Rodríguez Frida vocal score by ScoresOnDemand

Frida

Opera in Two Acts Music

Robert Xavier Rodríguez Libretto

Hilary Blecher, Migdalia Cruz Spanish Translation by Josefina García Piano/Vocal Score

G. SCHIRMER, INC.

Composer’s Note Frida is based on the life of Mexican painter Frida Kahlo and her tempestuous relationship with Diego Rivera. It was commissioned by the American Music Theater Festival (now Prince Theater) and premiered in Philadelphia in 1991, with Helen Schneider in the title role, stage direction by Hilary Blecher and musical direction by Richard Cordova. John Rockwell, in the New York Times, named it “The Best Opera/Musical Theater of 1991.” Frida’s original libretto, by Hilary Blecher and Migdalia Cruz, was written in English, with some Spanish. For the European premiere, in Vienna, a German narrator was added, giving a synopsis of each scene and reading excerpts from Frida’s letters, translated into German. A Spanish translation by Josefina García, included in the present edition, was commissioned for the Mexican premiere, in Guadalajara, in May, 2007. I. Production. There are two acts, each lasting approximately 45 minutes. The piece can be done with a minimum of nine soloists (Frida, Diego, solo quartet and three Calaveras). In the original Philadelphia production, which toured to Boston (American Repertory Theater) and New York (Brooklyn Academy of Music), the quartet and Calaveras performed multiple roles. Puppeteers sang along and appeared (sometimes with puppets and sometimes without) in the large ensemble scenes. Much of that production was done in balletpantomime style, with the quartet providing voices on a raised platform while the puppeteers and Calaveras acted below. Diego and Frida, however, always remained singing actors. In some scenes there was a mixture; for instance, in Act II, Diego as a singing actor conversed with a dancing life-sized puppet Edward G. Robinson, while the baritone member of the quartet stood next to the puppet and provided Robinson’s voice. To those forces, the Houston Grand Opera production, also directed by Hilary Blecher, added a quartet of choristers. Subsequent productions, such as in Nordhausen, Recklinghausen and the Vienna Schauspielhaus, have taken quite different approaches. The San Francisco (City Summer Opera) and Guadalajara (Festival de Mayo) productions had little doubling and no puppets; each character was a separate singing actor, with a cast of as many as 65, including a separate corps of dancers and, in San Francisco, interactive film and video. The one common thread through all of the productions has been a close adherence to images from the work of both Frida Kahlo and Diego Rivera.

II. Music. There have been two instrumentations of Frida. A smaller version (cl/asx, tpt/flugel, perc, acn, vn and piano) was written for the original production, and it has since been subsumed into an expanded version (adding tbn, gtr, va, vc, db), commissioned by the Houston Grand Opera. It is also possible to perform the opera from the piano reduction, adding whatever additional instruments are available. In addition, there is a thirtyminute Concert Suite from Frida, for mezzo-soprano and the full instrumentation, of excerpts from the opera. The music of Frida is in the Gershwin-Sondheim-Weill tradition of exploring the common ground between opera and music theater. The score calls for mariachi-style orchestration – with prominent parts for accordion, guitar, violin and trumpet – in which authentic Mexican folk songs and dances are interwoven with bits of tangos, colorations of zarzuela, ragtime and jazz. Among the “stolen” musical fragments developed in Frida are such strange musical bedfellows as two traditional Mexican piñata songs (“Hora y fuego” and “Al quebrar la piñata”), two narrative ballads (“La Maquinita” and “Jesusita”), the Communist anthem (“L’Internationale”), Tchaikovsky’s Fourth Symphony, and Wagner’s Tristan and Isolde. Spanish speakers might also listen for the rhythm of a familiar Mexican curse growling in the trombone as Lupe (Diego’s former wife) insults Frida and Diego at their wedding. The orchestra continues its ironic commentary throughout the work. Two examples: as Frida and Diego quarrel about their mutual infidelities, the brass offer a snarling version of the tender Act I love music, “Niña de mi corazon” (Child of my heart); and as Frida’s death figures (calaveras) recreate her self-portrait, as the wounded “Little Deer,” in a ballet sequence, Frida is stabbed, both physically (by the arrow) and musically (by piercing orchestral repetitions of Diego’s demand for a divorce, “You don’t need me anymore”). Deeper musical characterization is achieved through the extensive use of vocal ensembles. Frida and Diego have two important love scenes, one at the beginning and one at the end, with frequent arguments in between. The demanding role of Frida requires not only extensive monologues, both spoken and sung, but also duets, trios, quartets, a quintet, sextet and several larger ensembles, working up to an intricate ninepart samba finale. In a musical metaphor for Frida’s unique persona, her vocal line is scored with its own characteristic rhythms: often in three-quarter time while the orchestra or the rest of the cast is in duple meter. Frida, thus, sings as she lived: against the tide from the very first note.

Frida Cast List Frida Kahlo – mezzo soprano Diego Rivera – baritone An ensemble of four players, each playing several characters (or separate singers may be used for some or all characters): Woman 1 – soprano; Cristina Kahlo (Frida’s younger sister); Mrs. Ford Woman 2 – mezzo soprano; Dimas’ Mother; Lupe Marin (Diego’s wife at the time he met Frida); Mrs. Rockefeller; Natalia Trotsky Man 1 – tenor; Alejandro (Frida’s teenage boyfriend); Mr. Ford; Leon Trotsky Man 2 – bass/baritone; Petate Vendor; a Cachucha; Guillermo Kahlo (Frida’s father); Mr. Rockefeller; Edward G. Robinson Three Calaveras (Death figures) – treble voices (two women and one man, singing in falsetto) Chorus SATB Chorus members, dancers, puppets and/or Calaveras depict the following characters: Baby Dimas, a peasant woman’s dead son Mexican Villagers Schoolgirls, Frida’s teenage enemies Cachuchas, Frida’s teenage male school companions Bus Passengers Wedding Guests Male Chorus of Communists and Revolutionaries Rich Guests of the Fords and Rockefellers Diego’s Lovers, a parade of women Frida’s Nurse Frida’s Female Lover Orchestration: cl(asx)/tpt(flugel).tbn/perc/accord.gtr.pf/vn.va.vc.db Or cl(asx)/tpt(flugel)/perc/accord.pf/vn (reduced instrumentation)

FRIDA SYNOPSIS ACT I Scene 1 – The Street outside the Escuela Nacional Preparatoria, Mexico City, 1923. Three Calaveras, death figures from Mexican folklore, introduce the scene. Schoolgirls enter. They are accosted by the unruly male gang of Cachuchas, led by the young Frida Kahlo and her boyfriend, Alejandro. Frida’s sister, Cristina, upbraids Frida for her boyish behavior. The Cachuchas chase off the schoolgirls, and Frida watches as a Mother whose child has died begs a Petate (straw mat) Vendor for a mat to bury her son. Frida is moved by the poverty she sees. She then witnesses a celebration of the Zapatista movement and takes heart in the promise of the revolution. Scene 2 – Frida’s Room, Coyoacan. Frida tells Cristina of her expectations of life upon coming of age. Scene 3 – The Bus Crash, Mexico City. Frida and Alejandro kiss and board a bus. The bus crashes, and the scene is enacted by the Calaveras to the tune of a corrida. Frida is severely injured, but she resolves to live and to begin her life as a painter. Scene 4 – Diego’s Mural at the Preparatoria/Wedding. As Diego Rivera paints, his wife, Lupe Marin, poses. Frida and Cristina enter, and Frida presents her portfolio to introduce herself to Diego. Diego is fascinated by Frida. He leaves Lupe to ask Frida’s father, Guillermo, for Frida’s hand in marriage. At the wedding ceremony, Lupe dramatically appears and makes a futile attempt to win Diego back. Scene 5 – Diego’s Studio. Frida critiques Diego’s work as he paints a portrait of Emiliano Zapata. They are interrupted by revolutionaries, communists, businessmen and government bureaucrats. All denounce Diego and tell him is career as an artist is finished in Mexico. He fires his pistol at them, and the Riveras resolve to try their luck in the USA. Scene 6 – New York City. Frida and Diego attend a dinner party hosted by the Fords and the Rockefellers. Diego enjoys the adulation, and Rockefeller commissions a mural. Frida ridicules the rich in “Gringolandia” and gives a spirited interview to a group of reporters. Scene 7 – The RCA Building, Rockefeller Center, New York. In a split scene, Diego works on his commission, Man at the Crossroads, while Frida paints. She is in despair at being unable to bear a child. Rockefeller berates Diego for displaying his communist sympathies by including Lenin in the painting. The mural is destroyed, and Frida miscarries. She persuades Diego to return to Mexico.

ACT II

Scene 1 – San Angel, Mexico. At home in adjacent blue and pink houses, Frida expresses her joy at being home in Mexico. Diego is miserable. Frida chooses to ignore the parade of women through Diego’s house, but she is horrified to discover her sister, Cristina, among them. Scene 2 – San Angel, Mexico. The communist Leon Trotsky and his wife, Natalia, join the Riveras in Mexico. Diego and Natalia confront Frida and Trotsky over their mutual affection. Cristina expresses her guilt for betraying Frida. Frida and Diego come to the realization that their differences cannot be reconciled. Scene 3 – Frida’s Bath. Frida retreats to the seclusion of her bath and the comfort of a female lover. Scene 4 – An Art Gallery/New York Apartment of Nicholas Murray, Photographer/Back in Mexico. Diego meets with the American actor Edward G. Robinson and sells him some of Frida’s work. Diego then urges Frida to pursue her own career, without him. Frida models for her lover, and talks to him as he photographs her. Frida and Diego decide to divorce. Scene 5 – Frida’s Imagination. Haunted by her physical and emotional pain, Frida joins the Calaveras in depicting imagery from her paintings The Broken Column, The Little Deer and Self Portrait With Monkeys. Scene 6 – Finale - Frida’s Hospital Bed. In a delirium, Frida relives episodes of her life, including the assassination of Trotsky, of which she and Diego were accused. Diego returns and sings to entertain her, finishing with a proposal to marry her again. She agrees, saying he must realize that she is now her own creation, independent of him. The Calaveras and the entire cast join her, singing and dancing in a joyful celebration, and she departs with a cry of “Viva, la vida…alegría…and Diego.”

FRIDA The Story of Frida Kahlo Act I Overture

Hilary Blecher and Migdalia Cruz Spanish translation by Josefina GarcĂa

Robert Xavier RodrĂguez

(A Calavera is seen playing an accordion.)

Piano

Presto brillante h = 116

5 5 5 5 55 55 5 5 5 5 5 5 E55 55 55 55 E 5 5 5 5 5 5 5 555 5 5 5 5 5 5 5 5 5 5 5 5 5 G E5 5 55 5 E 5 5 5 5 5 5 55 55 55 55 5 5 5 5 5 5 5 5 5 5 5 5

p f 0 0 G '' '' '' ''

` a

55 55 5 5 5 5 5 5 loco 5 5 5 5 E5 5 5 5 55555 5 G 5 5 5 5 5 5 5 5 5 5 5 5 ''

p sub.

E 5 5 E5 5 E 5 E 5 E5 5 E5 5 E5 E5

' '

G 4

' '

4 =E5 5E5E5 `a !B

! 5 EB' = 5 5 E5 5 3

!5 E 5 5 5 5 5 ! 5 E 5 5 5 5 5

'' 3

Andante q = 92 12

Andante cantabile q = 92

` a

8 E55 55 55 55 555 555 B B G 55 55 %

!5 E 5 5 5 5 5 ! 5 E 5 5 5 5 5 Tempo I h = 116

` a ' 55 55 55 55 E 55 55 B E B ' ' 5 5 5 5 E5 5 % ff

EB B =

EB B

p sub.

? 5 5 5 5 5 55

5 E5 E E

= 4 5 5

Copyright ÂŠ 1993 by G. Schirmer, Inc. (ASCAP), New York, NY International Copyright Secured. All Rights Reserved. Warning: Unauthorized reproduction of this publication is prohibited by Federal law and subject to criminal prosecution.

Act I

`a B (Another Calavera appears, playing the violin.) 5 B5 : 5: !5 B

EE 5 : G

5 EE 5 5 5 5 5 5 5 5 G 55555555 5 5 55555555 5 5 55555555 5 5 55555555 5 5 `

B EE 5 G

5 B:

B: 5 5

E G E 55 55 55 55 55 55 55 55 55 55 55 55 55 55 55 55 55 55 55 55 55 55 55 55 `

5 EE B: B G 5 5 : EE G !55 55 55 55 55 55 55 55 55 55 55 ` 21 5: EE B G ' 19

B 5 5:

5: B

55 !55 55 55 55 55 55 55 55 55 55 55 55 5

' B:

5 5

E 5 5 5 5 5 5 5 5 G E 55555555 5 5 55555555 5 5 55555555 5 5 55555555 5 5 `

B 5 5 5 EE B : 5B : 5: 5 5 B G 5: E 5 5 5 5 5 5 5 5 G E 55555555 5 5 55555555 5 5 55555555 5 5 55555555 5 5

B EE 5 G

EE G

5 B:

5 5

55 55 55 55 55 55 55 55 55 55 55 55 55 55 55 55 55 55 55 55 55 55 55 55

Act I

5 loco 5 EE55 55

ritard.

5 5

EE B: G 5:

5 5: 5: 4

5: B

5 B

E G E !55 55 55 55 55 55 55 55 55 55 55 55 !5555 55 55 55 55 55 55 55 55 55 55 q = 80

' 29 ' EE G BB

(A third Calavera appears.)

55 55 55 55 55 55 = 55 55 :: 55 B B

55 55 55 ' 55 '

sostenuto

EE 4 5 5: G 55 55 55 55 5 5 :

55 BB

'' '

= 55 55 55 55 55 55 55 BB

E BB ))))))) B

GGGGGGG

' '

EE ' '

GGGGGGG

' ' ' EE '' ' ' '' '' G ' ' ' ' loco `a 37 55 55 55 55 55 55 55 B 5 5 5 E 5 5 5 E 5 5 5 E 5 5 EB EE 5 5 5 5 BB 5 5 5 5 BB 555 = G ))))))))))))))))))))))))))))))))))))))))))))))))))))))) ^)))))))))))))))))))))))))))))))))))))))))))))))))))))))) ' E' ' EE E ' ' ' ' ' _ G _' ' ' ' 41

55 55 55 55EBB

GGGGGGG

)))))))))))))))))))))))))))))))))))))))))))) E' ' ' ' EE ' '

= 55 55 55E55 55 55 55 55 55 55EB B ))))))))))))))))))))))))))))))))))))))))))))))))))) ' E' ' ' ' ' G

GGGGGGG

EE G

attacca

Act I

Scene 1a Preparatoria (The National Preparatory School of Mexico)

1 G S.G.

G 2 G G

Andantino aperto e = 200

= 5 5 5

4: Schoolgirls (offstage)

55 55

55 = 4:

to -

hi - jas bue - nas

to -

y lle- nas de glo -

ria,

55 G

5 = 55 5 5 = 5 5 5 5 5 ria,

hi - jas bue - nas

1 G 5 G 2

5 !5 5 :

ria,

= 5 5

= = 5 = 4 G 5

5 5 5: 55 ! 55 55 ::

= 5 4

de la pre - pa - ra -

school - girls ni - Ăąas

sweet and dul - ces y

school - girls ni - Ăąas

sweet and dul - ces y

= = 5

5 5 5 5 5

We donâ&#x20AC;&#x2122;t speak to the Ca - chu - chas No ha - bla - mos con Ca - chu - chas

= 5 5

and oh so pret - ty and slim. y ÂĄAy! tan lin - das tam - biĂŠn

5 55 55 55 55 5 =

jas

55 55 5 5 5 55 55 5 = 55 = = 5 = = 4 5 = = 5

and oh so pret - ty and slim. y ÂĄAy! tan lin - das tam - biĂŠn

= 5 5 5 5 5

clev - er, lis - tas,

55 G

y lle- nas de glo -

= 4 5

5= 55 5 5

clev - er, lis - tas,

S.G.

= 5 5 = 5 5 5 55 5

55 55 55 5 55 55 5 5 5 5 5 5 = 55 5 =

5 G = 5 = =

= 5 55 5 55

= 5 5 = 5 5 5 55 5

S.G.

5 G 2

de la pre - pa - ra -

5 5 55 = 55 55 5 55 5 = 5 = = 4 5

5 = 55 5 5 = 5 5 5 5 5 ria,

jas

55 5 5 5 5 =

1 5 G

5 5 5

= = 5 = 5

So - mos

Andantino aperto e = 200

Tambourine

So - mos mf

5 5 5 = 55 5

5 5 5 5 5

We donâ&#x20AC;&#x2122;t speak to the Ca - chu - chas No ha - bla - mos con Ca - chu - chas

55 55

= 5

55 55 55 55 55 4

= 5 =

Act I

1 G 3 5 5 5 5 5 5 5 =

5 5

nor to that girl who acts just ni - con la que - es - tĂĄ con

S.G.

like them. e - llos

3 G 5 5 5 5 5 5 5 = 2

5 55 5

1 = 5 G

5 5

5 5 5

f 3

= 5 G 2

5 5

3 5 5 5 5 5

5 ?

3 3 pre - pa - ra - to - ria.

5 53 5 5 5

So - mos hi - jas de la - que - ri - da

55 4 55 5 M 4 5

5 5 5 5 5

3 3 3 3 So - mos hi - jas de la - que - ri - da

S.G.

PiĂš mosso, moderato giocoso q = 112 f

like them. e - llos

5 5 5 5 5 5 5 5 5 5 5 5 5 5 = G 3 G

(schoolgirls enter)

5 5

nor to that girl who acts just ni - con la que - es - tĂĄ con

5 ?

pre - pa - ra - to - ria.

PiĂš mosso, moderato giocoso q = 112

G 15

55 5

55 5 5M

5 3

5 5 5 5 5

3 3 ÂĄTe - ne - mos pa - ra siem - pre

3 = = 5 5 G 2

55 5

1 G = = 5 5 S.G.

55 5

55 5 5

5 5 5

3 de - cen - tes

55 5

55 5 5

55 5

5 5

55 5 5

5 ?

3 me - mo - rias!

3 3 3 5 5 5 5 5 5 5 5 5 5

ÂĄTe - ne - mos pa - ra siem - pre de - cen - tes me - mo

55 5

- rias!

55 5 5

5 ? 4

55 55 55 555 55 5 5 5

Act I

6 17

1 : shouting G :

ÂĄOh no! ÂĄLos malditos Cachuchas! La banda de Frida... (etc.) shouting

S.G.

G :: : Cach. G : 2 G

ÂĄOh no! ÂĄLos malditos Cachuchas! La banda de Frida... (etc.) (Frida, Alejandro, and male bicyclists enter as Fridaâ&#x20AC;&#x2122;s gang, the Cachuchas)

:: 55 55 55 55 f :: 55 5 5

2 G 2

CachĂşn, CachĂşn, ra

2. 21

Frida

1 Fr. 2G 4

2 2 2 22

G ff

Lâ&#x20AC;&#x2122;istesso tempo h = 56 (she laughs)

B 5 5

= 5 4 ? 5

Goy - a, Goy - a pre - pa-ra - to - ria!

poco parlando a piacere f (to the girls)

Stup ÂĄTon

Go - ya, go -ya

(The girls giggle as the Cachuchas parade around on their bicycles)

22 2 2 4

55 55 55 55 55 55 55 55 55 55 55 55 5 55 55 55 5 55 5 5

Shtspum!

G 55

2 2 2 2

Ooh!

Cach.

55 55 55 55 55 55 55 55 55 55 55 55 55 55 55 55 55 55 55 55 55 5 55 55 55 5 55 55 5 55 5 5 5 (The schoolgirlsâ&#x20AC;&#x2122;s dresses fly up)

1 S.G. G

Cachuchas

1st time only f shouting

id es - cuĂn tas es - cuin

5 ?

3 -

4 5 !5 5 : 55 55 =

= 55 55

5 5

= 55 55

lit - tle dogs with - out ÂĄQue no sa - ben pen -

clas, clas!

55 = 55

5555 5555 : 55 55 55 55 55 55 : 55 : 5 55 5 55 : 5

5 sim.

Act I

3 1 B = Fr. 2G 5 5 5 5

hair. Come run with Fri sar! Ven - gan con Fri -

55 =

1 G 4

5 5 5: 3 de de

la la

Al. G 2 i

3 pre - pa - ra - to pre - pa - ra - to

G 5

55 55 = 5

1 h. = 56 Fr. G B 5 I

5 5

Ni - Ăąi ÂĄNi - Ăąi

4 4 3

3 -

5 5 : ho - san

tas tas

55 55

h = h.

- nah y ho - san - nah y 3

4 4 5 5 : =

5IM 5M 5 I I

5 5

ho - san - nah y ho - san - nah y

55 55 =

55 55

dare! mĂĄs.

ria! Donâ&#x20AC;&#x2122;t just sing ria! ÂĄNo can - ten

5 B

5 5 = 5 5G

0 55 55

5: 5 5

use your brains if you si se_a - tre - ven no

0 55

4 5 !5

da, da...

Fr.

55 =5 5

55 55 h = = 5

glo glo

IB Al. 2G i glo 1 S.G. 2G

glo

ria ria

4 4 2 2

2 4 2 2 2 22 2 22 2 2 2 2

What a mon - ster! ÂĄAy quĂŠ mons - truo!

h. = 56

G 4 55 55 5M 5M 5 4 4 5

4 5 5 55 55 M M 5 4 4 5

What dis - gust - ing be - hav - ior for a ÂĄQuĂŠ con- duc -ta tan ver- gon - zo -

0 0

Act I

1 Cr. G

Cristi

Frida, you shouldnâ&#x20AC;&#x2122;t. ÂĄFrida! ÂĄNo hagas eso! (speaking, imitating the girls)

Fr. G 2

I canâ&#x20AC;&#x2122;t believe a sister of mine could be such a girl! ÂĄNo puedo creer que mi hermana sea tan fina!

Oh, what a monster! Oh how disgusting! ÂĄAy, quĂŠ monstruo! ÂĄQuĂŠ conducta tan vergonzosa!

1 2 S.G. 2G

(laughs)

girl! sa!

5 5

1 Fr. G 4

55 5M 4

(mocking the schoolgirls)

Where they vez En

Al.

55 5M 4

G 2 i

should have brains de pen - sar

all they sĂł - lo

have can

are -

curls. tan

5 I Te

`a !5k 5 !55 G 4 f

!5M G 5 (cluster)

555 5M 5

! 555

55 5

!5k

!555

!5 5M

!5k

555

!555

5 !55 !5k ! 555

!5 5

! 5 5

5 5

!5k

! 5M 5

5 5

!5 5

Act I

55 5

1 Fr. G 4

5 And las

noth - ingâ&#x20AC;&#x2122;s more ton - tas que no

B Al. 2G i love a

5 !55 5

55 5

bor - ing sa - ben

than you ni

stu - pid, quie -

girl - y ren pen -

you. mo

5 I ÂĄTie -

` M !5k 55M 5 5 5 k 4 !55 !5 55 !55 5 G 4 M mp f M 5k 5 5 !5 5 !5 G 5 5M 5M 5M 5k

!5k

!!5555k 555 5k !555 555

!5 5 5 5 5 5 !5 5

!5k

! 5k 5 ! 5k 5 5 5 5 5 5 !5 5 ! 5 55

!5 !5 5 5

!5 5 5 5

(cluster)

f (to the girls)

1 B : Fr. G

5 B

When you look at your Cuan - do mi - ran el

girls. sar.

5 4 5 B: Al. 2G i mean... your mind. nes

4 5 5 B f

(to the girls)

4 5 5 B

5 B

When you look at your Cuan - do mi - ran el

ra - zĂłn!

5 5 B re - flec - tions, es - pe - jo,

5 B

re - flec - tions, es - pe - jo,

` B : loco BB :: G 4 55 55 4 55 55 4 55 55 4 55 55 4 55 55 4 55 55 4 5 5 5 5 5 5 5 5 5 5 5 5 5 4 4 5

5 4 4 5

5 4 5

5 4 4 5

5 5

4 4

55 55 5 5

5 4 4 5

Act I

1 4 Fr. G 5 5

arenâ&#x20AC;&#x2122;t you shocked ÂżNo les cho -

at ca

what lo

you que

B 5 5 5 B Al. 2G 4 i arenâ&#x20AC;&#x2122;t you shocked at what ÂżNo

les

cho

G 4 55 55 5 5 5 4 4 5

see? son?

you que

Ug - ly Ni - Ăąas

B B

see? son?

Ug - ly Ni - Ăąas

4 5 5 4 55 55 4 k 5 !5k 5 4 5 5 !5 5 5 5 mf 5 5 5 4 4 5 4 4 55 4 4 4 5 5

`a k 5 5 !5k 5 ! 5 55 4 !5 5 p !5 55 4 5G5 5

(cluster)

1 Fr. G

B girls fe

Al.

G 2 i

5 -

B girls fe

with as

5 -

with as

! 5k 5 5k 5 ! 5 4 5 G

! 55 4 5 5 G

4 5

emp - ty ca - ras

4 5

!5k 5 5 4 !5 ! 5 !5k

!5 4 !55 5

eyes, ton -

eyes, ton

!5k

!5 5

5 5 and the y ce

and the y ce

! 5k

(cluster)

5 5 5 -

brain re -

5 5

tas

5 !5 4 4 mf

tas

emp - ty ca - ras

55!5k 5 !5

stem bros

5 5 5 -

brain re -

!5k

stem bros

!5k 5 5k 5 5 !5 !5 5

5 !5 G 5 5 k 5 5 5

!5 !5 55 5 5

Act I

h. = h

1 Fr. G 5

5 B

of de Al.

a car

2G 5 5 i of

a car

1 Cach. 2

4 No

= 5 5 5 5 5 Weâ&#x20AC;&#x2122;ll swim the Him - a ÂĄVen - ce - mos las mon-

tree. tĂłn

I5 Not so -

like tros

us, no,

I5 I5 I5

sim.

5 =

weâ&#x20AC;&#x2122;re Ca - chu - chas los Ca - chu - chas

the ÂĄLos

I5 ! 5k 5 h. = h I 5 I5 5I5 !5k 5 ! 5k !5 55 55 E 5 5 5 ! 5 5 5 G ! 5 ! 5 mf ! 5 5 5I 5I G 5 5 5 5 5I 5I sim.

55 5

1 Cr. G

5 5

5 5 5 5 5

3 How will you ev - er ÂżCĂł - mo ha -rĂĄs to -

Fri - da!

Fr.

5 G 2

1 S.G. G

= 5

5 5

walk the La lu -

la - yas ta - Ăąas!

Schoolgirl

5 5

great - est minds mĂĄs sa - bios

55B

of de

Mex -i - co MĂŠ -xi - co

55 55 5

55 5

5 5 5 5 5

3 How will you ev - er ÂżCĂł - mo har - ĂĄs to -

55 5 we de - vour de vo -ramos

55 5

moon... na

Fri - da!

5 Cach. 2

5 5555 5 5G 5 5 5

55 55

5 5 = 5 5 5

Ar - is a SĂł -

55 55

55 55 55

Act I

h = h.

1 Cr. G 5

do that? do_e - so?

Fr.

4 G 2

= 5

and swim... y_el hon

1 S.G. G 5

= 5

4 -

with sharks! do mar

? 4

sim.

5 5

55 5

55 5 =

= 5 5 5 5

5 = 5 and y_a

5 5 55 5 5 5 5 = = 5 55 55 55 55 5= 5 5 5 5 = 5 5 5

Marx. Marx.

h = h. 5 55 5 5 55 5 3 5 5 5 4 5 5 5 5 5 5 55 55 55 55 55 55 5 5 5 5 5 5 = 5 = 5 = 5 5 5 5

(Cristi reluctantly joins in)

4 5 !5

0 4

Co - per - ni - cus Co - pĂŠr - ni - co

1 Cr. G

tot - le, cra - tes,

55 55 G 5 5

Youâ&#x20AC;&#x2122;ll see! ÂĄVe - rĂĄs!

do that? do_e - so?

5 5 Cach. 2 = =

5 5 4

5 : 5

Weâ&#x20AC;&#x2122;re Ca - chu - chas. Los Ca - chu - chas. Fr.

G 2

B Weâ&#x20AC;&#x2122;re Los

1 Cach. 2

Weâ&#x20AC;&#x2122;re Los

G B B

5 5 55 55 5 5 5 5

B B

5 5 5 4

Ca - chu - chas. Ca - chu - chas.

5 5 5

We have a Con - quis -

Ca - chu - chas, Ca - chu - chas,

5 5 B 5 5 B 55 55 55 55 5 5 5 5 5 5 5 5

4 5 5 B5 great - est me - ros

minds of me - ros de

4 5 5 5 5 5 BB 5 55 55 55 55 5 5 5 5 5 5 5 5

Mex MĂŠ

B B 5 5

i xi -

5 5 55 55 55 55

Act I

1 Cr. G

5 5 5 5B 5 4

We have a mis - sion... Nues - tra mi - siĂłn... (pointedly, to the girls)

5 : 5 5 5 Fr. G 5 5 5 5 2 5:

(back, with the Cachuchas)

mis - sion to rise a - bove ig - no - rance, cia. tar la ig - no - ran -

1 B Cach. 2 co. co.

Weâ&#x20AC;&#x2122;re Ca - chu De - rro - tar

G B: B:

4 5 5 5 5 BB 55 55 55 55 55 5 5 5 5 5 5 5 5 5 5 5

to make fi - car

to learn Glo - ri

5 5B 5 55 5 5

5 5 4 4 5 4

55 5 4 5

4 !5 5 :

4 4

!5 5 5 5

chas, we have a mis- sion... la ig - no - ran - cia,

5 BB 5 55 5

5 5 B 5 5 B 55 55 5 5

5 5

to make our glo - ri - fi - car

5 5 5 B 5 5 5 B

55 55 5 5 5 5

our nues -

55 55 5 5 5 5

5 5

5 5 55 55 5 5

PiĂš mosso q = 112

1 5 Fr. 2G 5 4 coun tra

try na

5 -

1 5 4 5 Cach. 2 coun la

try na

great. ciĂłn.

(Frida and Cachucahas light firecrackers)

great. ciĂłn.

PiĂš mosso q = 112

G B B 5 5

55 55

5 5 55 55

5 5 55555 55 5 54 5 5 5 5? 5 55 55 f M 5 5M 5 M 5 5

55 55 55 55 55 55 55 55 55 55 55 55 55 55 55 55 55 55 55 5 5M 5

sim.

55 55 5 5 5 5

55 55 5 5 5

Act I

(firecrackers go off)

1 (shouting) Cr. 2G

EEE

Frida! No! ÂĄFrida! ÂĄNo!

55 55 55 55 G 55 5 5 5

55 55 55 55 55 55 55 55 55 55 55 55 55 55 55 55 55 55 55 55 E E E 55 55 55 55 55 55 55 5 5 5 5 5 5 5 5 EEE 5 G 5 5 5 5

90 Poco meno mosso e = 200 (shouted) 1 EEE 0 Fr. 2G

1 EEE S.G. 2G

If you dressed like me, you could think better, run faster and see more interesting things! ÂĄSi se vistieran como yo, pensarĂan mejor, correrĂan mĂĄs rĂĄpido y verĂan cosas mĂĄs interesantes! (The Cachuchas and Schoolgirls run away, shouting.)

Anarchists! Subversives! Monsters! ÂĄAnarquistas! ÂĄSubversivos! ÂĄMonstruos!

Poco meno mosso e = 200

EEE = E55 55 55 G

5 5 E 55 55 !5 = E55 55 E 5 E 55 5 E 55 4 !5

= !5 mf EEE ))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))) G 5 5: 5: 5: 5 B

EEE = = = E55 55E 55 55 = E5 E55 55 55E 55 55 G E5 5

(Dimasâ&#x20AC;&#x2122;s Mother appears, surrounded by the Calaveras)

EEE )))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))) G : : 5 B B 5 ' '

' '

!!! !!!

Act I

Scene 1b The Dead Dimas Moderato (The mother is holding her dead child)

D. M.

Moderato agitato q = 100 (The mother comes forward)

1 2G

Dimasâ&#x20AC;&#x2122; Mother sotto voce

5 5

D. M.

1 2G

sempre agitato 3 3

5 5

4 4

- ing. - da

5 5

Life - less ÂżQue harĂŠ

5 5 5 5= 5 5= 5 5 = 5 5 3

5 5

emp - ty O - jos

eyes, yo?

noth na -

fac muer

B -

5 -

es. tos,

G B B

5 = 5 ?

5 = 5 5 = 5 5

D. M.

5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 ' 5 = 10

poco parlando

Noth - ing... Na - da...

G BB

GGGGGGG

ff 5 = 4 ? E 5 5 6

?' 55 55 55 55 ' '' % ))))))))))))))))))))))))))))))))))))) )))))))))))))))))))))))))))))))))))) ' ' ' ' ' ' ' ' ' ' ' '

GGGGGG

' ? 55 55 55 55 ' ' '

3 1 4 2G 5 5 B I walk cir ca - ras hue

G BB ?

5 -

cles cas

? 5 5 5 =

4 5

poco rit.

5 B

5 4

3 look - ing for God... bus - can - do_a Dios.

3 through the cit - y... va - go so - la

BB mf

5 5 5 B

5 5

Act I

D. M.

Andante mesto, meno mosso 3 q = 80

1 4 2G

look Rue

to ask, a Dios,

ing... go

3 3 pray for mer - cy dĂŠ su pie - dad

to me

III III I5 I5 5 5555B 5555B 5 5 5 5 5 55 55 B 5555 B = 5 55 ? = ? 555 555 5 5 0 5 5 G 555 5 5 555 5 5 5 5 5 5

D. M.

4 4 5 5 4 5 5 5 5 B 5 '

5 -

poco rit.

1 4 4 2G 5 B 3

what else? ÂżQuĂŠ mĂĄs?

G 5 G

5 B what else? ÂżQuĂŠ mĂĄs?

5 5 B 55 5

5555B 55 5

55555 5

4 5 5 EE 5 EE 4 4 3 EEEE 0

Moderato deciso q = 116

(She begins to rummage through a petate vendorâ&#x20AC;&#x2122;s straw mats)

B 23 EEEE BB G EEEE G

BB B

5 5 3

EEEE

5 ' 5 ' 55 5 5 ' 5 5 5 !!55 5 5 = 5 f

B BB

B B B ff

Act I

D. M.

1 EEEE G

My son, please, a place to rest hisâ&#x20AC;&#x201D; Mi hijo... por favor... un lugar para que descanse

EEEE P.V. 2

Petate Vendor

Oye! What the hell... those arenâ&#x20AC;&#x2122;t free! ÂżQuĂŠ haces? No son gratis...

EEEE G

E 5 5 5 5 5 5 5 5 B

5 5 5 55 5 5 5 !5 ! 5 5 5

EEEE ' E' G

E''

P.V.

1 E E 2 EE

0 You want a petate, lady, then, hĂjole, you pay for it! ÂĄSi quieres un petate, seĂąora, hĂjole, tienes que pagarlo!

5 E5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5

5 5 5 5 5 5 5 ! 5 ! 5 5 5 4

EEEE G

EEEE ' E' G

5 5 5 5 5 5 5 5 ! 5 5 EEEE 5 4 G

5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5

mp E E G E E E''

D. M.

E''

32 1 EEEE 2G

EEEE G

rit.

0 '

E''

4 B '

My sweet Dul - ce

EEEE 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5'5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 ' ' !' G E'

Act I

1 EEEE W. 1 G

Andante espressivo q = 88 Woman 1 (or chorus)

D. M.

M. 1

EEEE G EEEE 2G i

Di Di

B -

4 B

mas... mas...

Man 1 (or chorus)

my dul

Di Di

sweet ce

mas mas

Andante espressivo q = 88

sim. I E EE E 5 5 5 5 B 4 555 55 5 55 5555B G B ? 5555 B 5555 B I ? I pp

EEEE 5' 5

5 5

1 EEEE W. 1 G

D. M.

EEEE G 5 5 B

M. 1

My sweet Mi_hi -

is dead. mu - ri贸.

EEEE 2G i

son. jo

5 All la

I EEEE 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 55555 5 G ? 5555 5 5 5555 5 5 5555 5 5 5555 EEEE 5'

5 5 5

Act I

43 1 EEEE ? W. 1 G

EEEE G 5

D. M.

light luz

EEEE ? G i

M. 1

P.V.

B Dark Tris

5 -

EEEE 2

Dark Tris

5 -

5 5

ness is te_es - tá

has died mu - rió pp

Mex - i - co. Mé - xi - co. (in great anguish)

with con

him. él.

Bread could have saved him! ¡Sin pan no podia vivir!

5 5

Mex - i - co. Mé - xi - co.

ness is te_es - tá

0 You let him starve?! ¡¿Murió de hambre?!

EEEE G 55 5 55 5 5? 5 5 5

EEEE 5' 5 '

D. M.

47 1 EEEE G

5 5 5 5 5I 5 5' '

5 5

5 5 5 5 5I 5 5'

5 5

5 5 5 5 5I 5 5 5

You must pay for bread, and I have nothing. ¡El pan hay que pagarlo!

Fr.

EEEE G

Frida

Children must have bread! ¡Pan para los niños!

EEEE 5 5 5 5 B 5555B = 5 5 5 5 5 5 G 5 55B ? 5555 B 5555 B ? 5 5 EEEE 5' 5 '

5' '

5 5 5

Act I

D. M.

1 EEEE 2G

(The petate vendor places the body of Dimas on a straw mat. Frida places marigolds around the body. Three Calaveras take him. They continue to be a part of the action throughout the opera, ad lib.)

Movente, poco agitato q = 108

I would have cut my own flesh to feed him— But he’s gone from me... too late... too late! Le hubiera dado mi propria sangre... Pero se fue... es demasiado tarde.

EEEE G

5 5 5

5 5

5 5 5 5 5 5 5 5 mp )))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))) 5 5 5 5 5 5 5 5 EEEE ' ' ' ' 5 5 5 5 5 5 5 5 ' G 5

56 1 EEEE ? W. 1 G

D. M.

M. 1

P.V.

EEEE ? G

4 4

EEEE G i

EEEE 2

Now Ya

he Di

Now Ya

he Di

is mas

dressed va_al

for pa

is mas

dressed va_al

for pa

B Now Sí,

EEEE G

5555555555555555 '

EEEE'' ' G

5555555555555555 '

Act I

58 1 EEEE B: W. 1 G

par raí

D. M.

EEEE G B: par raí

M. 1

EEEE B G i Di

5 -

dise. so.

5 -

dise. so.

mas mas

is va_a

dressed ver

for a

Di Di

mas mas

is va_a

dressed ver

for a

5555555555555555 '

EEEE '' ' G 60

B E E E P.V. 2 E

EEEE G

5555555555555555 '

Subito meno mosso a piacere q = 88

3 1 EEEE 4 Fr. G 5 5 5 5 55 B5

5B 5

A tempo (andante)

I’ll nev - er for - get those star -ing brown eyes. Sus o - jos sin luz nun - ca_ol - vi da - ré. -

M. 1

EEEE B ? G i God. Dios.

EEEE B P.V. 2

5 5 5 5 5 4

5 55 B 5

3 3 3 3 Pa - dre Nues - tro que_es - tás en los cie - los...

God. Dios.

A tempo (andante) Subito meno mosso a piacere q = 88

EEEE B G B E EE E G

BB 0

555 5B 5555B 55 5 5 B 5 55 5 ? 5 5 5 5 5 5 5 5

Act I

1 EEEE ? Fr. G

M. 1

EEEE G i

5 55

I’ll En mis

see sue

se_a

EEEE G

5 5

0 4 5

co, angrily

i xi -

bre.

5555B 5555 ? 5

5 5 5 B

B breath do

3 4 4 5 55 B

The on - ly ¡En lu - gar de

5 5 5 B

3 you’re steal - ing your own te_es - tás mu - rien

you’re steal - ing your own te_es - tás mu - rien

i - co, xi - co,

EEEE ' G i co,

nom

Mex Mé

5 5 5

4 5

EEEE ' G

EEEE 2

5 55 B 5 5 5 5 ?B

my sleep. ve - ré.

5 B 5 5:

3 ti - fi - ca - do

5 5 5 = 5 55 55 5 EEEE B 5 G 4

Mex Mé

P.V.

3 -

in los

5 5 55B =

68 pp 1 EEEE 4 B W. 1 G

M. 1

them ños

san

Fr.

EEEE P.V. 2

B -

breath do

Why do the rich live while the rest of us die? ¿Por qué viven los ricos y mueren los pobres?

5555B 555 5 5 5 555 5 5 5 5555 5 5 E EE E B 555 5 B 5 5 55 B 5 5 55 B 5555 G EEEE 5 5 G

5 5

Act I

1 EEEE W. 1 G

Fr.

EEEE B G road ver

M. 1

EEEE G i

3 heav cie -

to el

55 5 55 B It is e - nough... ¡Bas - ta ya!

4 5 5 B 3 should - n’t ve - mos

en lo

EEEE 4 P.V. 2

Mex Méx

be through hell só - lo_in - fier

i i

co co

55 5 55 B

It is e - nough... ¡Bas - ta ya!

EEEE 5B 5 5 5 G EEEE 5 G

75 1 EEEE 5 5 Fr. G

M. 1

P.V.

EEEE 4 G i EEEE 2

55 5 55 5 5B 5 5 5 5

55 5 55 5 55 5 55 5 55 5 55 5

on earth. no_a - quí! 3

B: ?

intensely 3

We must ¿Por -

5 5 5 B

You’re steal - ing your own Te_es - tás mu - rien

B -

breath. do

In this world there is never enough—Life is God’s lie! ¡La vida es la mentira de Dios!

EEEE G EEEE

= 555 5B 5555B 5555 55 5 5 5 5 5 5 5 5 5 55B ? B B ? 5

Act I

1 EEEE W. 1 G EEEE G

D. M.

EEEE G

Fr.

M. 1

P.V.

EEEE G i EEEE

0 B stop qué

5 B

the chil - dren mo - rir los

dy ni

5 83 1 EEEE B W. 1 G dí

EEEE B G

D. M.

dí

EEEE G '

Fr.

P.V.

ing. ños?

5 B

5 5 5 5 5

5 ?

? 4

EEEE 3 5 G 5 5 5 5 B i nues - tro de ca - da dí 5 5 5 EEEE ? ?

5 3 5 5 5 ?

dí

Mex Méx p

ii-

5 B El pan B -

0 0

hoy.

5 5 5 B

you’re steal - ing your own te_es - tás mu - rien

Dá - nos - lo... 3

hoy.

5 5 5 ?

5 B

Dá - nos - lo... 3

3 Dá - nos - lo...

3 nues - tro de ca - da

pan

4 B

55555 5 5 5555 5 5 5555 5 5 5 5555 5 5 5555 5 5 ?

co, co,

M. 1

nues - tro de ca - da

pan

B -

5 5 5 5 5

5 B

B -

nues - tro de ca - da 3

5 5 5 5 55 5 55 5 ?

EEEE

5 5 5 5 5

El pan pp

B -

5 B

EEEE G

0 3

B -

breath. do 3

5 5 5 ?

Dá - nos - lo...

B hoy.

hoy.

EEEE 5 5 5 5 55 5 55 5 55 5 55 5 55 5 55 5 55 5 55 5 5 ? ? EEEE 5 5 5 5 5 5 5 5 5 5 5

5 5

55555 5 5

Act I

87 1 EEEE Fr. 2G

rit.

I will remember you, Ojos de muerto

those honest eyes— Esos ojos

the eyes of... Sobre un petate verde y amarillo 3

rit.

EEEE EEEE

4 ?

D. M.

Fr.

5 5 5 3

91 1 EEEE W. 1 G

= 4 = 4 5 5 5 5

4 5 55 55 55 BB 5 5B5

Now Ya

Di Di

EEEE G

Now Ya

Di Di

B B

= 4 5 = 4 5B 5 5

a tempo

B B

mas mas

is va_a

mas mas

is va_a

death. Those eyes on a yellow-green straw mat. una cinta rosa porque eres un regalo a la tierra.

M. 1

EEEE ? G i

Now Ya

he Di

EEEE ? P.V. 2

Now Ya

he Di

a tempo

EEEE 4 G

EEEE BB

5 -

is mas

5 -

is mas

dressed for pa va_al

B: -

dressed for pa va_al

B5 5 5 B B

B B

par raí

4 B

5 G

5B 5 5 5B

par raí

5B 5 5 BB

Act I

ritard.

1 EEEE B W. 1 G

dressed ver

D. M.

EEEE B G dressed ver

Fr.

EEEE G

a tempo

for a

God. Dios.

for a

God. Dios.

!!!!

(The mother exits. There is the sound of distant gunfire as the scene changes to a revolutionary parade.)

!!!!

!!!! !!!!

Yellow and green are death. Verde y amarillo son la muerte

M. 1

EEEE G B i dise.

- so.

EE B E P.V. 2 E dise. - so.

ritard.

5 5 55 55 5 3

EEEE B G EEEE B B G

E' '

a tempo

' ? ' '

' '

' ' B 0

!!!!

attacca

Act I

Scene 1c Zapatistas

Adagio religioso q = 66

mp solemnly

I = 5 5 5

0 Zapatistas

Zap.

mp solemnly

5 '

5 5 5 5 5

3 3 3 We want what weâ&#x20AC;&#x2122;ve earned with the sweat off our la tie - rra con nues - tro su Ga - na - mos

5 5 55 55 55 5 5 55 55

BB ::

5 5 5 5 5

3 3 3 We want what weâ&#x20AC;&#x2122;ve earned with the sweat off our Ga - na - mos la tie - rra con nues - tro su -

Adagio religioso q = 66

= 5 I5 5

mp solemnly 3

1 G

= 5 5 5

Zap.

backs. dor

5 5

5 5 5

Land will set us free. tie - rra_y li - ber - tad 3

5 55 55 55 5 55 55

BB ::

Land is lib - er Tie - rra_y li - ber -

Land is lib - er Tie - rra_y li - ber mp solemnly 3

3 Land will set us free. tie - rra_y li - ber - tad 3

backs. dor

5 5

Act I

28 5

1 G B

5 55 55

ty, tad

G B

5 5

5: 5 5 5 5: Glo - rious Mex - i - co, Glo - ri - o - so MĂŠ

5: 5 5 5 5: 2

5 5

Glo - rious Mex - i - co, Glo - ri - o - so MĂŠ

1 G 5 G 5 free to

Zap.

