USOB

#1 spring 2015

USOB

EDITO "United States Of Belgium". A play on words reflecting what I feel for Belgium – my country, which I desire to see united and beautiful.

In its very spirit, our new brand aims to remind of American universities, twisted in a way to actually speak about our own country. Many artists have tackled this task in the past … Speaking about Belgium, "Le plat pays", Brel sang.

Anyway, I present to you a brand new street wear style, giving you the chance to express your pride for our country. But this is not just about clothes. I decided to create this magazine to share more stuff from Belgium with you: Photographers, bars, concerts … I want to refine your knowledge about Belgium and its treasures. To make you love it even more.

A lot of people contributed to this magazine. Maybe you are next – if you feel like sharing something about Belgium, text or picture, just contact me. I’ll be more than happy and thankful to work with you!

Thanks for picking up a copy of "USOB". Enjoy!

Nicolas Borenstein

CONTENT

Interview with Belgian designer Thomas Lommee

07

Brns: new album

32

Exhibition/Cinema

12

Concert

33

Belgian photographers

15

Nightlife

37

Bar/Restraurant

24

Stores & contributors

38

Music discovery: Pale grey’s

28

This magazine is also available on our blog : www.usob/blog

THOMAS LOMME

INTERVIEW WITH BELGIAN DESIGNER Thomas Lommee is the name on everyone’s lips, these days. The young Belgian designer works out of a studio in the heart of Ixelles where, together with his partner Christiane Hoegner, he’s working on a groundbreaking new design project that goes by the name "openstructures". It’s a bit like Lego and a bit like Wikipedia: open in the sense that everyone and anyone is invited to contribute by designing new modules. We talked to the brainy Belgian about the project, who also told us why design is much more than just a piece of furniture.

What defines your approach?

Combining colour, texture and shape in a way that makes sense. We do a lot of research and when we understand the context and have figured out a definition of what we want to do, then we can start developing projects. For example, we did a lot of research on the notion of networks, something that characterises today’s society. How are things developed in a network? Which principles can we identify? There’s a lot of thinking and theory behind it.

Do you have a concrete example? What are you working on at the moment?

Right now we are working on kids’ furniture and toys in the context of the open modular project. It’s a bit like Lego, actually. It’s a system where everyone can submit a design of a module and in the end people can buy certain modules and put them together. It’s also a bit like Wikipedia, everyone can add to it. The objects are puzzles that can evolve over time, that you can take apart and rebuild using additional modules. Lego had quite a uniform identity with only 5 colours and all the pieces were made of plastic – here we are totally free. You can see our current database on openstructures.net.

What first got you started in design?

When I was 12 or 13 years old I knew I wanted to do something with design. I just always liked to make things and take them apart. Later on I studied design in Eindhoven.

How do you work? Alone or in a collective?

It depends on the project. The teams vary from project to project. But I mostly work with my partner Christiane Hoegner.

I’m more the analytical one and she’s more intuitive. I concentrate on the theoretical part and she’s better at shaping it, bringing it to life. But we share the same vision.

What’s your vision?

Design is a powerful tool to make something attractive and easy to use. It can explain things and make them understandable. And the openstructure system we’re working on right now shows that the designer is not necessarily the cook in the kitchen anymore. He creates an infrastructure but other people do the cooking, generate the objects. The designer provides a certain framework for it.

0 7

What would your ideal commission be?

That’s a nice question, but it’s very difficult to answer. I actually really enjoy what I’m doing at the moment. The Design Biennale Liège just asked us to work on a neighborhood project. Not really urban planning, but investigating what is there, what is missing, and how the inhabitants of the area can be linked with all the students living there, how a real community can be created. We moderate the students’ ideas and make the scenography of the corresponding exhibition.

Design can be much more than just a chair or a table …

Exactly. We can use its potential to find solutions for society. But a table or a chair can also create emotions, because they have been made with sensitivity and care.

Whose work are you quite big on at the moment?

I’m very impressed by what Frédéric Nicolay has done for Brussels. He has created all these beautiful bars, like Café Belga or Potemkine, although I’ve heard he doesn’t even like designers. He always puts it in the right spot and everything is done with a lot of love.

It’s a business, but a very inspiring one. I also love what designer Piet Hein Eek has done with an old factory in Eindhoven which he completely renovated and now hosts artists’ studios, exhibition spaces, a restaurant, … it’s a wonderful place and it generates work in a very nice way. It shows that even a factory can be a beautiful place. It’s very powerful.

