2017 Holiday 'Limelight' Newsletter by Actors Theatre of Louisville

LIMELIGHT

NOVEMBER–DECEMBER 2 017

SKELETON CREW PAGE 4

FIFTH THIRD BANK’S A CHRISTMAS CAROL PAGE 8

THE SANTALAND DIARIES PAGE 9

IN THIS ISSUE

SKELETON CREW

PAGE 8

PAGE 4

ON THE LINE 4 In Skeleton Crew, acclaimed playwright Dominique Morisseau offers an intimate glimpse into the lives of auto workers in her hometown of Detroit. Learn more about Actors Theatre’s fall production of this riveting, timely drama.

CHRISTMAS AT ACTORS THEATRE 8

FIFTH THIRD BANK’S A CHRISTMAS CAROL AND THE SANTALAND DIARIES Actors Theatre invites you to get into the holiday spirit with two very different Christmas classics.

HOME FOR THE HOLIDAYS This year, the talented cast of A Christmas Carol features several former Professional Training Company members. Read about the recent alumni returning to Louisville this winter.

A FAMILIAR FACE RETURNS Actors Theatre welcomes back Nathan Keepers as the beleaguered Crumpet the Elf in David Sedaris’s The Santaland Diaries.

12 ARE YOU FEELING NAUGHTY OR NICE? Learn more about what to expect from your holiday visit to Actors Theatre, both onstage and off.

AROUND ACTORS THE COMMUNITY CONVERSATION 14

Read about how the Angels in America Community Conversation event explored important topics in Louisville’s cultural landscape, relating to themes in the production.

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16 ACTORS THEATRE EVENTS CALENDAR Don’t miss a thing this season with our events calendar.

Front Cover: Angels in America, Part Two: Perestroika opening night party, 2017. Photo by Justin Philalack.

HAPPY HOLIDAYS FROM ACTORS THEATRE! VOLUME 17, ISSUE 2 MANAGING EDITOR Laura Humble SENIOR EDITORS/WRITERS Hannah Rae Montgomery Jenni Page-White Jessica Reese Amy Wegener GRAPHIC DESIGNER Mary Kate Zihar CONTRIBUTING WRITERS Melissa Hines CONTRIBUTING PHOTOGRAPHERS Bill Brymer Thomas Hawk Melissa Hines Justin Philalack Richard Tyler Rowley John Sodrel

316 West Main Street Louisville, KY 40202-4218 ARTISTIC DIRECTOR Les Waters MANAGING DIRECTOR Kevin E. Moore TICKET SERVICES CALL 502.584.1205 OR 1.800.4ATL.TIX ONLINE Ac torsTheatre.org GROUP SALES 502.585.1210

We’re pleased to say we had a wonderful fall and a wildly successful opening of our 2017-2018 Season, thanks to you! Our production of Angels in America garnered critical acclaim for its stunning stagecraft and powerhouse cast, as it took audiences through the experience of living and dying in 1980s America. Arts-Louisville wrote, “Actors Theatre has staged a beautiful and harrowing production…that needs to be seen by everyone.” Meanwhile, Fifth Third Bank’s Dracula lived up to its reputation as a Louisville cult classic as it took us into the Halloween season. Given the return of the talented Randolph Curtis Rand as the titular character, as well as the much-lauded introduction of local actor Neill Robertson as Renfield, it’s no wonder LEO Weekly said this production was “not to be missed.” We look forward to delivering the same caliber of theatre to you as the season progresses. Opening in November is Dominique Morisseau’s Skeleton Crew, a compelling look at blue-collar Detroit during the onset of the Great Recession. Skeleton Crew explores the lives of three auto workers, Faye, Dez and Shanita, along with their foreman, as they grapple with tough decisions amid rumors that their factory is closing down. Punctuated with gritty humor and featuring hip-hop choreography from local artist Safiyyah Rasool, this production of Skeleton Crew is sure to immerse you in Morisseau’s world and provide you with a captivating night of theatre. After you’ve seen Skeleton Crew, be sure to come back for Louisville’s favorite holiday tradition, Fifth Third Bank’s A Christmas Carol! Be a part of the beloved holiday classic that has been entertaining Actors Theatre audiences for over four decades. Charles Dickens’s heartwarming tale will delight theatre lovers of all ages. But perhaps you prefer your eggnog spiked. If so, we are happy to present a new addition to our holiday lineup: The Santaland Diaries. Directed by Associate Artistic Director Meredith McDonough and starring Nathan Keepers (Peter and the Starcatcher), The Santaland Diaries is a delightfully irreverent holiday tale based on the essay by David Sedaris and adapted for the stage by Joe Mantello. For anyone who thinks you may be on Santa’s naughty list, this one’s for you! During the holidays, we like to take a moment to reflect on our gratitude to you, our loyal supporters. Your generosity through your ticket purchases and donations enables us to make high-quality theatre that both challenges and entertains. It’s a testament to your character that you’re strong allies in bringing these vitally important works of art to the community year after year. We could not do it without you. Please keep us in mind as you make your holiday shopping lists, and remember that giving the gift of live theatre creates lasting memories for friends and loved ones. Season Ticket Packages and Gift Certificates are still available for the 2017-2018 Season and can be purchased online at ActorsTheatre.org or through our Box Office by calling 502.584.1205. We wish you the happiest of holidays!