55:

give us back our his - to - ry che - mos to - dos jun tos -

5 5 5

= = 5

5 B

5 5 5

por

we will fight for our con or - gu - llo_y po 3 3

5 5 5 5 5 we will fight for our con or - gu - llo_y po -

5 B

filled with strength and pride. nue - stra lib - er - tad.

' '

5 5 5 5 5

filled with strength and pride. por nues - tra li - ber - tad.

55 55 55 55 5 55 5 3

give us back our his - to - ry che - mos to - dos jun tos -

5 : 5 5 E5 5

to lu -

BB ::

dom ria

where our fa - thers died ro - i - co sin par,

dom ria

5 : 5 5 E5 5

to lu -

55 5 55 5

5 5 5 5 5:

B -

5 55 55

where our fa - thers died ro - i - co sin par,

' free to

5 5 5 5 5 55 55 5 5 5 5 5 3

5 E5 5 5 5 :

the coun - try xi - co, he

55 5 55

we will fight for our Vi - va - mos nues - tra_his

the coun - try xi - co, he

we will fight for our Vi - va - mos nues - tra_his 3 3

ty, tad

Zap.

Act I

1 G B

land der.

and dirt - y de fren - te_y

G B land der.

Zap.

4 =

4 3

Land - ta

55 5 5 5 5 5

who por

5 who por

5 5 5 5 5

3 3 land a - way from the thiev - ing che - mos con - tra los ri -

5 5 5 5 5

3 3 land a - way from the thiev - ing che - mos con - tra los ri

55 '

nails mor

lu -

BB :: '

nails mor

Zap.

fin - ger sin te -

3 to those un - a - fraid of hard work la du - ra la - bor que - mos

1 G B

and dirt - y de fren - te_y

5 55 5 55 5 5 5 B

fin - ger sin te -

5 5 E5 5 5

3 to those un - a - fraid of hard work la du - ra la - bor que - mos 3

5 5 5 B

5 55 5 55

5 5 5 5 5

ride on nues - tra

for - eign sails. li - ber - tad.

5 5 5 5 B ride on nues - tra

for - eign sails. li - ber - tad.

rich... cos

5 5 5

3 We are the somos el fu -

5 5 5 3

We are the somos el fu

rich... cos

55 5 5 5 5 5 3

5 5 5 5 B

BB ::

Act I

1 5 5 = 5 5 5 13

fu - ture, tu - ro,

Zap.

cre - a - ting cre - an - do

5 5 = 5 5 5 2 fu - ture, tu - ro,

cre - a - ting cre - an - do

poco rit.

5 B 5 5 5 5 5 life from the deaths of our fa vi - da de nues - tro pa - sa

B -

5 5 5 5 5 5 B life from the deaths of our fa vi - da de nues - tro pa - sa

thers. do.

B -

thers. do.

poco rit.

55 55 5 5 5 5 5 5 5 5 5 5 55 G 3 3 ' '

55 55 55 5 5 5 5 5 55 BB :: 3

' 16

a tempo

p reverently

1 G 5: Vi

5: -

5 5 5 5 5 5 5:

va,

vi - va, vi - va Za - pa

5: -

ta!

p reverently

G 5: Vi

Zap.

5: -

5 5 5 5 5 5 5:

va,

vi - va, vi - va Za - pa

5: -

ta!

: = = 5 55 5 55 5 a new gen - er - a con nue - vas vo

5: -

= = 5 55 5 55 5 : a new gen - er - a con nue - vas vo

tion ces,

5: -

tion ces,

a tempo

G 55 ::

55 ::

5 5 55 55 55 5 5 55 55 ::

5: 5:

B: B:

5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5M 5M 5 5 5 M 5

Act I

1 G 5: Vi

5: -

5 5: 5 5 5 5 5 5 va vi - van tie - rra y li 5: 5: 5 5 5 4:

G 5: Vi

Zap.

vi - van tie - rra y

rais - ing our voic con a - le - grí

: 2 4

E5 5 :

5 5 5 5 5 5 5

5 5 5

rais - ing our voic con a - le - grí

ber - tad.

E5 5 : -

5 5 ! 5 5 : 5: 5: 5 : proud of the Az - tec dust tie - rra - de_az te - cas

proud of the Az - tec tie - rra - de_az te -

es a

55 55 5 55 E5 5 5: 55 55 5 5 E5 5: 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 20

va,

G 5: Vi

Zap.

55 5

G 55 ::

55 B:

our feet. da nos das.

55 5 55

our feet. da nos das.

55 ::

vi - va, vi - va Za - pa

55 ::

be la

5M 5M 5 5M 5 5 5 5 5 B:

ta!

5: -

dust cas

BB ::

5 5 5 5 5 5 5:

va,

5: neath vi

vi - va, vi - va Za - pa

5: neath vi

5 5 5 5: 5 5 5

be la

5 5 ! 5 5 : 5: 5: 5 :

G 5: 5:

1 G 5:

ber - tad.

es a

5: -

ta!

E5 55

5 55

5 : !5 : 5 :

Mex - i - cans for Mex - i - co... Mé - xi - co pa - ra Mé - xi - co

5 55

5 : 5: 5 :

Mex - i - cans for Mex - i - co... Mé - xi - co pa - ra Mé - xi - co

5 5 5 5: 5 55 55 5 5 5 5 5 :

5: 5:

B: B:

5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5M 5M 5 5 5 5 5 M

Act I

32 22

1 G 5: ยกVi

5: -

van

G 5: ยกVi

Zap.

5 5 5 5 5 5 ':

tie -rra_y li

5 5 5 5 5 5 ':

van

tie -rra_y li

stand - ing to - geth nues - tro des - ti

55 ::

G 5: 5:

- ber - tad!

er no

5 5 5 5: stand - ing to - geth nues - tro des - ti

5 E5 5 5 :

- ber - tad!

5 5 5 5 B: = = our love is com - plete. a - mor y bon - dad.

= = 5 5 5 5 B:

er no

our love is com - plete. a - mor y bon - dad.

55 55 55 5 5 5 ': 5 5 5 ':

5 5 5 5 5 5 5 5 5 5 5 5 5 5 5M 5 5M 5 5 5 5 5 5 5 Triumphantly

1 ff G 5: 24

Vi ff

5: -

G 5: Vi

Zap.

5: Vi

va,

5: -

5: Vi

va,

5: -

vi - va, vi - va Za - pa

5 5 5 5 5 5 5: vi - va, vi - va Za - pa 5 5 5 5: 5 5 5

va,

5: -

5 5 5 5: 5 5 5

vi - va, vi - va Za - pa

55 55 5 5 = G 5 5 5 555 555

vi - va, vi - va Za - pa

ta.

5: -

ta.

5: -

ta.

5 5 5 5: 5 5 5

va,

Triumphantly

ta.

55 = 555 555 55 55 55 = 55 55 55 55 55 = 55 55 55 55 55 55 5 55 55 55 5 5 5 5 5 5 5 5 5

5: 5:

5 5 5 5 5 5 5 5 5 5 5 5

Act I

1 G 5: Vi

5: -

G 5: Vi

Zap.

5: Vi

va,

5: -

5: Vi

va,

vi - van tie -rra y

5 5 5 5 5 5 5 vi - van tie -rra y

E5 5 : -

vi - van tie -rra y

ber - tad.

E5 5: -

ber - tad.

5 5 5 5 5 5 5

va,

ber - tad.

5 5 5 5 5 5 5

va,

E5 5 :

5 5 5 5 5 5 5

E5 5: -

ber - tad.

55 55 55 55 55 55 55 55 55 55 55 55 55 55 55 55 55 55 55 55 555 5 5 5 = 5 5 5 5 5 = = = G 5 5 5 5 5 5 5 5 5: 5:

5: 5:

5 5 5 5 5 5 5 5 5 5 5 5

5 5 5 5: 5 5 5

1 G 5: Vi

G 5: Vi

Zap.

5: -

5: Vi

vi - va, vi - va Za - pa

5 5 5 5: 5 5 5 vi - va, vi - va Za - pa

vi - va, vi - va Za - pa

ta!

5: -

ta!

5 5 5 5 5 5 5:

va,

ta!

5 5 5 5 5 5 5:

va,

5: -

vi - va, vi - va Za - pa

va,

5: Vi

va,

5: 5:

ta!

55 55 5 5 5 5 5 5 5 5 555 555 555 555 555 555 555 555 555 555 555 5 5 5 5 5 5 5 5 = = = 5 5 5 = 5 5 5 5 5 G 5 5 5: 5:

5: 5:

5 5 5 5 5 5 5 5 5 5 5 5

Act I

34 30

1 Cr. G

No, Frida, you were... No, Frida, naciste...

Fr.

I was born the same day as the revolution. Yo nacĂ el dĂa de la revoluciĂłn.

1 G 5:

Zap.

van

G 5: -

5: Vi

van

5 5 5 5 5 4 ?

tie - rra_y li

5 5

van

ber -

tad!

5 5 5 5 5 4 ?

ber -

tad!

5 5 5 5 5 4 ?

tie - rra_y li

ber -

1 Zap. 2G

5: 5:

tad!

5 5 5 5 5 55 55 55 55 55 5 5 5 55 55 55 = 5 5 5 = 5 ' G 5: 5:

tie - rra_y li

5 5

5 5 5 5 5 4

tie - rra_y li

5 5

van

5: 2

5 5

' %

All:

ÂĄViva Zapata! ÂĄVivan tierra y libertad! ÂĄLa tierra para el pueblo! ÂĄAbajo los ricos! etc.

5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 55 55 55 55 55 55 55 55 55 55 55 55 55 55 55 55 = G f

55 55 55 55 55 55 55 55 55 = 555 555 5 5 5

55 55 55 55 55 55 55 5 5 5 55 55 55 55 55 5 5 5 5 5 5 5 5 5 5 5 5 5 55 55 5 55 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5

Act I

5 5 5 5 5 555 G 5 555 55 5 55 55 5 5 5

55 55 BB 55B

5 5 5 5 5 5 5 5 5 5 5 5 E5 5 B = 55 55 55 55 55 55 55 55 55 55 55 55 55 55 BB

55 55 55 55 55 55 55 55 55 55 55 55 55 55 5 5 5 5 5 5 5 5 5 5 55 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5

555 555 5 5 5 55 55 55 55 55 55 55 5 55 = 5 G

5 5 5 5 5 5 5 5 5 55 55 55 55 55 55 55 = 55 55 55 55 55 55 55 55 55 5 5 5 5 5 5 5 4 pp sub.

55 55 55 55 55 ))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))) 5 5 5 ' 555 5 ' G 5 5 ' 5 5 mp sub. pp 5 5 55 55 55 55 55 55 55 55 55 55 55 55 55 55 55 BB 555555 5 5 5 5 555 55B G =

5 5 5 5 5 5 5 5 5 5 5 5 E5 5 B = 55 55 55 55 55 55 55 55 55 55 55 55 55 55 BB

)))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))) ' ' ' G ' ' ' ' '

Repeat, ad lib., for scene change. Begin to wind down at cue: Frida: â&#x20AC;&#x153;Itâ&#x20AC;&#x2122;s so amazing. A part of myself...â&#x20AC;?

5 5 5 5 555 555 5 5 5 5 ))) 5 5 5 5 5 5 E 5 5 5 5 5 5

5 5 5 5 E 5 5 5 : 5 E 5 5 5 5 := = 5 E5 = 5 5 G =

)))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))) :: ' ' G ' ' ' '

5 5 5 5 ))) 5

5 5 5 E5 5 5

5 5 5 :

E 5 5 E 5 5 E 5 ! 5 E 5 = = 5 5 = = = : G

)))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))) ' ' :: G ' ' ' '

Act I

Scene 2 Frida Becomes a Woman

Act I

Scene 3a Bridge to Bus Scene (Alex enters)

Andante q = 72

G p

)))))))) `a 5 5 5 5 5 5 5 B ' 5 55 55 55 55 555 55 5 '5 4 4

' 5 5 ' 5 5

B BB

BB B

B 0

1 Fr. G

0 Look, Iâ&#x20AC;&#x2122;m not some stupid little whore whoâ&#x20AC;&#x2122;ll drop her pants for anybody whoâ&#x20AC;&#x2122;ll ask her. It was the first time for me, Alex. Oye. Yo no soy ninguna putita estĂşpida que se baja los calzones para cualquiera que se lo pida. Esta fue mi primera vez, Alejandro.

Al.

Fr.

2G i

1 G

Mine too (pause) La mĂa tambiĂŠn...

Promise you will love me forever. PromĂŠteme que me amarĂĄs siempre.

Al.

Kiss me. (passionate kiss) BĂŠsame. (Alex sees the bus arrive and pulls from her embrace.) (laughing)

2G i

Forever. Siempre.

Frida, the bus! ÂĄFrida, el camiĂłn!

1 Fr. 2G

(They exit on the bus.)

EEE

G mp

(shouts)

Hey wait! Weâ&#x20AC;&#x2122;re coming! ÂĄHey, espĂŠrennos! ÂĄYa vamos!

' E ' ' '

Alex

EEE attacca

Act I

Scene 3b The Accident (“La Maquinita”) Chor.

1 EEE Allegro0 giusto h. =0 72 2G 4

55 55 55 55 5 5 5 5 E EE 4 4 4 4 5 5 5 5 5 5 8 1 EEE 5 55 5 5 5 B 2G mf

ga - do y

EEE G 4 EEE

Chor.

4 4

5 5 5 5 5 5 5 5 5 5

A - quí yo_he ve - ni - do por - que ya_he lle -

EEE 4 G

Chor.

Women singers may clap rhythmically as they sing, ad lib.

55 5 4

5 5

55 5 4

5 5 B

55 5 4 5 5 5

EEE

5 5

55 5 4

4 4

55 5 4

5 5

55 5 4 5 5

4 4

55 5 4 5 5

55 5 4

5 55 5 4 5

pa - so la

4 55 5 4 5 5

55 5 4

vi - da un

55 5 4

5 5

55 5 4

5 55 4

4 5 55 4 5 5

5 55 4

5 5

5 5 B

EEE G 4 EEE

5 5

55 5 4

5 55 4

4 55 5 4 5 5

55 5 4

5 55 4

po - co más di - ver - ti - da.

4 55 5 4 5 5

55 5 4

4 5 5

55 5 4

4 55 5 4 5 5

55 5 4

5 5

55 5 4

au - to - bús co - rrí - a so - bre - la_es - tre - cha

55 5 4

ví - a, de pron - to se fue_a es - tre -

EEE 4 4 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 2 El

55 5 4

5 5 E5

4 5 55 4 5 5

5 55 4

24 1 EEE 4 4

G 5 55 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 Chor.

55 5 4

Can - tan - do can-

5 5 5 5 5 5 16 1 EEE 5 5 5 5 5 E5 5 5 5 5 5 5 B 2G EEE 4 G

55 5 4

ven - go muy des - can - sa - da.

cio - nes me

55 5 4

au - to - bús co - rrí - a so - bre - la_es - tre - cha

ví - a, de pron - to se fue_a es - tre -

55 5 4 5 5

55 5 4

4 5 5

55 5 4

55 5 4 5 5

55 5 4

5 5

55 5 4

55 5 4 5 5

55 5 4

4 5 5

55 5 4

Act I

31 1 EEE G 5 B

Chor.

4 4

4 4 5 5 5 E5 5 5 5 5 5 E5 5 5 5

llar

Con - tra un tran - ví - a, na - die pen - sa - rí - a que

EEE 5 B 2

54 4

5 5

5 5 5 5 5 5 E 5 E 5 5 5 4 4 5

llar

Con - tra un tran - ví - a, na - die pen - sa - rí - a que

EEE G 4

55 5 EEE 5 4 5

55 5 4

4 5 5

4 55 5 4 5 5

55 5 4

39 1 EEE G 5 5 5 B Chor.

nun - ca se_i - ba_a

55 5 EEE 4 5 5 47 1 EEE B : G

cin

: EEE B 2 cin

EEE 4 G

55 5 EEE 4 5 5

55 5 4

5 5

55 5 4

5 5

4 55 5 4 5 5

55 5 4

sep - tiem - bre el

55 5 4

55 5 4 5 5

55 5 4

4 5 5

55 5 4

55 5 4 5 5

55 5 4

die - ci

sie

55 5 4

die - ci

4 5 5

55 5 4

sie

55 5 5 4 5

4 5 5

55 5 4

5 55 5 5 5 5 año

5 5

vein - ti-

5 5 5 55 5 5 4

55 5 4 5 5

55 5 4

año

55 5 4

5 5

vein - ti-

55 5 4

5 5 5 5 5 5

55 5 4

Cuan - do per - die - ron la

B: -

5 5

55 5 4

5 5 5 5 5 5

B: -

55 5 4

Fue en el

5 5 5 5 5 5 5 B :

4 55 5 4 5 5

Fue en el

sep - tiem - bre el

5 5

4 55 5 4 5 5

5 5 5 5 5 5 5 B :

5 5

55 5 4

pa - rar

B -

5 5 B

B -

55 5 4

pa - rar

nun - ca se_i - ba_a

EEE 4 G

55 5 4

5 5 B

EEE 5 5 5 B 2

Chor.

Cuan - do per - die - ron la

55 5 4

4 55 5 4 5 5

55 5 4

4 5 5

55 5 4

Act I

40 55

1 EEE G B

Chor.

5 B -

EEE B 2 vi

EEE 4 G

5 B -

55 55 5 5 E EE 5 4 4 5 62 1 EEE Fr. 2G 4 4 5 Lle E 1 EE 4 4 G 5

EEE 4 4 5 2

Fri

gó

- da

Fri

55 5 4

que - dó

- da

55 5 4

5 5

55 5 4

4 55 5 4 5 5

lle - gó la cruz

5 5 5 5 5 5 5 5 5 la cruz blan - ca,

lle - gó la cruz

5 5 5 5 5

5 55 5

Lle - gó

la cruz blan - ca,

vi - va.

5 5 5 5 5

la cruz blan - ca,

vi - va.

que - dó

5 5 B

5 B

4 55 5 4 5 5 5 5 5 5 5 5

Lle - gó

Chor.

5 5 B

5 B

(The Calaveras show models of a bus and a streetcar on a collision course.)

lle - gó la cruz

55 5 4

! 55 55 55 55! 55 !55 55 55 55 55 f

55 55 5 5 5 5 5 55 55 5 5 5

5 5 5 5 5 55 B

ro - ja a_au - xi

5 5 5

liar a

los

5 55 B

ro - ja a_au - xi

5 5 5

liar a

los

5 55 B

ro - ja a_aux - i

llar a

los

he -

5 he -

EEE ! 55 55 55 55 !55 55!55 55 ! 55 55 55 55! 55 !55 55 55 55 55 !55 55 55 55 !55 55! 55 55 ! 55 55 55 55!55 G EEE

55 55 55

5 69 5 1 EEE Fr. 2G 5 B

55 55 5 5 5 5 5 5 4 B

55 55 5 5 5 5 55 5 0 4 4

ri - dos.

1 EEE G 5 B Chor.

5 5

5 5 E5 5

55 55 5 55 5 5 5 5 5 5 5

4 4 5 5 5 E5

5 5 5

Y_a - llí en con - tra - ron su

B 4

ri - dos.

55 55 5 5

Y_a - llí en con - tra - ron su

ri - dos.

EEE 5 B 2

55 5

5 5 E5 4 4 5

5 5

Y_a - llí en con - tra - ron su

55 55 5 5 5 E5

cuer po_en - sar -

5 5 E5 cuer po_en - sar -

5 5 E5

cuer po_en - sar -

EEE !55 55 55 55 55 ! 55 55 55 55 !55 55! 55 !55 ! 55 55 55 55! 55 !55 55 55 55 55 ! 55 55 55 55 !55 55! 55 55

5 5 EEE 5 55 55 5

5 5

55 55 55

55 55 55 55 55 55 5 55 5 5 5 55 5 5 5 5

5 5

55 55 5 5

55 55 5 5 5 5

Act I

41 (They crash)

1 EEE 5 Fr. 2G ta

5 -

1 EEE 5 G Chor.

EEE 5 2 ta

5 -

5 5 B en - tre

EEE

5 5

en - tre

55 5

rros

hie

5 5 B

rros

hie

rros

tor

!!!

5 5 ?

ci - dos.

tor

!!! 5 5 ?

tor

ci - dos.

!55 55 55 55 55 ! 55 55 4 55 55 55 55 5 5 5 5 5 5 5 5

ci - dos.

!!!

' ^ f

!!! ' _ % (cluster)

Andante semplice h = 72

G.P.

55 55 55 55 55

hie

5 5 B

EEE ! 55 55 55 55 ! 55 G 55 5

!!! 5 5 ?

EE55 E55

5 55 5

E5 EE55 5

5 55 5

1 : Childrenâ&#x20AC;&#x2122;s Choir G : 5 5 5 5 5 5 5 5 5 55 5 5 5 5 5 5 5 5 Ch. Choir

Da - le da - le da - le

no pier - das el ti - no

mi - de la dis - tan - cia que_hay en el ca - mi - no.

:: G 5 5 5 5 5 5 5 5 5 55 5 5 5 5 5 5 5 5 2 Da - le da - le da - le

no pier - das el ti - no

55 55 EE55 E55

:: 555 5 5

mi - de la dis - tan - cia que_hay en el ca - mi - no.

55 55 55 55 55 55 55 55 55 55 55 55 55 55 55 55 55 55 55 : G : G ::EE55 E55

: 555 5 5 :

55 55 EE55 E55

55 55 55 55 55 : :

5555 EE55 E55

55 55 ::

Act I

Repeat ad lib (softer, when under dialogue) 87

55 : : G

EE55

E55

G ::EE55

E55

1 :Alex 0 Al. 2G : i A house painter had been carrying a

With the gold on her body, they thought she was a dancer. ยกAl ver su cuerpo pensaron que era una bailarina!

packet of powdered gold. The packet broke and the gold fell over her like rain. Un pintor llevaba un paquete de polvo dorado. El paquete se rompiรณ y el polvo cayรณ sobre ella como lluvia.

Chor.

1 : 2G :

Passengers

0 ยกLa bailarina! ยกLa bailarina!

55 : G : G ::EE55

55 E55

EE55

55 E55

Act I

1 Al. 2G i

Frida had a piece of iron in her body. Her spinal column was broken in three places. Her collarbone was broken, and her third and fourth ribs. Her right leg had eleven fractures and her right foot was dislocated and crushed. Her left shoulder was out of joint, her pelvis broken in three places. The steel handrail had literally skewered her body at the level of the abdomen; entering on the left side, it had come out through the vagina.

Frida tenía un pedazo de hierro en el cuerpo. La columna vertebral se le fracturó en tres lugares. Se le fracturaron la clavícula y la tercera y cuarta costillas. Tenía once fracturas en la pierna derecha y se le dislocó y aplastó el pie derecho. Se le dislocó el hombro izquierdo y la pelvis se le fracturó en tres lugares. La baranda de acero le atravesó el cuerpo a nivel del abdomen, entrando por el costado izquierdo y saliendo por la vagina.

' ' ''

' E G EE ' ' '

Adagietto serioso q = 66 92

55 G

EE55

G 4

1 Al. 2G i G

E55

E' E' (with grim amusement)

E55

' ' EEEE

Frida said she had lost her virginity on the bus. Frida dijo que había perdido su virginidad en el camión.

0 0

EEEE EEEE attacca

Act I

Scene 3C Frida begins to Paint Frida Aria â&#x20AC;&#x153;Death Dances â&#x20AC;&#x2122;round My Bedâ&#x20AC;? sempre molto legato

' 5 5:

4 5 5 EB

I was once U - na vez

full yo

of life, vi - vĂ,

GGGGGGGGGGGGGGGGG

))))))))))))))))))))) ' E EEEE ' G p

EEEE ' E' G 5 1 EEEE ? Fr. 4 2G

= 5

))))))))))))))))))))))))))))) E ' ' E'

' '

5 5 5 5 5 5 E 5 5 5 5 5 E 55 5

E 55 55

GGGGGGG

1 EEEE Fr. 2G

Andante mesto q = 80

5 5 E5 5 5 5 B 5 5 55

4 E5

danc - ing in a world of hid - den col - ors. un mun - do de sua - ves co - lo - res.

E 55 55 55 55 55 55 55 5 5 5 4 E5 )))))))))))))))))))))))) 0 !' ' E'

GGGGGGG

' '

GGGG

EEEE ' ' G

a tempo

rit.

1 EEEE : E 5 Fr. 5: 2G 5 5 E5 5 5 my steps are slow and pain ca - mi - no len - ta - men

GGGGGGGGGGGGGGGGGG

B: EEEE E B : G ' EEEE E ' E ' G

5 5 -

4 4 B: BB ::

ful te

E 55 55

5 5 5 5 5 5 E 5 5 5 5 5 E 55 5

E' ' E'

GGGGGGG

E5 B: EEEE 5 B :

Now Hoy

)))))))))))))))))))))))))))))))))))

Act I

1 EEEE 4 Fr. G

EB ov so

EEEE Al. 2G i

E5 5 5:

5 EB :

er shards of crim - son glass. bre tro - zos de cris - tal.

I was certain she was going to die. Yo creĂa que ella iba a morir.

5 5 5 5 E9 55 BB

EEEE E' ' G '

5 5 E5 5 5 5 5 5 ' 5 E 5 5 5 5 5 E 55 5 5 '

GGGGGG

' ' '

GGGGGGG

EEEE G

! '))))))))))))))))))))))))))) ' ' E'

Adagietto movente

1 EEEE (quietly, with mystery) Fr. E5 2G B : Death La

5 5

danc - es muer - te

EEEE 5 G

5 5 E5 5 E5 :

EEEE 5 5:

5 55 ::

pp 1 EEEE B: Fr. 2G

5 5:

5 5

a - round dan - za_a

my bed mi_al - re

: 5 E 55 : 5: 5

: 5 55 :

5 at de -

5 5 5 5 5 5:

= = 55 5

= =

5 E55 ::

night. dor.

5 5:

5 5 5: 5 5 E5

Gold - speck - led red - ness on Pol - vo de o - ro_en mi

na - ked flesh. des - nu - dez.

EEEE 5 5 5 5 E5 5 EI5 : 5 5 5 5 5 5 G

5 5 5 : E5 5 E5 : 5 5 5:

EEEE B: G

5: 5

55 ::

5 E55 ::

Act I

24 1 EEEE = = Fr. 2G

5 5: 5 5

5 5 5:

My friends be - come wom No_es - pe ro por

EEEE 5 : G

EEEE = 3 5 G 5

55 ::

28 1 EEEE 5: Fr. G

EEEE Al. 2G i

BB ::

!B : B: EB :

5: 4: -

I’m soy

stant. tes.

Alex

The doctors were certain she was going to die. Los médicos creían que ella iba a morir.

55 5

!5! 5 5

5 E 55 ::

EEEE = 3 5

E5 :

` BB :: E E GEE EEEE B : G

slow - ly. a - ños,

!5 : E 5 5

EEEE 5 : G

33 1 EEEE Fr. 2G

en los

5 E5 !5 5

in an in ja_en ins - tan

5 5 !B :

old vie

`a B : B:

B: B:

BB ::

= = 5 5: 5 5 5 :

My faith - ful com - pan Mi fiel com - pa - ñe -

5: B: EB :

B: EB :

G !5 :

E BB ::

5: 5 B:

5 5 5: 5:

5 5 5

ion, the dark - ness, ra la som - bra,

5 !5 5

5: B:

!5 : : 5 E 55 : G

Act I

1 EEEE = Fr. 2G

5: 5 5 5 :

its mi

EEEE = G

shad - ow ca - ress - es my hair. pe - lo_a - ca - ri - cia_al pa - sar.

55 ::

EEEE 5 5 55 G

E5 5 55

3 5 55 :: 5

55 :: 5 E55 ::

4 = = !5 !B

5 5 5:

Re - mem ¿Re - cuer

ber? das?

' '

Andante mesto 41

ben sostenuto, sempre legatissimo 1 EEEE = 5 5 5 E5 5 E5 B : 5 Fr. E5 2G

= 5 5 E5 E5 5 E5

We were to climb the Him - a - la - yas, Es - ca - la - re - mos las mon - ta - ñas,

with - out don’t touch the sun los dos i - re - mos al

EEEE 4 G

5 5 5 E55 55 5 5 E55 5 E55 BB

EEEE ? G

44 1 EEEE E5 : Fr. 2G

E5 5

5 5 5

me, sol,

47 1 EEEE Fr. 2G E5 :

3 5 5 5 55

not shat - tered like this. no co - mo me ves.

EEEE B :: B G 5'

5 4

5 = E5 95 5 B

E5 5

Re - mem - ber me sí, pien - sa_en mí

as I co - mo

5 5 5 5 5 5 E5 5 55 5 55 5 E5 5 5 5 5 5 5 5

EB EEEE 5 5

EEEE G

55 55 55 55 55 55

5 B

mi vi - da! mi vi - da,

EEEE B : G EB :

was fui,

E55 5 5 5 E5

= 4

5 5 E5 5

55E955 BB B

5 !5 5 B

Tell me some - thing new, mi_a - mor, So ñe mos mi_a - mor

5 5 E5 5 5 5 5 5 55 5 E5 5 5 5 5 E5 5 EB 5 5

0 0

Act I

48 50 1 EEEE 4 Fr. 2G

5 !5 5 5 di

EEEE

que

quier - es

pa - ra siem

EEEE Al. 2G i

' -

pre.

pa - ra siem -

pre,

0 0

52 mp 1 EEEE 4 ! 5 Fr. G !5 B

(Alejandro leaves. Frida turns toward him, then turns away.)

5 To Mas

4 0

We were all certain she was going to die. Todos creíamos que ella iba a morir.

' EEEE E ' G p

' '

0 0

day hoy

EEEE p EEEE 5 5 61 1 EEEE ? Fr. 2G

55M 55M 55M 55 55 5 5 5

still si

goes on gue la vi

B -

5 5 5 5 5 3

the wind pa - sar

0 ' '

' '

55 55 55 55 55 E 55 55 55 55 55 5 5 5 5 5 5

sim.

5 5 4 4 5 E B I feel sien - to

' 55 '

5 5 5 5 3

57 1 EEEE Poco agitato q = 144 Fr. B: 2G '

EEEE G

G EEEE

EEEE

5 !5 5 5 3

? E 55 55 55 55 55 5 5 5G

5 5

5 5 E5 5 5 E5 3 3 5 EB 5 5 5 5 5 of my faith - ful“Pe - lo a mi bue - na “Pe - lo

5 5 5 5 B 5 -

na” na”

sim. 55 55 55 55 55 55 55 55 55 55 E55 55 55 55 55 E55 55 55 55 55 5 5 5 5 5 5 5 5 5 5 5 5 E5 5 5 5 5 5 5 5 5 5 E 5 5 5 EE E 5 5 5 5 E5 5 5G 5 5

Act I

1 EEEE B Fr. 2G

4 !B

What ÂżQuĂŠ

is a se -

5 5 ! 5 5 ! 5

5 ! 5 E 55 55 55 55 55 E !

EEEE E 5 5 5 5 55 5 5 ! 5 E5 5 5! 5 5 5 ! 5!5! 5 5 5!5! 5 E5 G E5 5 5 5 !5 !5 5 mf 5 5 5 5 5 5 EEEE E5 5 5 B 5 5 B 5 5 G E5 5 5 B B 5 5 B B 69 1 EEEE 5 : Fr. 2G

!5 B

head - rĂĄ

B 5

once na

a - gain mu - jer

be o

4 !5 55 !B = Will my life ÂżSe - rĂŠ_u

of me? de mĂ?

When I look Cuan - do mi -

in a mir - ror one ro_al es - pe - jo_u - na

4 4 E5 5 !5 :

plete? vez?

! 5 E 5 5 5 5 5 5 5 EEEE ! 5 5 5 5 55 55 55 55 55 5 5 5 G 5 5 EEEE B 5 5 EB 5 5 5 5 5 5 76

1 EEEE Fr. 5: 2G

!5 E5 B

Fri - da looks out. Fri - da_hay a - llĂ,

EEEE EEEE 5 5

E 55 55 55 5

E5 E5

55 5

5 5

55 55 55 5

5 5

55 55 55 5 5 5

55 5 5 5

Fri mi

55 5 5 5

5 5

B 5 5

da looks in. ra a mĂ.

55 55 55 5 5 5

55 5

4 4 5 !5 : One me

55 5G

3 5 5 E5 5 E5

sim.

com tra

! 5 ! 5

!5 !5 5!5 !5 !5 5! 5 5 5

5 5 B 5 5 B

5 5 ! 5 5

5 5 ! 5 5 5 E

!5 EEEE 5 !5 5 5 E5 5 5 E 5 5 5 5 5 5E 5 !5 E5 5 5 !5 55

G E5 5 5 55 5 5 5 5 5 5 EEEE B 5 5 B 5 5 B 5 5 B B B 73 1 EEEE Fr. 2G '

55 5 5 5

Act I

50 79

1 EEEE ' Fr. 2G

4 4

!5 !B

EEEE E5 5 5 5 5 E5 5 5 5 55 5 5 5 55 G 5 5 5 5 5 5 5 E5 5 5 E5 EEEE 5

!5 !B !5 : 5 3

I’ll wear To - das

5 !5 !B

3 3 a mask to cov - er my pain. mis pe - nas pin ta - ré.

55 55 E55 55 55 55 55 E55 55 55 55 55 5 5 5 5 5 5 5 5 5 5 E5 5 5 5 5 5 5 5 5 5 5 E5 5 5

B 5 : 5 ff 3 4 5 ? 4 == 0 5 ! 5 ' 5

I’ll live my life up - side down. Death Y o - tra vez vi - vi - ré. La ' '

5 ' ' E ! ' ' EE E E5 5 5 5 5 5 55 5 5 0 55 = 4 ? G G 5 5 5 ff ff 5 5 5 5 5 EEEE 5 =4 ? 0 0 =4 ? 5 !5 5 5

5 88 A tempo, agitato

E 1 EE E I5 = = 5 : E5 5 E5 5 5 5 5 5 E5 5 E5 : Fr. 2G 5 I 5 5

83 1 EEEE Fr. 2G

dan - ces ’round my bed at night, but I za_a mi_al - re - dedor, mas yo muer - te dan -

to cry. re - fuse me nie - go_a - llo - rar,

!5 : !5 : 5: E5 5 E5 5 5 5 5 5 E5 5 I 5 5 poco f E 55 :: E 55 :: 55 :: 55 :: 5 5 5 5 E EE E 5 5 5: 5: 5 5: 5 5: EEEE 5 G

1 EEEE Fr. 5I 2G

5 5: 5 5 E 5

5 5

!5 E 5

dan - ces ’round my bed at night, but muer - te dan - za_a mi_al - re - dedor, mas

EEEE 5: 5E5 5 5 G EEEE

5: 5 55 ::

E5 !5 5 !5

I yo

Death la

EB : E5 5

5 5 : re - fuse to die. me nie - go_a mor - ir.

5 !5 !5 E5 5 5: 5 E 55 :: 5 5 5 5 5:

5 E5 55 ::: 5

EB : 5: 5

55 :: 5 5:

Act I

100

1 EEEE Fr. 2G

poco ritenuto

55 :: 5:

5: :

!5 : E 55 :: 5:

5 :

G ::

ritard.

(spoken)

E5 !5 : 5 !5

GGGGGG

E 5 : 5E5 5 5 GGGGGG

EEEE

GGGGGG

EEEE G

E 5 ! 5 : 5 ! 5 5 :: = 3 5E5 5 !5 E5 !5 f E 55 :: 55 :: :: 5: 5: E5 : 5: E 5 : :

5 GGGGGG

Dear Alejandro: I stole some oil paints from my Father. Querido Alejandro: Le robé unos tubos de pintura a mi padre.

5 : 5 E 5 ! E5 !5 : 5 !5 ! 5 5 5 E

5 : 5E5 5 EE E = 3 5E5 5 ! 5 E !5 : ! 5 E 5 G EEEE G

p sub.

5 5

104 1 EEEE Fr. 2G

: 5 55 :

5 E55 ::

: 5 55 :

ritard.

And my Mother ordered this little easel so I could paint lying down in bed. Y mi madre ordenó un caballete especial para que pueda pintar en la cama...

EEEE = 3 5E5 EEEE

== 5 The Las

E 5 ! 5 : 5 ! 5 55

5 55 ::

5 E55 ::

5 : ! 5 E 5 5 5E5 G !5E5 G !5 :E5 5 E5 5E5 55 :: 5 E 55 :: 5 E 55 :: 5 = 5 =5 55

108 1 EEEE a tempo Fr. 2G 5I 5I 5I 5: E5 5 E5

= = = E5 5 5 5 5

= 5: 5 5 5:

Fri - das I see in these fac - es Fri - das que mi - ro_en el lien - zo

EEEE 5: 5: 55 :: G

5: 5:

5: EEEE = 3 5 5 5 :

= 35

roam the world li - bres van

while I lie here pe - ro sin mí,

5: 5 : 5 : 55 555 ::E55 E5: 5: : = =

55 :: 5 E 55 :: G

= 3

5 55 ::

5: 5 : 55 ==

= 3 5 E55 :: 5

Act I

112

1 EEEE Fr. 2G

dip - ping brush-es pin - to con la

55 :: 55 E 55 55

55 EEEE 55 G EEEE = 3 5 G 5 116 1 EEEE 0 Fr. 2G

55 ::

5 5 5 5: E5 5 5 : 5: 5

5 5 5 5

55 5 : 5:

= 3 5 E55 :: 5

in ro

BB ::

55 ::

5: = 3 5 5: 5

= 5 5

to paint the col - or of my heart. ja san - gre de mi co - ra - zĂłn.

5 E5 5 5

5 E5

Iâ&#x20AC;&#x2122;ll cre - ate Cre - a - rĂŠ

EEEE 55 ::

5: EEEE 5 5 5 : 5

5!5 5

E 5

120

1 EEEE !5 : Fr. 2G want quie

5 -

`a! 5 5 E5 EEEE G EEEE G 5:

5 to ro

!5 :

5 E 55 :: G

: 5

5 5 !5 5

5 E 55 ::

be: ser

5: E5 :

1 EEEE : 4 2G

5: 5: 55 ::

loco

BB ::

= 3

what lo

I que

am, sĂŠ,

5: E5 : = 3

55 ::

5 !5 E5 5 E5

E5 : 5: 55 :: 0

55 ::

5 ! 5 E 5 !5 E5 rit.

E5 :

loco

`a 5 E B: ! 5 E B: !5 !5 5

EEEE 5 : 5 : 55 :: G EEEE G

!5 :

5 5 B:

124

Fr.

the Fri - da I la Fri - da que

what I hope, lo que fui,

! B:

!5 :

5 55 5 5 :: 5

what lo

I que

5 : 5 : 55 :: % 0

Act I

A tempo, poco piĂš mosso q. = 52 128

1 EEEE B : Fr. 2G

e=q

ritard.

know. soy.

E5 !5 : 5 !5 E5 !5 : 5 !5 BB :: 5 5 E EE E 5E5 5 !5 E5 : 5E5 5 ! 5 E 5 !5E5!5 G =3 EEEE : : E55 :: E55 :: 5 5 5 5 5 : 5 : 5 5 G 5 5 5 5 5 5 5 5 132 Subito piĂš mosso q = 80 1 EEEE 0 Fr. 2G

So Alex, I am painting this for you, Alex, estoy pintando esto para ti,

e=q

my breasts and nipples a magic talisman. mis senos y mis pezoncitos, un talismĂĄn mĂĄgico.

a ` E5 !5 5 !5 I5 E 5 ! 5 5 ! 5 I EEEE 5E55 I5 5 5 !5E55E5 = !5E5 !5EI55E55 ! 5 E 5 ! 5 E 5 = G E EE E !')))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))) ' ' ' G ' ' ' '

136

1 EEEE Fr. 2G

lunga

So that one day soon, very soon, you will come back to me. Para que algĂşn dĂa, pronto, muy pronto, vuelvas a mĂ. lunga loco

EEEE !5 E5 G 4 = pp

EEEE G 4 5 EEEE B:

E 5 E BB :: 4 B5 B: B 5 5 I ))))))) BB :: EB : B: B:

= 4 ? attacca 5

Act I

Scene 3d Entrâ&#x20AC;&#x2122;acteâ&#x20AC;&#x201C;Intro to Diego Allegro giusto q = 144

55 55M 55M 55 55 5 5 5

EEEE *:: EEEE ::

55 55 55 55 55 E 55 55 55 55 55 5 5 5 5 5 5

E 55 55 55 55 55 5 5 5G ::

5 5M

5 5 5 5 5 5

5 5 5 5M 5M 5

5 5 E5 5 5 E5

5 5 5 5

sim.

5 5 ! 5sim. 5 E 5 ! 5 5 5 ! 5 5 5

! 5

5 E EE E :E5 5 5 5 5 E5 !5 E5 5 5 !5 5 5 !5!5!5 5 !5 5 5 !5 5 5 E5 5 5 :E5 5 5 G 5 5 !5 !5 5

9(17)

EEEE :: B 5 5 5 5 B B

5 5 5 5

2nd time: f

5 5 B B 5 5 B

5 5 5

5 5 ! 5sim. 5 ! 5 ! 5 E 5 5 5 5 5 5 5 E 5 ! 5

EEEE E 5 5 5 5 5 5 E5 !5 E5 5 5 !5 5 5 !5!5!5 5 5!5 5 ! 5 5 5 5 : : G E5 5 5 5 5 !5 !5 5

13(21)

5 5 EEEE B 5 5 B B 55 55M 55M 55 55 5 5 5

25(29)

EEEE :: EEEE

5 5 5 5

B B

55 55 55 55 55 5 5 5

:: ' 5 5M

' 5 5 5 5M 5M 5

' 5 5 5 5 5 5

sim.

* Note: any of the following repeats may be cut: 1â&#x20AC;&#x201C;4, 9â&#x20AC;&#x201C;16, 25â&#x20AC;&#x201C;28

5 5 5 5 B

E 55 55 55 55 55 5 5 5 5 5 5 5

5 5 : 5 5 :

E 55 55 55 55 55 5 5 5 G :: E' E5 E5

5 5 5 5

Act I

(Frida and Cristi sneak up to watch Diego at work.)

Repeat ad lib.

5 55 5 5 5 55 5 5 EEEE 5 5 5 5 55 55 5 5 5 5 55 55 G 5' 5 5 5' 5 5 EEEE 5 5 5 5 5 5G

1 EEEE Cr. 2G

Andante espressivo h = 40

E 55 55 55 55 55 5 5 5 :: :: 55'

5 5 5 5

E 55 55 55 55 5 5

E 5' E5

Cristi

55 5 ::

5 5 5 5

!!!!

Is that him? ÂżEs ĂŠl?

EEEE G

EEEE E'

E5 5

!!!! G

!!!!

(Cristi starts to move toward Diego)

1 Cr. G

E5 5 !5

Thatâ&#x20AC;&#x2122;s Diego? ÂżĂ&#x2030;se es Diego Rivera? Fr.

Yes! Thatâ&#x20AC;&#x2122;s him. The greatest painter in the world! ÂĄSĂ, es ĂŠl! ÂĄEl mĂĄs grande pintor del mundo!

G ?

55 55 55 55 ' '

))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))) ' ' 5 = 4 ' ' G ' ' 55

Sh! ÂĄShh!

mf pesante

5I 5I 5I 5I

attacca

Act I

Scene 4a Tango Duet

Tempo di tango q = 138

(Lupe moves seductively around Diego) ! ' :: 0 0 G :: mf M M 55M 5 5 :: 4 55 4 4 :: 4 4 5 5M 5M M 5M

55M 5M

' 55M 4 4

5M 5M Lupe

1 L. G

4 = 5 B

Di - e

Diego

Lupe, canâ&#x20AC;&#x2122;t you hold still? ÂĄLupe, no te muevas!

4 5M

55M 5M

' G

55M 4 4

55M 5M

a piacere

1 L. 2G 4 5 5 !5 : 5 5 5 5 5 B 11

0 4 5M

! 55M

a tempo

Canâ&#x20AC;&#x2122;t you stop to look in - to my eyes? ÂżPor - quĂŠ no me mi - ras, mi a - mor,

4 !5 5 5 : 5 B

? 45 5

If I dance for you? so - la men - te_a - mĂ?

55M 4 4

55M 5M

Will you Es - ta

5M 5M

55M 4 4

Act I

1 L. G

5 5: 5 5 !'

look at Lu - pe then? Lu - pe_es pa - ra ti.

Will you let me paint my Yo quie - ro be -

4 5M

55M

55M 4 4

1 B 2G 5 5 5 5 5 5

55M 5M

! 55M

a piacere

5 =4 4 5 5 !5 5 5 5 5 5 !5 5:

name on your lips with my tongue? sar tus ma - nos mi_a - mor.

0 I look at you all the time, Lupe. Te miro todo el tiempo, Lupe

' G

5 5 !55 5 5 5

Will you let me taste your milk white, ba - by Es - tas ma - nos que me ha cen vi -

' 0

4 5M

! 55M

sfz

? 5M

1 a tempo L. 2G '

skin? vir.

!' G 5 4 M

55M 4

55M 5M

55M 4

55M 5M

Act I

58 28

(suddenly she spots Fridaâ&#x20AC;&#x2122;s face in the mural) sfz

1 L. G ?

5 5 5 ! 5 5 !55 5 5 5 5 5 54 5 !55 5

B Who ÂżQuiĂŠn

is that wom - an youâ&#x20AC;&#x2122;re so es e - sa mu - jer

0 55M

55M 4 5 4

5 31 1 0 L. G f sub.

5 5 5 5 5 5

G 4

5 ! 5 !55 5

fresh blood Que pue -

1 5 5 5 B L. G

seen her be - fore sĂŠ que la vi

4 2

5 5

5 !5

A paint - er Un pin - tor

' '

G 5 4 5

! 55

She is - nâ&#x20AC;&#x2122;t No soy

me! yo,

0 ! 55

to mix in with his paints! dan ser ins - pi - ra - ciĂłn.

