Bockholt 2015 select works

2015 select works

s t u d i o

e d i t i o n

table of contents ARTICLES ABOUT US. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3 A NEW NORMAL . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5

A LANDSCAPE IS A LEGACY. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

THE VISION. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

DRESSED FOR SUCCESS. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

360 DEGREES OF AWARENESS. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3

GREEN ON GREEN. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

WORKS LE CHALET. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3

BASAL. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

ZAMBONI DREAMS. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3 ICE RINK AT QUARRY MOUNTAIN RANCH. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

UPLAND UPSET. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

OMGEVALLEN BOOM. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3

TACOMA. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

ARGENTINE. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3

VILLA VINEDO. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3

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ABOUT US OUR PHILOSOPHY As a landscape architect that specializes in modern and contemporary site and landscape design services, for a successful and discerning clientele it is especially the case that the first and most prominent part of our philosophy is to make every effort to understand and adopt the project owners and architects own values, wants and desires for the preparation of the landscape design.

Even more so than building architecture; every project is unique from the last in the landscape architecture discipline. Since there are differing sites and differing accompanying structures, there are various new opportunities and restrictions; Add changing clients with differing yet critically important visions and needs and it can begin to get overwhelming. So what takes priority for us as the designer?

What is important is that we succeed in all we set out to accomplish; and this is best realized through a team based, organized process and approach, an honest attempt to satisfy all concerns! Working with architects, interior designers the landscape architect must draw from and contribute to the projects program from an early stage.

The end result is a comprehensive site and landscape design that meets or exceeds the client’s demands, compliments the architecture in meaningful ways, stays in budget and stands the best chance of satisfying everything.

“ The basis for my design philosophy as a post modernist is balance. I find that the client’s needs are achieved primarily through implementation of first principals, i.e. it’s not a process of creativity, or artistry at first, but a scientifically guided method of inventory, analysis and programming which provides a framework from within which we then discover the opportunities for creative artistry. Any other philosophy is an extremist point of view.

There must be a balance, the artist and commissioner must both be satisfied for the project to be called a success.”

-Seth Bockholt

A new Normal WITH ANYTHING BUT NORMAL EXPECTATIONS. More and more clients are inquiring about outdoor kitchens and living rooms. Sometimes the motivation is personal, they look forward to relaxing privately but also to facilitate entertaining and almost always a plus‌ the outdoor living areas are a great form of bribery to get the grand kids to come over more often.

Either way the average client today has higher expectations when it comes to the outdoors than many design professionals realize.

These spaces can now be just as lavish as your indoor equivalents. You can find an outdoor model to every indoor appliance. From wine coolers to dishwashers. But the old favorites are the standard; a fireplace, some furniture and maybe a bar. These seem to be standard requests; but again designing and planning for these spaces is anything but simple; and brings a certain set of challenges the Landscape Architect is more suited to tackle challenges than any other design professional.

The savvy architect realizes the importance of collaboration and specialized consultation to handle these specifics, but all to often Architect dictates these spaces or an Interior designer is tasked with this exterior feat. Makes sense right? Often the landscape architect, interior designer and architect will most often all consider this ‘patio’ realm as theirs. We find it is best to have a healthy overlap of scopes in order to assure collaboration, and that discussions between disciplines about these areas early on can galvanize a healthy collaboration for the entire process resulting in a product that will meet the highest expectations.

LE CHALET The pond is a tool to essentially integrate the architecture to the site and its ecology.

Seasonal changes unfortunately mean that sometimes some plants aren’t looking so great. Providing a constant aesthetic a reflection pond is called into service to create a dramatic and controlled entry experience year round.

Reflections of the architecture will dance across the water, as visitors come & go.

SIMPLE IS CLEAN AND CLEAN IS BEAUTIFUL Working with Architect Scott Jaffa the overall concept for this landscape design was guided by a desire to “ground” the architecture to the land by embracing the site and its ecology.

The lawn section elevation With and eye to protecting views while creating privacy the floor elevation of the home is intentionally set into the grade, requiring a cut into the slope creating a terrace for the lawn, and setting outdoor activities on a lower plane than neighboring uses. The excess of fill material was balanced to create privacy berms in strategic locations around the home.

The patios section elevation The division of spaces creates outdoor rooms that vary in size and appeal for differing experiences and activities. Central to the main exit of the home is a outdoor kitchen with large banqueting counter and viewing / dining deck.

To the left a sunken fire pit and orchard. On the right a secluded garden patio space.