And it has an economic component, the importance of which we should not forget.

Sarah Schug

0 8

@ Gregoire Pleynet

THOMAS LOMMEE

EXHIBITIO

L’ART DÉGÉNÉRÉ SELON HITLER If you want to admire some of the greatest pieces of art, seen by Hitler as degenerated, you might want to stop by the Cité Miroir in Liège. For the first time in history, this exhibition gathers 125 masterpieces sold by the Nazis in 1939.

Until the 29th of March Cité Miroir, Liège

Week: 9.00-18.00 Weekend: 10.00-18.00 Admission fee:12 euros

ETUDE DE LA COLLECTION III: L’ART EN EUROPE DEPUIS 1968 You’re an art lover? This exhibition was made for you! We recommend the third edition of "Etude de la collection". Jan Hoet compiled various masterpieces and archives, illustrating art history since 1968: a must-see for enthusiasts. until the 15th of May 2015 S.M.A.K Gent From Tuesday to Sunday: 10.00 - 18.00 Admission fee: 8 euros

MAN IN THE MIROR Set to run for a period of three years, the exhibition Man in the Mirror features a selection of over 40 largescale works from the Vanhaerents Art Collection. On display are paintings, sculptures and installations that incorporate mirrors or reflecting materials, as well as artworks that hold a mirror up to the audience, encouraging introspection, critical self-awareness and reflective thought.

Until 2017, Brussels every first Saturday of the month 14.00-17.00 1 2

MATTHIAS SCHOENAERTS : A LITTLE CHAOS Hey! There are not only Belgian movies – there are also Belgian actors! Matthias Schoenaerts is one of them. And we love him! The star from Antwerp was presented as the sexiest man of his city by the Guadrian. Really. You probably saw him in "De rouille et d’os" with Marion Cottillard or in "Bullhead". But his carreer is far from being over.

Our rising star will appear soon in several movies: "Suite Française", a period drama, "A Litlle Chaos" with Kate Winslet, and in the adaptation of Thomas Hardy’s novel "Far from the Madding Crowd", just to mention three. In the meantime, you can speed up time by watching some of his previous films, if you haven’t done so already. And if you have: watch them again. It is certainly not a waste of time.

CINEMA JE SUIS MORT MAIS J’AI DES AMIS movie release

BELGIAN MOVIE FESTIVAL For a whole week, you have the opportunity to discover some of Belgium’s finest movies and meet Belgian actors, producers and film industry professionals! If you love Benoit Poelvoorde, Bouli Lanners or Yolande Moreau, don’t hesitate a second – just come. And if you don’t know them … Well, you should come anyway. They are the pride of our nation!

The Malandrin Brothers – does the name ring any bells?

They directed "Ça m’est égal si demain n’arrive pas" and "La main de l’homme sans tête". The former told the story of a torn family; the latter was dark and left you breathless.

They left their dark side aside for their third full-length movie, a comedy, currently in production. Yes, a comedy, starring two of Belgium’s most hilarious actors: Bouli Lanners and Wim Willaert. Imagine: when a bunch of old friends, who play music in their basement, get the opportunity to become stars in Los Angeles, their dream comes true! It comes as a surprise when the band’s drummer declines the offer because of his age. And when the singer dies the day before the big departure, it looks like the dream has definitely come to an end. But in fact, it’s only the beginning of another crazy story.

Jemeppe-sur-sambre Admission fee: 6 euros/movie

1 3

BELGIAN PHOTOGR

@ Djoïa Murinni

Belgium is not only about french fries, our homeland is about people.

Belgium speeks throug its people. Through what they might live, feel, think about others.

To share a true feeling about this country, it was necessary to diversify the point of view …

We had the pleasure to work with three belgian photographers and I am proud to present their work in this first number of USOB!

RAPHERS 1 5

FÉLIX FRANCK

ANNA KATINA

OLIVIER DONNET

FÉLIX FRANCK A translator who has lived in many cities, Félix uses his pictures to make a statement.

Using his old film camera, he immortalises friends and moments.

Here is a selection of his Brussels’ work.

ANNA KATINA Photographer by passion, she shares her favourite events and discoveries on her blog.

Based in Brussels, she is still studying communication while taking pictures to document all sorts of situations of everyday life.

Those two pictures of hers represent the USOB way of life we are sharing with you here.