0 4

! 55

5 !5 5 5 5 5 5 5 5 5 snif - fing at our back door like a yo que la vi, la sĂŠ

5 5 5 5 5 lives for in - spi - ra vi - ve pa - ra e

B B

! 55 5 5

Iâ&#x20AC;&#x2122;ve yo

B 5 5 5 5 5 5

4 = 5 5

5 5

= 5 5 5 = 5 5

Who is that wom - an? ÂżDi - me quiĂŠn es

55 5

5 5

new va_en

mod - els are es - sen - tial bus - ca de mo - de - los.

5 55 5 4 5

For a paint - er... El pin - tor

bus - y paint - ing in your mu - ral? que pin - tas - te_en el mu - ral?

= 5

cat.. vi,

in la

= !5 !5 5 5

- tion - so

that does - nâ&#x20AC;&#x2122;t mean mas Lu - pe, tĂş

' '

5 5

! 55

Act I

1 5 L. G heat... vi

2 4

' ' G 4 40

a piacere

5 5 5

hang - ing ÂĄU -

a - round you like a na pu - ta tras de

whore! ti!

I donâ&#x20AC;&#x2122;t love you e - res mi_a - mor

0 0

0 ! 55

5 5

5 5 0

Itâ&#x20AC;&#x2122;s hard to believe you could need more woman than me for your satisfaction. ÂżPor quĂŠ necesitas otras mujeres ademĂĄs de mi?

5 5

= 5 5 5 5 5 !5 5

1 L. G

(She thinks it over, still suspicious)

But youâ&#x20AC;&#x2122;re too beautiful... you distract me. Go play cards, Nena, and then weâ&#x20AC;&#x2122;ll make love. Es que eres demasiado bellaâ&#x20AC;&#x201D;me distraes. Ve a jugar a las cartas, mi amor, y despuĂŠs daremos fuego al colchĂłn.

' !'

= 4 ? 0 5

5 45 3 1 4 4 4 Fr. 2G 5 55 5

Se - Ăąor

Triangle G 2 4 ?

= 4 5 5

(They kiss.)

Pin - tor!

5 ! 55 = 4 ? f

! 55 = 4 ?

5= 4 ? 5

= 5 5: 5

ÂĄMĂ - ra me

!5 !B 55 = 4 4 =:

!!!!!! !!!!!!

! = 4 ? G ! !!!! 5 attacca

Act I

Scene 4b Underscoring for Dialogue

' '

It doesnâ&#x20AC;&#x2122;t matter what he looks likeâ&#x20AC;&#x201D;heâ&#x20AC;&#x2122;s a genius... imagine life with a man like that! No importa cĂłmo luce, es un genio... ÂĄImagĂnate una vida junto a un hombre como ĂŠse!

Cristi! You donâ&#x20AC;&#x2122;t understand. Cristi, tĂş no comprendes.

' '

55 55 55 55 ' '

))))))))))))))))))))))))))))))))))))))))))))))) ' ' ' ' ' ' ' ' ' GGGGGGG

1 Fr. 2G

55 55 55 55

Act I

1 Fr. 2G

' '

' ' 0

1 Cr. G

Weâ&#x20AC;&#x2122;re just pals now. Ahora somos amigos y nada mĂĄs.

G BB ::

' '

? ' '

55 55 55 55

Isnâ&#x20AC;&#x2122;t he a little old? (pause) You wouldnâ&#x20AC;&#x2122;t dare! ÂĄÂżVas a hacer eso?! ÂĄPero es muy viejo!

E55 55 55 55 :: G =

What about Alejandro? ÂżY Alejandro?

Fr.

Iâ&#x20AC;&#x2122;m going to tell him â&#x20AC;&#x153;Diego Rivera, look at me! You donâ&#x20AC;&#x2122;t know who I am now, but one day Iâ&#x20AC;&#x2122;ll have your son!â&#x20AC;? Voy a decirle, â&#x20AC;&#x153;ÂĄDiego Rivera, mĂrame! ÂĄNo me conoces, pero un dĂa serĂŠ la madre de tu hijo!â&#x20AC;?

He could teach me everything! Everything I need to know. ÂĄPodrĂa enseĂąarme de todo! Todo lo que necesito saber...

G BB ' ' '

(suddenly turning)

Wouldnâ&#x20AC;&#x2122;t I? ÂĄSeguro que sĂ!

I need love â&#x20AC;&#x153;con un hombre!â&#x20AC;? ÂĄNecesito amor con un hombre!

! 5 ! B =:

BB B

5 ! 55 = 4 ?

0 0

ff sub.

= 4 ? 5 ! 5 5

attacca

Act I

1 Cr. G

Scene 4c Quartet

Moderato q = 100 a piacere

a tempo

(shouting to Frida)

ÂĄQue sinvergĂźenza! ÂĄAy, Dios mio! Be careful!

Fr. G 2

(shouting to Diego)

Diego Rivera! Diego Rivera!

Moderato q = 100 a piacere

= 5 55 55 G !55 5

a tempo = E55 ' '

5 55M ! = E 5

1 Cr. G

55 E!55 =

55M

= 5 5 5 5

Fri - da! Youâ&#x20AC;&#x2122;re cra - zy! ÂĄFri - da_es - tĂĄs lo - ca!

Fr.

G ?

5 55

5 5

Di-e - go Ri - ve - ra

G 2

= E 5 5 !5 5:

5 5: 5 !5

I think we have an au - di - ence. Te - ne - mos u - na_au - dien - ci - a.

5 G =E!55 55 5 55

= !55 ! ' ' 5M

BB M = E! 55 55 5M

5 5 M 5 ! 5 55

Act I

1 Cr. G Fr.

Letâ&#x20AC;&#x2122;s give them a Las va - mos a D.

? 2

= 55E!55 55 ! BB G 5 M

lit di

come down ba - je_a pa -

to ra_a-

= !5 5 5 5

= 55 55 55 55 =E!55 M = ! 5 5 4 5M 4

= !55 55 55 BB 4

4 = ! 5 5M Allegro commodo

What do you want? ÂżQuĂŠ quie - res tĂş?

1 q = 132 Cr. G B

Be Cui -

tle show... ver - tir

Yes? ÂżSĂ?

5 5 5:

Could you please Por fa - vor

5 5

4 E5

5 5 5

= 5 5 E5 5 !5 :

G 4

care da

Fr.

G B : G

5 -

ful... do

I Trai

0 4

4 5 Iâ&#x20AC;&#x2122;m No

Allegro commodo q = 132

G BB ::

4 5

5 5

me? cĂĄ

4 2

5 5 5

have some - thing im go al - go_im - por -

Go a - way. ÂĄBa - ja ya!

work - ing... pue - do

BB ::

5 555 5 5 5 5 5 5 5 5 = = 5 5 5 4 4 5 5

555 5 5 5 4

Act I

64 14

1 Cr. G Fr.

G 5

L. G 2

(to Frida)

4 5

por - tant tan - te

You canâ&#x20AC;&#x2122;t tell Por Dios,

to show con - mi

da da

what ÂżQuĂŠ

to ha -

you... go

Fri Fri

B 0

(to Diego)

Yes... ÂĄSĂ,

5 5 5 hur - ry down... ba - ja ya!

= 5 = 5 = 5 = 5 G = 5 5 55 55 5 55 55 5 5 5 55 5 55 55 5 55 55 5 5 4 5 4 5 4 5 4 5 4 5 5 5 5 19 1 B 0 4 Cr. G 5: 5 5 B 5

5 L. G 2

do rĂŠ

a - bout con

an - y - thingâ&#x20AC;&#x201C; ti - go?

Iâ&#x20AC;&#x2122;m Yo

5 5 5 5 5 E5 5

May - be sheâ&#x20AC;&#x2122;s not wear - ing Pue - de que no lle -

an - y ve cal

pan zo

5 -

ties! nes.

G = 5 5 5 5 5 5 = 5 5 5 5 5 5 = 5 5 5 5 5 5 = 5 5 5 5 5 5 5 4 5 4 5 4 4 5 5 5 5 5 23

1 5 Cr. G

5 5 55 5 5 5 55 just your ba-by sis - ter, what do I soy sĂł - lo tu_her - ma - ni - ta, y

2 4

ÂĄLu

pe!

5 5

5: know de_hom

5 5 5

a - bout - bres no

Your sus - pi - cions! ÂĄTus sos - pe - chas!

B: men? sĂŠ.

There is ÂżQuĂŠ mis -

G = 5 5 5 5 5 5 = 5 5 5 5 5 5 = 5 5 5 5 5 5 = 5 5 5 5 5 5 5M 5 5 5 4 4 5 4 5 5 4 5 5 5M

Act I

1 Fr. G L.

so what am ÂżY quĂŠ soy

!B 2 some te

I Ten

= 5 !5 5 B

G 4

I? yo?

thing rio

have some - thing I want go al go que_us - ted

to you de - be

Die

in her hay_en su

go!

voice? voz?

G = !5 5 5 5 5 5 = 5 5 5 5 5 5 = 5 5 5 5 5 5 = 5 5 5 5 5 5 5 5 5 5 4 4 4 4 5 5 5 5 5 5 5 5 5 5 5 5 31 1 5 5: 4 4 4 4 4 Fr. G !B 5 5 !5 see ver

4 G 2

!5 :

5 B

Donâ&#x20AC;&#x2122;t ÂĄNo

you dare me de

just come down ba - je_a - quĂ

to jes

= !5 B

leave so -

!5 B:

5: me la

for un

a mo -

up here! a - quĂ!

G = !5 5 5 5 5 5 = 5 5 5 5 5 5 = 5 5 5 5 5 5 = 5 5 5 5 5 5 5 5 5 5 4 4 4 4 5 5 5 5 5 5 5 5 5 5 5 5 35 1 B 0 0 0 5 Fr. G L.

mo men

ment to.

Di - e

4 2

All Muy

right... bien,

(to Frida)

5 -

one Ya

mo ba

4 -

ment jo

G = 5 5 5 5 5 5 = !5 5 5 5 5 5 = 5 5 5 5 5 5 = 5 5 5 5 5 5 5 5 5 5 4 4 4 4 5 5 5 5 5 5 5 5 5 5

Act I

Cr.

1 G

= 5 B

I know Sin - ce L.

4 2

4 5

Iâ&#x20AC;&#x2122;ll ya

come ÂĄNo

back va

one ra -

here! yas!

(Diego descends the scaffold and exits)

be voy,

right ya

down. voy

= 5 G = 5 5 5 5 5 5 = 5 5 5 5 5 5 = 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 4 4 4 4 5 5 5 5 43

1 Cr. G B thing, men

Fr.

5 5 B my dear sis te te di

ter go

my dear Fri - da Fri - da mĂ - a

Iâ&#x20AC;&#x2122;m No

not me

(to Lupe)

4 5 5 5 5

5 :

5 5

a da

fraid mie -

of you. do_us - ted.

(to Frida)

4 L. G 2

How ÂĄPi

dare ru

you... ja!

G = 5 5 5 5 5 5 = 5 5 5 5 5 5 = 5 5 5 5 5 5 5

BB :: B : 0

Act I

a piacere

poco rit. 5 5 5 1 5 5 5 5 5 = Cr. G 47

I wish I could be more like Qui sie - ra ser mĂĄs co - mo

L. G 2

eve - ery now and pe - ro_a - ho - ra

you tĂş

4 5 5 5 5

0 (shouted)

I could tear your little tits off with my teeth! ÂĄTe voy a arrancar las tetitas con los dientes!

a piacere

poco rit.

5 = 4 5

1 a tempo Cr. G B:

= 5 5 5

then. no

Fr.

G 2

A - bout con Las con - ven

a tempo

G = B G B

5 5 55 55 55

= B B

Donâ&#x20AC;&#x2122;t No

be me

my con

555 5 5 5 5 5

en de

555 5 5 5 = 5 B

= B

5 5

5 B

e - my. ne_us - ted

555 5 5 5

Act I

68 55

1 B Cr. G ven cio Fr.

tion nes

Fri Fri

5 -

5 5

da da

could des

= 5

nâ&#x20AC;&#x2122;t care pre - cia_a

G 2

5 5

G =

555 5 5 5 55

555 5 5 5 B

5 5

0 4

= 5 5 G 2

0 555 5 5 5 =

B: B

To test the wa su rum - bo si

G 5

beau - ti - ful for be - lla co - mo_us -

5 555 55

4 B

5 5

ters she gue sin

plun mie

= 5 5 5 5 :

5 5 5

1 Cr. G

too tan

less. sĂ

for you quĂŠ no?

G BB

Youâ&#x20AC;&#x2122;re much Mu - jer

Good ÂżPor

Fr.

5 5 -

ges in do va

that. ted.

youâ&#x20AC;&#x2122;re not ÂżY no

G = B G B

a me

5 5

5: fraid te

5 55 5 5 5

of me... mes tĂş?

= 55

555 5 5 5

555 5 5 5 B B

5 5

5 B

= B

5 B

5 5 55 55 5

5 5

Act I

subito ritenuto

1 poco parlando Cr. G B head so L.

4 G 2

Cris - ti takes Cris - ti mar

she re - minds Co - mo e

= G B

1 Cr. G 4 4 L. G 2

a tempo

5 of e

I No

donâ&#x20AC;&#x2122;t hay

B: B G

5 -

my ra

5 5 5 5 5 5

555 5 5 5 =

5 5

a tempo

G =

5 5 5 5 5 5

a piacere

ger. cio

me... lla

B B

G B

a lit - tle long cha mĂĄs des - pa -

subito ritenuto

5 5 5 5 5

5 5 B

I5 I5 I5 B

5 5 5:

first la

5 5 5

poco rit.

be - lieve in chance des - ti - no ni

5 or a

(playfully mocking Frida) f

fate. zar

self yo

a piacere

poco rit.

Act I

1 Cr. G

4 4 5

I take Pre - fie (to Frida)

L. 2G

my ro

(Lupe exits)

5 55

time ir

so I can des mĂĄs

Heâ&#x20AC;&#x2122;s the enemy, little one. Watch out, heâ&#x20AC;&#x2122;ll break your heart! Ă&#x2030;l es el enemigo, pequeĂąa. Ten cuidado, te romperĂĄ el corazĂłn.

B: B:

! 55 55 55 BB = 4 4 G 4 = 5

5 mf

1 B Cr. 2G

change pa

G = G B

my -

5 5 55 55 5

555 5 5 5

B: B:

= E! 55

mind cio,

B: B: B

poco rit.

555 5 5 5 5

a piacere

be - fore a - sĂ

itâ&#x20AC;&#x2122;s siem

555 5 5 5 = B

too pre

Act I

a tempo

1 Cr. 2G B :

late. voy.

555 5 5 5

G =

= 5

G B

1 Cr. G

555 5 5 5 5

555 5 5 5

= 5

(Cristi runs off in fright)

!!!

Come on Frida... Letâ&#x20AC;&#x2122;s go before... Ven, Frida. VĂĄmonos antes de que...

(Diego appears)

Little girls, shouldnâ&#x20AC;&#x2122;t you be in school? ÂĄNiĂąas! ÂżNo deberĂan estar en la escuela?

B: B:

G B:

Tambourine

B: B :

B: B:

: MM

55 5 5 555

5 ff

= 4 4

(cluster)

!!!

Act I

Scene 4d Underscoring, Diego and Guillermo Dialogue and Duet (The door of Fridaâ&#x20AC;&#x2122;s house appears)

55 5 5 5 5 5 5 5 5 5 55 55 55 5 5 55 55E55 55 5 55 5 5 5 55 55 5 5 5 5 5 5 == G 0 = 55 5 == mp mf 5: B: B: B: f : : B: B: G 5 5: BB: 5 5 : 5:

Giocoso e = 200

Religioso 6

1 G.K. 2

EEEE

Andante religioso q = 88

Guillermo Kahlo

So now itâ&#x20AC;&#x2122;s every Sunday. Ahora son todos los domingos.

(Diego knocks)

EEEE 4 5 5B5 5 5B 5 5 5B 5 G 4 5 B5 5 5 5B 5 5 5B 5

mp sub.

' '

EEEE B B

' '

B B

BB B

B B

1 E EE E

Why else would I come all this way? ÂżQuĂŠ otra razĂłn tendrĂa para venir hasta aqui? G.K.

EEEE 2

Youâ&#x20AC;&#x2122;re not in love with my daughter are you? Usted no estarĂĄ enamorado de mi hija, Âżeh?

EEEE 4B 5 5 5 5 B 5 5 5 B G EEEE B G

5 4 '

55 55 E 55

' '5 = 4 ? I

5 5 5 E 5 4 = 3 mp

' '5 4

5 BB

Act I

74 16

1 E E G.K. 2 EE

You know that sheâ&#x20AC;&#x2122;ll need special care (pause) She could be an invalid most of her life. Usted sabe que ella necesita cuidado especial... quizĂĄs sea una invĂĄlida para el resto de su vida.

!5 : 5 !5 EEEE !B G

EEEE 4 G

Sheâ&#x20AC;&#x2122;s not pretty, but she is very intelligent. (pause) also... sheâ&#x20AC;&#x2122;s a devil! No es bonita, pero es muy inteligente. ÂĄY tambiĂŠn es un diablillo! 3

5 EBB

5 5

? ' '

0 3

5 BB

5 5:

5 5

5 E BB

4 = 5 5 EB

1 E EE 2 E

0 ' '

' '

5 E5 5 B

thatâ&#x20AC;&#x2122;s why I love her. ÂĄLa amo por eso!

EEEE G.K. 2 EEEE G

EEEE !' !'

= 4 ! 55M5 0

5 E5

= 4 !55

? !!!! !!!!

= 4 ! 55 5 5

0 = 4 5 5 0

Well, I warned you. Bueno. Queda advertido.

Oh yes, I know... ÂĄOh, sĂ, ya lo sĂŠ!

1 E E EE

!5 B 5 EEEE

EEEE 5: G

!!!!

B: 0

!!!!

Act I

Adagio movente q = 76

!5 5 5 5 5 5 B 1 = 2 32

Pa - lo

ma de mi - al

B -

ma.

!5 5 5 5 5 5 B = p

5 5 5 5 5 B

5: Ni

Ăąa de mi

5 5 5 5 5 B

Con

5 5 5 5 B -

go_es - toy com - ple

= 5 5 !5

ta.

Mis pe - nas

1 = Fr. 5 5 2G

1 B Fr. 2G

5 5 5 3 de - sa - pa -

co - ra - zĂłn.

B -

cen

' '

attacca

Act I

Scene 4e Love Sceneâ&#x20AC;&#x201C;Wedding

1 Allegro serioso0 q = 126 Fr. G D.

Fr.

' B ::

4 4 5 4 4 M 5M

1 2G B5:

feel this power sien - to_el po - der

: ' B :

like the wall co - mo_un tem

of a tem plo de luz

': B:

5M 4 4

4 4 5 4 4 M 5M 55B

B: 4

I Yo

': B:

5 5 B

5 B

Fri - da...

p legato

4 4

5 B

Allegro serioso q = 126

': B :

4 4

4 4 5 4 4 M 5M 5

5 5 5 B:

ple y

on my back. de co - lor

: ' B:

5M 4 4

4 4 5 4 4 M 5M

B: G

Fr.

1 G

5: 5 5 B :

Hold - ing me up. en tu mi - rar D.

5 :

Straighten - ing my legs. en tu ca - lor

5 5 B: 4 4 5 ! B B : A Te

G ' : B: 4 5 M

B' ::

4 544 4 M 5M

B : 4 5 4 4 M

bold lle -

': !B : 5M

0 5 4 5 5 !B :

beau - ty vo, Fri - da

!B : 4 4 5M 4 4

born of pain, del do - lor

: ' B: 5M

!B : 4 4 5M 4 4

Act I

1 4 B 2

me un

in a ca -

': G B: !B : M 4 4 4 4 5 5M

14 1 5 : 5 5 2

fraid mor

of loveâ&#x20AC;&#x2122;s dark a la_os - cu -

G B' ::

Fr.

' B ::

er tints, ri - dad.

5M 4 4

' : B:

your res

5M 4 4

un - a sin te -

!B :

M 4 4 4 4 5 5M

5 B

5M 4 4

tion, ras,

': B:

!B :

you cre - ate Los co - lo

!5 5 5: 5 5

life que

in col - ors no one cre - as - te con no -

?: : B' :

4 4 !5 B:

5M 4 4 4 5M

PiĂš mosso q = 132

1 ?: G

con - ven fron - te

M 4 4 4 4 5 5M

4 4 = !5 B : Di - e

be - yond no sin

5 5 4 5 5 B

4 5 M 17

love mi

5 5 5 5

5 !B

5 B

5 !5 5 5 B

join por

!B else so -

5 !B :

dare touch. tros van.

!B : -

4 4 !5 5

with his con sus

4 4 !5 5 B : Like a ripe Co - mo fru

!B : -

fruit ta

PiĂš mosso q = 132

! ': ': G !B : 5 4 4 5M

!B : 5M 4 4 5

BB :: B:

4 4 5 !B :

M 5 5 4 4 5 4 4 5M

! ': ': !B :

!B :

M 5 5 4 4 5 4 4 5M

Act I

accelerando

1 Fr. G B: warm be D.

B: -

! B : 2

eyes sos

5 5

of a dul - ce

sin co

= 5

his me

!5 5

gu - lar mo la

tree, miel

accelerando

BB :: G B:

4 !B :

5 5M 22 1 B5: Fr. G

5 55

!B :

5M 5

BB :

!5 5

Iâ&#x20AC;&#x2122;ll de - vour la de - vo

4 4 5 B:

BB :: G B: 5 4 5M 1 G !B5 : Take llĂŠ

':: ' B:

he ven

5 B:

tast jun

ed me. to_a mĂ

her! ra - rĂŠ

4 4 !5 B:

B: BB::

M 5 5 4 4 5 4 4 5M

5M 4 5 4 4

5M 5

poco f

M 5 5 4 4 5 4 4 5M

Animando q = 152

Fr.

!B :

5 4 4 5M 5 B 4 4

tle breath gen ha - ce vi - vir

! ': ': !B :

5 55 -

5 EB

me a - way va me_al mun

0 Animando q = 152

5 -

and do

BI : teach tu

! B

Sa Ve_a

EB : -

me yo

E B

vor la

life vi

5 5 -

like a da que

G = !5 5 5 5 5 5 = E5I 5 5 5 5 5 = 5I 5 5 5 5 5 = E5I 5 5 5 5 5 I p sub. sim. 4 5 !5 4 5 !5 4 5 4 5 5 5 5M 5M 5M 5M ! 5M 5M 5M ! 5M

Act I

1 Fr. G 4

the al

won mun

! B : 2 ripe lla

5 -

ders do

5 5 !B :

peach. ma

Fol - low voic al es - pa

of de

your world tu_a - mor

B: -

es cio

G = !5 5 5 5 5 5 = E5I 5 5 5 5 5 = 5I 5 5 5 5 5 = E5I 5 5 5 5 5 I 4 5 !5 4 5 !5 4 5 4 5 5 5 5M 5M 5M 5M ! 5M 5M 5M ! 5M p sub.

1 B: Fr. G

= E5 BB : Your warm tus ma

BB : 2

un sin

5 -

known con -

plac fi

5 5 B

sweat - y hands nos -

stained de_ar -

G = !5 5 5 5 5 5 = E5I 5 5 5 5 5 = 5I 5 5 5 5 5 I meno 4 5 4 5 4 5 !5 5 5 ! 5M 5M 5M 5M 5M 5M 31 1 B B: 5 B : 5 B Fr. G plas tis D.

' : 2 es. nes.

ter white ta_i - rรกn

will con

lead mi

me go.

Let Haz

= E5 5 5 5 5 5 I 5 4 5 5M 5M

5 5 me a que des -

= I5 5 5 5 5 5 = I5 5 5 5 5 5 = I5 5 5 5 5 5 = I5 5 5 5 5 5 G M M M M 5 5 5 5 5 5 4 5 4 5 4 5 5 4 5 5 5M 5M 5M 5M

Act I

Subito meno mosso q = 132

1 p sub. Fr. G !B 33

5 5 !B

where TĂş

I could nev me das for

wak pier

er ma,

go luz,

a co

en te

B: -

lone lor

5 5 5

to the sound al o - Ăr -

of te

your re -

Subito meno mosso q = 132

5 5 5 5 5 5 5 5 !5 5 5 5 5 5 ! 5 5 5 5 5 ! 5 5 5 5 5 = = = G = p sub.

G 5 5M 35 1 4 Fr. G D.

4 4

5 5M

5 5M 5

5 5M

5 5 5

5 5M 0

5 -

ma.

laugh. Ăr,

That y

sound haz

makes an old me sen - tir

man so jo - ven

5 5 5 5 5 5 5 5 !5 5 5 5 5 5 ! 5 5 5 5 5 5 5 5 5 5 = = = G = G 5 5M 37 1 4 Fr. G

4 4

B: young o -

5 5M

You Con

take ti

5 5M

my go

sick vuel

ness vo_a

a - way. vi - vir.

a - gain tra vez

5 5M

Yo TĂş

!B pa

5 55 5 5 5 55 5 5 5 555 5 5 5 5 ! 5 5 5 5 5 5 = = = G = G 5 5M

5 5M

Act I

1 B : Fr. G soy me

com

!5 5 5 5

= 5 G

' :

5: 2 5

M 5 5

ma de mi al

5 5 5 5 = M5 5M 4 5 5

555 5 5 5 5M 5

ple

= 5M 5

E5 :

รฑa

5 5 5 5 4

!5 -

ra -

5 5 5 5 5 5

5M 5 G 5 5M

5 5M

1 : ': Fr. G :

tas.

: 2 :

': 0 zรณn! (Wedding guests enter) f

1 : G :

ยกFe - li Chor.

: 2 :

ยกFe - li

G :: =

5 5 5 5 5 5

ci - da

55 BB ::

! 55f 55 = =

0 5 5 5 5 5 5

55 BB ::

= = !55 55

ci - da

5 5 5 5 5 5

:: 5 5M

5 5M

Act I

82 43

1 : Fr. G ?

B :

ยกMi

1 !BB :: G

EB :

?: 2

B -

ra -

des!

Chor.

! BB ::

des!

G = 5 G 5 M

5 5 5 5 5 5 4

5 5M

= 5 5M

555 5 5 5 4

5 5M

5 5 5 5 5 5

5 5M

555 5 5 5

5 5M

1 ': Fr. G

zรณn!

1 G

ยกFe - li

Chor.

55 BB ::

:: = = !55 55 -

ci - da

55 BB ::

ci - da

! 55 55 :: = = ยกFe - li

5 E5 5 5 E5 5 E5 5 5 E5 5 E5 :: !5 E5 5 !5 E5 !5 E5 5 !5 E5 !5 E5 G f

G ':

:: : '

Act I

47 1 55 :: G Chor.

55 ::

!BB :: -

:: EEE

des!

! BB :: -

des!

5 !5 E5 !5 E5 5 !5 E5 !5 E5 : ! 5 E 5 ! 5 E 5 ! 5 E 5 ! 5 E 5 5 5 !5 E5 : G !5 E5 : : G ': ': 49

' :: = = 55 55 55 '

' ' ::

ยกFe - li - ci - da Chor.

55 55 55 ' ' :: = =

' ' ::

ยกFe - li - ci - da

EEE

Allegro q = 138

1 EEE (noisy commotion0from the guests) G

des!

Allargando grandioso

': 53

des!

EEE ?: EEE G

EEE

Allargando grandioso

1 EEE G ?:

EEE

5 = 4 4 ?: = 4 4 ?: 5

35 5 = = 55 55 5 5

5 55 55 5 ==

Fe - li - ci - da

Allegro q = 138

EEE G =

55 E 55 55 55 55 55 55 55 55 55 55 55M 55M E 55M 55

EEE 5 = 5

Chor.

EEE 2

des

3 Fe - li - ci -

55 9E 55 55 55 55 55 55 55 55 55 sim.

5 = 55 = 5 = 55 = 5 = 55 = 5 = 55 = 5 5 5 5

5 = 55 = 5 = 5 5

Act I

84 56 1 EEE = = 5 5 55 55 5 5 G

Chor.

= = 55 55 55 55

3 fe - li - ci - da - des

55 E EE 2 da

55 -

3 fe - li - ci - da - des

55 55 55 55 ==

des

55 55 55M E 5M 55 E 5 EE G

3 fe - li - ci - da

55 -

5 EEE 5 2

des!

5 E 5 5 5 55 5 5 5 5 5 5 5 5 5 E 5 5 5 = 5 5 5 55 5 5 555 5 5

5 5

EEE EEE

3 siem - pre fe - liz!

mf legato

55 5 5

55 55 55 5

55 5 5

5 B

5 5

3 Dios los

55 55 55

5 = 5 = 5 5 5 = 5 = 5 5 5 5 5 5 5 5555 55

Chor.

5 5 55 5 5

La vi

55 55 55 55 4 55 5 5 5 5 E EE 5 5 5 5 5 5 = 5 5 5 1 E E 2 E

3 fe - li - ci

Por u

EEE G

5 55 5 55

5 = = 5 55

3 -

55 5 5 5 5 5 = 5 = 5 5 5 = 5 = 5 = 55 = 5

55 5 5 ==

55 5 = = 5 55

des

fe - li - ci

M M 55 E 55 55M 55 55 55M 55 55 55M 55 55 55 55M 55 55

EEE 5 = 5 = 5 5 5 5 5 = 5 5 5 5 5 5 5 59 1 EEE 5 55 ? 4 G 5 Chor.

3 = = 5 55 55 5

5 5

55 5 5

ben - di

3 -

55 5

55 55 55 5

55 5 5

Act I

65 1 EEE Fr. 2G

Chor.

1 E E 4 2 E

4 3

5 5 5

You are E - res

the el

sun sol

to de

my mi_a

dí

M 5M 5 5 5 5 5 5 5 5 5 5 5 5 5 E 5 5 5 5 5 E5 5 EEE = 5 5 5 5 5 5 5 5 5

68 1 EEE B Fr. G

= 5 B

moon. mor

55 55 55

5 = = = = = = = 5 5 5 5 5 5 5 5 5 5 5 5 5

EEE = 5

To - geth per - fec

EEE 2

er the to_u - ni -

Chor.

Vi - van

los

5 3 -

vios

EEE 5 = 5

55 5 5 5

per ver

5 5 5 5 = = = = = 5 5 5 5 5 5 5

5 5 5 5

5 5 5 5 5

er the to_u - ni -

fect so

Y la_a - le - grí

5 5

5 5 5

55M 55 5 55 E5 55 5 5 5 5 5 5 E 5 5 5 5 5 EEE = 59 5 5 5 5 5 5 5 5

55 55 55

55 5

To - geth Per - fec

1 EEE 2G 5

55 55 55

55 5 5 5

Act I

86 71 1 EEE 5: Fr. G

5 B

u de

EEE 2

ni - verse los dos

per ver

1 EEE ? G

Chor.

EEE ? 2

fect so

5 B

u de

55 55

3 Que Dios

los

guar

55 55

3 Que Dios

los

5 where la

love lu

5 55 55 5

To - dos los

where la

will na_el

ni - verse los dos

guar

55 BB 5 55 5 3 To - dos los

dí

55 3 -

EEE = 5E5 5 5!5 5 5E5 5 55M 55 5 55M 55M 55 5 55 555 5 55 5 G 5 = 55 = 5

EEE 5 = 5 74 1 EEE B : Fr. G

shine sol,

from el

will na_el

1 EEE BB G dí

EEE G 5 5

3 -

55 4 4 5 5

55 55

¡Por

4 4 55 3

55 5

¡Por

55 55 3 -

face do

on en

from el

your mun

to co

face do

on en

55 55 55

3 vi - da

55 55 55

5 5

5 = 5

mine. lor.

3 vi - da

5 = = 5 5 5 5 5 5 5

5 -

to co

BB -

fe M M 5 55 55E55 55 55 E 55 55 55 5 55 5 =

55 5 5

5 5

shine sol,

EEE ? 2 EEE G

your mun

EEE 5 2

Chor.

55 55 55 55 4 5 5 5 5

5 5 5 5 5 5 G5 5 5 5 = 5 = 5 = 5 5 5 5 5 5 5 5 5 5 ' 5 5 5 5

mine. lor.

liz!

5 5

? 55 5

55 5

55 5 5 5

5 5

55 5 5 5

Act I

1 EEE B Fr. G

EEE 2

4 4

5 5 5 B

5 A Es

man who’s a boy pe - jo_in - fi - ni -

5 5 B

I to

want es

for my own. mi a - mor

EEE 5 5 5 5 5 5 55 = 5E55 5 5 55 5 5 55 5 G

55 55 55ME55M BB

55 55 55

EEE 5 = 5 = 5 = 5 = G 5 = = 5 = = 55 5 5

80 1 E E B 2 E

mem cuer

EEE = G

1 E E B 2 E

EEE G EEE G 5

ber, da,

my dul

5 B 3

5 3

3 and moon el cie -

55 55 55

55 5 5

5 3 up -

may light lo_a - lum

55 5 5

da, da,

55 5 = 5M 5

5 5

to - geth - er la lu - na

55 55 55

5 M 5 5 5M 5 5 5 5M 5

55 5

4 4 5 3

the y_el

55 5 5 5

5 5

the sky bra - rán,

M 55 E 55 55 55 55 55 55 55 55 55 55

55 55 55 55 5

5 5 5 5

4 4

Re Re -

sweet Fri ce Fri

55 5 5 5

55 5 55 55 5M 55 M 55 5M 55 M 55 5 M 5M 5M 5 5 5

sun sol

M 55 E 55 55 55 55 55 55 55 55 55 55 55 55M E 55M BB

EEE 5 G 5M 5

4 4

55 5G 5 5

but each mas ca

= 0

5 5 5 !5

Act I

86 1 E E B 2 E

3 -

! 5 5 5 5

3 must fol - low da u - no

own รณr

or bi

3 -

EEE

1 E E 2 E ' 0

EEE

3 er the same pre se - gui -

5 I ' = 5 5 5 5 I5 I5 !5 0

= 4 5

1 Adagio affetuoso 0 Fr. G

EEE G

nev siem

' !'

(Everyone takes places for the wedding)

size. rรก.

! 5 5 5 5

it... ta

' '

EEE G '

its su

= 5 5 To - geth Los dio

5 5 =

To - geth Los dio

5 -

er ses

5 -

er ses

Adagio affetuoso

= 5 5 5 5 5 5 5 G B 5 5 B5 5 5 B 5 5 55 B55 5 55 55 5 = 55 5 5 5 5E55 5 = 5 !5 p p dolce 5 B 4 B G B B B

Act I

1 Cr. G Fr.

Cristi

G = 5 5 5 5 5 5 our brush - es a los an

our brush - es a los an

will bring gods - ti - guos tem

! BB

back plos

will bring gods ti - guos tem

5 5 B G B55 5 55 5 55

55 5

I muy

5 knew rĂĄ -

to the tem - ples. vol- ve - re - mos.

55 5

back plos

to the tem - ples. vol- ve - re - mos.

sim.

= 55 E5 55 55 !55 !55 55 5

5 = 5

I warned her Lo di - je,

5 5 5 55 5 = 2

G B

= 5 5

= 55 55

55 55 55 !5 55 E5

1 5 Cr. G 5 5 5 5: Fr.

G 4

sheâ&#x20AC;&#x2122;d fall pi - do

in love se_e - na

5 5 =

To - geth Y jun G.K.

= 5 5 5 5 5

er tos

weâ&#x20AC;&#x2122;ll paint a gold - en pin ta - re -

5 -

too fast. mo - rĂł.

5 5 To - geth Y jun

5 5 5 5 5 =

er tos

weâ&#x20AC;&#x2122;ll paint a gold - en pin ta - re Guillermo Kahlo

5 ring mos

5 a su

= 5 5 5 5 = Sheâ&#x20AC;&#x2122;s a dev - il Un dia - bli - to

B B G

= 5 !5 55 5 G 5 55 55 55 5 5

B B

BB 55 B

B BB

Act I

101

1 Poco movente q = 104 0 Cr. G

5 =5 5 5 55 5

hope heâ&#x20AC;&#x2122;ll treat her I Quie- ra Dios que la tra - te

Fr.

5: G

round glo L.

the ri -

world a Lupe ff sarcastically

G ?

= $ 5 5 ! 5 5 5 5

sim.

5 E 5 5 5 5 5 it will blind your lit - tle E - sa luz te que -ma

Be- ware of all thatlight... Cui - da - do con la luz.

Al.

5 G = !5 5 i I was her

round glo -

4 G.K. 2

the ri -

= 5 55 5

love...

first Yo fui - su_a - mor

well... bien

is Di - e - go cre - o Die - go_el

meant Ăşl -

5 to ti -

world a

= 5 5

but I love mas la quie

her. ro

Poco movente q = 104 legato sempre

5 = 5 !55 55 55 55 55!55 55 mf

5 4 M

= 55 55 55 55 55 55 55 55E!55 55 5

Act I

103

1 Fr. G = 5 you tĂş

G 5 =

5 5 5

!5 5

are the sun la lu

to my moon na_y el sol

to - geth er the un gran u - ni

soul. rĂĄ.

Al.

= 5 5 5 5

= = 5 !5 5 !5 5 E5 5

Youâ&#x20AC;&#x2122;ll feel the pain - ful nips Y pi - que - tes sen - ti - rĂĄs

G 5 : 5 !5 ? i be her last? mo se - rĂĄ ? 4 2

that love cuan - do

0 !5 !5 5 5 = = : !5 5 5

Re mem - ber my sweet Fri - da Re - cuer - da dul - ce Fri - da

5 G = 5 E55 55 55 !55 55!55 55 5 sim. 55 5: 5 5 105

1 Fr. G 5 5 !5 5 5 per - fect ver - so L.

55 55 55 E!55 55 5M

!5 5 !5 5 5 =

5 5 5 5

To - geth er the sun La lu - na y_el sol G.K.

? 2

= 5 I Que

= 55 !55 55 55 5 5!5 5 5555 G M 5 4 5 5: 5 5

and the moon will el cie - lo_a

hope heâ&#x20AC;&#x2122;ll ĂŠl la

5 5 treat her tra - te

5 5

from your face ha - ci_a ti

0 =

5 55

cuts from head to toe. prue - bes e - se_a - mor. D.

where love will shine mi luz i - rĂĄ

un - i - verse, de los dos

G 5 5M 5 5 = M M M !5 ?

5: 5

35 5 55

5 5 5 light up the lum - bra -

5 =

well. bien

= 55 55 55 55 55 55 55 55 E!55 55 5M

Act I

92 107

1 5 Fr. G

on mi

to a

Al.

G = i

give to

her do

ev le

4 2

Heâ&#x20AC;&#x2122;s se

mar ca

Al.

G 4

How El

G 5 i tell. yo. 5 each ca

4 5

rying sa

a con

child ĂŠl

!55

55 5M

Iâ&#x20AC;&#x2122;ll se

3 3

5 5 5 5 5 can he es - tĂĄ

trav - els da_u - no

its su

own Ăłr

mar - ry that cie - go por

or bi

I can pien - so

but mas

have for my own. rĂĄ pa - ra mĂ. 3

5 5 5 5

mon - ster in braids. es - ta mu - jer

er. Ăąo.

55 55 55 55 B B 5M

- bit. - ta

who loves him like a moth lo quiere co - mo a_un ni

a a

3 5 5 5 5

!5 5 5 = G.K. 2 3 G = 5

? 5

whoâ&#x20AC;&#x2122;s Ăąo

â&#x20AC;&#x2122;ry - thing da - rĂĄ,

!5 :

boy sĂ L.

1 Fr. G 5

man ni

5 -

E55

108

= 5 5

A Hom - bre

Heâ&#x20AC;&#x2122;ll El

G = 5

mine. mor

sky rĂĄn

G.K.

BB B

Act I

110

PiĂš mosso, andante grazioso q = 72

1 L. 2G 4

Canâ&#x20AC;&#x2122;t he see what she wants from his Y no ve lo que quie - re de

!B' 5 5M

! 5 5M 5 5 :

112

3 3 1 L. 2G 5 5 5 !5 5 5 5 5

5 =

! BB G G !5 :

5 :

114

1 L. 2G B:

! BB

B B

5 !5 :

M 5 ! 5 5 5:

(Lupe lifts Fridaâ&#x20AC;&#x2122;s skirt to reveal her withered leg) f

M M 5 5 5 5: 5 5 !' G 5 : !5 '

% ' %

You see what youâ&#x20AC;&#x2122;re getting, and you see what you had! ÂĄMira lo que vas a tener, y lo que tuviste!

!' '

M 5 5

ÂĄMi - ren!

B BB

(shouted, to Diego)

5 5 4

him! rĂŠs.

B ! BB

5 5:

Itâ&#x20AC;&#x2122;s fame and for - tune she wants from No mĂĄs se ca - sa por in - te -

B B M 5 !5

!5M

3 5 = 5 5 5 5 5 5

paint - er at - tached to a gi - ant. dio - cre_a su som - bra gi - gan - te

5 55 3

5 55

A mi - nor Pin - to - ra me-

skin? ĂŠl.

B B

B G !B

5 5 !B

!5 5 5 5 5

` a 55 55 = 4 f ' ' 5 = 4 5

? ? %

Act I

Moderato q = 108 117

1 L. 2G

Youโ re a fool! ยกIdiota!

55 = 4 ? mp = 4 ? 5 5

1 Adagio espressivo q = 60 0 Fr. G

5 5 5 5 5 5 5 5 5 5

122

5 5 5 5 5 5 5 5 5 5

= 4 ? 5 5

ritard.

= !5

I5 5 E 5 4 = =

Adagio espressivo q = 60

G ? mp

B 1 Cr. G

I Te

(tenderly)

126

ยกPinches hombres!

` 555 = 4 !' ? 5 ' G % loco = 4 ? 5 5

(Uproar subsides. There is an awkward silence.)

(Lupe exits. General uproar, some laughter and some applause.)

(she lifts her own skirt) (general gasps)

55 5: 5 5 4

ritard.

5 0

B E5M 5M 5

Largo q = 40

rit. molto

I want you Te quie - ro

0 (shouting)

ยกQue vivan los novios!

Fr.

G B want quie

B -

you ro

5 5 5 5

= !5 5 = my mi

(Frida and Diego kiss. Cheers from all.)

lit co

tle ra

dove. zรณn.

`aB

5 5 = 5 ! 5 55 55 55 BB *

B BB

rit. molto

5 5 E55 55 55 !55!55 55 55 G =

B G BB

= 3!5 5E5 !5

Sweet co - los - sus! ยกMi fiel co - lo - so!

Largo q = 40

attacca

Act I

Scene 4f Wedding and Entrâ&#x20AC;&#x2122;acte 1(11)

Chor.

1 2G

= = 55 55

Fe - li

55 5

5 5

55 5

3(13)

55 5

5 5

1 5: G 5: Chor.

55 5

= = 55 55

des

Fe - li

55 55 ::

= = 55 55 2 Fe - li

ci - da

5 5

55 ::

55 5 sim.

55 55 :: -

ci - da

55 5

55 -

ci -

55 55

55 5

5 5

55 ::

= = 55

des.

55 ::

55 55 = =

des

Fe - li

Que

55 ::

55 5 : 5: -

ci - da

des.

5 5 5 G 5 5 5 55 55 55 55 55 55 55 55 55 55 55 55 55 55 55 55 55 = = 55 55 5 = = 5 = = 5 = = 5 = = 5 = = 5 = = 5 = = 5 = = 5 5 5 5 5 5 5 5 5(15)

Chor.

1 5 : G 5:

55 ::

Dios

los

: 2 4

55 ::

5 55 :: 5 = =

55 ::

Que Dios

los

guar

55 :: guar

55 -

dos

55 :: -

55 5:: 5 los dĂ

55 :: -

5 5 = = 5 5 Fe - li

55 -

ci -

5 5 5 G 5 5 5 55 55 55 55 55 55 55 55 55 55 55 55 55 55 55 55 55 = = 55 55 5 = = 5 = = 5 = = 5 = = 5 = = 5 = = 5 = = 5 = = 5 5 5 5 5 5 5 5

Act I

96 7(17)

55 55 ::

1 G = = 55 55 Chor.

Fe - li

5: 5 : 2 da

ci - da

Chor.

Fe - li

55 :: -

Fe - li

des

55 55 :: -

55 ::

ci - da

55 55 = = 55 55 = = 5 = = 5 5 5

La vi

55 :: 2

des

55 55 = =

= = 55 5: 5:

1 4 : G

= = 55 55

55 ::

G 55 55 = = 55 55 5 = = 5 = = 5 5 9(19)

55 ::

55 55 :: -

ci - da

55 :: -

des.

5 = = 5

des.

Por

55 55 55 55 5 55 55 55 = = 55 55 5 5 = = 5 = = 5 = = 5 = = 5 5 5 5

55 ::

5: 5:

siem

55 :: -

5 5

5 5: 5 5:

pre

fe - liz

5 5

5 55 :: 5

pre

fe - liz.

G 55 55 = = 55 55 55 55 = = 55 55 55 55 55 55 55 55 55 55 = = 55 55 :: 5 = = 5 = = 5 = = 5 = = 5 = = 5 = = 5 = = 5 = = :: 5 5 5 5 5 5 5 5 21

5 5 5 5 5 5 5 5 5 G 5 5 5 5 5 5 55 55 55 5 5 5 55 55 55 55 55 55 55 55 = = 55 55 5 = = 5 = = 5 = = 5 = = 5 = = 5 = = 5 = = 5 = = 5 5 5 5 5 5 5 5

G 55 55 55 55 55 55 55 55 55 55 55 55 55 55 55 55 55 55 55 55 = = 55 55 5 = = = = 5 = = = = 5 = = = = 5 = = 5 = = 5 5 5 5 5 5 5 5 5 5 5

Act I

G 55 55 = = 55 55 5 = = 5 = = 5 5

55 55 = = 55 55 = = 5 = = 5 5 5

55 55 55 55 5 55 55 55 = = 55 55 5 5 = = 5 = = 5 = = 5 = = 5 5 5 5

= 55 55 G 55 55 = = 55 55 55 55 = = 55 55 55 55 55 55 55 55 55 :: 5 = = 5 = = 5 = = 5 = = 5 = = 5 = = 5 = = 5 = = 5 5 5 5 5 5 5 5

(General hilarity and dancing.)

