ADRIANNA HAMZELUE INTERIOR DESIGN PORTFOLIO 01
HERMITAGE
02
KIOSK
03
POINT / LINE / FRAME
04
PREFAB HOME + OFFICE
05
PAPER > PRINTER > PLUS
HERMITAGE T H E
S T U D Y
O F
SUBTRACTIVE DESIGN
In the exploration of subtractive design, a 10’L x 8’W x 9’H solid rectangle was given. A space had to be created that would allow the occupation of three body positions by subtracting mass from a solid form. This space was to be called a hermitage; it would be utilized by students to study, relax, and reflect. The project called for the hermitage to house at least three occupants at a time and for them to assume a unique body position, therefore allowing a person three different ways of interacting with the space. The final form of the hermitage was to be legible as a subtractive condition. In order to achieve an effective design, site analyses were conducted which aided in forming a concept and layout.
PROJECT 1 HERMITAGE
SITE ANALYSIS
FOOT TRAFFIC BODY POSITION NOISE INTENSITY
DESIGN PROCESS BODY POSITION STUDY
FOOT TRAFFIC
Sketches to invoke ideas about how body positions may occupy the hermitage.
In efforts to understand the overall space plan and how it functions with its occupants, an analysis of foot traffic was coducted to investigate the common path of travel.
AXON SECTION Demonstrates different body position options that the occupant can choose to experience while dwelling in the hermitage: sit / lie / stand.
NOISE INTENSITY There was little noise absorption due to hard surfaces in the space which resulted in much reverberation. The quietest location was at the center of the mezzanine level.
BODY POSITIONS The student union was typically used as a place for sleeping, studying, or walking/standing. This helped influence the design of the hermitage and how it would be commonly occupied. NWOD EIL
Lie
TIS
Sit
LIE DOWN SIT
SUBTRACTIVE MASS This design process included concepts about shapes that would be subtracted from the cube in order to carve out multiple dwelling locations.
STAND
DNATS
Stand
PROJECT 1 HERMITAGE
PLANS SECTION A
B
SECTION B Scale: 1/4” = 1’-0”
3
A
4
2
A
1
ADOBE WAY
N
SITE PLAN
ELEVATION 1
B
SECTION B
ELEVATION 2
ELEVATION 3
SECTION A Scale: 1/4” = 1’-0”
ELEVATION 4
PROJECT 1 HERMITAGE
PERSPECTIVE
PROJECT 1 HERMITAGE
PERSPECTIVE
PROJECT 1 HERMITAGE
MODELS
CONTOUR MODEL MASS MODEL
MASS MODEL Modeling Software: Sketchup & 123D Make Tools: Laser Cutter Stacked and Glued by Hand Medium: Cardboard Time of Fabrication: 7 hours
CONTOUR MODEL Hand Cut & Assembled Medium: Bass Wood This model emphasizes the linear aspects of the hermitage. It showcases the connection of edges and its complex interworkings. Time of Fabrication: 17 hours
PROJECT 1 HERMITAGE
KIOSK DESIGN URBAN GARDENING SOLUTIONS
OUTSIDE / IN
This project challenged a skill set for designing small spaces. A Kiosk that could not exceed dimensions 15’L x 15’ W x 15’H and should have the versatility of occupying indoor as well as outdoor spaces. In addition to designing the kiosk, branding and a logo were to be established. OUTSIDE / IN is a plant and flower kiosk, as well as an informational hub which provides innovative ways of bringing gardening life to city dwellers. Urban gardening gives people who reside in dense city areas to creatively recycle waste by planting in it, such as plastic bottles, old tires, and buckets. It also supports many environmental, social, and health benefits such as bringing communities together, adding green spaces to cities, and filtering air and rain water.
PROJECT 2 KIOSK
PARTI & VISION
DESIGN PROCESS HAND SKETCHING
3D SKETCHING
LAYERING This kiosk is intended to house living organisms so sufficient sunlight and airflow must be able to penetrate through the kiosk. Space between the horizontal wood slats allow for plants to receive proper flourishing agents.
