it’sThoughdark, still I sing 34th Bienal de São Paulo Traveling exhibitions program HorizonteBeloHorizonteBeloHorizonteBeloPalácio das Artes July 5 – September 25, 2022 List of works
A ronda da morte by Hélio Oiticica Draft for the Parangolé-área: A ronda da morte project, May, 1979 LetterFacsimilefrom Hélio Oiticica to Martine Barrat, May, ReadingFacsimile1979by Martine Barrat of the letter written by Hélio 5’30’’VídeoOiticica
The Bell from Ouro Preto Documentation in video of the bell of the Capela da Nossa Senhora do Rosário dos Homens Brancos (also called Capela do Padre Faria), on the 2nd November 2020, All Souls’ Day. It was the first time that the bell returned to play since the suspension of religious rites in Minas General due to the covid-19 pandemic. Recording and Editing: Lucas Gontijo de Duration:Godoy 12h
Statements The Portraits of Frederick Douglass, 1841-1895 Fine art print in poster format 60 × 40 cm 120 portraits of the approximately 160 carried out in Frederick Douglass’ lifetime were collected and printed.Collections: Greg French; Onondaga Historical Association; Albert Cook Myers Collection / Chester County Historical Society; MoorlandSpingarn Research Center / Howard University; National Portrait Gallery / Smithsonian Institution; The Art Institute of Chicago; John Chester Buttre; Nelson-Atkins Museum of Art; Clements Library / University of Michigan; New York Historical Society; University of New Mexico Art Museum; National Park Service; Swann Auction Galleries; Massachusetts Historical Society; Hillsdale College; Special Collections / Lavery Library / St. John Fisher College; Lynn Museum and Historical Society / Hutchinson Family Singers Album; Virginia Historical Society; Connecticut Historical Society; R. R. Auction; Division of Rare and Manuscript Collections / Cornell University; Boston Athenaeum; Kansas State Historical Society; American Antiquarian Society; Gilder Lehrman Institute of American History; Cincinnati History Library and Archives; Beinecke Rare Book and Manuscript Library; Kansas State Historical Society; Anacostia Community Museum Archives / Smithsonian Institution; Monroe County Public Library / State Archives of Florida; Frank Leslie’s Illustrated Newspaper; Smithsonian National Museum of African American History and Culture; John White Hurn; Rochester Public Library; Chicago History Museum; The Metropolitan Museum of Art; Mississippi Department of Archives and History and Manuscript Library; Augustus Robin; Anna Roelofs; Tuskegee University; Schlesinger Library on the History of Women in America, Radcliffe Institute and New Bedford Whaling Museum.
Ana Adamović Two Choirs, 2013-2014 2-channel HD video installation Lyrics:2’05” Srećko Djurdjević; choir: Sara Dukić, Milica Dobroka, Danica Gojković, Ivan Jovičić, Kenan Kučević, Jovana Madlić, Nadja Manić, Mihajlo Nikolić, Saša Prendić, Nevena Stojković, Ognjen Tasovac, Milica Vučković; conductor: Dijana Dukić; piano: Srdjan Marković; DP and video postproduction: Vladan Obradović; audio: Srdjan Bajski Artist’s collection Andrea Fraser Reporting from São Paulo, I’m from the United States, 1998 5-channel video installation 5’40”, 4’06”, 2’25”, 5’16”, 6’50” Artist’s collection Anna-Bella Papp Untitled, 2012 35,5Clay × 25,5 × 3 cm Artist’s collection Untitled, 2012 33Clay× 26 × 4 cm Artist’s collection Untitled, 2013 30Clay× 24,5 × 3,5 cm Artist’s collection Untitled, 2013 31,7Clay× 23 × 2 cm Artist’s collection Untitled, 2013 29Clay× 25 × 1,5 cm Artist’s collection Untitled, 2014 30Clay× 26,6 x 3 cm Artist’s collection Untitled, 2014 28Clay× 25,5 x 4 cm Artist’s collection Untitled, 2014 31,5Clay × 27 x 3 cm Artist’s collection Untitled, 2014 29,5Clay × 24 × 2 cm Artist’s collection Untitled, 2014 29Clay× 25,5 × 2,3 cm Artist’s collection Untitled, 2015 32,5Clay × 29 × 4 cm Artist’s collection Untitled, 2016 37Clay× 32,5 × 6 cm Artist’s collection Untitled, 2016 36Clay× 33 × 3,7 cm Artist’s collection
