Animanima Katalog 2010 by Aleksandar Jovanovic

A N I M A N I M A 2 0 10 Međunarodni festival animacije International Animation Festival Odbor festivala / Festival Board Dragojlo Jerotijević, direktor / Director Dinko Tucaković, umetnički direktor / Artistic Director Milen Alempijević, izvr{ni direktor / Executive Director Saradnici / Associates Neboj{a Mileti}, tehnička podr{ka / Technical Support Aleksandar Kostić, web podr{ka / Web Support Sekretar & Press Club / Secretary & Press Club Du{an Jakovljvi} Festivalski spot, plakat i korica kataloga / Festival’s video, poster & catalog cover Milo{ Gojkovi} Festivalski audio spot / Festival’s video Nikola Radovi} Aleksandar Radoji~i} Producent / Producer Neboj{a Petrovi} Predrag Živković Adresa / Address ANIMANIMA Festival Dom kulture Čačak, 32000 Čačak, Trg ustanka 2, SRBIJA www.animanima.org Tel: 381 32 341 068, Fax: 381 32 225 073, E-mail: officeªanimanima.org KATALOG / CATALOGUE Izdavač / Publisher: Dom kulture Čačak / Cultural Center Cacak Za izdavača / For Publisher: Dragojlo Jerotijević, direktor / Director Urednik / Editor: Milen Alempijević Grafi~ka priprema / Prepress: Sne`ana \ankovi} [tampa / Press: Grafički centar Čačak Tiraž / Circulation: 500 Godina / Year: 2010

SADRŽAJ / CONTENT Da li je budućnost animirana? / Is the future animated? ...4 Selekciona komisija / Selection Committee ...5 Žiri / Jury ...6 TAKMIČARSKI PROGRAM / COMPETITION PROGRAMME Takmičenje 1 / Competition 1 ...9 Takmičenje 2 / Competition 2 ...22 Takmičenje 3 / Competition 3 ...33 Takmičenje 4 / Competition 4 ...45 Takmičenje 5 / Competition 5 ...65 POSEBNI PROGRAMI / SPECIAL PROGRAMMES Studio u gostima / A visiting studio : Sacrebleu Production (France) ...78 [vedska animacija jučer-danas-sutra / Swedish animation: past, present and future ...80 Retrospektiva: Žorž Sifijanos / Retrospective: George Sifianos ...81 3d animacija, alati za čuda / 3d animation, wonder-tools ...83 DUGI METAR / FEATURE FILMS Sumer Wars (Japan) ...86 First Squad: Moment of Truth (Japan) ...87 Sword of the Stranger (Japan) ...87 POSEBNE PROJEKCIJE / SPECIAL SCREENINGS [kola u gostima / A visiting school : ENSAD (France) ...89 Antologija bugarske animacije / The best of Bulgarian animation ...92 Bugarski erotski animirani film / Erotic Bulgarian animation ...94 Teks Ejveri, majstor gega / Tex Avery, master of gag ...97 Jedna brazilska priča / A story from Brazil: Marselo Marão ...99 PANORAMA / PANORAMA Panorama 1 / Panorama 1 ...102 Panorama 2 / Panorama 2 ...104 Panorama 3 / Panorama 3 ...105 Panorama 4 / Panorama 4 ...106 PRATEĆI PROGRAMI / ADDITIONAL PROGRAMMES Izložba / Exibition: Novosadski strip / The Novi Sad comics scene ...108 Izložba / Exibition: Prozori u njihov svet / Windows into their world ...111 Promocija knjige / Introducing a book: Novosadski strip / The Novi Sad comics scene ...108 Projekcija / Screening: Kratka forma: KREATIV-ovi kreativci / Short form: Creations of KREATIV ...111 INDEKS / INDEX Filmovi / Films ...112 Autori / Author ...114 PODRŠKA / SUPPORT ...115

DA LI JE BUDUĆNOST ANIMIRANA? IS THE FUTURE ANIMATED? Ispitujući neiscrpne mogućnosti „osme umetnosti“, Du{an Vukotić je zapazio da animacija nije sputana ni fizičkim zakonima, ni zakonomernostima misaonih procesa, da ona relativizuje uobičajeno poimanje prostora i vremena, i zbog toga je animaciju poimao kao totalnu mogućnost medija. Američka savremena autorka Nina Pejli je uskliknula: revolucija će biti animirana! Time, izvesno, i budućnost. 3D animacija hita zapanjujućjoj fotorealnosti, filmske glumce će možda jednog dana zameniti njihovi surogati, ili, kako to se to modernim jezikom kaže, avatari. Možda je slavni oskarovac Zagrebačke {kole mogao da nasluti {ta će doneti razvoj računarske tehnologije, ali bi se zasigurno iznenadio da može da vidi najnovije kreacije. U svakom slučaju, njegova postavka i danas stoji: medij (neprestano) pro{iruje sopstvene granice. Kad smelo kažemo da je animator novog vremena tvorac novog, animiranog univerzuma, ne treba u ovom iskazu po svaku cenu tražiti apologiju tehnologije. Jer, realnost koja nastaje u studijima animacije je magijska me{avina ma{te, ume{nosti, talenta, želje za igrom i opsenarstvom, svega onog zbog čega je čovek sam jo{ uvek najvažniji činilac, i zbog njega takvog animacija je i poslednje castvo slobode. U priči o animiranoj budućnosti koja je uloga dodeljena festivalima animacije? Njihova misija je da ostvare vezu između onih u čijim umetničkim radionicama nastaju animirana ostvarenja i onih kojima je namenjena – publici. Odustvo interakcije obesmi{ljava kreaciju. Neko će reći da ovoj nameni bolje i brže mogu da odgovore TV i internet, ali i ovde govorimo o ljudima koji ne{to stvaraju za druge ljude. Privlačnost dvorane u kojoj zajedno u mraku gledamo čuda na velikom ekranu jo{ uvek ima {arma... Sličan poku{aj, ostvarenja veze između posvećeneih stvaralaca i zaljubljenika u animaciju, čini i festival ANIMANIMA. U svom četvrtom izdanju, ANIMANIMA će svojoj publici predstaviti takmičarski program filmova iz skoro trideset zemalja, filmove uglednog studija iz Pariza Sacrebleu Productios, dugometražna ostvarenja japanskih majstora animacije, mlade lavove {kole ENSAD; retrospektive profesora animacije Žorža Sifijanosa iz Francuske i Marsela Maraoa iz Brazila; izbor iz opusa američkog trikstera Teksa Ejverija, najbolje iz bugarske i {vedske animacije; uve{će nas u tajne 3D animacije posredstvom predavača iz studija Imagination i {kole Chiron... Dobro do{li na festival ANIMANIMA 2010, budite i vi deo animirane budućnosti! Milen Alempijević izvr{ni direktor festivala

Exploring the limitless possibilities of the “Eighth Art”, Du{an Vukotić once observed that, unrestricted by the law of physics or the principles that govern the process of rational thought, animation renders the usual concept of time and space relative, thus posing itself as the total possibility of the media. A contemporary American author Nina Paley proclaimed: “The revolution will be animated!”. There can be not doubt whatsoever that the future will share the same fate. The 3D animation is leaping to an amazing level of photo-reality, we may soon be watching films in which actors will be replaced by their surrogates, or – phrased in modern terminology – their avatars. Even though a celebrated Oscar-winning author of the Zagreb School of animation may have foreseen the course of the forthcoming events in the light of the developing computer technology, he would be certainly amazed to see the latest creations. However, the statement that he once made is still very much true today: The media constantly expand their own boundaries. When we say that a modern animator is a creator of a new, animated universe, we do not assert this statement as necessary apologetics of the technology. Animation created in studios transcends this banality, absorbing in itself elements of imagination, talent, a wish to create playfulness and illusion – all of those things that have always made man the crucial component of this art, and the very key to understanding why animation remains the last realm of freedom. In the tale of the animated future, the question is what role will be played by the animation festivals. Their mission is to make the link between the artists and their workshops where the animated art is created, and the intended recipients of the art that is made - the audiences. Without this interaction, the creation itself has no purpose. Although some may argue that the TV and the Internet are also candidates for this function – however, although these media may be faster, they can hardly fulfil the function of the intended immediate link. The attractiveness of a cinema theatre is the shared experience of watching the miracles as they happen on the big screen. The ANIMANIMA Festival represents yet another attempt to create a link between the dedicated creators and the lovers of animation. In its fourth edition, ANIMANIMA will present its competition programme featuring films from almost thirty different countries, films from the reputable Parisian studio Sacrebleu Productions, feature films of the Japanese animation masters, young guns from the ENSAD school; there will be screenings of the works of Georg Sifianos, French professor of animation and the Brazilian animation professor, Marcelo Marão, as well as a selection from the opus of the American trickster Tex Avery, the best of the Bulgarian and Swedish animation; we will be initiated to the mysteries of the 3D animation by the lecturers of the Imagination Studios and the Chiron School from Belgrade... Welcome to the ANIMANIMA 2010, and be a part of the animated future! Milen Alempijević, Executive Director

SELEKCIONA KOMISIJA SELECTION COMMITTEE MILOŠ TOMIĆ Rođen 1976. u Beogradu. Pohađao Filmsku {kolu Centra za vizuelne komunikacije “KVADRAT” Od 1993-2003. saradnik na Radiju B92, emisija Ritam lepog srca. Diplomirao filmsku režiju na Akademiji umetnosti Braća Karić, 2001. godine, u klasi prof. Mi{e Radivojevića. Magistrirao na Fakultetu za filmsku i televizijsku režiju (FAMU) u Pragu, odsek multimedijalna animacija. Trenutno na doktorskim studijama na istom fakultetu (FAMU) sa temom „Dragocenost odbačenih stvari kao materijala za film, animaciju”. Studijski boravci u Madridu i Berlinu. Učestvovao je na grupnim izložbama na Oktobarskom salonu, BELEF-u, u SKC-u, u REX-u i dr. Za svoje filmove i muzičke spotove, MAMINA LITERATURA, MILO[ TOMIĆ KAO VO..., SUKNJA[, GLINENI GOLUB, DLAKE, PLJUNUTI POLJUPCEM, KESE, OPET JAK, PODR[KA JE VAŽNA, BLATO, POJEDINAC dobio je veći broj nagrada i priznanja na konkursima i festivalima u zemlji i svetu (Prag, Karlove Vari, Bratislava, Ljubljana, Atina, Barselona, Milano, Petrograd...). Vi{e na www.milostomic.com MILOŠ TOMIĆ Milo{ Tomić was born on 05.02.1976. in Belgrade. During high school he went to “Kvadrat” film school run by Zoran and Svetlana Popović. He was a contributor of the “Beautiful Rhythm of the Heart” radio show, 1993 - 2002. Graduated at the Academy of Art (Directing major) in 2001. in the class of Mi{a Radivojević. He was a guest student in Madrid and Berlin. Finished graduate studies of animation in Prague, at Famu, in the class of Petar Skala. Currently at the doctoral studies, thesis on “Preciousness of discarded objects, i.e. trash as the material for film, photography...” His films and music videos MOTHER’S LITERATURE, SKIRTER, CLAY PIGEON, HAIRS, SPITTED BY KISS, PLASTIC BAGS, STRONG AGAIN, SUPPORT IS IMPORTANT, MUD, INDIVIDUAL were multiply awarded at the film events and festivals in Serbia and abroad (Prague, Karlovy Vary, Bratislava, Ljubljana, Athens, Barcelona, Milan, Petersburg...). More at www.milostomic.com MARKO STOJANOVIĆ Marko Stojanović je rođen 1978. godine u Leskovcu gde i danas živi i radi kao profesor engleskog jezika. Već trinaest godina, crta stripove i prevodi ih (Hellboy, Hardboiled, Raptors, Sky Doll). Sa Srđanom Nikolićem Pekom vodi leskovačku {kolu stripa „Nikola Mitrović Kokan”. Scenarista je strip albuma Maks Debris, Crne du{e, Postelja od gloga, Rekvijem, Pasiji životi, Prah, Pepeo, Bajka i druge istine, Le Dico des Hommes, Le Dico des Femmes, Les 69 secrets à savoir sur les Femmes, Les 69 secrets à savoir sur les Hommes i serijala Vekovnici (koji se objavljuje u Politikinom Zabavniku). Jedan je od administratora sajta UPPS www.upps-sajt.com na kome se objavljuje njegova nedeljna kolumna sa osmogodi{njim nedeljnim stažom pod nazivom „Južnjačka uteha“, ranije objavljivanja u intenet nedeljniku Strip Vesti. Autor je knjige eseja o stripu pod nazivom „Južnjačka Uteha” u izdanju Ni{kog Kulturnog Centra. Glavni i odgovorni urednik ni{kog strip časopisa Strip Pressing, i urednik za strip u časopisu Think Tank iz Leskovca. Stojanović je idejni tvorac i suorganizator Balkaskih smotri mladih strip autora, najstarijeg strip festivala na prostoru biv{e SFRJ. Stripove i tekstove objavljivao je u brojnim časopisima u zemlji i inostranstvu, a dobitnik je i velikog broja nagrade i priznanja među kojima su i ona za najboljeg mladog teoretičara stripa Balkana (2007), za najboljeg strip scenaristu na 6. međunarodnom Salonu stripa u Beogradu (2008), Grand Prix 7.međunarodnog strip salona u Velesu 2009. godine (sa crtačem Srđanom Nikolićem Pekom). MARKO STOJANOVIĆ Marko Stojanović was born in 1978 in Leskovac, where he still lives and works as a high-school EFL teacher. Marko has been in charge of the Leskovac comic art school, “Nikola Mitrović Kokan”, together with Srđan Nikolić-Peka. He is a cartoon author himself and a translator of comic books (Hellboy, Hardboiled, Raptors, Sky Doll). Marko is the author of scenarios for a number of comic books: Maks Debris, Crne du{e, Postelja od gloga, Rekvijem, Pasiji životi, Prah, Pepeo, Bajka i druge istine, Le Dico des Hommes, Le Dico des Femmes, Les 69 secrets à savoir sur les Femmes, Les 69 secrets à savoir sur les Hommes and the series entitled Vekovnici (published by the renowned ‘Politikin Zabavnik’). He is one of the administrators of the UPPS website (www.upps-sajt.com), where his weekly column fittingly entitled ‘Southern Comfort’ has been appearing for eight years now, including the period when it was published at the Internet weekly comic news (‘Strip Vesti’). His other accomplishments include a collection of essays on comic art also entitled ‘Southern Comfort’ (“Južnjačka Uteha”), published by the Cultural Centre in Ni{. He is also engaged as the editor-in-chief of the Ni{-based comic magazine Strip Pressing, as well as the editor of the comic in the magazine Think Tank from Leskovac. Stojanović was the initator and co-organiser of the Balkan Festival of young comic art authors, as the oldest comic art festival in the region of former SFR Yugoslavia. His texts and comics have been published in a number of magazine in Serbia and abroad. Stojanović is the winner of a number of prizes and awards, including: best young Balkan artists in the domain of comic art theory, in 2007, best script writer at 6. International Comic Art Salon in Belgrade in 2005, Grand Prix of the Seventh International Comic Art Salon in Veles (together with the cartoon artist Srđan Nikolić-Peka), in 2009. IVAN ARANÐELOVIĆ Producent i novinar Ivan Aranđelović rođen je 1979. godine. Diplomirao je filmsko-televizijsku produkciju na Fakultetu dramskih umetnosti (FDU) u Beogradu. Novinarstvom je počeo da se bavi tokom gimnazijskog obrazovanja u Vrnjačkoj Banji, a nastavio u Beogradu gde je na radijima „Akademac”, „City” „Idea” i „Index”, realizovao nekoliko emisija o filmu. Bio je novinar časopisa „Film”, vi{egodi{nji je saradnik časopisa „Sat TV Video / Film Video Reporer”. Od 2005. godine radi kao filmski novinar u dnevom listu „Politika”. Tokom studiranja, radio kao PR menadžer u distributerskoj kući „Bandur film”, i bio izvr{ni producent Festivala filmskog scenarija u Vrnjačkoj Banji. Od 2008. godine je član organizacionog borda Festivala evropskog filma na Paliću. Produkciono i organizaciono uključen u realizaciju nekoliko festivala u zemlji i okruženju. IVAN ARANÐELOVIĆ Ivan Aranđelović (born 1979), producer and journalist, graduated from the Faculty of Drama Arts (FDU) in Belgrade, at the Department of Film and Television Production. His took his first steps in journalism as a high-school student on Vrnjačka Banja, and he continued as a journalist in Belgrade, working for the radio stations “Akademac”, “City”, “Idea” and “Index”, where he produced several programmes about film. A former journalist of the “Film” magazine and a collaborator of the “Sat TV Video / Film Reporter” for several years, since 2005 he has been working as a film journalist for the daily newspaper “Politika”. During the studies, he worked as a PR manager for the distribution house “Bandur Film” and he also worked as the executive producer for the Film Scenario Festival in Vrnjačka Banja. Since 2008, Ivan has been a member of the Organisational Board of the European Film Festival at Palić. He is involved in the production and organisational aspects of several festivals in the country and the wider region.

ŽIRI JURY MIDHAT AJANOVIĆ AJAN * Pisac, karikaturista, filmski autor i teoretičar animacije, rođen u Sarajevu 1959. Diplomirao je novinarstvo u Sarajevu, animaciju učio u Studiju za crtani film Zagreb filma. Između 1984. i 1992. snimio je sedam kratkih animiranih filmova. Nakon osamnaestogodi{nje pauze vratio se režiji s kratkim animiranim filmom Point of Mouth (2009). Od 1994. živi u Göteborgu ([vedska), gdje je doktorirao s filmolo{kom tezom. Predaje povijest i teoriju animacije na {vedskim filmskim {kolama (trenutno na University West u Trollhättanu). Objavio je vi{e knjiga raznih žanrova i na nekoliko jezika, a neke iz područja istorije i teorije animiranog filma: Den rörliga skämtteckningen (Optimal Press, Gothenburg, 2009) na {vedskom, Karikatura i pokret (Hrvatski filmski savez, Zagreb, 2008) na hrvatskom, Animacija i realizam / Animation and Realism (Hrvatski filmski savez, Zagreb, 2004) na hrvatskom i engleskom, Animazione e relismo (Animation and Realism, Cuem, Milan, 2006) na italijanskom. Radio je kao organizator i umetnički direktor na filmskim festivalima u Podgorici (Crna Gora), Zagrebu i Eksjö ([vedska), a bio je i član mnogih međunarodnih žirija. Za svoj rad nagrađivan je na uglednim filmskim festivalima i izložbama {irom sveta. Na međunarodnom festivalu animacije „Animafest 2010” u Zagrebu dodeljena mu je nagrada za doprinos proučavanju animacije. MIDHAT AJANOVIĆ AYAN Writer, cartoonist, film maker and theoretician of animation, born in Sarajevo (Bosnia) in 1959. He studied journalism in Sarajevo and practiced film animation in Zagreb film Studio of Animation (Croatia). He was a director of seven animated short films Between 1984 and 1992. After a pause of 18 years he returned to practical film-making with animated short Point of Mouth. Since 1994 he is living in Gothenburg (Sweden) where he obtained a degree of Doctor of Philosophy in Film Studies. He teaches history and theory of animation at various Swedish film schools (currently at University West in Trollhättan). He has published many books in various genres and in several languages. Some of them deal with history and theory of animated film. His most recent books are Den rörliga skämtteckningen (Optimal Press, Gothenburg, 2009) in Swedish, Karikatura i pokret (Hrvatski filmski savez, Zagreb, 2008) and Animacija i realizam / Animation and Realism (Hrvatski filmski savez, Zagreb, 2004) in Croatian, Animazione e relismo (Animation and Realism, Cuem, Milan, 2006) in Italian. He worked as the organiser and artistic director of the festivals in Podgorica (Montenegro), Zagreb (Croatia) and Eksjö (Sweden) and was the member of many internationally juries. He also did some work in the field of literature, journalism and newspaper’s cartoons. For his work, he got various rewards at significant festivals and exhibition world-wide. Most recent, the international festival of animated film “Animafest 2010” in Zagreb awarded him with the special prize for the contribution in the fileld of animation researches. ŽORŽ SIFIJANOS Žorž Sifijanos rođen je u Grčkoj 1952. godine. Svoju doktorsku disertaciju pod nazivom „Jezik i estetika filmske animacije” odbranio je 1988. na Sorboni u Parizu (Paris 1, Pantheon – Sorbonne). Kao animator, učestvovao je u nizu projekata, u koje se ubrajaju: Tales Of The Night autor Mi{ela Osloa, dva filma Adventures Of Tutu Paskala Dalea, Alice Nikole Belanžea, Pedro Igora Leona (Nagrađen od strane UESCA-e), zatim reklamnog spota Equilibrance i drugih. Njegova autorska filmografija uključuje četiri kratka animirana filma: Smile (1974), Scent Of City (1994), Tutu (2001), C’est Môa (2007) i dugometražni dokumentarni film Petrochemicals, The Cathedrals Of The Desert (1981). Filmovi su mu prikazivani na filmskim festivalima {irom sveta, kao {to su Mostra u Veneciji, festivali u Ansiju, Zagrebu, Montrealu, Melburnu i {tutgartu. Na atinskom festivalu animacije ANIMFEST održanom 2008. godine, priređena je retrospektiva njegovih filmova. Sifianos je osnivač (1994.) i koordinator (1994-2006) Odseka za studije filmske animacije pri fakultetu ENSAD (Ecole Nationale Supérieure des Arts Décoratifs) u Parizu. Od 1994. do danas, radi na ENSAD-u kao professor. Sifianos je veoma aktivno angažovan na međunarodnoj sceni filmske animacije, gde često nastupa kao član selekcionih komisija i žirija na mnogim važnim festivalima, kao {to su: Juan le Pins na Antibima (1985), Zagrebu (1994), Espinjo (1998), Kasteli animati (2003), CICDAF u Kini (2005), Hiro{ima (2006.), Balkanima u Beogradu (2006), KAFF u Mađarskoj (2007), ANIM’EST u Rumuniji (2008), ITFS Festival u [tutgartu (2009) FICAM u Meknesu (2010.) i mnogi drugi. Član je Odbora međunarodnog estivala filmske animacije u Ansiju, i jedan od članova-osnivača Evropske asocijacije animiranog filma, CARTOON, zatim Kampusa animacije FOCAL u {vajcarskoj i jo{ nekoliko udruženja i fondacija. Sifianos je aktivno angažovan i u oblasti vizuelnih umetnosti, gde učestvuje u izložbama u Francuskoj i inostranstvu. Od 1980. godine objavio je veliki broj članaka koji se bave {irokom temom umetnosti animacije, u različitim časopisima i žurnalima. „U potrazi za Bioskopom blizu mentalnih predstava” i „Simfonija Partenonovog friza” su nazivi dva istraživačka projekta kojima se trenutno bavi.

* Neposredno pred početak ANIMANIME 2010, g. Midhat Ajanović nas je obavestio da je dramatičnim spletom okolnosti sprečen da učestvuje u radu festivalskog žirija. Zahvaljujemo se g. Milo{u Gojkoviću, animatoru i grafičkom dizajneru iz Beograda, koji je prihvatio ovu dužnost.

GEORGE SIFIANOS George Sifianos was born in 1952 in Greece. He gained his PhD in 1988, from the University of Paris 1, Pantheon – Sorbonne, on thesis titled: “Language and aesthetics of the animation cinema”. As an animator he participated in a number of projects including Tales Of The Night by Michel Ocelot, two films Adventures Of Tutu by Pascal Dalet, Alice by Nicolas Bellanger (won several prizes), Pedro by Igor Leon (Prize of the UESCA), the Equilibrance advertisement and others. His filmography as an author includes four short animated films Smile (1974), Scent Of City (1994), Tutu (2001), C’est Môa (2007) and a full-length documentary Petrochemicals, The Cathedrals Of The Desert (1981). His films have been screened at many film festivals world wide, Mostra of Venice, Annecy, Zagreb, Montreal, Melbourne, and Stuttgart, to mention some of them. A retrospective of his films was shown at ANIMFEST festival in Athens, 2008. Sifianos is a founder (in 1994) and coordinator (1994-2006) of the Studies in the Cinema of Animation, at ENSAD (Ecole Nationale Supérieure des Arts Décoratifs) in Paris. From 1994 to the present, he has been a professor at ENSAD. Sifianos has been a very active member of the international animation community as a member of selection committees or juries of the significant number of the festivals: Festival of the Cinema of Animation of Antibes Juanle-Pins (1985), International Festival of the Cinema of Animation of Zagreb (1994), Espinho (1998), Casteli Animati (2003), CICDAF in China (2005), the International Animation Festival of Hiroshima (2006), Balkanima in Belgrade (2006), KAFF in Hungary (2007), ANIM’EST of Romania (2008), ITFS Stuttgart Festival (2009) FICAM Meknes (2010) and many others. He is a Member of Board of the International Festival of the Cinema of Animation of Annecy, and founding member of CARTOON (European Association of Animated films), “Animation Campus“ FOCAL, Switzerland and several more associations and foundations. Sifianos is also experienced in the field of visual arts, participating in exhibitions in France and abroad. Since 1980, many of his articles concerning the art of animation have been published in magazines and journals. “Looking for a Cinema close to the mental representations” and “The symphony of the Parthenon frieze” are the titles of his researching projects in progress. NEBOJ[A POPOVIĆ Rođen 1958. godine u Kraljevu. Filolo{ki fakultet u Beogradu zavr{io 1981. godine a od 1982. radi u TV Beograd, sada{nji RTS. O filmu pi{e punih 25 godina, a 1993. dobio je „Zlatni pečat“, godi{nju nagradu Instituta za film za najbolju filmsku kritiku. Osim pisanja filmskih kritika za kulturni magazin „Metropolis“, izve{tavao je sa najznačajnijih filmskih festivala. Već dugo na RTS-u radi autorsku emisiju o filmu „Drugi vek“ koja se bavi fenomenima (meta-filmovima kao filmskoj vrsti i maniru, srpskim filmskim debitantima, Hamletom na filmu, fudbalu i filmu, srpskoj filmskoj kritici...), značajnim ličnostima i pojavama u svetskom filmu (Vim Venders, Ken Louč, Ken Rasel, Ermano Olmi, Filip Nojs, Kosta Gavras, Andžej Zulavski, I{tvan Sabo, Lena Endre, Pupi Avati, Rajko Grlić...) i u domaćoj kinematografiji (Srđan Karanović, Dejan Zečević, Boris Mitić, Rade Vladić, Svetozar Cvetković, Slobodan [ijan, Neboj{a Glogovac, Mirjana Karanović, Petar Božović, Branka Čeperac, Gordan Mihić, Miljen Kljaković...). Deo tog serijala posvećen je evropskim kinematografijama: izraelskoj, norve{koj, finskoj, ruskoj, {panskoj, mađarskoj, islandskoj, slovenačkoj, holandskoj.... Bio je u zvaničnim žirijima i žirijima kritike na stranim i domaćim festivalima, a selektor je oko dvadeset festivala posvećenih značajnim evropskim kinematografijama. NEBOJ[A POPOVIĆ Born in Kraljevo in 1958. Graduated from the Faculty of Philology in Belgrade in 1981. Since 1982, he has worked for the Ratio Television of Serbia, former TV Belgrade, and for the past 25 years has been actively contributing articles and writings about film. In 1993, Neboj{a was awarded the “Golden Seal” annual award of the Film Institute for the best film review. Apart from contributing film reviews for the “Metropolis” magazine, he has worked as a reporter at numerous major film festivals, and for a number of years now the national television – RTS – has been featuring his programme “Drugi vek” (“Another Century”), dealing with film phenomena (meta – films as a genre and manner of expression, Serbian film debutants, Hamlet in films, football and film, Serbian film critics …), as well as important figures and phenomena at the world film scene (Wim Wenders, Ken Loach, Ken Russell, Hermano Olmi, Phillip Noyce, Costa Gavras, Andrzej Zulavski, Istvan Szabo, Lena Endre, Pupi Avatti, Rajko Grlić...) and national cinematography (Srdjan Karanović, Dejan Zečević, Boris Mitić, Rade Vladić, Svetozar Cvetković, Slobodan [ijan, Neboj{a Glogovac, Mirjana Karanović, Petar Božović, Branka Čeperac, Gordan Mihić, Miljen Kljaković...). A part of the serial is dedicated to European cinematographies (Israel, Norway, Finland, Russia, Spain, Hungary, Iceland, Slovenia, Holland ...). Neboj{a has been a member of the official juries and film critic juries at national and international film festivals, as well a selector of around twenty festivals dedicated to significant European cinematographies. * With only a few days left before the opening of ANIMANIMA 2010, Mr Midhat Ajanović has informed us that a dramatic coincidence has prevented him from the scheduled participation in the work of the Festival Jury. We express our gratitude to Mr Milo{ Gojković, animator and designer from Belgrade, who has kindly accepted this engagement.

TAKMIČARSKI PROGRAM COMPETITION PROGRAMME

GOSPOĐA I SMRT THE LADY AND THE REAPER

[panija / Spain / 8:26 / 2009 3D kompjuter / 3D computer Izvorni naslov / Original title: La dama y la muerte Režija / Direction: Javier Recio Gracia Scenario / Script: Javier Recio Gracia Animacija / Animation: Ernesto Esteso, Fran Fernández, Gabriel García, J. Antonio Portillo, Jaime Visedo, Juanmi Vadell, Sebas Marín and Jesús Gómez “Tuly” Montaža / Editing: Claudio Hernández Muzika / Music: Sergio de la Puente Dizajn zvuka / Sound design: Federico Pajaro Produkcija / Production: KANDOR MOON STUDIO

Javier Recio Gracia [panija / Spain

Simpatična stara dama živi sama na svojoj farmi, u očekivanju smrti koja će je ponovo ujediniti sa njenim voljenim pokojnim suprugom. Smrt je stiže u snu jedne noći, i pred njom se otvaraju vrata smrti. I upravo u trenutku kada se sprema da pređe njihov prag, stara dama se budi u bolnici: zalaganjem jednog arogantnog doktora, vraćena je u život. Doktor je spreman na sve kako bi staroj dami sačuvao život. A sweet old lady lives alone in her farm, waiting for the arrival of death to meet her beloved husband again. One night, while sleeping, her life fades out and she is invited to cross death’s door. But when she is about to do so, the old lady wakes up in a hospital’s ward: an arrogant doctor has taken her back to life and he will fight hard against death to recover the old lady’s life at any cost.