Rain Garden section elevation The planning for storm water runoff in major events becomes a feature of this landscape. A timber slab bridging to retaining walls that will allow one to cross the bio-filtration basin en route from the front yard to the backyard high and dry in storm events and with interest and appeal year round.

BASAL The client’s purchase of a neighboring vacant lot for these outdoor environments speaks to the changing trends and the increased value home owners are placing on the landscape. With the desire to spend more time out of doors, and live a more social and healthy life, this changing paradigm is leaving many architects and builders falling short of their clients expectations when it comes to the planning of high end residential landscapes.

Working with Bockholt you can be sure NOT to fall into that category.

In a deliberately minimal way, the land volume is strategically broken into smaller elements that are connected through materials and a procession of uses. These smaller spaces dictate uses specified by the client which have progressed into a final configuration that frames the site’s pristine mountain views while preserving privacy.

The design is also grounded in the use of historically based materials drawn from the areas rich mining history.

Form and scale With that valuable addition of space via the purchase of a neighboring lot the design strives to meld the interior to exterior making the two once separate lots feel unified, and intentional.

The project, being within the historical district of Park City must also meet several criteria for the design to be approved. Through the careful planning of the new forms and their scale in relation to the historic home the new elements of the design maintain the integrity of the historical neighborhood and enhance the communities appeal.

Varying spaces for various uses The overall concept divides the lot into 4 functional spaces. The upper space is a private spa featuring a built in hot-tub with views of the mountains, Directly below is a cut basalt boulder fire pit with custom designed modular and mobile furnishings to allow various configurations. All furnishings can fit within the adjacent shed which also houses the spa mechanical equipment. Separated by a band of steel paving which emphasizes the axis of the main egress featuring a Nana wall and a huge imported multi trunk birch is the outdoor dining and kitchen space. Privacy of these lower spaces is maintained by a board formed concrete wall and a textured juniper end-cut custom designed Bockholt art installation. A wide landscaped frontage serves as a buffer from the street noises and activities of the city.

NOTE: CONTRACTOR SHALL COORDINATE WITH POOL CONTRACTOR TO PROVIDE HYDRAULIC ENGINEERING. AND PROVIDE OPTION FOR UNDERWATER LIGHTING. POND FLOW SHALL BE 1920 GPM MIN.

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WATER PROOFING

WATER STOP

WATER JET

WATER RETURN INLET 1'-0"

6'-0"

S/S GRATE SUPPORTED WITH 1" SQUARE TUBE TO HOLD COBBLE 6" - 9" BLACK COBBLE

RUN CONDUIT TO KEYSTONE FOR FLEX LED LIGHTING

CUT AND POLISHED BLACK GRANITE NOTCH FOR LED 6" x 6" TROUGH

9" x 2" ANGLE IRON FASTENED TO CONCRE # 3 REBAR @ 12" O.C. 1" CHAMFER

C

1'-0"

3'-3"

4'-0" 1 21 "

1 21 " 9'-8"

1 EXPANDED VIEW

3

16'-2"

INFINITY EDGE FOUNTAIN 1/2" = 1'-0"

ZAMBONI DREAMS

27" UA1-C1NA-63-MW-BTR-1LF80-120

D

W 8 x 31 STEEL I-BEAM

Besides planning for the option of an ice rink where the main sports lawn now sits KEEP MULCH AT LEAST 1" the site features BELOW FG OFa PATH KEEP SOD FLUSH LANDSCAPING MULCH number of amenities that help to echo the natural surroundings and provide prime outdoor living spaces which also promote physical activity and social connections.

Bio swales have also been integrated into the design in order COMP to capture storm water runoff allowing it to recharge the groundwater table.

WELD 12" WOODEN POST

FINISH I BEAM TO MATCH HOUSE LIMESTONE CAP 2'-0"

LIMESTONE FINISH TO MATCH BUILDING

E 5'-0"

6

1'-8"

CUSTOM SPORTS LIGHTING 1/4" = 1'-0"

S-25

S-0

7

GEO GRID PERMIABLE PATH

-2.0 -2.1

LL-

An environment for entertaining with features upon features Five fire features, three year round water feature including and infinity edge fountain, reflecting pond and water wall. A pool, jacuzzi, bar, putting green, lighted sports field, amphitheater, picnicking orchard, bio-filtration swales, and various patios and decks.

The architecture

The entry

The Back Yard

Working with Constantino Grandjaquet of Summa Ars Architects the four acre site design for this beautiful contemporary home aims at fusing the homes inherent modern aesthetic into the mountain environment through the clean use of native materials and responsible development practices through out the landscape.