5 5 5 G 5 5 5 5 = = 5

5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5

= = 5 = = = = 5 = 4 : ?: 5 5 5 5 5 5

5 5 5 5 5 5 5 5 5 5 5 5 G 5 5 5 5 5 5 5 5 5 5 5 5 5 = 4: ?: 5 `a !':

Moderato q = 112 33

(Lights up on next scene)

5 = = 4 :

Repeat ad lib. (The commotion moves offstage as the scene changes.)

:: 5

5 B:

(Frida with Diego on his scaffold)

= = 4: 5M

Act I

Scene 5a Septet and Diegoâ&#x20AC;&#x2122;s Song (Art is Ham)

1 Fr. G

No balance, too much red. Add some green. No hay balance. Demasiado rojo. Pon un poco de verde. D.

What do you think, niĂąa Fisita? ÂżQuĂŠ crees, niĂąa Fisita?

And, Saporrana, the horse Zapata rode was black! Y Saporrana, ÂĄel caballo de Zapata era negro!

1 2

Claro.

' '

Andante serioso q = 88

But white is more heroic. The people need heros. Pero el blanco es mĂĄs heroico. El pueblo necesita hĂŠroes.

5 B5 5 5 5 5 5 5 5 5 '5 !5 5 5 5 mp 5 5 5 B 5 B 6

1 Fr. G

5 55 5 55 5 5B 5 5 G 5

(laughing)

But itâ&#x20AC;&#x2122;s not the truth! ÂĄPero no es la verdad!

and a hero needs a heroic setting. y el hĂŠroe necesita una escena heroica.

Iâ&#x20AC;&#x2122;m a revolutionary artist! I paint what I want. Soy un pintor revolucionario. Pinto lo que quiero.

! '))))))))))))))))))) ' 5 ' B: 5 5 5 5 5 5 5 5 5 5 =4 ? G 5 !5 5 5 B mp

0 p

0 '

Act I

Allegretto moderato q = 126â&#x20AC;&#x201C;132 10

(Representatives of the Mexican communist party and government officials enter, carrying placards.)

5 5 f 5 5

5 5

5 5 5

!5 ! 5M

5 5M

55 55

5 5M ! 55 M

5 5M

(defiantly, to the men)

1 ? 2

= 5 !5 5 !5M

I paint what I want. A sĂ pin - ta - rĂŠ.

5 5 5 5 5 5 5 5 5 5 5 5 4

Male Chorus

Chor.

1 4 2

Rev - o - lu - tion - ar - y! Re - vo - lu - cio - na - rio

55 55

5 5M

!5 ! 5M

1 4 2

55 5 5M

Iâ&#x20AC;&#x2122;m Soy

Chor.

1 5 5 2 5 5

55 5 5M

5 5M

5 5M ! 55 M 4

!5 ! 5M

5 5M

5 ! 5M

55 5 5M

5 ! 5M

5 -

ist! rio.

5 5 5 5 5 5 5 5 5 5 5 5 4

Rev - o - lu - tion - ar - y! Re - vo - lu - cio - na - rio

55 !5 ! 5M

!5 ! 5M

a rev - o - lu - tion - ar - y art un pin - tor re - vo - lu - cio - na

5 5 5 5 4

55 55

5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5

55 55

lu - tion - ar - y! lu - cio - na - rio

Rev - o - lu - tion - ar - y! Rev - o Re - vo - lu - cio - na - rio Re - vo -

5 !5 5 5 5 !5 5

5 5 5 5 5 5 5 5M

55 55

55 5 5M

5 ! 5M

55 55 5 5M

55 !5 ! 5M

55 5 5M

5 ! 5M

Act I

100

Chor.

I5 I5 I5 I5 I5 5 =

Communists

1 2 ?

I spit in your eye. ÂĄA - sĂ di - ces tĂş!

55 55

5 5 M 19

Chor.

55 G= 5 5 55 ! 55 55 55M 55M !5 5 5 = = 5 = !5M 5 5 !5 5

5 5 !5 5 5 5

1 4 2

You paint De los

= 55 55 55 55 55 !55 55 4 M

5 = !!55 = 5 = 5 = 5 5 5 5 !5 !5 5 B5

on - ly for the rich, ri - cos es pin - tor

55 M =

= 5

The Los

not the poor. no de po - bres

5 5 M 5M

5 5 !55 5E!55 55 55 55 55M 4 5 = 5 5 5 = 5 5 5 5 G !55 5 5 5 55 5 5 5 55 5 5

!5 = 5 = !5 = 5 = 5 = = ! 5 = = = = 5 !5 ! 5 5 5 !5 5 5 5 5 5 !5 5 !5 21

(to the chorus)

1 ? Fr. 2G

Chor.

5 5 5

poor, po -

!5 !5

5 5

3 Id - i ots ÂĄTon - tos

1 5 2

5 5 !5

com - mon men need bres que pi - den

5555

55 5 5

! 55 5 5

5 5 5 5 5 5 5 not the hot air de_e - sos hom - bres

bread, pan

55 5 5

canâ&#x20AC;&#x2122;t you que no

5555 55

G G

that floats te ol -

55 5

Act I

101

1 Fr. G B

= 5 5

see? ven!

Chor.

This man Del po

has the eyes bre com - pren

1 5 5 2 -

G G !5

a - round vi - das -

5555

of the poor. de_el do - lor

5 5 5 5 4

in your head. te tĂş.

55 5

55 !5

55 55

55 5

G !5

5 5 5

2 ?

He y

shows cre

5 5 5

Chor.

Why Baâ&#x20AC;&#x201C;

G 5

5 5

let your lit - tle ja de_a - llĂ, si

G 5555 55

5 5 5

!5 !5

- nes de -

you? wife de - fend hom - bre er - es

55 55

55 !5

5 5

ÂĄCo - jo

5 5

a bet-ter do me -

5 5 =

Sheâ&#x20AC;&#x2122;s got balls! ÂĄQuĂŠ mu - jer!

1 4 2

5 5 E5 E

to us a_un mun

55 5

1 B Fr. G

What a ti - gress! ÂĄQue ti - gre - sa!

5 5 B

5 5 5

5 5

55 5 5

! 55

55 5 5

5 5

E E

Act I

102

1 E Fr. G B

world. jor

Chor.

Paint pin

!5 o

ing our Mex ta_el Mé -

55 55

= 5 E5

5 5 5

If you’re a man, ¡Ba - ja de_a - llí,

E 5 5

(Diego laughs)

1 E = 5 2

5 5 5

5 5

de - fend ven a

your - self. pe - lear!

55 = 55 55 55 55 55 55 G= 5 5 55 E55 55 55 55 E55 55 4

E5 = 5 = E5 = 5 = 5 = = 5 5 = = E5 5 5 5 5 5 E5 5 5 E5 E5

1 E Fr. G 5 5 5 -

Chor.

E ?

1 E ? 2

i - can xi - co

B peo nues

5 -

= E5

ple. tro.

5 =

I Te

love quie

5 5

5 5: you more ro más

5 5 E5 than an - y que pue - do

Come down and fight! ¡Ven a pe - lear!

55 55 5M 55M !5 E5 5 ! 5 E5 E5 ! 5E 5 5! 5E 5 4 G E55 55 = 55 55 55 55 = 55 55 55 55 55

E5 = = E 5 = E5 = 5 = 5 = ! 5 = = = = 5 E5 5 5 !5 5 E5 5 5 5 5 E5 !5 5 E

Act I

Chor.

31 E 5 5: 1 E E 5 5 2

1 E 2

3 wom - an yo

5 5

is loved de - cir

E !5 !5

5 5

5 5 5 5 ?

5 555 55 5 = 5 555 55 5

!5 5 !5 5

This hyp - o - crite Te - ne - mos

must be que pa -

55 55

1 Fr. 2G 4

by man mi_a - mor.

0 5555 55

103

!5 !5

5 5

Chor.

5 5 5 5 5 5

stopped. rar

55 55

5 5

55 !5 !5

5 5

5 !5 5

This ÂĄUn

man hom

1 ? Fr. 2G

Chor.

to no

G 5 5

55 55 55

!5 !5

55 5

of the pa - ra_el go

55 5 5 5

55 5 5 !5

He paints y que

55 5

5 5

!5 !5

55 5

5 5 B

5 5

is a man co - mo ĂŠl

with - out no ex -

bre

B5 : 55 B5 : 55

!55 5 !55 5

kiss the ass pin - te mĂĄs

55 55 55

1 5 5 !5 5 B 2 5 5 !5 5 B

5 !5 4

5 5 = 5 5

are spent. cri - ta

5 5

Canâ&#x20AC;&#x2122;t you see? ÂżNo lo ven?

5 5 !5 5 5 !5

His i - deals a_es - te_hi - pĂł

5 5 !5

Ma - ri - co - nes!

1 5 2 5

new bier

5 5

5 5 -

55M 55M ! 55 = 55 5 !5 = E 5

5 5

5 !5 5 5 5 5 5 5

3 gov - ern - ment. no nue - vo.

55M 55 5 5

55 5

= !5

55 ! 55 55

5 !5

4 55M 5 4

= 5 = 5

Act I

104 37

1 B Fr. 2G e is

Chor.

5 -

!5 38

Chor.

1 2 2

dead! lo!

Stop ยกQue

him no

55M ! 55 5 5

55M 5

55 5

55 ! 55 5 5

55M 5

2 2

55 55 5 5 !5

55 5 5 G

2 2 2 2

This com - mu pin - tan

paint - ing. si - ga

55M 5

Shoot him ยกMรก - ten

G =

qual! te!

Government Officials

1 ? 2

nist do

3 trash is es - ta

55 5

55 55 5 5

22 2

in - cit - ing the ba - su - ra co - mu -

55 55 5 5

55 5

1 Fr. 2G Chor.

1 2 2

= 5 55 5 55 5

!5 5

You im - be - ciles ยกI - dio - tas

with false sin ra -

peas - ants! nis - ta

G G E5

55 55 55 55 55 55 55 55 55 5 5 5 = 5 5 5 5 5 5 !5

5 =

G E5

= !5 = 5 5

55 55 !5 !5

5 5

5 !5

Act I

105

1 Fr. 2G 5

= 5 5 5

pride. zรณn!

You en - vy ยกSu ar - te

his no

5 5 5 5 5 5 5 5 ?

(Communists)

Chor.

5 5 !5

1 4 2

fame ven!

con - tent Las pie -

5 5 !5 5 5 !5

ยกMen - ti - ro - so!

55 55

5 5

!5 !5

5 5

5 !5

Chor.

!5 5

play the pawns sรณ - lo son

1 ? 2

in a en un

5 5 5 5 5 5

55 55 55

to - zas

new jue

5 5

55 55 55

5 5

Chor.

!5 !5

45 B 1 B 2

peo pue

55 5

55 5 5 5 5 5

55M 55M ! 55 G = 5 5 5 !5 E5 =

55 5 5 5

5 !5

55 5 5 5

3 fas - cist game. de_a - je - drez!

5 = 5 =

55 55 5 5 !5

4 5 5 5 5

who be - trayed trai-cio - nas

your te al

55M 55 5 5 5 5M 5 5 55 55 !55 55 4 = !5 = 2

No more walls. ยกYa no mรกs

55M 55 5 5 5 5M 5 5 55 55 !55 55 4

55 5 5 !5

5 5 5 5

2 2

5 5

(Government Officials)

55 5

5 5 B 5 5 B

55M 55M ! 55 55 = 5 5 5 5 !5 = E 5

ple! blo

= !5 =

55 5

!5 !5

B5 :

Youโ re the one ยกSo - lo tรบ

ยกMa - ri - con! ยกTra - i - dor!

1 Fr. 2G 5 5 !5 5 B

= 5 5

55 5

= 5 = 5 2 2 2 2 No com - mis - sions! co - mi - sio - nes!

55 55 55 55 55 55 = 5 5 5 5 5 5

5 G

!5 =

5 = 5 =

Act I

106

1 Fr. G

(shouted)

Government pigs! ÂĄGobernantes cochinos!

(overlapping)

Donâ&#x20AC;&#x2122;t waste your breath on them Frida. No vale la pena, Frida. (Government Officials)

Chor.

1 2

5M 5

! 5M !5

He El

de a

55 55 5 5

G G E5

55 55 55 55 55 55 55 5 = 5 5 5 5 5 5 !5

5 =

55 55 5 5

= !5 = 5

G E5

fac rrui

55 5 5

! 5

5 55

Com ÂĄCo

Chor.

ar - chi - tec ar - qui - tec

5 G

our la

55 5 !5

5 5

I Yo

55 5 G

fight be lu - cha -

mu - nists! mu - nis - tas!

5M 5M ! 5M 1 5 5 !5 2

es na

5M 5

55 5

1 Fr. G

5M 5

- ture with tu - ra

55 55 55 5 5 5 !5

5M 5

55 5 5

5 5

his con

mon co

55 5 !5

55 5 5 5

5 5

sim.

5M 5

strous sas

55 55 5 5 5

5 5

cre - a - tions. mons - truo - sas

55 5 !5

5 5

!5 !5

55 5 !5

55 5 5

5 5

Act I

107

1 B Fr. G side rĂŠ

5 5 2 1 4 2

not te

1 5 2 mu lis

5 -

Itâ&#x20AC;&#x2122;s es.

not Es

cub sĂł

55 55

ist. lo

55 5 5

5 5

Itâ&#x20AC;&#x2122;s sim

com bo -

5 5

!5 !5

5 5

5 -

55 5 55 4

us van!

= 5 5 5 5 3 The gov - ern - ment! no Go - bier -

All of you! ÂĄTo - dos!

ness men! dos!

nist mo

5 5 !5

5 5

(Communists)

= 5

sym - bol - is - m. co - mu - nis - ta.

G 5555 55 5 5

5 5

cials! tes!

5 B

art. no

try to fight no se_a - tre

Busi ÂĄTo

Chor.

5 5 B

Just ÂĄY

Ma - ri - co - nes!

of - fi ber - nan

5 5 5 5 ?

5 B

!5 !5

1 Fr. G 5

man ĂŠl

55 55 55

5 5

my con

!5 Itâ&#x20AC;&#x2122;s ar

Gov - ern - ment ÂĄY los go

Chor.

And ÂżY

55 55 55

55 55 55 5 5

!5 !5

5 5

!5 !5

B since por

55 55 = 5 5

55 ! 55 55 55 5 !5 5 5

55 5

5= 5

5 = ! 5 5 !5

Act I

108 55

1 4 Fr. 2G

Chor.

= 5 5 Our own el par

1 ! B 2

5 5

when quĂŠ,

! 55 55

5 5 4 -

par - ty ti - do

does a work - er un - tra - ba - ja

Chor.

57 1 5 : 2

shirt en

5 = ! 5 = 5 !5 5 5 5 5 5 5

with - out a per - fec - ta

sin- gle tear? con - di - ciĂłn?

Chor.

59 1 5 2 5

en. das.

G 5 5 4 61 D.

Busi - ness ÂĄTo -

men! dos!

wear dor

a con

5 5 !5 per - fect - ly la ca - mi

55 55 55 55

5 -

pressed sa

55 55 55 55 55

= ! 5 = 5 !5 5

5 = 5 = ! 5 = 5 5 !5 5 5 5 5 : 5 : 5 5 5 5 !5 5 5

And those ug - ly na-ked wom Las mu - je - res des - nu -

55 55 = 4 4 ?: 5 : 5 5 5 : 5 5 !5 5 5 !5 = 5 = = = = 5 !5 5 5 !5 5 5 5 5 5

5 5: (They laugh) 5 5 5 !5 5 5 : 55 5 5 ' 4 = 5 5 5 !5 5 ? ' 5 5 I - mag - ine going to bed with one of them!

5 ÂĄQuiĂŠn se a - cos - ta - rĂa con e_se ho - rror! ! 555 = 4 0 ? ?: 5: 5 ff 5 5 ' = 4 = 55 5 5 !!55 55 5 : 5 4 4 ' 5 5 5 5

55 5 5 5 5 5 5 5 5 5 ! 5 5 E! 55 5 5 55 5 4 G = 5 5

!5 :

55 55 55 55 55 55 ! 55 55

= ! 5 = = 5 5 !5 5 5

55 5

Barbarians! You wouldnâ&#x20AC;&#x2122;t fuck a pyramid but that doesnâ&#x20AC;&#x2122;t mean itâ&#x20AC;&#x2122;s not art! ÂĄBĂĄrbaros! ÂżPiensan que el arte es sĂłlo algo para chingar?

attacca

Act I

109

Scene 5b Diegoâ&#x20AC;&#x2122;s Aria â&#x20AC;&#x153;Art is Hamâ&#x20AC;? D.

q = 120 1 Allegro 0 2

PiĂš agitato q = 138

Diego (shouting)

ÂĄPendejos!

ÂĄCabrones!

55 5 5

55 55 55 55 55 5 5 55 BB ::

!!555!5 555 ! 5 G

5 5

!5 !!555!5 555 5 5

5 5

1 2

0 Bourgeois pigs! ÂĄBurgueses mugrosos! sim.

G !!555 !5 5 5 6

555 !5 5 5

1 2

!555 ! 5

5 5

? %

5 5

0 4

What do you know about Art? ÂĄNo saben un carajo de arte!

!' G '

555 ! 5 3

% ! !'' ' ! ' G %

: 5

Art ar

9 1 5 : 2

com ma

5 5

555 5 3

5 5

Andante movente q. = 96

5 E5 5= 4 ?

5 5

(fervently)

= =

!!555 ! 5 3

`a 555 5

555 ! 5

5 5:

5 5

is ham te da_a

for the la hu -

: 5 5 5 55: 5 5 55: 5 5 5 : =

5 -

: 55 5 5 55 :

= 4 ? 5

55 5: mon man, ni - dad

= = = = = = = = 5M 5 5 5

M = = 5 5 :

5 55: 5 5 5 5:

to el

5 5 5

5 5 5 5:

breathe ai

= 5 5 5 5:

like air re que_a - to

for dos ha -

5 5 5 5:

= = = = = = = = = = = = = = = = 5 5 5 5 5 5 5 5

Act I

110 11

5 5 5 5:

1 5 : 2 all ce

to share. vi - vir.

5 5 5 5:

I5 I55 I5 I55 I55 = =

(mocking)

5 = = 5 I I I 13 1 55 5 55 2

5 5 5

snack on when theyâ&#x20AC;&#x2122;ve got the itch, gran pa - la - cio_en sal - zar

= = 5 1 I5 : 2 15

clu sin

5: 5

5 5 I5

1 4 : 2 =

5 =

not be - hind sus ri - que

5 5 5 5 5 5 5 5 B: = = = 5 = = 5

5 : 5 : 5: 5: 5: 5:

pri - vate walls, zas sin fin,

I 555 5: 5 : =5

55 55

555 5 I

I 555 5: 5 : 5 M

in ex ga - las

5 55555 5 5 B: = = = 5 = = 5

55 55

5 = = 5 = = 5 = = 5 5 5 5: 4: = : 5:

man Art is for the com - mon ce - le - brar El ar - te_es pa - ra

5: G 5= :

5 5 5 5 5: 5 5 55 5 = = = = = = 5 5 5 II 5 I5 I5 I5 : = 5 5

5 5 5555 5 5 5 5 5 5 5: 5 5 5 : 5 = = = = = = 5 = = = 5 5 5 I5 : 4: 5: 5:

to su

5: 5

sive halls. i - gual.

G 5 5 5 5 5 5: 5 5 = = = 5

I5 = =

Not cav - i - ar for the rich No_es - pa - ra_el ri - co_a - lar - dear

5 5 5 ! 55 : 5 5 = = = = 5 = = 5 = = 5 I5 I5 I : I5 I5 I5 I5 : 5 =

G !5 5 5 5:

I 55 I5 :

to del

555 5I

5 55 5 M

= = 5 5 5 : 5: cel - e po - bre

55 : 55 55 55 5 555 5: 55 55 555 5 555 5 5 5 5 5 5 5 5= : 5 5 : 5 M 5 M = = = = = = = = = = = = = = = = = 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 55 55 555 5 I

55 55

555 5I

Act I

5: 5:

1 5 : 2 19

brate la

111 (waxing poetic)

his deeds. mi - siรณn

The Ha

5: 5 5 5 5 ! 5 5 5 5 5 5 ! 5 5 : 5 5 55 5 5 5 5 5: 5 5 5 5 ! 5 5 ! 5 5 5: 5 ?: 55 55 = 5 5 5 = = 5 = = 5 = = 4 : 5 5 5 5 5

21 1 5 : 2

5 B

of su

his hand, la - bor

poco rit.

: 23 1 5 2 fac la

5 5

in en

5 5

la - cien -

bor do

5 5 5 5 5 55 5 55 5 55 55 55 55 5 5 5 5

5 5

the fields el cam

5 -

and po_y

5 5

allargando grandioso

5 5 5 5 55 55

5 55

5 5 5 5 5 555 5 555 5 55 5 5 5

5: 5: 5 5 5 5 5 5

5 5 5 5 5

to - ries. ciu - dad.

B:: 5 5 G B 55 55 5 5

5 5 5

B 5 5 B 5 5 5 5 5 5 5 5 5 5 55 G 5 5 5 5 5 5 5 5 5 5 5 5 5

Art ar

is te

for the ham pa - ra_el hom - bre

5 5 5 5 5 5 5 5 5 555 55 55 55 55 5 5 5 5 5 5 5 5 5 5 5 5 5 5: 5:

Act I

112 25

1 2

5 =

5 5

com po

mon man bre es.

B G B 555 555 5 5 5 5

a piacere

for all E - sa_es

5 5

Allegro q = 120

1 2

share. fe.

4 % 4

(Diego shoots a gun in the air)

to mi

5 5 5: 55 5 = 5 : 55 55 55 5 5 5 5 = 5 5 5 5

5 5 5 5 55 55 5 55 55 5 5 5

5 K 5

G.P.

Now get the hell out of here! Iâ&#x20AC;&#x2122;m working! ÂĄFuera de aquĂ todos! ÂĄEstoy trabajando!

55 55 55 5 55 55 5

' 31

555 ! 5

!555 !5

`a ! 5 ' 33 55 ! 5 5 ' 5 5 5 !5 5 55 E ' G !555 5 5

!'' ! ''

sim.

!5 555

!5 !555

G.P.

BB ::

Agitato q = 144 (They scatter)

555 !5

! 555 !5 5

% lunga

' ' E' % lunga !'' ! ''

555 ! 5

555 !5

5 (Frida and Diego laugh)

!!!

5 = 4 ?

!!!

Act I

113

Scene 6a Entrâ&#x20AC;&#x2122;acte (Journey to USA) and Underscoring for Monologue/Dialogue (Gunshots are heard)

G Perc. MM

E BB E BB

E 55 55 55 55 BB

' E 55 ! 55 E55 55

G EB B

E 55 55 55 55 ! BB

E BB '

E55 55 55 55 55 55 55 5 5 5 5 B E5 5 5 5 B

E 55 55 '

E55 55

Meno mosso

`a 10 BB G

5 55 55 55 5 55 55

BB 3

? 3

5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 ' ' ' ' ' ' ' '

114

Act I

` BB G

5 5 B 55 55 55 5 5 55 B E! 55 BB

55 55 55 BB 5 5 5 5 5 5 G

' BB

' `a BB

55 55 55 5 5 5 5 5 5

loco

B (The New York skyline appears) B ? G =: 5 !5 : 5 5 : 5 5 : 5 !5 : 5 5: 5 5: 5 5: 5 !5 : 5 5: 5 5: 5 !5 : 5 5 : 5 5 : 5 !5 : 5 5 : 5 5 : 5 5 : 5 !5 : 5 5 : 5 5 : mf = 4 = 4 =: $ 5: !5 5 = 4 G 4 5 = 4 5 5 !5 5 : !5 5 5 5 ! 5 5M M

27 $ !5 : 5 5: 5 5: 5 5: 5 : = 5 !5 : 5 5: 5 G 5 !5 : 5 5 : 5 !5 : 5 5 : 5 5 : 5 5 : 5 $ = 5 = 4 : = = = 4 55 55 G 5 5 5 5M 5M sfz 24

5 5: 5 5 5: 5 5 = 5 5: 5 5: 5 4

G !5 : 5 5: 5 5: 5 5: 5 !5 : 5 5: 5 5: 5 5: 5 !5 : 5 5: 5 5: 5 5: 5 !5 : 5 5 : 5 5 : 5 5 : 5 !5 : 5 5 : 5 5 : 5 5 : 5 !5 : 5 5 : 5 5 : 5 5 : 5 = 4 = 4 =: $ = 5 = = 4 =: $ 4 55 55 5 5 G ! 5 5: !5 5 5 5 5 ! 5 5 : ! 5 5 sfz

Moderato (q = 120)

!!! !!!

E! 55 55 55 55 55 55 55 55 E55 55 55 55 55 55 55 55 E55 55 55 55 55 55 55 55 E55 55 55 55 55 55 55 55 p sub.

B G BB B

5 5 B 55 5 55 5 BB B

5 5 55 5 55 5

Act I

115

(Frida enters wearing a Tehuana dress.) 36

1 Fr. 2G

Frida

Pastels are a poison Los colores pastel son veneno

GGGGGGGGGGGGGGGGGGGGGG

' ' E'

G G

' ' '

1 Fr. 2G

I am Mexico Yo soy MĂŠxico

55 5

and thatâ&#x20AC;&#x2122;s how they must see me. I create the story of my life y asĂ es como deben verme. with every ribbon, every ring. Yo cuento la historia de mi vida con cada cinta, cada anillo.

' ' '

5 55 55 55 55 55 555 555 5 555 3

GGGGGG

G E' ' ' 41

E5 E5

Andante semplice q = 76

1 Fr. 2G

Once carnation pink is in your soul, you never know who you really are. Si esos colores gringosos entran en tu alma, ya nunca mĂĄs sabes quiĂŠn eres.

I wear two on each finger. This way I become my grandmotherâ&#x20AC;&#x2122;s mother, or her mother before her, Llevo dos en cada dedo... asĂ me transformo en la madre de mi abuela, o en su madre antes de ella,

55 5

' ' E'

55 EE 55 BB :: 5 E5 B :

5 55 55 55 55 555 55 5 5 5 5 3

' E ' '

GGGGGG

0 GGGGGGG

55 5

Act I

116

1 Fr. 2G

or anything else I choose to be. o cualquiera que se me antoje ser.

The Tehuana is perfect, the everyday dress of the forgotten people. El vestido tehuano es perfecto, es el vestido diario de la gente olvidada.

' ' '

0 0

5 5

1 Fr. 2G

Itâ&#x20AC;&#x2122;s something different for these Yanquis from â&#x20AC;&#x153;Down Mexico Wayâ&#x20AC;?! Algo diferente para estos yanquis de â&#x20AC;&#x153;Down Mexico Way.â&#x20AC;?

G 4 p

`Ma 5M 55 5

55M

loco

but I really love these dresses. pero de verdad yo adoro estos vestidos.

0 pp

5 55

55M 3

' ' 0

55M

It was Diegoâ&#x20AC;&#x2122;s idea to cover the limp... Fue idea de Diego para esconder mi cojera,

1 Fr. 2G

55M

^ ' ' ^ E ' G _ 49

55M

Act I

1 Fr. G

Moderato q = 100

1 2

(cluster)

Funky (swing) (q = 100)

(Chauffer-driven convertible drives on stage, honking)

Itâ&#x20AC;&#x2122;s not every day I get to dress like a Capitalist. ÂĄEs mi oportunidad de vestirme como un capitalista!

$ 5 E 5 : 5 5 E5 5 f

Why the hell are you wearing that? Is this a costume party weâ&#x20AC;&#x2122;re going to? ÂżQuĂŠ es eso que tienes puesto? ÂżEs que vamos a un baile de mĂĄscaras? Diego

G 4

(angrily)

(Diego enters in a tuxedo)

117

0 0

ÂĄHijo de puta! Look what Ford sent to get us! Incredible! What a machine! ÂĄHijo de puta! Mira lo que ha mandado Ford para recogernos! ÂĄIncreible! ÂĄQue carrazo! â&#x20AC;&#x153;dirty saxâ&#x20AC;?

G '

' 3

4 =: $ 5 : !5 = 5 5 E5M 4 5 4 5M E5 58 1 0 0 0 Fr. G

5 5 B :

In tempo

A toy for the rich. Damn you! Iâ&#x20AC;&#x2122;m not getting in that! ÂĄCabrĂłn! Un juguete para los ricos. Yo no voy en eso. (He gets in... she hesitates, (The chauffeur shuts the car then follows him into the car) door and the car drives off.)

0 k E5k 5k !5E5

5 5 = 4 = 5 ' 5 ! 5 5

5 5 4 5 4 55 = 4 ? 5M 5M

5 5 5 =4 ?

Come on Frida. Vamos Frida.

5 = 4 ? G 5

In tempo

0 EB EB

= 4 ? 5 555 pp

= 4 ? 5 5

= 4 ? 5 ! 5555

ff = 4 ? 5 5

attacca

Act I

118

Scene 6b Rockefeller Banquet Scene Grandioso grazioso giocoso q = 100

5 E5 :5 5 5 !5 ' 5 E5 : 5 5 5 ! 5 ' : G 4 =

5 5 E5 :5 5 5 5 ' 5 : 5 E5 : 5 5 5 5 ' == 3 f 55 ::: 55 ::: 55 ::: ! 5 5::E 5 ! 55 5: 5: E 5 : : 54 ? 4 !55 5 55 5 55 5 4 55 : E5 55 : !5 55 : E5 55 4 ? 5 5 5 5 5 5 5 5 5 5 5 M M M M M M 5 !5 ' 5 5 5 5 E 5 : 55 : 5(16) 5 5 5 E 5 5 ! 5 ' 5 5 4 =: 5 E5 : 5 5 = = : 5 E5 : 5 5 5 G 3 5: E 5 5 5 ! 5 5: 5: 5 E 5 : : 55 : 55 : !5 55 :: E5 ! 55 4 !5 4 ? 4 ? E 5 5 5 5 5 5 5 5 5 5 5 M M M 8(19) 5 1. Perc. 4 ? 5 : G 55 55 55 55 55 55 4 55 4 2 4 2 4 2 4 2 : 5 5 5 5 5 5 5M 5 3= 5 3= 5 3= 3= 5 3= 5 3= 5 4 4 5 4 !5 4 !5 4 :: 5 5 5 5 5 5 5 5 5M 5 !5 !5 5 1(12)

K (speaking in unison)

2 3 3 3 3 2 4 = 2 2 2 2 2 2 = 2 2 22 2 = 2

)))))

1 ? G

The peo - ple here are hap - py, La gen - te_es - tĂĄ con - ten - ta. (speaking in unison) 3 3

as hap - py as can be ÂĄQuĂŠ gran fe - li - ci - dad!

The peo - ple here are hap - py, La gen - te_es - tĂĄ con - ten - ta.

as hap - py as can be ÂĄQuĂŠ gran fe - li - ci - dad!

- K 3 3

2 = 2 = 4 = 2 2 2 2 2 2 2 2 22 2 2

The Rich

Chor.

)))))

? 2 2.

5 3= 5

I El

55 5

55 4 55 5M 5 5 3= 5 4 5 5M

4 0

Perc.

4 2 0

I El

Act I

3 3 2 2 2 2 2 2

2 4 4 2 2 2

think itâ&#x20AC;&#x2122;s some - thing in the air thatsmells like be - ing free. ai - re se res - pi - ra con o - lor de li - ber - tad.

Chor.

2 2 2 2 2 2

Weâ&#x20AC;&#x2122;re so hap - py to be U - na gran fe - li - ci-

2 2 2

think itâ&#x20AC;&#x2122;s some - thing in the air thatsmells like be - ing free. ai - re se res - pi - ra con o - lor de li - ber - tad.

G 4 5 5

2 4

5 5

4 !5 !5

2 4

5: 5 5: 5 5: 5

2 4 4 ))))

3 2 2 2 2

5: 5 5: 5 5: 5

))))

1 3 G 2 2 2

119

Weâ&#x20AC;&#x2122;re so hap - py to be U - na gran fe - li - ci-

5 E5 : 5 5 :5 4 2 4 =: E5 55 55 5 5 3 3 = 5 4 = = 5 5 !5 5 5 5 !5

5 5 !5 5 5 !5 3

5 = 5

Mr. Ford 1 E5 : Mr. G 4 Ford i Free Li

Mr. Rock. 2

5 5: -

5 !5 :

to choose the way bres pa - ra_ha - cer

5 5 5: E5 5 : !5 you want la gran

to make a buck for - tu - na_a - quĂ Rockefeller

E 5 : 5 !5 :

Free to find a Li - bres pa - ra_ha

1 = G 5 Chor.

us. dad.

5 = 2 us. dad.

' ' G

5 5 = 5 5 5 5 55 55 55 55 5 ! 55 3 3 3 3 = = = = 5 5 5 5 5 5 5 5 5 5

5 E5 : 5 5 5 5 =: 5 E5 : 5 5 5 5 4

Act I

120

1 4 Mr. G Ford i Mr. Rock.

5: 2 bet cer

!B G !B 5 3= 5

!5 :

5 5:

5 !5

in en

A - mer A - mĂŠ

- i - ca - ri - ca

5 E5 :

5 !5 :

55 5

5 3= 5

55 5

5 5

5 = 5

55 5

5 5

55 5

4 3

5 = 5

1 Mr. G ' Ford i steak

55 5

$ 5 E5 : 5 5 5 !5 = : 5 E5 : 5 5 5 ! 5 55 3 5

5 3= 5 = = 5 5 5 5 0 0

All it takes is hard work Hace falta trabajar

1 4 G

5 5:

Mon - eyâ&#x20AC;&#x2122;s nice So - mos ri -

Chor.

4 2

5 5:

Mon - eyâ&#x20AC;&#x2122;s nice So - mos ri -

' ' G =: 4

$ 5 55 :: 5 5: 5 5 M

5 55 :: 5 5: 5 5 M

5 5: to have cos de

a - round. ver - dad.

5 5 E5 5 ! 5 5: !5 55 :: E5 ! 55 5 5 5 5 M

eat me

All it takes is hard work Hace falta trabajar

bien Mr. Rock.

a lit - tle luck. a - le - gre_a - quĂ.

5 E5

eve - ry - one can to - do_el mun - do co

5 5:

ter life with just la vi - da mĂĄs

5 5:

Act I

Mr. Rock.

5 5 5 5 !'

1 4 Mr. G Ford i

= E5 5 5 : And a few Y la suer f

4 2

And a few Y la suer

1 G

luck - y breaks. te tam - biĂŠn.

5 5 5 5 ! '

E 5 5 5 :

121

2 G 4

1 2G

5 E5 : 5 E5 :

5 5 !' 5 5 !'

5 5 5 5

0 Subito adagio lussurioso (q = 63)

Mrs. Rockefeller

5 5:

: !555 :: 5 5 M

5: 5 55 :: 5 5 M

555 ::: 5 4 5 5 M 3 3 3 = 4 5 B !5 5 5 !5

sound. quĂ.

Subito adagio lussurioso (q = 63)

B G !55 mp

55 5 5k!5 55 !5 5 5

5 5 3

555 5 555 5 555

3 5 55 5 5 5

k 5 E5

55 : !B5 5

55 3

prime tam -

sound. quĂ.

5 2

Love that jin - gle, jan - gle Siempre es - ta - mos bien a -

But we need more than Mas an - sia mos

1 G 5 Chor.

5 5:

Love that jin - gle, jan - gle Siempre es - ta - mos bien a -

Chor.

Mrs. Rock.

5 5:

5 !!B55 55 4 3 !B 5 5 5 5 5

Act I

122 36

1 Mrs. G Ford

Mrs. Ford

= E5

The SĂ Mrs. Rock.

G 2 BB

beef biĂŠn

5I keep pa -

G 55B

55 5

555

us ra

a vi

1 Mrs. 5 Ford 2 G

55 5 3

key sĂ,

=5 !5

B5 5

E5k

55 5 3

to our sus - te - nance pa - ra - vi - vir

E5k

5 E5 5

B55

5 5 5 5 5 5 !!!

5 = : 5 5

5 55 55 5 5 5 55 5 55 5 is to te -

own ner

to own te - ner

a Pi un Pi

G B5 5 5 5 5 5 5 5 55 5 ! 5 3

5 5 5 E5

!B5 5 5 5 553 5 5 5 5 !B 5

Mrs. Ford

live. vir.

5 55 5

k 5E5

!!!

5 !5 5 5 3

!!!

Moderato grazioso q = 108

1 2G EB

cas cas

G ?

so so

4 f

5 = ?

5 =

5kE 5

per qui -

5M 5

E5M

!5M

5 3

M ! 5 5M M M 5 E5 E5 E5 G 3

5 !5

!5 5M

Act I

ritard. assai

1 Mrs. G E5 Ford

haps zĂĄs Mr. Ford

123

5 5 5

four or five. cin - co_o - seis

G 2 i

5 5 5

3 We have the So - mos bri -

ritard. assai

G 4

! 5 =

5k 5

5M ! 5 E5 5 M M ! 5 5 !5 E5 5 5 3 3 E 5M 5M M 5 5 5 5 5 !5M E5M

5 5

Mr. Ford

Andante commodo q = 84

1 5 2G i bril

llan

5 5: -

liance tes

1 : G 4 Chor.

The Rich

4 : 2

we have the con los mi

5M 5M 5M !5M -

Weâ&#x20AC;&#x2122;re so cre - a Muy cre - a - ti

5M 5M 5M 5M

Weâ&#x20AC;&#x2122;re so cre - a Muy cre - a - ti

! 5 5 E5

= -

mil llo

tive vos

!5M

tive vos

B: -

lions nes

5M : 5M : 5IM with our mon con di - ner

5M : 5M : I5M

with our mon con di - ner

ey o,

= -

5 5

ey o,

Andante commodo q = 84

B : 5 E5 5E 5 G

5 5 5 5 5k 5 !B :

! 55 =

5 5

= 5 5

5: 5 5 !B : 5 5 E5 5 : E5 5 E5 !5:

k 5 E5

!5 !5

5 = 5

= !5 !5

5: = =5 : 5 5

Act I

124

1 Mr. Ford 2 G i

= 5 !5 5 5 !5 5 5 5

to com - mis - sion new paint - ings to en - car - ga - mos los cua - dros que

1 G

5 E5 5

hang van

on our walls a_a dor - nar

5M 5M 5M

we buy our com - pra - mos

Chor.

5M 5M 5M

we buy our com - pra - mos

G k 55

5IE 5 5 !5 = 5

= E5 5 5 k B : 5 !5 5

5 5 I 5 !5 5 5

5 = 5

= =

E5k

E 55 =

55 = 5 = = 5 5=

1 Mr. ?: Ford 2 G i 1 G 5 M

and te

= 5: 5: M M 5M

own lo

Chor.

M 5

own lo

milk and hon que que - re

5M : 5M : 5M

milk and hon que que - re

B: 5 G 5 5 5

5 = 5 5

= -

lend them to a - tros y

mu - se mu - se

ums os

5M 5M

ey mos

55 =

when we buy com - pra - mos

5 :5 !5: 5: 5 5: 5 5 5 E5 = 5

5 4:

ey mos

M = 5 -

5 : E5 : 5 5 5

k 5 E5

B: 5: : 5 5 5 5 5 !5 5!5 !5 !5: 5 5

= 5

! 55

5: ! 5 =

Act I

125

Mr. Ford

1 : ? G 2 i

1 G 5 M

5 5 5M M M 5M

Chor.

so y

art, our place in his - tory ar - te_y_el mun- do_a - dmi - ra

is con

5M 5M 5M 5M

art, our place in his - tory ar - te_y_el mun- do_a - dmi - ra

is con

k !B : 5 E 5 5 E 5 5 5 B : 5 5 5 5 ! 5

5 52

1 Mr. Ford 2 G i

5 :

! 55

= 5

55 5 55 55 55 5

= = 5

an - y - one can nues - tro nom - bre

see

= 4:

5 55 55 55 them in their glo - ri - fi -

re - vealed. ra - zĂłn.

5: 55: 5 5: 5: !5 !5 5 E5 E5 5 E5 5: =

k 5

E 55

halls. car.

1 G

M 5M 5=

M 55 5M 5M

5M 5M

= 4:

(all raise glasses in a toast)

Our so - phis - ti - cat - ion canâ&#x20AC;&#x2122;t be con - cealed. Nues - tro buen gus - to sin dis - cu - siĂłn.

Chor.

M M5 5 =

M 55 5M 5M

5M 5M

= 4:

Our so - phis - ti - cat - ion canâ&#x20AC;&#x2122;t be con - cealed. Nues - tro buen gus - to sin dis - cu - siĂłn.

B: !5 5E5 !5

5 E5

k 5 5

5: 5 : 5 5 5 5 !55 : 5 : 5 = 5

k 5 E5

5B: !5E5 5 5 5: !5 :5 55 :: 5: 5 ! 5

= 5

5 = 5 =

Act I

126

Moderato q = 108 f

One of the Rich

1 4 = =3 2 = 4 G 2

4 == 2 =4 2 3 to art! ยกAl arte!

f 4 = = 2 2 = 4 2 3

Moderato q = 108

G i

Mr. Rock.

To new friends from lands afar! ยกPor nuestros amigos de otras tierras!

' '

To Mr. Fordโ s amazing cars! ยกPor los maravillosos coches de Ford!

' p

To new loves and lovers... Por nuevos amores y nuevos amantes...

' '

' ' '

Frida

To new ideas with Christian outlooks. ยกPor nuevas ideas aprobadas por los cristianos! Diego

' E ' '

' ''

1 Fr. G

Mr. Ford

3 to art! ยกAl arte!

Here he is, the great Diego Rivera... and wife. Aquรญ estรก, el gran Diego Rivera... y esposa.

2 =4 4 = = 2

3 To art ยกAl arte!

G '

3 To art ยกAl arte!

Chor.

(Diego and Frida enter amid applause and murmurs of approval)

5 5555 = 4 5 f 5

4 G E5

Act I

Meno mosso, andante q = 80 62

1 Fr. 2G

(Everyone stares at her.)

(reaction)

0 of art. del arte.

5 5E5 5 EE5B 5 E 5 = G k 55

5 5 5 E 555 ! 55

5 E 5 E 5 5 E5 !5 =

55 5= 4 ?

(Everyone notices; Frida giggles.)

(As the Rich sip, Frida throws back her drink.)

G B 66

0 GGGGG

127

Subito veloce q = 120

= 4 !5 !5

= 5 55

= 5 5 5

= 5 55

!5 5 !5 5

Tempo I (q = 100)

5 5

= 5 55 3

= 5 55 5 5

5 5

= 5 4 55 5 5

55 5

M 4

5 5M

1 Fr. G

Sheâ&#x20AC;&#x2122;s right here! She can hear you. Ella estĂĄ aquĂ. Ella oye. Mrs. Rock.

G Delightful, isnâ&#x20AC;&#x2122;t she? Ella es encantadora, Âżno?

Oh, sorry, I... I... Oh lo siento mucho..., yo... yo... ah

2 Sheâ&#x20AC;&#x2122;s more than that. Ella es mĂĄs que eso. 69

1 Mrs. Rock. 2 G

(Mrs. Ford joins them.)

Why yes... what an interesting dress. ÂĄQuĂŠ vestido tan interesante!

k E5 5 ' : $ G = ! 5 5 : 5 5 :! 5 5: 5 ! 5 55 :: 5 55 ::! 5 55 :: 5 p 4 4 0 5 5 5M 5

' 5 55

55 5

55 4 5

55 55 55 55 5 !5 3

= = = = 5 5 5 !5

= 5 = 5 5M M M

Act I

128

1 Mrs. Ford 2 G

0 Itâ&#x20AC;&#x2122;s very... Es muy...

5 !55 5 55 55 55 3

G 5 = = 5 M M 5M 76

1 Mrs. G Ford

(coldly)

GGGGGG

4 G

4 ' !' ' '

0 itâ&#x20AC;&#x2122;s Mexican, isnâ&#x20AC;&#x2122;t it? es mexicano, Âżno?

4 M = !5E5 5 5E5 5E5 5 ' !55 = ' ' ' ' 3

(pause)

M M 55 =E! 55 =

How intriguing. ÂĄQuĂŠ fascinante!

Fr. G 2

(Annoyed reaction from Frida)

Yes! Like me. Mexicano, sĂ, como yo.

' E! ' ' 55 !' ' E ' = 4 ? G E5 ?

1 Fr. 2G

? p

5 5 555 5 4 5 5 5 5 5 5

GGGGGG

' '

(Frida moves towards Mr. Ford)

G 4

Mr. Ford, is it really true... I understand that you are Jewish. Mr. Ford. ÂżEs verdad que a usted no le gustan los judĂos?

' B: '%

5 !5 ' 5 !5 '

55 55 5 5 = 5 = 5 5 = 5 5 5

5 = 5

$ 5 E5 : 5 5 5 E5 : 5 5

=: 5$ !5!5

4 4

5: 55 :: E 5 555 ::: !! 55 5 E5 5 5 5

5: E 5 5 : E5 5 5

55 5 = 4 ?

Act I

1 Fr. 2G

129

(All react with horror; uncomfortable murmurs)

Iâ&#x20AC;&#x2122;m just asking for my father (pause) heâ&#x20AC;&#x2122;s Jewish you know. Le pregunto porque mi padre... mi padre es judĂo, ÂżSabe usted?

G EEB': !' ' ?

EB !'

5 5 = 4

!E' ' ?

= 4 = : E 5 5: 5 5 5

(deathly silence) 1 Mrs. 0 G Ford

0 How really very interesting you are, Mrs. â&#x20AC;&#x153;Rivieraâ&#x20AC;?... ÂĄOh, quĂŠ interesante! Mrs. Riviera, usted es...

(to Frida, laughing to break the tension.)

Frida, chiquita, youâ&#x20AC;&#x2122;e priceless! ÂĄFrida, chiquita, no tienes precio!