HAND RENDERING
BUTTERFLY ROOF
Medium: black ink, colored pencil, & architectural markers Rendering by hand helped further develop the design by visualizing materials that would adorn the kiosk.
The butterfly roof is symbolic yet modern. It enhances the airflow and light penetration to the inside of the kiosk.
PROJECT 2 KIOSK
PLANS
SECTION A
3
12’- 1” B
SECTION scale: 1/2 = 1’-0”
2
12’- 3”
SECTION B 4
A
A
1
B
PLAN
”
ELEVATION 1
ELEVATION
ELEVATION
ELEVATION
scale: 1/2 = 1’-0”
scale: 1/2 = 1’-0”
scale: 1/2 = 1’-0”
ELEVATION 2
ELEVATION 3
ELEVATION 4
PROJECT 2 KIOSK
PERSPECTIVE
PROJECT 2 KIOSK
PERSPECTIVE
PROJECT 2 KIOSK
MODEL
MATERIAL REPRESENTATION Stained plywood: MDF covered in plastic laminate Clear Acrylic: Glass White Museum Board: Fiberglass Grey basswood rods: Metal structure poles
KIOSK MODEL Hand Cut & Assembled Medium: Plywood, museum board, acrylic, basswood, foamcore, spray paint, artificial moss & wood stain.
SCALE : 1/2” = 1’ -0” Time of Fabrication: 44 hours
PROJECT 2 KIOSK
P O IN T /L I NE / F RAM E T H E
S T U D Y
O F
TRANSLATING 2D TO 3D
This project captured the translation of 2-dimensional photography to 3-dimensional model fabrication. The project approach drew inspirations from French physiologist and photographer, Etienne-Jule Marey (1830-1904). To better understand progress and movement, he used a tool called a chronophotographer (pictured above on left), which was capable of snapping 12 consecutive frames per second. This allowed him to understand the human body and other living organisms. The human model occupied actions through dance. Photographed with a multi-shot setting on a digital camera, a series of sequential images was achieved, similar to Marey. Photoshop was used to lay out the dance progression in correct sequence. By lowering the opacity, it allowed the movement to overlap, as well as providing direction for the overall form of the 3D translation.
PROJECT 3
POINT / LINE
TRANSLATION PLANS
MODEL FABRICATION PROCESS
Planned out the transposition from 2D photogrpahy to 3D modeling by tracing the dancer’s movement.
Medium: Basswood Hand cut & Assembled Representing her hips with the thickest dowel, it acted as the spine for the model for which other portions of thinner dowels branched off of. Time of Fabrication: 12 hours.
PROCESS Using different colored markers, I symbolize the hierarchies of body as well as modes of pressure and weight distribution throughout the action.
LINE WEIGHTS Utilizing different line weights, the movement of the physical model was conceptualized. Her hips remained constant and her arms and legs provided most of the movement.
PROJECT 3
POINT / LINE
PREFAB HOME HOME & OFFICE
MODULAR EICHLER This 1,500 square foot prefabricated home and office was designed for clients
Angelina
Hernandez
and
Brenden Perez. Both clients needed a home that accommodates their workfrom-home lifestyle, as well as their many hobbies and pastimes. Modular housing fits Brendan’s and Angelina’s values and lifestyle requirements. Prefabs are commonly constructed with open floor plans, rapid assembly time, energy efficiency, and the ability to move or alter at any time.
A
B
C
D
E
KEY
MODULAR MODULAR length 47’ - 0” CONNECTION width 11’ - 6” A
TheMODULAR home is built in a length 47’ - 0” fabrication width 11’ - 0” warehouse. MODULAR Chunks of the home must be length 27 - 4” width 11’ - 8” shipped to the site within the MODULAR length 47’ - 0” of the shipping constraints width 10’ - 0” containers (50’ x 12’). The MODULAR length 47’ - 0” prefab are then width 9’components - 1--0” connected on the site. B
C
D
E
FEATURES This 2 bedroom 2 1/2 bath ranch home includes a 500 square foot office, radiant floor heating, roof-top solar panels, and recycled materials and finishes. The shading system on the perimeter of the house eliminates the use of indoor curtains which accumulates dust over time. The open floor plan encourages maximized airflow and decreases stagnant air. The use of hard flooring reduces allergens and mold.
