A TIBETAN SILK EMBROIDERED

A GANDHARA STUCCO HEAD OF

A FARMER, LATE MEIJI PERIOD,

WOODBLOCK PRINTS OF KABUKI

THANGKA OF GREEN TARA,

BUDDHA, EARLY 20TH CENTURY

1868-1912

ACTORS,

18TH CENTURY AND LATER

modelled seated on a tree stump, holding a basket of food in his left hand and chopsticks in his right, his scythe by his side, signed 16cm high, with wooden stand

LATE 19TH/EARLY 20TH CENTURY

the large central figure of Green Tara seated in lalitasana, the attitude of ease, on a multicoloured lotus, resting her right foot on a separately cast bloom, her naked upper torso swaying gently to the left as she raises her left hand holding the stem of a lotus flower, the right hand held down at the knee in the gesture of charity, varada mudra, and holding the stem of another lotus, her placid face backed by a red halo, surrounded by twenty further Green Tara and two Buddhist religious leaders, Tsong-Khapa and Atisa, surrounded by clouds amongst precious objects and foliage enclosed within silk borders above a dragon amongst stylised clouds and waves, silk overlay 169cm by 148cm

after the originals from 2nd-4th Century, the oval face carved with a meditive expression, arched eyebrows above heavy lidded eyes, pursed lips and his hair arranged in incised ridges terminating in a domed ushnisha, 18cm high, with wooden stand; and A Gandhara Stucco Head of an Aged Man, Early 20th Century, with gaunt, angular features and abundant beard 13cm high, with wooden stand (2)

koban tate-e, each depicting a bust portrait, signed, framed (2) R 1 500 - R 2 000

R 3 000 - R 4 000

1122 TWO JAPANESE ‘KIMONO’

1118

PATTERN WOODBLOCK PRINTS,

ISODA KORYUSAI (1764-1788):

EARLY 20TH CENTURY

TWO JAPANESE WOODBLOCK

aiban yoko-e, one depicting a flower-filled jardiniére, the other a figure playing a flute, signed, staining, creasing, framed (2)

PRINTS

oban tate-e, one depicting four courtesans, the other with two courtesans playing with a child, signed Koryusai ga, published by Eijudo, staining, creasing, framed (2) R 2 000 - R 3 000

R 1 500 - R 2 000

1123 TWO THAI GILT PAINTINGS ON BLACK SILK

1119

oban triptych, depicting a three-quarter portrait of a nobleman and two courtesans before a plum tree at night, signed Toyokuni ga, creasing, fading, framed

each rectangular, one depicting the Khmer mermaid Sovan Macha embracing the monkey general Hanuman, the other with two traditional Thai dancers, 28cm by 26cm, framed; and A Thai Painting on Black Silk, square, depicting three musicians 28cm square, framed (3)

R 3 000 - R 4 000

R 2 000 - R 3 000

KUNISADA/TOYOKUNI III (1786-1865): A JAPANESE WOODBLOCK TRIPTYCH

1120 OHARA KOSON (1877-1945): TWO JAPANESE WOODBLOCK PRINTS

rectangular, one with starlings diving, the other with sparrows in flight amongst plantains, foxing, Ohara Koson seal, framed (2) R 2 000 - R 3 000

PART ILLUSTRATED ON OPPOSITE PAGE

R 8 000 - R 10 000

1125 A THAI GILT-BRONZE FIGURE OF A BUDDHA, 20TH CENTURY

seated in vajrasana on a three-tier base, his right hand in bhumisparshamudra, the left resting on his lap, wearing samghati, his face with meditative expression, elongated earlobes, curled hairdress and usnisha topped by a flame 30,5cm high PROVENANCE Rustenberg Estate

R 1 500 - R 2 000

186 • DECORATIVE AND FINE ARTS

R 3 000 - R 4 000

1127 A KHMER-STYLE BRONZE HEAD OF A DEITY

his face with full lips and incised eyes, his curly hair rising to a conical chignon secured by a foliate tiara tied neatly at verso, 28cm high, raised on a wooden base; and Another, with braided hair rising to a domed ushnisha 24cm high, raised on a wooden base (2) PROVENANCE Rustenberg Estate

R 5 000 - R 7 000

1124 DETAIL

1128

1129

A LARGE PAIR OF BRONZE TANG-STYLE FIGURES OF CAPARISONED

A PAIR OF THAI-STYLE BRASS-MOUNTED FIGURES OF CAPARISONED

PRANCING HORSES, 20TH CENTURY

ELEPHANTS, 20TH CENTURY

each modelled standing with foreleg raised and with open mouth, the trappings hung with tassels, the saddle covered with a blanket, on a rectangular base 95,5cm high (2)

each painted with overall verdigris-style patina 36,5cm high (2)

PROVENANCE Rustenberg Estate

R 3 000 - R 4 000

R 6 000 - R 8 000

1130 NO LOT

PROVENANCE Rustenberg Estate

CAPE TOWN, 5 & 6 OCTOBER 2010 â&#x20AC;˘ 187

SESSION SIX

188 • DECORATIVE AND FINE ARTS

WEDNESDAY 6 OCTOBER 2010 7PM

LOTS 1131 – 1294

CARS | CLOCKS | WATCHES | JEWELLERY

CAPE TOWN, 1 & 2 JUNE 2010 • 189

CARS

1131 A 1973 JAGUAR SERIES III E TYPE ROADSTER

28500 miles, 5343cc V12, dark blue with tan leather interior, new four core radiator. One of the most beautiful and charismatic sports cars ever made, this car was called ‘the greatest crumpet collector known to man’ by the late Henry Manney. This is an honest example of the E type with low mileage and in clean condition ILLUSTRATED

1131

R 700 000 - R 800 000

1132 A 1980 MGB ROADSTER

black with buttercup leather interior including door panels, new carpets, complete engine rebuild, converted to use unleaded petrol, engine balanced, new clutch plate, pressure plate and thrust bearing, new full mild steel exhaust ILLUSTRATED

R 85 000 - R 90 000 1132

1133 A 1988 BENTLEY TURBO R

125000 miles, 6750cc V8, good bodywork and original mushroom leather and burr walnut veneered interior, finished in Georgian silver, this car is offered with substantial service history As the enthusiast high performance partner to Rolls Royce, the Turbo R develops 286kw and 750nM of torque giving it performance figures of 0-100kph in around 6 seconds. The car was advertised as ‘the ultimate sporting high performance saloon’ in the factory sales brochure and can accommodate four adults and luggage with ease. ILLUSTRATED

R 250 000 - R 280 000

1134 – 1140 NO LOTS 190 • DECORATIVE AND FINE ARTS

1133

CLOCKS AND BAROMETERS

1141

1142

1143

A GEORGE III WALNUT AND INLAID

A GEORGE III OAK LONGCASE CLOCK,

A GEORGE III OAK AND INLAID LONGCASE

LONGCASE CLOCK, GEORGE PHILLIP

RICHARD LLOYD BRIDGEWORTH, LONDON,

CLOCK, 18TH CENTURY

STRIGELS, LONDON, 18TH CENTURY

LATE 18TH CENTURY

the 29cm brass chapter ring with Roman and Arabic numerals, a subsidiary seconds dial, date aperture and a fan-shaped plaque inscribed ‘George Phillip Strigels’ within, the arch with a silent-chime selector dial and flanked by pierced gilt-metal dolphin spandrels, the dial below applied with pierced gilt-metal foliate spandrels, the eight-day, five-pillar anchor escapement striking the full hour on a brass bell, the hood with an outset moulded cornice, a glazed arched door below flanked by a pair of three-quarter pillars, the sides inset with opposing doors, the inlaid trunk with an inlaid door centred by an inlaid ivory Classical female figure, the moulded plinth below on later block feet 222cm high

the 29cm painted dial with Roman and Arabic numerals with subsidiary seconds dial and cartouche bearing the inscription ‘RichD Sloyd Bridgworth’, the four pillar movement striking the full hour on a bronze bell, eight day anchor movement, the head with a wavy cresting divided and flanked by fluted pillars, the trunk with a moulded arched door raised on a plinth base with bracket feet and wavy apron 227cm high

the 28cm painted dial with subsidiary seconds dial and date aperture, the painted dial with Roman and Arabic numerals and fielded by romantic provincial scenes, the four pillar movement striking the hour on a bell, eight day anchor movement, the moulded broken swan neck pediment applied with gilt-metal roundels and centring an eagle and orb finial, the glazed door within a wavy frame and flanked by a pair of fluted columns, the chamfered trunk with a moulded and inlaid door centred by a shell-motif pattern, moulded plinth below with conforming inlay on later bracket feet, losses 217cm high

ILLUSTRATED

R 12 000 - R 15 000

ILLUSTRATED

R 5 000 - R 7 000

ILLUSTRATED

R 20 000 - R 30 000

1141

1142

1143

CAPE TOWN, 5 & 6 OCTOBER 2010 • 191

1144 A REGENCY MAHOGANY, INLAID AND GILT-METAL MOUNTED MANTEL TIMEPIECE, HENRY FAVRE, LONDON, CIRCA 1810

the 12,5cm enamelled dial, with black-painted Roman numerals and inscribed ‘HENRY FAVRE. PALL MALL.’, anchor escapement movement, the brass back plate signed ‘HENRY FAVRE. PALL MALL.’, the arched case with a hipped roof surmounted by a gilt-metal pine-cone finial, the sides applied with lion-mask ring handles above pierced arched brass fret panels, a shaped and inlaid vacant cartouche below the dial, on a plinth base raised on brass bun feet 34cm high ILLUSTRATED

R 30 000 - R 40 000

1144

1145 A VICTORIAN MAHOGANY BRACKET CLOCK, J.H. POTTER, SHEFFIELD, LATE 19TH CENTURY

the 18cm silvered chapter ring engraved with stylised foliage and applied with brass Arabic numerals, an arc-shaped plaque within bearing the inscription ‘J.H. Potter, Sheffield’, the arch inset with speed, silent-chime and Westminister-chime subsidiary dials, the dial applied with pierced gilt-metal spandrels, the eight-day, fusee movement with anchor escapement striking eight bells on all quarters, the arched scroll and foliate-carved gabled hood centred with a scallop motif, an arched glazed door below with a foliate-carved frame, chamfered fret-carved corners, the sides inset with pierced fret-panels, the moulded plinth base centred by a carved floral patera and raised on foliate-carved bracket feet, the bracket support with a moulded cornice, dentil frieze, the reeded supports joined by a wavy apron, losses 110,5cm high ILLUSTRATED

R 30 000 - R 40 000

1145

192 • DECORATIVE AND FINE ARTS

1146

1149

A FRENCH BRASS CARRIAGE CLOCK,

A BRASS ATMOS TIMEPIECE, JAEGER LE

19TH CENTURY

COULTRE, MID 20TH CENTURY

the white enamelled dial with black Roman numerals, the gilt-brass case with glazed panels and applied with a handle, the back-plate engraved with the inscription 12cm high, excluding handle

the 14cm enamelled chapter ring with gilt Arabic and triangular baton numerals, the movement with oscillating pendulum, set in a glazed rectangular case, on bracket feet 23,5cm high

R 2 000 - R 3 000

R 6 000 - R 8 000

1147

1150

A FRENCH MORBIER CLOCK, 19TH CENTURY

A OAK STICK BAROMETER, NEGRETTI &

the 22cm white enamelled dial with Roman numerals signed ‘Martin et Cie, à Poitiers’, the bell-striking movement with inverted verge escapement, pressed brass surround with baskets of fruit and cornucpia, one side panel lacking 40cm high

ZAMBRA, LONDON, 19TH CENTURY

‘SF, PARIS, E.G.L, 4263’

with ivory plates, mounted with a mercury thermometer 91cm high ILLUSTRATED

R 12 000 - R 15 000

R 1 500 - R 2 000

1151 1148 A DUTCH FRISIAN STAINED OAK WALL CLOCK, LATE 19TH CENTURY

the 26cm painted dial with Roman and Arabic numerals and applied with four gilt-metal allegorical spandrels, the arch painted with a pastoral scene, with four pillars and anchor escapement mechanism striking the hour, the weight and counterweight suspended by chains, the glazed and arched hood with a dust cloth and surmounted by a painted cast with mythological figures, a pair of ebonised columns below, the lower section with a pair of pierced bracket supports, the shaped tail centred by a pierced gilt-metal and glazed aperture 145,5cm high R 5 000 - R 7 000

A BURR WALNUT STICK BAROMETER, C. BAKER, LONDON, 19TH CENTURY

the ivory scale with vernier and signed ‘C.Baker. 244 High Holborn, London’ in the arch, alcohol thermometer, arched top 92,5cm high R 5 000 - R 7 000

1152 A BRASS GENTLEMAN’S POCKET BAROMETER, WOOD LATE ABRAHAM, LIVERPOOL, LATE 19TH/EARLY 20TH CENTURY

the 4,5cm silvered dial within an altimeter ring, the reverse inset with a compass, housed in a fitted leather case 5cm diameter R 1 500 - R 2 000

1153 – 1160 NO LOTS

1150

CAPE TOWN, 5 & 6 OCTOBER 2010 • 193

1161 PART LOT

TRISTAN DA CUNHA MEMORABILIA

1161 TWO AWARDS PRESENTED TO PETER WILLIAM GREEN AND HIS

and A Presentation Medallion inscribed: ‘MINISTERO DELLA MARINA

FELLOW ISLANDERS FOR THEIR SERVICES IN RESCUING MEMBERS OF

A PETER WILLIAM GREEN SENIORE DEI COLONI DELL’ISOLA DI TRISTAN

THE CREWS OF SPECIFIC VESSELS WHICH RAN AGROUND ON THE

DE ACUNHA per la cortese ospitalità data, nella sua lunga dimora nell’siola al l’equipaggio del brig no a pato italiano ‘ITALIA’ naufragato il 3. ottob. 1892’ 55mm diameter, with original fitted case, distressed (2)

ISLAND OF TRISTAN DA CUNHA, LATE 19TH CENTURY

comprising: an 18ct gold hunting-cased pocket watch, TS & JD Negus, New York, No. 5738, circa 1878, the white enamelled dial with black Roman numerals, subsidiary dial for seconds, the outer case with engraved initial and engine-turned decoration, the signed and numbered cuvette, No. 5738, the inner front casing with the inscription: ‘PRESENTED BY THE PRESIDENT OF THE UNITED STATES TO Peter W. Green SENIOR OF THE ISLAND OF TRISTAN D ACUNHA [sic] As a testimonial to him and his fellow Colonists for their services in rescuing the Crew of the American Ship Mabel Clark MAY 1ST 1878’, diameter of dial 42,5mm, with an 18ct gold fob watch chain, unmarked, with original fitted case, distressed;

PROVENANCE

Family of Captain Hagan of Tristan da Cunha by descent ILLUSTRATED

R 30 000 - R 40 000

1161 DETAIL

194 • DECORATIVE AND FINE ARTS

Photograph of Peter Green taken outside his house in 1873; from the Mansell Collection The history of the island of Tristan da Cunha is fascinating, not the least of which are the stories surrounding the numerous shipwrecks along its shores. Situated in the centre of the South Atlantic ocean (roughly 37˚ south and 12˚ west) some 2800kms from the Cape of Good Hope and 3200kms from South America, it is currently the most remote inhabited island in the world.