JAVIER RECIO GRACIA rođen je u Madridu 1981. godine. Zavr{io je studije na Fakultetu likovnih umetnosti u Granadi ([panija). Po{to je dobio nekoliko nagrada kao autor i dizajner stripova, 2006. godine pristupa Umetničkom odseku pri Studiju za animaciju Kandor Graphics. Kratki film Dama i smrt predstavlja njegovo prvo ostvarenje u ulozi režisera i scenariste. Film se trenutno prikazuje na različitim međunarodnim festivalima, gde je do sada osvojio vi{e od 10 nagrada, među kojima je i Gojina nagrada koju dodeljuje [panska akademija. Film je ovu nagradu dobio kao najbolji kratki animirani film u 2009. godini, a isto tako je i nominovan za Oscar® koji dodeljuje A.M.P.A.S., u istoj kategoriji. JAVIER RECIO GRACIA was born in Madrid in 1981, he studies Artistic Bachelor and Fine Arts in Granada (Spain). After some awards as author and comic designer, in 2006 he joins artistic department of the animation studio Kandor Graphics. The short film The Lady and The Reaper is his first work as director and writer. This film is now running inside a international festival circuit and has been awarded with more than 10 prizes, among them the Goya award by Spanish Academy as Best Animation Short Film 2009 and Oscar® nomination by A.M.P.A.S. in the same category. www.kandormoon.com

ANIMANIMA takmičenje 1 / competition 1

PREOKRET PIVOT

Holandija / Netherlands / 5:00 / 2009 3D kompjuter / 3D computer Režija / Direction: Andre Bérgs Scenario / Script: Jan Eduards Animacija / Animation: Kevin Megens, Floris Vos, Arno de Grijs, Andre Bérgs Koncept / Concept: Arnoud Rijken & Michiel Snijders Muzika / Music: Alex Debicky Produkcija / Production: IL LUSTER PRODUCTIONS

Andre Bérgs Holandija / Netherlands

Kada neko bude svedok ubistva i pri tom načini fotografije ubice, život mu zavisi od brzine bekstva. Tokom bega, uspeva da preokrene situaciju u svoju korist, tako da plen postaje progonitelj. Sve se zavr{ava na nesrećan način. When a man is witness to a murder and takes pictures of the killer, he has to run for his life. During the chase he is able to turn the tables and the prey becomes the hunter. All resulting in an unfortunate ending.

ANDRÉ BERGS (1979) studirao je na Umetničkoj {koli u Utrehtu (Holandija) gde je zavr{io i postdiplomske studije, 2004. godine. André radi kao nezavisni animator i pojavljuje se kao režiser na nekoliko filmskih projekata. Takođe radi kao nezavisni video-džokej. Nakon svog filmskog debija koji nosi naziv Teddy, André biva angažovan na velikom broju projekata za različite naručioce. Pro{le 2009. godine, sa nekoliko kolega formira grupu „PIVOT”. ANDRÉ BERGS (19. 06. 1979) studied at the Utrecht School of the Arts (the Netherlands) graduating Cum Laude in 2004 for his European Masters of Arts. André works as a freelance animator and director on several productions and is freelance VJ. Teddy was his debut film after wich he made many commissioned works. In 2009 he teamed up with several collegues to make “PIVOT”. www.illuster.nl

ANIMANIMA takmičenje 1 / competition 1

STOMACI THE BELLIES

Francuska / France / 16:40 / 2009 3D kompjuter / 3D computer Izvorni naslov / Original title: Les ventres Režija / Direction: Philippe Grammaticopoulos Scenario / Script: Philippe Grammaticopoulos Animacija / Animation: J.C. Gonin, Philippe Grammaticopoulos, Lucas Vallerie Montaža / Editing: Philippe Grammaticopoulos Muzika / Music: Pierre Schaeffer, George Crumb Dizajn zvuka / Sound Design: Philippe Grammaticopoulos Produkcija / Production: HAIDOUK! FILMS

Philippe Grammaticopoulos Francuska / France

U svetu koji je potpuno industrijalizovan, u kome ljudi jedu samo transgenetsku hranu, nekim tanjirima uspevaju neobična jela... In a very industrialized world, where humans only eat transgenic food, some plates make for surprising dishes...

PHILIPPE GRAMMATICOPOULOS rođen je u Briselu, Belgija, gde je studirao na Odseku za strip pri Institutu Sen-Luk. Takođe diplomirao je na [koli za digitalnu animaciju Supinfocom, u Valensijanu (Valenciennes), u Francuskoj. Pre nego {to je započeo karijeru reditelja animiranog filma, radio je kao crtač. Objavljuje svoje stripove, knjige za decu i crteže – između ostalog, i u časopisima kao {to je Le Monde. Trenutno živi i radi u Parizu. PHILIPPE GRAMMATICOPOULOS was born in Brussels, Belgium, where he studied Comic strip at Saint-Luc Institute. He also graduated at the digital animation school Supinfocom in Valenciennes (France). He worked as a drawer before becoming an animation film director. He publishes Comics strip, children books and drawings for newspaper like Le Monde. At the present time he lives and works in Paris. www.haidouk.com

ANIMANIMA takmičenje 1 / competition 1

MILHEJVEN MILLHAVEN

Poljska / Poland / 7:00 / 2010 2D kompjuter / 2D computer Režija / Direction: Bartek Kulas Scenario / Script: Bartek Kulas Animacija / Animation: Bartek Kulas Montaža / Editing: Bartek Kulas Muzika / Music: Nick Cave Produkcija / Production: Bartek Kulas

Bartek Kulas Poljska / Poland

U svojim tinejdžerskim godinama, Loreta je svesna činjenice da se sve zavr{ava smrću. Po prvi put, pred nama se odvija do sada neispričana priča o junakinji tragične balade čiji je pisac Nik Kejv, a koju hrabro izvodi Katar`na Gronjec - „poljska Edith Piaf”. Teenage Loretta is aware of the fact that everything leads to death. Will she be able to do a “dance” of life? For the first time, untold story about the heroine of a dark ballad written by Nick Cave and boldly interpreted by Katarzyna Groniec - “polish Edith Piaf”.

BARTEK KULAS (1980) – režiser, grafički dizajner, fotograf. Diplomirao na Akademiji likovnih umetnosti u Krakovu. Autor je kratkih filmova i video spotova, a takođe i scenograf. Nagrađivan na velikom broju festivala. BARTEK KULAS (born 1980) - director, graphic designer, photographer. Graduate of Cracow Academy of Fine Arts. He does short films, videos, and stage design. Prize winner at a considerable number of festivals. www.polishshorts.pl

ANIMANIMA takmičenje 1 / competition 1

BABIOLI BABIOLES

Francuska / France / 4:45 / 2010 2D i 3D kompjuter / 2D and 3D computer Režija / Direction: Matray Scenario / Script: Mathieu Auvray, Sébastien Ors Animacija / Animation: Mathieu Auvray, Sébastien Fauchère, Manuel Räis Montaža / Editing: Mathieu Auvray Muzika / Music: Eric Cervera Dizajn zvuka / Sound Design: Eric Cervera Produkcija / Production: AUTOUR DE MINUIT PRODUCTIONS

Matray Francuska / France

Izgubljen na smetli{tu, u potrazi za malo ljudske pažnje, Mali Zec poku{ava da se domogne velikog grada u dru{tvu svog novog prijatelja, Malog Indijanca. Lost in a garbage dump and looking for some human attention, Little Rabbit tries to reach the city with his new mate Little Indian.

Rođen 1981. godine, MATRAY (Mathieu Auvrey) je tokom svoje karijere radio na mnogobrojnim muzičkim spotovima i reklamama, u ulozi režisera i supervizora za animaciju. Od 2004. godine režira i kratke fiolmove, a trenutno radi na stvaranju kratke serije. Born in 1981, MATRAY (Mathieu Auvrey)has worked on many music videos and commercials as animation supervisor and director. Since 2004, he also directs short films. He is now developing a short series. www.autourdeminuit.com

ANIMANIMA takmičenje 1 / competition 1

DA VINČIJEV VREMENSKI KOD THE DA VINCI TIME CODE

Nemačka / Germany / 3:00 / 2009 2D kompjuter / 2D computer Izvorni naslov / Original title: Der Da Vinci Timecode Režija / Direction: Gil Alkabetz Scenario / Script: Gil Alkabetz Animacija / Animation: Gil Alkabetz Montaža / Editing: Gil Alkabetz Muzika / Music: Alexander Zlamal Dizajn zvuka / Sound Design: Alexander Zlamal Produkcija / Production: SWEET HOME STUDIO

Gil Alkabetz Nemačka / Germany

U filmu Da Vinčijev vremenski kod autori razlažu jednu sliku na delove, kako bi od njih stvorili animirani film. Različiti delovi ove slike nam, zahvaljujući svojim sličnim formama, omogućavaju da otkrijemo tajne pokrete. Ljudi sa slike jedu, ple{u, razgovaraju i raspravljaju, dok konačno ne zavlada potpuna ti{ina. In the film The Da Vinci Time Code one picture is taken apart in order to create an animated film from its fragments. Different parts of this one picture, based on similar forms, allow us to discover secret movements.The people in the picture eat, dance, discuss and argue, until finally all are silenced.

GIL ALKABETZ (1957, Izrael) diplomirao je grafički dizajn na akademiji umetnosti i dizajna Bezalel u Jerusalimu. Osamdesetih je radio kao animator i reditelj u studiju Frame by Frame u Jerusalimu. Od 1985. do 1995. on je slobodni animator i ilustrator i nastavnik animacije i crtanja na vi{e umetničkih {kola u Izraelu. Od 1995. do 2001. je nezavisni filmski autor u [tutgartu, Nemačka. Bio je gostujući profesor u Denveru, Kolorado (SAD) kao i u Lucernu, u [vajcarskoj. Od 2004. godine, Alkabec je profesor na HFF “Konrad Wolf”, Potsdam Babelsberg, a od 2005. i predavač na Filmskoj akademiji BW. Bio je član vi{e festivalskih žirija, a njegovi filmovi prikazivani su na velikom broju festivalskih retrospektiva. GIL ALKABETZ (1957, Israel) graduated in 1983 at the Graphic Design department of the Bezalel Academy of Art and Design in Jerusalem. During the 1980’s he worked as an animator and director in the studio Frame by Frame in Jerusalem. From 1985 to 1995 Gil Alkabetz worked as a freelance animator and illustrator and animation and illustration teacher at different art schools in Israel. From 1995 to 2001 he was an independent film maker in Stuttgart, Germany. He was a Guest Professor in Denver - Colorado, USA (2002) as well as in Luzern, Switzerland (2003). Since 2004 Gil Alkabez has been professor in the HFF “Konrad Wolf”, Potsdam Babelsberg, and since 2005, a teacher in the Filmakademie BW. Alkabetz was a member of the jury at many international film festivals and had many retrospectives at different film festivals. www.alkabetz.com

ANIMANIMA takmičenje 1 / competition 1

MALI ZMAJ THE LITTLE DRAGON

Bruno Collet Francuska / France

Francuska / France / 8:15 / 2009 2D&3D kompjuter, start-stop animacija / 2D&3D computer, stop motion Izvorni naslov / Original title: Le Petit Dragon

Duh zmaja doživeće svoju reinkarnaciju u telu lutke koja je poslednjih 35 godina provela zatočena u kutiji. Puna samopouzdanja, gumena igračka kreće u otkrivanje spolja{njeg, za nju predimenzioniranog sveta.

Režija / Direction: Bruno Collet Scenario / Script: Bruno Collet Animacija / Animation: Julien Leconte, Xavier Truchon, Samuel Guénolé Montaža / Editing: Mathieu Courtois Muzika / Music: Leon Rousseau Dizajn zvuka / Sound Design: Leon Rousseau Produkcija / Production: VIVEMENT LUNDI!

The dragon spirit is reincarnated in a doll’s body trapped in a box for 35 years. With insurance, rubber toy sets out to discover the oversize world outside.

BRUNO COLLET rođen je 1965. godine u Sen Briju u Francuskoj, a studije je zavr{io na Akademiji likovnih umetnosti u Renu. Svoj prvi kratki animirani film stvara 2001. godine, i za njega dobija nagradu u na festivalu u Kanu, u selekciji Međunarodne sedmice kritičara. Baveći se svetom klasičnih filmova, Koleov rad sadrži brojne aluzije i {aljive detalje koji stoje u vezi sa legendarnim scenama i protagonistima klasičnih filmova. Film Mali Zmaj iz zbirke Animator studija, neumorno oživljava duh Brusa Lija. BRUNO COLLET was born 1965 in Saint-Brieuc, France. Graduated at the Fine Arts Academy at Rennes. His first animation short was produced in 2001 and awarded in International Critic’s Week in Cannes. Collet’s work pays tribute to the world of classic movies and includes numerous hommages and in-joke references to iconic cinema scenes and characters. The Little Dragon, from the Animator’s Studio collection, is a living hommage to Bruce Lee. www.vivement-lundi.com

ANIMANIMA takmičenje 1 / competition 1

VIDEOIGRA: EKSPERIMENT S PETLJOM VIDEOGAME: A LOOP EXPERIMENT

Italija / Italy / 1:25 / 2009 Kolaž, predmeti, piksilacija / Cut-outs, objects, pixilation Izvorni naslov / Original title: Videogioco: a loop experiment Režija / Direction: Donato Sansone Scenario / Script: Donato Sansone Animacija / Animation: Donato Sansone Montaža / Editing: Donato Sansone Dizajn zvuka / Sound Design: Enrico Acoli Produkcija / Production: Donato Sansone

Donato Sansone Italija / Italy

Videoigra je besmislena i groteskna priča koja započinje {akom i odrubljenom glavom. Videogame is a senseless and grotesque story which begins with hand and a cut head.

Sa diplomom likovne akademije DONATO SANSONE nastavlja obrazovanje u Centru ze ekesperimentalni film u Torinu. Jo{ od vremena studija uživa u ispitivanju performansi računara u manipulacijama kompozitinga. Njegovi prethodni fimovi su Love Cube i Slidinghands, oba iz 2004. After the Fine Arts Academy DONATO SANSONE attend the Cinematography Experimental Center of Turin. During Animation School years he enjoyed testing the computer’s different potencial to perform manipulations by composing. In 2004 he made two films, Love Cube and Slidinghands.

ANIMANIMA takmičenje 1 / competition 1

IDEMO! ALONSO! ALLONS-Y! ALONZO!

Francuska / France / 7:52 / 2009 2D kompjuter, rotoskopija / 3D computer, rotoscopy Izvorni naslov / Original title: Les ventres Režija / Direction: Camille Moulin-Dupré Scenario / Script: Camille Moulin-Dupré Animacija / Animation: Randy Agostini, Julien Allard, Camille Moulin-Dupré Montaža / Editing: Mathieu Courtois Muzika / Music: Hubert Delgrange a.k.a. Docteur Belvédère Dizajn zvuka / Sound Design: Marie-Jeanne Wyckmans Produkcija / Production: VIVEMENT LUNDI!

Camille Moulin-Dupré Francuska / France

Promenada na morskoj obali: starac čita novine u dru{tvu svog psa; iznenadna pojava žene ga navodi da prekine započeto čitanje. Hitajući tragom ove lepotice, starac upada u animirani strip, gde započinje serija njegovih isku{enja i dogodov{tina ... ovaj animirani film posvećen je Žan-Pol Belmondu. A walkway by the sea shore: an old man is reading his newspaper with his white dog near him, when a woman just comes to disturb his reading. He hotfoots after this beautiful woman and dives into an animated comic strip which recounts his trials and tribulations on screen…this cartoon is a tribute to Jean-Paul Belmondo.

CAMILLE MOULIN-DUPRÉ rođen je 1981. godine. Diplomirao je na Unvierzitetu u Renu 2001. godine, na Akademiji likovnih umetnosti. Član je grupe umetnika koja deluje pod nazivom „Moderan pogled” (Un regard Moderne) i autor je umetničkih video projekata. Osim istraživanja u oblasti grafičke umetnosti, Kamil je i iskusni video-džokej. Film Allons-y! Alonzo je njegov prvenac. CAMILLE MOULIN-DUPRÉ was born in 1981. He is a graduate of the University of Rennes in 2001, and he got his national Diploma of Fine Arts Academy in Rennes. He is a member of the action group Un regard Moderne (A Modern Look) and a creator of artistic video projects. Besides his graphic research, Camille is an experinced VJ. Allons-y! Alonzo is his first film. www.vivement-lundi.com

ANIMANIMA takmičenje 1 / competition 1

GROZNI SVRŠECI STICKY ENDS

Osman Cerfon Francuska / France

Francuska / France / 6:17 / 2010 2D kompjuter / 2D computer Izvorni naslov / Original title: Chroniques de la poisse

Džinks je čovek sa glavom ribe, iz čijih usta izlaze mehurovi lo{e sreće. Svako koga počne da prati neki od ovih mehurova, postaje žrtva nesrećnih obrta i neslavno okončava svoje bivstvovanje...

Režija / Direction: Osman Cerfon Scenario / Script: Osman Cerfon Animacija / Animation: Osman Cerfon, Grégory Duroy, Ulrich Totier Montaža / Editing: Osman Cerfon, Franck Ekinsi Muzika / Music: Denis Vautrin Dizajn zvuka / Sound Design: Denis Vautrin Produkcija / Production: JE SUIS BIEN CONTENT

Jinx is a man with a head of a fish. Misfortune bubble escape from his mouth. When one of them follows somebody, he became dogged bz bad luck, and comes to a sticky ends...

OSMAN CERFON rođen je u Francuskoj, 1981. godine. Najpre je studirao grafički dizajn u [omonu zatim na Akademiji likovnih umetnosti u Epinalu, da bi konačno diplomirao na fakultetu La Poudrière u Valensu, 2007. godine. Njegova serija u nastavcima Sticky Ends predstavlja zbirku kratkih filmova koji za temu imaju nesreću i sudbine onih koji joj se – igrom slučaja – nađu na putu. OSMAN CERFON was born in 1981 in France. He first studied graphic design in Chaumont, then Fine Arts in Epinal, and finally animation in La Poudrière school in Valence, where he graduated in 2007. he has been developing Sticky Ends series, a collection of shorts about misfortune tracks those who alas find themselves on its way. www.jesuisbiencontent.com

ANIMANIMA takmičenje 1 / competition 1

LOGORAMA LOGORAMA

Francuska / France / 16:05 / 2009 2D i 3D kompjuter / 2D and 3D computer Režija / Direction: H5 (Francois Alaux, Herve De Crecy, Ludovic Huplain) Scenario / Script: H5 (Francois Alaux, Herve De Crecy, Ludovic Huplain) Animacija / Animation: Julien Aubard, Guillaume Bergere, Patrice Cailhol, Damien Climent, Nicolas Deleyris, Thomas Dufour, Renaud Megange, Michaël Nauzin, Rudy Pierrat, Maximilien Royo, Alexandre Sauthier Montaža / Editing: Sam Danesi, Stephen Berger Muzika / Music: Human Worldwide Dizajn zvuka / Sound Design: Human Worldwide Produkcija / Production: AUTOUR DE MINUIT PRODUCTIONS

H5 Francuska / France

Spektakularne jurnjave automobilima, napeta situcaija sa taocima, divlje životinje koje pusto{e grad: sve to – i jo{ vi{e – naći ćete u Logorami! Spectacular car chases, an intense hostage crisis, wild animals rampaging through the city, and even more in Logorama.

Logorama je režisersko delo grupe H5, koju čine FRANÇOIS ALAUX, HERVÉ DE CRÉCY i LUDOVIC HOUPLAIN, režiseri sa puno iskustva u muzičkim spotovima, čiji su radovi često izlagani u muzejima i umetničkim galerijama. Logorama je njihov prvi kratki film. Logorama was directed within the collective H5, by FRANÇOIS ALAUX, HERVÉ DE CRÉCY and LUDOVIC HOUPLAIN, directors of many music videos and regularly invited to exhibit their work in museums and art galleries. Logorama is their first short film. www. autourdeminuit.com

ANIMANIMA takmičenje 1 / competition 1

NE IDI DON’T GO

Turgut Akaçik Turska / Turkey

Turska / Turkey / 3:51 / 2010 3D kompjuter, živi snimci / 3D computer, live action

Postoje stvari koje ne možemo videti ni {irom otvorenih očiju. Te stvari su, najče{će, dobri poznanici neke mačke.

Režija / Direction: Turgut Akaçik Scenario / Script: Turgut Akaçik Animacija / Animation: Turgut Akaçik Montaža / Editing: Turgut Akaçik Muzika / Music: “Don’t Go”, Yazoo, “Invisible”, Fisher Spooner Dizajn zvuka / Sound Design: Ozan Kurtulus Produkcija / Production: ANIMA STUDIOS ISTANBUL

There are some things that you can not see even with your eyes wide open. Often, these are a cat’s best friends.

TURGUT AKAÇIK rođen je u Istanbulu 1980. godine. Kao polaznik vi{e {kole za vajarstvo, zainteresovao se za tehnike stop-motion animacije. Kasnije, kada je bio na probnom radu u „Animi” (Animation Studio & Production Company Anima) u Istanbulu, učvrstio se u svojoj odluci da karijeru gradi kao animator. Studirao je animaciju na Fakultetu likovnih umetnosti pri Univerzitetu u Anatoliji da bi, započev{i kao animator likova, postao najpre glavni animator, a zatim i režiser u studiju Anima u Istanbulu. I dalje režira TV reklame, i ne razmi{lja o skorom napu{tanju animacije! TURGUT AKAÇIK was born in Istanbul in 1980. He studied sculpture at high school and he wasinterested in stop-motion animation since then. An internsip at Animation Studio & ProductionCompany Anima Istanbul caused his decision to go on with his career as an animator. He studiedanimation in Anatolian University (Fine Arts Faculty) and first worked as a character animator, thenbecame lead animator and finally director at Anima Istanbul. He continues to direct TV commercials, and doesn’t intend to stop animating anytime soon! www.anima.gen.tr

ANIMANIMA takmičenje 1 / competition 1

DEČAK S KOLICIMA TROLLEY BOY

Teemu Auersalo Irska / Ireland

Irska / Ireland / 3:54 / 2009 3D kompjuter / 3D computer

Dečak s kolicima nastoji da pronađe motivaciju u svom otuđenom i monotonom poslu.

Režija / Direction: Teemu Auersalo Scenario / Script: Teemu Auersalo Animacija / Animation: Teemu Auersalo Muzika / Music: Abigail Smith Dizajn zvuka / Sound Design: Giles Packham Produkcija / Production: GLIMPSE DIGITAL LTD

Trolley Boy tries to keep himself motivated in his isolated and unfulfilling job.

Finski režiser i animator TEEMU AUERSALO živi u Irskoj. Bavi se animacijom dugometražnih filmova i TV serija za decu, a isto tako i kratkim flimovima i muzičkim spotovima. Prepoznatljiv stil ovog autora počiva na elementima crtane animacije i stop motion tehnike, koje prenosi u 3D animaciju. TEEMU AUERSALO is a Finnish director and animator living in Ireland. He has been animating children’s feature films and TV-series but also short films and music videos. Teemu’s personal work brings elements from drawn animation and stop motion into 3D animation. www.glimpsefilms.com

ANIMANIMA takmičenje 2 / competition 2

POSLE MENE APRES MOI

P. E. Boucher, T. Bozovic, M. Charruaud, D. Fibleuil, B. Flouw, M. Riciotti, A. Robert

Francuska / France / 4:02 / 2009 2D kompjuter / 2D computer Režija, animacija / Direction, animation: Paul Emile Boucher, Thomas Bozovic, Madeleine Charruaud, Dorianne Fibleuil, Benjamin Flouw, Mickaël Riciotti, Antoine Robert Scenario / Script: Killoffer Muzika / Music: Pierre-François Renouf Produkcija / Production: LA STATION ANIMATION, LES FILMS D’ICI, CANAL+

Francuska / France

JA je neko drugi, a ipak sam to ja. Svaki poku{aj frustriranog ljubavnika da dosegne priviđenje, neumitno zavr{ava tako {to pronalazi samog sebe. I is another, but it’s still me. A frustrated lover chases an illusion, but always ends up finding himself again.

www. autourdeminuit.com

ANIMANIMA takmičenje 2 / competition 2

SPAVANJE SLEEP

[vajcarska / Switzerland / 4:09 / 2010 Crtež na papiru / Drawing on paper Izvorni naslov / Original title: Schlaf Režija / Direction: Claudius Gentinetta, Frank Braun Scenario / Script: Claudius Gentinetta Animacija / Animation: Claudius Gentinetta, Delia Hess Montaža / Editing: Marcel Ramsay Muzika / Music: “Blaskapelle der Krinoline”, Edison Concert Band Dizajn zvuka / Sound Design: Peter Bräker Produkcija / Production: Claudius Gentinetta

Claudius Gentinetta, Frank Braun [vajcarska / Switzerland

Punim plućima napred, ka konačnom počinku. Uspavanka sa zatvorenimm očima, za nečujno nestajanje. Full breath ahead into the final sleep. A lullaby with closed eyes for a silent decline.

CLAUDIUS GENTINETTA rođen je u [vajcarskoj, pre 42 godine. Veći deo svoje stvaralačke karijere posvetio je radeći na produkciji animiranih filmova i uvrnutih stripova. Diplomirao je na umetničkim {kolama u Lucernu, Kaselu i Liverpulu. Zahvaljujući stipendiji koju je dobio 1995. godine, provodi godinu dana u Krakovu, gde bogati sopstveno iskustvo elementima koji će trajno uticati na njegov dalji rad. Živi sa porodicom u Cirihu, gde je trenutno angažovan na novom filmskom projektu koji puno obećava. FRANK BRAUN je rođen 1965. godine u Vinterturu, u [vajcarskoj. Od 1990. godine živi i radi u Cirihu. Frank je jedan od osnivača i su-organizatora Međunarodnog festivala animacije Fantoche u Badenu, [vajcarska (prvi put održan 1995. godine), a od 2002. godine je i direktor Fantoche festivala. CLAUDIUS GENTINETTA was born 42 years ago in Switzerland. He dedicated most of his life producing animation films and weird comics. Art schools in Lucerne, Kassel and Liverpool. A 1995 artistic scholarship offered him the opportunity to spend a year in Krakow, to gain the experience with lasting impressions for his further work. He has been living with his family in Zurich, working at another promising film project. FRANK BRAUN was born in 1965 in Winterthur, Switzerland. Since 1990 living and working in Zürich, Switzerland. Since 1990 management and program director of arthouse cinemas in Switzerland. Co-founder of Co-organizer of Fantoche International Animation Film Festival, Baden, Schwitzerland (first edition 1995). Since 2002 director of Fantoche. www.gentinettafilm.ch

ANIMANIMA takmičenje 2 / competition 2

ESTERHAZI ESTERHAZY

Poljska, Nemačka / Poland, Germany / 25:00 / 2009 Plastelin animacija / Claymation Režija / Direction: Izabela Pluciñska Scenario / Script: Izabela Pluciñska, Anna Jadowska Animacija / Animation: Kiril Abdrakmanov, Marius Gryslzok, Izabela Pluciñska Montaža / Editing: Dirk Schreier Muzika / Music: Max Knoth Produkcija / Production: CLAY TRACES, DONTEN & LACROIX FILMS

Izabela Pluciñska Poljska, Nemačka / Poland, Germany

Glavni junak je mladi, usporeni, kusorepi zečić, potomak bečke dinastije Esterhazy, koga Parijarh Grof Esterhazi {alje u Berlin, sa zadatkom da tamo pronađe krupnu, zdravu i snažnu zečicu, koja se nalazi negde u blizini Berlinskog zida. Nakon dugotrajne i iscpljujuće potrage, zečić pronalazi svoj raj na zemlji (Zečji raj, koji je zaista postojao između Istočnog i Zapadnog dela poznatog Berlinskog zida). Zečić Esterhazi kreće da se tu preseli sa ljubavlju svog života, Mimi, ali te, 1989. godine, Berlinski zid se ru{i... Priča opisuje najznačajniji politički događaj novije evropske istorije – pad Berlinskog zida – iz dosada nepoznate ’zečje prespektive’. Sa posebnom dozom humora, film publiku vodi putem avantura glavnog protagoniste, zečića Esterhazija, kroz prevrate ovog posebnog perioda u istoriji Evrope. The hero is a young, purblind and sawn-off bunny Esterhazy from the Esterhazy-Dynasty in Vienna. He is sent to Berlin by the Patriarch Count Esterhazy, to find a huge, healthy and beefy bunny woman near by some mysterious Berlin Wall. After a long, extensive search he finds his paradise (bunnies’ paradise that existed in the reality in between the East and West part of the famous Berlin Wall). Esterhazy will move there with the love of his life: Mimi, but as it is 1989… the Berlin Wall comes down…The story describes the most important political event of the recent European history – the Fall of the Berlin Wall from an unknown “bunny point of view”. With its humorous keynote the audience will live through the adventures of the hero-bunny Esterhazy the upheaval in that special time of European history.