PROJECT 4 PREFAB
PLANS
FLOOR PLAN
REF
11
13
12
A
A
10
47’- 10”
The site location for the prefab home is located at 55 Adobe Way, Petaluma, California. The parcel of land for which the Eichler was built upon is 7,000 square feet.
18
DW
SITE PLAN
1. residential entry 2. client entry 3. client carport 4. 1-car garage 5. atrium 1. Residential Entry 2. Client Entry 6. office 3. Client Carport 4. 1-Car Garage 7. 1/2 bathroom 5. Atrium 6. Office 8. conference 7. Office 1/2 Bath Conference 9. work/flex8.9.space Workspace/Flex 10. Living 10. living 11. Dining 12. Kitchen 11. dining 13. Master/Bath 14. Guestroom 12. kitchen 15. Bathroom 16. Hall 17. Washer/Dryer 13. master bath 18. Patio 14. guest room 15. bathroom 16. hall 17. laundry closet 18. patio
54’-0”
16
5
14
15
7
1
17
2
1
6 3
2
4
9 8
1
SECTION A
ADOBE WAY
N
ELEVATION 1
ELEVATION 2 0
2
4
8
PROJECT 4 PREFAB
FINISHES & FURNITURE
OFFICE PERSPECTIVE PROCESS OFFICE
Office
Master Bath Master Bath bathroom bathroom tile tile parisian white parisian tile white tile
House Flooring House Flooring Sanblasted Sanblasted concrete concrete tile tile
Office Bath Office Bath accent tile accent tile
Office
MASTER BATH
rose ash blend rose ash blend
Master Bath Master Bath accent tile accent tile
Office Bath Office Bath countertops countertops
olive ceramic olivetileceramic tile
Hand rendering was mapped out in red pencil and finalized with black ink. The final rendering is composed of architectural markers, color pencils, black ink and photoshop.
jicama satin jicama satin
cordota satin cordota satin
Outdoor Outdoor OUTDOOR
meander saffron meander saffron
Office Flooring Office Flooring hardrockhardrock maple maple matte finish matte finish
Kitchen Kitchen CabinetsCabinets
Coutertops Coutertops
light ash specked light ashgranite specked granite
knoll spencer
knoll spencer
Accent Color
philadelphiaphiladelphia cherry wood cherry wood
Accent Color
smooth rocks
horizontalhorizontal panel fence panel fence
dark maple dark maple
Exposed Beam
Exposed Beam
KITCHEN
Patio Deck Patio Deck smooth rocks
Maplewood Maplewood
Master Bath
Master Bath
Master Bath Master Bath counter counter tops tops
Office Window Office Window PartitionPartition
FURNITURE Brise Soleil - Wood panels
Knoll - Jamaica stool
Herman Miller - Tuxedo Sofa Jacobsen Egg chair DW
REF
Herman Miller - Noguchi coffee table
IKEA - Malm queen bed
IKEA - Expedit
Bo Concept - Elba outdoor lounge chairs and side table
Knoll - Saarinen side table
Herman Miller - Eames molded plastic
Watson Desking - Seven universal
Prepac Elite - Garage storage systems
PROJECT 4 PREFAB
PERSPECTIVE
PROJECT 4 PREFAB
PAPER PRINTER PLUS THE STUDY OF
D I G I TA L M O D E L FA B R I C AT I O N
hethe on dTsed to to T d of e cracks that that formform on the hen in the cracks on the nmaterials then are exposed to to When materials are exposed y of riety of or colod, & deprived of e, hot or cold, & deprived of an. eain. & rigid. The The tension then This brittle & rigid. tension then ards sds creates a wide variety of of that ocess creates a wide variety he exterior of the terrian. ss the exterior of the terrain. This ature ature.
ploresthe thetriangular triangularshards shards plores that seclimate climatebonds bonds with with nature nature.