Designed to impress, the entry immediately accomplishes this with a vast but intriguing drive with inlaid brick banding extending from the architectural lines.

Central to this an infinity edge fountain, with a lighted reveal at the base, a 12’ long basalt pillar fire feature, and another water feature cascading from the back reflecting pond emerges from under a glass bottom bridge connecting the owners office to the main entry.

Constantino’s architecture features beautiful portals from indoor spaces to the outdoors, and that effort is carried through the exterior spaces programmed for like neighboring uses, graduating in change.

The back yard features, outdoor kitchen, four fire features, pool, bar, shaded picnic area, pool deck, putting green, inground trampoline, large shade tree, reflecting pond, and a outdoor office lounge.

The water

The lawn

The environment

This home is surrounded by water. The infinity edge fountain, discharging 1900 gallons per minute, a fabulous pool and jacuzzi, a water wall with striated basalt veneer and a large reflecting pond.

All of these elements are design for maximum efficiency and year round use. This was no little task, with design challenges such as, the placement of in ground boiler vaults, and intake and venting without unsightly accouterments.

Adjacent to the kids rooms and between the home and a detached garage, will sit a large sports turf lawn 50 feet wide and 120 feet long. Complete with a circumnavigating path, benches for the casual observer, an allee of trees providing speckled shade and sports lighting custom designed and inspired by the architectural form. This space is also designed to be adapted to a professional quality ice rink.

The structure and the adjoining built areas are integrated into the ecology through the use of existing native cobbles in the water features, Gabion walls and bio filtration swales which would have otherwise required to be hauled away.

Storm water is retained allowed to percolate. The construction disturbance is repaired with meadows of native plant species that existed prior to development.

ICE RINK AT QUARRY MTN. Park City’s climate supports many winter sports which provide numerous opportunities for recreation and healthy living. Spotting a great opportunity to extend those opportunities into the Quarry Mountain Ranch community, Bockholt made this proposal with renderings of the rink concept to the HOA. The rink would encourage healthy activities for youth in addition to providing the HOA with a supplementary venue for programmed events and family engagement.

This proposal locates the seasonal ice rink on parkland adjacent to an existing tennis court, adding to the locations designation as active play.

The land is adjacent to an irrigation pond allowing flooding of the rink an easy task and the natural topography makes the improvement low impact.

LandscapeS A legacy WE ARE IN IT FOR THE LONG RUN Every client deserves to be consulted early on about what to expect with regards to the landscape for the project. There is often a disconnect between how the architect, owner, and landscape architect all understand and anticipate the landscape to look and function. A meeting of minds is almost always called for to settle the matter and establish a clear vision, and budget for the project.

Why almost always and not always? Well landscaping is simply a luxury. This is due to the fact that it is high cost in labor, material, and maintenance; and these costs may be somewhat daunting to many owners. Some prefer to simply run from this reality in order to live to fight that battle another day.

The smart Architect realizes this, and will not ignore it, but do his due diligence to at least educate the client, by setting up the initial LA consultation. The smart client will understand this and plan for that final goal from the beginning, phasing the work as required to avoid double expenses for poorly thought out design and additions and changes over the life of the project.

We find that there is about a 5 year gap between how a newly installed landscape looks and how the landscape architect envisiones it to look. (See photo A install in its first season and B in its fifth.) In order to realize this a long term maintenance plan should be included in the projects scope ensuring communication between those who have the vision and those who maintain that vision; resulting in a legacy project that stands the test of time.

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B

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B

THE VISION THE SKETCH LAYS THE GROUNDWORK FOR SUCCESS. Both the owner and designer must be satisfied by the projects design. The creation of a vision statement and initial sketches reflecting that vision early on facilitates cohesion and sets the tone throughout the design process. There are three sketches to the right, each of a different project, each with a different vision statement. Basic by design, with only enough detail to illustrate the vision these sketches developed at the onset of each project help to guide our team members along the way while maintaining the vision.

Project A, vision statement: “Industry-A post modern space giving attention to an industrial history. Increase space to facilitate a full program by layering uses and elements.”

Project B, vision statement: “A home away from home, the landscape should mimic a patchwork of fields like the tulip fields of the Netherlands. Horizontal planes shall be king!”

Project C, vision statement: “No logs, lighten the feel of the now chunky log cabin stairs from the deck and create a landscape that generally lightens the mood.”