FAX 502.561.3337 STOP BY the Box Office at Third & Main. Free shor t-term parking jus t inside the Main Street entrance.

Les Waters

Artistic Director

Kevin E. Moore

Managing Director

SK E LETON CREW by Dominique Morisseau

directed by Steve H. Broadnax III

N O V . 1 4 – D E C . 1 0 , 2 0 1 7

ON THE LINE Years of working together—and putting up with each other—have turned Faye, Dez and Shanita into a family. On the clock, they operate enormous presses at one of the last stamping plants in Detroit, shaping sheet metal into thousands of car parts each day. Off the clock, the trio heads to the breakroom, where they swap goodnatured insults, share gossip and bicker with their foreman, Reggie. But the rhythms of their work and their relationships are starting to be disrupted—rumors are flying about the plant’s closure, and it’s hard to shake the sense that a recession is coming. As Skeleton Crew unfolds, what will happen to their makeshift family? (Continued on next page)

Playwright Dominique Morisseau is deeply familiar with the dilemmas her characters face in Skeleton Crew. A Detroit native, she has relatives and friends who worked in the auto industry or were otherwise impacted by the Great Recession, when layoffs and foreclosures surged, and Chrysler and General Motors pursued a bailout from the federal government. In writing Skeleton Crew, she sought to bring their stories and the voices of other black working-class people to the stage. “Everyone needs to see themselves [onstage],” Morisseau has said. “We have to make space.” Committed to authentically depicting life at a stamping plant, she threw herself into research and interviewed dozens of local auto workers, managers and labor activists. Equally important was capturing her hometown’s strength, in addition to its struggles, and so Skeleton Crew transcends grim clichés about Detroit’s decline, revealing the warmth, humor and resilience of the people behind the headlines.

Playwright Dominique Morisseau

The plant’s potential shutdown leaves everyone wrestling with an uncertain future. Faye, the group’s steely matriarch, has survived layoffs, strikes and even cancer, and now she’s mere months away from qualifying for full retirement benefits. Will the plant stay open that long? In the meantime, Shanita, who comes from a family of auto workers, continues to take immense pride in what she does. She vows to stay on the press line until she’s too far along in her pregnancy to work, but maybe she should take the lower-paying job she’s been offered elsewhere, just for the security. For Dez, the plant is mostly a means to an end; he’s saving up to open his own garage. Being laid off, however, would be a major financial setback that could spell the end of his plans. Meanwhile, Reggie finds himself caught between the cost-cutting demands of higher-ups and his loyalty to his team—standing up for them puts his own job at risk.

Actors Theatre’s production of Skeleton Crew will be staged in the Bingham Theatre, giving audiences an especially intimate look at the ups and downs of daily life at a stamping plant. Morisseau concentrates most of the action of the play in the breakroom, focusing on the human side of the auto industry. However, the rest of the plant and its massive presses are also ever present; throughout the play, the movement of machinery and the rhythms of work invade the theatre, via the performances of a trio of dancers who join the four-person cast. Bringing the world of the plant to the Bingham stage is director Steve H. Broadnax III, who’s making his Actors Theatre debut. Among other credits, Broadnax frequently directs Morisseau’s work across the country and was on the creative team for Skeleton Crew’s world-premiere production, which opened in January 2016. Since then, Skeleton Crew has become one of the most produced plays in the country. It’s the third play in Morisseau’s acclaimed Detroit Project, following Detroit ’67 and Paradise Blue. This trilogy was inspired in part by August Wilson’s Century Cycle, a series of ten plays that are primarily set in Wilson’s hometown of Pittsburgh. In an interview earlier this year, Morisseau explained the connection: “What [Wilson did] for Pittsburgh—what the people of Pittsburgh must feel like when they read his work—I want to do that for my city. I want the people of

I want the people of my city to feel that they have been immortalized in art, that there’s someone who sees them and recognizes them and loves them enough to scribe them.