Act I

130 90

(to Diego, petulantly)

1 Fr. G

(continuing, earnestly)

I canâ&#x20AC;&#x2122;t stand women who wear pink! Just how low will you let yourself stoop? ÂĄNo soporto a las mujeres que se visten ÂżHasta dĂłnde te vas a rebajar? de rosita! D.

Chor.

Donâ&#x20AC;&#x2122;t you see we are in Rome. We must dine with the devil. ÂżNo lo ves? â&#x20AC;&#x153;Donde fueres haz lo que vieres.â&#x20AC;? (The Rich turn away from Frida and crowd around Diego, toasting and cheering him.)

1 2G

5 5 !' 5 : 5 5 : !5 5 E5 5 : 5 5 5 E 5 5 5 !' 4 5 : 5 5 : !5 5 E5 5 5 5 5 E 5 : : = = G mf

Chor.

1 2G

= 4 5 5

0 The Rich

55 ::: 55 ::: 55 ::: ! 4 55 5 55 5 55 5 5 5 5

(cheering and applause)

(to Diego)

To Diego Rivera! ÂĄA Diego Rivera!

' ' mf '

' ' ''

' ' '

'' '' '

Serioso h. = 48 97

(Continuing murmurs of toasting, laughter and general adulation are heard sporadically as Frida sings.) (intensely, to herself)

1 Fr. 2G

': B :

5 55 B

What ÂżDie -

' B ::

the hell go_y yo,

5 5 555 5 5 B are we do - ing quĂŠ ha - ce mos

': B:

5 4 5 M M

': 5:

in this ver en la frĂ

5 -

y a

mp legato

': 5 : 5 5 5M 4 5M

': 5 : 5 5

5 5

5 4 5 M M

Act I

100

Fr.

1 G B North Nor -

Mr. Rock.

A - mer - i - ca te_a - mĂŠ - ri - ca?

5 4 4 = 5

itâ&#x20AC;&#x2122;s made you craz ÂĄTe_has vuel - to lo -

y co!

youâ&#x20AC;&#x2122;re Pa -

Rivera, tell us more. Rivera, siga contĂĄndonos.

' B ::

103

1 (applause) Fr. G 5 : 5 5 5 B 2

4 = 5 5 5 B

': B:

B'::

5 : 5 5 5 4 ':

': 5 : 5 5 5M 4 5M

(laughter, cheers up, then down)

(poco parlando)

5 5: 5 5

131

5 5 B :

turn - ing in - to one re - ces u - no de_e

5 : 5 5 5 5 4 ':

of them. llos, sĂ!

Well... your game of football is splendid for a start. Bueno, para empezar, el juego de fĂştbol es magnĂfico.

': G B: ': G 5: 5 5 106

1 4 4 Fr. G

B'::

': 5 5 4 5 : 5 5

= 5 B Di - e

a `': !B :

!B :

?5: 5 5 : 5B :: B5 5 : 0

(cheers)

A powerful living picture; itâ&#x20AC;&#x2122;s a new form of art! ÂĄUn poderoso cuadro viviente! ÂĄUna nueva forma de arte!

` ': B:

G 5B :: B5 : 5

!B : ?5: 5 5 :

5 5 : !BB :: 55 55 55 !5 E55 5 !BB : ?5: ?5: 5 5 5 5 : : : 5B :: B5 5 5B :: B5 5 : 55 :: 5 :: 5

Act I

132 109

1 4 Fr. 2G

(intensely, but still to herself)

` ': 5:

5 5

G 5B ::

B5 : 5

5 5

5 5 4

y - one ha no -

no - tice ta - do

5 5 !5 : Does - nâ&#x20AC;&#x2122;t an ÂżNa - die_a - quĂ

q. = h

?5: :

5 5

EEE

5 5 5 5 B there are peo - ple en la ca - lle

': 5:

5 5

5B ::

B5 : 5

EEE

?5: :

5 5

EEE

Lâ&#x20AC;&#x2122;istesso tempo h = 52 (murmurs up) 3

111

1 EEE Fr. G 5:

stand po -

EEE 2

5 5 B

ing in bread bres sin pan?

lines?

And your American skyscrapers! Extraodinary, like Pre-Columbian artifacts. Y esos rascacielos, ÂĄExtraordinarios! ÂĄComo pirĂĄmides precolombinas!

Lâ&#x20AC;&#x2122;istesso tempo h = 52

` EEE 5 : G

5 5 5 5 5 E B mf 55 55 55 55 55 !' E EE 5 5 5 5 5 ' 5 G 5 5 5 114

1 EEE Fr. G

5 '

5 5 5 5 5 '

' '

(to Diego and the Rich)

If anyone bothered to ask me... Si a alguien le interesa mi opiniĂłn... (more applause)

EEE Mr. Rock. 2

I like that! Pre-Columbian artifacts. ÂĄPirĂĄmides precolombinos! ÂĄEso me gusta!

` EEE B: G

5 5 5 5 5 EEE 5 5 5 5 5 5 5 5 5 5 5 5 55 G

5 5 5 5 5 55 55 55 55 55 5 5 5 5 5 5 5 5 5

Act I

116

1 EEE Fr. 2G

133

ritard.

If anyone bothered to ask me... Si a alguien le interesa mi opiniĂłn...

` EEE B

... Iâ&#x20AC;&#x2122;d say your skyscrapers look like tombstones! ... yo dirĂa que esos rascacielos parecen lĂĄpidas.

118

1 EEE G i

!55 5

5 5 = 4 ?

! I55 5 5 =

120

1 Grandioso (q = 100) Fr. 2G

G 4

B: B:

! 55 55 = = 4 ?

(angrily)

5 E 5 : 5 E5 : f

and his machines are the true subject of our day. Y su coche es el tema del dĂa.

Well, Fordâ&#x20AC;&#x2122;s really the genius... Bueno, Ford es el verdadero genio.

(everyone laughs, following his lead.)

Yes. Efficient and cheap. Thatâ&#x20AC;&#x2122;s how I like it. SĂ. Barato y eficiente. ÂĄAsĂ es como me gusta!

EEE G 5: EEE = G ! 55

(deftly changing the subject) (all sigh with relief) D.

EEE 2

EEE !' G ' Mr. Ford

(all turn to Frida)

(louder, getting everyoneâ&#x20AC;&#x2122;s attention)

(murmurs of reaction)

I wonâ&#x20AC;&#x2122;t sit here eating steak when there are people in the street who donâ&#x20AC;&#x2122;t have a thing to eat! ÂĄBasta de este derroche cuando hay gente muriĂŠndose de hambre!

5 5 5 ! 5 ! 555 5 5 5 ! 5 5 3

(cluster)

Act I

134

122

1 Fr. G

(to Diego)

Letâ&#x20AC;&#x2122;s get the hell out of here before I... ÂĄVamonos de aquĂ antes de que...

(she starts to pull him away, but he stops her, gently)

Frida ÂĄFrida!

124

1 Mr. Rock. 2

= =

55 5 p E55 E5

B sfz

Not so soon, please! Not so soon. We need to know how you intend to decorate the wall of my new building, Rockefeller Center. ÂĄNo tan pronto, por favor! ÂĄNo tan pronto! Tenemos que saber cĂłmo piensa usted decorar la pared de mi nuevo edificio Rockefeller Center.

0 =

(polite laughter)

Will your art tell the people what we want them to think? ÂżCree que su arte harĂĄ que la gente piense lo que nosotros queremos que piense?

5 5

Act I

135

126

1 2

!!!

55 5

133 1 2 ?

5 5

3 Iâ&#x20AC;&#x2122;ll paint the La nue - va

3 Science... Thatâ&#x20AC;&#x2122;s the factories... assembly lines... Nues - tro Ciencia... fĂĄbricas... maquinaria...

G BBB

5 55 55 5

5 5

sto - ry tiem - po

B B

5 5 5 5 5 5 5 5 '

5 5

55 5

5 5

5 55

BB :: B:

5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 B:

5 55 55 5

B BB B B

5 5

55 5

5 5

55 5

of our time! pin - ta - rĂŠ.

' ' '

5 5

(Loud cheers and murmurs of assent from the Rich after each one)

5 5

B: B: B:

5 5 5 5 5 5

5 5 5

3 3 sto - ry of new man - kind. vi - vir e - ra ha - rĂŠ

' ' '

5 5 5 5

5 5

5 5 5 5 5 5 B

5 B

3 3 bot - tles Iâ&#x20AC;&#x2122;ll pour new wine. mol - des re - no - va - rĂŠ.

5 5

BB B

129 1 5 5 5 B 2

G B: B: B:

3 In - to old Los vie - jos

$ =: 5 E5 : 5 5 5 5 !!! ! 5 5 E5 : 5 5 5 5 !5

Diego

B B

' ' '5 5

B B

5 5 5 5 5 5

B B

Act I

136

137

1 Fr. G

(lauging, now amused at his smoothness)

¡Ay, qué sinvergüenza! Now we’re in for it! ¡Ay, Dios mío! Qué poca vergüenza tienes! Mr. Rock.

(cheers from all)

Sounds good enough to me! You’ve got a deal, fella! ¡Me gusta lo que dice! ¡Estamos de acuerdo!

' ' pp sub.

5 5

140

' '

1 2

5 5

And now, to celebrate, we’ll teach you one of our typical Mexican dances. ¡Y ahora a celebrar! Vamos a enseñarles un baile típico mexicano en esta magnífica Norteamérica!

G = 4 5 5

0 ?

5 55 5 = 4

' 'E' ' f

5 = 4

attacca

Act I

137

Scene 6c Mexican Dance Play 5xâ&#x20AC;&#x2122;s (or more) Each time faster, from q = 48 to q = 152

G ::

Play 4xâ&#x20AC;&#x2122;s Each time faster and louder

(Diego teaches the dance to Mrs. Rockefeller; Frida to Mrs. Ford, starting very slowly, then working up to tempo)

:: 5 5M

55 5 5 5M

55 :: :: B: 55 5 5

55 5

55 5 5 5M

(omit first time)

:: :: 5 5

5 5M

55 5 5 5

?: 5 5

55 5

55 5 5 5

5 E5 5 5 5 5 ': B: ?M 5E5 5 5 5 5 G 55 55 55 55 55 55 55 55 5 5 5 5 5 5 5 5 5 5 = = 5 = = = = 5 5 5 5 = = = = 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5

1 Fr. G

:: ::

Just trying to keep it interesting! No... no.... no... no... solamente me divierto.

Frida, youâ&#x20AC;&#x2122;re flirting... ÂĄFrida, estĂĄs coqueteando!

5 5 E 55

G p sub.

5 =

: ?

138

Act I

139

Scene 7 Finale (Diego is on a scaffold painting. Frida in a separate space, below.)

M. 1

1 2G i

Barker

EEE

Tickets! Tickets! Get your tickets here to watch the great Mexican painter, the fabulous Diego Rivera, at work. Diego Rivera at Rockefeller Center. Get your tickets here. ¡Boletos, boletos! Boletos aquí para ver al gran pintor mexicano, el fabuloso Diego Rivera pintando en Rockefeller Center... Boletos aquí.

EEE

Snare Drum

M M

EEE

Andante mesto h = 48

EEE G EEE

EB'

0 p

B '

5 E5 ' ' 5

= 5 B: ' '

1 EEE Fr. 2G

EEE 5 5 5 E5 5: 5 ' G EEE 0 0 11

1 EEE Fr. 2G

= 5 E5 5

5: E 5 B

EBB

GGGGGGGGGG

(Frida begins painting)

E 5 5 5 5 E5 : E5 EB

I can - not dis - tract No le pue - do_ha - blar

Di - e a Die -

' 0

B go. go.

Più mosso q = 96

= E5 5 5 EB

5 5 5 5

work, He has his Tie - ne que_ha - cer,

EEE G EEE 5 5

5 E5 4 5

5 E5 4

5 5

that must come de - be pin -

5 5 5 5

? 5

5 5

Act I

140

a tempo = 5 5 5 ?

1 EEE B Fr. 2G first tar

= 5 5 5 EB

but this one... mas és - te...

but may - be qui - zás

EEE B G

1 EEE 4 Fr. 2G

5 55 5 E 5 55

EEE ' ' 21 1 EEE 4 Fr. 2G

E5 EB EB

grow que_es

EEE G EEE 5 5

ing in - side tá_a - quí den

5 5 5 E 5 5 ?

5 B B

E5 E5 ?

go go

5E5

5E5 5

E5 E5

3 = = 5 5 5 5 5: 5 3

of me. tro

5 5 5 5 5: G

5E5

E5 5

5 B

5 5: 5 5 5 5

5 5

this lit - tle Di - e al pe - que - ño Die

5 B 5 B B

5 E5

5 5 5 5 5 !5 B

I want to hold Qui - ero_a - bra - zar

EEE G

one. te.

5 '

= 5 5 :

this és

5 5

5 E5

EEE E5 5 G5 B 5

My bod - y be - trays me Mi cuer - po no pue - de

!' '

5 E 5 ! ' ' 5 5 5 E 5 5 5

Act I

= = 5 5

24 1 EEE 4 Fr. G

Die - gui Die - gui

to to

Alegretto (q = 120) Repeat ad lib.

1 E E : 2 E :

That head... on the wall... Esa cara... en la pared...

loco

' '' `c 0

surely it couldn’t be the head of a certain Russian, could it? seguramente no es la cara de cierto ruso... ¿No?

Last time only

EEE :: ? 5 5 5 = 55 55 E55 55 5 mp !5 EEE :: 5 5 5 !5 5 = 5 5

' '

(uneasy crowd noises as Rockefeller enters Diego’s painting area.)

EEE EE ' ' G

Mr. Rock.

(to Frida)

Why don’t you paint something? It’ll help you pass the time. ¿Por qué no pintas algo? Te aydará a pasar el tiempo.

E ' EEE E ' G

EEE 2

141

55 55 55 E 55 55 :: = 4

= 5 = !5

55 55 55 55 55 55 = =

!5 :: 5 = !5 = 5 = 5 5

5 = 5 = 5 !5

1 EEE Fr. G

:: ?

EEE

!! = :: ! 5 Die :: !!!

:: !!!

Mr. Rock.

EEE 2

2nd time

Why not? ¿Y por qué no?

55 55 EEE 4

There must be some mistake here, fella. Aquí debe haber un error, amigo.

55 55 :: =

EEE 5 = !!55 = 5 = 5 = 5 = 5 5 5 !5

55 55 E 55 55 9 5 55 55 5 55 95 5

! 5 !5 5 :: = !5 = !5 = 5

!!! : G:

5 = E 5 = :: !!! G 5 E5

Act I

142

L’istesso tempo (agitato)

1 Fr. 2G B

gui

B -

= 5 B:

Mi_hi - ji

5555B

5 -

= 5 Your Tu

5555 55 5 55 B =

555 555 555 555 555 555 555 555 5 5 5 5 5 5 5 5

1 5: Fr. 2G 5 5 5 5 5 5 5 5 fath - er pa - dre

G G

wants to quie - re

be my on ser mi_hi - jo

5555B

5 ' -

ly son tam - bién

5555B

5555 55 5 55B =

5 5 5 555 5 55 555 5 5 555 5 5 555 5 5 5 5 5 5 5 5 5 5

1 4 = Fr. G 5 5 5 5 5 5:

5 B

He does - n’t want to be a fath No quie - re con - ver - tir - se_en pa D.

EEEE

B er. dre.

(to Frida)

EEEE

Maybe you should learn to drive a car. Quizás deberías aprender a manejar.

G 555 5 5

0 5 5 5

55 5

5 5 5 55 :

5 B

EEEE

5 555 5 5 55 5 5 5 5 EEEE 5 5 5 5 5 5 5

Act I

143

ad lib. 1 E EE Repeat E ::

You suggested the theme â&#x20AC;&#x153;Hope for the Futureâ&#x20AC;? didnâ&#x20AC;&#x2122;t you? Usted sugiriĂł el tema â&#x20AC;&#x153;Esperanza para el Futuroâ&#x20AC;? ÂżNo?

Mr. Rock.

EEEE :: 2

0 Well... yes Bueno... sĂ

Repeat ad lib.

EEEE ::

55 :: = 55 55 55 4

EEEE :: !5 !5

5 5

:: 4

5 5

1 E E 2 EE

Well then, who else did you expect me to paint? Who else provides us with hope for the future? Entonces ÂżA quiĂŠn esperaba usted que yo pintara? ÂżQuiĂŠn nos da esperanza para el futuro?

EEEE 55 EEEE

B: B:

B B

Andante serioso q = 96

Lenin! Only Lenin... ÂĄLenin! ÂĄNadie mĂĄs que Lenin! Mr. Rock.

But... listen fella... Pero... oiga, amigo...

Andante serioso q = 96

5 : 5 5: 5 5: 5 B 5 5 5 5M 5M 5M

5 5M

5 5

5: 5 5: 5 5: 5 5: 5 5: 5 5: 5 EE

5 5 5 5 5M 5M 5 5 M M

EE 5: 5 5: 5 5: 5

5 5 5 5M 5M 5M

5 5M

Act I

144 50

L’istesso ma sempre agitato q = 96

1 EE Fr. 2G ?

5 5 E5 5 5 5 5:: I can - not af - ford to lose yo no pue - do per - der

No No,

0 p

5 5

0 5

5 E5

5 5

E 55

1 EE ? Fr. 2G

must nev ca más

1 EE Fr. 2G B pil la

E5 E5

E 55

5 E5

5 5 5 5

scent cuer

But this Mas és

from po_a

my mi

3 5E5 E5 5 E5 5 5 5 5 5 5

4 = 5 EB :

one te,

5 4 = 5 EB : low. do.

5 E5

E5 5 !5 E5 !5 : E5 : 5 3 5 5 5 5 5 5 E5 E5 5 5

0 5 E5

go. go

5 E5 E5 5 5 5

his su

er lose ten - er

EE G EE

Di - e a Die -

$ 5 B

5 E5 ::

= 5 5 E5 E5 : I nun

$ E5 5

but this mas és 3

5 one te,

E5 !5 : 5 5 E5 !5 : 5 5 EE ! 5 ! 5 5 5 !B G 5: !5 E5 5: !5 E5 ! B 3 3 5 5 EE 5 5 5 5 5 5 E5 5 5 5 5 5 5 5 5 5 E5 5 5 5 5 5 E5 5 E5 5 5 5 5 5 60

1 EE 4 Fr. 2G

55 5

55 5 5 B

this ba - by I have felt. es - te ni - ño que sen - tí,

EE G EE 5 5

5 E5

5 E5 E5 5

rit.

5 5

5: 5 '

This one I’ve had time to love. a és - te que yo pue - do_a - mar.

E' '

' ' E 5 5

5 E5 55

= 5 5 5

E5 5

Act I

1 EE Fr. G

a piacere

145

(turning to Diego)

Yes, yes, yes I have! He says I must stay in bed—I would rather be dead! ¡Sí, sí, sí! ¡Ya fui! Me dijo que tengo que estar en cama. ¡Prefiero morir!

Diego... I’m... Diego, yo estoy...

EE 2

(to Frida)

Frida, don’t make me ask you again. Have you seen the doctor? ¿Fuiste al médico?

EE G

a piacere

0 p

(outraged) 1 EE :: Mr. Rock. 2

You’ve gone and painted a communist! ¡Usted ha pintado a un comunista!

EE :: EE ::

55 55

E55

How can I rent the office space now? This is a capitalistic place, Rivera. ¡Así no puedo rentar ni una oficina! ¡Este es un pais capitalista, Rivera!

55 ::

!5 !5

5 5

!5 !5

:: = 4 5

1 E Mr. E Rock. 2

EE EE 5 =

Too bad you couldn’t paint the stars and stripes. ¡Tenía que pintar barras y estrellas!

0 ?

!' !'

Here’s your check. Hasta luego, Diego. Aqui tiene su cheque. ¡Hasta luego, Diego!

0 p

Red is not our color. El rojo no es nuestro color.

= E5 E5

Act I

146

Presto h = 144 71

Chor.

(The mural breaks into pieces. The crowd shouts newspaper headlines in overlapping fashion.)

1 EE : 0 2G :

:: :: 0

(The pandemonium continues)

:: :: 0

â&#x20AC;&#x153;Vandalismâ&#x20AC;? â&#x20AC;&#x153;Rivera Knockout at the Hands of Rockefeller Family.â&#x20AC;? New York Times, February 13, 1934, â&#x20AC;&#x153;Lenin Painting Destroyed at Night.â&#x20AC;? â&#x20AC;&#x153;Fresh Fuel Provided for Political Art Controversy.â&#x20AC;? â&#x20AC;&#x153;Rivera Loses 100 Pounds.â&#x20AC;? â&#x20AC;&#x153;Vandalismo, Rivera despedido por la familia Rockefellerâ&#x20AC;? New York Times, febrero 13, 1934, â&#x20AC;&#x153;El retrato de Lenin destruĂdo durante la noche.â&#x20AC;? â&#x20AC;&#x153;Controversia artĂstica y polĂticaâ&#x20AC;? â&#x20AC;&#x153;Rivera rebaja 50 kilos.â&#x20AC;?

))))))))))))))))))))))))))))))) )))))))))))))))))))))))))))) ' ' ' EE :: ' : : ' ' :: ' ' : :'

')))))))))))))))))))))))))) ' ' :: ' ' ' G ::

EE :: 0

' '

:: :: 0

' '

:: :: 0

' '

Molto meno mosso q = 82

No ÂĄNa

EE G ' '

one has the right to as - sas - si - nate hu - man cre - a des - tru - ir die tie - ne de - re - cho a el ar

EE ' G 82

tion te,

(suddenly the crowd falls silent)

(Crowd noises continue)

5 5 5 5 E5 5 5 !5 EE 2

in this or an - y oth - er en es -ta_o_en o - tra na

EE G ' ' f EE G

ossia:

1 EE Fr. G

' '

' 0

na - ciĂłn

tion!

' ' ff

Get a doctor! ÂĄLlama al mĂŠdico!

' ' E'

' ' '

GGGGGGG

80 !5 1 E 5 5 5 5 5 5 5 5 5 E 5 5 5 5 5 5 2 E = 3 3 3 3

G ::

p sub.

Act I

147

Moderato scherzando q = 116 (Calaveras enter with PiĂąata of a pregnant Frida)

5 5 5 5 EE = 55 55 55 555 555 555 55 555 555 G

55 55 55 55 55 55 55 5 5 5 5 5 5 5

EE G

5 E5

E GE=

Cal.

1 4 2G

5 E5

E5 5

5 5 5 5

55 55 55 55 55 55 55 5 555 555

4 3

5 5 5 5

555 555 5 5 5 55 55 55 55 55 55 55 55 55

EE G

E5 5

5 5

She looks so Pe - que - Ăąa

55 55 55

E5 5 5 5E5 3

5M 5

E5 5 5 5E5

5 EE 5 G 5 3

55 55 55

55 55

5 5 3

5 3

55 55

5 3

5 5 5 5 3

wet with tears. do - lor de

5 5

5M 5 5M 5 55 M

her braids are llo - ran - do

twelve tĂĄ

5 5 5 5

5M 5 -

55 55 55 55

= 5M5 55 55 M M

5M 5 5M 5 55 55 M M

55 55

like a girl of he - ri - da es

55 55

1 Cal. 2G ? `5a 5 5 5 G

5 5 5 5 5 3

5 5 3

small es,

5 5 3

5M5 55 55 M M

EE G 5

(falsetto character voices)

3 Calaveras

55 55 G

55 55

5 5 3

5 3

55 5 5 5 5 3

148

Cal.

Act I

1 2G 4

5M 5 Huge ÂĄLle

5M 5

clots na

of de

5M 5

blood san

5M 5

and gre

5M 5 -

Fri Fri

da da

!'' ' !' ' G '' '

5 5 5 5 f E5 5 E5 5 EE E5 E5 5 E5 55 3 5 5 E5 55 3 5 G 5 5 5 5 3 3 3

1 '' Cal. 2G 96

scream gri

' ! ' ' ' G

3 (Calaveras hit the piĂąata)

!'' -

ing! ta!

' ' ''

EEE

(cluster)

EEE

))))))))))))))) 5 5 E' 5 55 5 55 5 55 EEE EE 5 5 5 5 5 G ! (cluster) 5 5 3 5 3 5 3 3 % 3 3 3 3 99 EEE 55 55 55 55 BB 55 55 55 55 BB 55 55 55 55 55 55 55 55 55 55 55 BB G f ))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))) ' ' ' EEE ' G 5

103

1 EEE Cal. 1 G EEE G

Cal. 2

Cal. 3

EEE G

0 0 0

(pause ad lib.)

from de

Di Di -

4 E5 5 5 5 0 0

(pause ad lib.) 5 5 5 5 E EE 5 5 5 5 BB 0 G p ))))))))))))))))))))))))))))))) EEE ' = 4 ? G 5 5

Hereâ&#x20AC;&#x2122;s an or - chid U - na_or - quĂ - dea

4 E5 5

Hereâ&#x20AC;&#x2122;s an U - na_or -

4 E5 5 5 5 Hereâ&#x20AC;&#x2122;s an or - chid U - na_or - quĂ - dea

EE EE EE

Act I

Moderato ironico q = 100

106

1 EE 5 Cal. 1 G EE G

Cal. 2

e e

go. go.

or quĂ

EE 5 : Cal. 3 2G

poco rit.

chid dea

from de

Di Di

from de

5 -

go. go.

E55 55 E55 55

poco rit.

? 555555 55

55 55

3 5 5 5 5 E55 55 !BBBB

5 3 3 3 E5 E5 5 5 5 5 EE 5 E5 E5 5 G 5E5 5 G 55 G 5 E5 5 3 3 3 108

1 EE Fr. 2G

a tempo

3 1 EE Cal. 1 G 5 5

Cal. 2

lav - en - der quĂ - de_a flo Cal. 3

EE G

lav - en - der quĂ - de_a flo

in her

5 E5

5 3

flow - er - ri - da_y

flow - er ri - da_y

EE !55a 55tempo 55 55 E55 55 E55 55 G 5 5 5

EE 5

in her

55 55

A or

5 5555

55 5 3 G 5 5 (as if in a dream)

full mo

bloom sa

E5 : -

full mo

bloom sa

poco rit.

3 5 5 5 5 ? 5 5 55 5555 55 E5 5 !BBBB

bloom sa

E5 : -

5 5555

55 5 G 5 5 3

5 3

5 E 5 5 5 5 5 5 G E5 5 5 5 G 55 5

A or

= 5

E5 :

5 E5

5 5

flow - er ri - da_y

It Pa

5 3

5 5

5 E5

lav - en - der quĂ - de_a flo

EE G

poco rit.

A or

= 5

go. go.

Moderato ironico q = 100

= 5 = 5

e e

Di - e Di - e

E 5 55 5 G E 5 55 5

149

Act I

150

Subito meno mosso q = 84

110

1 Fr. 2G B

poco a poco ritard. molto

looks re

555

G 4

like ce

my mi

bod cuer

y po,

gap - ing tan a -

!55

E55

' G E ' ''

E'' !! '' 5

I 5 5 5 5 5 5 5 ! ! !5 5

a na

3 lav - en - der or - chid from Di - e - go. or - quĂ - de - a be - lla de Die - go

112

1 5 Fr. 2G 5 5 5 5 5 5 o - pen so eas - y to tear, bier - to tan he - ri - do, u

5 5

G 4

`a 5 5 4

5 5

? G 114

1 2

Adagio q = 60

Thereâ&#x20AC;&#x2122;s so much pain that she can stand. puede soportar tanto dolor.

(repeating, cruelly mocking him, high pitched and very rhythmic)

A woman is superior to a man La mujer es superior al hombre

5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5

' G E!!' ''

! ' E! ' ''

GGGGG

Thereâ&#x20AC;&#x2122;s so much pain that she can stand. puede soportar tanto dolor.

5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5

Adagio q = 60

GGGGG

A woman is superior to a man... La mujer es superior al hombre...

1 Cal. 2G

55555555 ! 5 E 555

5 5

Act I

151

116

1 Fr. 2G

55 4 5 G 5 5 5 5 B :

3 ' ! G ' '

55 5

drowned spiders... alive in alcohol... araĂąas sumidas... vivas en alcohol...

' ' '

55 5

! B )))))))))))))) 5

' ' '

' ' E'

119

1 Fr. 2G

123

' E!' ' = 5 E5

EE' ''

Adagio espressivo e = 116

I5 5espr.B 1 E legato 2 E

5 5 EB

Fri - da Fri - da

youâ&#x20AC;&#x2122;ll cre - ate tĂş cre - a

5 5

I5 :

some - thing in - cred rĂĄs al - go_in - creĂ

EE EE

5 5 5 5 -

i - ble ble del

out of do -

E GE

4 4 5 5 B

and here is where I end. y hasta aquĂ acabo.

' E' ' E'' '

children are the days... los niĂąos son los dias...

GGGGGGG

GGGGGG

5 EBB 5

5 EBB 5 : E5 3

5 5

5 5 B 3 3

5 : 5

5 E BB

Act I

152 126

1 EE Fr. G

EE 2

Can I be complete without a child to call my own? ¿Podré algun día sentirme completa sin un hijo mío?

5 5 5 5: =

this. lor

5 5 5

Pour - ing your ag Pon tu_a - go - ní 3

5 5

4 4 3 4 4 5 5 B 5 5E5 :E5 5 E5 : 5 5 B

EE B G

5 5E5 :E 5 5

B 3

3 EE 5:E5 G5 EBB

o - ny on a en el

5 EBB 5: 5 3

130

EE E5 : 2 can lien

E5 4 -

vas zo

0 = 5 5 5 5 5

I have a cat’s luck—lucky me Tengo siete vidas como los gatos

you’ll heal your - self like this. y pron - to_ol - vi - da - rás.

B EE E 5 : 5 5 G E GE

3 3

5 E BB E5 5:

' ' '

!' ' '

' ' '

55 55 55 55 BB ' '

GGGGGGGGGGGG

1 EE Fr. G

134

1 EE Fr. G D.

E 2 E

I do not die so easily. Esa es mi suerte.

M : E5 E 5 ! 5 E5 ! 5 EE =: 5 5 5E5 5 G !5E5 5 E5 : 5E5 5 E 55 :: E55 :: E 5 : EE : 5 5 5 5 = G 5 5 5B :E5 5B:

=5 5

4: ! 5M :E5!5 =E5

I can’t ¿Pues por

5: 5 E 55 ::

Act I

138

Movente risoluto q = 92

1 E 5 : 2 E

stand qué

E G E ' ' mp EE '

5 5

to see mi_a - mor

how

you te

153

5 5 5 5

don’t hi -

5 5 5 B

3 need a child jos tú_y yo

to po

EE B

5 5 5 B 3 prove I’m - de - mos

see I need you, Fri - da, ti_a quien quie - ro. Fri - da

' ' EE B

5 5

But Sin

= 5 5 3 stand be de - fen -

Adagio q = 60

3 a - gainst all that is un - just! por nues - tro gran i - deal.

side me in the strug - gle dien - do lo que_es jus - to

3 Can’t you Es a

3 now they’ve turned my work to dust, y que lu - ches jun - to_a - mí

5 B B

5 5

' ' B

Tempo allargando q = 80

EE 5: 5 EE 5

1 E 5 5 5 5 5 5 = 5 5 5 5 5 5 B 2 E 144

= 5 5

a - live. vi - vir.

' ' B

142 1 E 5 5 5 5 5 5 5 = E 2

EE G

' ' '

EE G ' '

3 make your - self suf - fer. ha - ces su - frir?

140

1 E 5 2 E

5 5 55 5 55 4

55 5 55

Fri - da, I can’t stand to see Fri - da, mi_a - mor por qué

5: 5

5 B B 5 55: B 5 B

5 5 5 5

Act I

154

5 5 5 5 5 5 5 5 B: =

147 1 E 55 5 55 5 5 5 5 5 5 2 E 3

how you make your -self suf - fer. te ha - ces su - frir.

5 B

EE 55: EE 5

150

1 EE Fr. 2G

5G 5 : B 5 B 5

Be my friend, my wife, my lov - er. Sé mi mu - jer, mi a - man - te.

5 5

5 B

Molto meno mosso

ritard.

5 5 5 5

5: 5 B 5: B5 B 5 5

5 5

5 5 5 5 5 B 5

= 5 5 5 5 5 5 The pain you have in your Que_es - tá en tu co - ra -

No one sees the pain. Na - die ve_el do - lor.

GGGGGGGGGGGGGGGGGGGGG

' ' EE ' G EE 'p ' G '

' ' '

ritard.

' ' '

154

1 EE ' Fr. 2G

5 4

EE 5 5 5 5

5 5: 5 B B 5

5: 5

5 B 5 B

5 5

= 5 5 5 5: 5 = 5 5 5 5 5 5 5 B

heart zón

EE 55: B5 B 5

un - less you paint it de - bes pin - tar - lo

B B 5 55:

5 5 5

as o

your soul is torn a - part. te des - tro - za - rá

55 : B 5 B

5: 55 :

5 5 5 5 B

5 5

5 B B5 B 5 5 B

5 5 5

158

1 EE Fr. G I am hungry for home, Diego Quiero volver, Diego. D.

Act I

E 2 E

155

I dream of a boat sailing back to Mexico. SueĂąo que regreso en un barco a MĂŠxico.

But my work is here now! This is where I feel alive. ÂĄPero mi trabajo estĂĄ aquĂ! AquĂ es donde siento que estoy vivo.

5 5 5 5 B))))))))))))))) : 5 5 5 5 B:

5 5 5 5 5 5 5 5 5 5 5 5 5 5 5

EE G

3 ' ' E EE E '' f

160

a piacere

(q = 60) 1 EE Adagio 5 4 = 5: 5 ' Fr. 2G

Di - e - go, please Die - go mi_a - mor

E G E !!' '

' '

Meno mosso

`Ia I I I5 I I I 165 EE 55 55 55 5 55 55 55 G EE ! 5 !55 5 55 5 G 5 EE ' ' ` 168 I EE I55 I55 I55 55 I55 G EE !55 G EE ' '

!55

home. - ver.

5 5 55 55 55 55 555 BB B 4 5 5

' ' '

BB B

' ' '

(The sun and moon follow a boat back to Mexico)

I55 I55 I55 I55 I5 I5 I5 I55 5 5 5

I55

!5 5 !55 5 55 5 ' ' I5 I5 I55 5 5 55

' ' !' ' ' !'

5 55 5

' ' 0 pp

I55 I55 I55 I55 I5 I5 I5 I55 5 5 5

!5 !55 5

lunga possibile

GGGGGGGGGGGGGGGGGG

GGGGGGGGGGGGGGGGGGGG

letâ&#x20AC;&#x2122;s go quie - ro vol

))))))))))))))))))))))) ' ' ' EE G

' EE' ''

5 = 4 5 = 4 5

? ?

156

Act II Scene 1a Curtain Music—The Sun and The Moon are Home Again Andante semplice (q = 80)

EE G

E 55 55 55 55 BB

E 55 55 55 5 5 5 5 5 5 55 55 55 55 E BB =

' '

GGGG

' '

EE 5:

5 5 5 5 !5 B

= E5 5 5 5 5E5 B EB

55 55 55 55EBB ' '

= 5 5 5 5 5 !5 B

B '

(Frida takes a deep, satisfied breath.)

EE G = 5 E5 E5 5 5 5 5 5 5 5 5 5 B EE ' ' '

Frida

EB '

' E !' '

Finally! ¡Al fin!

' E !' '

GGGGGGGGGGGGGGGGGGGGGGGG

= 55 55 55E55 55 55 ' '

GGGGG

EE 5 5 5 55 B G 5 5 5 EB ' EE '

1 EE Fr. 2G

(Frida watches the sunrise from her blue house.)

BB EBB ' '

GGGG

EE ' G ' GGGG

Piano

E BB

5 = 4 ? 5

Act II

157

1 EE Allegro con spirito (q 0= 120) Fr. 2G

Home again! ¡Otra vez en México!

5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 EE !E 55 55 55 55 55 55 55 55 55 55 55 55 !E 55 55 55 55 55 55 55 55 55 55 55 55 G EE

E GE

555 555

EE 5 5

55 55 55 55 55 55 555 555 55 55 55 55 55 55 E 5 5 5 5 E5 5 E5 5 5 5 5 5 5 5 E5 !5 E5 5 5 5 5 E5 ! 5 E 5 5 5

1 EE = = 5 5 5 5 5 Fr. 2G

5 5

The sun and the moon La lu - na_y el sol

EE G sub. mp

EE !5 !5 25

1 EE ?: Fr. 2G

555 555

55 55 E5 5 5 5

5 5

Where pue -

EE G

55 55 5 5

= = 5 5 5 5

M E5M 5 5M 5M ! 55M 5 E 5E 5 5 5 5 GE=

a - gain, are home vez a - quí_o - tra

55 55 5 5

E5 E5

5 5:

5 5

in Mex - i - co. en Mé - xi - co

555 555

555 555 5 5

!5 !5

55 55 5 5 5 5

I can breathe, do can - tar

5 5 = = 55 = = 5 = = !5 5 E5 M !5 5 5

55 55 5 5 5 5

= = 5 5 5 5

55 55 55 55

5 5:

where y

555 555

55 55 E5 5 E5 E5

I be res - pi -

555 555 5 5

Act II

158 27

1 EE Fr. 2G 5:

long, rar

5 5

5 5:

in Mex - i - co. en Mé - xi - co.

55 55 55 55 55 55 55 = = 55 55 55 55 55 55 55 55 5 5 5 5 5 5 5 5 f EE !5 5 5 5 = = 5 = = E 5 = = 5 5 5 5 !5 5 E5 5 EE G

5 = = 5

1 EE ?: Fr. 2G EE 55 :: G

4: 55

5 5 5 5

5 5 5 5: Here in San En San

An An

= = 5 5

gel gel

we’ll both se - ré

55 55 ::

= = 55 55 55 55 55 55 55 mp EE ! 5 = = 5 = = 5 = = = = 5 = = E5 = = 5 = = 5 5 5 5 !5 5 E5 5

be fe -

= = 5 5

1 EE Fr. 2G B:

5 5 5 5:

free. liz

5 55 5 55 EE ! 5 = = 5 = = 5 = 5 5 !5 EE G 5: 5:

55 55 ::

He in his pink su ca - sa_es ro

5 5 5

55 5

= 5 = = 5 5 5

5 5

1 EE Fr. 2G = = 5 5 5 5 B : the blue one’s for me. la mí - a a - zul.

5 5 5

house, sa

55 5 5 5 5: 5

Home in Mex - i - co Los dos en Mé - xi - co

55 55 55 :: 5 5 55 55 55 55 5 5 5 5: 5 5 5 5 5 5 5 EE 5 5 5 5 5 5 5 5 5 5 5: 5 5 5 5: EE G

Act II

159

1 EE a tempo 5 5 5 5 5 B: = Fr. G 2

where I want to be! don - de qui - ero vi - vir.

E GE

55 5

EE 5 5

55 5

5 = = E 5 = = 5 = = 5 = = 5 5 E5 5

5 5

55 55 55 55 55 55 55 55 55 55 55 55 55 5 5 5 5 5 = =

poco rit.

55 55 55 EE ! 5 = = 5 = = 5 = 5 5 !5 EE 55 :: G

Fr.

Subito meno mosso

55 55 ::

== p

= 5 = = 5 = 5 5

55 55 55 55 55555555 =E 5 = = 5 = = 5 = 5 E5 5

= 55 55 55 E55 55 55 B : B: 5 = !5 = = = = 5 !5

Adagio cantabile (q = 60)

1 EE = 5 2G

5 5 5

Weâ&#x20AC;&#x2122;ll paint our lives Y pin - ta - re

E5k

Die - go and I. Die - go y yo.

here, mos

5 5 5 B

EE 55 55 5 5 5 E5 5 !5 55 55 E55 55 G

= !55 55 55 55 55 55 55 55EE55 55

EE B B

3 1 EE = Fr. 2G !5 5 5 5 5 On can - vas and plas En lien - zos, pa - re

EE = 5 G 5 E 55 p 5 EE 5

5 -

ter des

5 3

5 5 5 5

and piec - es of un ar - te sin

= 55 !55 55 55 E5 !55 E5

55 !55 55 E55 55 5:

5 5 5

55 5

Act II

160

1 EE Fr. 2G 5

tin par.

full of my sex, Fuer - te_y sen - sual

EE = 55 5 55 5 5 5 5 !5 5 5 E55 5 G E5 EE

= 5

5 5 5 5

5 5 5:

Mex - i - co MĂŠ - xi - co

EE BB G

EE : 3 !5 5 5 E!55 = G = E5 5 3

is al

5: 5 Mex - i MĂŠ - xi -

55 E55 !55 55 E55 !55 55 55 = 55 5

5 B = 5 55

co co

spine my chinga - da da des can - sa - rĂĄ.

EE 5 G = 5 E 5 55 55 E55 55 55 55 5 5 5 5 EE 5 : 5 5 1 EE Fr. 2G B

a tempo

5 5

GGGGG

Hereâ&#x20AC;&#x2122;s where Iâ&#x20AC;&#x2122;ll rest Mi po - bre_es - pal -

grace and my sin. mis - mo que yo.

5 B 55 ! 55 55 555 55 BB !5 5 5 4

mine. fin.

B B

55!55 55 55 B

E' ' !' GGGGGG

5 5 5

my lo

5 E5 5

= !55 55 55 55 55 55 55 55 E5 55 E5

1 EE = 5 Fr. 2G

' ' '

BB B

attacca

Act II

161

Scene 1b Recitative

1 EEEE Fr. G

Moderato (q = 100)

Diego, come look... our first sunrise back home. Diego, ven, mira, nuestro primer amanecer otra vez en MĂŠxico. Diego (emerging from his pink house)

EEEE 2

Damn! ÂĄMaldito sol!

GGGGGG

55 EEEE !5 4 ? 1 E EE 5 5 5 B 2 E

5 5 4

4 5 5 5 5 5 5 E 5 5 5 = 5

3 will dry up a se - car

my life ÂĄMe voy

5 EEEE 5 5 5 5 I5 5 5 5M 5 5 5 5 E5 5 5 EEEE 5 4 5 4 5 4 5 4 5 5 5 5 7 1 EEEE = Fr. G 5 5 5 5:

My heart is root El pol - vo_de o D.

here. quĂ

the chin -

sim.

3 Mex - i - can sun ga - do ca - lor!

EEEE !B 2

Damn ÂĄQue

M M I I 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5

Moderato (q = 100)

EEEE G

5: 5 5 5 5 ed in this ma -gen ro me_en - can - ta ver

4 3

like the cac com - o_un cac

B B

tus to_a

B B 4

EB Dust pol

5555

E5 5 5 5

ta dust. su - bir.

5 5 5 5:

5 EB : -

5 5

5 5 -

raised by vo que

5 5 5 5 E5 5 5 5 5 5 5 5 5 5 5 5 5 5 E 5 5 5 E 5 5 5 EEEE EEEE B B B B B B B B B B B B

Act II

162

PiĂš mossoâ&#x20AC;&#x201C;poco agitato (q = 112)

1 5 2 10

5 5 !5 5 5 :

peo su

is vi - da

!5 ! 5 D.

55 5

5 5 5

55 55 55

ple mov - ing back be so - fo - can

55 55 55

5 5 12 1 5 !5 2

5 4

use pa

55 5

5 5 5 5 5 5 !5 55 5

55 5

G G 5 5

!5 !5

1 5 5 5 5 5 5 5 5 2 0 0

= 5 5

5 5

my ÂĄNo

55 5

life es

5 5

!5 !5 5 5 ! 5 5

3 I canâ&#x20AC;&#x2122;t be at your side No pue - do mĂĄs co - rrer

55 55 55

55 5 5 5

55 5 !5 !5

55 5

55 5 5 5

G !5

3 5 5 5 5 5 5 = = 5 5 3

!5 55 5

me! mas.

!5 !5

5 5

55 5

At least DĂŠ - ja -

! 55 5 = 4 ?:

let me paint me pin - tar

to fory_ol - vi -

! 55 : = 4 ? 5 a piacere

3 3 3 get the miser - y of Mex - i - co! dar mi vi - da en MĂŠ - xi - co!

G G

55 5

Meno mossoâ&#x20AC;&#x201C;a piacere

55 5

5 5

!5 ! 5

55 5

!5 !5

you see lo ves?

5 5

55 5G

eve - ry time you think you need ca - ca vez que tĂş me lla -

55 5

Donâ&#x20AC;&#x2122;t ÂżNo

ÂĄMujer!

14 !5 1 ! 5 5 5 5 5 5 2 3 3 3 55 55 5 5

5 5

55 55 55

!5 !5 4

less here? ra - mĂ!

5 5

wards. te

(Diego bangs his window shut.)

2 2 2 2 3 Leave me a - lone. DĂŠ - jame en paz!

0 f = 4 ? !55 ! 5

0 = 4 5

Act II

163

Scene 1c Songâ&#x20AC;&#x201C;I am the Wise and Forgiving Woman Andante serioso (q = 80) a piacere

1 Fr. 2G

a tempo

5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5

!B B

G % ?

5 5 5 5 5 5 !5 !5 ' = ' G 5 3 3 p

Fr.

1 ? 2G

Frida a piacere legato sostenuto

a tempo

5 5 B 5

On - ly a great ÂżEn - tre dos puer

!B -

love tas

5 5:

sur - vives po - drĂĄ_el

two a-

5 ' 5 ' 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 ' G 3 3 3 3 p

colla voce

G 5

1 5 : Fr. 2G doors mor

!' ' !'

' ! ' G '

5 B

5 5 5 =

?' ' 0

be - tween vi - vir?

ÂĄAsĂ es la vida!

5: pp

B: '

5 B

M = 5 5M 5

5 5 5 = 4 ? 5

Act II

164

Moderato energia q = 100 10

(Frida watches a parade of women move through Diegoâ&#x20AC;&#x2122;s house.)

5 5 5 5 5 5 ? G 55 55 55 555 55 55 555 55 55 55 55 555 55 55 555 55 55 4 5 5 5

5 5 5

poco f 55 55 55 55 55 55 55 55 5 5 5 = 4 = 5 5 4 = 4 5 5 5 5 M

M 5 5 5

M 5 5M 5

5 5 M 5 M

sf 13 f 1 0 5 5 5 5 5 : !5 : Fr. 5 5 5 2G Iâ&#x20AC;&#x2122;m Fri

= 5 5 5 55 55 555 55 5 = 5 5 5 M

16 1 0 Fr. 2G G ?