A

B

C

DRESSED FOR SUCCESS FIRST IMPRESSIONS MATTER Renderings play a critical part in the projects overall success. These images are essentially the outward appearance of the project for those that are as yet unfamiliar with what is being proposed, and as such are a powerful tool to set the mood and possibly help sway opinions. However one must be careful to portray a project as realistically as possible, in order to be honest and genuine in the delivery, assuring a happy client, city and public. The rendering should not only properly illustrate the improvement but communicate an emotion.

To do this well not only the building design must be nearing completion, but also the landscape design too; since most renderings depict an outdoor view and as we stated above, accuracy is important. As Landscape Architects we are finding this task to be well aligned with our process, and timing of the overall work. We are looking to create renderings for the client at about the same time the Architect and owner are looking for them to provide to stakeholders. So incorporating cutting edge 3d design and rendering tools with experienced graphic artists onto our team this has become an important service we are providing more and more.

These sorts of illustrations have incredible production value to the client as they are used not only once but multiple times along throughout the process again and again in order to finalize the vision, seek government approvals, assuage public concerns, market the project increasing buzz and investment, communicate design intent to contractors, and finally ending up as sign-age and sales material.

360 of awareness THE ROLES OF MODELS IN SITE AND LANDSCAPE PLANNING. We take the role of site planner very seriously, and will go to great lengths to assure our clients that everything that could be considered, has been considered in the placement and orientation of the building, drives, walks patios etc. However those lengths are shorter than ever before with the use modern technology.

Moving most buildings from 2d elevation drawings to digital 3d models takes only a few hours, often revealing details of the design that warrant a closer look. Then geo-locating that building on the land only takes minutes. Afterwhich many tools are now available to the design team to analyze all the conditions including solar orientation, grade, views, etc. The design team is more efficient in the subsequent preparation of the drawings as the model is a great resource, almost as if one could visit the project without leaving the desk. A more thorough understanding of the physical challenges that will be encountered during the construction are seen and accounted for resulting in a better product in a shorter time allotment.

Views, windows, roofline, cut, fill sun shade... The model gives the landscape architect a holistic view of all these considerations durring the planning for the landscape and hardscape elements of the design providing a wealth of insight in placement of trees, and shrubs. Exterior color and finish options are easily demonstrated as well giving the owner more information for their decisions during the process.

A few videos of these models and other examples can be seen at: https://www.youtube.com/user/sethbockholt/videos

Green On green THE BEST WAY OF GOING GREEN IS THROUGH THE ROOF Research shows that there are many benefits obtained with the proper design and installation of a green roof, our top three picks are: 1.) Storm water runoff rates are decreased allowing for less, or smaller infrastructure.

2.) Roofing material lasts twice as long as it is shielded from UV rays and insulated from freeze-thaw cycles.

3.) Additional usable outdoor square footage can be obtained for gardens and patio’s Bockholt Landscape Architecture is a member of Green Roofs for Healthy Cities and a professional green roof designer. We have seen an increasing interest for the incorporation of green roofs into many projects across the Mountain West. With proper planning and design a green roof is a great way to make a project unique and more environmentally friendly, In some scenario’s it is one way a developer can get a greater return on their investment.

Green Roofs require proper engineering for the structure to support the additional weight so it should be part of the plan early on. Most green roofs are extensive (less than 12” of media, and as little as 4”) and have a saturated weight of only 20 lbs/ sq. ft. however codes usually require engineering for 90 lbs/ sq ft.

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4

5

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8

A

MARK ISSUE DESCRIPTION DATE

A VIEWSHED EASMENT

STACK STONE RETAINING WALL SEEPING WALL ICE FEATURE

7119 TOW

GAS GRILL

STEEL RETAINING WALL

7117.5 TOW

7134.