IZABELA PLUCIŃSKA rođena je 1974. godine u Kožalinu, Poljska. Nakon zavr{etka studija na nacionalnom Konzervatorijumu za likovne umetnosti u Lođu i na Nacionalnoj poljskoj filmskoj {koli, takođe u Lođu, diplomira i na Nacionalnoj nemačkoj filmskoj {koli „Konrad Wolf” u Potsdamu - Babelsbergu. Godine 2004, njen diplomski radi, film Jam Session uvr{ćen je u takmičarski deo programa na Berlinskom filmskom festivalu naredne 2005. godine, gde osvaja „Srebrnog medveda”. Izabela 2006. godine osniva sopstveni studio za produkciju pod nazivom „Clay Traces”. U ovom studiju, koji se nalazi u Berlinu, Izabela radi sa timom mladih animatora iz različitih evropskih zemalja. IZABELA PLUCIŃSKA was born in Koszalin, Poland in 1974. She graduated from Lodz National Fine Arts Conservatory, National Polish Film School in Lodz and National German Film School “Konrad Wolf” Potsdam- Babelsberg. In 2004, her graduate film project “Jam Session” was selected for the short film competition at the Berlin Film festival 2005, when she has been awarded with Silver Bear. In 2006, Izabela founded her own production company “Clay Traces” in Berlin when she is working with a team of young animators from different European countries. www.dontenlacroix.eu

ANIMANIMA takmičenje 2 / competition 2

MUZORAMA MUZORAMA

E. Brehin, R. Calamote, M. Carraro, M. Cazaux, E. Davaud, L. Monneron, A. Tillement

Francuska / France / 3:15 / 2009 2D i 3D kompjuter / 2D and 3D computer Režija i scenario / Direction & Script: Elsa Brehin, Raphaël Calamote, Mauro Carraro, Maxime Cazaux, Emilien Davaud, Laurent Monneron, Axel Tillement Animacija / Animation: Axel Tillement, Elsa Bréhin, Emilien Davaud Montaža / Editing: Maxime Cazaux Dizajn zvuka / Sound Design: Mathieu Maurice Produkcija / Production: LA STATION ANIMATION

Francuska / France

Putovanje u svet ilustratora Muzoa. A journey into the world of the illustrator Muzo.

www. autourdeminuit.com

ANIMANIMA takmičenje 2 / competition 2

AUTOPORTRET S BELOM MAČKOM SELF-PORTRAIT WITH WHITE CAT

Srbija / Serbia / 7:17 / 2009 2D kompjuter / 2D computer Režija / Direction: Mirjana Bjelogrlić Scenario / Script: Mirjana Bjelogrlić Animacija / Animation: Bogdan Vuković, Bojana Dimitrovski Montaža / Editing: Miroslav Nikolov Muzika / Music: Ana Milićević (izbor / compiled by) Dizajn zvuka / Sound Design: Miroslav Nikolov, Bojan Mangović Produkcija / Production: RTS

Mirjana Bjelogrlić Srbija / Serbia

Bela mačka je čest motiv na uljima, pastelima i komercijalnom dizajnu Milene Pavlović Barili. U filmu, ona pokreće radnju i koristi Milenine slike kao vremeplov povezujući tridesete godine u Parizu, sećanje na rodni Požarevac, slikarkin odlazak u Ameriku pred sam početak Drugog svetskog rata, zbunjujući brak sklopljen u tajnosti, iznenadnu smrt. U mačkinim očima nalaze se ključevi – tragovi za jedan prikriveni krimi-zaplet. A white cat is a frequent motiff in the oil and pastel paintings of Milena Pavlović Barili, as well as in her commercial design. In this film, it unrolls the action and uses Milena’s paintings as a time machine, bringing together the scenes from the 1930s Paris and those from Požarevac, her hometown, as well as the artist’s departure to America in the dawn of the Great War, the puzzling secrecy of her marriage, her unexpected death. The cat’s eyes hold the keys to clues unveiling a hidden crime plot.

MIRJANA BJELOGRLIĆ je diplomirala na Filolo{kom fakultetu u Beogradu. Dobitnik je Književne nagrade „Isidora Sekulić" za 2007. za knjigu Priče za dosadno popodne (Filip Vi{njić, 2007). Radi kao Odgovorni urednik redakcije za kulturu i umetnost Kulturno-obrazovnog programa RTS-a. MIRJANA BJELOGRLIĆ graduated fromm the Faculty of Philology in Belgrade. She is the winner of the literary award „Isidora Sekulić” in 2007. Her book Stories for a Dull Afternoon (Filip Vi{njić) was published in 2007. Mirjana works as as the Editor-in-chief in the Culture and Art Department, part of the Culutre and Education Programme of the National Radio and Television. www.rts.rs

ANIMANIMA takmičenje 2 / competition 2

CRVENOGUZI I PRIVIDNO SLOŽNO DRUŠTVO RED-END AND THE SEEMINGLY SYMBYOTIC SOCIETY

Holandija / Netherlands / 15:00 / 2009 Start-stop animacija / Stop-motion Režija / Direction: Robin Norda & Bethany de Forest Scenario / Script: Robin Norda Animacija / Animation: Robin Norda Muzika / Music: Phantom Frank Dizajn zvuka / Sound Design: Phantom Frank Produkcija / Production: ROCKETTA FILM

Robin Norda & Bethany de Forest Holandija / Netherlands

Mravi dovlače kocke {ećera u ledenu pećinu, kako bi tu sagradili svoju veličanstvenu palatu – obdani{te u kome će da rastu larve. Uskoro će se pokazati da su ovi mladunci obične žderonje, bizarnih i mehaničkih manira. Crvenoguzi je mrav koji se razlikuje i pokreće jedan eksperiment … Ants gather sugar cubes in an icy marl cave in order to build a big palace. This turns out to be a nursery to cultivate larvae. These grubs reveal themselves as bizarre, marching gluttons. The ant Red-end is different and tries an experiment…

Tokom boravka na Umetničkoj akademiji u Utrehtu, BETHANY DE FOREST (rođena 1966, u Stoneham Mass-u, SAD) započinje sa izradom instalacija nadrealnih svetova, koje beleži na fotografijama. Namera umetnice je da kod gledaoca stvori osećaj da su ovi svetovi realne veličine, i da se kroz njih može normalno kretati. Najbolji način da se ovaj efekat postigne bio je kori{ćenje mikro-fotografije. U ovom čudnom i bajkovitom svetu, umetnica kreće od običnih, malih predmeta, koje vadi iz konteksta neposrednog okruženja i razmere, čime postiže ogromna uvećanja prostora i prave metamorfoze realnosti. Betani radi kao vizuelni umetnik, fotograf, dizajner, video-džokej i umetnički direktor; za sobomm iman veliki broj izložbi i objavljenih radova. ROBIN NOORDA (Larenu, Holandija, 1959.) zavr{io je studije Audiovizelnog dizajna, fotografije i animacije na Akademiji „Gerrit Rietveld”. Svoju karijeru započeo je radeći kao pripravnik na Odseku ua grafiku pri NOS-u (Holandska državna radio-televizija) i Toonder Studijima za animaciju. Sve do danas, neprekidno radi za sopstveni produkcijski studio „Morphosis’” gde je angažovan kao dizajner, animator, filmski umetnik i producent. Takođe nastupa kao predavač – kako na pojedinačnim predavanjima, tako i na obukama, i kao savetnik na raznim institucijama u sferi filma i animacije. At the Art Academy of Utrecht, BETHANY DE FOREST (1966, Stoneham Mass, USA) started making installations of surreal worlds and recorded those photographically. She wants to create the feeling that these sets are life-size and that you can actually walk around in them. Pinhole-photography was the best way to generate this feeling. In her unusual and fairylike worlds she takes common, small objects out of context and scale, resulting in immense spaces and metamorphosed realities. Bethany has been active as a visual artist, photographer, designer, VJ and art director, had many exhibits and published numerous works. ROBIN NOORDA (1959 Laren, the Netherlands) studied Audiovisual design, Photography and Animation at the Gerrit Rietveld Academy. His traineeships were at the graphic department of the NOS (Dutch Public Broadcasting Foundation) and the Toonder Animation Studios. Since then, he has been active as a designer, animator, filmmaker and producer for his own production company Morphosis. He has also been giving lectures, courses and works as an advisor for various institutions in the film- and animation sector. www.rocketta.nl

ANIMANIMA takmičenje 2 / competition 2

NIMBUS MAŠINA NIMBUS MACHINA

Francuska / France / 6:00 / 2010 2D kompjuter / 2D computer Režija / Direction: Thomas Plaete Scenario / Script: Thomas Plaete Animacija / Animation: Thomas Plaete Montaža / Editing: Thomas Plaete Dizajn zvuka / Sound Design: Pierre Caillet Produkcija / Production: LES FILMS DU NORD

Thomas Plaete Francuska / France

Pustinja, vetar, pruga. Čudna ma{inerija u proputovanju ispu{ta ogromne oblake pare i čađi. The desert, the wind, a rail.A strange machine travels, and spits huge steam and soot clouds.

Nimbus Machina je prvo samostalno filmsko ostvarenje koje potpisuje THOMAS PLAETE. Diplomirao je 2007. godine na ESSAT-u (diplôme des métiers d’art) na odseku za animaciju, i koji je do sada radio kao animator na nekoliko filmskih projekata (Le Vilain petit Chartreux autora Fabrice Luang Vija, De si près autora Rémija Durina…). Nimbus Machina is the first independent film by THOMAS PLAETE, who obtained a DMA (diplôme des métiers d’art) in animation at the ESAAT (Roubaix) in 2007 and had worked as an animator on several films (Le Vilain petit Chartreux by Fabrice Luang Vija, De si près by Rémi Durin…). www.lesfilmsdunord.com

ANIMANIMA takmičenje 2 / competition 2

NESPAVANJE NE UBIJA NO SLEEP WON’T KILL YOU

Hrvatska / Croatia / 9:00 / 2010 Crtež na papiru, 2D kompjuter / Drawing on paper, 2D computer Režija / Direction: Marko Me{trović

Marko Me{trović Hrvatska / Croatia

[ta se događa kada san preuzme kontrolu nad javom? What happens when the dream takes control over reality?

Scenario / Script: Marko Me{trović Animacija / Animation: Marko Me{trović Montaža / Editing: Marko Me{trović Muzika / Music: Jessica Lurie, Abraham Gomez Delgrado Produkcija / Production: KREATIVNI SINDIKAT

MARKO MEŠTROVIĆ ([tutgart, 1972), diplomirao je slikarstvo na Akademiji likovnih umjetnosti u Zagrebu. Od 1994. godine imao je vi{e od 20 grupnih i četiri samostalne izložbe. Član je etno grupe Cinku{i. Animacijom se bavi od 2000. godine. Autor je većeg broja reklama i muzičkih spotova, a sarađivao je i na nekoliko animiranih filmova. MARKO MEŠTROVIĆ, born 1972 in Stuttgart, Graduated painting at the Academy of Fine Arts. He has had over twenty group and 4 oneman exhibitions since 1994. He is a member of the ethno group Cinku{i. He started practising animation in 2000. He is an author of a number of commercial and music spots and a collaborator on a couple of animated films. www.zagrebfilm.hr

ANIMANIMA takmičenje 2 / competition 2

TRENUCI ZA MUTANTE MUTANT MOMENTS

Alan Kerswell Velika Britanija / Great Britain

Velika Britanija / Great Britain / 2:36 / 2009 2D kompjuter / 2D computer Režija / Direction: Alan Kerswell

Strahotna priča u kojoj se glavni junak, dečak Lanselot Duvalo, bori sa svoje dve mane stečene rođenjem: jedna je otvor na vrhu glave, a druga njegova nepodno{ljiva sestra.

Scenario / Script: Alan Kerswell Animacija / Animation: Alan Kerswell, Lionel Marchand, Stine Sorenson, Rich Wake Montaža / Editing: Adam Hatchings Muzika / Music: Oliver Davis Dizajn zvuka / Sound Design: Oliver Davis Produkcija / Production: TURNER ENTERTAINMENT NETWORK INTERNATIONAL LTD.

The terrible tale of Lancelot Blowalot, a boy born with two vile afflictions; a blow-hole on top of his head and his insufferable sister.

ALAN KERSWELL je prisutan u svetu animacije vi{e od 20 godina. Među dugometražnim filmovima u čijem je stvaranjun učestvovao izdvajaju se Antz (Dreamworks), zatim Rugrats: The Movie (Nickelodeon) i Space Jam: The Quest (Warner Bros), dok od TV serija treba navesti Mr Bean: The Animated Series i Robotboy. Alen je umetnički direktor dvostrukog osvajača BAFTA nagrade - Charlie and Lola: Series 2 (2006.), a isto tako je i autor komercijalnih projekata: Aardman, Studio AKA, Uli Meyer, Passion Pictures, Ridley Scott films, Be Animation. ALAN KERSWELL has been working in the animation industry for over 20 years. Feature work includes Dreamworks’ Antz, Nickelodeon’s Rugrats: The Movie and Warner Bros’ Space Jam: The Quest. TV series includes Mr Bean: The Animated Series and Robotboy. Art director of double BAFTA winning Charlie and Lola: Series 2 in 2006. Commercial works: Aardman, Studio AKA, Uli Meyer, Passion Pictures, Ridley Scott films, Be Animation. www.turner.com

ANIMANIMA takmičenje 2 / competition 2

ŽENA-KOSTUR THE SKELETON-WOMAN

Francuska / France / 9:07 / 2009 3D kompjuter / 3D computer Izvorni naslov / Original title: La Femme-squelette Režija / Direction: Sarah Van Der Boom Scenario / Script: Sarah Van Der Boom Animacija / Animation: Samuel Guenole, Gilles Cuvellier, Claire Trolle, Gabriel Jacquel, Sarah Van Den Boom Montaža / Editing: Philippe Grammaticopoulos Muzika / Music: Pierre Caillet Dizajn zvuka / Sound Design: Jean-Michel Collet Produkcija / Production: PAPY 3D PRODUCTIONS

Sarah Van Der Boom Francuska / France

Umorna i iznurena dosadom svog svakodnevnog života, mlada domaćica oplakuje svog izgubljenog američkog ljubavnika i sanja o boljem životu, koji je negde čeka. Unutar nje, skrivena u tami, žena-skelet čeka sopstveno spasenje. Tired and bored by her plain daily life, a young housewife mourns her lost american lover and dreams of a better life, elsewhere. Inside her, the skeleton woman, hidden into the dark, is waiting to be saved.

SARAH VAN DER BOOM je diplomirala na Nacionalnojn {koli za dekorativne umetnosti u Parizu, 2000. godine. Nakon režiranja svoj prvog kratkog filma Novecento, pianist, 2005. godine, ostvaruje svoj naredni projekat pod nazivom Papy3D productions, u saradnji sa grupom prijatelja, animatora. Te iste, 2006. godine, Sara započinje saradnju sa studijom Acme Filmworks iz Los Anđelesa. Svoj drugi film Žena – skelet režira u periodu između 2008. i 2009. godine. SARAH VAN DER BOOM graduated from the National School of Arts Decoratifs in Paris in 2000. After directing her first short film, Novecento, pianist in 2005 she creates in 2006 “Papy3D productions” with a group of animation director friends, and start collaborating with “Acme Filmworks” in Los Angeles. She directs her second film, The Skeleton-Woman between 2008 and 2009. www.papy3d.com

ANIMANIMA takmičenje 2 / competition 2

RAD JEZIKA THE TONGUELING

Finska / Finland / 4:15 / 2010 Crtež, 2D kompjuter / Drawing, 2D computer Izvorni naslov / Original title: Kielitiettyni Režija / Direction: Elli Vuorinen Scenario / Script: Elli Vuorinen Animacija / Animation: Elli Vuorinen Montaža / Editing: Elli Vuorinen Muzika / Music: Jani Lehto Dizajn zvuka / Sound Design: Elli Vuorinen Produkcija / Production: TURKU ARTS ACADEMY

Elli Vuorinen Finska / Finland

Mukli udarci po drvetu odzvanjaju kroz zaleđeni pejzaž, dok usamljena prilika traži nekoga sa kim može da razmeni nekoliko reči. Wooden knocks are echoing in a frozen landscape when a lonesome man is searching for a tongueling of his own.

Režiserka ELLI VUORINEN (1985) studira na Odseku za animaciju, pri Umetničkoj akademiji Univerziteta za primenjene nauke u gradu Turku. U svom opusu već ima jedan projekat stop motion animacije, pod nazivom Benigni, koji je nastao u saradnji sa Pinjom Partanen i Jasmiini Ottelin, 2009. godine. The directress ELLI VUORINEN (born 1985) is studying in the animation department of Arts Academy at Turku University of Applied Sciences. She has made one stop motion animation before, Benigni, and it was made in co-operation with Pinja Partanen and Jasmiini Ottelin in 2009. www. ellivuorinen.com

ANIMANIMA takmičenje 3 / competition 3

MOJ PUT MY WAY

Veljko Popović, Svjetlan Junaković Hrvatska / Croatia

Hrvatska / Croatia / 6:40 / 2010 Crtež na papiru, 2D animacija / Drawing on paper, 2D animation

Priča o odrastanju i sazervanju, o strahovima i ambicijama, koja se odvija kroz pripovest o nevidljivom kamičku zaglavljenom u cipeli.

Režija / Direction: Veljko Popović, Svjetlan Junaković Scenario i dizajn / Script and design: Svjetlan Junaković Animacija / Animation: Zvonimir Haramija, Mirela Ivanković Bielen, Ana Horvat Juliana Kučan, Ana-Marija Vidaković Muzika / Music: Hrvoje [tefotić Dizajn zvuka / Sound Design: Hrvoje [tefotić Produkcija / Production: BOLD STUDIO

A story about growing up and maturing, about anxiety and ambition illustrated through a tale of theinvisible pebble lodged in the shoes.

VELJKO POPOVIĆ, rođen 1979. godine u Splitu, Hrvatska. Diplomirao je 2003. godine na Akademiji likovnih umjetnosti u Zagrebu, na Odseku za slikarstvo. Od 1998., započinje sa profesinalnim radom u oblasti kompjuterske grafike, a 2003. radi sa kućom „Lemonade Productions” na razvijanju kompjuterskih igara. Veljko je jedan od osnivača studija za 2D i 3D grafički dizajn i animaciju, „Lemonade3D”. Takođe radi kao asistent na Umjetničkoj akademiji u Splitu. SVJETLAN JUNAKOVIĆ, slikar, ilustrator i dizajner, rođen je u Zagrebu 1961. godine. Diplomirao je na Akademiji finih umetnosti Brera u Milanu, 1985. godine. Radovi su mu izlagani na mnogobrojnim samosltalnim izložbama {irom sveta, a poznat je i kao autor i ilustrator nekoliko knjiga za decu, koje su prevedene na vi{e od dvadeset jezika. Predaje grafiku na Akademiji likovnih umjetnosti u Zagrebu. VELJKO POPOVIĆ, born in 1979 in Split, Croatia. Graduated in 2003 from the Academy of Fine Arts in Zagreb, Department of Painting. In 1998 starts working professionally with computer graphics, since 2003 works with Lemonade Productions on development of computer games. Co-founder of Lemonade3D, studio for 2D and 3D graphics and animation; also works as assistant at the Arts Academy in Split. SVJETLAN JUNAKOVIĆ, painter, illustrator and designer was born in Zagreb in 1961. He graduated from the Academy of Fine Arts of Brera in Milan in 1985. His works have been exhibited in many solo exhibitions around the world. He is also a famous author and illustrator of several children’s books that have been translated in more than twenty languages. He teaches graphics at the Academy of Fine Arts in Zagreb. www.bold-studio.com

ANIMANIMA takmičenje 3 / competition 3

RUBIKA RUBIKA

C. Baudean, L. Habas, M. Krebs, J. Legay, C. Ma, F. Rousseau, C. Roux, M. Vaxelaire

Francuska / France / 3:58 / 2010 2D i 3D kompjuter / 2D and 3D computer Režija, animacija / Direction, animation: Claire Baudean, Ludovic Habas, Mickaël Krebs, Julien Legay, Chao Ma, Florent Rousseau, Caroline Roux, Margaux Vaxelaire Scenario / Script: Guillaume Plantevin Muzika / Music: Erik Weddin Produkcija / Production: LA STATION ANIMATION, LES FILMS D’ICI, CANAL+

Francuska / France

Dobrodo{li na Rubiku, planetu sa neobičnom gravitacijom. Welcome to Rubika, a planet with a fancy gravity

www. autourdeminuit.com

ANIMANIMA takmičenje 3 / competition 3

KINEMATOGRAF THE KINEMATOGRAPH

Poljska / Poland / 12:10 / 2009 3D kompjuter / 3D computer Izvorni naslov / Original title: Kinematograf Režija / Direction: Tomek Bagiñski Scenario / Script: Mateusz Skutnik, Tomek Bagiñski Koncept / Concept: Jakub Jabłoñski Montaža / Editing: Damian Nenow Muzika / Music: Adam Skorupa, Paweł Błaszczak Dizajn zvuka / Sound Design: Tadeusz Mieczkowski Produkcija / Production: PLATIGE IMAGE

Tomek Bagiñski Poljska / Poland

Francis je izumitelj. Njegov pronalazak treba da promeni svet; nažalost, ne{to mu je promaklo: činjenica da su snovi uvek preskupi. Usredsređen isključivo na sebe i svoj rad, shvatiće ozbiljnost situacije tek kada bude suvi{e kasno. Francis is an inventor. His invention is supposed to change the world. He forgot about one thing: dreams always cost too much. He is focused only on himself and his work and realizes the gravity of the situation only when it is too late

TOMEK BAGIŃSKI (rođen 1976.) je režiser i producent amimiranih filmova, samouki umetnik. Svojevremeno je napustio studije arhitekture, kako bi se bavio filmovima. Njegov debitantski kratki film Katedrala osvojio je prvu nagradu u kategoriji Najbolji animirani film, na najvećem festivalu animacije i specijalnih efekata, SIGGRAPH, 2002. godine. Već naredne godine, ovaj film je nominovan i za nagradu Akademije u kategoriji kratkih animiranih filmova. Drugi po redu kratki animirani film koji je Bagiñski stvorio u svom opusu nosi naziv Umetnost padanja, za koji je 2005. dobio Nagradu žirija na festivalu SIGGRAPH. Kada nije angažovan na nekom od svojih projekata, Bagiñski radi kao producent specijalnih efekata i animacije, u raznim filmskim i reklamnim produkcijama (do sada je u ovoj oblasti realizovao vi{e od pedeset projekata). Trenutno radi na realizaciji svog prvog dugometražnog filma Hardkor 44. TOMEK BAGIŃSKI (born 1976). Director, animation producer. He is a self-taught artist. He left architecture studies to make films. His debut short film The Cathedral won the first prize for Best Animated Short at the largest animation and special effects festival SIGGRAPH in 2002 and it was nominated a year later for an Academy Award in the category Short Film (Animated). Bagiñski’s second short animated film entitled Fallen Art won the Jury prize at SIGGRAPH festival in 2005. When not working on his own projects Bagiñski produces special effects and animation for film and advertising productions (over fifty completed projects). He currently prepares the realization of his first feature-length film Hardkor 44. www.platige.com

ANIMANIMA takmičenje 3 / competition 3

MANJA SOBA THE SMALLER ROOM

Cristobal Leon & Nina Wehrle Holandija / Netherlands

Holandija / Netherlands / 2:20 / 2009 Lutke, animacija predmeta / Puppets, objects Izvorni naslov / Original title: Der kleinere raum

U sobi je jedna kutija. U kutije je jedna {uma. U {umi je jedno izgubljeno dete. Stvorenja načinjena od papira se pojavljuju i nestaju u Manjoj sobi.

Režija / Direction: Cristobal Leon & Nina Wehrle Scenario / Script: Cristobal Leon & Nina Wehrle Animacija / Animation: Cristobal Leon & Nina Wehrle Montaža / Editing: Cristobal Leon & Nina Wehrle Dizajn zvuka / Sound Design: Cristobal Leon & Nina Wehrle Produkcija / Production: Cristobal Leon & Nina Wehrle

In a room there is a box. In the box there is a forest. In the forest there is a lost child. Living beings made of paper appear and vanish in Der kleinere Raum.

NINA WEHRLE ([vajcarska, 1984.) živi u Berlinu, gde radi kao ilustrator. Zajedno sa Evelin Lojbe (Evelyne Laube) realizovala je 2008. godine zajednički projekat IT’S RAINING ELEPHANTS, u oblasti ilustracije i grafičkog dizajna. CRISTOBAL LEON (Čile, 1980.) je animator i umetnik. Trenutno je aktivni učesnik umetničke grupe „De Ateliers” u Amsterdamu. NINA WEHRLE (Switzerland, 1984) is a Berlin-based illustrator. She and Evelyne Laube created in 2008 the collective IT’S RAINING ELEPHANTS for illustration and graphic design. CRISTOBAL LEON (Chile,1980) is an animator and artist. He is currently a participant artist of De Ateliers in Amsterdam. www.diluviogallery.com

ANIMANIMA takmičenje 3 / competition 3

U SVINJINOM OKU IN A PIG’S EYE

Japan / Japan / 10:10/ 2010 Crtež / Drawing Izvorni naslov / Original title: Wakaranai buta Režija / Direction: Atsushi Wada Scenario / Script: Atsushi Wada Animacija / Animation: Atsushi Wada Montaža / Editing: Atsushi Wada Muzika / Music: Liuz Kruszielski Dizajn zvuka / Sound Design: Kyohei Takahashi Produkcija / Production: Atsushi Wada

Atsushi Wada Japan / Japan

Čovek sa porodicom živi u kući. Radi se o sasvim običnoj porodici, ako se ne računa jedna ogromna svinja koja se izležava na svom mestu ispred kuće. [ta je zapravo tipična porodica? Kako izgledaju odnosi u jednoj ovakvoj porodici? A man and his family live in the house. It is very ordinary family except for a giant pig is lying in front of the house. What is an ordinary family? What do relationships in an ordinary family look like?

ATSUSHI WADA rođen je 1980. godine. Diplomirao je na Univerzitetu Osaka kyoiku, zatim na Image Forum Institutu za film, i Univerzitetu umetnosti u Tokiju. U oku svinje (2010) pobedio je ove godine na festivalu Fantoche u Badenu, u [vajcarskoj. Drugi ovogodi{nji film ovog autora, Mehanizam proleća, premijerno je prikazan na Filmskom festivalu u Veneciji. ATSUSHI WADA was born in 1980. Graduated from Osaka kyoiku University, Image Forum Institute of Moving image and Tokyo University of the Arts. In a Pig’s Eye has won Fantoche Festival in Baden, Switzerland. The Mechanism of Spring (2010) had its premiere at the Venice Film Festival. www.geidai.ac.jp

ANIMANIMA takmičenje 3 / competition 3

SVETLOSNE FORME LIGHT FORMS

Malcolm Sutherland Kanada / Canada

Kanada / Canada / 4:00 / 2010 2D kompjuter / 2D computer

Razigrani animirani eksperiment u kome se slike i zvuci kombinuju i stvaraju nove oblike.

Režija / Direction: Malcolm Sutherland Scenario / Script: Malcolm Sutherland Animacija / Animation: Malcolm Sutherland Muzika / Music: Malcolm Sutherland Dizajn zvuka / Sound Design: Malcolm Sutherland Produkcija / Production: Malcolm Sutherland

A playful animated experiment that combines image and sound to create new forms.

MALCOLM SUTHERLAND je animator i ilustrator rođen u Kalgariju, u Alberti. Studirao je grafiku na Koledžu za umetnost i dizajn u Alberti, da bi se 2002. godine preselio u Montreal, kao režiser kratkih animiranih filmova pri Nacionalnom filmskom komitetu u Kanadi. Filmske studije pohađao je i na Univerzitetu Konkordija. U svom producentskom opusu ima i nekoliko stripova, među kojima je i Oola Dug, ostvarenje iz 2007. godine. Malkolm trenutno živi u Montrealu, sa suprugom Anom. MALCOLM SUTHERLAND is an animator / illustrator originally from Calgary, Alberta. He studied printmaking at the Alberta College of Art and Design before moving to Montreal in 2002 to direct a short animated film at the National Film Board of Canada. He also studied film at Concordia University. He has produced several comic books, including Oola Dug in 2007. Malcolm currently lives in Montreal with his wife Anna. www.animalcolm.com

ANIMANIMA takmičenje 3 / competition 3

DODIR TOUCH

Ferenc Cakó Mađarska / Hungary

Mađarska / Hungary / 6:00 /2010 Animacija peska / Sand animation Izvorni naslov / Original title: Érintés Režija / Direction: Ferenc Cakó Scenario / Script: Ferenc Cakó Animacija / Animation: Ferenc Cakó Montaža / Editing: Magda Hap Muzika / Music: Attila Pascay Produkcija / Production: C.A.K.Ó. STÚDIÓ

U ovom animiranom filmu rađenom tehnikom peska, umetnik evocira uspomene na svog pokojnog oca, umetnika. Ovde se ne radi o tradicionalnom biografskom filmu: umesto toga, autor nas vodi na umetničko putovanje kroz dubine i uspone emocija, hodnicima dru{tvenog lavirinta i odnosa mu{karca i žene. U potrazi za sopstvenim izrazom, za načinom otkrivanja unutra{njeg glasa inspiracije i dodira muze. In this sand animation film the artist recalls his late father, who was an artist. It is not a traditional biographical film, instead, it is an artistic drive involving the depths and heights of emotions in the labyrinth of society and man-woman relationships.The search for self-expression, the finding of the inner voice of inspiration touching the muse.