1161 OBVERSE

Born in Holland in 1808, Peter Green was shipwrecked at Tristan da Cunha in October 1836. From 1865 until his death in 1902 he acted as spokesman for the islanders who held him in high regard. He was already 70 years old at the time of the ‘Mabel Clark’ sinking - when 16 members of the 22 man crew were saved - and 84 when the Italian barque, the ‘Italia’, ran aground on the 3rd of October 1892 and the islanders rescued the crew before the vessel went down.

1161 REVERSE

CAPE TOWN, 5 & 6 OCTOBER 2010 • 195

1164

1167

1169

A LADY’S TWO-TONE STAINLESS

A LADY’S DIAMOND AND

A LADY’S STAINLESS STEEL

STEEL WRISTWATCH, HERMES

STAINLESS STEEL WRISTWATCH,

WRISTWATCH, TAG HEUER GOLF

quartz, the circular buffcoloured dial with Arabic numerals, the bezel with faux rivets, date aperture at 3 o’clock, on a two-tone stainless steel strap with folding clasp, with additional links diameter of dial 23mm

TAG HEUER ALTER EGO

PROFESSIONAL

quartz, the circular white mother-of-pearl dial with notched outer ring indicating numerals, the bezel embellished with round brilliant-cut diamonds weighing approximately 0,50cts in total, on a stainless steel strap with folding clasp diameter of dial 20mm

quartz, the square pink motherof-pearl dial with Arabic and baton numerals, date aperture at 3 o’clock, on a pink silicon strap diameter of dial 21,5mm

R 3 000 - R 4 000

R 5 000 - R 6 000

1165

A BROOCH WATCH AND WRISTWATCHES

1162 A LADY’S 18CT ROSE GOLD BROOCH WATCH

the circular ivory-coloured dial with Roman numerals, faceted bezel, the case flat chased with a C-scroll panel enclosing a figure with an Alpine horn, suspended from a plain bar brooch diameter of dial 24mm R 3 500 - R 5 000

1163 A LADY’S 14CT WHITE GOLD AND DIAMOND WRISTWATCH, WYLER

1170 A LADY’S CERAMIC WRISTWATCH,

1165

RADO

A LADY’S 18CT GOLD

quartz, the two-tone grey circular dial embellished with six circular diamonds, on a grey and black ceramic strap with folding clasp diameter of dial 17mm

WRISTWATCH, CARTIER TANK

quartz, the white rectangular dial with black Roman numerals, plain bezel with sapphire-set crown, on a black leather strap width of dial 17,5mm, accompanied by a red Cartier box

R 4 000 - R 5 000

1171

ILLUSTRATED

A GENTLEMAN’S GOLD-PLATED

R 20 000 - R 30 000

WATCH, MAURICE LACROIX

A LADY’S TWO-TONE STAINLESS

quartz, the rectangular white dial with Roman numerals, on a later black leather strap width of dial 17mm

STEEL WRISTWATCH, TAG HEUER

R 3 000 - R 5 000

1166

quartz, the gilt dial with luminescent baton numerals, date aperture at 3 o’clock, calibrated bezel, on a stainless steel two-tone bracelet strap with folding clasp diameter of dial 19mm R 3 000 - R 4 000

manual, the silvered marquiseshaped dial applied with Arabic, dot and diamondshaped numerals, the bracelet set with round brilliant- and single-cut diamonds width of dial 11mm

1175

1168 A LADY’S STAINLESS STEEL WRISTWATCH, TAG HEUER AQUARACER

quartz, the circular pink mother-of-pearl dial with Arabic and diamond-mounted numerals, date aperture at 3 o’clock, calibrated bezel embellished with round brilliant-cut diamonds weighing approximately 0,12cts in total, on a stainless steel strap with folding clasp diameter of dial 19,5mm

R 2 000 - R 3 000

R 7 000 - R 8 000 1174

196 • DECORATIVE AND FINE ARTS

R 4 000 - R 5 000

1176

1172

1176

A GENTLEMAN’S STAINLESS

A GENTLEMAN’S 18CT GOLD

STEEL WRISTWATCH,

WRISTWATCH, PIAGET

KRUG-BAÜMEN PRINCIPLE

automatic, the circular gilt dial with black Roman numerals, plain bezel with sapphiremounted crown, on a later leather strap diameter of dial 28mm

quartz chronograph, the circular silvered and textured dial with Roman numerals, date aperture at 4 o’clock, subsidiary dials for seconds, minutes and dual-date function, on a black leather strap diameter of dial 28,5mm

ILLUSTRATED ON OPPOSITE PAGE

R 15 000 - R 20 000

R 5 000 - R 7 000

1177 A GENTLEMAN’S 18CT GOLD

1173

WRISTWATCH, PATEK PHILLIPE

A GENTLEMAN’S 14CT GOLD AND

manual, the circular gilt dial with baton numerals, subsidiary dial for seconds, on an 18ct gold brick-link strap diameter of dial 32,5mm

STAINLESS STEEL WRISTWATCH, BAUME ET MERCIER

quartz, the circular silvered dial with baton numerals, plain bezel, on a leather strap diameter of dial 29mm

ILLUSTRATED

R 50 000 - R 60 000

R 8 000 - R 10 000

1178

1174

A GENTLEMAN’S BLACK

A GENTLEMAN’S

CERAMIC, STAINLESS STEEL AND

SILVER-GILT WRISTWATCH,

GILT WRISTWATCH, RADO

MUST DE CARTIER

quartz, the circular black dial with date aperture at 6 o’clock, on a black leather strap diameter of dial 24mm

quartz, the circular white dial with Roman numerals within a cream-coloured band, subsidiary dial for seconds, plain bezel with sapphiremounted crown, on a leather strap with folding clasp diameter of dial 24mm, accompanied by a red Cartier box

ILLUSTRATED

R 10 000 - R 15 000

1179

ILLUSTRATED ON OPPOSITE PAGE

A GENTLEMAN’S STAINLESS

R 18 000 - R 20 000

STEEL AND GILT CHRONOGRAPH WRISTWATCH, SEIKO

quartz, the circular white dial with black Roman numerals, date aperture at 3 o’clock, three subsidiary dials for minutes, seconds and alarm, outer calibrated tachymeter, on a black leather strap diameter of dial 32mm

1175 A GENTLEMAN’S 18CT GOLD WRISTWATCH, CARTIER

quartz, the circular ivorycoloured dial with black Roman numerals, the plain bezel with sapphire-mounted crown, on a leather strap diameter of dial 25,5mm, accompanied by red Cartier box ILLUSTRATED ON OPPOSITE PAGE

R 25 000 - R 35 000

R 4 000 - R 6 000

1178

1180 A GENTLEMAN’S GREEN GRANITE WRISTWATCH, TISSOT ROCKWATCH

1177

quartz, the circular dial with plain bezel, on a green granite and stainless steel strap with folding clasp diameter of dial 23mm R 5 000 - R 7 000

CAPE TOWN, 5 & 6 OCTOBER 2010 • 197

AN UNMOUNTED DIAMOND AND UNMOUNTED GEMSTONES

1187

ILLUSTRATION NOT TO SCALE

weighing approximately 5,49cts

1181

R 1 500 - R 2 000

AN UNMOUNTED OVAL-SHAPED AQUAMARINE

AN UNMOUNTED ROUND BRILLIANT-CUT DIAMOND

weighing approximately 0,28cts R 2 000 - R 3 000

ANTIQUE, PERIOD AND CONTEMPORARY JEWELLERY ILLUSTRATIONS NOT TO SCALE

1190

1182

1188

AN UNMOUNTED EMERALD-CUT

A LATE VICTORIAN GARNET

CITRINE

NECKLACE

1191

weighing approximately 29,23cts

claw set with round mixed-cut garnets, graduated in size, on a belcher-link chain, mounted in 15ct gold, clasp possibly later approximately 54cm in length

AN 18CT GOLD AND

R 800 - R 1 000

1183 AN UNMOUNTED OVAL-SHAPED

R 2 500 - R 3 500

CITRINE

weighing approximately 48,50cts R 4 000 - R 6 000

1189 A LATE VICTORIAN AMETHYST AND SEED PEARL HINGED BANGLE

weighing approximately 32,55cts

the bangle flat chased with scrolling motifs centring on a hexagonal step-cut amethyst highlighted with seed pearls at each corner, mounted in 15ct gold; and A Late Victorian Brooch, en suite, with four hexagonal amethysts, one possibly later, embellished with flat-chased motifs and granules, mounted in 15ct gold, pin possibly replaced, accompanied by a fitted case (2)

R 4 000 - R 6 000

1186

1190

1184 AN UNMOUNTED RECTANGULAR CUSHION-SHAPED AMETHYST

weighing approximately 19,82cts R 4 000 - R 6 000

1185 AN UNMOUNTED EMERALD-CUT MORGANITE

AN UNMOUNTED EMERALD-CUT AQUAMARINE

weighing approximately 41,53cts ILLUSTRATED

R 25 000 - R 30 000

• DECORATIVE AND FINE ARTS 1981186

HARDSTONE DOUBLE-SIDED SWIVEL SEAL PENDANT, WILLIAM HAIR HASELER, BIRMINGHAM, INDECIPHERABLE DATE LETTER

seals vacant, with a 15ct link attached; A 9ct Gold and Hardstone Seal Pendant, with an intaglio monogram; and A 9ct Gold Belcher-link Chain, one clasp possibly later 151,5cm in length, weighing 49g (3) PART ILLUSTRATED

R 4 000 - R 6 000

1192

A LARGE CAMEO BROOCH/ PENDANT

centring on a conch shell cameo depicting a classical scene, within a scrollwork surround flat-chased with floral motifs, mounted in 9ct gold R 2 000 - R 3 000

A PAIR OF CONTINENTAL ENAMEL EARRINGS

each designed as a figure above a hollow crescentshaped form embellished with flowerheads and scrolls, enamelled in shades of turquoise, white, orange and blue, suspending strands of graduated seed pearls, one strand lacking, losses to enamel (2) R 2 000 - R 3 000

A LATE VICTORIAN OPAL AND

1195 A DIAMOND, EMERALD, RUBY AND SAPPHIRE RING

with channel-set bands of carré-cut emeralds, rubies and sapphires, flanked on either side by pavé-set round brilliant-cut diamonds weighing approximately 0,09cts in total, mounted in 9ct gold R 1 000 - R 1 200

DIAMOND BROOCH

of starburst design, pavé set with four circular cabochon opals and variously shaped old-cut diamonds, mounted in 18ct gold, pin possibly later, accompanied by an associated case

1191 DETAIL

1194

1193 A DIAMOND AND SEED PEARL BROOCH/PENDANT

ILLUSTRATED

of starburst design, centring on a round old-cut diamond weighing approximately 0,63cts, mounted in 9ct gold, repair

R 25 000 - R 30 000

R 2 000 - R 2 500

1191 PART LOT

1199

1207

A BLACK OPAL AND DIAMOND

A DIAMOND TENNIS BRACELET

BROOCH

claw set with round brilliantcut diamonds weighing approximately 2,2cts in total, mounted in 18ct gold 18,5cm in length

the large pear-shaped opal embellished with four millegrain-set oldcut diamonds and three pavé-set old-cut diamonds, total diamond weight approximately 0,31cts, mounted in 14ct yellow and 18ct white gold, distortion of mount, pin replaced ILLUSTRATED

R 3 000 - R 4 000

1204

1203 A DIAMOND RING

1208

of marquise-shaped form, set throughout with oldcut diamonds weighing approximately 1,78cts in total, mounted in 18ct white gold

A DIAMOND RING

ILLUSTRATED

1200 AN 18CT GOLD FOB CHAIN

composed of curb links approximately 45cm in length, weighing 53,4g 1199

R 6 000 - R 8 000

1196 AN EMERALD AND DIAMOND

1201

BRACELET

A 9CT GOLD CURB-LINK CHAIN

each link comprising hollow elliptical forms, the central motif pavé set with oval emeralds and rose-cut diamonds, mounted in 18ct gold, chips to emeralds, repairs

BRACELET

with stylised padlock clasp, safety chain lacking 18cm in length, weighing 60,7g R 1 500 - R 2 000

AN ART DECO MOONSTONE,

1197

SYNTHETIC SAPPHIRE AND

A THREE-STRAND CULTURED

DIAMOND RING, CIRCA 1930

PEARL BRACELET

claw set with a moonstone, the bezel set with calibrécut synthetic sapphires and rows of eight-cut diamonds, mounted in platinum

each strand comprising 26 pearls, each pearl approximately 5,8mm diameter, the clasp of scalloped oval outline with circular-cut amethysts and pearls, mounted in 9ct gold

R 8 000 - R 10 000

R 4 000 - R 6 000

claw set with three round old-cut diamonds weighing approximately 1,21cts in total, one with chip, mounted in 18ct white gold

R 20 000 - R 25 000

R 5 000 - R 7 000

1204

1209

A PAIR OF DIAMOND PENDANT EARRINGS

in the Art Deco taste, each millegrain set with a round brilliant-cut diamond suspending a further round brilliant-cut diamond within a geometric faceted surround, total diamond weight approximately 1,74cts (2) ILLUSTRATED

R 12 000 - R 15 000

R 2 000 - R 3 000

1202

R 12 000 - R 15 000

1205 A PERIDOT AND SEED PEARL PENDANT

in the Art Nouveau taste, centring on an emerald-cut peridot and embellished with seed pearls, mounted in 9ct gold R 2 500 - R 3 500

A SOLITAIRE DIAMOND RING

claw-set with a marquisecut diamond weighing approximately 1,50cts, mounted in 18ct white gold R 20 000 - R 25 000

1210 A GEMSET PENDANT

designed as a winged insect resting upon a wire lattice enclosed within a circular border of twisted wire and scrolls, mounted in 18ct white and yellow gold R 4 000 - R 6 000

1211 A PAIR OF 18CT GOLD CUFFLINKS

each in the form of a snake, with torpedo fittings weighing 15,7g (2)

1206

ILLUSTRATED

A MISCELLANEOUS GROUP OF

R 3 000 - R 5 000

JEWELLERY ITEMS

comprising: a diamond and emerald brooch, a ruby, diamond and pearl brooch, a 15ct gold and turquoise bracelet and two cultured pearl necklaces, graduated in size (5)

1198 A SOLITAIRE DIAMOND RING

claw set with an oldcut diamond weighing approximately 1,4cts, mounted in platinum R 8 000 - R 10 000 1203

R 2 500 - R 3 500

1211

CAPE TOWN, 5 & 6 OCTOBER 2010 • 199

1212

1215

A NINE-STRAND CULTURED

A KUNZITE AND DIAMOND

PEARL NECKLACE

PENDANT

diameter of pearls approximately 3,0 to 3,5mm diameter, the clasp centring on an emerald-cut citrine weighing approximately 11,69cts, flanked on either side with stylised foliate motifs embellished with round brilliant-cut diamonds weighing approximately 1,0cts in total, mounted in 18ct white and yellow gold

centring on a claw-set oval mixed-cut kunzite weighing approximately 27,86cts, the surround and gallery embellished with pavé-set round brilliant-cut diamonds weighing approximately 0,69cts in total, mounted in 18ct white gold; and An 18ct White Gold Belcher-link Chain (2)

