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3. Suicide of Cleopatra (c. 1621) Giovanni Francesco Barbieri
The tempo is only given for a general timing. It is most important that the pacing is adjusted to always acheive a sense of tension throughout.
2 &2 Ó
∑
#>œ œ^ œ -œ √ w 2 7 7 &2 J f
∑
∑
<#> w & 7
&
∑
∑
w 7
7 ∑
f
pp
∑
Sub. sfz
≈
>œ #œ ™
3
ppp
3
Attacks become more legato with rall and dim.
œ > #œ œ > #œ œ -œ œ -œ œ œœ œ œ J J JJ J J 3
3
3
3
3
3
œ > >œ œ œJ
>œ œ œ œ œ>œ
# œ œ >œ œ œ # œ ™ - # -œ œ -œ™ œ # œ œ œ œ œœ nœ œ
3
∑
>œ œ #>œ œ > œ™ œ >œ œ œ œ™ # œ œ œ œ œ™
poco rall.
#œ œ & J
œ ˙™ 77 pp
œ™ v Ó™
Sub. ff
w 7
pp
w 7
Sudden outburst each time of quick figures always sounding as if a frantic irregular tremolo between given pitches, moving from fast to slow with the rall. and dim. each time.
∑
w 7
sfz
∑
Slancio
∑
w 7
# -œ ˙ ‰ 7J 7
œ
ppp
∑
Ó™
∑
w 7
° sempre, ad lib U.C. ° Ad lib for soft dynamic color changes
&
{
w 7
∑
7
13
∑
Two fingers of right hand alternate quickly and irregularly not always catching note, to sound an irregular tremolo. The dynamic corresponds to the speed of the tremolo. For example the speed and therefore the sound should be less active throughout the diminuendo. Dotted bar lines indicate Tempo rubato for those bars.
2 &2
{
∑
mp
3
“”^ ## œœ R ‰™
Joseph Pereira
h =62 Tempo rubato, quasi fantasia
p
œ
3
3
(> -œ)™ ˙ # œ 7 7
U w 7 ppp
>-œ
( )
˙
U w
>œ