DOMINIQUE MORISSEAU’S DETROIT

—Dominique Morisseau my city to feel that they have been immortalized in art, that there’s someone who sees them and recognizes them and loves them enough to scribe them.” In the Skeleton Crew script, Morisseau dedicates the play not only to the auto workers and loved ones who inspired it, but also to everyone who looked at her hometown during the Great Recession and said, “Let Detroit go bankrupt.” With both groups in mind, she offers an insightful, compassionate portrait of working-class America, inviting audiences to bear witness to how seismic economic shifts play out in everyday life. In many ways, the country has moved on post-recession. For some, however, the future is as uncertain as ever, and Morisseau’s examination of the changing cost of getting by continues to resonate. Achieving the American Dream has always required some degree of sacrifice. But for Faye, Dez, Shanita and Reggie, what happens when everything is on the line? —Jessica Reese

Production Sponsor:

A worker at the Ford River Rouge Complex in Dearborn, Michigan. Photo by Thomas Hawk, via Flickr. Licensed under CC BY-NC 2.0.

In an interview earlier this year, playwright Dominique Morisseau reflected on her connection to Detroit and why the city inspires her: My whole entire family lives in Detroit. I mean, aunts, uncles, grandparents, my husband’s family, in-laws, cousins, everybody. I have a family of 300 in Detroit. So when I hear negative press about the city, it’s like they’re talking about my family. They work in the auto industry; they’re educators in the city; they’re city employees. The working class of the city—they’re all my family. And my extended family, in a certain way. What Detroit is for me is one humongous family. Also, once you know the city, you fall in love with it. The people are resilient—because you have to be resilient in a city that’s taken so many hits, both from the media and the economy—but it’s more than that. It’s the creativity, the political savvy and awareness, the intellect in the city, the wisdom and the spirit, the culture. It’s like the history of being African American in this nation is embedded in that city. You feel like that in Detroit.

Christmas at A

A CHRISTMAS CA RO L based on the book by Charles Dickens adapted by Barbara Field

directed by Drew Fracher

Nov. 21 – Dec. 23, 2017

elebrate the warmth of the holidays with Ebenezer Scrooge, Tiny Tim, and the spirits of Christmas Past, Present and Future. Actors

Theatre’s rendition of Dickens’s classic tale is brought to new life with visual splendor and joyous music.

Actors Theatre!

TH E S A N TA L A N D D IA R IE S by David Sedaris

adapted for the stage by Joe Mantello

directed by Meredith McDonough

Dec. 1 – 23, 2017

s the Christmas countdown begins, a disgruntled elf gives us a hilarious behind-the-scenes tour of Macy’s Santaland. Delightfully

irreverent and packed with David Sedaris’s signature wit, The Santaland Diaries is a holiday classic for those of us who prefer our eggnog spiked. 9

HOME FOR THE HOLIDAYS

A Christmas Carol

Nov. 21 – Dec. 23, 2017

Much as bringing family to see A Christmas Carol is a beloved tradition for Louisvillians young and old, appearing in Dickens’s classic is also a homecoming for many of the show’s cast members. Among the performers who return to Louisville each year to reprise their roles, the talented Carol cast often features recent Professional Training Company alumni. For these early-career actors, A Christmas Carol is an exciting chance to reunite with Actors Theatre family in their first artistic home. With four former PTC members back in town to share the holiday spirit on the Pamela Brown stage, this season’s production is no exception. We’re delighted to welcome back Taylor Abels Rodriguez (2014-15 Company), Lisa Bol (2015-16), Jose Leon (2014-15), and Alexandra Milak (2016-17) for a Carol filled with beautiful music, abundant good cheer, and new memories.