PART ILLUSTRATED

R 15 000 - R 17 000

1213 DETAIL

R 15 000 - R 20 000

1215 DETAIL

1212 DETAIL

1213 A DIAMOND PENDANT NECKLACE

centring on a round brilliantcut diamond within a surround millegrain set with round single-cut diamonds, suspended below a further round brilliant-cut diamond flanked by single-cut diamonds, total diamond weight approximately 0,87cts, attached to a fine curb-link chain, mounted in 18ct white gold PART ILLUSTRATED

R 8 000 - R 10 000

1216 AN EMERALD AND DIAMOND BROOCH BY MEISTER

centring on an stepcut emerald, probably Colombian in origin, weighing approximately 5,9cts, flanked on either side with channel-set baguette-cut diamonds, within a surround of pavé-set round brilliantcut diamonds, total diamond weight approximately 3,96cts, impressed MEISTER

1217

1218

A PAIR OF DIAMOND AND

A DIAMOND PENDANT

SAPPHIRE BROOCHES/EARCLIPS

claw set with a round brilliantcut diamond weighing approximately 1,73cts, mounted in 18ct gold

each designed as a stylised flowerhead, one set throughout with round brilliant-cut diamonds, the other with round brilliant-cut diamonds and calibré-cut sapphires, total diamond weight for both pieces approximately 13,07cts, mounted in 18ct gold, each with removable brooch pin and earclip fittings, one small diamond lacking (2)

R 17 000 - R 20 000

1219 A DIAMOND BROOCH

ILLUSTRATED ON OPPOSITE PAGE

designed as a stylised floral spray, set with three round brilliant-cut diamonds weighing approximately 1,04cts, 0,82cts and 0,74cts respectively

R 80 000 - R 100 000

ILLUSTRATED ON OPPOSITE PAGE

R 50 000 - R 60 000

ILLUSTRATED ON OPPOSITE PAGE

R 130 000 - R 150 000

1220 A DIAMOND RING

1214

centring on a claw-set round brilliant-cut diamond weighing 1,14cts, each shoulder channel set with baguette-cut diamonds, weighing approximately 0,90cts in total, mounted in platinum

A CULTURED PEARL-SET AND GEM-SET 'FLORENTINE' PENDANT/ BROOCH

circular, designed as stylised flowerheads and foliage, set with round brilliant-, oldand single-cut diamonds, variously coloured and shaped gemstones and variously coloured pearls, mounted in 18ct rose, white and yellow gold

The central diamond accompanied by a certificate from the EGL, no. 100803179/509135 stating it to be colour I and SI1 clarity

ILLUSTRATED

ILLUSTRATED ON OPPOSITE PAGE

R 5 000 - R 7 000 1214

200 • DECORATIVE AND FINE ARTS

R 30 000 - R 35 000

1216

1221

1223

1225

A PAIR OF DIAMOND EARSTUDS

A SAPPHIRE AND DIAMOND

AND ENHANCERS

each tube set with a round brilliant-cut diamond, total diamond weight approximately 0,74cts, mounted in 18ct white and yellow gold (2)

PENDANT

each enhancer designed as two graduated pear-shaped motifs flexibly linked by a single-mounted diamond, claw set throughout with round brilliant-cut diamonds weighing approximately 3,12cts in total, mounted in 18ct white gold (4)

R 3 000 - R 5 000

of organic design, pavé set with round brilliantcut diamonds weighing approximately 0,52cts, embellished with variously coloured circular-cut sapphires, mounted in 18ct rose gold, one diamond lacking R 10 000 - R 15 000

1219

1227 A DIAMOND PENDANT

the central diamond-shaped motif claw set with round brilliant-cut yellow diamonds within a frame of millegrain set round brilliant-cut white diamonds, total diamond weight approximately 0,17cts, mounted in 18ct white and yellow gold; and A 9ct White Gold Snake-link Chain (2)

R 8 000 - R 10 000

R 2 000 - R 2 500

1226 A SAPPHIRE AND DIAMOND RING

1217

1224 A PAIR OF RUBY AND DIAMOND

1222 A PAIR OF DIAMOND AND AQUAMARINE EARRINGS

each centring on an oval aquamarine within an openwork surround embellished with diamonds, suspended below an articulated line of tube-set diamonds, total diamond weight approximately 0,34cts, mounted in 14ct white gold (2) R 5 000 - R 7 000

EARRINGS

each articulated, with two pear-shaped ruby gemstones highlighted with round brilliantcut diamonds, weighing approximately 0,44cts in total, mounted in 18ct white and yellow gold (2)

designed as a double scroll motif pavé set with round brilliant-cut diamonds weighing approximately 0,26cts in total, highlighted with six variously coloured pear-shaped sapphires, mounted in 18ct rose gold R 10 000 - R 15 000

R 15 000 - R 20 000

1228

1228 A DIAMOND RING

of cross-over design, pavé set with round brilliant-cut white diamonds and circular-cut black diamonds, total diamond weight approximately 1,92cts, mounted in 18ct white gold ILLUSTRATED

1220

R 25 000 - R 30 000

CAPE TOWN, 5 & 6 OCTOBER 2010 • 201

1231

1232 A PAIR OF TANZANITE EARRINGS

1230

1229 A DIAMOND ETERNITY RING

channel set throughout with circular-cut black diamonds weighing approximately 0,43cts in total, mounted in 18ct white gold

each tube set with an ovalshaped mixed-cut tanzanite weighing approximately 6,34cts in total, within a matttextured surround, mounted in 18ct white and yellow gold (2) R 12 000 - R 15 000

1233 A PAIR OF TANZANITE AND

R 2 500 - R 3 500

DIAMOND EARSTUDS

each designed as a pearshaped mixed-cut tanzanite below two round brilliant-cut diamonds, total diamond weight approximately 0,07cts, mounted in 18ct white gold (2) 1235

R 3 000 - R 5 000

1230 A TANZANITE AND DIAMOND PENDANT

centring on a pear-shaped buff-top tanzanite weighing approximately 4,4cts, surrounded by pavé-set round brilliant-cut diamonds weighing approximately 0,56cts in total, mounted in 18ct white and yellow gold ILLUSTRATED

R 15 000 - R 20 000

1231 A TANZANITE AND DIAMOND RING

centring on a rectangular cushion-cut tanzanite weighing approximately 5,15cts, flanked on either side with round brilliantcut diamonds weighing approximately 0,46cts in total, mounted in 18ct white and yellow gold ILLUSTRATED

R 20 000 - R 25 000

202 • DECORATIVE AND FINE ARTS

1236

1239

A DIAMOND RING

AN EMERALD AND DIAMOND

claw set with three round brilliant-cut diamonds weighing approximately 0,70cts, 1,19cts and 0,74cts respectively, mounted in 18ct white and yellow gold, fitted with a spring grip

RING

ILLUSTRATED

R 25 000 - R 30 000

centring on a tube-set step-cut emerald weighing approximately 2,82cts, flanked on either side by baguettecut diamonds, tapering in size, weighing approximately 0,60cts in total, mounted in 18ct white and yellow gold ILLUSTRATED

R 30 000 - R 35 000

1237 AN 18CT WHITE AND YELLOW GOLD BRACELET

1240

designed as a series of alternating domed ovalshaped and twin crescentshaped links 20cm in length, weighing 81,1g

A PAIR OF EMERALD AND

R 5 000 - R 7 000

1238 AN EMERALD AND DIAMOND

DIAMOND EARRINGS

each of semi-hoop design, centring on an oval mixedcut emerald, weighing approximately 0,7cts in total, embellished with round brilliant-cut diamonds weighing approximately 0,25cts in total, mounted in 18ct gold (2)

PENDANT

ILLUSTRATED

centring on an stepcut emerald weighing approximately 8,33cts, surrounded by trillion-cut and round brilliant-cut diamonds weighing approximately 3,82cts in total, mounted in 18ct white and yellow gold

R 15 000 - R 20 000

ILLUSTRATED

R 50 000 - R 60 000

1241 A DIAMOND CLUSTER RING

of flowerhead form, claw set with round brilliantcut diamonds weighing approximately 0,98cts in total, mounted in 18ct gold R 4 000 - R 6 000

1234 A SOLITAIRE DIAMOND RING

claw set with a round brilliantcut diamond weighing approximately 1,47cts, mounted in 18ct white and yellow gold R 7 000 - R 9 000

1239

1235 A DIAMOND RING

tube set with three round brilliant-cut diamonds weighing approximately 2,63cts in total, mounted in 18ct white and yellow gold ILLUSTRATED

R 18 000 - R 20 000

1238

1240

1253 A CITRINE AND DIAMOND RING

1242 A DIAMOND AND EMERALD RING

the central rectangular motif set with a row of circular-cut emeralds flanked on either side with a row of round brilliantcut diamonds weighing approximately 1,60cts in total, mounted in 18ct white gold R 12 000 - R 15 000

1243 A DOUBLE-STRAND CULTURED PEARL NECKLACE

comprising 70 and 75 pearls respectively, diameter of pearls approximately 7,0 to 7,5mm, with an 18ct gold clasp of stylised starburst design embellished with circular-cut rubies PART ILLUSTRATED

R 5 000 - R 7 000

1244 A PAIR OF DIAMOND EARSTUDS

each claw set with a round brilliant-cut diamond, total diamond weight approximately 0,44cts, mounted in 18ct white and yellow gold, with 9ct gold butterflies (2) R 2 500 - R 3 500

1245 A THREE-STRAND CULTURED PEARL NECKLACE

each strand graduated in size, the clasp with an oval mixedcut smokey quartz weighing approximately 3,5cts within a seed pearl surround, mounted in 9ct gold R 2 000 - R 2 500

1243 DETAIL

1246 A YELLOW TOPAZ AND DIAMOND RING

centring on an oval mixedcut yellow topaz weighing approximately 5,90cts, surrounded by round brilliantcut diamonds weighing approximately 0,32ct in total, mounted in 9ct gold, fitted with a spring grip R 3 000 - R 3 500

1249 A DIAMOND ETERNITY RING

designed as a central raised band of pavé-set old- and single-cut diamonds flanked on either side by plain bands, mounted in 18ct white and yellow gold R 500 - R 700

1250 A PAIR OF GREEN TOURMALINE

1247 A SAPPHIRE AND DIAMOND RING

the central oval motif pavé set with three oval sapphires, surrounded by round brilliantcut diamonds weighing approximately 0,32cts in total, mounted in 14ct gold R 3 000 - R 5 000

EARSTUDS

each tube set with a rectangular step-cut green tourmaline, mounted in 18ct gold, with 9ct gold butterflies (2) R 800 - R 1 000

1251 A GREEN TOURMALINE RING

1248 A PINK TOURMALINE AND DIAMOND RING

centring on a rectangular mixed-cut pink tourmaline weighing approximately 2,38cts, surrounded by diamonds, mounted in 18ct yellow and white gold R 2 500 - R 3 000

the broad tapering shank centring on an oval mixedcut citrine flanked on either side with a band of pavé-set round brilliant-cut diamonds weighing approximately 0,37cts in total, mounted in 18ct gold R 2 000 - R 3 000

1254 AN 18CT GOLD NECKLACE

designed as a fringe of identical hollow links 45cm in length, weighing 36,8g R 4 500 - R 5 500

1255 A DIAMOND RING

of geometric design, channel set with round brilliantcut diamonds weighing approximately 0,63cts in total, mounted in 18ct gold R 2 500 - R 3 500

centring on a tube set step-cut green tourmaline weighing approximately 5,0cts within a C-scroll surround, mounted in 14ct gold R 4 000 - R 6 000

1252 A GENTLEMAN'S DIAMOND

1252

SIGNET RING

star set with a round brilliantcut diamond weighing approximately 1,19cts, mounted in 18ct yellow gold, shank split at solder joint ILLUSTRATED

R 15 000 - R 20 000

1256 AN 18CT GOLD NECKLACE

each link of geometric design with polished and textured finish approximately 78cm in length, weighing 86,8g R 13 000 - R 15 000

CAPE TOWN, 5 & 6 OCTOBER 2010 • 203

1259

1261

1263

A PEARL NECKLACE

AN EMERALD AND DIAMOND

A BLACK OPAL, DIAMOND AND

comprising a single strand of 39 South Sea cultured pearls, graduated in size, approximately 10mm to 12mm in diameter, silver white in colour, the clasp embellished with pavé-set round brilliant-cut diamonds weighing approximately 0,10cts, mounted in 14ct white and rose gold

RING

CULTURED PEARL NECKPIECE,

centring on a rectangular step-cut emerald weighing approximately 0,35cts, within a surround of round singlecut diamonds weighing approximately 0,19cts in total, mounted in 18ct white and yellow gold

PETER GILDER

ILLUSTRATED ON OPPOSITE PAGE

the three strands of graduating pearls suspending bars pavé set with round brilliant-cut diamonds weighing approximately 0,38cts in total, the clasp centring on an oval black opal weighing approximately 3,33cts, mounted in 18ct gold, impressed maker's marks

R 85 000 - R 90 000

R 6 000 - R 8 000

R 4 000 - R 6 000

1257 DETAIL

1257 A PEARL AND DIAMOND PENDANT

comprising a single South Sea cultured pearl, of yellow golden brown colour, offround in shape, approximately 18mm in diameter, suspended below a surmount channel set with baguette-cut diamonds and tube set with a round brilliant-cut diamond, total diamond weight approximately 0,63cts, mounted in 14ct white gold; and A 14ct White Gold Belcher-link Chain (2) PART ILLUSTRATED

R 18 000 - R 20 000

1258

1260

A PEARL NECKLACE

A DIAMOND PENDANT

comprising a single strand of 29 South Sea cultured pearls, semi-baroque, graduated in size, approximately 12mm to 14mm in diameter, golden yellow colour, with spiralfluted 18ct gold clasp ILLUSTRATED

R 100 000 - R 120 000

of organic design, claw set with nine round brilliantcut diamonds weighing approximately 2,60cts in total, mounted in 18ct gold; and An 18ct Gold Chain, comprising fluted bars alternating with oval-link chain 42,5cm in length, weighing 18,3g (2) PART ILLUSTRATED ON OPPOSITE PAGE

R 20 000 - R 30 000

1258

1262

1264

A DIAMOND ETERNITY RING

A CULTURED PEARL BROOCH

designed as an 18ct white gold band pavé set with round brilliant-cut diamonds weighing approximately 1,35cts in total, flanked on either side by an 18ct yellow gold band with textured finish

designed as a stylised floral spray, mounted in 9ct white gold

R 7 000 - R 9 000

204 • DECORATIVE AND FINE ARTS

R 1 500 - R 2 000

1265

1267

1269

A SAPPHIRE AND DIAMOND

TWO 18CT GOLD RINGS

A SOLITAIRE DIAMOND RING

BRACELET

one designed with a central knot motif, the other domed with bands of matt-textured fluting total weight 24,8g (2)

claw set with a round brilliantcut diamond weighing approximately 0,54cts, mounted in 18ct white and yellow gold