Untitled (studio I), 2020 43Clay× 31,5 × 3,5 cm and 43,5 × 31,5 × 3,5 cm (two Artist’spieces) collection With eyes closed I’m walking in a black room, with open eyes I’m walking in a white room, 2013 28,5Clay × 20,5 × 1,8 cm Collection of the artista and Stuart Shave/Modern Art London Arjan ComplexoMartinsAtlântico (Oceano), 2021 Atlantic Complex (Ocean) Acrylic on canvas 275 × 765 Commissionedcm by Fundação Bienal de São Paulo for the 34th Bienal Clara EducaçãoIannipelanoite, 2020 Education Through the Night 6 overhead projectors and wooden math blocks Artist’s Commissionedcollectionby Fundação Bienal de São Paulo for the 34th Bienal Daiara Tukano Kahtiri Ēõrõ – Espelho da vida, 2020 Mirror of Life Silk feathers and mirror Daniel de Paula circulação, 2019 circulation 30’49’’Video-negociation Eleonore Koch Arch on Park, 1967 Tempera on canvas 60 × 73 cm Private collection Chest on Gray, 1967 Tempera on canvas 70 × 86 Collection:cm Clara Sancovsky Sem título, 1966 Untitled Tempera on canvas 63 × 84,5 cm Private collection, São Paulo Sem título, 1975 Untitled Tempera on canvas 67 × 94 Collection:cm Clara Sancovsky Tulipas sobre fundo rosa, 1985 Tulips on Rose Background Tempera on canvas 73 × 92 cm Private collection, São Paulo
Participation in the 34ª Bienal supported by: British Council and Institut français à Paris A Maze in Grace, 2020 print on paper Dimensions variable A Maze in Grace XIII, 2020 HD Conceived30’46’’video and photographed by Neo Muyanga; chorus: Legítima Defesa; soprano: Tina Mene; animations: Bianca Turner & Neo; collage photographs: Cristina Maranhão / Christiano Jr.; sound mix: Dave Langemann & Neo; recorded at: Bienal Pavilion, São Paulo (February 2020) & studio KwaCha, Cape Town (June 2020)
Unsettled Objects, 1968-69 Single slide projection, 81 35mm images, color Lothar Baumgarten Studio and Marian Goodman Gallery Lydia Ourahmane
Participation in the 34th Bienal supported by: Artis and the Consulado Geral de Israel em São Paulo
Lothar Baumgarten
Pigment
Participation in the 34th Bienal supported by: Nordic Culture Fund, ifa (Institut für Auslandsbeziehungen) and Danish Arts Foundation Plug, 2018 Ceramic sinks and rolled cigars Dimensions variable Noa Eshkol
Dimensions
Commissioned by Fundação Bienal de São Paulo for the 34th Bienal in partnership with the Liverpool Biennial A Maze in Grace, 2021 Publications and vinyl album (exhibition copies) Nina Beier
Creeper on a Tree, 2000s Cotton gabardine, untreated cotton cloth, flannelette, cotton lawn, silk lawn, silk jersey, crêpe de 287Chine×150 cm
Jaider Esbell Carta ao velho mundo, 2021 Letter to the Old World Book and digitized printed book 37,5 × 27,7 cm (each) Artist’s collection
Courtesy:
featuring:
Courtesy: The Noa Eshkol Foundation for Movement Notation, Holon, Israel and neugerriemschneider, Berlin Insects in the Sun, 1990 Cotton, synthetic fibers, lurex, rayon 278 × 216 Courtesy:cmThe Noa Eshkol Foundation for Movement Notation, Holon, Israel and neugerriemschneider, Berlin Symmetric Flora, 1995 Cotton, cotton-linen, cotton twill, cotton crepe, cotton corduroy, polyester 225 × 173 Courtesy:cmThe Noa Eshkol Foundation for Movement Notation, Holon, Israel and neugerriemschneider, Berlin
Participation in the 34ª Bienal supported by: British Council In the Absence of our Mothers, 2018 x-Ray, text and golden tooth variable Collection: Nicoletta Fiorucci Russo De Li Galli, London Neo Muyanga
The Judean Desert, 1987 Wool, cotton, silk, polymers, rayon, polyester, polyamide, elastane 292 × 150 cm Courtesy: The Noa Eshkol Foundation for Movement Notation, Holon, Israel and neugerriemschneider, Berlin Wonderful Summer That Noa Missed With Birds, c. 1990 Wool, cotton, silk, cellulose 291 × 187 Courtesy:cmThe Noa Eshkol Foundation for Movement Notation, Holon, Israel and neugerriemschneider, Berlin Paulo Kapela Untitled, 2007 Mixed media 63 × 77 cm Private collection Untitled, 2007 Mixed media 65 × 42 cm Private collection Untitled, 2008 Mixed media 72 × 53 cm Private collection Untitled, 2009 Mixed media 82 × 40 cm Private collection Untitled, 2009 Mixed media 58 × 31 cm Private collection Untitled, 2010 Mixed media 56 × 76 cm Private collection Untitled, 2010 Mixed Privatemediacollection Regina Silveira Dilatáveis (series), 1981/2020 Dilatables O discurso The Speech Os grandes The Giants O abraço The Embrace A continência The Salut O time The Team Sombras Shadows O jogador The Player Para Lizárraga To Lizárraga Laminated vinyl adhesive on plywood plate Dimensions variable
Sebastián Calfuqueo Participation in the 34th Bienal supported by: Ministerio de Relaciones Exteriores y Ministerio de las Culturas, las Artes y el Patrimonio – Gobierno de Chile Tantas veces apümngeiñ, 2016 So many times apümngeiñ Installation: resin, mud and video Private6’28” collection Tony Cokes Evil.27: Selma, 2011 HD video Courtesy9’ of the artist, Greene Naftali, New York, Hannah Hoffman, Los Angeles and Electronic Arts Intermix, New York