No fuss, no stress.

Olivier Donnet is a wellknown photographer.

Portraits, fashion, personal projects … Through all his work, he pictures perfectly the Belgian scene.

2 2

@ Djoïa Murinni

OLIVIER DONNET

BA

WASBAR You don’t feel like washing your clothes in a totally impersonal "wasserette" illuminated by neon lights that hurt the eyes? The Wasbar is here!

THE ROCKERILL You are looking for a quite different experience of nightlife? Don’t look further!

The Rockerill is the perfect place therefor.

This former steel mill became the place to be in Charleroi. It is a true urban center dedicated to popular, social and alternative cultures. Alternative, original and hype at the same time, the Rockerill also organises concerts with big names from jazz, hip-hop, electro and new artists. There you will find an artistic place, a bar, a concert hall and an exhibition space as well as artists studios. www.rockerill.com

GREENLAB Green Lab is located at the end of Avenue Louise, very close to the Bois de la Cambre and the popular Café de la Presse. The neighbourhood is pretty quiet at night, so it’s good that a new bar has opened to spice things up a little bit. The space is quite big and develops in three levels: entry, bar, eating area and a lounge with comfy sofas. The decor is industrial with lots of interesting details (watch out for the saxophones!) and, as the name suggests, green neon lights.

The best part: Green Lab currently offers 246 different types of gin, a wide variety of absinthe, 70 beers and a great selection of cocktails. Quite impressive, right? It holds currently the Belgian record for stocking the largest selection of gins.

Green Lab also offers a few snacks during lunch time (sandwiches and quiches from Les Tartes de Françoise) and nibbles from Le Fromageon. This spot could definitely become a popular place for after-work drinks, a light lunch or late night cocktails with friends.

Created by Dries in 2012, the Wasbar is a concept unearthed in San Francisco but also exists in other countries such as Denmark.

The goal is to combine the usefull with the pleasure.

In wasbar we do laundry while having coffee with friends ... by eating a club sandwich with a stranger at our table ... There you can meet students, families coming for the Sunday brunch or even older people.

Doing the laundry costs 15 cents per minute and washing powder is on the house.

Besides being able to do your laundry, you can also get a brushing as a hairdresser is present there from Tuesday to Saturday from 14 to 22 p.m.

Want to spend a little cushy evening? The wasbar organizes every Friday night a small concert and every Sunday is the traditional brunch.

In short, one feels like home there.

www.facebook.com/

www.wasbar.com

CAFÉ MOMBASA This café is dedicated to cycle race and gather sportsmen/women and amateur together. This is the perfect place to enjoy typical belgian biers in a quiet and convivial atmosphere. The place is indeed decorated with celebrities’s bikes. www.cafemombasa.be

GreenLabLouise CONTACT The Rockerill Rue de la Providence 136 6030 Marchienne Charleroi areas Wasbar Graaf Van Egmontstraat 5 2000 Antwerpen Greenlab Avenue Louise, 520 1050 - Brussels Café Mombasa Moorkensplein, 37 2000 Antwerp

2 4

SO TOM STOEMP So Tom is a 100% Belgian food truck. It offers stoemps and soups made with seasonal produce grown in an ethical and responsible manner.

You can find it every Friday at the Gembloux market as well as at different events throughout the year. www.sotom.be

IL SAPORE DELLA DOLCE VITA Two years ago Clara and Elizabeta decided to move to Belgium and enjoy their bohemian life with their truck. Essentialy in Brussels, they serve fresh juices, italian coffee, antipasti and so much more. It’s also great to brunch on Sunday’s at place Flagey. Stay tuned via their facebook and Twitter pages or via Foursquare.

"El Camion" is a former itinerant dentist’s office offering a seasonal menu of revisited Belgian classic dishes. There you will find the well known "boulets sauce lapin", the "mitraillette" or the radish "maquée" all made with local and seasonal bios products.

www.facebook.com/ ilsaporedelladolceVita 0489 58 81 13

To accompany that, enjoy a selection of wines without sulfites and local beers.

MEX Y CO

El Camion is present every Monday at the Place Van Meenen’s market (Parvis Saint-Gilles) as well as every Thursday at the Forest’s sustainable market (Place Albert). You can also book it for private events.

Mex y co is a food truck that offers Mexican specialties.