5 5 BB 5 5 4

the wise and for - giv da sa - be_y per - do

555 55 55 55 55 55 = 5 5 4 5 M

sfz rit.

ing wom - an na siem - pre

? = 5 5 55 55 55 55 55 = 5 55 5 M

5 5 = 5 5

5 5 5 5 4

a tempo

= 5 !5 5 5:

5 '

the world can go el mun - do pue

to hell - de_ar - der

55 55 5 55 5

5 5 5 5 5 5 5 5 5 5 5 55 5 5 5 ! 5 5 5 55 !55 55 5 5 = 5 55 55 55 55 55 55 55 G 5 5 5 5 !5 5 !5 5 5 5 5 5 5 5 5 5 5 5 4 = 4 5 55 4 = 5 5 5 5 5 5 5 5 5 5 5 19 1 ? = 5 5 5 ? = 5 !5 Fr. 2G 5 5 5 B as long as we are one si_es - ta - mos jun - tos los dos

5 5 5 G 55 55 55 555 55 55 555 55 55 5 5 55 55 5 5 5 5 5 5 5 5 5 4 = 5 = 4 5 G 5 5 5 5 5 5 5 5

55 5 5 5 5

the priv - ate el sol en 3

= 5 55 55 55 = 55 5 5M 5 4 5 4 5 5

Act II

1 5 Fr. 2G

55 5 5:

moon fren -

the pub te, la lu

5 B -

165

lic sun. na_a - trĂĄs.

= 5 55 55 = 55 5 5M 5 4 5 4 5 5

5 5 5 5 5 55 55 = 55 55 55 55 55 55 5M 5M 5M M M M M M mf 3 5555 5 5 5 = 5 5M 5M 5M 5M 5M 5 5 5M M M

55 55 55 5M 5M 5M

M 5 555 555 55 5 5 M M 5

5555 5 5 5M 5M 5M 5M 5M 5M

a tempo

Sostenuto mesto

ritmico 5 ! 5 5 5 5 5 5 5555 5 5 5 5 5 5 55 55 55 55 55 5 5 5 55 55 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 G 555 555 5

G 5' 5 !B

5' 5 !B

B G B

5 5 5M 5M

= 5 5

5 5 5M 5M

= 5 5

allargando

1 Fr. 2G !5 : Iâ&#x20AC;&#x2122;m Fri

sub. poco f

5 5 -

5 5 5 :

the wise and for - giv da sa - be_y per - do

5 5 5

= 5 !5 5 5 5 5 : 5

ing wom - an na siem - pre

in spite of what you think and ÂżQuĂŠ_im - por ta lo que ha - gas

5 5 55 ? ? = 5 5 5 55 ! 55 55 !55 55 = 5 5 5 !5 5 !5 5 55 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 = 555 5 5 5 = 4 5 4 5 5 4 = 5 55 5 5 5 5 5 5 5 sfz

55 5

Act II

166

Fr.

a tempo

1 ' 2G

do. tĂş.

5 ! 5: 5 5 !5 : 5 5 5 5 5 5 5 5 5 5 5 55 G 55 55 55 55 55 55 55 55 55 55 55 55 55 5 5 5 5 5 5 5 5 55 55 55 5 5 4 5 = = 5 5 4 5 5 5 5 5 5 5 5 5 5 5 sfz

= 5 5 :

1 4 Fr. 2G

I know Si siem

5: 5 5 5 : 5 G 5 5 5 55 5 5 55 5 5 % 5 ? 5 5 5

a tempo

5 5

youâ&#x20AC;&#x2122;ll al pre me_a

5 -

5 5 5:

5 B

3 ways love ma - rĂĄs

me too. tam - biĂŠn.

5 5

5 55 5 5 5 4

55M 55M 55M 55M 55M 5555 5 G 3

Trag - e - dy is fool - ish no va - le la pe - na

5M 55 555 555 555 555 555 555 555 4 4

5 5 5 5 5 55 4 5M 5M 5M 5M 5M M

5M 55

5M 5M 55 55

5M 55

55M 5

55M 55M 5 = 5

3 mf

5555 5 5 5 = 5 5M 5M 5M 5M 5M 5 5 5M M M 3

Subito meno mosso

1 Fr. 2G

= 5 5 sfz

5 5 = 5 55 55 = 55 55 55 55 M 5 5 %

sfz

molto rit.

poco f dolcissimo

5 5 5 5 5 5 55 55 55 55

p 3 3

5555 5 5 5 5555 5 5 5

a tempo 3

5 5 5 5 5

life no

is much too short voy a llo - rar

55 55 55 55 55 55 5 5 5 5 5 5 G 5 5 5 3 3

5 5 5 5 5 55 555 5 5

Act II

1 Fr. 2G

167

Andante serioso

Meno mosso

5 5 5 5

5 5

I am the wise Fri - da sa -

!5 : G

5 5

5 5 5 :

1 rit. Fr. 2 G 5 : giv do

5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5

5 5 5

G 5

5 5 5 -

ing wom - an na siem - pre

5 B 5 5 5: Iâ&#x20AC;&#x2122;ll al - low your lit y tu jue - go_ol - vi

5 5 5 5 5 5 5 5 `Ba BB 5 5 5 5 B 5 5 5 5 G I5 5 5 5 5 B 55 55 55 55 55 5 ? 5 G

and for be_y per -

K ' '

' '

B -

tle da

A tempo, meno mosso

1 ' Fr. 2G

sport. rĂĄ.

` B B5 5 5 5 ! 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 G 5 5 5 5 5 5 5 4 5 5 5 5 5 5 5 4 5 5 5 5 5 ! 5 5 3 pp 3

G 5

3 pp

ff sub.

5 5

5 ! B

Act II

168

Allegro deciso h = 60 (The parade continues) loco

55 55 5 55 5 5 5 5 5 G = 55 55 5 5 5 5 5 f = !5 = 5 =E5 = ! 5 !5 5 E5 !5

= !!55 = 5 =E5 = = !!55 = 5 =E5 = = !!55 = 5 = E5 = !5 5 E5 ! 5 5 E5 ! 5 5 E5 !5 !5 !5

(Frida recognizes her sister coming out of Diegoâ&#x20AC;&#x2122;s house and calls to her, innocently.)

1 Fr. 2G

a tempo

Cristi!...

' ' G

55 55 5 55 5 5 5 5 55 55 5 55 55 55 55 55 55 55 55 55 5 5 5 5 5 5 5 55 5 5 55 5 5 5 5 55 5 5 55 5 5 5 5 5 5 5 5 5 555 555

5 : 5 5 5 5 5 : 5

5 : 5 5 5 5 5 : 5 55 55

= 5 5 5 5 5 5 f = !!55 = '5 : 5 5 5 5 5 : 0 G ' 5 5 5 ! 5

Adagietto mesto q = 66 rit.

55 55 55 55 5 = E5 = 5 E5

0 Oh, Diego. Not... Cristi. Please. Not Cristi. All the surgeons knives have never made me bleed as I am bleeding now. No. Diego... Cristi no, por Dios, Cristi no... ÂĄLos cuchillos de los cirujanos nunca me hicieron sangrar como estoy sangrando ahora!

? 0 G BB ff B !5 : 5

5 5

0 '

0 pp (cluster)

= 4 ?

Act II

1 Fr. 2G G

(and picks up a papaya and a knife)

(She sees a bowl of fruit...)

I5 I5 ! I5 I5

p ' G '

169

0 I5 ! I5 ! I5 I5

5 5 5 ' '

!B :

5 5 5

!' !'5 ! 5

G I ' G ' !' !'

' ' '

! ' !'

' '

1 Fr. 2G

' '

0 ' '

(She pours water from a pitcher over her hands and sits for a moment in silence.)

(She cuts the papaya in half and squeezes it, letting the juice run down her fingers.)

G.P.

)))))))))))))))))))))))))) I5 ! I5 ! I5 I5 ' ' '

G G

! '' ' ' ! '

' ' ' ''

' '

! '

5 = 4 ?

G.P.

wind chimes

= 4 ? 5 5

Act II

170

Scene 2a Quintet (Trotsky Scene) Vivace (q = 138)

5 5 5 M M M 5 5 5M 5M 5 5 5 5 5 5 5 5 M M

M M M M M 5M M M M 5 ! 5

5 ! 5 (Trotsky enters) 4

5 !! 55

5: G 5 I

55 55 5

55 !5 ! 5

5 5 5 5 5

55 55 5

!5 ! 5

(Frida greets Trotsky flirtatiously)

!B 5 5 5 5 5 5 5 5 5 B5

5 !5

5 5

!5 !5 !5 5 !5 5 5 5 5 5 5 5

! B5 5 5 5 5 B5

5 ! 5 5 !55! 5E5

E 55 ! 5 5 5 E 55 5 5 5 5 55 ! 5 5 5 5 5 !5 !5 5 5 G 5 !5 5 5 E55 5 5 5 5 55 ? !5 5 5 !5 !5 !5 !5 !5 ))))))) B EB B

5 !5 5! 5 E5

5 5 4 = ! 5 = G ! 55 55 E5 5 !5 5 ! 5 5 !5 5!5 E5 5 ? G E' ' !5 !5 5 5 5 5 !5 !5 5 5 ' !5 ! 5 5 5 5 5 ! 5 !5

5 5

!!!!

Act II

1 Frida 0 Fr. 2G Querido camarada Trotsky

' '

))))) E55

GGGGGGGGGGGGGG

E' '

1 ? G

E' ' '

E5 = E5 E5 5 5

not as big as Rus - sia, mĂĄs gran - de_es Ru - sia,

BB ? E55E55 5 E55 E5EBB : B 5 5 5 9 5 : 5 5 5 E5 5 5 3 B !B ? 3

= 5 5 5 5 5:

5: 5 5 2G i warm - er. cĂĄ

5: 5

' ' ' 0 = 5 5 5 5 on vi

B B

on a

= 5 5

On you? ÂżA_us - ted?

= 5

our lives das

li - do

accel. poco a poco

3 but cer - tain - ly MĂŠ - xi - co_es mĂĄs

accel. poco a poco

Youâ&#x20AC;&#x2122;ve had a great in - flu - ence Ha_in - flu - enci - a do nues - tras (Diego enters silently, overhearing Frida and Trotsky.)

5: !5 !5 : 5 = 5 5 5 5 5 E5

it has Lo es

EBB

' G '

G B 5 B

Fr.

5 E5 E 55 55 55 55 55 E 5 5 55 E BB

Oh, yes, Oh, sĂ.

has been de - li - cious ma - ra - vi - llo - sa

Your vis - it to Mex - i - co Su vi - si - ta_a MĂŠ - xi - co

Trotsky

= ! 5 : E5 5 5 5

GGGGGG

1 T. 2G i

5 5 5 5 5 : 5 B 5

GGGGGG

`5a 5 5 G =4 ? E 55 5=4 ?

171

= = 5 5 5 5 5 : p

= 4 5 5

4 5 = 5

3 == 5: 5 5 5 5 5: 5 555

= 4 5 5

5 5 5 = 5

Act II

172

1 5: Fr. 2G

= 5 5 5 5

Die Die

go. go.

3 has new nue - va

He Hay

en e

5 -

5 5 5

er - gy ner - gí

for his a en

G = = 5 5 5 5 5 : 5 5 5 5 5: 5 5

3 5: 5 = = 55 5 55 5 5 : 5

5 5

5 5 5 5

1 BModerato (q = 112) = Fr. 2G work. él

5: G G

5' E5 E 5

5 He’s tan

5 E5

so o

5 -

bus - y cu - pa

5 -

these days do_es - tá

5' E5 E 5

1 B Fr. 2G G 5:

= 5 I ya

hard - ly ni lo

5 !5 !5

5 5

see ve

5 rit.

5 5 EB

EB -

him o.

B B:

E 5 5 5 ! 55 5 5 5 5 55 )))))))))))))))))))) '5 E5 E5 5 5 G 5 5 5 5 5 5 E' ' E5 5 5 5

Act II

173

Andante amoroso (q = 96) 31

expansively 1 55 5 5 5 5 5 5 5 5 5 5 = T. 2G 5 3 i

5 5 !5 5 5 E5 :

A man should al - ways take time Pa - ra_u - na mu - jer tan be -

1 = T. 2G 5 5 5 5 5 5 i Donâ&#x20AC;&#x2122;t you see, itâ&#x20AC;&#x2122;s G 5:

meno mosso

5 5 !5 5 5 3

' p

5 5 5 5 5 5 : a piacere 5 B 3

you A_us - ted

' 1 : 2 :

p sub.

I want to in - flu qui - ero in - flu - en

5 B

555

lo - ve?

an. po.

(Diego steps forward)

ence! ciar.

0 ff sub.

= 4 5 5

Poco movente

' '

with suavely controlled anger

:: 4

5 5 5 5 5

Tell me Le - on, Di - me, Trot - sky

G ::

55 55 55 55 BB

' ' p

:: = 4 5 5

k5 5

= 4 5 5

' ' '

GGGGGG

for such lla siem -

ÂżNo

3 a beau - ti - ful wom pre de - be_ha - ber tiem -

!5 5 = 5 E5 5 5 5

5 B

' '

:: = 4 5 5

k5 5

= 4 5 5

Act II

174

1 T. G i

0 p

5 5 =

5 5 5 5 5 5 5 5

why did ÂżPor - quĂŠ

1 2G 5 i

Di - e

5M -

=4 ? p = 4 !E55 5 ! 5 5

5 5 5 ' : 5 5 5 5

= 4 5 5

k5 5

= 5 5

0 4

= 4 5 5

accel. 5: 5 5 5 5 ' 5 5 5 5 B 48 5: 5 5 : 5 5 5 5 ' G (Trotsky crosses to Natalia; Diego crosses to Frida.)

5 B

= 4 5 5

a tempo

0 = 4 5 5

k5 5

3 To es - cape their cow - ard - ly doubts. To - dos e - llos du - dan de mĂ.

go.

to leave se yo.

poco rit.

= 5 5 M

G = 4 5 5

5 =4 ?

!E 55 !5 =4 ?

BB B

GGGGGG

55 5

I chose Lo qui -

' ' '

= 5 5

your fel - low Rus - sians throw you out? los ru - sos te hi - cie - ron - ir?

55 55 55 55 BB

mp with pointed irony

5 5 5 E5 !5 !5

k5 5

= 4 5 5

5 5 5 E5 !5 !5

Act II

175

Allegro deciso (piĂš mosso) (q = 132) 52

Natalia poco f (to Trotsky)

1 = E5 5 : G E5 5 2

What are you do

ÂżQuĂŠ_es - tĂĄs ha cien

!5 4

5 5 5 : 5 = 5 5 5 B

ing do

with that wom - an, con e - lla,

and her mus - tache? e - sa mu - jer?

))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))) ' ' '

5 555 5 B 5 5 5 5 5

5: G

5 :

1 G

4 2G i G

Do you play Rus ÂżCan - tan en ru

E5 :

5 5:

Donâ&#x20AC;&#x2122;t be No seas

ri - dic ri - dĂ

= E5 5 B 5 5 5 -

5M 5M

M E 5 5M

5 5 !5

sian songs on so jun - tos

her en

u - lous! cu - la

5 5 5 55B

5 5 5 5 5

5 5 5 5 5 M 5 555 5 5M 5 M M M M 5:

M 5 5M 5 5 E5

3 1 G 5 5

lit - tle white bed? ca - ma los dos?

f (Diego strides up to Frida)

Thereâ&#x20AC;&#x2122;s U

G G

5 5:

E5 :

an an na ra

E5 E5

cient rat ta_hay en

5 E5 B in my house. mi ho - gar.

5 5 5 5 5 = 55 55 55 55 55 55 55 55 55 55 55 55 55 55 55 55 55 555 5 5 5 5 5 5 555 5 5 5 5 5

M 5 555 5 5 M M M M

= E5 = 5 = !5 = = E5 = 5 = !5 = E5 5 !5 E 5 E5 5 !5 E5 E5 E5

Act II

176 61

(to Diego)

1 Fr. G ?

5 5 5 5 B

Lis - ten to El Gran Es - cu - chen al Gran

Ma Ma

E5 -

cho cho

5 E5 E5 5 5 E 5: = He takes my hos - pi Bur - la mi hos - pi

E5 = 64

1 E 4 2 G

5 5 5

5 5: =

and my wife, mi mu - jer,

E5 = E5 =

5 5 55 55 5 5 5 5 E 5 5

55 55 55 55 55 55 55 55 55 55 55 55 55 55 G 5 555 5 5 5 5 5 5 555 5 E5

!5 =

= ?

tal ta

i - ty, li - dad,

= E 5: 5 5 5 :

5 5 5 5 5 5 4 =

my wife. no mรกs,

5 B

55 :: 55 55 55

5 5 5

His wiz - ened lit - tle si - guien - do_a - mi mu -

E : 55 : 55 55 55 55 :: 55 55 55 55 :: 55 55 55 55 :: 55 55 55 55 :: 55 55 55 55 ::

55 5 55 5

1 E Fr. G

E 5 tail jer

G 55

5 5 5 leaves a trail el de - jรณ

of su

se - men se - men

5 '

by por

her door. de - trรกs.

5 5 5: with his in por su_en can

55 5

5 -

tel to

55 5

E 55 :: 55 55 55 55 :: 55 55 55 55 :: 55 55 55 55 :: 55 55 55 55 :: 55 55 55 55 :: 55 55 55 : : : : : :

5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5

Act II

Fr.

1 E G 5

5 5 B

lec - tu - al charm. in - te - lec - tual?

E G ? i

= 5 5 Na

177

- lia

she su

stim men

5 -

ute

His Su

55 55 G 55 55 5 5 5 5 5 5 5 5 5 5 5 5 E 55 :: 55 55 55 55 :: 55 55 55 5: 5 5 5 5: 5 5 5 5: 5 5 5 5: 5 5 5 5 : 5 5 5 5 : 5 5 5 5 : 5 5 5 5 : 5 5 5 5 : 5 5 5 5 : 5 5 5 73 1 0 0 4 5 5 B Fr. G T.

Youâ&#x20AC;&#x2122;re a - fraid ÂĄQue te - rror!

B: G i lates cla 5: 2 G

in men

5 -

me ra

? 5 55 5 =

5 5 5 5: 5 B tel - lect, I too ad- mired te yo_ad mi - rĂŠ tam- biĂŠn,

5: 5 5 5 5: 5 5 5 5: 5 5 5 5: 5 5 5 5: 5 5 5 5: 5 5 5 5: 5 5 5 5: 5 5 5 76 1 5 5 5 5 4 4 5 5 : 5 B T. G i mind. We ex change i - deas and books. zĂłn Me_es - ti - mu - lan pen - sar. a 5 5 5 4 4 0 4 D. 2 to his leg, y ba - jĂł

G 55

5 5 B

with her su ra -

un - til it moved from his head mas la per - diĂł se mo - viĂł

5 5

5: 5 : 55 55 55 5: 5 : 55 55 55 5: 5 5 5 5: 5 5 5 ? !!!! 5 5 5 5 5

!!!!

to his with - ered third a_o - tra par - te me -

55 5

5: : 55 55 55 5: : 55 55 55 55 :: 55 55 :: 55 55 :: 55 55 :: 55 55 :: 55 55 55 55 :: 5 5 5: 5 5 5 5: 5 5 5 5: 5 5: 5 5: 5 5: 5 5: 5 5 5 5:

55 5

!!!!

55 55 55 G !!!! 55 5

Act II

178

Moderato misterioso (meno mosso) (q = 108–110) (Cristi is seen lighting candles.)

1 Cr. G

G ?

5 5

5 5 5 5

5 5 ?

ex - posed my to - da mi

El Gran Ma - cho.

= 5 5 5 I’ve seen the Bien cla - ro

5 B

His brush Pin - tó

p Fr.

5 ! 5 ?

5 5 ? foot - notes. ya es.

leg. jor.

Moderato misterioso (meno mosso) (q = 108–110)

B B B

GGGGGGG

GGGGGG

G BB B

5: 5: 5 5 : 5 =: 5 5 : 5 =: B B B

GGGGGGG

5: 5 5 : 5 =:

GGGGGG

5: 5 5 5: 5 5 =: G =: 5 : =: 5 :

5: 5 5 : 5 =: 5 55 :: 5 =: 5 5 : 5 5:

B B B

BB B

sim. 83

1 Cr. 2G 5 5 B

na - ked - ness des - nu - dez

on en

can lien

= 5 5 5 5

vas zo,

his touch ex - posed my to - có mi co - ra -

5: 5: 5: 5: 5: 5 : 5 5 5 5 5 5 5 5 5 5 5 5 5 : =: 5 : 5: : 5 : 5 : : : : : : = 5 = = = = G G BB B

BB B

B B B

1 5 Cr. 2G heart zón

5 5 5 5 5 5

like a lil - y un - der glass. co - mo flor ba - jo cris - tal.

BB B 5

5 5 5 5

He paint - ed his wife’s La_her - ma - na de su_es -

5: 5 5: 5 5: 5 5 5 : 5 =: 5 5 : 5 =: : : : : 5 5 : 5 = 5 = = = 5: G 5: 5: 5: B B B B B B B B BB G BB B B B B B B

5 5: 5 5:

Act II

179

1 5: Cr. G Fr.

5 5

sis po

ter sa

5 5

and made pu - do

love con

to her. quis - tar.

(to Diego)

Di -

$ 5: : 5 5: 5 = BB B

G =: B B B

Fr.

1 E4 G 2G

5 5 5 I pray for Mi_her - ma - na

E B e

BB B

A tempo (allegro deciso) (q = 132)

Cr.

$ : 5 55 :

5 5

Fri Fri

$ 5: 5 =: 5 5: BB B

5 5 5 5 5:

$ 5: 5 5:

5 E

5 '

da’s for - give - ness in a pri - vate mass. da, en re - zos rue - go tu per - dón.

go.

5 5

You don’t un - der De - bes com - pren

A tempo (allegro deciso) (q = 132)

5 5 5 5

55 55

55 55 55 55

E 5 : 5 5 5 5 : 5 5 5 5 : 5 5 5 5 : 5 5 5 5: 5 5 5 5: 5 5 5 5: 5 5 5 5: 5 5 5 5 :5 5 5 5 : 5 5 5 5 : 5 5 5 5 : 5 5 5 5 : 5 5 5 5 : 5 5 5 5 : 5 5 5 5 : 5 5 5 95

1 E Fr. G B:

= 5 5

stand. der

E 4 2

His lo

5 5 5

sex que

is in his brain, le_im - por - ta_a él

= 5 5 5 5 5 com - mit - ted to re -

5 5 5 = 5

a - yu - dar a -

the an - cient rat. a_es - te ca - brón

I ad - mired him Yo lo_ad - mi - ré

E G 5 5

5 5 5 5 5

55 5

E 55 :: 55 55 55 55 :: 55 55 55 55 :: 55 55 55 55 :: 55 55 55 5: 55 55 55 5: 55 55 55 : : 5 5 5: 5 5 5 5: 5 5 5 5: 5 5 5 5: 5 5 5 5: 5 5 5 5: 5 5 5

Act II

180 98

1 E Fr. G 5 5 5 5 B

lieve his coun - try’s pain. quí a su pa - ís. D.

5 5 5 5 5:

5 5 5 5 5 5 ! 5:

E 4

So com - mit ted that na - die lo qui - so,

55 5

G 55 5

55 5

ev so

way. bió.

104

1 = 5 5 5 B Fr. G D.

sets off y sin

a - larms! ra - zón

4 5 5

5 5 5 5 55 3

I should have of - fered him a Y mi con - fian - za trai - cio

5 5 5 5 5 5: 5 == 3

= B: EBBB ::: 5

5555

5 5 5 5 555 5 ' = 3 In - stead of giv - ing him a hand. Mi ma - no_a - mi - ga le brin - dé.

fist. nó.

5 5 5 5 E5 : G = = 3

5: 5 5 5 5 5: 5 5 = = 5 5 5 5

5 5 5 5 5 5: = = 5 5 5 5 5:

G EBBBB ::::

5 5 =

my home. ho - gar.

(Frida laughs)

5 5

3 3 5: 5 5 5 55 5 = = 5 5 5 5: G = = 5 5 5 5 5: 555 5 5: 5 = 4 4 5 = = 4 4 5 5 55 5 3

3 i - co turned him a xi - co lo re - ci 3

4 5 = = 4 5 5 5

who be - friends your wife tú lo juz - gas mal

3 I of - fered him Le_o - fre - cí mi 3

5: 5 = = 5 5 5 5 5 : 5 555 5

55 5 = = 5 5 5 5 5: 5 5:

4 = 5 5 5 5 5 5 B

5 5 5

ery coun - try but Mex la - men - te_es - te Mé 3 3

E 5: 5 :: 55 55 55 5: 5 :: 55 55 55 ! 5 = 4 5 5 5 5 5 55 5 5 101 1 4 = 4 5 5 Fr. G 55 5 5 This old man El vie - jo

5555

EBBBB ::::

5555

EBBBB ::::

5 5 5555

Act II

107

1 Fr. G

181

a tempo

He doesn’t bite. A mí no me muerde.

G i

4 = 5 5 5 5 5 5 5

She’s a Es el

de - mon. dia - blo

A de - mon el dia - blo

= 5 5 5

Don’t be ri No seas ri -

Which he bites! Y la mordió.

5 5 5 = 4 ? G ff 5 = 4 ? !5 !5

a tempo

= = 5 5 5 5 5:

= 4 ? 5 5

5 = = 5 5 5 5 3

= = 4 5 = = = 4 5 5 5 5 5 5 5 5 5

5 = 5

5 5

bre sí,

pa - ra

111

1 Fr. G N.

0 5

G 4

5 5 5 5

5 5

dis - guised as a Mex ve sti - do de pu T.

2G 5 5 5 i dic - u - lous.

5 5

Pa - ra

hom

i - can whore! ta no más.

4 5

5 = = 5 5 5 5 3

= = 4 5 = = = 5 5 5 5 5 5 5 5 5

B -

dí - cu - la

= = 5 5 5 5 5:

5 G

4 55 =

lia.

5 B5 5 5 5 5 5 =

M M M 4 5555 5555 5555 M M M

182

Act II

114

rit.

1 Cr. G

5 Each Cuan -

hem

bra no.

Iâ&#x20AC;&#x2122;ll ÂĄLo

For the man, Hom - bre sĂ,

yes. sĂ,

4 = 5 5 5 5 Wo - man, no. hem - bra no.

kill him! ma - to!

rit.

B 5 B5 5 5 5 B 5 5 =

M ' 55M 5 5555M 5555M 5 4 ' ' '

B B

GGGGGGGGG

5 B5 5 5 5 5 5 G =

M M M G 55 55 4 5555 5 5 5M 5M M

Moderato misteroso (meno mosso) (q = 108)

1 B: Cr. 2G

time do

he en

: 5 5 B

GGGGGG

121

5 5 And yet Mas, ay

en - tered me trĂł en mĂ

))))))))))) B B ' '

= 5

how could trai - dor

5 5 5 5 5 5 5 G =

5 5 5: he be - tray fue sin du

a - live. vi - vir.

55 55 5 5 5 = )))))))))))))))))))))))))))))) ' ' '

))))))))))))))))) ))))))))))))))))))))))))))))))))))))))))))))) B B G ' ' ' ' '

GGGGGG

I felt sen - tĂ

GGGGGG

5 B5 55 5 5 5 G = )))))))))))))))))))))))))))))))) G ' ' ' 1 4 Cr. 2G

5 her? da

4 ' ' ' '

' ))))))) B B ' '

GGGGGG

117

5 5 5

GGGGGG

5 5

G 5:

Fr.

How yo

could tam -

Act II

124

183

Meno mossoâ&#x20AC;&#x201D;a piacere = 5 5 5 5 5 5 5 5 5 5 : 5 = 5 5 5 5 5 5 5 5

1 ' Cr. 2G I? biĂŠn

My moth - er taught me a Dios ro - ga - rĂŠ

' '

' G '

' '

to ask for for - give - ness por - que me per - do - ne

' '

128

1 Cr. G 5

Fr.

A tempo, moderato (q = 108)

a pri - vate mass. su gran pie - dad.

' '

5 5 5 5 5 in por

I pray for Fri - daâ&#x20AC;&#x2122;s mer - cy Y me per - do - ne Fri - da

5 5 5 5 5 5

Do you think I want to Yo no quie - ro ya vi -

5 5 5 5 5 5

Do you think I want to Yo no quie - ro ya vi -

' '

G ' '

A tempo, moderato (q = 108)

B: B:

0 5 5

' '

Act II

184

131

1 Fr. G

Allegro deciso (q = 132)

5 5

live vir

in en

5 5

live vir

in en

the tu

shad - ow som - bra

of na

shad - ow som - bra

of na

your life? da más.

5 5 5 5

5 5 5 5 4

home ten

= 5 5 -

G 5 home ten

play and I jue - gas y

stay yo

0 0

Oth - er wom - en Las mu - je - res

5 5 5 5

55 55

55 55 55 55

135

= 55 5 5

5 You ¿Tú

stay yo

5 5 5 5: 5 5 5 5: 5 5 5 5: 5 5 5 55 :: 55 55 55 55 :: 55 55 55 55 :: 55 55 55 55 :: 55 55 55 5: 5: 5 5 5 5: 5 5 5 5: 5 5 5 5: 5 5 5

1 Fr. G 5 N.

play and I jue - gas y

5 5 5 5 4

Allegro deciso (q = 132)

You ¿Tú

5 5 4

= 5 5 5 5

Oth - er wom - en Las mu - je - res

your life? - da más.

5 5 5:

G i

the tu

5 5 5:

5 5 4

G 4 i 4 2

the per - fect go que_es - pe -

= 5 5

the per - fect go que_es - pe -

5 5 5 5 4 oth - er wom - en las mu - je - res

5 5 5 5 4

B wife? rar?

55 5

Why could - n’t I be all you Por - qué no soy lo que tú

wife? rar?

5 = 5 5 5

0 5

are just di - ver - sions. son di - ver - sio - nes.

5 5 5 5 =

oth - er wom - en las mu - je - res

G 55 55 5 5 : 55 : 55 55 55 5: 5 5 5

= 5 5 5 5 5 5 5

are just di - ver - sions. son di - ver - sio - nes.

55 5

55 :: 55 55 55 55 :: 55 55 55 55 :: 55 55 55 5: 5 :: 55 55 55 5: 5 :: 55 55 55 : : : 5 55 5 5 55 5 5 55 5 5 5 5 5 5 55 5

Act II

138

1 Cr. G ? Fr.

legato

4 4

G 5 5

185

I ÂĄTe

pray pi

5 -

dear do,

need - ed? quie - res. N.

G =

5 5 5 5

Why could - nâ&#x20AC;&#x2122;t Por - quĂŠ no T.

G 4 i

I soy

be lo

5 5

You know E - sa_es

? 2

5 5 all que

you tĂş

5 5

thatâ&#x20AC;&#x2122;s la

55 55 55 5: : 5 5 5 55 :

5: 5 5 5 5 5: G = = 5 5 5 5 3 3 B: :

da da,

the truth. ver - dad.

youâ&#x20AC;&#x2122;ll tu

for per

5 5 5: 5 5 5 5 = = 5 5 5 5 5: 3

5 5

5 =

B : B :

55 55 55 5 5 5

3 5 = B : 5

B :

140

5 5 5 5 5: = = 5 5 5 5 5:

55 5

1 B: Cr. 2G Fri Fri

need - ed? quie - res.

You know E - sa_es

55 5

thatâ&#x20AC;&#x2122;s the truth. la ver - dad.

G 555 5: 55 ::

' -

give. dĂłn!

5: 5 5 5 5 5: 5 5 = = 5 5 5 5

3 5 = B: :

5 5 = E5 E 5

Act II

186 ff

143

1 :5 5 5 5 Cr. G : Why do those you ¿Por - qué los que ff

Fr.

G :: 5 5 5 E5 Why do those you ¿Por - qué los que ff

G :: 5 5 5 5

Why do those you ¿Por - qué los que ff

E5 G :: 5 5 5 i Why do those you ¿Por - qué

los

que

:: 5 5 5 E5 2 Why do those you ¿Por - qué los que

5 5 5 5

love the most know a - mas son los

best how to tor - ment que más te_a - tor - men

5 5 E5 5

5 5 5 E5

love the most know a - mas son los

5 5 5 5 5 5 5 E5

love the most know a - mas son los

5 5 5 E5

love the most know a - mas son los

you? tan?

B -

you? tan?

EB -

best how to tor - ment que más te_a - tor - men

5 5 5 E5

best how to tor - ment que más te_a - tor - men

5 5 E5 5

best how to tor - ment que más te_a - tor - men

5 5 5 5 love the most know a - mas son los

you? tan?

EB -

you? tan?

55 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 55 55 55 55 5 5 55 5 55 55 55 55 5 5 55 5 55 55 55 55 5 5 55 5 55 55 5 55 5 5 5 5 5 55555 55555555 55555555 5 5 5 : :: G : f

:: B: B:

E5 E5

B: B:

E5 E5

B: B:

E5 E5

Subito meno mosso, andante appassionato (q = 96) (Diego and Trotsky move to get away from their wives...)

E 5 : 5 B E5 !5 5 5 5 5 5 5 5 5 5 5 5 E5 : 5 B 5 5 5 = G 5 E5 !5 5 5 5 5 5 5 5 5 5 5 ? = 5 E5 : 5 B 5 5 E5 E5 3 ff 3 (f) ' ' ' ' ' ' ' '

147

Act II

187

(... and collide.)

G.P.

151

L’istesso tempo (q = 96)

1 T. 2G i

I heard you enjoy playing the great artist, dressed in tuxedo black. He oido que te gusta hacer el papel de gran artista, vestido de frac.

555 = 4 ff

55 = 4 p

= 4 5 5

= 4 k 5 5 5 5

154

1 2

I see why you surround yourself with such prison-like security. You make a man want to kill you. Ya veo por qué tienes que rodearte de tanta seguridad. Haces que alguien quiera matarte.

555 =

colla voce

k 5

= 5 5

156

1 G i

How can you call yourself a communist and rub elbows with the rich? You betrayed the party! ¿Cómo puedes decir que eres comunista y codearte con los ricos? ¡Traicionaste el Partido!

= 5 I ¡Por

5 G 55 = 4

5 55 = 4

colla voce

k 5

= 4 5 5

0 '

Act II

188

Adagio misterioso (q = 66) (almost whispered, but with controlled intensity)

B 1 5 5 5 5 2 160

warn you úl -

on - ly once ti - ma vez!

5 5

stay a - way ¡Ve te_y no

from my vuel - vas

door. más!

' pp

163

5 5 5

' ' Zhopa! Yop tvayu mat!

air. Trotsky flees as he and Diego exchange Russian and Spanish expletives.) (gun shot)

1 0 T. G i (Diego draws his pistol and shoots it in the 2

(Diego turns to face Frida)

¡Vete al carajo! ¡No me jodas hijo de tu chingada madre!

0 pp

= 5 5 166

1 Fr. G D.

5 E 555 G =

Adagio

= 5 5 0

I forbid him to come here anymore, Frida. ¡Le prohibo que vueva a esta casa, Frida!

Adagio

B '

' '

Hypocrite! You can’t compare Trotsky to one of your sluts! ¡Hipócrita! No puedes comparar a Trotsky con una de tus putas!

(to Frida)

B: G '

(to Diego)

E' '

' ' ' '

Act II

189

169

1 Fr. 2G

He’s a man of substance. A world leader! Not some cheap gringa tourist begging you to show her the pyramids. And your prick! ¡Es un hombre de sustancia, un líder del mundo, no una de tus chingadas turistas gringas pidiéndote que les enseñes las pirámides y tu pito!

G B: '

' '

B '

0 Don’t throw your own shit back at me. I know what you have done. ¡Mira quién habla! ¡Yo sé lo que tú has hecho!

' '

E' '

0 5 = 4 5

(Dialogue stops as Cristi is seen leaving Diego’s house.)

173

E I5 I5 5 5 I5 I5 5 5

' E' '

0 = 4 5 5

Act II

190

Scene 2b I Have Love (Duet)

1 Fr. 2G

For me it’s not only a matter of sex, Diego. I don’t just have sex. Para mí, no es sólo una cuestión de sexo, Diego. ¡Yo no tengo que tener sexo!

B: G B: p 2

Agitato (q = 120–126)

1 Fr. 2G

5 5 5

I have Ten go_a -

love. more.

5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 55 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 3

3 mp

B: B:

1 Fr. 2G

3 sim.

B: B:

B: B: 6a

5 55

I make Brin do_a -

love. mor

5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 55 55 5 5 5 5 5 5 555 5 5 5 3

B: B:

1 Fr. 2G

B: B: 4

I like me gus

B: B:

5 5 5 -

B: B:

= 5 5:

55 5

the ur - gent feel ta_el to que_ur - gen -

ing te

of a de un

5 5 5 5 5 5 55 55 5 5 5555555 5 555 55 5 555 55 5 55 5 5 3

B: B:

Act II

1 Fr. G 5

man’s hom -

191

hand bre

5 -

555555 5 3

55 5

The De mu -

side mor

your yo

love pue

5555555 3

5 5 B:

B: B:

I do

G= 3

on my back. sen - tir.

In Tu_a

5 5 5 B:

see ver

5 5 B: 3 3

5 5 5 5 5 5 555 55 5 555 55 5 B: B: B: B:

B: B:

1 Fr. G 5

5 5 5 5 5

soft jer

ness of a el ro - ce

wom - an’s sua - ve

5 5 5 B:

cheek jun

why y

= 5 5 B:

G B

a - gainst my own to a mí.

5 B:

I’m sé

still here por - qué.

5 5 5

5: = 5

3 3

5 5 5 5 5 5 555 55 5 555555555 555555 5 5 5 555 55 5 B: B: B: B: B: B: B: B:

Act II

192 18

Fr.

1 G 4 2

= 5 5 5 5 no space be - tween Con - tac - to le -

us ve

5 5 = 5 5

it’s es

in to

the do

: 555 5

5 5 5

I will not leave you No de - bo ir - me

555 5

3 3

5 55 3

5 5 5 55555 55 55555555 55555555 555 5 5 5 55 5 5B : B: B: B: B: B: B: B: 22 1 0 0 0 Fr. G 5: 5 5 touch pa

for me. ra mí.

5 5 B

But you need Pe - ro_es mu

5 55 5

so cho

much pa

from me. ra mí.

3 3

5 5

5 5 5 B:

3 3

55 555 5 5

5 5 5 55 5555 55555 555 555 55 5 55 5 5 B: B: B: B: B: B: B: B: 26 1 4 Fr. G 4 5 5 5 5 5 5 5 5 5 B: Fin - gers sweep - ing gen - tly a - cross my lips. De dos que_a - ca - ri - cian- sin las - ti - mar. D.

= 5 5 5 5

I’m not a No soy un

5 A Sen -

5 B

he - ro hé - roe 3

to save que sal 3

you. va.

5 5 5 5 5 5 5 5 5 555 5 5 5 555 5 5 5 555 55 5 555555555 B: B: B: B: B: B: B: B:

Act II

193

1 Fr. G

5 5

tongue tir

in the un

soft be

5 -

wrin so_en

kled mi

folds ma

of no

my tem

5 5 5 5 5 5 5 5 5 555 55 5 555 55 5 555 55 5 B: B:

B: B:

1 Fr. G B:

hand. blar.

Itâ&#x20AC;&#x2122;s Es

5 5 5 5 : =

5 5 5 B

Will what I have Y lo que soy

5 5

!B ! B 3

be bas

5 5

B B

5 5 B 5 5 B

B B 3

ev - er no sĂŠ si

5 e ta -

5 5 3

5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 B: B: B: B: B: B: B: B:

Act II

194

1 Fr. G !B

in to

5 2

the do

touch pa

for me. ra mĂ.

nough rĂĄ.

5 5 5

you No

take pue 3

so do

much dar 3

5 5 from me. te mĂĄs.

555555 5555 5555 55555555 5555 5 555 5 5 5 5 5 5

B : B:

B: B:

1 Fr. G

5 B 5 5

Not No

the pen - e - tra pe - ne - tran

5 -

tion. do

5 A Vi

5 5

!B ! B 3

Not the in no_in - va

5 :

5 5

life vir

with - out sin

5 5 B 5 5 B

B B 3

5 5 5

va dien

sion. do.

55 5

=5 5

doc - tors mĂŠ - di - cos

5 5 3

and the y la

B B 3

5 5 3

5 5 5 5 5 5 55 5 555 5555555 5 5 5B 5 5 5 5 5 5B 5 5 5 5 5 5B 5 5 B: : : : B: B: B: B:

Act II

1 Fr. G 4

I have Ten - go_a -

con san

5 5 5

I make brin do_a -

= 5 5

5 5 5

love mor

stant smell of blood. gre_al re - de - dor.

and I ÂĄY yo

You de serve ÂĄSin an 3

5 5 5 5 5 5 5 5

5 :: G 5

love. mor

5 5 5 B

5 : 2

195

5 5 5 55 :: 555

5 5

555 555

5 5

5 5 5 5 5 5

3 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 55 5 5 5 5 5 5 5B 5B 5 5 5 B: B: : : B: B: B: B:

1 Fr. G 5:

5 5

know sĂŠ

5 5 -

ter and tias los

have te

so dos

do vi

done! tĂş!

B: -

I! vir!

5 5 5 5 5 555

5 5

5 5 5 5 5 5 5 5

5 : G 5 :

B :

what you quĂŠ_hi - cis

5 : 2 bet gus

5 5

5 5 5 B: 5 5 5 B: 5 3 5

5 5

555 555 3

5B : B:

5555 5555

5B 5 : B:

5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 B: B: B: B:

Act II

196

Tempo allargando (q = 84) ritard.

1 B: Fr. G

G.P.

Stop draining me of my life! ยกNo me acabes mรกs la vida!

Tempo allargando (q = 84) ritard.

K 0

1 Fr. 2G

G.P.

= 5 5 5 B !5 !5 5 B

5 5 5 B G = 5 !5 !5 5 5 5 B 5 !5 !5 f

p sub.

= 4 5 5

(Frida moves to her own house.)

I have a life too, Diego! ยกYo tengo una vida tambiรฉn, Diego!

55 55 55 55 ' '

' ' '

GGGGGG

55 55 55 55 ' '

' ' '

GGGGGG

Adagio (q = 60) 62

G 4

! 55 55 55 ! 55 55 55 BB !5 5 5 5 5 5 B

! 55 55 55 ! 55 55 55 BB 4 !5 5 5 5 5 5 B

' ' !'

GGGGGGG

' ' '

GGGGGG

GGGGGGG

G ' ' !'

' ! ' ' mf

!' ' '

! ' ''

' ' ' ' ' ' attacca

Act II

Scene 3 Fridaâ&#x20AC;&#x2122;s Bath Scene

Moderato misterioso (q = 100â&#x20AC;&#x201C;104)

E5 5 5 5 E 5 5 = 4 =

197

5 5 5

5 5 E5 5 E5

5 5 E 5 ! 5 5 E 5 5 = =

))

sim.

))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))) E' ' ' ' E' ' ' G

E5 !5 5 5 5 )))) E 5 5 5

5 5 E 5 5 E5 5 5 5 5 5E5 5 E5 5 5 = = = = = G )))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))) ' ' ' ' ' G '

loco

! 55 55 55 55 BB p

!55 5 5 G 12

55 55 55 55

`a 55 55 55 55 BB

55 5 5 G

55 55 55 55 55 !55 55 55 55 B B 4

55 55 55 55 BB

55 55 55 55

55 55 55 55 BB

55 55 55 55

1 EEE Fr. 2G

55 55

55 55 55 55 55 55 55 55 55 B B 4

55 55 55 55

(Frida looks for comfort in love affairs with both men and women.)

55 55

EEE

55 55 0

I have visions... in the water... visiones oscuras. Tengo visiones... en el agua... visiones oscuras.

EEE G ? mp

EEE '' G E' '

55 E555 555 EBBB 3 5 ' '' '

BB B

'' ' ' ' ''

EEE

Act II

198

1 EEE : : Fr. 2G

E :: EE

Adagio amoroso q = 63â&#x20AC;&#x201C;68

Not wanting a child, but still mourning for the children I have lost... frightened gasps from a wounded deer, drowning in my bath. No quiero un hijo. Pero sufro por los que perdĂ... respiraciĂłn asustada de un venado herido ahogĂĄndose en mi baĂąo.

2nd time M M M 555 E555 555 EBBB BBB 5 : EEE 5 5 5: 5 B EEE : 5: 5 ? 4 3 : : G 4 = pp mf mp 55 555 555 555 5 EEE : E : EE 5 ' 5 5 5 :' : G '' '' 23

1 EEE Fr. 2G

rit.

a tempo

5 !5 5 5 ! 5 5 5 5 5

B Nak Me

EEE E5 G

ed Iâ&#x20AC;&#x2122;m re - mind - ed of my pas - sion. re - cuer - do cuan - do_es - toy des - nu - da

5 !'

5 =

EEE 5 5

1 EEE ? Fr. 2G

!5 !5

5 5 5 5

Re - mem - bering the world I once Del mun - do en que vi - vĂ

5 5 5 !B : held in my hand. el mun - do_a - quel

= !5 Re Y_el

!' 5 5 5 5: 5 5 5 5 5 : 5 E EE 5 !5 5 ! 5 G 5 5 5 5 !5 5 5 5 5 5 5 5 5 5 !5E 5 5 5 5 5 E EE 5 ! 5 5 5 5 5 5 5 5 5 5 5

Act II

1 EEE Fr. 2 G ! 5 5 5 5 5 5

199

ossia:

!' E 5 5:

mem - ber - ing the touch of love sua - ve ro - ce del a - mor

my skin. mi piel.

on en

5 Rough Tam -

5: !5 5 5 5 5 B ! 5 5 5 E 5 E 5 4 = 5 5 5 5 E5 5 !5 5 5 5 5 5 5 5 5 5 E EE !5 5 5 5 5 !5 5 5 5 5 5 5 5 5 5 5 EEE ? G

1 EEE Fr. 2G 5 5 ! 5 5 5

!5 :

scars re - call the pain that biĂŠn las ci - ca - tri - ces

pleas del

EEE ! ' G

ures bring. pla - cer

5 5 5 5 E5 : 4 = 5 5 5 5 5 5 5 5 5 5 5 5

E5 EEE 5

5 B

!5 5 5 !5 5 5 5 5E5 5

1 EEE Fr. 2G 5: Love so

EEE G

EEE !5 5

5 5 !5 5 -

40 1 EEE Fr. 2G 5 :

brok car

EEE B G EEE 5

is all la - men

5 5 -

5 5 5

en flesh. Love makes ne sa - nar

B 5

5 5

5 5 5 !5 wipes a - way the Po - drĂĄ la

clean me po - drĂĄ

!B ?

