Graphic Design Portfolio

Page 1

Graphic & Interactive Design Portfolio


unit

1

Chesterfield Project

‘Making the ugly prettier and the beautiful a little more edgy’ Stina Persson



unit

1

‘Believe it or not, I can actually draw.’ Jean-Michel Basquait

Lifedrawing



50 unit

Information Graphics

‘You will experiment with and explore a range of print processes and techniques. These could include collotypes or linocuts’



unit

45

World Film Poster

‘Design and build by hand, an A2 movie poster for a film from the last 100 years. Your poster must take influence from the classical design style of Cuba.’


un

it

4

Excessive Consumption: We are trapped in a cycle whereby we buy new clothes to replace unwanted ones without considering the social or environmental impacts. As of 2008, we are consuming 20 billion garments every year!

Ethical Fashion Poster


Photography My own w o r k

Finding beautiful and abstract natural compositions. Yorkshire Sculpture Park. I used my images to produce this Photoshop poster.



Digital & Handmade Sketches My own w o r k

‘He was tall with a medium build, but he was muscular. He had messy hair which was a colour somewhere between sandy blond and brown. The Mark on his forehead took the form of two arrows facing a crescent moon.’ - Character description from ‘Untamed’ by PC Cast



Children’s Book Illustration My own w o r k

Author, Andrew Cope (Spydog series), gave me the opportunity to do some illustrations for his new short story: Potential Unlimited



unit

12

Computers in Art & Design

Fantasy skyline created from sketches of the college campus on Adobe Illustrator. It was then placed into a magazine layout.



3

unit

‘Distinction 2: Demonstrate an individual and perceptive approach to producing and communicating innovative and engaging work.’ Project Brief

Rebranding



unit

39

Typographic Quotes

‘By experimenting with type and letter forms you are to design creative, exciting and informative typography’



unit

40

Typographic & Layout Design ‘You will create 3D typographic experiments surrounding five cardboard cubes. They must be extremely well executed, accurate and clean.’



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