The Mex Y Co menu is divided into three steps: 1) choose your style (nachos, burrito or salad), 2) fill it (chili con carne pure beef, vegetarian, or grilled chicken) and then dip it (choice between 5 sauces) .

The Mex Y Co van is mainly present in local markets: Court-Saint-Étienne, Ottignies, Nivelles, Wavre, Louvain-la-Neuve, Rixensart, Genval. www.facebook.com/ MexycoFood

info@elcamion.be 02/880.67.74

CONTACT All those food trucks are itinerant, so we recommand you to consult their web or Facebook page to see if they are coming nearby the place you live.

ESTAURANT

EL CAMION

2 5

PALE G Combining subtle melodies with electronic beats, Pale Grey’s electro-pop is characterised by nifty soundscapes imbued with a melancholic touch. Following the motto "quiet is the new loud", the Belgian four-piece from Liège just published their first EP "Put Some Colors" in May last year and has done quite some touring through Europe ever since. We spoke to the first-day founders of the band, Gilles Dewalque and Maxime Lhussier, about their first EP, color-driven inspirations and being part of the JauneOrange Collective.

You recently published your first EP, "Put Some Colors". Happy with the result?

had no real drums for example. It was just the two of us at the time, the others joined later.

Yes. It feels great to finally start our discography. It’s our first production and of course just the beginning, but because of it we already met a lot of new people, especially promoters who believed in us and gave us a chance. That gave us energy to work even more.

So how did two become four?

Why an EP and not an album?

It’s just a first start, we wanted to test the waters and not do everything too fast. When we do an album we want to do it the right way – in a real studio, with more people involved and more money. The plan is to release it in about a year from now.

When were the songs written? Can you tell us more about your creative process?

We were split between Brussels and Liège at the time so we communicated a lot via internet. We would send each other ideas, the other one would comment on it or add something and send it back again. So all songs are a mix of both of us in the end.

Where and how did you record?

We recorded the songs in a barn that belongs to Gilles’ parents and did almost everything with our computers. We 2 8

It was pretty impossible to play our songs live on stage with only two people. So luckily Ben and Jan joined us.

You’ve played a lot of concerts lately, also in Germany and the Netherlands. How were you received and what was your favourite gig?

The crowds are pretty much the same everywhere. Hamburg was weird though, people seemed really bored but afterwards everyone told us how much they liked the show.

The best gig was definitely in Frankfurt, in this place that looked like an old squat. It was completely crowded and dirty and people just went crazy. That was cool, especially because we don’t have any press in Germany.

I saw you made a video teaser to promote your EP. Gilles shot it himself at an old house in the middle of nowhere. He’s originally a photographer. We like to work with visuals and want to be in control of everything regarding the band. That’s why we work with an overall theme that can be found in all elements of the project – the video, what we wear on stage, the decoration of the instruments, the EP cover…

What do you talk about in your lyrics? Is it all about personal experiences? I have the impression that you write a lot about personal relationships and love

Let’s talk about colours – something we like very much at USOB. Why the band name? It sounds very Belgian in a way.

We focus on simple themes, we want that people can recognize themselves without being too direct. Recurring subjects are feelings, families, responsibilities, and regrets.

In the end you have to feel it in the music, the text is not the essence. We would never write anything political. When we write the songs, the music comes first and the lyrics are added afterwards. We also like the paradox of combining happy music with sad lyrics..

"Pale Grey’s" refers to the Belgian sky: We rehearse in the countryside, in the High Fens region, an area where there’s fog and mist almost every day. From the barn where we practised we can only see a little window that looks out on the landscape and the greyish fog and mist. Apparently that’s the case for almost 200 days a year there.

Most of your songs go quite in the sugary indie pop direction, others have more of an electro sound to them. Why is that and in which direction will you go in the future?

We enjoy mixing different styles and showing some variation. It’s a bit like having a bright and a dark side.

At the live shows we started to realise that the energetic songs work much better. One of the reasons we didn’t do more of this kind was our limited equipment. It’s difficult when you only have computers to work with. That’s going to be different on our album, we want to make it more powerful.

What are your influences? Your intro reminds me of The Album Leaf for example. How would you describe your sound?

What about "Put Some Colors", the title of your EP? Our sound was much softer in the beginning. Later we added different elements and spiced it up a little. It’s a bit like when you paint and have to fill a blank canvas.

Everything is color-inspired, even the name of the collective you belong to and all the song titles on your EP. Why is that?