COUNTER 3CM GRANITE

7115.5

B 7139 COUNTER

# REVISION DESCRIPTION DATE

2

5' SIDE YARD SET BACK

B

7148 TOW

7136 DECK STEEL RETAINING WALL

7247.834 GREEN ROOF

1

7115.5 CEDAR PLANK

7114.5 FFE

6 TREADS 6" RISERS

LANDSCAPE ARCHITECT LAND PLANNER 614 MAIN ST. SUITE 405 PARK CITY UT. 84060

7114 7149.417 DECK

2

CELL: 801.602.9951 EMAIL: seth@bockholtla.com 7116 DECK

7136.15 TOW

STACK STONE VENEER PLANTER

3

SPA

7149.832 TO SPA

C

C

7116 TOW 7147.917 DECK

7116 TOW

7134 STAIRS 5x 6" RISES

7137 TOW

7132

7126.5

D

5' SIDE YARD SET BACK

D

WOODSIDE DEVELOPMENT LLC

7146

7134.5

KEYED_NOTES 7/8/2014 3:14:58 PM, ARCH full bleed D (24.00 x 36.00 Inches), 1:1

SYMBOL

E

DESCRIPTION

505 WOODSIDE AVEW. PARK CITY, UT 84060

STEEL CLAD GAS FIREPLACE

LANDSCAPE AND OUTDOOR LIVING

The graphics and designs on this sheet are instruments of service and remain at all times the property of Bockholt Landscape Architecture. Reproduction or reuse of the material and design contained herein is prohibited without the written consent of Bockholt Landscape Architecture.© 2013 Bockholt Landscape Architecture ALL RIGHTS RESERVED

1

PROJECT NUMBER 147

1

36" McNichols Quality GRIP STRUT Tred.

2

IPE DECKING WITH SNOWMELT

3

CONCRETE WALL WITH MOUNTAIN VALLEY BLEND STONE VENEER

OMGEVALLEN BOOM A LANDSCAPE SITE PLAN

0

4

8

E

DWN BY

CHCK BY

SB

SB

DEVELOPMENT SET

LANDCAPE SITE PLAN

12 feet

SCALE: 1/4" = 1' NORTH

DRAWING NUMBER

1/4" =1''

1

2

3

4

5

6

7

L-1.0 8

Norwegian describing a fallen tree in the forest ‘Omgevallen Boom’ became the vision for this project; it is the inspiration for this mountain sports lovers home.

Left - Wood slabs are set into a decomposed granite entry courtyard mimicking the criss crossed fallen trees in the forest.

Below - A section of the back yard shows the grade separation of the deck and fire place patio.

Below Right - A simple shed for storage of bike and ski.

Above - the non orthogonal layout of the site and landscape clash with the square angles of the architecture...BOOM

BOTANICAL NAME / COMMON NAME

CONT

Abies concolor / White Fir

B&B

Betula platyphylla (Clump) / White Birch

B&B

2"Cal

B&B

2"Cal

CAL

BOTANICAL NAME / COMMON NAME

CONT

SIZE

Artemisia frigida / Fringed Wormwood

2 gal

SIZE 41

SHRUBS

15 10

Populus tremuloides / Quaking Aspen (Multi)

QTY 5

ANNUALS/PERENNIALS 26 14 21

Cornus sericea spp. Occidentalis / Red Twig Dogwood

Ribes alpinum / Alpine Currant

2 gal

84

Rosa woodsii / Mountain Rose

1 Gal

16

Salix drummondiana / Drummond`s Willow

2 gal

GRASSES

QTY 34

Helictotrichon sempervirens / Blue Oat Grass

123

Pseudoroegneria spicata / Bluebunch Wheatgrass

4" Pot

GROUND COVERS

QTY

BOTANICAL NAME / COMMON NAME

BOTANICAL NAME / COMMON NAME

CONT

CONT

2,126 sf

Achillea millefolium / Common Yarrow

flat

421 sf

Aegopodium podagraria `Variegatum` / Variegated Goutweed

flat

SIZE

4" Pot

8`-12` HIGH

6

Spiraea japonica `Froebelii` / Spirea

1 Gal

27

Symphoricarpos oreophilus / Mountain Snowberry

2 gal

QTY

BOTANICAL NAME / COMMON NAME

CONT

84

Aquilegia x / Columbine

4" Pot

SIZE

Lavandula x intermedia `Grosso` / Grosso Lavendin

1 Gal

Perovskia atriplicifolia `Little Spire` TM / Little Spire Russian Sage

1 Gal

Physocarpus opulifolius `Nanus` / Dwarf Ninebark

1 Gal

74

Prunus virginiana / Chokecherry

5 gal

36

Rhus aromatica `Gro-Low` / Gro-Low Fragrant Sumac

1 Gal

57

Echinacea purpurea / Purple Coneflower

4" Pot

141

Hemerocallis x `Stella de Oro` / Stella de Oro Daylily

4" Pot

120

Lupinus x `Russell Hybrids` / Russell Hybrid Lupine

4" Pot

69

Veronica spicata `Pink Goblin` / Spike Speedwell

4" Pot

SOD/SEED

149 sf

Carex bebbii / Bebbs Sedge

flat

QTY

BOTANICAL NAME / COMMON NAME

CONT

13,129 sf

Bouteloua dactyloides / Buffalo Grass

seed

THE CONTRACTOR SHALL HAND DIG ANY PLANTING PITS WITHIN THE OFFSET LIMITS OF ANY MARKED UTILITY.

