it’sThoughdark, still I sing 34th Bienal de São Paulo Traveling exhibitions program JordãodoCamposJordãodoCamposJordãodoCamposPalácio Boa Vista June 29 – July 31, 2022 List of works
Tikmũ’ũn Songs Installation with audios of the Tikmũ’ũn ritual songs, 9 books and transcriptions and translations of the songs. The songs Piabinha, Cabeça branca, Você aguenta, Cabeça vermelha e Tié-preto envergonhado were recorded with the community of women, men and Yãmĩyxop from Pradinho in the Maxakali Indigenous Land (Bertópolis-MG), in October 2003. Song Recording, Editing and Mastering: Leonardo Pires Rosse. Editing Assistant: Eduardo Pires Rosse. Research Coordinator: Rosângela Pereira de Tugny. The songs Sobrinho, Papa-mel and Beija-flor were recorded with the community of women, men and Yãmĩyxop from Água Boa in the Maxakali Indigenous Land (Santa Helena de Minas-MG), in October 2003. Song Recording, Editing and Mastering: Leonardo Pires Rosse. Editing Assistant: Eduardo Pires Rosse. Research Coordinator: Rosângela Pereira de Tugny. The approach to the tikmũ‘ũn songs was only possible due to multiple conversations with: Charles Bicalho, Isael Maxacali, Paula Berbert, Roberto Romero and Sueli Maxacali, whom the curators of the 34th Bienal de São Paulo are thankful to.
Statement
Alice Shintani Mata (series), 2019-2021 Forest / Kill Gouache on paper 10 pieces, 75 × 55 cm (each) Commissioned by Fundação Bienal de São Paulo for the 34th Bienal Ana Adamović The Choir, 1962 Cotton paper print (exhibition copy) 20 × 14 Collection:Edition:cm2021Museum of Yugoslavia, Belgrade Two Choirs, 2013-2014 2-channel HD video installation Lyrics:2’05” Srećko Djurdjević; choir: Sara Dukić, Milica Dobroka, Danica Gojković, Ivan Jovičić, Kenan Kučević, Jovana Madlić, Nadja Manić, Mihajlo Nikolić, Saša Prendić, Nevena Stojković, Ognjen Tasovac, Milica Vučković; conductor: Dijana Dukić; piano: Srdjan Marković; DP and video postproduction: Vladan Obradović; audio: Srdjan Bajski Artist’s collection Anna-Bella Papp There Was Always a Truth that Later Turned Out to Be a Lie, 2015 30Clay× 34 × 2,5 Courtesy of the artista and Stuart Shave/Modern Art London Untitled, 2014 29Clayx 25 x 2,3 cm Artist’s collection Untitled, 2015 32,5Clay × 30 × 3,5 cm Artist’s collection Untitled, 2016 34Clay× 27,5 × 2,5 cm Artist’s collection Untitled, 2016 35Clay× 28,2 × 2,5 cm Artist’s collection Daiara Ñamíriwi’íTukano–Casada noite, 2020 Night House Acrylic on canvas 100 × 100 Commissionedcm by Fundação Bienal de São Paulo for the 34th Bienal Eleonore Koch Awaiting, 1971 Tempera on canvas 46 × 35 cm Private collection, São Paulo Despedida com tulipas, 2001 Goodbye with Tulips Tempera on canvas 65 × 76 Collection:cm Clara Sancovsky Sem título, 1982 Untitled Tempera on canvas 81 × 65 cm Private collection
Courtesy:cmThe Noa Eshkol Foundation for Movement
Seba
Chile Alka Domo, 2017 17’Videoperformance Victor Anicet Participation in
el Patrimonio – Gobierno
Jogos
Changes
Artist’s
Creación de la tierra, 1972 Creation of the Earth Audio, stereo Collection:19’17” Biblioteca Nacional de Colombia –Ministerio de Cultura. The version of Creación de la Tierra presented at the 34th Bienal was conceived by Ana Romano G. Luisa Cunha
Participation
las Culturas, las Artes
34th
Participation in the 34th Bienal supported by: República Portuguesa – Cultura / Direção-Geral das Artes and Fundação Calouste Gulbenkian SHIU!, 2018 HUSH! Audio Collection:12’52” Museu de Arte Contemporânea de Elvas, Colecção António Cachola Noa Eshkol
Art games Offset print 65
55
Ministerio
Regina
Participation in the 34th Bienal supported by: Artis and the Consulado Geral de Israel em São Paulo Sunset at Edom Mountains, 1989 Wool, cotton, cotton-linen, cotton crepe, percale, bark crepe, calico 231 × 248 cm Courtesy: The Noa Eshkol Foundation for Movement Notation, Holon, Israel and neugerriemschneider, Berlin Sunset by the Lake, 1995 Wool, cotton, corduroy, silk, polyamide, polyester 254 × 221
Notation, Holon, Israel and neugerriemschneider, Berlin Silveira em definição de arte, 1977 in art definition de arte (series) × cm collection Calfuqueo in the 34th Bienal supported by: de Relaciones Exteriores y Ministerio de y de the Bienal
supported by: Institut français à Paris and Ministère de la Culture et de la Communication – DAC Martinique Bonbon Chouval, 2010 Horse biscuit 15Ceramic×15cm Caldèras, 2013/2019 Artist’sØCeramic25cmcollection Caldèras, 2013/2020 Artist’sØCeramic26cmcollection
Alteração
Jacqueline Nova
Caldèras, 2013/2021 Artist’sØCeramic27cmcollection Vision du vaincu, 2018 View of the defeated 35Ceramic×50× 10 cm