With the name of the label we have nothing to do of course. But Gilles is a photographer and a very visual person, so that’s one thing. And we all not only enjoy music but also like to stimulate other senses. We wanted to do a whole artistic project, not just songs. And using colors as a symbol give a lot of room for inspiration and freedom.

So what do the colors of the song titles symbolise?

Yes, we really like The Album Leaf. We listen to a lot of indie bands such as The Whitest Boy Alive or Errors. But we are also quite into post-rock and experimental stuff which influences us a lot. That’s what we want to do: Pop/ rock with an experimental edge to it.

The intro we titled "White" because it’s like starting out on a white page. "Red" plays with themes as blood and death, it’s aggressive. The song "Green” is about someone who has lived in the city for a while and now wants to move back to the countryside, go back to the roots. Interestingly we first wrote the songs and then chose the titles.

What’s the story behind your single, "Red"? Is it about a dying friend?

The collective you’re part of is also based on a color.

Where does the name JauneOrange come from?

It’s about a friend of a friend who killed a friend and weirdly doesn’t feel bad about it. Not related to any personal experiences!

Apparently one of the founders of the collective had an apartment with a room brightly colored in yellow and orange.

USIC DISCOVERY

GREY’S

2 9

BRNS NEW ALBUM We caught up with Tim Philippe, Antoine Meersseman, Diego Leyder and César Laloux to talk about their first open air season and attacking French territory, of course.

It’s your first festival season. How many have you played so far?

What’s the most useful thing you’ve learned at a festival so far?

About five or six – including Verdur Rock and Fête de la Musique in Brussels. Yesterday we played in Orléans. It was raining, and only 100 people showed up instead of 5,000. But it was funny, the atmosphere was great because we played in a really historic place. Even if sometimes there are not that many people, you always learn a lot and we are still a young group, so that’s ok.

And we like to play abroad, it’s always a bit like being on holidays, a bit surreal even. Here, we just feel at home.

Yesterday, for example, we played just before Gablé, a group we like a lot. It was the second time we played with them and it’s great to just be able to watch how they do everything. They always give everything, even if there are only a hundred people who haven’t even come especially to see them. That’s very inspiring and that’s what we want to do to, to always give our best, even if the location or the audience isn’t perfect. You have to try to win the audience over. We recently played the support act for Django Django in Lille. No one knew us, so we had to convince them, and after the gig some came to buy our record, so that was great.

Do you prefer to play festivals or concerts in clubs?

We don’t really want to create a hierarchy. It’s true that our music is more made for real concert venues, for closed spaces. So this festival atmosphere here is actually really new for us. We were a bit scared that it wouldn’t work because we don’t do big rock shows like the famous headliners. What we do is more intimate and a huge stage is always impressive, but in the end we were very positively surprised: It worked really well. The audience is still a bit calm at 3pm, but very receptive.

You’ll also play a big French festival, Rock en Seine, this summer. Excited?

It’s one of the three biggest French festivals and it’s really amazing that we can play there, on the main stage!

We’ve already played quite a few dates in France and will also launch our record, Wounded, there (it was released in Belgium on 21st May). It will probably come out in France in September or October and then we’ll play around 15 more gigs there. It’s impressive that our music is really starting to make an impact there, especially because the French are often quite sceptical when it comes to Belgians.

3 2

What was your worst experience at a festival?

Generally, everything has gone well. Maybe our first festival ever, because we felt a bit lost. Or for example we played at Le Jardin du Michel, there were 3,000 people in front of us and we had never played for such a big crowd. So that was very impressive, but everything went fine anyway. There hasn’t been a really bad experience, actually.

What are your plans for upcoming months?

We’ve toured quite a lot in Belgium, so now the plan is to seriously attack France and play a lot of dates there. We also want to play more in Flanders and in Holland. And we’ll shoot a video. We’ve started to work on new songs, too, because after our mini album we’d like to release a longer record. But there’s no deadline for that yet. We have a lot on our plate!

The Wallonian scene can be very autocentric. Maybe it was good for us that we didn’t really know anyone when we started playing music and weren’t part of any specific scene. I think that was our big advantage, actually.

And that we did something really spontaneous and very personal.

CONCERTS

28 03

14 03 BRNS AB Salle

04 03 FAUVE≠ AB Salle FAUVE is made up of five main members including four musicians (vocalist, guitar player, bass player and drummer) and a video artist that produce music and videos. The collective’s fisrt album will be released in two parts. The first album is called VIEUX FRÈRES - Partie 1 and the second album to be called VIEUX FRÈRES - Partie 2 is due in winter of 2014-2015 without a specific date set.