5 5 5

!5 5 an y_el

5 !5

is - land al - ma

4 = 5 5 5

5 5 !5

of my soul. con - so - lar.

!' 5

that bathes - te_el a - mor

5: 5

! '

5 =

Act II

200 43 1 EEE Choir 2G

Women

55 E55 55 BB

Love is an is Soy u - na is

EEE 5 5 5: G

5 B

= !55 ! 55 55 55

land la,

: 5 E5 5 5

sur - round - ed by en me - dio del

5 !' p

5 5 5 5 5 5 E5 5 EEE 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 !5 5 5 5 5 5 47 1 EEE !B Choir 2G B

time. mar.

BB Wait So

55 -

ing la,

5 5 5 5: 5 5 !5 5!5 : 5 5 5 5 5 5 4 = 55 555 55 555 E5 5 !5 5 5 5 E EE !5 5 5 5 5 5 5 5 !5 5 5 5 5 5 5 5 EEE ? G

51 1 EEE 4 ! BB Choir 2G

wait so

55 -

ing la

4 = !5 55 :: 5 E 5 E 5 5 5 will some - one come ยฟVen - drรก_al guien a

55 BB and find bus - car

!BB -

me? me

5: !5 5 5 B ! 5 5 E 5 ? 4 = 55 555 E5 5 E5 5 !5 5 5 E EE !5 5 5 5 !5 5 5 5 5 ! 5 5 5 5 5 5 5 5 5 5 5 EEE G

55 1 EEE Choir 2G

' =! 55 55 55 55 55 ! ' Or see and pass me by? O me_a - ban do - na - rรก?

5 5 5 E5 : 5 ? 4 = 5 5 5 5 5 5 E 5! 5 5 5 5 5 5 5 E 5! 5 5 5 5 5 5 5 5 5 5 5 5 5 E EE 5 5 5 5 EEE E5 5 5 5 ! ' G

Act II

59 1 EEE Choir 2G

0 5

EEE G

4 5

5 5

EEE !5 5

201

5 5

55 E 55 55 55 !55

55 Love Y

sink - ing in - to all that sue - ño que me_en cuen - tra_un

? 5 5 5

5 !5

5 5

4 5

1 EEE BB :: Choir 2G

be - fore. a - mor.

EEE B G EEE 5

B 5 5 5

1 EEE Fr. 2G

55 55 55 3 5E 5 5

! '

' E' ''

GGGGG

came gran

= 5

!' '

a tempo

Slow, slow. Flesh tight and smooth. A thin splinter of pain enters me, and its warmth closes my eyes. Lento, lento... Carne tensa y suave. Un filo de dolor entra en mí, y su calor cierra mis ojos.

B B B

EEE ' G ' '' 69

GGGGGGGGGGGGGGGGGGGGG

EEE EBBB G

' `a E' '' 555 E555 555 KEBBB = ? % ' E'' '

5 5 5

5 5 E5 5 4

Make love, have a bath. A - mar nos

5 5555 5 EE 5 5 5 5 5 55 5 55 55 G E G E

5M 5M

!55

55 E E

Andantino giocoso q = 92

1 EE ? Fr. 2G

loco

5 5 E5 5 4

Make love, have a bath. ba - ñar nos

55 55 55 55 55 55 55 BB 5 4 55 5

5 55 4 5

5M 4

5M 5M

Act II

202 73

1 EE Fr. 2G ?

Make a -

5 E5 5 5 5 5 5

love, have a bath, and then make love a mar nos y_ha - cer - lo o - tra

gain. vez.

55 5 555 5 555555 5 5 B EE 5 5 5 5 5 5 5 5 55 55 EE 55 55 5 5 5 5 5 5 55 55 5 B G E GE

5M 5M

5M 4

5M 5M

? 5M

5M 5M

Meno mosso (Frida giggles, playing with her lover.)

55 55 E 55 55 4 !E 55 5 4 ?

GGGGGG

))))))))))))))))))))) E ' ' '

! 55 ! 55 EE55 BB E55 5 4

GGGGGG

`5a 5 EE ? 4 G )))))))))))))))))))) EE E' G ' '

lunga

ritard. molto

1 EE Fr. 2G

Diego has a woman’s breasts. That’s why I still love him... Diego tiene pechos de mujer, por eso lo amo todavía.

` EE ? G

GGGGGG

5 5 5 4 5 ))))))))))))))))) E 55 ! EE E' 5= G ' '

' 55 E 55 55 55 55 55 ! 55M 55M 55 ' 4

attacca

Scene 4a Entr’acte—Shadow Paintings (Bath scene moves off. Frida and lover exit. Diego enters, stares at the changing images of Frida’s work on a screen, then looks at his watch.)

1 E 2 E

0 Movie stars are always late. Las estrellas de cine siempre llegan tarde.

E ' G E ' EE 5 = 4 5

E' '

' ' 0

0 0 attacca

Act II

Allegro (q = 120)

203

Scene 4b Diego and E.G. Robinson

5 5 ! 5 5 5 5 5 5 5 5 !5 5 5 5 5 5

M ! 5M 5 5 5 5 5 5 5 (q = h) 5 !5 5 5 5 5 5 4 G 5M 5M !5M 5 5 5 5 5 5 !5 5 5 5 5 5 G 5 5M 5

c ` 5 (Diego shows Edward G. Robinson some of Fridaâ&#x20AC;&#x2122;s paintings.) G 4 4 E 5 = 55 ! 5 4 4 E 5 = 55 ! 5 5 : 55 !! 55 5 55 5 : 55 !! 55 5 55 5 5: 55 5: mf 5 4 = !5 5 4 = !5 5 4 5 4 5 4 5 4 5

!5 !5 9 1 Diego 0 0 0 0 0 0 55555 = = 55 55E!55 55 55! 55 = 5 5 5 5 5 MM

f p f

5 5 5 5 5 5 5 ! 5 =55555 = 5 5 !5 5 5 5 5 5 4 =

Ed.

See, Edward? Why waste your time buying my paintings when Fridaâ&#x20AC;&#x2122;s the genius? No one paints a face as well as she does. ÂżVes, Edward? ÂżPor quĂŠ vas a perder tu tiempo comprando mis pinturas si Frida es el verdadero genio? Nadie pinta una cara como ella. Edward G. Robinson

G 4

5 4 ? 15 1 2

4 ?

!5 4 ?

!!E 555

Not merely paints, but breathes life onto a canvas. Hard as a diamond that can split your soul in two. No solamente pinta; pone vida en el lienzo, corta tu alma como un diamante.

4 E'

! E!BBB :::

Your pretty wife? Does she paint as good as you? ÂżTu linda esposa? ÂżPinta tan bien como tĂş?

4 5 4 5 4 555 4 555 55 55 ' 4 ? 5

Act II

204

Subito molto meno mosso 3

4 4 2 2 2 : 2 2

4 4

3 are so strange - ly hyp - not me_ex - ci - ta un po

' ' ' 0

2 :

4 4 5

5 5 B

3 -

3 They could tear your Y rom - per - te_el

are a trap. den ma - tar.

ic. co

!5 !5 : 5 5 B 3

B ! BB

? '

Those Te

GGGGGG

eyes pue

E5 : !5 5 E5 ! 5

5 E5 !BB B

G ?'

p (wistfully, but with a smile.)

3 3 makes me feel so e - rot vuel - ven tan lo jos me

That face E - sos o -

!5 : 5 5

2 2: 2 2

2 22

4 4 2

B ! BB

? ' ?

!BB B

? '

GGGGGG

Ed.

ic. co

!5 4 = !5 5 E5

2 ?

Those eyes E - sa ca - ra

! ' ! ' ' G

heart co

5: -

GGGGGG

Ed.

2 2 2

GGGGGG

1 2 4 4 2 16

a - part. ra - zรณn.

Ed.

1 a tempo 0 2 4 G

= 55 !!E 555 ! 5 ! 555 f 4 = !5 5

Curious about her... Freda Carlo. Interesante. Freda Carlo.

4 E 5 = 555 ! 5 55 55 5: 5 : 55 !! 55 :: 4 5 4 4 = !5 5 5

!5 :: 4

:: 4

:: 5 4 ? 5M

5 4 ? 5M

Act II

Ed.

205

legato

1 2

4 5 5 5 B

4 5 5 5 '

Cu - rious a - bout her, Que fas - ci - nan - te,

G 4

5 4 ? 5 M

54 ? 5M

Ed.

1 2

4 5

eye - brows that meet e - sa mu - jer

5 4 ? 5M 5 B

5 4 ? 5 M

5 4 5M

1 2

5 5 5 E'

dar - ing, not sweet. que quie - ro ver.

= 55 4 554 E 5 ! 5 55 55 !! 55 5 55 4 = !5 5 5 4 5 5

!5 5 1 ' 2

5 4 ? 5M

4 5 5 5 B

one jos

55 4 55 4 55 4 55 55 4 5 5 5 55 5 4 5 4 5 4 ? 5 5 5

eyes. prar.

G 4 5 5 4 5 = E 5 55 55 55 !! 55 5 4 4 5 5 !5 5

!E 55

!5 4 ? ! 5M B

Youâ&#x20AC;&#x2122;ll be the first Pues e - sos o -

4 G

Diego

54 ? 5M

5 4 ? 5M

ing, das

5 4 ? 5M

4 54 5 4 4 5 5 55 5 5 5 5

54 5M

Eyes frank - ly star Ce - jas u - ni -

G 4

4 5 5 5 to own those pue - des com

55 4 55 4 55 5 5 5 4 5 4 ? 5 4 5 5 5 Theyâ&#x20AC;&#x2122;ll al - ways Y te_hip - no -

4 555 555 ! 555 = !5 5 4

4 554 5 55 55 55 5 4 5 4 5 5

4 5 4 5 55 55 5 4 ? 5

Act II

206

Ed.

mes - mer - ize ti - za - rĂĄn

55 4 55 4 5 5 4 5 4 5 5 5

1 I I5 I5 I5 5

55 4 E 5 5 4 5 5 ! 55 5 4 !5 4 4 !5 4 E5 !5 E5 !5 5 4

4 5

4 G5 !IB I

Sheâ&#x20AC;&#x2122;s

5 4

Her Sus

(h = q)

4 5 5 5 5 5 5 5

es. sos.

paint - ings pull no punch cua - dros son in - ten -

!E 55 55 E! 55 55 E! BB ! BB 4

I5 I5 I5 I5 2

(h = q)

4 5 Her Sus

Lâ&#x20AC;&#x2122;istesso meno, bouncy (polka) (q = 120)

paint - ings pull no punch cua - dros son in - ten -

Ed.

the one who buys. con su mi - rar.

G 4 5 5 4 55 55 5 4 5 5 5 D.

5 5 5 E' 4

50 1 5 5 B

5 E5 5 5 5 E5 5

4 5 That ÂĄQue

es. sos.

thun - der and light - ning

face should be seen on the ma - ra - vi - llo - sa es

Lâ&#x20AC;&#x2122;istesso meno, bouncy (polka) (q = 120)

M 5M 5 5 5 G 5 5 5 5 M M

M ! 5 E5 5 5 5M E5M 5 5 : B 5: 5 !5 5 : 5 !5 E5 5 5 5 E5 B 5 : 5M ! 5 5M 5M M 55 55 55 55 55 55 55 55 55 55 55 55 E 5 E 5 5 5 5M E 5M 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 59

1 5 5 5 5 ov - er

Ed.

the

! 5 E5 5 5 2 big sil e - sa

5 4

sea.

ver screen. mu - jer!

G = E 5 5 !55 ! 5 !! 5M 5 55 5 55 = !5 5 !5

5 555 5 Sheâ&#x20AC;&#x2122;s a sex - y broad! ÂżNo lo cre - es tĂş?

5 5 5 5 : 5:

5 5 5 55 55 55 4 555 555 5

= 5 5

5 5 Will you ÂżLle - va -

Those eye - brows... ÂżDe ve - ras?

5 5 5 5 5 5 55 55 55 55 55 5 5 5 5

5 : 5:

5 5 55 55 55 55 5 5 5

Act II

1 5 take rรกs

Ed.

two dos

5 5 5 !5 5 5 B

5 5 5 =

or o

? 2

207

three? tres?

Itโ s those eye - brows I a dore. E - sas ce - jas qui ero ver.

Iโ ll ยกDรก

' 5 5 5 5 ' 5 5 5 5 55 55 55 55 55 55 55 5 55 5 ? 5 5 5 5 G 5 5

1 ?

The Los Ed.

paint - ings cua - dros

of Fri - da cre - ate their own myths! de Fri - da, in - ten - sa crea - ciรณn.

5 5

55 55 55 55 55 55 5 5 5 5 5 5

55 55 55 55 5 5 5 5 5 5 5 5 5 5

5 5 5 5 B 4

No ands, buts Y no_hay du Ed.

What a joy to possess! Son mi pasiรณn.

! BB EBB E G

E5 5 E5 5 5 5 5 5

5 5 5 5 5 5

of Fri de Fri

!5 !5

5 5

da da

5 5

55 55 55 55 55 55 5 555 5 5 555 5

or ifs! das - ya

5 5 5 No sin

5 E5 !5 5 E 5 ! 5

paint - ings cua - dros

5 5 E5 5 5

4 5 The Los

G !5 !5

take four! me - los!

= 5 !5 5 5 E 5 5 5 !! 5M5 55 55 5 sfz = !5 5 4 4 5 !5

5 5 5 5 5 5 5 E5 5 5 5 5 4

ifs! buts or du - das - ya

B : 5 ! 5 !5 5 5 B B 5 ! 5 : !5 5 5 B 55 55 55 55 ! E 55 55 55 55 55 55 5 5 5 5 E5 5 5 5 5 5 5 5 5 5 5 5 5 !5 E 5

Act II

208

Allargando grandioso 72

Ed.

1 ?

2 ?

5 5

Fri - da Fri - da

Kah Kah

5 5

Fri - da Fri - da

Kah Kah

lo, lo

youâ&#x20AC;&#x2122;ll tan

be fa

youâ&#x20AC;&#x2122;ll tan

be fa

5 -

lo, lo

Allargando grandioso

G ?

!5 4 !5

!5 !5

Ed.

555

All that blood and organs and things... I kind of like that. Toda esa sangre, y Ăłrganos, y cosas. ÂĄMe gusta eso!

5 55 5

G 4 !5 !5

fa mo

5 5

mous! sa.

B: -

fa mo

mous! sa.

' '55 55 55 55 55 55 5 5 5

M 4 5 5 5 5

55 5

55 5 M 4

(q = h)

55 = 5 5

B B

!EE 555 ?

Wait ÂĄLo

and ve

Wait ÂĄLo

and ve

(q = h)

Act II

Lâ&#x20AC;&#x2122;istesso doppio 77

209

(h = q)

see! rĂĄs!

Ed.

' ' 2

(Edward pays Diego and exits)

see! rĂĄs!

55 555 ! 55

55 555 ! 55 (h = q) E E ! ! 5 : 5 : ! 5 5 ! 5 5 55 5 : 55 55 5 : 55 = 4 = G 4 4 4 Lâ&#x20AC;&#x2122;istesso doppio

4 5 4 5 5 5 Lâ&#x20AC;&#x2122;istesso meno 81

Ed.

!5 4 = !5 !5 ! 5

5 5 4 5 4 5 5 5 play 4x

!5 4 = !5 !5 ! 5

5 5

(Scene change. Frida in wheelchair. Diego hands her the money.)

Lâ&#x20AC;&#x2122;istesso meno

55 55 :: 55 5555 5 5555 5 555 ! 55M E 5 ! 5 : 5 ! 5 5 5 5 555 5 555 5 : 5 5 :: = = 4 : 4 G =

:: !' E'

!' E'

Act II

210 85

1 Fr. G

(whistles) ÂĄHĂjole! $800! And all for me. ÂĄHĂjole! ÂĄOchocientos dĂłlares!ÂĄY todo para mĂ!

He did? That crazy yanqui actor, Edward Gee... ÂżDe veras? Ese artista loco, Edward G...

He loved your paintings! ÂĄLe encantaron tus pinturas!

GGGGGGG

' ! E ' ' G

...Robinson

55 ! E 5

1 Fr. 2G

(They laugh)

55 = 55 = = 55

' M 5 5 5 !555 !!E555 4 = =G ' ?

= 5

Diego, I really wish youâ&#x20AC;&#x2122;d come with me to Paris. Diego, de verdad quisiera que vinieras conmigo a ParĂs.

All right! Okay? I like this Edward G. Robinson. ÂĄBueno! ÂĄMuy bien! ÂĄMe gusta este Edward G. Robinson!

55 55 55 55 G

1 2

Itâ&#x20AC;&#x2122;s you theyâ&#x20AC;&#x2122;ve invited. Think of all those admirers waiting for you. Andre Breton, Du Champ and Picasso in Paris, and that handsome photographer, Nicholas Murray in New York. You might have so much fun, you might not even want to come back. Te invitaron a ti. Piensa en todos tus admiradores esperĂĄndote. Andre Breton, Duchamp and Picasso en ParĂs, y ese fotĂłgrafo buen mozo, NicolĂĄs Muray en Nueva York. Te vas a divertir tanto que no querrĂĄs volver.

5 5 G BB G

? 55

Act II

(Frida exits)

1 G

211

You know Iâ&#x20AC;&#x2122;ll always come back... to Mexico. TĂş sabes que siempre volverĂŠ... a MĂŠxico.

M 4 E5 5 5 sotto voce

... of course. ... claro.

G B B B B 0 G

1 ' 2

!555 = 4 ? 5 5 = 4 ? 5

(q = h)

4 wait ÂĄLo

Fri - da Kah - lo, youâ&#x20AC;&#x2122;ll be fa - mous, tan fa - mo - sa

EE' '

5M !5M 5M

and ve -

5 ! 555 = 4 ?

= 5 4 ? 5

Repeat ad lib. (Diego exits)

see. rĂĄs!

5 5 !5 !5 !5 5 !5 !5 !5 G = 5

! 55 55 :: 5 5 !5 !5 !5 5: = 5 5 !5 !5 !5 :: 4 !5

55 5

555 ! 555 ! 555 4 = 5 :: last time

:: E' E'

E' E'

attacca

Act II

212

Scene 4c Entrâ&#x20AC;&#x2122;acte Dreamy (q = 100)

55 55 55 55 B : B:

BB G

55 55 55 55 B : B:

' a tempo

poco rit.

55 55 55 55 5 : 5 55 55 5 : 5

BB G

rit.

55 55 5 5 5 5 55 5 5

B B

Vivace (h = 100)

G :: 4

4 5 5 5 5 5 555 55 55 555 55 555 55 55 555 555 555 f

:: 4 4 5 4 4 5 5 5 5

rit.

1 Fr. 2G

:: 5 5 5 5 5 555 55 55 555 55 555 55 55 555 555 555

4 4 5 4 4 :: 5 5

Frida

My darling Nick...

rit.

B 4 G 5k

mf mp

' ' ! ' ' ' '

5 !5 5 !5 5 ' ' ' '' ' '

5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 0

Act II

213

Act II

214

Scene 4d Divorce Scene

1 2

G 3

? '

(Diego enters)

= 5 5 5 '

3 = 55 55 55 55 55 55 55 55 55 55 55 55 55 5 5 555 % ' ' ' ' ' ' '

GGGGGG

= 5 5 5 5 5 5 B

GGGGGG

Andante serioso

I want a divorce. Quiero divorciarme.

1 Fr. G

5 5 5 5 = 5 = 5

Allegro feroce

BB B

GGGGGG

BB B

GGGGGG

5 5 5 5 55 55 55 55 55 55 55 55 55 55 55 55 BB 5 55 55 = 5 = 5 G =5 % 3 ' ' ' ' BB BB G ' ' B B

What the hell are you talking about? ยฟQue carajo estรกs diciendo?

You flaunt your lov ยกVeo_a tus a - man

' ' ' G

' ' '

5 -

ers tes

Allegro feroce

5 5 5 G 5 5 5 5 5 5 5 5 5 BBB GGGGGG

I5f angryI5 =

5: in fren

my te_a

3 3 3 3 3 3 55555555 55555555 5 5 mf 5 5 5 4 5 5 4 5 5 5

Act II

Fr.

215

f angry

1 G

5 B

E5 :

EB : 2

As Lo_a

I learned pren - dĂ

= !5

from de

you, ti.

Di -

face! mĂ

5 5 5 5 5 5 55 5555 55555555 5 555 55 5 555 55 5 55 5 5 5 5 5 5 4 4 4 4 5 5 5 5 5 5 5 5 5 5 5 17

1 B Fr. G

go!

4 2

4 Your ÂĄA -

5 5

5555555 4

5 5

Iâ&#x20AC;&#x2122;ll Soy

be li

lov man

free co

as bre

as mo

Free ÂĄLi

ers! tes!

dom, bre 3

55 5555 55555555 55555555 55 5 5 5 5 5 5 5 5 4 5 5 4 5 5 4 5 5 5

1 Fr. G B:

you. tĂş.

yes, sĂ.

5 5

but Mas

not no_u

5555555 4

5 5

this na 3

What ÂĄQuĂŠ

a hi

5 -

mock bur 3

hyp pĂł

5 5

o - crite! cri - ta!

er - y! la_a sĂ. 3 3

55555555

55 5555 5 55 5 5 5 5 4 5 B: B:

5 5

55 B: B:

5555555

Act II

216

1 Fr. G

Damn Damn

you! you!

B 2

Fri

0 5 5 5 5

5 5 5:

da...

youâ&#x20AC;&#x2122;re be - gin des - cu - brien

ing to dis - cov do_es - tĂĄs tu vi

5 5 5

er your own da sin te -

3 3 3 3 3 3 3 3 3 3 3 3 G 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5

B: B:

1 4 Fr. G

see, tĂş.

Canâ&#x20AC;&#x2122;t you Pe - ro

5 5

You donâ&#x20AC;&#x2122;t need ÂĄEs tu vi

Die

5 5 5 :

life? mor.

B :

go,

donâ&#x20AC;&#x2122;t you e - res

me da!

5 5 5 5 5 5 5 5 5 ! 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5

5 5

Act II

1 5 Fr. G

5 :

know to

youâ&#x20AC;&#x2122;re do

5 5 B: B:

I tu -

5 5 5 5 5 B:

need mĂ

an - y - more! des vi - vir.

B: B:

5 5

5 : 5 :

5 5

me pue

5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 B: B:

= B: B:

thought vi -

5 5 5 5 5 5 5 5

shouted

5 B:

we mos

had love a - mor.

poco rall.

1 Fr. G 5

donâ&#x20AC;&#x2122;t sin

5 5

= 5

my heart? mi_a - mor

you ya

G 4

5 5 = 2

217

Then go. ÂĄPues lĂĄrgate!

intense

4 4

B :

Itâ&#x20AC;&#x2122;s Te

o de

B: -

(Diego exits)

ver! jo.

poco rall.

B: G B:

5 5 5 5 5 5 5 5 5

B : B:

4 5

5 5 :

5 B:

mf p sub.

B: attacca

Act II

218

Scene 5a Look, If He Loved You

Presto (q = 116)

(Calaveras turn a model of Frida on a spit.)

!5 5 !5 5 !5 5 !5 5 !5 5 5 5 5 5 5 E5 E5 E5 E5 E5 poco f

5M !5

4 4

E 5M 5

4 4

5M E 5M 5M E 5M !5 5 !5 5 5 5 G E5 E5

G 55 55 55 E55 5 5 5 5 B: E5

BB B

4 4

E5 EBB B

B: E5 !5 5 5

4 4

Calaveras Cal. 2

G E5M 4

Look, Si_el sardonic

2G 5M 4 Look, Si_el

55M ! 55M G 5 5

Giocoso

if he loved you, te que - rĂ - a

55 55 E55 55 5 5 5 5

55 55 55 E55 5 5 5 5

E5 !5 5 5

for your hair. por el pe - lo

5M E5M 5M 4 E5M 4 E5M 5M 5M E5M B5 it was e - ra

5M 5M 5M 4 5M 4 if he loved you, te que - rĂ - a

it was e - ra

4 4

5M 5M

4 E5 E5 5 M M M

E 5M

5M 5M 5M E5M

Now that you are pe A_ho - ra que_es - tĂĄs pe -

4 5M 5M 5M

for your hair. pe - lo por el

55M 5M 5M 5M E 55M BB 5 55 ! 55 55 5 B

E5 !5 5 5 G

Now that you are pe A_ho - ra que_es - tĂĄs pe -

for your hair. pe - lo por el

5M 5M 5M 5M B5

M M 55M E 55M 55 55 E 55M 5 5 5 5 5

55 55 55 E55 5 5 5 5

it was e - ra

if he loved you, te que - rĂ - a

55 55 55 E55 5 5 5 5

G BBB EBB E5 E5 E5 B 4 4 4 4 4 4 B: E 5 5M E 5M 5M E 5M 5M E 5M Giocoso 21

sardonic 1 M M M M M 1 G 5M 4 5M 5 5 4 5 4 5M 5M 5M 5 B5 5 4 5 Look, Si_el sardonic

E 5M

5M 5M

Now that you are pe A_ho - ra que_es - tĂĄs pe -

E BB B

55M ! 55M 5 5

55M E 55M 5 5

G 4B: E55 55 55 55 4B 55 4 55 4B: E55 55 55 55 4B 55 4 55 4B: E55 55 55 55 B B

Act II

1 5M 4 5M 4 1 G lo lo

Cal. 2

na, na

55M 5

55M E 55M 5 5

5M E5M

5M 5M

55M 5

55M ! 55M 5 5

55M 5

M E 55 5

2: 2 2 2 One La

Cal. 2

Two Dos

M M

5B 5 E55 4

One La

Fri - das Fri - das

character chanting

2 4 2 2

Two Dos

M M

5B 5 55 4

Fri - das Fri - das

character chanting

2 4 2 2

Two Dos

' ' '

Fri - das Fri - das

! 55 !5 4 0 M M M M 5 4 5 4 5 5 55 5 5 5 5 E5 B B: E 5 B: B 2 4 ?

2 4 ?

Di - e - go loved. que Die - go_a - mรณ

55 55 5 4 ? 5 4 0 0 G M M M M M M M M M M 5 55 5 5 55 5 5 55 5 5 G E5B: E 5 E5B: E 5 E5B: E 5 E5B:

he loves no que ya_ol - vi -

2: 2 2 2 One La

55 5 4 M M 55 5 E5

2: 2 2 2 One La

Di - e - go loved. que Die - go_a - mรณ

2: 2 2 2

2 4 2 2

Di - e - go loved. que Die - go_a - mรณ

2: 2 2 2 One La

he wonโ t love you an - y - more. mรกs te quie - re. nun - ca

na, na

4 4 4 G B 55 55 B: E55 55 55 55 B 1 1 G

character chanting

he wonโ t love you an - y - more. nun - ca mรกs te quie - re.

4 5M 4 2G 5M lo lo

M M

5B 5 55 4

he wonโ t love you an - y - more. nun - ca mรกs te quie - re.

G 5M 4 E5M 4 E5M 5M lo lo

5M 5M

219

he loves no que ya_ol - vi -

2: 2 2 2 One La

he loves no que ya_ol - vi -

55 5 4 0 M M M M M 55 5 5 55 5 E 5 E5B: E5

Act II

220 36

1 2 4 ? 1 G

giggles and miscellaneous noises and cranks of the spit

more. dĂł.

Cal. 2

2 4 ? G more. dĂł.

2 4 ?

more. dĂł.

55 G 5 4 M 5 G E5B:

M M 5M 5M 5M 5M ? !!BB ? 5 !5 5 !5M !5M G !B M 5 5 5 M M M M M M M M 55 5 M 5 4 4 4 4 4 4 !5 5 55 4 4 E5 5 5 5 E 5 E 5 E 5 E5 M M M M M M M M

1 4 f Fr. 2G 5 5 5

5 5 5 5

Cut off the Cor - to mi

hair he loved, my pe - lo, sĂ, mi

f 1 1 G 4 5 5 5

5 5 5 5

Cut off the Cor - to mi

hair he loved, my pe - lo, sĂ, mi

5 5 5 5

4 5

wom - an - ly dis - guise. pe - lo de mu - jer.

5 5 5 5

Who - ev - er needs the Es que muy tris - te

4 5

wom - an - ly dis - guise. pe - lo de mu - jer.

5 5 5 5

Who - ev - er needs the Es que muy tris - te

f Cal. 2

G 4 5 5 E5 Cut off the Cor - to mi f

5 5 E5 5 hair he loved, my pe - lo, sĂ, mi

5 5 5 E5

wom - an - ly dis - guise. pe - lo de mu - jer.

4 5 5 5 5

Cut off the Cor - to mi

hair he loved, my pe - lo, sĂ, mi

wom - an - ly dis - guise. pe - lo de mu - jer.

55 55 55 E55 G 5 5 5 5

55 55 E55 !55 5 5 5 !5

55 55 55 E55 !BB 5 5 5 5 !B

B: B:

5 5 5 E5

Who - ev - er needs the Es que muy tris - te

4 5 5 5

E5 E5

5 5 5 5

E5 E5

B: B:

5 5 5 5

Who - ev - er needs the Es que muy tris - te

EBB EB

55 55 55 E55 5 5 5 5 E5 E5

B: B:

E5 E5

Act II

221

Fr.

1 2G 5 5 5 5 5 5 5 5 B ?

love of man is help - less and un - wise. suer - te es de_un hom - bre de - pen - der.

1 1 G 5 5 5 5 5 5 5 5 B ?

2 2 2 2 2

love of man is help - less and un - wise. suer - te es de_un hom - bre de - pen - der.

2 2 2 2 2

love of man is help - less and un - wise. suer - te es de_un hom - bre de - pen - der. 3

1 G

B: B:

E 5 B: E5 B :

2 2

4 2

Mi - ra que si te qui -

55 5

2 2

4 2

55 5

G 5

2 2 2 2 2

a - ho - ra que_es - tรกs pe - lo

4 2

pe - lo

4 42 2 2

se.

Fue por el

2 2 2 2 2

a - ho - ra que_es - tรกs pe - lo

4 ? 5 55 5

0 5

5 55 5

55 5 5

4 -

se.

Fue por el

55 5

M 5 G

4 4 0 0 5M 55M 5M M 5M 55M 5M sim. 5 55 5 5 5

2 2

4 2 2 2

na.

ยกYa no te

4 2 2 2

na.

ยกYa no te

4 2 2 2

na.

55 5

ยกYa no te

5 55 5

0 5

5 55 5

(h = q)

qui - ero!

2 2

qui - ero!

2 2

)))

2 2

E 5 B: E 5 E5 B : E5

a - ho - ra que_es - tรกs pe - lo

pe - lo 3 2G

Fue por el

)))

Cal. 2

se.

5 5 5 5 5 5 5 5 B

pe - lo

4 42 2 2

)))

2 2 2 2 2 2 4 24 42 2 2

55 55 E55 !55 55 55 55 E55 !BB G 5 5 5 !5 5 5 5 5 !B ?

Mi - ra que si te qui -

love of man is help - less and un - wise. suer - te es de_un hom - bre de - pen - der.

Mi - ra que si te qui -

G 5 5 E5 5 5 5 5 E5 B ?

Cal. 2

qui - ero!

55 5 5

5M E(h5M = q)E 4 5 E5 E 5

Act II

222 57

Lâ&#x20AC;&#x2122;istesso meno

1 EE Cr. 2G

wistfully

55 She E - lla

1 EE 1 G Cal. 2

ritard. poco a poco

All the usual childhood diseases... Todas las enfermedades de la infancia...

EE G

0 plus polio at eleven. y polio a los once aĂąos.

Lâ&#x20AC;&#x2122;istesso meno

ritard. poco a poco

5 5 55 EE 5 5 5 5 55 55 5 5 4 5 55 G 5 5 5E 5 5 5 55 EE 5 5E5 5 5 5 G 5 5 5 Adagietto grazioso (q = 80)

1 EE Cr. 2G 5:

nev - er tru - ly nun - ca ca - mi

E5 : 5 E5 : 5 5 5 !5 5 5 !5 G !5 5 !5

5 5 5 5 5

5 5 5

B B

55E55 5 G E 5 E5 5

55 5

55 55

walked, you know.She flew and hopped like a bright, young nĂł, sus a - las ex - ten - diĂł y_al es - pa - cio

5 5 5 5 5: 5 5 EE 5 : 5 5 5 5 5 4 G 5 5 5 EE 5 5E5 5 G5 E5 5 5 5 5 G5 5 !5 5 5 5

5 5

5: 5:

E5 E5

!5 5 5 G !5 5 5 !5 (h = q)

1 Subito presto (q = 116) ? Cr. 2G EB 1

1 2G

bird. fue.

I loved that... Me gustĂł eso...

Subito presto (q = 116)

E5M 5

!5M 5M 5M

!5 5 5

(h = q)

!5 5 5 EE G E5

sim.

4 4

Act II

Adagio

ritard. molto

1 EE 1 G

223

EEEE

after the accident... después del accidente...

Cal. 2

E G E

nine months in a plaster corset. And now and then for the remainder of her life. nueve meses en un corsé de yeso y muchas veces más por el resto de su vida.

Adagio

ritard. molto

EE 55 G p

EE 5 70

1 EEEE 1 G

5 5 !5

5 5

5: 5:

!5 5 5 G !5 !5 5

colla voce

' '

EEEE

normal sex life vida sexual normal

EEEE G

Cal. 2

Really? ¿De veras?

EEEE G

Congenital malformation of the spine. Deformidad congénita de la columna.

colla voce

EEEE ' G

' %

EEEE ' G

% '

A little trophic ulcer in the right foot. Una ulcerita trófica en el pie derecho.

Act II

224 72 1 EEEE 1 G

EEEE G

Cal. 2

The cracked one, the one that always bleeds. El roto, el que siempre sangra.

EEEE G

Scoliosis. A fusion of the third and fourth lumbar... Escoliosis y fusión de la tercera y cuarta...

0 And so many operations... thirty. Y tantas operaciones... treinta.

EEEE ' G

' %

EEEE ' G 74 1 EEEE 1 G

% '

% 4

twenty three. vente y tres.

EEEE G

Cal. 2

p sub. solcissimo legato

5 She’s Ya

' ' EEEE G EEEE ' G

al - most nues - tra

p sub. solcissimo legato

5 She’s Ya

EEEE G

% 0

al - most nues - tra

p sub. solcissimo legato

4 ' ' '

E5 She’s Ya

al - most nues - tra

' ours. es.

!' ours. es.

0 0

Act II

225

Andante (q = 72) 77

(The Calaveras exit with the spit.)

EEEE ?

5 5

!5 5 5 B

' '

EEEE 5 5 5 5 !5 B

EEEE

' 83

1 EEEE Fr. 2G

55 55 5 5 =

55 5

5 5 = 55 55

55 5

a promise of food that leaves you hungry. promesa de alimento que te deja hambrienta.

EEEE !'' ' G

Iâ&#x20AC;&#x2122;m starving, so I paint Estoy hambrienta, por eso pinto

!5 5 5 B

EEEE G !' ''

mocking herself

and paint, and paint and paint some more. y pinto y pinto aun mĂĄs.

5 5 5 5 !5 B

5 5 '

' ' 4 % ' ' 4 %

My life is painted bread, Mi vida es como pan en un cuadro,

EEEE G ' EEEE '

fermati ad lib.

1 EEEE Fr. 2G

5 5

EEEE

(Nurse wheels Frida to easel and exits.) 3

5 5 5 ! 5 B

My comfort. Portraits of me. Mi consueloâ&#x20AC;&#x201D; me pinto yo.

' 0

Empty space where my heart used to be. Y un espacio vacĂo donde estuvo mi corazĂłn.

messages for you, Diego. mensajes para ti, Diego.

' ' 5 5 !B 4 = %

' ' '

' E '

' '

!5 5 B

' attacca

Act II

226

Scene 5b Wounded Deer Ballet Background of sea and sky.

:: ' '

' '

))))))))))))))))))))))))))))))))))))))))))))))))))))))) E' ::EE' ' E' E 5 5 5 E B E B E 5 E 5 5 5 :: =

E :: EE E

G ::

:: E' E'

Branch falls, trees appear.

' '

G ::

E : EE E

Andante espressivo (q = 72) 5

(Deer with Fridaâ&#x20AC;&#x2122;s face appears.)

EEEE : 4 : : G C

EEEE :: 5 5 G 5 5 5: 5 5 5 5 5 5 G5: 5 5 5 5 5 5 5: 5 5 5: 5 5 =: E 5 :

5 5 5 5 5 5 5 5 5 5 5 5 5:

EEEE 5 5 G 5 5 5: 5 5 5 5 5 5 G5: 5: 5 5 5:

55 5 5 5 5 5 5

EEEE G

Calaveras wound deer with arrows nine times.

EEEE G

= : E 5 : 5 5 5 5 5 5 fp

5 5: 5 5 5 55 5 EEEE 5 5 5: 5 5 G5 5 5 5 5: G 5 5 5 5 5 5: 11

EEEE G E5 5 5 5 5 5 5:

= : 5 : 5 5 5 5 5 5 E5 5 5 5 5 5 5: fp

= : 5 : 5 5 5 5 5 5 fp

5 5 55 5 55 5 EEEE 5 5: 5 5: 5 5 G 5 5 G 5 5 : : 5 5 5 5 5 5

Act II

227

EEEE G E5 5 5 5 5 5 5: EEEE 5:

5 5: 5 5 5 55 5 5: 5 5 G5 5 5 5 5: G 5 5 5 5 5

EEEE G

=: E 5 :

5 5 5 5 5 5 5 5 5 5 5 5 5:

EEEE 5 5 G 5 5 5: 5 5 5 5 5 5 G5: 5: 5 5 5:

55 5 5 5 5 5 5

EEEE G

EEEE 5 5 G 5 5 5: 5 5 5 5 5 5 G5: 5 5 5 5 5 5 5: 5 5 5: 5 5 19

EEEE : = E 5 : G

555555555555 5:

= :E 5 :

555555555555 5:

5 5 EEEE 5 5 5 5: 5 5 5 5 5: 5 5 5 5 G 5 5 G 5 : : 5 5 5 5 5 5

EEEE =E: 5 : G

5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 B:

EEEE 5 5 5: 5 : G5 5 5

55 5 5 5

G5 5 5 5:

55 5

Act II

228

EEEE : = E 5 : G fp

5555 5 5 5 555555 555 5 5 = :E 5 : fp

5555 5 5 5 555555 555 5 5 fp

EEEE 5 5 G 5 5 5: 5 5 5 5 5 5 G 5 5 5: 5 5 5 5 5 5 5: 5 5 5: 5: 25

EEEE =: E 5 : G

5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5:

EEEE 5 5 G 5 5 5: 5 5 5 5 5 5 G 5 5 5: 5 5 5 5 5 5 5: 5 5 5: 5: 27

EEEE 4 : G

5: 5:

5 5

B: B:

5: 5:

5 55 5 EEEE 5 5 5: 5 5: 5 5 5 5 5 5 G 5 5 G 5 : : 5 5 5 5 5 5

EEEE : 4 G

5 55 5 EEEE 5 5 G 5 5 5: 5 5 5 5 5 5: 5 G 5 5 5 5: 5 5 5: 5

Act II

EEEE 4 : G EEEE G

229

(Tears fall from sky.)

5: 5: 5 :

5: 5: 5 : 5: :: )))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))) EEEE : : : ' : :' : G ': ': EEEE D: : := G

E 1 EEEE : : Fr. 2G

(Lights fade and Calaveras gather around Frida at easel.)

Nine antlers. Nine arrows And nine lives for Frida. Nueve cuernos, nueve flechas, y nueve vidas para Frida. E

EEEE : : 5 E5 5 5 5 := G 5 5 5: 5: 5: 5:E 5 : 5 : 5: : ': EEEE :: ' ' :: ' :: ' '

5: 5: 5:E 5 : 5 : 5: :: = : F

': :: ' :: '

(Abrupt change back to reality. Nurse wheels Frida to center stage.)

: 5 : 5 : 5 : 5 B : 4 : 5: 5: ' '' ::: %

EEEE

': ' :: '

: !!!! ?' '' ::: % !!!! 5 : = : 4 : ?: : 5 5 : GGGGGG

37 5: 5: 5: 5 5 EEEE E 5 5 5 G

0 attacca

Act II

230

Scene 5c She Paints So Many Monkeys Allegretto giocoso (q = 120)

(Frida continues to paint as the Calaveras-Monkeys enter and crowd around her.)

! ' !'

= = 4 = 55 55 55 55 55 55 55 55 555 555 555 555 555 555 5 5 5 5 5 5 5 5 mp

' '

1 1 G

Cal. 2

G 2

She paints so man - y mon - keys. We Pin - tan - do tan - tos mo - nos, ÂżQue mp

= 4 = 5 5 5 5 55 5 5

G 55 55 55 5M 8

5M 5M 5M 5M 5M mp = 4 = 5 5 5 5 55 5 5 5M

She paints so man - y mon - keys. We Pin - tan - do tan - tos mo - nos, ÂżQue mp

= 4 = 5 5 5 5 55 5 5

She paints so man - y mon - keys. We Pin - tan - do tan - tos mo - nos, ÂżQue

= 5 = 5 5 5 5 5 5 5 5 555 55 555 55 555 55 555 55 555 55 555 55 555 55 555 55 555 555 55 5M

5M 5 M

1 1 G 5 5 5 5 5 = 5 5 5 5

= 5 5 5 5 5 5 5 5 5 5

won - der what it means, is it be cause theyâ&#x20AC;&#x2122;re cute and small, is it a sex ual scene?The quie re_al fin de - cir? Se - rĂĄ por - que son lin - dos o por - que la_ha cen re - Ăr? Los

Cal. 2

G 5 5 5 5 5 = 5 5 5 5 G 2

= 5 5 5 5 5 5 5 5 5 5

= 5 5 5 5 5 5 55 5

= 5 5 5 5 5 5 5 5 5 5

G 5 5 5 5 55 55 55 55 5M 5M

= 5 5 5 55 55 55555 555 555

555 555 555 555 555 555 555 555 555

5M 5 M

55 5 =

5M 5 M

Act II

231

1 1 G 5 5 5 chil - dren that ni - Ăąos que Cal. 2

G G 2

5 5 5 chil - dren that ni - Ăąos que

5 5 5

she nev - er had? The o per - diĂł_en do - lor,

5 5 5

love of sex el ca - lor

5 5 5

she nev - er had? The o per - diĂł_en do - lor,

5 5 5

love of sex el ca - lor

5 5 5

she nev - er had? The per - diĂł_en do - lor, o

love of sex el ca - lor

5 5 5

that drove her mad? de su a - mor

5 5 5

that drove her mad? de su a - mor

5 5 5

that drove her mad? a - mor de su

5 5 5 5 5 5 5 5 5 5 5 5 55 55 55 55 55 55 55 55 55 55 55 55 5 5 55555 5 5555

5 = 5

5 =

= ff

1 1 G 5

5 5 5

Some-thing small to call her own? Mo - nos pa - ra_a - ca - ri - ciar,

Cal. 2

5 5 5 5 5 5 5 5 5

5 5 5

5 5 5 5 5 5 5 5 5

Some-thing to keep her from feel-ing a - lone?She mo - nos bo - ni - tos que pue - de abra- zar y ff 3

5 5 5

Some-thing small to call her own? Mo - nos pa - ra_a - ca - ri - ciar,

Some-thing to keep her from feel-ing a - lone?She mo - nos bo - ni - tos que pue - de abra- zar y

Some-thing small to call her own? Mo - nos pa - ra_a - ca - ri - ciar,

3 G 2

5 =

5 5 5 5 5 5 5 5 5

Some-thing to keep her from feel-ing a - lone?She mo - nos bo - ni - tos que pue - de abra- zar y

55 55 55 55 55 55 55 55 55 55 55 55 5 =

55 55 55 55 55

5 555 5 555

5 =

Act II

232 15

1 5 5 1 G

5 5

paints so pin - ta

man - y tan - tos

G 5 5

5 5

paints so pin - ta

man - y tan - tos

5 5 G 2

5 5

paints so pin - ta

man - y tan - tos

Cal. 2

G =

5 = 5

We ÂżQue

5 5 = 5 mon - keys. mo - nos,

We ÂżQue

5 5 = 5 mon - keys. mo - nos,

We ÂżQue

5 = 5

5 = 5 = 5 5

5 5 won - der qui - ere_al

G ? ? G 2

5 5

what it means. fin de - cir?

5 5

what it means. fin de - cir?

5 5

what it means. fin de - cir?

555 555 555 555 555 555 555 5 5 =

Meno mosso (misterioso) mp (q = 88)

1 ? 1 G

Cal. 2

mon - keys. mo - nos,

5 5 5 5 5 5 5 5 5 55 55 55 55 55 55 55 55 55

5 5 = 5

= 5 5 5 5 5 B

5 = 5

5 5 5 = 5 =G 0

Is it a sex - ual scene? ÂżSe - rĂĄ al - go se - xual? mp

= 5 5 5 5 5 B

Is it a sex - ual scene? ÂżSe - rĂĄ al - go se - xual? mp

= 5 5 5 5 5 B

Is it a sex - ual scene? ÂżSe - rĂĄ al - go se - xual?

Meno mosso (misterioso) (q = 88) sim.

M 5M 5M 5 5 !5 E5 M ! 5 M M ! 5 ! 5 M 5 5 = !5 5 !5 E5 E5 !5 E5 !5 !5 ! 5 E 5 = G p ))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))) ' !' ' ' G ' '

Act II

233

1 4Frida a little playful Fr. 5I 5I 5I 5I 5I 5I ' 2G

Mon - keys help to keep me sane. Chan - gos me_ha - cen re - Ăr.