Clockwise from top left: Taylor Abels Rodriguez, who returns to play the jolly Mrs. Fezziwig for the second year in a row, sings her heart out during her Solo Mio, a short piece she wrote and performed. Photo by Bill Brymer, 2014. Lisa Bol, who’s reprising her role in Carol as Scrooge’s housekeeper, Mrs. Grigsby, performed in Steve Moulds’s The Wedding Guest, commissioned as part of the PTC’s New Play Project series. Photo by Bill Brymer, 2015. Jose Leon is back to portray Fred, Scrooge’s fun-loving nephew. You may recognize him from That High Lonesome Sound (2015 Humana Festival), in which he played a recently deported immigrant missing his Kentucky home. Photo by Bill Brymer, 2015. Alexandra Milak, returning to Actors as Scrooge’s enchanting fiancée, Belle, appeared in Iris Dauterman’s haunting ten-minute play, Love Languages, which premiered as part of the PTC Tens. Photo by Bill Brymer, 2017.

A FAMILIAR FACE RETURNS Actors Theatre is thrilled to welcome back Nathan Keepers as the bitter and beleaguered Crumpet the Elf in David Sedaris’s The Santaland Diaries. A gifted comic actor steeped in the traditions of clowning, Keepers has won the hearts of Actors audiences with his impeccable timing and nuanced physicality. The Santaland Diaries will mark his eighth appearance onstage at Actors (not counting his directorial turn with last season’s The 39 Steps), and his third project with director Meredith McDonough.

I can’t wait to be back in the room with Nathan. He’s such a curious and delightful actor, and he’s one of the best collaborators I’ve ever known. And for sure the funniest.

Clockwise from top left: As the foolish rogue Moth in The Moving Company’s Love’s Labour’s Lost, Keepers (left) brought new life to Shakespeare’s comedy. Photo by Richard Tyler Rowley, 2014. Keepers demonstrated his mastery of the art of pratfalls as the overworked and underpaid Assistant Stage Manager, Tim, in Noises Off. Photo by Bill Brymer, 2013. Keepers (right) brought the house down with his flamboyant portrayal of Black Stache, the malapropism-prone pirate in Peter and the Starcatcher. Photo by Bill Brymer, 2016.

The Santaland Diaries

Dec. 1 – 23, 2017

—Associate Artistic Director Meredith McDonough

ARE YOU FEELING... This winter, Actors Theatre invites you to get into the holiday spirit with two very different Christmas classics. One is a heartwarming story of redemption, in which a curmudgeonly miser transforms overnight into a generous humanitarian. The other is a delightfully thorny tale of seasonal cynicism, told from the perspective of a battle-weary elf at Macy’s Santaland. Here’s a sneak peek at what to expect from your evening at the theatre, both onstage and off.

ONSTAGE QUOTES NAUGHTY

THE SANTALAND DIARIES I had two people say to me today, ‘I’m going to have you fired.’ Go ahead, be my guest. I’m wearing a green velvet costume; it doesn’t get any worse than this. Who do these people think they are?

Have you ever realized that Santa is an anagram of Satan? As Christmas approaches we grow progressively busier. There is no longer any down time and I think they need to outfit all the elves with cans of mace.

Nice

A Christmas Carol I have always thought of Christmas time as a good time, a kind, forgiving, charitable, pleasant time. The only time I know of in the long calendar of the year, when men and women seem by one consent to open their shut-up hearts freely, and think of people below them as if they really were fellow passengers to the grave, and not another race of creatures bound on other journeys.

I will honor Christmas in my heart and try to keep it all the year.

I shall endeavor to bring food to the hungry and ease to the sick. And I’ll buy toys for all the children, and I’ll During a Christmas toast, the Ghost of Christmas Present (Lee Palmer), Mrs. Cratchit (Celina Dean), and the play with them too! Cratchit children drink to Scrooge’s health (William McNulty).

All photos by Bill Brymer.

N AU G H T Y

or Nice?

OFFSTAGE HAPPENINGS NAUGHTY • The Sara Shallenberger Brown Lobby ceiling! It seems the Angel from our fall production of Angels in America crashed through the wrong ceiling as she was looking to make her entrance at Actors. Pardon our dust as the lobby is under repair. • Take a stroll through Macy’s Santaland up in the Victor Jory Theatre lobby located on Level 2. We can’t say it will be a magical experience, but you can have your photo taken in Santa’s chair while he’s in between shifts.