FERENC CAKÓ je rođen u Budimpe{ti 1950. godine. Diplomirao na Koledžu za kreativne umetnosti 1973. godine, a prvi važniji međunaradni uspeh psotiže na Festivalu u Anesiju, filmom Ad Astra, 1982. godine. Prepoznatljiv lični stil gradi u svojim kratkim filmovima: Motorture (1982), Ab Ovo (1987), Ad Rem (1989), Ashes (1994), Song of the Sand (1995), Nest (1997), Labyrinth (1999), Vision (2000), Stones (2000). Filmovi su osvajali nagrade na gotovo svim većim filmskim festivalima: u Kanu (Najbolji kratki film), Berlinu (Zlatni medved), San Francisku (Golden gejt), Ansi (Najbolji kratki film), kao i na mnogim drugim festivalima. Njegova posebna tehnika animacije peskom, sa izraženim individualnim pristupom, popularna je u celom svetu. Najče{će se prikazuje u pozori{nim i filmskim salama, ali i u TV emisijama i eksluzivnim predstavam. Cakó je profesor na [koli za primenjene umetnosti, gde predaje 3D animaciju. FERENC CAKÓ was born in Budapest in 1950. Graduated from the College for Creative Arts in 1973. The first significant intenational succes was at the Annecy Film Festival with Ad Astra in 1982. His individual style emerges in his short films: Motorture (1982), Ab Ovo (1987), Ad Rem (1989), Ashes (1994), Song of the Sand (1995), Nest (1997), Labyrinth (1999), Vision (2000), Stones (2000). His films have won the grand prizes of nearly each significant film festival: Cannes (Best Short Film), Berlin (Golden Bear), San Francisco (Golden Gate Award), Annecy (Best Short Film) and many others. His individual and special sand animation show is very popular all over the world. It is usually performed in theatres, TV-shows and at exclusive events. He teaches 3D animation at School of Applied Arts. www. cakostudio.hu

ANIMANIMA takmičenje 3 / competition 3

GNEVNI ČOVEK ANGRY MAN

Anita Killi Norve{ka / Norway

Norve{ka / Norway / 19:50 / 2009 3D kompjuter / 3D computer Izvorni naslov / Original title: Sinna Mann

Gnevni čovek je film o tajnama koje ne bi trebalo da budu tajne. Smrt mame-ribe je kap koja je prelila ča{u: Boj crpi snagu iz sopstvene ma{te, i nastavlja dalje.

Režija / Direction: Anita Killi Scenario / Script: Anita Killi Animacija / Animation: Anita Killi, Triin Saarapik, Maral Charyeva Montaža / Editing: Simen Gengenbach Muzika / Music: Hege Rimestad Dizajn zvuka / Sound Design: Håkon Lammetun Produkcija / Production: TROLLFILM AS

Angry Man is a film about secrets that shouldn’t be secret. When the mommy-fish dies, Boj has had enough, and gets power from his own fantasy to go further.

ANITA KILLI je rođena 17. januara 1968. godine u Stavangeru, Norve{ka. U periodu od 1988. do 1990. studira na Nacionalnom koledžu za umetnost i dizajn, a potom, od 1990. do 1992, pohađa studije iz animacije na Regionalnom MRDH koledžu. Diplomirala je na Nacionalnom koledžu za umetnost i dizajn 1996. godine, sa izborom animacije (tehnika „multiplan”) kao glavnog predmeta. Kili je osnovala sopstveni studio kojim nastavlja da rukovodi – Trollfilm AS. Njen film Živica od trnja nominovan je za nagradu „Cartoon d’Or”, a dobitnik je i mnogih drugih međunarodnih priznanja. ANITA KILLI was born January 17, 1968 in Stavanger, Norway. 1988 - 1990 studies at National College of Art and Design and animation studies at the MRDH District College 1990 - 1992. Graduated from the National College of Art and Design with main subject animation (multiplan technique) in 1996. Killi has established and is running her own animation studio, Trollfilm AS. Her film The Hedge of Thorns was nominated for Cartoon d’Or, and has also received numerous international awards. www.trollfilm.no

ANIMANIMA takmičenje 3 / competition 3

VARIJETE VARIETY

Holandija / Netherlands / 4:48 / 2009 2D kompjuter / 2D computer Izvorni naslov / Original title: Variété Režija / Direction: Roelof van den Bergh Scenario / Script: Roelof van den Bergh Animacija / Animation: Roelof van den Bergh Muzika / Music: Aram Kachaturian Dizajn zvuka / Sound Design: John van Bodegom Produkcija / Production: HAIDOUK! FILMS

Roelof van den Bergh Holandija / Netherlands

Varijete je humoristični animirani film o akrobati sa tanjirima. Mladi umetnik započinje svoj nastup tako {to na tanjir koji se obrće stavlja svoje roditelje, i započinje da ih vrti sve brže i brže, uzdignute na vrh dugog {tapa. Nakon roditelja, na redu su njegova devojka i nastavnik. Dok istovremeno održava u ravnoteži nekoliko {tapova na kojima se nalaze ljudi, umetnik počinje polako da stari. Njegov nastup postaje sve nesigurniji i grozničaviji, sa pojavom novih ljudi koji dolaze na binu, kako bi dobili svoje mesto na tanjirima koji se obrću; prijatelji, zahtevni {ef, supruga ... uskoro tanjiri počinju da padaju. Variété is a comical animation film about a plate spinner. The youg artist starts his act by placing his parents on the revolving plate. He spins them around fast, balancing them high on top of the long pole. Then he does the same with a girlfriend and a school teacher. While he keeps several poles with plates with people in balance, he slowly grows older. His act becomes more and more hectic and difficult when more people keep turning up on stage to get spinned on plates; friends, a demanding boss, a wife ... Soon plates begin to fall.

ROELOF VAN DEN BERGH (rođen 1956. u Amsterdamu) predaje animaciju na Umetničkoj akademiji u Utrehtu (HKU). Osim predavanja na akademiji, radio je i kao nezavisni animator na različitim projektima. Pre filma Varijete, režirao je dva nezavisna kratka animirana filma – Pakao (2003) i Obave{tenje (2004), koji je nagrađen na nekoliko festivala animacije, uključujući i Espinjo i Hiro{imu. ROELOF VAN DEN BERGH (1956, Amsterdam) is lecturer in animation at the art acedemy in Utrecht (HKU). Besides his lectureship at the art academy, he worked also as a freelanc animator for different projects. Before Variety he directed two other independent short animations, Hell (2003) and Notice (2004). Notice was awarded at several animation festivals including Espinho and Hiroshima. www.illuster.nl

ANIMANIMA takmičenje 3 / competition 3

ARIJADNINO TKANJE ARIADNE’S THREAD

Mađarska / Hungary / 9:00 / 2009 Crtež / Drawing Izvorni naslov / Original title: Ariadné fonala Režija / Direction: Attila Bertóti Scenario / Script: Attila Bertóti Animacija / Animation: Attila Bertóti Muzika / Music: Kevin Macleod Dizajn zvuka / Sound Design: Rudolf Várhegyi Produkcija / Production: INFORG STÚDIÓ

Attila Bertóti Mađarska / Hungary

Osnovni elementi antičkih mitova Grčke su dobro poznati: lavirint, Minotaur, Tezej, Arijadna i, naravno, konac. Neka potraga počne! The basic elements of the ancient Greek myth are well-known: the labyrinth, the Minotaur, Theseus, Ariadne, and of course, the thread. Let the search begin!

ATTILA BERTÓTI rođen je 1985. godine u Nađibanji. U periodu od 2004. do 2009. godine, pohađa Fakultet za vizuelne i umetnosti i medije, pri mađarskom Sapentia Univerzitetu u Transilvaniji, u Klužu, gde je diplomirao kao režiser 2009. godine. Osim animacije, radi i kao grafički dizajner. ATTILA BERTÓTI was born in 1985, Nagybánya. Between 2004-2009 he was attending the Visual art and media faculty of the Sapentia Hungarian University of Transilvania, Cluj. Graduated as a director in 2009. Besides animation he works as a graphic designer. www.inforgstudio.hu

ANIMANIMA takmičenje 3 / competition 3

VOLIM TE I LOVE YOU

SAD / USA / 1:45 / 2010 Rotoskopija, 2D kompjuter / Rotoscope, 2D computer Režija / Direction: Kathy O’Connor Animacija / Animation: Kathy O’Connor Muzika / Music: Serge Gainsbourg Produkcija / Production: Kathy O’Connor

Kathy O’Connor SAD / USA

Zaljubljeni mladi par, i njihove prve izjave „Volim te” ... Ali, da li ove reči i{ta znače, i da li se radi o pravim osećanjima? Ovaj eksperimentalni kratki film ispunjen posebnim koloritom, počiva na čudesnoj kombinaciji slobodne, apstraktne i rotoskopske animacije, potpomognute džez muzikom, ve{to oslikavajući razigranost i melanholiju emocija koje prate mlade u ljubavi. A young couple have just begun to say „I Love You”. But does it mean anything, and is the sentiment true? Using a combination of freestyle abstract and rotoscoped animation mixed with a jazzy soundtrack this experimental, colorful short portrays the playful and melancholy emotions of young love.

KATY O’CONNOR je umetnica i animator iz Ostina u Teksasu. Zavr{ila je studije slikarstva (MFA) na Univerzitetu u Teksasu, 1999. godine. Od 1999. godine, radi na zajedničkim projektima sa Bobom Sabistonom i umetnicima okupljenim oko studija „Flat Black Films”, na izradi reklama i umetničke animacije. Bila je angažovana kao vodeći animator na dugometražnim filmovima Waking Life (režija: Richard Linklater) i Five Obstructions (režija: Lars von Trier); isto tako, radila je na mnogim prestižnim muzičkim spotovima, kratkim filmovima i nacionalnim (američkim) reklamnim kampanjama. KATY O’CONNOR is an artist and animator living in Austin, Texas. She received her MFA in painting from the University of Texas in 1999. Since 1999 she has worked in collaboration with Bob Sabiston and the artists of Flat Black Films on commercial and artistic animation projects. She has been a lead animator for the feature films Waking Life (dir. Richard Linklater) and the Five Obstructions (dir. Lars von Trier), as well as working on many high profile music videos, short movies and national (U.S.) ad campaigns. www.katyoconnor.net

ANIMANIMA takmičenje 3 / competition 3

SVETO ČUDOVIŠTE MONSTRE SACRÉ

Francuska / France / 9:35 / 2009 2D kompjuter / 2D computer Režija / Direction: Jean-Claude Rozec Scenario / Script: Jean-Claude Rozec Animacija / Animation: Jean-Claude Rozec Kompoziting / Compositing: Anne-Claire Bourdois, Jean-Claude Rozec Muzika / Music: Arnaud Bordelet Dizajn zvuka / Sound Design: Arnaud Bordelet Produkcija / Production: JPL FILMS

Jean-Claude Rozec Francuska / France

Igrom slučaja rođen među patkama, jedan ogroman ali isto tako i bezopasan zmaj iznenada postaje medijska zvezda. Uskoro će se naći u haosu urbane džungle, okružen predrasudama ljudi koji u njemu vide divlju, krvožednu zver... Born accidentally among ducks, a dragon as gigantic as he is harmless, suddenly becomes a media star. Wrongly considered by humans as a wild and bloodthirsty creature, he soon finds himself lost in the urban jungle...

JEAN-CLAUDE ROZEC rođen je 1978. godine u Lorijanu. Diplomirao je na Univerzitetu u Renu, 2001. godine, gde je studirao savremenu francusku književnost i filmsku umetnost. Radio je kao scenski dizajner, za veliki broj produkcijskih kuća, a isto tako je bio i jedan od predvodnika „Blink” asocijacije. Osim scenografije i animacije, Žan-Klod je aktivan u oblasti izrade ctanih scenarija, a isto tako predaje animaciju studentima umetničkih {kola i fakulteta. JEAN-CLAUDE ROZEC was born in 1978 in Lorient. He is a graduate of the University of Rennes in 2001 (Licence) where he studied Modern French Literature and Cinema. He worked as a trainee set designer for many production companies and he was a leading member of Blink Association. Besides set design and animation, Jean-Claude Rozec is a storyboarder and he teaches animation in schools and University. www.jplfilms.com

ANIMANIMA takmičenje 4 / competition 4

VERN NA ODMORU VERNE ON VACATION

Velika Britanija / Great Britain / 2:31 / 2009 2D kompjuter / 2D computer Režija / Direction: Sylvain Marc Scenario / Script: Sylvain Marc Animacija / Animation: Alessandra Sorrentino, Alfredo Cassano, Rikke Asbjoern Montaža / Editing: Sylvain Marc Muzika / Music: Orchestre Miniature in the Park Dizajn zvuka / Sound Design: Crawford Blair Produkcija / Production: TURNER ENTERTAINMENT NETWORK INTERNATIONAL LTD.

Sylvain Marc Velika Britanija / Great Britain

Krenimo u istraživački pohod, u dru{tvu Verna i njegova dva neobična prijatelja, morske sirene Horacija i robota-praseta Gastona. Embark on a voyage of discovery with Verne and his two unusual friends, Horace the magic merman and Gaston the robotic pig.

Stekav{i zvanje ilustratora na pariskoj École Superiéure Estienne, SYLVAIN MARC nastavlja sa studijama animacije na {koli Gobelins. Nakon diplomiranja, počinje da radi za londonski studio Framestore CFC kao animator likova u 3D tehnici, za različite reklame i muzičke spotove, ali i za dugometražni film The Tale of Despereaux. Nakon ovog perioda, pristupa londonskom studiju Cartoon Network Europe Development gde trenutno radi na razradi sopstvenog projekta za ovaj TV kanal. After an illustration diploma at École Superiéure Estienne in Paris, SYLVAIN MARC studied animation at Gobelins. After getting his diploma, he was recruited by Framestore CFC in Lodon to work as 3D character animator on commercials, music videos and the feature film The Tale of Despereaux. He then joined London based Cartoon Network Europe development studio, where he is curently developing his own project for the channel. www.turner.com

ANIMANIMA takmičenje 4 / competition 4

PUDLA POODLE

Noemi Marsily, Carl Roosens Belgija / Belgium

Belgija / Belgium / 16:00 / 2010 Crtež / Drawing Izvorni naslov / Original title: Caniche Režija / Direction: Noemi Marsily, Carl Roosens Scenario / Script: Noemi Marsily, Carl Roosens Animacija / Animation: Noemi Marsily, Carl Roosens Montaža / Editing: Noemi Marsily, Carl Roosens Muzika / Music: Vincent Van Den Damme Dizajn zvuka / Sound Design: Robin Marsily Produkcija / Production: ZOROBABEL

Negde daleko od civilizacije, vetar nosi stranice časopisa za dame. Savet za lepotu ispadaju iz poveza časopisa, i zbunjuju psa koji se tu zatekao u prolazu. Pas odlučuje da časopis ponese kući: novo telo i novo srce za malog psa! „Ljubav je jedina prilika za pudlu da upozna osećaj beksraja.” - Luj Ferdinanad Selin In the middle of nowhere, a woman’s magazine is carried by the wind. Beauty advices come out from the magazine and get a running dog worked-up. The dog takes the magazine back to his tower home: a new body and a new heart for the little dog! “Love is a poodle’s chance of attaining the infinite.” Louis-Ferdinand Céline

NOÉMIE MARSILY je rođena je 1983. godine u Belgiji. Radi kao slikar, ilustrator i filmski umetnik, a deo je umetničke grupe iz Brisela koja deluje pod nazivom Nos Restes. Umetnici okupljeni oko ove grupe eksperimenti{u sa knjigama, naracijom, slikama, stavljajući naglasak na raznovrsnost pristupa. Ilustrator CARL ROOSENS 2007. osniva Nos Restes, izdavačku kuću čije aktivnosti uključuju izdavanje fanzina, kao i organizovanje izložbi i koncerata. Karl prati i rad benda „Noza” (Emmanuel Coenen i Z), čiji je album-prvenac objavljen u septembru 2009. godine (izdanje kuće Humpty Dumpty Records). NOÉMIE MARSILY was born in 1983 in Belgium. She is painter, illustrator and filmmaker. She’s also part of the collective Nos Restes in Brussels, which is experimenting with books, narration, pictures, highlighting the diversity of practices. CARL ROOSENS is an illustrator. He founded Nos Restes publishing in 2007, making fanzine books, exhibitions and concerts. He tells stories on music Noza, Emmanuel Coenen and Z, their first album was released in September 2009, at Humpty Dumpty Records. www.zorobabel.be

ANIMANIMA takmičenje 4 / competition 4

KOSMONAUT LUTALICA A STRAY COSMONAUT

Srbija / Serbia / 7:24 / 2009 Crtež i 2D kompjuter / Drawing and 3D computer Režija / Direction: Marija Milanović Lazarevski Scenario / Script: Marija Milanović Lazarevski Animacija / Animation: Marija Milanović Lazarevski Montaža / Editing: Jelena \okić Muzika / Music: Marjan Milanović Dizajn zvuka / Sound Design: Marjan Milanović Produkcija / Production: MEDIA GLOBAL AGENCY

Marija Milanović Lazarevski Srbija / Serbia

Priča o kosmonautu koji se jo{ nije vratio. A tale about cosmonaut who hasn’t returned yet.

MARIJA MILANOVIC LAZAREVSKI je diplomirala na odseku za animaciju filmske {kole Dunav filma. njen diplomski film Senka i njen čovek koji je dobio nekoliko značajnih priznanja: Zlatnu medajlu Beograda na 49. jugoslovenskom festivalu dokumentarnog i kratkog filma, Veliku nagradu na Festivalu animiranog filma u Čačku. Trenutno je angažovana u {koli animiranog filma u Dečjem kulturnom centru. MARIJA MILANOVIC LAZAREVSKI graduated from Film School Dunav film (animation department) with the film The Shadow and the Man for which she received significant recognition: Golden Medallion of Belgrade at the 49th Festival of the Yugoslav Documentary and Short Film; Grand Prix of the Animated Film Festival in Cacak. Currently engaged in the school of animated film in The Children’s Cultural Center.

ANIMANIMA takmičenje 4 / competition 4

ZBIGNJEVLJEV KREDENAC ZBIGNIEV’S CUPBOARD

Velika Britanija / Great Britain / 13:00 / 2010 Animacija lutaka / Puppet Režija / Direction: Magdalena Osinska Scenario / Script: Duncan Barrett Animacija / Animation: Magdalena Osinska Montaža / Editing: Michael Aaglund Muzika / Music: Jean-Marc Petsas Dizajn zvuka / Sound Design: David Pringle Produkcija / Production: NATIONAL FILM AND TELEVISION SCHOOL, BREAKTHRU FILMS

Magdalena Osinska Velika Britanija / Great Britain

Ova priča je nadahnuta pismom u kome rediteljev otac opisuje napore koje su ljudi ulagali nastojeći da održe osnovni kvalitet života u komunističkoj Poljskoj. The story was inspired by a letter from the director’s father, who wrote about the struggle to live a basic life in Communist Poland.

Nakon zavr{etka studija 2003. godine, na odseku za Dizajn pri Umetničkom koledžu u Var{avi, MAGDALENA OSINSKA nastavlja studije na poljskoj Nacionalnoj filmskoj {koli u Lođu, gde stiče Master diplomu za animaciju. Njen diplomski film, Male radosti, vi{estruko je nagrađivan na velikom broju festivala. Odnedavno, Magdalena je angažovana na razradi televizijske serije na osnovu filma Male radosti, u saradnji sa kućom Illuminated Film. After a Design Diploma from Art College in Warsaw, in 2003, MAGDALENA OSINSKA studied at the National Polish Film School in Łodz, graduating with an MA in Animation. Her graduation film, Joyets (Radostki), was multiawarded at the numerous film festivals. Magdalena has recently started to work on the development of a television series for Joyets with the Illuminated Film Company. www.nfts.co.uk www.breakthrufilms.co.uk

ANIMANIMA takmičenje 4 / competition 4

RADIJE BIH BIO S TOBOM I’D RATHER BE WITH YOU

Velika Britanija / Great Britain / 2:31 / 2009 Crtež, 2D kompjuter / Drawing, 3D computer Režija / Direction: Thomas Hicks Scenario / Script: Thomas Hicks Animacija / Animation: Thomas Hicks Montaža / Editing: Thomas Hicks Muzika / Music: Joshua Radin Dizajn zvuka / Sound Design: Joshua Radin Produkcija / Production: Thomas Hicks

Thomas Hicks Velika Britanija / Great Britain

Ljubavna priča ispričana na stranama časopisa koji je video sveta, reči pesme ispisane po stranama knjige, sa osećajem da su zabeležene tu, uz delo jednog umetnika. Osećaj koji preovladava jeste kao kada se reči pesme ispisuju na stranama koje čekaju, a delo umetnika koje je na tim stranama zableženo provlači se između ispisanih reči pesme. A love story is told within the pages of a well-traveled journal. Lyrics of the song are written within the pages of the book with the feeling of being just jotted down with the artwork. The feeling is of the song being worked out on the pages and the artwork sits within the words.

THOMAS HICKS je umetnik koji živi u Londonu. Zavr{io je studije u oblasti ilustracije i animacije na Univerzitetu u Kingstonu, 2004. godine. Tokom studija, specijalizirao je animaciju radeći na crtanoj animaciji, kao i na 3D softveru i živom pokretu. Tomas je angažovan kao režiser muzičkih spotova, ilustrator i animator, a nastupa i kao autor projekcija za pozori{ne produkcije; njegovi muzički spotovi i komercijalna animacija nose oznaku kuće Passion Pictures. London based author THOMAS HICKS graduated from Kingston University, 2004 with a degree in Illustration and Animation. During his degree he specialized in animation, working with drawn animation processes, 3D software and live action. Thomas works as a music video director, Illustrator, animator and create projections for theatre productions, represented by Passion Pictures for music videos and commercial animation. www.animateprojects.org

ANIMANIMA takmičenje 4 / competition 4

MILK DOTS: GROWTH; MILK DOTS: BONES MILK DOTS: REFRESH; MILK DOTS: TEETH

MILK DOTS: GROWTH Režija / Direction: Steve Angel, Sean Branigan Kanada / Canada / 0:14 / 2009

MILK DOTS: BONES Isaac King, James Paterson, Philippe Blanchard, Julian Grey Kanada / Canada / 0:14 / 2009

MILK DOTS: REFRESH Isaac King, Sean Branigan, Julian Grey, Steve Angel Kanada / Canada / 0:14 / 2009

MILK DOTS: TEETH Steve Angel, Paul Parvulescu, Isaac King Kanada / Canada / 0:14 / 2009

Produkcija / Production: HEAD GEAR ANIMATION

HEAD GEAR Kanada / Canada

Milk Dots je kampanja koja insistira na prednostima života ispunjenim ispijanjem mleka; osnovno oruđe ove kampanje je serija neotesanih i povremeno sasvim suludih spotova, od kojih je svaki urađen koristeći različitu tehniku animacije i različit format vizuelnog izražaja. Milk Dots is an campaigne that extolls befeits of drinking milk by presenting its virtues in a series of irreverent and sometimes insane spots. Each spor was developed using a different animation technique and visual expression

HEAD GEAR je osnovao je 1997. godine stvaralački tandem Stiv Endžel i Džulien Grej. Do sada su realizovali niz ostvarenja radeći za veliki broj komercijalnih i klijenata sa medija, među kojima su i Coke, Nestle, Kraft, Ikea, Kellogg’s, MTV, Nickelodeon, Discovery i „Sundance” TV kanal. Tim je uspe{no producirao nacionalne kampanje (Pop Tarts, Pizza Hut, Excel), kompletne Internet pakete („Sundance” TV kanal, Astral Media, PBS Kids), kao i kratke filmove (Nickelodeon) i PSA-e (bezbedan seks). Ostvarenja grupe „Head Gear” obuhvataju sve vrste kratkih formata, i do sada su osvojila više od 50 vrednih nagrada. HEAD GEAR was founded in 1997 by creative partners Steve Angel and Julian Grey. Head Gear has created work for a range of commercial and broadcast clients that include Coke, Nestle, Kraft, Ikea, Kellogg’s, MTV, Nickelodeon, Discovery and the Sundance Channel. It has produced national campaigns (Pop Tarts, Pizza Hut, Excel), total network packages (Sundance Channel, Astral Media, PBS Kids) as well as short films (Nickelodeon) and PSAs (safe sex). Head Gear produces work in all short formats and has garnered over 50 top awards. www.headgearanimation.com

ANIMANIMA takmičenje 4 / competition 4

PODELITI ATOM SPLITTING THE ATOM

Francuska / France / 5:10 / 2010 2D i 3D kompjuter / 2D and 3D computer Režija / Direction: Eduard Salier Scenario / Script: Eduard Salier Animacija / Animation: Julien Michel, Xavier Réyé, Remi Gamiette, Jean Lamoureux, Jimmy Cavé, Kevin Monthureux Montaža / Editing: Eduard Salier Muzika / Music: Massive Attack Produkcija / Production: SCREAM PARK

Eduard Salier Francuska / France

Poslednja preostala čestica. Deljiva, nevidljiva... The last of the last particles. Divisible, invisible...

EDOUARD SALIER je tokom proteklih deset godina stvorio {irok opus grafičkih ostvarenja, uključujući kratke filmove, promotivne filmove, TV klipove i instalacije. Njegovi kratki filmovi Empire, Flesh, i 4, proputovali su svetom, osvojiv{i nekoliko festivalskih nagrada. Salier trenutno radi na svom prvom dugometražnom filmu. EDOUARD SALIER has created over the past ten years a wide range of graphic works, including short films, promos, tv idents and installations. His short films Empire, Flesh, 4, started touring around the world. His new film premiered in Clermont-Ferrand 2009 and has already been selected in more than 20 festivals. Edouard Salier is now preparing his first feature film. www.autourdeminuit.com

ANIMANIMA takmičenje 4 / competition 4

CREATION MUSEUM: ARK

Yellowshed SAD / USA

SAD / USA / 0:15 / 2010 Kolaž, 2D kompjuter / Cut-out, 2D computer

Nakon oluje, zavladao je mir. Priča zasnovana na pripovesti o Nojevoj barci.

Režija / Direction: Yellowshed (Soyeon Kim, Todd Hemker) Scenario / Script: Philippe Grammaticopoulos Animacija / Animation: Soyeon Kim, Todd Hemker Montaža / Editing: Soyeon Kim, Todd Hemker Muzika / Music: Walter Santucci Produkcija / Production: DUCK STUDIOS

Peace after the storm, based on a story of Noah’s Ark

YELLOWSHED predstavlja zajednički projekat dvoje umetnika, Sojeon Kim i Toda Hemkera, čije su specijalnosti različite tehniku animacije, ilustracije i dizajna. Od 2001. godine, ovaj tandem je realizovao veliki broj projekata, radeći u oblasti profesionalnih reklama i filmske produkcije. Njihovo angažovanje kreće su rasponu od režije, umetničke režije i dizajna, do same animacije. Njihov najnoviji projekat, realizovan za produkcijsku kuću Sony, je režiranje zavr{ne scene za dugometražni igrani film pod naslovom Cloudy With A Chance of Meatballs. YELLOWSHED is a collaborative effort between two artists, Soyeon Kim and Todd Hemker, whose specialties are in various animation techniques, illustration and design. Since 2001, the two have been involved with a broad range of projects, working professionally in the world of advertising and film productions as directors, art directors, designers and animators. Most recently, Todd & Soyeon co-directed the end title sequence for the Sony’s feature animation, Cloudy With A Chance of Meatballs. www.yellowshed.com

ANIMANIMA takmičenje 4 / competition 4

KRZNENI DRUGARI THE FURRY PALS

Velika Britanija / Great Britain / 2:50 /2009 2D kompjuter / 2D computer Režija / Direction: Rikke Asbjoern Storibord / Storyboard: Rikke Asbjoern, Chris Garbutt Animacija / Animation: Rikke Asbjoern, Valentina Ventimiglia, Gail Walton Montaža / Editing: Jamie Foord Muzika / Music: Dave Newby Dizajn zvuka / Sound Design: Dave Newby Produkcija / Production: TURNER ENTERTAINMENT NETWORKS INTERNATIONAL LTD.

Rikke Asbjoern Velika Britanija / Great Britain

Razularena petočlana banda, sastavljena od dobronamernih ali i maleroznih životinja, zapada u sve moguće nevolje dok, besomučno jureći pustinjom na motoru, poku{avaju da umaknu krdu džinovskih, predatorskih pilića. A reckless band of five well-meaning but hapless animals find themselves in a whole heap of trouble as they squeeze onto a motorbike and ride across the desert, desperately trying to flee a gang of giant, salivating chickens.

RIKKE ASBJOERN je diplomirala na Radionici za animaciju u Danskoj, i već vi{e od deset godina je aktivno prisutna u svetu animacije, radeći naporedo u Londonu i Parizu. Do sada je radila na izradi reklama, muzičkih spotova, TV serija i dugometražnih filmova, često učestvujući u projektima sasvim različite prirode, kao {to su spotovi za animirani bend „The Gorillaz”, zatim reklame za Tony the Tiger, 3 Moblie i Rock Band, Jungle Book 2, The Tiger Movie i stvaranje animiranih likova za scensku operu Monkey, Journey to the West. A graduate of the Animation Workshop in Denmark RIKKE ASBJOERN has been working in the industry for over ten years in both Lodon and Paris. She has worked in commercials, music videos, TV series and feature films, with projects as divers as the animated band The Gorillaz, Tony the Tiger, 3 Moblie and Rock Band commercials, Jungle Book 2, The Tiger Movie and providing the character animation for the stage opera Monkey, Journey to the West. www.turner.com

ANIMANIMA takmičenje 4 / competition 4

KLIK!