R 1 500 - R 2 000

R 3 000 - R 4 000

composed of textured and polished tapering rectangular links, claw set to the centre with oval mixed-cut sapphires, graduated in size, alternating with round brilliant-cut diamonds weighing approximately 0,21cts in total, mounted in 18ct white and yellow gold approximately 18cm in length

1270 AN 18CT WHITE AND YELLOW GOLD BRACELET

designed as chevron-shaped links of alternating colours strung on two chains, signed Antonio Fallaci approximately 19cm in length, weighing 57,2g

R 7 000 - R 9 000

1259

1260 DETAIL

1272 TWO 9CT GOLD BANGLES

each designed as a twisted wire cuff total weight 80,4g (2) R 4 000 - R 6 000

1273 A 14CT GOLD OMEGA-LINK CHAIN

repair 43cm in length, weight 29,4g R 1 500 - R 2 000

1266

1268

1271

AN 18CT GOLD BRACELET

A 9CT GOLD CHAIN NECKLACE

A DIAMOND RING

each link designed as a filigree disc 18cm in length, weighing 42,3g

AND BRACELET

composed of flattened curb links, can be worn together to form a longer length necklace, 82cm in length together, total weight 80,4g (2)

the central motif of nugget form, claw set with seven round brilliant-cut diamonds weighing approximately 1,31cts in total, mounted in 18ct gold

R 3 000 - R 5 000

R 8 000 - R 10 000

R 4 500 - R 6 000

1274 A DIAMOND HINGED BANGLE

the central motif comprising two rows of pavé-set round brilliant-cut diamonds weighing approximately 0,48cts in total, mounted in 9ct white and yellow gold R 2 000 - R 3 000

CAPE TOWN, 5 & 6 OCTOBER 2010 • 205

1275

1279

1284

1289

A DOUBLE-STRAND CULTURED

A CHATOYANT

A GREEN TOURMALINE PENDANT

A CULTURED PEARL NECKLACE

PEARL NECKLACE

AQUAMARINE AND

NECKPIECE

comprising 48 and 53 pearls respectively, diameter of pearls approximately 6,5 to 7,0mm, with a 14ct white gold clasp designed as stylised leaves and embellished with circular-cut sapphires and cultured pearls

DIAMOND RING

the pendant of organic design, claw set with a cross-section of tourmaline crystal, mounted in silver; and A Gem-set Silver Pendant, set with cut and polished fluorites, with a silver box-link chain (2)

comprising a single strand of 35 pearls, each pearl semibaroque, pale apricot in colour, approximately 11 to 13mm in diameter, with a silver ball clasp

of asymmetrical design, with a rectangular cabochon chatoyant aquamarine and a round brilliant-cut diamond weighing approximately 0,05ct, mounted in 9ct gold; and A 9ct Gold Bangle, set with a rectangular cabochon chatoyant aquamarine (2)

PART ILLUSTRATED

R 4 000 - R 6 000

R 2 000 - R 2 500

1280 1275 DETAIL

1276 A DIAMOND RING

with three marquisecut diamonds weighing approximately 0,21cts in total, flanked on either side with scroll details, the shank comprising alternating plain and twisted wire bands, mounted in 18ct white and yellow gold R 900 - R 1 000

1277

R 2 500 - R 3 500

1278

R 1 500 - R 2 000

STONE AND DIAMOND PENDANT

A TOURMALINE AND PERIDOT RING

the rectangular step-cut blue/ green tourmaline weighing approximately 2,5cts, flanked on either side by round cabochon peridots, mounted in 9ct gold R 1 200 - R 1 500

1282 A GARNET RING

of asymmetrical design, with a rectangular mixed-cut garnet and two round garnets, mounted in 9ct gold R 800 - R 1 000

GEORG JENSEN

AN AGATE PENDANT NECKPIECE

206 â&#x20AC;˘ DECORATIVE AND FINE ARTS

the wire neckpiece suspending a pendant set with a large oval cabochon mauve-coloured agate, a demi-lune sugalite and an oval mixed-cut garnet, mounted in 9ct gold

R 1 000 - R 1 200

1283

R 2 000 - R 3 000

A GEM-SET PENDANT NECKPIECE

1286

A SILVER CHAIN BRACELET,

composed of rolo chain links with toggle clasp approximately 22cm in length, accompanied by original box

ONYX BEADS

1285

with two oval mixed-cut peridots, mounted in 9ct gold

1281

the wire neckpiece with a pendant suspending two agate rings, mounted in silver R 800 - R 1 000

1290 A NECKLACE OF FACETED GREEN

A PERIDOT RING

A PAIR OF DIAMOND EARSTUDS

each claw set with a round brilliant-cut diamond, weighing approximately 0,50cts and 0,59cts respectively, butterflies associated, one diamond chipped (2)

R 1 200 - R 1 500

R 4 000 - R 6 000

approximately 45cm in length R 1 500 - R 2 000

1291 A NECKLACE OF TOURMALINE BEADS

composed of variously coloured and shaped beads approximately 43,5cm in length R 2 000 - R 3 000

A CARVED MAUVE JADE-LIKE

in the form of two fish, embellished with two round brilliant-cut diamonds weighing approximately 0,024cts in total, mounted in 9ct gold

1292 A NECKLACE OF FACETED IOLITE BEADS

approximately 47,5cm in length R 1 500 - R 2 000

R 1 500 - R 1 800

1293 A NECKLACE OF CARVED

1287 A CARVED JADE PENDANT

in the form of a Dog of Fo, suspended from a carved jade, silver and glass bead necklace

TURQUOISE AND HOWLITE BEADS

graduated in size approximately 60cm in length R 4 000 - R 6 000

R 1 200 - R 1 500

1294 A PAIR OF JADE, AGATE AND

1288 A CULTURED PEARL NECKLACE

comprising a single strand of 35 pearls, each pearl semibaroque, pale pink in colour, approximately 11,5 to 13mm in diameter, with a silver ball clasp

PEARL EARRINGS

each with a large carved jade bead suspended below variously shaped agate beads and pearls (2) R 700 - R 900

R 4 000 - R 6 000

END OF SALE

An iinvitation A it ti tto o cconsign onsign W Watches atches & JJewellery eweller y

Jewellery aand Jewellery nd W Watches atches fform or m aan n iintegral n te g r a l p part ar t o off SStephan tephan W Welz elz and and Company’s Company’s aannual nnual aauction uction calendar. calendar. These These eagerly eagerly awaited awaited sales s a l es are are held held three three times times a year year in in Johannesburg Johannesburg and and we we are are delighted delighted to to now now be be offering off ffe ering the the same same service service in in Cape Cape Town. Town. Valuations are obligation-free obligation--free and confi confidential. dential. The T he C Cape ape TTown own sspecialists pecialists iin n ccharge harge o off tthis his d department epartment are are Cora Cora Welz off Welz and and Jennifer Jennifer Schultz. Schultz. Cora Cora has has been been Johannesburg’s Johannesburg’s Head Head o Jewellery’s Jewellery’s right-hand right-hand person person in in Cape Cape Town Town for for the the past past ten ten years years and and is is a familiar familiar face face to to many many of of our our Cape Cape Town Town clients. clients. Jennifer Jennifer holds holds a dual dual position position in in both both the the Ceramics Ceramics and and Jewellery Jewellery departments. Jennifer Jennifer completed completed a National National Diploma Diploma in in Jewellery Jewellery departments. design design at at CPUT CPUT where where she she won won numerous numerous national national awards awards ffor or h her er designs. designs. Cora Cora and and Jennifer Jennifer are are the the perfect perfect foil foil in in a department department where where clients’ clients’ tastes tastes vary vary from from pre-Victorian pre-Victorian to to more more contemporary contemporary pieces. pieces.

Cora C ora W Welz elz

SSOLD OLD A An nU Unmounted nmounted TTrillion-shaped rillion-shaped M Mixed-cut ixed-cut C Citrine itrine R R4 46 600 00 R R179 179 2 200 00

SSOLD OLD A Green Green TTourmaline ourmaline aand nd D Diamond iamond D Dress ress R Ring ing SSOLD OLD A Diamond Diamond B Bracelet racelet R R76 76 1 160 60

Next Cape Cape Town Town Auction Auction Next February February 2011 2011 Entries Entries close close ten ten weeks weeks before before the the sale sale dates dates CAPE CAPE TTOWN OWN The The Great Great Cellar, Cellar, Alphen Alphen H Hotel otel A Alphen lphen D Drive rive C Constantia onstantia 77806 8 06 PPO O Box Box 818, 818, Constantia Constantia 7848 7848 TTel: el: 021 021 7794 94 6461 6461 Fax: Fax: 021 021 7794 94 66621 621 ct@swelco.co.za ct@swelco.co.za

JJennifer ennifer SSchultz chultz

SSOLD OLD A pair pair o off D Diamond iamond SStud tud EEarrings arrings

KINDLY K INDLY C CONTACT ONTACT Cora Welz Welz Cora o orr JJennifer ennifer Schultz Schultz o n on 021 021 7794 94 6461 6461 at at tthe he Cape TTown own ofﬁce ofﬁce Cape for fu r ther details. details. for further

R R16 16 8 800 00

IMPORTANT NOTICE TO PROSPECTIVE BIDDERS Glossary of Cataloguing Terms The following are examples of the terminology used in this catalogue. Please note that any statement made in this catalogue as to authorship, attribution, period, date, age, culture, source, provenance, condition or origin for any property are qualified statements, not to be taken as a statement of fact, and are made subject to the provisions of the Conditions of Business and Terms of Sale by Auction printed in this catalogue. We reserve the right in forming our opinion, to consult and rely upon any expert or authority considered by us to be reliable. Ceramics Fine Meissen Cup and Saucer; circa 1735 This title states three things: the cup and saucer are in excellent condition, both pieces were made at the Meissen factory, and they were made around the year 1735. The adjective ‘fine’ is the only adjective used in a title to describe condition of important lots. Meissen Cup and a Saucer, circa 1735 This states that the cup and saucer were made at the Meissen factory around 1735, but it also indicates that the cup and saucer may not have been ‘born’ together. Meissen Cup and Saucer, 1730-50 This states that the cup and saucer were made at the Meissen factory some time between 1730 and 1750. Meissen Cup and Saucer, dated 1735 This states that the cup and saucer were made at the Meissen factory and that the date 1735 appears within the decoration, although it may not be the actual year of manufacture. Only in the case of factories such as Sêvres, Frankenthal and Vienna, which incorporated date letters or numbers into their marks, does the term ‘dated’ mean the actual year of manufacture. Meissen Cup and Saucer, 19th Century This states that the cup and saucer are of the factory Meissen, and of the century specified. Meissen Cup and Saucer This title without a date simply states that the pieces were made at the Meissen factory, but does not specify when, implying that their age is questionable. Works of Art 1 Thomas Baines In our opinion a work by the artist. When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. 2 Attributed to Thomas Baines In our opinion probably a work by the artist but less certainty as to authorship is expressed than in the preceding category. 3 Studio of Thomas Baines In our opinion a work by an unknown hand in the studio of the artist which may or may not have been executed under the artist’s direction. 4 Circle of Thomas Baines In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. 5 Style of …: Follower of Thomas Baines

In our opinion this is a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil.

208 • DECORATIVE AND FINE ARTS

6 Manner of Thomas Baines In our opinion a work in the style of the artist and of a later date. 7 After Thomas Baines In our opinion a copy of a known work of the artist. 8 The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist. 9 The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand. 10 Dimensions are given height before width. 11 Pictures are executed in oil on canvas and framed unless otherwise stated. Sculpture Casts in bronze, terracotta and other material are catalogued with the full name and dates of the artist who created the original model. In most cases, however, this does not mean that the cast is by the hand of the artist of that precise date, but rather cast after the model by that artist. Upholstered Furniture Whilst every care is taken in cataloguing these items, no guarantee can be given to the originality of the timber covered by upholstery of fabric. Condition of Lots Offered for Sale We are pleased to give a condition report on request. Nevertheless, intending buyers are reminded that all lots are sold as shown and their attention is drawn to Clause 14 of the Conditions of Business. The absence of reference to condition of the lot in the catalogue description does not imply that the lot is free from faults or imperfections.

Catalogue Credits

Articles on lots 549, 550, 562, 570, 571, 618 and 619 researched and written by Phillippa Duncan Article on lots 599 researched and written by Cate Wood Hunter Articles on lots 628 and 636 researched and written by Ian Hunter Photography Les Hammond Printing Hansa Layout and Reproduction Scan Shop

PAYMENT AND DISPATCH OF PURCHASES Methods of Payment Payment is due immediately after the sale and may be made by the following methods: Cash, Cheque, Banker’s Draft, Wire Transfer and accepted Credit Cards. 1 Cash It is against our general policy to accept cash payment in excess of R5 000 (Five thousand South African Rand). However, cash can be paid directly into our Call Account: Stephan Welz & Co. (Pty) Ltd First National Bank RMB Private Bank Branch, Johannesburg Johannesburg Branch Code: 261-251 Call Account No. 61037110329 We will accept the original deposit slip as proof of payment. Purchases will not be released until payment has been cleared by the bank. 2 Cheque and Banker’s Drafts South African Rand Cheques and Banker’s Drafts should be made payable to: Stephan Welz & Co (Pty) Ltd. Please include your name and invoice number as a reference with your instructions to your bank. Purchases will not be released until payment has been cleared by the bank.

3 Bank Transfers in South African Rands These should be transferred to: Stephan Welz & Co. (Pty) Ltd First National Bank RMB Private Bank Branch, Johannesburg Johannesburg Branch Code: 261-251 Current Account No.: 50370039792 Swift Transfer FIRNZAJJ Please include your name and invoice number as a reference with your instructions to your bank. Purchases will not be released until payment has been cleared by the bank. 4 Credit Cards Payment by accepted credit cards will be accepted only within 48 hours of the date of the sale. Thereafter, please use an alternative method of payment as indicated above. Diners and American Express credit cards will not be accepted. Dispatch of Purchases All purchases must be removed by 12 noon on the day following the sale, after which all purchased lots will be placed in storage and will be subject to removal, handling and storage charges. Purchases will be dispatched as soon as possible upon receipt of the buyer’s written dispatch instructions, full payment for the lots bought and any export licences that may be required. Dispatch costs will be at the buyer’s expense. Estimates and advice on all methods of dispatch can be provided upon request and enquiries should be marked for the attention of our Shipping Department.