Nice • Join us for a fun, hands-on exploration as we take you into the beloved world of Fifth Third Bank’s A Christmas Carol in Scrooge’s Christmas Journey on November 18! Introduce your children to the theatre in this relaxed and multi-sensory environment. • Take a behind-the-scenes look at what it takes to put A Christmas Carol on the Pamela Brown stage at the Behind-the-Scenes Tech Event on November 18. Learning about the detailed work that goes into preparing a show for performance will make the live experience all the more magical! —Written and compiled by Jessica Reese

THE COMMUNITY CONVERSATION The Community Conversation event focuses on exploring important topics in Louisville’s cultural landscape, through the lens of Actors Theatre productions that have similar themes. This season’s series kicked off in conjunction with our production of Angels in America, Part One: Millennium Approaches. Patrons joined distinguished local panelists at this engaging post-show discussion to explore the question, “How have the last 25 years shaped the way we discuss the AIDS epidemic?” As this event enters its 13th season, we asked participants why providing a space for these discussions is important to them.

Art opens the doors to discussions that are sometimes difficult to engage in. The audience identifies with characters on a personal level. This enables the audience to relate to certain issues and many times start to research what they have seen. Art forms generate curiosity, the willingness to learn about different themes and issues. Having people who know different sides of the issue being explored helps broaden the discussion and educate the general public.

—Ellen McLaughlin,

—Anupama Raghuram, MD, AAHIVS, Assistant Professor of Medicine at University of Louisville, Division of Infectious Diseases; Medical Director, 550 Clinic; and Community Conversation panelist

Any time we at House of Ruth have an opportunity to talk about HIV/AIDS and its impact, we are ecstatic. People tend to want to avoid talking about it. Talk is so important to help others understand the impact that HIV and AIDS have on those living with them, especially those who are already disempowered and marginalized because they are low-income. Or addicted. Or homeless. Or mentally ill. Thank you, Actors Theatre, for taking on this all-important production and devoting so much time and resources to Angels. —Lisa Sutton, Executive Director, House of Ruth and Community Conversation panelist

The Community Conversation is special because it stimulates my thinking, opens me up to new ideas and perspectives, increases my awareness of social issues and brings me into conversations with persons I may otherwise only engage with in superficial ways. These events help all of us move out of the silos of our everyday lives and see how we can grow beyond the invisible barriers we construct without even realizing it. I take pride in knowing that the Community Conversation represents a deeply held value within our organization that the arts, like all aspects of our community, must be open, accessible and encouraging to everyone in our community if we want to have a truly just and equal place to call home. —Nancy Doctor, Community Conversation Committee member

I am a homosexual man. Thank God that I’m healthy. But I did lose a sister and a brother to HIV. And they weren’t homosexual, they just—wrong place, wrong time, with the wrong person. But this is something that the community needs to know—where to go to be tested, what options are available and how they can prevent this from happening to them and their children. It’s really important. —Henry Avueros, Attendee

Clockwise from top: The Community Conversation panelists on the set of Angels in America. Photo by Melissa Hines. Lisa Sutton, Jean West, Anupama Raghuram, William Briggs and Sarah Moyer. Photo by John Sodrel. Carolle Jones Clay, Kevin E. Moore, Angie Evans and Nancy Doctor. Photo by John Sodrel.

Our next Community Conversation event will take place following a performance of Skeleton Crew on November 30, 2017. Tickets are $25 with the promo code COMMUNITY. Visit ActorsTheatre.org or call 502.584.1205. Ticketing fees apply. 15

NOVEMBER & DECEMBER 2017 A COMPLETE GUIDE TO EVENTS AT ACTORS THEATRE

11/1 & 11/2 TREATS FOR TROOPS Performances of Dracula on 11/1 & 11/2

Don’t get stuck with a bunch of Halloween candy again this year. Actors Theatre is partnering with Soldiers’ Angels to collect candy for military troops and veterans. Donate your candy at either of these performances of Dracula and receive a special ticket offer for The Santaland Diaries.

11/3 & 11/4 PROFESSIONAL TRAINING COMPANY SOLO MIO ROUND #3 2 p.m. on 11/3 10 a.m. on 11/4 Victor Jory Theatre

Join the Acting Apprentices as they present their solo pieces, written and performed by each actor. The event is FREE, but ticketed. Please call the Box Office at 502.584.1205 to reserve. Donations to the Professional Training Company Showcase Fund will be accepted at the performance.

11/6 & 11/7 PROFESSIONAL TRAINING COMPANY NEW PLAY PROJECT #3: THE SOUL OF THE WORLD BY ISAAC GOMEZ La Casita Center 223 E. Magnolia Avenue, Louisville, KY

Actors Theatre has commissioned three playwrights to write one-act plays for the Professional Training Company to develop and perform this fall.