Bobby de Groot, Sven Neve, Arjan Van Meerten Holandija / Netherlands

Holandija / Netherlands / 1:10 / 2009 Glumci, 3D kompjuter / Live action, 3D computer

Neoprezni prolaznik biva, sasvim iznenada, ubačen u nepoznati tramvaj, gde sreće lepu Pet.

Režija / Direction: Bobby de Groot, Sven Neve, Arjan Van Meerten Scenario / Script: Arjan Van Meerten Kamera / Camera: Mladen Leki} Montaža / Editing: Bobby de Groot Muzika / Music: Lea Jurida Dizajn zvuka / Sound Design: Lea Jurida Produkcija / Production: HOUSE OF SECRETS

An unsuspected bystander is grabbed and whisked into the klik tram where he meets a lovely Pate

BOBBY DE GROOT stiče Master diplomu 2002. godine, na Umetničkoj {koli u Utrehtu, na odseku za kompjutersku animaciju. Kao samostalni umetnik, radi za različite naručioce, na izradi reklama i dugometražnih filmova. Trenutno radi kao honorarni profesor animacije na Umetničkoj {koli u Utrehtu. ARJAN VAN MEERTEN zavr{io je Umetničku {kolu u Utrehtu 2003. godine, nakon čega radi kao 3D animator za studio Playlogic, pri čemu učestvuje u nekoliko različitih projekata kao nezavisni animator. SVEN NEVE zavr{io je Umetničku {kolu u Utrehtu 2001. godine, nakon čega radi za kuću Metropolis Film kao grafički dizajner, kompozitor i kreator vizuelnih efekata. BOBBY DE GROOT graduated from Utrecht School of the Arts in 2002 with a MA in computer animation. He freelanced for various clients for commercials and features. He currently parttime teaches computer animation at Utrecht School of the Arts ARJAN VAN MEERTEN graduated from Utrecht School of the Arts in 2003.Worked as a 3D animator at game studio Playlogic and did some freelance work. SVEN NEVE graduated from Utrecht School of the Arts in 2001. Worked as a graphic designer, compositor and visual effects artist at Metropolis Film. www.houseofsecrets.com

ANIMANIMA takmičenje 4 / competition 4

FESTIVAL STUDENTSKOG FILMA FESF 011 STUDENT FILM FESTIVAL FSF 011

Srbija / Serbia / 0:20 / 2010 Crtež, 2D kompjuter / Drawing, 2D computer Režija / Direction: Krunoslav Jović, Aleksandar Zolotić Scenario / Script: Aleksandar Zolotić Animacija / Animation: Krunoslav Jović Montaža / Editing: Krunoslav Jović Muzika / Music: Luka Papić Dizajn zvuka / Sound Design: Stefan Male{ević

Krunoslav Jović, Aleksandar Zolotić Srbija / Serbia

Svinja se tu{ira, bri{e se filmskom trakom, kihne, a iz klica nastane mala leteća svinja. Bez brige, nije u pitanju svinjski grip, već najava Festivala studentskog filma! A pig is taking a shower, uses film strip as a towel, sneezes ... from the germs in the droplets, a small flying pig is created. Nothing to worry about – this is not another case of Swine Flu, just an announcement for the Student Film Festival!

KRUNOSLAV JOVIĆ je rođen je 1981 u Beogradu. Diplomirao je na filmskoj {koli Dunav filma na odseku animacije u klasi prof. Rastka Ćirića. Njegov prvi studentski animirani film [kola letenja dobio nagradu „Zlatni Vitez“ za najbolji studentski animirani film, u Čelebinjsku, u Rusiji, 2005, kao i nagradu na beogradskom festivalu Balkanima iste godine. Posredstvom Gete Instituta učestvovao je na međunarodnom forumu animatora u Drezdenu 2010. Student je animacije na fakultetu primenjenih umetnosti u Beogradu. ALEKSANDAR ZOLOTIĆ je student ilustracije na fakultetu primenjenih umetnosti. Sarađivao je sa izdavačkom kućom Kreativni centar iz Beograda. KRUNOSLAV JOVIĆ was born in 1981 in Belgrade. He graduated from the ’Dunav Film’ Film School, Department of Animation, Class of Professor Rastko Ćirić. His first work as a student, the animated film [kola letenja was awarded the “Golden Knight” award as the best film in the category of student films in 2005, at the Chelbinks Festival in Russia. In the same year, this film won a prize at the Belgrade Balkanima Festival.In collaboration with the Goethe Institut, he participated in the international forum of animators in Dresden, in 2010. He is currently studying animation at the Faculty of Applied Arts in Belgrade. ALEKSANDAR ZOLOTIĆ is a student at the Department for Ilustration, with the Faculty of Applied Arts and has been a collaborator of the Belgrade-based publishing house Kreativni centar.

ANIMANIMA takmičenje 4 / competition 4

SOUR: TON SVAKODNEVICE SOUR: TONE OF EVERYDAY

Masashi Kawamura, Hal Kirkland, Magico Nakamura, Masayoshi Nakamura SAD / USA

SAD / USA / 3:50 / 2009 Web kamera / Webcam Izvorni naslov / Original title: Sour: Hibi No Neiro

Svi članovi tima su odabrani iz međunarodne baze obožavalaca grupe SOUR. Svaka pojedinačna veb-kamera je povezana u stvaranju {ireg plana animirane koreografije.

Režija / Direction: Masashi Kawamura, Hal Kirkland, Magico Nakamura, Masayoshi Nakamura Muzika / Music: SOUR

All cast members were sourced from the band SOUR’s actual international fan base. Each webcam screen connects to create a larger choreographed animation.

MASASHI KAWAMURA trenutno radi kao Vi{i umetnički direktor za njujor{ki BBH. U prethodnom periodu radio je za reklamne agencije, uključujući „Hakuhodo BBH” iz Japana i amsterdamski „180”, gde je radio na kreiranju kampanja za globalne robne marke ako {to su Nissan, PlayStation, Levi’s, AXE, i Adidas. Osim rada u oblasti reklama, Kavamura nastavlja sa sopstvenim projektima u kojima – između ostalog - istražuje prostore dizajna, rad za televizijske emisije, mobilne aplikacije, muzičke spotove, kao i dizajn u oblasti industrijskih proizvoda. HAL KIRKLAND je trenutno angažovan u istom timu kao i Masa{i, kao Vi{i saradnik za autorska prava pri njujor{kom BBH-u. Haova karijera započinje upravo angažovanjima na poslovima Umetničkog direktora i Direktora za autorska prava, radeći za kuću „M&C Saatchi” iz Sidneja. Nakon niza uspe{nih projekata, Hal ponovo napu{ta zemlju – ovoga puta da bi započeo saradnju sa kućom „180” iz Amsterdama, gde radi produkciju za mnoge poznate naručioce kao {to su Sony, Adidas, MTV, Amstel. Osim rada na reklamama, Hal se bavi izradom koncepata za filmove, projektima ulične umetnosti, kao i izradom muzičkih spotova kojima su na granicama novih žanrova. MAGICO NAKAMURA rođena je 1978. godine u Tokiju. Zavr{ila je studije na Umetničkom univerzitetu Tama u Japanu, da bi potom radila kao reditelj TV reklama za trži{te Japana. Godine 2008. preselila se u Njujork, gde je angažovana na projektima filmske režije i režiranja reklamnih spotova. MASAYOSHI NAKAMURA rođen je u Ni{inomiji u Japanu, gde je odrastao. Nakon zavr{etka studija i dobijanja fakultetske diplome iz oblasti vizuelnih umetnosti, seli se u Njujork, gde danas živi i radi kao grafički dizajner i ilustrator. MASASHI KAWAMURA currently works as a senior Art Director at BBH New York. He has previously worked in advertising agencies such as Hakuhodo, BBH Japan, and 180 Amsterdam, where he created campaigns for global brands like Nissan, PlayStation, Levi’s, AXE, and Adidas. Outside of advertising, he continues to explore the world of design, working on TV shows, mobile apps, music videos and product design, among other endeavors. HAL KIRKLAND currently works as a team with Masashi, as senior copywriter at BBH New York. Hal started his career as a Copywriter/Art Director at M&C Saatchi Sydney. After a succession of metallic successes, Hal left the country again only to find himself at 180 Amsterdam, producing work for such clients as Sony, Adidas, MTV, Amstel. Outside of Advertising, Hal creates concepts for films, street art projects and makes genre defining music videos. MAGICO NAKAMURA was born in 1978, Tokyo. She graduated from Tama Art University in Japan, then worked as TV commercial director in Japan. She moved to NY in 2008. Now She works as a motion picture/commercial director. MASAYOSHI NAKAMURA was born and raised in Nishinomiya, Japan. He moved to NY after high school where he received his BFA at School of Visual Arts. He works as motion graphic designer/ illustrator now. www.masa-ka.com

ANIMANIMA takmičenje 4 / competition 4

SAVE THE TIGER: GAME USHA SEWING MACHINE TVC

Suresh Eriat Indija / India

SAVE THE TIGER: GAME Indija / India / 1:00 / 2010 Piksilacija, 2D kompjuter / Pixilation, 2D computer

USHA SEWING MACHINE TVC Indija / India / 1:00 / 2010 Piksilacija, animacija predmeta, živi snimci / Pixilation, objects, live action

Režija / Direction: Suresh Eriat Scenario / Script: Sunita Yadav, Suresh Eriat Animacija / Animation: Studio Eeksaurus Team Montaža / Editing: Studio Eeksaurus Team Muzika / Music: Jolly Jose Dizajn zvuka / Sound Design: Cyrus Sassoori Produkcija / Production: STUDIO EEKSAURUS

Režija / Direction: Suresh Eriat Scenario / Script: Mayur Hola, Ogilvy & Mather, Delhi Animacija / Animation: Studio Eeksaurus Team Montaža / Editing: Studio Eeksaurus Team Muzika / Music: Rajat Dholakia Dizajn zvuka / Sound Design: Cyrus Sassoori Produkcija / Production: STUDIO EEKSAURUS

Upozoravajući film ističe hitnost proaktivne akcije u za{titi ugroženog tigra.

Usha ma{ina za {ivenje dopu{ta domaćici da svojom kreativno{ću od kuće napravi dom.

An awareness film stating the urgency for pro-active action for coversation of the endangered Tiger.

Usha sewing machine unleashes a homemaker’s creativity to transform her house to a home.

SURESH ERIYAT je osnivač vodećeg indijskog studija za animaciju, India Famous House of Animation. Stekav{i diplomu Nacionalnog instituta za dizajn, na odseku za Dizajn u oblasti animiranog filma, Sure{ je predvodio stvaralački tim autora koji su kreirali filmove u različitim medijima, osvajajući brojne nagrade. U svom režiserskom i/ili producentskom opusu, Sure{ ima vi{e od 300 filmova različitih žanrova, od TV reklama, preko kratkih filmova i muzičkih spotova, sve do skora{njih ostvarenja – dugometražnih animiranih filmova. SURESH ERIYAT was the founder of the premier animation studia in India Famous House of Animation. Hailing from the National Institute of Design with Animation Film Design specialization, Suresh led the team that has created films in various media, winning numerous awards. Directed and/or produced more than 300 films in genres ranging from TV commercials, to short films, to music videos, and most recently long format animation. www. studioeeksaurus.com

ANIMANIMA takmičenje 4 / competition 4

NA ČEMU TI JE GLAVA WHERE’S YOUR HEAD AT

Velika Britanija / Great Britain / 5:55 / 2009 Piksilacija, 2D i 3D kompjuter / Pixilation, 2D and 3D computer Režija / Direction: Max Hattler Animacija / Animation: Max Hattler, Milad Firoozian, Noriku Akaku, Rodrigo Vives, Papaya Gonzales Muzika / Music: Basement Jaxx Produkcija / Production: Max Hattler

Max Hattler Velika Britanija / Great Britain

Povežite četiri stvari na disko podijumu za igru. Svetlo, tečnost, oblik i boja zatvoreni na igrali{tu od piksela. Ovo je festivalska verzija rada po narudžbini britanskog house dua Basement Jaxx. Connect four on the discko dance floor. Light, liquid, shape and colour locked into a pixel playground. The work is the film festival version of a comission for the British house music duo Basement Jaxx.

MAX HATTLER je diplomas Royal College of Art. Svoje eksperimentalne animirane radove prikazivao je ma mno{tvu festivala, među njima i na Resfestu, Ansiju, Onedotzero, Emaf, Animafestu, Roterdamu. Predaje animciju na Koledžu Goldsmiths i na Univezitetu istočnog Londona. MAX HATTLER graduated at Royal Colege of Art. His experimental animated works have been screend at many festivals worldwide, including Annecy, Rotterdam, EMAF, Onedotzero, Resfet, Animafest. He teaches animation at Goldsmiths College and the University of East London. www.maxhattler.com

ANIMANIMA takmičenje 4 / competition 4

MTS: MIX TARIFA / MTS: MIX TARIFFE MTS: KORPORATIVNI TVC / MTS: CORPORATIVE TVC

MTS: MIX TARIFA / MTS: MIX TARIFFE Srbija / Serbia / 0:25 / 2010 2D, 3D kompjuter / 2D, 3D computer Režija / Direction: Aleksandar Jakovljević Scenario / Script: Vladimir Ćosić, Bojan Babić Animacija / Animation: Open Studio Montaža / Editing: Open Studio Muzika / Music: Aleksandar Protić Dizajn zvuka / Sound Design: Aleksandar Protić Produkcija / Production: OPEN STUDIO www.openstudio.rs Spot provi{e novu tarifu kompanije Telekom Srbija.

Aleksandar Jakovljević / Petar Pa{ić Srbija / Serbia

MTS: KORPORATIVNI TVC / MTS: CORPORATIVE TVC Srbija / Serbia / 0:30/ 2010 Režija / Direction: Petar Pa{ić Scenario / Script: Vladimir Ćosić, Bojan Babić Animacija / Animation: Fried Pictures Montaža / Editing: \orđe Marković Muzika / Music: Arsen Tatalović Dizajn zvuka / Sound Design: Fried Pictures Produkcija / Production: LE SPOT PRODUCTIONS Spot provi{e uslugu kompanije Telekom Srbija. The spot promotes a new service of the Telekom Srbija company.

The spot promotes a new tariffe of the Telekom Srbija company. PETAR PAŠIĆ rođen je 1973. godine u Beogradu, Srbija. Zavr{io je Fakultet dramskih umetnosti u Beogradu. Dobitnik je nagrade za najbolju debitantsku režiju za dugometražni film Soliter, na njujor{kom Međunarodnom festivalu nezavisnih filmova i videa, 2000. godine. Učestvovao je na Kampu talenata Berlinale Talent Campus tokom 2004. i 2005, a njegov igrani film Rokenrol uzvraća udarac (2006) postao je rekorder po gledanosti u Srbiji tokom 2006. godine. Za režiju muzičkog spota urađenog za pesmu Život je ljut koju izvodi Kristina Kovač, Pa{ić je dobio nagradu za najbolji video spot u Srbiji u 2007. godini. Njegov kratki film, E-pigs (2009), koga potpisuje kao režiser i autor scenarija, sponzorisan je iz fonda Slovene Film Fund, kao i od strane ARTE/ZDF-a. Petar Pa{ić je član Udruženja umetnika Srbije. PETAR PAŠIĆ was born in 1973 in Belgrade, Serbia. Graduated at the Faculty of Dramatic Arts in Belgrade. Best Directorial Debut for Feature Film Soliter at The New York International Independent Film & Video Festival, 2000. Berlinale Talent Campus participant in 2004 and 2005. His feature film Rock’n’roll Strikes Back (2006) had most viewers in Serbia in 2006. Music video Život je ljut by Kristina Kovač, directed by Pa{ić, was awarded Best video in Serbia in 2007. E-pigs (2009) his short film as a director and scriptwriter, was financed by the Slovene Film Fund and supported by ARTE/ZDF. Petar Pa{ić is a Member of Association of Film Artists of Serbia. www.petarpasic.com

ANIMANIMA takmičenje 4 / competition 4

UBIJTE SURFERE KILL THE SURFERS

L’Atelier Collectif Belgija / Belgium

Belgija / Belgium / 3:23 / 2009 Animacija predmeta / Objects

Slika fabrike u kojoj pratimo put otpadaka koji će, nakon nekoliko zahvata, postati ne{to sasvim novo.

Režija / Direction: L’Atelier Collectif Scenario / Script: L’Atelier Collectif Animacija / Animation: L’Atelier Collectif Montaža / Editing: L’Atelier Collectif Muzika / Music: Ghinzu Dizajn zvuka / Sound Design: Ghinzu Produkcija / Production: ZOROBABEL

In a factory we follow the path of rubbishes which after several operations will become something new.

ATELIER COLLECTIF (Kolektivna radionica) je radionica za animaciju namenjena neprofesionalcima, okupljenim oko projekata izrade kratkih animiranih filmova. Svaka pojedinačna odluka se donosi na nivou grupe, od osnovne priče do dizajna zvuka. Filmovi se prave pomoću profesionalne opreme i zatim prenose na 35-milimetarski film. Do sada su ovi filmovi osvojili oko 20 nagrada (Brisel, Francuska, Rusija, Portugal, Japan, itd.). Za koordinaciju projekata zadužen je Vilijam Heni, filmski umetnik, izdavač, strip-autor i su-režiser Zorobabel-a. Kill the surfers je deveti film iz opusa Atelier Collectif. The ATELIER COLLECTIF (Collective Workshop) is an animation workshop for non-professionals, gathered around animated short film projects. Every decision is taken by the group, from the script to the sound design. These films are created with professional means and transferred to 35 mm film. They collected about 20 prizes (Brussels, France, Russia, Portugal, Japan, etc.) These projects are coordinated by William Henne, filmmaker, publisher, comic book author and co-director of Zorobabel. Kill the surfers is the ninth film of the Collective Workshop. www.zorobabel.be

ANIMANIMA takmičenje 4 / competition 4

LASER BEAK MAN: THE CHICK MAGNET LASER BEAK MAN: PLAY IT AGAIN, SAM

Australija / Australia / 0:45/ 2009 Kolaž, 2D kompjuter / Cut-outs, 2D computer Režija / Direction: Igor Ćorić Scenario / Script: Igor Ćorić, Tim Sharp Animacija / Animation: Igor Ćorić Montaža / Editing: Igor Ćorić Muzika / Music: Sheldon Lieberman Dizajn zvuka / Sound Design: Sheldon Lieberman Produkcija / Production: BIGFISH.TV

Igor Ćorić Australija / Australia

LASER BEAK MAN je plod ma{te Tima [arpa kome je kao trogodi{njaku dijagnostikovan autizam, a njegovoj majci je rečeno da on nikada neće moći da komunicira sa drugim ljudima. Osamnaest godina kasnije Tim je i dalje autističan, ali je zahvaljujući crtežima na kojima prati avanture svog junaka on sam postao zvezda na izložbama u Njujorku, Sidneju, Kanberi. Njegov Lejzer Bik Men je heroj animirane serije finansirane od strane australijske nacionalne televizije ABC, a u pripremi je i pozori{na predstava u čijoj produkciji učestvuje i poznata holivudska glumica Kejt Blenčit. Vi{e na: www.laserbeakman.com Laser Beak Man is a fidgment of imagination of Tim Sharp, who was diagnosed with autism at the age of three, when his mother was told that he would never be able to communicate with other people. Eighteen years on, Tim is still autistic – however, owing to the drawigns through which he tells the continuing adventures of his own hero, he had become a celebrity of the exhibitons held in New York, Sydney, Canberra... His Laser Beak Man is the hero of an animated series, funded by the Australian National Televison – ABC – and there is a play in preparation, the production of which will involve the famous Holywood star, Kate Blanchet. More on: www.laserbeakman.com

IGOR ĆORIĆ je rođen 1978. u Strazburu u Francuskoj. Diplomirao je slikarstvo 2002. na FLU u Beogradu. Pored rada na autorskom animiranom filmu, od 2004. do 2007. radi honorarno kao ilustrator. Septembra 2006. osniva sopstvenu produkcijsku kuću FREELENS ARTS, sa idejom o stvaranju kvalitetne autorske i komercijalnu animaciju. Od početka 2007. godine učestvuje u projektu australijske produkcijske kuće iz Brizbejna – Bigfish.tv. IGOR ĆORIĆ was born in 1978 in Strasbourg in France. He graduated from the Faculty of Art in Belgrade, in 2002. Apart from his engagement in creating animated films, between 2004 and 2007, he has worked as a free-lance illustrator. Since September 2006, he has been operating his own production company Freelance Arts , with an idea of creating high-quality artistic and commercial animation. Since the beginning of 2007, he has been involved in a project organised by the Brisbane-based Australian producers house Bigfish.tv. www.bigfish.tv

ANIMANIMA takmičenje 4 / competition 4

NAPAD SVEMIRSKOG PILETA-MUTANTA ATTACK OF SPACE MUTANT CHICKEN

Dan Santos [vedska / Sweden

[vedska / Sweden / 2:05 / 2010 3D kompjuter / 3D computer

Satira niskobudžetskih horor filmova, koja nam donosi ono {to kod klasike najvi{e volimo – i mrzimo.

Režija / Direction: Dan Santos Scenario / Script: Dan Santos, Andrea Femerstrand, Andreas Andersson Animacija / Animation: Dan Santos Montaža / Editing: Andreas Andersson Muzika / Music: Samuel Tyskling Dizajn zvuka / Sound Design: Samuel Tyskling Produkcija / Production: IMAGINATION STUDIOS

Satire of the B Horror movies genre, bringing the best we love – and hate – on the classics

IMAGINATION STUDIOS je uspeo da tokom svog petogodi{njeg rada obezbedi veliki broj raznovrsnih klijenata, a isto tako je imao i zadovoljstvo da učestvuje u nekim od najzanimljivijih produkcija tokom proteklih godina. Video Attack Of Space Mutant Chicken je dobitnik nagrade Excellence Team Award koju dodeljuje CG Challenge XXV. IMAGINATION STUDIOS managed to secure in five years a wide range of clients and have had the privilege of being involved in some of the most exciting productions of the recent years. Attack Of Space Mutant Chicken video has won Excellence Team Award at the CG Challenge XXV. www.imaginationstudios.com

ANIMANIMA takmičenje 4 / competition 4

PROSTRANE MISLI SPACIOUS THOUGHTS

Fluorescent Hill Kanada / Canada

Kanada / Canada / 4:32 / 2009 2D i 3D kompjuter / 2D and 3D computer

Grad-smetli{te postaje igrali{te jednog zloslutnog oblaka i njegovog multipersonalnog domaćina.

Režija / Direction: Fluorescent Hill Animacija / Animation: Mark lomond, Johanne Ste-Marie, Jaques Khouri Muzika / Music: N.A.S.A feat. Tom Waits & Kool Keith Produkcija / Production: Fluorescent Hill

A junkyard city becomes the playground for an ominous cloud and its multi-personality host.

FLUORESCENT HILL je kolektiv iz Montreala koga čine Mark Lomond i Johanne Ste-Marie. Karijeru su otpočeli u svetu muzičkih spotova i kratkih filmova, a odnedavno su i u advertajzingu. FLUORESCENT HILL is a Montreal-based collective consisting of Mark Lomond and Johanne Ste-Marie. Starting out in the world of music video and short film, they have recently immersed themselves in advertising. www.fluorescenthill.com

ANIMANIMA takmičenje 4 / competition 4

ČUDNOVATI IZUM STRANGE INVENTION

Dino Krpan Hrvatska / Croatia

Hrvatska / Croatia / 6:15 / 2010 2D i 3D kompjuter / 2D and 3D computer

Jednom davno, prije filma i televizije, živeo je pronalaza~ opsednut idejom o pokretnoj slici na listu papira.

Režija / Direction: Dino Krpan Scenario / Script: Dino Krpan Animacija / Animation: Sini{a Mataić, Dino Krpan Montaža / Editing: Dino Krpan Muzika / Music: Vjeran [alamon Dizajn zvuka / Sound Design: Boris Wagner Produkcija / Production: DIEDRA

Once upon a time, before film and TV were invented, there was an Inventor possessed by the idea of moving pictures on the piece of paper.

DINO KRPAN je rođen u Zagrebu, 1969. godine. Diplomirao je Dizajn na Zagrebačkom sveučili{tu 1995. Studio za produkciju i dizajn Diedra osnovao je 1997. Od 2001. aktivan je na polju 3D animacije i produkcije animiranih i eksperimentalnih filmova. Debitantskim filmom Alea iacta est iz 2006. godine osvojio je nekoliko internacionalnih nagrada. Predaje postprodukciju na odseku animacije zagrebačke Akademije likovnih umjetnosti. DINO KRPAN (1969) graduated Design at the Zagreb University in 1995. In 1997 he founded design and production studio Diedra. He is active in the field of 3D animation and production of animated and experimental films since 2001. In 2006 he made his debut film Alea iacta est praised with several international awards. He teaches postproduction at the Animation Department of Zagreb Academy of Fine Arts. www.diedra.hr

ANIMANIMA takmičenje 5 / competition 5

REULF

Tout Court Francuska / France

Francuska / France / 4:20 / 2009 2D i 3D kompjuter / 2D and 3D computer

U crno-belom Parizu siću{na bića sa četkama odluče da ponovo oboje grad.

Režija / Direction: Tout Court Animacija / Animation: Quentin Carnicelli, Charles Klipfel, Jean François Jego Montaža / Editing: Quentin Carnicelli, Charles Klipfel, Jean François Jego Muzika / Music: Robert Le Magnifique, Olivier Mellano Dizajn zvuka / Sound Design: Robert Le Magnifique, Olivier Mellano Produkcija / Production: Tout Court

In a black-and-white Paris, small creatures with brushes decide to repaint the city.

www.autourdeminuit.com

ANIMANIMA takmičenje 5 / competition 5

VASKO VASCO

Francuska / France / 11:00 / 2010 Animacija peska / Sand animation Režija / Direction: Sébastian Laudenbach Scenario / Script: Sébastian Laudenbach Animacija / Animation: Hugo Frassetto, Julien Laval, Sébastien Laudenbach Montaža / Editing: Philippe Grammaticopoulos Muzika / Music: Olivier Mellano Dizajn zvuka / Sound Design: Christian Cartier Produkcija / Production: LES FILMS DU NORD

Sébastian Laudenbach Francuska / France

Oti{ao si, Vasko, želeo si da ode{ daleko. Ali, mi smo te zadržali, betonom i poljupcima, i osetio si kakvog je ukusa krv kitova. Ni to ti nije bilo dovoljno, hteo si dalje, ka horizontu koji te je tako opčinio. Ali, koliko daleko će{ stići, Vasko? You have gone, Vasco, you wanted to go far away. But we kept you back, with concrete and kisses, and you tasted the blood of whales. But it was not enough, you wanted to go further, towards the horizon that fascinated you so much. But how far will you go,Vasco?

SÉBASTIEN LAUDENBACH (1973) živi u Parizu, gde radi kao grafički dizajner, ilustrator i animator. Diplomirao je na ENSAD-u filmom Žurnal za kojim je usledilo nekoliko ostvarenja: Maze u kuhinjama (Des câlins dans les cuisines), Komadić (Morceau), Gledajući Oanu (Regarder Oana) i, konačno, Vasko, kao najnovija varijacija na temu kojoj se uvek vraća. Nakon dovr{etka razrade projekta za dugometražni animirani film Devojka, đavo i mlinar (La Jeune Fille, le Diable et le Moulin) po motivima predstave Olivijera Pija, Sebastijen se okreće pisanju novog kratkog animiranog filma, kao i dugometražnog Linda hoće piletinu! (Linda veut du Poulet!, igranog filma za decu, u saradnji sa Kjarom Malta. Od 2001. godine predaje animaciju na ENSAD-u. Paris based graphic designer, illustrator and animator SÉBASTIEN LAUDENBACH (1973) graduated from the ENSAD with Journal, and has since produced Des câlins dans les cuisines (Cuddles in the kitchens), Morceau (Piece), Regarder Oana (Watching Oana) and now Vasco, his latest variation on a recurrent theme. After having developed a project for a feature animated film La Jeune Fille, le Diable et le Moulin (The Young Girl, the Devil and the Miller) after the play by Olivier Py, he set out to write another short animated film as well as Linda veut du Poulet! (Linda wants some chicken!) a live action feature film for children, in cooperation with Chiara Malta. He has been teaching animation at the ENSAD since 2001. www.euroanima.net

ANIMANIMA takmičenje 5 / competition 5

MUŠKARČEV SVET MAN’S WORLD

Velika Britanija / Great Britain / 5:38 / 2010 2D kompjuter / 2D computer Režija / Direction: Tom Gran Scenario / Script: Tom Gran Animacija / Animation: Tom Gran Muzika / Music: Jim Wheeler Dizajn zvuka / Sound Design: Iwan Vaughan Produkcija / Production: Tom Gran

Tom Gran Velika Britanija / Great Britain

Sme{ten u svet u kome žene rađaju sve {to mu{karci požele, ovaj film nam pripoveda priču o stanovnicima jednog izolovanog grada, u kome neočekivano rođenje jednog deteta pokreće propast dru{tva. Set in a world in which women give birth to whatever a man may need, Man’s World follows the occupants of one isolated town as the unexpected birth of a child brings about the downfall of society.