A

THE CONTRACTOR MUST BE PROACTIVE IN THEIR ACQUISITION OF THE LISTED SPECIES. 1.) THE CONTRACTOR SHALL PERFORM A SOIL PH TEST. AND REPORT THE FINDINGS TO THE LANDSCAPE ARCHITECT AT LEAST 3 DAYS PRIOR TO PLANTING

SIZE

2 gal

3

THE CONTRACTOR SHALL NOTIFY BLUE STAKES 3 DAYS BEFORE ANY EXCAVATION FOR PLANTING BEGINS.

SIZE

2.) THE CONTRACTOR SHALL NOTIFY THE LANDSCAPE ARCHITECT 3 DAYS PRIOR TO WHEN PLANTS WILL BE LAID OUT SO THAT THE LANDSCAPE ARCHITECT MAY ADJUST THEM ONSITE AS REQUIRED. 3.) IF TREES AND PLANTS ARE TO BE STOCKPILED ONSITE, A TEMPORARY IRRIGATION SYSTEM ON AN AUTOMATIC TIMER MUST BE SET UP PRIOR TO THEIR DELIVERY.

B EXISTING TREE TO REMAIN

4.) ALL PLANTS SHALL BE TRUE TO NAME AND SIZE OR AN ACCEPTED SUBSTITUTE APPROVED BY THE LANDSCAPE ARCHITECT. THE CONTRACTOR MUST REPLACE ANY PLANT MATERIAL FOUND TO BE FOREIGN TO THIS LIST.

MARK ISSUE DESCRIPTION DATE # REVISION DESCRIPTION 8/15/14 D&D DESIGN & DEV. 9/3/14 BID. BID SET

QTY 15

B

5.) IMPORT TOPSOIL TO AMMEND AND FILL PLANTER AREAS. OBTAIN A SANDY LOAM SOIL WITH A NEUTRAL PH WITH AT LEAST 2% ORGANIC CONTENT. TO AT LEAST 8"

LANDSCAPE ARCHITECT LAND PLANNER 614 MAIN ST. SUITE 405 PARK CITY UT. 84060

6.) THE CONTRACTOR SHALL DESIGN AND INSTALL A DRIP AREA IRRIGATION SYSTEM FOR ALL NEW PLANTINGS. AND A ROTATOR SPRAY SYSTEM FOR ALL LAWN AREAS.

CELL: 801.602.9951 EMAIL: seth@bockholtla.com

7.) DO NOT STAKE TREES

C

D

E

E

REID RESIDENCE

D

2121 LUCKY JOHN DR. PARK CITY UT

8.) THE CONTRACTOR SHALL APPLY A 5 OZ WEED BARRIER FABRIC IN ALL PLANTERS WHERE THERE IS ROCK. KEEP FABRIC AT LEAST 4' FROM TREE TRUNKS

C

LANDSCAPE RENOVATION

The graphics and designs on this sheet are instruments of service and remain at all times the property of Bockholt Landscape Architecture. Reproduction or reuse of the material and design contained herein is prohibited without the written consent of Bockholt Landscape Architecture.© 2013 Bockholt Landscape Architecture ALL RIGHTS RESERVED 9/3/2014 12:30:56 PM, ARCH full bleed D (24.00 x 36.00 Inches), 1:1

PLANTING NOTES TREES

A

PROJECT NUMBER 1410 DWN BY

CHCK BY

MP

SB BID SET

PLANTING 1 DRAWING NUMBER

A PLANTING PLAN 1

L-2.0

SCALE: 1" = 10' NORTH

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TACOMA Stemming from the owners interest in Native American traditions and alignments of the sun, and night sky this project has several interesting features Right - The overall layout strives to cut back on water use by decreasing turf square footage by 70%.

Below - a timber henge of silvered aspen trunks surround a steel box. An interior light and patterned holes in the steel will cast dots of light on the surrounding patio surface at night.

Below Left - A path and water feature Align with midsummer sunset.

Above - The planting plan features many native and drought tolerant species.

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BOCKHOLT L.A. PO BOX 325 750 KEARNS BLVD. SUITE 230 PARK CITY UT 84060 STUDIO| 1.435.649.3856 104 E. MAIN ST. SUITE 210 BOZEMAN MT 59715 STUDIO| 1.406.586.3387 EMAIL| SETH@BOCKHOLTLA.COM