Insurance cover must be arranged by the buyer and will be at the buyer’s expense. Lots will be released to the buyer or his/her authorized representative, herein duly authorised under deed of power of authority, only if full payment has been received by us together with settlement of any removal, handling and storage charges due. 1. Methods of Dispatch for Overseas and Neighbouring Country Buyers After an auction, only limited assistance with packing and/or loading of purchases is available from the staff of Stephan Welz & Co. Where such assistance is rendered, no liability will devolve on Stephan Welz & Co. or its staff for any damage that may arise, from whatever cause, during such packing and/or loading. Applications for Export Permits The Buyer shall be responsible for obtaining any export licence that may be required. Endangered Species Any item made of or incorporating animal material such as ivory, irrespective of value, will require a specific permit from the Department of Nature Conservation prior to exportation. The Buyer shall be responsible for obtaining the CITES certificates. Airmail Dispatch via this method will depend upon the size and weight stipulated by the postal authorities. Quotations for packing and postage are available upon request. Surface mail Dispatch is as for airmail but at a cheaper rate. Purchases take considerably longer to arrive at their destinations. Quotations for packing and postage are available upon request. Airfreight This is suitable for all items, worldwide. Unless otherwise specified, dispatch is arranged by our nominated agent. Quotations for packing and dispatch are available upon request. Seafreight This is often more economical for larger consignments, such as furniture. Unless otherwise specified, dispatch is arranged by our nominated agent at your risk. Quotations for packing and dispatch are available upon request. 2. Methods of Dispatch for Local Buyers After an auction, only limited assistance with packing and/or loading of purchases is available from the staff of Stephan Welz & Co. Where such assistance is rendered, no liability will devolve on Stephan Welz & Co. or its staff for any damage that may arise, from whatever cause, during such packing and/or loading. Air and Surface Mail Dispatch via this method will depend upon the size and weight stipulated by the postal authorities. Quotations for packing and postage are available upon request. Road This is suitable for all items too large or fragile for dispatch by mail. Unless otherwise specified, dispatch is arranged by our nominated agent at your risk. Quotations for packing and dispatch are available upon request.

17 July 2008

CAPE TOWN, 5 & 6 OCTOBER 2010 • 209

art

South Africaâ&#x20AC;&#x2122;s dedicated art & antiques insurance specialist Call 0861 111 096 or visit www.artinsure.co.za

I N S U R E An authorised Financial Services Provider.

ABSENTEE / TELEPHONE BID FORM Bidder Number (for office use only)

Sale Title:

Decorative and Fine Arts

Physical address:

Postal address:

Sale Date:

5 & 6 October 2010

The Great Cellar

Stephan Welz & Co. (Pty) Ltd

Alphen Hotel

P O Box 818

Alphen Drive, Constantia

Constantia 7848

Sale Location: Cape Town Sale Number: SA1006

Fax or Email your bid to: Stephan Welz & Co (Pty) Limited Telephone: +27 (0) 21 794 6461 Fax: + 27 (0) 21 794 6621 Email: ct@swelco.co.za

ABSENTEE BID Please bid on my behalf at the above sale for the following lot(s) up to the price(s) listed below. These bids are to be executed as cheaply as is permitted by other bids and reserves.

TELEPHONE BID Please call me at the telephone numbers listed below. Telephone bids can be requested for lots in excess of R5,000. We also suggest that you leave a maximum bid which we will execute on your behalf in the event that we are unable to reach you by telephone. Stephan Welz & Co. will do its best to accommodate telephone bids from buyers who have made proper arrangements at least 24 hours prior to the sale and subject to the availability of sufficient telephone lines. Because this method cannot be entirely free from risk of communication breakdown, Stephan Welz & Co. cannot be held responsible for losses arising from missed bids. Stephan Welz & Co. reserves the right to record telephone bidding, and all bidders consent to such recording. Telephone Bids Only: Telephone numbers during sale: 1)

I understand that in the case of a successful bid, a premium of 15% will be added to the hammer price on each lot selling at R5,000 or less and of 12% on each lot selling in excess of R5,000. VAT at 14% is payable on the premium. Where a lot is indicated by a dagger â&#x20AC; in the catalogue, VAT at 14% is also payable on the hammer price. Bids should be written clearly and received 24 hours prior to each session. Late arrivals might not be processed. Lot Number

Title/Description

R Bid Price (excluding premium and VAT)

R R R R R R R R R R Please register the bid in the name of: Invoice address:

Postal Code Invoice to be faxed to: Telephone (home):

Telephone (work):

Please acknowledge receipt of my bid(s) to Signed

Date

I have entered into a binding contract to purchase the lots and I agree to comply with the Conditions of Business as printed in the catalogue and any notice of sale that may be issued. 10/08 See next page for Guide for Absentee Bidders/Method of Payment/Shipping Instructions form

METHODS OF PAYMENT AND DISPATCH Methods of Payment of Purchases Payments to be made to Stephan Welz & Company (Pty) Limited. Payment is due immediately after the sale and may be made by the following methods: Cash – it is against our general policy to accept cash payment in excess of R5 000 (Five thousand South African Rand). However, cash can be paid directly into our Call Account. Cheque, Banker’s Draft and Wire Transfer. Credit Cards (except Diners and American Express) will be accepted within 48 hours of the date of the sale. Bank account details: Purchases will not be released until payment has been cleared by the bank. Stephan Welz & Co. (Pty) Ltd First National Bank RMB Private Bank Branch, Johannesburg Johannesburg Branch Code: 261-251 Current Account No.: 50370039792 Call Account No. 61037110329 Overseas bank transfers – please quote Swift Transfer FIRNZAJJ Please include your name and invoice number as a reference with your instructions to your bank. We will accept the original deposit slip as proof of payment. Dispatch of Purchases After an auction, only limited assistance with packing and/or loading of purchases is available from the staff of Stephan Welz & Co. Where such assistance is rendered, no liability will devolve on Stephan Welz & Co. or its staff for any damage that may arise, from whatever cause, during such packing and/or loading. All purchases must be removed by 12 noon on the day following the sale, after which all purchased lots will be placed in storage and will be subject to removal, handling and storage charges. Purchases will be dispatched as soon as possible upon receipt of the buyer’s written dispatch instructions, full payment for the lots bought and any export licences that may be required. Dispatch costs will be at the buyer’s expense. Estimates and advice on all methods of dispatch can be provided upon request and enquiries should be marked for the attention of our Shipping Department. Insurance cover must be arranged by the buyer and will be at the buyer’s expense. Import, Export, Copyright Restrictions and Licences Swelco makes no representations or warrantees as to whether any lot is subject to import, export, copyright and licence restrictions. It is the buyer’s sole responsibility to obtain any copyright clearances or any necessary import, export or other licence required by law, including licences required under the Convention of the International Trade in Endangered Species (CITES). No firearms will be delivered to any purchaser until he/she has produced for the inspection of agents for the auctioneers, a valid firearm licence or collector’s permit in terms of the laws of South Africa in respect of each lot purchased. No sale will be cancelled without proof to the satisfaction of Swelco that application was made for such licence or collector’s permit. The onus is on the purchaser to apply for such licence or permit.

CREDIT CARDS These are acceptable, provided payment is received within 48 hours of the sale date. PLEASE WRITE IN BLOCK LETTERS If I am successful in any absentee/telephone bid, please debit my credit card with the full amount due. Please tick appropriate box: Visa

Mastercard

excluding Diners & Amex

Name on card I.D. no. of cardholder Nationality and Passport no. of cardholder (foreign buyers only) Card no. Expiry Date

3 or 4 digit code on reverse

Signature

Date

SHIPPING INSTRUCTIONS Please complete this part of the form to arrange for the dispatch of your purchases through one of our nominated shipping agents, at your expense. Collection from Alphen I will personally collect my purchases

[YES]

Mr/Mrs

[NO]

will collect on my behalf.

ID no. My nominated shipper: Tel no.

will collect on my behalf on

Local Shipments Please arrange to have my purchases delivered to the address below (if different from the one on the Absentee Bid Form) Please arrange transit insurance at the rate as charged by the shipper (+VAT) Please send a quotation before shipping Collection from the Johannesburg Office Please arrange to have my purchases sent, at my expense, to Stephan Welz & Co., Rosebank Please arrange transit insurance at the rate as charged by the shipper (+VAT) Please send a quotation before shipping The cost will be added to your invoice

/2010.

[YES] [YES] [YES]

[NO] [NO] [NO]

[YES] [YES] [YES]

[NO] [NO] [NO]

[YES] [YES]

[NO] [NO]

International Shipments Please indicate your preferred method of Shipment: Courier Air Freight Sea Freight Please arrange transit insurance at the rate as charged by the shipper (+ VAT) Please send a quotation before shipping

Licences: Should any of your purchases require a licence prior to export, please apply for them directly Delivery Address (If different from the address overleaf)

Please charge my credit card as indicated above I will pay the shipper direct

Contact Brenim Mettler 084 504 6096 021 447 5104 movers@telkomsa.net Our Services Include: Secure Storage at Affordable Rates Antique Furniture Moving Single Item Collections Household Contents Auction Deliveries Piano Moving Offices Flats

CONDITIONS OF BUSINESS Stephan Welz & Company (Pty) Limited, hereinafter referred to as Swelco, carries on business (whether with actual or prospective buyers and sellers or consignors requiring inspection, appraisal or valuation of property or persons reading catalogues or otherwise) on the following terms and conditions and on such other terms, conditions and notices as may be set out in any relevant catalogue.

a) give to Swelco his/her name and address and, if so requested, proof of identity; b) pay to Swelco (see method of payment options to Stephan Welz & Company (Pty) Limited the ‘total amount due’;

The contents of any catalogue are subject to amendment by the posting of notices, by oral announcement made by the auctioneer prior to or during the sale, or by way of an agreement in writing signed by the parties concerned.

c) any payments by a buyer to Swelco may be applied by Swelco towards any sums owing by the buyer to Swelco on any account whatever without regard to any directions of the buyer or his/her agent, whether express or implied.

The deﬁnitions of words and phrases with special meanings appear in Condition 41.

Conditions mainly concerning Buyers 1.

The buyer All lots will be invoiced to the name and address given at the time of registration and the issue of an allocated buyer’s number and cannot be transferred to other names and addresses. The highest bidder will be the buyer at the ‘hammer price’ and any dispute will be settled at the auctioneer’s absolute discretion. Every bidder will be deemed to act as principal unless there is in force a written acknowledgement by Swelco that he/she acts as agent on behalf of the named principal.

Minimum increment The auctioneer will have the right to refuse any bid which does not exceed the previous bid by at least 5% or by such other proportion as the auctioneer will in his/her absolute discretion direct.

The premium A buyer’s premium of 12% is payable on the hammer price for lots selling in excess of R5,000 and at 15% for lots selling at R5,000 or less for Fine and Decorative Arts, Books, Collectables, Jewellery, Silver, Furniture, Watches, Clocks, Carpets and Ceramics. A buyer’s premium of 17% is payable on the hammer price for Postage Stamps, Postal History, Coins, Medals, Militaria, Memorabilia and Models. VAT at the prevailing rate is applicable on such premium irrespective of the buyer’s domicile. The buyer agrees that Swelco, when acting as agent for the seller, may also receive commission from the seller in accordance with Condition 18.

Valued Added Tax (VAT) Swelco acts as agent on behalf of the seller and should the seller be registered as a South African VAT vendor and has informed Swelco that his lots must be charged with VAT, then such lots will be indicated in the catalogue with the symbol “†” and VAT at the prescribed rate will be charged on the hammer price and will be payable by the buyer.

Absentee bids Upon request, Swelco shall execute absentee bids on behalf of intending buyers. Absentee bids are a service provided by Swelco for the buyers’ beneﬁt and Swelco cannot be held responsible for errors or omissions with respect to the bidding process. Lots will be bought as cheaply as is allowed by other bids placed and the seller’s reserves. In the event of identical bids, the earliest will take precedence. When absentee bids are placed by telephone they are accepted at the buyer’s risk, and must be conﬁrmed prior to the sale by letter or facsimile. To ensure a satisfactory service, bidders are urged most strongly to send bids so that they are received at least 24 hours before a sale.

Telephone bids Swelco will do its best to accommodate telephone bids from buyers who have made proper arrangements at least 24 hours prior to the sale and subject to the availability of sufﬁcient telephone lines. Because this method cannot be entirely free from risk of communication breakdown, Swelco cannot be held responsible for losses arising from missed bids. Stephan Welz & Co. reserves the right to record telephone bidding, and all bidders consent to such recording.

Company property It is the general policy of Swelco to act as agent only for the seller. Circumstances do, however, arise from time to time where Swelco or its director/s may have an interest in a lot or lots being offered. In the catalogue, such lots are designated “*” next to the lot number.

214 • DECORATIVE AND FINE ARTS

Payment Immediately after a lot is sold the buyer will:

Credit terms Swelco may, before the auction, at its absolute discretion, agree credit terms with the buyer under which the buyer will be entitled to take possession of lots purchased up to an agreed amount in value in advance of payment by a determined future date of the ‘total amount due’.

10. Collection of purchases The ownership of the lots purchased will not pass to the buyer until he/ she has made payment in full to Swelco (see method of payment options to Stephan Welz & Company (Pty) Limited) of the ‘total amount due’. After an auction, only limited assistance with packing and/or loading of purchases is available from the staff of Swelco. Where such assistance is rendered, no liability will devolve on Swelco or its staff for any damage that may arise, from whatever cause, during such packing and/or loading. The buyer will at his/her own expense collect the lot purchased immediately after the auction and will be responsible for all packing, removal, storage and insurance charges.

11. Buyer’s responsibility for lots purchased The buyer will be responsible for the loss of or damage to lots purchased from the time of auction to date of collection. Swelco nor its servants or agents will thereafter be responsible for any loss or damage of any kind, whether caused by negligence or otherwise, while any lot is in its custody or under its control.

12. Import, Export, Copyright Restrictions and Licences 12.1 Swelco makes no representations or warrantees as to whether any lot is subject to import, export, copyright and licence restrictions. It is the buyer’s sole responsibility to obtain any copyright clearances or any necessary import, export or other licence required by law, including licences required under the Convention of the International Trade in Endangered Species (CITES). 12.2 No ﬁrearms will be delivered to any purchaser until he/she has produced for the inspection of agents for the auctioneers, a valid ﬁrearm licence or collector’s permit in terms of the laws of South Africa in respect of each lot purchased. No sale will be cancelled without proof to the satisfaction of Swelco that application was made for such licence or collector’s permit. The onus is on the purchaser to apply for such licence or permit.

13. Remedies for non-payment or failure to collect purchases 13.1 If any lot is not paid for in full and taken away in accordance with Conditions 8 and 10, or if there is any other breach of either of those conditions, Swelco as agent of the seller will, at its absolute discretion and without prejudice to any other rights it may have, be entitled to exercise one or more of the following rights and remedies: a) to proceed against the buyer for payment and/or damages for breach of contract; b) to rescind the sale of that or any other lots sold to the defaulting buyer at the same or at any other auction; c) to resell the lot or cause it to be resold by public auction or private sale and the defaulting buyer will be liable to pay to Swelco any resulting deﬁciency in the ‘total amount due’ (after deduction of any part payment and addition of resale costs) and any surplus will belong to the seller; d) to remove, store and insure the lots at the expense of the defaulting buyer and, in the case of storage, either at Swelco’s premises or elsewhere;

e) to charge interest at a rate not exceeding 2% per month on the ‘total amount due’ to the extent it remains unpaid for more than 5 working days after the day of the auction; f) to retain that or any other lot sold to the same buyer at the same time or at any other auction and release it only after payment of the ‘total amount due’; g) to reject or ignore any bids made by or on behalf of the defaulting buyer at any future auctions or require and receive a deposit in an amount determined by Swelco before accepting any bids in future; h) to apply any proceeds of sale then due or at any time thereafter becoming due to the defaulting buyer towards settlement of the ‘total amount due’ and to exercise a lien on any property of the defaulting buyer which is in Swelco’s possession for any purpose. 13.2 Legal Costs The buyer shall be responsible for the payment of Swelco’s legal costs calculated on the scale as between attorney and its own client incurred in the enforcement of Swelco’s rights irrespective of whether Swelco institute legal proceedings or not.