5 G

5 E5 !5 E5 !5 5 E5

5I 5I

5I 5I 5I 5I

Mon - keys help me augh at Y me_a - yu - dan a vi

5 ! 5 ! 5 5 !5 ! 5 55E5!5 E55! 5 ! 5 !5 4 = =

))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))) ' ' G ' ' ' '

legato

1 Fr. 2G '

pain. vir.

5 5 When a Y si

= E5 5 !I5 E5 = !5 G

5 ))))))

5 5

tear rolls ten - go

down my que llo -

!5 5 E5 5 ! 5 5 E 5 = =

sim.

))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))) ' G ' ' '

1 ' Fr. 2G cheek. rar,

!5 !5 5 !5

ritard.

= !5 5 5 5

5 5 5

They lift my skirts and take a Em - pie - zan siem - pre_a_al bo - ro

))))))))) E5 !5 5 5 !5 = E5 5 5 E5 = !5 5 = ))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))) ' G ' ' '

Act II

234 27

1 Largo giocoso (q = 48) ? Fr. 2G B

peek. tar.

1 1 2G

Calaveras (unis.)

0 Largo giocoso (q = 48)

They donâ&#x20AC;&#x2122;t leave you as long as you feed them. No se irĂĄn mientras les des de comer.

55 5

55 ! I55 5 !5

55 5

accel. molto (Calaveras create the illusion of Diegoâ&#x20AC;&#x2122;s approach.)

: = = !!55 55 ! 5 5 G : 3

:: 5

5 = 5 =

!5 5 = = !!55 55

1 : : Fr. 2G

31a

excitedly

Diego!

:: = = !!55 G !5 3 :: = 5 5

:: = ::

55 55! I55 5 5 !5 3

55 5

!5 5 5 = =!!55 55 55 !!555 3

(Calaveras laugh)

Diego!

55 55 5 5

' E ' ' G E ' mf

:: !!!!!!

ÂĄPuĂąeta!

BB B

5 ! 5 5 5 5 ! 5 B 3

:: !!!!!!

55 5

!55 5

= 5 = 5 = = = 5 = 5 = 5 5 5 5 55 5 55 5

(disappointed at not seeing him)

55 5

:: !!!!!!

Molto meno adagietto (q = 72) 32

5 =

!55 5

Fast tempo (h = 52)

1 Fr. 2G

5 =

55 ! 55 5 ! 5

B: BBB :::

3 mf

Act II

(Frida pulls away from Calavera I)

ritard.

1 Fr. 2G

1 1 G

235

EE 55 55 !!! 555 E! ' ' E5 5 !'

GGGGGG

GGGGGGG

' ' '

GGGGGG

G ' ' '

0 (III hands Frida a flask.)

ÂĄUn mierda!

ritard.

))))))) EB : 5 p

ÂĄUn maricĂłn!

Pig! ÂĄUn cochino!

(III Touches her hair; Frida enjoys the touch.) 3

Heâ&#x20AC;&#x2122;s a bastard. ÂĄEs un cabrĂłn!

Heâ&#x20AC;&#x2122;s not coming back! ÂĄEl no vuflve mĂĄs! Cal. 2

' EE!' ' ' E EE ''

! ' E ' E '

E' E'

E EE ' ''

Adagietto q = 72 41

Fr.

1 2G

(Frida continues to paint, but becomes addicted to drugs and alcohol.)

= E5 E5 : E5 5

B Yes... SĂ,

G 4 E 5 5 5 : 5 5 5 5: 5 B

thatâ&#x20AC;&#x2122;s eas quĂŠ bue

y. no.

E5 E5 5 5 5 E 5 4 E5 E5 E5 5 5 5 E'

E' E' 45 1 ? Fr. 2G

E' E'

? 5 5 5E 5 5 5 E 5 : 5

Cog - nac Cog - nac

E' E' ' 5 G 4 =E5 B

= 5 5: 5E5 5 5 G

Makes me feel... half humanâ&#x20AC;&#x201D; for almost a day. Me hacen sentir... casi humana... casi todo el dĂa.

E' ' E'

8 5 : 5 EB

E' E'

and mar - i - jua - na y ma - ri - jua - na

E' E'

E' E' '

E' '

8 : 5E5 5 5E 5 5: 5E 5 5 = B G

Act II

236 49

1 Fr. 2G = E 5 5 5 5 5 5 !5 5

rit.

un - til I look in a mir - ror pe - ro_al mi - rar me_al es - pe - jo

E' ' G

then sĂŠ

I know itâ&#x20AC;&#x2122;s just a lie. que no es la ver - dad.

EE ' '

EE' '

G = E5 E5 E5 EB 1 Fr. 2G ?

Largo (e = 104)

5 B: = 5 5: 5 5 5 5 5 5

molto legato

4 5 55 5 5

Donâ&#x20AC;&#x2122;t forget me, damn it. A - cuĂŠr - da - te de mĂ, com - pa - Ăąe - ro I wonâ&#x20AC;&#x2122;t let you say goodbye. No me olviden, chinga, no me digan adiĂłs.

= E' 5 5E5 5 !5 E 5 :E 5

55 5 = 55 55 55 5 5 55 5 55 BB mp

cuan - do mi - res mis

5 5 5 55 5 55 55 5 5 5 5 5 55 5 B

5 5

1 !5 : 5 5 : Fr. 5 5 5 5 B: 2G

cua - dros, ca - e en mis o - jos.

' G ' 5 5

5 !5 5 5 5 5

Look Mi -

at my paint - ings and ra mis cua - dros y

5 5 5 5 5 5 5 5 55 55 !5 BB 5 55 5 5 5 5 5 5 5 5 5 5

BB :: B

5 5

B G

Act II

237

1 Fr. G 5 5: 55 5 B 2 fall in - to my dark eyes. no me_ol - vi - da - rĂĄs

Thatâ&#x20AC;&#x2122;s how Iâ&#x20AC;&#x2122;ll keep from ly - ing to my - self Mis cua - dros nun - ca pue - den en - ga - Ăąar

B 4 B

' G ' B

B =

5 B 5 B

1 Fr. 2G 4

5 5:

5 : 5 !5 !5 !5 : 5 5 5 5

4 5

5 5 B

5 !5 !5

thatâ&#x20AC;&#x2122;s how Iâ&#x20AC;&#x2122;ll keep from la y bur - la - rĂĄn

!' dy muer

' -

1 4 Fr. 2G

f with determination

= 5 5 :

5 ! 5 ! 5

Thatâ&#x20AC;&#x2122;s how Iâ&#x20AC;&#x2122;ll keep from Y bur - la - rĂĄn la

! E '))))))))))))))))))))))))))))))))))))))))))))))) G E '! ))))))))))))))))))))))))))))))))))))))))))))))) f

G !' !'

' G ' '

5 5 B 5 5 B

5 5

! '

dy muer

ing. te.

' -

`a ! ' !' ! )))))))))))))))))))) ! )))))))))))))))))))) ! !' ' !'

ing. te.

E ' E' ! )))))))))))))))))))) ! )))))))))))))))))))) E ' ' ' attacca

Act II

238

Scene 6 Finale (Calaveras wheel in a hospital bed. A nurse[Calavera] helps Frida from her wheelchair into bed.)

Allegro q = 152

E' `c

' '

E' '

(Images from Fridaâ&#x20AC;&#x2122;s work appear on the screen beind her as she writhes in bed.)

E' ' 11

E' `

' '

E' '

G E55 55 55 !55 E55 55 !55 55 E55 55 55 !55 EBB !BB E55 55 55 !55 E 5 5 5 5 5 5 5 5 E 5 5 5 5 B B E 5 5 5 5 ff mf B : 55 BB :: 55 BB :: 55 BB :: 55 BB :: 55 : B B: B : B : B : B : 5 5 5 5 5 ` 16 ' E' G E55 55 !55 55 E55 55 55 !55 EBB !BB ' ' 5 5 5 5 E 5 5 5 5 B B E ' '

mp B : 55 BB :: 55 BB :: 55 5!5M 5 5M 5M : B M 5

B: B : B : 5 5M ! 5 5M E 5M 5M 5 5M 5M 5M 5 5 5 M

` 21 ' ' E' E' ' ' ' ' E' E' ' ' f mf !5 5 5 M M 5 5 5M 5M 5 5 E 5 5 5 5 5 5!5M 5M 5 5 5M 5M 5 5 E 5 5 5 5 5 M

M ! 5 M M M 5 M M M M ! 5 M M M 5 M M M ` 25 ' E' G E5 ' ' 5 55 55 !55 E555 555 !55 555 E' ' E 5 5 5 5 5

ff mp !5 BB :: 55 BB :: 55 5 M 5M 5 5 5M 5M 5 5 5 5 5 B: 5 B: 5 M

M ! 5 M E 5M M 5 M 5M M loco `

Act II

239

G E55 E 5 B : : BB :

55 !55 5

EBB

!BB

55 BB :: 5 B:

E55 E 5 mf 55 BB :: 5 B:

55 !55 5

E55

55 !55

5 5

55 BB :: 5 B:

55 E5 5 E 55

55 BB :: 5 B:

55 !55 5

55 5

G EBB

B B : BB :: ` a E55 G E5

!BB

5 5 5

E' ' '

E'' '

mf molto

55 5

5 5 5

E' ' ' E'

E' E 55 5

E 55 5

5 5 5

E' E 55 5

5 5 5

E 55 E5

5 5 5

E' E 55 5

E BB B

!5 5 5 5 5 5 5 5 5 E 5 5 5 5 5 5!5 5 5 5 5 5 5 5 E 5 5 5 5 5 ! 5 ! 5 5

5 `c ` E 55 55 55 E 55 G E5 5 5 5 !5 55 55

5 5 5

E 55 5

55 5

E 55 5

55 5

E 55 E5

5 5 5

E 55 5

E BB B

5 !5 5 5 5 5 5 5 5 5 5 5 !5 5 E5 5 5 5 5 5 ! 5 E 5 5 5

(Frida endures multiple surgeries for her childhood injuries.)

1 (shouting in 0delirim) Fr. 2G Stop! ยกNo mรกs!

' ' E' mp !5 5 5 55 55

I canโ t breathe! ยกNo puedo respirar!

E' ' '

Breathe! ยกRespirar!

' ' E' mf

0 Let me... catch... ยกDรฉjenme!

E' ' '

!5 5 55 5 5 5 5 5 5

E 5 5 5 5 !5 5 E5 5 5 5 5 5 ! 5 5

Act II

240

1 Fr. 2G

I must... get out! ÂĄQuiero salir de aquĂ!

' ' E'

I have to... get out! ÂĄQuiero salir de aquĂ!

' ' E'

E' ' '

!5 5 !5 5 5 5 5 5 ! 5 5 E 5 5 5 5 5 5 5 5 5 5 5 5 5 ! 5 5 E 5 5 5 5 5 5 G

1 Fr. 2G Yellow? ÂżAmarillo?

Madness. Sickness. Part of the sun... Damn you, Diego, for running off and leaving me like this. ÂĄLocura! ÂĄEnfermedad! Parte del sol... ÂĄMaldito seas, Diego, por abandonarme y dejarme asĂ!

' ' p sub.

' ' %

% '

' G '

' '

% 57

(An image of Trotskyâ&#x20AC;&#x2122;s assassination appears.)

1 Fr. 2G

Trotsky? Oh, my God... Diego, They think you did it. ÂżTrotsky? ÂĄAy, Dios mio, Diego, creen que tĂş lo mataste!

(cluster)

G ff

BB :: p

B :

B : %

5 5 5 5 :

BB ::

Black... black is nothing! Donâ&#x20AC;&#x2122;t you understand? Get out of here! Oh, God, please leave me alone. ÂżNegro? ÂĄNegro no es nada! ÂżNo entienden? ÂĄLĂĄrguense de aquĂ! ÂĄDĂŠjenme en paz, por Dios!

EEBBBB

B %

Act II

241

1 Fr. 2G

Red... no, black... nothing... really nothing. Stop! Rojo... no, negro... nada... nada... ยกBasta! ยกNo mรกs!

5 5 5 5 : G

Youโ re torturing me! Nurse! Demerol! ยกMe estรกn torturando! ยกEnfermera! ยกDemerol, por Dios!

EBBBB E G

B %

BB ::

1 Fr. 2G

BB ::

(cluster)

screams

B : % B : %

Please! I canโ t take it anymore! ยกNo puedo mรกs!

' '

`a 5 4 : = 555 55

: ' :: E!'' : G ' % ` 66 55 :: 55 55 G 5: 5 5 G !'' ::

They arrested me and Cristi because of him... all these questions! ยกMe arrestaron, a mรญ y a Cristi... por culpa de รฉl... y todas esas preguntas!

G ?:

% 0

1 Fr. 2G

' %

' G ' 63

' '

Where the hell are you, Diego? ยกAy, virgen de Guadalupe! Please get me out of here! ยฟDรณnde carajo estรกs, Diego? ยกAy, virgen de Guadalupe! ยกPor favor, sรกquenme de aquรญ!

5 : 55 : 55 !!55 5 55 5 5 55 5 : 5 !5 5 5 55 55 5

!'' ::

! '' ::

!'' ::

55 5 '' ::

55 55 55 55 5 5 5 5

55 :: 5: !'' ::

55 :: 55 !!55 55 55 5 : 5 !5 5 5

55 55 55 55 5 5 5 5 '' :: %

55 5 5 5 55 55

'' :: 55 :: 5:

!!!!!

Act II

242

(Diego moves close to Frida.) (Diego returns to Frida, and they remarry.) 68

Adagio (q = 66)

1 2

5 4 5

Soy el

' 73

Diego gently and playfully (h = q.) suggestive

5 : 5 5

q. = 66

1 5: 2

5 E'

5 5 5

K I 5 5 !5 5 5: 5 5 so ne - gro

de la mon - ta

5 -

5: 0

I5 !5 5

= 5 5

Ăąa ro - ja.

Ten - go

5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 G 5 5M 5M 5M 5M 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 M 5 5 5 5 sim. M p ': : ' G ': ': 75

1 5 : 2 mu

5 -

I 5 5 5

5 5:

cha ham - bre

â&#x20AC;&#x153;mielâ&#x20AC;?

I 5 5 5

sa - bro - sa.

5 5 5 5 5 5 5 5 5 5 5 5 5 5 G 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 G ': ': 77

1 : 5 5 : ? 4 = 2 Soy el 55M !E 55M 55M 5M M M 5 E!55 55 55M 5M 55M !5 55 55 55 G M 5 5 55 55 55 55 = = G 5 5 5 5 5 5

5: o

5 -

K !5 I5 5 5 5 5 so ne - gro

55 E!55 55 5 5 5 5 5 5 5 5 5 5 5 55 ::

M M E! 55 55

de la mon

55 55 5! 55 5 5 5 5 5 5 5 5 5 5

Act II

79 1 5: 2

K !5 I5 5 5 5 5 5 : Ăąa ro - ja.

55 E!55 55 5 5 5 5 5 5 5 5 5 5 5 G 55 ::

1 5 : 2 ni

5 -

G 5: 5: 5 5 5 55 55

243

Quie - ro be - ber

55 !5 5 5 5 5 5 5

5 5 5

Ăąa_her - mo - sa

I 5 5 5

= 5 5

un tra - go

de mi

5 5 5 5: 5 5 !55 5 5 5 55 55 55 55 5 : 5 5 5 5 5 5 5 5 5 5 5 5 5 55 55 55 55 5 55 55 55 55 5 5 0

= 55M 55M

55M E! 55M 55M 55M 5M 55M ! 5 !5M 5M 55M 55M 55 55 E5 5 5 5

5 55 !55 5 55 55 555 555 5 555 555 555 555 5 5 55 55 55 55 55 55 5 5 G 5 5 5 5 5 5

(Diego dances around Frida like a bear. She laughs in spite of herself.) 83

G G

5 5 85

1 Fr. 2G G

55 55 5 5

55 55 5 5 5 5

5 5

55 E! 55 55 55 5 !5 5 5

55 55! 55 55 :: 5 5 5 5 : 55 55 5 5

55 55 5 5 5 5

5 5

(Diego moves closer to Frida.)

55 55 5 5

55 !5 55 5 !55 5

55 55 5 5

5 5

55 55 5 5

55 5

5 5

ritard.

Bastard! ÂĄCabrĂłn!

55 :: 5:

55 E! 55 55 55 5 !5 5 5

55 :: 5:

55 5

55 55 5 ': 5

!55 5 55 55

55 55 5 5

55 5 55 55 :: 5 55 5 5 :

55 55 5

55 5

55 55 5 ': 5

!55 5 55 55

55 55 5

5 5 55 55

Act II

244 87

ritard. molto

1 Meno mosso Fr. 2G

So finally, youâ&#x20AC;&#x2122;ve come back... AsĂ que al fin volviste...

5 5: : 5 : E! 55 : 5 55

5: 5:

to the wife who made you sick with her sickness... a la mujer que te enfermĂł con todas sus enfermedades...

55 5 ! 55 5: 5: 5

5 5: : 5 : E! 55 : 5 55

55 :: 55 :: 55 :: 55 ::

5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 89

1 Fr. G

: !5 B !5

!5 5 ? 5 E 5 4 = G 3

Andante (q = 84)

1 5 5 B 2 93

Mar - ry meâ&#x20AC;&#x201D; O - tra vez

' ' ' G ' p

4 G

I need you Frida. Te necesito, Frida.

: BB :

I donâ&#x20AC;&#x2122;t need you anymore, Diego Rivera. ÂĄNo te necesito mĂĄs a ti, Diego Rivera!

(Diego kisses her.)

5 55 5 5 !5 5 E5 5 5 = !B'

B B = 4 ? 5 % 5

5: 5 5 5

we need each oth - er. es - te - mos jun - tos,

5 5 5: 5 ' Letâ&#x20AC;&#x2122;s take this o - tra vez

4 : ' 5 5 ' 55 B' ' ' ' ' 5 5 5: 5 '

lastchance. mi_a - mor.

' ' ' 5 5 5 55 ' 5 5 5: 5 = 5 5 =

Act II

1 2 4

5 5:

3 the rest of your life ca - sar nos.

1 Fr. G

0 Marry you? Again? What for? Youâ&#x20AC;&#x2122;re crazy, Diego. ÂżCasarme contigo? ÂżOtra vez? ÂżPara quĂŠ? ÂĄEstĂĄs loco, Diego!

5 Chi - qui

a piacere

B G '

B '

Adagio (q = 60)

1 ? 2

' 0

= =

my mi

5 G = 5 E55 55 55 !55 !55 55 55 B B

5 5

ritard.

Maybe, but marry me anyway QuizĂĄs, pero cĂĄsate conmigo como sea

B B

0 B

5 : 5 55 5

!B5 5 5 5 ' 5 5 B:

gain. dad,

3 Make my life dan - ger - ous a TĂş ha - ces mi fe - li - ci

in my arms. TĂş y yo.

a piacere

B 2

104

5 5 5 5 5 5 5 3

G = ! 5 5 5 5 5 5 BB

101

5 5 B :

5 5 5 5 B

Spend Al

' '

245

5 -

tle lo_a

= 55 55 55 55 55

lit so

(q = h)

=: !5 5 E5 !5 3

!5 E5

5 =

5 5

Act II

246

106

h = 60

1 2

(Calaveras lift Frida from bed and prepare her for a mock-up of her original wedding.) (Frida becomes known as an artist and a personality in her own right.)

dove. mor.

' G ' 5 5 : 55 5 5 5 55 B 55 5 5: 5 5 5 B B B

55 55 55

55 55 55 55 BB

5 5 55 55 55 5 5

B B

55 55 5 55 55 55 55 5 5 5

110

1 Fr. 2G

B B 4

rit. molto

= 5 The La

55 55 55 BB 5 5 5 : 5 5 5 5 5 5 5 555 5 55 5 5 : 555B : 5 5 5 5 5 5 5 5 5 5 5 55 G 5 5 = 555 5 55 55 55 55 5 5 5 5 % poco f II 3 pp BB 5 5 5 5 55 5 5 B B B 5 B B B 5 B B B B 114

Adagio religioso q = 80

1 Fr. 2G 5 5 5 5: Fri - da you see Fri - da que_es - tรก_a

G 5' : 5 B 5 5

5 B 5 5 5

5 B be - fore tu la

B -

you do

5 5 5 5 5 5 on our sec - ond wed - ding no - via por se - gun - da

= 5 5 5 = 5 5 5 5 ?' 5 : 5 5 5 B 5 5 5 55 5B B 5: 5 5 5

Act II

247

117

1 B : Fr. 2G

= 55

day. vez.

120

5 5 5 ?

Mon - a Lis - a Mo - na Li - sa,

' '5: 5 B ' G

5 5

GGGGGGGGGGGGGGGGGGGGGGGG

124

5 B

5 5

5 B

= 5 5 5 5 5 5 5 5 5 5 B I am a wo - man as seen by a wo soy el es - pe jo_en que veo mi fi - gu

' ' '

5 -

ing sa

5 5 5 5 5 5 5 5 5 5 5 =B 5

' ' ' 4 5 5 5:

' G ' ' 1 Fr. 2G

Not Ra - phaelâ&#x20AC;&#x2122;s Ma - don - na or Da Vin - ciâ&#x20AC;&#x2122;s flirt No ma - do - na de Mu - ri - llo o mis - te - ri - o

G 5 5 5 5 5 B= 5 5 5 5: 5 B 5 B 5

1 5 : Fr. 2G

5 5 5 5 5 5 5 5 5

5 ' : B 5 B 5 5

B -

man. ra

= 5 5 5

? 5

5 5

5 : 55 5 B5

5 5

Fri Fri

da as da yo

55B 55 55 55 ? = G 5 5 5 5 5 B= 5 5 5 5 5 5 5 5 5 5 5 5 5 5 3 3 B B B B 5 5 5 5 ? B B 5 B 5

Act II

248

127

1 5: Fr. 2G

5 5

seen soy

BB5 5 5

5 5

by Fri - da her - self. y siem - pre se - rĂŠ

? 55 55 55 5 5 5

B B

55 55 5 5

B B

5 5

Not no

55 5

BB :: B: 4 B B

55 5

as a man co - mo_un hom

55 55 5 5

55 5

5 B: B B

5 5 5: B B

signs man

5 G 5

5 -

me, de

= 5 5 5 55 55 BB

5 5 5 5 5

de bre

4 B B

130

1 : Fr. 2G B

5 5

nor no

as a man co - mo_un hom

55 55 5 5

55 5

5 5 5

B B

55 5

55 :: 5:

5 -

de bre

55 5

5B B

5 5 B B B

5 5 5

133

Fr.

1 ' 2G sires quie

5 B B

B -

me, ra,

' 5 5 5 BB5: ' = ' 5 5 BB G ' 5 5 5 5 =

4 f

B B

4B B

rit.

5 5 5 5 5 5

but as si - no

B B

I de - sire to co - mo quie - ro

5 55

5 5 5 5 55 55 5 55 5

5 5 5 5 B B

Act II

a tempo

be! ser.

Thatâ&#x20AC;&#x2122;s all I ever wanted. Es todo lo que siempre quise.

' ' ' G

5 4 555

p sub.

' '55 55 55 55

BB5 5 BB5 5 55 5 5

' ' 5 5 5 5

5 5G 5 5

ÂĄViva la vida!

' ' '

GGGGGGGGGGGGGGGGGGGGGGGG

136

1 ' Fr. 2G

249

EE EE

(All the wedding guests from the first wedding enter in joyous commotion.)

Allegro (q = 132)

!5E5 !5E5 !5 E5 5 E5 5 E 5 5 EE : 5 E5 5 !5 E5 5 E5 5 E 5 5 5 5 E 5 :: : G 3 3 3 3

141

EE : : !'' G '

EE' ''

!' ''

!5 E5 5 !5 E5 5 E 5 5 E 5 ! 5 E 5 EE : 5 E5 5 !5 E5 5 E5 5 E 5 5 5 5 E5 :: G : 3 3 3 3

143

E G E :: !' '' 145

EE EE

EE' '' 55 5 G !5 5 E5

E5 E5

!5 !5

E5 !5 5

5 5 !5

5 5

EE' ''

!' ''

(The guests gather around Frida and Diego to congratulate them.) sim.

!55 5

!5 !5

5 5 !5

!5 5 E5

55 5 E5 E5

5 5

5 5 147 EE 555 555 555 E555 555 555 555 555 555 555 555 555 555 555 555 E555 555 555 555 555 555 555 555 555 G 3

EE 5 = E 5 = 5 = = 5 5 5 E5 5

5 = E5 = 5 = 5 = 5 5 E5 5

Act II

250 149

1 EE 4 : Fr. G

E : 2 E 4

5 5

a gift, bai - lar

so tear y_a - mar

5 5

Life’s A

a gift, bai - lar

so tear y_a - mar

55 55

5 5 5 5

a gift, bai - lar

so tear y_a - mar

55 55

a gift, bai - lar

so tear y_a - mar

5 Life’s A f

1 EE 4 : G

55 Life’s A f

Choir

EE 4 :

EE 55

Life’s A

EE 55 G 5

5 5: it la

o vi

5 5: it la

55 5: 5: it la

55 55 : it la

55 5: 5:

55 55 55 55 55 55 55 55

pen! da!

55 : -

o vi

5: 5: -

o vi

pen! da!

5: -

o vi

pen! da!

5 5 5 5

55 5 :: 5

EE 5 = = E 5 = = 5 = = = = ! 5 = = 5 = = 5 = = = = 5 5 5 5 5 5 E5 ! 5 5 5 151

1 EE : Fr. G ? D.

E 2 E

= 5 5

5 5 5 5 5 5 5:

= 5 5

vi - da es pa - ra go - zar.

5 5 5 5 5 5 = 5 5

1 EE 4 : G Choir

EE 4 : 2

55 55

Laugh A

at death bai - lar

EE 55

Laugh A

55 55

at death bai - lar

5 5 5 5 55 55

La pe -

no?

55 =

= 55 55

no?

55 55 :

¿Y por - qué

EE = = 55 55 55 55 55 55 55 55 G EE 5 = = E 5 = = 5 = = = 5 5 5 E5 5

55 5: 5:

¿Y por - qué

vi - da es pa - ra go -

5 5 5

55 5 5 5

5 5

55 5 5 5

Act II

153

1 EE Fr. G 5 5 5 5 5 5 5: vi - da es

EE 5 : 2 1 EE G 55 lo

vi - da es

: = 5 5 5 5 5 5 5 5 5 La

vi - da es

loves a joke bai - la - rá,

55 5

EE 5 5 155

1 EE : Fr. G 4

vi - da es

= 55 55 55::

pa - ra go -

55 55 55 5: 5:

tak - ing souls no le_im - por

or two, tam - bién,

not yet due. ta con quién

zar.

Life’s a gift, A bai - lar

1 EE : G 4

so let’s y a - mar

= 55 55 55

EE G EE G 5

55 55

Life’s a gift, A bai - lar

so let’s y_a - mar

a la

gift, rá,

so bai

55 5 5

un - wrap la vi

5 5 5 5 5 5: so let’s y a - mar

5 5

un - wrap la vi

it! da.

5: -

it! da.

B: B:

BB::

un - wrap la vi

5 EE 5 = = 55 = = 55 = = 5 = = 5 2 Life’s Bai

55 5 5 5 5 5 5 5 55 55 55 55 55 5 5 5 5 55 5 5 5 5 5 5 4: G 5 5 5 5 5 5 5 5 5: 5 5 5 B: = 5 5 5 5 5 5: 5 5 5 : B

EE 5 : 2

55 5

Life’s a gift, A bai - lar

Choir

5 5 5 5 5 5 5 5

5 5 EE 5 = = 55 = = 55 = = 5 = = 55 = = 5 = = 5 = = 55 = = 5 5 2 E GE

pa - ra go - zar.

55 55::

55 55 55 55 55 -

= 5 5 5 5 5 5 5 5 5:

pa - ra go - zar.

zar

Choir

251

it! da

5 5 5 5 55 5 = = = = 5 = = = =

let’s la

un rá,

wrap tam

it! bién.

55 5 5 5 55 55 55 55 55 55 55 55 55 55 55 55 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 55 = = 5 = = 5 5 5 5 5 5 5 5 5 5 5 5 5 5:: 5

Act II

252

157

1 EE Fr. G

ยกLa vi

EE 2

55 55 ::

da!

5 5: = = ยกLa vi

55 55 55 55 55 55 55 55 EE G = =

5 5:

= = 5 5

5 5 5 5

5: -

da!

55 5 : 5:

EE 5 = = E5 = = 5 = = = = !5 = = 5 = = 5 = = 5 = = 5 5 5 5 5 E5 !5 5 5 159

1 EE 4 : Fr. G

EE 4 :

1 EE 4 : G Choir

EE 4 : 2

5 5

Dance A

a - way bai - lar

5 5

Dance A

a - way bai - lar

this long, blacknight! y dis - fru - tar.

5 E5

5 55 5

' :: 55 55 55 '

Dance A

a - way bai - lar

this long, blacknight! y dis - fru - tar.

5 5

5 5 5 5

Dance A

a - way bai - lar

5 ':

this long, blacknight! y dis - fru - tar.

5 5

5 5 5 5

5 ':

E E

5 ': : 5 '

this long, blacknight! y dis - fru - tar.

EE = = 55 55 55 55 55 55 55 55 G

55 5: 5:

! 555 555 555 555 555 E 55 55 55 55 5 5 5 5 5

EE 5 = = E5 = = 5 = = = = 5 = = 5 = = 5: 5 5 5 5 E5 5 5: 5

Act II

253

(Dancing begins noisily, the Calaveras support Frida.)

Tempo di samba (h = 80)

E 4 ! 55 G !5

161

= 5 5

5 5

5 5M

= !!555 555

55 55 55 5 5 5

164

1 E? Fr. 2G

55 5

5 !5 5

= 5 5 5 5

5 5

sim. 167

1 E Fr. 2G 4

I Do

55 55 !55 55 = G !5 5 5 5 E = 5 5 5 5 5 5 E

170

1 E Fr. 2 G B what que

pa - ra

55 55 55 5 5 5

5 5

= 5 5 5 5 3

5 5

55 55 = = !!555 555 5 5 = 5 5 5 E5 5 5 5 E5

5 5 !B

5 B

3 I am brok des - tro - za

55 55 55 55 = !55 55 !5 5 5 5 5 5 = 5 5 5 5 5 5 5 5

5 5 5 5 3

if I su - fro

am del

55 55 ! 55 4 5 5 5 = 5 5 5 5 5 5

5 5M

go - zar

55 5 5 5

55 5

4 3

en da

5 = 5 G 5 E 5 5 E

!55 !5

am not sick, lien - do_es - toy,

= 5 5

5 5

5 5 ' 5

5 53 5 !B

B 3

vi - da

55 55 55 5 5 5

5 5M

55 55 55 5 5 5

E = !55 G !5 E 5 5

= 5 5

5 5

5 5M

4 !!555

55 55 55 5 5 5

So Aun

4 55 55 ! 55 = 55 5 5 5 5 = 5 5 5 5 5 5 5 5 3

4 5 5 5 5 5

3 I am hap - py to Soy fe - liz de_es - tar

in pain. do - lor

= 55 55 5 5 5 5

55 55 4 5 5

= E 5 5 E5 5

5 5

4 5 5

55 5

55 55 55 5 5 5

= 5 5 5 5

5 5

Act II

254 173

1 E Fr. 2G B

5 5

a - live, va. -

E 4 !55 G !5 E

5 !B

be vi

to paint ÂĄY pin - tar

55 55 55 5 5 5

= 5 5 5 5

55 5

= !!555 555 5 5

5 5

5 3

!5 B a - gain! pin - tar!

and paint y mĂĄs

55 55 55 5 5 5

= 5 5 5 5

5 5

4 !!555 5 5

55 55 55 5 5 5

= 5 5 5 5

5 5

176

1 E B Fr. G

? f

E ?

Lifeâ&#x20AC;&#x2122;s A

Cal. 2

1 E G G 2G

E E

so tear y_a - mar

it la

a gift, bai - lar

La ra - za

con a - le - grĂ - a

La ra - za

5 f

55 55 !55 55 = G !5 5 5 5 E 5 5 = 5 5 5 5

con a - le - grĂ - a

bai - le

a gift, bai - lar

5 5

it la

B: B:

so tear y_a - mar

!5 5 = !55 55 5 5

= 4 5 5 5 5 5 con a - le - grĂ - a B: 55 B:

tear so y_a - mar

a gift, bai - lar

55 5

= 5 5 5 5 4 5

bai - le

4 = 5 5 5 5 5

= 5 5 5 5 5 4

bai - le

4 = !5 5 5 5 5

Lifeâ&#x20AC;&#x2122;s A

= !5 5 5 5 5 4

Lifeâ&#x20AC;&#x2122;s A

E ? 2

1 E ? G Choir

55 55 55 5 5 5

= 5 5 5 5

5 5

it la

!5 5 = !55 55 5 5

55 55 55 5 5 5

= 5 5 5 5

5 5

Act II

179

1 E Fr. G 4 4 5 B 3

B o vi

to paint pin - tar

1 E G

5 3

and y

255

5 5 5

a - gain pin - tar

paint mĂĄs

pen. da

Laugh a

at death bai - lar

= 5 5 5 5 5 4 ma - Ăąa - na

Cal. 2

= 5 5 5 5 5 4

ma - Ăąa - na

o vi

Choir

BB -

BB o vi

E 5 5

pen. da

BB -

55 G 4 5 E

pen. da

55 ! 55 55 55 55 5 5 = 5 = 5 5

= 5 5 5 5

5 5

be - bes

4 = 5 5 5 5 5

ma - Ăąa - na

1 E BB G

be - bes

Laugh a

at bai

death lar

Laugh a

at bai

death lar

55 ! 55 5 5 4

= !5 5 !5 5

5 5

= 55 55 5 5 5 5

55 55 4 5 5

= E 5 5 E5 5

5 5

Act II

256 182

1 E Fr. G

4 4

!5 5 5 5

3 vi - da

B: por

quĂŠ

no.

1 E 5 5 5 5 5 4 G =

5 !53 5 !B pa - ra

go - zar,

o - tro te - qui - la

E G = 5 5 5 5 5 4

Cal. 2

o - tro te - qui - la

E= 4 3 2G 5 5 5 5 5 o - tro te - qui - la

1 E BB :: G por Choir

BB :: por

quĂŠ

no.

quĂŠ

no.

G 4

55 5

55 55 55 5 5 5

= 5 5 5 5

5 5

!55 !5

5 5

= 5 5 5 5

55 55 5 5 4 5 5

!5 5 = !55 55 5 5

55 55 55 = 5 5 5

= 5 5 5 5

E5 E5

Act II

185

3 1 E 4 43 Fr. G !5 5 5 5 so y

what aun -

E B: lo

1 E G B: lo

if que

loves bai

E !5 G = !55 E 5 5

55 5

5 5

B :: B loves bai

5 5

a la

55 -

a la

55 55 55 5 5 5

= 5 5 5 5

5 5

3 am hap - py bas - tan - te

5 B

joke rĂĄ

or two. tam - biĂŠn

5: 5:

B: B: loves bai

I es

55 55 55 55 = !55 55 5 5 5 5 !5 5

= 5 5 5 5

4 5 5 5 5 5

I am in pain, su - fro_el do - lor

55 -

5 5 B 5 B:

Choir

E B:

257

55 BB

joke rĂĄ

or two. tam - biĂŠn

55 ::

55 BB

joke rĂĄ

or two. tam - biĂŠn

55 5 = 5 5 5 5 4

to po -

55 ! 55 = 55 5 5 5 5 5

5 5

Act II

258 188

1 E Fr. G B

be der

= 5 5

a - live! vi - vir

E ?

1 E G

5 -

Cal. 2

Tak no

5 5

E ?

Tak no

E = 5 5 5 5 G 5 5 E 5 5

5 5

ยกMรกs

5 5 -

= 5 5 5 5

B: B:

ing souls le_im - por

55 ! 55 4 5 5 5 5

= 55 55 5 5 5 5

= 4 5 5 5 5 5

5 5

that are ta - rรก

not con

BB ::

5 5

that are ta - rรก

not con

55 55 4 5 5

= E5 5 E5 5

te - qui - la!

BB ::

55 -

te - qui - la!

ยกMรกs

55 -

te - qui - la!

= 5 5 5 5 5 4

Pe - lo - na!

B: B:

ing souls le_im - por

= 5 5 5 5 5 4 ยกMรกs

= 4 5 5 5 5 5 5 5

Choir

not con

Pe - lo - na!

ยกLa

1 E? G

that are ta - rรก

Pe - lo - na!

ยกLa

= 5 5 5 5 5 4

= 5 5 5 5 5 4 ยกLa

5 -

a - live. vi - vir.

ing souls le_im - por

to be po - der

5 Tak no

5 5

55 5

55 55 55 5 5 5

= 5 5 5 5

5 5

Act II

191

1 E 2

259

(Each takes a turn dancing with Frida.)

due. quiĂŠn.

1 E ' G !'

due. quiĂŠn.

Choir

' ! E '

due. quiĂŠn.

5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 55 55 55

5 5 5 5 5 5 5 5 5 5 G= 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 = 4

E E

5 5

194

E G 4 E 4

= 5 5

201

G G

3 3

= 4 = 5 = = 5 5 5 5 5 (cluster)

55 55 55 5 5 5 5 5 55 55 ? 5 5 5 =

= ? 5 = 5 5 5

(There is a pause as Frida senses her approaching death.)

lunga

' ' '

G.P.

lunga

' ' '

E ' G ' ' 1 Fr. 2G

5 = = 5 = = 5 5 5 5 5 5 ' ' '

' ' E ' GGGGGGGGGGGGGGGGGGGGGG

= 5 = 5 = 5 5 5 5 5 5 5 5 5 5

5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 55 5 5 =

(Diego is the last to dance with Frida.) 197

(h = q)

Adagietto mesto (q = 80) legato

' ' ' p

= 5 5 : B 55 5

I hear the si - lence drop - ping. Si - len - cio re - pen - ti - no.

' ' '

' ' ' 0

5 5 5 5 5 5 ' Night is fall - ing tin my life. Es - pan - to - sa_os - cu - ri - dad,

' ' ' ' 0

Act II

260 206

= 5 5 5 5 5 5 5 ' ? 4 5

3 1 Fr. 2G 5 : !5 5 5 5 5 5 B B Yes - ter - day I fought for my free - dom. mi_am - bi - ciĂłn fue sĂł - lo ser li - bre

' G ' ' ' Adagio q = 56

211

1 5 Fr. 2G

5 5: !5 5 !5

my bed danc - es â&#x20AC;&#x2122;round muer - te dan - za_a mi_al - re -

' ' ' ' '

GGGGGGGGGGGGGG

GGGGGGGGGGGGG

' ' ' '

To - day Iâ&#x20AC;&#x2122;m fight - ing for my life. hoy lu - cho sĂł - lo por vi - vir.

a - gain to - night, de - dor, mas hoy

G 5

: 5: !5 5 !5 5 5 5 5 5 mp ! 55 :: 55 :: 5 5 5 5 5 5 5: 5: 5: 215

5 G 5: 5

This time y hoy

5 5: 5 5 5

5 5

5: 5 55 ::

55 :: ! 5 5:

5: 5

219

1 Fr. 2G 5 til lle

5 -

= = 5 this mas

5 5 : 5

55 ::

5 5 : !5 5 5

55 :: 5 5:

ritard.

5: 5 5 B:

!5 :

5 5

: 5 ! 55 : 5 5 5

Iâ&#x20AC;&#x2122;ll let the mus - ic play un la mĂş - si - ca to - ca - rĂĄ y

E5 5

!5 5 !5 5 5:

= = E 5 !5

time I wonâ&#x20AC;&#x2122;t turn him a - way. hoy no la_a - hu - yen - ta - rĂŠ

5 5 5 !B :

1 Fr. 2G 5: 5 5 5: 5 5 5 :

Death La

!B :

5: 5

55 :: 5 5:

!!!

Iâ&#x20AC;&#x2122;ve fought my last fight. ga - rĂĄ mi fi - nal.

5!5 G = 3

5 5

55 ::

5: 5

!5 5 : 5 5

! 5 5 5! 5 5 5 5 : !5 5E5 5 : 5!5 : ! 5 : ! 5 5: = 5 55 : = 5 55 :: 5 5 5: 5

!!! !!!

Act II

223

261

Andante tranquillo q = 80

1 Fr. 2G

La Pelona, my oldest companion, together at last. La Pelona, mi vieja compañera, juntas al fin.

`a B p

G 5

55 5 5

5 5

B 3

226

B 3

55 5 5 5

Viva la vida... alegría... and Diego. ¡Viva la vida... alegría... y Diego! loco

B 4 3

55 5 5

555 E 5 55 5 E 3

5E5

E5 5 3

229

5 55 5:

Women

1 EE Choir 2G

5 E BB

B5:

EE EB5

EE B G E5

B 5:

EB 5 EB

B B 4

? 3

5 55 3

55 3

5 5

E5 5 :

E5 5 3

B 5 3

5 55 3

5 55

5 55 55 55 55 55 :: 5 BB

De pe - ta - te

EE G

` B G G 5

1 Fr. 2G

pe - ta

BB -

: 5 55 ! 55 55 55 55 : 5 BB ! BB

5 5 5 55 5 ' 5: 3 3

' '

Act II

262

233

1 EE 4 55 55 :: 55 ' G ' from birth na - cer,

Choir

EE 2

to death. mo - rir

4 55 55 55 55

0 '

0 55 :: 55 BB

Men

Mex - i Mé - xi -

E GE

co mourns Fri - da Kah co por Fri - da llo -

lo. ra,

0 '

238

1 EE G Choir

5555 :: 55 5555 55 55 55 BB

4 55

The one who gave birth to her - self Ar - tis par, ta sin

EE 4 55 55 55 55 55 ' ' 2

writ mun -

A daugh - ter of the earth. y siem - pre la_a - ma - rá.

EE G

242

1 EE G Choir

E 2 E

55 5 5 5 5 5 55 5 5 55 55 BB 5 5 5 5 5

- ing the most beau - ti - ful poem of her life. - do que_en bri - llan - tes co - lo - res pin - tó.

4 5 55 55 55 55 :: 55 BB 5 De pe - ta - te a

EE B

0 B

' '

pe - ta - te

:: 55 B 5 5 5 5 5 5 4 55 5 5 B De pe - ta - te a

EE G

pe - ta - te

0 '

Act II

263

247 1 EE 4 5 5 : 5 B 4 5 5 G 5 5: 5 B 55 55 55 55 55 55 :: 5 55 :: 5 BB

from birth to death. na - cer, mo - rir

Choir

EE G

' 253

Her col - ors go out in sus co - lo - res por siem - pre

? 4 5 5 55 55 55 55 :: 55 55 5 : 5 4 5 5 5 5: 5 ? ' 55 55 5 5 5 ' ' '

1 EE 4 55 55 5 55 ' ' 5 G Choir

E 2 E4

EE G EE

55 :: 55 BB 55 :: 55 BB 'G '

' ' -

55 55 55 55 ' ' To the world for - ev vi - vi - rรกn por siem

' '

to the world. vi - vi - rรกn

ritard.

To the world for - ev vi - vi - rรกn por siem

Her col - ors go out in - to the world. sus co - lo - res por siem - pre vi - vi - rรกn

5 5: 5 B : 5 : 5 EE 4 5 5 : 5 B 4 55 55 55 55 55 55 : 5 55 : 5 BB 2 from birth to death. na - cer, mo - rir

' '

er. pre.

' ' -

' ' ' '

55 55 55 55 ' '

? ' ' '

' ' '

er. pre.

55 5 5 ritard. ' 5 : 5 ' 55 55 5 5 5 '5 4 55 55 55 55 '5:: 5 5 5 5 5 : ' 4 55 55 55 55 ' ' ' ' ' ' ' ' '

' ' ' ' ' '

' ' 0

0 pp

54 ? 5

Act II

264

Curtain Call Music

Allegro brillante q = 132

EE G ?

: 5 55 55 55 55 555 :: 55 BBB 4 55 5 5

EE 5 5 5 5

7 EE 55 555 5 G

5 5

5 5 55 :: 55 5 : 5

EE 5 5 5 5 5 5 5 5 13 55 EE BB :: 5 G B: EE 5 5 5 5 5 5 5 5 17 5: EE 55 555 55 :: G 5

BB B

55 :: 55 ' ' 55 55 4 ' : 5 5 55 5 5 5 5 5 5 5 55 5 55 5 5 5 5 5 5 5 5 5 5 55 5 55 5 5 5 5 5 5 5 5 5 sim. 55 5 5 5 5 55 BB BB 55 5 5 5 ' 5 5 ' 4 55 5 55 55 55 55 5 B B 4 5 5 55 55 55 ' 5 5 5 5 55 5 55 5 5 5 5 5 5 5 55 5 5 5 5 55 5 5 5 5 5 5 5 5 5 5 5 5 5 55 5 5 5 5 5 55 5 BB 55 55 5 55 55 55 55 55 5 55 55 555 BBB 4 B 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5

EE 5 5 5 5 5 5 5 5

55 BB 5 B

BB B

5 5 5 55 5 5 5

55 4 5

5 5: 55 55 ::

5 ' 55 ' '

5 5 5 5 5 5 5 5

D.C. repeat ad lib.

5 5 5 5 5 5 5 5 ritard. molto

55 55 55 55 :: 5 5 5 4 55 5 5 5 5 5 :

allargando

E GE?

EE 5 5 5 5 5 5 5 5

55 55 :: 5 5:

55 B 5 BB

55 55 55 55 4 5 5 5 5 ff

5 5 5 5

5 5 5 55 5 5 5 ritard. molto al fine ' 5 5 5 5 ' 5: ' ' 25 ' ' 5 5 5 5 5 5 5 : 5 ' EE '5 : 5 ' G 5: 5 5 5 5 EE 5 5 5 5 5 5 5 5 ' 5 5 5 5 5 5 5 5 '

' 5 55 = 4 = 4 5

? ?