Scene Magazine Spring 2013

Page 13

“Students will sometimes say they don’t like English,” Rogal says. “That’s like saying you don’t like life. Novels introduce the most incredible characters, incredible situations, incredible experiences. To say English is boring is to say life is boring.” Rogal began teaching in the English Department in 1986, a transplant from the East Coast. Several things surprised him: the friendliness of his colleagues and neighbors, the high quality of his students, the crucifixes on the walls. “I grew up in a Jewish enclave,” he explains. “I knew nothing about Catholicism.” He’s learned a lot since, and is especially appreciative of the Catholic milieu on campus. It fits with his own philosophy—the strong sense of family and community, the commitment to social justice issues, the rigorous intellectual tradition. Especially the rigorous intellectual tradition. “I have a fanatical belief in the importance of reading,” Rogal says. “I have a fanatical belief in the importance of writing. And I have a fanatical belief in the importance of talking.” All evidenced by an office that epitomizes the lived-in history of Ambrose Hall: the bookshelves crammed full (he collects the old Penguin paperbacks among several other imprints), the pens (he collects Paper Mates), the pencils (he

prefers to write with Blackwing), and five chairs to receive guests. “Oh, I’m organized,” Rogal tries again. He points at one bookshelf and then another. “Everything on that wall is 19th or 20th century. The bottom shelf there is general criticism. Over there is European lit. Cowboy lit. American lit. Writing.” Near the 19th century lit section, cowboy playmobil figures fight for space atop an old four-door steel file. A craft paper banner shouting Happy Birthday Daddy hangs above European lit. Birkenstock sandals lie kicked off under the desk. As for the state of his organized-ifdisheveled office? “You know, it’s like the natural world,” he laughs, motioning around the room. “Things erode. It’s like my digressive personality. I think this is actually a reflection of what’s going on up here.” (He taps his head). Fortunately for us all, Rogal is willing to share the treasure that’s up there.

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