14. Liability of Swelco and sellers a) Goods auctioned are usually of some age. All goods are sold “voetstoets” (as is) with all faults and imperfections and errors of description. Illustrations in catalogues are for identification only. Buyers should satisfy themselves prior to sale as to the condition of each lot and should exercise and rely on their own judgement as to whether the lot accords with its description or not. Subject to the obligations accepted by Swelco under this condition, neither the seller, Swelco, its servants or agents is/are responsible for errors of descriptions or for the genuineness or authenticity of any lot. No warranty whatever is given by Swelco, its servants or agents, or any seller to any buyer in respect of any lot, and any express or implied conditions or warranties are hereby excluded. b) Any lot which proves to be a ‘deliberate forgery’ (which will only be the case if an expert appointed by Swelco for such purposes confirms same in writing) may be returned by the buyer (as his sole remedy hereunder or at law) to Swelco within 21 days of the date of auction in the same condition in which it was at the time of the auction, accompanied by a statement of defects, the number of the lot, and the date of the auction at which it was purchased. If Swelco is satisfied that the item is a ‘deliberate forgery’ and that the buyer has and is able to transfer a good and marketable title to the lot, free from any third-party claims, the sale will be set aside and any amount paid in respect of the lot will be refunded, subject to the express condition that the buyer will have no rights or claims against Swelco if: i) the description in the catalogue at the date of the sale was in accordance with the then generally accepted opinion of scholars and experts or fairly indicated that there was conflict of such opinion; or ii) the only method of establishing at the date of publication of the catalogue that the lot was a ‘deliberate forgery’ was by means of a scientific process not generally accepted for use until after publication of the catalogue, or by a process which was unreasonably expensive or impractical. c) A buyer’s claim under this condition will be limited to any amount paid in respect of the lot and will not extend to any loss or damage of whatsoever nature suffered, or expense incurred by him/her. d) The benefit of this condition will not be assignable and will rest solely and exclusively in the buyer who, for the purpose of this condition, will be and only be the person to whom the original invoice is made out by Swelco in respect of the lot sold.

15. Treatment & Condition of Gemstones Traditionally, gemstones have been treated by a variety of techniques to enhance colour and generally to improve their appearance. Typically, rubies and sapphires have been heat treated and emeralds have been treated by oil or resin to improve colour and clarity. These or other techniques, such as dyeing, irradiation, coating and impregnation, may be used on other gemstones. Although it is widely believed that heat treatments are permanent, buyers should assume that any treatment may not be permanent and that over time special care of the stone may be required. Prospective buyers are reminded that, unless the catalogue description speciﬁcally states that a stone is natural, Swelco have assumed that some form of treatment may have been used and that such treatment may not be permanent.

To the extent that Swelco has laboratory reports containing specific information on the treatment of a stone, these reports are made available for review by potential buyers. Available reports from internationally recognised gemmological laboratories will be noted in the description of the item. New forms of treatments and new scientific methods to discern them are constantly being developed. Consequently, there may be a lack of consensus among laboratories as to whether gemstones have been treated, the extent of the treatment or the permanence of the treatment. References in the catalogue descriptions to certificates or reports issued by gemmological laboratories are included only for the information of buyers, and Sweclo accepts no responsibility for the accuracy, terms or information contained in such certificates or reports. Statements in the catalogue regarding the condition of lots in this sale usually appear in the description. However, the absence of any such reference does not imply that a lot is in perfect condition or completely free from wear or imperfections. Swelco will be pleased to offer condition reports on all lots of the sale to potential buyers.

16. Wristwatches All wristwatches are sold as viewed and cannot be returned on the grounds that repairs have been carried out or parts supplied by anyone other than the named makers. Watches may not be taken apart whilst on view. Prospective buyers or their agents wishing to do so should make an appointment with the Watch Department for a private view the week before the sale. Although condition reports may be given on request, such reports are statements of opinion only and may not specify all mechanical replacements or imperfections in the movement, case and dial. All dimensions are approximate. Swelco does not guarantee the authenticity of any individual component parts, such as wheels, hands, crowns, crystals, screws, bracelets and leather bands, since subsequent repairs and restoration work may have resulted in the replacement of original parts. Straps made of material derived from endangered or otherwise protected species (i.e. alligator and crocodile) are not sold with the watches and are for display purposes only. Swelco reserve the right to remove these straps prior to shipping. Furthermore, in reference to watch bands, Swelco does not guarantee the material of manufacture.

Conditions mainly concerning Sellers and Consignors 17. Inspections Swelco shall inspect items brought to its offices or viewed at seller’s domain for potential auction and will advise owners as to the value and suitability for sale within the Swelco auction trade markets. Items of insufficient value or unsuitable for the auction trade must be collected within 5 working days after having being notified. Items not collected will be sold in terms of clause 33. The service is without charge, though in certain instances it may be necessary to charge out-of-pocket and travelling expenses where the seller is out of town. Swelco reserves the right to accept or reject any item not meeting Swelco’s criteria for the auction trade markets.

18. Seller’s commission A seller’s commission of 12% is payable on the hammer price for lots selling in excess of R5,000 and 15% for lots selling for R5,000 or less for Fine and Decorative Arts, Books, Collectables, Jewellery, Silver, Furniture, Watches, Clocks, Carpets and Ceramics. A seller’s commission of 15% is payable on the hammer price for Postage Stamps, Postal History, Coins, Medals, Militaria, Memorabilia and Models. VAT at the prevailing rate is applicable on such commission irrespective of the seller’s domicile.

19. Illustration of items in catalogue The seller has an option to have items illustrated in the auction catalogue. The cost of illustration is R500 for a full page and R350 for less than a full page. VAT at the prevailing rate is payable on this amount. Swelco reserves the right to illustrate or not to illustrate a lot at their discretion.

20. Warranty of title and availability a) The seller warrants to Swelco and to the buyer that he/she is the true owner of the property or is properly authorised by the true owner and is able to transfer good and marketable title to the property, free from any third-party claims.

CAPE TOWN, 5 & 6 OCTOBER 2010 • 215

b) The seller of any property not held by Swelco on its premises or under its control, warrants and undertakes to Swelco and the buyer that the property will be available and in deliverable state on demand of the buyer. c) The seller indemniﬁes Swelco, its servants and agents and the buyer against any loss or damage suffered by either in consequence of any breach of (a) or (b) above on the part of the seller.

21. Late entries The general policy of Swelco is that once the cut-off date for the forthcoming auction has passed no other items will be accepted as late entries for that auction.

22. VAT a) VAT status The seller must give Swelco all relevant information as to his/her registered South African VAT status concerning the lot to be sold, and Swelco is entitled to rely on this information. If the seller is VAT registered he has the option of informing Swelco, who acts as agent on behalf of the seller, as to whether VAT must be charged on the hammer price or not. Once a lot has been designated vatable, a “†” symbol will appear alongside the lot number in the catalogue indicating that the hammer price will be charged VAT at the ruling rate. Swelco, acting as agent for the seller, will pay the VAT over to the seller in terms of clause 29 - Payment of sale proceeds. b) VAT on imported goods Overseas sellers consigning items for sale in South Africa will be liable for VAT on the importation of goods, at the prevailing rate, in terms of Section 13 (2) of the Customs and Excise Act. VAT will be calculated in terms of Section 65 of the Customs Act based on the transaction method, i.e. the actual amount paid or payable as a result of the contract of sale or if no sale and imported by intermediaries and sold by auction after importation, that value. Value Added Tax at the applicable rate will be deducted from the net hammer price on all such imports sent to Swelco for sale at auction together with any other costs relating to customs examination, customs clearing and delivery costs to our ofﬁces. Swelco will pay such VAT deducted to the relevant South African Revenue Services department on behalf of the seller.

23. Reserves The seller will be entitled to place, prior to the auction, a reserve on any lot, being the minimum ‘hammer price’ at which that lot may be treated as sold. A reserve once placed by the seller may not be changed without the consent of Swelco. Swelco may at its option sell at a ‘hammer price’ below the reserve, but in any such cases the sale proceeds to which the seller is entitled will be the same as they would have, had the sale been at the reserve. The auctioneer may open the bidding on any lot by placing a bid on behalf of the seller. The auctioneer may further bid on behalf of the seller, up to the amount of the reserve, by placing responsive or consecutive bids for a lot. The reserve, if any, on any one lot will not exceed the low estimate as published in the catalogue. Items under R500 will be sold without reserve.

24. Authority to deduct commission and expenses The seller authorises Swelco to deduct commission at the ‘stated’ rates, ‘illustration’ and ‘expenses’ from the ‘hammer price’ and acknowledges Swelco’s right to retain the premium payable by the buyers in accordance with Condition 3.

25. Written valuations The provision of written valuations for Insurance, Sale by Private Treaty, Estate Duty or other purposes is an important part of Swelco’s services. Valuations can be arranged through any of Swelco’s ofﬁces. Valuation fees vary according to the nature and amount of work to be undertaken and are subject to VAT at the prevailing rate, but will always be highly competitive. Swelco shall refund the valuation fee charged if the property is consigned to Swelco for sale within 4 months of the valuation.

26. Insurance Swelco will insure property (other than ‘motor vehicles’) consigned to it which is held at its business premises or place of auction, or put under its control for sale and may, at its discretion, insure property put under its control for any other purpose. The insurance cover provided will at all times be subject to the insurance excess applicable to all claims and

216 • DECORATIVE AND FINE ARTS

the terms and conditions of any relevant Swelco policy that is in force from time to time and Swelco assumes no additional liability for the property held in their possession. Save for the aforesaid insurance the property will remain at all times at the risk of the seller or consignor and neither Swelco nor its servants or agents will be responsible for any loss or damage, whether caused by negligence or otherwise. The basis of valuation for insurance purposes will be the mid price between Swelco’s low and high estimates or the amount agreed upon in writing between Swelco and the owner and/or representative of the owner thereof. If there is a reserve then such reserve will be regarded as the insured amount. The insurance will cease immediately when the property is collected by the buyer or after the ﬁnal date and time for collection as stipulated in the conditions have passed, or once delivery to the consignee (or the consignee’s nominee) at the address agreed by prior arrangement. In no event will Swelco be liable for damage to glass or picture frames. Swelco reserves the right to deduct from any insurance payout commission at the stated rates, illustration and other reasonable expenses before remitting the balance to the seller.

27. Electrical and mechanical goods The seller or consignor of electrical or mechanical goods warrants and undertakes to Swelco that the date on which the same are consigned to Swelco or put under Swelco’s control and except as previously disclosed to Swelco are safe if reasonably used for the purpose for which they were designed and free from any defect not obvious on external inspection which could prove dangerous to human life or health and hereby indemniﬁes Swelco, its servants or agents, against any loss or damage suffered by any of them in consequence of any breach of the above warranty or undertaking.

28. Rescission of the sale If before Swelco remits the ‘sale proceeds’ to the seller, the buyer makes a claim to rescind the sale under Condition 14 or otherwise and Swelco is of the opinion that the claim is justiﬁed, Swelco is authorised to rescind the sale and refund the buyer any amount paid to Swelco in respect of the lot.

29. Payment of sale proceeds Subject to Condition 20 above, Swelco will remit the ‘sale proceeds’ for Fine and Decorative Arts, Books, Collectables, Jewellery, Silver, Furniture, Watches, Clocks, Carpets and Ceramics to the seller not later than 1 month after the date of auction or, in the case of Postage Stamps, Postal History, Coins, Medals, Militaria, Memorabilia and Models within 45 days after the auction, but if by that date Swelco has not received the ‘total amount due’ from the buyer, then Swelco will remit the ‘sale proceeds’ within 5 working days after the date on which the ‘total amount due’ is received from the buyer. If credit terms have been agreed between Swelco and the buyer, Swelco will remit to the seller the sale proceeds not later than 30 or 45 days after the auction unless otherwise agreed by the seller. If the buyer fails to pay Swelco the ‘total amount due’ within 3 weeks after the auction, Swelco will endeavour to notify the seller and take the seller’s instructions as to the appropriate course of action and, so far as in Swelco’s opinion it is practicable, will assist the seller to recover the ‘total amount due’ from the buyer. If circumstances do not permit Swelco to take instructions from the seller, the seller authorizes Swelco at the seller’s expense to agree special terms for payment of the ‘total amount due’, to remove, store and insure the lot sold, to settle claims made by or against the buyer on such terms as Swelco will in its absolute discretion think ﬁt, to take such steps as are necessary to collect moneys due by the buyer to the seller and if necessary to rescind the sale and refund money to the buyer. If, notwithstanding that the buyer fails to pay to Swelco the ‘total amount due’ within 3 weeks after the auction, Swelco remits the ‘sale proceeds’ to the seller, the ownership of the lot shall pass to Swelco.

30. Charges for withdrawn lots Where a sale is cancelled for any reason whatsoever, including but not limited to a claim of ownership to the lot by a third party, Swelco may charge the full buyer’s premium and seller’s commission on Swelco’s middle estimate of the low and high estimate of the property withdrawn together with Value Added Tax thereon and “expenses” incurred in relation to the property.

31. Rights to photographs and illustrations The seller gives Swelco full and absolute right to photograph, illustrate, or otherwise produce images, of any lot placed in its hands for sale and to use such photographs and illustrations and any photographs and illustrations provided by the seller at any time at its absolute discretion (whether or not in connection with the auction).

32. Provenance Swelco may print in the catalogue the history of ownership of a lot if such information contributes to scholarship or is otherwise well known and assists in distinguishing the item. However, the identity of the seller or previous owners may not be disclosed for a variety of reasons, including a seller’s request for conﬁdentiality or because the identity of prior owners is unknown.

33. Unsold lots and uncollected items Swelco reserves the right to sell any unsold lot within 5 working days from the auction date, at the reserve price on behalf of the seller. Where any lot fails to sell after the above period, Swelco will notify the seller accordingly. Uncollected items not suitable for auction must be collected within 5 days after being notified of their unsuitability as per clause 17 and failing timeous collection they will be dealt with on the basis set out in paragraph 33(c) below. The seller must make arrangements either to re-offer the lot for sale or to collect the lot. If such arrangements are not made: a) within 7 days of notification, the seller will be responsible for any removal and storage expenses; b) within 3 months of notification, Swelco will have the right to sell the lot at public auction without reserve and to deduct from the ‘hammer price’ any sum owing to Swelco including (without limitation) removal, storage, commission at the stated rates, and other reasonable expenses before remitting the balance to the seller; c) if Swelco is unable to sell the lot at a public auction as contemplated in paragraph 33(b) above then Swelco is entitled to sell the lot and any uncollected items without auction at the highest attainable price and to deduct from the selling price any sum owing to Swelco including (without limitation) removal, storage, commission at the stated rate, and other reasonable expenses before remitting the balance, if any, to the seller. Any shortfall which may be owing by the seller to Swelco consequent upon the seller’s failure to collect the unsold lot shall be payable together with interest and legal costs on demand.