11/16 OPENING NIGHT KORBEL TOAST & RECEPTION: SKELETON CREW immediately following the 7:30 p.m. performance

11/17 TEEN NIGHT: SKELETON CREW 8 p.m.

Calling all teens, grades 8-12! Bring your friends, see a great show, meet the cast and connect with other teens passionate about theatre! Use the Promo Code TEEN to purchase a $10 ticket. Valid for this performance only. Must have a valid student ID to purchase.

11/18 SCROOGE’S CHRISTMAS JOURNEY: SENSORY-FRIENDLY WORKSHOP 10:30 a.m. Actors Theatre Rehearsal Studios 315 West Market St., 5th Floor For ages 18 months–5 years Children, $10 each; Adults, FREE

Join us for an introduction to A Christmas Carol for our youngest audiences in this hands-on workshop. For tickets, please call the Box Office at 502.584.1205.

11/18 BEHIND-THE-SCENES TECH EVENT: A CHRISTMAS CAROL 6 p.m. Season Ticket Holders: FREE General Admission: $15

After a light reception, attendees will hear from a guest speaker and then have a chance to step into the theatre and glimpse what goes on during a technical rehearsal. For more information and ticket reservations, please call the Box Office at 502.584.1205 or visit ActorsTheatre.org.

11/24 OPENING NIGHT RECEPTION: FIFTH THIRD BANK’S A CHRISTMAS CAROL immediately following the 8 p.m. performance

11/30 COMMUNITY CONVERSATION: SKELETON CREW cocktail reception from 7 – 8 p.m. discussion following the 8 p.m. performance

The Community Conversation event focuses on exploring important topics in Louisville’s cultural landscape, through the lens of Actors Theatre productions that have similar themes. The evening will include a pre-show reception with hors d’oeuvres and beverages in the Sara Shallenberger Brown Lobby, a performance of Skeleton Crew, and a dynamic conversation enriched by input from several local leaders representing a range of involvement in the community. Use the Promo Code COMMUNITY to purchase a $25 ticket.

12/2 MOVEMENT WORKSHOP WITH SAFIYYAH RASOOL from 10 â&#x20AC;&#x201C; 11 a.m. Actors Theatre Rehearsal Studios 315 West Market St., 5th Floor Registration: $15

Join Safiyyah Rasool, co-owner of Safiyyah Dance Company and Movement Director for Skeleton Crew, as she leads a workshop focused on movement-based storytelling. This workshop is ideal for dancers, actors and anyone who wants to express themselves through movement. For more information and to register, please call the Box Office at 502.584.1205 or visit ActorsTheatre.org.

12/3 OPENING NIGHT RECEPTION: THE SANTALAND DIARIES

HAPPY HOLIDAYS FROM OUR FAMILY TO YOURS!

12/9 TEEN NIGHT: THE SANTALAND DIARIES

During the holiday season more than ever, our thoughts turn gratefully to those who have made our stories possible.

In this spirit, we sincerely thank you and send you our best wishes for the holidays and a Happy New Year.

immediately following the 7 p.m. performance

4 p.m.

316 WEST MAIN STREET LOUISVILLE, KENTUCKY 40202-4218 Les Waters, Artistic Director Kevin E. Moore, Managing Director

Thank you to our sponsors: The Shubert Foundation Doris Duke Charitable Foundation

The Harold and Mimi Steinberg Charitable Trust The Gheens Foundation

Jennifer Lawrence Arts Fund at the Fund for the Arts

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2018 EST’D.

SAVE THE

What makes Louisville Legendary to you? PRESENTS

Legendary AGED TO PERFECTION

Louisville

LOBSTER FEAST EST’D

2018

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LOUISVILLE MARRIOTT DOWNTOWN 6 P.M. SATURDAY, JANUARY 27, 2018 Enjoy an all-you-can-eat lobster buffet, signature cocktails, dancing, and silent and live auctions, all in support of Actors Theatre of Louisville.

LIMITED TICKETS ARE AVAILABLE SO ORDER NOW! TICKETS ARE $300 PER PERSON, $3,000 FOR A TABLE (SEATS 10), AND $5,000 FOR A VIP TABLE (SEATS 10). FOR MORE INFORMATION OR TO ORDER TICKETS visit LobsterFeast.org or contact Susan Bramer at 502.584.1265 ext. 3085 or SBramer@actorstheatre.org.