TT
Paper > Printer > Plus is a project consisting of three parts. Working in teams of two, three products were designed to be placed in a Hotel. PAPER is wallpaper, PRINTER is 3D printed light fixture, and PLUS is 3D printed tiles. Inspiration was based on geologic formations across the earth’s terrain. When materials are exposed
the panels took inspiration anels took inspiration ne Pavilion. Panels are from either on. Panels either solid with to are provide different on glass rovide different degrees of rom ght penetration. either
results in a fissure. This process creates a wide variety of shapes and patterns across the exterior terrain. These wallpaper designs explores the triangular and polygonal shards that produce when intense climate Scanned by CamScanner
olid erent s of
to extreme temperature, hot or cold, and deprived of moisture, it becomes brittle and rigid. The tension
bonds with nature.
Scanned by CamScanner
Scanned by CamScanner
DEVELOPMENT
PROJECT 5 P > P > P
PAPER PROCESS Using an image of cracked dirt (a) a vector graphic was created in illustrator (b). Organic earth tones were explored which was inspired by the multiple parallel layers of sedimentary deposition that naturally form over time on earth’s rocky terrain (c).
WALLPAPER ONE
S T R AT U M
PAPER CREVASÉ
WALLPAPER TWO
PROCESS Similar to the methods used in illustrator for Stratum, this wallpaper was inspired by ice cracks and ice caves. The middle of the wallpaper draws you in.
a
b
c
PROJECT 5 P > P > P
PRINTER
MODEL
LIGHT FIXTURE
3D printed by Shapeways. com. Digitally modeled in MODO and printed with white nylon.
CRACKLE
SUPPORTS
Using the same geologic formations as the wallpaper,
Leg of fixture which gently elevates the cube off the surface it rests upon.
a light fixture was designed. It was then 3D printed out of white nylon. We considered mutilple types of lighting options with a single design by manipulating scale. Optical effects were created which projected polygon shapes and crackled patterns onto the walls of the rooms which housed them. The fixture’s function was to create ambient lighting in versatile settings such as hotel rooms or lobby by either resting upon a table top Scanned by CamScanner
or hanging boldly over a reception desk.
Scanned by CamScanner
FIXTURE PLAN & ELEVATION SCALE The 3D model was scaled down and printed as 4” x 4” x 4”.
North
West
N
0 0 0
1’
3’
1’
3’
1’
3’
6’
6’
6’
PERSPECTIVES
AN
ELEVATIONS
PROJECT 5 P > P > P
PLUS
TILE ELEVATIONS
TILE TESSELLATION
PANGEA The “PLUS” portion of this project focused on designing
AGGREGATED TILES
and fabricating a tessellated tile assembly using a Resin 3D printer. The tessellation took on surface texture that is derivative of the first two products. Tessellations that create different textures and patterns were first Scanned by CamScanner researched. Next, 3 unique tiles that work well together to make a unified, yet varied 10’ x 30’ wall was made. Pangea is a non-standard tessellation meaning no two tiles and connections are the same but fit together like a puzzle. Inspiration was taken from the geological supercontinent Pangea, which once was all of the earth’s continental blocks formed into a single landmass. The different crevasses vary across the surface of the tiles which mimic giant cracks that are illuminated by the backlit wall they rest upon.
TILE PERSPECTIVE
WALL ELEVATION
Scanne
d by Ca
mScann
er
Scanned by CamScanner
PROJECT 5 P > P > P
PERSPECTIVES
MODELS 3 tiles were 3D printed using a formlabs 3d printer and clear light-sensitive resin. Each tile took roughly 8 hours to print with an additional 2 hours of cleaning, sanding, and applying finish for a total of 26 hours of fabrication.
PROJECT 5 P > P > P