General conditions and definitions concerning Buyers, Sellers and Consignors 34. General conditions and definitions Swelco sells as agent for the seller (except where it is stated wholly or partly to own any lot as principal and such lots are identified by “*” next to the lot number) and as such is not responsible for any default by seller or buyer.

35. Any representation or statement by Swelco, in any catalogue, as to authorship, attribution, genuineness, origin, date, age, provenance, condition or estimated selling price is a statement of opinion only. Every person interested should exercise and rely on his/her own judgement as to such matters and neither Swelco nor its servants or agents are responsible for the correctness of such opinions.

36. While the interests of prospective buyers are best served by attendance at the auction, Swelco will if so instructed execute bids on their behalf, neither Swelco nor its servants or agents being responsible for any neglect or default in doing so or for failing to do so.

37. Swelco will have the right, at its discretion, to refuse admission to its premises or attendance at its auctions by any person.

38. Swelco has absolute discretion without giving any reason to refuse any bid; withdraw or reoffer lots for sale (including after the fall of the hammer if the auctioneer believes that there may be an error or dispute) and may also take such other action as deemed necessary; to divide any lot; to combine any 2 or more lots; to put up any lot for auction again. a) Any indemnity under these conditions will extend to all actions, proceedings, costs, expenses, claims and demands whatever incurred or suffered by the person entitled to the benefit of the indemnity. b) Swelco declares itself to be a trustee for its relevant servants and agents of the benefit of every indemnity under these conditions to the extent that such indemnity is expressed to be for the benefit of its servants and agents.

39. The parties choose domicilium citandi et executandi at the addresses reﬂected on the face thereof. Any notice given in connection with this agreement may be delivered by hand; or be sent by prepaid registered post; or be sent by telefax or by email if the domicilium includes a telefax number and/or an email address, to the domicilium chosen by the party concerned. Any notice or process delivered on any party in connection with any matter or subject arising out of this agreement or any notice shall be deemed to have been delivered if handed to any responsible person at the domicilium chosen by any party and it shall not be necessary to hand such process or notice to any party personally. A notice given as set out above shall be presumed to have been duly delivered:i) on the date of delivery if delivered by hand or telefax or email; ii) on the fourth day from the date of posting including the date of posting if posted by prepaid registered post from within the Republic of South Africa.

40. Every auction and all matters concerned therewith including these conditions, will be governed by and construed in accordance with the laws of South Africa and the buyer submits to the non-exclusive jurisdiction of the South African courts.

41. Deﬁnition of words and phrases in these conditions: a) ‘catalogue’ includes any advertisement, brochure, estimate, price-list, website content and other publication; b) ‘hammer price’ means the price at which a lot is knocked down by the auctioneer to the buyer; c) ‘total amount due’ means ‘hammer price’ in respect of the lot sold together with any premium, Value Added Tax, chargeable and additional charges and expenses due from the defaulting buyer under Condition 10, in SA Rands; d) ‘book’ means any item included or proposed to be included in a sale of books and includes a manuscript or print; e) a ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source, which is not shown to be such in the description in the catalogue and which at the date of the sale had a value materially less than it would have had if it had been in accordance with that description and includes any misrepresentation made with intention of deceiving as to authorship, origin, date, age, period, culture or source; f) ‘sale proceeds’ means the net amount due to the seller, being the ‘hammer price’ of the lot sold less commission at the ‘stated rates’, ‘expenses’ and ‘VAT’ and any other amounts due to Swelco by the seller in whatever capacity and howsoever arising; g) ‘stated rates’ means Swelco’s published rates of commission for the time being and Value Added Tax thereon; h) ‘expenses’ in relation to the sale of any lot means Swelco’s charges and expenses for illustrations, special advertising, packing and freight of that lot and any Value Added Tax thereon; i) ‘motor vehicle’ means any item included or proposed to be included in a sale of motor vehicles; j) ‘bought-in price’ means 5% more than the highest bid received below the reserve.

42. Special terms may be used in catalogues in the description of the lot. Where terms are not self-explanatory and have special meanings ascribed to them, a glossary will appear before Lot 1 in the catalogue of the auction.

43. The headings in these conditions do not form part of the Conditions of Business but are for convenience only.

44. Lien Swelco will have a lien over all lots as security for all monies owing to it.

CAPE TOWN, 5 & 6 OCTOBER 2010 • 217

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%9 ' 8 - 3 2 ) ) 6 7 3 * ( ) ' 3 6 %8 - : ) * - 2 ) % 68 7

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AUCTION PRICES ACHIEVED, 1 & 2 JUNE 2010, CAPE TOWN Decorative and Fine Arts Prices given are inclusive of Buyer’s Premium. Unlisted lots were withdrawn or passed or not sold. LOT 4 6 8 9 10 11 13 15 16 17 18 19 20 22 23 24 25 26 30 31 32 33 34 35 36 37 38 39 41 42 43 44 45 46 47 49 50 51 52 54 57 58 59 61 62 63 65 67 68 69 70 71 74 75 81

RANDS 2 185 15 680 4 140 4 370 3 680 1 265 2 185 6 720 5 750 7 280 5 520 4 370 15 680 5 175 2 990 19 040 1 380 5 175 6 160 11 200 8 400 2 760 4 600 4 600 1 035 2 070 1 035 4 600 3 450 7 280 920 1 150 4 600 4 600 7 840 2 070 2 990 11 200 4 370 2 530 9 520 8 400 5 520 2 070 3 220 1 150 5 520 10 080 10 640 3 450 10 080 4 830 6 160 2 070 2 070

82 83 88 89 90 93 94 95 96 97 100 111 112 114 115 116 121 122 124 131 132 133 134 135 136 137 138 141 142 145 146 149 150 152 154 161 168 171 172 173 174 175 176 177 181 182 184 188 189 190 191 192 194 195 196

226 • DECORATIVE AND FINE ARTS

4 025 6 160 5 750 2 070 20 160 8 400 10 080 863 6 160 1 150 3 450 2 530 3 105 8 400 575 3 680 20 160 5 750 17 920 3 680 1 955 8 400 12 320 15 680 31 360 20 160 10 080 3 623 2 300 1 265 7 280 1 840 5 750 3 220 7 280 22 400 9 520 3 680 10 640 10 080 11 760 20 160 17 920 12 320 6 720 5 750 16 800 31 360 22 400 22 400 33 600 35 840 9 520 20 160 39 200

197 198 199 201 202 203 205 208 210 211 212 213 214 215 216 217 220 221 222 223 225 226 232 233 237 238 239 241 242 244 245 247 248 250 251 253 254 255 256 257 258 259 260 261 262 263 265 266 268 271 272 273 275 276 277

22 400 5 175 8 960 22 400 2 300 2 300 5 750 12 880 13 440 7 280 6 720 20 160 33 600 39 200 43 680 13 440 10 080 29 120 17 920 2 300 2 300 8 960 11 200 72 800 11 200 8 400 5 175 7 840 20 160 16 800 14 560 8 960 8 400 6 160 12 320 8 400 4 140 8 960 12 320 17 920 7 840 5 520 7 840 15 680 5 175 5 175 6 160 3 450 8 960 16 800 20 160 7 840 33 600 16 800 10 080

279 280 282 284 285 287 288 289 293 294 295 296 298 300 301 302 303 304 305 306 309 310 311 312 313 314 321 322 324 327 328 329 330 332 333 334 337 339 340 348 351 352 353 354 355 356 358 359 361 362 365 366 367 368 369

7 600 4 025 21 280 7 840 16 800 22 400 11 200 19 040 19 040 10 080 4 370 6 160 5 175 35 840 47 040 24 640 5 175 7 280 6 720 78 400 9 520 5 175 56 000 8 960 8 960 1 725 7 840 8 960 7 280 5 750 9 520 8 960 5 175 29 120 33 600 8 400 26 880 20 160 20 160 3 220 14 560 6 160 5 175 13 440 24 640 22 400 44 800 29 120 31 360 15 680 14 560 11 200 14 560 26 880 4 025

370 371 372 373 378 379 380 381 384 385 386 389 392 393 394 396 397 403 404 405 406 407 410 413 415 417 418 420 421 423 426 427 431 432 433 434 436 437 440 441 442 443 444 445 446 447 448 450 452 453 454 455 456 457 458

11 200 14 560 26 880 22 400 9 520 14 560 33 600 4 600 7 840 16 800 26 880 17 920 6 160 2 875 8 960 15 680 12 320 7 840 5 750 6 720 7 280 29 120 22 400 16 800 17 920 4 025 31 360 4 800 28 000 9 520 14 560 4 600 920 920 518 345 1 265 863 61 600 3 450 1 495 1 495 1 495 2 300 3 450 690 1 610 3 680 460 4 600 575 4 830 4 025 5 750 518

459 460 461 462 463 464 465 466 467 468 469 470 471 472 473 474 475 476 477 478 479 480 481 482 483 491 492 493 501 502 503 504 505 507 512 513 514 515 517 519 522 524 525 527 528 529 530 531 532 534 535 537 538 539 540 541 542 544 547 548 549 551 553

2 990 2 530 1 093 4 830 1 150 345 1 093 1 495 4 370 2 070 1 495 1 150 978 1 150 690 920 805 3 450 3 450 5 520 4 830 1 035 1 380 12 880 4 600 6 160 7 280 28 000 3 450 4 600 3 220 2 875 4 600 13 440 6 048 1 150 805 2 070 11 200 3 450 6 720 3 220 1 035 1 495 8 400 2 530 2 300 2 760 1 380 1 380 1 265 31 360 2 875 920 11 200 2 300 12 320 1 840 3 910 4 370 10 080 8 960 4 600

554 555 558 559 560 561 563 564 566 567 570 572 573 574 575 578 579 580 584 587 588 589 591 592 593 594 595 598 599 600 621 622 623 624 625 626 627 628 630 634 635 636 639 641 642 645 646 647 651 654 658 659 672 673 674 676 677 678 679 685 687 689 692

16 800 3 680 2 530 2 185 1 035 5 175 6 160 5 750 1 380 2 760 3 450 3 220 8 064 5 750 20 160 2 070 2 875 4 600 13 440 3 220 3 450 2 530 1 495 4 025 575 2 185 3 680 9 520 12 320 518 33 600 16 800 3 220 4 830 4 370 56 000 4 830 3 680 12 320 11 200 8 400 26 880 19 040 21 280 12 320 11 200 13 440 7 280 50 400 50 400 22 400 44 800 4 600 8 400 23 520 4 600 3 680 6 160 11 200 16 800 17 920 12 320 14 560

693 697 698 701 705 712 714 715 716 717 718 719 720 722 723 724 725 726 727 728 729 732 751 752 754 755 757 758 763 764 771 772 773 774 775 776 777 779 781 782 784 785 786 788 790 791 792 793 794 795 796 797 798 799 801 802 807 808 809 810 811 812 815

5 750 14 560 12 320 33 600 15 680 12 320 26 880 22 400 12 320 7 280 31 360 9 520 8 400 6 160 22 400 123 200 3 220 30 240 8 960 10 080 4 370 50 400 16 800 42 560 179 200 14 560 39 200 39 200 40 320 76 160 1 232 000 201 600 392 000 156 800 31 360 179 200 72 800 20 160 16 800 22 400 392 000 201 600 26 880 20 160 8 960 42 560 100 800 224 000 246 400 392 000 224 000 40 320 112 000 224 000 560 000 268 800 1 344 000 89 600 78 400 31 360 84 000 44 800 425 600

817 818 819 821 822 823 824 825 827 828 830 831 835 837 841 848 849 851 874 875 878 881 882 883 884 885 886 891 892 893 896 897 898 900 901 902 905 906 907 908 909 911 912 921 923 925 932 934 936 939 940 941 942 951 953 955 956 957 958 960 964 971 972

728 000 448 000 1 680 000 44 800 302 400 504 000 40 320 78 400 44 800 78 400 123 200 28 000 100 800 44 800 72 800 50 400 134 400 784 000 3 450 19 040 863 3 220 13 440 4 600 4 600 2 530 1 840 12 320 4 600 4 600 3 680 2 070 14 560 1 610 4 370 1 380 3 450 2 760 7 840 2 760 6 720 3 450 2 300 67 200 8 960 10 080 2 185 4 830 2 300 4 600 1 495 3 450 1 150 3 220 805 4 370 12 320 5 520 4 830 1 150 3 450 5 750 6 720

973 975 976 978 979 980 983 984 991 992 993 994 995 996 997 998 999 1000 1001 1002 1003 1004 1005 1006 1012 1013 1014 1015 1016 1017 1018 1019 1020 1021 1022 1023 1024 1027 1028 1031 1032 1033 1034 1036 1044 1045 1046 1047 1048 1049 1062 1065 1070 1071

3 450 6 160 1 725 5 750 5 750 6 720 9 520 3 680 3 680 4 025 4 025 2 530 1 840 10 640 4 025 4 830 1 610 12 880 1 380 633 1 725 2 070 4 025 1 093 2 070 8 960 2 185 12 320 3 450 5 750 13 440 14 560 2 070 5 750 1 380 2 070 5 520 1 150 863 2 990 4 025 4 830 3 220 1 725 7 840 3 220 8 960 3 450 2 875 633 863 2 300 4 140 1 150

CAPE TOWN, 1 & 2 JUNE 2010 • 227

CLIENT SERVICES AND SPECIALIST DEPARTMENTS CAPE TOWN

JOHANNESBURG Client Services

Specialist Departments

Client Services

Accounts and Finance Robin Ford Shirley Smith Jeannette Modise

Carpets, Rugs and Textiles Walter Schwitter‡ Peta Fuhr (Administrator)

Office Manager Shona Robie

Catalogue Subscriptions Laurie Sher

Classic Cars and Motor Cycles Jack Rosewitz

House Services/ Logistics Zake Nakedi Reception Peta Fuhr Library and Archives Peter Digby‡ International Liaison Mark Kretschmer

Coins and Medals Morné de la Guerre Furniture Tamsin Mackay Paintings, Watercolours, Drawings, Prints and Sculpture Zake Nakedi Annelise Coetzee Imre Snyman Postage Stamps and Postal History Morné de la Guerre Howard Green Danny Swart‡ Jenny Langton

Stephan Welz & Co (Reg. No. 1968/014585/07)

Mark Kretschmer Chairman Jack Rosewitz Deputy Chairman Directors Morné de la Guerre Robin Ford Zake Nakedi

Printed Books, Manuscripts and Maps Peter Digby‡ Silver, Objects of Vertu, Jewellery and Watches Lauren Schwartz Ceramics, Glass and Works of Art Ainsley Taylor

Press, Public Relations and Advertising Phillippa Duncan Reception Cora Welz Administration Susie McRae Shipping Shaun Dunt Specialist Departments Paintings, Watercolours, Drawings, Prints, Sculpture and Books Ian Hunter Phillippa Duncan Gary Shean Furniture, Collectors’ Items and Clocks Anton Welz Ceramics, Glass and Works of Art Shona Robie Jennifer Schultz Jewellery and Watches Jennifer Schultz Cora Welz Silver, Objects of Vertu and Metalware Karen Randle Carpets and Rugs Walter Schwitter‡ Cora Welz (Administrator) ‡ Consultant