TOM GRAN je skora{nji diplomac Univerziteta Zapadne Engleske. Trenutno je angažovan u malom studiju u Bristolu, koji radi pod nazivom Rainbow Club Productions. TOM GRAN is a recent graduate of the University of the West of England. He now operates as part of Rainbow Club productions, a small Bristol-based studio. www.tomgran.co.uk

ANIMANIMA takmičenje 5 / competition 5

LJUBAV I KRAĐA LOVE & THEFT

Nemačka / Germany / 7:00 / 2010 Crtež / Drawing Režija / Direction: Andreas Hykade Scenario / Script: Andreas Hykade Animacija / Animation: Andreas Hykade Dizajn zvuka / Sound Design: Heiko Maile Produkcija / Production: STUDIO FILM BILDER

Andreas Hykade Nemačka / Germany

„Jo{ uvek imam poklon koji sam primio od tebe, On je sad deo mene, čuvaću ga i paziti, i sve do groba biće kod mene, a zatim i dalje, do večnosti.” (Bob Dilan) “And I’m still carrying the gift you gave, It’s a part of me now, it’s been cherished and saved, It’ll be with me unto the grave And then unto eternity.” (Bob Dylan)

ANDREAS HYKADE rođen je u Altetingu, Bavarska, 1968. godine. Studirao je na Umetničkoj akademiji u [tutgartu, od 1988. do 1990. godine. Tokom 1991. godine, radi kao animator u Londonu, a zatim studira na Filmskoj akademiji u Baden-Virtembergu. Od 1995. godine, Hikade radi kao nezavisni autor filmova, a od 2000. kao profesor animacije. ANDREAS HYKADE was born in Altötting, Bavaria, in 1968. He studied at the Kunstakademie Stuttgart 1988-1990. In 1991 he worked as an animator in London, than studied at the Filmakademie Baden-Württemberg. since 1995 Hykade has been a free filmmaker and since 200 a teacher of animation. www.filmbilder.de

ANIMANIMA takmičenje 5 / competition 5

OSTRVO LAVEŽA BARKING ISLAND

Francuska / France / 15:00 / 2010 2D i 3D kompjuter / 2D and 3D computer Izvorni naslov / Original title: Chienne d’histoire Režija / Direction: Serge Avédikian Scenario / Script: Serge Avédikian, Karine Mazloumian Animacija / Animation: Jimmy Audoin Montaža / Editing: Chantal Quaglio Muzika / Music: Michel Karsky Dizajn zvuka / Sound Design: Philippe Grammaticopoulos Produkcija / Production: SACREBLEU PRODUCTIONS

Serge Avédikian Francuska / France

Konstantinopolj, godine 1910. Ulice su pune pasa lutalica. Novoimenovana vlada, težeći istočnjačkom modelu dru{tva, traži pomoć evropskih specijalista kako bi se grad oslobodio pasa; konačno, pada odluka da se 30,000 lutalica deportuje na pusto ostrvo, nedaleko od obala grada. Očima jedne keru{e i jednog policajca koji je zatvara u kavez, pratimo priču o prisilnom iseljenju, o napu{tanju i samrtnim mukama 30,000 pasa, koji će najvećim brojem umreti od gladi i žeđi. Constantinople, 1910. Too many stray dogs in the streets. The newly installed government, influenced by an occidental model of society, calls in European specialists to get rid of the dogs, before deciding, finally, to deport 30.000 of them on a desert island, off the coast of the city. Through both looks of a dog female and of the policeman who puts her in a cage, we follow the forced exile, the abandonment and death throes of 30 000 dogs who will mostly die of starvation and thirst.

SERGE AVÉDIKIAN naporedo razvija dve karijere – jedna je karijera glumca, a druga filmskog i pozori{nog reditelja. U oblasti filmskog angažovanja, Ostrvo laveža je njegov treći animirani film, nakon Života u vrsti (2003) i Jednog divnog jutra (2005), u kojima koristi slične tehnike. Oprobao se i kao režiser kreativnih dokumentaraca (No possible return, What have become my friends, The contagious pleasure i, poslednjeg u nizu, We drank of the same water, nastalog 2008.). Takođe, režirao je puno kratkih i srednjemetražnih filmova (Good morning Sir, Goodbye Madam, Ladies and gentlemen, Mission accomplished), kao i kinematografskih poema (I well knew the sun, The fifth dream, Lux aeterna, Terra emota). Trenutno radi na svom prvom dugometražnom filmu. SERGE AVÉDIKIAN runs at the same time a career of actor, and of cinema and theatre director. At cinema, Barking Island is his third animated film after Life line in 2003, and A beautiful morning in 2005, in which he uses similar techniques. He also directed creative documentaries (No possible return, What have become my friends, The contagious pleasure), and ultimately We drank of the same water, released in 2008. He also directed many short and medium fiction films (Good morning Sir, Goodbye Madam, Ladies and gentlemen, Mission accomplished) as well as cinematographic poems (I well knew the sun, The fifth dream, Lux aeterna, Terra emota). He currently works on his first feature film. www.sacrebleuprod.com

ANIMANIMA takmičenje 5 / competition 5

DEČAK I ZVER THE LITTLE BOY AND THE BEAST

Johannes Weiland, Uwe Heidschötter

Nemačka / Germany / 7:00 / 2009 3D kompjuter / 3D computer Izvorni naslov / Original title: Der Kleine und das Biest

Otkako je Harov tata oti{ao, njegova majka se potpuno promenila. Vi{e nije sposobna da se s njim igra kako treba, samo gleda stare fotografije, i vi{e se ne smeje. Njeno lo{e raspoloženje {iri se svuda. Pretvorila se u pravu zver! Haro mnogo stvari mora da re{ava sam. Nekada je to ba{ dobro, ali nekada je stvarno iscrpljujuće.

Režija / Direction: Johannes Weiland, Uwe Heidschötter Scenario / Script: Marcus Sauerman Animacija / Animation: Philip Rudolph, Johannes Schiehsl, Hugo Hernandez Dizajn / Design: Uwe Heidschötter Muzika / Music: Andy Groll Dizajn zvuka / Sound Design: Christian Heck Produkcija / Production: STUDIO SOI

Nemačka / Germany

Since Haro’s dad left, his mother completely changed. She isn’t able to play with him properly anymore, broods over old photos, doesn’t laugh anymore. And her bad mood spreads everywhere. She has turned into a real beast! Haro has to deal with a lot of things on his own. Sometimes it’s great, but other times it’s truly exausting.

UWE HEIDSCHÖTTER započinje obrazovanje u Schule für Gestaltung, 1995. godine, u Kelnu. Diplomirao je na Lycée technique des Arts et Métiers u Luksemburgu gde je studirao klasičnu animaciju. Nekoliko godina je radio kao animator CGI karaktera za Ambient Entertainment u Hanoveru. Danas je slobodni dizajner i ilustrator u Berlinu. JOHANNES WEILAND (Frajburg, 1977) otpočinje 1998. godine studije na Filmskoj akademiji Baden-Wuerttemberg u Ludvigsburgu, gde trenutno podučava animaciju. Posle diplomiranja 2003. godine radi kao reditelj-animator u Studiju SOI u Ludvigsburgu i Studiju AKA u Londonu. Tokom godina režirao je veliki broj nagrađivanih filmova. In 1995, UWE HEIDSCHÖTTER began his education in design at “Schule für Gestaltung”, Cologne, Germany. He gratuated from “Lycée technique des Arts et Métiers”, Luxembourg, where he studied classical animation. Several years he worked as CGI character animator for Ambient Entertainment in Hanover, Germany. Today, Uwe is a freelance character designer and illustrator located in Berlin. Born 1977 in Freiburg, Germany, JOHANNES WEILAND began his studies at Ludwigsburg´s Filmakademie BadenWuerttemberg in 1998, where he´s currently is teaching animation classes. Since his graduation 2003 he worked as Director/Animator at Studio Soi Ludwigsburg, Germany and StudioAKA, London. During the years he directed a number of award winning films. www.studiosoi.de

ANIMANIMA takmičenje 5 / competition 5

DENI BOJ DANNY BOY

Poljska / Poland / 10:00 / 2010 Animacija lutaka / Puppets Režija / Direction: Marek Skrobecki Scenario / Script: Marek Skrobecki Animacija / Animation: Adam Wyrwas Montaža / Editing: Janusz Czubak Muzika / Music: Stefan Aeby, Florian Pittet Dizajn zvuka / Sound Design: Florian Pittet Produkcija / Production: SE-MA-FOR, ARCHANGEL SA

Marek Skrobecki Poljska / Poland

Protagonista ove priče, koja je inspirisana popularnom pesmom o Deni Boju, je mladić koji tumara ulicama nepoznatog grada. Osećanje usamljenosti koje ga prati biva samo pojačano saznanjem da se radikalno razlikuje od drugih. Jednoga dana, na svom putu nailazi na devojku. Hoće li ona prihvatiti njegovu različitost? Ili će ga možda odbaciti? Film je dru{tvena satira, ispunjena ironijom; osnovna tema kojom se bavi jeste savremeni problem otuđenja pojedinca i mesto pojedinca u dru{tvenoj strukturi. The protagonist of the story inspired by a popular song Danny Boy is a young man wandering aimlessly the streets of an anonymous city. What enhances his feeling of loneliness is the fact that he is distinctly different from others. One day a girl appears on his way. Will she accept his otherness? Maybe she will reject him? The film is an ironic social satire; it discusses a current problem of alienation of an individual and individual’s place in the structure of the society.

MAREK SKROBECKI (1951) radi kao filmski režiser i dizajner produkcije, a specijalnost mu je klasična animacija sa lutkama. Diplomirao je na Likovnoj akademiji i poljskoj Nacionalnoj filmskoj {koli u Lođu. Kao stipendista Britanskog saveta, pro{ao je stručno usavr{avanje u Creature Shop-u Džima Hensona i Aardman Animation-u. Svoj prvi film snimio je 1988. godine, ali je tek sa D.I.M.-om u „Se-ma-for”-u 1992. godine uspeo da pronađe svoj jedinstveni izraz, izradiv{i lutke u veličini čoveka, {to je bila novost za lutkarsku animaciju u Poljskoj. Iskustvo stečeno u ovom filmu je koristio u svojim kasnijim radovima, naročito u filmovima kao {to su Ihtis (režija), zatim Peća i vuk (dizajner produkcije) i Deni Boj (režija), svom najnovijem ostvarenju. MAREK SKROBECKI (1951) is a film director, production designer, his specialty is classic puppet animation. He graduated from Fine Art Academy and Polish National Film School in Lodz (Master Diploma 1990). He gained scholarship from British Council and received training in Jim Henson’s Creature Shop and Aardman Animation. He made his first film in 1988. But it was only when he made D.I.M in 1992 in Sema-for that he found his unique manner and designed human size puppets which was a novelty in Polish puppet animation. The experience from making this film he has used in his later works, especially in Ichthys (director) and Peter and the Wolf (production designer) and in his latest film Danny Boy (director). www.se-ma-for.com; www.archangelfilmgroup.ch

ANIMANIMA takmičenje 5 / competition 5

OBLACI, RUKE CLOUDS, HANDS

Francuska / France / 8:00 / 2009 2D kompjuter / 2D computer Izvorni naslov / Original title: Nuvole, mani Režija / Direction: Simone Massi Scenario / Script: Philippe Grammaticopoulos Montaža / Editing: Sara Sponga Dizajn zvuka / Sound Design: Stefano Sasso Produkcija / Production: SACREBLEU PRODUCTIONS

Simone Massi Francuska / France

Posmatram ruke mog oca, oblake moje majke; vidim Vreme kako prolazi i boji nas žutom cveća. I watch the hands of my father, the clouds of my mother; I see the passing of Time that colors us with the yellow of flower.

SIMONE MASSI je rođen 1970. godineu Pergoli u Italiji. Studirao je animirani film na Nacionalnom institutu likovnih umetnosti u Urbinu. Od 1996. godine radi kao slobodni umetnik-animator. SIMONE MASSI was born in 1970 in Pergola, Italy. He studied Animated Cinema at the State Institute of Fine Arts of Urbino. Since 1996 he has been workin as a free-lance animator. www.sacrebleuprod.com

ANIMANIMA takmičenje 5 / competition 5

KAD BIH BIO ČUDOVIŠTE I WISH I WERE A MONSTER

Brazil / Brazil / 8:00 / 2009 Crtež, animacija gline / Drawing, claymation Izvorni naslov / Original title: Eu Queria Ser Um Monstro Režija / Direction: Marcelo Maráo Scenario / Script: Marcelo Maráo Animacija / Animation: Marcelo Maráo Montaža / Editing: Tiago Mal Muzika / Music: Luama Dizajn zvuka / Sound Design: Ana Luiza Pereira Produkcija / Production: Marcelo Maráo

Marcelo Maráo Brazil / Brazil

Život dečaka koji ima bronhitis ali i jednu neobičnu želju... The life of a boy who has a bronquitis and an unusual wishe as well...

MARCELO MARÃO je diplomirao na Likovnoj akademiji u Rio de Žaneiru. Do sada je režirao devet kratkih animiranih filmova, uključujući Cebolas São Azuis (1996), Chifre De Camaleão (2000), Engolervilha (2003), O Arroz Nunca Acaba (2005) i O Anão Que Virou Gigante (2008.). Marao je autor animacije za televiziju i filmove, a bio je i prvi predsednik Brazilske asocijacije za animaciju, ABCA. Predaje animaciju kao profesor na Univerzitetu PUC. MARCELO MARÃO graduated at the School of Fine Arts at Rio de Janeiro. He directed nine animated shorts, including Cebolas São Azuis (1996), Chifre De Camaleão (2000), Engolervilha (2003), O Arroz Nunca Acaba (2005) and O Anão Que Virou Gigante (2008). Marão does animation for TV and cinema. He was the first President of ABCA (Brazilian Animation Association) and teaches animation at PUC University. www. maraofilmes.com.br

ANIMANIMA takmičenje 5 / competition 5

VIL I TOČAK WILL AND THE WHEEL

Margherita Premuroso Italija / Italy

Italija / Italy / 6:00 / 2009 3D kompjuter / 3D computer

Vil je preduzimljivi hrčak koji poku{ava da izradi genijalni tajanstveni uređaj, koristeći svoj omiljeni točak...

Režija / Direction: Margherita Premuroso Scenario / Script: Margherita Premuroso, Luca Da Rios, Massimiliano Lucania Animacija / Animation: Barbara Dossi, Giorgio Bellasio, Elisa Capretto, Emanuele Doro, Simone Fiorito, Mattia Rosati Muzika / Music: Nikola Tomljanovich, Francesco Silvestri Dizajn zvuka / Sound design: Nikola Tomljanovich, Francesco Silvestri Produkcija / Production: MYKEY STUDIOS

Will, an enterprising hamster, tries building an ingenious and mysterious machinery using his beloved wheel...

MARGHERITA PREMUROSO studirala je 2D animaciju i ilustraciju na Evropskom institutu za dizajn u Milanu, kao i 3D animaciju, na Animation Mentor-u. Karijeru je započela 2005, radeći kao dizajne koncepta, a zatim i režiser za „Playstos”. Trenutno radi kao nezavisni režiser i stilista za nekoliko kompanija u Londonu i Milanu. Vil i točak je njen prvi kratki film. MARGHERITA PREMUROSO studied 2D animation and illustration at the Europen Institute of Design in Milan and animation 3D at Animation Mentor. She started working as concept designer and then director for Playstos, in 2005. At the moment she is a freelance Director and look developer for several companies in London and Milan. Will and the Wheel is her first short film. www.mykeystudios.com

ANIMANIMA takmičenje 5 / competition 5

POSEBNI PROGRAMI SPECIAL PROGRAMMES

Studio u gostima: SACREBLEU PRODUCTIONS A visiting studio: SACREBLEU PRODUCTIONS

Francuska France

Studio za filmsku produkciju „Sacrebleu Productions” osnovan je 1999. godine, a sa produkcijom kratkih igranih filmova započinje 2001, kada, između ostalih, nastaje i kratki film Plamen, autora Rona Dajensa. Od ovih početaka, studio je realizovao vi{e od četrdeset filmova, koji su učestvovali u vi{e od osam stotina selekcija na različitim francuskim i međunarodnim festivalima, uključujući i prestižne festivale kao {to su oni u Kanu, Brestu, Klermon-Feranu, Veneciji, [tutgartu, Hiro{imi, Sandens, i drugima. Na ovaj način Sacrebleu Productions studio se vrlo brzo na{ao kako u vodama nacionalne, tako i internacionalne produkcije, pri čemu je bez razlike ostao u istoj oblasti kreacije – kratkom filmu. Nakon svojih četrdeseet kratkih filmova, Sacrebleu Productions se sada okreće dugometražnom filmu, svojim prvim dugomeražnim dokumentarcem, filmom Slobodni radikali, autora Pipa Kodorova, a tu su i dva druga projekta koja su trenutno u fazi razvoja. Ostrvo laveža, film Ser`a Avedikijona u produkciji Sacrebleu Productions, na programu u zvaničnj konkurnciji festivala Animanima 2010, ove godine je ovenčan prestižnom nagradom u Kanu: pripala mu je „Zlatna palma” kao najboljem ostvarenju u konkurenciji kratkometražnog filma. Iz studija Sacrebleu Productions je i film mladog autora Bastijena Dibuaa, „Madagaskar, dnevnik jednog putovanja“, koji je na Animanimi 2009 dobio Veliku nagradu, „Zlatni {tift“. Specijalni program Sacrebleu Productions predstaviće gost Animanime 2010, RON DAJENS, producent.

Founded in 1999, Sacrebleu Productions began producing short fiction films in 2001, including the release of the short film The Flame by Ron Dyens. Since then, more than forty films were produced and were selected over eight hundred times in French and foreign festivals as prestigious as Cannes, Brest, Clermont-Ferrand, or Venise, Stuttgart, Hiroshima, Sundance, etc. Thus, Sacrebleu Productions was soon working on a national scale but also internationally, while remaining in its chosen field, the short film. Having produced forty short films, Sacrebleu Productions is now launching into features with its first feature-length documentary, Free Radicals by Pip Chodorov, and two other projects in development. The Barking Island, a film by Serge Avedikian produced by the Sacrebleu Productions, enters the official Animanima 2010 Festival compeition crowned with the prestigeous award of the Cannes Festival – the Golden Palm received for the Best Short Film. Another film arriving from the Sacrebleu Productions studio is the film by the young author Bastien Dubois, named Madagaskar, the Diary of a Journey, awarded with the Golden Peg at the Animanima 2009. The special programme of the Sacrebleu Productions will be presented by the Animanime 2010 guest, RON DYENS, producer. www.sacrebleuprod.com

KROAK - Retour aux ours (2008) Julie Rembauville, Nicolas Bianco Levin, 3:00

KROAK- Partie de pêche (2008) Julie Rembauville, Nicolas Bianco Levin, 3:00

ANIMANIMA posebni programi / special programmes

IMAGO (2004), Cedric Babouche, 12:00

KID LOCO (2008), Olivier Chabalier, 4:00

LA LOUP BLANC (2006), Pierre-Luc Granjon, 8:30

METOPOS (2006), Stephanie Machuret, 11:30

MADAGASCAR, CARNET DE VOAYAGE (2009), Bastien Dubois, 11:30

LA ROUTINE (2003), Cedric Babouche, 5:30

ANIMANIMA posebni programi / special programmes

Predavanje: ŠVEDSKA ANIMACIJA JUČE - DANAS - SUTRA Lecture: SWEDISH ANIMATION: PAST, PRESENT AND FUTURE

Dr. Midhat Ajanović Ajan [vedska / Sweden

Predsednik žirija festivala ANIMANIMA 2010, na{ ugledni gost iz Geteborga, Midhat Ajanović Ajan (vidi stranu 6), predavač istorije i teorije animacije na {vedskim filmskim {kolama (trenutno na University West u Trollhättanu), prateći vremensku transverzalu u svom predavanju predočava početke, istorijska kretanja i promene u razvoju filmske animacije u [vedskoj, sve do aktuelnog doba, predočavajući mogućnosti i perspektive. Akcenat u delu koji se odnosi na recentnu animatorsku scenu biće stavljen na stvarala{tvo autora Johanesa Niholma. Film ovog reditelja Priča o malom lutku prikazan je na pro{logodi{njem izdanju Animanime kada mu je i pripala nagrada za scenario, {to je bio samo produžetak jednog uzbudljivog pute{estvija ovog neizmerno duhovitog, gotovo otkačenog filma, po svetskim festivalima, o čemu svedoči i Niholmov nekada{nji profesor Midhat Ajanović u jednom svom tekstu: Zbog činjenice da sam Johannesa dobro poznavao nisam se začudio kada je njegov već prvi film, Lutak postao najnagrađivaniji {vedski animirani film svih vremena. Nema značajnijeg festivala u svijetu od Cannesa do Zagreba, od Fredrikstada do Annecya kojeg taj film nije “poharao”.

The President of the ANIMANIMA 2010 Festival jury, our respectabl guest from Goeteborg, Midhat Ajanović Ajan (see page 6), is a lecturer of the history and theory of animation at Swedish film schools (curretnly working at the West University in Trollhättanu). By allowing his lecture to follow the transverse timeline, he takes us through the beginnings, historic movements and changes in the evolution of the film animation in Sweden, all the way to the present, giving and insight of the future possibilities and perspectives. In the part that deals with the recent developments in the animation scene, the emphasis is palced on the creative opus of the author Johaness Niholm, who directed the The Tale of Little Puppetboy, a film awarded in the last year’s Animanima Festival for the scenario. The award received here was a mere continuation of the tour of the world’s festivals made by this immensly humorous, almost freaky film - to phrase it in the words of Niholm’s former professor Midhat Ajanović: Since it is a fact that I used to know Johannes so well, it came as no surprise that his very first film - the Puppet - became the most awarded animated Swedish film of all times. There is no major festivla around the glove, from Cannes to Zagreb, and from Fredrikstadt to Annecy that hasn’t been “robbed” of its awards by this film.

Victor Bergdahl: Captain Grogg is getting married (1917)

Johannes Nyholm: The Tale of Little Puppetboy (2008)

ANIMANIMA posebni programi / special programmes

RETROSPEKTIVA: ŽORŽ SIFIJANOS RETROSPECTIVE: GEORGE SIFIANOS Gost i član žirija ANIMANIME 2010, profesor ugledne pariske {kole ENSAD, Žorž SifIjanos, predstaviće se festivalskoj publici svojim animiranim ostvarenjima nastalim u periodu 1974-2007. Retrospektivu Sifijanosovih filmova videli su i posetioci festivala Animfest u Atini 2008. godine. Filmovi su mu prikazivani na filmskim festivalima {irom sveta, u Veneciji, Ansiju, Zagrebu, Montrealu, Melburnu, [tutgartu.

A guest and Member of the Jury of the ANIMANIMA 2010 festival, Professor at the respectable Parisian ENSAD, George Sifianos, will be presenting to the Festival audiences his opus of animation created in the period 1974-2007. A retrospective of Sifianis’ films was shown at the 2008 Animfest in Athens, and his films have been shown at numerous festivals worldwide, including the festivals in Venice, Annecy, Zagreb, Montreal, Melbourne, Stuttgart.

Program / Programme OSMEH / SMILE (1974, 2’) Ovo je moj filmski prvenac. Nastao je u uslovima cenzure, tokom diktatorskog režima u Grčkoj, u čijoj je pozadini stajala CIA. Zbog ovoga je film zami{ljen kao kritički prikaz „američkog načina života” iskazanog kroz konceptualne ambleme. Naracija se razvija kroz nagove{taje i naznake koji dobijaju pun smisao samo ako se posmatraju u kontekstu samog ostvarenja… This is my first movie. It was created under censorship conditions because of the dictatorship in Greece. As CIA was behind this dictatorship, the film was conceived as a critical commentary of the “American way of life” through some emblematic figures. It develops through hints, not always discernible out of the context of its creation…

MIRIS GRADA / SCENT OF CITY (Odeur de Ville, 1994, 8’30”) U velikom gradu, u jednoj sobi, živi žena čije je jdino dru{tvo njen mačak Bazil. Skučeni univerzum podjednako neprijateljski nastrojen i prema ženi i prema mačku, sa kojim se ona identifikuje. Opterećena bezizlazno{ću svoje situacije, žena jedino utoči{te nalazi u svetu ma{te, ukoliko joj čin očajne pobune ipak ne donese željeno izbavljenje. In a big city a woman lives alone in a room in the company of her cat Basil. This restricted universe is hostile to both her and the cat, with which she identifies herself, and, at the same time, oppresses her. Imagination will be her only means of escape, unless she manages to flee through a desperate act of rebellion.

ANIMANIMA posebni programi / special programmes

TUTU / TUTU (2001, 27’) Zajednička režija sa Paskalom Daleom (Pascal Dalet). TUTU, mali dečak čija je kosa pod{i{ana na kratko zbog va{i, živi u pariskoj ~etvrti. Dečaka maltretira njegova baka, koja ga i za najmanju sitnicu kažnjava zatvaranjem u plakar, gde on putuje kroz svet ma{te. Tutu je zaljubljen u Mémène, unuku debelog nastojnka zgrade i ne bira sredstva nastojeći da je zavede. Iako u tim nastojanjima jednoga dana gubi ruku, Tutu ne gubi nadu: u osakaćeni parljak posadiće seme, iz koga izrasta biljka, tako da ponovo dobija dve ruke. Uprkos tome, svi mu se podsmevaju, čak i Mémène. Poraženi Tutu napu{ta sve i odlazi na plažu, gde igrom slučaja spašava kupače od napada osa. Postaje junak dana, ali samo na kratko. Na{av{i se usamljen na obali mora, gubi kontrolu. Co-direction with Pascal Dalet. TUTU, a little boy with his hair cropped close because of lice, lives in a neighbourhood of Paris. Bullied by his grandmother, who shuts him in the closet for the merest trifle, he travels in his imagination. He loves Mémène, the granddaughter of the fat janitor, and does everything to seduce her, until he loses his hand. But TUTU is not discouraged, he sows a seed in the stump and a plant grows. He has two hands again. However, everyone makes fun of him, even Mémène. Disgusted, TUTU leaves and ends up on a beach. There, he saves the swimmers from an attack of wasps and becomes a hero. But this does not last. He finds himself alone near the sea. And then he bursts out. TO SAM JA / EGO (C’est môa, 2007, 12’) Ovaj film predstavlja animiranu koreografiju čija je tema žeđ za moći. U {irokim okvirima amblemske figure (manipulator - izmanipulisani) japanskog lutkarskog pozori{ta Bunraku, film razvija temu igre usmerene ka sticanju vlasti, u svim njenim varijacijama, nedoumicama i protivrečnostima. Radnja je podeljena na dva glumca i dve lutke, u svetu u kome je sukobljavanje način življenja, ako ne i razlog postojanja. This film is an animation choreography on the theme of the quest for power. Loosely based on the emblematic figure (manipulator - manipulated) of Japanese Bunraku puppet theater, the film develops the game of the quest for power in its variations, ambiguities, and contradictions. The action is shared out between two actors and two puppets, in a universe where duelling is a way of life, when it does not become a reason for being. 82

ANIMANIMA posebni programi / special programmes

Prezentacija: 3D ANIMACIJA, ALAT ZA ČUDA Presentation: 3D ANIMATION, THE WONDERTOOL Kada gledate filmove iz najnovije produkcije, da li se zamislite nad mogućnostima kompjuterske animacije, upitate li se dokle seže ma{ta autora, i gde je granica za kreatore softvera? Specijalni efekti i kompjuterski generisani likovi vode nas u svet opsena, alternativnu realnost. Svet 3D animacije ispituje na{a čula, jer, 3D animacija, to su alati za čuda! Koji se razvijaju neverovatnom brzinom i dok pričamo o budućnosti koja ima prizvuk SF priče, ona već postaje nova realnost. Foto-realnost. 3D animacija, {ta je to? Kakve su njene mogućnosti? 3D animacija danas i njene perspektive? Na ova i mnoga druga pitanja odgovoriće na{i prezenteri Mirko Radaković (CHIRON) i Slobodan Danilović (IMAGINATION STUDIOS). CHIRON je prva {kola u kontinentalnom delu Evrope koja je dobila sertifikat za obuku na programu Autodesk Maya. [kolovanje zasnovano na vi{egodi{njem iskustvu i znanju CHIRON-ovih stručnjaka koje su sticali radeći na filmovima Ratovi zvezda, K-19, Suvi{ni izve{taj, Znaci, Perl Harbor, i mnogim drugim uz mnogobrojna gostujuća predavanja profesionalaca iz 3D industrije. Dođite u CHIRON i ispitajte sopstvene kreativne mogućnosti kao i mogućnosti profesionalne karijere - krenite stopama nekada{njih uspe{nih studenata ove {kole koji sada rade u poznatim kompanijama {irom sveta od Novog Zelanda, preko Engleske do Amerike. Resavska 78, Beograd, +381 (0)11 3621-430, 3621-340, 0655-CHIRON, info@chiron.edu.rs, www.chiron.edu.rs

ANIMANIMA posebni programi / special programmes

When watching the latest-production films, do you ever contemplate the extent of the possibilities of computer animation, do you ever ask yourselves about the limits of the author’s imagination and the creative drive for the software designers? Special effects and the computergenerated characters take us to the world of illusions, the alternative reality. The 3D world puts our senses to a test, because the 3D animation is the wondertool! These are developed at an amazing speed so that, while we are talking about an SF-coloured future, this future has already become a reality. A photo reality, that is. 3D animation, just what is it? What possibilities does it possess? The 3D animation today and its perspectives? These, as well as numerous other questions, will be answered by our presenters, Mirko Radaković (CHIRON) and Slobodan Danilović (IMAGINATION STUDIOS). CHIRON is the first Continental-European school to have received certification for the training it organizes for the users of the ‘Autodesk Maya’ program. The education is based on the many years of experience and know-how of the CHIRON experts, gained during the engagements in films such as Star Wars, K-19, Minority Report, Signs, Perl Harbour Suvišni izveštaj, Znaci, Perl Harbor, and many others; in addition to this, there have been numerous visiting lectures by the professionals from the 3D industry. Visit us at CHIRON and check your own creative abilities, as well as the opportunities for a professional career – tread in the footsteps of the earlier generations of the successful students of this school, now employees of renowned companies all around the world, from New Zealand to Britain and America.