Those four Brussels musician produce their first opus "Patine". They recently performed to the appreciative audience of Dour, Pukkelpop les Nuits du Botaniques and a lot of other trendy places. Their style? Indie pop rock music and a lot of percussion.

The concert will begin with Soldier’s Heart, a band that plays electronic music in the same style as Alt-J and the Knife.

Save the date! www.brns.be

CHRISTINE AND THE QUEENS

17 03 OSCAR & THE WOLF Lotto Arena Anvers "I lost you/I missed you/I want to hold you": Oscar & the Wolf isn’t saying anything we all haven’t thought (or screamed) at one point or another. But his downbeat electronic tracks (think Portishead with a dash of Sneaker Pimps and Bang Gang) lend the heart-on-his-sleeve confessions an otherworldly aura.

All sweet nothings ("Oh, still you know I get lost in you") sound better with a trip-hop beat, don’t they?

Cirque royal In possession of a Ziggy Stardust level of iconoclasticism and a stage presence that strikes the perfect balance between MJ and Francis & The Lights, Christine combines an artistic depth that feels rare and almost unorthodox with an unmistakable contemporary edge: in her perfect single "Saint-Claude", she’s all steely, tight translucence with an effortless lightness that’s all her own. Christine begins an international tour and will stop in March at Cirque Royal. www.christineandthequeens.com

www.oscarandthewolf. com/#shows

fauvecorp.com

3 3

10 04 09 03

CAFÉ D’ANVERS #TPIA (turning people into animals) is a well known concept party since 1989.

This saturday their resident Chantal Jelly Bellies invites Mihai Popoviciu, one of the hottest artists in the Roemanian scene at the moment.

For more information surf on their website.

DECADENCE This famous Ghent’s underground club with exclusive DJ sets organize bi-weekly Drum’n Bass party called STEAM. The idea behind STEAM is simple as strong and hasn’t changed since it was founded in 2002.

The line-ups combine (inter) national highlights with local talents, giving stage to the freshest cuts, new breed productions and upcoming talents.

Every 2th and 4th Wednesday of the month.

www.cafe-d-anvers.com

www.decadence.be

Decadence Overpoortstraat 76, 9000 Gent Café d’anvers Verversrui 15, 2000 Antwerpen The hotel Boulevard de Waterloo 38, 1000 Brussels

26 03 FUSE The fuse presents the "brussels got talent" party with Geoff Wichmann and DKA ft. Parsifal in live.

Influenced by the extended universe of 70’s funk and jazz, their evolution has been marked by electro beats and hip-hop flows in time tied togheter with solid minimal-techno basses and deep-house feelings.

Don’t miss this! www.fuse.be

Fuse Rue Blaes 208, 1000 Brussel

NIGHTLIFE

CONTACT

08 05 THE HOTEL A brand new afterwork will take place every monday of the year at this famous luxurious Hotel ideally situated in the heart of Brussels.

Let’s relax in a glamourous setting after a rough workday .This is the opportunity to meet people and to extend your short and busy weekend.

The ‘Work-A-Tonic’ afterwork invites every week a new DJ of the international scene to guarantee you the best surroundings. A Sharingbox will also be available to capture every single moment of your amazing night out with friends.

The entry is free and a parking is also available.

Save the date! www.brusselslife.be 3 7

STORES Mr. Ego Rue des Pierres 29, 1000 Bruxelles +32 2 502 47 87 mon-tue 11:00 am - 6:30 pm 11:00 am - 7:00 pm fri-sat

Prive Joke Rue marché au charbon 76,1000 Bruxelles +32 2 502 63 67 mon-tue 11:00 am - 6:30 pm fri-sat 11:00 am - 7:00 pm

Reservoir shop Rue Lesbroussart 43, 1050 Bruxelles +32 2 567 84 96 mon-tue 11:00 am - 7:00 pm 11:00 am - 8:00 pm fri-sat

Soon available in more shops.

Also visit our e-shop for more models: www.usob.be

CONTRIBUTORS Olivier Donnet www.olivierdonnet.be

Anna Katina www.annakatina.com

Félix Franck www.felixfranck.be

UNITED STATES OF

BELGIUM

www.usob.be