228 • DECORATIVE AND FINE ARTS

ENQUIRIES: Cape Town The Great Cellar Alphen Hotel Alphen Drive Constantia Postal Address P.O. Box 818 7848 Constantia Tel (021) 794 6461 Fax (021) 794 6621 e-mail: ct@swelco.co.za Johannesburg 13 Biermann Avenue Rosebank Johannesburg Postal Address P.O. Box 52431 2132 Saxonwold Tel (011) 880 3125 Fax (011) 880 2656 e-mail: jhb@swelco.co.za www.swelco.co.za

NOTES

CAPE TOWN, 5 & 6 OCTOBER 2010 • 229

230 • DECORATIVE AND FINE ARTS

CONDITION REPORTS FOR WORKS ON PAPER 111

138

175

archivally framed

attached with acid-free tape along the top edge to the window mount

laid down on card

139

attached to the mount with masking tape

112 laid down between the backing and the mount boards

113 cockling, discolouration, mount staining, taped along lower margin to the mount, the latter hinged to the backing mount, creases, holes

114

floated to the backing mount, multiple pin holes visible in the corners, cockling, small areas of foxing

140 staining due to the nature of the frame, warping and discolouration, not examined out of the frame

taped along top margin to the window mount, otherwise appears good

141

116

143

laid down between the backing and mount boards, discolouration of the paper

laid down on cardboard

117 archivally framed, appears good

not examined out of frame

144 appears good

145

124

attached to the window mount with masking tape

floated to the backing mount, edges slightly curled

146

177

178 glued to the window mount

182 attached to the backing card with acidfree hinges, discolouration of paper with tape stains

189 discolouration of the paper

190 yellowing and minor staining, creases

191 appears good

192 discolouration and stains

193

attached to the window mount with masking tape

not examined out of frame, cockling, creases

taped along full top margin with masking tape (three smaller pieces fixed to left, right and bottom margins)

147

194

131

148

125

laid down on cardboard

laid down on card, creasing, abrasions in places around edges

taped down with masking tape, tears along the margins, cockling

132

149

not examined out of the frame, appears good

floated to the backing board

150

133

cockling and creasing, surface dirt, some fishmoth damage

attached to the window mount along the top and bottom edges with masking tape, cockling

134 attached to the window mount with masking tape

135 attached along the top and bottom edges of the window mount with masking tape

136 attached to the window mount with scotch tape, scratch 10cm alongside signature

137 attached to the window mount with scotch tape

151 cockling, creasing and surface dirt

172 laid down between the backing and mount boards, a small tear, silverfish damage and discolouration of the paper

173 taped sporadically at the corners and along the top and bottom margins with masking tape to the window mount, cockling, margins are uneven

174

attached to the mount with acid-free tape

195 floated to the mount board

206 floated to the backing mount, curling of the edges due to mounting method

207 sellotape stains, silverfish damage, time staining, attached to the window mount with gum tape

208 archivally mounted, creases, stains

209 glued in two places to the framing mount and in one place to the backing mount, some creases visible, paper has oxidised

210 attached to the window mount along the top edge with scotch tape, mount staining and remnants of sellotape on edges (not visible)

attached to the window mount with acid-free tape

CAPE TOWN, 5 & 6 OCTOBER 2010 â&#x20AC;˘ 231

211

224

334

archivally framed, ink bleed caused by water based printing ink, pin holes visible in the corners

each floated to the backing mount, cockling

floated to the mount board

225

212

appears good, still in original portfolio box

paper appears oxidised, taped along the top margin to the window mount, some foxing, mould stains on bottom margin

ink staining in and around the image, attached to the window mount along the top edge with masking tape

213 foxing, attached to the window mount with tape on the top corners

214 slight cockling, creasing and discolouration, attached to the backing board with acid-free tape to the top corners

215 discolouration, foxing, staining, attached to the backing board with masking tape on the corners

216 discolouration of the paper, creasing, attached to the backing board with acid-free tape along the top corners

217 ink staining in and around the image, attached to the window mount along the top edge with gum tape, creases

218 attached to the window mount with acid-free tape

219 laid down on the backing board

220 laid down on cardboard, surface dirt, fly specks and staining, small cuts and losses from the glass having broken in the past, sporadic creases with fine losses in isolated areas throughout

221 taped to the backing mount in two places (top and bottom left margin), some cockling, small isloated areas of foxing, oil bleed visible on the reverse, small areas of silver-fish damage at bottom edge

222 hinged to the backing board with gum tape

223 taped with masking tape along all margins to the framers mount

232 â&#x20AC;˘ DECORATIVE AND FINE ARTS

226

351

archivally framed, not removed from the frame, some creases visible in the margins, appears good

352

227

353

archivally framed, not removed from the frame, creases visible, appears good

archivally framed, pin-hole visible on left hand side, faint mount staining from previous framing, otherwise appears good

228

attached to the backing board with gum tape, time staining

archivally taped along top margin in two place to the framers mount, appears good

354

229

356

paper attached to the backing board, presumably on all four corners

glued to the window mount along all edges

230

358

some cockling visible, otherwise appears good, not viewed out of frame

attached to the window mount with perforated stamp salvedge

315

archivally mounted, shows age, edges worn

not examined out of frame due to the fragility of the medium

laid down on card, mount staining on the edges

359

360

316

fly specks, otherwise good

the corners have been laid down on the backing card

362

318 attached to the window mount with perforated stamp selvedge

319 attached to the mount board with stationery stickers and sellotape

laid down on cardboard

363 laid down, mount stuck down, otherwise appears good

365

320

not examined out of frame due to the mount board being stuck to the backing board

some small impression marks towards the edges of the paper

366

330 previously on a canvas backing, now laid down on board, abrasions to the edges, tears and a bubble under the paper top left, surface dirt and staining, oxidisation, silverfish damage

333 cockling, edges have discoloured due to oxidisation, water stain visible at the bottom right corner

laid down on board, otherwise appears good

367 hinged with gum tape to the backing card, slight discolouration and small areas of silverfish damage in the foreground

368 archivally framed, small areas of foxing

369 glued along the top margin to the backing board, fly specks

370

420

564

taped along the top margin with tape, foxing

laid down between the mount and backing board

attached to the window mount with scotch tape

380

428

565

laid down on cardboard

laid down, mount stuck down, some foxing

attached to the window mount with acid-free tape

foxing, staining, attached to the backing board with acid-free tape

431

567

mount stuck down

very slight atmospheric discolouration

384

435

585

time staining, attached with gum tape to the window mount

partly laid down on the backing board

appears good

446

588

385

attached to the window mount with masking tape

floated to the backing board

448

laid down on card

laid down between backing and mount boards, cockling and creases

604

383

attached to the backing board with gum tape along the top edge, discolouration of paper, cockling

386 staining and discolouration, hinged to the backing board with acid-free tape

387 attached with gum tape to the window mount

394 mount stuck down, not examined out of the frame due to the backing board

395 each archivally mounted, oxidisation of the paper visible, creases, plate impressions, stains, slight cockling

408 slight foxing and discolouration, attached to the window mount with acid-free tape

412 discolouration, creasing and foxing, unexamined out of frame

415 taped with double-sided tape along all margins to the backing mount, otherwise good

416 cockling, horizontal tear archivally repaired along top margin

417 atmospheric staining, taped down with acid-free tape

418 laid down between the backing and mount board

419 taped along full margins with masking tape to the framing mount, some creases visible

449 good

450 laid down between backing and mount board, appears good

452 laid down on card

453

601

laid down, mount stuck down, areas of craquelure and losses in thicker areas of the gouache, otherwise appears good

613 taped to framing mount, tape stains visible, some cockling, some areas of isolated foxing

614

not examined out of their frames or mounts

laid down on card, some small areas of black pigment loss down the left hand side

454

615

foxing on the frontis pages, discolouration

556 appears good, sandwiched between glass and hardboard

557 appears good, sandwiched between hardboard and glass

558 area of loss where previously taped down, mould damage and spores visible, sandwiched between glass and hardboard

559 some cockling, sandwiched between glass and hardboard

paper has discoloured, shows time staining

618 minor cockling, small areas of loss in thicker areas of gouache, colours appear fresh, archivally framed

625 laid down between the backing board and the window mount

626 taped to the mount board with acidfree tape, cockling

645 appears good

560 floated to the backing mount, some cockling, otherwise appears good

561 floated to the backing mount, minor cockling, otherwise appears good

CAPE TOWN, 5 & 6 OCTOBER 2010 â&#x20AC;˘ 233

INDEX OF ARTISTS A

Alexander, K. Ampenberger, S. Andersen, N.S. Appollis, T.E.

595 413 376 153

Enslin, G. 437 Esmonde-White, E.F. 113, 182, 602, 603

Mace, E.C.C. 390 Mahlangu, E. 196 Mahlangu, S. 552, 553 Maritz, N. 201-203 Maseko, J.R. 141 Mason-Attwood, J.S. 140 Mayer, E.K. 365, 377 McCaw, T.J. 360, 412, 634, 646, 647 Meintjes, J.P. 611, 612 Metsu, G. After 321 Meyer, J. 593, 594 Mokgosi, N. 150, 151 Mthethwa, Z. 556-558 Muafangejo, J.N. 226, 227

F B

Baines, J. T. 627 Baker, K. 160-163, 168-170, 451 Baldinelli, A. 349, 350 Battiss, W.W. 218-221, 598, 599 Begbie, D. 543 Bester, W. 167 Beukes, G. 171 Bhengu, G. 353 Blatt, J. 378 Boonzaier, G.J. 339, 340, 356, 357, 415-421, 640, 641 Boshoff, A.H. 347, 348, 623 Botes, C. 555 Botha, D. 375, 453 Boyley, E.S. 648-652 Brandeis, A. 317 Broadley, R. 372 Büchner, C.A. 126, 127, 643, 644 Bullen, E.F. 164 Burry, B.G. 176 Buys, J. 364, 405 C

Carter, S. 428 Catherine, N. 228, 554 Catlin, G. 580 Chadwick, L. 541, 542 Chagall, M. 334 Chait, T. 447 Cilliers-Barnard, B. 183, 575 Claerhout, F.M. 120-122 Coetzee, C. 179, 189-195, 448, 449, 576 Cossiers, J. Follower of 312 Cox, G. 587 Cundall-Allen, J. 187 D

de Jongh, T.J. 392-395, 438 de Jongh, G.C. 396-400 Delport, P. 139 Desmond, N. 175, 374, 439 Dingemans, J.W. 128-130 Dixon, L. 178 Dobson, W. 424 Domsaitis, P. 642 Dronsfield, J. 111, 596, 597 du Plessis, E.H. 429 Dumas, M. 229

234 • DECORATIVE AND FINE ARTS

Fasciotti, T. Feni-Mhlaba, D.M. Ferguson, J.K. Fidler, H. Fini, L. Fullwood, J.

402 149 379 331 335 330

Gassner, C.A. Glossop, A. Goldblatt, S. Goldin, A. Gravett, W. Greaves, C.H.

118 355, 388, 389 572, 606 452 119 354

Hancock, B. 422, 425 Henkel, I. 621, 622 Higgs, C. 172 Hodgins, R.G. 124, 125, 583 Hundertwasser, F. 336 J

Jansen van Vuuren, L. 148, 198, 446, 450 Jaroszynska, K.S.A. 586 Jentsch, A.S.F. 367-370 K

Kay, D. Kentridge, W.J.

351, 352 230, 561, 564, 565 Kerr, G.J. 197, 200, 584 Khumalo, V. 152 Kibel, W. 112, 174, 343 Klar, O. 114, 431 Kobeli, E. 135 Kolbe, E. 326 Kreijn, M. 320 Krenz, A.F. 645 Krige, F. 117, 177, 619, 620 Kumalo, S.A. 136-138 L

Laubscher, E.B.H. 568, 569 Laubser, M.M. 635 Le Roux, R. 134, 186 Lewis, A.N. 432, 607, 608 Lewis, R.K. 548

Naudé, A. 585, 588 Naudé, P.H. 358, 628-633 Ngatane, E.M. 563 Nhlengethwa, J.S. 559, 560 Nice, C.S.P. 414 Niemann, H.C. 142-147 Niemann Jnr, H. 154-157

359, 616, 617 403

Paravano, D. 407, 433, 434, 436 Peers, C.E. 408 Pemba, G.M.M. 609, 610 Pettit, M.F. 578 Picasso, P. After 337 Pierneef, J.H. 207-217, 382-387, 636-639 Pieters, J. 391 Pilkington, G.W. 427 Pinale, G. 328 Pinker, S. 173 Pinotti, G. 318, 319 Powell-Jones, C.G. 426 R

Roos, M. Roworth, E.

Teniers the Younger, D. Follower of 322 Thackwray, J.V. 158, 341, 442 Thamae, E. 455 Theys, C.N.D. 165, 166 Thompson, J.M. 332 Timlin, W.M. 373, 381, 615 Trappler, J. 579 Tugwell, C. 342, 401 Turvey, R. 380 V

Oerder, F.D. Oldert, J.

Sekoto, G. 604, 605 Serfontein, H. 204-206 Shephard, R.N. 344 Simon, F. 324 Skotnes, C.E.F 222-224, 562, 566, 567, 570, 571 Slater, J.F. 327 Stern, I. 613, 618 Stewart, C.T. 361-363 Strickland, A. 123, 159 Stuckenberg, B.F. 371 Sumner, M.F.E. 614, 624-626 Symonds, H. 581, 582

406 409-411

van der Merwe, E. van der Reis, G.F.J. van Duffelen, G. van Essche, M.C.L.

430, 443 185 325 115, 116, 600, 601 van Nazareth, H.A.J.H. 589-592 van Wouw, A. 544 van Wouw, A. After 545-547 Vermeiren, J. 440, 444, 445 Verster, A.C. 225, 441 Villa, E. 549-551 Volschenk, V. 404 Vorster, A. 188 W

Wallace, M. Ward,S. Watson, S. Whippman, T. Wiles, W.G. Wingate, J.L. Wunderlich, P.

School, Anglo-Dutch 311 School, German 313, 314 School, Dutch 315 School, Belgian 323 School, South African 454 Schulz, C.M. 333 Scully, L. 573, 574, 577 Sdoya, C. 345, 346

Zerffi, F.L.J.

131-133 316 184 180, 181 366 329 338

423, 435

CAPE TOWN SPECIALISTS Ceramics, Glass and Works of Art

Ceramics and Jewellery

Carpets and Jewellery

Shona Robie, Office Manager shona.robie@swelco.co.za

Jennifer Schultz jennifer.schultz@swelco.co.za

Cora Welz ct@swelco.co.za

Paintings, Watercolours, Drawings, Prints, Sculpture and Books

Gary Shean gary.shean@swelco.co.za

Phillippa Duncan, Auctioneer phillippa.duncan@swelco.co.za

Ian Hunter ian.hunter@swelco.co.za

Silver and Metalware

Furniture and Clocks

Shipping

Karen Randle karen.randle@swelco.co.za

Anton Welz, Auctioneer anton.welz@swelco.co.za

Shaun Dunt shaun.dunt@swelco.co.za

This catalogue may be referred to as JONKERSHOEK I SA1006 TELEPHONE FAX WEBSITE

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