IMAGINATION studio se bavi ugovaranjem umetničkih projekata, i to najvi{e u oblasti umetničkih dodataka i animacije za industriju kompjuterskih i zabavnih igara. Ovaj Studio može da obavi bilo koji deo posla u procesu realizacije umetničkog projekta, od pred-produkcije, do konačne isporuke zavr{enog projekta, u obrađenom (render) obliku, ili direktnim unosom u kompjuter. Pored mnogih drugih usluga, „Imagination Studios” vr{i kompjutersko „snimanje” pokreta tela, lica, oka, ili kompletno snimanje pokreta, kakvo je naprimer potrebno u scenama sa vi{e glumaca. Kombinacijom brze realizacije i visokog kvaliteta izrade, IMAGINATION studio je uspeo da tokom svog petogodi{njeg rada obezbedi veliki broj raznovrsnih klijenata, a isto tako je imao i zadovoljstvo da učestvuje u nekim od najzanimljivijih produkcija tokom proteklih godina.

IMAGINATION STUDIOS is an Art Outsourcing studio that specializes in providing art assets and animation to the game and entertainment industry. From the preproduction to the final delivery in rendered movie or direct to engine, Imagination Studios can help with any stage of the art pipeline. Amongst many services, the studio provides motion capture of body, face, eye or full performance capture as needed with multiple actors. By combining fast deliveries with high quality and a hassle free process, IMAGINATION STUDIOS managed to secure in five years a wide range of clients and have had the privilege of being involved in some of the most exciting productions of the recent years.

Bul. Despota Stefana 39a, Beograd, +381 (0)11 3236-364, info@imaginationstudios.com, www.imaginationstudios.com

ANIMANIMA posebni programi / special programmes

DUGI METAR: NOĆI ANIME FEATURE FILMS: NIGHTS OF ANIMA

ANIMANIMA posebni programi / special programmes

NOĆI ANIME NIGHTS OF ANIMA Dru{tvo SAKURABANA (japanski, tre{njin cvet) osnovali su ljubitelji manga i anime izdanja na na{em kulturnom prostoru. Usled sve većeg interesovanja za ovaj oblik savremene japanske kulture, ideja o organizaciji koja bi okupljala ljude sličnih interesovanja bila je sledeći logičan korak. Sakurabana je konceptualno zami{ljena kao NVO koja mimo okupljanja fanova ima za cilj promovisanje i upoznavanje svih zainteresovanih sa japanskim stripom i crtanim filmom kao i pop kulturom Japana uop{te. Jedna od najznačajnijih delatnosti dru{tva SAKURABANA je i festival „Japanizam” (pod pokroviteljstvom ambasade Japana u Srbiji) osmi{ljen kao konvencija ljubitelja japanske popularne kulture. Izložbe, predavanja, tribine, radionice, projekcije i tradicionalni Cosplay, maskenbal inspirisan likovima iz anime / manga ostvarenja, učinili su vrlo privlačnom velikom broju poklonika ovu manifestaciju iz čijeg filmskog arhiva, ljubazno{ću predsednika SAKURABANE Bojana Vukadinovića, donosimo tri vanserijska anima ostvarenja. The SAKURABANA Society (Cherry blossom in Japanese) was founded by the fans of the mango and anima editions from our cultural zone. The increasing interest in this form of the contemporary Japanese culture has lead to a logical next step – the establishment of an organization that would bring together individuals sharing the same areas of interest. The concept of Sakurabana is that of an NGO which, apart from bringing together the fans, promotes and informs the public about the developments in the Japanese comic art and animation, as well the general pop culture of Japan. One of the most important activities of the SAKURABANA society is the ‘Japanism’ festival (supported by the Japanese Embassy in Serbia). The festival is a convention of fans interested in the popular Japanese culture. The exhibitions, lectures, debates, workshops, screenings and the traditional Cosplay costume party inspired by the characters from anima/mango, have made the festival popular with a wide audience. Owing to the kind understanding of the SAKURABANA president, Mr Bojan Vukadinović, we are able to present three outstanding anima creations from the society’s film archive. www.sacrebleuprod.com

Program / Programme LETNJI RATOVI / SUMMER WARS (2009) Hosoda Mamoru Kenji je srednjo{kolac i matematički genije koji preko leta radi kao honorarni kompjuterski tehničar za virtuelni svet Oz (zamislite „Fejsbuk” sme{ten nekoliko decenija u budućnosti). Zaplet počinje kada mu najpopularnija devojka u {koli ponudi letnji posao u okrilju njene rasko{ne porodične kuće. Krenuv{i na putovanje, ubrzo otkrivaju da se u mrežu sistema ubacio haker koji, preuzev{i kontrolu nad Ozom, preti da celokupnu civilizaciju surva u apsolutni haos. Hosoda Mamoru nastavlja priču na mestu na kome je zavr{ava Mijazaki Hajao, u filmu ispunjenom akcijom i emocijama, u kome se rasko{na tradicija i humor prepliću sa svetom jedne od najma{tovitijih kreacija ove sezone: blje{tavim svetom Oza. Virutelni zecoliki junaci suprotstavljaju se monstruoznim senkama u ovom ostvarenju, neospornom {ampionu festivala Anime 2010, na kome Japanska akademije dodeljuje svoje Godi{nje nagrade za animaciju. Kenji, a eleventh-grader math genius who works in the summer as a part time computer technician for the virtual world of Oz (imagine facebook a handful of decades in the future), is invited by the most popular girl at his high school to her expansive family’s home for a summer job. In the middle of their trip, a hacker infiltrates the network and takes control of Oz, plunging humanity into absolute chaos. Hosoda Mamoru continues where Miyazaki Hayao leaves off in this film loaded with action and emotion that combines beautiful tradition and humor with one of the season’s most imaginative creations: the luminous world of Oz. Virtual rabbit-like heroes take on monstrous shadows in this indisputable summit of anime. 2010 - Japan Academy Prize for Animation of the Year.

ANIMANIMA dugi metar / feature films

PRVI VOD: TRENUTAK ISTINE / FIRST SQUAD: THE MOMENT OF TRUTH (2009), Studio 4C Godina 1942. Crvena armija se žestoko bori, uspe{no odolevajući napadima nemačkih osvajača. Četrnaestogodi{nja Nađa je medijum. Tokom jednog od smrtonosnih napada bombardera, devojčica najpre gubi svest usled eksplozije a zatim, povrativ{i se, otkriva da je stekla novu sposobnost – sada je u stanju da predvidi „trenutke istine”, najkritičnije momente u predstojećem razvoju ratnih de{avanja, u kojima postupci pojedinca odlučuju o konačnom pobedniku celog rata. Nađina sposobnost je od vitalnog značaja za tajnu 6. Diviziju kontra-obave{tajne službe ruske Armije, koja vodi svoj skriveni rat protiv „Anenerbea”, okultne grupacije nemačkih SS trupa. Anenerbe iz sveta mrtvih priziva moćnog Princa tame, Barona fon Volfa, uz čiju pomoć očekuju da preokrenu tok istorije i ostvare svetsku dominaciju. Suprotstavljajući se Baronu, Nađa poziva u pomoć svoje stare prijatelje sa druge strane, Pionire Prvog voda. It is 1942. The Red Army is putting up a violent and effective resistance against the German invaders. 14 yearold Nadya is a medium. In a deadly air raid the girl is shellshocked. Recovering from her concussion, Nadya discovers her new gift – the ability to foresee the “Moments of Truth” the most critical moments of future combat encounters, in which one person’s actions will decide the outcome one way or the other. Nadya’s ability is indispensable for the classified 6th Division of the Russian Military Intelligence, which is waging a secret war against the “Ahnenerbe” – an occult order within the SS. The Ahnenerbe summons from the realm of the dead the powerful prince of darkness, Baron von Wolff. With him on their side they hope to change the course of history and achieve world domination. To oppose the Baron Nadya decides to enlist the support of her old friends from the beyond – the Pioneers of the First Squad.

ANIMANIMA dugi metar / feature films

STRANAC: MUKU HADAN / STRANGER: MUKOU HADAN (2007), Andou Masahiro Priča se odvija tokom Sengoku perioda. Samuraj – ronin po imenu Nana{i (čije ime u prevodu znači „bezimeni”) spa{ava dečaka Kotarua i njegovog psa Tobimarua, kod jednog napu{tenog hrama. Kotaru nema nikog od porodice i, budući da ga progoni tajanstvena ratnička banda iz Kine, odlučuje se da angažuje Nana{ija kao svog telohranitelja. Među Kotoruovim progoniteljima je i Raru, ume{ni plavooki i plavokosi ratnik. Raru se povinuje zapovestima starog Bjakurana. Iako je i sam pripadnik bande ratnika, on ne služi nijednom caru i uživa u borbama sa moćnim protivnicima. The story is set in the Sengoku period. A rounin called Nanashi (meaning “nameless”) saves a young boy Kotarou and his dog Tobimaru at an abandoned temple. Kotarou has no family, is pursued by a mysterious militia organization from China and hires Nanashi as his bodyguard. Amongst the men who pursue Kotarou is a man called Rarou, a very skilled warrior with blond hair and blue eyes. He obeys an old man called Byakuran and is a member of the Chinese militia. Unlike his companions in the militia, he isn’t serving any Emperor and just wants to fight with the strong.

POSEBNE PROJEKCIJE SPECIAL SCREENINGS

ANIMANIMA posebni programi / special programmes

ŠKOLA U GOSTIMA: ENSAD A VISITING SCHOOL: ENSAD Istorija ENSAD-a (Ecole Nationale Supérieure des Arts Décoratifs) seže u pro{lost od 1766. godine, do početaka Kraljevske {kole za slobodno crtanje, koja je osnovana sa ciljem da promovi{e različite umetničke ve{tine i na taj način unapredi kvalitet industrijskih proizvoda. Dana{nji studenti ove {kole imaju izbor od deset različitih oblasti specijalizacije, kao i post-diplomski istraživački program, tokom {kolovanja koje traje pet godina. Nastava u oblasti animacije, kao jedne od stručnih nastavnih oblasti, započinje 1966. godine. U početku, animacija se predavala na nivou uvoda u studije, a svoj dana{nji oblik Odsek za animaciju poprima 1995. godine, kada se od mene tražilo da istupim sa predlogom obuhvatnog nastavnog plana koji će studente dovesti do univerzitetske diplome. Ovajn zahtev bio je potkrepljen peticijom koju su sastavili studenti, u kojoj su zahtevali da [kola osnuje odsek koji će se baviti isključivo animacijom. Od tada, tim predavača je dodatno pojačan, a ito tako je i razvijen pun program studija. Na{ obrazovni cilj jeste da podstičemo kreativnost. [kola daje podstrek studentima u stvaranju novih formi u animaicji, ohrabrujući pristup koji se podjednako bazira na poznavanju istorije animacije kao i na predviđanju njenih budućih tendencija. Podstičemo ih da svoje lične projekte realizuju u kontekstu savremene realnosti i međunarodnog stvarala{tva. Početno preno{enje znanja postepeno ustupa mesto procedurama koje studentima omogućuju da preuzmu inicijativu. Profesori favorizuju ispitivački pristup, prepu{tajući inicijativu studentima. Svaki projekat se stvara i obikuje kroz debatu. Individualnost pristupa svakog pojedinačnog ostvarenja se ogleda – bar se tako nadamo – u raznovrsnosti izraza koja karakteri{e filmske {kole koje su od nas potekle. Program koji prikazujemo u Čačku obuhvata izbor filmova poteklih sa Odseka za animaciju Ensad-a, od njegovog nastanka do danas. Žorž Sifijanos septembar, 2010

ANIMANIMA posebne projekcije / special screenings

Francuska France ENSAD (Ecole Nationale Supérieure des Arts Décoratifs) dates back to 1766, when the Royal Free Drawing School was founded to promote skills related to the arts and enhance the quality of the products of industry. Today, the school offers a five-year curriculum of ten specializations and a post-graduate research programme. The teaching of animation - one of the ten areas of study - started in 1966, initially as a simple introduction to the subject. The animation department took its present form in 1995 when I was asked to propose a plan of study leading to a degree. This was seconded by a petition from a number of students requesting the establishment of a department dedicated to animation. Since then, the teaching team has been enriched and a full programme of study has been developed. Our educational objective is to stimulate creativity. Through a historical and forward-looking approach to the animation cinema, students are encouraged to invent new forms. They are encouraged to put their personal project in the context of current reality and international creation. Transmission of knowledge gradually gives way to procedures which enable students to take the initiative. The teaching staff encourages questioning, while leaving the initiative to the student. Each project is created and shaped through debate. The individual treatment of each project is reflected - we hope - in the diversity of expression of our school films. The program that we present in Cacak, includes a selection of films from the animation department of Ensad from its inception to the present. Georges Sifianos 09/2010

1. Marie Paccou / Jednog dana / One Day (Un jour, 4:00)

4. Sandra Desmazieres / Bez repa i glave / Without tail nor head (Sans queue ni tête, 6:30)

2. Vita Ivancha / Vita ae, f (3:30)

5. Jeanne Paturle / Zatvorenih očiju / Eyes shut (Les yeux fermés, 7:56)

3. Arthur DePins / Géraldine (8:50)

6. Mathilde Philippon–Aginski / Ascio (9:00)

ANIMANIMA posebne projekcije / special screenings

7. Etienne Chaillou / U{i nemaju kapke / Ears have no lids (Les oreilles n’ont pas de paupière, 8:00)

10. Payam Mofidi / Shâer Koshii (Poéticide, 11:00)

8. Romain Blanc-Tailleur, Damien Pelletier / Glong (7:11)

11.Pierre-Emmanuel Lyet / Parada / Parade (8:06)

9. Julie Rainous / Fouding Or Not Fouding (5:00)

ANIMANIMA posebne projekcije / special screenings

JEDAN POGLED NA BUGARSKU ANIMACIJU AN ACCOUNT OF THE BULGARIAN ANIMATION Tradicija bugarske animacije seže vi{e od pola veka unazad. Moderno doba otpočinje 60-ih godina, kada majstori animacije iz ove zemlje izlaze na svetsku scenu sa uspehom koji će kulminirati 80-ih godina. Izuzetna kratkomemetražna ostvarenja iz njihovih umetničkih radionica dobila su značajne nagrade i priznanja: „Ženidba“ Slava Bakalova i Rumena Petkova dobio je Zlatnu palmu u Kanu, 1984. godine, a „Smrvljeni svet“ Bojka Kaneva Kristal u Ansiju 1986. godine. Odsjaj slavnih dana bugarske animacije pojavio se i 90-ih godina kada je „Konzervafilm“ danas jednog od najuvaženijih bugarskih animatora, Zlatina Radeva, nominovan za nagradu Američke akademije za film u konkurenciji diplomskih filmova. Dve revije bugarskih animiranih filmova, u rasponu od 60-ih godina pro{log veka do početka 2000-tih od kojih je jedna kompilacija erotskih animiranih filmova koja je zagolicala ma{tu publici na mnogim svetskim festivalima, ANIMANIMA 2010 prikazuje u saradnji sa Bugarskim nacionalnim filmskim arhivom iz Sofije. The tradition of the Bulgarian animation dates back to more than half a century ago. Its modern era begins in 1960s, when the animation masters from this country start to appear at the world scene, continuing to build up their recognition to the climax of their success during 1980's. A number of short films from their artistic studios won prestigious recognition and awards: ”The Wedding” by Slave Bakalov and Rumen Petkov won the Golden Palm in Cannes in 1984, while the ”Crushed World” by Bojko Kanev was awarded the Crystal in Annecy in 1986. (An echo of the glorious days of the Bulgarian animation came about in 1990s, when ”Konzervafilm” – a work of one of the most famous Bulgarain animation artists of today, Zlatin Radev – was nominated for the award of the American Film Academy, in the category of graduation works). There will be two reviews of the Bulgarian animted films spanning the period from 1960s to the early 2000s (including a compliation of erotic films that tickled the imagination of the festival audiences all over the world), whcih will be presented by ANIMANIMA 2010 in collaboration with the Bulgarian National Film Archive in Sofia.

Program 01 / Programme 01

NAJBOLJE OD BUGARSKE ANIMACIJE THE BEST OF BULGARIAN ANIMATION 1. Bela rada / Daisy (Margaritka, 1965, 6:00) Režija / Director: Todor Dinov Zlikovac sa ba{tovanskim makazama. Bela rada. Nakon svih mogućih poku{aja da je uni{te, mala bela rada se ponovo uspravlja, sveža i nasmejana, ne propu{tajući da zadirkuje svoga neprijatelja. A onda se pojavljuje usamljena devojčica. A villain with gardener’s scissors. A white daisy. After every attempt to be destroyed, the little daisy straightens up fresh and smiling, and even teases its enemy in every possible way. And then a little girl comes alone. 2. Tri lude / The Three Fools (Trimata glupaci, 1970, 9:34) Režija / Director: Donyo Donev Prvi film iz omiljene bugarske animirane serije, ostvarenje koje je označilo rad Donja Doneva, i nakon koga su usledili vi{e nego uspe{ni nastavci. The first film from the favourite BG animation series. It became emblematic for Donyo Donev’s work and was followed by more than successful sequels. 3. Mudro selo / Clever Village (Umno selo, 1972, 10:00) Režija / Director: Donyo Donev Burna narodna priča o jednom selu i nevoljama koje ga zadese. A gat folklore story about the adversities that befell a village. 4. Horoskop / Horoscope (1974, 23:48) Režija / Director: Zdenka Doicheva 12 minijatura – 12 znakova Zodijaka. 12 miniatures – 12 signs of the Zodiac. 5. Hipoteza / Hypothesis (1976, 6:00) Režija / Director: Henri Kulev [ta je to moderna civilizacija? [ta je ljudski rod? What is the modern civilization? What is mankind? 6. Graktanje / Gaw (Ga, 1979, 5.00) Režija / Director: Stoyan Dukov Poj ptičjeg hora, koga iznendada prekida graktanje jednog gavrana. A birds’ chorus sings a song, but one raven interrupts the song by his caw. 7. Pastorala / Pastoral (Pastoral, 1980, 7:48) Režija / Director: Slav Bakalov

ANIMANIMA posebne projekcije / special screenings

8. Ku-ku! / Cuckoo! (1983, 3’) Režija / Director: Velislav Kazakov Ludnica kao i svaka druga: puna ludaka i njihovog uvrnutog, neobuzdanog kome{anja. Doktori zaključuju da je jedan od pacijenata sada izlečen. On dobija otpust, da potraži svoje mesto u monotonom svetu normalnih. A madhouse like any other: full of lunatics behaving in a weird, wild way. The doctors decide that one of the inmates has been cured. He is discharged and finds his place in the monotonous life of normal people. 9. Konzervfilm / Canfilm (Konservfilm1990, 3d, 18:00) Režija / Director: Zlatin Radev Alegorija modernog dru{tva. Možda i pretskazanje događaja koji će uslediti tokom devedesetih godina pro{log veka. Film je nomnovan za studentski Oskar 1991. godine. An allegory of the modern society. Maybe also a presentiment of the events to come in the 1990s. The film was nominated for Student Oscar, 1991.

ANIMANIMA posebne projekcije / special screenings

Program 02 / Programme 02

EROTSKA BUGARSKA ANIMACIJA EROTIC BULGARIAN ANIMATION

1. Đavo u crkvi / The Devil In the Church (Djavolat v cherkvata, 1969, 7:57) Režija / Director: Ivan Vesselinov Dekoltirana dama ulazi u crkvu, i crkveni kanon se preokreće naglavačke. A deep-bosomed woman enters the church and the canon goes upside down. 2. Tri lude i luckasat žena / The Three Fools and the Foolish Woman (Trimata glupaci i glupachkata, 1978, cartoon, 9:37) Režija / Director: Donyo Donev Mali film o velikoj ludosti, ili obrnuto. Small film about the great silliness or… vice-versa.

3. Brak / Marriage (Ženitba, 1984, 5:25) Režija / Director: Slav Bakalov Mladoženja, u svitanje svadbenog dana – sve na svetu asocira, izgleda i zvuči poput kopulacije. San ili java? Jedini bugarski film – dobitnik Zlatne palme u Kanu ’85. A groom at dawn of his marriage day – everything in world looks, feels and sounds like copulation. Is it a dream or a reality?The only Bulgarian film – winner of the Golden Palm in Cannes ’85.

ANIMANIMA posebne projekcije / special screenings

4. Libido / Libido (1988, 7:55) Režija / Director: Slav Bakalov Muva – mužjak je očajnički zaljubljena, ali predmet njenog obožavanja ostaje ravnodu{an. U susretu sa Zlatnom ribicom, muva – mužjak ima samo jednu želju – da poraste velika kao slon … A male fly is desperately in love but the object of its affection remains indifferent. When the Golden fish comes the male fly has only one wish – to be as big as an elephant… 5. Gorgona / The Gorgon (Gorgonata, 1993, 11:00) Režija / Director: Henri Kulev Izražajna i alegorijska igra mitolo{kih figura i parabola. An expressive and allegoric dance of mythological figures and parables.

6. SIDA / AIDS (SPIN, 1993, 6:26) Režija / Director: Henri Kulev Četiri minijature – upozorenje protiv opasnosti od AIDS-a. Four miniatures – a warning against the AIDS threat. 7. Jul / July (1999, 6:00) Režija / Director: Stoyan Dukov Vrelina. Devojke se kupaju u reci. Uzbudljiva ženska tela, starci i mladalačke čežnje. Heat. Young women are washing down the river. Enticing female bodies, old men and youthful yearnings. 8. Plavooki Mesec / The Blue Eyed Moon (Lunata sas sinite ochi, 2001, 9:00) Režija / Director: Pencho Kunchev Animirana adaptacija „Pesama o Bilitis” Pijera Luia. Okružena nimfama, satirima i senkama noći u Staroj Grčkoj, mlada devojka se upu{ta u neobičnu ljubavnu priču. Animated adaptation of the “Songs of Bilitis” by Pierre Louis. Among nymphs, satyrs and night shadows, a young girl in Ancient Greece, is involved in a strange love story.

9. Jomeo i Rulija / Jomeo and Ruliette (Žomeo i Rulieta, 2003, 2:00) Režija / Director: Stoyan Dukov Nova verzija popularne priče. A new version of the popular story.

3 ANIMANIMA posebne projekcije / special screenings

ANIMANIMA posebne projekcije / special screenings

TEKS EJVERI, MAJSTOR GEGA TEX AVERY, MASTER OF GAG Frederik Bin Ejveri, zvani „Teks”, rođen je 26. februara 1908. godine u Tejloru, u saveznoj američkoj državi Teksas. Animacija ga je privlačila jo{ od ranog doba, a u srednjoj {koli počinje da crta stripove. U isto vreme provodi letnji raspust kao učenik Umetničkog instituta u Čikagu. Početkom tridesetih godina pro{log veka, Ejveri se seli u Kaliforniju, gde počinje da se bavi animacijom profesionalno, radeći kao slikar za Voltera Lenca. Pod Lencovim okriljem, upoznaje se sa celokupnim procesom animacije i ubrzo se ističe kao scenarista. Godine 1935, Teks počinje da radi za Vorner Bros, gde stvara Gicu Prasića, Patka Daču i lik Du{ka Dugou{ka. Prema biografu Džou Adamsonu, tokom rada na crtanom filmu Divlji zec (1940), tražili su prikladnu frazu koju zec izgovara u trenutku kada mu Elmer Fad uperi pu{ku u lice. Tom prilikom je Teks bez razmi{ljanja rekao: „Kako bi zvučalo: [efe, koji ti je vrag?”. Teks je izraz „{efe” prethodno koristio u mnogim filmovima, ali je fraza sve do tada pro{la nezapaženo. Izraz „{efe” je bio u čestoj upotrebi među đacima srednje {kole „Nort Dalas”, koju je Teks pohađao. Tokom {est godina (1935-1941), Teks radi za Vorner, gde stvara animaciju koja se potpuno razlikuje od svih koji su poku{avali da imitiraju Diznija. Za razliku od Diznijevih, Ejverijevi crtani junaci imaju sopstveni karakter. Konačno, nakon razmimoilaženja sa Leonom Slezindžerom, Teks početkom 1941. godine napu{ta Vorner Bros. Kasnije, iste godine, Teksa angažuje filmska kuća MGM i producent Fred Kvimbi. Crtani filmovi koje Teks stvara u atmosferi nove kreativne slobode u ovom periodu svrstavaju se u najveća dostignuća u istoriji crtanog filma uop{te. Ejveri se ne posvećuje stvaranju trajnih likova – umesto toga, on usavr{ava slepstik gegove i komične situacije. Od svih likova koje je stvorio, najveću popularnost doživljava „Droopy”. Pored angažovanja u ulozi glavnog režisera, Teks pozajmljuje svoj glas raznim crtanim junacima, kao na primer Deda Mrazu u filmu Who Killed Who (1943), kao i svoj prepoznatljiv smeh budlogu u filmu Bad Luck Blackie (1949). Teks napu{ta MGM 1954. godine, u trenutku kada se studio sprema da prekine sa radom na kratkim filmovima. Ponovo radi za Voltera Lenca, gde stvara samo četiri filma i popularizuje lik pingvina Čili Vilija. Nakon ovoga, počinje da radi na TV reklamama i stvara, pored ostalih, i poznate reklame za „Raid Bug” sprej i „Frito Bandito”. Teks Ejveri je preminuo u avgustu 1980. godine, ostavljajući za sobom trajnu umetničku zaostav{tinu, crtane filmove koji će zabavljati i inspirisati mlade crtače novih generacija.

ANIMANIMA posebne projekcije / special screenings

Frederick Bean “Tex” Avery was born in 1908, February 26, in Taylor, Texas. He was interested in animation from an early age. He started drawing comic strips in high school, and spent a summer studying art at the Chicago Art Institute. Avery moved to California in the early thirties and entered the animation field as a painter for Walter Lantz. Under Lantz, he learned the entire animation process and soon became a storyboard artist. In 1935, Tex went to work at Warner Bros. where he created Porky Pig, Daffy Duck, and created the personality of Bugs Bunny. According to biographer Joe Adamson, when Tex was working on the cartoon A Wild Hare (1940) (which is the first official Bugs Bunny cartoon), they were looking for something for the rabbit to say when Elmer Fudd pointed his gun to the rabbit’s head, Tex, off of the top of his head, said, “How about ‘What’s up doc?’ “ He used “doc” on many of his other cartoons before this, but nobody seemed to notice. “Doc” was an expression used at North Dallas High School, which Tex attended, by many students. He was with Warner from 1935-1941. During this time, he created animation that was a far cry from all the Disney imitators out there. Unlike Disney, Tex Avery’s cartoons had their own personality. A disagreement with Leon Schlesinger led Tex to quit Warner in early 1941. Later that year, Tex was hired by MGM producer Fred Quimby. With new creative freedom, Tex created some of the best cartoons the world has ever seen. Tex did not concentrate on creating lasting characters, but on slapstick gags and humorous situations. Of all his characters, Droopy is the most popular. In addition to his role as supervising director, he also added his voice to several cartoons, for example playing Santa Claus in Who Killed Who? (1943) and lending his distinctive laugh to the bulldog in Bad Luck Blackie (1949). In 1954, Tex left MGM right before the studio stopped making theatrical shorts. He re-joined Walter Lantz to make only four cartoons, and making popular the Chilly Willy character. He then joined the world of TV commercials where the Raid bug spray ads and Frito Bandito where among his creations. Tex Avery died in August, 1980. He left behind a legacy of timeless cartoons that will entertain and influence young cartoonists for years to come.

Program / Programme Blitz Wolf (MGM, 1942) Catâ&#x20AC;&#x2122;s Meow (MGM, 1957) Cinderella Meets Fella (Waner Bross,1938) First Bad Man (MGM, 1955) The Cuckoo Clock (MGM, 1950) Hamateur Night (Waner Bross,1939) King Size Canary (MGM, 1947) Lucky Ducky (MGM, 1948) Millionair Droopy (MGM, 1956) Of Fox And Hounds (Waner Bross,1940) Red Hot Riding Hood (MGM, 1943) The Three Little Pups (MGM, 1953) Wild Hare (Waner Bross,1940)

Tex Avery (left), Studio Universal

ANIMANIMA posebne projekcije / special screenings

JEDNA BRAZILSKA PRIČA: MARSELO MARAO A STORY FROM BRAZIL: MARCELO MARÃO Gost ANIMANIME iz Brazila MARSELO MARAO diplomirao je na Likovnoj akademiji u Rio de Žaneiru. Do sada je režirao devet kratkih animiranih filmova, uključujući Cebolas São Azuis (1996), Chifre De Camaleão (2000), Engolervilha (2003), O Arroz Nunca Acaba (2005) i O Anão Que Virou Gigante (2008). Marao je autor animacije za televiziju i filmove, a bio je i prvi predsednik Brazilske asocijacije za animaciju, ABCA. Predaje animaciju kao profesor na Univerzitetu PUC. ANIMANIMA guest from Brazil, MARCELO MARÃO, graduated at the School of Fine Arts at Rio de Janeiro. He directed nine animated shorts, including Cebolas São Azuis (1996), Chifre De Camaleão (2000), Engolervilha (2003), O Arroz Nunca Acaba (2005) and O Anão Que Virou Gigante (2008). Marão does animation for TV and cinema. He was the first President of ABCA (Brazilian Animation Association) and teaches animation at PUC University. www. maraofilmes.com.br Program / Programme Kratki filmovi / Short Films: Kameleonov rog / Chameleon Horn (Chifre de camaleão, 2000, 6:00) Ženke kitova nisu monogamne / Female whales aren`t monogamous (Engolervilha, 2003, 8:00) Beskrajna raž / The neverending rice (O arroz nunca acaba, 2005, 8:00) Patuljak koji je postao džin / The dwarf that became a giant (O anão que virou gigante, 2008, 10:00) Razni naručeni radovi / Miscelaneous commissioned works: Bob's (TV advertising / 30 sec) ALERJ (TV institutional campaign / 30 sec) Conexão Professor (Institutional campaign / 01 min) TV XUXA (TV Program vignettes / 20 sec) BIC (TV advertising / 15 sec) FGV (FlipBook / 10 sec) ANIMA MUNDI International Animation Festival (Official 2006 vignette / 30sec) OI FM (TV advertising / 10 sec)

ANIMANIMA posebne projekcije / special screenings

100

PANORAMA PANORAMA

ANIMANIMA posebne projekcije / special screenings

101

1. ČOVEK KOJI JE SPAVAO / THE MAN WHO SLEPT Inés Sedan Francuska / France / 12:00/ 2009

2. NIŠTA NE TRAJE VJEČNO / KEEP GOING Darko Vučenik Hrvatska / Croatia / 1:49 / 2009

3. KATALENA: TA ALDOWSKA / KATALENA: TA ALDOWSKA Živa Mo{krič Slovenija / Slovenia / 5:24 / 2009

4. VREME ZA IGRU / PLAYTIME Steven Woloshen Kanada / Canada / 2:44 / 2009

5. FLIPNUTI U BEOGRADU / FLIPPING THROUGH BELGRADE Maya Yonesho Srbija / Serbia / 4:30 / 2009

6. TANTO TANTO / TANTO TANTO Sonja Rohleder Nemačka / Germany / 2:30 / 2010

7. ALJKAVI DŽO (najavna {pica) / SLOPPY JOE (opening title) Soyeon Kim SAD / USA / 0:30 / 2009

8. SVETIONIK / THE LIGHTHOUSE Velislava Gospodinova Bugarska / Bulgaria / 4:50 / 2009

9. ELIOTOV ZOOLOŠKI VRT / ELLIOT’S ZOO Dave Negdham Velika Britanija / Great Britain / 3:12 / 2009

102

ANIMANIMA panorama 1 / panorama 1

10. GOSPOĐICA IZUZETNA I NJENA KARIJERA / MIS REMARKABLE & HER CAREER Joanna Rubin Dranger [vedska / Sweden / 29:30 / 2010

11. MONOCIKL FILM / UNICYCLE FILM Thomas Hicks Velika Britanija / Great Britain / 5:50 / 2009

12. HONAINOVA CIPELA / HONAYN’S SHOE Mohamed Ghazala Egipat / Egypt / 3:30 / 2009

13. GUŠTER / LIZARD John Skibinski Australija / Australia / 2:36/ 2009

ANIMANIMA panorama 1 / panorama 1

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1. SPIN Max Hattler Francuska / France / 3:55 / 2010

2. ZATVOREN / CONTAINED Harry & Henry Zhuang Singapur / Singapore / 4:13 / 2010

3. BUBA I GLOBALNO ZAGREVANJE / BUBA AND THE GLOBAL WARMING Eduardo Nakamura / Brazil / Brazil / 1:00 / 2010

4. VEĆE LUDAKA / THE LUNATIC COUNCIL Arnaud Demuynck Francuska / France / 12:10 / 2009

5. B-1033 Paweł Kryszak Poljska / Poland / 5:00 / 2009

6. NADAHNUĆE / INSPIRAÇÃO Elodie Rivalan Francuska / France / 10:46 / 2009

7. ISTEZANJE / STRETCHING François Vogel Francuska / France / 4:30 / 2009

8. ŠTA SAD / NOW WHAT Rune Eriksson Norve{ka / Norway / 1:30/ 2010

09. VISENTA / VICENTA Sam Orti [panija / Spain / 23:00 / 2010

10. SCHWEPPES: SIZE Eriat Suresh Indija / India / 1:00 / 2010

11. ZAMISLI / GET THE PICTURE Avi Ofer Izrael / Israel / 5:53 / 2009

12. DEČAK-PTICA / BIRDBOY Pedro Rivero, Alberto Vázquez [panija / Spain / 12:00 / 2010

104

ANIMANIMA panorama 2 / panorama 2

1. MALI KVENTIN / LITTLE QUENTIN Albert Hooft, Paco Vink Holandija / Netherlands / 9:10 / 2010

2. ŠUMA / THE FOREST David Scharf Nemačka / Germany / 6:07 / 2009

3. ARHEO 29/ ARCHEO 29 Vladislav Knežević Hrvatska / Croatia / 9:30 / 2010

4. 12 GODINA / 12 YEARS Daniel Nocke Nemačka / Germany / 3:30 / 2010

5. SLUČAJ GINZU / GHINZU CASE L’Atelier Collectif Belgija / Belgium / 16:00/ 2010

6. POZNAJEM TE / I KNOW YOU Gudrun Krebitz Nemačka / Germany / 3:54 / 2009

7. AVION OD PAPIRA / PAPER PLANE Margherita Premuroso Italija / Italy / 1:08 / 2010

8. LATERARIUS Marina Rosset [vajcarska / Switzerland / 4:00 / 2010

09. ČETVOROOKI / SPECKY FOUR-EYES Jean-Claude Rozec Francuska / France / 9:00 / 2010

10. BLIZNAKINJE IZ ULICE SUMRAKA / THE TWIN GIRLS OF SUNSET STREET Marc Riba, Anna Solanas / [panija / Spain / 13:00 / 2010

11. OBLAČENJE / GETTING DRESSED Aico Kitamura Japan / Japan / 6:14 / 2010

12. MANI IH / NAH WITH’EM Vuk Spasojević SrbiJa / Serbia / 3:49 / 2009

ANIMANIMA panorama 3 / panorama 3

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1. SPOMENICI / MONUMENTS Iva Ćirić Srbija / Serbia / 3:45 / 2010

2. TIŠINA ISPOD KORE / THE SILENCE BENEATH THE BARK Joanna Lurie / Francuska / France / 11:08 / 2009

3. ŽILA KUCAVICA / LEBENSADER Angela Steffen Nemačka / Germany / 5:49 / 2009

4. NULA / ZERO Christopher Kezelos Australija / Australia / 12:32/ 2009

5. ŽENA SA JEZERA /THE LADY OF THE LAKE Mathilde Philippon-Aginski Francuska / France / 16:00 / 2010

6. NEOPHODNOSTI ŽIVOTA / THE NECESSITIES OF LIFE Gerald Guthrie SAD / USA / 5:02 / 2010

7. MODERNO / MODERN Mirai Mizue Japan / Japan / 6:40 / 2010

8. ČUDOTVORNO MLIJEKO / WONDERMILK Ivan Ramadan Bosna i Hercegovina / Bosnia and Herzegovina / 7:41 / 2010

09. ANA BLUM / ANNA BLUME Vessela Dantcheva Bugarska / Bulgaria / 9:02 / 2009

10. PINKI MALINKI / PINKY MALINKY Chris Garbutt Velika Britanija / Great Britain / 3:19 / 2009

11. LJULJAŠKE I MILKŠEJKOVI / SWINGS AND MILKSHAKES Eric Ricco, Fernando Mendes / Brazil / Brazil / 9:55 / 2010

12. NEMASCO Jean-Louis Bompoint Francuska / France / 6:14/ 2010

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ANIMANIMA panorama 4 / panorama 4

PRATEĆI PROGRAMI ADDITIONAL PROGRAMMES

ANIMANIMA posebni programi / special programmes

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PROMOCIJA KNJIGE & IZLOŽBA BOOK PROMOTION & EXHIBITION NOVOSADSKI STRIP Svetozara Obradovića Izdavač: Prometej, Novi Sad, 2008

COMIC ART SCENE OF NOVI SAD by Svetozar Obradović Publisher: Prometej, Novi Sad, 2008

Knjiga Svetozara Obradovića je vrsta antologije sa 42 autora koji su svojim poreklom ili profesionalno vezani za novosadsku strip scenu. Posle kratke biografije i bibliografije, svaki autor je predstavljen svojim crtežima ili scenarijima. Obradović o svojoj knjizi kaže: „Novosadski strip autori su se prvi put pojavili 1953. godine, ali se nisu dugo zadržali na strip sceni, jer strip izdava{tvo je u tim godinama bilo u povoju, te izdavači nisu mogli finansijski da izdrže dugotrajnije pojavljivanje svojih izdanja. To je, naravno, prouzrokovalo i nestanak autora čija su dela ostala da žive samo kod onih najvećih obožavalaca devete umetnosti. Prva ekspanzija strip autora iz Novog Sada ili novih koji su vezani za ovaj grad, započela je 1975. godine. Od tada, iz godine u godinu, oni su sve vi{e osvajali strip scenu biv{e Jugoslavije, da bi osamdesetih godina bez njih bilo nemoguće zamisliti bilo koje domaće strip izdanje. Sve je to trajalo do početka devedesetih kada je strip, zahvaljujući nesrećnim događanjima, gotovo nestao sa ovih prostora. Oni autori koji su ostali verni stripu potražili su uhlebljenje u mnogim zemljama Evrope i SAD, gde su postigli zapažene rezultate. Postoji izreka da „ono {to nije zapisano, nije se ni dogodilo”. Da se to ne bi dogodilo novosadskim autorima u oblasti devete umetnosti ukazala se potreba za pojavljivanjem ovakve knjige i postavkom izložbe koje će novosadski strip odvesti u nezaborav.”

Svetozar Obradović composed this book as a kind of anthjology comprising 42 authors connected to the Novi Sad scene, either through their background, or through professional engagement. After a brief biography and bibliography of each of the presented authors, there is a selection of their drawings or scenarios. Talking about his book, Obradović says: "The comic art authors of Novi Sad started to make their presence felt back in 1953. However, they did not stick it out in this early period, because the comic art scene was only started to get developed, unable to support the publishers with sufficient funds, to sustain a continuity of their publishing. This naturally caused an early disappearance of the authors from the first generation, who remain cherished by a small number of the mos fervent fans of the nineth art. The first expansion of the Novi Sad authors, including thiose whose work can be related to Novi Sad, started in 1975. From this year onwards, these authors managed to penetrate the comic book scene of the former Yugoslavia so that, by 1980s, it was virtually impossible to compose any national edition of comic art without these gifted authors. The hayday of the Novi Sad comic art persisted until the beginning of 1990s, when the unfortunate turmoils in the country practically obnliterated the comic art in the region. Many of the authors who remained active in the comic art emigrated tio Europe and United States, where they achieved remarkable success. There is a saying ‘What is not recorded, might as well never have happened’. The book presented here, accompanied by the exhibition of their work is an attempt to record the work of the Novi Sad artists and make it remembered in the years to come."

Zastupljeni autori / Authors included: Petar Aladžić, Neboj{a Bačić, Ozren Bačić, Aleksandar Botić, Slavka Bo{njaković, Stevan Brajdić, Milan Bukovac, Vladimir Bursać, Slavko Draginčić, Rastislav Durman, Goran \ukić, Miodrag Ivanović, Predrag Ivanović, Zoran Janjetov, Goran Jo{ić, Sa{a Jovanović, Branislav Kerac, Pavel Koza, Igor Lazarević, Marinko Lebović, Biljana Male{ević, Nikola Maslovara, Petar Meseldžija, Radič Mijatović, Zlatko Milenković, \orđe Milović, Miodrag Nedeljković, Vladimir Nedeljković, Hugo Nemet, Dejan Nenadov, Svetozar Obradović, Mladen Oljača, SIavko Pejak, Branko Plav{ić, Dejan Sedlan, Sibin Slavković, Franjo Straka, Dalibor Stupar, Svetozar Tomić, Dragana Vićanović, Du{an Vukojev. 108

ANIMANIMA prate}i program / additional programmes

KRAVA KOJA JE POJELA DETROIT, Zoran Janjetov

MIKA MUŠTIKLA, Radič Mijatović

CAT CLAW, Branislav Kerac

STONE-MAN, Goran Đukić

STORMY & ICEBERG, Sibin Slavković

ANIMANIMA prate}i program / additional programmes

109

ESMERALDA, Petar Meseldžija ELAZAR, Dejan Nenadov

DETEKTIV LAKONOGIĆ, Nikola Maslovara 110

BUDALIĆI, Aleksandar Botić

BUREAUCRACY, Mladen Oljača

ANIMANIMA prate}i program / additional programmes

Izložba / Exhibition PROZORI U NJIHOV SVET WINDOWS INTO THEIR WORLD Fotografije iz filmova takmičarskog programa ANIMANIME 2010 Photographies from the films participating in the competition programme of ANIMANIMA 2010 Mesto / Venue: Kafe „Žuta kuća” / Caffe “Yellow House” Projekcija / Screeening KREATIV-OVI KREATIVCI CREATIONS OF KREATIV Kratki filmovi sa festivala KREATIV 2010 u organizaciji Kulturnog centra LIFT iz Čačka Short films from the KREATIV 2010 festival organized by Cultural center LIFT, Čačak. Mesto / Venue: Kafe „Velvet” / Caffe “Velvet” Koncert / Concert Grupa REHAB (Kragujevac) Mesto / Venue: Kafe „Velvet” / Caffe “Velvet”

ANIMANIMA prate}i program / additional programmes

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INDEKS INDEX

F FEMALE WHALES AREN`T MONOGAMOUS (Ženke kitova nisu monogamne) FIRST BAD MAN (Prvi gadan tip) 98 FIRST SQUAD: THE MOMENT OF TRUTH (Prvi vod: Trenutak istine) 87 FLIPPING THROUGH BELGRADE (Flipnuti u Beogradu) 102 FOREST, THE (Šuma) 105 FOUDING OR NOT FOUDING 91 FURRY PALS, THE (Krzneni drugari) 54

NASLOVI / TITLES 12 YEARS (Dvanaest godina)

105

G GAW (Graktanje) 92 GÉRALDINE (Džeraldina) 90 GET THE PICTURE (Zamisli) 104 GETTING DRESSED (Oblačenje) 105 GHINZU CASE (Slučaj Ginzu) 105 GLONG 91 GORGON, THE (Gorgona) 95

A AIDS (SIDA) 95 ALLONS-Y! ALONZO! (Idemo! Alonso!) 18 ANGRY MAN (Gnevni čovek) 41 ANNA BLUME (Ana Blum) 106 APRES MOI (Posle mene) 23 ARCHEO 29 (Arheo 29) 105 ARIADNE’S THREAD (Arijadnino tkanje) 43 ASCIO 90 A STRAY COSMONAUT (Zalutali kosmonaut) 48 ATTACK OF SPACE MUTANT CHICKEN 63 (Napad svemirskog pileta-mutanta)

H HAMATEUR NIGHT 98 HONAYN’S SHOE (Honajnova cipela) HOROSCOPE (Horoskop) 92 HYPOTHESIS (Hipoteza) 92

B B-1033 104 BABIOLES (Babioli) 14 BARKING ISLAND (Ostrvo laveža) 70 BELLIES, THE (Stomaci) 12 BIRDBOY (Dečak-ptica) 104 BLITZ WOLF 98 BLUE EYED MOON, THE (Plavooki Mesec) 95 BUBA AND THE GLOBAL WARMING (Buba i globalno zagrevanje) C CANFILM (Konzervfilm) 93 CAT’S MEOW (Mačji mjauk) 98 CHAMELEON HORN (Kameleonov rog) 99 CINDERELLA MEETS FELLA (Pepeljuga upoznaje momka) CLEVER VILLAGE (Mudro selo) 92 CLOUDS, HANDS (Oblaci, ruke) 73 CONTAINED (Zatvoren) 104 CREATION MUSEUM: ARK (Muzej stvaranja: Arka) 53 CUCKOO! (Ku-ku!) 93 CUCKOO CLOCK, THE (Sat sa kukavicom) 98

112

I I’D RATHER BE WITH YOU (Radije bih bio s tobom) 50 I KNOW YOU (Poznajem te) 105 I LOVE YOU (Volim te) 44 IMAGO 79 IN A PIG’S EYE (U svinjinom oku) 38 INSPIRAÇÃO (Nadahnuće) 104 I WISH I WERE A MONSTER (Kad bih bio čudovište) 74 J JOMEO AND RULIETTE (Jomeo i Rulija) JULY (Jul) 95

K KATALENA: TA ALDOWSKA 102 KEEP GOING (Ništa ne traje vječno) 102 KID LOCO 79 KILL THE SURFERS (Ubijte surfere) 61 KINEMATOGRAPH, THE (Kinematograf) 36 KING SIZE CANARY (Džinovski kanarinac) 98 KLIK! 55 KROAK 78

D DAISY (Bela rada) 92 DANNY BOY (Dečko Deni) 72 DA VINCI TIME CODE, THE (DaVinčijev vremenski kod) 15 DEVIL IN THE CHURCH, THE (Đavo u crkvi) 94 DON’T GO (Ne idi) 21 DWARF THAT BECAME A GIANT, THE (Patuljak koji je postao džin) E EARS HAVE NO LIDS (Uši nemaju kapke) 91 EGO (To sam ja) 82 ELLIOT’S ZOO (Eliotov zoološki vrt) 102 ESTERHAZY (Esterhazi) 25 EYES SHUT (Zatvorenih očiju) 90

104

103

L LADY AND THE REAPER, THE (Gospođa i Smrt) 10 LADY OF THE LAKE, THE (Žena sa jezera) 106 LASER BEAK MAN (Laserbeak Man: Sviraj to ponovo, Sem) LASER BEAK MAN: THE CHICK MAGNET 62 (Laserbeak Man: Magnet za piliće) LATERARIUS 105 LEBENSADER (Žila kucavica) 106 LIBIDO (Libido) 95 LIGHT FORMS (Svetlosne forme) 39 LIGHTHOUSE, THE (Svetionik) 102 LITTLE BOY AND THE BEAST, THE (Dečak i zver) 71 LITTLE DRAGON, THE (Mali zmaj) 16

LITTLE QUENTIN (Mali Kventin) 105 LIZARD (Gušter) 103 LOGORAMA 20 LOVE & THEFT (Ljubav i krađa) 69 LUCKY DUCKY (Srećno pače) 98 LUNATIC COUNCIL, THE (Veće ludaka)

S SAVE THE TIGER: GAME 58 SCENT OF CITY (Miris grada) 81 SCHWEPPES: SIZE 104 SELF-PORTRAIT WITH WHITE CAT (Autoportret s mačkom) 27 SILENCE BENEATH THE BARK, THE (Tišina ispod kore) 106 SKELETON WOMAN, THE (Žena-kostur) 32 SLEEP (Spavanje) 24 SLOPPY JOE - opening title (Aljkavi Džo) 102 SMALLER ROOM, THE (Manja soba) 37 SMILE (Osmeh) 81 SOUR: TONE OF EVERYDAY (Sour: Ton svakodnevice) 57 SPACIOUS THOUGHTS (Prostrane misli) 64 SPECKY FOUR-EYES (Četvorooki) 105 SPIN (Okretanje) 104 SPLITTING THE ATOM (Podeliti atom) 52 STICKY ENDS (Grozni svršeci) 19 STRANGE INVENTION (Čudnovati izum) 65 STRANGER: MUKOU HADAN (Stranac: Muku Hadan) 87 STRETCHING (Istezanje) 104 STUDENT FILM FESTIVAL FSF 011 56 (Festival studentskog filma FSF 011) SUMMER WARS (Letnji ratovi) 86 SWINGS AND MILKSHAKES (Ljuljaške i milkšejkovi) 106

104

M MADAGASCAR, TRAVEL DIARY 79 MAN’S WORLD (Muškarčev svet) 68 MAN WHO SLEPT, THE (Čovek koji je spavao) 102 MARRIAGE (Brak) 94 METOPOS 79 MILK DOTS: REFRESH (Mlik dots: Osveženje) 51 MILK DOTS: GROWTH (Mlik dots: Rast) 51 MILK DOTS: BONES (Mlik dots: Kosti) 51 MILK DOTS: TEETH (Mlik dots: Zubi) 51 MILLHAVEN (Milhejvn) 13 MILLIONAIR DROOPY (Milioner Drupi) 98 MISS REMARKABLE & HER CAREER 103 (Gospođica Izuzetna i njena karijera) MODERN (Moderno) 106 MONSTRE SACRÉ (Sveto čudovište) 45 MONUMENTS (Spomenici) 106 MTS: Korporativni TVC 60 MTS: Mix tarifa 60 MUTANT MOMENTS (Trenuci mutanata) 31 MUZORAMA 26 MY WAY (Moj put) 34 N NAH WITH’EM (Mani ih) 105 NECESSITIES OF LIFE, THE (Neophodnosti života) 106 NEMASCO 106 NEVERENDING RICE, THE / (Beskrajna raž) 99 NIMBUS MACHINA (Nimbus mašina) 29 NO SLEEP WON’T KILL YOU (Spavanje ne ubija) 30 NOW WHAT (Šta sada) 104 O OF FOX AND HOUNDS (O lisici i psima) ONE DAY (Jednog dana) 90

U UNICYCLE FILM (Monocikl film) 103 USHA SEWING MACHINE TVC 58 V VARIETY (Varijete) 42 VASCO (Vasko) 67 VERNE ON VACATION (Vern na odmoru) 46 VICENTA (Visenta) 104 VIDEOGAME A LOOP EXPERIMENT (Video igra, eksperiment s petljom) VITA AE, F 90

P PAPER PLANE (Avion od papira) 105 PARADE (Parada) 91 PASTORAL (Pastorala) 92 POODLE (Pudla) 47 PINKY MALINKY (Pinki Malinki) 106 PIVOT (Preokret) 11 PLAYTIME (Vreme za igru) 102 SHÂER KOSHII 91 R RED-END AND THE SEEMINGLY SYMBYOTIC SOCIETY (Crvenoguzi i prividno složno društvo) RED HOT RIDING HOOD (Vrela Crvenkapa) 98 REULF 66 ROUTINE (Rutina) 79 RUBIKA 35

T TALE OF LITTLE PUPPPETBOY, THE (Priča o malom lutku) 80 TANTO TANTO 102 THREE FOOLS, THE (Tri lude) 92 THREE FOOLS AND THE FOOLISH WOMAN,THE (Tri lude i luckasta žena) 94 THREE LITTLE PUPS, THE (Tri mala šteneta) 98 TONGUELING, THE (Rad jezika) 33 TOUCH (Dodir) 40 TROLLEY BOY (Dečak s kolicima) 22 TUTU (Tutu) 82 TWIN GIRLS OF SUNSET STREET, THE (Bliznakinje iz Ulice sumraka) 105

W WHERE’S YOUR HEAD AT (Na čemu ti je glava) 59 WHITE WOLF, THE (Beli vuk) 79 WILD HARE (Divlji zec) 98 WILL AND THE WHEEL (Vil i točak) 75 WITHOUT TAIL NOR HEAD (Bez repa i glave) 90 WONDERMILK (Čudesno mleko) 106 Z ZBIGNIEV’S CUPBOARD (Zbignjevljev kredenac) ZERO (Nula) 106

113

AUTORI I REDITELJI / AUTHORS AND DIRECTORS A Alaux, François 20 Akaçik, Turgut 21 Alkabetz, Gil 15 Angel, Steve 51 Asbjoern, Rikke 54 Atelier Collectif, L’ 61, 105 Auersalo, Teemu 22 Avédikian, Serge 70 Avery, Tex 97 B Babouche, Cedric 79 Baginski, Tomek 36 Bakalov, Slav 92, 94, 95 Baudean, Claire 35 Bergh, Roelof van den 42 Bérgs, Andre 11 Bertóti, Attila 43 Bianco Levin, Nicolas 78 Bjelogrlić, Mirjana 27 Blanchard, Philippe 51 Blanc-Tailleur, Romain 91 Bompoint, Jean-Louis 106 Boom, Sarah, Van Der 32 Boucher, Paul Emile 23 Bozovic, Thomas 23 Branigan, Sean 51 Braun, Frank 24 Brehin, Elsa 26 C Cakó, Ferenc 40 Calamote, Raphaël 26 Carraro, Mauro 26 Cazaux, Maxime 26 Cerfon, Osman 19 Chabalier, Olivier 79 Chaillou, Etienne 91 Charruaud, Madeleine 23 Collet, Bruno 16 Crécy, Hervé de 20 Ć Ćirić, Iva 106 Ćorić, Igor 62 D Dantcheva, Vessela 106 Davaud, Emilien 26 De Forest, Bethany 28 Demuynck, Arnaud 104 DePins, Arthur 90 Desmazieres, Sandra 90 Dinov, Todor 92 Doicheva, Zdenka 92 Donev, Donyo 92, 94 Dranger, Joanna Rubin 103 Dubois, Bastien 79 Dukov, Stoyan 92, 95

114

E Eriksson, Rune

104

F Fibleuil, Dorianne 23 Flouw, Benjamin 23 Fluorescent Hill 64 Forest, Betani de 28 G Garbutt, Chris 106 Gentinetta, Claudius 24 Ghazala, Mohamed 103 Gospodinova, Velislava 102 Gracia, Javier Recio 10 Grammaticopoulos, Philippe 12 Gran, Tom 68 Granjon, Pierre-Luc 79 Grey, Julian 51 Groot, Bobby de 55 Guthrie, Gerald 106 H Habas, Ludovic 35 Hattler, Max 59, 104 Heidschötter, Uwe 71 Hemker, Tod 53 Hicks, Thomas 50, 103 Hooft, Albert 105 Houplain, Ludovic 20 Hykade, Andreas 69 I Ivancha, Vita

J Jakovljević, Aleksandar 60 Jović, Krunoslav 56 Junaković, Svjetlan 34 K Kawamura, Masashi 57 Kazakov, Velislav 93 Kerswell, Alan 31 Kezelos, Christopher 106 Killi, Anita 41 Kim, Soyeon 53, 102 King, Isaac 51 Kirkland, Hal 57 Kitamura, Aico 105 Knežević, Vladislav 105 Krebitz, Gudrun 105 Krebs, Mickaël 35 Krpan, Dino 65 Kryszak, Paweł 104 Kulas, Bartek 13 Kulev, Henri 92, 95 Kunchev, Pencho 95

L Laudenbach, Sébastian 67 Lazarevski, Marija Milanović 48 Legay, Julien 35 Leon, Cristobal 37 Lurie, Joanna 106 Lyet, Pierre-Emmanuel 91 M Ma, Chao 35 Machuret, Stephanie 79 Mamoru, Hosoda 86 Maráo, Marcelo 74, 99 Marc, Sylvain 46 Marsily, Noemi 47 Masahiro, Andou 87 Massi, Simone 73 Matray 14 Meerten, Arjan Van 55 Mendes, Fernando 106 Meštrović, Marko 30 Mizue, Mirai 106 Mofidi, Payam 91 Monneron, Laurent 26 Moškrič, Živa 102 Moulin-Dupré, Camille 18 N Nakamura, Eduardo 104 Nakamura, Magico 57 Nakamura, Masayoshi 57 Negdham, Dave 102 Neve, Sven 55 Nocke, Daniel 105 Norda, Robin 28 Nyholm, Johannes 80 O Obradović, Svetozar 108 O’Connor, Kathy 44 Ofer, Avi 104 Orti, Sam 104 Osinska, Magdalena 49 P Paccou, Marie 90 Parvulescu, Paul 51 Paturle, Jeanne 90 Pašić, Petar 60 Paterson, James 51 Pelletier, Damien 91 Plaete, Thomas 29 Plucinska, Izabela 25 Philippon-Aginski, Mathilde 90, 106 Popović, Veljko 34 Premuroso, Margherita 75, 105 R Radev, Zlatin 93 Rainous, Julie 91

Ramadan, Ivan 106 Rembauville, Julie 78 Riba, Marc 105 Ricco, Eric 106 Riciotti, Mickaël 23 Rivalan, Elodi 104 Rivero, Pedro 104 Robert, Antoine 23 Rohleder, Sonja 102 Roosens, Karl 47 Rosset, Marina 105 Rousseau, Florent 35 Roux, Caroline 35 Rozec, Jean-Claude 45, 105 S Salier, Eduard 52 Sansone, Donato 17 Santos, Dan 63 Scharf, David 105 Sedan, Inés 102 Sifianos, George 6, 81, 82 Skibinski, John 103 Skrobecki, Marek 72 Solanas, Anna 105 Spasojević, Vuk 105 Steffen, Angela 106 Studio 4C 87 Suresh, Eriat 58, 104 Sutherland, Malcolm 39 T Tillement, Axel 26 Tout Court 66 V Vaxelaire, Margaux 35 Vázquez, Alberto 104 Vesselinov, Ivan 34 Vink, Paco 105 Vogel, François 104 Vučenik, Darko 102 Vuorinen, Elli 33 W Wada, Atsushi 38 Weiland, Johannes 71 Wehrle, Nina 37 Woloshen, Steven 102 Y Yonesho, Maya

102

Z Zhuang, Harry 104 Zhuang, Henry 104 Zolotić, Aleksandar 56

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CIP - Katalogizacija u publikaciji Narodna biblioteka Srbije, Beograd 791 . 228 . 091 . 4 ( 497 . 11 ) “2010” ( 083 . 97 ) МЕЂУНАРОДНИ фестивал анимације Аниманима ( 2010 ; Чачак ) Me|unarodni festival animacije Animanima = International Animation Festival ŠAnimanima¹ , Srbija , â~ak , 17-20. novembar 2010. / Šurednik, editor Milen Alempijevi}¹ . - â~ak : Dom kulture = Cacak : Cultural Center , 2010 (â~ak : Grafi~ki centar) . - 116 str. : ilustr . : 22 x 22 cm Uporedo srp. tekst i engl. prevod. - Tira` 500. - Str. 4: Da li je budu}nost animirana / Milen Alempijevi}. - Registri. ISBN 978-86-911737-3-9 a) Me|unarodni festival animacije Animanima (2010 ; â~ak) COBISS . SR-ID 179263756